part

What happens to KNX and other stations when CBS News Radio goes away?

The announcement of the end of CBS News Radio last Friday was met with elegiac tributes to the service that built the foundation of William Paley’s company nearly 100 years ago and brought the heroic work of journalists such as Edward R. Murrow to millions of listeners.

But for the 700 affiliates carrying CBS News Radio, the concerns are more practical as they are faced with finding new national programming that will replace it. CBS Radio News will go silent on May 22.

The shutdown of the historic radio division was part of a division-wide staff cut that will affect 6% of the CBS News workforce. Affiliate stations learned of the decision only minutes before it was released to the press.

The local all-news radio stations carrying the service had to post messages on social media to assure listeners that they were not disappearing — only the national newscasts that were provided by CBS.

KNX, the all-news station in Los Angeles that has carried CBS programming since 1936, posted a lengthy segment on the impending closure and explained how “KNX News is not going anywhere.”

KNX was owned by CBS until 2017. The New York-based Audacy, under its previous name Entercom, acquired the CBS radio stations in 2017. KNX and the other Audacy news stations such as WBBM in Chicago, KCBS in San Francisco and WWJ in Detroit remained CBS affiliates, carrying the hourly CBS newscasts.

The Audacy all-news outlets, which reach around 9 million listeners a month, provided about one-third of U.S. coverage for CBS News Radio, the most of any station group carrying the service.

Audacy said it will find a replacement for CBS News Radio to provide national and international coverage, noting that the mission of its all-news stations will not be affected.

“The vast majority of our news and talk programming remains original and locally-produced, and we are beginning conversations with other national news providers to ensure our listeners continue to have access to world-class programming they value and trust.” said Chris Oliviero, chief business officer for Audacy.

Educating the listening public and advertisers that the stations will be fundamentally the same once CBS is gone will require some effort. KNX and the other Audacy all-news stations have a long association with CBS, which launched their formats starting in the late 1960s.

Along with the hourly newscasts, the stations carried “The Osgood Files,” a massively popular commentary segment hosted by the late former “CBS Sunday Morning” host Charles Osgood, for 46 years until 2017. The jingles and sounders used to identify CBS News network programming heard on the stations for decades have also been part of the listening experience.

Among the possible replacements for CBS News Radio is ABC News Audio, which is the largest network radio news service in the U.S. with 1,500 affiliates. The Audacy stations currently use ABC News content outside of its hourly newscasts.

KFI-AM currently carries the ABC News Audio newscasts in Los Angeles. Exclusivity of the ABC News Audio affiliations are determined on a market-by-market basis, according to a representative at the network.

Fox News Media, the home of the conservative-leaning cable channel, also offers a radio service with hourly newscasts and dedicated reporters, which airs on several hundred stations (the company does not supply a specific number).

While Fox News Radio delivers straight reporting, the service is likely to find a home on some of the conservative talk stations that are currently CBS News affiliates.

Source link

The huge new free-to-visit playground that’s just opened in famous Victorian park as part of £52million upgrade

A HUGE new playground has just opened in the UK as part of a huge multi-million revamp.

Forget it’s football team and towering transmitting station – Crystal Palace Park in London has opened a new playground right by the famous dinosaur sculptures.

A new play area has opened at Crystal Palace Park and it is free to visitCredit: kiddoadventures / Facebook
The park features a number of slides, swings and climbing framesCredit: kiddoadventures / Facebook
Many of the different elements of the playground are also accessibleCredit: HTA Design

The park features “hands-on play” with a “world shaped by scales, skeletons and stories from deep time”.

‍There are a number of pathways to explore with dinosaur-details as well as a few different shaped slides on the embankment.

A huge dinosaur-like skeleton also offers kids the chance to climb and hide, with the curving tail forming a play trail.

In the sandpit, which is shaped like a dinosaur’s footprint, young children can also dig and discover fossils.

Read more on travel inspo

BUNNY WELL SPENT

Cheapest Easter days out whatever the weather & FREE kids activities


CHEAP BREAKS

UK’s best 100 cheap stays – our pick of the top hotels, holiday parks and pubs

There’s also jumping discs, a log scramble and swings.

And a lot of features in the park are accessible including a wheelchair accessible roundabout, accessible swing and tactile games.

For parents wanting to rest and watch whilst their children play, there is a picnic area too.

The Dinosaur Playground is close to the main park toilets, as well as the cafe.

The new playground replaces an old one that had become rundown over the years.

After enjoying the new play park, make sure to head on the dinosaur trail to see around 30 Grade-I listed statues scattered across the park.

These are the world’s first life-sized prehistoric animal sculptures which were all inspired by fossils found by Victorian palaeontologists over 170 years ago.

Many of the dinosaurs look rather different to how we imagine dinosaurs now and that is because the statues were created from the scientific information Victorians had at the time.

It is free to visit the park as well as the sculptures, which can be found across islands and lakes in the park.

And by this summer, there will be a new £17.75million Visitor Centre.

There’s even a climbing frame and trail that looks like a dinosaur skeletonCredit: kiddoadventures / Facebook
Across Crystal Palace Park you can also see 30 Grade-I listed dinosaur sculpturesCredit: Alamy

It will be a single-storey and will have an ‘Interpretation and Activity Room’ which will showcase the park’s history and future through a number of displays, objects and information panels.

The park’s Grand Centre Walk is also being restored to create more space for events, with the path becoming wider and a new entrance being built at Penge Gate.

In total, the park’s revamp is expected to cost around £52million.

For more free attractions in the UK, these are the 20 most-visited attractions in England that are completely free to enter.

Plus, one of London’s most popular free attractions to get massive £231million upgrade.

In the future, the park will also have a new visitor centreCredit: kiddoadventures / Facebook

Source link

Troy Terry’s overtime goal lifts Ducks past Sabres

Troy Terry scored on a breakaway 1:29 into overtime for his second goal of the game after Mikael Granlund tied it late in regulation and the Ducks rallied to defeat the Buffalo Sabres 6-5 on Sunday night.

Anaheim ended Buffalo’s seven-game road winning streak when Tage Thompson couldn’t keep in the puck in the Ducks’ zone and Terry held on a 2-on-0 break to score on a backhander.

Granlund tied the score at 5 with 1:44 remaining in the third period on a power play with Ville Husso pulled for an extra attacker.

Chris Kreider and Jackson LaCombe had power-play goals in the first period, Beckett Sennecke also scored, Husso made 24 saves and the Ducks have won consecutive games as part of a four-game points streak.

Alex Lyon had his 10-game road winning streak — tied for the third-longest by a goaltender in NHL history — snapped after giving up six goals on 33 shots. That included giving up goals to Sennecke and Terry on two of the Ducks’ four shots in the second period.

Alex Tuch, Josh Doan, Jack Quinn, Owen Power and Zach Benson scored for the Sabres, who extended their franchise-record road points streak to 14 games. It was their second loss in the last 14 games overall.

Lyon hadn’t lost a road start since Dec. 8, when Buffalo was last in the Eastern Conference with a 2-9-2 record outside of upstate New York. The Sabres had since won 20 of 24 road games as part of an astonishing turnaround that has them set to end the longest playoff drought in the NHL and on track to claim a first division title since 2009-10.

A victory for Lyon would have tied San Jose’s Evgeni Nabokov in 2009-10 and Minnesota’s Devan Dubnyk in 2014-15 for the longest undefeated road run in league history.

Source link

Everything is expensive except these places to visit for less than $20

So much seems to cost too much nowadays.

The expensive nature of everything is a popular topic on Reddit and the subject of countless papers and think pieces.

Plus, every time you drive, you can see the escalating average cost for a gallon of gas throughout the state that ranges from $5.77 in Orange County, $5.78 in San Diego County, $5.80 in Los Angeles County and $5.86 in San Francisco County to the high of $6.57 in Mono County, according to AAA.

It can easily make anyone think having fun is unaffordable.

Fortunately, our Travel and Experiences team has put together a list of 75 fun things to do for under $20.

Here is a selection of those picks, while the entire list should be explored.

Visitors enjoy a sunny day and a ride on a Swan Boat in Echo Park on January 27, 2026.

(Genaro Molina / Los Angeles Times)

Paddle a swan boat in Echo Park Lake (Echo Park)

Cost: $13 per hour, $7.50 for those under age 18.

On warm days, it’s hard to beat a ride on the swan boats at Echo Park.

They’re powered by foot paddles, and the pedaling is easy because you’re in no hurry. Maybe you’ll want to do a circuit of the lake (really a man-made reservoir). Maybe you’ll sidle up to the towers of whitewater rising from the mid-lake fountain.

Maybe you’ll wait until after dark (because the swans light up).

Inside the library at the Philosophical Research Society in Los Feliz on May 16, 2024.

(Christina House / Los Angeles Times)

Experience L.A.’s esoteric history at the Philosophical Research Society (Los Feliz)

Cost: Free to visit, workshops and lectures from $10 and up.

Located at the intersection of Los Feliz and Griffith Park boulevards, the Philosophical Research Society has long been a place of mystery, intrigue and, for some, apprehension.

The Mayan Revival campus painted in Southwestern shades of clay, cream and sage was built in 1935 by the celebrated author and esoteric lecturer Manly P. Hall.

Today, it hosts a dizzying array of events each week including poetry readings, death cafes, sound baths, a weekly class on Buddhism, tarot and astrology salons and musical performances — some of which have a suggested donation of just $10.

If you visit, make sure to make time to browse the excellently curated metaphysical bookstore.

 Members of the public watch the Koi fish swim in the lake as the Golden Lotus Archway stands.

(Gina Ferazzi / Los Angeles Times)

Find the perfect meditation spot at the Self-Realization Fellowship Lake Shrine (Pacific Palisades)

Cost: Free.

Whether or not you’re familiar with the work of Paramahansa Yogananda, who founded the Self-Realization Fellowship in 1920, if you live in Los Angeles you owe him a debt of gratitude for the smattering of lush, meditative gardens in Southern California that are still open to the public today.

Among those is Lake Shrine, a beautifully landscaped 10-acre property in the Pacific Palisades surrounding a spring-fed lake that is dotted with quiet meditation spots.

It is free to visit, but you will need to make a reservation online before you go. (Reservations open each Saturday at 10 a.m. for the week ahead, and they can fill up quickly.)

Michael Ray, 11, watches a trailer before a movie at the Paramount Drive-In.

(Wally Skalij / Los Angeles Times)

Cozy up with a flick at the Paramount Drive-In Theater (Paramount)

Cost: $14 per adult, $7 per kid (ages 3-11).

For a night out that feels as cozy as a night in, head to the Paramount Drive-In Theater. In the comfort of your own car, you can spread out, munch popcorn and make all the commentary you want without getting looks from other moviegoers.

