opening

All the lidos opening across the UK this bank holiday weekend as temperatures set to reach 28C

ACROSS the UK this bank holiday weekend, temperatures are set to hit 28C and what better way to enjoy it than heading for a refreshing dip?

Well, the good news for Brits is that there are a ton of lidos reopening this weekend across the country.

There are a number of lidos across the UK opening this weekend, including Teignmouth Lido in Devon Credit: Facebook/TeignbridgeLeisure
Elsewhere in Devon, Salcombe Lido will also be reopening this weekend Credit: Tripadvisor

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Saturday May 23

Lots of lidos will be reopening on Saturday May 23, including some with upgrades.

In Devon, Teignmouth Lido will reopen after being saved from closure by the local community.

Travel Reporter Cyann Fielding who grew up in the area and visited the lido each summer, said: “Teignmouth Lido is more than just a gem on the South West coast; for me, it’s the backdrop of my childhood.

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Hitchin Lido in Hertfordshire will open on Saturday Credit: Tripadvisor

“For over a decade, my school summer holidays were defined by afternoons spent there with my family.

“With ample patio and sun-drenched patches of grass surrounding the 25-metre crystal clear pool, it was the rare kind of place where parents could relax while kids felt a bit of freedom.”

Swim sessions cost from £8.40 per adult and £5.40 per child.

Also in Devon, Moretonhampstead Lido has recently been upgraded with a new pool lining.

Sessions at the 25-metre, 27C heated pool cost from £4 per child and £5.50 per adult.

In Cornwall, Mount Wise Lido is also reopening and is free to visit.

The lido claims to be “one of the best outdoor swimming complexes in the country” with a 25- metre main pool, fun pool with fountains, stepping stones and awhirlpoolo, and a separate paddling pool.

Riverside Park and Pools in Wallingford will open this weekend as well and is located directly next to a campsite, making it the ideal weekend escape.

Woodstock Lido in Oxfordshire will also reopen on Saturday Credit: Facebook

Swim sessions cost £7 per person to swim and you can stay in the neighbouring campsite for £35 a night.

Other lidos reopening on Saturday include:

  • Letchworth Lido, Hertfordshire
  • Hitchin Lido, Hertfordshire
  • Aldershot Lido, Hampshire
  • Bathurst Pool, Gloucestershire
  • Bourne Outdoor Swimming Pool, Lincolnshire
  • Clyst Hydon Lido, Devon
  • Eversholt Swimming Pool, Bedfordshire
  • Finchley Outdoor Lido, London
  • Greystoke Lido, Cumbria
  • Hayle Lido, Cornwall
  • Brightlingsea Lido, Essex
  • Salcombe Lido, Devon
  • Shap Lido, Cumbria
  • Tinside Lido, Devon
  • Woodstock Lido, Oxfordshire

Sunday May 24

Three lidos are set to reopen for the season on Sunday.

The first is Chagford Lido, near Dartmoor in Devon, which will celebrate with a barbeque from 2pm.

Having originally opened back in the 1930s, the lido can be found on the banks of the River Teign and is heated to 27C.

Chagford Lido near Dartmoor National Park will reopen on Sunday Credit: Facebook/ChagfordSwimmingPool

There is also a Tea Shed for refreshments and snacks as well as a toddler pool.

You don’t need to book to visit, and sessions cost from £6.50 for an adult swim or £3.50 per child.

Also opening on Sunday in Devon is Dartmouth Lido, which is heated to 28C and stretches 25 metres by 8.5 metres.

There is also a small shop onsite and two-hour sessions cost from £7 per adult and £5 per child.

Over in York, Helmsley Lido – Yorkshire‘s only open air pool – will also open on Sunday.

Sessions cost from £6.25 per adult and £3.95 per child.



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Full list of nine new rides opening across UK theme parks in time for May half-term

MAY half-term is almost here and if you’re looking for a fun way to fill the days, there are a wide range of new theme park rides open across the UK.

Whether your little one is a thrill seeker or a Paw Patrol fan, you won’t be stuck for something to entertain them.

A number of new theme park rides and attractions have opened across the UK just in time for May half term Credit: Crealy
CBeebies Land recently opened at Alton Towers, offering a range of rides for your little ones to enjoy Credit: Instagram / @altontowers

A number of new rides and attractions will be open across the UK’s biggest theme parks during the school break, including nine new additions.

Some of these exciting worlds and rollercoasters are already open to customers.

And there are even themed rooms available at some of these sites for the full experience.

So get planning now for a thrilling and memorable half term break.

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Alton Towers

Bluey the Ride: Here Come The Grannies! is the first coaster themed on the popular cartoon in the world Credit: Alton Towers

The world’s first Bluey rollercoaster, Bluey the Ride: Here Come The Grannies!, opened at Alton Towers’ CBeebies Land at the end of March.

This kid-friendly coaster features Bluey and Bingo dressed as Janet and Rita, a fun call-back to fan-favourite episode, and you can even book a Bluey-themed room at the park’s hotel this half term.

Blackpool Pleasure Beach

Blackpool Pleasure Beach will open its new gyro swing ride later this month Credit: Supplied

Blackpool Pleasure Beach will open its £8.72 million gyro swing ride Aviktas this Thursday (May 21).

Measuring a whopping 138 feet, the ride will be the tallest of its kind in the UK.

Chessington World of Adventures Resort

Zuma’s Hovercraft Adventure will be the UK’s first ‘Drifter’ ride Credit: Chessington World of Adventures

Chessington recently opened its highly-anticipated PAW Patrol land, which features four exciting new rides, and also has themed rooms available nearby.

Chase’s Mountain Mission is a rollercoaster suitable for young kids, while Skye’s Helicopter Heroes takes kids on a high-flying mission, and Marshall’s Firetruck Rescue lets kids take a ride on a shiny red truck, and Zuma’s Hovercraft Adventure offers the UK’s first “drifter” ride.

Crealy

Pirates’ Plummet opened at Crealy theme park in Devon in April Credit: Facebook

Crealy in Devon recently opened an 80-foot drop tower called Pirates’ Plummet last month.

Previously located in Paultons Park under the name Magma, it has been rebuilt at Crealy, where the inverting air race ride Rotor is also set to open.

Paultons Park

Paultons Park will open its new themed Viking land today Credit: Paulton’s Park /Liz Lean PR

And Paultons Park is not at a loss for attractions, with the new themed land Valgard: Realm of the Vikings officially opening its gates today (Saturday, May 16).

The exciting new land will feature new rides, Drakon, the park’s first inverting rollercoaster with a dramatic vertical lift and Vild Swing, which will swing riders 39 feet into the air.

