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The surge in soccer fans this summer was bad for some businesses in Los Angeles.

World Cup host cities had lofty economic expectations for the summer tournament. But the city’s hotels only got a 1% bump in occupancy, according to a report published this week by Hospitality Education and Research Organization, a project of the Hotel Assn. of Los Angeles.

Seventy-two percent of surveyed hotels said the tournament hurt their 2026 finances, and 48% called the impact “extremely negative.” Just 2% said it met projections.

Downtown occupancy reached 66% in June, down from 71% a year earlier, the report says. Room nights fell between 10% and 12%.

Ahead of World Cup tournaments, FIFA holds large blocks of rooms. But FIFA canceled or released up to 70% of the hotel room blocks it had reserved in host cities, including Los Angeles.

“We understood that we were maybe going to be disappointed with attendance going into the World Cup simply by the volume of cancellations that came out of the room block agreement,” said Jackie Filla, president and CEO of the Hotel Assn. of Los Angeles.

The disappointing turnout led to staff reductions. Of the hotels surveyed 82% reduced seasonal staff and more than six in 10 reported reducing employee shifts, scheduled hours, or permanent staff.

Hotels did raise prices, with the average daily rate hitting $228, the highest of any comparable L.A. event in three years. But occupancy was 71%, well below the 83% recorded during Taylor Swift’s Eras Tour.

The survey drew 58 responses from 210 hotels, and the analysis was done by travel-data firm Rove using CoStar and AirDNA data. International visitors were also scarce, with Los Angeles welcoming 700,000 international arrivals in June and July — roughly 80,000 visitors below 2024 levels for the same period, the report says.

“We particularly didn’t see a lot of foreign visitors and that’s something that was disappointing,” Filla said. “Foreign visitors do spend three times the amount of money as the average domestic traveler.”

Short-term rentals, meanwhile, gained. Their demand rose 23% and revenue 21% versus July 2024, while hotel revenue fell 3.3%. Airbnb, the tournament’s official fan accommodation, offered new hosts $750 incentives.

The city is currently weighing a temporary proposal to ease its short-term rental rules through the end of 2028 to accommodate tourists. “That will really, truly undercut the business of hotels,” Filla added. “We saw some of that with the World Cup.”

The worry is carrying over to the Olympic Games, set to be hosted in Los Angeles in 2028. Six in 10 surveyed hoteliers expect an Olympic rental surge to hurt their bookings and rates, the report says.

The World Cup “gave us false hope to recover from a negative year,” one Los Angeles hotelier said, according to the report. “I also feel [the] same thing will probably happen for [the] Super Bowl and Olympics.”

Members of the Republican Party have joined Democrats in questioning remarks made by United States President Donald Trump about the California cities of Los Angeles and San Diego.

Much of the backlash came on Tuesday, a day after Trump told a midterm rally in Nebraska that Americans should be willing to make sacrifices to gain victory in the US-Israeli war against Iran.

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Those sacrifices, he implied, could include the destruction of American cities, in case of an Iranian attack.

“It’s a small price to pay for keeping the world safe, keeping our country safe,” Trump said, seemingly in reference to the knock-on effects of the war, including rising fuel and fertiliser prices.

“They can take out a city. Let them take out Los Angeles. Let them take out San Diego. This is a very small price to pay, and it’s going to be over with very soon.”

Trump has downplayed the impact of the war – now in its eighth month – despite polling that shows the conflict is widely unpopular in the US. He has also repeatedly promised the war would end soon, though no lasting ceasefire has been reached so far.

The fallout from his Nebraska remarks was swift. Gavin Newsom, an outspoken critic of Trump and the Democratic governor of California, said the president was “deranged”.

“This is not only madness. This is dangerous,” Newsom said in a video on the social media platform X, in which he called for Congress to rein in Trump’s behaviour.

Newsom, a possible contender in the 2028 presidential race, has clashed repeatedly with Trump.

Last year, the two faced off over Trump’s decision to deploy federal troops to California, as part of an effort to support a crackdown on undocumented immigration in the Los Angeles area.

In December, a federal judge ruled that the deployment had been illegal and ordered its end. Newsom, who opposed the deployment, cited that conflict in his remarks about Trump’s Nebraska rally.

“The president of the United States – the same one who sent in the National Guard into Los Angeles, sent 700 active duty Marines to the second largest city in the United States of America – just invited Iran to take out Los Angeles and San Diego,” Newsom said.

He added that Trump’s remarks should convince those who “didn’t think the November election mattered” to vote in the upcoming midterms.

Some from Trump’s own party have also expressed shock at his remarks.

Jim Desmond, a Republican running in a competitive race for the House of Representatives near San Diego, was among those who distanced themselves from Trump’s statement.

“I vehemently disagree with President Trump’s comments. America must stand up to Iran and defend our interests, but the first responsibility of our Commander in Chief is to protect the American people and our homeland,” Desmond wrote on X.

“No American city is expendable, and no American family should ever be treated as collateral damage.”

US Representative Kevin Kiley, an independent who caucuses with Republicans and is running for re-election in northern California, also called Trump’s comments “unhelpful”.

