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Semenyo joined City from Bournemouth for £65m in the January transfer window, with Guardiola fighting off competition from rivals Manchester United, Liverpool, Tottenham and Chelsea for his signature.

The player says interest first came in early December with “a lot of talks” taking place, before he made the decision the following month that he wanted to join City.

“I owe them everything to be honest,” Semenyo said of former club Bournemouth. “They helped my Premier League career flourish and obviously the management, the staff behind the scenes, they were all amazing, they made everything so smooth.”

Semenyo scored a total of 21 goals for club and country last season, netting the winning goal in the FA Cup final win over Chelsea which he called a “dream come true”, as well as lifting the Carabao Cup.

Speaking at Ahmad Tea’s Preparation is Everything event in Hong Kong, he added: “I think for me, I just wanted the next step to be the big one and Manchester City was the option. Pep spoke to me beforehand and he said, ‘look, when you come, I am going to make you a better player’.

“You want to get better, you want to improve every season and he definitely helped me with that in the first five months, but obviously sad for him to leave.”

“RuPaul’s Drag Race All Stars” winner Alaska Thunderf— will step into the spotlight this fall as the newest star to take on the title role of Mary in Cole Escola’s Tony Award-winning comedy “Oh, Mary!”

“You know how when in the ’90s in the Olympics, they would ask the winner ‘What are you gonna do now that you won the gold medal?’ and they’d say ‘I’m going to Disneyland.’” Alaska said in a recent interview. “I literally feel like that.”

Even after being cast, Alaska said it didn’t fully sink in until she began doing press for the production. Now, she’d celebrate with a flip if she could do one.

“It’s really happening, it’s just the best role, in the best play ever and I’m honored and I’m excited and I’m thrilled and I can’t wait,” she said.

The dark comedy follows a miserable Mary Todd Lincoln in the weeks leading to the assassination of her husband, who will be played by the Tony Award-winning actor J. Harrison Ghee. The one-act play reimagines the forgotten life of Mrs. Lincoln with absurdist comedy.

Since its 2024 premiere, the play written by comedian Escola — who also originated the title role — has become a Broadway sensation, earning $1 million in a single week and breaking its own box office record 13 times.

“RuPaul’s Drag Race” star Alaska will play Mary Todd Lincoln in “Oh, Mary!” at the Ahmanson Theatre this fall.

(Shaun Vadella)

The stage production received critical acclaim and earned multiple Tony Awards including best direction of a play for Sam Pinkleton and best actor in a play for Escola.

Alaska is joining a list of famed comedic actors who have played Mary Todd Lincoln, including Maya Rudolph, Meg Stalter, Tituss Burgess and Jane Krakowski. She isn’t letting the hype surrounding the show make her nervous, and said she remains focused on embracing the role.

“I’m really excited to wear the sacred bratty curls and the hallowed hoop skirt,” Alaska said.

The actor, who was also a finalist in “RuPaul’s Drag Race,” earned an Outer Critics Circle Award for her Off-Broadway play “Drag: The Musical,” which she co-wrote alongside Tomas Costanza and Ash Gordon.

Alaska is thrilled to play opposite Ghee, who won the 2023 Tony Award for best leading actor in a musical for their role in “Some Like It Hot.” Ghee said in a statement that they are excited to “set the road on fire with this electrifyingly hilarious play” alongside Alaska.

“I have seen Oh, Mary! three times and relished the beauty of this show — how different people shine so brightly in these roles, and yet you see the influence of Cole all over the production,” Ghee said. “The opportunity to get a crack at Mary’s Husband is beyond a dream come true.”

“Oh, Mary!” runs Nov. 10 through Dec. 6 at the Ahmanson Theatre. Additional casting will be announced in the coming months.

As we head into August and look to the fall, two burning questions are front and center when it comes to the Dodgers.

Will they win a third straight World Series championship?

And will the $500-million proposal to ferry fans by gondola from Union Station to Dodger Stadium remain aloft or crash and burn?

I can’t answer the first question, although I wouldn’t bet against a three-peat.

As for the second question, if I were former Dodgers owner and aerial tram godfather Frank McCourt, I’d fasten my seat belt, because the gondola is about to hit some heavy turbulence.

The gondola would slice through a section of L.A. State Historic Park, wipe out dozens of trees and trample a space that was carefully designed with years of community input. And the mounting opposition now includes seven former state park officials and four former members of the state Park and Recreation Commission.

The former staffers have sent “don’t you dare” letters to the commission, and one of them argued that the view of the downtown skyline would be cluttered and commercialized.

“Gondola cars encased in digital ads, flying 26 feet overhead every 25-30 seconds would irreparably impair the vista, and the sense of calm and escape from urban life,” wrote former state parks director Ruth Coleman.

The four former commissioners have signed a joint letter arguing that the gondola proposal “would enable a private development to permanently and irreparably shrink, degrade, and destroy the integrity of a state park.”

They’re speaking up now because the state is considering an amendment to the park’s general plan that would allow for “consideration and review of the proposed Los Angeles Aerial Rapid Transit (LA ART) gondola project.”

That was McCourt’s brainchild, back in 2018, and he’s a guy with lobbying muscle and friends in high places. McCourt later handed off the project to an environmental group, but the idea is still to deliver fans to Dodger Stadium, where he has financial interests.

A hearing on the matter is expected in the fall, and it’s sure to be a cage fight. Last December, throngs of supporters and foes squared off at a raucous Metro board meeting. The board ultimately green-lighted the gondola, which the L.A. City Council has almost unanimously opposed. So the showdown scheduled for this fall could be at least as interesting as the World Series.

For the record, I’m not anti-gondola. They’re fun, right?

But I’m not buying the proponents’ claim that this is a public transit project. They say several thousand people would soar up to Chavez Ravine and help relieve the miserable traffic in and out of parking lots, which McCourt took part ownership of after selling the team back in 2012 for a cool $2 billion.

But how much is gained if gondola riders ditch the free shuttle buses that now run to the ballpark from Union Station?

Then there’s a much bigger question, which my colleague Bill Shaikin explored in 2022: Is the gondola phase one of a plan to develop stadium property into some kind of Dodgertown commercial extravaganza?

Unclear, but let’s not be naive.

A Dodgers executive told Shaikin the Dodgers support the gondola project, although they are “really not involved” in it. But we’re talking about fabulously wealthy people whose only real job is figuring out how to make more money.

Team McCourt has suggested the gondola will be built with private money, perhaps from selling advertising rights, and that rides will be free to Dodger ticket holders.

But how would any of that pencil out with Dodger Stadium closed most of the year, and with gondola traffic chipping away at revenue from parking fees that start at a monstrous $40?

There’s something they’re not telling us, and if you think there’s no threat of taxpayers getting dinged one way or another at some point, you’ve either been hit in the head by a line drive or you’ve had too many $18 beers at Dodger Stadium.

If you want more details on the history of the gondola gambit, I suggest you check out all the reporting by Shaikin, who has been on the case for years, and offered up a far better idea than a gondola: Make it easier for fans to walk or bike to the ballpark.

But let’s get back to L.A. State Historic Park.

Much of the early gondola opposition was from Chinatown residents who didn’t like the idea of living under what would resemble an amusement park ride. But on Wednesday evening, I met with some people whose focus is the impact on the park.

“All of these trees would be gone,” said Sean Woods, a former state parks employee who penned one of the letters to Sacramento, and who was involved in some of the 65 public meetings and workshops at which community members helped with the design and mission of the park.

We were in a shady spot, where the gondola would run parallel to the existing Metro train tracks. There’d be supporting towers on park property, with cables dangling overhead, and a gondola station just outside the park. The gondola would occupy only a small slice of the 32-acre space, but it would be a visible distraction from every inch of the park.

“I think it’s a betrayal of California State Parks’ commitment to the communities that surround this park, that fought dearly for this park,” Woods said.

He was reflecting on a time when the former railyard was destined to become a giant industrial warehouse complex. And this followed the history of Chinatown having been relocated to make way for Union Station, and residents of Chavez Ravine being relocated to make way for Dodger Stadium.

Jon Christensen, Sean Woods and Susan Lai chat at Los Angeles State Historic Park.

(Eric Thayer / Los Angeles Times)

Joining us was Susan Lai, who along with Woods represents Friends of Los Angeles State Historic Park.

Lai is small in stature, but she swings for the fences.

“This is called a historic park for a reason,” she said, “and McCourt … has no historical connection to the park, no community connection to the park, and no cultural connection to the park.”

Lai is steeped in the archaeology of the park, the Gabrielino establishment here, the Zanja Madre irrigation line that served the early pueblo.

As we strolled, she told me this is another case of politically connected profiteers trying to impose their will on the local community, and she won’t stand for it. Lai is carrying a torch lit by her husband, Collin, who died last year at the age of 96 after years of fighting to make the park a reality.

“She’s brought an extra fire to this whole effort, and really inspired a lot of young people,” said Jon Christensen, gondola foe and co-founder of the Los Angeles Parks Alliance.

Christensen led Lai, Woods and me to the top of a grassy hill. When the park opened in 2006, I thought it seemed too flat and shapeless, too hemmed in by Broadway and Spring. But it later expanded, the trees filled in and the whole park grew on me as a place to see and feel Los Angeles.

I loved two things most of all.

The unstructured activities enjoyed by a broad mix of people picnicking on the grass, napping under a tree, kicking a ball around or doing what 10 guys were doing Wednesday evening — playing a game of Frisbee football in the meadow below us.

And the unfettered skyline view, which could soon be lost. And consider the optics: Dodgers fans soaring over a public park enjoyed by families who might need to hit the lottery to afford tickets to a game.

It was almost Dodger game time, and if the gondolas were up and running, they’d be close enough overhead that you could hit one with a tomato.

Not that I’m recommending that.

steve.lopez@latimes.com

A spike in mortality

The tightening restrictions have forced the Cuban government to effectively ration care.

In February, Havana announced a package of emergency energy-saving measures. Among them was the suspension of all non-essential medical services across the island.

But non-essential does not mean unimportant. Fernandez, the paediatric anaesthesiologist, explained that preventive healthcare plays a major role in saving lives.

Under normal conditions, he said, preventive healthcare helps doctors catch potentially fatal conditions like appendicitis sooner.

But in recent months, Fernandez has observed patients arriving at his hospital in a “worsened” condition than they might otherwise have had.

“All the appendicitis cases we treat now present complications,” he said. “They demand more resources and antibiotics – supplies we don’t have.”

Deaths in Cuba have also escalated as years of increasing restrictions take effect.

