role

Toukie Smith, a former runway model and actor best known for her role on the sitcom “227,” has died. She was 74.

Smith died Wednesday after a long battle with multiple sclerosis, according to a statement from her twins, Airyn and Julian De Niro, provided to the Hollywood Reporter.

“Toukie was a force of nature,” they said, per the outlet. “She left an indelible mark on our hearts and on everyone lucky enough to know her.”

Born Doris Smith on Sept. 25, 1952, in Philadelphia, the Fashion Institute of Technology alum began her modeling career in 1972 and worked with top brand designers including Hubert de Givenchy, Chanel, Issey Miyake and Thierry Mugler over the course of her career. She was named “Bloomingdale’s Favorite Model” in 1978.

Toukie “was a nickname my grandmother gave me that came from a children’s record about a little red fire engine with lots of energy,” Smith told The Times in 1990. “I’ve always had lots of energy.”

Smith got her start modeling for her brother, the late designer Willi Smith who, with his WilliWear Ltd., pioneered a whimsical yet accessible style he dubbed “street couture.”

“Willi always had fun with fashion,” Smith said of her brother, who died of complications from AIDS in 1987. “He had a special energy and a love of keeping clothes from being too serious. He also totally designed for the masses.”

Toukie Smith with Sean Penn, left, and Robert De Niro at a celebrity benefit in honor of her late brother Willi Smith on Feb. 26, 1989.

(Adam Stoltman / Associated Press)

In their statement, Airyn and Jordan said their mother “shared in a remarkable family legacy that helped shape American fashion and culture” and that “her beauty, grace and unmistakable presence helped pave the way for generations of Black models and designers in fashion.”

Smiths pivoted to acting in the 1980s and her first screen credits included a few episodes of “Miami Vice” in 1987 and the 1988 feature “Me and Him.”

She then landed the role of Eva Rawley on the Marla Gibbs-led NBC sitcom, “227.” The series, which aired from 1985 to 1990, was notable for the portrayal of its middle-class Black family, the Jenkinses. Eva was introduced during the fourth season as an artist who moves into the show’s central apartment building and becomes the building’s manager. She would eventually leave the job and find work at an art gallery.

Her credits also include the films “Talkin’ Dirty After Dark” (1991), “I Like It Like That” (1994), “Joe’s Apartment” (1996) and “The Preacher’s Wife” (1996).

Smith’s interests also extended to food. She briefly ran a catering business, Toukie’s Taste, which famously provided the food for Sean Penn and Madonna’s wedding anniversary. She also had a restaurant in New York called Toukie’s in the 1990s, which gave a part of its proceeds to the Smith Family Foundation.

She was in a relationship with actor Robert De Niro from 1988 to 1996. The couple welcomed their twins in 1995, who were born via surrogate.

“I’ll always love you, Mom,” Airyn wrote in her tribute shared Monday on Instagram.

Smith is survived by her children, brother Norman Smith-Harllee and nephew Eliazar Smith-Harllee.

After Democrats delivered a once-in-a-generation midterm thumping of Republicans in the United States midterms, their current leader, Chuck Schumer, has expressed confidence he will helm his party’s larger-than-expected majority in the US Senate.

“I’ll be re-elected as majority leader,” the New York Democrat told reporters in Washington on Wednesday.

But as calls for change reached a fever pitch among voters in this week’s pivotal elections, not every newly elected Senate Democrat is open to the idea of having Schumer, a 75-year-old stalwart of the chamber, reprise his role as the head of their agenda.

At least seven incoming Democratic freshmen have publicly suggested – or said outright – they will not commit to supporting Schumer in next month’s leadership vote:

• Illinois Senator-elect Juliana Stratton, through a spokesperson, said she will not support Schumer.
• Kansas Senator-elect Adam Hamilton told CNN in September: “I’m not supporting Schumer”.
• Maine Senator-elect Troy Jackson said on Monday he told Schumer he will “support somebody else”.
• Michigan Senator-elect Abdul El-Sayed reiterated in an interview with CNN on Thursday that he will support his soon-to-be Democratic colleague, Senator Chris Van Hollen of Maryland, as leader.
• Minnesota Senator-elect Peggy Flanagan told reporters on Wednesday, “It is time for new leadership”.
• New Hampshire Senator-elect Chris Pappas said in an interview last week that “voters are hungry for … a new generation of leadership in the Senate”.
• Texas Senator-elect James Talarico has called for “new blood” in Washington, and since being elected, has indicated he wanted to “hear about [Schumer’s] vision” for the Senate before committing to back him.

Jackson has openly questioned Schumer’s ability to connect with working-class voters, while Flanagan’s staff has said the senator-elect wants “a progressive champion” who will shepherd Democrats through the final two years of Donald Trump’s presidency and into 2028.

New members, like El-Sayed, may not be won over after Schumer backed the former public health official’s opponent, Haley Stevens, in Michigan’s Democratic primary.

Schumer, the first Jewish Senate leader, has often found himself at the centre of brewing cultural and foreign-policy debates within his party.

In remarks that were posted online in February, Schumer told Jewish leaders in New York City one of his core duties was “to fight for aid to Israel”.

“We delivered more security assistance to Israel, our ally, under my leadership than ever, ever before”, he said. “We will keep doing that.”

Schumer has also faced fierce criticism for not doing enough to block Trump’s cabinet members from being confirmed. Some have even chastised the leader for retreating during last year’s government shutdown after he backed a Republican bill to reopen federal agencies without getting anything in return.

Critics in his party, including California Governor Gavin Newsom, called that a “capitulation” that abandoned key Democratic priorities, like healthcare subsidies. Michigan Congresswoman Rashida Tlaib said Schumer should have stepped down as leader over the matter.

The Democratic leader said on Wednesday the party’s new Senate plan would include launching investigations into the Trump administration, challenging the president’s agenda and ending his war in Iran.

However, that’s not good enough for some current members, like Van Hollen, who recently told Bloomberg that Democrats should not commit to Schumer without promises of a “bold agenda”.

Before Tuesday’s election, a senior campaign staff member for Senator Jon Ossoff, who was easily re-elected to his seat, would not say whether the Georgia Democrat would back Schumer.

“I do not have an answer,” the Ossoff source told Al Jazeera. “We can do all the fantasy football stuff later.”

When Democratic lawmakers return to Washington next week, voters and Democratic-aligned groups will likely pressure them to support an alternative candidate.

After calling for new leadership after the election, Indivisible, a progressive US-based organisation that bills itself as a movement “to stop the rise of authoritarianism”, released a memo on Thursday detailing their opposition to Schumer.

“Everyone with a Democratic senator – including those with newly-elected senators on their way to DC – should be demanding a contested leadership election, not a cleared field for Schumer”, the memo read.

“Any Democrat who is considering business as usual, or unwilling to fight at a level that matches the public’s demand for action – is not qualified to lead the party at this moment. Who leads the party in this era must be an open question, not a coronation. It’s time to define what the next era of the Democratic Party will be.”