Tickets are purchased on arrival, and the parking lot is huge, so you’re bound to secure a good view of the big screen. There is a concession store on site with candy, chips and drinks, but you are free to bring all the snacks you want from home. Recline your seat all the way back, relax and enjoy the show.

Check out the entire list here.

You’re reading the Essential California newsletter

Sign up to start every day with California’s most important stories.

The week’s biggest stories

Sergio Lopez, 45, feels exhausted working around his mobile home under blazing sun.

(Irfan Khan / Los Angeles Times)

Heat wave and environmental news

Los Angeles mayor, city council news

Cesar Chavez fallout

California governor’s race

Crime, courts and policing

What else is going on

Must reads

Other meaty reads

For your downtime

Photo of a person on a background of colorful illustrations like a book, dog, pizza, TV, shopping bag, and more

(Illustrations by Lindsey Made This; photograph by Myung J. Chun / Los Angeles Times)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Source link

ICE officers soon will help with airport security unless Democrats end shutdown, Trump says

President Trump said Saturday that he will order federal immigration officers to take a role in airport security starting Monday unless Democrats agree on a bill to fund the Department of Homeland Security.

In a pair of social media posts, Trump first threatened and then said he had made plans to put officers from U.S. Immigration and Customs Enforcement in airports if the congressional standoff continues. He made the announcement as a partial shutdown contributes to long lines to pass through screening at some of the nation’s largest airports.

The president suggested ICE agents would bring the administration’s immigration crackdown into the nation’s airports, promising to arrest “all Illegal Immigrants.”

“I look forward to moving ICE in on Monday, and have already told them to, ‘GET READY. NO MORE WAITING, NO MORE GAMES!’” Trump wrote while spending the weekend in Florida.

The move appears to be a pointed effort to expand the type of immigration enforcement that has become a sticking point in Congress. Democrats pledged to oppose funding for the Department of Homeland Security unless changes were made in the wake of a crackdown in Minnesota that led to the fatal shootings of two protesters. Democrats are asking for better identification for federal law enforcement officers, a new code of conduct for those agencies and more use of judicial warrants, among other measures.

The Minnesota operation was tied in part to allegations of fraud involving Somali residents. On Saturday, Trump said ICE officers sent to airports would focus on arresting immigrants from Somalia who are in the United States illegally. Repeating his criticism of Somalis, he said they “totally destroyed” Minnesota.

“If the Democrats do not allow for Just and Proper Security at our Airports, and elsewhere throughout our Country, ICE will do the job far better than ever done before,” Trump said.

Trump’s posts did not offer additional detail on how ICE would take a role in airport security and what it meant for the Transportation Security Administration, which screens passengers and luggage for hazardous items.

The vast majority of TSA employees are considered essential and continue to work during the funding lapse, but they are doing so without pay. Call-out rates have started to increase at some airports, and Homeland Security said at least 376 have quit since the partial shutdown began Feb. 14.

On Saturday, in a rare weekend session, the Senate rejected a motion by Democrats to take up legislation to reopen TSA and pay workers who are now going without paychecks. Republicans argue that they need to fund all parts of the Department of Homeland Security, not just certain ones. A bill to fund the agency failed to advance in the Senate on Friday.

There were signs of progress, though, with the restarting in recent days of stalled talks between Democrats and the White House. On Saturday, Republican and Democratic senators were set to meet for a third consecutive day with White House officials behind closed doors as Senate Democratic leader Chuck Schumer of New York spoke of “productive conversations.”

Senate Majority Leader John Thune (R-S.D.) urged the bipartisan group to act quickly. He has said that Democrats and the White House need to find compromise as lines at airports have grown.

“If that group that’s meeting can’t come up with a solution really quickly, things are going to get worse and worse,” Thune said Saturday.

Binkley writes for the Associated Press. AP writer Mary Clare Jalonick contributed to this report.

Source link

Andrew Friedman on looming labor battle and ‘noise’ around the Dodgers

Dodgers president of baseball operations Andrew Friedman went into the offseason expecting outfielder Kyle Tucker to sign elsewhere.

Sure, Friedman was confident in what the Dodgers could provide on and off the field to the 29-year-old four-time All-Star. And Tucker was a rare hitter who could actually elevate an already star-powered Dodgers lineup. But with the team unwilling to offer a super long-term deal, their chances at landing the best free-agent hitter available this past offseason felt “incredibly low.”

“I can’t remember a time where a player has taken a shorter-term, higher-AAV deal when they’ve had an actual long-term contract on the table,” Friedman said Wednesday.

The Dodgers, however, had already pulled off a bigger surprise when closer Edwin Díaz chose them over returning to the Mets this past December.

The team’s pitch, which included a conversation with the Dodgers’ director of family programs Patricia Romero, discussions about preparation and player resources, and a championship track record, helped land both top-tier free agents.

Of course it didn’t hurt that though Tucker’s contract was only four years, it was worth $240 million. Taking deferrals into account, the net-present day value set an MLB record at about $57 million per year.

The Dodgers’ aggressive offseason, coming off consecutive World Series titles, once again makes them the favorite entering the 2026 season.

They wrap up their Cactus League schedule this week, as World Baseball Classic participants trickle back into camp, and baseball operations leadership make final opening day roster decisions.

Before Friedman headed back to Los Angeles, he spoke with The Times on a range of topics. Here’s part of that conversion, edited for length and clarity.

Q: When it comes to the WBC, there’s variance on how supportive teams are. You have Shohei Ohtani participating as a position player, Yoshinobu Yamamoto pitching after an extra-short offseason, Kiké Hernández supporting Puerto Rico in person while rehabbing. How have you landed in being highly flexible?

Friedman: Obviously everything is case by case. But in a vacuum, we are incredibly supportive of the World Baseball Classic and what it does for our game worldwide. We saw it in ‘23, we saw it this past year, with just how important this is to the players, the staff, the fans — and just how exciting it is for baseball.

So that part’s easy. Now you layer on our situation, us trying to win a World Series. For position players, it’s easier to justify. For pitchers, it’s way harder. Throwing at that intensity in March is really, really challenging. And so we feel like our role is to work with each of our players and have conversations and share our thoughts, listen to their thoughts, and then answers kind of fall out of that.

Q: It’s such a cliche to say you can never have too much pitching, but with this group, are you close?

Friedman: I’ve learned my lesson to never say that we have enough pitching. But I do feel like we are breaking camp with the most talented one through 20 arms — which gets at, obviously, who we’ll break with, and then depth behind it — that we’ve ever had.

Q: Between Díaz, who’s part of that equation, and Tucker, you signed two players this offseason who you didn’t necessarily expect to land. What does that say about this organization and what you’ve done the last few years?

Friedman: Our biggest, most overarching goal is to be a destination spot, where our own players don’t want to leave, where players on other teams are looking longingly, because we feel like championships fall out of that. By having the right environment, having the right culture, that helps your star players want to stay, it helps in the recruitment of others. So we’re way better at it today than we were five years ago. But it’s like a living organism that we have to continue to foster and nurture and develop. And we hope we’re way better at it five years from now.

Q: On that note, the Dodgers are very much caught in the middle of CBA posturing with the current agreement expiring this year. You hear a lot of players saying the Dodgers are doing it the right way and other teams could be doing something similar. On the other hand, the league appears to be floating a salary cap, and plenty of fans are accusing the Dodgers of “ruining baseball.” What’s it been like to see those conflicting narratives?

Friedman: Obviously see it, come across it, hear it quite a bit. But we’re just not that focused on it. We’re a really healthy organization, and the partnership we have with our fans is our guiding light. And we’re doing everything we can to put a team out there that our fans really connect with, and that they feel that partnership with all that they pour into us, and don’t really think about it in any other terms.

And so obviously, there’s a lot of narratives that get extrapolated from that. But our sole focus is on ourselves and the partnership we have with our fans and the rest of it to us, it’s kind of just noise.

Q: You guys raised the bar years ago to, “We’re going to be in the postseason every year.” But there were clear frustrations from the fan base when that wasn’t consistently leading to championships. Is it fair to say that this continued push is almost a response to that frustration?

Friedman: Each year we’ve poured everything we have into winning. And in October, you need a really talented roster, and you need some good fortune. And there’s years where we haven’t been as talented as we wanted to be, whether it’s injuries or lack of performance. There’s years we’ve had really bad fortune, there’s years we’ve had good fortune. And a lot of that is the game, and it’s what I both love and hate about it.

I wouldn’t say our mindset is all that different. But obviously, when you’re in a moment in time with an incredibly talented roster, I think the mindset is, ‘Don’t sit back on your heels, be aggressive, and don’t be nonchalant about the opportunity that we have in front of us.’ And so it’s more the idea of pressing an advantage and being aggressive on that front.

Q: I’m sure when you were pursuing Ohtani, you looked into the revenue ramifications of signing him. Has this been about what you expected? Has it exceeded your expectations?

Friedman: Oh, it’s far exceeded. I don’t think the human brain could have comprehended it correctly. It’s been a perfect storm on a lot of levels, and something that has definitely far exceeded our expectations.”

Q: A three-peat seems to be the goal. Is there such a thing as a successful season without winning a championship, or has this team gotten to a point where you really have to win a World Series in order to claim success?

Friedman: Everything for us, all of our energy and focus, is on doing everything we can to win a championship this year. And our first goal is to win the division and be in position to have a bye. Last year, we added to the degree of difficulty [by winning the division but having to play in the wild-card round] in a way that I’d like to avoid this year.

So that’s the first goal. And then obviously that puts you in the best position to accomplish our ultimate goal, which is winning a World Series. So that’s what all of our energy and focus is on.

And, obviously, if we win the World Series this year, it will be a three-peat. But it’s not how my brain processes it. We’ve won back-to-back, and those are in the bank. And now it’s, do everything we can to win this year, and it’s its own unique, disparate year.

Source link

UCLA men’s basketball eager to mount deep tournament run

Besides carrying on the UCLA legacy, which Mick Cronin says is an honor in itself, he’s got an extra incentive here this weekend that has nothing to do with finding the best cheesesteak in town.

“We’ve got to win two games,” said Cronin, whose Bruins will start off going against Central Florida, whose coach, Johnny Dawkins, knows all too well from the years they squared off when he was at Cincinnati in the American Athletic Conference. “My daughter goes to American [University.]

“I’ll see her Monday. But I would like to spend a week with her.”

That’s because the East Region will be held in Washington, where AU is located. But for the Bruins to advance to past a Sunday showdown most likely against powerful Connecticut, Cronin says they’ll first need to contain Central Florida’s potent attack.