But the White House has dismissed criticism of the remarks, calling it part of a “media freakout” that “is not rooted in reality”.

“He was clearly stating U.S. cities would have been threatened if a nuclear Iran hadn’t been stopped,” White House Director of Communications Steven Cheung wrote on social media.

“America is safer because of the President. Iran has no nuclear, no navy, no air force, and no money.”

California has the largest population and economy of any state in the US. Because of its population, it also has the most seats in the House of Representatives, at 52.

All 435 seats in the House of Representatives are up for grabs in November’s midterms, along with a third of the Senate. Also on the ballot are key state and local races.

With Republicans’ control of Congress on the line, the results of the midterms are expected to weigh heavily on the final two years of Trump’s second term.

A pet project of architect Frank Gehry, a smaller concert hall to complement his legendary Walt Disney Concert Hall, is taking shape in downtown Los Angeles for an opening next September.

Elements Gehry devised to set it apart are already visible, as construction on the $337-million addition to the Colburn School of Performing Arts reveals details the architect conceived years ago.

The centerpiece of the expansion will be a 1,000-seat concert hall named for Pasadena philanthropists Terri and Jerry Kohl with an in-the-round design meant to create intimacy between the performers and the audience. The hall will include an orchestra pit and a stage similar in size to the one at Disney Hall so it can accommodate grand orchestra, opera and dance performances.

Gehry set out to create an immersive hall that would inspire artists and envelop the audience, said Meaghan Lloyd, his chief of staff and right-hand at his firm, Gehry Partners.

“Frank’s passion was bringing the audience closer to the performers and getting the relationship between the two just right, so that the audience can feel the performers, the performers can feel the audience reacting,” Lloyd said.

Kohl Hall will be part of the school where Colburn’s symphony orchestra, bands, youth string programs and children’s choirs will perform. It will also be available for rent for outside productions such as jazz and classical music concerts. It is expected to be in use more than 200 times a year.

The hall will open with a concert on Sept. 25, the Colburn School announced Tuesday. The weekend celebration will include inaugural performances at the Dance Center, a new dance instruction and performance venue being built as part of the 100,000-square-foot Gehry-designed addition.

The new Dance Center will double facilities for the school’s Trudl Zipper Dance Institute. The dance facilities will include a 100-seat theater for dance and four professional-size studios for dance instruction and rehearsal.

Beginning next year, the hall will be the home of the Los Angeles Chamber Orchestra, a group of professional musicians about half the size of the Los Angeles Philharmonic. LACO concerts will feature premieres of new fanfares by celebrated film composers, including a work by John Williams to be performed at LACO’s inaugural concert in the hall.

The fanfares are curated by Grammy nominee and singer Seth MacFarlane, best known as the creator and star of “Family Guy.”

Part of the hall’s commercial appeal is expected to be its size, in a sweet spot between the 2,265-seat Disney and the popular 415-seat Herbert Zipper Concert Hall already on the Colburn campus. The nearby Dorothy Chandler Pavilion seats about 3,200 guests. The Peacock Theater at L.A. Live seats 7,100.

Kohl Hall’s in-between size “is the missing piece of the venue puzzle” for Los Angeles, Colburn President Sel Kardan said.

A key feature already in place, hanging from the ceiling, is an array of steel clouds packed with concrete, designed to improve acoustics and evoke a sense of airiness. The clouds were made in the Netherlands by a firm with a history of building steel ship hulls that now specializes in building complex steel constructions like the clouds using digital data.

The exterior metal cladding of the addition features a luminescent pink paint coating called Pink Kandi.

Japanese acoustical engineer Yasuhisa Toyota will serve as the hall’s acoustician, as he has for all of Gehry’s concert halls, beginning with Disney Hall.

The long-awaited Colburn School addition will be the third Gehry-designed building on Bunker Hill, which already has Disney Concert Hall and the Grand LA, a $1-billion apartment, hotel and retail complex he designed for New York mega-developer Related Cos.

The Colburn School dates to 1950 and moved to its current location downtown in 1998, where it has more than 2,000 students, most of whom range from middle school to college age.

Last year chef Debbie Lee debuted her long-awaited pocha in Highland Park: Yi Cha, one of L.A.’s best new bars, where Lee serves modern Korean bites that pair with artful cocktails and imported soju. Now she’s opened Mokja, a tandem cafe and market for Korean-leaning coffees, sandwiches, pastries and pantry goods. Enter Mokja through Yi Cha’s back alley and find sweet corn iced lattes, coffees topped with misugaru cold foam, and banana matcha lattes served alongside oxtail hand pies, Seoul-style breakfast plates, gochujang short rib onigiri, tomato-muchim pork belly BLTs, and a DIY ramyun station. In a hurry? Grab Lee’s premade bibimbap, mayak eggs, mandu, japchae and more from the refrigerators. If you’re shopping for your home, find coffee, mochi mixes, ice cream, hot sauce, black sesame spreads and other goods from local makers, plus imported Korean Oreos and chips, on the shelves around the cafe.