Just last month, the Cuban Ministry of Public Health (MINSAP) reported that survival rates for childhood cancer dropped from 85 percent to 65 percent amid the oil blockade.

Infant mortality has also steadily climbed. In 2017, at the start of Trump’s first term, Cuba had an infant mortality rate of four for every 1,000 live births. That figure climbed to 7.7 in 2024, just before Trump’s second term, and reached 9.9 in 2025.

The maternal mortality rate similarly rose to 44.1 deaths for every 100,000 live births by the end of 2025, up from 40.6 the previous year.

Lilian Delgado, an obstetrician and gynaecologist at Cuba’s main maternity hospital, explained that the escalating humanitarian crisis has triggered a sharp rise in premature births and severe morbidity among pregnant women.

“Conditions are far from ideal at all the levels of the system,” Delgado noted. “There are shortages everywhere.”

The decision to prioritise emergency care can be deceptive. A wide range of medical procedures are considered “elective”. But just because they do not rise to the level of an emergency does not mean they are optional.

Typically, in Cuba, emergency surgeries are those that need to be urgently completed within 48 hours. Other necessary surgeries often fall into the “elective” category.

Mastectomies – a common breast cancer treatment – are among the surgeries often categorised as elective. So too are some organ transplants.

Healthcare advocates point out that, if certain elective surgeries are postponed too long, they too can result in deadly conditions.

More than 100,000 Cubans are currently on waiting lists for elective or reconstructive surgeries, a backlog MINSAP credited to the US sanctions.

Among those waiting are 5,152 cancer patients and approximately 12,000 children. Delgado said some of her patients have been languishing on such lists for months.

“Our surgical services are severely hampered by a lack of supplies,” she explained. “We have more women suffering from serious complications, and our operating rooms have become tied up with emergency cases, making it impossible to perform elective surgeries.”

Hospitals in Cuba largely have backup generators to weather the increasingly frequent power outages. But accessing even emergency medical care is tough when the fuel blockade is affecting basic services like transportation.

“Ultimately, if you have a cancer patient and cannot operate due to a number of factors – such as a nationwide blackout forcing the suspension of surgeries – then, whether you intend to or not, you are directly condemning that patient to death,” Delgado said.

The oil embargo has cost “human lives, both directly and indirectly”, she added.

EDDIE MARSAN is to play Harry Redknapp in a film about one of football’s most incredible stories, I can reveal.

The actor, a Spurs fan, will put his allegenices to one side when he takes on the role of the West Ham favourite when he was their assistant boss in 1994.

The film by Sir Ridley Scott re-tells the moment Harry actually invited a loudmouth Hammers fan to play up front for the Premier League outfit after hurling abuse at players from the stands — and he went on to score.

Eddie plays gaffer Harry in Halftime Hero, alongside Anson Boon as angry fan Steve Davies.

West Ham were struggling against non-league Oxford City in the pre-season friendly when Steve was told to put on a kit and prove he could do better . . .  and did.

A source said: “Eddie has been cast as Harry in Halftime Hero and will be filming his scenes in the coming weeks.

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“As a huge football fan, Eddie knows this tale well and to take on such a prominent part in a film about such a huge moment in the game is hugely exciting for him.”

Like me, Sherlock Holmes actor Eddie is a Tottenham fanatic, so it will be a dream role to play Harry, who went on to manage Spurs years later.

It’s just a shame he’s going to have to wear a West Ham coaching kit to do it.

I revealed last month that Ridley’s production company was working on the film about Harry’s famous game, which has become part of football folklore.

Steve could be heard heckling striker Lee Chapman and repeatedly branded him a “donkey” for his poor performance.

Harry went into the stands and got him to play, with Steve going on to score and helping West Ham to a 4-0 win.

The historic moment was never caught on camera, so now Anson, Eddie and Ellie Bamber — who plays Steve’s girlfriend — are bringing it to life.

Harry has spoken fondly about the wild episode over the years, admitting he told the stadium announcer that he was bringing on a “great Bulgarian” called “Tittyshev”.

Steve previously said: “It was the greatest moment of my life.

“After that, I was exhausted.

“I was on 30 cigarettes a day back then.

“I had a couple of cigs and a couple of beers in the first half.”

Good on you, Steve.

Me, I’m Jase relaxing

TAKE THAT have just finished their hit Circus Tour, but there’s been no clowning around for former member Jason Orange.

The ex-boybander, who quit the group in 2014 to lead a quieter life, was seen enjoying a peaceful afternoon in a park in Cheshire on Monday.

He now has a successful property portfolio and has declined offers to rejoin the group.

And judging by how zen he looks here, I can’t say I blame him.

LEIGH-ANNE PINNOCK is feathering her nest with a few quid from her fans by becoming a mumfluencer as she prepares to give birth to her third child.

The Little Mix star has started a page where fans can subscribe for £5 a month for “behind the scenes content” and a “private community” to find out what’s going on with her pregnancy.

Announcing the move, Leigh-Anne said: “I’m excited to announce I’ve started a Patreon to share more of my pregnancy, bump updates, everyday life and all of the things in between as I prepare to be a mum of three.

“This is going to be a complete safe space to be open and honest, share advice and give you a little more insight into life right now.”

Leigh-Anne, who will perform at Brighton Pride on Saturday, already has twin daughters with her footballer husband Andre Gray.

Kaia and Homer channel parents

KAIA GERBER and Homer Gere looked like proper Hollywood stars at the premiere of new Disney+ thriller series The Shards – maybe because of their A-lister parents.

Kaia’s supermodel mum Cindy Crawford wed Homer’s old man, Richard Gere in 1991, although the golden couple divorced four years later and went on to have kids with new partners.

Now, their actor offspring are appearing opposite each other in the Shards, which launches next week.

Speaking on the red carpet, Kaia said of Homer: “I’d never met him but I was really, really excited to meet Homer and he’s such a wonderful actor, my god.

“This is his second thing he ever did and he has this confidence and charisma – he’s so magnetic to watch.

“He made my job much easier because of how talented he is.”

Looking forward to tuning in.

Niall hits the clubs

IT’S tee time for golf nut Niall Horan ahead of his Dinner Party Live Tour.

The ex-One Direction singer hit the greens at Royal Lytham & St Annes in Lancashire before the AIG Women’s Open this weekend.

He will soon be heading out on the road, kicking off his tour at Birmingham’s Utilita Arena on September 22.

But the long spells playing shows across the UK, Europe, Australia and North America until next May won’t stop him hitting the greens.

He said earlier this year: “It’s Niall’s golf tour with music, especially in the States.

“Florida is great.

“There’s so much good golf in Florida, and we’ll hit random places in Ohio.

“If we do 30-something shows, I’ll try to get in ten rounds.”

TULISA HAS MAXED OUT ON LOVE

TULISA’s romance with medicinal cannabis kingpin and influencer Maximillian White has gone up in smoke, it seems.

One of my pals has spotted the N Dubz singer back on celebrity dating app Raya.

I told you last autumn that the pair had started dating.

But on Raya, the former X Factor judge has listed her occupation as “singer/investor/author” while her bio simply says, “Lara Croft”.

As for her interests, she’s into, “Music, fitness, deep belly laughs, cheeky bottle of red, all things weird and wonderful.”

Sounds like a fun time to me.

Harry Potter actor Tom Felton and Kingsman star Taron Egerton have both been spotted on the exclusive app, so she has her pick of handsome fellas.

Mel C met her husband Chris Dingwall on Raya, and Lily Allen found her now-ex David Harbour on there too, although the less said about that, the better.

Tulisa was also on there before meeting billionaire Maximillian but insisted she was a “spectator” and said: “I never like or message anyone first . . .  just letting you know.

“I’ve only gone on one date from there, and that was because of a recent rebound.”

Live a little, Tulisa.

ELLIE MUSIC OF LOVE FOR HER BEAU

IT has been dubbed her “divorce album” but Ellie Goulding’s new record will feature at least one song about falling head over heels for her new beau, called, err, Beau.

I first revealed their romance last July when I told how she had jetted off to Italy with actor Beau Minniear, when they stayed at the Four Seasons in Florence together.

Now Ellie, who gave birth to their daughter Iris in March, has written a song about how she was swept off her feet by him during the trip to that very hotel.

On the track, titled 4 Seasons, she sings: “Daydreaming, faint feelings, f**k around at the Four Seasons. I think that I might be falling in love with you.

“I need it, wanna keep it. We mess around, put the damn key in. I think that I might be falling in love.”

The song will be on her sixth album, I Know Too Much, which will be released on September 4.

And from what I’ve heard so far, it’s going to be another brilliant record.

PRINCE’s cult movie Purple Rain is being adapted for the stage and will debut on Broadway next March.

The hit film was accompanied by Prince’s album and song of the same name, with the projects being released in 1984.

The news of the stage musical was announced on the 42nd anniversary of its release and will launch next spring.

ARIANA SUES SONG HACKERS

ARIANA GRANDE has understandably seen red and filed a lawsuit against hackers who leaked unreleased tunes.

The Thank U, Next singer has alleged that two unidentified hackers broke into devices from people she had worked with to get songs and footage of her which was sold for “significant sums of money” on the dark web.

Legal papers have been lodged in Los Angeles to try and unmask those responsible.

The documents claim: “In 2023 alone, 45 unreleased songs belonging to Ms Grande were hacked, stolen, and leaked.

“Since her music debut in 2011, hundreds of similar leaks have taken place.”

And it sounds like Ariana, whose new album Petal will be out on Friday, won’t stop pursuing them until they’re in prison.

“The Merry Wives of Windsor Cove,” a musical adaptation of Shakespeare’s “The Merry Wives of Windsor” at UC Irvine’s New Swan Shakespeare Festival, relocates the comedy to a Southern California beach town in the 1950s. The surf’s up, a chocolate-covered-banana stand is hopping and a washed-up Elvis-like rock star named Johnny Falstaff is trailing chaos.

Those merry wives aren’t actually all that merry about the state of their marriages. Margaret Page (Sonya Cooke) has lost all patience with her grinning, gadabout husband, George (Evan Lugo), who floats through life as though it were as lighthearted an affair as “Beach Blanket Bingo.” Margaret’s best friend, Alice Ford (Sarah Hentges), has more serious problems with her jealous husband, Frank (Abel Garcia), who suspects infidelity whenever she leaves the house.

When Falstaff (Wyn Moreno), motivated by avarice and a mania for cuckolding, comes a-wooing, sending identical letters to Margaret and Alice, the wives grow merrier as they set a trap for their shameless suitor, whose uncontrolled appetites make him an easy mark.