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Britain’s biggest dinosaur theme park reveals its ‘longest ride to date’ opening just in time for summer holidays

THE UK’s largest dinosaur themed adventure park is set to open its longest ride yet – and it’s just in time for summer.

Families will be able to enjoy the new attraction from July onwards.

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The outdoor adventure park has rides suitable for children up to 12 years old Credit: Roarr!
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The Dino-themed adventure park is the largest in the UK Credit: Roarr!

ROARR! theme park in Norfolk has revealed a new 105-metre long attraction, dubbed the site’s “longest ride to date.” 

The Fossil Falls experience will allow visitors to soar down a winding slope, set inside the park’s 85 acres of natural woodland.

The course also features a launch platform, brake ramp and 12-metre tunnel, which riders will be able to glide down inside of an inflatable ring.

The £250,000 investment marks the latest addition to the adventure park’s 25 other attractions.

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Other rides include the Swing-o-saurus and Dippy’s Raceway, with an off-peak day pass priced at around £60 for a family of four.

Ben Francis, park director at ROARR!, told Eastern Daily Press: “Fossil Falls is a fantastic new addition to ROARR! and one we’re really excited to open this summer.

“At 105 metres, it’s our longest ride to date, and we think it’s going to be a real highlight for families visiting the park.

“We’re always looking at ways to invest in and improve the ROARR! experience for our visitors, and Fossil Falls is a brilliant example of that – adding real value for the families who choose to spend their day making memories with us.”

The Dino adventure park is located in just off the A47 and A1067 near Lenwade, and can be reached in just 25 minutes from Norwich by car.

It also holds a variety of activities suitable for children aged zero to 12 years old.

The park will be open from 10am to 5pm, seven days a week, in July and August.

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Chávez the Radical XXII: ‘What Is Being Proposed Is a Return to the Oil Opening’

The imposition of Venezuelan state sovereignty over the oil industry was one of the pillars of the Bolivarian Revolution from the get-go.

This edition of Tatuy Tv’s “Chávez the Radical” compiles several speeches by Comandante Chávez where he discusses the multiple policies that had subordinated the Venezuelan oil industry to transnational corporate interests and their nefarious consequences.

Issues like state ownership, royalties, taxes, and international arbitration are as relevant as ever today as the country undergoes major pro-business reforms in the oil sector.

Source: Tatuy Tv

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Scene report from the Sparks tunnel walk on opening game night

“It’s so intimidating to walk through here,” says an arena staffer as she scurries under the sight line of a video camera on a tall tripod. It’s a couple of hours before the Sparks’ home opener against the Las Vegas Aces on Mother’s Day. None of the photographers or videographers or security guards respond. She says it again. Still they don’t react, but they’re not being rude. They’re just all laser-focused on a 6-foot-4 blond wearing a stunning white Alaïa runway set that happens to be both a perfect ab showcase and an unmistakable style gauntlet thrown.

As every WNBA fashion watcher already knows, the blond can only be Sparks forward Cameron Brink, a Vogue favorite and a staple on LeagueFits, the Instagram account that has amassed a million followers since 2018 with a curated stream of tunnel fits. How do they differ from regular off-court attire? These are highly stylized, high-stakes pregame outfits that many professional athletes wear when arriving at the stadium or arena, capitalizing on the opportunity to get seen on their own terms.

Cameron Brink wears an Alaïa top and skirt and Louboutin shoes.

Cameron Brink wears an Alaïa top and skirt and Louboutin shoes.

The popular images share a common visual language: The players show up in outfits so expressive they raise an exhilarating middle finger to the very idea of quiet luxury. The backdrops are always drab; concrete floors and metal doors. The stark contrast between the two, and the suggestion of backstage access, make the photos irresistible to fans.

No one skips the tunnel walk. The Sparks rookies are here early, Ta’Niya Latson first, followed by Ji-Hyun Park and then Chance Gray, all arriving while the last section of sparkly black carpet is still being laid down on the literal tunnel, which is finally emblazoned with the team logo. That’s the one they’ll all walk in uniform to get onto the court. We are in the proverbial tunnel, it is the bustling back-of-house that players must traverse on their way to the locker room, which means that all around us the enormous task of staging a pro ballgame is unfolding in a practiced frenzy.

Less than a month ago, Latson went classic Hollywood at the WNBA draft with a glamour girl dress, meticulously laid spit curl and elbow gloves, but today she comes in sporty and fun, in a Puma top and jeans with a folded-down waistband. It’s her very first league game, and the moment is surreal, joyful. “It doesn’t even feel like I’m here, but I am,” she says.

A team staffer pulls a forgotten wad of blue painter’s tape off the floor. A photographer checks her light levels. Three gaffers rush by with heavy coils of electric cord slung over their shoulders. Park is next to arrive. A basketball star in Korea, she’s new to L.A. but already wearing a sweatshirt from a local brand, Madhappy, and does not seem at all intimidated by the cameras, giving them a playful pose, head cocked and leg kicked out. Not long after, Gray, in a plaid mini, is also posing at the photographers’ request, switching effortlessly between signature Gen Z stances, chin resting atop a bent hand. She, too, showed up at the draft in a flawless gown, but today all three rookies seem to have wisely cast themselves in a sort of spirited younger sibling role.

Ta'Niya Latson wears a Puma top and Louis Vuitton bag.

Ta’Niya Latson wears a Puma top and Louis Vuitton bag.

Jihyun Park arrives for her tunnel walk in a Madhappy sweatshirt and Nike sneakers.

Jihyun Park arrives for her tunnel walk in a Madhappy sweatshirt and Nike sneakers.

Chance Gray wears a Revolve top and shoes, I.am.Gia. skirt and Ganni bag.

Chance Gray wears a Revolve top and shoes, I.am.Gia. skirt and Ganni bag.

Word spreads that Sparks starter Kelsey Plum will be there soon and everyone straightens up. More team staffers rush by. To play basketball you need only a ball and a basket. To magic a WNBA production into existence, you need so much more. A man bearing a dozen brand new jerseys, designed as a callback to the original 1997 uniform, weaves past a line of people going the other way, carrying orange Gatorade coolers and stacks of branded blankets wrapped in thin plastic. An assistant speeds back and forth, loaded down with pallets of snacks, her long hair streaming behind her.

And then Nneka Ogwumike steps into view. After two seasons in Seattle, her return to L.A. is triumphant. As president of the Women’s National Basketball Players Assn., she helped secure a historic new agreement, signed March 24, with salary numbers that mean real money across the board. And in case there were any lingering doubts about her loyalty, she’s made a pointed clothing choice: a pair of custom tapestry pants constructed from a Lakers logo blanket, created by KA Originals designer and former player Kristine Anigwe. The message is simple. “L.A. for life,” says Ogwumike.

