The Sparks signed guard Kate Martin to a developmental player contract Sunday just hours before their first game of the season. About 45 minutes before tipoff, Martin arrived in Los Angeles.
“It’s been chaotic, but honestly, found a lot of clarity, a lot of confidence, and where I’m at and where the future of my career is heading,” she said. “So honestly, kind of all over the place, but feeling really good and having a lot of clarity right now.”
Martin was a surprising end-of-training camp cut for the Golden State Valkyries after she averaged 6.2 points per game in 42 contests last season. But Golden State was deep at the wing position, making Martin expendable with its other positional needs.
Speaking publicly for the first time since being cut, she was emotional, but excited for the opportunity with the Sparks.
“I chose L.A. because of the way they approached me,” she said. “I just feel honored for the opportunity. And opportunities don’t always come around in this league. And so for the year that I got cut to be the year where there are development spots, I feel very grateful for that.”
The Sparks had one developmental spot left after signing Louisville graduate Laura Ziegler during training camp.
Martin will be available to be on the active roster for 12 games, while receiving a weekly stipend of $750 in addition to a pro-rated minimum salary of $6,000. She has the most experience of any player signed to a developmental contract across the league with two full seasons under her belt.
“(Martin is) great in the locker room, great teammate, super hard worker,” said Las Vegas Aces coach Becky Hammon, who coached Martin in her rookie season. “She’s somebody who came in with pro habits and a lot of times from college, that’s hard to do, but she came in and was a nice piece for us.”
The 25-year-old was a fan favorite with the Valkyries and had the third highest-selling jersey in the WNBA last season despite coming off the bench for Golden State.
Martin first went viral during the 2024 draft when she was selected 18th overall by Las Vegas and was in the room to support her Iowa teammate, Caitlin Clark. She averaged 2.6 points per game in 34 games as a rookie with the Aces before being selected by the Valkyries in the expansion draft in December 2025.
“Now my expectations for myself are to buy into being an L.A. Spark,” Martin said. “I know that roles are ever changing throughout the season, but right now, I’m gonna be where my feet are, and I’m going to buy into this role as a development player. I’m going to learn, I’m going to grow, and I’m just going to make the most of this opportunity.”
It’s unclear how much Martin will play with the Sparks, but she might have a path because they lack wing depth. The Sparks are backcourt heavy, then have three bigs in Nneka Ogwumike, Cameron Brink and Dearica Hamby. Rae Burrell and Sania Feagin fill that role, but Martin could bring a three-point shot and energy off the bench.
“It’s a great fit for us,” Sparks coach Lynne Roberts said. “Thrilled how that worked out. It’s no secret, I love shooters. I think it’s a great add. And I think this gives her a chance in the developmental spot to just kind of settle and really pour into the player development. Her work ethic is unbelievable.”
I walked around a street fair in Irvine over the weekend, checking out the crowd while waiting for my daughter’s dance team to perform. We were a few short miles from Angel Stadium, but you wouldn’t have known it: lots of people wearing Dodgers caps, someone wearing a Shohei Ohtani cap, someone else wearing an Ohtani jersey, someone else wearing a Clayton Kershaw jersey, a dog wearing a Dodgers bandana, and people repping the Padres, Giants, Athletics and Yankees.
After 25 minutes, someone walked by in an Angels cap.
If the passion wanes, apathy can set in. I wondered if that is where the Angels might find themselves now, with a slice of their fan base finding a more enjoyable way to spend its summers than watching one losing season after another, and with the shadow of baseball’s best team extending ever more securely into Orange County.
Something else happened over the weekend that made me wonder. On the heels of a winless road trip, and on the day before the Angels would claim the worst record in the major leagues, Angels general manager Perry Minasian said this to reporters: “Our best baseball is in front of us. There’s no doubt about that.”
No doubt?
Angels general manager Perry Minasian declined to predict in the team would make the playoffs this season.
(Elsa Garrison / Getty Images)
On the Angels’ broadcast the previous night, reporter Erica Weston presented play-by-play announcer Wayne Randazzo with a birthday gift: a figurine of Grogu, a character in the Star Wars family. Randazzo said he would keep Grogu in the broadcast booth, as a good luck charm for the Angels.
“We certainly could use one,” Randazzo said.
Minasian, the sixth-year general manager, has yet to deliver a team that finished better than 17 games out of first place. On Wednesday, I asked him to explain why he was so confident in saying he had “no doubt” the team’s best days were ahead.
“We’ve been very competitive,” Minasian said. “Our wins and losses aren’t where we want them to be, but we have lost a lot of one-run games, a lot of tough games.”
The Angels have lost six one-run games. So have the Yankees, the team with the best record in the American League.
The Angels’ run differential is minus-14. They are four games behind in the AL West, where the first-place Athletics have a .500 record and a minus-21 run differential. You never know.
So far, however, the Angels’ offense is all about the three true outcomes: They strike out the most of any major league team and rank among the top six in walks and home runs, but they do not rank among the top 10 in runs. Only five teams have given up more runs.
“Going to the bullpen has been a harbinger of danger for the Angels,” Randazzo told viewers. The Angels’ bullpen entered Wednesday with a 5.35 earned-run average, the highest in the AL.
Owner Arte Moreno cut payroll this year, amid the implosion of the FanDuel regional sports networks. Edwin Díaz was not walking through the bullpen door.
Angels owner Arte Moreno.
(Ashley Landis / Associated Press)
But the Dodgers find solid bullpen arms in ways beyond buying them: Evan Phillips was cast off by the Baltimore Orioles during a 110-loss season; Alex Vesia was acquired from the Miami Marlins after putting up an 18.69 ERA in his first five major league games.
“We’ve had guys like that,” Minasian said.
He cited Brock Burke, a waiver claim who gave the Angels two solid seasons in middle relief. Minasian traded him last winter for outfielder Josh Lowe, and any general manager would trade a middle reliever for a middle-of-the-order bat. To this point, Lowe has a .198 on-base percentage and a .287 slugging percentage.
Lowe is but a data point in illustrating this primary point: Minasian’s margin for error is smaller than it otherwise would have been if Moreno had not withdrawn from the market for top-tier free agents or had approved trading Ohtani for elite prospects that would have accelerated rebuilding. Smaller, but other teams do more with less.
“We’ve got to be able to develop our own players,” Minasian said.
On the day Minasian said he had “no doubt” better days were ahead for his team, the Angels, their triple-A affiliate and their double-A affiliate all were in last place.
Analysts perennially rank the Angels’ farm system among baseball’s worst. Minasian said he’ll put his faith in four homegrown starters: José Soriano, Reid Detmers, Jack Kochanowicz and Walbert Ureña. Their combined ERA so far: 2.99.
“When you look at good teams and sustainable winners, they build rotations, whether that’s through trades or free agency or your own,” Minasian said. “We’re doing it with our own. You can’t microwave that overnight.”
You can’t make fans wait forever for October either. Angels fans have heard enough about building a competitive team and needing patience.
They have not seen their team in a playoff game in 12 years. When are they going to see that?
Angels pitcher Walbert Ureña delivers against the New York Mets at Angel Stadium on May 1.
(Luke Hales / Getty Images)
“I’m not in the prediction business,” said Minasian, whose contract expires after this season. “They’re going to see a team that plays hard every day. They’re going to see young, talented players day in and day out.”
That’s fine, but when are they going to see a winning team?
“The proof will be in the pudding,” he said. “It doesn’t matter what I say. I could say all these things. At the end of the day, we’re going to go play 162 games. We’ll see where we end up and who’s done what, and we’ll go from there.”
On Wednesday, the Angels won a series for the first time since April 12. They’re 3-2 with Grogu in the broadcast booth.
The schedule gets more challenging: a trip to Toronto and Cleveland, then back to the Big A to play the Dodgers. The same distant Angel Stadium seat available on the resale market for Wednesday’s game for $5 (fees included) is available for $103 for the opener of the Dodgers series.
Orange County loves a winner. There was a long line at that Irvine street fair to collect souvenirs from one booth — the one for the Anaheim Ducks.
The Southern Section will hold its four track and field prelims on Saturday at four high schools, but lots of focus will take place at the Division 3 meet at Yorba Linda.
Servite, with its outstanding sprinters, and Sherman Oaks Notre Dame, with sprinters, hurdlers and shotputters, will be trying to qualify their best athletes in preparation to battle it out at the Southern Section championships on May 16 at Moorpark High.
“We’re trying to qualify but also build upon all our races,” Servite coach Brandon Thomas said.
Servite looks finally healthy. Robert Gardner, a sprinter who was hurt all season, ran 10.87 seconds last week in the 100 meters in his comeback race. He’ll be one of four Servite athletes trying to qualify in the 100. Another previously injured athlete, Jaelen Hunter, has also returned and will be in the 400.
Notre Dame’s Brayden Borquez recovered from his spill at the Arcadia Invitational to win the 110 hurdles last week at the Mission League finals. JJ Harel, the defending state champion in the high jump, is also gearing up to score points in the long jump and triple jump.
Welcome back to the Times of Troy newsletter, where the spring sports calendar is quickly coming to a close at USC. Saturday saw a trio of Trojan teams upended in the NCAA tournament. The women’s beach volleyball team fell in a brutal quarterfinal shutout by No. 5 Florida State. Men’s volleyball faltered in the second round to No. 3 Hawaii, and the men’s tennis team was shut out 4-0 by No. 9 Oklahoma.
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But at USC, there’s a lot of excitement about what’s coming next. The year ahead is a critical one, and not just for Lincoln Riley and the football program. Eric Musselman enters Year 3 with no tournament invites to date, but the most talent he’s had yet as USC’s men’s basketball coach, while the women’s basketball program could be more talented next season than it has ever been.
That abundance of star power has made for a much different offseason for Lindsay Gottlieb this spring. At this time last year, the women’s basketball coach was scrambling to put pieces together in the transfer portal after JuJu Watkins’ knee injury derailed the Trojans’ plans of a title run. The vibes …. were not great. Two promising young guards, Avery Howell and Kayleigh Heckel, left. Some potential transfers who hoped to play with Watkins went elsewhere. All setting up for an up-and-down season.
But with Watkins set to return to full-go this summer and a trio of five-star prospects set to join her, Gottlieb entered this offseason facing polar opposite circumstances. Watkins is set to retake her throne as the most dominant player in women’s college basketball. Jazzy Davidson, already the national freshman of the year, should only get better as a sophomore. And Saniyah Hall, the nation’s top recruit in 2026, would be the best player on most college basketball teams. She may only be the Trojans’ No. 3 next season.
So when Gottlieb set out to survey the transfer portal this spring, she wanted to take a much more selective, intentional approach to building out an already-stacked roster.
