opening

AN abandoned UK village will open to the public for a limited time at the end of the month.

The town, which has been frozen in time since World War II, remains cut off from the world for most of the year.

For just 12 days out of the year, history fans and nature lovers travel to the village of Imber in Wiltshire, which has not been occupied since 1943.

During the second World War, the town’s 150 residents were given 47 days to evacuate their homes so the village could be turned into a military training area for American troops preparing for D-Day.

While they were promised they would be able to return after the war, the village is still occupied by the Ministry of Defence (MoD) to this day.

Once every few months, the public is invited to visit the town for free, with roads opening through Imber until 6pm during the August Bank Holiday weekend.

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Public access has been granted to the village as well as the Grade I-listed St Giles Church, which will be open from 11am to 4pm daily.

The original surviving building is free to visit during open days with any donations going towards the Churches Conservation Trust (CCT) for maintenance and restoration.

Along with an old pub, the church is one of the few remaining original structures in the village.

Most of the larger stone buildings were damaged during military training, and were subsequently demolished.

Meanwhile, houses in the village are either hollowed-out shells or have been converted into windowless buildings to simulate urban environments for military training.

Those who once lived in the village have the right to be buried on the church grounds, with undisturbed wildlife now the only living residents.

Imber also holds open days during the Christmas and New Year period as well as at Easter, with all visitors required to adhere to the public rights of way and designated areas, and comply with signposting.

A THEME park that has been left abandoned for a decade is set to reopen as a new attraction.

Pleasure Island Park in Cleethorpes closed back in 2016 but is now set to become a “Center Parcs-by-the-sea” style destination.

The £70million park is set to have 272 holiday lodges, as well as hotels, restaurants and shops.

There would also be a Lidl superstore at the site.

Spanning across 60 acres, just a short walk from Cleethorpes Beach, plans include two hotels including one with 148 rooms and a casino, a drive-thru coffee shop as well as a cycle-hire destination.

The abandoned theme park currently has a lake in the middle, which would be turned into an angler’s hub.

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Councillors previously said that the plans were “an effective use of the land” and would “contribute to the local economy and the vitality of the resort”, reports Grimsby Live.

In the latest update, councillors will decide on the plans “ideally as soon as possible”, according to a councillor.

However, only a few checks have been completed.

Planning was submitted back in 2023 but the process has been delayed due to environmental assessments needing to be carried out as well as legal challenges.

Little else is currently known in regards to the holiday park, such as when it would open if given the go-ahead.

The theme park opened back in 1993 and featured six themed areas including Africa, Kiddies Kingdom, Morocco, Old England, Spain and White Knuckle Valley.

Attractions included rollercoasters, a carousel and dodgems.

A lot of the rides were sold off in 2018, but most of the buildings remain abandoned on the site now.

In the surrounding area, visitors can head to Cleethorpes Beach which features a long stretch of golden sand as well as the Cleethorpes Coast Light Railway.

In opening arguments, the prosecution portrayed Davis as the ringleader of the group responsible for the shooting – and point to a memoir he co-authored where he wrote in detail about the night of the shooting.

“Let’s be clear, Duane Davis did not pull the trigger. But he did plan the shooting in retaliation of the beating of his nephew,” Chief Deputy District Attorney Binu Palal told the jury. “Remarkably, you will learn that from Duane Davis himself.”

Davis’ attorneys called the narrative “fiction”, dubbing the case a product of a flawed-decades-long investigation. Davis has distanced himself from the memoir, saying he didn’t write all of it and parts were fictionalised to sell more copies.

Davis, wearing a navy suit and blue tie, sat with his defence team as they questioned why no one had been arrested for nearly three decades and asked why “no one corroborates any of this”.

“What facts do they have after 30 years?” his attorney Michael Sanft questioned.

The prosecution’s first witness was Garry Dale, who was working for the Las Vegas Metropolitan Police Department at the time of the shooting in September 1996.

The officer detailed riding in an ambulance with Shakur after he’d been shot. He said the rapper refused to offer any information on what happened and who had shot him. “We’ll take care of it,” Shakur said, according to the officer’s testimony.

At the core of the case is East Coast vs West Coast rap rivalries and turf wars between the Bloods and the Crips street gangs that were immortalised in rap lyrics and news reports in the 1990s.

Police have long said said a lack of cooperation in the case led to dead ends in their investigation. Members of the rapper’s entourage, though, have accused authorities of initially treating them like suspects and failing to follow important leads.

Throughout the day on Monday, prosecutors painted that picture for the jury, explaining that there were no formal criminal charges in the shooting because in the world of guns and gangs “silence means survival”.

