Man

By midweek, as a handful of reporters watched his every move, Nico Iamaleava looked like someone on the verge of the offseason, not a rivalry game.

In the early stages of practice Wednesday, the UCLA quarterback threw one pass softly before shifting into observer mode for the rest of the open viewing period.

Three days later, as thousands of probing eyes watched his every move, Iamaleava was slinging passes with considerably more zip.

His efficiency in completing one pass after another against No. 17 USC on Saturday helped the Bruins take a halftime lead, silencing a Coliseum crowd and triggering a brouhaha between the teams on one corner of the field as they headed for the tunnel.

UCLA quarterback Nico Iamaleava (9) scampers for a first down against USC at the Coliseum on Saturday.

(Gina Ferazzi/Los Angeles Times)

It was the kind of moment Iamaleava had dreamed of growing in Long Beach and attending the cross-town rivalry as a kid.

“Meant a lot, man,” Iamaleava said of being able to compete against the Trojans.

But in keeping with the trajectory of a down-and-up-and-down-again season, the dream ended amid a flurry of sacks and failed third- and fourth-down conversions. There was no way Iamaleava could grit his way to victory, the Bruins eventually succumbing during a 29-10 loss to the Trojans in which their quarterback was sacked four times — all in the second half.

And so a season that started with Iamaleava being the talk of the college football world after his contentious departure from Tennessee ended with him taking a solitary walk up the Coliseum tunnel toward an uncertain future.

“It was a great learning year for me,” Iamaleava said after completing 27 of 38 passes for 200 yards with one touchdown and no interceptions against the Trojans. “You know, a lot of firsts for me throughout the season. Just the way we started off, and then dealing with little, minor injuries, there’s a lot. And I think, man, it just showed that I’m willing to go out there and put my life on the line for my teammates, man, whatever is needed.”

Iamaleava showed many sides in fighting to the end of a 3-9 season. There was accountability, Iamaleava facing reporters after every loss. There was leadership, Iamaleava telling teammates that if they wanted to leave amid the dismissal of their head coach and the departure of their offensive coordinator, go ahead. Nobody did.

Over the last few weeks, there was resolve, Iamaleava coming back from one injury after another. He missed only one game after sustaining a concussion against Nebraska and sat out only a few practices after taking a crunching hit against Washington last weekend that led to neck spasms.

“Every day he got better and better,” UCLA interim coach Tim Skipper said, “and then today he went out there and gave it his all, so I love that kid, he’s a battler. He fought and he kept leading us all the way to the end. … He’s a tough dude, man, and he’s a competitor. That’s what I’ll say about him.”

LOS ANGELES, CA – NOVEMBER 29, 2025: Southern California Trojans linebacker Eric Gentry (18) tackles UCLA Bruins quarterback Nico Iamaleava (9) for a loss in the second half at the Coliseum on November 29, 2025 in Los Angeles, California.(Gina Ferazzi / Los Angeles Times)

(Gina Ferazzi/Los Angeles Times)

For more than a half, it appeared that Iamaleava might go down in rivalry lore.

Orchestrating a short, efficient passing attack, Iamaleava pulled UCLA into a 7-7 tie early in the second quarter when he found wide receiver Kwazi Gilmer for a two-yard touchdown on a crossing route.

Then came a rarity from someone usually happy to absorb contact as the Bruins drove for a go-ahead score. On third-and-seven at the Trojans’ 26-yard line, Iamaleava scrambled before sliding into a ferocious hit from cornerback Alex Graham.

Coming up a yard short of the first down, Iamaleava tried to draw USC offsides with a hard count on fourth down before kicker Mateen Bhaghani trotted onto the field for a 38-yard field goal.

Little went Iamaleava’s way during the second half. One third down ended in an eight-yard sack. Another fell short on a pass that was broken up.

Things somehow deteriorated further. With UCLA having fallen behind 21-10 and clinging to faint hopes midway through the fourth quarter, the Bruins faced a fourth-and-15 at USC’s 45-yard line. A short pass to Gilmer went for only 10 yards.

Drive over. Game over.

That left Iamaleava to contemplate his future. Back in late July, he acknowledged wanting to go to the NFL if he put together a successful season. It was hard to say if this qualified after he finished the season completing 64.4% of his passes for 1,928 yards with 13 touchdowns and seven interceptions.

What’s next?

“I haven’t really even thought about that, man,” Iamaleava said. “I’m right here where my feet are, man. You know, we just lost a tough game and my mind is still on that one — what we could have done better to go out there and win that game.”

After answering a final question, Iamaleava glanced at a bottle of orange sports drink in front of him on a table.

“Can I have this?” he asked.

Granted permission to take the bottle, he grabbed it, rose from his seat and walked out the back of the interview tent, the offseason finally having arrived.

The imposing Beaux-Arts mansion at the Huntington in San Marino, designed at the start of the 20th century by architects Myron Hunt and Elmer Grey, first opened to the public in 1928, just for a few weekday afternoon hours, following the deaths of founders Arabella and Henry E. Huntington. (They’re buried out on the lawn.) The railroad, shipbuilding and real estate tycoon (1850-1927) and his wife (1850-1924) were sometimes said to be America’s wealthiest couple, equivalent to billionaires today when their fortune is adjusted for inflation, and they had been spending lavishly on art for two decades. Their nonprofit was founded in 1919, partly to take advantage of brand new income tax deductions for charities, a government novelty lessening what was surely a hefty annual federal assessment, plus eventual estate taxes. For more than 30 years after it opened, their grand house-museum held the best art collection — by far — that the suburban Los Angeles public could see.

The Huntington’s Art Museum, once home to Henry and Arabella Huntington, boasts a large collection of European, American and East Asian art.

(Allen J. Schaben / Los Angeles Times)

L.A. has seen various major art museums blossom since the 1960s, but the Huntington collection is still enormously impressive. The centerpiece is European paintings, sculptures and decorative arts — especially 18th century British and, secondarily, French — while American art claims maturing depth. (Chinese and Japanese art holdings are modest.) A 2021 acquisitions partnership with the Ahmanson Foundation is bringing major additions, so far including exceptional paintings by Francisco Goya and Thomas Cole.

What follows is a selection of 22 works, chosen from the mansion and the Virginia Scott Steele Galleries for American Art, a short walk away. (The art’s locations are noted as “M1” or “M2” for the mansion’s two floors, or “S” for the Steele.) Note, however, that this is most definitely not a “best of” list. Some works would surely turn up on such a selection, but the aim here is instead to give an idea of the diverse pleasures that will be found throughout the place. The list is in chronological order.

Match of the Day’s Joe Hart analyses how Phil Foden made the Etihad Stadium “his dancefloor”, scoring twice – including a late winner – in Manchester City’s 3-2 victory against Leeds United.

WATCH MORE: Foden stars as Man City leave it late to beat Leeds

Available to UK users only.

Periodically, the Latinx Files will feature guest writers. Filling in this week is film reporter extraordinaire Carlos Aguilar.

With the explicit goal of making people laugh, the endearingly foul-mouthed Mexican American filmmaker Alejandro Montoya Marin is building an unpretentious body of work.

“There are far smarter people than me to make ‘Parasite’ or to make Yorgos [Lanthimos’] movies,” says Montoya Marin, 42, laughing during a recent video interview from his home in Los Angeles. “I want to entertain you for 88 minutes and have you come out and be like, ‘I’m going to recommend that to a friend.’ That’s it.”

It’s not that he lacks ambition.Montoya Marin, whose T-shirt is emblazoned with Hong Kong action film legend John Woo, feels secure in the type of storytelling that best suits his interest and abilities. And he’s taken a DIY approach to making films and promoting them so that they can reach audiences directly.