Al Jazeera asked Schumer’s office how he plans to address those concerns and whether he is speaking with frustrated Democrats, but it has not yet responded.

To be re-elected, Schumer needs a simple majority of the Democratic Senate caucus, projected to comprise 54-56 members, and Schumer, who previously served as majority leader during the duration of former President Biden’s term in office, still has allies he can count on.

One of those is Democratic Senator Cory Booker of New Jersey, who told ABC on Wednesday that he commended Schumer’s handling of the midterms, saying he delivered “one of the most historic sweeps” for the party.

“We’re gonna have a family discussion,” Booker said. “But I think America should give … Chuck Schumer his due for what we were able to achieve.”

When asked Wednesday about building criticism of his leadership, Schumer demurred, saying Tuesday’s elections were “not about” him.

“This is about the American people and what they want and what they need and what we can do to help them. Plain and simple”.

To win in girls’ flag football, you need your school’s best athletes to come out. And unbeaten JSerra certainly pulled off the feat by getting three-sport standout Kai Beary to devote time to flag football.

She’s a goalie for the girls’ soccer team and headed to Georgetown in Janaury to prepare for the college season. She won’t be around for the track and field season but won the Southern Section Division 3 title in the shotput last season.

In flag football, she catches passes and helps JSerra’s formidable defense. JSerra is 27-0 and plays Newport Harbor at 8:30 p.m. Saturday at Huntington Beach in the Open Division championship game.

Beary was in Long Beach on Wednesday for the Southern Section girls’ flag football championship luncheon. Her athleticism has been helpful to three JSerra sports teams and won’t be forgotten.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

There are many metrics by which to measure the success of “Oh, Mary!,” the Tony Award-winning play that has taken the stage by storm. And here’s a new one: Effusive hype and high ticket demand has resulted in Center Theatre Group booking the show for its 2028 60th anniversary season even before its national touring production hits the Ahmanson Theatre on Nov. 10.

As evidenced by Tuesday’s announcement, the current tour, starring drag queen Alaska Thunderf— is set to arrive in L.A. next week with sky-high expectations. Ironically, director Sam Pinkleton originally resisted the idea of a tour, feeling the show might lose some of its charm on the road.

“I was convinced it was a bad idea,” Pinkleton said with a laugh during a recent interview. “But when we went to Broadway, I also thought that was a terrible idea, and I was absolutely wrong.” The director was originally concerned the scrappy little show with a cast of five wouldn’t play as well in larger houses. “But seeing how well it works on Broadway, I think it’s actually better than in the small room. It’s not a play I would call subtle; it really fills a room. So that gave me a lot of confidence about a national tour.”

Written by and originally starring Cole Escola, “Oh, Mary!” is a revisionist take on former First Lady Mary Todd Lincoln’s life in the days leading to Abraham Lincoln’s assassination. Historical accuracy be damned, the show presents Mary as a wannabe star repressed by her closeted husband. Premiering off-Broadway in February 2024 and set to run six weeks, the show was given multiple extensions before transferring to Broadway, where it won Tony Awards for Escola’s performance and Pinkleton’s directing. Escola was also a finalist for the Pulitzer Prize in drama that same year.

Cole Escola and James Scully in “Oh, Mary!” on Broadway. Many actors have since taken on the role of Mary Todd Lincoln.

(Emilio Madrid)

But “Oh, Mary!” has achieved much more than gold statues and box office receipts — it’s a genuine pop-culture phenomenon, a familiar meme and a show beloved by seemingly all demographics.

“I think a turning point was early in the run when Steven Spielberg, Tony Kushner and Sally Field all came together,” Pinkleton said. “We were all like, ‘What is happening?’”

Other notable audience members, including Madonna and Michelle Obama, followed, while actors such as Maya Rudolph, Bowen Yang and Tituss Burgess signed up to don Mary’s ringlet wig as the Broadway run stretched on. “It’s wild to think that tonight, you can see it in three different places,” says Pinkleton, referring to the productions in New York, London and the national tour.

If the tour’s leading lady is feeling any pressure, she’s not showing it. Alaska admits that even she was skeptical of the show’s advance hype. “I kept hearing, ‘Oh, you have to see this play, this play is so good,’” she recalled during a Zoom interview from the show’s San Francisco stop. “And I thought, ‘How good can a play be? What is everyone talking about?’”

But the moment she saw it, she understood. “I was immediately enamored, I was hooked.”

“Oh, Mary!” star Alaska says the show feels written for her, even thought she knows it’s not.

(Gabriela Hasbun / For The Times)

When it came time to cast the tour, Pinkleton immediately thought of Alaska, known to most audiences as the winner of the second season of “RuPaul’s Drag Race All Stars.” Pinkleton had worked with her before, most notably in the 2021 production of the Go-Go’s musical “Head Over Heels” at the Pasadena Playhouse. “I knew for a fact that Alaska could do this in her sleep,” he said. “As the kids say, I have receipts. She’s the real thing and she was made for this.”

Following an early Zoom work session, Alaska was on board. “I feel like it was written for me, but I know it wasn’t,” she said. “And that’s a testament to Cole writing something very true and anchored in real emotion. I think anyone who has ever felt underestimated or misunderstood or overlooked can really identify with this role.”

In many ways, the joy of playing Mary is that different actors bring different aspects and personality nuances to the role. “It’s a big, juicy part that works in the hands of radically different people,” Pinkleton said.

Asked what she feels she brings to the role, Alaska said she didn’t go in thinking about how to make it her own. “I really just approached it truthfully,” she said, noting that while the show is a comedy, the circumstances Mary finds herself in are genuinely tragic, and she wanted to be true to that. “This isn’t jokey to me — it’s really serious, intense and high-stakes. I wanted to do it like an Ibsen play or Shakespeare.”

The show doesn’t play like a tragedy, however. It’s a roller coaster ride from the start, and Pinkleton said he always wants the audience to have a great time.

“Oh, Mary!” star Alaska puts on makeup backstage at the Curran Theatre during the San Francisco stop of the show’s national tour.

(Gabriela Hasbun / For The Times)

“I know there’s a lot of amazing theater being made about various traumas, but I can only control my corner of things and I just feel that most of us have had a bad day in one way or another,” he said. “And it would be awesome if our time at the theater was joyous. And I take that really, really seriously.”

Both director and star are well aware of the expectations that come with a show so beloved and discussed. “I try not to think about it,” said Alaska. “I just trust in the show being so beautifully constructed and it truly has something for everyone, whoever you are.”

For his part, Pinkleton said with a laugh, “There’s definitely some element for me of, ‘Like, it’s just a play, calm down.’” But part of maintaining its heart and charm is remembering that at its core, “it’s kind of a small operation.”

