Mary

The creatives behind ‘Oh, Mary!’ address the hype prior to L.A. run

There are many metrics by which to measure the success of “Oh, Mary!,” the Tony Award-winning play that has taken the stage by storm. And here’s a new one: Effusive hype and high ticket demand has resulted in Center Theatre Group booking the show for its 2028 60th anniversary season even before its national touring production hits the Ahmanson Theatre on Nov. 10.

As evidenced by Tuesday’s announcement, the current tour, starring drag queen Alaska Thunderf— is set to arrive in L.A. next week with sky-high expectations. Ironically, director Sam Pinkleton originally resisted the idea of a tour, feeling the show might lose some of its charm on the road.

“I was convinced it was a bad idea,” Pinkleton said with a laugh during a recent interview. “But when we went to Broadway, I also thought that was a terrible idea, and I was absolutely wrong.” The director was originally concerned the scrappy little show with a cast of five wouldn’t play as well in larger houses. “But seeing how well it works on Broadway, I think it’s actually better than in the small room. It’s not a play I would call subtle; it really fills a room. So that gave me a lot of confidence about a national tour.”

Written by and originally starring Cole Escola, “Oh, Mary!” is a revisionist take on former First Lady Mary Todd Lincoln’s life in the days leading to Abraham Lincoln’s assassination. Historical accuracy be damned, the show presents Mary as a wannabe star repressed by her closeted husband. Premiering off-Broadway in February 2024 and set to run six weeks, the show was given multiple extensions before transferring to Broadway, where it won Tony Awards for Escola’s performance and Pinkleton’s directing. Escola was also a finalist for the Pulitzer Prize in drama that same year.

Cole Escola and James Scully in "Oh, Mary!" on Broadway.

Cole Escola and James Scully in “Oh, Mary!” on Broadway. Many actors have since taken on the role of Mary Todd Lincoln.

(Emilio Madrid)

But “Oh, Mary!” has achieved much more than gold statues and box office receipts — it’s a genuine pop-culture phenomenon, a familiar meme and a show beloved by seemingly all demographics.

“I think a turning point was early in the run when Steven Spielberg, Tony Kushner and Sally Field all came together,” Pinkleton said. “We were all like, ‘What is happening?’”

Other notable audience members, including Madonna and Michelle Obama, followed, while actors such as Maya Rudolph, Bowen Yang and Tituss Burgess signed up to don Mary’s ringlet wig as the Broadway run stretched on. “It’s wild to think that tonight, you can see it in three different places,” says Pinkleton, referring to the productions in New York, London and the national tour.

If the tour’s leading lady is feeling any pressure, she’s not showing it. Alaska admits that even she was skeptical of the show’s advance hype. “I kept hearing, ‘Oh, you have to see this play, this play is so good,’” she recalled during a Zoom interview from the show’s San Francisco stop. “And I thought, ‘How good can a play be? What is everyone talking about?’”

But the moment she saw it, she understood. “I was immediately enamored, I was hooked.”

An actor in a dressing room.

“Oh, Mary!” star Alaska says the show feels written for her, even thought she knows it’s not.

(Gabriela Hasbun / For The Times)

When it came time to cast the tour, Pinkleton immediately thought of Alaska, known to most audiences as the winner of the second season of “RuPaul’s Drag Race All Stars.” Pinkleton had worked with her before, most notably in the 2021 production of the Go-Go’s musical “Head Over Heels” at the Pasadena Playhouse. “I knew for a fact that Alaska could do this in her sleep,” he said. “As the kids say, I have receipts. She’s the real thing and she was made for this.”

Following an early Zoom work session, Alaska was on board. “I feel like it was written for me, but I know it wasn’t,” she said. “And that’s a testament to Cole writing something very true and anchored in real emotion. I think anyone who has ever felt underestimated or misunderstood or overlooked can really identify with this role.”

In many ways, the joy of playing Mary is that different actors bring different aspects and personality nuances to the role. “It’s a big, juicy part that works in the hands of radically different people,” Pinkleton said.

Asked what she feels she brings to the role, Alaska said she didn’t go in thinking about how to make it her own. “I really just approached it truthfully,” she said, noting that while the show is a comedy, the circumstances Mary finds herself in are genuinely tragic, and she wanted to be true to that. “This isn’t jokey to me — it’s really serious, intense and high-stakes. I wanted to do it like an Ibsen play or Shakespeare.”

