plastic

EXCLUSIVE: A holidaymaker was left shocked at the behaviour of fellow tourists in Benidorm as people started queueing at 6.30am for sunbeds, leaving her and her family perched on plastic chairs

A fuming mum hit out at “selfish middle-aged fellas” for hogging sunbeds as her family were forced to perch on plastic chairs during their Benidorm holiday.

Annie Redfern went away with partner Declan Nash and seven-year-old daughter Belle Redfern for a 10-night holiday in the popular Spanish resort last month.

They were staying in the hotel made popular by hit ITV sitcom Benidorm, but she slammed the middle-ages blokes who queued for hours before swarming like “ants” for sunbeds.

Annie and her family arrived at Sol Pelicanos Ocas hotel, known as Solana Hotel on the television show, but realised all the sunbeds had already been taking.

She put this down to arriving at the hotel at midday, but the mum was stunned to see people congregating to bag a coveted bed at 6.30am the following morning – despite the pool not opening until 9am.

Annie, from Hull, East Yorkshire, said: “We thought if we’re going to go to Benidorm, we might as well see what the Benidorm hotel is like.

“We arrived there at 11.30am and there were no beds but obviously at that point we just thought it was because it was midday.

“The next morning, I started seeing queues starting at 6.30am, at this point I didn’t even know what time the pool even opened. We had gone down to go and get a latte and there were just loads of people all lining up.

“I can’t believe that’s how you spend your holiday, it’s crazy. You see them go, put a towel on the bed then run off straight to the breakfast then eat the breakfast then run straight back. It was a whole routine.

“What we realised was either wives were sending their husbands or the husbands were just doing it because so many of the line was made up of middle-aged men. It was just like a sea of people.”

Annie posted about her bizarre experience on TikTok and it quickly went viral, racking up more than 192,000 views.

She said the only way to grab a sunbed without joining the huge queue was to wait until people left for their evening meal around 5pm.

The family were instead forced to resort to sitting on plastic chairs when they weren’t playing or in the pool.

Annie admitted Benidorm divides people in the UK “like Marmite”. She said: “You can just go sit at a table and obviously I’ve got a child so we’re always in the pool anyway so I don’t really get much sunbathing.

“It’s selfish. Maybe do it one or two times so you can get a spot or have a day on the sunbeds, but there was one woman and she was at the front every single day.

“They [people queueing] were speed walking and as soon as the guy would come down and open the barrier, it was like ants.”

People online slammed the situation. One wrote: “My idea of hell this is.”

Another commented: “I’d rather go to Blackpool in the winter.” A third said: “I love Benidorm but I would never lose sleep when there’s so much more you can do in Benidorm.”

Sol Pelicanos Ocas hotel was contacted for comment.

KHLOE Kardashian paid tribute to her younger sister Kylie Jenner with a series of throwback snaps – and fans couldn’t help but comment on her changing features.

TV star Khloe posted the range of retro pics online alongside her little sister Kylie for her 29th birthday – while followers drew comparison with her visage pre-surgery.

One wrote on Reddit: “Surprised she posted their uncanny faces with their old faces.”

A second stated: “Khloe looks sooo different on the 5th pic. I’m shocked she shared that with people!”

A third mused: “Seeing pictures of them as kids makes my heart so sad for the little girls they used to be.”

The model and mum-of-two penned a heartfelt essay to Kylie on her big day and wrote: “Happy birthday to my world class poker player baby sister.

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“Kylie, I swear in another lifetime I was your mother. I don’t care how old you are, you will forever be my baby.

“I know I’ve loved you long before this life and I’ll love you long after it.

“My sister by blood, my best friend by choice, and one of the greatest loves of my life.

“I know in every lifetime, every reality, every realm, we will always find one another.”

She continued: “Watching you become the woman you are makes me so incredibly proud and emotional.

“The mother, friend, sister, daughter, businesswoman you are inspires me endlessly.

“You light up spaces you aren’t even in by the mention of your name.

“You’re hysterical, gentle, loving, lighthearted, patient and so much fun and yes, obviously the most gorgeous but your heart will forever be the most beautiful thing about you.”