Nneka Ogwumike wears custom KA Originals tapestry pants constructed from a Lakers blanket.

Nneka Ogwumike wears custom KA Originals tapestry pants constructed from a Lakers blanket.

Now the rush begins. As we’re talking to Ogwumike, Sania Feagin slips by in a multicolored knit beanie, smile unmissable, holding a bouquet of Mother’s Day flowers from one of the league’s social media managers. Then Emma Cannon embraces the holiday by pulling her son and twin daughters behind her in a wagon. As the family is photographed, several Aces members come in and pause for a brief hug and coo before ducking quickly out of frame. The energy could not be more different from a boxing weigh-in. No spotlight stealing. No antagonistic peacocking.

It is, indisputably, the home team’s turf. And Plum, next to arrive, treats it like her runway. Willy Chavarria sunglasses on, textured Ferragamo trousers glittering with each camera flash, she strides through without pausing. The look has her signature rebel edge, but the guard is working with a new stylist, Karla Welch, who’s known for transforming actors into fashion darlings — her client Greta Lee (“Past Lives”) is the face of Dior’s latest campaign.

Soon after, we get another speed strut from guard Erica Wheeler, whose giant “EW” initial chain from the GLD Shop is the iced out topper to an outfit that’s a master class in artful layering, composed with the assistance of stylist Miguel Moss. Wheeler dipped into Willy Chavarria’s Adidas collab with both her shorts and a pair of black sneakers with a metal-tooled toe in a floral pattern that the designer named after the Compton Cowboys.

Emma Cannon with her three children.

WNBA LA Sparks player Emma Cannon with her three children.

Kelsey Plum wears Ferragamo top and pants, Willy Chavarria sunglasses and Jude boots.

Kelsey Plum wears Ferragamo top and pants, Willy Chavarria sunglasses and Jude boots.

WNBA LA Sparks player Erica Wheeler.

The entire time players are walking through, music has been booming through the hallways. Gradually, it becomes clear that the game DJ and host are also getting ready, running through their playlists and patter. When Rae Burrell enters, the game announcer is rehearsing, exhorting the not-yet-arrived crowd to cheer for their team. Burrell may have worked with a shopper to procure options, but she styled herself in this cheer-worthy outfit — a gray minidress that satisfyingly contrasts with a pair of bright white Moon Boots, all pulled together the night before.

Star stylist Brittany Hampton, who has worked with Brink and Plum, says, “historically, [the players] were told to kind of put themselves in a box … to shrink themselves.” The league had very narrow standards for how women were expected to look. But now, according to Hampton, their fashion choices are a projection of power: “It’s an act of their own ownership.”

Before she headed to the locker room, Burrell thanked everyone and called out a cheerful invocation, “Successful first game!” That’s the appeal of the tunnel walk. You cannot stay suspended in pure potential. There is always a ticking clock. A game will be played. Someone will win and someone will lose. None of us know yet that the Sparks are about to get trounced by the Aces, losing by 27 points. It might seem like it would be more sensible for this ritual to take place after the game, for the victors to stage a triumphant, high-style parade and for everyone else to slink out, unnoticed. But where’s the glory in that? To be an athlete is to prove yourself constantly, to always be risking your ego and your body. Without these stakes, without the backdrop of the tunnel and the promise of the competition, it would just be a runway.

In the third quarter, as the Aces’ points keep piling up, the Jumbotron lingers on a fan wearing a simple white T-shirt, probably self-made, emblazoned with an iconic 2024 image of Kelsey Plum in black sunglasses and head-to-toe black leather. Plum is braless, her vest open to reveal a shimmery pile of silver chains, her abs on defiant display. It is a potent, and lasting, assertion of self. The fan in the T-shirt smiles as their image, and Plum’s, looms over the arena.

WNBA LA Sparks player Dearica Hamby poses with her daughter, Amaya

Dearica Hamby poses with her daughter, Amaya, and wears an Ottolinger set, Steve Madden shoes and Balenciaga.

Rae Burrell wears Prada sunglasses and Diesel bag.

Rae Burrell wears Prada sunglasses and Diesel bag.

Ariel Atkins wears Zara pants, Charles Keith top, Bape shoes and Ganni bag.

Ariel Atkins wears Zara pants, Charles Keith top, Bape shoes and Ganni bag.

Sania Feagin wears Mnml pants and jacket and Supreme beanie.

Sania Feagin wears Mnml pants and jacket and Supreme beanie.

Head coach Lynne Roberts.

Head coach Lynne Roberts.

Jade Chang is the author of the novel “What a Time to Be Alive.”



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Inside the huge new £12million land opening at the UK’s ‘theme park of the year’ next week

ONE year after its announcement, Paultons Park is finally set to open its new Viking-themed land in a matter of days.

Called Valgard – Realm of the Vikings, the £12million land will have its very first inverting rollercoaster, a swing ride and Middle Age themed ‘feast’ dining.

Paultons Park is opening its Viking-themed land on May 16 Credit: Paulton’s Park /Liz Lean PR
The theme park will have three new rides including Vild Swing Credit: Paulton’s Park /Liz Lean PR

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Paultons Park, which was voted ‘Theme Park of the Year,’ is opening its new land on May 16.

Upon its opening, Valgard: Realm of the Vikings will three new rides including theme park’s first inverting rollercoaster.

The ride called Drakon, has been dubbed the ‘crown jewel of Valgard’, and is expected to be a thrilling addition to the park.

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Riders will climb a huge vertical hill before they twist and fly through the air upside down.

There will also be the swinging ride called Vild Swing, which is suitable for families.

It’s a first-of-its-kind attraction in the UK that launches riders 12metres into the air and allows them to experience a feeling of weightlessness.

Drakon is the theme park’s first inverting rollercoaster Credit: Paulton’s Park /Liz Lean PR
The swing ride ‘Vild Swing’ is suitable for families Credit: Paulton’s Park /Liz Lean PR

Paultons Park’s Cobra coaster is being reinvented as Raven.

The ride has been called ‘a high-speed bobsleigh style coaster’ and takes riders for a very swift tour journey through the Viking world.

The Orchard Playground is a Viking-inspired area for children between three and 10 – it has a lookout tower, slides, and treehouses to climb.

At the Feasting Hall restaurant, visitors can refuel on flame-grilled chicken, tenders, burgers and salad bowls.

Children can tuck into toasties, meatball subs and chicken burgers.

For afters, there are pancakes with plenty of toppings, sundaes, milkshakes and ice cream.