“Their job is to tell you no,” he says of decision makers in the entertainment industry. “But you have the ability to say, ‘F— you, I’m going to be creative. You’re not going to tell me when I can be creative.’ And that was always the mentality that I had.”

His third feature, “The Unexpecteds,” now available on streaming platforms, features a mostly Latino cast: Chelsea Rendon (“Vida”), Francisco Ramos (“Gentefied”) and Alejandro De Hoyos (“The Man From Toronto”) — as well as actor Matt Walsh in the lead role. Executive produced by independent cinema legend Kevin Smith of “Clerks” fame, the action comedy follows a group of everyday working people who take justice into their own hands after an online financial guru, Metal Mike (John Kaler), scams them out of their savings.

“I love underdog stories because I feel like I am one and there are so many people like that,” Montoya Marin says about “The Unexpecteds” and his other films. “Maybe there could be movies that can inspire them or make them feel good about themselves for a little bit.”

Born in Laredo, Texas, to parents from Yucatán and Mexico City, Montoya Marin owes his cinematic awakening to a disparate double feature that introduced him to the gritty dystopia of “RoboCop” and the heart-rending sentimentality of “Cinema Paradiso.”

He was about 7 years old and had tagged along with his uncle, who was taking a date to the movies, in the Mexican border city of Nuevo Laredo. “I didn’t understand [“Cinema Paradiso”] because it was in Italian and subtitled in Spanish. My Spanish wasn’t amazing then,” says Montoya Marin. “But I understood a lot of it, and that double feature did it for me.”

And thus, his topsy-turvy, multicity trail to the triumphs and pitfalls of moviemaking began. At 12, Montoya Marin moved from the U.S. to Merida, Yucatán, where he then made his first amateur short film inspired by the “Star Wars” universe.

He later studied marketing in Monterrey, Nuevo Leon. To supplement his income during those days, Montoya Marin opened his own video store, which he called Quick Stop Video, in honor of Quick Stop Groceries, the convenience store in Smith’s “Clerks.” One day, an office opened across the street that had a sign that read “Go study in Canada.” Intrigued, Montoya Marin inquired about film schools, and was immediately enticed by Vancouver Film School, mainly because a young Smith had briefly attended there. He sold all his movies and, as an American citizen, got a student loan and moved to Canada.

Though they now have a close relationship, Montoya Marin’s father, a successful businessman, did not initially support his artistic aspirations, which caused conflict.

“My dad would go, ‘Bring those dreams down because the fall will be less hard,’ and I’d go, ‘F— that. Why?’” he recalls. “He told me, ‘If you go there I don’t want to see you. You’re not seeing the family.’ I was like, ‘OK, that’s a risk I have to take.’”

After graduating, Montoya Marin couldn’t afford to live in Los Angeles and instead moved to Albuquerque, N.M., where he worked for 13 years as a production assistant and as a commercial director. During that time, a career-altering opportunity came his way.

While in Europe shooting a project, Montoya Marin finished the screenplay for his first feature, “Monday.” The script earned him a spot in Robert Rodriguez’s reality show “Rebel Without a Crew,” which aired in 2018 on El Rey Network. Each participant had to produce their feature film with a budget of $7,000, the same amount of money Rodriguez made his debut, “El Mariachi,” for.

“It was a dream come true. Robert is very down to earth. You could tell he’s not bulls—. He doesn’t play the game,” he says. “We would be filming at three in the morning, y ahí lo veías trabajando.”

“I was honored to mentor Alejandro as he directed his very first feature film,” Rodriguez said in an email. “He had the true indie filmmaking spirit within him and inspired me right back! He’s a great representation of what audiences desire: authenticity and passion.”

After “Monday,” an action comedy centered on a man down on his luck who gets caught in a cartel war, Montoya Marin raised $60,000 via crowdfunding to make his sophomore effort, “Millennium Bugs,” a Y2K-set tale about two people coming of age as the world anticipates chaos. And while neither of those films had the impact he’d hoped for, that outcome did not deter him in the slightest.

“There’s no Plan B, compadre,” he said, laughing. “That’s why I can firmly just go headfirst because if I die on set, I will be a happy man.”

Montoya Marin met Walsh while shooting Eva Longoria’s “Flamin’ Hot,” where they both had acting parts. A friendship developed between them, and eventually the filmmaker offered Walsh the part in “The Unexpecteds.” Although he shot the film in 15 days, like his previous features, this time he had a more sizable budget (still under $1 million).

As part of its 2024 festival run, “The Unexpecteds” screened at Smith’s Smodcastle Film Festival in New Jersey, where it won the Best Comedy Award. It was there that Montoya Marin first connected with one of his heroes.

“Giving a platform to fledgling filmmakers with the Smodcastle Film Festival is meaningful to an old film fest kid, and if my name can help them open a single door, I’m happy to help,” Smith said. “But being involved with ‘The Unexpecteds’ does me more good than them. Attaching myself to a talent like Alejandro is a sure way to ensure I get to stick around in a business I’m getting too old for.”

The first time Montoya Marin met Smith in person was right before going on a news show where the two were supposed to have a joint interview to promote the film. It was there that Montoya Marin witnessed his hero’s walk-the-walk allyship in action.

Before going on air, the production informed Montoya Marin that they wouldn’t be able to have him do the interview. Only Smith would be on camera. “But to make it up to you guys, we’re going to make this a Hispanic Heritage Month themed segment,” the team told them.

That’s when Smith stepped in. “You’re going to put the white guy to come and promote Hispanic Heritage Month,” he said, according to Montoya Marin. “Kevin goes, ‘That’s stupid. I’m not doing that. Mic him up, because the filmmaker is the best salesman of a film.’” Smith was shocked at what the TV folks had tried to pull. “I told Kevin, ‘You were just witness of what they do to us without saying an insult. It’s just polite,’” Montoya Marin recalls.

Thanks to Smith’s intervention, Montoya Marin ultimately did the interview. “I fell in love with him even more,” he added.

Now that his most ambitious project yet is out in the world, Montoya Marin has multiple projects in the works, from a thriller to a comedy set in the ‘90s, and even a project that would allow him to shoot in Mexico. Like a good salesman, he has perfected his pitch.

“I’m dying to make a movie in Spanish. I already have the concept and some producers. I just need $1.5 million and I will give you one of the best comedies in Mexican cinema,” he declares. “And I’m not saying just to be m—, but I know I’m funnier in Spanish.”

Speaking with Montoya Marin, one gets the sense that he’s consistently trying to disarm you into rooting for him. It’s not manipulative but refreshingly sincere — and a bit brash. Getting behind him is a vote of confidence for independent cinema that doesn’t take itself so seriously. His humorous conviction and rousing spiel make one eager to believe him.

The American Cinematheque will screen “The Unexpecteds” on Dec. 13 at the Los Feliz 3, with Montoya Marin and Smith in attendance.

Stories we read this week that we think you should read

Unless otherwise noted, stories below were published by the Los Angeles Times.

Politics, immigration and foreign affairs

Arts, culture and entertainment

A search is under way for a British man who fell overboard from a cruise ship off the coast of Tenerife.

The Spanish coastguard said it had been coordinating search and rescue efforts for the 76-year-old since 09:48 local time (09:48 GMT) on Thursday.

The incident happened on the Marella Explorer 2, operated by TUI, while it was located just north-west of the Spanish island.

TUI’s Marella Cruises said the man was “seen entering the water while the ship was on passage to La Gomera”, adding that it was supporting his family and working with local authorities.

In a statement, the coastguard said the ship participated in the search before docking in Santa Cruz de Tenerife in the early hours of Friday.

Rescue boats, two helicopters and a specialist search and rescue aircraft have been deployed to the area.

Lesley-Anne Kelly, a passenger on the ship, recalled the moment an alarm sounded while she was having breakfast with her mother on Thursday morning.