UCLA coach Mick Cronin talks with guard Trent Perry during the Bruins' game at Michigan on Feb. 14.

UCLA coach Mick Cronin talks with guard Trent Perry during the Bruins’ game at Michigan on Feb. 14.

(Lon Horwedel / Associated Press)

“Central Florida can score,” he explained of the 21-11 Knights, who’ve successfully made the transition from the AAC to the Big 12. “They’re athletic.

“[Themus] Fulks [averaging 14.1 points and 6.7 assists] keeps me up at night because he can get in the lane whenever he wants. He’s great off the pick and roll. He makes good reads and he’s a problem.

“I’ve seen Riley Kugel [14.4 points] since high school. He played for a friend of mine, so I know he’s a very good player and has gotten better as he’s gotten older.

“They can shoot it. They’ve struggled of late which means law of averages, that’s going to flip. They’re an athletic, aggressive team.”

On the other hand Dawkins, back in the city where he played for five years and won an NBA Eastern Conference title while playing alongside Charles Barkley, knows what he’s up against.

“Mick does a great job with his team,” said Dawkins, who before coming to Central Florida went 156-115 coaching eight years at Stanford, following a decade serving as Mike Krzyzewski’s assistant at his alma mater, Duke. “Of course. UCLA is a storied program of all college basketball.

“What an amazing history they’ve had there. and, of course, Coach Cronin is a coach I have known from the American as well. I know his team is going to be really, really talented.

“They’re very skilled and they’re tough.”

Speaking of that legacy, which includes a 1976 Final Four appearance here under John Wooden’s replacement, Gene Bartow, Cronin’s players knew what they were signing up for when they decided to come to Westwood.

“It’s definitely a blessing just to be part of this, to be part of the history, part of the tradition,” said senior guard Skyy Clark, averaging 11.7 points per game. “It’s a lot to carry for sure, but it motivates us to go out there and just do what we can.”

UCLA forward Tyler Bilodeau is congratulated by fans after beating USC at the Galen Center on March 7.

UCLA forward Tyler Bilodeau is congratulated by fans after beating USC at the Galen Center on March 7.

(Allen J. Schaben/Los Angeles Times)

“Yeah, a lot comes with these four letters we wear on our chest,” added second-leading scorer and top playmaker Donovan Dent (13.5, 7.6 assists). “We just want to make our names and the history of it.

“I wouldn’t say there’s extra pressure, but we know there’s definitely a standard that needs to be held.”

UCLA forward Tyler Bilodeau and Dent were injured during the Bruins’ Big Ten tournament run, but Cronin said Thursday “they looked good today [during practice,] so knock on wood.”

Maintaining the standard first set by Wooden is what lured Cronin from Cincinnati, where he won 296 games in 13 years and took them to the NCAA tournament nine times.

“I had a great job and was close to being the winningest coach ever at Cincinnati,” said Cronin, who’ll be making his fourth tourney appearance with the Bruins, including dropping a 2022 Sweet Sixteen game to North Carolina in this building. “But I left to sit in Coach Wooden’s chair and coach at the best university in the country, arguably the world, and everything that goes with it.

“It’s tremendous. I’ve been very fortunate. To coach at my alma mater, Cincinnati, and to be the head basketball coach at UCLA following so many.”

On Friday night, Cronin and the Bruins will take on the challenge of Central Florida and his longtime adversary Dawkins, mindful there are no gimmes once you get this far. No. 5 seed Wisconsin learned that during a loss to No. 12 High Point on Thursday and top-ranked Duke nearly did, having to rally from 13 points down to survive No. 16 Siena.

“You got to have players,” he said. “If you can’t coach, you’re not going to be in those tournaments. “The better players you have, the further you go.

That’s the whole key to getting in these things and advancing in them. Perseverance.”

Source link

MS NOW shakes up daytime line-up; Ana Cabrera to exit

MS NOW is making sweeping changes to its daytime programming, moving hosts Stephanie Ruhle and Alicia Menendez to new time slots.

The changes include the departure of Ana Cabrera, who told viewers about her plans Wednesday. Carbera joined MS NOW — formerly MSNBC — from CNN in 2023. Chris Jansing, the current 11 a.m. Eastern host, will become chief political correspondent.

Stephanie Ruhle is the new anchor for MSNBC's "The 11th Hour."

Stephanie Ruhle is the new anchor for MSNBC’s “The 11th Hour.”

(MSNBC)

The moves announced by MS NOW President Rebecca Kutler are aimed at improving daytime ratings on the network, which changed its name from MSNBC after being spun off from Comcast into a new company called Versant.

MS NOW has seen improved ratings in prime time with opinion programming since the network was re-branded in November. The politically progressive-leaning network will have hosts with a point-of-view in the daytime hours as well once the programming changes take effect in June.

In a memo to staff obtained by The Times, Kutler said the daytime programming will “still be rooted in hard news.”

Ana Cabrera speaks at The Common Good Forum & American Spirit Awards 2018 at The Common Good Forum in New York City in 2018.

Ana Cabrera speaks at The Common Good Forum & American Spirit Awards 2018 at The Common Good Forum on May 21, 2018 in New York City.

(Sylvain Gaboury / Patrick McMullan via Getty Images)

Ruhle will move from her 11 p.m. Eastern program “The 11th Hour” to a daytime shift from 9 a.m. to 11 a.m. Eastern. Her program will focus on money and politics.

Menendez will host two hours in the afternoon starting at noon Eastern.

The schedule changes will take effect in June.

Alicia Menendez, Michael Steele and Symone Sanders Townsend of MSNBC's "The Weekend."

Alicia Menendez, Michael Steele and Symone Sanders Townsend of MSNBC’s “The Weekend.”

(MSNBC/Virginia Sherwood/MSNBC)

Once Ruhle’s new program debuts, “Morning Joe” will return to a three-hour format. The program co-hosted by Joe Scarborough and Mika Brzezinski expanded to four hours in 2022. Although the expansion improved ratings, the hosts have asked to scale back so they can pursue other projects at the network.

Menendez has been part of the trio on “The Weeknight,” with Michael Steele and Simone Sanders-Townsend. Luke Russert will take her seat on the program as he returns to an on-air role. Russert had been part of the daytime MSNBC show “The Cycle,” and recently served as creative director for MS NOW’s live event series.

Ruhle will be replaced on “The 11th Hour” by Ali Velshi, who recently served as a weekend anchor. Jacob Soboroff, the network’s national correspondent, will take over Velshi’s anchor duties from 10 a.m. to 1 p.m. Eastern.

Kutler said there will be no job reductions related to the schedule changes, saying she expects to have “more people working at MS NOW by the end of 2026 than we do today.”

MS NOW is the second most-watched cable news network behind Fox News while leading CNN.

Source link

Hollywood’s biggest night is full of intrigue, predictions

All the predictions, drama and pageantry of Hollywood’s biggest night will play out at the Dolby Theatre this afternoon as the 98th Academy Awards get underway.

How many awards will “Sinners,” directed by Ryan Coogler, win from its record-setting 16 nominations? And will Coogler win best director? Our critic says, “no.”

Tonight is also a big evening for our entertainment team, which has been producing features, previews, explainers, predictions and so much more.

Let’s jump into some of that work.

How and when to watch

My colleague Katie Simons provided some show basics, like it’s 4 p.m. Pacific start time.

The 2026 Oscars will air on ABC, and those with cable subscriptions can also watch by logging into the ABC app or abc.com.

The telecast will also stream live on Hulu, YouTubeTV, AT&T TV and FuboTV. Internationally, the ceremony will be broadcast in more than 200 territories. You can check your local listings here.

When the red carpet viewing gets underway

“Chicken Shop Date” host Amelia Dimoldenberg will return, for a third-straight year, as social media ambassador and correspondent for the official red carpet, which will kick off at 3:30 p.m. on ABC and Hulu.

For extended coverage, E! will begin its red carpet broadcast at 1 p.m. ABC’s coverage begins at 12:30 p.m., followed by “The Oscars Red Carpet Show,” hosted by Tamron Hall and Jesse Palmer.

“Sinners” is picking up steam heading into the show

My colleague Greg Braxton wrote about how award prognosticators believe Sinners gained positive press after its stars — Delroy Lindo and Michael B. Jordan — were called a racial slur at the BAFTAs.

Jordan’s and Lindo’s handling of the BAFTA incident, along with warmly received victories for the “Sinners” cast at the Actor Awards on March 1, has given the Warner Bros. release unexpected momentum leading up to Sunday’s Oscars ceremony.

Although it received a record-breaking 16 nominations, the film has been largely overshadowed through much of awards season by Paul Thomas Anderson’s political thriller “One Battle After Another.”

And Timothée Chalamet of “Marty Supreme” had been considered for months as an almost-certain lock for lead actor. But the events in past weeks have seemingly positioned “Sinners” for upset wins in the picture race and lead actor for Jordan.

Who’s going to win?

Our critic Amy Nicholson and our expert Glenn Whipp believe they know the winners and the snubs.

Nicholson believes “Sinners” should win for best picture.

Nicholson wrote that the Jim Crow-era murder musical is the best kind of smart filmmaking, a barn-burner about religion and art and race that ditches the speeches for scenes of action and romance.

Every character — from Miles Caton’s rebellious guitarist and Jack O’Connell’s lilting vampire to Wunmi Mosaku’s soulful witch and Michael B. Jordan’s bootlegging twins Smoke and Stack — has been scarred by life in 1930s Mississippi.

She also said the film “Eddington” should’ve been a contender (perhaps a nod to “On the Waterfront”). Ari Aster’s merciless black comedy drags us back to May 2020 when tempers, temperatures and misinformation were heating up across America.

Dueling civic leaders Sheriff Joe (Joaquin Phoenix) and Mayor Ted (Pedro Pascal) agree that COVID has yet to arrive in their New Mexican hamlet.

Whipp wrote that “One Battle After Another” vs. “Sinners” is very much a 1A/1B situation, with Anderson’s epic having the slight edge.

But with the Oscars, quality is often secondary to an awards narrative. Both movies have cultural relevance.

Both won critical acclaim and, to a degree, commercial success. (Though “One Battle” wasn’t the blockbuster “Sinners” was, it still grossed more than any other movie in Anderson’s career.) “Sinners” scored 16 Oscar nominations, the most in history; “One Battle” was close behind with 13.

There’s much more to read in the above links. Enjoy them and the Oscars.