Margaret and Alice are the forerunners of Lucy and Ethel, and Shakespeare’s comedy, written expressly to entertain, gives us a sense of what an Elizabethan-era situation comedy might look like. The Falstaff of Shakespeare’s “The Merry Wives of Windsor” is not the complex figure of the “Henry IV” plays. (The late scholar Harold Bloom, a Falstaff fanboy, called this version of the character “pseudo-Falstaff, “ and considered “Merry Wives” to be, along with “The Two Gentlemen of Verona,” Shakespeare’s “slightest” comedies.)

Sonya Cooke (Margaret Page) and Sarah Hentges (Alice Ford) in “The Merry Wives of Windsor Cove.”

(Jesus Lopez Vargas)

Revivals of “Merry Wives” are not all that frequent. I’ve seen Verdi’s “Falstaff,” which heavily relies on Shakespeare’s plot for the opera, more times than I’ve seen the play. But Margaret and Alice’s quick-witted machinations provide the basis for a merry outing at the theater.

When the possessive and paranoid Frank Ford runs into Margaret as she’s scurrying to meet his wife, Alice, he pointedly remarks, “I think, if your husbands were dead, you two would marry.” To which she replies in savvy screwball fashion worthy of Carole Lombard: “Be sure of that — two other husbands.”

I have a soft spot for “The Merry Wives of Windsor.” The refreshing sight of the women teaming up against Falstaff never fails to amuse. And I appreciate the frank and forgiving light the play sheds on long-term marriage.

But swaths of the comedy are antiquated. And the language has a dashed off quality in places, suggesting there’s some truth to the legend that Shakespeare wrote the play at the request of Queen Elizabeth, who was said to be so charmed by Falstaff that she wanted a sequel depicting Sir John in love.

Falstaff isn’t exactly in love in Shakespeare’s comedy. And he definitely isn’t motivated by pure romance in this adaptation, written by New Swan founding artistic and producing director Eli Simon and Anna Fitzgerald, with music by Zachary Dietz. As in all things, Falstaff is led by his belly, a gargantuan metaphor for his gluttonous nature.

Megan January (Nym), Wyn Moreno (Johnny Falstaff) and Sam Schneider (Pistol) in “The Merry Wives of Windsor Cove.”

(Jesus Lopez Vargas)

The pastiche score, indebted to the pop charts of the 1950s, isn’t allowed to dominate. As modern musicals go, this is a low-key affair. The comedy is still the thing in this frolicsome outdoor production, which takes place in the charming ambiance of the festival’s portable, mini-Elizabethan venue.

The cast is principally composed of UC Irvine students, past and present, with a few guest artists in the mix. Under Simon’s direction, the presentation is smooth and professional, though the ensemble reflects different levels of experience.

My general note is particular to the genre: Comedy works best when exaggeration arises the way it does in nature, as a fact of personality rather than as a calculated theatrical effect.

Certain members of the cast push the humor a little too vociferously. How much funnier Shakespeare’s motley crew can be when we’re allowed to discover the variety of eccentricity and ludicrousness on display for ourselves.

Falstaff’s girth is worked into the comic mayhem, but the character should be more than a sight gag. Moreno tries to preserve a measure of dignity while wearing a jumpsuit from Elvis’ Las Vegas era. But the sight gag nature of the characterization is overworked.

Garcia’s Ford seems not just jealous but borderline apoplectic. (Garcia is more nuanced when Ford is operating in disguise to suss out Falstaff’s true intentions.) As Doctor Cayo, one of the risible suitors for Anne Page (Marilyn Alonzo), Heriberto Cruz Jr. delivers a flailing, full-body performance that practically holds the audience hostage for laughs.

Evan Lugo (George Page), top left, Sonya Cooke (Margaret Page), top right, Zane Caputo (Abraham Slender), from bottom left, Zach Trent (Skateboard Fenton) and Heriberto Cruz Jr. (Doctor Cayo) in “The Merry Wives of Windsor Cove.”

(Elijah Waller)

Robert Shallow (Greg Ungar) does what he can to promote Abraham Slender (Zane Caputo, appropriately zoned out), his socially inept nephew, as a prospective husband for Anne. But neither gentleman is what anyone would call efficacious. In truth, both performers seem more at home as members of the Banana Splits Band, the quirky onstage combo that ushers in the show’s retro beat.

In a nicely balanced performance, Alejandra Villanueva’s Mistress Quickly, the play’s go-between and overseer of mischief, embodies the free and easy spirit of Simon’s production. Lugo’s George has a simple affability that’s infectious. And Alonzo’s Anne and Zach Trent’s Skateboard Fenton, the young lovers swerving around parental obstacles, are a delightful throwback to those gaga California kids from the age of “Gidget.”

Cooke’s Margaret and Hentges’ Alice remain, as they should, defiantly in charge. The adaptation delves more into their marital melancholy, but I felt I understood them better in Shakespeare’s original, which recognizes the power of suggestion and interpretive restraint.

Yet “The Merry Wives of Windsor Cove” succeeds in extending a warm communal embrace to its audience, which is the ultimate aim of this mischievous and kind-hearted comedy.

The European Central Bank kept interest rates unchanged on Thursday, holding steady as it waits to see how much of a lingering energy shock from the Middle East conflict will feed through into eurozone inflation.

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The ECB’s governing council held the deposit facility rate at 2.25%, with the main refinancing rate staying at 2.4% and the marginal lending facility at 2.65%.

Monetary policy for the eurozone is set through these three key interest rates, with the deposit facility rate serving as the main benchmark.

“The outlook for energy prices, while highly volatile, currently stands close to the baseline of the June Eurosystem staff projections and well above the levels recorded prior to the conflict in the Middle East,” the central bank’s statement read.

“Uncertainty remains high and the full inflationary impact of the energy shock has yet to play out. The Governing Council is therefore closely monitoring the intensity and duration of the shock, as well as its indirect and second-round effects,” it added.

The decision follows confirmation last week that eurozone inflation eased to 2.8% in June from May’s 3.2%, the first decline this year, with core price growth slowing to 2.4%.

The pause comes just six weeks after the ECB raised rates for the first time in nearly three years, responding to a war-driven energy shock that had pushed inflation to its highest since September 2023.

ECB President Christine Lagarde has been careful to keep the door open.

At the central bank’s Sintra forum, Lagarde insisted June’s move was not an “insurance hike” but a response to a genuine inflation problem, with projections showing a return to the 2% target only in late 2027, and only if monetary policy tightened further.

Lagarde also refused to pre-commit to a path, saying “forward guidance is not currently in the cards.”

July is not a forecasting round and economists at ING, for example, had argued the bank would prefer to wait for September’s fresh projections, when they see a second hike as the more realistic outcome.

The complication is that the shock behind June’s hike is back.

Oil neared $120 a barrel in March before sliding to around $72 after an interim peace agreement at the end of June, but the truce has frayed badly this month, with the US and Iran exchanging fresh strikes, attacks on tankers and renewed sanctions pushing Brent back above $90 a barrel.

A prolonged rise in energy prices would feed through to household bills and headline inflation in the second half of the year, precisely the second-round effects central bankers currently fear.

The ECB and its peers

As the chart shows, Frankfurt tightened from previously being far below its peers.

The Federal Reserve’s target range sits at 3.50% to 3.75% and the Bank of England’s rate at 3.75%, while the Swiss National Bank is parked at zero.

Both of the ECB’s larger counterparts decide again next week.

The Fed announces next Wednesday, with futures markets assigning roughly an 89% probability to a hold, according to CME’s FedWatch tool, after June’s unanimous decision and projections signalling no cuts this year.

The Bank of England follows the next day, on 30 July, with new forecasts in tow and economists overwhelmingly expect a hold at 3.75%, although a Reuters poll found nearly 40% see at least one hike before year-end, after two policymakers voted for an increase to 4% in June.

For now, the ECB is the only major Western central bank to have actually raised rates in this cycle.

When asked if Spain would win the World Cup, Lamine Yamal simply smiled and said “yes”.

His words to American broadcaster CBS in the build-up would have come as a surprise to no-one who has seen the confident teenager become one of the best players on the planet.

For many though, for his prediction to come true, Lamine Yamal was going to have to set the tournament alight in his first ever World Cup.

So far, that has just not happened.

The 19-year-old has scored one goal and has not made an assist, but his country have cruised into the final anyway and will face Argentina on Sunday.

While the likes of fellow superstars Lionel Messi, Kylian Mbappe, Harry Kane, Jude Bellingham and Erling Haaland have had starring roles, Lamine Yamal’s World Cup has been surprisingly understated.

But could this be his moment?

Lamine Yamal’s stats for Spain are incredible. He has yet to lose for his country in the 27 competitive matches he has played. He has started 12 games at major tournaments for Spain and won all of them, the longest 100%-win rate of any European player across major tournaments when starting.

If he scores in New York on Sunday he will become just the third teenager to find the net in a World Cup final, after Pele in 1950 and Mbappe in 2018.

Win the tournament and he becomes just the fourth teenager to ever start a World Cup final and win the trophy, after Pele, Mbappe and Italy’s Giuseppe Bergomi in 1982. Nineteen-year-old team-mate Pau Cubarsi could become the fifth.

“No-one will care whether Lamine has scored lots of goals and created lots of goals,” said one Spain fan. “If he wins the World Cup with Spain, he will be a legend forever.

“If we lose to Argentina, no-one will remember his first World Cup. We know he will have lots of other World Cups and we believe he will become the greatest.

“But not many teenagers get the chance to win a World Cup. This is his chance. He will have regrets if we lose and he hasn’t been able to play his best.”

Spain-France clash is filled with superstars like Kylian Mbappe, Ousmane Dembele and Lamine Yamal, among others.

European giants France and Spain will compete for a place in the World Cup final on Tuesday, as the first semifinal kicks off in Dallas.

Both sides have some star names among their ranks, with the likes of Kylian Mbappe, Michael Olise and Lamine Yamal set to play a key role in securing their country’s place in Sunday’s final.

Here’s a closer look at some of the key players who will decide Tuesday’s first semifinal.

Kylian Mbappe

World Cup 2026 statistics:

• Goals: 8
• Assists: 3
• Minutes played: 563

The French captain has been in remarkable form at this World Cup, breaking numerous records along the way.

After bagging four goals in the group stages, Mbappe has now scored in every knockout round so far, and he has also provided a number of assists.

The Real Madrid forward is in the form of his life and is the biggest threat in a star-studded Les Bleus XI.