“We wanted players that fit,” Gottlieb said. “It takes the person to have the courage to understand that they can really contribute with these really talented players that we have. And also a humility to know that we’re trying to win a national championship, so you’ve got to [be] confident and believe in your abilities. But it can’t necessarily be where they want something crafted around them only, you know? Because we’re trying to win a national championship.”
Pania Davis with Florida State last season.
(Gary McCullough / Associated Press)
She wanted more size, to split time with five-star freshman Sara Okeke at center and found 6-foot-6 center Pania Davis, a towering rim protector who played last season at Florida State.
“We were studying the best bigs that fit us, and 6-6 just jumps out at you,” Gottlieb said. “The way she moves we were really excited about.”
Gottlieb also set out to add an experienced guard in the portal after nearly all of USC’s backcourt depth departed in the offseason and landed on one that she’d known since her first year as the Trojans’ coach.
Gottlieb met Ryann Bennett at a camp during that first season, and when she became available last month after two seasons at UC Davis, her skills just happened to fit USC’s needs perfectly.
“She’s just a really good all-around player,” Gottlieb said. “She can create and pass. She plays some point guard. I don’t think she’s going to be afraid of taking or making a big shot.”
USC could add another player or two in the portal from here, Gottlieb said, but she also doesn’t want to upset the balance that she has right now, on a roster that should already be among the best in the nation.
The question now isn’t so much who USC adds, but how Gottlieb will manage the needs of a roster full of star players. Though, she scoffs at any concern that there’s only one ball to be shared among USC’s star-studded group.
“There’s one ball for South Carolina. There’s one ball for LSU. There’s one for UCLA,” Gottlieb said. “We’ve gotta play in a way that values winning. I don’t think it should take away anyone’s individual skills. But the priority has to be playing the best possible basketball.”
A joyous title run
USC women’s water polo players celebrate after defeating California for the NCAA title last month.
(Derrick Tuskan / NCAA)
The first season that Casey Moon took over USC’s water polo program, he freely admits that “I fell on my face.”
The Trojans lost in the NCAA tournament quarterfinals of the 2024 season, their worst finish in decades. And in the weeks that followed, Moon tried to step back and reevaluate what he wanted to be as a head coach. He had no choice but to be away from the pool, which was under construction all summer.
“The thing that kept coming up,” Moon says, “is this aspect of joy.”
Two years later, Moon has USC water polo back on top again, winners of their seventh national title. He and his players say “joy” is the reason why.
“We’re really unserious, and I think it helped us a lot this year,” said goalkeeper Anna King, who had a career-high 14 saves in the national title win. “We’re trying jokes the whole time. We’re just, like, making fun of each other. We keep it light.”
Maggie Johnson, a senior attacker, points to a moment between the third and fourth quarters of USC’s narrow title win over California.
“We are up by one, and they zoom in on our huddle, and we’re all just dancing,” Johnson said. “And I think that just encapsulates, like, what our team is.”
—The NCAA is primed to change its eligibility rules in a big way. The new rules would eliminate the notion of “redshirts” or eligibility waivers — and hopefully stop the cascade of legal challenges — by giving athletes five years to play, with only few exceptions. Eligibility issues have been a disaster as of late for the NCAA, and president Charlie Baker said last week that he’s “pretty optimistic” that the changes will pass when a vote happens later this month. Lincoln Riley has said in the past that he favors the five-year rule, though it’s been a while since we asked.
—The Big Ten distributed a record $1.7 billion in 2024-25, USC’s first year in the league. That was a 55% increase from the previous year, before USC, UCLA, Washington and Oregon joined and the most money ever distributed by a college football conference. And from that pile of conference cash, USC should bring in somewhere between $76 million and $80 million. That’s nearly three times as much as the school got in its last year of the Pac-12. In case you needed reminding why USC left.
—USC lost a key member of its football front office. Zaire Turner came with general manager Chad Bowden in 2025 to be the Trojans’ new director of recruiting operations and played a key part in putting together the nation’s No. 1 class in 2026. Now, after a year, Turner, a Dallas native, is off to Southern Methodist where she’ll be senior director of recruiting.
—USC baseball notched its second straight Big Ten sweep. That brings the Trojans to 37-12 on the season, which still leaves them within striking distance of second place in the Big Ten with one conference series — and two overall — remaining in the regular season. With five more wins out of their seven remaining games, the Trojans would lock up their best regular season in a quarter century.
—A shout-out to USC women’s golf, who I unfortunately overlooked in last week’s newsletter, even after they’d won the school’s first Big Ten title and 10th conference title overall. And not just that, sophomore Jasmine Koo won the individual Big Ten title. She was already the winningest player in USC women’s golf history, but added her most distinguished honor yet by becoming the school’s eighth individual conference champion.
What I’m watching this week
Oscar Isaac as Josh Martin, Carey Mulligan as Lindsay Crane-Martin in “Beef.”
(COURTESY OF NETFLIX)
When its first season debuted on Netflix in 2023, there weren’t many shows out there that could build anxiety-inducing tension quite like “Beef.” And I’m happy to report that it’s still got it.
Season 1, which starred Ali Wong and Steven Yeun, centered on a road-rage dispute that escalated out of control. Season 2 has a totally new story, even better actors — Oscar Isaac and Carey Mulligan are the couple at the center of the beef — and even higher stakes. This time, a younger couple played by Charles Melton and Cailee Spaeny witness Isaac and Mulligan, who run the country club they work at, get into a raging fight, the optics of which don’t look so great.
This problem maybe could’ve been solved with a little communication. But judging by the name of the show, you can probably guess which direction it went.
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.
But that’s not always how she felt decades ago during her time as a student at the Claremont school.
“I grew up very sickly,” Brown told The Times last month while visiting Vista del Valle for a mural unveiling ceremony. “I had asthma. I had pneumonia, bronchitis. … I never thought I’d be running because I just was not the person that would be running. I was told to stay inside, not go outside.”
U.S. sprinter Brittany Brown celebrates winning the bronze medal in the women’s 200-meters at the 2024 Paris Olympics.
(Christian Petersen / Getty Images)
Former Vista del Valle Elementary student Brittany Brown wears her 2024 Paris Olympics bronze medal at the school’s district track and field competition April 24.
(Etienne Laurent / For The Times)
Brown’s family also faced housing uncertainty and financial struggles during that time. They moved around a lot, and sometimes Brown and her family — mother Yo-Landa, father Wayne, older sister Brandi, twin brother Brandon and younger brother Bryan — found themselves living in a hotel room near the elementary school.
Her mother told The Times that the school and the community provided invaluable support during those trying times.
“I think emotionally, it took a toll on her,” Yo-Landa Brown said. “But, of course, she was always joyful. She was very observant. She was kind. I could tell she used to cry a lot, but we all just tried to keep things calm and collected around her.”
U.S. sprinter Brittany Brown, a bronze medalist at the 2024 Paris Olympics, is all smiles after winning a ribbon in the Vista del Valle track meet as a fourth grader in 2007.
(Brandi Brown)
The mural ceremony was held April 24 immediately after the school’s 50th annual district track meet, where Brown interacted with the participants and handed out ribbons. Vista del Valle Elementary hosts all seven elementary schools in the district each year for the meet. It was as a fourth-grade participant at the same event nearly 20 years ago that Brown discovered she loved to run — and also that she was very good at it.
“I remember running just felt very freeing. Like it just felt like, ‘OK, I’m not the sick kid. I can just try and do something,’” said Brown, who holds the Claremont High School record in the girls 100-meter and 200-meter races. “And I was also winning, so that helped as well. … Running has brought me opportunities I never thought I would ever experience.”
The mural was painted by local artist Xiucoatl Mejia, who attended Claremont Unified School District schools from kindergarten (Sumner Elementary) through high school (Claremont High). He has painted several murals at district schools in recent years and was already working with first-year Vista del Valle principal Charles Boulden to start an after-school art club for the students.
The two men thought it would be great to have a mural on campus to tie in with the half-century anniversary of the district track meet. The realization that one of the country’s top sprinters was a Vista graduate who got her start at the same meet served as further inspiration.
The mural depicts an adult Brown running while wearing a Vista track uniform and carrying a torch. A large group of children runs behind her, with some of those kids resembling students from the art club.
People gather in front of a mural featuring U.S. sprinter Brittany Brown prior to its unveiling ceremony April 24 at Vista del Valle Elementary in Claremont.
(Etienne Laurent / For The Times)
“It just made sense to include some of the kids who were in the class and make it a little bit more custom to the school and personal to these kids,” Mejia said.
Third-grader Levi Adams said being depicted in a mural on a school wall is “special because when you’re older you can go back and look at it.”
Second-grader Holland Ly agreed that “it’s pretty special” to be featured in a painting that “many people” will see through the years.
Art club students also helped paint the mural.
“I had the kids lay out the whole track,” Mejia said. “I wanted them to do that very specifically, because I wanted them to understand that that’s the foundation for the race in our scene. … I wanted them to have that part in it, and be able to look back on it and see it.”
The theme of the piece initially was victory, Mejia said, but it evolved.
“As it progressed, the theme kind of changed into carrying the torch and paving the way for a better future for our youth and for our communities,” Mejia said. “It became a lot bigger than what initially it was. It became something that is a little bit more powerful than any singular victory. It was a collective victory with everyone.”
Boulden thinks the mural ended up being a tremendous success.
U.S. sprinter Brittany Brown holds up her bronze medal from the 2024 Paris Olympics surrounded by, from left: mother Yo-Landa Brown, twin brother Brandon Brown, brother Bryan Brown, grandmother Jeanette Royston and sister Brandi Brown.
(Brandi Brown)
“I couldn’t be happier with how it is — the colors, how vibrant it is and what it represents to me,” the principal said. “I see perseverance in there, and I see chasing dreams, and I see kids chasing after somebody who’s chasing their dreams as well.”
Brown is also thrilled with how the first mural in her honor turned out.
“I think it’s really good! I’m really, really happy with it,” said Brown, who is currently training in Los Angeles with the long-term goal of competing for the U.S. again in the 2028 Summer Olympics. “I love the colors. It even has my choker — I wear a choker when I run a lot. It has the little, fine details, so I think that was really cool.”
Her mother said she thought it was “really touching” that Mejia included images of current Vista students in the painting.
“Yes, Brittany is the Olympian, but now you have the next generation involved,” Yo-Landa Brown said. “Their stories will continue to live on and they will remember that. And that will give them the inspiration to be better and to do better in their lives. I thought that was phenomenal. I felt so thankful that he was able to capture that.”
Wearing her Olympic medal around her neck, Brown addressed the student body at the mural ceremony and became emotional while talking about the hardships she overcame while attending the school.