The show doesn’t play like a tragedy, however. It’s a roller coaster ride from the start, and Pinkleton said he always wants the audience to have a great time.

An actor puts on makeup backsstage.

“Oh, Mary!” star Alaska puts on makeup backstage at the Curran Theatre during the San Francisco stop of the show’s national tour.

(Gabriela Hasbun / For The Times)

“I know there’s a lot of amazing theater being made about various traumas, but I can only control my corner of things and I just feel that most of us have had a bad day in one way or another,” he said. “And it would be awesome if our time at the theater was joyous. And I take that really, really seriously.”

Both director and star are well aware of the expectations that come with a show so beloved and discussed. “I try not to think about it,” said Alaska. “I just trust in the show being so beautifully constructed and it truly has something for everyone, whoever you are.”

For his part, Pinkleton said with a laugh, “There’s definitely some element for me of, ‘Like, it’s just a play, calm down.’” But part of maintaining its heart and charm is remembering that at its core, “it’s kind of a small operation.”

“It was made with a really hands-on approach by a very small group of people who cared a lot and that spirit has remained even as we’ve scaled it up,” Pinkleton said. It hasn’t been easy work; Pinkleton credits several people for their contributions, particularly the tour’s associate director Sunny Min-Sook Hitt, who occupied the same role during the original production. “It’s taken a lot of worthwhile work to keep it what it is. There’s just not a world where ‘Oh, Mary!’ can turn into ‘Jersey Boys,’” Pinkleton said. The national tour is already selling out houses across the country and receiving a rapturous response. “Every night has a different energy and the audience is definitely a part of the show,” Alaska said. “In San Diego, we were in a 3,000-person theater, we’ve never played one that size. It felt like the stadium version of ‘Oh, Mary!’”

Pinkleton said he makes “a lot of big, gay shows” and people have asked him how he thinks “Oh, Mary!” will play in smaller cities. “Honestly, I was a weird, loud, gay kid in Richmond, Virginia, and I’m excited to bring it to places that might not get this kind of thing,” he noted. And sometimes silly comedies can be the most meaningful, particularly to marginalized communities. “It’s meaningful that there will be some people for whom ‘Oh, Mary!’ is also a kind of a life raft.”

‘Oh, Mary!’

Where: Ahmanson Theatre, 135 N. Grand Ave., Los Angeles

When: Nov. 10 to Dec. 6. Check website for days and times.

Tickets: Start at $59.80

Contact: (213) 628-2772 or CenterTheatreGroup.org

Running time: 80 minutes, no intermission

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Alaska’s governor orders probe into Mary Peltola’s Senate campaign

The Justice Department is escalating a criminal investigation over an Alaska Senate candidate who shares a name with the Republican incumbent Dan Sullivan, issuing a raft of new grand jury subpoenas, a person familiar with the matter told the Associated Press on Thursday.

Subpoenas seeking grand jury testimony or documents, along with records preservation demands, were issued after the New York Times reported that Democratic candidate Mary Peltola’s campaign appeared to be involved in recruiting Dan J. Sullivan Jr. as part an alleged effort to confuse voters in the highly competitive race.

More subpoenas were expected to be sent Thursday, according to a person briefed on the investigation who spoke on the condition of anonymity because they were not authorized to publicly discuss the ongoing probe. Neither the recipients of the subpoenas nor the number of them were immediately clear.

The Justice Department for months has been looking into allegations that Dan J. Sullivan Jr. entered the race to siphon votes from the incumbent Sen. Dan S. Sullivan.

The potential targets of the Justice Department’s investigation are unclear, but President Trump earlier this week called for the criminal prosecution of Peltola and her campaign.

The new subpoenas were confirmed by a person briefed on the investigation who spoke on condition of anonymity because they were not authorized to publicly discuss the ongoing probe.

Atty. Gen. Todd Blanche in a Fox News interview on Wednesday said he wouldn’t discuss any criminal investigations but accused Democrats of “cheating.”

“They are trying to take votes away from the incumbent, not by running an election, not by running on issues, but by putting up a person with the same name,” Blanche said.

The race is among a handful of Senate contests this year expected to determine control of the chamber. Trump had previously directed his Department of Justice to sue to block certification of the Senate race should Peltola defeat Sen. Sullivan.

Dan J. Sullivan has long denied he was running at Democrats’ behest and has said he had no contact with Peltola’s campaign. “Zero, none, zilch,” he said in June after announcing his run.