You’re reading the Essential California newsletter

The week’s biggest stories

Los Angeles City Hall

(Chris Putnam/FiledIMAGE – stock.adobe.com)

Election news

Oil and the Iran War

Crime, courts and policing

What else is going on

Must reads

Other meaty reads

For your downtime

Photo of a person on a background of colorful illustrations like a book, dog, pizza, TV, shopping bag, and more

(Illustrations by Lindsey Made This; photograph by Richard Shotwell / Invision / AP)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Source link

How Gabriela Jaquez became a breakout shooting star for No. 2 UCLA

In late November, Gabriela Jaquez scored 29 points against Tennessee. It wasn’t her career high; that came when she tallied 30 points two years prior.

But that game, when Tennessee had no answers for a player who was then the UCLA women’s basketball team’s fifth offensive option, felt like Jaquez’s coming-out party after years as a quieter cog in the Bruins’ rotation. It changed the way teams had to defend her. Previously known more for attacking the rim than for shooting from outside, Jaquez showcased a different dimension.

Against the Volunteers, Jaquez made five three-pointers, her most ever.

Suddenly, one of the best teams in the nation had one of the best breakout stars. Entering the NCAA tournament, the 31-1 Big Ten champion Bruins are relying on Jaquez as one of their super seniors to guide them back to the Final Four.

UCLA's Charlisse Leger-Walker hugs teammate Gabriela Jaquez, who led the Bruins in scoring during a win over Tennessee.

UCLA guard Charlisse Leger-Walker hugs teammate Gabriela Jaquez, who led the Bruins in scoring during a win over Tennessee on Nov. 30 at Pauley Pavilion.

(Luiza Moraes / Getty Images)

“I do think she’s always been that player,” said senior guard Kiki Rice, who has played four seasons with Jaquez. “But I do think she’s had a lot more opportunity to demonstrate that, and you saw that in the beginning of the year. She just started off such a hot shooter, and the way that she’s developed every single year, gotten better and just found a way to impact the team.”

Though she hasn’t reached that same scoring peak again, Jaquez has quietly buoyed UCLA’s dominant run this season as the Bruins have emerged as one of the favorites to win a national title. She ranks second on UCLA (among players with at least 30 attempts) in field-goal percentage at 54.3%, second in three-point shooting at 41.1% and third in scoring.

Jaquez has gotten attention for being part of a family legacy at UCLA and spending an offseason with the Bruins’ softball team. But in the background, even when she hasn’t been the leader for the UCLA women’s basketball team, Jaquez has honed herself into one of just 25 Power Four conference players shooting better than 40% from deep this season.

Jaquez, who tallied her 1,000th career point early this season, is having a career-best season with 13.6 points per game, has added double-digits in 25 of her 31 games this season.

“There’s so much depth to her,” said guard Charlisse Leger-Walker, who often dances alongside Jaquez in videos posted on social media and Leger-Walker’s YouTube video series. “Getting to understand her off the court, I think has really helped our connection on the court, and kind of how her personality is so outgoing. She likes to bring people along. You can see that on the court.”

Jaquez came in as a 5-foot-11 freshman who played primarily as an undersized forward and would crash the net and collect rebounds.

The shooting, though, has been the biggest change this season.

“I think of her as someone who, especially early on, like she doesn’t need to have the ball on hand, she doesn’t need to have plays run for her to impact the game,” Rice said. “But then she’s been shooting so well too.”

Early in the season, teams doubled Lauren Betts, who leads the team with 16.4 points per game as a center, which opened Jaquez to shoot from deep, establishing herself as someone who needed to be keyed on.

UCLA's Gabriela Jaquez shoots the ball under pressure from Oregon's Katie Fiso on Dec. 7 at Pauley Pavilion.

UCLA’s Gabriela Jaquez shoots the ball under pressure from Oregon’s Katie Fiso on Dec. 7 at Pauley Pavilion.

(Luke Hales / Getty Images)

Her 107 three-point attempts are a career-high this season, with her shot selection jumping to 32.4% coming from behind the arc. That’s come with a career-high 2.2 assists per game and an 85.2 defensive rating, ranked in the top 20% of the nation.

“She can shoot the ball, she can finish, she defends,” shooting guard Gianna Kneepkens said. “I love playing with Gabs. Sometimes I get caught watching her because she’s just so amazing.”

Now, Jaquez projects as a first-round WNBA pick, in large part because of her versatility on offense. She is listed as a guard on the Bruins’ roster, but often starts at forward, where she can stretch the floor. Her 5.4 rebounds per game are third on the team, thanks in large part because of her ability to fill positions one through five.

During UCLA’s Big Ten semifinal win over Ohio State, Jaquez shot four for 12 but Bruins coach Cori Close noted Jaquez’s importance when her shooting isn’t on target.

“What I liked about that the most is that she struggled a little bit in the middle of the second half,” Close said. “It just showed a lot of her mental toughness that, when we needed her the most, she was going to be there for us on the defensive end and on the rebounding end.”

While all five starters have been mentioned as possible WNBA first-rounders, Jaquez has perhaps made the biggest leap, two WNBA scouts not authorized to publicly discuss prospects said.

UCLA senior Gabriela Jaquez celebrates with the Big Ten tournament trophy after the Bruins beat Iowa in the finals.

UCLA senior Gabriela Jaquez celebrates with the Big Ten tournament trophy after the Bruins beat Iowa in the finals on March 8 in Indianapolis.

(Michael Conroy / Associated Press)

When Rice and Leger-Walker are on the bench, Jaquez has taken on point guard duties.

“She does all those little hustle plays,” Leger-Walker said. “She will score if you need her to, she’ll cut, she’ll rebound, like, she’s so versatile. You know what you’re getting from her, and she’s kind of that person who’s the engine of our team.”

Jaquez hasn’t thought much about what happens after this season. This year’s mantra of joy has resonated after last year’s crushing Final Four loss to Connecticut.

“It’s been fuel,” Jaquez said. “That started [last] spring and into the offseason, knowing exactly what to work on, how to prepare…. But I just love the team aspect of basketball, I love this group of girls specifically and I think having so much fun out there has [been the most important thing] and winning has made it even better.”

The night Jaquez hit five three-pointers against Tennessee may have felt like her arrival. But for the teammates who have watched her develop for four years, it looked less like a breakthrough and more like the rest of the country finally catching up.

The rest of the country may have only noticed this season. But inside UCLA’s locker room, Jaquez has been that player all along.

“Gabs is an extremely confident person, so I feel like if you’d asked her this freshman year, she would have believed that she’d become just the incredible player that she is,” Rice said. “Just the opportunity, her experience at this level these past few years has really helped her develop into what she is.”

Source link

One group is helping musicians who lost their gear in the L.A. fires

When I think of the solidarity of musicians, I recall an iconic scene from the film “Titanic.”

It’s the one where a quartet plays “Nearer, My God, to Thee” as the great, “unsinkable” ship sinks into the North Atlantic Ocean.

They attempted to offer calm amid a sea of panic as passengers and crew feverishly boarded lifeboats. The events were based on a true story and historians note that the body of the Titanic band leader Wallace Hartley was found floating in the ocean “with his music case strapped to it.”

Even in tragedy, we seek music to bring us solace.

Much closer to home, musicians from Pacific Palisades, Altadena and other affected areas have been challenged to keep the music going after losing instruments, studio equipment and business along with their homes in the January 2025 fires that claimed the lives of 31 people.

One organization, Altadena Musicians, launched the app Instrumental Giving to connect donors who can spare an old piano or a gently used cello with those who lost similar instruments.

KC Mancebo, an Altadena Musicians advisor, spoke with The Times about the group’s mission and success.

The campaign’s genesis

It started with composers Brandon Jay and his wife, Gwendolyn Sanford, who saw their Altadena home, music studio and several instruments destroyed by the Eaton fire.

Shortly after the fire, Jay posted about the lost equipment and what each piece meant to his family.

He said the response from that post — hundreds of people offering their instruments and other types of aid — left him “overwhelmed and gobsmacked.”

He called friends and helpers from throughout the music industry, including Mancebo, chief executive of the event production and talent booking agency Clamorhouse, hoping to offer to others the same help he received.

Mancebo had been helping homeowners navigate fire insurance paperwork and processes.

“Brandon Jay asked, ‘Why don’t we start gathering instruments for our friends,” Mancebo said. “We had 25 friends in the Palisades and 15 friends in the Eaton fire that lost everything, so we and others got involved.”

How’s it going so far?

The organization has passed out around 3,500 instruments to 1,200 families since the first donations in late January 2025, Mancebo said.

The donations range from ukuleles to Steinway & Sons pianos.

“We’re providing instruments to anyone from children who lost their first instruments to people who lost their entire studio,” she said. “The need is great.”

The gifts have come from individual donors and corporate benefactors such as JBL, which has provided speakers and equipment, as well as guitar makers Fender and Gibson, among others.

Rebuilding from the ashes

Mancebo lost her Westside home eight years ago because of a defective dryer that caught fire, she said.

“I went through the whole process of insurance, permitting and rebuilding and we didn’t have FEMA or anyone to help,” she said. “I want to provide that help to those in a similar situation.”

Mancebo said it took eight years to recover and rebuild her home.

“No one is fine after the first year,” she said. “Everyone needs help.”

Brentwood resident Amy Engelhardt donated her Kawai Upright Piano to the Altadena Musicians organization on March 10, 2026.

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, donated her Kawai Upright Piano to the Altadena Musicians organization on March 10, 2026.

(Courtesy of Amy Engelhardt)

One person’s goodbye is another’s hello

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, loved her Kawai upright piano she purchased through a PennySaver ad in 2000.

“It was a deal for the starving artist,” she said. “I paid so little and I always considered it a gift.”

Since then, Engelhardt said she has written all of her music on that piano. She didn’t, however, play it while recording her Grammy-nominated vocal group, the Bobs.

Still, she donated her piano this week to a woman who lost her home. The instrument would not be making the permanent move with Engelhardt back to New York, where her playwriting services are in demand.

“I did get emotional about it, but it’s OK,” Engelhardt said. “It’s comforting knowing that someone else will love it and create their own memories.”

Those interested in donating can check out https://altadenamusicians.org.

You’re reading the Essential California newsletter

The week’s biggest stories

A U.S. Air Force KC-135 Stratotanker refueling tanker aircraft takes off.

(Hiro Komae / Associated Press)

War with Iran

Oscars on Sunday

Television and entertainment news

Dangerous situations

What else is going on

Must reads

Other meaty reads

For your downtime

Going out

Staying in

L.A. Timeless

A selection of the very best reads from The Times’ 143-year archive.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Source link

Here’s the final list of candidates for L.A. city elections

The list of candidates running for Los Angeles city and school board offices is set, with a number of incumbents facing what could be competitive primary elections on June 2.

Fourteen Angelenos have qualified to run for mayor, including incumbent Karen Bass, City Councilmember Nithya Raman and former reality TV star Spencer Pratt.