After scoring a hat-trick in a World Cup final loss to Argentina in Qatar, Mbappe will be determined to go one step further this year.

Michael Olise

World Cup 2026 statistics:

• Goals: 0
• Assists: 5
• Minutes played: 488

Michael Olise may not have got himself on the scoresheet at this World Cup so far, but he is the player that has provided the most assists.

He has set up five goals for France, and his partnership with Mbappe has been a highlight of the tournament.

The Bayern Munich midfielder has the technical ability to unlock defences, and he will be a key attacking threat in the semifinal with Spain.

Ousmane Dembele

World Cup 2026 statistics:

• Goals: 5
• Assists: 2
• Minutes played: 492

The dynamic Paris-Saint Germain (PSG) forward came into this tournament looking for his first-ever World Cup goal. He now has five of them.

He scored a first-half hat-trick in a group game with Norway and also bagged the second in France’s 2-0 win over Morocco in the quarterfinals.

Les Bleus have been having their own Golden Boot competition, with Dembele pushing Mbappe all the way.

The pair have now scored 13 goals between them at this World Cup, a feat that has not been achieved by two players from the same country since Brazil’s Ronaldo and Rivaldo in 2002.

Lamine Yamal

World Cup 2026 statistics:

• Goals: 1
• Assists: 0
• Minutes played: 405

At a tournament where stars like Lionel Messi, Kylian Mbappe and Harry Kane have been prolific, 18-year-old Lamine Yamal has just one goal to date, in a routine 4-0 group drubbing of Saudi Arabia.

Despite this, the Barcelona teenage sensation remains a key attacking threat for La Roja and scored against France in the semifinals of Euro 2024.

He was awarded player of the match for his performance in Spain’s quarterfinal win over Belgium, and he has also recorded the most successful dribbles at the tournament so far.

“I know I can contribute even if I don’t score. I know my movements draw in many opponents, so I do everything I can to help the team,” Yamal said after Spain’s victory over Belgium.

Mikel Oyarzabal

World Cup 2026 statistics:

• Goals: 4
• Assists: 1
• Minutes played: 519

The Real Sociedad forward is Spain’s top scorer at this World Cup, and he will be La Roja’s biggest hope for goals in Tuesday’s semifinal.

He scored six goals in six games during World Cup qualification and has followed that up with four goals at the tournament proper.

Oyarzabal also has experience of scoring crucial goals at the business end of tournaments. He bagged an 86th-minute winner against England in the Euro 2024 final, proving he can perform under pressure on the biggest stage.

La Roja will hope for more of the same this week.

Mikel Merino

World Cup 2026 statistics:

• Goals: 2
• Assists: 0
• Minutes played: 180

If Spain need a goal against France in the closing stages of the semifinal, then Luis de la Fuente will be turning to one man on his bench.

Mikel Merino has twice played the role of super-sub at this World Cup, coming off the bench to score late winners against Portugal and Belgium.

The Arsenal midfielder is unlikely to start against Les Bleus on Tuesday, but he remains a key part of Spain’s squad and will pose a real threat against tired legs towards the end of the match.

Dodgers pitcher Justin Wrobleski, caught in limbo for the last week, didn’t make any plans for the All-Star break.

Good thing because on Saturday morning, manager Dave Roberts called to tell him he was added to the National League All-Star Game roster as a replacement player.

“I was actually playing nine holes this morning, just a normal day,” Wrobleski said. “And Doc called me, and [I] actually missed the first call.”

But when Wrobleski called back later, he thanked Roberts for how much the manager lobbied for him to be an All-Star. Then the left-hander called his mom and picked up a call from his dad.

“Everybody’s excited,” Wrobleski said. “I’m excited too. So everybody had good reactions. The team was excited for me. Had a bunch of friends reach out, a bunch of family reach out. Just great.”

A week after being snubbed from the initial All-Star rosters, Wrobleski will replace Reds right-hander Chase Burns.

“I was not happy that I wasn’t going to be a part of it,” Wrobleski said. “And obviously, getting the news that I’m going to be able to go there and do it, it’s super exciting. Wide range of emotions.”

Wrobleski is the sixth Dodger to be named a 2026 All-Star, joining Shohei Ohtani (who won’t be attending), Yoshinobu Yamamoto (also not playing), Freddie Freeman, Max Muncy and Andy Pages.

This is Wrobleski’s first All-Star selection, in his first full season in the Dodgers rotation. His 2.69 ERA ranked No. 8 among qualified NL pitchers entering Saturday. And his 10 wins was tied for No. 2.

“I was elated,” Roberts said. “The game honors you and today the game honored Justin.”

Wrobleski began the season in the bullpen, waiting to join the rotation as its sixth pitcher after the first turn. He and Yamamoto have carried the brunt of the workload for the Dodgers’ rotation over the first half of the season, consistently pitching deep into games.

“I haven’t really had the chance to think about everything yet,” Wrobleski said about his season. “But I’m sure this offseason or whenever, it’s going to hit me.

“It’s super cool. I’m super excited. I’m super lucky and blessed to just have the chance that I’ve gotten this year. And thankfully I’ve thrown the ball well.”

Yamamoto not pitching in All-Star Game

With Yamamoto making his last start before the All-Star break on Saturday, it seemed unlikely he would pitch in the All-Star Game. Roberts made that official on Saturday.

“He’ll get a week off,” Roberts said, noting that he believes the two-time All-Star still plans to travel to Philadelphia for the event.

Díaz on rehab assignment

In a promising sign for Dodgers closer Edwin Díaz’s recovery timeline, he is scheduled to make a rehab assignment with single-A Ontario on Saturday. Díaz made just seven appearances for the Dodgers before undergoing an operation to remove loose bodies from his right elbow in late April.

Blake Snell, who also had loose bodies removed from his pitching elbow, progressed to throwing live batting practice on Saturday.

Roster moves

The Dodgers made a series of moves to add a fresh arm to the bullpen before Saturday’s game.

They reinstated pitcher Landon Knack from the injured list (strained oblique). In a pair of corresponding moves, the Dodgers optioned pitcher Kyle Hurt to triple-A Oklahoma City and designated pitcher Charlie Barnes for assignment.

MLB draft

With their first pick of the MLB draft, No. 40 overall, the Dodgers selected infielder Bo Lowrance out of Christ Church Episcopal School in Greenville, S.C.

“We are ecstatic about landing Bo Lowrance,” Dodgers’ amateur scouting director Zach Fitzpatrick said in a statement. “He was our main target. Bo has the size, the swing, the projection and the drive to be a high-level Major League shortstop.”

The Dodgers only had two picks Saturday. They selected right-handed pitcher Russell Sandefer out of the University of Florida with the 132nd pick.

The draft continues Sunday with rounds five through 20.

Television City, one of the most famous studios in the entertainment industry where generations of TV shows have been created, is expected to hit the market again as its owner grapples with debt.

It’s the latest sign of distress in Hollywood as the film and TV industry struggles from a sharp falloff in production activity across Southern California.

Television City’s owner, Hackman Capital Partners, is already in the process of selling the historic Radford Studio Center, which gave L.A.’s Studio City neighborhood its name. Hackman defaulted on a $1.1-billion mortgage in January and investment bank Goldman Sachs took over the property, which is now escrow for a sale to Netflix.

The sprawling Television City property is one of the most desirable locations in Los Angeles, sharing fences with the Original Farmers Market and the luxury Grove outdoor shopping center, each of which attracts millions of visitors every year.

If the studio at Beverly Boulevard and Fairfax Avenue where “American Idol,” “All in the Family” and scores of other shows were filmed becomes available as expected, the owners of the Grove and the Farmers Market would be among the likely contenders for the property for potential expansion of their businesses, said sources familiar with the matter who were not authorized to comment.

Grove owner Rick Caruso was among the bidders for Television City, formerly known as CBS Television City, last time it was on the market and could emerge as a possible bidder.

The highest bid when broadcaster CBS sold the studio in 2019 came from Hackman Capital Partners, an international movie studio operator and commercial property landlord that paid $750 million for the 25-acre site that is near Hollywood, Beverly Hills and and the Sunset Strip.

Hackman Capital’s plan to recoup its investment included continuing to operate Television City as a studio for rent while adding new revenue-generating features.

Last year the city approved Hackman Capital’s $1-billion plan to add 980,000 square feet of offices, sound stages, production facilities and retail space.

The original studio designed by famed Los Angeles architect William Pereira erected in 1952 has city landmark protections, but newer structures on the property do not and there are acres of surface parking that could be converted to other uses.

Both Caruso and Farmers Market owners A.F. Gilmore have sued to limit the planned expansion of the studio, calling it a “massively scaled” development that “would overwhelm, disrupt, and forever transform the community.”

The debate over the development has played out amid a serious downturn in the region’s entertainment industry, with studios shifting film and television production to Georgia, New Mexico and other out-of-state locations.

L.A.’s entertainment industry also suffered a series of blows including the COVID-19 shutdown, strikes by writers and directors in 2023 and cutbacks at studios that reduced demand for sound stages.

A group of Hackman Capital’s lenders led by Deutsche Bank filed a notice of default last month, saying they’re owed more than $357 million. Hackman Capital is still trying to renegotiate its debt.

“The studio market is evolving, and the financing environment for studio assets remains complex,” Chief Executive Michael Hackman said in a statement. “We are engaged in active discussions with our lending partners and are carefully evaluating all of the alternatives.”

A person familiar with the process but not authorized to speak about it publicly said Hackman Capital will be hard-pressed to pay its debt in light of challenges facing the industry. The notice of default is “the baby step to put Television City in play” for new buyers, the source said, “and it is in play.”

Already in play is Manhattan Beach Studios, another Hackman Capital property encumbered by a $240-million loan from Deutsche Bank that the lender is in the process of selling. A buyer could foreclose on the property and potentially change its use to advanced manufacturing such as aerospace or defense, which is in high demand in Southern California.

Brokerage Cushman & Wakefield, which is managing the sale, emphasized in marketing materials that the 22-acre site has “significant available power capacity” and “offers flexible uses” on “some of the most irreplaceable underlying land in the South Bay.”

Caitlin Clark will be in the lineup when the Indiana Fever face the Sparks at Crypto.com Arena after a week-plus of discourse around the star player.

Clark, who has had season-long back problems, did not play on Sunday in Las Vegas. Fever coach Stephanie White said Clark would play on Wednesday against the Sparks.

Earlier in the day, a dozen Republican lawmakers announced they sent a letter to WNBA commissioner Cathy Engelbert arguing the league has failed to adequately protect Clark from physical play.