But “one person” who had a hard time staying silent was the defendant, prosecutors said, noting that Davis gave a “number” of statements on the case between 1998 and 2003.

Prosecutors allege Davis planned the shooting after his nephew Orlando Anderson was involved in a fight with Shakur in Las Vegas hours earlier. They argued Davis believed the attack on his nephew could not “go unanswered”.

The iconic rapper was just 25 years old when he was gunned down after a Mike Tyson boxing match on 7 September 1996. He died six days after the shooting.

Prosecutors contend that Davis – a former leader of the South Side Compton Crips street gang – was the “on-ground, on-site commander” who “ordered the death” of Shakur.

The murder case had largely gone cold until public statements made by Davis himself, who published a memoir in 2019. In it, and in various interviews, Davis has claimed he was a passenger in the vehicle that fired into Shakur’s car that night.

He said in the book that he gave the gun used in the murder to his nephew, Anderson, who shot the rapper.

His attorneys have argued the book is fiction and shouldn’t be used as evidence in a criminal trial relating to a case from three decades ago, but a judge ruled it could be used in court.

His defence team has pointed to missing police reports, disputed evidence and “biased, sloppy and incomplete” detective work.

They alleged prosecutors relied on “unreliable people with criminal records, financial motivations and inconsistent statements”.

The defence also argued witnesses changed their stories over time and were influenced by money, media attention or information supplied by investigators.

Published on
14/08/2026 – 10:54 GMT+2

BP is going back into Venezuela.

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The agreement signed in Caracas on Thursday gives the company operatorship of Loran phase two, an offshore gas project holding more than four trillion cubic feet of proven gas resources, with Abu Dhabi’s XRG, Qatar’s UCC Oil and Gas Holding taking equal stakes beside it.

It is the clearest signal yet that the opening of Venezuela’s energy industry to foreign capital, underway since Maduro’s removal, is gathering pace.

All three companies will hold equal working interests, with BP as operator, and the licence remains subject to regulatory approvals.

PDVSA Gas, the state producer’s gas arm, transferred part of its interest to XRG, the international investment vehicle of Abu Dhabi’s ADNOC. For both XRG and UCC, a unit of the Qatari conglomerate of the same name, this marks a first entry into Venezuela.

The field itself is shared as Loran forms the Venezuelan portion of the Loran-Manatee accumulation, which straddles the maritime boundary with Trinidad and Tobago and holds roughly 10 trillion cubic feet of recoverable gas in total.

Shell won the licence for the first phase in June and is separately developing Manatee on the Trinidadian side, where first gas is expected next year.

BP says both Venezuelan phases will now be developed in parallel and signed a further memorandum of understanding covering exploration at the Carúpano East Block.

The agreements were concluded during a visit to Caracas by CEO Meg O’Neill and David Campbell, BP’s senior vice president for Latin America and the Caribbean.

A sector reopened under US pressure

The licences are the product of a bargain struck with Washington.

After Maduro was seized by US forces in January, interim president Delcy Rodríguez rewrote the country’s energy law at the Trump administration’s urging, opening the world’s largest proven oil reserves to foreign firms.

In return, the US relaxed sanctions that had frozen most Western investment, including the licences it revoked from BP, Shell and Chevron in 2025.

Eni, Repsol and Shell have all signed since.

The awards process stalled after the earthquakes of 24 June, which killed more than 6,300 people, and resumed only on Thursday, when the three Loran permits were issued and the agreements signed.

“I have a special interest in gas to promote national development,” Rodríguez said at the ceremony, which was broadcast on state television.

BP is not a newcomer as it held a licence for the Cocuina field from 2024, before Washington withdrew its permission to use it.

OK, Wouter Vrancken.

You take over at a club who were denied a historic league title in the final 10 minutes of last season. They then lose their captain and talismanic striker, plus their best midfielder, and have a huge turnover of players.

Your first competitive action is a Champions League qualifier against seasoned European campaigners Sturm Graz, losing 6-0 on aggregate, before conceding twice after the 90th minute up at Aberdeen to lose your first league match.

So, what’s next? Benfica in Europa League qualifying. A doddle.

The Portuguese giants await on Thursday (20:00 BST) amid a savage introduction for Hearts’ new Belgian head coach. Chances of progression feel slim.

There have been aspects of each of the three matches under Vrancken that have been encouraging, and a win at Pittodrie on Saturday would have been a huge morale boost.

However, the nature of the team’s late collapse has intensified fear among the support that their season could unravel before it has even properly started.