In 2027, a new water experience is scheduled to open in Valgard – but little information has been released about this planned attraction.

Paultons Park is well-known for having the UK’s first Peppa Pig World and its most recent attraction Ghostly Manor opened this time last year.

The Feasting Hall serves flame-grilled chicken, tenders, burgers and salad bowls Credit: Paulton’s Park /Liz Lean PR

Paultons Park won 10 awards at the UK Theme Park Awards – including Theme Park of the Year.

The Sun’s Head of Travel (Digital) Caroline McGuire recently raved about the park.

She said: “On the kids’ favourite rides, such as the Velociraptor and Cat-O-Pillar coasters, we were able to fit in about three rounds in 15 minutes.

“Ghostly Manor even won Best New Attraction at last year’s UK Theme Park awards, one of ten gongs Paultons bagged that I’ve have to agree with thanks to a number of key factors.

“These include the short queues, incredible customer service (employees all cheerful), the cleanliness (bathrooms spotless) and the attention to detail and the fact that they don’t charge for parking, unlike several other big theme parks.

“We spent the entire weekend outside, grinning from ear to ear. And we were blown away, in the good sense.”

A day ticket to Paultons Park is £46.75pp which includes park entry, free parking as well as entry to see the gardens, animals and character meets.



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Christine McGuinness ‘grows close’ to Strictly star & Olympian after opening up about having sex with women

CHRISTINE McGuinness is reportedly growing close to a Strictly star and Olympian after opening up about having sex with women for the first time.

Mum-of-three Christine, 38, who finalised her divorce from ex-Top Gear host Paddy, 52, in 2024, is getting close to Olympic boxing star Nicola Adams, 43, according to The Mail.

Christine McGuinness is rumoured to be dating Nicola Adams Credit: Getty
Nicola Adams is an Olympian boxer and Strictly star Credit: Getty

Christine and Nicola attended The DIVA Awards 2026 recently, which is an event which celebrates the achievements of LGBTQIA women and non-binary people.

An onlooker told the paper: “They were inseparable and looked like they were a couple.”

The pair now also follow each other on social media.

Nicola split from her partner of seven years, Ella Baig, in March 2025.

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Christine shares three children with her ex Paddy Credit: Alamy
Nicola split from her partner of seven years, Ella Baig, in March 2025 Credit: AFP

The Sun reached out to both Christine and Nicola’s representatives for comment, but they did not immediately respond.

This comes after Christine opened up about dating women last week.

“I would love to have a wife one day,” Christine explains on new podcast It Started With A Kiss.

“Not like a legalised marriage, but like a blessing, a celebration of love.

“I’ve been there, done it, spent an absolute fortune and probably aged about ten years throughout it all.

“I don’t want to do that again.

“I would love to just be saying, ‘This is my wife.’”

Elsewhere in her chat, Christine said: “I’m a sucker for a stud and a masc.

“I swear they come for me.

“This one date, well, it wasn’t a date, it was when I did the whole hotel thing and not the whole date thing.

“Because I didn’t want to ever just meet someone and it just be sex, but then kind of did find myself in a place in life where I was like, ‘Do you know what? I actually do just want to do that.’

“I’ve been married, I’ve had situationships, I was single, I was celibate for six months, and with all of that, I just had a moment of, ‘Do you know what, I wouldn’t mind just meeting up with someone and just seeing how it goes.’

“So I got to this hotel and I’m thinking, ‘This is just sex, it’s fine.’

“She was very, very beautiful, like that perfect, pretty, handsome, like masc stud type woman, really gorgeous, dark skin, like she had everything.”

Christine adds: “We’re just chatting away and she said that she was a Gold Star Lesbian.

“So I’m like, love that, love a Gold Star Lesbian.

“I went, ‘Stop . . .  because you might be a Gold Star Lesbian, but I’m a Five Star Lesbian.’”

Of her first kiss, Christine is just as open, saying: “The first time I kissed a woman, again after my husband and no disrespect to him, it had been a while.

“I remember that first kiss just being so soft and so nice and so feminine.

“I knew I always felt it and it wasn’t something that I was worried about never doing again because when I married, I married for life, genuinely.

“But I was really happy that I was doing it again.

“And I’m really happy that now I am dating women again and that I am having fun.

“I’ve got some of the best stories, some of the wildest memories, like the craziest experiences that only I and one other person would ever know.”

Christine chose to speak about wanting to date men and women after signing up to E4 TV series Celebs Go Dating in April last year.

It came after Christine and Paddy announced their separation in 2022.

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BBC Race Across The World’s Kush breaks down after opening up on beloved father’s death

The Race Across the World star was left in tears during an emotional moment

Race Across The World’s Kush was reduced to tears after opening up about the death of his dad.

The 19-year-old contestant and his best friend Jo, 19, from Liverpool are the youngest competitors taking on the challenge of racing against one another across more than 12,000km from Sicily to Mongolia.

In pursuit of the £20,000 prize, the pair embarked on another leg of their journey during tonight’s (April 30) episode, which marks the halfway point of the race.

Together with their fellow competitors, they tackled the longest leg of the race, travelling through the world’s largest landlocked country, Kazakhstan, and onwards into Uzbekistan.

Midway through their journey, they seized the opportunity to visit a local gym and try their hand at judo, as Kush is a keen Muay Thai practitioner back home, reports the Liverpool Echo.

However, the experience stirred up memories of his late father, who tragically took his own life during lockdown.

Speaking directly to camera, he began: “Coming to this gym, it means a lot to me. It’s more than just throwing and hitting fighting. There’s a lot of meaning behind it.”

In a deeply personal moment, he revealed: “I think back to memories with my dad. I found it sick to do what your dad does. Being in the gym, I wonder what he’s thinking. He would be standing on the side with a particular sort of smirk on his face, watching me do judo throws.”

Clearly emotional, Kush recalled: “I remember the day he passed. It was locked down and it was a real big shock. He had really poor mental health and he took his own life. You never forget that shock factor.

“I still think about him all the time. Being on this journey has brought back little moments and I wish I could sort of show who I am now because when you’re 14, I didn’t know who I was and I was still a child.

“I made a lot of mistakes when I was younger and I feel like, if I could sort of show him what I’ve learn’t…” The 19 year old was unable to finish his sentence as he dissolved into tears.

Viewers watching from home were left deeply moved by the heartbreaking moment, taking to social media to share their reactions. One fan wrote: “Poor Kush. He’s a lovely lad, they both are. #RaceAcrossTheWorld.”