She concluded: “I know how rare of a bond all of ours is, and I’ll never take it for granted.

“What a blessing that I get to do life with you the way that we do.

“My forever baby. My forever bestie. My forever soulmate. My forever.

“I love you beyond words.”

Khloe has previously spoken about the cosmetic work she has had done.

Last year, she revealed she has had a nose job, laser hair for the “hairline and everywhere else”, Botox and sculptra “where my face tumor was removed in my cheek”.

Khloe added that she had also undergone soft wave laser for skin tightening, and “filler in the past but not any over the last few years (I hear it never goes away, so I’m sure it’s still there but calmed down)”.

She added: “Collagen baby threads underneath my chin and neck.

“Salmon sperm facials/regular facials, peptides, vitamins and daily skin care.”

Kylie turned 29 on Monday 10th, but threw herself a party at home last Friday evening.

Her sisters Kim and Khloe were in attendance as well as Hailey Bieber and husband Justin Bieber.

Wadi Dawan, Yemen – From above, Wadi Dawan looks untouched – a ribbon of date palms winding through towering cliffs, divided by a white wadi bed. Scattered mud‑brick homes cling to the rocky slopes, overlooking one of Yemen’s most celebrated agricultural valleys, renowned for its palm dates and quality honey.

But continuing down into the valley, a starkly different picture emerges: plastic waste litters the flood channels, while the smell of burning rubbish hangs in the air, triggering coughs and polluting the valley’s once‑clean atmosphere.

“By God, this is a very serious problem,” said Yousef Abdullah, a 65‑year‑old farmer and orchard owner, speaking angrily to Al Jazeera. “If it remains unresolved, it will cause a disaster.”

Yousef stood beneath the shade of date palms, surrounded by a blanket of plastic bags, bottles, and food wrappers.

Throughout Wadi Dawan, home to thousands of people across dozens of scattered villages in Yemen’s eastern Hadramout province, plastic bags, bottles, and other household waste litter roadsides and palm groves.

Piles of rubbish – including dead animals – are dumped into flood channels that irrigate the valley’s farms. Household waste is mixed with sewage discharged into the wadi bed, while mounds of rubbish are dumped along roadsides just metres from people’s homes.

Yousef said that floods flowing through the valley pick up the waste, blocking irrigation channels, and depriving some farms of the vital waters they need. That has forced farmers to rush to the channels whenever the floods arrive, clearing the waste that has accumulated before the water recedes.

“We move from one irrigation channel to another leading to our farms, removing plastic bags, construction debris, and trees,” Yousef said. “We have to do it carefully because broken glass hidden in the rubbish can easily cut us.”

And then, after the floodwater recedes, Yousef and other farmers return to their fields and collect the plastic bottles and bags before they can sow their seeds.

Waste awareness initiative

Residents, environmental advocates, and local officials say the growing problem is driven by the lack of a proper waste collection system and limited public awareness of the environmental and health risks of indiscriminate dumping.

Large parts of the valley have no waste collection points at all. In the places that do, green rubbish bins can be seen along the roads, but are often overflowing. Garbage trucks are supposed to collect waste from the bins once a week, but the service is often disrupted because of a lack of funding and poor vehicle maintenance.

With almost no funding or resources, Salem Raji, who heads the Ministry of Agriculture’s office in Wadi Dawan and is also an agricultural researcher, launched an initiative to draw attention to the growing problem of waste dumping in his home valley. He has met with local officials, spoken to local media and used social media to warn residents about the environmental consequences of dumping rubbish into the valley’s flood channels.

“The agricultural sector is particularly affected by plastic waste, which contaminates the soil and leads to poor or even failed crop yields,” Raji said. “Waste causes numerous problems in the main irrigation canals, blocking water flow, damaging canal walls and preventing floodwater from reaching farmland. As a result, some farmers lose an entire harvest season because their fields receive no irrigation.”