She said the alarm was followed by an announcement of “man overboard”.

Mrs Kelly said the captain told passengers the ship had to stay in place until the coastguard allowed it to leave, and later announced that the search had been stood down due to darkness.

“It was pretty sombre last night, especially after the announcement that they were standing down the search,” she said.

Passengers were told that witnesses were being interviewed, she added.

Mrs Kelly said she believed people “had clearly seen it happen”, adding: “It was breakfast time. Everybody was up and about. It was pretty bright, so yeah I can imagine if someone had gone in at that time of the day they would have been seen by multiple people.”

Local media reports say the ship was on its way back to the Canary Islands from the Portuguese island of Madeira when the incident happened.

It is believed to have departed Tenerife on 21 November for a seven-day tour around the Canaries and other nearby islands.

The Foreign Office said it has not been approached for consular assistance in this instance.

The Malta-registered Marella Explorer 2 holds up to 1814 passengers across its 14 decks and 907 cabins, according to TUI’s website.

Twenty-five years ago (25!), I was talking with John Cusack about his movie “High Fidelity,” the one where he played Rob Gordon, a record store owner and compulsive list maker. We were batting around top-fives — Rob’s top five movies: “Blade Runner,” “Cool Hand Luke,” the two “Godfather” films and “The Shining” are as good a list as any — and I asked Cusack if he, like Rob, had a funeral music top five.

“‘Many Rivers to Cross’ feels like the perfect choice at No. 1,” Cusack answered, citing the great Jimmy Cliff’s enduring anthem of perseverance.

Now Cliff has crossed over to the other side, which makes it feel like a good time to cue up “The Harder They Come” — though there is never a bad time to play that trailblazing reggae soundtrack.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, thankful I can see clearly now the rain is gone. Let’s look at how box-office success is all relative these days when it comes to awards season.

With Oscar voters, box-office perception is reality

Misato Morita and Brendan Fraser in the movie “Rental Family.”

(James Lisle / Searchlight Pictures)

What movies are you seeing this Thanksgiving weekend? If you’re pushing aside the pie and leftovers, chances are you might be buying a ticket for “Wicked: For Good” or “Zootopia 2.” The “Wicked” sequel opened to an estimated $150 million last weekend, besting the original and making my optimistic forecast for its Oscar prospects look a little rosier.

Meanwhile, “Rental Family,” a sweet, superficial drama starring Brendan Fraser looking to savage your heartstrings once again, opened to just $3.3 million from nearly 2,000 screens. Even in a lead actor field that isn’t particularly deep this year, Fraser’s chances of returning to the Oscars are now pretty much nil.

“Rental Family” is the latest fall film festival awards contender starring an A-list (or A-list-adjacent) actor to disappear at the box office. The list includes “The Smashing Machine” (Dwayne Johnson), “Christy” (Sydney Sweeney), “After the Hunt” (Julia Roberts and Andrew Garfield) and “Die My Love” (Jennifer Lawrence).

Going through these titles, you could make a case that moviegoers are simply showing discernment. None of the movies worked. Critics shrugged, and audiences responded in kind. Good on Johnson and Sweeney for using their star power to stretch, but when people are questioning if they can afford to eat out at McDonald’s, they’re going to need a reason to buy a ticket beyond mere curiosity.

The dead-on-arrival opening weekends of these movies have recast the lead actor and actress Oscar races, boosting anyone not stained by perception of outright failure.

But in this post-pandemic age of moviegoing, what constitutes success? Pushing through to December when the critics groups (as well as “critics” groups) start handing out awards and nominations, the goal is to convey an impression of success and hope that financial windfall might follow.

For example: Joachim Trier’s decidedly unsentimental family drama “Sentimental Value” has parlayed its strong word of mouth and critical acclaim to decent-enough ticket sales in its limited engagement the last two weeks. No one expects a Norwegian-language movie to burn up the box office. Doing fine is a victory.

Then there’s Richard Linklater’s “Blue Moon,” a modest, moving portrait of legendary Broadway lyricist Lorenz Hart, which opened last month in five theaters, quickly expanded to nearly 700 screens before retreating to a few dozen. It didn’t flame out commercially but has grossed a mere $2 million. That’s … OK. The strong reviews for the film and its lead, Ethan Hawke, have kept Hawke in the conversation for his first lead actor Oscar nomination.

Is it fair that Hawke lives while Lawrence, Sweeney, Roberts and Johnson, whose movies opened wide to disastrous results, feel finished?

“Oscar voters aren’t going to watch a movie that has been deemed a failure,” says a veteran awards publicist, who spoke on the condition of anonymity in order to discuss the situation candidly. “When people read those scary headlines opening weekend, they don’t forget.”

Oscar Isaac in “Frankenstein.”

(Ken Woroner / Netflix)

Netflix, which opens its contending films in qualifying releases before they land on the streaming platform, is mostly immune to this kind of negative publicity as it doesn’t report box-office numbers. But it will release the number of “views” its films rack up. Guillermo del Toro’s monster movie “Frankenstein” accumulated nearly 63 million views in its first 10 days; Kathryn Bigelow’s riveting thriller “A House of Dynamite” totaled 31.6 million in its first two weeks. (The company defines a view as the total time spent watching a movie divided by the running time.)

Guess which movie is currently Netflix’s perceived Oscar favorite?

The movie to watch this weekend then, in more ways than one, is Chloé Zhao’s celebrated drama “Hamnet,” which has piled up audience awards at film festivals the last several weeks. Focus Features is platforming it in 100-plus theaters, and if you live in Southern California, you won’t have to drive too far to see this beautiful story of love and loss and transcendent catharsis.

What narrative will emerge? I’ll write more about “Hamnet” on Monday. For now, get thee to a theater and let me know what you think.

A problem with luggage in Germany meant the plane carrying the Leverkusen team had to return to the departure gate on Monday afternoon, delaying their arrival in Manchester.

A day later, City’s glut of alterations on matchday left one senior member of Bayer Leverkusen’s staff – in his own words – “shocked”, telling BBC Sport they had made due preparations for the contest but were not expecting that particular line-up.

Another staff member pointed to key players such as defender Edmond Tapsoba, former Real Madrid man Lucas Vazquez and Argentine duo Exequiel Palacios and Equi Fernandez being unavailable as a sign that they may struggle in the game, with six players from the under-19 side named on the bench.

Star man and goal machine Erling Haaland, Phil Foden and Rayan Cherki were all substitutes for City in the opening period and when later called upon they were ultimately unable to perform a rescue act in the second half.

Omar Marmoush failed to take his chance up front and attempted to rouse a home crowd that were often as flat as the team, while Savinho and Oscar Bobb were both on the periphery of the game.

City were slow, ponderous and the changes left them disjointed and this could end up being a damaging defeat in the competition – the loss means they head to European giants Real Madrid on 10 December under pressure to get some sort of result.

“They tried to do it [perform] but when you are in a big team you have to show off,” said Guardiola. “Everyone – [including] the guys who came from the bench – were the same. Every shot was blocked, they slipped 10 times.

“Maybe with the players who played regularly lately, maybe we would have had confidence. I always like to be too nice and involve everyone because I have the feeling after the international break there are games every three or four days hopefully and there is no human being can sustain that.”

Guardiola became just the third manager to take charge of 100 or more Champions League games for an English team after Sir Alex Ferguson and Arsene Wenger, but the landmark occasion was one to forget.

“The message from a lot of people will be, why didn’t you play a stronger team?” asked former City midfielder Michael Brown on BBC Radio 5 Live. “Win the game and then make the changes, that is what people will say.

“There was almost an expectation that it was just going to be routine but what it did do with those changes was give that away side a massive lift. If you’re walking on to the pitch looking across you’d be thinking we’ve got a great chance with all those players sat on the bench. That gave them the belief.