A trip to Lisbon to face Marco Silva’s Benfica presents a glamour tie but also the prospect of another chastening defeat on the continent as Vrancken tries to piece together his best XI.

The 38-time Portuguese champions beat Napoli and Real Madrid at home in the Champions League last term on their way to the knockout stage, where they were put out by Real, who have since taken head coach Jose Mourinho.

Benfica’s domestic action is yet to return after they finished third in the league last season, but they defeated Swiss side St Gallen over two legs to reach this stage of Europa League qualifying.

A 2-1 defeat in Switzerland was wiped out with a thumping 5-0 win in the second leg last Thursday, with four of the five goals coming from Greece striker Vangelis Pavlidis.

“Spider-Man: Brand New Day” swung into the top spot at the box office and scored one of the highest-grossing opening weekends with an estimated haul of $355 million in the U.S. and Canada, far surpassing studio and analyst expectations.

The Sony Pictures film also brought in $572 million internationally for a worldwide total of $927 million, according to studio estimates.

The movie’s haul now ranks as the second-biggest domestic and global opening ever, surpassed only by Walt Disney Co. and Marvel Studios’ “Avengers: Endgame” in 2019.

The film, which stars Tom Holland and Zendaya, is produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures. Its production budget was about $225 million.

Marvel Studios President and “Spider-Man” producer Kevin Feige called the debut “truly phenomenal.”

“We are grateful to audiences everywhere for coming out and experiencing our film the way it was meant to be seen,” he said in a statement Sunday. “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”

Anticipation for the movie was building for months, as robust pre-sales indicated high interest in Spidey’s return to the big screen.

The previous film in the franchise, 2021’s “Spider-Man: No Way Home,” had one of the biggest domestic debuts on record with $260 million.

But it came during the depths of a COVID-19 surge and against very little competition at the box office. That film also reunited all three Spider-Men — Holland, Tobey Maguire and Andrew Garfield — in one time-bending, multiverse storyline, a move “Spider-Man” producer Amy Pascal described as 20 years in the making.

This time around, “Spider-Man” was up against the juggernaut holdover Universal Pictures’ Christopher Nolan film, “The Odyssey,” which came in second at the domestic box office with $51 million on its way to a global total of $911.4 million.

The strong performance of “The Odyssey,” as well as the billion-dollar-grossing “The Super Mario Galaxy Movie” and “Michael” earlier this year, helped push Universal over the $4-billion global box office mark this weekend, the first studio to do so this year.

Walt Disney Co. and Pixar’s “Toy Story 5” came in third with $6.3 million to add to its worldwide total of more than $1.06 billion. Universal and Illumination’s “Minions & Monsters” ($5.8 million) and Disney’s live-action “Moana” ($5.3 million) rounded out the top five this weekend, according to data from Rentrak.

“‘Spider-Man: Brand New Day’ is fundamentally a movie about friendship, about the balm of connection in all our lives,” Sony Pictures Motion Picture Group Chairman Tom Rothman said in a statement Sunday. He added that this theme resonates with “audiences of all ages and all around the world.”

Champions Northampton will host Newcastle Red Bulls on the opening day of the 2026-27 Prem rugby season.

Saints beat Exeter to lift the trophy for the second time in three seasons in June and start the new campaign at home on Friday, 25 September.

The Chiefs are also at home for their first game, with Gloucester set to visit Sandy Park on the Saturday.

Elsewhere across the opening weekend, Harlequins are at home to Bath on Friday, Sale host Bristol on Saturday evening and Leicester play Saracens in the only match on Sunday.

The 2026-27 Prem final will be held on Saturday, 19 June 2027 at the Allianz Stadium, Twickenham, with the season to take a series of breaks around international fixtures.

After five rounds in six weeks through September and October, there will be a four-week Prem break through November for the autumn matches of the Nations Championship.

With European competition beginning in December there are four Prem rounds across six weeks until January, before a 10-week league pause again in February and March for the Six Nations.

The new season also begins with promotion and relegation officially scrapped from the division.

While no club has been relegated from the Prem or promoted up from the Champ since Saracens in 2020 and 2021, this has now been formalised as part of a series of changes to English rugby voted through in February, as the league moves towards a franchise-style model.

FANCY a trip to the beach without having to schlep to the seaside? You’re in luck.

Many cities around the UK are launching their own pop-up beaches this summer – and they’re perfect for those who living inland and have no way of getting to the sea.

They promise family-friendly rides, adult-only beach clubs and of course, buckets and buckets of sand.

Here are 10 of the best that you and the family can enjoy this summer.

1. Northampton’s Market Square

The Market Square in Northampton is about to be transformed into a huge beach this summer.