Seven City Council incumbents face at least one challenger, while Councilmember Monica Rodriguez is running unopposed to represent her northeast San Fernando Valley district.

City Atty. Hydee Feldstein Soto is running against three opponents — deputy attorney general Marissa Roy, human rights attorney Aida Ashouri and Deputy Dist. Atty. John McKinney.

In the race for city controller, incumbent Kenneth Mejia will battle it out against Zach Sokoloff, who is on sabbatical from his job as senior vice president of asset management at Hackman Capital Partners.

For the last week and a half, workers at the City Clerk’s Office have been verifying the legitimacy of voter signatures submitted by the candidates, finishing the last batch on Friday.

Gathering the required 500 signatures is relatively easy in citywide races but harder in council and school board districts. Some candidates who submitted petitions by the March 4 deadline failed to qualify because some of their signatures were deemed invalid.

In each race, if no candidate gets more than 50% of the vote in June, the top two finishers will compete in a November runoff.

The field of 14 for mayor narrowed significantly from the roughly 40 who filed initial paperwork on Feb. 7. The qualifiers include a game streamer, a singer-songwriter and a tech entrepreneur, as well as government veterans like Asaad Alnajjar, a longtime engineer for the city. Rae Huang, a pastor and housing advocate, will also appear on the ballot.

Raman, a former Bass ally, shook up the race with her surprise entry, hours before the filing deadline.

A recent poll found that about 51% of Los Angeles voters are undecided on who they want for mayor. Bass led at 20%, followed by Pratt at just over 10% and Raman at slightly more than 9%, according to the Emerson College Polling/Inside California Politics poll.

Tech entrepreneur Adam Miller was supported by just over 4% of those polled, with Huang at about 3%.

In District 1, which stretches from Glassell Park and Highland Park to Chinatown and Pico Union, four challengers are looking to unseat City Councilmember Eunisses Hernandez. They are Maria Lou Calanche, a former Los Angeles Police Commissioner and founder of the nonprofit Legacy LA; Nelson Grande, an executive consultant and former president of Avenida Entertainment Group; Raul Claros, founder of CD1 Coalition, which organizes cleanup days; and Sylvia Robledo, a small-business owner and former council aide.

Councilmember Bob Blumenfield is terming out in District 3, leaving the race to represent the southwestern San Fernando Valley open to a newcomer. The three candidates are Timothy K. Gaspar, who founded a private insurance company; Barri Worth Girvan, a director of community affairs for an L.A. County supervisor; and Christopher Robert “C.R.” Celona, a tech entrepreneur.

In District 5, which includes Bel-Air, Westwood, Hancock Park and other West L.A. communities, Councilmember Katy Yaroslavsky faces two challengers: tenants rights attorney Henry Mantel and accountant Morgan Oyler.

With Councilmember Curren Price terming out in District 9, six candidates are vying to represent parts of downtown and South L.A. They are Jose Ugarte, who was formerly Price’s deputy chief of staff; Estuardo Mazariegos, a lead organizer at the Alliance of Californians for Community Empowerment; nonprofit director Elmer Roldan; entrepreneur Jorge Nuño; professor and therapist Martha Sánchez; and educator Jorge Hernandez Rosas.

Councilmember Traci Park, who represents the Westside communities of District 11, including Brentwood, Pacific Palisades and Venice, will face off against civil rights attorney Faizah Malik.

In District 13, which includes Hollywood and East Hollywood as well as parts of Silver Lake, Echo Park and Westlake, Councilmember Hugo Soto-Martínez is defending his seat against three challengers. They are Colter Carlisle, vice president of the East Hollywood Neighborhood Council; Dylan Kendall, an entrepreneur and founder of Grow Hollywood; and Rich Sarian, vice president of strategic initiatives for the Social District.

And in District 15, which includes San Pedro and other harbor-area communities as well as Watts, Councilmember Tim McOsker is running against community organizer Jordan Rivers, who is continuing his campaign after reports that he stabbed a neighbor when he was 12. Rivers said it was an “accident” that happened a decade ago.

Three seats are open on the Los Angeles Unified School District board.

In District 2, incumbent Rocío Rivas is being challenged by Raquel Zamora, an LAUSD teacher and attendance counselor.

In District 4, incumbent Nick Melvoin is facing off against Ankur Patel, director of outreach at the Hindu University of America.

District 5 school board member Kelly Gonez is running unopposed for her third term.

Source link

Irish comic David Nihill used storytelling to overcome stage fright

If David Nihill was a philosopher, his credo might be “I digress, therefore I am.”

Instead, Nihill is a comedian. Kind of. “I don’t know if I think of myself in those terms,” says Nihill, whose “Cultural Appreciation” special has 2.5 million views on YouTube. “I wouldn’t even call mine comedy specials.”

Nihill is a conversational storyteller who rarely even moves on stage. “I don’t know how to do performance,” he says, “but I do know how to talk.”

His current show, “Taking Tangents,” which takes him to Irvine, Pasadena and Los Angeles from March 13 to 17, is a wide-ranging collection of tales, with some material shifting from show to show. We’ll come back to it, but first, a few tangents.

Growing up in Ireland, Nihill, 47, struggled to learn, hampered by dyslexia — “I came in the lowest five percentile in the whole country of Ireland for spelling, and I didn’t even spell my name right on the test” — and an aversion to math. He was made to feel inferior because of his difficulties. “I was 100% in the ‘I am a moron’ category,” he says.

Nihill was shoved into a vocational program and most of his friends dropped out of school. He stayed in, but even when his father offered to buy him a Super Nintendo for certain math scores, Nihill fell short. His father bought it for him anyway, he says, “but I sold it and bought myself a motorcycle even though I was 15 and not legally old enough to drive.”

He finished high school and became a poorly paid, overworked apprentice electrician. That was enough to motivate him to go to college; there, he figured out how his brain worked and how to learn. He even developed a passion for reading: His last show, “Shelf Life,” wove in dozens of book recommendations.

During our conversation via video after a New York show, I’d ask one question, then follow Nihill as he ambled through his personal history. He started with a story about jumping off a cliff in Greece and shattering his leg — a part of “Tangents” — then going to Australia, before he stumbled into a master’s degree studying business back in Ireland (despite botching his application). A new friend there took him to his first-ever comedy show in Glasgow — there are even tangents within his digressions — before getting him a job with Enterprise Ireland, the government’s investment fund to boost Irish business overseas. That landed him in San Francisco, part of the “Cultural Appreciation” special. He left to pursue business opportunities in Mexico but, due to a hurricane, somehow ended up in Chile, spent a year wandering north toward America, and then scored an internship in Colombia.

A man on stage fist bumps an audience member

Nihill is a conversational storyteller who rarely even moves on stage. “I don’t know how to do performance,” he says, “but I do know how to talk.”

(Jim McCambridge)

Eventually, Nihill’s story works its way to his current career, which began by accident. “It was never a dream or a goal,” he says. A friend in San Francisco had suffered a spinal cord injury and Nihill wanted to run a fundraiser, but dreaded public speaking.

That leads to a minor diversion, back to a college public speaking course in which Nihill was so terrified that he got drunk before his presentation and introduced himself “as an exchange student from Southern Yemen.”

In San Francisco, he started doing live comedy to overcome that fear. Meanwhile, his business background led him to see an opportunity and he created FunnyBizz, a company and conference where comedians help teach business leaders, like Kevin Harrington of “As Seen on TV,” how to use humor to communicate. The business bankrolled Nihill’s early days in comedy.

While Nihill has lived in America for years, most recently in Los Angeles, he remains passionately Irish, which shapes his shows in several ways.

In Ireland, “your nature is to just default to funny stories.”

He says American stand-up is about taking a topic and making it funny, aspiring for a five-minute joke-filled late night TV spot. Irish comedians say, “This thing happened to me and I think that’s funny. Let me just repeat it.”

The new show is named after “tangents” so that Nihill can go down different rabbit holes each night if he wants. “My head is always doing 60 different things,” he says, and he loves keeping his storytelling “free form and unfiltered,” whether he’s in a pub or on stage (or, apparently, in an interview).

The new show’s subjects will be familiar to Nihill’s fans: his parents, his foolish behavior (there are drunken college-age antics in a story that somehow eventually weaves in White House press secretary Karoline Leavitt) and Irish culture. “There are few countries that punch above their weight in social justice and social impact,” he says, and he always looks to draw connections with other cultures around the world. But the observations and connections he draws are new.

In New York, he added a bit about how 35% of Jamaicans have some Irish roots, quipping “imagine how fast they’d be without that” (in a nod to legendary sprinters like Usain Bolt). But for Nihill, that joke only works if it’s couched within the larger context of the cross-cultural connections, including the fact that Jamaican-born political activist Marcus Garvey drew upon the Irish independence movement for inspiration.

“There has to be some social value to doing it,” he says, although he’s quick to add his comedy isn’t overtly political. “My dad’s a teacher and that lives inside of me. Humor can be the ultimate tool for social activism. I am deliberately getting people to expand their minds in understanding these connections. I want comedy that makes everyone feel good and maybe learn something.”

Nihill on stage at Hollywood Improv.

Nihill on stage at Hollywood Improv.

(Jim McCambridge)

That “feel good” part is central: While he discusses his mother’s death from cancer last year, he leaves out a beautiful but poignant part of their final days together. “I’m deliberately avoiding that,” he says, because he wants to maintain an upbeat mood.

He digresses to tell me the story, however, and it’s literally longer than this entire article’s word count. “A very long answer to a very short question,” he admits, before swerving into a tale about back when his father had overstayed his visa in New York — it involves his dad being interviewed on CNN, getting into a bar fight and avoiding deportation because the immigration officer hailed from County Cork and Nihill’s dad burst into a song from there, earning him a six-month visa extension. The humanity of that scene “in contrast to a 5-year-old being dragged off to a detention center” may end up in a future Nihill show.

Nihill loves sharing the stories that come from observing and listening to people but says he doesn’t love the spotlight, which, he admits, makes comedy an odd career choice. He says he prefers telling stories to just a few people.

“With comedy, the best part for me is that before a show I eat half a chocolate bar and I leave the other half in the hotel room,” he says. “After the show, I get to finish it. That’s true happiness.”

Source link

Smartmatic says Trump’s ‘campaign of retribution’ is driving criminal prosecution

Voting technology firm Smartmatic is seeking to dismiss a criminal indictment for money laundering, blaming President Trump and his allies for seeking its prosecution as part of a “campaign of retribution” against those they blame for his 2020 election loss.

Smartmatic’s parent company, UK-based SGO Corporation, was added to a criminal indictment last fall previously charging several executives with paying $1 million in bribes to election officials in the Philippines.