“That said, you still feel like the performance could have been a lot better from City with the players they had.”

FIFA Club World Cup champions Chelsea of the English Premier League beat Spain’s Barcelona 3-0 in the Champions League.

Defensive lapses cost Barcelona and Manchester City dearly as both teams slumped to notable losses in the Champions League on Tuesday.

Chelsea comfortably beat 10-man Barcelona 3-0 to earn its third league-phase win and move closer to the top.

It was the second loss for Barcelona, which went down a man after defender Ronald Araujo was shown a second yellow card just before half-time.

The hosts scored with an own-goal by Jules Kounde in the 27th, a nice strike by Estevao in the 55th and a close-range shot by Liam Delap in the 73rd.

Leverkusen continue Man City woes

In Pep Guardiola’s 100th Champions League game as City coach, his team struggled to cope with Bayer Leverkusen’s quick transitions in a 2-0 defeat, while Barcelona had an own goal and a red card in its 3-0 loss at Chelsea.

Guardiola made 10 changes to his starting lineup following Saturday’s loss to Newcastle in the Premier League, with Erling Haaland among those on the bench, but it didn’t have the desired effect.

Alejandro Grimaldo fired home Leverkusen’s first goal with a low shot into the far corner in the 23rd, and Patrik Schick headed in a second in the 54th.

City could have moved atop the table with a win, but the night ended with the top three unchanged. Bayern Munich, Arsenal and Inter Milan all play on Wednesday.

Benfica and Napoli also record wins

Jose Mourinho picked up his first Champions League win with his new club Benfica as Samuel Dahl’s early goal set the stage for a 2-0 win over troubled Ajax. It was No 36 vs No 35 in the pre-game standings as the two winless teams met in the Netherlands.

Left back Dahl scored an unstoppable volley on the rebound after Ajax goalkeeper Vitezslav Jaros had saved a header from Benfica’s experienced defender Nicolas Otamendi. Leandro Barreiro added a second goal in the 90th.

Ajax has lost all five of its Champions League games and won only one of its last 10 games in all competitions.

Canadian forward Promise David scored the only goal as Belgium’s Union Saint-Gilloise won 1-0 at injury-depleted Galatasaray. The Turkish club was without injured Champions League top scorer Victor Osimhen, and finished with 10 men after 18-year-old defender Arda Unyay picked up two yellow cards.

Scott McTominay scored the opening goal as Napoli won 2-0 against Azerbaijan’s Qarabag. Napoli fans commemorated the fifth anniversary of club legend Diego Maradona’s death.

At 8 o’clock on a stormy weeknight in the chilly Chinatown offices of L.A. Taco, Memo Torres finally was worn out.

Since President Trump unleashed his deportation deluge on Los Angeles in June, the 45-year-old has chronicled nearly every immigration enforcement action in the region in three-minute “Daily Memo” videos for the online publication. He and his colleagues track down film footage and photos, reach out to officials to verify what they’ve found and hammer out a script for Torres to narrate.

The audio that played from Torres’ double-screen computer and smart phone as he reviewed the evidence on the day I visited contained snippets of the Southland’s sad soundtrack under what he continually calls the “siege” of ICE. Men pleading to la migra to stop hurting them. Activists cursing out agents. Whistles, screams, honks and sirens. Sobbing family members.

“If I wanted to cry, I don’t think that I could,” Torres said when I asked how he coped with seeing such videos ad nauseum.

“It’s not healthy, I know. It’s not mature. But what I go through is nothing like what the people I’m seeing are going through … Today was hard, though,” he continued, pounding his hand with his fist. “They went … extra hard today. They’re starting to get worse. Numbers that used to be a week’s worth of abductions are now a day.”

He sighed. His deep-set eyes were bleary. Reading glasses did nothing to help with 12 hours of staring at screens. Torres wiped his hands over his face as if washing off the horrors of the day and pressed the record button.

“Today, Border Patrol targeted Long Beach, swarming the streets again and taking gardeners, old men and a 12-pack of beer that they had,” he began. He talked over footage of masked men piling on top of a gardener at a Polly’s Pie in Long Beach as a police officer looked on with hands in pockets and a deer-in-headlights look.

In another clip, federal agents detained an elderly man sitting on the sidewalk near a liquor store, “making sure to put a handcuff on his hand as they helped him up.”

“Remember to stay safe and stay vigilant, folks,” Torres concluded.

He turned off the camera, blasted hardcore punk and began to splice his reel together.

“Daily Memo” has become the diary Los Angeles never asked for but which is now indispensable, documenting in real time one of the most terrifying chapters in the region’s history. Filling the camera frame with his broad shoulders, full beard and a baritone that alternates between wry, angry, calm and reassuring, Torres has been described by fans as the Edward R. Murrow and Walter Cronkite of L.A.’s deportation days — legendary broadcasters he acknowledges never having heard of until recently.

L.A. Taco staffer Memo Torres, right, presents Victor Villa as L.A. Taco’s Taco Madness 2024 winner in an impromptu ceremony outside the Highland Park restaurant in 2024.

(Stephanie Breijo / Los Angeles Times)

“When you’re in the midst of everything, you forget someone has to keep an archive so we can go back to reference, and you think, ‘Damn is someone is doing that?’ Yeah, Memo is doing that,” Sherman Austin said. The Long Beach-based activist runs the Stop ICE Raids Alert Network, which sends out text alerts with the locations of raids to more than half a million people nationwide. “Memo puts a human face to what’s happening, and that resonates with people in a different way.”

“He’s a neighborhood hero,” said Rebecca Brown, supervising attorney for the Immigrants’ Rights Project of Public Counsel. The public interest law firm has filed or joined multiple lawsuits against the federal government this year over its deportation agenda. “A lot of these stories of people who are getting picked up can fall through the cracks. But their voices are getting captured by his recording.”

While “Daily Memo” is chronicling a city under attack, it’s also bringing comfort to an unexpected person: Torres.

The son of a Mexican immigrant from Zacatecas who came to this country without papers, Torres never had a full-time journalism job until this year, living a “Forrest Gump kind of life.” He estimates he has worked in at least 25 different trades, from butcher to taquero to sound engineer, social media manager and nonprofit worker, none really fitting his life’s goal to do something “meaningful.”

Nothing lasted longer than landscaping. A third-generation jardinero — his grandfather also worked in the U.S. — he at one point employed 28 workers and had contracts across the city, with Hollywood studios among his biggest clients.

Torres, who has two college-age children, sold the business in March to focus on journalism for good.

“My life has prepared me for this s—. There’s nothing that scares me anymore,” Torres said as he began to layer video clips over his “Daily Memo” narration. “So I bury my head into work. My escapism is the cruel reality of the city right now.”

Torres grew up in Culver City and Inglewood. At Loyola High he absorbed the Jesuit maxim of being a man for others. But after graduating from UC Berkeley with a sociology degree, Torres found himself back in the family business, unable to find a job that satisfied him.

“Relatives would make fun of me by saying, ‘There he goes with a degree and a lawnmower in the back of a truck,” he said. “I hated it, but I was good at it.”

His landscaping routes across Southern California inadvertently prepared him for journalism. He started an Instagram account, El Tragón de Los Angeles (The Glutton from Los Angeles), to share his eating adventures. That caught the attention of L.A. Taco in 2018, which was revamping at a time when the city’s indie publications were shuttering or faltering.

“Their mission of street-level reporting called to me,” Torres said. He volunteered to connect L.A. Taco to local restaurants so the publication’s members could score free food and discounts. He soon became director of partnerships, then took over L.A. Taco’s social media accounts, then started to write articles and shoot videos — mostly for free.