Along with the sand, there will be everything from deckchairs and buckets and spades to palm trees.

Fairground rides, pop up cinema and live events are also part of the summer season pop up.

Market Square beach runs from July 31 to August 31. Free to visit.

2. Middleton Hall, Milton Keynes

Calling itself the biggest in an indoor shopping centre, the new seaside-esque pop-up The Beach is back at Milton Keynes this year.

There are all the seaside classics such as free Punch & Judy shows, as well as an indoor rollercoaster and rides, although these cost extra from £3 to £6.

Bungees, games, train rides and pop-up stalls are also part of the event.

The Beach run from July 17 to August 31. Free to visit.

3. Costa del Croydon, London

Can’t quite make it to Spain this year? How about going to… Croydon.

Costa del Croydon is back this summer for its third year, opening on the Centrale Shopping Centre.

Alongside the beach and splash park, there is everything from mini go-karts and trampolines to street food and classic seaside games.

Lots of workshops will run too with previous years featuring dance classes and interactive activities.

New this year is an adults only beach club, running every Thursday from 5pm to 8pm.

Costa Del Croydon runs from August 7-31. Free to visit.

4. Summer Fair, Manchester

Returning to Manchester’s Trafford Centre this year is the Summer Fair with a huge beach and splash pool.

It includes fairground rides and activities such as workshops and dance events.

Other free events here this summer include the new Cosmic Carnival – with circus style shows – and a Zero Gravity Disco.

Summer Fair runs from July 18 to August 31. Tickets from £2.50.

5. Nottingham Beach

Found at Old Market Square, Nottingham Beach has brought back its main beach with deckchairs and bucket and spades.

There is even a beach bar and food stalls, along with DJ nights, dance classes and movie nights.

The beach also has a paddling pool to cool down in, and rides like spinning tops and rollercoasters.

Nottingham Beach runs from July 15 to August 31. Free to visit.

6. Big Penny Beach Club, London

The London beach – previously called Walthamstow-on-Sea – is back for the season and it’s had a big revamp inspired by the Balearics this summer.

Also new this year is a gelateria selling ice creams, along with bars and food stalls.

There are beach quizzes, volleyball, and you can even book a big cabana.

Big Penny Beach Club runes from May 22 to August 30. Free to visit.

7. Sheffield by the Seaside

Calling it a “full-scale, pop-up coastal resort,” Sheffield by the Seaside has returned to the city this year.

Found in the Peace Gardens, there a huge beach with deckchairs, as well as water fountains for the kids to play in.

There’s also food and drink stalls and fairground rides, although they are an additional fee.

Sheffield by the Seaside runs from July 23 to August 31. Free to visit.

8. Birmingham Beach

Birmingham Beach has it all – sand, deckchairs, beach huts and candy floss.

Found at Digbeth High Street, fairground rides are also part of it as well as an outdoor inflatable pool.

While rides cost extra, the beach pop-up will transport you straight to a retro seaside town.

Birmingham Beach runs from July 17 to August 31. Free to visit.

9. Bath on the Beach

Dip your toes into the sand, settle into a deckchair and watch some live sports at Bath on the Beach.

There are lounge cabanas if you want to book a spot, as well as beach games and even adventure golf.

Found at the Royal Pavilion in Bath, it also serves cocktails, beer and wine, as well as pizzas and kids meals.

Bath on the Beach runs from June 12 to August 2. Free to visit.

10. Pop Up Beach, St Albans

For something a bit smaller, St Albans is bringing back its pop-up beach as well.

Kids can build sandcastles or just play in the sand, found at Civic Close.

Parents can keep an eye from one of the many deckchairs around the outside.

Pop-Up Beach runs from August 8-23. Free to visit.

LONDON is getting its very first ‘amazement’ park – and it’s set to be Europe’s largest immersive art experience.

Visitors to its other UK venue have dubbed it ‘dystopian Disney‘.

Wake The Tiger has announced it will open at London‘s Westfield on October 15.

The new indoor attraction will spread over two floors across 80,000sqft.

The experience is called Absurd City and will transport visitors to different districts which will be a “surreal, parallel world of imagination, transformation, and otherworldly art”.

Through the experience, visitors will discover secret passageways and see the new installations all in a makeshift cityscape.

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In a previous statement, Luke Mitchell, Co-Founder and Chief Creative Officer at Wake The Tiger, said: “This is a culmination of over 20 years of creative world-building, from the ground-breaking Boomtown Fair Festival to a new genre of immersive visitor attractions in Amazement Parks®.

“The space in Westfield London has totally blown our mind. It’s as if it was created for us and we can’t wait to transform it into an alternate dimension.”

