location

Abigail Aguirre has been sleeping terribly.

Too many times, she said, residents of a nearby homeless encampment have partied late into the night — sometimes yelling, sometimes blasting music. The noise is especially hard on her husband, who frequently leaves for his job before 5 a.m.

“Oh my God, they don’t let us sleep,” said Aguirre, whose home sits just east of the 110 Freeway in South Los Angeles. “They do drugs in there. They play the loud music. They don’t care.”

Three years ago, workers with Mayor Karen Bass’ Inside Safe program moved dozens of homeless people from Aguirre’s neighborhood into nearby hotels and motels. Sanitation crews cleared the streets and sidewalks of trash.

But more people, and their tents, kept arriving, not just near Aguirre’s home but on many of the east-west streets that pass over the 110 south of downtown: 43rd, 49th, 51st and Vernon Avenue, to name a few.

Unsheltered homelessness — people living on the street or in their vehicles — went up nearly 8% citywide in this year’s homeless count, dealing a setback to Bass, who is running for reelection and has made homelessness a core part of her agenda.

The streets that line the 110 Freeway between 42nd and 58th are a potent symbol of the challenges facing Bass and her program. According to records obtained by The Times, outreach workers carried out Inside Safe operations 25 times on that one-mile stretch during her first three years as mayor, returning again and again to bring people indoors.

Frank Gordon, 51, has been living on Cahuenga Boulevard at the 101 Freeway in Hollywood. Mayor Karen Bass’ Inside Safe program has moved people indoors from that location several times since 2022.

During one operation, Inside Safe brought 42 people inside. A month later, 54 more people came indoors. On other occasions, progress was measured in single digits: two people during one visit, five on another, eight on the next.

Despite those efforts, many of the overpasses and side streets still have encampments. Things have been especially grim on the 51st Street overpass, where tents, makeshift structures and huge mounds of trash lined the sidewalks. In the street, a refrigerator missing a door was on its back, overflowing with garbage.

Joel Galarza, who lives in a house nearby, said the encampment has brought crime, fires, prostitution, open-air drug use and other problems. In May, a man was found stabbed on the overpass.

Galarza said his family has called the city and the LAPD many times, only to see the situation get worse.

“It feels like there’s no more hope, that your voice doesn’t matter,” he said.

Since taking office, Bass has made the removal of street encampments a top priority, arguing that they are unsafe both for unhoused residents and for the neighbors. She said early on that Angelenos will not view her work as a success until their communities are free of tents.

Inside Safe, her signature homeless program, has moved more than 6,200 people into hotels, motels and other interim housing. But by June 30, 43% of them were back on the street, with some getting kicked out and others walking away.

Los Angeles City Councilmember Traci Park, left, and residents of Venice thank Mayor Karen Bass in 2023 for overseeing efforts to move more than 100 people into temporary housing from sidewalks in Venice.

Bass, in an interview, said she understands the frustration of people who live near the encampments. She said she hopes to overhaul the city’s approach to the crisis in the coming months by securing greater control over services such as medical care, addiction treatment and case management.

At the same time, she contends that her administration has made major strides, keeping about 80% of the locations visited by Inside Safe free of tents in recent weeks.

“Inside Safe has been a success in terms of getting people off the streets and clearing encampments,” Bass said. “What Inside Safe has not been able to do is reach the scale that is needed.”

Bass said Inside Safe has conducted 137 encampment operations so far, when many more are needed. To expand the program’s reach, the city will need to move away from expensive hotels and motels and toward high-quality homeless shelters, the mayor said.

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1. A man sits with his belongings on Cahuenga Boulevard under the 101 freeway in Hollywood. (Genaro Molina/Los Angeles Times) 2. A torn copy of a notice announcing a cleanup of homeless encampments hangs from a stop sign along Grand Avenue at 51st Street in South Los Angeles. (Genaro Molina/Los Angeles Times)

The repopulation issues have not been limited to the 110 corridor. By December, the end of Bass’ third year, 23 Inside Safe areas across the city — about a fifth of the total at that time — had received at least five visits from the mayor’s outreach team, records show.

Inside Safe went to a handful of streets just east of MacArthur Park 10 times over two years. In Hollywood, around Franklin and Argyle avenues, the program conducted eight operations over 18 months.

By the fourth quarter of 2025, 80% of Inside Safe encampment operations — 36 out of 45 — involved areas that had repopulated, records show. Nine were new to the program.

City Councilmember Nithya Raman, who is running for mayor against Bass, said Inside Safe is ineffective and too expensive, forcing taxpayers to pay a premium to “shuffle people around rather than get them housed for good.”

“When 40% of the people who participated in the program return to homelessness, and some locations need repeat outreach visits five, 10, even 25 times, it tells us that something is wrong,” she said in a statement.

Bass and her team said many of the most problem-plagued Inside Safe locations are at freeway overpasses, which are attractive to homeless people because they provide shelter from scorching summer sun and the winter’s pouring rain. Freeways and industrial areas are also popular because they provide some degree of privacy, they said.

In some cases, people move to an Inside Safe location hoping to be offered housing, just as previous residents were, Bass said.