Separately, Republican Alaska Gov. Mike Dunleavy has ordered an investigation into Peltola, saying the newspaper’s reporting “reveals disturbing new evidence of an organized effort to manipulate Alaska’s elections by recruiting candidates — including one with the same name as an incumbent U.S. Senator — to deliberately confuse voters and misdirect their votes.”

“Deliberately tricking voters into casting their ballots for someone else strikes at the integrity of our elections,” Dunleavy added, noting that the reporting “substantially supports” earlier findings by the state’s elections board into the matter.

Trump on Thursday cast doubt on whether Peltola would be seated in the Senate even if she won the election. “Well, you’re going to have to see what happens,” the president told reporters on his way to a rally in South Carolina. “It’s hard to believe that she could even be allowed to run.”

Later, as he rallied for GOP Sen. Darline Graham, Trump said he felt Peltola “actually should be removed from the ballot and prosecuted.”

Peltola’s campaign didn’t immediately respond to a message Thursday seeking comment on Dunleavy’s order. But during a campaign stop in Soldotna, Peltola, a former congresswoman, suggested the Times’ report was a “distraction” from issues such as Sen. Sullivan’s support of the war in Iran.

“This is just another distraction. It’s another diversion,” she said in a video posted online. “This is all stuff to sell newspapers. This is all stuff to get subscriptions.”

And the situation in Alaska isn’t that unusual. Political parties often support extra candidates on ballots to try to pull votes from their rivals. If state courts allow it, legal experts say, the federal government has no role challenging the results.

In Ohio’s Senate race, Republicans have been tied to an effort to boost a socialist on the ballot who would pull votes from the Democratic candidate challenging Sen. Jon Husted.

On Thursday, Vice President JD Vance didn’t go as far as Trump did in calling for Peltola to be prosecuted but said he supported a probe into possible election fraud.

“I mean, she is a person who, for months now, has pretended that she has had nothing to do with the fact that they have put a fraudulent person, a person explicitly designed to confuse Alaska voters, on the ballot,” Vance told reporters ahead of a campaign trip to Texas. “She is trying to steal a Senate seat from the voters of Alaska, and it’s disgraceful.”

Earlier this year, a top state elections official ruled Daniel J. Sullivan Jr., a retired schoolteacher in the small fishing community of Petersburg, ineligible for the primary ballot, concluding that his declaration of candidacy was filed “with a purpose to confuse or mislead and to thereby compromise the ballot’s fairness or neutrality.”

The case went to the Alaska Supreme Court, which ruled he was qualified to run. Alaskan voters will see “Dan S. Sullivan” identified as a “registered Republican” and “incumbent” on their ballots, while “Daniel J. Sullivan Jr.” will not have a party affiliation.

The New York Times reported that interviews, text messages and documents prepared for a potential lawsuit showed Peltola’s team aimed to coax candidates into the race, with the aim of splitting support for the GOP senator.

Asked about the reporting on Wednesday, Trump told journalists, “I think they should be prosecuted.” He earlier had posted on social media that “Peltola should suffer the Legal and Political consequences for what she has done.”

Kinnard writes for the Associated Press.

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Mary Peltola’s campaign reportedly helped recruit second Dan Sullivan

Becky Bohrher and Nicholas Riccardi

The Democratic campaign for Alaska’s U.S. Senate seat was involved in efforts to place on the ballot a candidate with the same name as Republican incumbent Dan Sullivan in a bid to confuse voters in a race that could determine which party controls the chamber, the New York Times reported Wednesday.

The newspaper obtained text messages between members of Democrat Mary Peltola’s campaign discussing recruiting other people with the same name as the two-term Republican their candidate was running against. They eventually landed on a retired schoolteacher in the small fishing community of Petersburg named Dan J. Sullivan. He made it through the state’s August open primary and is one of four candidates on the ranked vote ballot for Tuesday’s general election.

Dan J. Sullivan has long denied he was running at Democrats’ behest and said he had no contact with Peltola’s campaign: “Zero, none, zilch,” he said in June after announcing his run.

He did not immediately respond to a message seeking comment from the Associated Press.

A top state elections official ruled Dan J. Sullivan ineligible for the ballot after he declared his candidacy, claiming it was “filed with a purpose to confuse or mislead and to thereby compromise the ballot’s fairness or neutrality.”

The case went to the Alaska Supreme Court, which ruled he was qualified to run. The U.S. Constitution sets out only age, citizenship and residency requirements to run for the Senate.