“Unfortunately, what they too often witness is not simply aggressive competition, but repeated acts of unnecessary physical hostility and violence,” the lawmakers wrote. “Clark has been hip-checked, poked in the eye, and struck in the throat during games. These incidents go far beyond routine physical play, yet the WNBA and its officiating have too often failed to address these unacceptable incidents and hold players accountable.”

When asked about the letter after their shootaround in Los Angeles on Wednesday morning, White stepped aside for team spokesperson Jackie Maynard to read a statement:

“Our organization, nor Caitlin, have had any interaction with anyone in the congressional group and were unaware of their letter. We have been clear in our public comments and in our ongoing dialogue with the league about the priority of player safety. Our players and our fans know where we stand on these issues and continue to stick up for our team and a standard of excellence across the league.”

Alyssa Thomas was given a flagrant foul 2 penalty, fined $1,000 and suspended one game at the start of July for pushing her right fist into Clark’s throat when they both fell on the court during the Mercury’s 111-109 win on June 24 in Indianapolis.

It was originally not called a foul, and a still image of Thomas’ hand in Clark’s throat went viral on social media and stirred up discourse among those in and out of the basketball world.

In the aftermath, Thomas said she got several online attacks, some of which are “threatening our lives.”

White denounced “unacceptable” online behavior from fans last week, and Clark followed up by saying, “I don’t want anyone to ever experience that.”

The letter was led by Texas congressman August Pfluger, chairman of the Republican Study Committee.

“As Commissioner, you have an obligation to ensure that every player competes in a safe and professional environment, both on and off the court, free from violence, discrimination, or retaliation,” the lawmakers wrote. “If discrimination or retaliation is occurring and creating a hostile work environment, we support any appropriate investigation by the Department of Justice, the Department of Labor, or the Equal Employment Opportunity Commission. If true, such conduct could constitute violations of federal civil rights laws.”

The letter finished with three questions for Engelbert, which it demanded the commissioner respond to by July 24. What is your review mechanism for physical hostility and violence on the court? How will you hold players accountable for overly aggressive actions on the court, including towards Caitlin Clark? What steps are you taking to protect WNBA players from online harassment and off-the-court threats?

Conservative commentator Riley Gaines posted the letter and her support of it on social media, which showed signatures from Iowa lawmaker Zach Nunn and Indiana representatives Marlin Stutzman and Victoria Spartz.

White said that Clark would not play on Thursday night in Phoenix, rotating her with star center Aliyah Boston to manage both of their workloads on the team’s first set of back-to-back games.

ROCKERS Oasis will be back on stage next year — including a 12-date residency at the Etihad Stadium in Manchester.

They are also set to do a record-breaking run of six concerts at Knebworth.

An insider said: “Oasis’ schedule is booked.

“It’s 12 nights at the Etihad over six weeks starting in June.

“They will then play Knebworth six times over a three-week period in September.

“Dates could be added but for now that’s the master plan.”

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Brothers Noel and Liam Gallagher put their long-running feud behind them to re-form the band for the 41-date Oasis Live ’25 tour last year.

The band had split up in 2009 amid rows.

A source said: “Noel and Liam always planned for the tour to have a second run.

“There were discussions about announcing [it] during the World Cup because of the connection between Wonderwall and the Three Lions in this tournament.

“But they’ve settled on August.

“It’ll give the country something to shout about — whether we’re celebrating or commiserating.”

The Etihad is the home of Manchester City, the team the brothers support.

Oasis’ gigs at Knebworth will break the record for the most times an act has played there.

Over their six gigs the band are set to play to 750,000 people.

They performed two shows there in 1996 to 250,000 fans.

A source said: “Knebworth is a special place for Noel and Liam.

“The shows in 1996 broke records as 2.6million people applied for tickets.

“It was the largest demand for tickets in British music history.

“They broke that with Oasis Live ’25.

“Now they’re going to become the only act to have played Knebworth six times.”

The shows would take the band’s tally to eight and Liam’s to ten — as he did two solo shows at the Hertfordshire venue in 2022.

Demand for the new Oasis gigs will be astronomical.

Noel, 59, and Liam, 53, are set to stick with the same line-up as their shows last year — including guitarist Paul “Bonehead” Arthurs, 61, who had to take time off from the tour after he was diagnosed with prostate cancer.

There is speculation there will also be shows outside England, including in Rome and Celtic Park in Glasgow.

The Sun has campaigned for the band’s 1995 anthem Wonderwall to become the soundtrack to England’s World Cup campaign.

FIFA rescinds Folarin Balogun’s red card punishment

From Kevin Baxter: FIFA made a dramatic discipline change for just the second time in its history, clearing the way for U.S. striker Folarin Balogun to play in Monday’s elimination game with Belgium.

The rare move drew celebration from the U.S. players who felt Balogun’s red card was unjust and drew outrage from the Belgium team and others protective of the integrity of the laws of soccer.

FIFA, the global governing body for soccer and the organizer of the World Cup, announced Sunday morning that the one-game suspension given to Balogun for a dangerous challenge that could have injured an opponent in last week’s win over Bosnia-Herzegovina would be held in abeyance, making him eligible to play in what is arguably the team’s most important game in at least a generation.

It was the first time FIFA has rescinded a red-card suspension during a World Cup in 64 years.

The Belgium team immediately protested the decision, with the country’s soccer federation saying it was “astonished” by the ruling and was “investigating all potential options” to block it and “safeguard the legitimate rights of all participating teams and to protect the fundamental principles of fair in our sport.”

It was unclear what those options might be.

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Mexico eliminated by England

Jude Bellingham and Harry Kane carried England to the World Cup quarterfinals, overcoming a raucous crowd, the elevation of Estadio Azteca and a man disadvantage in the second half to beat Mexico in a 3-2 thriller on Sunday night.

Bellingham scored two goals 98 seconds apart in the first half, and six minutes after Jarell Quansah was sent off, Kane converted a penalty to restore England’s two-goal lead.

England moves on to face Norway on Saturday in Miami Gardens, Fla., for a spot in the semifinals.

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Monday’s World Cup results

Round of 16
Norway 2, Brazil 1
England 3, Mexico 2

Today’s World Cup TV schedule

All times Pacific
Noon, Spain vs. Portugal, Fox, Telemundo
5 p.m., U.S. vs. Belgium, Fox, Telemundo

World Cup round of 16 schedule, results

Round of 16 results
Morocco 3, Canada 0
France 1, Paraguay 0
Norway 2, Brazil 1
England 3, Mexico 2

All times Pacific
All games on Fox and Telemundo

Monday
Portugal vs. Spain, noon
U.S. vs. Belgium, 5 p.m.

Tuesday
Argentina vs. Egypt, 9 a.m.
Switzerland vs. Colombia, 1 p.m.

Quarterfinals schedule

All times Pacific
All games on Fox and Telemundo

Thursday
France vs. Morocco, 1 p.m.

Friday
U.S. or Belgium vs. Portugal or Spain, noon

Saturday
Norway vs. England, 2 p.m.
Switzerland or Colombia vs. Argentina or Egypt, 6 p.m.

Emotional day for Dodgers’ Eliezer Alfonzo

From Liana Handler: As the announcer called out his name in the lineup, Eliezer Alfonzo hugged fellow Venezuelan Miguel Rojas before the catcher walked down the dugout to greet his teammates and coaches. The two had written messages on their caps in silver ink: On Alfonzo’s, “EyP, RIP,” the initials of his stepmother Patricia and his younger sister Eliana. On Rojas’, a cross was drawn next to “Alfonzo” and below “Fuerza Matatan.” In other words, stay strong, Matatan, the nickname given to Alfonzo’s father, the former major league catcher Eliezer “El Matatán” Alfonzo.

An unimaginable weight rested on his shoulders when Alfonzo stepped into the batter’s box to a standing ovation. Alfonzo’s stepmother and sister were reportedly found dead after the earthquakes in Venezuela last month.

Alfonzo went 0-for-2 in an otherwise quiet Dodgers 5-2 loss to the Padres, though even in that performance, he found moments to reflect. His sister, he said after the game, had a dream that she refused to tell him until it came true.

“I’m pretty sure the dream was something about this. I wish she was alive to watch me play in the big leagues,” Alfonzo said. “But I know she’s in God’s side now, and she’s gonna protect me, and she’s gonna enjoy every moment that I’m gonna have.”

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Dodgers’ Edwin Díaz pushes back against alleged links to illegal cockfighting

Dodgers’ Eliezer Alfonzo to start after his sister and stepmother died in Venezuela

Dodgers box score

MLB standings

Angels lose sixth in a row

Jarren Duran and Willson Contreras homered, and five Boston pitchers combined to give up two runs over 6⅓ innings in relief of injured starter Ranger Suarez to lead the Red Sox to a 7-5 win over the Angels on Sunday night.

Boston’s eighth victory in 10 games completed a three-game sweep of the Angels, who have lost six straight and 12 of 19 since June 14.

Suarez, named to the American League All-Star team Saturday, exited with two outs in the third because of left adductor tightness, an injury he sustained when he jumped for Jo Adell’s chopper over the mound.

The left-hander was followed by Greg Weissert (1-2), Tyron Guerrero and Garrett Whitlock, who combined for 4⅓ hitless innings. Justin Slaten gave up a run in the eighth, and Aroldis Chapman gave up a solo homer to Zach Neto in the ninth before earning his 18th save.

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Pikachu magic: how a tiny Pokémon powered Zach Neto and the Angels in June

Angels box score

MLB standings

Adou Thiero and Cameron Carr are a good team

From Thuc Nhi Nguyen: At 22 years old, Adou Thiero can barely believe he’s fielding the questions meant for veterans. This is still the Lakers forward’s first summer league after all.

The former second-round pick is suddenly one of the Lakers’ primary summer league players and hopes to use the experience as an important stepping stone, building up his game while also establishing a leadership voice.

Thiero, who missed last year’s summer league because of a knee injury, had 13 points in the Lakers’ thrilling, 93-91 double-overtime win over the Miami Heat on Sunday at Chase Center. Instead of his NBA role as a defensive spark plug who adds a jolt of athleticism off the bench, Thiero showed his unselfish playmaking Sunday while working with rookie Cameron Carr, who had 26 points and eight rebounds on four-of-nine three-point shooting.

Thiero, a 6-foot-7 forward, ignited the offense down the stretch Sunday. He is a threat to drive to the rim, and when combined with Carr’s shooting ability, the two-man game creates confusion for defenses, Lakers summer league coach Ty Abbott said.