“It was made with a really hands-on approach by a very small group of people who cared a lot and that spirit has remained even as we’ve scaled it up,” Pinkleton said. It hasn’t been easy work; Pinkleton credits several people for their contributions, particularly the tour’s associate director Sunny Min-Sook Hitt, who occupied the same role during the original production. “It’s taken a lot of worthwhile work to keep it what it is. There’s just not a world where ‘Oh, Mary!’ can turn into ‘Jersey Boys,’” Pinkleton said. The national tour is already selling out houses across the country and receiving a rapturous response. “Every night has a different energy and the audience is definitely a part of the show,” Alaska said. “In San Diego, we were in a 3,000-person theater, we’ve never played one that size. It felt like the stadium version of ‘Oh, Mary!’”

Pinkleton said he makes “a lot of big, gay shows” and people have asked him how he thinks “Oh, Mary!” will play in smaller cities. “Honestly, I was a weird, loud, gay kid in Richmond, Virginia, and I’m excited to bring it to places that might not get this kind of thing,” he noted. And sometimes silly comedies can be the most meaningful, particularly to marginalized communities. “It’s meaningful that there will be some people for whom ‘Oh, Mary!’ is also a kind of a life raft.”

Patrick Stewart was an imposing figure, on screens big and small, and on stage in the many theatrical productions he starred in over his long career. Depending on the role, his baritone voice could command a legion of Starfleet officers, superhero mutants or a royal court. The actor, who died Wednesday, will be best remembered for the iconic characters he portrayed, particularly in the “Star Trek” and “X-Men” franchises, but over the course of his career, he proved his versatility, playing comedic roles as brilliantly as his dramatic ones. Here, our writers detail some of his most memorable onscreen work.

‘Dune’ (1984)

Even in the wake of Denis Villeneuve’s mega-productions, David Lynch’s dreamy version has found its fandom of acolytes. To watch Stewart commit to the director’s vision is to wish he had more film opportunities outside the shadow of Capt. Picard. He’s playing Gurney Halleck (Josh Brolin does the role in the new movies), a war advisor to young Paul Atreides, and Stewart brings gruff family-friend vibes to his few scenes, which have become legendary in the Lynch pantheon. When Kyle MacLachlan’s Paul says he’s “not in the mood” for combat training, Gurney explodes at him: “Mood’s a thing for cattle and loveplay, not fighting!” Later, you can watch Gurney charging into planetary battle holding — what’s this? — a sweet-looking pug. They must be symbolic to House Atreides. The dogs don’t appear in Frank Herbert’s novel. Lynch just added them. It’s how I choose to remember Stewart. — Joshua Rothkopf

Patrick Stewart as Captain Picard in “Star Trek: The Next Generation.”

(Elliott Marks/Paramount)

‘Star Trek: The Next Generation’ (1987-1994)

Whichever captain in the “Star Trek” franchise you fancy — Janeway, Kirk, Sisko, Pike, etc. — Jean-Luc Picard was always in the conversation. He was serious, stern, smart, curious, with the hint of whimsy that it takes to soar among the stars with theoretical science and a diplomatic flair with alien races. Undoubtedly, Stewart’s Shakespearean training helped him look past the costumes, sets and CGI into the humanity of what the writers and Gene Roddenberry intended. Though “Star Trek” was set hundreds of years into the future, Stewart gave the character a sense of now, with some of the same problems we face today. Indeed, one of his most famous quotes from the show, from the fifth-season episode “The Inner Light,” embodied how he kept Picard in the present: “Seize the time … live now. Make now always the most precious time. Now will never come again.” — Jevon Phillips

‘Robin Hood: Men in Tights’ (1993)

My nascent cinephilia was nurtured by movies on VHS. One tape (and eventually DVD, then Blu-ray) we often found ourselves watching was Mel Brooks’ “Robin Hood: Men in Tights.” The spoof of early Hollywood’s swashbuckling action-adventure movies is one of the comedy titan’s most quotable films, thanks in large part to the timing of the cast. Stewart, in a cameo at the end of the film, plays a regal King Richard who returns from the Crusades to chastise his younger brother Prince John (played by a scene-stealing Richard Lewis). Stewart gets one of the film’s best jokes, delivering one final indignity to Prince John with the panache that only a formally trained actor of his caliber could. — David Viramontes

James Marsden, left, and Patrick Stewart in “X-Men.”

(Attila Dory / 20th Century Fox)

‘X-Men’ (2000)

Casting Stewart as Professor Charles Xavier in Bryan Singer’s “X-Men” must have seemed almost too easy. He looked remarkably like the bald, wheelchair-using Marvel comic-book character and had already spent seven seasons playing a similarly cerebral, principled leader as Capt. Picard on “Star Trek: The Next Generation.” But Stewart brought more to the role than a physical resemblance and a voice that could make a grocery list sound like a royal decree. As the powerful telepath who ran a school for young mutants and believed they could coexist peacefully with humans, his Xavier barely needed to raise an eyebrow to command attention, even when surrounded by characters who could sprout claws, control the weather and shoot beams from their eyes. Playing opposite Ian McKellen as Xavier’s old friend turned rival Magneto, Stewart brought a touch of Shakespearean gravitas to the fledgling franchise, returning to the role for seven more films over the next 22 years. He’ll reprise the role a final time in “Avengers: Doomsday” in December. — Josh Rottenberg

Patrick Stewart and Hugh Jackman in the film “Logan.”

(James Mangold / Marvel / Twentieth Century Fox)

‘Logan’ (2017)

Previous installments of the “X-Men” films are more typical of the superhero genre, with grand CGI battle sequences and a foe or foes that must be defeated. But “Logan,” which centers on the titular character, a.k.a. Wolverine (Hugh Jackman), is different, with a grounded, gritty story set in 2029 in the desert of Northern Mexico near El Paso. Logan is now a limousine driver addicted to prescription painkillers and he’s a caretaker, along with fellow mutant Caliban, for an elderly Charles Xavier. Ten minutes into the film, we see the professor not in his usual dignified manner, dressed in a sharp suit; instead, we see him thin and frail, in a dirty T-shirt, zooming around in circles in his motorized wheelchair repeating the lines of a Taco Bell commercial. Logan attempts to medicate him so that he and Caliban can rest, but Xavier fights him off, falls out of his wheelchair and has a telepathic seizure that begins to affect everyone around him. “What are you doing to me?” he whispers in a scared voice as Logan tries to inject him. It’s a scene that Stewart imbues with terror and sadness as we see the formerly stoic Xavier shrivel in his hospital bed, reminded of his ailments and his mortality. — Maira Garcia

Actor Barbara Barrie, best known for films in which she elevated the role of Mom — including her Oscar-nominated turn in “Breaking Away” (1979) — died Wednesday in her Manhattan home. She was 95.

Barrie’s death was confirmed to the L.A. Times by the actor’s representatives, who said it was medically assisted. Her daughter, Jane Harnick, told the New York Times that her mother’s death followed a terminal cancer diagnosis.

Barrie’s representatives said in a statement to the L.A. Times that the actor was a proponent and advocate of New York’s Medical Aid in Dying Act, a law that took effect on Aug. 5.