Olympian Brittany Brown hands out ribbons and high-fives to participants in Vista del Valle’s annual district track and field meet April 24 in Claremont.
(Etienne Laurent / For The Times)
“I really just want them to know you can create beautiful stuff, even in the struggle,” Brown told The Times afterward. “It’s going to be a lot harder, but you can still create beautiful stuff in the struggle. And I definitely have created a different life for me. …
“I never thought the little girl in the hotel would freaking have a mural. I never thought, like a little asthma girl, you know, someone who wasn’t allowed outside, that this would be my story. So it’s definitely crazy. That’s what I want them to know.”
Brown’s message seems to have resonated with the students. Fifth-grader Kaylee Mency said Brown’s story of her childhood struggles “really meant a lot to me because she still kept going even though her life wasn’t as good.”
Fifth-grader Eliana Ocegueda added: “She went to this school and now she’s an Olympian. It’s really inspiring and it kind of makes you think about you can be anything you want to be.”
They call themselves the Booked Babes. Tonight, the women are gathered in Anna Sokol’s kitchen, surrounding an oven-roasted duck stuffed with apples. The dish is a Ukrainian delicacy from Sokol’s home country, where she was once a fashion designer and influencer. Now, she’s in Venice Beach. Sunlight bleeds in from the window where the sun is setting over the Venice Canals. At the women’s feet, a mini Bernedoodle, Zipper, paces nervously, barking at arriving guests. Screams echo from the upstairs bedrooms, where two husbands are in exile, watching a Green Bay Packers game with a newborn baby.
Tonight’s book club is Eastern European-themed, prompting the women to wear red cardigans and dresses. The book under discussion is “The New Rules” by Russian-born TikTok influencer Margarita Nazarenko, who prescribes gender roles that Sokol recognizes as distinctly Eastern European. Nazarenko is a best-selling author with more than 600,000 followers on Instagram, known for offering practical, blunt dating advice to women. “Her methodology feels very Eastern European in male and female relationships and dynamics,” Sokol explains as her guests pick at deviled eggs and brie cheese with manicured nails.
The guest list for the Booked Babes is small — only six women, with one of them commuting remotely from Miami; this time, she joins over FaceTime. The Booked Babes was founded more than two years ago at a holiday party as a New Year’s resolution to read more and forge new friendships. Since then, the women have become best friends, and the book club meetings they host have taken on a life of their own —becoming more spectacular and competitive with each meeting.
The Booked Babes journeyed to a gothic mansion in La Jolla and dressed as Marie Antoinette in extravagant rococo dresses.
(Anna Sokol)
“It started off very normal in the beginning, very casual,” book club member Cassandra Leisz explains. “I don’t really know when the switch happened.”
With each passing month, the book club became more elaborate and more involved — including vacations in coastal towns, costuming, pickleball tournaments and monogrammed custom merch.
Take the historical literary fiction novel “Perfume: The Story of a Murderer” by Patrick Süskind, for example, set in the 18th century. The group journeyed to a gothic mansion in La Jolla and dressed as Marie Antoinette in extravagant rococo dresses. Eighteenth century activities included croquet and designing a custom perfume, all accompanied by fashion photography. Sokol chose the novel for its cult status in Ukraine: “Everyone read it, even though it’s a really weird book.”
For the book club members, the spectacle is part of the fun. “It gives us all a chance to be creative and come together. You get to make it whatever you want it to be. There’s the element of: how do I want to express myself in this time period?” says Leisz.
For the book club pick “Flawless” by Elsie Silver, Ashley Goldsmith planned a cowboy picnic in Franklin Canyon, complete with her mother’s vintage Chevy pickup truck.
(Anna Sokol)
For her turn hosting, Leisz rented a boat — not quite a yacht, she clarifies — in Marina del Rey, paired with lobster rolls and champagne. The novel was “The Wedding People” by Alison Espach, set in a hotel in Newport, R.I. Leisz leaned into the snobby, blue-blood aesthetic described in the book for her outing.
“It is a financial commitment. We put a lot of money into it between the decor, the gifts and the activity,” says Leisz.
Opinions and literary taste often vary among the women. The book club enjoys sparring over polarizing books, but the point is always friendship. “There are a lot of times I don’t like the book, but I love having an opportunity to spend time with girlfriends,” says Ashley Goldsmith.
Custom merch like personalized sweatshirts, elaborate gifting and travel have become a tradition for this book club.
(Anna Sokol)
For her book club on “Flawless” by Elsie Silver, Goldsmith planned a cowboy picnic in Franklin Canyon, complete with her mother’s vintage Chevy pickup truck for photo ops. The meal was followed by a mechanical bull-riding competition at Saddle Ranch. Goldsmith even hired a security guard to secure the public picnic bench beginning at 7 a.m.
The Booked Babes have attracted attention on the members’ social media with eager requests to join. The book club always politely declines, given its specific chemistry. “The second we started posting about this and talking about it, people were like, ‘Oh my God, how do I join?’” says Leisz. Since schedules are already tricky to maneuver, the club does not accept new members.
The Booked Babes raise their glasses.
(Carlin Stiehl / For The Times)
In curating a book club, the members insist that diversity of opinion is key. “We’re all quite different from each other. We have very different backgrounds. Some of us come from different countries,” says Leisz. Illana O’Reiley, who joined over Facetime, immigrated from Dublin and is currently living in Miami.
At dinner, the book club sits down for the Ukrainian meal to discuss “The New Rules.” On the table are elaborate rose arrangements and settings draped in red ribbon. Amanda Ghaffari slyly streams the Green Bay Packers game on her iPhone. O’Reiley jokes via Facetime she is eating popcorn and watching the hit gay drama “Heated Rivalry.”
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1.A flower arrangement is set for a themed book club.2.A cheese plate.3.Book club members wear red and pink dresses for their meeting.(Carlin Stiehl / For The Times)
The conversation includes some light teasing about each other’s attachment styles — the intimate banter of close friends. Victoria Frenner, who is a therapist, expresses skepticism about the book’s punchy tone. “When someone is speaking on something with a lot of conviction, like, there always has to be some kind of caveat,” Frenner says.
“This is why I wanted you to read it. It’s very Eastern European-focused.” Sokol says. “American girls are a little more on the independent side. She doesn’t say ‘don’t be independent,’ but she talks a lot about femininity.” Sokol recounts the dizzying story of meeting her husband at a wedding in Moscow, which begins with her husband attending a nightclub in Dubai.
Ashley Goldsmith reads her individualized star chart.
(Carlin Stiehl / For The Times)
For the activity planned, Sokol, who is eight months pregnant and wearing a dazzling candy-pink dress that matches the chosen book’s cover, presents the members with their own custom Slavic astrology reading, one she procured from a Ukrainian astrologer she visited when she was 19. Fortune telling and mysticism are common in Eastern Europe, she explains. The custom readings are bound in booklets, each featuring a spirit animal, such as a panda, and suggested habits.
“Avoid fast cars and motorcycles. Avoid countries with active war,” one of the booklets read.
Ghaffari explains that ever since she was 3 years old in Milwaukee, her mother has been in a decades-long book club. “She flies back for it, and she’ll recommend books that they just read,” Ghaffari says. Three weeks ago, Ghaffari had her first baby, who is in attendance, whom she jokes is the “book club heir.”
The Booked Babes fall quiet as they thumb through their astrology booklets, reading about destiny, transfixed by the mesmerizing promise of inevitable fate.
Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.
ANAHEIM, Calif. — When Joel Quenneville took over the long-suffering Ducks nearly a year ago, the veteran head coach cautiously said he hoped to get his new team into contention this season for its first playoff spot since 2018.
His young, hungry Ducks made it to the playoffs, all right — and they’re clearly not just happy to be here.
After nearly winning the Pacific Division in a surprisingly strong regular season, these Ducks ended the franchise’s eight-year postseason drought — and now they’ve eliminated Connor McDavid, Leon Draisaitl and the two-time defending Western Conference champion Edmonton Oilers with a six-game series victory in the first round.
Anaheim finished it off with a 5-2 victory in Game 6 on Thursday night, calmly dispatching its more experienced opponents with the poise and potency that this team has shown for long stretches this season. Quenneville could only applaud as his team took the next step on its journey.
Ducks center Leo Carlsson celebrates with left wing Chris Kreider after scoring an empty net goal during Game 6 of their Stanley Cup playoff series against the Edmonton Oilers on Thursday in Anaheim.
(Mark J. Terrill / Associated Press)
“It’s a huge win,” Quenneville said. “I’m happy for the players. I’m happy for the fans. And now we’ve got a taste of playoff hockey, and I think we can feel at this moment that it’s so much fun playing games that have the meaning, and the building being as loud and excited as it is. It seems to grow from this level on.”
The future has finally arrived in Orange County, and the raucous sellout crowds that have supported this team all season long are loving the return of playoff hockey for the team that won California’s first Stanley Cup in 2007.
The Ducks also had one of the NHL’s best teams while winning five straight division titles through the middle of the 2010s, but those teams twice lost in the Western Conference finals before Anaheim fell into a rut of seven straight years without a playoff berth.
Those years of high draft picks have led to a roster with impressive high-end talent in its young core, and general manager Pat Verbeek added a slate of veteran signees to bolster it. Quenneville was the next huge piece of the puzzle, and the three-time Stanley Cup winner as a head coach has guided the Ducks to a first-round postseason upset.
“We know that (at) our best is a really good team when we’re playing the right way,” said Troy Terry, the longest-serving Ducks player since 2018. “We proved it to ourselves that we can do it consistently in a series, and our group should have a lot of confidence going forward in what makes us a good team.”
After stumbling into a 2-6-2 slump down the stretch and blowing the division lead, the third-place Ducks drew the playoff-tested Oilers in the first round. It looked like a nightmare matchup for an inexperienced team — but the Ducks were ready.
Anaheim stormed to a 3-1 series lead while pumping 20 goals past the Oilers, who looked slower and creakier than the Ducks. Edmonton showed off its postseason poise in Game 5, throttling the Ducks in a 4-1 victory and putting the onus on their inexperienced opponents to finish off the series.
And that’s exactly what the Ducks did: They scored three goals in the first period, jumped to a 4-1 lead after two, and never allowed the Oilers to get up enough momentum to seriously threaten a comeback.
“I’m just proud with the maturity level of that game,” Terry said. “For how inexperienced and young our team is, it’s exciting moving forward.”
Anaheim also got a star-making performance from defenseman Jackson LaCombe, who led the team with nine points while also leading its defensive effort against McDavid and Draisaitl. LaCombe, a late addition to the U.S. Olympic team last winter, led the Ducks with a plus-6 rating while playing 22 1/2 minutes per game and taking just one penalty.