The problem has worsened over the past decade as Yemen has been engulfed in a war between the Iran-backed Houthis and the Saudi-backed, internationally recognised government. The conflict has killed hundreds of thousands of people, displaced millions, and devastated state institutions, leaving local authorities, including municipalities and agricultural offices, with little funding or capacity to provide basic services.

“The problem has worsened in recent years because of the war, which has led to administrative instability and a lack of funding for local authorities,” Raji said.

Raji appeared frustrated that his efforts had yet to bear fruit and that his warnings had largely fallen on deaf ears, with residents continuing to dump waste across the valley. He called for an increase in his office’s monthly budget, currently just 8,000 Yemeni riyals, or about $5, so that staff could conduct field visits, reach more residents, and help remove rubbish from farms and flood channels.

Despite Raji’s best efforts, he has had little success with his attempts to raise awareness. “Our office’s [limited] budget leaves us unable to carry out regular field visits to educate the public or remove waste from flood channels.”

Expanding problem

The crisis extends far beyond Wadi Dawan. Across Yemen, years of war, collapsing public services and inadequate waste management have turned rubbish dumping into a growing environmental and public health problem.

In cities such as Taiz, waste has polluted farmland, contaminated drinking wells and dams, and increased the risk of waterborne diseases, according to local officials and health experts.

Dr Yassin Abdul Malik al-Shuraihi, who heads disease surveillance in central Yemen’s Taiz governorate, told Al Jazeera by telephone that the province, home to millions of people, suffers from a severe shortage of rubbish bins and chronic delays in waste collection.

As a result, many residents have resorted to dumping rubbish into flood channels that run through agricultural areas.

“Sewage, household waste and construction debris are now being dumped directly into these channels,” al-Shuraihi said. “We record a large number of diarrhoea cases throughout the year because sewage contaminates some drinking wells, making the water unsafe.”

Environmental experts are now calling for urgent action, warning of the particular dangers the waste poses to Yemen’s rural areas and farmland.

Khaled Saleh Bawahidi, a professor and director of the Environmental Studies and Water Resources Centre at Hadramout University, said indiscriminate waste dumping poses serious long-term environmental and public health risks.

“Accumulated waste is degrading natural habitats and polluting the soil around the palms, threatening tree growth and long‑term productivity,” Bawahidi said. “Bee health is also at risk as grazing areas deteriorate and the quality of natural resources declines. This could lead to a drop in the quality of dates and honey.”

And ultimately, it will be local Yemenis who face the consequences.

“Waste dumped in valleys contaminates soil and surface water,” Bawahidi added, “and creates breeding grounds for insects and rodents that can transmit diseases to humans and livestock.”

This shipping disaster has lived on through the decades, with remnants of the past still washing ashore now.

Along this stunning UK coastline, you will see crashing waves, white sand and towering cliffs. But if you are wandering along the beach and cast your eyes downward, you might spot something else.

Hidden in the sands of Cornwall’s coastline is a reminder of an ecological disaster that occurred 29 years ago. On February 13, 1997, a German container ship was sailing off the coast of Land’s End in Cornwall when it was hit by an enormous rogue wave.

The wave caused the vessel to lurch, and 62 containers plunged into the ocean.

One of these containers contained 4.8 million Lego pieces. Ironically, the majority of them had an ocean theme.

These scattered pieces then floated in ocean currents for years before eventually washing up on coastlines across the UK, Ireland and the Netherlands. Some even reached as far as Australia.

Environmental impact

Since the pieces are manufactured from the hardy acrylonitrile butadiene styrene (ABS) plastic, they resist degradation and chemical breakdown, and a 2020 study suggested the bricks could last in the ocean and on beaches for 1,300 years.

Even as they begin to degrade, they will shed microplastics which are consumed by sea life and marine birds.

In response to the spill, Lego company officials released a finders keepers statement telling people they were free to keep any pieces they discovered, though they should give them a thorough wash first.

The firm also set up a hotline so people could report where they collected them and the company could offer assistance with any clean-up efforts.

The Cornish coast is referred to as ‘Lego Beach’ by those familiar with it, and people devote hours to hunting for the miniature plastic toys.