Tickets have been released today and can be bought from £27.

On its website, the experience has also teased that ‘After Hours’ adult-only sessions will be held which will be on Thursday and Friday evenings.

It’s not the only one in the UK – the very first Wake The Tiger opened in 2022.

It calls itself the world’s first ‘amazement park’ and previous guests have raved about the attraction, with some comparing it to Disney.

One person who said he used to work at Disney said: “The Imagineers who create the rides would be in awe of this also.”

Another said: “Felt like a dystopian Disney land.”

In the Bristol venue, visitors can explore the world of Meridia which has 27 unique art installations including strobe lighting, hidden portals and doorways, and rooms with moving parts.

Tickets at the Bristol venue start from £16.50 for adults and £13.50 for children.

Kids under five go free.

A FRESH-WATER lido set in the heart of the capital will open this week – and it’s completely free.

The open-water area offers stunning city views and a host of water activities.

The Royal Docks lido, in Central London, will open its long-awaited Summer Splash event this Friday (July 24).

Located at Royal Victoria Dock, this urban oasis will return for three weeks this summer, running until August 16.

The family-friendly experience features lifeguard-supervised open water swimming, paddleboarding, and wakeboarding, as well as sandpits, deckchairs and areas to relax in.

And for less confident swimmers – children aged 7 to 14 will be able to take part in Swim Safe Water Safety sessions, to learn essential skills in the open water.

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So for those looking for a chance to cool off, or simply keep the kids entertained during the school holidays, this could be the perfect spot.

Open from 11am to 5pm daily, the lido also forms part of the At The Docks 2026 programme which continues until September 13.

More than 150 free events, ranging from live music sessions and outdoor art exhibitions to world-class sporting events will be available to families and visitors along East London’s famous waterfront.

Other events include the T100 Triathlon, the Formula E-Prix and the Ensemble Festival – a two-day event packed with circus, theatre and music performances.

Once London’s gateway to world trade, the Royal Docks opened in 1855 to introduce commerce to the capital.

Although the docks closed to commercial traffic more than 120 years later, in 1981, the area has now become a successful example of regeneration.

It was a very warm homecoming at the box office this weekend for Christopher Nolan’s “The Odyssey,” as the star-studded epic grossed $124.5 million in the U.S. and Canada, a welcome and massive jolt for theaters after a series of slower weeks.

The Universal Pictures film’s haul outperformed studio expectations of a $117 million domestic opening and set a record for the highest-grossing opening weekend for a live-action or R-rated film so far this year.

“The Odyssey” now ranks as the third-highest domestic debut of 2026, trailing only Disney and Pixar’s “Toy Story 5” ($159.7 million) and Universal, Illumination and Nintendo’s “The Super Mario Galaxy Movie” ($131.7 million).

The film, which stars Matt Damon as Odysseus, brought in a total of $264.1 million worldwide, according to studio estimates. That marks the biggest global opening ever for a Nolan film.

“The Odyssey” was produced by Nolan and his wife and producing partner Emma Thomas for their company, Syncopy, and had a production budget of about $200 million to $250 million.

“It delivers on every sort of promise,” said Jim Orr, Universal’s president of domestic distribution. “It is totally immersive. It is great emotional storytelling. It is something that truly has to be experienced on the big screen.”

The nearly three-hour epic is the first feature to be shot entirely on Imax cameras, a feat that required extensive cooperation between Nolan and the Canadian entertainment tech company, which operates out of Playa Vista.

Nolan first told Imax Chief Executive Rich Gelfond in early 2024 that he was considering making an entire film with Imax cameras and laid out what he’d need for that to happen, including a quieter and lighter camera, a way to make film reloads easier and getting enough trained projectionists.

“It took a fair amount of time and investment” to figure out those challenges, Gelfond said. But by August 2024, the Imax team put together a series of tests to show cinematographer Hoyte van Hoytema. Two months later, Nolan saw the tests and was impressed.

“As filmmakers and studios integrate Imax, we become an increasingly important part of the ecosystem,” Gelfond said. “When a film is released in Imax or shot in Imax, I think it’s a signal to audiences that it’s somewhat special, and the filmmaker is really leaning in in a unique way.”

Anticipation for the film has been building for at least a year, when the first Imax 70mm tickets went on sale. Pre-sales for “The Odyssey” shattered the previous Imax record by nearly double, the company said.

Enhanced formats made up 53% of the domestic weekend’s total, with both film and digital Imax revenue comprising 23.8%. Imax 70mm comprised about 4% of that total, with Imax digital making up the rest. Non-Imax 70mm film screening revenue totaled 3%, while 35mm showings made up 0.3%.