What is a sundae? Ice cream, of course, but what else? As the Food team compiled our favorite decked-out frozen desserts around the city, we couldn’t seem to reach a consensus.

It should have syrup or sauce, fruit and some sort of crunchy topping, I declared with unearned authority. Deputy Food editor Betty Hallock pointed out the iconic McDonald’s sundae with just vanilla soft serve and rich chocolate fudge. Another colleague mentioned layered parfaits while others hailed the banana split as a worthwhile variant that includes all the named elements.

We decided to take a broad definition to the dessert that was first created at a soda fountain in Two Rivers, Wis., in the late 19th century. (Hot fudge was invented in 1906 by L.A. candymaker Clarence Clifton Brown, whose son opened legendary ice cream parlor C.C. Brown’s in Hollywood.)

You can opt for classic or over-the-top versions at a carhop diner in Burbank or a Route 66 soda fountain, or build the sundae of your dreams at a French-Californian bistro or an open-air Italian restaurant with a roving gelato cart. There are plenty of creative takes that pull inspiration from many cuisines, like a Thai gelato maker in Torrance and an Ethiopian restaurant in Eagle Rock serving a brûléed banana split with Ethiopian coffee-infused chocolate sauce.

Here are 20 of our favorite sundaes and banana splits around Los Angeles. — Danielle Dorsey

The 39th annual Hispanic Heritage Awards — which will honor the contributions and accomplishments of Latinos in the U.S. and Latin America — will air nationwide Friday on PBS.

In a historic decision by the Hispanic Heritage Foundation, which presents the annual awards, the event departed from its home base of Washington. Instead, Latino luminaries gathered at the Orchestra Hall in Minneapolis, where the celebratory occasion was taped for broadcast Sept. 10.

The move to the Midwest was a timely decision for members of the Hispanic Heritage Foundation, a nonprofit organization established by the White House in 1988. They took into consideration Minnesota’s response to a large-scale immigration enforcement campaign that began in December, known as “Operation Metro Surge.”

“We went to Minneapolis because we wanted to recognize what’s great about our community, [our] courage, resilience, strength, unity and looking out for each other,” said Antonio Tijerino, president and CEO of the Hispanic Heritage Foundation, in a phone call with De Los.

The Department of Homeland Security called the undertaking the “largest DHS operation ever” earlier this year on X, with an estimated 2,000 agents deployed to the Minneapolis–St. Paul metropolitan area. Thousands of Minnesota residents rallied against the tactical and militant methods used by Immigration and Customs Enforcement agents.

Civil unrest hit a boiling point following the killings of Renée Good and Alex Pretti on Jan. 7 and 24, respectively, by federal agents.

“ We actually went with a delegation of national Latino leaders to offer our support of the community during this crisis and we were overwhelmed by the heroism,” said Tijerino, who recalled a group visit to Minneapolis in February. There, he and his colleagues learned more about the rapid response efforts underway in the city.

“It was an American story that we wanted to tell,” he added.

At the 39th ceremony, Los Tigres del Norte presented a bit of that story to the people of Minnesota — who were collectively honored with the Humanitarian Award.

“Peaceful, hard-working communities of immigrants and refugees found themselves in fearful chaos as more than 4,000 parents, grandparents, neighbors, friends and families were taken by force, U.S. citizens among them,” Los Tigres del Norte announced in English while presenting the award. The players closed the show with a rendition of their 1984 song “Jaula de Oro,” which speaks to the plight of the undocumented community.

“I think Minnesota [is] a reflection of all of our Latino communities across the nation,” said Henry Jiménez, president and CEO of Propel Nonprofits, who was one of the individuals on stage representing the people of Minnesota.

“It uplifted the people. I think people felt validated for all of their hard work and effort that they’ve had to endure, not just the last couple months, but really a lifetime of work,” said Jiménez, whose organization helps consult and raise funds for budding nonprofits.

The relocation of the Hispanic Heritage Awards also comes as D.C. deals with the temporary closure of the John F. Kennedy Center for the Performing Arts — which hosted the Hispanic Heritage Awards in years prior.

The Kennedy Center closed its doors indefinitely on Sept. 15 after an inspection found acute public safety concerns, among them roofing issues. In a letter to Congress, various former employees allege that leadership was aware of the issues but halted plans for repair in April.

The closing also comes after a federal judge blocked the board’s decision to include President Trump’s name on the building in September. Trump’s takeover of the Kennedy Center began in February 2025, when he dismissed half its board members and installed himself as chairman.

“We were [at the Kennedy Center] for a very long time. It brought a lot of prestige and to fill a historic venue like that with Latinos was wonderful,” said Tijerino. “After many years of being at the Kennedy Center, we decided we wanted to go to another venue.”

In April 2025, the Hispanic Heritage Foundation announced that it would host its 38th annual awards at the Warner Theater instead; previous versions of the ceremony have also taken place at the historic Warner Theater venue, including in 2015 for the 28th Annual Awards and 2017 for the 30th celebration.