What was on board?

The Lego pieces that washed overboard are now sought after by beachcombers, with enthusiasts on the hunt for the ultimate prize from the disaster — the octopus piece.

Other items such as flippers, scuba tanks and swords are spotted more frequently, but the octopuses are highly coveted given that only 4,200 of them were on board the stricken vessel, making them considerably harder to come across.

According to the BBC, there were several different kinds of Lego on board. These range from the most common through to ones that are so rare they have never been found on the beach.

Lego pieces you might find

• Flippers: one of the most common, with over 352,000 pairs in black, blue and red
• Life jackets: 26,000 bright yellow life jacket figurines were scattered
• Scuba tanks, flowers and brooms: also a common find
• Octopus: one of the hardest to find and most prized Lego figures — only 4,200 on board
• Green dragons: there were 33,427 black dragons inside the shipping container but only 514 green dragons

What figures have never been found?

• 97,000 magic wands
• 15,800 witches’ hats
• 18,200 frying pans

A federal judge has halted California’s groundbreaking “Truth in Recycling” law, which aims to reduce consumer confusion about which packaging can be recycled.

California’s recyclable packaging law prohibits manufacturers from using a “chasing arrows” recycling symbol on products or materials unless they are actually being recycled in a meaningful way, which the law quantifies. The bill was signed by Gov. Gavin Newsom in 2021 and was to go into effect on Oct. 4.

A coalition of farming, forestry, restaurant and packaging organizations sued the state in March, arguing the law violates their right to free speech. They argued that Senate Bill 343 operates as “government-imposed censorship.”

Judge William Hayes agreed that their challenge has merit, and on Tuesday ordered California Atty. Gen. Rob Bonta, the defendant in the case, to pause enforcement of the law “until further order of the Court.”

The industry trade groups, which include the Dairy Institute of California, the Flexible Packaging Assn. and the Western Growers Assn., applauded the decision.

The coalition “will continue to press the case that California can strengthen recycling without censoring truthful information on packaging and without adding unnecessary and significant costs for California families and businesses,” Californians for Affordable Packaging said in a statement.

The “ruling is a significant win, not just for our members, but for every business that wants to give consumers accurate information about the products they buy,” said Julie Landry, vice president of government affairs at the American Forest & Paper Assn. “The Court recognized what we’ve said from the beginning: California cannot fix consumer confusion by restricting truthful speech.”

Advocates of reducing the use of plastic disagreed.

“The court got it wrong, and I’m confident that the state will ultimately prevail,” said Nick Lapis, director of advocacy for Californians Against Waste. “SB 343 does not violate the First Amendment; it requires companies to tell the truth when they make recyclability claims. Suggesting that the First Amendment protects misleading environmental marketing is inconsistent with the basic principles of consumer protection that states like California have implemented for decades.”

In January, CalRecycle, the state’s waste agency, issued a report showing that less than 10% of most single-use plastic materials in the state were being recycled.

Even yogurt containers and margarine tubs — made of ubiquitous polypropylene, or #5 plastic — are being recycled at a rate of only 2% in the state, the report said. Only 5% of colored shampoo and detergent bottles, made from polyethylene, or #1 plastic, are getting recycled.

Reports on abysmally low rates of recycling for milk cartons and polystyrene had been widely shared even before that.

Plastic materials that can’t be recycled are typically sent to landfills or sometimes illegally shipped overseas, where they are burned or end up in landfills, rivers and waterways.

A report by the Natural Resources Defense Council shows that nationwide, taxpayers, governments and businesses are spending between $9.8 billion and $13.3 billion per year cleaning up plastic litter, and almost $3 billion is spent by local governments on landfilling plastic.

According to one state analysis, 2.9 million tons of single-use plastic and 171.4 billion single-use plastic components were sold, offered for sale or distributed in California in 2023.

Single-use plastics, and plastic waste more broadly, are considered a growing environmental and health problem. In recent decades, plastic waste has overwhelmed waterways and oceans, sickening marine life and threatening human health.