Another said: “Kush opening up on the loss of his father at just 1 year old-oh man #RaceAcrossTheWorld.” A third wrote: “kush is breaking my heart omg #raceacrosstheworld.”

Yet another commented: “Damn! Kush lost 2 dads at such a young age. I’m sure they’re proud of him #RaceAcrossTheWorld.” While another added: “Such a heartbreaking leg for Kush and Joe – what humble lads they are #RaceAcrossTheWorld.”

Race Across the World is available to stream on BBC iPlayer

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Jet2, easyJet, Ryanair and TUI list of check-in desk opening times

A travel specialist has said some people are giving themselves ‘too much time’

Travellers can avoid ‘pointless’ time-wasting this spring and summer by knowing exactly when to turn up at European airports with enough time to get through the new EES checks. Getting the timing spot on could help passengers feel less worried about missing their flights if they find themselves stuck in lengthy passport control queues.

Travel specialist Kate Donnelly (@Thedonnellyedit) said: “There is a lot of mixed information out there, and some people are saying that you need to get to the airport four to five hours before your departure. This is absolute nonsense. You need to be at the airport a minimum of three hours before your flight.

“Firstly, the bag drop in most European airports only opens two hours before departure, in some cases it may be three hours. [So] getting there four to five hours before your flight just means you’re going to be sitting waiting for the check-in desks to open.”

Kate went on to explain that, once you’ve cleared security and duty-free, most airports should have multiple border control points, reports the Express. She said: “You need to wait for your gate to be announced in order to know which one you have to pass through.

“[Even] if you haven’t had to wait to check a bag (you’re travelling with just hand luggage) and you’ve gone straight through, you are still going to be sitting in the main airport waiting for your gate to be called. This is why getting there hours ahead of time is pointless.”

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How much time should I allow myself?

Depending on which airline you fly with, some carriers open their check-in desks several hours ahead of departure. Getting your timing spot on will give you the best chance of sailing through the airport, even if there are potential EES-related delays.

Most airlines work to similar timeframes, though this can vary by route. For instance, airlines tend to open check-in desks for long-haul flights considerably earlier than for shorter trips, as they require additional time for security and document checks, including visa verification.

It’s worth double-checking directly with the airline operating your service, or you may receive guidance a few days before you’re due to depart. Below is some general advice on when some of the more popular airlines will begin checking passengers in:

  • British Airways: Two to three hours before the flight
  • easyJet: Two hours before the flight
  • Jet2: Three hours before the flight
  • Ryanair: Two to three hours before the flight (airport dependent)
  • TUI: 2.5 hours before (short-haul) / 3.5 hours before (long-haul)
  • Virgin Atlantic: Four hours before the flight

Some airlines – like Jet2, easyJet, TUI, British Airways, and Ryanair – offer a twilight check-in service for people catching early departures. Passengers who are staying close enough to the airport to arrive the night before can drop off bags at select airports the night before their flight, so they can head straight to security on the day of their flight.

What is the new EES system?

The European Union’s (EU) Entry/Exit System (EES) launched on October 12, 2025. This new digital border system has altered the requirements for British citizens travelling to the Schengen area, which includes the following countries:

  • Austria
  • Belgium
  • Bulgaria
  • Croatia
  • Czechia
  • Denmark
  • Estonia
  • Finland
  • France
  • Germany
  • Greece
  • Hungary
  • Iceland
  • Italy
  • Latvia
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Malta
  • Netherlands
  • Norway
  • Poland
  • Portugal
  • Romania
  • Slovakia
  • Slovenia
  • Spain
  • Sweden
  • Switzerland

The UK, the Republic of Ireland, and Cyprus are not part of the Schengen area. EES does not apply when travelling to any of these countries.

If you are travelling to a Schengen area country for a short stay on a UK passport, you may be required to register your biometric details, such as fingerprints and a photograph, upon arrival. No action is needed before you reach the border, and EES registration is completely free of charge.

EES registration will replace the existing manual passport stamping system for entering the EU. EES may require additional time per traveller, so travellers should be prepared for longer waits than usual at border control.

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World’s largest wildlife bridge that’s cost £84.5 million finally has opening date

The project has been delayed by a year.

After multiple setbacks and delays, the opening of the world’s largest wildlife bridge has finally been revealed. Spiralling costs and building delays pushed the project back by at least a year.

Work has been underway on the bridge for four and a half years. Now, it has been confirmed that the Wallis Annenberg Wildlife Crossing over the 101 Freeway in Agoura Hills, north of Los Angeles, will open on December 2.

The project leaders made the announcement on Earth Day. Managers said: “What a journey this has been! And we cannot wait to celebrate with you all.”

The main section of the bridge, which spans 10 lanes of the freeway, has largely been completed and landscaped. Work still left to do includes building over Agoura Road and connecting both ends of the bridge to the open space on either side.

It will eventually allow wildlife to safely pass through. California’s regional director for the National Wildlife Federation, Beth Pratt, has already seen some wildlife enjoying the bridge.

She told KNX News Radio: “I’ve recorded multiple species of butterflies up here. We’ve had, I think, eight species of birds.

“We’ve had red-tailed hawks and American kestrels fly by, so wildlife are already responding to it, even though it’s not connected to the landscape.”

The goal of the project is to reinvigorate the mountain lion population in the area. Animals that are frequently hit by cars on the freeway are also set to benefit, which include bears, bobcats, foxes, coyotes and deer.

The bridge has faced multiple delays and criticism. In 2022, the project broke ground with a $90million price tag (£66.5million) and was set to be completed by 2025.

However, reports today say the total has climbed to $114million (£84.5million), which has been paid for through private donations and public funds.

Project leaders have said near-record rainfall, which saturated the site in 2023 and 2024, delayed work. Project costs were also pushed higher due to inflation, labour shortages and the complexity of the project.

In a blog post, project leaders said: “The criticism often flattens a far more complicated reality. This is not a standard overpass. Engineers are effectively building a living ecosystem over 10 lanes of one of the busiest freeways in the country.”

It added: “Projects of this scale should be questioned, audited and debated—especially when it’s the public’s money being used.

“But they should also be judged on their purpose. In a region where wildlife populations face genetic isolation and frequent freeway deaths, doing nothing carries its own cost.

“The real question is not whether the crossing is ambitious—it clearly is. It’s whether Southern California is willing to invest in repairing the environmental missteps that made the project necessary in the first place.”

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Refik Anadol’s AI arts museum, Dataland, sets opening date

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

An architectural rendering of a museum.

An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

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First look at new £40m train station opening in pretty English village

A FIRST look at a new £40million train station has been revealed.

The hub is set to connect thousands in a rural English village to two major UK cities.