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Pavel Mintyukov signs contract extension with Ducks

Defenseman Pavel Mintyukov has agreed to five-year contract extension worth $36 million with the Ducks, a person with knowledge of the negotiations told the Associated Press.

The person spoke on condition of anonymity Sunday because the Ducks didn’t announce the financial terms of their deal through the 2030-31 season with the 22-year-old Mintyukov. The promising Russian blueliner was a restricted free agent this summer after recording 17 goals and 52 assists over 204 games in his first three NHL seasons.

The Ducks belatedly got this pricier-than-expected deal done with one of their most important young players only two days after they blundered into a precarious situation with their cornerstone center.

Leo Carlsson signed a five-year, $90-million offer sheet with Philadelphia last Friday, which means the 21-year-old Swede is likely to be the NHL’s highest-paid player next season for the Flyers or for the Ducks, who can match the offer or receive four first-round draft picks as compensation. Anaheim must decide by Friday.

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This day in sports history

1887 — Lottie Dod of Britain, 15, becomes the youngest woman to win the women’s singles championship at Wimbledon, defeating Blanch Bingley 6-2, 6-0.

1957 — Althea Gibson becomes the first Black person to win a title at the All England Lawn Tennis Club by beating Darlene Hard 6-3, 6-2 in the women’s singles title match.

1968 — Billie Jean King wins her third consecutive women’s singles title at Wimbledon by beating Australia’s Judy Tegart 9-7, 7-5.

1975 — Ruffian, an undefeated filly, and Kentucky Derby winner Foolish Pleasure compete in a match race. Ruffian, racing on the lead, sustains a severe leg injury and is pulled up by jockey Jacinto Vasquez. She is humanely destroyed the following day.

1994 — Leroy Burrell breaks the world record in the 100 meters in Lausanne, Switzerland. Burrell’s time of 9.85 seconds betters Carl Lewis’ 9.86 clocking set in the 1991 World Championships.

1996 — Steffi Graf beats Spain’s Arantxa Sanchez Vicario 6-3, 7-5 in the Wimbledon final for the German star’s 20th Grand Slam title and 100th tournament victory.

1997 — Pete Sampras wins the fourth Wimbledon title and 10th Grand Slam title of his career, easily defeating Frenchmen Cedric Pioline 6-4, 6-2, 6-4.

1998 — Twenty-year-old Se Ri Pak becomes the youngest U.S. Women’s Open champion after hitting an 18-foot birdie on the 20th extra hole to beat amateur Jenny Chuasiriporn in the longest Women’s Open in history.

2000 — Venus Williams beats her younger sister Serena 6-2, 7-6 (3) to reach the Wimbledon final. Their singles match is the first between sisters in a Grand Slam semifinal.

2003 — Martina Navratilova claims her 20th all-time Wimbledon title as she and Leander Paes beat Andy Ram and Anastassia Rodionova 6-3, 6-3 in the mixed doubles final.

2008 — Rafael Nadal ends Roger Federer’s bid to become the first man since the 1880s to win a sixth consecutive championship at the All England Club. Two points from victory, the No. 1-ranked Federer succumbs to No. 2 Nadal 6-4, 6-4, 6-7 (5), 6-7 (8), 9-7 in a 4-hour, 48-minute test of wills that’s the longest men’s final in Wimbledon history — and quite possibly the greatest.

2013 — Twin brothers Mike and Bob Bryan capture their fourth straight major with a 3-6, 6-3, 6-4, 6-4 victory over Ivan Dodig and Marcelo Melo at Wimbledon. The Americans become the first men’s team in Open-era tennis to hold all four Grand Slam titles at the same time.

2013 — Jimmie Johnson becomes the first driver in 31 years to sweep Daytona International Speedway. The Daytona 500 winner is the first driver since Bobby Allison in 1982, and the fifth overall, to win both races in a season at Daytona.

2014 — Novak Djokovic wins his second Wimbledon title and denies Roger Federer his record eighth by holding off the Swiss star in five sets. Djokovic wastes a 5-2 lead in the fourth set but holds on for a 6-7 (7), 6-4, 7-6 (4), 5-7, 6-4 victory.

2014 — Florida teen Kaylin Whitney breaks the world junior record by running the 200 meters in 22.49 seconds at the U.S. junior national track and field championships in Eugene, Ore. The 16-year-old Whitney broke the world 17-and-under mark of 22.58 set by Marion Jones in 1992.

2015 — Floyd Mayweather Jr. is stripped of his WBO welterweight boxing title after failing to pay $200,000 sanctioning fee and vacate his two junior middleweight titles.

2016 — Roger Federer’s bid for a record eighth Wimbledon title remains alive after he comes from two sets down and saves three match points before overcoming Marin Cilic in five sets, advancing to the semifinals at the All England Club for the 11th time. It’s the 10th time in Federer’s career he erases a two-set deficit to win in five sets. This is also his 80th match win at Wimbledon, equaling Jimmy Connors’ record.

2019 — Jorge Masvidal sets a UFC record with a KO of Ben Askren five seconds into their bout in Las Vegas.

2019 — The Clippers acquire two NBA megastars in one day; Finals MVP Kawhi Leonard from Toronto in free agency, and Paul George from Oklahoma City for an unprecedented trade bounty of players and picks.

2020 — Kansas City Chiefs quarterback Patrick Mahomes agrees to the largest contract for an athlete in sports history, inking a 12-year deal that could end up being worth $503 million.

Compiled by the Associated Press

This day in baseball history

1929 — The St. Louis Cardinals scored 10 runs in the first and fifth innings in beating the Philadelphia Phillies, 28-6, in the second game of a doubleheader. The Cardinals had 28 hits and set an NL record with the 28 runs.

1933 — The first major league All-Star game was played at Comiskey Park in Chicago. The AL, managed by Connie Mack, defeated the NL, managed by John McGraw, 4-2 on Babe Ruth’s two-run homer.

1938 — Johnny Vander Meer, Bill Lee and Mace Brown combined to limit the AL to one run and seven hits as the NL won the All-Star game 4-1 at Cincinnati’s Crosley Field. Lefty Gomez of the New York Yankees suffered his first defeat in four All-Star starts.

1942 — The AL beat the NL 3-1 in the All-Star game at the Polo Grounds in New York on first-inning home runs by Lou Boudreau of the Cleveland Indians and Rudy York of the Detroit Tigers. York’s shot came with a man on base.

1949 — Walker Cooper of Cincinnati went 6-for-7, including three home runs and drove in 10 runs, against Chicago at Crosley Field. Cooper also had three singles and scored five times to lead the Reds to a 23-4 rout of the Cubs.

1966 — Boog Powell of the Baltimore Orioles knocked in 11 runs in a doubleheader against the Kansas City A’s to tie an AL record. In the first game, Powell hit two home runs, including a grand slam, two doubles and a sacrifice fly to drive in seven runs as the Orioles won 11-0. Powell had four RBIs in the nightcap.

1983 — On the 50th anniversary of the All-Star game, Fred Lynn’s grand slam off Atlee Hammaker, the first in All-Star competition, capped a record seven-run third inning. The AL also set a record for runs scored in a 13-3 victory that ended an 11-game NL winning streak. Chicago’s Comiskey Park was the site, as it was for the first All-Star game in 1933.

1986 — Atlanta’s Bob Horner became the 11th player in major league history to hit four home runs in a game and it still wasn’t enough to win. The Montreal Expos pounded the Braves’ pitching staff for an 11-8 victory.

2000 — Keith McDonald of the St. Louis Cardinals became the second player in major league history to homer in his first two at-bats, connecting in the second inning of a 12-6 loss to Cincinnati.

2005 — Florida pitchers retired 28 consecutive batters from the third inning on and set a team record with 22 strikeouts in a 12-inning, 5-4 victory over Milwaukee. A.J. Burnett matched his career high and the club record with 14 strikeouts in six innings.

2007 — Justin Morneau homered three times in the second game of a doubleheader to help Minnesota sweep Chicago 20-14 and 12-0. The Twins won the opener behind Jason Kubel’s seven RBIs.

2009 — Chase Utley hit a three-run homer and Shane Victorino and Greg Dobbs each had two-run shots during a 10-run first inning, helping the Philadelphia Phillies rout the Cincinnati Reds 22-1.

2010 — Alex Rodriguez hit the 21st grand slam of his career and adds a solo home run to bring his career total to 597.

2016 — The Orioles and the Dodgers combine for 36 strikeouts in a 14 inning game at Dodger Stadium.

2017 — With two hits in a 4-3 loss to the Cardinals, Florida Marlins Ichiro Suzuki become the all-time leader for hits by a player born outside the United States with 3,054, passing Rod Carew.

2022 — Aaron Judge hits his 30th homer of the year, a grand slam, in the Yankees’ 16-0 demolition of the Pirates. He is the fourth Yankees hitter to reach the mark before the All-Star Game, following Roger Maris in 1961, Alex Rodriguez in 2007 and himself in 2017.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The American democratic experiment stands on shaky ground. Not since the Civil War have these proverbially United States been so disunited. As the nation throws itself a grand old 250th birthday bash in Washington, the mood in much of the country is more funereal than festive.

All-out partisan warfare has sown chaos. Republican legislators, taking their lead from a president who sees half the nation as his personal enemy, have put their own party’s interests over the republic’s. Staying in office has become the only thing that matters. The values imparted to me throughout my public school education — equal opportunity, impartial justice, respect for expertise, basic honesty — have been abandoned by a new breed of politician that has turned governance itself into a blood sport.

Where can one turn for reassurance that America’s best years are still ahead? Would you believe me if I said the theater? I’m not toeing the line for my field. I’m merely calling attention to a development that’s been gaining strength since I first reported on it in 2015. A cohort of playwrights, breathtakingly diverse demographically as well as aesthetically, has been rejuvenating American theater.

These writers aren’t on a sociological mission. They’re not trafficking in grievance or appealing to a particular political base. They let their plays do the talking. And they’ve been trying to have a conversation that isn’t hijacked by the most doctrinaire voices in the room.

From an institutional perspective, the American theater is in bad shape. The triple whammy of the COVID-19 closures, inflation and technological disruption has left everyone hurting. The Mark Taper Forum had to suspend programming for more than a year, smaller companies still in operation are producing fewer shows, and producers everywhere are gravitating toward the bankably familiar.

But despite this difficult terrain, it has been a boom time for American playwriting. For more than a decade, I’ve been teaching a course at the California Institute of the Arts called American Drama Now, and each year the selection of plays has become harder to whittle down. I designed the seminar partly around theater offerings in Los Angeles to connect students to recent developments in the field and to consolidate awareness that something special is happening in the American theater.