In other cases, she said, people have returned to the street because they need intensive care, such as a psychiatric bed. Those beds, which are provided by L.A. County, are not always available, Bass said.

Estela Lopez, head of the Downtown Industrial Business Improvement District, which represents businesses in Skid Row, said repopulation happens for a simple reason: a lack of enforcement. Once an encampment is cleared and people are moved indoors, police should be allowed to enforce city laws and make sure an area stays clear, she said.

A pedestrian walks into the street to get around a homeless encampment on Alameda Street. The Inside Safe program went to that area 12 times over a single year.

Lopez said she regularly receives complaints about a row of encampments on Alameda Street between 4th and 6th streets. Inside Safe visited that two-block stretch 12 times last year, records show.

Last month, the area had about a dozen tents, which forced pedestrians to leave the sidewalk and walk on Alameda, where large trucks travel to and from nearby industrial businesses.

Lopez offered another reason that homeless people keep coming back.

“That’s where the drugs are,” she said. “It’s Skid Row, and Skid Row is where the drugs are, and has the fewest consequences for open-air drug use and sales.”

Bass’ first Inside Safe operation, more than three years ago, hit a stretch of Cahuenga Boulevard under the 101 Freeway in Hollywood, an area represented by Raman.

Inside Safe went to Cahuenga and the 101 six times over 18 months, according to the city’s records. Two blocks south, the program made five separate visits to Franklin and Cahuenga.

Frank Gordon said that he and his girlfriend lived in an RV on Cahuenga next to the 101 during the COVID era, when the streets were lined with encampments. Outreach workers eventually moved them into the Stuart Hotel in Westlake, he said.

From there, the couple relocated to the Highland Gardens, a hotel in Raman’s district converted into homeless housing. Gordon said they left the facility after one of their rooms was destroyed in a fire, going to yet another interim housing site.

Last month, they were back at Cahuenga and the 101. He called it “familiar ground.”

Sanitation crews remove belongings from a homeless encampment during an Inside Safe operation on Laurel Canyon Blvd. in North Hollywood in March.

Kevin Paz, who has been sleeping on the 51st Street overpass in South L.A., said he used to live a few blocks away. He still has friends in the area, including high school classmates.

“It made more sense to stay here than to live anywhere else,” he said.

Seated on the overpass on a swelteringly hot day, the 32-year-old said he picked his particular strip of sidewalk for the shade it gets from the elevated 110 Freeway carpool lane. He said he would accept a motel room if offered one.

“Honestly, nobody wakes up in the morning and says, ‘Hey, I wanna go live on that street,’” he said.

Bass’ team has highlighted the scores of locations where encampments have not returned. They pointed to the success of an Inside Safe operation at 6th and Fairfax, where the sidewalk was later narrowed and new landscaping was planted, making it difficult to camp there.

West of downtown, streets and sidewalks also remain clear around Angelus Rosedale Cemetery, where 48 people were brought indoors in April 2025. To keep people from living in their cars at that location, city crews turned a stretch of Washington Boulevard into a no-parking zone, Bass’ team said.

Even some places that had severe repopulation issues are now clear of tents.

In Harbor City, Inside Safe went to the same intersection a dozen times between 2023 and 2025. That location has been free of encampments for 17 months, said Councilmember Tim McOsker, who represents the area.

McOsker credited the mayor’s team, as well as his staff, for going to the location over and over to offer interim housing to new arrivals. He also asked a group that delivers glass pipes and clean hypodermic needles to relocate, saying the service was attracting newcomers to an area that had been cleared.

In Baldwin Hills, Inside Safe workers went to Jim Gilliam Park 14 times over three years. Last week, encampments no longer occupied the grassy area around the tennis courts on La Brea Avenue or the sidewalks along the nearby Michelle and Barack Obama Sports Complex.

Johnnie Raines III, who serves on the local neighborhood council, knows some of the people Inside Safe brought indoors. He said the program has been “life-changing” for them.

Still, Raines, 79, has no illusions about the challenges the city faces.

“If you house these three people that are in this space today, three more will show up,” he said. “That doesn’t mean that you were not successful in housing the first three people. That just means that three more people come.”

Elmer Roldan, who lives in South Los Angeles, points out the spot where an encampment burned on Grand Avenue near 54th Street.

In the neighborhoods that abut the 110 in South L.A., some residents have lost patience.

Elmer Roldan, who lives on 55th Street, said some of his homeless neighbors have been causing fires — sometimes by accident, sometimes on purpose. Earlier this year, he called 911 after seeing a man set fire to vines hanging from the freeway’s sound wall.

Roldan, who ran unsuccessfully for City Council in June, said he sees plenty of people living in their vehicles, but fewer tents. Still, he said, it’s been demoralizing to have so many come back.

“I certainly don’t want it to get worse,” he said.

Times staff writer Doug Smith contributed to this report.

Growing up, filmmaker Fernando Eimbcke didn’t get to watch the scene in “The Breakfast Club” where the teenage characters smoke marijuana. That moment was removed from the VHS copy of the 1980s classic he’d rented because of strict censorship in Mexico at the time.