Construction for the new railway station in Charfield in South Gloucestershire began in August 2025 and will host train services for the village for the first time in decades.

Newly paved parking lot with white dashed lines.
Charfield station will boast a 70-space car park Credit: Unknown

Now, locals have been given a first glimpse of the £39.5million project that will provide them with hourly trains to and from Bristol, Gloucester and Yate.

With the station set to open in spring of 2027, a new image of its 70-space car park has been shared.

“This 70-space car park will support future rail users by providing safe, convenient access to the station and is a big step forward ahead of the station welcoming its first passengers in spring 2027,” a spokesperson for South Gloucestershire Council said.

LET’S GO

Tiny English village with famous gardens named one of ‘best places in Europe’


GOING LOCO

Brand new £5million train station in the UK has NO passengers – after door row

There will also be other facilities built as part of the two-platform station, such as a pedestrian footbridge, bus stop and cycle parking.

Located off of Charfield’s Station Road, the renovation will provide the village with train services for the first time since 1965.

Thanks to funding for the project from the West of England Mayoral Combined Authority, residents will enjoy fast links to nearby cities and be able to reduce reliance on car travel.

“It will improve the local and regional road network and give people the option of fast, clean travel to the heart of neighbouring towns and cities for work, education and leisure,” said South Gloucestershire Council Cabinet Member for Planning, Regeneration, and Infrastructure, Councillor Chris Willmore.

“We know this project has been a long time coming, and there will inevitably be some disruption while the work is carried out, but it’s an investment for the future of the village and the surrounding area and we are so pleased to be getting on with delivering the infrastructure that people need,” he added.

Charfield is one of five new station builds set to take place in the West of the country over the next few years.

“Local people in and around Charfield will see and feel the difference, with new travel options thanks to regional investment with the support of local and national partners,” said Mayor of the West of England, Helen Godwin.

“Delivering projects like Charfield station lays the foundations for a better transport system overall for the West of England, building the kind of regional railway network that other places take for granted.”

Two GWR trains side-by-side, with the front of the train in the foreground showing the GWR logo on its yellow nose.
The Charfield station project is set to be completed next spring Credit: Alamy

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Machado’s Return Is the Real Test of Venezuela’s Political Opening

The real test of Venezuela’s current political moment will not be institutional, but political. It will not lie in the appointment of a new prosecutor, or in any decision taken by a parliament that, by design, reflects the preferences of those in power. It will lie in something far less controllable: the return of María Corina Machado.

For months, there has been talk of normalization, of technocratic adjustment, even of a transition managed from within. It is an appealing idea, but an illusory one. As usual, chavismo does not administer space, it occupies it. The notion that it would suddenly evolve into a system governed by technocratic restraint, even under US pressure, was always more wishful thinking than analysis.

What has changed is not the nature of the system, but our understanding of it. For years, it was assumed that power rested on a rigid internal balance, a kind of tripod between civilian leadership, party machinery, and the military. The uneventful sidelining of Vladimir Padrino López suggests otherwise. Now relegated to an almost theatrical role as Agriculture Minister, he makes appearances at cattle shows in Borsalino hats and Panerai watches. We have long known that chavismo’s superpower is its adaptability. It can reshuffle, absorb shocks, and reallocate power without fracturing, even at its highest levels, and carry on.

That adaptability cuts both ways. It helps explain why Delcy Rodríguez has been able to consolidate authority despite presiding over the country under the tutelage of the “yankee devil”, and despite earlier doubts about her staying power. It also explains why the government has been able to pursue a limited opening without losing control. But it also sets the limits of that opening.

Because the one problem the system has not been able to solve is credibility.

An empty pitch

The effort to attract investment has run into a wall that legal reforms and external signaling cannot easily overcome. Investors are not simply looking for incentives, they are looking for guarantees, that power is legitimate, that rules will be upheld, that today’s opening will not be reversed tomorrow. So far, those guarantees do not exist.

As I have argued before, none of this means that capital will stop flowing into Venezuela altogether. It won’t. There are firms that know how to operate in this environment, firms that have built their business models around political risk rather than in spite of it.

Take Grupo Cisneros, which is moving to secure a $1 billion investment fund aimed at Venezuela’s recovery. Or Chevron, which has doubled down on its presence through a major asset swap with PDVSA, expanding its stake in key projects in the Orinoco Belt.

What is not arriving, at least not yet, is transformational capital, the kind that requires predictability, legal certainty, and a credible political horizon.

These are not naïve entrants. They are actors with long experience navigating the Venezuelan system. Cisneros has remained a player despite fines and suspensions over the years. Chevron, for its part, has effectively become the most important American economic partner of the current government, maintaining operations through multiple political cycles and regulatory frameworks.

But that is precisely the point.

This is not the kind of capital Venezuela needs.

What is arriving, or staying, is adapted capital, capital that knows how to survive volatility, negotiate through informal institutions, and operate without full guarantees. What is not arriving, at least not yet, is transformational capital, the kind that requires predictability, legal certainty, and a credible political horizon.

And that gap cannot be closed through reforms alone. It cannot be legislated into existence, nor negotiated deal by deal. It requires something more fundamental: confidence that power in Venezuela is not entirely discretionary.

The pressure map

The timing of this becomes even more significant in light of Venezuela’s re-engagement with the IMF and the World Bank. After years of isolation, the country is once again being folded back into the international financial system, opening the door to technical assistance, debt restructuring, and eventually, fresh financing. It is the clearest signal yet that normalization, at least at the institutional level, is moving forward.

But this only sharpens the underlying problem.

These institutions can help stabilize accounts, restructure liabilities, and provide liquidity. What they cannot do is manufacture credibility where it does not exist. Their return signals that Venezuela is being treated, once again, as a country with which business can be conducted. It does not guarantee that the rules of that business will hold.

In some ways, Delcy has the easier hand to play. The current arrangement in Venezuela has become useful to Donald Trump in ways that go beyond the country itself. With the Iranian campaign failing to deliver the results he had anticipated, Venezuela has quietly taken on the role of a foreign policy success story, something tangible he can point to, both in terms of energy security and geopolitical leverage.

That utility is not uniform across his coalition. For more isolationist voters in what is often referred to as flyover country, a stable Venezuela that does not require further military involvement, and that contributes to stabilizing US energy prices, is a net positive. 

Detaining Machado, after appearances at CERAWeek and high-level meetings in Europe and Washington, would send a clear and immediate signal to the very actors the government has been trying to court.

Venezuelan crude is already easing pressure on US fuel costs, reinforcing the perception that the current arrangement delivers practical benefits.