The current generation of playwrights has revealed itself to be remarkably resilient and independent. It has had no other choice. By the time many of these rising talents were accruing debt in graduate writing programs, the dream of a sustainable career in the nonprofit theater had already gasped its last breath.

When Wendy Wasserstein, Tony Kushner, Craig Lucas and Jon Robin Baitz emerged in the late 1970s and ’80s, it was still imaginable that a chosen few playwrights could make a living via the regional theater circuit, that constellation of companies founded as an alternative to the Broadway model.

That prospect was growing dimmer a few years later when playwrights such as Suzan-Lori Parks and Lynn Nottage came into prominence. But hope was still alive in the late 1990s and early 2000s. Regional theaters such as Seattle Rep, the Guthrie, the Goodman and Baltimore Center Stage remained committed to their missions while New York nonprofit companies continued to hold the line off-Broadway.

When did the picture change? In 2009, “Outrageous Fortune: The Life and Times of the New American Play” was published by the Theatre Development Fund, and one of the key findings in this study written by Todd London with Ben Pesner and Zannie Giraud Voss is that “there is no way to view playwriting as anything but a profession without an economic base.” A chasm had opened between the network of increasingly corporate-minded nonprofit theaters and the artists this system was built to serve.

The situation has grown bleaker in the last decade and a half as commercial pressures have ramped up and media consolidation and digital shortsightedness have obliterated arts coverage. Yet there’s been an unexpected upside. Theater artists who have come of age in this period have been released from the burden of having to conform to notions of regional theater respectability.

Instead of worrying about the timid taste of subscription audiences, these dramatists have been writing for themselves and their communities, dreaming up plays that don’t have to fit into institutional slots or stay within the staid bounds of traditional proscenium house decorum. The irony is that in not trying to pass muster with more conservative theatergoers (and their fastidious institutional guardians), playwrights have been winning over not just critics but also formerly squeamish artistic directors and perennially nervous Broadway producers.

The playwrights who appear regularly on the syllabus in American Drama Now — Young Jean Lee, Tarell Alvin McCraney, Annie Baker, Branden Jacobs-Jenkins, Samuel D. Hunter, Martyna Majok, Jeremy O. Harris, Will Arbery, Jackie Sibblies Drury, Quiara Alegría Hudes, Ayad Akhtar, among them — are of different ages, sensibilities and backgrounds. What they share is an appreciation of the complexities and contradictions in being an American.

The politics of identity for them is a lived experience. And as dramatists, they’re uniquely positioned to appreciate the conflicted loyalties and communal tensions of American life in dramatic rather than dogmatic terms. Whatever agendas they may personally espouse, these writers are too alert to the messiness of history and human nature to be rigidly ideological in their work.

The ongoing war between woke and anti-woke factions is a fatuous melodrama best left to the satirists. The goal of playwrights grappling seriously with what it means to be an American today isn’t to score social media points but to shed light on the fractured reality of our collective experience.

Characters in plays by Young Jean Lee, such as “Straight White Men,” are often “trying on masks to see what might prove effective in a given situation.”

(Lawrence K. Ho / Los Angeles Times)

Identity is not a fixed fact but a raucous collision of parts. No single category can contain the Whitmanesque multitudes jockeying for position inside us. Race, religion, ethnicity, gender, age, sexuality, class, disability and geography don’t line up in perfect political harmony, and each social marker tells only a fraction of the whole story. (Money, the great unequalizer, may be the most taboo subject of all.) “We are not only but also,” the sociologist and cultural historian Todd Gitlin wrote in his 1995 book “The Twilight of Common Dreams: Why America Is Wracked by Culture Wars.” We also overlap and often even clash with ourselves.

Discussion around identity can be dangerous. How can anyone be expected to navigate the minefield? Tribalists and traditionalists have controlled the terms of the battle, one by simplifying, the other by denying, the way privilege has shaped our compound selves.

Playwrights know better. They understand the way oppression, which falls disproportionately on the marginalized, has warped all of us. History, whether acknowledged or not, is etched in our souls.

It is a long-held tenet of the theater that the most interesting characters, like the most interesting people, are defined by their schisms and paradoxes. (How else could Hamlet have maintained his centuries-long hold?) Dramatists are more cognizant than ever of the sociopolitical import of these contradictions and they’ve been chronicling the way this historically freighted baggage emerges in the drama of everyday life.

All the world is indeed a stage and all its inhabitants merely stock players, as Jaques lays out in “As You Like It.” Hegel described Shakespeare’s characters as “free artists of their own selves.” The truth where we and our contemporary stage surrogates are concerned is somewhat more constrained. Culture and representation largely determine the range of our performance possibilities.

Plays such as Branden Jacobs-Jenkins’ “Appropriate” reexamine “the canon of great American family dramas … to uncover the stories that have been suppressed.”

(Craig Schwartz)

Jacobs-Jenkins has recognized perhaps more acutely than any of his peers the way dramatic forms have locked us into set scripts about our lives. He tackles genres — adapting a Dion Boucicault melodrama in “An Octoroon,” reexamining the canon of great American family dramas in “Appropriate” — to uncover the stories that have been suppressed in the dominant white middle-class narratives that would prefer not to think of themselves as political.

Lee’s standout identity plays — “Straight White Men,” “The Shipment” and “Songs of the Dragons Flying to Heaven” — reject the illusion of stable, coherent characters propagated by psychological realism. The figures in her uncategorizable works are in experimental flux, trying on masks to see what might prove effective in a given situation. Even “Straight White Men,” which uses the old home-for-the-holidays genre as a springboard, can’t help spinning away from the drama’s droll hyper-naturalism toward something resembling performance art. (Not even straight, white men want to be confined to a box, even a relatively plush one.)

“Fairview,” by Jackie Sibblies Drury, “theatricalizes the experience of the white gaze.”

(Jeff Lorch)

In “Fairview,” Jackie Sibblies Drury theatricalizes the experience of the white gaze, ultimately reversing the comfortable position white theater audiences have traditionally held. Bess Wohl’s “Liberation,” this year’s most decorated play, reanimates the history of the 1970s feminist movement by questioning what it could be leaving out of the picture. “The Balusters,” by David Lindsay-Abaire, brings the current culture wars to the stage with unique sensitivity through the squabbles of a neighborhood association torn between protecting its town’s heritage status and coming to terms with the more pluralistic demands of the 21st century.

“Fairview,” “Liberation,” and “The Balusters” are extremely funny plays that also happen to be deadly serious. If philosophy begins in wonder, trenchant social drama seems to start in laughter.

What do theatergoers want? They don’t just want to look; they also want to be seen. Isn’t that what any of us wants when gazing into the mirror held up to nature, as Hamlet describes the theater? To be granted a more expansive view of ourselves and others?

E pluribus unum, the motto of the United States, is so fundamental that it’s printed on our currency. There’s perhaps no place where the truth of this phrase — out of many, one — is more regularly realized than at the theater, where strangers transform over the course of a show into that mysterious organism we call an audience.

Gitlin ends “The Twilight of Common Dreams” with a plea: “For too long, Americans have busied themselves digging trenches to fortify their cultural borders, lining their trenches with insulation. Enough bunkers! Enough of the perfection of differences! We ought to be building bridges.”

A coalition mindset doesn’t mean denying history or pretending that America has been a level playing field. It’s been anything but in this “melting pot where nothing melted,” to quote the rabbi whose eulogy sets Kushner’s “Angels in America” in motion. But history happens to all of us, not just a select few. And to be an American is to be embroiled in the great democratic experiment that has been defined by division from the beginning. Empathy, the nuclear fusion of playwriting, is expanded when we’re allowed to take in more of our patchwork selves. Today’s dramatists have been extending a generous invitation to their compatriots: We’ll show you our complexity, if you’ll show us yours.

Dodgers two-way phenom Shohei Ohtani waddled through the clubhouse after the Dodgers’ 4-3 comeback victory against the Padres on Friday night, the bulging ice wraps around his left knee and right arm creating a penguin-like effect to his gait.

That in and of itself wasn’t noteworthy — ice after starts is a regular part of any pitcher’s recovery and arm care. But for Ohtani, the awkward wraps were reminders of one ailment he’s getting over, knee inflammation, and one that popped up Friday night — a right biceps problem.

“More precautionary reason,” Ohtani said through interpreter Will Ireton about being replaced by a pinch-hitter in the seventh inning. “I was a little concerned with my biceps with the last at-bat that I took.”

Ohtani limited the Padres (43-44) to three runs over 110 pitches when he stepped up to the plate in the sixth.

Teoscar Hernández hits a grand slam for the Dodgers against the San Diego Padres on Friday.

He worked a full count and then flew out to right field. Ohtani paused on his follow-through, his lips pursed, before jogging up the line.

“It’s the same location that I felt a couple months ago,” Ohtani said. “It went away relatively quickly, so I expect that to happen again.”

That Ohtani dealt with a biceps problem earlier this season was not disclosed before Friday. Even manager Dave Roberts said after the game that he had just learned about the previous ailment.

Ohtani will take off Saturday to recover, Roberts said. And Ohtani skipping his last pitching start before the All-Star break is “on the table.”

Ohtani was voted the starting designated hitter for the National League, marking his sixth straight All-Star selection. But even before Friday, it seemed unlikely he would pitch in the All-Star Game given his rotation schedule.

“He’s a quick healer, and finds a way to get back,” Roberts said. “But I do think that for us to read and react and hear what his body is telling him is really important, given the toll it takes on his body to be a two-way player.”

The injury concern replaced now-assuaged questions about Ohtani’s pairing with catcher Dalton Rushing with Will Smith (neck) on the injured list. Smith has at least resumed throwing and took swings Thursday, Roberts said, but he isn’t expected to return before the All-Star break.

The last time Rushing caught Ohtani, the pitcher took over pitch-calling after a disastrous second inning against the Twins last week.

“I just overthought last time,” Rushing said in a conversation with The Times on Thursday night. “I was trying to be perfect, and with a guy like that, you don’t have to be perfect. You just need to call the right pitches at the right time and allow his stuff to just beat them naturally. And that’s the plan [Friday]. Whether I call the pitch, he calls the pitch. I want to make sure we’re both convicted in what we’re throwing, and we can execute it to the best of our ability.”

On Friday, Ohtani handed back over pitch-calling duties, communicating with head shakes and nods instead of the PitchCom buttons on his arm.