“I call him the Mexican Swiss Army knife — and not those small ones but the big ones with all the weird things,” L.A. Taco publisher Alex Blazedale said as he and Torres smoked outside during a short break. “Memo could literally do anything we asked him to, and he wanted to do it and followed through.”

L.A. Taco staffer Memo Torres edits video clips from daily ICE raids which he puts together with narration on an Instagram reel inside L.A. Taco’s studio in Chinatown.

(Gina Ferazzi/Los Angeles Times)

Torres’ taco knowledge earned him appearances on the Netflix show “The Taco Chronicles” and a regular slot on KCRW’s “Good Food with Evan Kleiman.” Blazedale suggested this year that he do a daily news recap under the “Daily Memo” banner. But Torres found the title “cheesy and didn’t know what it was for.”

Then came the raids.

“I grew up on the History Channel,” Torres said. “They would always have these documentaries where they said they were finding new footage that had been thought lost. That’s what’s happening right now. So much stuff is being put up that quickly goes down. We need to document it for history.”

L.A. Taco editor Javier Cabral credits “Daily Memo” with bringing in so many new members that the publication is now financially sustainable.

“He’s not your average aspirational journalist who is either a hobbyist who wants to write more or someone who just got out of [journalism] school,” Cabral said. “He’s just a real paisa” — a working-class guy.

While Cabral finds Torres’ lack of reporting experience “refreshing,” he sometimes has to remind Torres not to editorialize too much.

“It’s that ‘Show, don’t tell’ thing in journalism, you know? But then I had to just check in with myself — am I being jealous by power-tripping at him?” Cabral said. “It was a hard conversation to have, but Memo took it [on] the chin and raised it up.”

Blazedale and Cabral believe so much in Torres that they recently hired a part-time assistant for “Daily Memo” and plan to turn an office at their headquarters into a proper studio. They got Torres a video editor, but the person quit after five minutes of viewing deportation footage — so Torres continues to put together the final product.

“We just can’t have Memo burn out,” Cabral said. “He’s too important to have that happen.”

Torres is unfazed, for now.

“It’s just like when I mowed lawns — let’s seize the day and make it your routine,” he said.

Besides, swimming in the chaos of the times is how Torres has dealt with a tough personal year. He sold his landscaping company, not just because of his increased L.A. Taco duties — he’s officially the publication’s director of engagement — but because the Hollywood writer’s strike and Trump’s deportations decimated his business. Two of his former gardeners have since been deported.

Torres started smoking again “to deal with all this.” He recently broke off an engagement after a 10-year-relationship with a woman whose family members were avid Trump supporters. On Election Night, Torres said, one of them told him to go back to Mexico. The couple’s Glendale home recently sold for far less than they paid. Soon, Torres plans to declare bankruptcy.

L.A. Taco’s offices are filled with boxes of his mementos as he settles into a new apartment. One is a laminated La Opinión story about him trying to recruit more Latino students to Berkeley after affirmative action ended.

“I always envisioned I would be useful for something,” he said before mentioning a letter from his mother he unearthed during his move. She died of cancer in 2006.

“She said, ‘I’m so proud of you. You’re trying to fight for what’s right. Don’t forget it.’ She saw it in me way back then.”

Torres uploaded his finished reel to L.A. Taco’s social media accounts. It was 10 p.m. — early for him. Outside the rain was pouring down harder than ever.

“I hope I can go back to writing about tacos,” Torres said with a laugh that betrayed he knew it wouldn’t happen for a while. “Just give me a break from reporting on the trauma and tragedy. But who knows if the future needs me? Maybe I’m just good for this moment, and I’m good with that.”

He stepped into the storm. Eight hours later, he would be back.

For officials in Singapore, one Australian man’s actions at the “Wicked: For Good” premiere earlier this month wrought enough chaos to keep him out of the country — for good.

Singapore’s Immigration and Checkpoints Authority has deported and barred 26-year-old Johnson Wen from reentering the country after he crashed the yellow carpet and accosted star Ariana Grande, according to several reports. A representative for the authority did not immediately respond to a request for comment on Monday.

Singapore’s the Straits Times reported that Australian national Wen arrived in the country earlier this month on a 90-day social-visit pass to attend the movie musical’s premiere and for a vacation. The self-proclaimed “Troll Most Hated” was seen in video jumping over the fan barricade onto the other side of the carpet. He ran toward Grammy winner Grande with his arms and legs flailing before grabbing her roughly around the neck and shoulders. He turned and smiled for the cameras before Grande’s co-star Cynthia Erivo interfered and separated Wen from Grande. He was arrested, charged and later released.

Wen, who has a history of crashing other celebrity events including concerts down under by Katy Perry and the Weeknd, was charged with being a public nuisance days after the incident. Shortly after that, he was convicted and sentenced to nine days in jail.

During his trial in Singapore, Wen said he was “going to stop,” according to the Straits Times. His courtroom statement, however, doesn’t seem to match up with his tone on social media.

Wen re-shared video of the incident Sunday on Instagram. “Dear Ariana Grande thanks for letting me join the Red Carpet 💛,” he captioned the video.

“Wicked: For Good” premiered Friday, a year after after the first “Wicked” film. The sequel also stars Michelle Yeoh, Jeff Goldblum, Marissa Bode and Jonathan Bailey. Jon M. Chu directs both films.

Times assistant editor Christie D’Zurilla contributed to this report.

Nov. 24 (UPI) — Police in Illinois said they captured Morgan Geyser, one of the two people who pleaded guilty to stabbing a friend to appease an imaginary creature called Slender Man, 165 miles from the Wisconsin group home where she was staying.

Geyser, 23, allegedly cut off her monitoring bracelet Saturday night before leaving the residence in Madison and meeting up with an acquaintance.

In an incident report, Madison police said the Department of Corrections received an alert around 9:30 p.m. Saturday that Geyser’s GPS monitoring bracelet was malfunctioning. Around 11:35 p.m., group home staff informed DOC that Geyser was not at the home and she had removed her GPS bracelet.

On Sunday night, police in Posen, Ill., a suburb south of Chicago, told ABC News that law enforcement officials took her into custody. Madison police confirmed her capture to CNN.

Madison police said they received confirmation at 10:34 p.m. Sunday that Geyser had been taken into custody in Illinois.

The Posen police said officers found Geyser at a truck stop with another person, identified as a 42-year-old man, who was arrested on charges of criminal trespassing and obstructing identification, WBBM-TV in Chicago reported.

Geyser is scheduled for an extradition hearing on Tuesday in Chicago. She is not facing any charges in Illinois.

Geyser and the friend were found at a truck after police received reports of two people loitering behind the building. They were sleeping on the sidewalk.

Initially, Geyser gave police a false name. She then told police she didn’t want to give her name because she had “done something really bad,” and officers could “just Google” her.

The friend told WBBM-TV she didn’t want Geyser to be alone after Geyser left the group.

They took a bus and then walked to the truck stop.

Geyser and Anissa Weier pleaded guilty to the 2014 stabbing of their friend, Payton Leutner, when all three girls were 12. Geyser and Weier lured Leutner into the woods where they stabbed her 19 times. They told police a creature known as Slender Man threatened their lives and the lives of their families if they didn’t kill Leutner, who survived the attack.

Geyser and Weier were charged with attempted second-degree murder in 2017 but were found not guilty by reason of mental defect.

Waukesha County Circuit Judge Michael Bohren committed them to a psychiatric hospital for 40 years.

Psychiatrists diagnosed Geyser with schizophrenia and she was released to a group home this year.

A spokesperson for the Leutner family released a statement saying they were aware of Geyser’s disappearance.

“Payton and her family are safe and are working closely with local law enforcement to ensure their continued safety,” a statement said.

“The family would like to thank all of the law enforcement entities involved in the efforts to apprehend Morgan.”