“Alaskans deserve the truth,” said Nate Adams, a spokesperson for Sen. Sullivan’s campaign. “Mary Peltola, her campaign and her senior advisers colluded with the DSCC, national Democrat lawyers and Alaska Democrat operatives to recruit candidates to deliberately confuse and deceive voters.”

The campaign for Peltola, a former congresswoman, did not immediately respond to a request for comment. Democrats, including the Democratic Senatorial Campaign Committee, repeatedly have denied they were involved in any campaign trick.

“The DSCC is not involved with Dan J. Sullivan,” the organization said in a statement Wednesday. The Times report said DSCC staffers were on texts with the Peltola campaign discussing the second Sullivan.

Legal experts said the report about Democrats appearing to recruit Dan J. Sullivan as a way to potentially confuse voters will have no impact on a lawsuit filed recently by the U.S. Department of Justice. President Trump directed the department to file a lawsuit seeking to halt certification of a possible Peltola win, citing the presence of the second Dan Sullivan on the ballot.

“It’s a dirty campaign trick, and it’s good reason the Alaska Supreme Court should have permitted the candidate to have been removed from the ballot,” said Derek Muller, a Notre Dame law professor. “But now it’s in the hands of the voters, not litigation.”

It’s not the first time a candidate’s appearance on the Alaska ballot has been questioned. In 2024, the state Democratic Party sued to keep off the U.S. House ballot a man with no apparent ties to the state who is serving time in a federal prison in New York. A divided state Supreme Court allowed him to remain on the ballot. The man is running again, also in the House race, and is on the Nov. 3 ranked vote general election ballot.

The Times story about the recruitment of Dan J. Sullivan is based partly on interviews with Peltola’s former campaign manager, Elisa Rios, who was fired in August amid a campaign shake-up. The newspaper said she tried to retract her comments last week.

As of Monday, 46,204 ballots had been cast in Alaska, according to AP data. Sen. Sullivan is marked on the ballot as the Republican incumbent. The other Sullivan is listed as Daniel J. Sullivan Jr., with no party affiliation.

Bohrher and Riccardi write for the Associated Press. Riccardi reported from Denver.

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Mary J. Blige on playing Las Vegas and avoiding social media

The Strip is broiling on a recent afternoon, but it’s cool and dark inside Mary J. Blige’s dressing room at the Park MGM.

As a humidifier moistens the dry desert air, the 55-year-old R&B star sits on a sofa wearing a brown jumpsuit and matching gaucho hat; through the walls we can hear Blige’s band sound-checking for her My Life, My Story residency, which launched in May and will pick up again Friday night for shows through Oct. 31.

In some ways, Las Vegas is a funny fit for the Queen of Hip-Hop Soul, who’s been transforming pain into music since her 1992 debut, “What’s the 411?” Yet her stay in this glittering showbiz mecca comes amid a season of flower-getting for Blige: Two years ago, she was inducted into the Rock & Roll Hall of Fame; two years before that, she played the Super Bowl halftime show and landed a nomination for album of the year at the Grammy Awards.

“It definitely feels like people are taking notice of the fact that Mary J. Blige is one of the most important performers in R&B history,” she says. “I opened up a lane that hasn’t been closed yet. Female after female after female after female continue to do what Mary J. Blige has done and still does.”

Who opened that lane with you?
Back in the ’90s, when we first came out, it was myself and SWV that were really, really strong. Then there was 702, then Jazmine Sullivan and SZA and Beyoncé, and now right down to Summer Walker, who’s singing her truth.

That’s how you define what you do.
I’m not a great singer because I can sing better than everyone — I’m a great singer because I sing from my heart. Bono gave me that jewel. When Hurricane Katrina happened, we were doing [U2’s] “One,” and Bono was like, “Don’t worry about singing on key — people aren’t moved by you singing on key. What makes you a great singer is how you make them feel.” Not all of us are like the eighth wonders of the world — Aretha Franklin or Chaka Khan or Whitney Houston. They have pitch-perfect and they have emotion.

I saw Chaka Khan the other night and was thinking about how, even now, you never know where her voice is about to go.
She’s Chaka Khan — there’s nothing else you could say, really.