“It is a terrible decision which denies consumers basic information needed to make informed choices,” said Judith Enck, former Environmental Protection Agency regional administrator and president of the nonprofit Beyond Plastics. “Given the long history of the plastics industry deceiving the public about plastics recycling, this is an especially bad outcome. It is a reminder that the plastics industry has enough money to fight even the most modest policy designed to protect people and the planet.”

This being California, Hollywood celebrities sometimes jump into battles over state legislation in Sacramento.

Last week, a group of singers and actors went up against the plastics industry over a bill that would have banned single-use plastic grocery bags from California stores.

“I’ve been bombarded by phone calls by folks who live in Malibu and stars who live in Hollywood,” Sen. Kevin de Leon (D-Los Angeles) told colleagues during the floor debate.

An aide to the senator said he was contacted in support of the bill by entertainers including singers Bonnie Raitt, Bette Midler and Jackson Browne, and actress Rita Wilson, the wife of Tom Hanks.

Midler also went to Twitter before the vote, writing “California getting ready to vote on a statewide ban of non re-usable plastic bags! HELP BAG BAN SB 405!!!!!!”

But De Leon said he opposed the bill because it could cost 500 jobs in his district, many of them, he said, held by immigrant women — “Women head of households, women who have to work to put food on the table.”

Sen. Alex Padilla (D-Pacoima), the bill’s author, countered that working families are already paying a cost as government agencies have to spend money removing bags littering beaches, streets and the oceans.

This round went to the industry. The bill fell three votes short of the tally needed for passage, killing it for the year.

In a statement to The Times after the vote, Midler was critical of the legislators who voted against the bag ban. “Plastic bags are a scourge to the planet and everything that tries to live on it,” Midler said. “Shame on them all for caving.”

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patrick.mcgreevy@latimes.com

PALM SPRINGS — Barry Manilow steers a golf cart to the end of a long driveway, pulls to a stop and flings a plush toy goose across a manicured lawn to the delight of his two Labrador retrievers.

“OK, where we doing this?” the 82-year-old singer asks about our interview. Dressed in a khaki shirt and slim-fitting rust-colored trousers, he’s got the look of a man prepared to undertake some très chic brush clearance; in reality, he’s motored down here merely to answer questions about his fabulous life and career.

Manilow and his husband and longtime manager, Garry Kief, moved to this sprawling desert estate from Los Angeles in the late 1990s. “We kept coming out, and it’s so beautiful that eventually we said, ‘Screw it — let’s just stay,’” he says. By then, Manilow had long since established himself as one of music’s premier showmen, with a Grammy Award, 11 Top 10 hits and a storied 15-night run at L.A.’s Greek Theatre under his belt.

So you might’ve taken Palm Springs as a sign that he was ready to slow down. Instead, he launched a residency at the Las Vegas Hilton in 2005 that eventually surpassed the length of Elvis Presley’s show there; in 2006, he released “The Greatest Songs of the Fifties,” which went platinum and spawned a series of successful follow-up albums.

Last month, Sabrina Carpenter interpolated a bit of Manilow’s iconic “Copacabana (At the Copa)” into her headlining set at Coachella just days before he was honored by the American Advertising Federation for his work writing commercial jingles. The range of those achievements said something about his blend of music-nerd craft and pop-star razzle-dazzle.

“Barry loves music as much as anyone I’ve ever known,” says Bette Midler, who hired Manilow as her pianist for the name-making gig she played at New York’s Continental Baths in the early 1970s. Performing, Midler adds, “isn’t a job with him — it’s a vocation, a calling.”

Yet now that calling faces a threat. In December, Manilow announced that he’d been diagnosed with lung cancer and that surgery would require him to postpone a number of concert dates; five months later, he has yet to return to the stage — the longest break, COVID-19 aside, he can remember taking in decades.

Fortunately for Manilow, he has a new album, “What a Time,” with which to occupy himself. Due June 5, it consists mostly of original material — his first such LP in nearly 15 years — though it opens with a sumptuous rendition of Peter Allen and Dean Pitchford’s “Once Before I Go.” Manilow notes proudly that the song, which was produced by Kenneth “Babyface” Edmonds, recently made Billboard’s adult contemporary chart, extending his run on that tally beyond the half-century mark.