Everton’s last visit to Old Trafford triggered Ruben Amorim’s infamous ‘the storm is coming statement’ even though his Manchester United side won 4-0.

Twelve months on, their visit brought more words of caution from Amorim about his side’s evolution that proved equally perceptive.

From a United perspective, the jaw-dropping clash between Idrissa Gueye and Michael Keane can be forgotten beyond the knowledge it left them facing 10 men for 77 minutes.

What followed backed up Amorim’s pre-game view his side is “far from perfection”.

For 77 minutes the United head coach watched his players toil.

He watched young defenders Patrick Dorgu and Leny Yoro needlessly give the ball away under no pressure as the home side were building attacking momentum.

He watched Amad Diallo take the wrong option as he tried to cause a nuisance, first as a number 10 replacement for Matheus Cunha – who was badly missed due to the injury that initially forced him to forgo switching on Altrincham’s Christmas lights on Saturday evening.

He watched as the normally reliable Bryan Mbeumo and Bruno Fernandes failed to execute correctly as chances went begging.

He watched as Joshua Zirkzee, given his first start of the season, and Kobbie Mainoo, given an extended run as a second-half replacement for Casemiro, failed to press their claims for more game time as is being demanded to maintain their respective World Cup hopes.

He also watched as goalkeeper Senne Lammens made a questionable attempt to save Kiernan Dewsbury-Hall’s first-half effort that ultimately proved decisive.

Zirkzee did force Jordan Pickford into a full length save with a header near the end.

But there was nothing more.

As Amorim said on Friday, what had been a five-match unbeaten run could quickly turn into a three-game one without a win with a trip to Crystal Palace to follow on Sunday.

“I know which point we are in,” he said. “I have that feeling during this run. I always talk about that.

“We are not there, not even near the point we should be to fight for the best positions in the league.

“We have a lot to do and we need to be perfect to win games. We were not perfect today.”

It is worth recapping United’s last three games.

At both Nottingham Forest and Tottenham, they led. If they had maintained the advantage, United would have been second in the ‘as it stands’ table. On both occasions, they failed the test and actually needed late equalisers to salvage anything after falling behind.

This time round, completing the Premier League match round, United knew a win would take them fifth. If they had matched last season’s result, it would have lifted them to fourth.

Vinicius Junior will not sign a new deal at Real Madrid, Manchester United and Liverpool will keep an eye on his situation, while Liverpool have held concrete talks over a move for Antoine Semenyo.

Brazil forward Vinicius Junior, 25, has told Real Madrid he does not intend to renew his contract which expires in the summer of 2027, because of a strained relationship with manager Xabi Alonso. (Athletic – subscription required), external

Liverpool, Manchester United and several other Premier League clubs are keeping a keen eye on Vinicius’ situation. (Mirror), external

Liverpool have already held concrete talks over a move for Bournemouth and Ghana forward Antoine Semenyo, 25, and are aware of his £65m release clause. (Florian Plettenberg), external

Manchester United and Chelsea have both scouted RB Leipzig and Germany midfielder Assan Ouedraogo, 19. (Sky Sports Germany – in German), external

Marseille want to hold talks with Brighton about signing Denmark midfielder Matt O’Riley, 25, permanently in January. (Sky Sports), external

European giants AC Milan are plotting a spectacular move for Crystal Palace and France striker Jean-Philippe Mateta, 28. (Teamtalk), external

Premier League clubs are expected to queue up to sign Atletico Madrid and England midfielder Conor Gallagher in January, provided the Spanish club agree to sell or loan out the 25-year-old former Chelsea player. (Sky Sports), external

Paris St-Germain have joined Real Madrid in the race for Bayern Munich and France defender Dayot Upamecano, 27, who looks set to become a free agent at the end of the season. (Sky Sports Germany – in German), external

Wolves and Brazil midfielder Joao Gomes, 24, has had his head turned by Manchester United’s interest in him and would be keen on a January move. (Teamtalk), external

Portugal midfielder Bernardo Silva, 31, is likely to leave Manchester City when his contract expires at the end of the season. (Fabrizio Romano), external

Chelsea and Arsenal will fight to sign Marseille’s French striker Robinio Vaz, 18, who is valued between 20 and 30m euros (£17.6m to £25.5m). (Caught Offside), external

Atletico Madrid are considering a move for Marseille forward Mason Greenwood, 24, with the Englishman valued at about £70m. (Fichajes – in Spanish), external

Kiernan Dewsbury-Hall’s superb first-half goal seals 1-0 win for the visitors, who had 10 players for most of the game.

Everton enjoyed their first Premier League win at Manchester United for 12 years despite playing virtually the entire game with 10 men after midfielder Idrissa Gueye was sent off for slapping his own teammate Michael Keane.

Kiernan Dewsbury-Hall’s superb first-half goal on Monday sealed a 1-0 win for the visitors, who shrugged off the 13th-minute incident that had a furious Gueye dismissed after he and Keane squared up.

United came into the match at Old Trafford on the back of a five-game unbeaten run and could have moved up to fifth with a win.

They dominated possession, especially in the second half, but Everton defended superbly to repel the hosts who looked blunt in attack.

Everton goalkeeper Jordan Pickford made several fine saves to preserve his side’s lead, the pick of them to claw away a Joshua Zirkzee header with 10 minutes remaining.

A second away win of the season lifted Everton above city rivals and champions Liverpool into 11th place, level on 18 points with United, who are above them on goal difference.

Everton suffered a big blow in just the 10th minute when they lost captain Seamus Coleman to injury.

But worse was to follow three minutes later with the scarcely believable bust-up between Gueye and Keane

The Premier League Match Centre posted on X: “The referee’s call of red card to Gueye for violent conduct was checked and confirmed by VAR – with the action deemed to be a clear strike to the face of Keane.”

Gueye is the first Premier League player to be sent off for fighting with a teammate since 2008.

The home crowd anticipated waves of attack but United failed to take advantage of their numerical advantage, proving toothless against David Moyes’ battling team.

Instead it was 10-man Everton who found the net, taking the lead courtesy of a wonderful strike by Dewsbury-Hall in the 29th minute.

Dewsbury-Hall received the ball and surged towards goal, beating Bruno Fernandes and Leny Yoro before bending the ball into the top corner.

United huffed and puffed for the rest of the half, with Pickford clawing away a Fernandes shot from distance as the half-time approached.

Ruben Amorim, marking the first anniversary of his maiden game in charge of United, brought on Mason Mount for Noussair Mazraoui at half-time but his team created little, despite dominating possession.

Amorim threw on Kobbie Mainoo and Diogo Dalot for Casemiro and Yoro in the 58th minute but still United looked blunt.

Pickford kept out a powerful Zirkzee header with just over 10 minutes of normal time to go and Everton hung on for a famous win.

Speaking after the game, Dewsbury-Hall said it was a “rollercoaster” of a game.

“I’m so genuinely happy for the lads and how hard they worked. A fantastic performance of gritting away, getting a goal and keeping that spirit,” he said. “So glad we got the three points.”

He said Gueye apologised to the team at full-time for the incident with Keane.

“We move on from it. The reaction from us was unbelievable. Top tier,” Dewsbury-Hall said.

“We could have crumbled, but if anything, it made us grow.”

United defender Matthijs de Ligt said the result and performance was a “step back” for his side after a decent run.

“I think the game says enough; against 10 men for 70 minutes and not creating that many chances,” the Dutch defender told Sky Sports. “Today was not a good night for us.

“We lacked the patience to play through the lines, and we crossed a lot of balls. We need to do a lot more.

“In all aspects today, it felt like a step back. Not just the result but the intensity and the focus.”

Nov. 23 (UPI) — Authorities in Canada have arrested an associate of a former Olympian snowboarder accused by the United States of being a drug kingpin on the FBI’s Most Wanted list.