Ohtani walked the first two batters he faced. But then he struck out three of the next four, escaping the jam down just 1-0, courtesy of an RBI single from Gavin Sheets.

That started a streak of 10 batters who Ohtani retired in order, fanning six of them.

“The best way that I can describe it is, if it ain’t broke, don’t fix it,” Rushing said when asked what he’d learned from following along last week. “That’s the way he pitches. … Trust what you do, trust how good his stuff is, and just go from there.”

Dodgers pitcher Shohei Ohtani, left, gets a fist bump from catcher Dalton Rushing during the first inning of a 4-3 win over the San Diego Padres at Dodger Stadium on Friday night.

(Gina Ferazzi / Los Angeles Times)

Ohtani’s back-to-back strikeouts to end the second inning were a good example. Against left-handed hitting Sung-Mun Song, he threw mostly four-seam fastballs and splitters, finishing off the six-pitch at-bat with a sweeper, according to Statcast.

Against right-handed hitting Rodolfo Durán, Ohtani threw mostly sinkers and sweepers, with one four-seamer mixed in out of seven pitches.

Ohtani eventually relented a second run with two outs in the fourth inning. He fell behind 0-2 in the count to Jackson Merrill, who flipped a strike call with an ABS challenge. Then Merrill hammered a fastball over the plate for a solo homer.

Ohtani successfully navigated traffic to throw a scoreless fifth, but Xander Bogaerts tagged him for an RBI double in the sixth.

“I think I did the bare minimum,” Ohtani said. “To get through six, to give the team the chance to win, keep the game in check. But there were some good and some bad.”

Ohtani gave up seven hits for a quality start that wasn’t his cleanest. The Dodgers (58-31), who had struggled to get anything going against Padres starter Michael King, were trailing 3-0 when Ohtani exited. But Teoscar Hernández took care of the deficit.

Teoscar Hernández hits a grand slam in the seventh inning of the Dodgers’ 4-3 win over the San Diego Padres at Dodger Stadium on Friday night.

(Gina Ferazzi / Los Angeles Times)

Facing reliever Adrian Morejon with the bases loaded and no outs in the seventh, Hernández ambushed a first-pitch slider.

“Knowing him, every pitch is hard,” Hernández said. “I was looking for the hardest one, the fastball, middle-in. But just reacted to that one in the middle of the plate.”

Hernández drifted up the first-base line as he watched the ball fly. When it landed, he launched his bat back toward the dugout, and it made it halfway there.

“I’m just trying to find the same swing that I had before I got hurt,” Hernández said. “And at the same time, just do something for the team. It happened to be a big swing.”

Declan Rice is likely to be available to start England’s World Cup last-16 tie against Mexico on Sunday despite an ongoing injury issue.

The Arsenal midfielder has been playing with a neural problem that affects his hamstring and lower back and was substituted in injury time of the 2-1 win over DR Congo in the last 32.

Speaking after that game, manager Thomas Tuchel said: “I asked him. He said: ‘I can do it for the team but I am in terrible pain.’ When Declan tells you he is in terrible pain then you know he cannot take it any more.”

Though Rice is likely to be available to start against Mexico, there remain doubts about Reece James’ availability, with the Chelsea right-back having sat out two matches because of a hamstring injury.

It is understood James is yet to return to full training in the build-up to the game against Mexico, which is scheduled for 18:00 local time on Sunday (01:00 BST on Monday), though could move because of the weather.

Back-up right Jarell Quansah, who missed the win over DR Congo with an ankle issue, has stepped up his recovery but it is not known yet if he will be available.

A HUGE new indoor soft play park is coming to a major city in the UK this weekend.

Families are set to get a new destination for rainy-day fun with everything from laser tag to trampoline games.

Epicland UK will launch in Partington, Greater Manchester on Sunday, July 5.

Owners say the venue has been completely fitted out from scratch, with all-new play equipment installed throughout.

Children can look forward to light-up racing slides, interactive trampoline games, laser tag arena and soft play zones.

Parents won’t be left out either as they can sit back and enjoy fresh coffee and matcha drinks at a brand-new cafe.

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After an active play, your little ones won’t go hungry as the cafe offers healthy snacks and children’s lunch options.

The centre is designed to cater for children of all ages, with plenty of space for toddlers and older youngsters alike.

To celebrate the opening, the centre is offering a bargain deal with 20 per cent off all entry tickets until the end of August.

Customers can use the code “WELCOME20” to book a play session at a discounted rate.

The new attraction will open its doors at 9am on Sunday with a full programme prepared for the occasion.

The grand opening will be packed with fun activities from face painting, balloon artist, traditional lion dancing to giveaways.

The centre will stay open until 6pm on July 5, which means you’ll have to be quick to make the most of it.

LeBron James is continuing his record-setting NBA career, but he won’t do it with the Lakers.

The 41-year-old superstar has informed the Lakers he intends to sign with a different team as an unrestricted free agent, The Times confirmed Tuesday. After eight seasons, James felt it was best to part ways with the Lakers, according to people familiar with the situation not authorized to discuss it publicly.

James’ tenure with the Lakers was his longest continuous stint with any franchise during his illustrious career. He led the team to its 17th NBA championship in 2020, broke the NBA’s all-time scoring record while wearing the purple and gold and set the league record for seasons played, reaching 23 unprecedented years.

His record-extending 24th season will now be elsewhere.

The Golden State Warriors were reported as a potential option after Draymond Green opted out of his contract Monday, potentially freeing enough cap space to add James. He made $52.6 million last season but could sign for a pay cut to join fellow superstar Stephen Curry.

“LeBron James is one of the greatest athletes in history,” Lakers governor Jeanie Buss said in a statement posted on social media. “We will always be thankful for his eight years with the Lakers — including the title he led us to in 2020 under the toughest imaginable circumstances and the countless records he broke in purple and gold. We wish him all the best in the future, both on the court and off. He will always be a cherished part of the Lakers family.”

James averaged 20.9 points, 6.1 rebounds and 7.2 assists per game last season for the Lakers while claiming a slew of NBA records, including marks for games played, all-time wins and field goals made. Despite his age James was still considered one of the top free agents in a relatively pedestrian class.

James earned his record 22nd All-Star appearance last season, maintained his streak of averaging more than 20 points per game every season of his career and willed a shorthanded Lakers team past the Houston Rockets in the first round of the playoffs last season.

But he also gave up ground in his decades-long bout with Father Time.

James missed the first 14 games of the season while dealing with a right sciatic nerve problem, marking the first time in his career that he wasn’t ready to suit up for the season opener. His 15.3 field goal attempts per game was a career low, and he was ineligible for end-of-season awards because he missed 22 regular-season games, ending his streak of 21 years with All-NBA honors.

The Lakers needed James to reach the second round of the Western Conference playoffs last season — when the team was without star Luka Doncic for the entire postseason — but the NBA’s all-time leading scorer was set to take a supporting role within the franchise.

Doncic, 27, remains the top priority for the Lakers. Doncic signed a three-year, $165-million contract extension last summer. The Lakers also agreed to a four-year, $185-million max deal to keep Austin Reaves, who opted out of his contract to become a free agent.

Lakers stars LeBron James and Luka Doncic high-five after Doncic scored on a crucial three-point shot in overtime against the Knicks at Crypto.com Arena in March.

(Gina Ferazzi / Los Angeles Times)

With eight players from last year’s roster entering unrestricted free agency or holding player options, the Lakers were in position to completely remake their roster around Doncic two offseasons after the Slovenian superstar landed in the Lakers’ laps in a mind-blowing trade with the Dallas Mavericks for Anthony Davis.

President of basketball operations and general manager Rob Pelinka said after the season that the roster would be “retrofitted” around Doncic, meaning the Lakers wanted to target athletic, defensive-minded wings, knock-down shooters and a rim-running center.

GUADALAJARA, Mexico — Spain, ranked second in the FIFA rankings and the favorite to win the World Cup, did not play its best game, but did enough late Friday to defeat Uruguay 1-0 and eliminate the South American team in one of the most anticipated matches of the first round.

Spain finished first in Group H, while first-time participant Cape Verde advanced in second place with just three points, the result of three draws. Uruguay was eliminated from the tournament with only two points, following two draws and one loss.

For much of the match on Friday, Spain lacked better offensive coordination ahead of facing more dangerous opponents in the upcoming do-or-die rounds.

Alex Baena scored a goal in the 42nd minute by connecting with the ball after a cross from the right. The ball slipped past goalkeeper Fernando Muslera, who at first seemed to have no trouble blocking the shot, but the ball found the back of the net, making all the difference on Friday night in Guadalajara in front of 45,065 fans — most of whom were rooting for Spain. Muslera did not return for the second half and was replaced by Sergio Rochet.

“We have to celebrate because, honestly, it’s hard to finish first in a group like this,” said Baena, a midfielder for Atlético Madrid.

“It was a physically demanding match — extremely intense — and we rose to the occasion,” said Spain coach Luis de la Fuente, who emphasized that winning the World Cup requires winning tough matches against tough teams like Uruguay.

“I’m proud of this team because they want to keep growing. I have complete faith in this team. We’re where we are, and that’s exactly where we wanted to be,” added De la Fuente, who noted that the team needed to improve its fluidity of play.

Uruguay failed to beat Saudi Arabia or Cape Verde — two teams that, on paper, seemed inferior at the start of the tournament. Coach Marcelo Bielsa’s team couldn’t find its rhythm or play at its best.

“I wasn’t able to bring out the full potential of Uruguay’s players,” Bielsa said, visibly shaken by his failure with the Uruguayan national team. “What I’m leaving behind for Uruguayan soccer is nothing, because any contribution a coach might make to the soccer of a country where he worked for three years never takes root if results aren’t achieved.”

At the end of the match, Uruguay’s Agustín Canobbio was sent off after committing a hard foul on Spanish defender Pau Cubarsí in the 95th minute, prompting several Uruguayan players to protest the decision by U.S. referee Ismail Elfath.

For Bielsa and Uruguay, this marks the end of an era in which many believe the Argentine coach lost control of the locker room and his relationship with the media became strained because of his eccentric and explosive personality, but, above all, a lack of wins.

Cape Verde will face Argentina in the round of 32 on Friday in Miami. Spain will face the second-place finisher in Group J, which will be determined late Saturday by the match between Algeria and Austria. The game will be played at SoFi Stadium.

The match was the fourth and final World Cup game played in Guadalajara. Before the game began, a minute of silence was observed in memory of the victims of the earthquakes in Venezuela. So far, Venezuelan authorities have reported that more than 900 people have died and that thousands are missing.