“A lot of us young guys are learning a lot as we go along, and I thought we got better throughout the series,” LaCombe said. “It means a lot for us.”
The Ducks have extended their breakthrough season for at least another couple of weeks, and they’re relatively healthy. Their next opponent will be the Vegas Golden Knights — another experienced playoff team loaded with veterans.
The Ducks and their fans are thrilled to take the next step on this unlikely journey.
“Now we get to experience another round, and I think this is healthy for us,” Quenneville said. “We’ve got a young group that … you don’t know how they’re going to play, but you’re certainly excited what the upside is.”
Ticket prices are just the start of the soaring expenses many fans will face while trying to watch World Cup games this summer.
NJ Transit is charging $150 for round-trip tickets from Manhattan to the Meadowlands (the regular price is $12.60) for the World Cup final, while host committee shuttle buses will cost $80.
The Massachusetts Bay Transportation Authority is demanding $80 to ride one of the 14 express trains on the 30-mile trip from downtown Boston to Foxborough for games at Gillette Stadium. That’s more than three times the normal price.
Parking in Kansas City, meanwhile, will set you back by as much as $900, depending on the game and lot.
In Southern California, however, it will cost $1.75 to get to SoFi Stadium on a combination of buses or trains from as far away as Claremont and Simi Valley. That’s also what it costs to get to the Inglewood venue on any other day of the year; only two of the 11 World Cup cities in the U.S. are offering less expensive public transportation.
“We’re trying to make things convenient,” said Conan Cheung, the chief operations officer for the Los Angeles County Metropolitan Transportation Authority, or LA Metro, the second-largest transit agency in the country, servicing more than 305 million riders in 2025.
That’s a marked departure from the experience fans have reported ahead of this summer’s World Cup, which was marked by complaints over difficulty getting access to buy tickets, high ticket prices, shifts in seat locations after they were purchased, high fees and expensive game-day transportation.
“There’s no standardized fare set across the board,” Cheung said of World Cup transportation. “We’ve made a commitment to keep our system accessible. The way we’re planning the entire program is to ensure that we support people from the minute they decide to come to L.A. for the World Cup.
Workers are getting SoFi Stadium ready to host World Cup matches this summer.
(Eduard Cauich / Los Angeles Times )
“We also want to make sure that your excitement and your experience for the World Cup starts and ends on Metro.”
LA Metro has been able to hold costs down in part because it received $9.6 million in funding from the $100 million Congress gave the Federal Transit Administration to support transportation to and from World Cup stadiums. LA Metro is adding about 300 buses to its regular fleet to handle the additional demand, with shuttles servicing nine direct routes to SoFi and various fan zones.
Roughly 200 of those buses will lent to LA Metro from 11 regional transit agencies. Additional security officers also will be added.
“I feel prepared,” Cheung said, “but you never know what’s going to happen. We’ve done enough major special events to know that you can do all the planning in the world, but you need to make sure that you have contingencies in place and you’re prepared to pivot at a moment’s notice.”
A case in point: when Game 3 of last fall’s World Series went into extra innings, LA Metro immediately extended the operating hours for Metro buses and trains, ensuring people had rides home when the game ended just shy of midnight.
“Part of our preparedness is going through tabletop exercises,” he said. “The point is to ensure that the flow from the parking, from the transit connection and walking up made sense and was intuitive and easy to follow.”
Since Metro trains don’t run directly to SoFi, Cheung has added shuttle buses to take fans from the stations to the stadium. Portable restrooms and hydration stations will be available. And nine park-and-ride sites will be set up around L.A. and Orange counties. Reserve and pay for a parking space and everyone in your car can ride to the stadium for free. (Be sure to bring a lot of friends since the parking fees range from $59 to $102 for the June 12 opening match.)
A pair of visitors from Japan rush to catch a Metro bus in March.
(Genaro Molina / Los Angeles Times)
Cheung said LA Metro has been preparing for the World Cup almost as long as some of the players. When Taylor Swift brought her Eras tour to SoFi in the summer of 2023, LA Metro used that as something of a dress rehearsal for the World Cup, expanding late service and adding free shuttles from nearby train stations.
That increased ridership by 25%, which meant less traffic on the roads and freeways leading to the stadium. A repeat of that could be crucial during the World Cup since five of the eight games played at SoFi are scheduled to start at noon local time.
And just as the Taylor Swift concerts prepared LA Metro for the World Cup, now the World Cup will help inform preparations for the 2028 Olympics.
“A lot of the strategies that we’re doing now — the process for working with not only local jurisdictions, state and federal agencies, as well as the other transit agencies in the regions — we’re setting up ways that are going to help not only for the Olympics and Paralympics, but anytime we need to pull together to support our communities for special events [or] natural disasters.”
⚽ You have read the latest installment of On Soccer with Kevin Baxter. The weekly column takes you behind the scenes and shines a spotlight on unique stories. Listen to Baxter on this week’s episode of the “Corner of the Galaxy” podcast.
Maybe Tom Cruise will make a visit to Sherman Oaks Notre Dame on Thursday for the Mission League track and field finals since he’s the one who said in his 1986 movie, “Top Gun,” that he feels “the need for speed.”
There will be no lacking in speed for the 100 meters, where there are so many runners who have run under 11 seconds this season that a second 100 final could be run if needed. Zion Phelps of Loyola has the fastest time at 10.39. Quincy Hearn of Notre Dame is at 10.52. Jayden Davis of Loyola has run 10.57. And there’s a freshman at Harvard-Westlake, Calvin Portley, who ran 10.69 at Monday’s prelims.
The 4×100 relay also should be outstanding, matching Notre Dame and Loyola. The Notre Dame quartet of Nikko Petronicolos, Quincy Hearn, Beckham Borquez and Emmanuel Pullins has run 40.76. Loyola has a time of 40.73.
Borquez is also a top hurdler and defending state champion JJ Harel of Notre Dame will be in the high jump. Ejam Yohannes of Loyola is one of the favorites to win a state title in the 400.
League finals are scheduled all week, with the Trinity League finals on Friday at 6 p.m. at JSerra.
Southern Section prelims will be held next weekend, followed by the finals on May 16 at Moorpark High.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com
When you break a promise as clear as “No new wars,” you shouldn’t be surprised when even your most loyal supporters revolt. And that’s exactly what is happening to President Trump.
One such disillusioned supporter is Tucker Carlson — who on a recent podcast with his brother Buckley admitted, in essence, “My bad.”
“You wrote speeches for him. I campaigned for him. I mean, we’re implicated in this, for sure,” Tucker Carlson said during the conversation.
“In real ways, you and me, and millions of people like us, are the reason this is happening right now,” Calson confessed, referring to the Iran war. “We’ll be tormented by it for a long time. I will be, and I want to say I’m sorry for misleading people, and it was not intentional.”
Having worked for Carlson for six years at the Daily Caller, I’ve always found him intelligent and funny and generous, even as I have profoundly differed with him on a variety of issues throughout the Trump era.
It did my heart good to hear him accept some responsibility for what Trump has wrought.
A lot of people were complicit in boosting Trump, and some of them have even subsequently criticized him for various sins (failing to release the Epstein files, going to war with Iran, etc.). But this is the first time I can recall anyone of this stature explicitly apologizing for helping elect Trump. And that warrants a certain amount of respect.
Still, let’s be clear-eyed about what Carlson is — and isn’t — saying here. Specifically, it’s worth noting that the apology doesn’t extend to validating those of us who opposed Trump from the beginning.
In fact, it almost can’t.
Doing that would require the confessor to reinterpret not just Trump’s presidency, but also the entire ecosystem that made supporting Trump a viable option in the first place.
It would mean admitting that the framework he used to evaluate Trump was flawed, not just the outcome.
That would end up being perceived as an indictment on the broader Republican electorate — and on Carlson’s worldview and judgment — not just on Trump’s recent performance or (even more conveniently) the notion that Trump has changed or was co-opted by Israel (or whomever) since 2024.
It’s a much bigger ask than saying, “I regret this specific result.”
Specifically, Carlson is not conceding that the “Never Trump” crowd got it right — which is what those of us who have spent a decade opposing Trump (with little fanfare) have been dying to hear for a decade (even more so than “I’m sorry.”)
This is an important distinction, partly because it means that, although Carlson is now a convenient ally in the “resistance,” he is not opposing Trump for the same reasons that most Democrats or Never Trump conservatives oppose Trump.
If you put aside Trump’s decision to go to war with Iran, the Carlsons’ second-biggest criticism of Trump (based on their two-hour-long podcast) is his failure to more vigorously defend the Jan. 6 Capitol rioters.
That’s right. It’s not that he sicced immigration enforcers on immigrants and that they subsequently killed two American citizens. It’s not that DOGE fired lots of good people. It’s not that this president tried to use the Department of Justice to seek vengeance on his political rivals. It’s that Trump — the person who pardoned these people — wasn’t aggressive enough in defending the criminals who stormed the U.S. Capitol while trying to overturn the 2020 election results.
And while there’s no reason to doubt Carlson’s remarks are sincere (he has been a vocal opponent of war with Iran) and meaningful (he’s an influential figure), his comments may also signal something else: a recognition that opportunity awaits.
Consider this: Trump’s political standing is in deep trouble (Trump’s approval rating is down to 33%, according to a new AP-NORC poll).
What is more, Trump’s fading fortunes aren’t just isolated to Trump. As always, there is collateral damage: JD Vance.
Once seen as Trump’s obvious heir, Vance now finds himself in a difficult position, defending the war in Iran and attacking the pope, while simultaneously releasing a book about his Catholic conversion.
In that sense, Carlson’s apology could be less a grudging epiphany than a strategic recalibration. It acknowledges that Trump has gone off the rails but stops short of examining why it was destined to go wrong in the first place.
Carlson gets close to the answer when he tells his brother, “there were signs of low character. We knew that,” but then dismisses it by saying “there are tons of people of low character who outperform their character.”
Without deeper reflection, this apology risks becoming just another pivot — one that has as much to do with positioning as it does with repentance.
And that would be a shame.
It’s easy to regret an outcome. It’s much harder to interrogate the instincts that led you (and tens of millions of Americans) to enable it.
Apologies like Carlson’s won’t close the chapter on this long national nightmare.
Thirty years ago, comedian and actor Tig Notaro didn’t have a clear direction in life, so she followed some childhood friends who wanted to get into entertainment to Los Angeles. Secretly wanting to do stand-up, Notaro decided to try her luck at various outlets in town, which became the start of her successful career.