Hosted by comedian Anjelah Johnson-Reyes, the other honorees of the 39th Hispanic Heritage Awards included Venezuelan artist Oscar D’León, the salsa singer behind notable hits such as “Llorarás” and “Me Voy Pa’ Cali,” who received the Legend Award for his lifelong contributions to the genre.

Chilean singer-songwriter Mon Laferte, the vocal powerhouse behind power ballads like “Tu Falta de Querer” and “Amárrame (feat. Juanes),” also received the Social Justice Award. The Latin Grammy-winning artist has long championed feminist causes and challenged sexual harassment in the entertainment industry — a topic central to her 2024 Netflix documentary, “Mon Laferte, Te Amo.”

Puerto Rican rapper Eladio Carrión, whose trap flow famously featured in songs like “Coco Chanel” with Bad Bunny and “Sigue Bailandome,” was also honored with the Inspira Award.

Mexican singer-actor Ximena Sariñana, whose early composition appeared on the soundtrack of the 2002 teen film “Amar Te Duele,” received the Music Award as well.

Following the success of their Minneapolis awards show, the Hispanic Heritage Foundation is now toying with the idea that the ceremony can take place anywhere where there is a strong Latino presence.

“Who knows if L.A. is the [next] spot!” said Tijerino, who hails from Long Beach,

Though Jiménez assures that he is not swayed by any particular city at the moment, he offers one idea: “I hope that the community that’s chosen [to host] doesn’t have to go through a difficult time to be chosen.”

May we assume that Rep. Bob Livingston was an adulterer two weeks ago? Did he think then that he was unfit to lead? His stepping down (Dec. 19) leads me to believe that a private adulterer suffers no loss of ability to lead; but that inability only comes with public knowledge of the “sin.”

I call this gratuitous grandstanding. I call this hypocrisy.

MARIAN L. GOLDBERG

Marina del Rey

*

First we hear that Rep. Henry Hyde admits to “youthful indiscretions” and now Livingston admits to previous affairs (Dec. 18). Our major newspapers tend to treat such matters rather gingerly and relegate them to one of the back pages. We continue to hear that our president’s crime was not about sex but lying under oath. But one cannot help wondering how these highly respected gents would have behaved at the time had they been subjected to the machinations of a Tripp-Starr duo.

WARREN PAINTER

Granada Hills

*

After reading about Livingston’s admission to having an affair and the House’s response of a standing ovation, I have finally figured out the real difference between Republicans and Democrats. Democrats view cheating on their spouses as unacceptable behavior and try to keep it secret. The Republicans view cheating on their spouses as acceptable as long as they admit they did it.

And these people have the nerve to talk to me about the president’s moral authority? Maybe we should throw out the entire legislature and start all over.

JIM PRIETTO

Laguna Niguel

*

Do the Republicans truly believe that their children will understand the difference between Clinton’s perjury and the lies of Hyde and Livingston?

JESSE ALBERT

Los Angeles

*

Any effort by the liberal media to compare Livingston’s admission of adulterous indiscretions with Bill Clinton’s sexual scandal is an effort to deceive the American people. You don’t have to be a rocket scientist to know they are not the same. Clinton lied under oath and tried to obstruct justice.

ART AMASAKI

Torrance

*

The cost to expose sexual misconduct by a major politician: federal government–$40 million; Larry Flynt–$1 million. The Republicans might say, “Chalk another one up for the private sector!”

DUAINE OSBORNE

La Mirada

*

It’s as ironic as it was inevitable that the furies unleashed by Kenneth Starr’s overzealous investigations would turn on the Republicans and begin to consume them.

JERRY BUCK

Sherman Oaks

*

During the Joseph McCarthy days the most frequent question asked by the Congress was, “Are you now or have you ever been a member of the Communist Party?” Today’s question asked by Congress can be characterized as, “Are you now or have you ever been guilty of infidelity?”

SAMUEL M. ROSEN

Newbury Park

*

Character does matter, especially if you happen to be a Democrat.

SESTO VOCE

Rancho Palos Verdes

Hikers trekking along trails around Los Angeles know that, by late summer, most creeks and rivers have dried up for the season.

However, recent rainfall across Southern California has replenished our waterways just enough to bring back a little of their spring and early summer glamour.

In this week’s edition of The Wild, our weekly outdoors newsletter, I will highlight three L.A. trails where you can still find water flowing, offering a cool relief in a year when L.A. residents are sick of humidity, heat and high electric bills.

Before heading out, here are a few things to remember:

• Familiarize yourself with what poison oak looks like, as it will be prominent on all of these trails. Its leaves this time of year range from glossy green to red, orange and yellow.
• Practice seven Leave No Trace principles, including never leaving anything behind such as toilet paper or orange peels.
• Rocks and boulders in and along creeks will often be slippery from years of erosion. Take good care when climbing them or using them for leverage as you traverse an area.
• Wear insect repellent. Mosquitoes and ticks are both found along the routes below.
• Riparian habitats, like creeks flowing through canyons, are home to sensitive creatures including California newts, frogs and toads. Take good care to watch where you’re stepping, ensuring you aren’t crushing one of these little sweeties as you tromp along.