In a motion to dismiss the indictment filed Tuesday, attorneys for Smartmatic said the company had been cooperating with the Justice Department since it first learned of its investigation in 2021, including by producing millions of pages of documents and making presentations to federal agents. A trial date for the executives, including co-founder Roger Pinate, had been set and the company believed that it was in the clear.

But when Trump returned to the White House, the Justice Department reversed course and decided to press charges against Smartmatic. Attorneys for the company said the decision was prompted by Trump’s demands to prosecute his perceived enemies and his “mantra” that Smartmatic helped rig the 2020 U.S. presidential election won by Joe Biden — allegations that are at the heart of a $2.7-billion lawsuit filed by Smartmatic against the president’s allies in the media.

“The prosecution of SGO furthers their collective false narrative that President Trump did not actually lose the 2020 election,” Smartmatic said in the filing in Miami federal court.

The White House did not immediately respond to a request for comment.

Attorneys likened the prosecution to the Justice Department’s targeting of Kilmar Armando Ábrego García, a Salvadoran migrant who was criminally charged for conduct years earlier after he successfully sued the Trump administration over its decision to deport him.

In the years since the election, the filing states, “Smartmatic USA has exercised its right to hold those individuals and entities legally accountable for their deluge of defamatory statements and the attendant damage inflicts on its business, putting it squarely in the crosshairs for retribution.”

The criminal case against Smartmatic and its employees stems from payments, between 2015 and 2018, that were allegedly made to obtain a contract with the Philippine government to help run that country’s 2016 presidential election. Pinate, who no longer works for Smartmatic but remains a shareholder, has pleaded not guilty.

As part of the criminal case, prosecutors in August sought the court’s permission to introduce evidence they argue shows that revenue from a $300-million contract with Los Angeles County to help modernize its voting systems was diverted to a “ slush fund” controlled by Pinate through the use of overseas shell companies, fake invoices and other means.

They also accused Pinate of secretly bribing Venezuela’s longtime election chief by giving her a luxury home with a pool in Caracas. Prosecutors say the home was transferred to the election chief in an attempt to repair relations following Smartmatic’s abrupt exit from Venezuela in 2017 when it accused then-President Nicolas Maduro ’s government of manipulating tallied results in elections for a rubber-stamping constituent assembly.

Smartmatic was founded more than two decades ago by a group of Venezuelans who found early success running elections while the late Hugo Chavez, a devotee of electronic voting, was in power. The company later expanded globally, providing voting machines and other technology to help carry out elections in 25 countries, from Argentina to Zambia.

But Smartmatic has said its business tanked after Fox News gave Trump’s lawyers a platform to paint the company as part of a conspiracy to steal the 2020 election.

Fox said it was legitimately reporting on newsworthy events but eventually aired a piece refuting the allegations after Smartmatic’s lawyers complained. Nonetheless, it has aggressively defended itself against the defamation lawsuit in New York — arguing that the company was facing imminent collapse over its own internal misconduct, not due to any negative coverage.

Goodman writes for the Associated Press.

Source link

Brooks Nader strips off to daring bubble outfit with reality show star sisters after landing part in Baywatch reboot

BROOKS Nader has stripped off into a daring bubble outfit with her reality show star sisters after landing a part in the Baywatch reboot.

The family show, Love Thy Nader, follows the four Louisiana sisters as they trade their small-town roots for high fashion, high drama, and the hustle of New York City.

Brooks Nader was seen in an incredibly sexy bubble outfitCredit: Getty
Brooks and her sister’s Mary, Grace and Sarah looked stunning in the barely-there ensemblesCredit: Getty
The stunning model posed for the camera as she was spotted in New YorkCredit: Getty

Brooks, Mary Holland, Grace Ann and Sarah Jane have now been snapped wearing incredibly sexy bubble ensembles.

Holding hands, they walked the streets of New York flashing their sensational abs.

The barely-there bubbles left little to the imagination as the telly stars smiled for the camera.

Blonde bombshell Brooks put on a leggy display as she twirled around nearly flashing her bum.

Read more on Brooks Nader

OFF HER CHEST

Brooks Nader goes braless in a see-through nude top on wild night out in LA


SHELL-SHOCK

Tom Brady-linked Brooks Nader pulls down bikini bra in risque snap

The sisters wore slightly different versions of the tiny bubble outfits but wore matching nude stilettos.

Mary, Brooks and Grace were seen with bouncy curled locks while Sarah had her hair styled in a chic slick-back ponytail.

Brooks sizzled in the nearly-nude ensemble, which has certainly sent pulses racing.

This comes as the star has been announced as the latest actress to join the cast of Fox’s Baywatch reboot.

The Sport Illustrated model has already been compared to the original show’s standout Pamela Anderson.

Hulu star Brooks is joining the cast alongside Suits LA star Stephen Amell.

Brooks and her sisters flashed their sensational figures in the tiny bubble outfitsCredit: Getty

Stunning Brooks will play Selene, captain of the Zuma Beach lifeguards, who regularly butts heads with Stephen’s character, Hobie Buchannon, the son of Mitch, played by David Hasselhoff in the original series.

Selene and Mitch are set to clash over their drastically different approaches to the job.

Fans have gone crazy over Brooks casting as she becomes one of the latest stars destined to put on the famous red swimsuit.

They have likened the Love Thy Nader star to blonde beauty Pamela Anderson, given their similar career paths.

“So, they want Brooks to be the next Pamela Anderson but there’s only one Pam,” one Instagram user said about the casting.

Brooks, who has just been announced as the latest actress to join the Baywatch reboot, gave the camera a sultry lookCredit: Getty

Source link

‘Heel’ review: This isn’t your everyday family of kidnappers

The movie is called “Heel” and its frenetic opening — a flash-cut glimpse of young, handsome, swaggeringly cruel Tommy (Anson Boon) in drug-fueled party mode — seems enough to explain the title. The next time we see him, though, he’s neck-shackled in the basement of a remote English estate. What follows in Polish filmmaker Jan Komasa’s blackly comic, unnerving thriller is clearly meant to evoke “Heel’s” more obedience-minded reading.

And who would be harshing this hooligan’s buzz with a case of reform-minded abduction? An eerily isolated, rules-driven nuclear family: mild-mannered, soft-spoken Chris (Stephen Graham), haunted Catherine (Andrea Riseborough) and polite son Jonathan (Kit Rakusen). They all may as well have sprung from the combined neo-gothic conjurings of Edward Gorey and Harold Pinter. Under Komasa’s direction, the mix of fractured fable and terroristic morality play in Bartek Bartosik’s screenplay is absurd but potent, giving “Heel” enough psychologically twisted juju to nearly always feel like more than the sum of its parts.

Our first glimpse of Tommy chained up, pleading to be let go, is through the eyes of a young Macedonian refugee, Katrina (Monika Frajczyk), being given a tour of the large countryside manor where she’s just been hired by Chris for twice-a-week housework. Katrina, like us, is rightly horrified but she’s in her own bind: undocumented, saved by Chris from the streets, with her signature on a confidentiality agreement and a deportation threat hanging over her. She’s hardly in a position to do much more than accept what’s going on as a grimmer version of her own dead-end predicament.

And yet what’s readily apparent is that this weird, fragile, insular family is genuinely keen on folding Tommy into their lives. They’re also convinced of their unorthodox methods, which hinge on reinforcement and reward. Tommy seems receptive, too, with each invitation to participate in his abductors’ togetherness (meals, movie nights, a picnic). This is when “Heel” is at its most alluringly queasy, a dark commentary on all families as institutions inherently built on confinement and emotional blackmail. (It’s no coincidence one of the movie’s executive producers is Jerzy Skolimowski, who made his own pointed kidnapping allegory with “Moonlighting.”)

Everyone’s broken, so the collective strength of the cast in keeping us on our toes about where this is all headed is a huge plus. The wiry Boon doles out his brash character’s reserves of vulnerability to stunning effect — Tommy is a difficult part and Boon knows how to make it revealing and suspenseful. Graham’s tweaked, sensitive patriarch is tantalizingly far from the heartbreaking dad of “Adolescence” and the gloriously oddball Riseborough makes the most of her faint-voiced mom’s severity. Frajczyk and Rakusen are also pitch-perfect.

Last year Komasa had another family-centered thriller with “Anniversary,” a movie about politics corrupting a happy home. But we know that equation already. “Heel” is Tolstoy’s happy-family maxim cooked in a mad scientist’s lab. While it sometimes shows its seams as an idea movie, its elegant disturbia has a boldness, recalling that great mind-game ’60s era that gave us “TheServant,” “The Collector,” and the early psychological freak-outs of Komasa’s countryman, Roman Polanski.

‘Heel’

Not rated

Running time: 1 hour, 50 minutes

Playing: Opens Friday, March 6 at Laemmle NoHo 7

Source link

‘Hoppers’ review: A robotic beaver and a threatened glade in Pixar’s triumph

“Pond rules” dictate that if an animal is hungry, the creature that’s about to become a meal should accept its fate. That’s the first lesson that Mabel (voiced by Piper Curda), an idealistic university student whose mind is transferred into the body of a robotic beaver, learns while interacting with wildlife as one of their own in Pixar’s inventive “Hoppers.” In typical human fashion (we love to meddle with nature), Mabel ends up breaking that directive by saving a “fellow” beaver, the slumberous Loaf (Eduardo Franco), attracting unwanted attention that leads her to a wacky group of characters who will transform her rigid young worldview.

For his second feature, Daniel Chong, best known for creating the popular “We Bare Bears” series for Cartoon Network, has unleashed a hilariously unexpected and outrageous crowd-pleaser with “Hoppers.” Recently, I bemoaned that a movie like Sony’s “Goat” stood as further proof that talking-animal animated films had mostly run their course. Chong and screenwriter Jesse Andrews swiftly push back on that read with this environmentalist tale in defense of people who stand up for something, even when it seems no one is willing to stand beside them.

“Hoppers” is Pixar by way of a creator, Chong, whose career isn’t exclusively tied to the studio. That’s likely why his movie is more daring in its humor and tone, bringing a refreshing infusion of mischief to Pixar while maintaining the genuine emotional gravitas that has endeared the company to audiences for over 30 years.

Why is Mabel’s psyche roaming around inside a fake beaver à la “Avatar”? After discovering that this technology has been developed by one of her professors, Mabel thinks it could be the answer to saving the local forest glade where self-aggrandizing mayor Jerry (Jon Hamm) wants to build a highway. Mabel’s grandmother instilled in her an appreciation for nature as a reminder that she’s part of something greater than herself. Collecting signatures isn’t yielding results to stop construction, so, to the dismay of the scientists in charge, Mabel hops into the human-made mammal to learn from the creatures themselves why they’ve left the glade, giving Jerry carte blanche to destroy their home.