The FBI confirmed on X that Rasheed Pascua Hossain, 32, was arrested in Vancouver by the Royal Canadian Mounted Police, Canada’s federal law enforcement agency. The Canadian Broadcasting Corporation reported that Hossain was detained Friday.

On Wednesday, U.S. federal authorities announced at a press conference that they were intensifying their manhunt for Ryan Wedding, 44, whom FBI Director Kash Patel called a “modern-day iteration” of Pablo Escobar and Joaquin “El Chapo” Guzman, two of the most infamous drug cartel leaders.

Wedding is believed to be in Mexico, receiving protection from the Sinaloa Cartel.

He is accused of flooding U.S. streets with drugs and of being Canada’s main distributor of cocaine.

An indictment unsealed Wednesday alleged that he was involved in orchestrating the execution of a witness working with authorities to secure his extradition to the United States. Wedding was first charged in the United States in October 2024. He is facing an array of charges that include murder and drug trafficking.

More than 35 people have been indicted in Operation Giant Slalom, with the announcement that 10 people, seven in Canada and three from Colombia, have been arrested made public on Wednesday.

An FBI 10 most wanted poster is displayed during a press conference with Attorney General Pam Bondi and Federal Bureau of Investigation (FBI) Director Kash Patel on Wednesday. Photo by Bonnie Cash/UPI

Federal prosecutors said Hossain was one of four people, including Wedding, who law enforcement was continuing to search for.

Hossain was charged in the indictment announced Wednesday over his alleged involvement in money laundering for what U.S. federal authorities have called the Wedding Criminal Enterprise.

He has been charged with conspiracy to distribute and possess with intent to distribute cocaine, conspiracy to export cocaine and conspiracy to launder monetary instruments.

A $15 million reward is being offered by the United States for information leading to the arrest and conviction of Wedding.

Nov. 23 (UPI) — Police are searching for Morgan Geyser, one of two people convicted in the 2014 Wisconsin Slender Man stabbing, after Geyser cut off her Department of Corrections monitoring bracelet and walked out of a group home Saturday night, the Madison Police Department said.

Geyser was last seen at around 8 p.m. CST Saturday with an “adult acquaintance” in the area of Kroncke Dr., the same street where hte group home is located, police said.

Officers said her whereabouts are unknown. MPD was notified of her disappearance on Sunday morning, local media reported.

Police released recorded security footage with images of Geyser that was captured earlier this month, and requested the public’s assistance in finding her, requesting that they call 911 with any information.

MPD confirmed to MMTV in Madison that Geyser has been living at a local group home, which the Department of Health Services confirmed.

Geyser had previously lived at and previously lived at the Winnebago Mental Health Institute in Oshkosh for several years before being transferred to the Madison facility.

Earlier this year, the state approved Geyser’s transfer to a group home in Sun Prairie, but the facility declined her admission in August.

Documents from the facility said that staff “could not provide the level of supervision that she required,” and “were not equipped to manage her needs.”

In 2014, Geyser, who was 12 at the time, and her accomplice, Anissa Weier stabbed their classmate, Payton Leutner, nearly 19 times in a near fatal attack as part of a plot based on the fictional character known as Slender Man.

Manchester United head coach Ruben Amorim has not ruled out Kobbie Mainoo and Joshua Zirkzee leaving in January to further their World Cup ambitions – but says the interests of his club will come first.

Neither player has started a Premier League game this season. Zirkzee has figured for just 82 minutes in the top flight, while Mainoo has played for 93 minutes since coming on at half-time against Burnley on 30 August.

Both players are known to be unhappy about the situation and – having lost their international spots with England and the Netherlands respectively – are keen to secure January moves to get regular game time before next summer’s World Cup.

Amorim sympathises with the pair, but says he will only sanction moves if they are right for United.

“I was a football player,” he said. “I understand everything, and I want to help my players in every situation.

“I understand the frustration of some players, seeing the World Cup is there. I know what it means.

“But the first thing is that the club comes first. If I can help the club and the players, I will be happy. If not I have to think about the team.”

Both Mainoo and Zirkzee could profit from the injury to striker Benjamin Sesko and the departures of Bryan Mbeumo and Amad Diallo to the Africa Cup of Nations next month.

That is without the strange case of Matheus Cunha, who pulled out of a planned appearance to switch on the Altrincham Christmas lights on Saturday with an injury a club source described as “minor”.

United are on a five -game unbeaten run heading into Monday’s game against Everton at Old Trafford.

But United’s two most recent games were draws at Nottingham Forest and Tottenham that required late equalisers after Amorim’s side had squandered first-half leads.

For that reason, the former Sporting boss is reluctant to say the “storm” he predicted in his early days at the club has passed.

“I don’t like to say the storm is over,” he said. “It’s my job, especially in our club, to always have that feeling [that a storm is coming].

“It gives me the sense of urgency in every training [session] and, in the Premier League, everything can change so fast because all the teams can win any game.”

WASHINGTON — No one seems to know what happened to Vicente Ventura Aguilar.

A witness told his brother and attorneys that the 44-year-old Mexican immigrant, who doesn’t have lawful immigration status, was taken into custody by immigration authorities on Oct. 7 in SouthLos Angeles and suffered a medical emergency.

But it’s been more than six weeks since then, and Ventura Aguilar’s family still hasn’t heard from him.

The Department of Homeland Security said 73 people from Mexico were arrested in the Los Angeles area between Oct. 7 and 8.

“None of them were Ventura Aguilar,” said Tricia McLaughlin, the assistant Homeland Security public affairs secretary.

“For the record, illegal aliens in detention have access to phones to contact family members and attorneys,” she added.

McLaughlin did not answer questions about what the agency did to determine whether Ventura Aguilar had ever been in its custody, such as checking for anyone with the same date of birth, variations of his name, or identifying detainees who received medical attention near the California border around Oct. 8.

Lindsay Toczylowski, co-founder of the Immigrant Defenders Law Center who is representing Ventura Aguilar’s family, said DHS never responded to her inquiries about him.

The family of Vicente Ventura Aguilar, 44, says he has been missing since Oct. 7 when a friend saw him arrested by federal immigration agents in Los Angeles. Homeland Security officials say he was never in their custody.

(Family of Vicente Ventura Aguilar)

“There’s only one agency that has answers,” she said. “Their refusal to provide this family with answers, their refusal to provide his attorneys with answers, says something about the lack of care and the cruelty of the moment right now for DHS.”

His family and lawyers checked with local hospitals and the Mexican consulate without success. They enlisted help from the office of Rep. Sydney Kamlager-Dove (D-Los Angeles), whose staff called the Los Angeles and San Diego county medical examiner’s offices. Neither had someone matching his name or description.

The Los Angeles Police Department also told Kamlager-Dove’s office that he isn’t in their system. His brother, Felipe Aguilar, said the family filed a missing person’s report with LAPD on Nov. 7.

“We’re sad and worried,” Felipe Aguilar said. “He’s my brother and we miss him here at home. He’s a very good person. We only hope to God that he’s alive.”

Felipe Aguilar said his brother, who has lived in the U.S. for around 17 years, left home around 8:15 a.m. on Oct. 7 to catch the bus for an interview for a sanitation job when he ran into friends on the corner near a local liquor store. He had his phone but had left his wallet at home.

One of those friends told Felipe Aguilar and his lawyers that he and Ventura Aguilar were detained by immigration agents and then held at B-18, a temporary holding facility at the federal building in downtown Los Angeles.

The friend was deported the next day to Tijuana. He spoke to the family in a phone call from Mexico.

Detainees at B-18 have limited access to phones and lawyers. Immigrants don’t usually turn up in the Immigration and Customs Enforcement online locator system until they’ve arrived at a long-term detention facility.