Born Barbara Berman in Chicago in 1931, Barrie and her family moved to Corpus Christi, Texas, where she attended Del Mar College. She would later transfer to the University of Texas, where she received multiple awards for drama.

After graduation, she took her acting dreams to the Big Apple, where she made her Broadway debut in the 1955 play “The Wooden Dish.” Throughout her career, Barrie starred in various Broadway productions, among them “The Selling of the President” (1972), “California Suite” (1976) and, most notably, the 1970 musical “Company,” by Stephen Sondheim, for which she received a Tony Award nomination for featured actress in a musical.

Her last Broadway stint was in 2017 in the original role of Helene Berman in the Joshua Harmon play “Significant Other.”

Barrie extended her acting expertise beyond the stage, however, making her first television appearance on “Kraft Television Theater” in 1955. A year later, she made her film debut, albeit uncredited, in the western epic “Giant” while she was in Texas visiting her family.

With more than 120 credits to her name, Barrie began appearing in popular TV shows in the 1950s and ’60s, such as “Naked City,” “The Twilight Zone,” “The Alfred Hitchcock Hour,” “The Nurses” and more. Later TV credits included “Barney Miller” and “Suddenly Susan,” where she played an on-screen grandmother to Brooke Shields.

Her first major film role came in 1964, when she played divorcée Julie Cullen Richards in “One Potato, Two Potato.” She portrayed a white woman who falls in love with a Black man, Frank Richards (played by Bernie Hamilton). The film was released during a time when interracial marriage was not yet legalized nationwide. Barrie earned a Cannes Film Festival Award for the performance.

The actor went on to star as the mom Evelyn Stroller in the 1979 coming-of-age comedy-drama “Breaking Away,” which earned her an Academy Award nomination for supporting actress, and later an Emmy nomination when she reprised the role for the 1980 television series.

Other film credits include 1980’s “Private Benjamin,” 1997’s “Hercules” (where she voiced Alcmene, Hercules’ mortal mother) and 1999’s “Judy Berlin.” According to her IMDb profile, her last credit was in 2025 for the queer romantic comedy “Things Like This.”

In 1994, Barrie was diagnosed with rectal cancer, prompting her to raise awareness about the disease. She published two books on the matter, including “Second Act,” a 1997 memoir about resolute optimism and acceptance, and “Don’t Die of Embarrassment: Life After Colostomy and Other Adventures,” a 1999 memoir where she dives deep into her diagnosis and experience with a colostomy procedure.

Barrie married actor, director and producer Jay Harnick in 1964. He died in 2007. The two are survived by their children, Jane and Aaron.

Summer Strallen, who is best known for her career in the West End and is currently starring in Beetlejuice, has addressed her stint in Hollyoaks that acted as a publicity stunt almost 20 years ago

West End star Summer Strallen has admitted she is “embarrassed” by her role in Hollyoaks – almost two decades after she left the Channel 4 soap.

The actress, 40, has had a hugely successful stage career and in the late 2000s, she was cast in the leading role of Maria von Trapp in Andrew Lloyd Webber’s production of The Sound of Music, acting as a replacement for Connie Fisher, who had won the part on the BBC reality show How Do You Solve A Problem Like Maria?

In an attempt to drum up more publicity for the musical, Summer was cast as aspiring actress Summer Shaw in Hollyoaks, and the storyline was designed around her fictional counterpart also landing the role made famous by Dame Julie Andrews. The publicity stunt also served as the exit for long-running character Sam “O.B.” O’Brien (Darren Jeffries) who left the fictional village to be with Summer when she moved to London.

Speaking about the odd plotline almost 20 years on, she said: “I did The Sound of Music for Andrew Lloyd Weber and did that whole Hollyoaks thing where I don’t know if I should [mention it]… It was like a publicity stunt where I went into Hollyoaks for five months and then I got the part of Maria on Hollyoaks.

“So it was around the programmes. Connie Fisher had done the first one, How Do You Solve A Problem Like Maria? and they were basically…they needed another bump of publicity for the new person coming in so they had this idea that I’d go into Hollyoaks for five months. I had a proper role, they called me Summer Shaw.

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“They called me Summer in it. And it was mad. I moved up to Liverpool and everything to do it and then went into The Sound of Music. It was hilarious. And Andrew was in it, we did scenes where be offered me the part of Maria and me and OB, who was my boyfriend, moved to London. I took OB with me, he was a massive part in Hollyoaks, and he left with me.”

Summer, who is the niece of West End legend Bonnie Langford, was chatting to fellow West End actress and former Strictly Come Dancing contestant Amber Davies on her Call to Stage podcast when she addressed her soap stint. When the ex-Love Island winner said she was going to dig out some clips on YouTube, Summer said: “It’s embarrassing!”

But the star, who also had a small role in Wicked: For Good opposite Ariana Grande and also appeared in BBC soap Doctors, is also thankful for the experience that working in television gave her at the time.

She added: “But it was good because I It meant that I did that. It was like in baptism of fire. for TV. So then when I did other TV jobs was great because I knew how to hit my mark. I knew not to drink, stuff like that. It’s totally different and so it really set me up.”

The late 2000s marked a time of using television to heavily publicise theatre and How Do You Solve A Problem Like Maria was the first in a series of four BBC casting shows. It was followed by Any Dream Will Do, in which Lee Mead won the part of Joseph before going on to star in other West End shows and enjoy a stint in Casualty.

I’d Do Anything launched the acting career of Jodie Prenger, who won the part of Nancy in Oliver! and now plays Glenda Shuttleworth in Coronation Street whilst Jessie Buckley finished in second place in the years before she became an Academy Award winner.

In 2010, Over the Rainbow found Danielle Hope to play Dorothy in The Wizard of Oz and also launched the career of Stephanie Davis, who is best known for her own Hollyoaks role and for appearing on Celebrity Big Brother. The talent searches were all headed up by composer Andrew Lloyd Webber, and hosted by Graham Norton.

Various celebrities like stage actress Denise Van Outen, Loose Women panellist Zoe Tyler as well as Doctor Who actor John Barrowman, singer Charlotte Church and EastEnders star John Partridge all served as judges over the years.

Since her Hollyoaks stint, Summer, whose sisters are Zizi and Scarlett are also West End actresses and are known for the respective performances in Wicked and Mary Poppins, has mostly focused on theatre as well and is currently starring in the musical adaptation of Beetlejuice.

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Michael Gray, who played the teenager who could turn into a superhero in the 1970s live-action Saturday morning children’s TV series “Shazam!,” has died. He was 75.

Gray died Oct. 16 from natural causes in Palm Desert, a representative for the actor announced Thursday. No other details were provided.

Based on the comic book superhero Captain Marvel, who first appeared in an issue of Whiz Comics in 1939, “Shazam!” aired for three seasons on CBS from 1974 to 1976. Gray starred as Billy Batson, a teenager who could transform into a grown-up superhero by saying the magic word “Shazam!” In his enhanced form, Captain Marvel possesses powers such as superhuman strength and speed, heightened intelligence and the ability to wield lightning. The character has since been renamed to Shazam.