Barry Manilow performs in Beverly Hills in 2025.

(Gina Ferazzi / Los Angeles Times)

Still, performing is clearly on his mind as he leads me into a tile-roofed gym equipped with weights, a treadmill and a massage table. Manilow has been working out here every morning, he says, to regain the strength needed for his show; he’s got Vegas dates on the books for July but admits he’s unsure whether they’ll happen or not. We settle into two leather club chairs, his dogs Jake and Abby at his feet.

“Please be brilliant,” he tells me. “Don’t be boring.”

What are you doing on a day you’re not working?
Working.

I see.
Since the surgery, I can’t go on the road. Ninety minutes of screaming in tune, which is what I do for a living — I’m not up for that yet. I will be, but it’s taking a long time to get my voice back. They warned me that I’d have to learn to breathe again. So these days, I get up, I go to my piano and I try to be creative. Before I know it, the afternoon’s over.

Was the diagnosis a shock?
Imagine your doctor saying, “You’ve got lung cancer.”

Fair enough.
I’ll tell you the story. I have terrible hips — bursitis and everything — and they hurt so bad that I thought maybe I broke a bone or something. So I asked my wonderful family doctor, I said, “Can you just do one of those MRIs and see?” Now, before that, I’d had two bad bouts of bronchitis, one after the next. Have you ever had bronchitis?

I have.
It stinks. So I asked him if he could check my hip, and he told the guys that were doing it, “Why don’t you check his lungs?” And I think he might have saved my life because they found a big black thing in my chest. One doctor said it was probably remnants of the bronchitis, the other doctor said it could be cancer. I voted for the bronchitis. But they went back in to see and it was a cancerous tumor.

How’d you react?
When they told me, I was on the road, and I just went back to sound check. What else could I do? I never thought cancer would get me — it wasn’t in the cards. They wanted to get rid of it as soon as possible, so we made a deal: I’d finish the couple of weeks of shows that I had, then I’d go to the hospital and they’d remove it. It was supposed to be a no-brainer — it hadn’t spread yet, thank goodness. But then my AFib kicked in and acid reflux kicked in and pneumonia kicked in. They rushed me to the ICU for seven days.

Barry Manilow with Dionne Warwick in Los Angeles in 1985.

(Paul Harris / Getty Images)

Sorry to be morbid, but were you close to death?
They said at one point — I didn’t hear them say this but I heard that they did say it — “We don’t want to lose him.” It’s all a total blur now. When they finally brought me back to my lovely room at the Eisenhower [medical center], I weighed 128 pounds.

How long you figure it had been since you weighed 128 pounds?
I don’t remember ever being 128.

You said you never thought cancer would get you. Why?
I’m too busy. Pretty stupid. What I realized is that I’ve always been the leader — leader of the band, leader of an audience — but I wasn’t the leader of this one. That was a big lesson for me. I had to rely on everybody else. Nurses, doctors, friends — you should see some of the notes people have sent.

What’s it been like to be offstage for so long?
Agony. Make an album, go on the road, come back, make an album, go on the road — that’s what my life’s been for years. And I like it. Now I just have to get better and do what the doctors are telling me. It’s the only way out.

Well, there’s one other way.
I’m not ready to croak. But I wasn’t ready to stop performing either, and it just went like that [snaps fingers]. The day before surgery, people are screaming, standing ovation, band sounds great. Next day I’m packing to go to the hospital.

Are you working with a vocal coach?
Yep. But I get winded just walking down the hallway. I turn on my old records and sing along, and three songs in I’m like [pants].

Could you do a show where you skip the uptempos? No “It’s a Miracle” or “Copacabana”?
I’m trying ballads too — my ballads end big.

Are you allowed to smoke or drink?
I stopped smoking many, many years ago. I vape but hardly — I just like holding it. I was a great smoker. Brooklyn in the ’50s? Please. I started smoking when I was 9. I got up to three packs of Pall Mall non-filters a day, and it never bothered me — never had any problem breathing. I was just a skinny piano player who smoked. That’s who I am. That’s who I was.