“I stayed on my friends’ couch near the Hollywood Improv on Melrose, and a couple months later, got my own studio apartment in the Miracle Mile area,” Notaro says. “I love all the options for everything in L.A. — the entertainment, the restaurants. I like to stay active. So many people love the hiking options in Los Angeles, and I’m one of them.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Notaro appears in Season 3 of Apple TV’s “The Morning Show” and is a series regular on Paramount+’s “Star Trek: Starfleet Academy,” as she was on “Star Trek: Discovery.” She’s also a touring stand-up comic and hosts “Handsome,” a comedy podcast, with Fortune Feimster and Mae Martin. The trio will be taping a live show May 4 at the Wiltern with the cast of Netflix’s “The Hunting Wives.” The live shows include interviews, but also “incorporate some ridiculous things,” she says. For example, upon hearing that some of the hosts always wanted to learn to tap dance, Notaro “hired a tap instructor to come to our live show in Austin and teach us how to tap dance in front of the audience.”
Notaro lives near Hollywood with her wife, actor Stephanie Allynne, their 9-year-old fraternal twin boys, Max and Finn, and three cats, Fluff, Linus and Skip. When she’s not touring, her ideal Sundays include sampling vegan restaurants, wandering through bookstores or museums, and doing something physically active with the family.
This interview has been lightly edited and condensed for length and clarity.
6 a.m.: Up with the kids
Because we have active children, we still wake up at 6 a.m. or 6:30 a.m. on Sunday, but there’s not as much of a rush to get going. Stephanie and I will often have coffee and chat in the living room together. I love that part of the day. Stephanie may cook breakfast, but Max and Finn are pretty self-sufficient and can make certain little meals for themselves. Max is really starting to take an interest in cooking, so he’d make breakfast for himself. Our family is vegan, but he eats eggs, so he makes himself an egg sandwich with avocado a lot of times.
9 a.m.: Daily morning walk
After breakfast, we usually have a morning walk around our neighborhood. That’s a daily thing I like to do, regardless of what’s going on. Now that I’m not touring as much, tennis is back on the schedule. So I’d go to Plummer Park in West Hollywood and play for a while, then join the family for lunch.
11:30 a.m.: Hike with a side of chickpea sandwich
I love Trails, a cafe in Griffith Park, where you can eat outdoors. It serves simple food, and has good vegan options. I usually get their chickpea salad sandwich. The food there is great. Afterward, we’d visit Griffith Observatory, where there’s lots to see. There are lots of great trails in the park, so we’d go for an hour hike before leaving.
3 p.m.: Browse the shelves for rock biographies
Bookstores are fun, so we’d head downtown for the Last Bookstore, which is in a historic building with lots of vintage books. I really love all things plant-based, and I’m a very big music fanatic. So I love to look for vegan books, nutrition books, rock biographies and autobiographies. It’s just fun to browse around the stacks.
If we didn’t go to the bookstore, we’d probably go to LACMA. Our sons are huge fans of art and want to go for each new exhibit. They love Hockney, Basquiat and Picasso, to name a few.
4 p.m.: Cuddle with cuties at a cat cafe
We’d then make a quick stop at [Crumbs & Whiskers], a kitten and cat cafe on Melrose for coffee, snacks and to pet the cats. It’s best to make reservations in advance. There’s cats all around the place that need to be adopted. You can visit and pet them, or find a new roommate. I’d love to take some home, but we already have three.
5:30 p.m. Italian or sushi, but make it vegan
We’re an early dinner family. One restaurant we like is Pura Vita in West Hollywood. It’s the greatest vegan Italian food, and for non-vegans, nobody ever knows the difference. It’s the first 100% plant-based Italian restaurant in the United States. They make an incredible kale salad and I love the San Gennaro pizza. It’s got cashew mozzarella, tomato sauce, Italian sausage crumble and more.
Then there’s Planta in Marina del Rey. It’s right on the harbor and you can sit outside and look at the boats coming in and out. They have sushi, salads and other plant-based entrees. They’ve got a really great spicy tuna roll that’s made out of watermelon. They are magicians.
Or there’s Crossroads Kitchen in West Hollywood. They play the best classic rock, and the atmosphere is upscale, fine dining. The appetizers that we always get are called Moroccan Cigars, which are vegan meat substitutes fried in a rolled batter. I really like the grilled lion’s mane steak, their mushroom steak with truffle potatoes, or the scallopini Milanese, that has a chicken or tofu option. I get the chicken with arugula on top. I always love to have a decaf espresso with dessert, which is either a brownie sundae or banana pudding.
7:30 p.m.: Comfort watch or word games
After dinner, the kids often like to watch an episode of “Friends,” a show that all ages enjoy, sports or “The Simpsons.” Or we’d play a game where each of us will add a word to a sentence and create a weird or funny long sentence until one of our sons says period. Then they’ll try and remember the whole sentence and repeat it back.
9:30 p.m.: Bubble bath then bed
The boys usually go to bed at 8:30 p.m. and bedtime for us is 9:30 p.m. Stephanie and I would read or chat. I like to take a bubble bath, if people must know. The best Sundays for me mean finding a good balance of relaxing and being active. I feel very lucky that my family and I can do those things together.
Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.
The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.
Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.
For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?
To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.
Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?
There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.
But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.
Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.
(Lenne Chai)
What was it like for you as you were discovering your voice through open mics at Project Blowed?
Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.
Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?
Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.
Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.
(Third State Books)
I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?
The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.
The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.
Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.
Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.
I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.
Trade the flower crowns and sneakers for a cowboy hat and some boots, because Coachella has moved out of the Empire Polo Club in Indio and the Stagecoach Festival is moving in, April 24 to 26.
From what to know about the festival to how you can watch from home, here’s your guide to Stagecoach.
When is Stagecoach? Where is the venue?
Stagecoach 2026 runs April 24 to 26 at the Empire Polo Club at 81-800 Ave. 51 in Indio.
Who is performing at Stagecoach 2026?
This year’s main stage headliners are Cody Johnson, Lainey Wilson and Post Malone.
You can also expect big sets from Brooks & Dunn, Bailey Zimmerman and more rock-centric acts like Journey, Counting Crows, Third Eye Blind and Bush. Then there’s Ludacris, Pitbull and Diplo, who is bringing back his HonkyTonk dance area as well as performing.
Fun fact: Mane Stage performer Teddy Swims played the main stage at Coachella the last two weekends, but we haven’t heard if he’s bringing out David Lee Roth again. And Diplo was also at Coachella with Major Lazer.
What’s new at Stagecoach this year?
The big thing is the new Mustang Stage. Back in the early years of Stagecoach, there was a tent with the same name that featured a lot of cowboy poets and bluegrass. It was much smaller than what we’re expecting of this new one, which is set up where the massive Sahara Tent is during Coachella.
Anyone who has tried to see one of the big artists over at the Palomino Stage during Stagecoach in recent years knows how it can easily overflow, so this should ease some of that congestion for artists like Journey, Hootie & the Blowfish and the Red Clay Strays.
It’s also taking over the late-night sets with Diplo, Pitbull and Ludacris that had previously been done at the Palomino.
Can I still get tickets to Stagecoach? How much are passes?
Yes, there are still passes available for Stagecoach 2026. A general admission three-day pass is $619. (There’s also a deal if you buy a six-pack of GA passes that comes out to $569 per pass.) You can get a GA combo pass that includes shuttle transportation starting at $699. There’s also a GA pass that gets you access to the Rhinestone Saloon adjacent to the Mane Stage and the Rose Garden Saloon next to the Palomino Stage for $974.
If you want to get close to the Mane Stage, a Corral Standing Pit pass is $1,899. Corral reserved seating runs from $1,199 to $2,299. The chairs are folding camping chairs, and the highest tier option has drink holders. If you purchase any of the seating options, you can take the chair home as a souvenir Sunday night. Corral passes (standing or seated) come with access to the more exclusive Corral Saloon as well as the Rhinestone and Rose Garden Saloons.
What’s the difference between general admission and Corral passes?
Stagecoach is different from Coachella in that if you want to be close to the largest stage, you will need to pay for a Corral pass. Those in the Corral Standing Pit will be the closest.
If you have a GA pass, be prepared to just see the biggest acts on a screen. For Stagecoach, there are multiple screens set up in the field for the general admission areas — and usually a feed with a screen over by the Beer Barn, too.
GA passholders who are willing to stand typically have access to an area closer to the Mane Stage than those with blankets or low-backed lawn chairs.
That being said, GA passholders have traditionally been able to get up close at all of the other stages.
When do gates open at Stagecoach? How late does the music go?
The parking lots open at noon daily and the gates open at 1. Everything ends at midnight or earlier.
As the venue opened, country music fans made a run across the field to secure good concert-viewing positions on the first day of Stagecoach in 2022.
(Allen J. Schaben / Los Angeles Times)
What’s the deal with parking? What about the shuttles? Can I take a rideshare? How’s traffic?
Who says you can’t get anything for free anymore? Day parking is free at Stagecoach.
Like I recommended for Coachella, drop a pin in your phone as soon as you park so you can find your car at the end of the night.
There is a rideshare lot. You can also purchase a shuttle pass for $130. There’s also preferred parking for $299.
Stagecoach doesn’t have as many people as Coachella, so the traffic usually isn’t as bad, but Monday can get congested as people head home from the desert.
If you want to avoid traffic or you’re looking for some off-site adventures during Stagecoach, check out these 14 fun desert side quests.
Where do I put my stuff? Are there lockers? Is there a place to charge my phone?
Stagecoach still has medium-sized lockers available to rent. They are $84 for the weekend and you can reserve them in advance. Small charging lockers for devices are $74 for the weekend.
Backpacks 18” x 13” x 8.5” or smaller are allowed inside the venue.
Beyond the charging lockers, there are places around the grounds where you can charge your own devices. Bring your own cable/plug.
A man drinks a beer from a woman’s boot while watching Willie Nelson & Family perform on the Mane Stage on the second day of Stagecoach 2024.
(Allen J. Schaben / Los Angeles Times)
What’s the weather going to be like for Stagecoach and how can I prepare for it?
It’s looking like we’ll hit a high of 90 degrees on Friday, 81 on Saturday and 78 on Sunday, according to Accuweather. The lows will dip into the 50s, though, so you might want to throw in a long-sleeved flannel shirt or hoodie for when the sun goes down and Brooks & Dunn sing about dancing under a neon moon. Since blankets and towels (50” x 70” max) are also allowed, you could also roll yourself up into a Stagecoach burrito, I suppose.
You can also bring in handheld fans (paper or battery-powered).
Plastic personal-sized water misters are allowed in, too, but they have to be empty when you get there.
The wind doesn’t look too bad right now, but it will inevitably kick up. Don’t bring a cough home as a souvenir. Bring a face covering like a bandanna or a PPE mask.
The desert is hot. Are there water stations?
I know lots of people enjoy the beer at Stagecoach, but it’s not the same as water. My mantra in April is dehydration is serious business. And if you’re drinking beer, you definitely want to keep drinking water.