“It was a lot of fun,” Gray said of the role in a 2012 interview with Fanboy Planet. “I didn’t know how much I would like it until years later when I found out how much of an influence my character was, and the show was, in people’s lives.

“There were such good moral values to the show,” he added. “I meet people 1792821573 who say, ‘You have no idea what you did for me as a child. You helped me get through life.’ … I didn’t know the show had that much strength and power back then.”

Born Sept. 2, 1951, in Chicago, Gray grew up in Miami Beach before making his way out west to pursue a career in Hollywood. He would frequently grace the covers of teen pop magazines, including Tiger Beat, thanks at least in part to his manager Charles Laufer, the magazine’s publisher.

“The teen idol angle was orchestrated to some degree,” Gray said during a Q&A event in 2012, according to Comic Book Resources. “I was interviewing for ‘The Brian Keith Show’ with Warner Brothers, and they also owned a news company that produced a lot of magazines. They wanted me to be the next David Cassidy. I was on the front cover of ‘Tiger Beat’ and it worked.”

Among Gray’s earliest screen credits were appearances on shows such as “Room 222” (1969), “The Flying Nun” (1970) and “Marcus Welby, M.D.” (1970). His first recurring role was on “The Little People,” also known as “The Brian Keith Show,” where he played a student doctor named Ronnie Collins. Gray also appeared in an episode of “The Brady Bunch” as Marcia’s boyfriend, Jeff.

Gray left acting not long after his run on “Shazam!” after feeling typecast in the roles that were offered to him. His later pursuits included work in children’s theater education and men’s fashion and owning a West Hollywood flower shop.

More recently, Gray’s legacy from “Shazam!” pulled him back into Hollywood. He voiced a version of himself as Sterling Archer’s childhood hero in four episodes of FX’s adult animated series “Archer” from 2015 to 2019. He also appeared in a cameo in the 2023 film “Shazam! Fury of the Gods” where he interacted with the latest incarnation of the superhero played by Zachary Levi.

Gray is survived by his wife, Stacy Benon Gray; his stepchildren Ryan Cooper and Laurel Cooper; and son-in-law Lee Barker.

Matthew Stafford does not typically stray much from comments about sticking with his process.

But in the wake of a rash of injuries suffered by several of the Rams’ key players, the veteran quarterback and reigning NFL most valuable player on Wednesday sounded as if he intended to be a calming presence.

“Been a part of these times before,” said Stafford, an 18th-year pro. “That’s when my role becomes even more important as a leader, as somebody that can try and help steady the ship for us and make sure that I’m doing my part to do everything I can to help us win football games becomes even more important.”

Stafford has passed for 11 touchdowns with six interceptions for a team that has lost two games in a row to fall to 2-4.

The Rams play the Raiders on Sunday in Las Vegas.

For that game — and more — they will be without star receiver Davante Adams and defensive linemen Kobie Turner and Poona Ford, all of who suffered injuries Sunday in an 18-16 defeat by the Arizona Cardinals.

Coach Sean McVay has said Adams would be out six to 10 weeks because of a hamstring injury. The Rams on Wednesday placed Turner on injured reserve because of a groin strain, and Ford is out for the season because of a ruptured triceps.

On Monday, McVay said linebacker Nate Landman was in concussion protocol. And All-Pro cornerback Trent McDuffie, who sat out against the Cardinals because of a groin injury, did not practice Wednesday.

Edge rusher Myles Garrett and tight end Terrance Ferguson remain on injured reserve.

“Everybody sees these and they’re on their fantasy team or whatever and they’re like, ‘Aww. I’ve got to trade a guy in and out now,’” Stafford said. “And we’re like, well that guy’s worked … for the last eight months to get this opportunity and it’s unfortunate he doesn’t get to do what he loves to do. … I know the work that they put into it to be out here doing what they love.

“I just feel even more responsibility to try and be as good as I can be.”

The Rams have four more games — against the Raiders, Chargers, Washington Commanders and the Cardinals — before a bye.

Stafford indicated he would lead by example — and more.

“I’m not going to go outside of the framework of what I feel comfortable with when it comes to leadership,” Stafford said, “but at the same time, just how steady can I be? How good can I be?

“Sometimes that’s having a conversation with a guy. Other times that’s checking the ball down and not forcing one…

“I just want to lead the way for those guys and let them know that, ‘Listen, I’ve been in instances like this before and I’ve been on teams that have turned things around in that regard.’ So hopefully they can look to me and feel comfortable that I’m leading the way and doing what I can to help us be where we want to be.”

The U.S. Air Force is exploring options for adding air-to-air combat capabilities to its bombers as part of efforts adjacent to its latest fighter force structure plans. The service has raised the possibility of the B-21 Raider, specifically, taking on an air-to-air role, and potentially doing so in cooperation with Collaborative Combat Aircraft (CCA) drones, in the past. As TWZ has explored for years, the B-21’s inherent attributes – size, extreme range, high operating ceiling, broadband low-observability (stealthiness), and advanced sensors – could actually make it especially well suited to taking part in air-to-air combat missions. The Air Force’s other bombers could also be part of these future plans.

Aviation Week was first to report on the potential for bombers to help bolster the Air Force’s air-to-air combat capacity after obtaining a copy of a new long-term fighter force structure report submitted to Congress last week. Media coverage of this report first began to appear earlier this week following a roundtable on Tuesday with Lt. Gen. David Tabor, the service’s Deputy Chief of Staff for Plans and Programs. The full report, which is unclassified, was not disseminated to reporters at that time.

The Air Force’s central goal now is having 1,509 combat-coded fighters in inventory by 2035, which is hundreds more than it has in service today. This will come from the acquisition of new F-35As, F-15EXs, and F-47s. There are already questions about how realistic this plan might be, and the service has acknowledged several hurdles it will need to overcome. You can read more about this in our initial reporting here.

“Accordingly, the USAF is also evaluating additional recapitalization options, including a new capacity fighter, increased reliance on CCAs [Collaborative Combat Aircraft], and developing air-to-air capabilities on bombers,” the latest fighter force structure report says, per Aviation Week.

“A new capacity fighter” may refer to the possible acquisition of new-production F-16 Vipers, which Lt. Gen. Tabor said at the roundtable could be an option in the future, according to an earlier story from Air & Space Forces Magazine. He also said making any such decision was not an “urgent” priority. This is just one possibility here. The Air Force has floated ideas for other new fighter concepts beyond the F-47 in recent years. Lockheed Martin has talked about the potential for expanding on the F-35 design.

At the roundtable on Tuesday, Tabor also made clear that the introduction of CCAs would influence future fighter force structure plans, but the expected scale and scope of those impacts remain unclear. He does not appear to have addressed the role bombers could play in this equation at that time. The new fighter report itself does not elaborate further on the potential use of bombers, based on Aviation Week’s story. TWZ is seeking more information.