Before he was a skinny piano player, he was a skinny accordion player.

Manilow grew up poor in Brooklyn, the only son of a Jewish mother and an Irish father who split up right after he was born. As a kid he entertained his mom and his maternal grandparents by squeezing out the Jewish folk song “Hava Nagila”; later, his stepfather brought home records by Gerry Mulligan and Judy Garland that opened his mind to jazz and pop.

He says today that he never saw himself as a performer — he wanted to write, arrange, produce. His first success came with jingles for brands like State Farm — “Like a Good Neighbor” is his handiwork — and Band-Aid.

“My ideas were good for pop music because of the commercials,” he says. “The rules are pretty much the same — you need to grab the listener as soon as possible. For a commercial, you’ve got about five seconds. For a pop song, you’ve got 10.”

In 1971, Manilow got the job with Midler and ended up working on her million-selling debut, “The Divine Miss M,” which led to a deal of Manilow’s own with Clive Davis’ Arista Records. Despite Manilow’s insistence that he was a behind-the-scenes guy, he scored a No. 1 hit out of the box with the plaintive “Mandy,” then quickly followed that with another chart-topper, “I Write the Songs” — a pop-philosophical epic, as nobody’s tired of pointing out ever since, that Manilow didn’t actually write.

Barry Manilow at home in Palm Springs.

(Christina House / Los Angeles Times)

Bruce Johnston, who wrote “I Write the Songs” — and won a Grammy for song of the year thanks to Manilow’s recording — says the key to Manilow’s performance is that “he’s never too cool for school.” A Beach Boy for six decades until he retired from the band this year, Johnston adds that Manilow’s rendition of the song, which was also cut by Captain & Tennille and David Cassidy, “is the only one I care about, honestly. He really grabbed it — he’s just as real as he could be.”

After several more Manilow hits — “Tryin’ to Get the Feeling Again,” “Weekend in New England,” “Looks Like We Made It” — Davis asked the singer to produce a would-be comeback album by his latest Arista signing, Dionne Warwick. Warwick’s initial reaction to that idea: “Really?” she says with a laugh. “Did Barry Manilow really know anything about Dionne Warwick? As it turned out, he knew quite a bit,” adds Warwick, who recalls turning up for their first session to discover that Manilow had laid every one of her albums on his piano. “He was letting me know: I know you,” she says.

“Dionne,” the album they made together, went on to win a pair of Grammys and spun off silky hit singles including “Deja Vu” and “I’ll Never Love This Way Again” that reinvigorated Warwick’s career and helped solidify Manilow’s standing as a kind of soft-rock auteur.

Which isn’t to say that rock’s intelligentsia ever viewed him kindly. Though his best music finds an emotional truth in over-the-top theatrics, critics routinely dismissed Manilow as a lightweight or a schlockmeister; even now, he seems an unlikely candidate for the Rock & Roll Hall of Fame, where he’s been eligible for induction for decades.

Manilow, who entered the Songwriters Hall of Fame in 2002, insists the slights don’t bother him. “I’ve never been one of the guys,” he says. We’ve been talking for a while, and because of the bursitis, perhaps, he’s hoisted one of his legs over the arm of his chair. “I don’t think about awards and parties and stuff like that. I’m very lucky — I live in the most gorgeous place I’ve ever seen and I have the most wonderful partner that you can imagine. I’m grateful he’s chosen to share his life with me. We’ve been together for over 46 years, and we still laugh and we still love each other. That’s the greatest award I’ll ever get.”

Manilow and Kief married in 2014; the singer came out as gay three years later. (Manilow was briefly married to his high school girlfriend, Susan Deixler, in the mid-1960s.) Has he found that the world looks at him differently since he came out?

“It was a non-event. Nobody gave a s—,” he says. “They all knew. I never really hid it, but in the ’70s and ’80s, that would have killed the career, and I didn’t want to do that. So I just never talked about it.” He smiles.