But in South Florida, the picture is different. Latino voters, particularly Venezuelans, are already uneasy with the administration’s immigration policies, and are far less inclined to accept stability under a reconfigured chavista leadership as an acceptable endpoint. They are drawn instead to Machado’s message, and increasingly wary of what a prolonged Delcy Rodríguez-led government would mean. For them, the issue is not stability alone, but the absence of a credible electoral horizon.

This creates a tension within Washington’s own political logic. On one hand, there is an incentive to consolidate what appears to be working: restored oil flows, renewed financial channels, and growing international engagement with Caracas. On the other, there remains a constituency that expects something more, a path toward elections, not just normalization.

Machado, in this context, faces a more complex task than it might appear. She is not only trying to pressure the Venezuelan government, she is also trying to persuade a cautious administration that pushing beyond the current equilibrium is worth the risk, that the next step is not to stabilize the system as it is, but to open it further.

And she is doing so with limited institutional backing. Much of the Venezuelan civil society ecosystem aligned with MAGA politics appears more focused on maintaining its own access to the White House than on advancing a coherent strategy for Venezuela itself. That leaves Machado in a familiar position, carrying the burden of political escalation largely on the legs of her own prestige, but now within a much tighter set of constraints.

This is where María Corina Machado reenters the picture, not just as a political actor, but as a structural variable. Her return forces a choice that cannot be deferred. Allow her back into the country, or stop her.

Detaining her, after appearances at CERAWeek and high-level meetings in Europe and Washington, would send a clear and immediate signal to the very actors the government has been trying to court. These are not abstract observers, they are the same executives and investors now being asked to commit capital. Arresting her would not simply be a domestic political decision, it would be read as a statement about the limits of the current opening.

Allowing her to return is not costless either. It risks projecting weakness toward a base that has been conditioned to expect control. It creates space for mobilization, for coordination, for a reactivation of political pressure that the system has worked hard to contain.

But at this stage, that is a more manageable risk.

A constrained confrontation

Chavismo has shown that it can absorb internal contradictions. It can tolerate limited openings while maintaining overall control. What it is less equipped to manage, at least at this point, is a collapse in external credibility at the precise moment it is trying to rebuild it.

This is also not a confrontation between unconstrained actors. Machado is operating within limits of her own. She understands that an uncontrolled escalation could be interpreted in Washington as an attempt to derail a strategy that, for now, tolerates the current arrangement. Her leverage depends not only on mobilization, but on preserving her external legitimacy.

What emerges from this is not a clean confrontation, but a constrained one. Both sides are pushing, but neither is free to push all the way. Machado needs to generate pressure without triggering a rupture that works against her. The government needs to contain that pressure without closing the space in ways that undermine its own economic strategy.

That is what makes her physical presence in the country so consequential. Without it, the reactivation we are beginning to see, student movements regaining traction, party structures reopening, political figures cautiously returning, remains fragmented. With it, that energy has a focal point. 

And that is precisely why her return has become the real test. Not whether the system can produce institutional outcomes aligned with its interests, but whether it can tolerate, and ultimately absorb, the presence of the one actor it does not fully control, without undoing the fragile equilibrium it is trying to build.

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Inside LACMA’s David Geffen Galleries lavish opening gala

Finding a revolutionary artist during cocktail hour at the opening gala of Los Angeles County Museum of Art’s new David Geffen Galleries was like shooting fish in a barrel.

Gaze over the rim of your glass to notice Jeff Koons and Ed Ruscha talking closely beside the DJ booth. Mark Bradford strides by with a beneficent smile — towering over everyone, including AI art maker Refik Anadol. Todd Gray, whose 27-foot-long photo sculpture “Octavia’s Gaze” graces the hallway near the building’s south entrance, chats with Wim Wenders, who is making a documentary about architect Peter Zumthor’s controversial new $724 million concrete behemoth. Zumthor is there too — in bright red sneakers — talking to LACMA director and chief executive Michael Govan before Govan turns to take a selfie with immersive installation artist Do Ho Suh.

Jeff Koons talks with Ed Ruscha.

Jeff Koons, left, talks with Ed Ruscha at the opening gala for LACMA’s new David Geffen Galleries on Thursday.

(Jessica Gelt / Los Angeles Times)

Lauren Halsey walks by in her distinctive white shirt, long shorts and ball cap, beset on all sides by friends and admirers.

“It’s beautiful, it’s fantastic,” she said of Zumthor’s creation.

It’s an artist’s world on this breezy evening, as the sun sets golden over the looming gray concrete of the building, and the lights that gird the structure’s underbelly flicker on and twinkle like stars overhead. In this milieu, Hollywood A-listers like Will Ferrell and Sharon Stone, who occupy separate cliques nearby, pale in comparison to the mingling artistic luminaries.

Peter Zumthor and Michael Govan chat.

Architect Peter Zumthor, left, and Michael Govan attend LACMA’s opening gala for the David Geffen Galleries. Govan said he hopes the building lasts 500 years.

(Gina Ferazzi / Los Angeles Times)

“It’s ready for us,” Bradford said of the building. “It’s ready for artists. I walked in and I was overwhelmed with a space that was made for us, and I can’t wait for everything I can do.”

“Snazzy. Does the job,” said Ruscha, looking bemused and speaking in short bursts of headline-style phrases like one of his famous paintings.

Gray said he was glad to see his art during “magic hour,” noting how the setting sun shone warm through the building’s glass windows — diffused by textile designer Reiko Sudo’s chromium spattered curtains — to imbue his photo installation with a distinctive warmth.

“I’ve never seen it at dusk,” Gray said with a smile. “It was a totally different experience to see it at that time of day. And [the light was] actually yellow, so the piece changed … and the concrete warmed up because of that warmer light. It was a lovely chromatic experience, which is wonderful because then you’re aware that you’re experiencing something in a very particular space and time.”

James Goldstein, the owner of architect John Lautner’s famed Sheats-Goldstein Residence, which he promised as a gift to LACMA in 2016, agreed with Gray that the gloaming light was lovely.

“If it were up to me the curtains wouldn’t be closed,” Goldstein said, noting that the curtains in his home — which is also made of concrete and glass — are never closed, and that the views from the Geffen Galleries are extraordinary and worth leaning into.

Koons said the building, and the moment in time that defines its unveiling, has the potential to bring the world together.

“It’s an amazing evening for all these people that love and believe in the value of art and humanity to be together and to celebrate architecture,” said Koons, noting that he looks forward to showing his art inside the new galleries. “LACMA is a place that’s here for future generations and Peter’s building is amazing.”

Will Ferrell and Viveca Paulin pose in front of a building.

Will Ferrell and Viveca Paulin were among the major Hollywood stars at the gala.