When it comes to the possibility of Air Force bombers, and the B-21 more specifically, taking on an air-to-air role, this is not the first time the possibility has been raised, as mentioned earlier.

“As the NGAD [Next Generation Air Dominance] review goes forward, like, is it possible that what that ends up with could be the B-21 taking a larger role?” reporter Stephen Losey, working at the time for Defense News, asked then-Air Force Chief of Staff Gen. David Allvin at the Military Reporters & Editors (MRE) Conference in 2024.

“We have not taken that off the table,” the Air Force’s top officer said in response to Losey’s question, but did not elaborate.

B-21 Takeoff and Landing

At that time, the Air Force’s NGAD program was undergoing a deep review, and the future of the sixth-generation fighter component of the effort had come into question. The decision was ultimately made to continue pursuing plans for what has now become the F-47.

For years now, TWZ has been highlighting how the B-21 could serve in multiple roles beyond just that of a traditional bomber, including in an air-to-air capacity. Air Force officials have themselves described the Raider as having multi-mission capabilities, which could extend into the realm of air-to-air combat.

“If we were to characterize it [NGAD] as a fighter, we would be… thinking too narrowly about what kind of airplane we need in a highly contested environment,” then-Air Force Maj. Gen. Scott Pleus told what was then just Air Force Magazine back in 2019. This could be “a B-21 that also has air-to-air capabilities” and can “work with the family of systems to defend itself, utilizing stealth – maybe that’s where the sixth-generation airplane comes from.”

Pleus’ comments had tied in with adjacent discussions at the time and thereafter about how the B-21 might operate together with future CCA drones. Pleus, who was subsequently promoted to lieutenant general and whose lasting posting was as Director of Staff at the Air Force’s top headquarters at the Pentagon, retired in August of this year.

It remains unclear how the Air Force might be considering employing the B-21, or any of its other existing bombers, in air-to-air combat. This could entail loading out bombers for direct air-to-air engagements, or the integration of new capabilities to help them find targets or to otherwise enable new supporting roles, or a mix of all of the above. The process of achieving air superiority is not limited to neutralizing aerial threats, either.

As TWZ has written in the past in the context of an air-to-air role for the Raider in particular:

“The Raider has the potential to serve as a launch platform for air-to-air missiles, especially outsized very long-range types. Its payload capacity would give it the ability to carry a large volume of smaller air-to-air missiles, as well. B-21s could also employ air-to-ground munitions in support of the suppression and destruction of enemy air defenses mission (SEAD/DEAD), which is also part of the air superiority equation.”

“Maybe most significantly, the B-21s could also act as airborne nerve centers in support of counter-air missions, especially for controlling drones like the Air Force’s planned fleets of Collaborative Combat Aircraft (CCA), and have the ability to do so even in the most heavily contested of airspaces. Uncrewed aircraft, in turn, could feed targeting data back to Raiders with air-to-air loadouts. B-21s might even be able to launch some of those drones themselves.”

Deeply networked ‘kill webs’ that bring together distributed arrays of sensors and other supporting elements across vast distances and multiple domains, coupled with very-long-range air-to-air missiles, open up new operational possibilities more generally. This applies to Air Force bombers beyond the B-21.

When it comes to longer-range air-to-air missiles, the Navy has notably already fielded the AIM-174B air-launched version of the Standard Missile-6 (SM-6). The service more recently disclosed another such missile in flight testing now, the AIM-424 Malice.

The Air Force has pursued similar missile developments in the past and put out a call for a new anti-air missile with a maximum range of at least 1,000 nautical miles just in June. The service has been exploring multi-stage types with modular designs that could be configured for longer- and shorter-range engagements, as well. These are all just programs we know about, and do not speak to the developments the Air Force and others could have underway in the classified realm.

There is also the Defense Advanced Research Projects Agency (DARPA) LongShot program, which the Air Force, as well as the U.S. Army and Navy, have been involved with over the years. The aim of that effort is to demonstrate the concept of an air-to-air missile-carrying drone to help extend the reach and reduce the vulnerability of tactical fighters and bombers.

On top of all this, tactical fighters are generally ill-suited to, and in some cases outright incapable of, carrying the kinds of outsized payloads being discussed here. This underscores the potential value of incorporating bombers into this equation as a means to engage targets at extreme ranges.

Even in a closer proximity support role of fighter aircraft, B-21s, as well as B-52s, could contribute to air-to-air fight as arsenal ships for longer-range weapons, firing on demand from the rear in coordination with crewed and uncrewed platforms operating at the tip of the tactical edge. B-21s could also use their penetrating capabilities to command drones of their own that provide penetrating fighter-like capabilities.

New air-to-air capabilities on Air Force bombers could include self-protection systems, too. Years ago now, the B-21’s prime contractor, Northrop Grumman, patented an anti-missile defense system for stealthy aircraft designed to fire hard-kill interceptors. The Air Force, as well as the Navy, have openly expressed interest in similar defensive capabilities for aerial refueling tankers and other larger planes. Just being able to provide localized close-in defensive ‘bubbles’ around individual bombers could impact the calculus when it comes to future air-to-air combat requirements.

To reiterate, these are all concepts we have discussed in depth for roughly a decade.

Speaking more broadly about Air Force future fighter force structure demands, as we wrote previously:

“In recent years, sustainment costs, broadly, have only become an increasingly serious concern for the Air Force, as well as the other branches of the U.S. military, especially when it comes to complex manned platforms, such as the F-22 Raptor and the F-35 Joint Strike Fighter. Fleet size and the readiness of those fleets are also highly pressing issues. So, at least in the near term, it’s not surprising that NGAD may end up focusing more on exploring available lower-cost options with distributed capabilities as alternatives to traditional air combat assets with highly centralized capabilities, such as manned fighter jets packed with ‘exquisite’ technologies.”

Despite the decision in the end to proceed with the more exquisite F-47, these points have only become more pronounced as time has gone on. How many F-47s the Air Force ultimately intends to buy is another question that looks to remain unanswered by the latest fighter force structure report. At the same time, there are clear signs that the Air Force is planning to significantly increase its planned B-21 fleet size. The official acquisition target has long been at least 100 Raiders, but the Air Force and Northrop Grumman have said a new topline figure is expected to come in the Fiscal Year 2028 budget proposal next year. The service is now explicitly aiming to have at least 500 CCA drones in service by 2032, too. All of this will compete for funding and other resources, at least to a degree.

In the meantime, there has been a “persistent decline in AA [aircraft availability] rates across the USAF tactical fighter fleet,” which “is the direct mathematical consequence of operating an inventory with an average age exceeding 31 years,” the Air Force’s latest fighter force structure report says, according to Aviation Week. “As legacy platforms – such as the F-16C/D, F-15E, and A-10C – operate well beyond their original engineering service lives, they experience compounding structural fatigue, widespread corrosion, and subsystem degradation.”