Why’d you cover “Sweet Thing” on “What’s the 411?”
First of all, when I was growing up, my mother played “Sweet Thing” all the time — it was our favorite song. So when I got to Uptown Records, Andre Harrell, the CEO, he was like, “You should do ‘Sweet Thing.’” I was like, “I don’t wanna do ‘Sweet Thing’! Chaka Khan could really sing — I can’t sing like that.” But he said I could do it, so I went and did the song and they all went crazy over it. My fans who didn’t know Chaka Khan, they thought it was my song. Same with Rose Royce’s “I’m Going Down” — to this day, a lot of people don’t know that’s a remake. I was afraid of both those songs. But I wanted to sing “I’m Going Down” all my life because I heard the song when I was 5 years old from the “Car Wash” soundtrack.

Tell me about your routine in Vegas. You stay on the Strip or you have a house somewhere?
I have a house out here. I’m not staying here — this is a lot. So I go home after I finish my performance, and I get ready for my performance tomorrow: I rest, I drink water, I do whatever I need to do. Then it’s the same thing: I come here, go into glam, do my meet and greet.

Get the humidifier going.
I got a steamer that I actually pull on over my mouth. Then I do my warmups, relax, keep my mind clear of any nonsense.

How do you think about doing your thing in a town built on glitz?
Mary is not the slickest Vegas person. But you can let people see that you’ve evolved — that you wear gowns now.

Would 19-year-old Mary be surprised to see her future self in a gown?
Hundred percent. Nineteen-year-old Mary was all tomboy — all baggy everything. Right now, I barely want to wear a gown, this Mary right here. But I’ve actually grown to like some of it when it looks good.

Did you look at anyone else’s residency when you were putting yours together?
I saw two people’s shows, and I said, “That’s not it.”

Shows in Vegas tend to be on the shorter side. The casino wants people back out there gambling.
I got 90 minutes — it’s a lot of time. People are very happy, but they’re standing there like they want more. I’m like, “I did 90 minutes! I don’t know how much more y’all want from me.”

Silk Sonic’s residency here was a no-phones show, which Bruno Mars told me was his attempt to preserve the freedom to make mistakes. Does it bum you out as a performer to know that everything winds up on the internet?
I don’t care about that at all. Social media, it’s bull—. You know what’s gonna happen — you know they’re gonna say, “Oh, her jaw is swollen.” Whatever. As long as you live truthfully, what they’re recording doesn’t matter.

In a recent interview with Fat Joe and Jadakiss, you talked about keeping your romantic partner a “mystery man” to the world. I wondered how you came to the decision not to make everything available to the public.
Because for so many years it has all been available. What you know already is what you know — I’ll elaborate on that. But what you don’t know, you will never know. I think I’ve given a lot, and it’s important to have something for myself. Nowadays, people just take things and ruin it for you. So if you have something beautiful, hold onto it, keep it to yourself. You have to protect the person that you’re with as well, because they don’t deserve to get beat up for something someone else did. I protect the ones I love — I’m not having anybody speaking ill about my family or the man that I love. I’m too old for that. Early in my life, if social media was around in 1991, I’d have been on that s— all day, cursing and going nuts on people.

Mary J. Blige performs during halftime of Super Bowl LVI at Inglewood's SoFi Stadium in 2022.

Mary J. Blige performs during halftime of Super Bowl LVI at Inglewood’s SoFi Stadium in 2022.

(Robert Gauthier / Los Angeles Times)

We were talking before about your accolades. Did the Rock Hall mean anything in particular to you?
It was important to me because those things don’t happen to us.

To Black women.
Yes. It happens to rock ’n’ roll stars every day, and they’re in their grave — there were people in their grave that they were honoring when I went. So when it happens to Mary J. Blige or Chaka Khan or Aretha Franklin, we have to honor that and raise it up. That’s a big deal.

Did Las Vegas feel like a place open to Black women?
I’m trying to think of what Black females I’ve seen do Vegas.

Mariah Carey was here. Toni Braxton had a show.
Yeah, but like me? But you know what I love? It’s time. And how I know it’s time is because my fans went up. When I made the announcement, they was going crazy — they still going crazy. I’m probably the first to open this door, and next it’ll be somebody else. You better believe they on their way. “Oh, Mary doing Vegas? I’m doing Vegas too.” That’s how it goes: “Mary did her hair blonde? I’m dying my hair blonde too.” That’s how my whole life has been, even actually before the music business.

Nosy question, but what’s an aspect of financial comfort that you especially enjoy?
Flying private — that’s the best one for me.

Getting to bypass the grind of travel.
That’s what I love about Vegas, because it’s not like tour. Tour, it’s a lot.

Are you soft now?
Probably a little spoiled.