Now that we’ve all agreed to recreate responsibly, let’s talk about those hikes!

1. Santa Ynez Waterfall Trail

Distance: 2.2 miles out and back
Elevation gained: About 200 feet
Difficulty: Easy in the beginning with technical aspects near the falls
Dogs allowed: No
Nearest to: Pacific Palisades
Accessible alternative: Inspiration Loop Trail at Will Rogers State Historic Park

The Santa Ynez waterfall trail is a 2.2-mile journey along Santa Ynez Creek in Topanga State Park, shaded by large sycamores, oak trees and the canyon’s walls. You’ll notice a small cave-like structure in the canyon wall shortly upon starting the hike. Unfortunately, other visitors have carved into its sides. Don’t be one of them.

To begin your hike, you will park along Vereda de la Montura. Note that parking isn’t allowed daily between 8 p.m. and 6 a.m.

I thought I was in the wrong place when I first pulled up, given the trailhead sits in the middle of a neighborhood. I walked northwest along the street and found an open gate with stairs leading down. This is where you’ll start the trail.

I was immediately reminded of Sullivan Canyon (which is about 3 miles away, as the crow flies), as the two canyons feature rocky canyon walls and tall old trees. There are a few times when the trail splits off and returns to itself. Just over half a mile in, though, the trail splits in two, with Santa Ynez Canyon Trail to the west (or left) and the waterfall trail, which you will take to the north or northwest-ish.

The first mile of this trail is primarily a nice stroll northward along a creek, the ground covered in green and brown leaves. However, just over a mile in, if you want to see the waterfall and small cave next to it, you will need to scramble up a large boulder and then rock hop through the creek. As of last week, there was a rope to aid hikers upward. (On my way down, I unintentionally slid quickly down the rock, feeling every peddle in the tuchus until I landed feet first in the creek — so take your time here.)

The waterfall isn’t roaring at the moment, but I found the trickling sound of water soothing. It’s also a geologically interesting area to look around, as the water has carved out the canyon walls into interesting shapes (and created a small cave near the waterfall).

As I was heading back from the falls, I noticed several bees circling an area high in the canyon wall where it appeared they’d built a nest. Pack accordingly if you are allergic to bee stings.

I only saw three other people along the trail while there on a weekday. I was mostly alone, though, listening to the wrentits and spotted towhees as blue dragonflies darted to and fro.

2. Cold Creek Trail

Distance: 2.2 miles out and back (with option to extend)
Elevation gained: About 300 feet
Difficulty: Easier end of moderate
Dogs allowed: Yes
Nearest to: South of Calabasas
Accessible alternative: Nicholas Flat ADA Trail

The Cold Creek Valley Preserve, cared for by the TreePeople Land Trust, is a shady riparian habitat near Calabasas with a gently flowing creek that features multiple short cascades. The land was saved from development by several local residents and nonprofits, including Timothy B. Schmit, bass player for the Eagles.

The preserve features multiple public hiking routes, including the Cold Creek Trail.

“Located on an ancient trade route, the [I]ndigenous people of Southern California have used the area for hunting and settlement for generations, leaving a lasting influence visible on the land,” according to TreePeople. “The perennial Cold Creek is the keystone feature of the area, one of the cleanest free-flowing streams in the Santa Monica Mountains.”

To begin your hike, you’ll park in a bumpy dirt lot just off Stunt Road. Be mindful as you near the trailhead, as there will likely be construction crew members in the area. They’re working to install rumble strips and other infrastructure to slow down drivers and hopefully improve traffic safety.

At the start of the trail, you’ll find a portable toilet near the gate. You’ll walk southeast for a short bit before rounding the curve of the trail. You’ll officially be transported into this sylvan sanctuary (although I could admittedly still hear the construction workers communicating on their walkie-talkies).

The trail mostly runs parallel to Cold Creek, which you will hear flowing and have the opportunity to sit near at multiple points along the route, including on a few wooden benches. The trail crosses the creek about four times, but it isn’t overly technical to maneuver.

About half a mile in, the trail intersects with Lower Stunt High Trail. You can continue northwest along the creek. You will find another option, the Yucca Trail, just under a mile into your hike, a nice .68-mile loop through the preserve.

The park, open from sunrise to sunset, offers a sweet reprieve from the sun and is a great spot to take a deep breath and meditate in the woods.

3. The Gabrielino National Recreation Trail (multiple segments)

Distance: 28.8 miles
Elevation gained: About 6,000 feet
Difficulty: Challenging when done in its entirety
Dogs allowed: Yes
Nearest to: Arcadia and Pasadena, depending on the trailhead
Accessible alternative: Gabrielino Trail starting near North Windsor Avenue near Altadena

The Gabrielino National Recreation Trail is a 28.8-mile journey through the San Gabriel Mountains. Most thru-hikers start the trail at Chantry Flat and take the trail on a squiggly N-shaped journey all the way to its western trailhead near NASA’s Jet Propulsion Laboratory near Pasadena.