“Achieving the mandated AA rates required for a peer-conflict scenario necessitates aggressive divestment of the oldest airframes to fund the procurement of highly available, modernized platforms like the F-35A and F-15EX,” the report adds, per that outlet. Furthermore, “to counter the [Chinese] industrial capacity and numerical advantage in fielding fighters like the J-20 and J-16, the USAF must embrace a hybrid force of manned and unmanned systems.”

With all this in mind, active consideration of new air-to-air roles for bombers, as well as the possibility of “increased reliance on CCAs” and the potential to acquire new current-generation F-16s, at least seems to reflect a hedge strategy on the part of the Air Force.

If nothing else, the door clearly remains open to bombers being a key part of the Air Force’s ‘fighter’ vision in the future.

Contact the author: joe@twz.com

The United States ambassador to Turkiye and special presidential envoy for Syria and Iraq says Washington’s relationship with the countries in the Middle East needs to change.

Tom Barrack says the US no longer seeks to dominate the region.

He won’t say whether the war in Iran was a mistake – but acknowledges the instability it caused has led to unintended consequences.

Barrack says President Donald Trump is against what he calls “forever wars”, and ending the US-Israel war on Iran will require a major compromise. According to him, each side will have to accept conditions it does not like.

However, he is worried that growing tensions could lead to miscalculation.

Barrack says trust is lacking between Washington and Tehran, and that is hampering talks to agree on a deal.

He tells Al Jazeera that countries in the region should not depend on the US to solve their problems and that they need to look out for themselves. He insists the Trump administration has not abandoned the region, but is rather re-examining its role.

Barrack admits that years of US involvement in the region demonstrate that intervention and regime change do not work. He says it is time to put down the guns and resolve disputes through negotiations and mutual respect.

Strictly Come Dancing judge Shirley Ballas looks set to fly the nest and follow the likes of Bruno Tonioli to the stateside version of the show, Dancing With The Stars

Shirley Ballas is getting ready to quickstep her way stateside with a new role on Dancing With The Stars, according to reports. The Strictly Come Dancing judge, 66, is said to be ready to follow the likes of Bruno Tonioli and Len Goodman to switch to the US version of the dance show.

It’s claimed she won’t give up her role on the BBC’s prime Saturday show, though. Instead, insiders claim she will fit filming in between the live Strictly shows.

“Shirley will fly to the US later this month after the Strictly live show finishes,” the source said. They added that, as DWTS is filmed throughout the week, she will then return in time for the live weekend shows.

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“It’s a whirlwind schedule, but she jumped at the chance to take part,” the source told The Sun. They went on to claim that, while it’s just a one-off for now, it could progress. They said: “If the US TV bosses think Shirley is a hit, they’re sure to see if she would come back.”

Shirley initially joined Strictly as head judge in 2017. But fellow judge Craig Revel Horwood recently joked she will never be able to fill the boots of late legend Len Goodman, who died in 2023 at the age of 78.

‘For me, he was Strictly Come Dancing, Craig said at the unveiling of a tribute sculpture to the legendary judge at the Goodman Dance Academy in Dartford in July. “His sayings… ‘A ten from Len’ was a huge one. Shirley has tried to replicate that one, but sadly, she failed.”

He also paid tribute to his genuine off-screen friendship with Len, saying viewers only ever saw one side of their famously fiery relationship. He went on: “I loved Len. If you looked at the TV, we were constantly fighting like cat and dog, but as soon as we came off stage, we’d have a pally drink together.

“‘We toured together. So I was stuck in a car with Len for hours and hours while he got out to look at another building, darling.”

The judge also revealed how Len helped him overcome his biggest fear when he first joined Strictly. ‘I am now the age Len was when he started Strictly.

“There was a twenty-year difference between us. I’ll let you into a little secret – when I started, I was having nightmares because I didn’t know ballroom and Latin.”

Len, who also appeared on DWTS, was given a huge tribute on the show following his death. The show announced in 2023 that they were officially renaming the famous mirrorball trophy to the Len Goodman Trophy.

Julianne Hough said at the time: “Len was on this panel for nearly all of our 32 seasons and although he’s irreplaceable we wanted to pay tribute to him… Len will always be going forward with us.”

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Tehran summons envoy in tit-for-tat move after Berlin summoned ambassador to Iran.

Iran’s Ministry of Foreign Affairs has summoned Germany’s ambassador after a court in Hamburg found two men guilty of plotting to kill two leaders of Jewish organisations at Tehran’s behest, accusing Berlin of leveling “baseless political allegations”.

The decision to summon envoy Axel Dittmann came after Germany summoned the Iranian ambassador, Majid Nili Ahmadabadi, on Monday over allegations that Tehran was behind the plot to assassinate the two pro-Israel public figures.

“Levelling security-related accusations against Iran has long been a tactic employed by the Zionist regime and certain Western nations,” Iran’s Foreign Ministry said in a statement broadcast by official news agency IRNA.

“Attempting to provide a judicial face to baseless political claims not only fails to lend any credibility to such allegations but also undermines the standing of the German judiciary itself,” the statement added.

Hamburg conviction

Berlin’s allegations stem from a court case involving two men, a Danish national and an Afghan national, who were convicted in a Hamburg court on Thursday for planning to target the president of Germany’s main group representing the Jewish community and the head of the German-Israeli society.

The German Foreign Ministry said on X that the Iranian ambassador had been summoned, adding Tehran would not be allowed to “threaten our free society”.

“The malicious assassination attempts against Josef Schuster and Volker Beck will have legal consequences,” it added.

“We do not tolerate attacks on Jewish life and on those who defend it anywhere, and certainly not in Germany.”

The Dane, partially identified as Ali Hassan S, was jailed for eight-and-a-half years. The Afghan, who was recruited as his accomplice, was sentenced to four-and-a-half years.

Iran’s intelligence service steered the two men, the court said. The pair were arrested in Denmark last year and extradited.

In sentencing the men, the judge said they were guilty of “terrorist activities orchestrated by Iran”.

At the time they were charged, the Iranian embassy in Berlin released a statement rejecting what it called “unfounded allegations made at the behest of Iran’s enemies”.

When coach JJ Redick announced his starters for the Lakers’ final preseason game Friday night, he was asked if those same players would start opening night Wednesday against the Golden State Warriors.

Redick paused before answering, not quite willing to commit. He started Luka Doncic, Austin Reaves, Matisse Thybulle, Ziaire Williams and Walker Kessler.

Quentin Grimes, who had started the first four preseason games and had been solid in his role, was not among them.

“I know that there’s a chance Quentin is gonna have an opportunity to start,” Redick said. “This was the original plan we were gonna have for the Sacramento game with Collin [Sexton] out. … We just wanna get a look on that tonight, and we’ll see. But nothing definitive for next week.”

Grimes averaged 12.3 points, 2.5 assists and shot 53.3%, including 41.2% from three-point range, in 24.3 minutes per game in the preseason.