The good news is that there are multiple refill stations around the grounds, and if you need to buy a bottle of water, it’s only $2.
Like Coachella, you can bring in an empty refillable container, but it needs to be plastic (no metal or glass) and 64 ounces or less. Empty hydration backpacks are allowed, too.
For a free boost of electrolytes, the Electrolit booth is back with free samples between the Mane Stage and Diplo’s HonkyTonk. (Pro tip: I stopped there every day on my way in during Coachella. Hydrate early, hydrate often.)
What’s the deal with food at Stagecoach?
If you like barbecue, you’re in the right place. There’s a whole lot of it at Stagecoach. Flavortown also comes to Stagecoach with cooking demos throughout the weekend courtesy of Guy Fieri and friends.
There are a fair number of vendors that were also at Coachella, including Prince St. Pizza, Irv’s Burgers, Love Hour and Oh My Burger, the latter two of which impressed Danielle Dorsey, one of our food editors, at Coachella this year.
If you’re buying food on site, plan on $20 and up for most entrees, with a few deals to be had.
If you’re looking for freebies, the Electrolit and Coca-Cola installations are still there from Coachella and Monster Energy also has a space where it’s giving out samples. (Monster Energy also has a meet and greet with Redferrin after his performance on Saturday and a surprise DJ set on Sunday.) As for free food, sometimes they pass out samples to the crowd after the Guy Fieri demonstrations.
What else can I do while I’m in the desert? Is there time to do anything outside of the festival?
I’m glad you asked. Earlier this month, we put together a collection of side quests around the desert. Some, like snapping a photo of the Forever Marilyn statue in Palm Springs or seeing the former Coachella festival art installation “Sarbalé Ke,” are easy to do before entering Stagecoach for the day. Others are more involved and can be a great way to miss that traffic coming back on Monday.
The streams start each day at 3 p.m. Pacific. There are two channels set up.
A specific schedule hasn’t yet been announced, but a press release from Amazon says the stream will include sets from Cody Johnson, Lainey Wilson, Post Malone, Third Eye Blind, Avery Anna, Ludacris, Michael Marcagi, Pitbull, the Red Clay Strays, Wynonna Judd and Diplo.
Star receiver Puka Nacua will fully participate in voluntary offseason workouts, the Rams are getting closer to another contract adjustment with quarterback Matthew Stafford, and coach Sean McVay and general manager Les Snead hope backup quarterback Jimmy Garoppolo decides to put off retirement and return for a third season and possible Super Bowl run.
McVay and Snead addressed those topics and the NFL draft on Tuesday during a videoconference with reporters.
Nacua led the NFL in receptions last season but also was involved in a string of off-the-field incidents the last few months, including an alleged biting incident that led to a civil lawsuit. Those situations put the brakes on any immediate discussion between the Rams and Nacua about a massive extension for the fourth-year pro.
Nacua, 24, “looks great” and is “doing really well,” McVay said. McVay declined to detail discussions he’s had with the All-Pro, who was a finalist for NFL offensive player of the year.
“He and I have a great relationship,” McVay said. “Feel really good about kind of the direction we’re going.”
Stafford, 38, led the Rams to the NFC championship game last season and is the reigning NFL most valuable player. According to overthecap.com, he is due to carry a salary-cap number of $48.3 million this season.
But Stafford has no doubt demanded, and will receive, a raise and a possible additional year in a deal that the Rams acknowledged two years ago is essentially a year-to-year situation.
“Progress has been made,” Snead said of negotiations.
There is no timeline, Snead said, “but don’t expect any drama, per se.”
Garoppolo, 34, has backed up Stafford for two seasons, and he has been invaluable.
Last year, with Stafford sidelined for training camp because of a back issue, Garoppolo ran the offense and prepped the defense with a skillset honed during a 12-year career that included a Super Bowl appearance. Stafford joined workouts before the season and remained healthy throughout, but Garoppolo was perhaps the most valuable insurance policy in the NFL.
Last season, Garoppolo played on a one-year contract and earned $4.5 million, according to overthecap.com.
McVay expressed confidence in fourth-year pro Stetson Bennett, but said he was hopeful that “when the time is right,” Garoppolo will “change his mind,” and return.
“You leave the door open,” McVay said when asked if there was a point that Rams would press Garoppolo to return. “I don’t think you want to press. What you don’t want to do is ever force a guy to play if in his mind he’s ready to move on.
“But you don’t want to minimize that, ‘Hey, if you do decide you want to play, let’s make sure it’s here with us.”
The Rams have the 13th pick in the NFL draft, which begins Thursday in Pittsburgh. They have one pick in the second and third rounds, one in the sixth round and three in the seventh.
Receiver, offensive line and edge rusher are among the positions the Rams could address with their first top-15 pick since they selected quarterback Jared Goff with the No. 1 pick in 2016.
“There’s a lot of possibilities,” McVay said. “We don’t control what happens in those 12 picks before, and so what we’ve done is a lot of contingency planning and a lot of conversations, and feel really good about that.”
Mira Costa put it all together over the final three sets of its Bay League boys’ volleyball showdown with Redondo Union on Monday night, prevailing 26-28, 25-13, 25-18, 25-22 to avenge a five-set loss in the teams’ first meeting and stake its claim for the No. 1 seed in the Southern Section Division 1 playoffs.
“Last time we didn’t think they were as good as they were, but we’ve watched a lot of film since then and saw where they like to go,” said outside hitter Mateo Fuerbringer, who finished with a match-high 27 kills and four of his team’s nine aces. “We didn’t pass that well in the first set, but after that we started spreading the ball around more and our serving was really good tonight. We got them out of system a lot.”
Colby Graham had nine kills and three blocks and ended each of the middle sets with a kill as the Mustangs (31-2, 7-1) totaled 15 stuff blocks. Wyatt Davis added eight kills and three blocks and Enzo Barker finished with five kills and two aces.
Redondo Union’s Vaughn Flaherty, left, and JR Boice try to block a hit from Mira Costa’s Colby Graham.
(Steve Galluzzo / For The Times)
Mira Costa snapped Redondo Union’s 18-match winning streak and evened up the league standings, but the Mustangs gained the tiebreaker by virtue of fewer sets lost head-to-head.
Mira Costa saved three match points in the first set before Mavrick Essert ended it with one of his eight kills for the visiting Sea Hawks (26-3, 7-1). His older brother Cash Essert had 11 kills and JR Boice added 10 but Redondo Union was unable to maintain its momentum, never leading once in the last three sets.
Redondo Union keyed on Fuerbringer to win the first encounter 27-25, 21-25, 25-22, 21-25, 15-13 on its home court March 26, but Monday’s match was a different story as Mira Costa varied its attack to keep the Sea Hawks on their heels.
“We were gassed the first time because that was right after we played Loyola,” Mustangs setter Jake Newman said. “Loyola took a lot out of us even though we won. So we weren’t prepared for Redondo, but this time around we had two weeks to practice and study their tendencies.”
Mira Costa libero Dane Del Riego returns a serve in a four-set victory over Redondo Union on April 20, 2026.
(Steve Galluzzo / For The Times)
Newman said closing the match in four sets was critical.
“At 24-22 we were telling each other we have to win, we’re not letting this go five,” he said. “We needed to beat them in four for the league championship.”
Mira Costa lost to Corona del Mar in tournament play early in the season but has since defeated the Sea Kings twice. It also has victories over Huntington Beach, Loyola and Newport Harbor — all of which will likely make the highest division.
Redondo Union won its own Varsity Invitational tournament Saturday, rallying to beat Loyola in the finals, and swept Newport Harbor at home March 21.
Coach Greg Snyder praised the Mustangs for executing the game plan to near perfection but warned it may not be the last time they have to face their archrival.
“That’s a really good team we just beat … we could very well see them again the playoffs,” he said. “I wouldn’t be surprised if that happens.”
Garret Anderson, the often misunderstood and always lethal Angels slugger who starred in the 2002 World Series, has died of a heart attack. He was 53.
Anderson’s most memorable moment was belting a decisive three-run double in Game 7 of the only World Series ever played by the Angels. Yet consistency over 17 seasons — 15 with the Angels and one each with the Dodgers and Atlanta Braves — was the hallmark of the taciturn left fielder.
“The Angels Organization is mourning the loss of one of our franchise’s most beloved icons, Garret Anderson,” owner Arte Moreno said Friday in a statement. “Garret was a cornerstone of our organization throughout his 15 seasons and his stoic presence in the outfield and our clubhouse elevated the Angels into an era of continued success, highlighted by the 2002 World Series Championship.
Garret Anderson, who hit the game-winning three-run double, runs with the World Series championship trophy after the Angels beat the San Francisco Giants in Game 7 of the World Series in Anaheim on Oct. 27, 2002.
(Kevork Djansezian / Associated Press)
“Garret will forever hold a special place in the hearts of Angels fans for his professionalism, class, and loyalty throughout his career and beyond. His admiration and respect for the game was immeasurable.”
Nicknamed “G.A.,” Anderson is the Angels leader in games (2,013), at-bats (7,989), hits (2,368), total bases (3,743), extra-base hits (796), doubles (489) and runs batted in (1,292). And he achieved it all without fanfare.
“Garret didn’t seek the limelight,” said Mike DiGiovanna, The Times’ Angels beat writer throughout most of Anderson’s career. “A classic lunch-pail guy. He was a superstar, he just didn’t act like it.”
Fans occasionally booed Anderson for a perceived lack of hustle. He didn’t dive for fly balls and on rare occasions failed to run hard when he hit a ground ball.
His teammates, however, backed him without hesitation, saying he was one of the smartest players in baseball and made the game look easy through hard work.
“He doesn’t dive for balls because he gets there quicker than most guys,” center fielder Darin Erstad said in 2003.
Fans cheered in shock when Anderson made a diving catch against the Minnesota Twins in 2002.
“But, see, that’s what I’m talking about,” he said. “I never should have had to dive for that ball. I got a bad jump. I study hitters. I have an idea of where the ball is going. I don’t dive because I don’t have to.”
The Angels’ Garret Anderson watches the ball after hitting a two-run homer against the Toronto Blue Jays in the seventh inning of a game in Anaheim on July 4, 2008.
(Mark Avery / Associated Press)
Anderson’s understated demeanor fit well in an Angels clubhouse stocked with young, rowdy personalities.
“We have so many emotional guys on this team, Garret is a calming force,” teammate Tim Salmon said in 2003. “He’s criticized for a lack of emotion, but I think it’s good.”
For his part, Anderson possessed a wry sense of humor and wasn’t above poking fun at himself.