Adding to the film’s mystique is Nolan’s reliance on old-school Hollywood practical effects, such as his use of puppetry, animatronics and robotics in scenes with the Cyclops, as well as a real Viking boat that the actors learned to sail.

The massive reception for the film is a relief for theater owners, who weathered their own rough waters in the last few weeks, as Walt Disney Co.’s live-action “Moana” underperformed in its opening at the box office and Universal and Illumination’s “Minions & Monsters” had a softer debut.

“Moana” came in second at the box office this weekend with a domestic haul of $19 million. “Minions & Monsters” ($14.8 million), “Toy Story 5” ($14.8 million) and Warner Bros. Pictures’ “Evil Dead Burn” ($5 million) rounded out the top five, according to data from Rentrak.

A BRAND new aquapark is coming to a UK town just in time for the summer holidays.

The attraction spans 150 acres and will be open until the autumn.

The massive new attraction features everything from slides and climbing walls to balance beams and splash zones.

Opening from today (Saturday, July 18), the inflatable waterpark will be running until autumn.

It is located at Hinchingbrooke Country Park in Cambridgeshire and is set to open daily for the rest of the summer.

Visitors aged six and over can pre-book online, with tickets costing £19 per person.

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This price includes entry, as well as a buoyancy aid, helmet, and wetsuit hire.

Helmets and wetsuits are optional, however, participants must wear a buoyancy aid regardless of swimming ability.

Ticket-holders can visit the park anytime 10am to 5pm, with each session lasting an hour.

The new inflatable is part of a larger ongoing investment into Hinchingbrooke Country Park, improving its leisure activities and encouraging more visitors to the park’s large natural surroundings.

Executive member for Parks and Countryside, Waste and Street Scene, Cllr Julie Kerr, said: “We’re thrilled to be bringing this exciting new attraction to Hinchingbrooke Country Park.

“It’s a fantastic addition for residents and visitors alike, and part of our ongoing commitment to improving and evolving the park to enhance leisure and outdoor opportunities for users now and in the future.”

A MASSIVE inflatable obstacle course is set to open at a popular UK shopping centre this weekend.

Dubbed The Monster, the attraction has been described as “one of the world’s biggest inflatable obstacle courses”, with tickets previously selling out across the US, Canada, Mexico, and Abu Dhabi.

Now, the popular course is set to take up residence at Bluewater Shopping Centre in Greenhithe, Kent for the rest of the summer.

The exciting attraction boasts 1,000 feet of fun, with 40 obstacles, including the 18-metre “Mega Slide”, the mind-blowing “Exterminator” and the terrifying “House of Hell”.

It is set to launch on Saturday (July 18) and will be open daily from 10am to 9pm, with guests able to complete as many laps as they’d like during a 60-minute time slot.

The Monster will be at Bluewater Shopping Centre until Monday, August 31.

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During this time, there will be daily quiet sessions for people of all-ages, as well as adults-only slots.

There will also be foam parties with DJs and karaoke on select Saturdays during this time.

The area surrounding the obstacle course will also offer street food and drink vendors, as well as giant games such as Jenga and Connect 4, and Monster Ping-Pong.

Centre Director at Bluewater James Waugh described The Monster as “an incredible attraction”.

“We can’t wait to welcome guests throughout the summer to experience everything it has to offer — from the 300‑metre inflatable obstacle course to the full line‑up of entertainment in the event arena,” he said.

“Tickets are already selling fast, so we are urging people to book their visits sooner rather than later to avoid disappointment.”

Admission costs £18 each, while spectator tickets will set you back just £3, with more information available here.

Participants must be at least five years old and one metre tall, while children under four can watch for free.

Walt Disney Co.’s “Moana” lost its way at the box office this weekend as the company’s latest live-action remake opened to a sluggish $43 million in the U.S. and Canada.

The domestic haul for “Moana” underperformed studio expectations, which ranged from $60 million to $65 million. Globally, the film brought in a total of $95 million on a production budget of about $250 million.

Despite its lackluster debut, the film still came in first at the box office during a weekend where it had few new competitors in the family film space.

The “Moana” franchise has been a box-office and streaming juggernaut. The original 2016 animated movie brought in more than $643 million worldwide and is the most-watched movie on Disney+, while a 2024 sequel grossed more than $1 billion at the global box office. On the merchandise side, more than 22 million “Moana”-themed toys have been sold. “Moana” also appears in the Disney theme parks.