However, it isn’t necessary to take the entire Gabrielino Trail to enjoy its beauty. The trail has several entry points, offering short day trips, including the following, which run parallel to at least one local creek or river:

Regardless of where you go, I hope you enjoy our last weekend of summer. That’s right: Summer ends Tuesday! Hopefully that means it soon feels like autumn in L.A.

3 things to do

1. Clean up public lands around L.A.
Heal the Bay will host L.A. County’s annual coastal cleanup day from 9 a.m. to noon Saturday in more than 60 sites. Participants should consider wearing closed-toe shoes and sun protection. Cleanup supplies will be available at sites but will run out at popular sites. Volunteers can pick a beach, river, park or trail near them by visiting support.healthebay.org.

2. Portray a bird of prey in San Dimas
The San Dimas Canyon Nature Center will host a guided sketch experience from 6 to 7 p.m. Friday at 1628 Sycamore Canyon Road in San Dimas. Participants will learn how to draw a red-tailed hawk. Learn more at the center’s Instagram page.

3. Learn dangers from rangers in Newbury Park
Hikers can bring their four-legged besties to Rancho Sierra Vista/Satwiwa from 9 a.m. to noon Saturday for a B.A.R.K. Rangers event where rangers will educate dog owners on how to safely and responsibly enjoy public lands. Rangers will also conduct a special swearing-in ceremony, complete with a Santa Monica Mountains National Recreation Area B.A.R.K. Ranger badge, for pups who complete certain challenges. Learn more at eventbrite.com.

The must-read

Yes, El Niño morphed our city’s usually pleasant Mediterranean climate into the largest hot yoga class in L.A. But did you know it has also resulted in our ocean water being warm enough to attract animals not usually seen along our coastline? Those fishing off the Malibu Pier were surprised in mid-August by a hammerhead shark swimming nearby. A giant whale shark was recently documented by a fish spotter between Malibu and one of the Channel Islands, a species that prefers warmer waters (and is the largest known fish on the planet). And in line with our predicted “sharky summer,” a juvenile great white shark was spotted a bit close to a swimmer off the coast of Santa Barbara. The best news is: Nothing bad has happened to any humans or animals during these visits, underscoring how well we can co-exist with these beings, despite our fears of them.

Happy adventuring,

P.S.

More and more wildlife lovers are heading into public lands for “recreational herping,” the practice of looking for amphibians and reptiles. Conservation photographer Mario Ramos recently raised concerns via his Instagram page about how the increase is leading some folks to unintentionally harm the animals they seek to observe. “A harsh truth about field herping is that our interactions with wild herps are often stressful and potentially detrimental to the animals, no matter how you frame it,” Ramos wrote. Ramos then outlined how to ethically look for animals that slither and slide in the wild. Always respect the locals, folks!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

“American Idol” is packing up its stars after 25 years in Hollywood.

In the latest blow to Los Angeles film production, ABC’s long-running program will move its upcoming season to the Atlanta area, according to Fremantle, which produces the show with 19 Entertainment, owned by Sony Pictures Television.

Fremantle declined to comment further.

The move comes as Los Angeles’ production levels have tumbled, prompting concern from film workers, union leaders and elected officials who are scrambling to address the crisis. California, despite boosting its tax incentive program, has been struggling to compete against other states that offer more lucrative credits.

TV production activity in the L.A. region was down 27% in the second quarter compared with the same period a year ago, largely because of fewer reality TV shoots, according to the nonprofit FilmLA.

Earlier this year, another broadcast TV stalwart, Fox’s “The Masked Singer,” made plans to vacate its space on the Fox lot on West Pico Boulevard in Los Angeles and head to New Jersey, also in search of more lucrative tax credits. Another ABC hit, “Shark Tank,” also is relocating to Atlanta from its longtime home base on Sony’s Culver City lot.

“American Idol” has been a local economic engine since launching on Fox in 2002. For years, the show ranked as the No. 1 show on TV and employed hundreds of workers each season as aspiring singers hoped for their big break.

The most recent season originated from Red Studios in Hollywood.

Georgia offers generous tax incentives, including up to a 30% tax credit for reality television productions that spend at least $500,000 in the state. Unlike California, Georgia’s tax program allows compensation for actors and other so-called above-the-line workers to be included.

Like California, Georgia has been grappling with lower production levels. For more than a decade, its soundstages attracted colossal movie productions, but the region was dealt a blow when the Walt Disney Co. recently shifted production of its Marvel superhero films to facilities near London.

On Tuesday, a bipartisan coalition of lawmakers, the Motion Picture Assn., industry unions, Hollywood special ambassador Jon Voight and filmmaker Steven Paul made a pitch for a federal film and television tax credit to keep jobs in Hollywood and in the U.S. broadly.

Rep. Laura Friedman (D-Glendale) plans to introduce a bill into Congress as early as this month in collaboration with Rep. Brian Jack (R-Ga.), who represents a district southwest of Atlanta. The MPA released a study estimating a federal tax credit could add 143,000 film and TV jobs.

This year, in particular, has seen big swings as the California Film and TV Tax Credit Program expanded eligibility to include competition shows.