The poignancy-to-comedy ratio is precisely calibrated. Sharp gags, whether visual or in superbly timed lines of dialogue often laced with irony, work on multiple levels. A few moments like an accidental death or the wild introduction of an aquatic character are so wonderfully out of left field they make one’s head spin. That also goes for instances late in Mabel’s adventure in which “Hoppers” steps into amusingly creepy terrain, paying homage to the horror genre. These impish touches involve a wicked caterpillar (Dave Franco) whose mother, the Insect Queen, is voiced by acting royalty Meryl Streep. Each group of animals has its own ruler.

Since most scenes occur in the forest glade, the artists at Pixar have created strikingly rendered settings which, while aiming for photorealism, also have a fantastical glow to them, highlighting the inherent magic of nature. That such a seemingly commonplace location is elevated to feel mesmerizing speaks to how animation can make the mundane anew. That’s on top of how the rotund beavers in “Hoppers” have been conceived for maximum cuteness. One of them, Mabel’s guide through this ecosystem, is the disarmingly adorable King George (Bobby Moynihan), who wears a tiny crown (Where did he get it? No one knows) and rules over all mammals with a gentle hand.

Mabel’s friendship with King George, who doesn’t know she is human, becomes the movie’s heartstring-pulling core. The jovial royal believes he can persuade Jerry to change course. Mabel, conversely, doesn’t think Jerry will listen. Her cynicism and King George’s sincere faith in others clash. Among Mabel’s non-furry pals, Tom Lizard (Tom Law) becomes a scene-stealer. (The crazy-eyed, eloquent reptile first became an online sensation as part of a post-credits scene in “Elio.”)

Chong and his team include a minuscule but brilliant detail that illustrates how character design can have major narrative impact: When the animals are speaking among themselves, their eyes are large and expressive, full of life. But when the film takes the perspective of a human looking at the forest dwellers, their eyes appear small and dark, almost nondescript. It’s a subtly visual symbol for how we often fail to gaze at others with understanding.

There are many heavy hitters still to come, but “Hoppers” feels like the first great animated movie of the year. At a time when our right to protest is under siege, this sci-fi yarn exalts the way an individual’s conviction can plant seeds of change, leading to a stronger sense of community. Neither simplistically optimistic nor preachy, “Hoppers” smuggles timely ideas inside a rodent body. Pond rules would probably call that a beaver victory.

‘Hoppers’

Rated: PG, for action/peril, some scary images and mild language

Running time: 1 hour, 45 minutes

Playing: Opens Friday, March 6 in wide release

Source link

L.A. City Council declares the ‘Brady Bunch’ house a historic landmark

Here’s the story…of how a seemingly non-descript home in the San Fernando Valley turned into an L.A. landmark.

The L.A. City Council voted to designate the “Brady Bunch” house as a historic-cultural monument on Wednesday, enshrining the Studio City Midcentury as a piece of the city’s history.

“Long before it became a pop‑culture pilgrimage site and backdrop for countless photo ops, the Brady Bunch House helped shape America’s vision of family life in the late 1960s and early ’70s — especially the idea of a blended family,” said Adrian Scott Fine, president of the L.A. Conservancy. “We’re thrilled to see it now designated as a Historic-Cultural Monument, ensuring the Brady Bunch — and their iconic home — remain part of Los Angeles’ story.”

The Los Angeles Cultural Heritage Commission unanimously voted to recommend the house, located at 11222 Dilling St. in Studio City, as a landmark on Jan. 15. The Planning and Land Use Commission approved the designation a month later, sending final say to the City Council.

“I look forward to seeing this memorialized in the appropriate way as part of San Fernando Valley television history,” Councilmember Adin Nazarian said during the Planning meeting.

The landmark status protects the home from demolition, but doesn’t prohibit it. If the owner ever wants to destroy the home, the Cultural Heritage Commission can delay the process for up to a year to find preservation solutions. The commission also gets more oversight on proposed alterations.

“The Brady Bunch” was filmed in a studio for the entirety of its iconic run from 1969 to 1974. So how does a house that was merely for exterior shots wind up as a landmark?

Through painstaking renovations and a bit of reality TV magic.

The house was built in 1959 by architect Harry M. Londelius, who gave the contemporary ranch a shake roof, cathedral ceilings and heaps of Palos Verdes stone. After starring in the show, the home became a symbol for Southern California’s suburban, single-family charm.

For decades, it was owned by Violet and George McCallister, who bought it for $61,000 in 1973. Once they died, their children sold it in 2018 for $3.5 million — nearly twice the original ask.

The bloated sale price was the result of a bidding war, as offers poured in from TV enthusiasts and celebrities, including ‘N Sync’s Lance Bass. In the end, cable network HGTV emerged as the winner.

The channel had big plans for the property, announcing a $1.9-million remodel that would recreate the interiors exactly how they looked in the show. The entire process was documented in a four-part miniseries titled “A Very Brady Renovation.”

The show featured the actors who played the Brady kids taking sledgehammers to the interiors while “Property Brothers” stars Drew and Jonathan Scott reshaped the living spaces.

An inside look at the "Brady Bunch" house in Studio City.

An inside look at the “Brady Bunch” house in Studio City.

(Ryan Lahiff for Eklund | Gomes)

The final result was a near picture-perfect replica of the Brady abode: the floating staircase, the groovy orange kitchen counters, even the famous vase destroyed by a stray basketball during a famous episode. (“She always says don’t play ball in the house.”) To make space for the throwback bedrooms, the crew added 2,000 square feet to the rear of the house, as well as a second story — which they hid from the street by lowering the foundation by a foot.

The renovation nearly doubled the square footage, featuring five bedrooms and five bathrooms across more than 5,000 square feet.

After the miniseries, HGTV took a bath on the sale. They flipped it for $3.2 million in 2023 — $300,000 less than they paid for it five years earlier and $2 million less than the asking price.

The house was bought by historic-home enthusiast Tina Trahan and her husband Chris Elbrecht, former chief executive of HBO. It came with a few Brady-themed furniture throw-ins such as a green floral couch and credenza complete with a 3-D printed horse sculpture.

Fans still flock to the house to take photos from the street, but Trahan and Elbrecht opened it to the public for the first time in November, offering a limited run of tours for $275.

Source link

Gov. Tim Walz tells a House panel the Trump immigration crackdown hampered Minnesota’s fraud fight

Minnesota’s governor and attorney general on Wednesday defended their efforts to combat fraud and told a U.S. House committee that their efforts have been hampered by President Trump’s immigration crackdown in the state.

Republicans on the House Oversight Committee accused Gov. Tim Walz and Atty. Gen. Keith Ellison of stalling to fight fraud in government programs, saying they put politics ahead of rooting out abuse instead of pausing payments.

“You have not been good stewards of the taxpayer dollars,” said Republican Rep. James Comer of Kentucky, chair of the committee. “And the Democratic position is keep the money flowing. The American taxpayers have had enough.”

Walz said he wanted to work with the federal government to help with fraud investigations, but the immigration surge was making that more difficult.

“The people of Minnesota have been singled out and targeted for political retribution at an unparalleled scale,” Walz said. “We’re going to prosecute, as we have, every single person that’s involved in fraud, but we can’t do it alone.”

Walz and Ellison defended their efforts on fraud, while also trying to turn the focus of the hearing to the surge of 3,000 federal agents in Minnesota that began in December. The Trump administration cited fraud as one justification for its enforcement action. Homeland Security Secretary Kristi Noem testified Tuesday that about 650 investigators remain in Minnesota as part of a broader fraud probe.

“Operation Metro Surge did nothing to address fraud in our state,” Ellison said. “It harmed our economy and it scarred our people and it dealt a devastating blow to fraud enforcement in Minnesota.”

Ellison noted the series of resignations of lawyers in the U.S. Attorney’s Office in Minnesota, leaving those who remain “drowning in immigration-related petitions” instead of prosecuting fraud. On Tuesday, the U.S. attorney for Minnesota appeared before a judge for a contempt hearing related to Immigration and Customs Enforcement not returning personal property of detainees.

Ellison said his office has “punched above our weight” in winning 300 Medicaid fraud convictions and recovering more than $80 million for taxpayers.

Republican Rep. Clay Higgins of Louisiana called on Ellison to resign, accusing him of not leading investigations into criminal fraud activity.

Last week, Vice President JD Vance said the Trump administration would “temporarily halt” $243 million in Medicaid funding to Minnesota over fraud concerns, as part of what he described as an aggressive crackdown on misuse of public funds. Minnesota sued on Monday to stop the money from being withheld, warning it may have to cut healthcare for low-income families if the money is held back.

Comer on Wednesday accused Walz of not stopping Medicaid payments despite knowledge of fraud because he “didn’t want to rock the boat.”

Comer and other Republicans accused Walz of lying about when he first found out about fraud in a $250-million scheme known as Feeding Our Future and stalling to act in order to protect the Somali American community. Republican Rep. Jim Jordan of Ohio asked Walz if he know how many of those who had been indicted were Somali Americans.

“Their ethnicity is not my concern,” Walz said.

Somali Americans make up 82 of the 92 defendants charged so far in the Feeding Our Future case, according to the U.S. Attorney’s Office for Minnesota.

Democratic Rep. Robert Garcia of Long Beach, as part of the effort to focus the hearing on the immigration crackdown, held up images of children detained by federal officers and a picture of the blood-stained car seat of Renee Good who was killed by an officer. Federal officers also killed another Minnesota resident, Alex Pretti, who had been filming enforcement operations.

“This violence does not make us safer,” Garcia said. “It does not address fraud, waste and abuse.”

Bauer writes for the Associated Press.

Source link

Oil jumps, stocks fall, as Trump presses into a widening Middle East conflict

The United States plunged further into conflict with Iran on Tuesday as a new round of strikes heightened fears of an expanding war in the Middle East, sending markets reeling and oil prices soaring and drawing urgent calls from European leaders for a plan forward.

President Trump acknowledged during an Oval Office appearance that the public would feel some economic pain as fighting continues to threaten areas that are critical to the world’s oil and natural gas production.

“As soon as this ends, those prices are going to drop, I believe lower than ever before,” Trump said, though he did not provide a clear time frame for when the conflict might end.

As the war stretched into its fourth day on Tuesday, Israel struck Iranian missile launch facilities and weapon factories and Iran retaliated across the Persian Gulf region, including attacks on U.S. diplomatic sites in Saudi Arabia, Kuwait and Dubai.