(Gina Ferazzi / Los Angeles Times)

Chatter about the building could be heard in every cluster of guests. One group talked about how striking it was to see ancient Greek sculptures juxtaposed against the rush of traffic along Wilshire Boulevard; another discussed their hope for more landscaping, noting that the concrete ground and concrete building begged for some lush greenery.

Govan basked in the limelight nearby, shaking hands and doling out hugs and back pats. His vision for the building has been 20 years in the making, and he’s faced an enormous amount of pushback, but the structure is here and his enthusiasm for it has not waned.

“I’ve just always imagined people in the building — it’s for people,” Govan said. “And I want it to last 500 years, I want those little drill marks to accumulate, I want change. I want this to be something that generations will care for.”

Zumthor also seemed deeply pleased with the moment, saying, “I’ve always been happy,” and emphasized that working in L.A. taught him to embrace a certain frontier-like lack of refinement.

LACMA’s staff was elated, especially those who have been watching the project develop for decades and absorbing the large amounts of criticism that have accompanied its manifestation.

Stephanie Barron, LACMA’s senior curator and modern art department head, said, “This is the first night with our art world colleagues and donors, and it’s thrilling to see how they are responding, and how they are a little confused, at first, about where to go. Then they realize, that’s the point of this — and they are just going with the flow and they are smiling and happy and looking at the art. It’s a game changer.”

“I’ve been here nearly 20 years and seeing this going from concept to reality has been the greatest thing,” said Tiffany August, associate vice president of LACMA’s people and culture department, which oversees human resources. “So much soul and heart and effort went into this.”

Arun Mathai, budget officer and head of finance, has also been with the museum for 20 years and said it’s exciting to finally be on the other side of the project. “To see it happen in such a beautiful way is very gratifying. The notion of no hierarchy, of wandering around and seeing art from all over the world, from all time periods beautifully juxtaposed, it’s just so enlightening,” Mathai said.

A group pf people talk and smile.

Michael Govan, left, Peter Zumthor, Holly J. Mitchell and Mayor Karen Bass attend the opening gala.

(Gina Ferazzi / Los Angeles Times)

Later, during a four-course meal of broiled oysters, tuna tostadas, braised Wagyu short ribs and berry meringue, various LACMA supporters, including board co-chair Tony Ressler; life trustee and major donor Lynda Resnick; and L.A. County Supervisor Holly J. Mitchell, whose district houses LACMA, took to the stage in a tent set up west of the new building to sing the praises of the Geffen Galleries — and to note that the evening’s dinner raised a record-setting $11.5 million. (The Geffen Galleries’ ongoing fundraising campaign now stands at $869 million.)

“This is a great, great example of what can be achieved when government and philanthropy work hand in hand for the public good,” Ressler said before thanking Govan for “taking bold risks.” “Your legacy is now permanently etched in the stunning galleries that will open to the public very soon.”

Mitchell was full of praise for Govan and Zumthor.

“The Geffen Galleries didn’t come to fruition overnight. And frankly, nothing that changes the status quo ever does,” Mitchell said. “To Michael, Peter, David [Geffen] and our dear Elaine [Wynn], thank you for your patience, because visionaries like yourselves often have to wait for the rest of the world to catch up with you.”

Resnick got a big laugh when she described her first meeting with Govan and his wife 21 years ago.

“An exquisite couple walked into [vice chair of the board] Bobby Kotick’s house. There was Michael Govan, a true intellectual, Zen thinker, movie star handsome, and under consideration to run LACMA. By the end of the evening, I was sitting on his lap feeding him peeled grapes.”

She concluded on a more serious note, calling the Geffen Galleries a “masterpiece of public art.” “Only one person in the world could have done all this with the signature elegance and his provocative style,” she said of Govan. “Generations will cross that bridge and watch the cars stream below, and feel the power of being embraced by art above all the gorgeous chaos of our city.”

After a standing ovation, Govan introduced musicians Sean Watkins, Gabe Witcher and T Bone Burnett, who sang — quite fittingly — “The Times They Are A-Changin.’”

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UK’s new Paw Patrol land officially has an opening date ahead of school holidays

The new land will add playful puppy-themed fun to Chessington and comes with new rides, places for kids to play, as well as meet and greets with the much-loved hero doggy characters

Chessington World of Adventures has finally revealed the opening date of its long-anticipated PAW Patrol land, and parents will be pleased to hear that the gates will be open to meet the pups before May half-term.

From May 3, kids and their parents will be able to enjoy a brand-new and very colourful PAW Patrol-themed area at Chessington in a new £15 million immersive experience.

The date also coincides with the early May bank holiday, so parents may wish to book Chessington tickets now to avoid missing out on this paw-some experience. At the heart of the new land are four kid-friendly rides, each one inspired by a different pup from the brave crew.

The land’s four new rides are: Chase’s Mountain Mission, Marshall’s Firetruck Rescue, Skye’s Helicopter Heroes, and Zuma’s Hovercraft Adventure, which also claims to be the UK’s first ‘Drifter’ ride. The 1.4 acre land will also have three themed play areas, perfect for little pups to burn off energy, and include Rubble & Rocky’s Play Zone where they can climb and crawl through a maze of construction parts.

At The Flounder Boat Play, kids can enjoy a high-seas adventure with Captain Turbot, and there will also be themed food and drink offerings throughout the area. And of course, there will be a gift shop with plenty of PAW Patrol themed merch to take home as a souvenir. Regular meet and greets will also take place, so kids can get a photo with their favourite hero.

And if simply spending the day at Adventure Bay wasn’t enough, fans of the pups can also book a PAW Patrol themed room at the resort’s hotels. These colourful and fun rooms are fully-themed including bunk beds shaped like the pups’ rescue vehicles and colourful murals. Guests also enjoy early access to the park from 9am, allowing parents with young kids to get on the rides with minimal queues.

The park is the UK’s first and only land themed around PAW Patrol, a series that has become massively popular among pre-schoolers. The series airs on Channel 5 and Nickelodeon, as well as streaming on Paramount+.

Chessington isn’t the only park getting a new themed land this year. Over at Paultons Park guests will be able to enjoy the new Valgard — Realm of the Vikings land from May 16. This will include a new rollercoaster and swing ride.

Crealy Theme Park is also adding two new rides to its offerings for summer 2026, although dates are still to be confirmed. This includes Pirates’ Plummet, which claims it’ll be the tallest ride in the south west, and Rotor, an inverting flat ride which will spin passengers around and upside-down for a “heart pounding adventure”.

Have a story you want to share? Email us at webtravel@reachplc.com

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