Large-scale competition shows are eligible under the state’s incentive program if they have a minimum budget of $1 million per episode. The credit, however, does not include traditional reality shows, game shows, talk shows or docu-follow television programs.

Changes in California’s formula resulted in a jump to 676 shoot days in the second quarter, compared with 463 shoot days during the first three months of the year. Nonetheless, this year’s April-June quarter still reflected an almost 40% decline when compared with the same time last year.

FilmLA said that over the last five years, reality productions have plummeted nearly 63%.

ABC in late July announced “American Idol” was returning, marking its 10th season on the Walt Disney Co. network. Producers are auditioning potential contestants this week during stops in Georgia, North Carolina and South Carolina.

ABC declined to comment on the move.

Ryan Seacrest has long hosted the show, which last season featured Lionel Richie, Luke Bryan and Carrie Underwood, a previous “American Idol” champion, as the celebrity judges.

Deadline first reported the planned move to Georgia.

Game shows are also leaving L.A.

A growing number of programs long based around Hollywood and New York have headed across the ocean to Ireland and Britain to take advantage of tax credits that bring down the cost of production as broadcast network executives contend with shrinking audiences and lower profit margins.

Fox currently has several prime-time game shows produced overseas, including “The Floor,” “Celebrity Name That Tune” and “Beat Shazam.

Staff writer Stephen Battaglio contributed to this report.

Paramount Skydance Chief Executive David Ellison faces a pivotal decision: Should he uproot his Hollywood studio — the birthplace of such film classics as “Sunset Boulevard,” “The Godfather” and “Beverly Hills Cop”?

Paramount floated shifting its home base to Tennessee or Texas in July, hoping to deter California Atty. Gen. Rob Bonta from waging a legal battle to block Paramount’s $111-billion acquisition of Warner Bros. Discovery.

Bonta rejected the tactic, calling it “blackmail.” His antitrust lawsuit, filed in collaboration with 11 other Democratic state attorneys general, has since stalled the largest Hollywood merger in decades and put Ellison in a jam.

The 43-year-old tech scion — a film aficionado who has spent two decades building his career in Hollywood — has told associates he doesn’t want to leave L.A. But he has signaled that he’s prepared to sell the historic studio lots and move Paramount’s and Warner Bros.’ operations from California if the merger isn’t finalized by next month, according to people familiar with the situation who were not authorized to comment.

The prospect has rattled a region already reeling from steep declines in film production, heavy job losses, empty soundstages and shuttered small businesses.

“It would be devastating,” Assemblymember Rick Chavez Zbur, who represents a district that includes the Melrose Avenue movie lot and neighborhoods near Warner Bros. in Burbank, said of a Paramount move. “We need to do everything we can to protect these important jobs in California’s iconic industry.”

Paramount declined to comment.

Ellison is frustrated after securing approvals from more than 65 regulators worldwide for the mammoth merger that would bring HBO, CNN, CBS, Comedy Central, MTV and TBS under the same roof.

Bonta’s lawsuit stands in the way.

“California is the fourth-largest economy in the world and the best place to do business,” a spokesman from Bonta’s office said. “Strong antitrust enforcement is essential so everyone can benefit from a vibrant economy.”

A federal judge in Oakland temporarily blocked the deal, prompting Paramount to agree not to finalize the acquisition until after a trial or June 1, whichever comes first. Settlement talks collapsed in late August after Bonta accused Paramount of leaking and misrepresenting their discussions.

Paramount has plenty at stake. U.S. District Judge Araceli Martínez-Olguín set the trial for March, but the company urgently needs the valuable Warner assets to better compete against tech behemoths. And beginning Oct. 1, Paramount must increase its payout to Warner Bros. Discovery shareholders by $7 million a day, so-called ticking fees that will heap more debt onto the highly leveraged transaction.

Paramount asked the judge to require California and other plaintiff states, including Nevada, Oregon and New York, along with the Writers Guild of America (which also sued) to post a $1.88-billion bond that could compensate Paramount for ticking fee costs. A hearing is set for Sept. 24.

For weeks, Paramount’s most potent weapon has been its in-the-works plan to leave L.A.

Lobbying has been intense, prompting a parade of politicians led by Gov. Gavin Newsom, L.A. Mayor Karen Bass and gubernatorial nominee Xavier Becerra to urge the two sides to settle the lawsuit.

“It’s a game of chicken,” Kevin Klowden, an economist and managing director at the Melcene Advisory firm, said in an interview. “But I’m not dismissing the threat because it is very real.”

Relocating from Los Angeles would allow Ellison’s cash-hungry media company to qualify for lucrative tax incentives offered by another state. Ellison’s short list includes Tennessee, Texas and Georgia. But leaving its longtime home would be costly for Paramount too, given how much of the talent and deal-making remains concentrated around L.A.

Tennessee’s Department of Economic and Community Development declined to discuss its negotiations with Paramount, but in a statement a spokesperson said the state “remains committed to working with companies across a wide range of industries that are exploring opportunities to invest and grow in Tennessee.”