According to Felipe Aguilar and Toczylowski, the friend said Ventura Aguilar began to shake, went unconscious and fell to the ground while shackled on Oct. 8 at a facility near the border. The impact caused his face to bleed.

The friend said that facility staff called for an ambulance and moved the other detainees to a different room. Toczylowski said that was the last time anyone saw Ventura Aguilar.

She said the rapid timeline between when Ventura Aguilar was arrested to when he disappeared is emblematic of what she views as a broad lack of due process for people in government custody under the Trump administration and shows that “we don’t know who’s being deported from the United States.”

Felipe Aguilar said he called his brother’s cell phone after hearing about the arrests but it went straight to voicemail.

Felipe Aguilar said that while his brother is generally healthy, he saw a cardiologist a couple years ago about chest pain. He was on prescribed medication and his condition had improved.

His family and lawyers said Ventura Aguilar might have given immigration agents a fake name when he was arrested. Some detained people offer up a wrong name or alias, and that would explain why he never showed up in Homeland Security records. Toczylowski said federal agents sometimes misspell the name of the person they are booking into custody.

Vicente Ventura Aguilar, who has been missing since Oct. 7, had lived in the United States for 17 years, his family said.

(Family of Vicente Ventura Aguilar)

But she said the agency should make a significant attempt to search for him, such as by using biometric data or his photo.

“To me, that’s another symptom of the chaos of the immigration enforcement system as it’s happening right now,” she said of the issues with accurately identifying detainees. “And it’s what happens when you are indiscriminately, racially profiling people and picking them up off the street and holding them in conditions that are substandard, and then deporting people without due process. Mistakes get made. Right now, what we want to know is what mistakes were made here, and where is Vicente now?”

Surveillance footage from a nearby business reviewed by MS NOW shows Ventura Aguilar on the sidewalk five minutes before masked agents begin making arrests in South Los Angeles. The footage doesn’t show him being arrested, but two witnesses told the outlet that they saw agents handcuff Ventura Aguilar and place him in a van.

In a letter sent to DHS leaders Friday, Kamlager-Dove asked what steps DHS has taken to determine whether anyone matching Ventura Aguilar’s identifiers was detained last month and whether the agency has documented any medical events or hospital transports involving people taken into custody around Oct. 7-8.

“Given the length of time since Mr. Ventura Aguilar’s disappearance and the credible concern that he may have been misidentified, injured, or otherwise unaccounted for during the enforcement action, I urgently request that DHS and ICE conduct an immediate and comprehensive review” by Nov. 29, Kamlager-Dove wrote in her letter.

Kamlager-Dove said her most common immigration requests from constituents are for help with visas and passports.

“Never in all the years did I expect to get a call about someone who has completely disappeared off the face of the earth, and also never did I think that I would find myself not just calling ICE and Border Patrol but checking hospitals, checking with LAPD and checking morgues to find a constituent,” she said. “It’s horrifying and it’s completely dystopian.”

She said families across Los Angeles deserve answers and need to know whether something similar could happen to them.

“Who else is missing?” she said.

Do you like your “Wicked” sweet or sour?

How you answer may be the key in how much you enjoy the sequel, “Wicked: For Good,” which opens today and is on track to sell more tickets in its first weekend than its predecessor.

Will the new movie once again cast a spell at the Oscars? The answer, for the moment, is confusifying.

I’m Glenn Whipp, columnist for the Los Angeles Times, host of The Envelope newsletter and someone hoping to see a movie at the Village before the Olympics land in L.A. in 2028. Which film should they book to kick off its revival?

‘Wicked’ can’t defy gravity this time

Cynthia Erivo, left, and Ariana Grande perform at the 97th Academy Awards in March.

(Myung J. Chun / Los Angeles Times)

Who wasn’t charmed by the first “Wicked” movie last year? Film critics gave it more than a pass, with reviews scoring a respectable 73 grade on aggregator site Metacritic. Audiences loved it, powering the film to a $758 million worldwide box office haul. And Oscar voters fell in line, rewarding “Wicked” with 10 nominations and wins for production design and costumes. Gratitution abounded.

Repeating success is a taller order, our beloved Dodgers notwithstanding. As noted, multiplexes should be full this first weekend and, you’d expect, the lucrative Thanksgiving weekend as well. But the reviews haven’t been as kind this time around. “Wicked: For Good” sits at a 60 on Metacritic. Empire magazine’s review sums up the sentiment: “‘Wicked: For Good,’ sure — but not quite Wicked: For Great.”

Sequels rarely land as well as the original film, so the drop-off isn’t surprising. And, if you’ve seen the Broadway musical, you already knew this was coming. All the best songs are packed into the show’s first act, culminating in the soaring, sustaining final notes of “Defying Gravity.” But you can only beat that gravitational force for so long before you fall flat on the ground.

That splat you hear is “Wicked: For Good.”

Not everyone feels that way. The Vulture review sports the grabby headline: “‘Wicked: For Good’ is actually better than the first.” Times film critic Amy Nicholson agrees in her write-up titled: “The first one was a candy-colored slog, but ‘Wicked: For Good’ is pleasantly sour.”

Which brings me back to the question I first asked you: What are you looking for in a “Wicked” movie? I enjoyed all the spirited dancing and singing and, yes, the bright, candy colors of the first movie. You want a slog? The sequel takes almost an hour to bring together the two characters you truly care about — Elphaba and Glinda.

To get to that moment, you have endure a lot of filler, as if the musical doesn’t have enough material to sustain two movies totaling nearly five hours. (It doesn’t.)

The so-so critical reaction shouldn’t keep “Wicked: For Good” from picking up a best picture nomination, provided the movie’s fans keep showing up at theaters through the end of the year. With so many high-profile festival films — “The Smashing Machine,” “After the Hunt,” “Die My Love” among them — failing to connect with audiences and critics, there’s room at the inn. Academy voters will likely keep the light on.

Equaling the first film’s 10 nominations will be difficult. Cynthia Erivo and Ariana Grande opened the Oscars ceremony last year in spectacular fashion, but a reunion might not be in the cards. The pair were arguably co-leads in the first movie. “For Good” belongs more to Glinda than Elphaba, charting the Good Witch’s journey from complacency and compliance to … less complacency and compliance. Maybe Glinda’s going to learn from all this and take principled stands moving forward, though the movie doesn’t do enough to convince me. Grande’s dimple has more depth.

Still, Grande figures to score another supporting actress nomination and, who knows, she may well win. Voters love big theater-kid energy in this category, giving Oscars to Jennifer Hudson (“Dreamgirls”), Anne Hathaway (“Les Misérables”), Ariana DeBose (“West Side Story”) and Zoe Saldaña (“Emilia Pérez”) in recent years.

Erivo, placed in the more competitive lead class, might not be as fortunate, as she no longer centers the movie. She still masterfully conveys Elphaba’s vulnerability and sadness, but she’s also saddled with a chemistry-free love story with Capt. Fiyero (Jonathan Bailey). I won’t count her out. But Erivo could well lead the “snubs” and surprises list come nominations morning.

Repeat nominations in production design and costume design, the two Oscars the first movie won, seem safe bets. Hair and makeup does too, as does sound since voters love movies heavy on music. “Wicked: For Good” might pick up another nomination in the newly created casting category, as it won’t be a spot where voters feel like they’re repeating themselves. And while the first movie didn’t have any new songs, “For Good” sports two. Look for “The Girl in the Bubble,” sung by Grande, to pop.

Eight nominations? That’d be a win. The loss would be if “Wicked: For Good” followed the path of the two “Black Panther” movies. The first, a critical, commercial and cultural sensation, earned seven nominations, including best picture, and won three Oscars. The less-regarded sequel picked up five nods, winning one. It was not nominated for best picture.

Sometimes being popular isn’t enough.

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