But the theatrical reception for the live-action film may signal that audiences think there’s been too much “Moana” in just 10 years. (The 2024 film sequel was originally set to be a streaming series before it was moved to Disney’s theatrical calendar.)

Most of Disney’s previous live-action remakes have come decades after the original animated movie, such as 2025’s “Lilo & Stitch,” which arrived 23 years after its animated predecessor and grossed more than $1 billion in worldwide box office receipts.

The theatrical haul for the latest “Moana” may also have suffered from poor reviews — the film got a 34% on aggregator Rotten Tomatoes, with several critics highlighting its nearly frame-by-frame similarity to the original film. The audience score on Rotten Tomatoes, however, was 90%.

Still, as the last of this summer’s major animated films, “Moana” could see a longer tail in theaters, particularly with many children still on break from school. Disney’s live-action “Mufasa: The Lion King” opened in 2024 to a middling $35 million, but ended up grossing more than $722 million globally through the holiday season.

Universal Pictures and Illumination’s “Minions & Monsters” came in second at the domestic box office this weekend with $20.5 million. Disney and Pixar’s “Toy Story 5” continued its strong run with an $18.5-million haul, enough for third place and contributing to a total global gross of $879.1 million.

Warner Bros.’ “Evil Dead Burn” ($13.7 million) and Angel Studios’ “Young Washington” ($6.4 million) rounded out the top five.

Also notable this weekend: Lionsgate’s musical biopic “Michael” crossed $1 billion in worldwide box office revenue, the first time that the studio has reached that milestone and the second film this year after “The Super Mario Galaxy Movie” to hit that mark.

The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.

The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.

Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.

“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”

The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.

The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.

More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.

TV presenter Melanie Sykes has shown off her completely bald head – just days after opening up on her hair loss.

The star, 55, has been battling alopecia and days ago claimed that she was now “two-thirds bald”.

But taking to Instagram this morning, Mel showed that she had no hair left at all.

The telly star flashed a smile in the selfie that she simply captioned as: “Loss + Gain = Life.”

Her brave new post comes amid Mel’s honesty about her recent health issues and the impact to has taken on her.

She previously explained how the autoimmune condition has progressed over time and had left her with noticeable bald patches across her head.

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Mel first opened up about facing life with alopecia last year.

She told how she was in “so much pain” after spending much of it unwell.

She said: “I’ve got an autoimmune condition, I am losing my hair, I keep having crazy inflammation all over and I am working on healing.

“In the last three months, I’ve done a meditation teacher training course.

“I was too ill to finish it like. The last two days of it I couldn’t do.

“It’s meditation teacher training, I don’t necessarily want to teach, but I can do…

“Mostly I’ve been living a very, very very spiritual existence.

“I’m two-thirds bald, really. Every time I say I’m bald I laugh, I don’t know why… Thank god I can laugh.”

Last month, Melanie revealed that her hair had been coming out “really quickly”, after losing hair for more than a year.

She explained to fans how she has been trying on wigs, with her now ditching head scarves because she is keen to “get some hair”.

The Space Shuttle Endeavour is approaching its final mission. But this time, it won’t be blasting into a different atmosphere.

The California Science Center on Wednesday announced its Samuel Oschin Air and Space Center will open to the public on Nov. 13. The $450-million, 200,000-square-foot addition will permanently house the Korean Air Aviation Gallery and the Kent Kresa Space Gallery. But its centerpiece will be the Samuel Oschin Shuttle Gallery, where the Space Shuttle Endeavour will be on permanent display in its vertical “ready-to-launch” position.

When it debuts, the gallery will be the only place in the world with a complete shuttle stack, including orbiter, solid rocket boosters and an external tank.

“I’ve been here a long time. We’ve done a lot of great stuff, but this just keeps getting better. Everybody on our team was so proud of it,” said Jeffrey Rudolph, the Science Center’s president and chief executive. “We are incredibly excited, and we actually think people are gonna come from all over the world to see this thing.”

The Samuel Oschin Air and Space Center will open to the public on Nov. 13. The $450-million, 200,000-square-foot space includes the Samuel Oschin Shuttle Gallery, where the Space Shuttle Endeavour will be on permanent display in launch position.

(Allen J. Schaben / Los Angeles Times)

The Air and Space Center opening will mark the completion of the master plan adapted by the Science Center in 1993. One of three surviving space shuttles, the Endeavour made 25 successful missions into space between 1992 and 2011. In 2012, the shuttle arrived at LAX atop a modified Boeing 747 before being taken on a procession through the streets of Los Angeles to reach Exposition Park. Construction on the Samuel Oschin Air and Space Center, a sleek, 20-story building designed by ZGF Architects, finished in April.