Last one: Name an artist that meant a lot to you when you were young that might surprise people.
There were so many. I mean, Earth, Wind & Fire —

Everybody loves Earth, Wind & Fire.
But that “Way of the World” song — that really does something to me. We loved George Michael — George Michael was always one of our favorite artists. Duran Duran, come on. Oh, “Everybody Wants to Rule the World” — Tears for Fears. And Hall & Oates! [Sings] “Private eyes, they’re watching you.” Ambrosia. The Eagles. I could keep going.

I didn’t expect you to hit me with Ambrosia.
They were so soulful — I just got goosebumps. And Queen. That’s one of my favorite movies — “Bohemian Rhapsody.”

Who should play you in a movie about Mary J. Blige?
She wasn’t born yet.

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Bake Off legend Mary Berry delivers her verdict on new judge Nigella Lawson

Mary Berry has had her say on Nigella Lawson, who has taken over Prue Leith’s role as judge on The Great British Bake Off. Mary originally held the role alongside Paul Hollywood

TV cook and former Great British Bake Off judge Mary Berry has backed Nigella Lawson – saying she is a “glamorous” addition to the show who has brought “new life” to the format.

Mary, 91, had clearly been watching the current run of Bake Off and was full of praise for Nigella on the new series, whilst also urging her to take fellow judge Paul Hollywood to task.

Dame Mary said: “Bake Off is a wonderful format. We started it off not knowing what we were doing and then Prue has been doing it and it is a format and you fit into it.

‘I am delighted Nigella is there. She has got to keep control of a certain person. Paul needs handling and he has this handshake which keeps appearing.

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“Nigella has brought some glamour to it, and she really likes tasting doesn’t she? And I know how she feels, I always took a proper mouthful because if you just take a little bit, the person whose food you are tasting, their auntie will say ‘well she didn’t even taste it’. So I was aware of that.

“Nigella is a joy and I think she has brought new life and I think it will do really well. A touch of glamour.”

Speaking on stage at Cheltenham with comedian and former host of Bake Off Mel Giedroyc, the pair recalled how Mary would sometimes arrive for day two of filming in the tent with the same hair and make up, having slept without taking it off to minimise the amount of time she needed to be styled.

Laughing, Dame Mary said: “Why not? I used to put a towel over the pillow, I didn’t want them to think I was grotty. It does take such a long time for someone to do your make up.”

She also said she found the tent cold and would hide hot water bottles under her jackets.

Dame Mary was appearing at Cheltenham to promote her first gardening book, My Gardening Life and a new cook book All In One.

Arguably she was a gardener before she could cook, as she recalled how her father grew practical crops such as potatoes, sweet peas and celery during wartime to feed the family.

“My dad had to take to gardening because he had to dig for Britain and he gave me a little patch and I grew radishes,” she recalled.

Nowadays she has six raised beds in her garden raised to above knee height so she can easily reach them and even perch on the edge if she wants to take a rest.

She said one of her greatest pleasures now in life was ‘deadheading’ in the garden, the process by which you removed faded or spent flowers to tidy up plants.

She explained: “Deadheading is one of my favourite things, you don’t have to dress up for it. I can do it when I get in tonight if its not dark. I can deadhead the roses which are still flowering and it so encourages more things to come on.”

She added: “Gardening is similar to cooking, you follow a formula. But cooking you can follow a recipe and produce it by tonight. Gardening you have got to be much more patient.

“Which do I prefer, gardening or cooking? I think the two go together. We grow vegetables that we eat, things that I like, so there is no kale, lots of herbs and I think they go together.

“I am a fair weather gardener, I would walk a dog in any weather but I don’t garden in any weather. I wait until the sun comes out.”

Dame Mary is of course better known for her baking and cooking. Having studied in France and the UK, she worked for a number of food industry bodies and wrote recipe pages of Housewife magazine.

Her first cookbook, The Hamlyn All Colour Cookbook, was published in 1970 and since then she has gone on to write more than 50 others, which have sold millions of copies around the world.

Already a big name in food, Dame Mary became a household name to a new generation of cake lovers when she landed the role as a judge on The Great British Bake Off, alongside Paul Hollywood, Mel Giedroyc and Sue Perkins in 2010.

She quit the show in 2016, along with the hosts Mel and Sue, when it moved to Channel 4, staying loyal to the BBC and continuing to make shows there.

* My Gardening Life by Mary Berry is out now, published by DK.

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