“Interesting,” he told The Times Bill Plaschke with a faint smile. “I used to be called lazy. Now that we win a World Series, I’m called graceful.”
After Anderson retired in 2010, he worked as a television analyst for the Angels.
Garret Joseph Anderson was born June 30, 1972, in Los Angeles. He attended Granada Hills Kennedy High, where he starred in baseball and basketball. He remained close to his baseball coach, Manny Alvarado.
“I’ve lost a handful, some of them at a young age, but this one we had a relationship for a long time,” Alvarado said Friday. “I have a ton of memories, some of them from day one and some just recently. The one thing that comes to mind he was kind of an old soul. A lot of major leaguers have a lot to learn from him.
“He was very humble and always picked up the phone. He made it to a lot of alumni games, was very generous.”
Anderson was drafted in 1990 by the Angels in the fourth round and made his major league debut July 27, 1994 versus Oakland before going on to become one of the most productive players in franchise history.
Anderson had a stretch of eight consecutive seasons appearing in at least 150 games for the Angels and played in at least 140 games in 11 of his 17 major league seasons. He was inducted into the Angels’ Hall of Fame in 2016.
“Teammates and fans came to appreciate him for his consistency,” DiGiovanna said. “He was like a metronome.”
In addition to his World Series Game 7 heroics, Anderson batted .300 with four doubles, two home runs and 13 RBIs during the 2002 postseason. He finished fourth in American League Most Valuable Player voting that year.
In 2003, he became the first player since Cal Ripken Jr. to become both the Home Run Derby champion and MVP of the All-Star Game. Anderson batted .293 with 287 home runs in his career.
His final season came with the Dodgers in 2010. At age 38 he batted only .181 but provided a settling influence on young Dodgers stars Matt Kemp and Andre Ethier.
The Angels will honor Anderson by wearing a memorial patch on their jerseys the rest of the season. There will be a moment of silence and a tribute video before Friday’s game.
Anderson is survived by his wife, Teresa, daughters Brianne and Bailey and son Garret “Trey” Anderson III.
Times staff writers Eric Sondheimer and Bill Shaikin contributed to this story.
There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”
Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.
“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”
The overheard in L.A. moment inspired the eight-episode season,
Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”
(Netflix)
The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.
“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”
Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.
Why did you want to set this season in Montecito?
Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.
Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud.(Netflix)
That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.
We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?
It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.
Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.
I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.
There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?
I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.
Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”
(Netflix)
You directed this season. Is there a moment that stands out with this cast?
A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.
How did you want race and identity to figure into this season, particularly through Austin?
Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.
Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”
(Netflix)
There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?
Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”
The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?
The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.
We didn’t see where Eunice (Seoyeon Jang)ends up.
I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.
Charles Melton as Austin Davis in “Beef.”
(Netflix)
We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.
The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]
Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?
I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.
Also, can we take a moment for Burberry’s acting?
Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.
When you think of Oakwood School in sports, Mitchell Butler comes to mind. He put the basketball team on the map when getting a scholarship to UCLA and playing in the NBA.
Steve Smith, who coached basketball at Windward and in the WNBA, came on as athletic director and has been trying to raise the level of sports commitment at a school known for its academics and having parents in the entertainment business.
The baseball team is certainly showing passion and commitment this season with a 14-0 record, including wins over North Hollywood and Culver City.
Avery Ware, in his seventh season as coach, said, “It’s a lot of being selfless and versatile.”
Shortstop Jake Waco, who transferred from Sherman Oaks Notre Dame last season, has been effective as a fielder and hitter. He’s the son of David Waco, who was an All-City infielder for Chatsworth during the 1980s. He’s committed to Emory. The top pitcher is Trevor Jones, committed to Washington University.
If you believe Ware, the bus rides home have plenty of players singing, so someone might be capable of singing the national anthem before a game.
“We have a few kids with Hollywood ties,” Ware said.
Jones is a math whiz, also participating in competition with the STEM team. Other players are headed to Duke and Brown for academics.
“We’re making progress as a program,” Ware said. “For a lot of years, you could say baseball was a side note.”
Ware has his own celebrity ties. He and his brother, Anthony, were standouts at Hamilton. His cousins, Matt and Aaron Ware, were football stars at Loyola and Oaks Christian, respectively.
The team made an agreement to create a baseball field at North Hollywood Recreation Center next to the school.
And Ware appreciates Smith’s support.
“He’s able to create an environment of trust.”
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
Spring practice continued for the UCLA football program Tuesday morning at Spaulding Field and for the most part head coach Bob Chesney was pleased with his team’s progress.
It marked the sixth of 14 practices leading up to the annual spring game on May 2 at the Rose Bowl.
“The defense took strides today,” said Chesney, who was hired as the Bruins’ 20th head football coach on Dec. 26, replacing DeShaun Foster (fired after an 0-3 start in 2025) and interim coach Tim Skipper. “There were a couple turnovers in there. This was our second day with the officials, it was a different group and they were throwing some flags today. We just have to understand the game we’re in. As you get further along the referees step aside, but early in the season they’re excited to do their jobs and we gave them enough to throw laundry at so we’ll go back and check it all out.”
Receiver Semaj Morgan caught a touchdown pass from quarterback Nico Iamaleava, tight end Brayden Lofton made several fine catches, Troy Leigber rushed for a touchdown, and Donavyn Pellot and Robert Stafford III had interceptions on defense as the squad is motivated to rebound from a 3-9 season (3-6 in Big Ten) — its worst since its debut season under Chip Kelly in 2018.
“Practice six is usually when it dips a little bit,” said Chesney, who led James Madison to the Sun Belt Conference championship and a berth in the College Football Playoff last season. “On defense we did not, on offense we probably slowed down just a little bit. I didn’t feel a dip from the group, which is great, but usually around now is when that starts to happen. [Practices] six, seven, eight are a little bit of a fight and then you gotta come back when you get to nine, 10 and 11. I thought they did a good job today, not a great job, but you have those days. It’s the nature of the beast. I didn’t see any steps backward from anybody, just a little bit of a lull from what they were bringing the other day. ”
One position group that has impressed Chesney since he arrived in Westwood is running back — a unit that returns a number of players.
“Everybody has their pluses and minuses, everyone has things they’re really good at and things they’re mediocre at and our job every day is taking what’s mediocre and turning it into good — and eventually great — and playing to their strengths,” Chesney said. “Each of them has their own running style. I’ve been impressed with them, they’re one of the stronger groups on this team. It’s necessary as a running back for that to be the case. You have to be durable enough, you have to keep your pad level low and keep your body healthy because there’s probably not another position out there that takes as much of a beating … you’re getting tackled by guys who are sometimes much bigger than you.”
Defensive back Scooter Jackson was not at Tuesday’s practice but Chesney expects him to be back Thursday. Offensive lineman Jordan Davis is dealing with a shoulder injury.
“He’s got range, he just doesn’t feel like he has the full strength yet … but he’s close,” Chesney said of Davis. “On Saturday it was a little worse than it is today, so he’s slowly getting better.”
Chesney praised cornerback DJ Barksdale, an All-Sun Belt selection who transferred from James Madison — a player he knows well.
“The nickel and slot corner is important in the bubble game and the screen game,” Chesney said. “You’ve got to be able to fight through some things physically. You’re also tied in a lot as the bonus in the run game and then there’s times when you’re not there and you’re playing straight man-to-man on the other team’s quickest, best receiver so the skillset you’ve got to carry, the confidence you’ve got to carry and the physicality you’ve got to carry is significant. DJ possesses all of those.”
Chesney is excited about the depth in the defensive backfield.
“Rob [Stafford] did a good job,: he said. “In the red zone he’s been really sticky in coverage and he’s done a really nice job. He’s starting to click with his playbook and understand it and that’s kind of where everyone is at this stage of the game, we’re in practice six so everything we’ve done up to this point is six days of full speed stuff. Osiris [Gilbert] made a really big play on a ball that we had trouble with Saturday. To learn and carry that over from the previous practice into the film room and actuality execute it out here was great to see. Jhase McMillan is doing a great job. We’re rotating them through, we put them in different positions to test them in fire and see who can handle all of it. They’re a little more involved in the running game now, Cover 2 things and corner pressures, blitzing off the edge, they’ve done a really nice job.”
Asked who has stood out in the trenches, Chesney cited Aiden Gobaira, Julian Armella and Riley Robell.
“What’s impressed me most about Julian is his passion for this game,” Chesney said. “He’s got to harness that the right way. I’m sure there’s moments when you play with that much emotion and passion it can tip over, but I’ve been impressed with that part. He uplifts a lot of people when he’s out there. There’s never a moment where he’s just out here and it’s not important — it’s all important to him and that’s infectious.”
Pressuring the quarterback is a defensive priority for Chesney and his staff. A year ago the Bruins tied for last in the Big Ten in pass defense, allowing opponents to complete 66% of their passes.
“On the defensive side we have to continue to take bigger steps,” he said. “Our pass rush looks good, the interior pass rush is something we have to work on. A lot of the games that we’re playing inside we’ve got to continue to fine tune things because obviously the offense knows they’re coming and the element of surprise gets defeated The defense is doing a nice job setting them up, then it’s cool watching the chess match go on between both sides.”
Chesney is known for his emphasis on special teams and the Bruins ran drills throughout Tuesday’s practice focused on that phase of the game.
“I don’t want it to be an afterthought — I want to make sure it’s involved in everything we do,” Chesney stated. “I want it to feel like a game as much as it possibly can but I also want our long snapper, our holder, our kickers and our protection guys to know that the whole team is relying on you so when we put them in those situations at the end to pin the ball, they have to know they have to hold up their end of the bargain.”
What has surprised Chesney most in his first few months in Westwood?
“The alums who come out continually and who like being around this program is something I’d hoped for,” Chesney said. “I understood that practices were maybe different and closed and not open to everybody before, but it’s open to all of our alums and to high school coaches. I’d hoped it would happen and to see it actually transpiring day to day is exciting.”
UCLA’s next practice is Thursday on Spaulding Field at Wasserman Football Center.
WASHINGTON — Most Americans still think their taxes are too high, according to recent polls, even after last year’s tax law fulfilled several of President Trump’s tax-related campaign promises.
In fact, a new Fox News poll indicates people are more upset about taxes than they were last year. The findings from the survey, which was conducted in late March, are another sign that Americans are on edge about their personal finances as the U.S. experiences a spike in inflation and sluggish economic growth. Other polling finds that frustration goes beyond personal tax obligations, with many believing that wealthy people and corporations are not paying their fair share, while others worry about government waste.
The surveys come after Trump and Republicans passed a massive tax and spending cut bill last year. The legislation enacted a range of tax breaks, including a boosted child tax credit and new tax deductions for tips and overtime. Tax refunds are up this season, and many households are expected to see more income from the Republicans’ tax legislation, but the Congressional Budget Office estimated it will ultimately give the largest benefits to the richest Americans.