The conflict simultaneously set off alarms in the global markets, prompting stocks in Europe and Asia to plunge and the S&P 500 to drop nearly 1% after falling as much as 2.5% in early trading.

European governments were also forced to contend with the fallout, with some countries increasing their military presence in the region as their actions are closely monitored by Trump, who publicly singled out countries that he thought had been helpful in his war efforts so far.

“Spain has been terrible,” Trump told reporters in the Oval Office while threatening to “cut off all trade with Spain” after he said the country had denied American forces access to its military bases.

Trump said he was “not happy with the U.K. either” and complained about not being allowed to use a military base on Diego Garcia in the Chagos Islands. Without access to that military base, Trump said American planes were forced to fly “many extra hours.”

“We were very surprised. This is not Winston Churchill that we’re dealing with,” Trump said. Churchill served as Britain’s prime minister during World War II.

As Trump threatened European allies, he sat next to German Chancellor Friedrich Merz, underscoring the fraught landscape that world leaders are navigating as American and Israeli forces work to destroy Iran’s missile capabilities and nuclear program and eye a potential change in government.

During their meeting, Trump said Germany has allowed the United States to use its air bases. Beyond that help, Trump said, “we’re not asking them to put boots on the ground or anything.”

When asked by reporters how Germany intended to help in the conflict, Merz said he wanted to focus on talking to Trump about what comes “the day after” the war ends.

“We are on the same page in terms of getting this terrible regime in Iran away and we will talk about the day after, what will happen then, if they are out,” Merz said.

Trump talks about regime change options

Trump did not have much to say yet on what will come next and was unclear on who will lead the Iranian government, saying that U.S. and Israeli military operations had killed the people who he thought could have filled the leadership vacuum.

“Most of the people we had in mind are dead,” Trump said. “Now, we have another group, but they may be dead also based on reports so I guess you have a third wave coming in and pretty soon we’re not going to know anybody.”

His remarks were a startling acknowledgment in part because minutes earlier he said the worst-case scenario in his mind was that the military operation would take place and “then somebody takes over who is as bad as the previous person.”

“That could happen,” Trump said.

Asked if Crown Prince Reza Pahlavi, son of the former shah, is someone he would like to run the country, Trump said he is a “very nice person,” but did not say for sure whether he is his choice.

The president and his top aides have offered varying explanations when asked about regime change, drawing criticism from Democrats and some conservatives who are demanding to know why Americans are being dragged into a war with no clear end in sight.

On Saturday, when U.S. and Israeli forces first struck Iran, Trump said overthrowing Iran’s theocratic regime was part of his rationale. But on Monday, he emphasized that Iran’s missiles posed a threat to the United States, and therefore theattack was carried out to eradicate its missile capability and nuclear program.

After briefing lawmakers Monday afternoon, Secretary of State Marco Rubio told reporters that the United States launched a “preemptive” attack on Iran because officials knew Israel was going to strike the country — a move that he said would have put U.S. forces at risk and led to even more U.S. casualties. As of Tuesday, six American troops have been killed in combat.

House Speaker Mike Johnson (R-La.), after being briefed by Trump administration officials on Monday afternoon, said, “Israel was determined to act in their own defense, with or without American support.”

“If Israel fired upon Iran, and took action against Iran to take out the missiles, then they would have immediately retaliated against U.S. personnel and assets,” Johnson told reporters.

Trump disputed the suggestion that Israel’s plans to attack Iran prompted him to launch the strikes, saying it was the other way around.

“If anything, I might have forced Israel’s hand,” Trump said Tuesday. “But Israel was ready, and we were ready, and we’ve had a very, very powerful impact because virtually everything they have has been knocked out.”

But it was unclear how far along the U.S. military is in accomplishing its mission.

In a letter Monday, Trump told Congress that while the “United States desires a quick and enduring peace, it is not possible at this time to know the full scope and duration of military operations that may be necessary.”

Senate Minority Leader Chuck Schumer (D-New York) warned in a speech on the Senate floor that the administration’s murky strategy is not good for the country.

“History teaches us a simple lesson: Wars without a clear objective do not stay small. They get bigger, they get bloodier, they get longer, they get more expensive,” Schumer said. “This is not a defensive war. This is not a necessary war. This is a war of choice.”

The latest attacks on the region

Tuesday saw yet another expansion of the war when Israeli troops blitzed into Lebanon in a bid to dislodge the Iran-backed Shiite militant group Hezbollah.

The ground invasion comes one day after Hezbollah lobbed rockets and drones at an Israeli military position across the border; an attack, the group said, that was vengeance for the killing of Iranian Supreme Leader Ayatollah Ali Khamenei and a response to Israel’s near-daily violations of a ceasefire brokered by the U.S. in November 2024.

The attack sparked a massive Israeli assault on dozens of villages and towns in southern Lebanon, as well as on the southern suburbs of the Lebanese capital, Beirut. The strikes killed 40 people, wounded 246 others and saw tens of thousands forced to leave their homes and scramble for shelter in Beirut and elsewhere, according to Lebanese authorities.

The Lebanese army said Tuesday that it was withdrawing from positions in southern Lebanon ahead of a ground incursion by Israeli troops. The Israeli military’s Arabic-language spokesman then issued a warning to residents of some 80 towns and villages in that region to “immediately evacuate your homes” and move northward.

Hezbollah, meanwhile, maintained a defiant stance and continued rocket and drone launches into Israel.

“The era of patience has ended, and we have no option but to return to resistance,” said Mahmoud Qatari, who chairs Hezbollah’s Political Council. “If Israel wants an open war, so be it.”

The invasion comes more than a year after Israel occupied parts of southern Lebanon in 2024. After the ceasefire came into effect, Israel withdrew from most parts of the country save for five positions near the border. Yet in the 15 months since the ceasefire was signed, it has proved to be more notional for Lebanon, with Israeli warplanes and troops conducting well over 10,000 truce violations, according to the U.N.

Israel says its actions are to stop Hezbollah from reconstituting itself near the border, but the result has meant residents of border towns and villages in southern Lebanon have been unable to return home.

Israel’s military spokesman, Brigadier Gen. Effie Defrin, said in a statement that troops were “creating a buffer” inside Lebanon between residents in northern Israel “and any threat.”

As the conflict has escalated, some 1,600 Americans stranded across the region have requested assistance and the Trump administration is trying to help evacuate them, Rubio said. But the effort has faced challenges because Iranian missiles have struck many Mideast airports.

“We know we are going to be able to help them,” Rubio said. “It is going to take a little time because we do not control the airspace closures.”

Ceballos reported from Washington, Bulos from Khartoum, Sudan.

Source link

North America is losing birds fast. Experts blame agriculture, warming

Billions fewer birds are flying through North American skies than decades ago and their numbers are shrinking ever faster, mostly due to the combination of intensive agriculture and warming temperatures, a new study finds.

Nearly half of the 261 species studied showed losses important enough to be statistically significant, and more than half of those in decline have seen losses accelerate since 1987, according to a study published Thursday in the journal Science. The study is the first to look at trends in their decrease, where they are shrinking the most and what the declines are connected to, rather than total population.

“Not only are we losing birds, we are losing them faster and faster from year to year,” said study co-author Marta Jarzyna, an ecologist at Ohio State University. “Except for forest birds, almost every group is doing poorly. So we need to ask ourselves a question. How do we protect these groups of birds?”

The only consolation is that the birds that are shrinking in numbers the fastest are species — such as the European starling, American crow, grackle and house sparrow — that aren’t yet at risk of going extinct, said study lead author Francois Leroy, also an Ohio State ecologist.

“The thing is that species extinction, they start with a decline in abundance,” Leroy said, adding that “the decline is somehow maybe giving a preview of what it could lead to in terms of species extinction.”

Cornell University conservation scientist Kenneth Rosenberg, who wasn’t part of the study, said the species declining fastest in the new research “are often considered pests or ‘trash birds,’ but if our environment cannot support healthy populations of these extreme generalists and extremely adaptable species that are tolerant of humans, then that is a very strong indicator that the environment is also toxic to humans and all other life.”

A 2019 study by Rosenberg of the same bird species found North America had 3 billion fewer birds than in 1970, but didn’t look at changes in the rate of loss or causes.

Biggest bird losses in areas warming most

The biggest locations for acceleration of bird loss were in the Mid-Atlantic, the Midwest and California, the study found. And geography proved important when Leroy and Jarzyna looked for reasons why so many bird species are shrinking ever faster.

When it came to population declines — not the acceleration — the scientists noticed bigger losses farther south. When they did a deeper analysis, they statistically connected those losses to warmer temperatures from human-caused climate change.

“In regions where temperatures increase the most, we are seeing strongest declines in populations,” Jarzyna said. “On the other hand, the acceleration of those declines, that’s mostly driven by agricultural practices.”

Farmland issues speed up bird declines

The scientists found statistical correlations between accelerating decline and high fertilizer and pesticide use and the amount of cropland, Leroy said. He said they couldn’t say any of those caused the acceleration of losses, but it indicates agriculture in general is a factor.

“The stronger the agriculture, the faster we will lose birds,” Leroy said.

Jarzyna said there is a “strong interaction” between climate change and agriculture in their effect on bird populations.

“We found that agricultural intensification causes stronger accelerations of decline in regions where climate warmed the most,” Jarzyna said.

McGill University wildlife biologist David Bird, who wasn’t part of the study, said it was done well and that its conclusions made sense. With a growing human population, agriculture practices are intensified, more bird habitats are being converted to cropland, modern machinery often grind up nests and eggs, and single crop plantings offer less possibilities for birds to find food and nests, said Bird, the editor of “Birds of Canada.”

“The biggest impact of agricultural intensity though is our war on insects. Numerous recent studies have shown that insect populations in many places throughout the world, including the U.S., have crashed by well over 40 percent,” Bird said in an email. “Many of the birds in this new study showing population declines depend heavily on insects for food.”

Birds do a lot for humans

This study is both “alarming” and “sobering” because of the sheer numbers of losses and the patterns in those accelerating declines, said Richard Gregory, head of monitoring conservation science at University College London. He was not part of the research.

The paper shows that people need to change the way they live to reduce human-caused warming, reduce agricultural intensity, monoculture of crops and broad application of chemicals, said Cornell University ornithologist Andrew Farnsworth, who wasn’t part of the study.

“Here is why this study is especially important. Birds do a lot for humans,’’ McGill biologist Bird said in an email. ”They feed us, clothe us, eat pests, pollinate our plants and crops, and warn us about impending environmental disasters. With their songs, colors, and variety, birds enrich our lives … and recent studies show that their immediate presence actually increases our well-being and happiness and can even prolong our lives! To me, a world without birds is simply unfathomable.”

Borenstein writes for the Associated Press.

Source link