Redick said he was “still open to both” when asked if he could start Grimes and stagger his time with the starters on the bench.

In his first five NBA seasons, Grimes has mostly been a reserve, starting 146 of 318 games.

Grimes started the second half for the Lakers and scored 11 points in a 121-106 loss to the Denver Nuggets at Crypto.com Arena.

“I think you’re looking for balance in lineups and you’re looking for players that complement and fit each other,” Redick said. “He’s going to start a lot of games for us. That’s just the reality of it. I don’t know who our base starting group is yet, but we’re going to look at this tonight.

“We wanted to get a look on this first game because Collin was out. That fourth ballhandler for us hasn’t been great. I said that the other night and talked to those guys … I don’t say anything out here that I don’t tell my players. So Quentin is also going to maybe have some looks as a ballhandler.”

Doncic, who didn’t play in the second half, finished with 15 points.

Reaves scored 19 points, Williams had 14, Kessler had six and Thybulle had seven.

Injury update

Sexton didn’t play in any preseason games because of a lower right leg injury. Redick said Sexton has been able to practice more.

“He continues to trend in the right direction,” Redick said.

Adou Thiero (maintenance) and Cameron Carr (contusion) didn’t play.

President Trump’s new press secretary stepped to the podium, the eyes of a packed room of journalists — and many in their audiences — upon her. She smiled broadly at the sea of faces both probing and friendly. With that, Katie Zacharia went live and became the official voice of the world’s most powerful person.

Fourteen minutes and just three questioners later, she was done. In the aftermath, it was clear that the former Newsmax commentator accomplished at least one thing: She put the “brief” back in briefing.

In her debut Tuesday, Zacharia looked downward and often read directly from a script. She paused and grinned when she uttered the words “Department of War.” She stumbled on a question about her background and mixed up the words “husband” and “president.” The few questions she took were nonconfrontational and from media outlets that have been sympathetic to the Republican president. In short: She made no memorable impression — or at least, to hear some tell it, not the one she likely wanted.

This would not be an easy job under any circumstances. Trump most frequently serves as his own spokesman. And his antagonism toward the media has created a new layer of tension. Zacharia is finding out on day one that she, too, will be under constant watch. Some — including a few of those who have stood in her shoes — didn’t think it went all that well.

In fractured times, in a national media scrum unimaginable just a few decades ago, what is the proper way to approach a job like this? How do you speak effectively when your boss speaks for himself so often that he commandeers the news cycle multiple times a day — and sometimes late into the night — with remarks provocative, unexpected and sometimes incendiary?

For one, you realize for whom you work: not your audience of millions but your audience of one, and the absolute need for his approval.

“I get to do what I was doing on the outside already, which was hoping to amplify, multiply and expand upon President Trump’s incredible agenda for the American people,” Zacharia said. Nowhere did she mention the task of disseminating accurate information to Americans.

The press secretary role has been many things

Over the nearly 10 decades since former journalist George E. Akerson made his and the office’s debut as Herbert Hoover’s press secretary in 1929, the job has served many purposes: deliverer of information, amplifier of policy, jouster with journalists, protector of the presidential reputation and, sometimes, overlord of obfuscation.

Under Trump and his second-term press secretary so far — Karoline Leavitt, who resigned in August — the job has been primarily one of acting as the immovable object against an irresistible, and in Trump’s eyes sometimes treasonous, force.

Leavitt got to know this terrain well in her 17-month tenure. She took a smiling but combative stance against a press that was increasingly coming under Trump’s criticism for coverage — and was named in at least one lawsuit about White House media access. She was not shy about interdicting what she considered media bias. “What a stupid question,” she said to one reporter at a briefing last year.

Trump, outside the White House on Tuesday shortly after Zacharia’s briefing, praised her debut as “excellent.” She was standing behind him at the time.

Other early reviews were more critical. MS NOW quoted one unnamed White House official as saying of the performance: “She needs to get much better fast, otherwise she’ll break Scaramucci’s record.” Anthony Scaramucci, an early White House communications director for first-term Trump, lasted 11 days in 2017. Said Scaramucci on X Tuesday afternoon: “I hope she makes it.”

Joe Biden’s former press secretary, Jen Psaki, now the host of a show on MS NOW, put it more succinctly, posting on X: “Well that briefing was basically an SNL skit….except it wasnt.”

Talking up Trump but taking few questions

While Zacharia’s performance — and of course, that’s what every briefing is — may have been bumpy to some, it was also mostly content-free except for news she broke about the White House asking U.S. Ambassador to Greece Kimberly Guilfoyle to quit, which she immediately did.

Predictably, also like Leavitt before her, Zacharia spent a great part of her opening monologue praising Trump and giving an “up ‘til now”-style update on his second term’s priorities and accomplishments so far. Talking points included a “booming economy,” “his historic boom in energy production” and “a great relationship with Venezuela.”

She was also fond of superlatives, a trait that likely will resonate with a president whose remarks are often equally if not more expansive: “President Trump is working to secure the Western Hemisphere for centuries to come.”

When it came to questions, though, she was downright parsimonious. She allowed three questioners, then answered an additional one as she prepared to depart. The three called on during the briefing were Breitbart, Fox News and the Daily Mail, all of which have been friendly to Trump in varying degrees during periods of his two terms. And she said she would continue Leavitt’s policy of bringing “new media” in — which has often meant outlets more sympathetic to Trump.

“We love new media and we want to be able to embrace it,” she said. Currently, three major outlets — CNN, MS NOW and Politico — are fighting to regain White House access after Trump banished them last month, saying he didn’t like their coverage and calling it “fake news.”

How will Zacharia fare in coming days and weeks and, if it lasts, months? That, like so much else, depends on one thing: Donald Trump.

The late U.S. Sen. Howard Baker once famously said that, when being asked difficult things, handle it something like this: If you don’t like the question being asked, just answer a different question. On Tuesday, a half-century later, Katie Zacharia found a different way in — pick three nonconfrontational questioners, then defer to your boss and say: The End.

Anthony writes for the Associated Press.

“We’re all hiding a little bit of our personality inside,” says director Cristian Mungiu of the characters in “Fjord,” a searing drama inspired by real Norwegian child welfare cases. “The film speaks about a limit of intimacy, after which you will need to make a choice not knowing precisely what happens. This is why I wanted the film to start at the end of a conversation in which you don’t really know what kind of punishments exist in this family.” Lighting and shallow focus deepen the uncertainty of a mother (Renate Reinsve) comforting her daughter (Vanessa Ceban) and a father (Sebastian Stan) waiting to have his say: “You need to admit when you’re wrong.” “You see the role of a mother who tries to play this more empathic part, while the father is the one playing the role of the educator who imposes his rules,” Mungiu says. “This shot speaks about our way of storytelling and designing everything to be ambiguous enough about their relationship. At the same time, this also speaks about a theme in the film: this idea that there isn’t anything like right and wrong and the truth. And we all believe that the truth belongs to us. And this is the problem.”