Early this month, a pro-merger group was set to hold a news conference outside Paramount, but it moved its gathering to a warehouse a few blocks away after anti-merger activists planned a counterprotest.

The pro-merger organization, Neighbors for Strong Communities, was incorporated in Washington, D.C., in June and has lobbed text messages to Californians urging them to press Bonta to drop the case.

Speakers were concerned with just one issue: What would happen should Paramount pull out?

“What are we going to do with all these people who have invested their lives and many generations into building something here?” asked Keyla Wood, who moved from Mexico to L.A. about a decade ago after getting her start in Spanish-language soap operas.

“It’s been one thing after the other: The pandemic, the strikes and then it was the fires,” said Wood, who has worked as a stand-in for Eva Longoria and Salma Hayek. “So many people never work again.”

L.A.’s very identity is at stake, added Daniela Kelly, an actor and dancer who arrived from Brazil two decades ago.

“Everyone in the world sees Los Angeles and Hollywood as the platform for their dreams,” Kelly said. “Imagine if a huge studio with 100 years of history here just leaves? What will we be?”

Businesses like Kelly’s small Kreashen Studios USA, which provides video and podcasting space in Marina del Rey, depends on the region’s entertainment economy.

“It’s difficult financially right now to keep open,” she said. “So I’m pro having Paramount stay because this is the center, the heart of Hollywood.”

But deal opponents and some experts say the merger would actually worsen L.A.’s already bleak production picture.

Paramount has promised to cut $6 billion in expenses — a figure that doesn’t factor in the cost of ticking fees, which would add $650 million each quarter to the $81 billion that Paramount had anticipated paying Warner shareholders.

“We’ve seen from previous mergers that jobs have been lost,” L.A. City Councilmember Adrin Nazarian said at a City Hall event recently.

Combining Paramount and Warner could result in the elimination of nearly 4,500 positions over three years and put at risk an additional 5,865 jobs within businesses that serve the studios, according to an August report by the Los Angeles County Department of Economic Opportunity.

“When you look at the economic impact, it’s pretty staggering,” Kelly LoBianco, the department director, said in a recent interview. “An estimated $4 billion in economic output lost, and another $550 million lost in tax revenue at the local, state and federal level.”

The merger also could erase $79 million in tax revenue to Los Angeles County even if Paramount stays in L.A., she said.

But state and county tax revenue would plummet further should Paramount dispatch hundreds of its workers to Tennessee or some other state, Klowden said.

“If Ellison moves all the management out and all of the productions out, you’re talking about potentially tens of thousands of jobs,” Klowden said. “That, bluntly, isn’t just devastating to L.A. That becomes devastating to everybody.”

A report commissioned by Paramount from Los Angeles Economic Development Corp. predicted even steeper losses of at least 28,000 jobs should the studio move its entire operation out of state, according to a draft report given to Politico.

Under a less dire scenario, Paramount could shift its corporate headquarters to another state to qualify for incentives but still maintain large staffs in the creative hubs of Los Angeles and New York, where the company has its legal headquarters.

When the Ellison family acquired Paramount from the Sumner Redstone family last year, Ellison shifted operations to L.A., where he and other key executives work on the Melrose Avenue lot.

The threat to pull up stakes has created a disconnect after Ellison has spent more than a year touting how his family’s growing collection of media properties would strengthen traditional Hollywood.

The relocation campaign echoes a tactic used by software giant Oracle Corp., co-founded by Ellison’s billionaire father, Larry Ellison. For three decades, Oracle thrived in Redwood City, Calif., but in 2020, the company moved its headquarters to Austin, Texas, joining other California tech firms leaving in protest of the state’s high taxes.

The elder Ellison announced in 2024 that Oracle would be moving again, this time to Nashville, although that relocation hasn’t been finalized.

Paramount would risk leaving behind a skilled talent pool filled with experienced production workers and entertainment executives, Klowden said.

Fleeing L.A. could prompt “a talent bleed-out,” Klowden said. “Creative types are like: ‘Would I feel comfortable moving there?’ And, ‘What if I move there and something goes wrong? There would be nowhere else for me to go.’”

He pointed to Nissan’s 2006 U.S. headquarters move to the Nashville area from Gardena in L.A.’s South Bay, which dramatically reset the automaker’s workforce as fewer than half of its Southern California employees made the trek to Tennessee.

On Friday, a magistrate judge told both sides to identify dates in late October to meet for court-ordered settlement talks.

Each has motivations to settle — including avoiding a years-long court fight. Bonta has said Paramount must be willing to part with assets to alleviate market concentration, which could lead to a sale of Warner’s New Line Cinema, which has rights to “The Lord of the Rings” and “The Conjuring” franchises, and potentially cable channels such as CNN, Food Network or Cartoon Network.

Paramount, as part of a settlement, could abandon plans to leave L.A.

“All of the parties need to understand what this [issue] means to workers and small businesses,” Zbur, the local Assembly member, said. “I’m hopeful for a settlement that assures that Paramount and Warner Bros. will maintain their operations and remain a significant economic and employment force in Los Angeles.”

Times staff writer Cerys Davies contributed to this report.