“Garry and I are just two guys that live in a house on a hill with two dogs that we love.”

Like many of Manilow’s hits, “Once Before I Go” was Davis’ idea.

Allen, the late Australian entertainer portrayed by Hugh Jackman in Broadway’s Tony-winning “The Boy From Oz,” had played the tune for Manilow in the early ’80s. “And I loved it,” Manilow says now. “But I was too young to sing a song like that — that song needs age to be able to pull it off honestly.”

Davis first suggested that Manilow perform it in his set at the post-pandemic We Love NYC concert that Davis put on in Central Park in 2021. After the show, which was called off due to weather as Manilow sang “Can’t Smile Without You,” Davis repeatedly advised the singer to record it.

Clive Davis, left, with Barry Manilow at an Arista Records party in Los Angeles in 1989.

(Lester Cohen / Getty Images)

“I don’t know, he had a bug up his ass,” Manilow says. “He loved it, and he loved it for me. And I’m not even on his record label anymore — he’s just a friend at this point. But he was right once again.”

Given the cancer diagnosis, did Manilow worry that fans might interpret the song — a teary goodbye from a well-wishing lover — as a more permanent farewell?

“Not one time has anybody said, ‘Is he talking about dying?’”

You wouldn’t necessarily call “What a Time” a concept album, though many of the songs ponder the ways memory and history can shape a romance. Manilow knows he’s regarded as a singles act but says that putting together LPs is what he’s always enjoyed best. His favorite is 1984’s jazzy “2:00 AM Paradise Cafe,” on which he collaborated with Mulligan, Sarah Vaughan and Mel Tormé.

“That was one where the critics who’d been killing me, they didn’t know I was capable of doing something like that,” he says. “But frankly, I’d been surprised that I was capable of doing the pop stuff.”

You made records of hits from the ’50s, ’60s, ’70s and ’80s. Why’d you stop before “The Greatest Songs of the Nineties”?
Were there songs in the ’90s?

Barry.
Didn’t it start to go downhill?

I can think of a handful of classics by Whitney Houston alone.
You can’t touch those. I’m a good arranger, but you can’t top those records. Maybe four of those albums was enough. I was ready to go back to writing.

You’ve said the problem with modern pop is that there’s no melody anymore.
That’s what I miss. Clive’s been pushing me to do “The Great New American Songbook.”

Like he did with Johnny Mathis a few years ago.
So I’ve been studying the Top 20. The one I like is Lady Gaga and Bruno Mars.

“Die With a Smile.”
Love that. But the way they’re writing songs these days is not the way I know how to write songs. They don’t do a verse, a chorus, a bridge, a chorus, a big ending. To me, when I listen, the songs feel like run-on sentences.

Barry Manilow with his dog Abby.

(Christina House / Los Angeles Times)

I was trying to think of artists older than you who are still performing.
Name me one.

Willie Nelson.
Oh, yeah.

Johnny Mathis.
Mm-hmm.

Frankie Valli.
[Rolls eyes].

You’re invoking the widely held assumption that he lip syncs.
I loved Frankie Valli and the Four Seasons. Who didn’t?

Would you ever lip sync?
I’m terrible at it. I try now and again.

Do you find it morally objectionable?
Depends on the artist. I like being in the moment, not knowing what’s gonna happen in the next bar or at the ending. It’s exciting to me to see if I can make those high notes.

Would not being able to make them mean it’s time to hang it up?
Well, what’s happening right now, I’m on the verge. But I’m getting stronger, so maybe I don’t have to hang it up yet. I look fantastic, but I’m a hundred years old, right? I don’t know how that happened, by the way — I don’t get Botox or anything.

You’ve had no work done?
No! I must say: There was one time when we lived in L.A. that I did do a facelift. But after that it’s just been a little here, a little there.

Wait, I asked you —
“Work” is like a facelift, and I only had one of those. The rest of it — I see something falling down, sure, I’ll do that. I’m as vain as anybody else. One of my old friends, his mother said, “I always knew he was talented, but when did he get so handsome?”