“This shuttle really represents everything that my husband loved,” said Lynda Oschin, the widow of Samuel Oschin. “He was very involved in relativity, exploration, inspiration, children, math, science.”

Dennis R. Jenkins, project director at the California Science Center, estimated that at the height of construction, the team averaged about 400 construction workers a day. For Jenkins, who spent 30 years of his career as a NASA contractor working on space shuttles, seeing the Endeavour in its vertical position is “particularly special.”

“I walk in there 50 times a day, and 50 times a day it takes my breath away,” Jenkins said. “Especially when we have the theatrical lights on instead of the work lights, it is just so stunning to me. I’ve been around space shuttles for exactly 50 years now, and it still takes my breath away.”

Retired astronaut Barbara Morgan, who flew aboard Endeavour in 2007, said the shuttle will inspire space enthusiasts.

“This takes me back! I am right there again, strapped in, excited to launch,” Morgan said in a statement. “But this is even better, because here now is Endeavour for our future generations. She will launch big dreams.”

Jeff Rudolph, president and CEO of the California Science Center, gets a close-up view of the aft section and main engines of the Space Shuttle Endeavour, displayed in a vertical, launch-ready configuration at the new Samuel Oschin Air and Space Center at the California Science Center.

(Allen J. Schaben / Los Angeles Times)

The gallery will open with a video of the shuttle’s history, produced by J.J. Abrams’ company, Bad Robot. The video ends with a simulated launch of the shuttle — complete with fog machines — before the walls retract, letting visitors take in the Endeavour in all its massive glory.

The Endeavour is visible from several angles. Visitors walking around the bend of the center’s second-floor gallery can peek inside the payload bay, which was used to transport cargo like satellites into space. Step downstairs, and viewers can walk underneath the shuttle’s massive engines. To catch a bird’s-eye perspective of the Endeavour, guests can take a glass elevator to the 20th story to look at the shuttle through a glass floor.

“You go up slowly, [the elevator] stops at different levels. You see inside where the payload is, and at every stop you see something else, and when you get to the top and you look down,” Oschin said, the view is just unbelievable. It’s breathtaking. I don’t know what other word I could use.”

Despite the grandeur of the Endeavour, the Science Center didn’t want to glorify it either. Rudolph explained that the tiles on the shuttle’s wings, which were part of its thermal protection system, show the damage on each launch. The shuttle reflects the physical toll space took on the vessel.

“This thing went 25 missions into space, and you can see,” Rudolph said. “When we first got [the Endeavour] at LAX and had it in the United hangar a couple of weeks before we moved it through the street, the United guy said, ‘Do you want us to paint it?’ and we said ‘No! We wouldn’t think of it.’”

Jeff Rudolph, president and CEO of the California Science Center, walks through a doorway toward the Space Shuttle Endeavour during a tour and preview of the new Samuel Oschin Air and Space Center at the California Science Center.

(Allen J. Schaben / Los Angeles Times)

The center’s goal is to present the shuttle as close to mission-ready as possible. Rudolph explained that the exhibit’s hardware, including its bolts and nuts, are unique and extremely specialized. Since the space shuttle program concluded in 2011, many of Endeavour’s missing pieces are no longer produced. Jenkins spent years sourcing pieces of equipment.

However, the largest artifact of the exhibit was the most challenging to source. ET-94 — the exhibit’s ginormous, bright orange external fuel tank— was particularly difficult to get a hold of because it shouldn’t still exist.

“External tanks were only used once. … We jettisoned them on the way to orbit, and it burned up in the atmosphere before it hit Earth,” Jenkins said.

Jenkins explained that the ET-94 was built for a future Columbia Space Shuttle mission, but after the Columbia was destroyed, the fuel tank was used for research. To complete the Endeavour’s full shuttle stack, Jenkins persuaded NASA to donate the $65 million to the Science Center.

The Endeavour will not be alone in the gallery. Plans are in the works for a variety of unique, ancillary creations including a 15-second slide that mimics the path of reentry as a space shuttle descends back into Earth’s atmosphere. Visitors will start inside a dark slide that gives way to an orange glow followed by a double sonic boom. The slide finishes with an S turn, which the Endeavour executed to burn energy.

For Rudolph, the effort represents a giant leap toward the Science Center’s goal of making space exciting for “the next generation of scientists, engineers and explorers.”

“I just can’t wait to stand there and watch people come in, and kids especially. There are going to be a lot of tears looking at this, that I can tell you, happy tears,” Oschin said. “It’s something for children. Children are our future and our hopes for the future. This is going to be very inspiring for them and extremely exciting for them to see.”