Republicans have touted the law as evidence that they are making life more affordable for working families. But polling shows that many Americans may not be feeling the benefits, especially as their tax refunds get eaten up by higher prices.
Most say taxes are too high
About 7 in 10 registered voters say the taxes they pay are “too high,” according to the Fox News poll. That’s up from about 6 in 10 last year. The poll shows heightened concern among very liberal voters and Democratic men, but there has also been a sizable increase among groups that Republicans want to court ahead of the midterm elections, such as moderates, rural voters and white voters without a college degree.
Discontent about taxes has been rising for the past few years. Recent polling from Gallup, conducted in March, found about 6 in 10 U.S. adults say the amount of federal income tax they have to pay is “too high,” a finding that’s been largely consistent in the annual poll since 2023. That’s approaching the level of unhappiness found in Gallup’s polling from the 1980s through the 1990s, before President George W. Bush’s 2001 and 2003 tax cuts.
Now, about half of Democrats and about 6 in 10 Republicans say their federal income taxes are too high. Republicans tend to view their tax bill more negatively than Democrats, but Gallup’s polling shows that this gap often shrinks when a Republican is president.
Many believe the rich aren’t paying enough in taxes
Most Americans are troubled by the belief that some wealthy people and corporations don’t pay their fair share of taxes, according to a Pew Research Center poll conducted in January. About 6 in 10 Americans said each of those notions bothers them “a lot,” a measure that is largely unchanged in recent years.
By contrast, only about 4 in 10 U.S. adults in that poll said the amount they personally pay in taxes bothers them a lot.
About 8 in 10 Democrats are bothered “a lot” by the feeling that some corporations and rich people aren’t paying their fair share, the Pew survey found, compared to about 4 in 10 Republicans. Government spending is a bigger issue for Republicans, according to the Fox News poll, which found that 75% of registered voters — and a similar share of Republican voters — say “almost all” or “a great deal” of government funding is wasteful and inefficient.
That points to a perception problem for many Americans. Even if their own tax bill is manageable, the idea that the wealthy are underpaying — or that the government is wasting their dollars — bothers many. About half of Americans, 49%, in the Gallup poll say the income tax they will pay this year is “not fair,” which is in line with the record high from 2023.
Broad unhappiness with Trump’s tax approach
Americans’ tax frustration was rising before Trump re-entered the White House, but it’s still a problem for the president’s party — especially if Americans are not feeling the relief that he promised.
The Fox News poll found that about 6 in 10 registered voters, 64%, say they disapprove of how Trump is handling taxes, up from 53% last April. Disapproval has risen most sharply among independents, but also among Democrats and Republicans.
This aligns with a broader feeling that Trump isn’t doing enough to address inflation. Most Americans said Trump had hurt the cost of living “a lot” or “a little” in his second term, according to an AP-NORC poll conducted in January. Roughly 9 in 10 Democrats and about 6 in 10 independents said Trump has had a negative impact on the cost of living.
Less than half of Republicans, 43%, said Trump had helped the cost of living, while 33% said he hadn’t made a difference and only 23% said he’d helped.
Sanders writes for the Associated Press. The Fox News poll was conducted among 1,001 registered voters from March 20-23. The Gallup poll was conducted among 1,000 U.S. adults from March 2-18. The Pew Research Center poll was conducted among 8,512 U.S. adults from Jan. 20-26. The AP-NORC Poll was conducted among 1,203 U.S. adults from Jan 8-11.
Welcome back to the Times of Troy newsletter, where it’s officially team-building season across college basketball. It’s a critical time for any program in the transfer portal era. But for Eric Musselman and USC this April, it’s especially paramount.
The last two springs, Musselman has had to rebuild USC’s entire roster essentially from scratch. The coach’s first two teams each had just one carryover from the previous year. Two years ago, just as USC was joining the Big Ten, Musselman had to make over the roster in May … a month after everyone else. Then last spring, he lost his top two scorers (Desmond Claude and Wesley Yates) somewhat unexpectedly — one on the very last day of the portal.
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This offseason, Musselman is starting from a more stable place. USC announced last week that guard Rodney Rice, who was expected to be USC’s best player a year ago, will return next season. He’s a future NBA player. Forward Jacob Cofie should be back after dipping his toes in the NBA draft waters, along with 7-foot-5 center Gabe Dynes. Then there are three top-25 recruits on the way in Darius and Adonis Ratliff and Christian Collins.
It’s looking more and more likely, too, that Alijah Arenas will buck his long-standing plans to declare for the draft and return to college. Whether that would be at USC or somewhere else, however, remains to be seen.
Whatever happens, there is at least a semblance of a nucleus for USC to build around this spring. Which is fortunate for Musselman, given there will be less means to lure players from the portal.
At this time last year, NIL spending had yet to be capped. So Musselman and his staff were given a significant chunk of change to work with, a number nearing eight figures. And they used it to pay up for the likes of not just Rice, Chad Baker-Mazara and Ezra Ausar, but also reserves such as Dynes, Jordan Marsh and Ryan Cornish. The reasoning was to pay a bit above-market to build the team Musselman wanted, to take advantage of their limited window with Arenas, who they hoped would be a program catalyst.
The return on that investment was … less than stellar. Arenas got into a car accident, then had knee surgery, and didn’t play until January. Baker-Mazara, the highest-paid player on the roster, was dismissed from the team before the end of the season. Everything that could go wrong went wrong. But also, many of the bets USC made went belly-up.
This time, the budget won’t be quite as bottomless, both because of NIL restrictions and as a matter of course correction. The approach will have to be more conservative, more targeted. Considering the portal isn’t getting any cheaper, with most starters now going for north of $1 million, it’ll be on Musselman to use his funds expeditiously.
That means, presumably, much less spending on the middle of the roster. It’s part of why Amarion Dickerson isn’t returning, even though USC would’ve presumably welcomed him back. There’s no room to spend up on a sixth man at the moment. Especially one who sat out most of last season.
A lot of basketball programs are reckoning with those realities now that spending is, in some sense, more capped. But many of those programs have a general manager handling those matters. At USC, that’s Musselman. He’s the coach and GM.
He prefers it that way. But it also adds an extra layer of pressure ahead of next season.
Musselman has proven himself plenty capable of building a basketball team. His first serious job in the sport was as general manager of the Rapid City Thrillers in the now-defunct CBA. He built that team into a juggernaut in his early 20’s.
Musselman won’t be able to do that at USC in just a single transfer portal window. But the moves USC makes over the coming weeks should tell us plenty about how much he learned from the last one.
Baseball bounces back
USC pitcher Mason Edwards.
(Shotgun Spratling / For The Times)
After a historically strong start to this season, the Trojans suddenly found themselves in a four-game slump heading into the weekend. But the slide was stopped dead by USC’s ace pitcher, Mason Edwards.
In one of college baseball’s more dominant pitching efforts this season, Edwards struck out 16 of the 30 Iowa batters he faced Friday. Twelve of those 16 came on swinging strikes. Through eight innings, Edwards gave up just one hit before Iowa finally chased him in the ninth.
Thanks to its stellar rotation, USC walked away with a sweep over Iowa, right when it needed one most. Awaiting the Trojans on the road next weekend is Nebraska, which has lost just two Big Ten games this season and just one of its 16 home games.
USC top recruit Saniyah Hall during the final match of the U19 FIBA Women’s Basketball World Cup last summer.
(Lukas Kabon / Anadolu via Getty Images)
—USC has officially hit the $200 million fundraising mark for its Athletics West capital project. That means at least $25 million has been raised since the start of last football season, which is quite a bit to ask of your big-time donors. But what’s maybe more impressive is that during that same stretch, USC also managed to increase the size of the Trojan Victory Fund by more than 770%, according to athletic director Jennifer Cohen. Those extra funds are how USC is managing to stay afloat in this new era where money matters more than ever. The question is whether it can keep up the pace for the foreseeable future.
—The future of USC women’s basketball was on display at the Nike Hoop Summit. A trio of incoming Trojans were featured in Portland last weekend, headlined by No. 1 overall recruit Saniyah Hall, who continues to look like a Day 1 difference-maker on both ends. She led all scorers with 19, while also adding eight rebounds and four steals. Sitaya Fagan and Sara Okeke both suited up for the World team, and Fagan, in particular, impressed with her work in the paint. She got to the line early and often and ended up leading the World team with 15 points.
—The USC women are losing five players to the transfer portal. None of the five — Vivian Iwuchukwu, Gerda Raulusaityte, Yakiya Milton, Dayana Mendes and Malia Samuels — would’ve made much of an impact in a much deeper rotation next season. Samuels played the most of the five last year, but struggled in a reserve point guard role. The Women of Troy will need some reinforcements from the transfer portal, but any additions will be more about padding the rotation instead of finding starters.
—National title-winning Michigan coach Dusty May got his start in college basketball as a USC video coordinator. A quarter-century before May led the Wolverines to a championship, he was a part of the 2001 Trojans team that went to the Elite Eight. Henry Bibby gave May a job on the blind recommendation of two Indiana assistant coaches, who were impressed with his time as an Indiana student manager. He broke down film during the season and ran camps during the summer. In between, he helped out with day-to-day operations. May worked under Bibby through the 2002 season, when legendary Hoosiers coach Bob Knight hired him to do the same job in Bloomington.
Olympic sports spotlight
A hat tip to Times of Troy reader, Craig Schrager, who noted that I’d made no mention recently of USC’s top-ranked women’s water polo team, which had won a dozen matches in a row heading into Sunday’s MPSF tournament final against No. 2 Stanford.
The Trojans looked on their way to a 13th straight win and an MPSF tournament title before the fourth quarter of Sunday’s final. Entering the last quarter with a lead, USC gave up six goals in the final minutes and only responded with two in return, costing them what should’ve been their first MPSF title since 2021.
In spite of the loss, USC should be one of the leading contenders for an NCAA title, when the tournament begins on April 24.
What I’m watching this week
Hannah Einbinder, left, and Jean Smart in “Hacks” season 4.
(HBO Max)
It’s rare these days that a hit show calls it quits at the right time. More often than not, they hang on too long, wringing out every possible drop of content and damaging the show’s legacy in the process.
“Hacks” is a rare exception. I wasn’t sure at the time how this HBO comedy would do a second season, let alone a fifth. But it has proven me wrong at every step. Jean Smart only seems to get better with age, while this show has managed to re-invent itself on multiple occasions. Its final season follows Smart, again as comedian Deborah Vance, as she’s found herself legally unable to perform after breaking her late-night host contract. And somehow, it’s just as funny as ever.
Until next time …
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.