Drug use or not, that John Hughes movie, as well “Ferris Bueller’s Day Off,” impacted him profoundly. “Those were movies that spoke to young people, and in Mexico there wasn’t much cinema aimed at teens,” Eimbcke tells me in Spanish on a video call from Mexico City.

From his indie trench, Eimbcke, 55, has tried to fill that void in Mexican cinema — starting with his 2004 acclaimed debut “Temporada de patos” (Duck Season), about two teen boys spending a day without adult supervision. Since then, in films like “Lake Tahoe” (2008) or “Club Sandwich” (2013), the woes of adolescence have dominated his purview.

With “Olmo,” in theaters Friday, Eimbcke has adapted his career-long interest on the youth’s preoccupations to a story on this side of the Mexico-U.S. border for the first time.

Set and filmed on location in Las Cruces, N.M., his bilingual coming-of-age dramedy follows the titular Olmo (played by Aivan Uttapa), a charismatic Mexican American 14-year-old boy in the 1970s, whose bedridden immigrant father requires around-the-clock care.

The tightly written and humorously bittersweet narrative (co-penned by Eimbcke and Vanesa Garnica) unfolds over the course of a fateful Saturday. Nina Sandoval (Melanie Frometa), Olmo’s crush, invites him and his boot-wearing best friend Miguel (Diego Olmedo) to a party, with the condition that they bring a stereo. But Olmo has also been tasked with looking after dad Nestor (Gustavo Sánchez Parra), while his mother works.

Olmo must decide between fulfilling his duty or pursuing his age-appropriate impulse for fun.

Fernando Eimbcke’s new coming-of-age dramedy “Olmo” follows a charismatic Chicano teen in 1970s New Mexico.

(Andrew Bohn / Olma 2023 LLC)

It was during the six years that Eimbcke lived in Germany that Plan B, the American production company behind titles like “Moonlight,” reached out with an idea for him to write a screenplay about a Mexican American character. That project didn’t come to fruition, but Eimbcke took advantage of their initial interest to create his own story.

Eimbcke had long been interested in stories of migration, and in the dynamics that occur within “bicultural” families. His experience living abroad heightened this curiosity.

“I’m surprised to see the fear that governments and society have regarding migration today. It’s one of the best things that can happen to a culture,” Eimbcke says. “Everyone is talking about Christopher Nolan’s ‘The Odyssey,’ and the story of Odysseus is a story of migration.”

Among the key inspirations that shaped how Eimbcke and Garnica (who have been friends since they were 14 years old) conceived “Olmo” were Dominican American author Junot Díaz’s work, as well as Kevin Bubriski’s photography book “The New Mexicans: 1981-83.”

“He photographed Mexican Americans in the 1980s in New Mexico, and that gave us many ideas,” he says. “He has some incredible, truly beautiful photos of Mexican Americans.”

While scouting locations in New Mexico, the production interacted with local Latino families. In those households, Eimbcke witnessed immigrant parents speaking Spanish to their children who replied to them in English. Similar exchanges happen in “Olmo.”

“If communication is already difficult within a family when everyone speaks the same language, the idea of a family speaking two languages struck me as absolutely fascinating. Rather than an obstacle, I saw it as an opportunity to explore their relationship,” he explains. “Language isn’t always that important. When Olmo and Néstor argue over the stereo, you never really know if they actually understand each other through words or not.”

The complex intricacies of language manifested on Eimbcke’s first bilingual set.

During a scene where Olmo and Miguel finally fix the stereo and begin dancing, Eimbcke wanted a more rambunctious reaction. He started yelling, “More caos. More caos.” The assistant director looked puzzled, thinking the director was asking for “cows.” Eimbcke meant “chaos,” but pronounced it Spanish, which sounds like the farm animal in English.

“It was very difficult for me, because my English is far from perfect, it’s actually quite imperfect,” Eimbcke says sincerely.

For Uttapa, 17, these interactions seemed authentic; he is a second-generation Mexican American whose grandmother came to the U.S. from Mexico, while his mother was born here.

“My grandma speaks fluent Spanish, and she talks to me, my brothers, and my sister in Spanish, and we answer in English,” says Uttapa on Zoom. “That dynamic and that detail in the movie really did make it real to me.”

Fernando Eimbcke’s new coming-of-age dramedy “Olmo” follows a charismatic Chicano teen in 1970s New Mexico.

(Andrew Bohn / Olma 2023 LLC )

Based in Las Vegas, the fresh-faced Uttapa started acting at 12. He shared his interest in performing with his parents, who enrolled him with acting coach Frank Parillo. “I remember telling my mom, ‘I just want to entertain. I just want to be relatable and make an impact on people.’ If you can impact one person, then it pretty much is worth it,” he says.

Eimbcke cast him solely based on his self-tape after a long search for the right actor to become Olmo, primarily in Los Angeles and New York.

Since shooting “Olmo” when he was 14, Uttapa has appeared in the latest season of the hit medical drama “The Pitt,” playing Grady Barnhill, who has an asthma attack, in two episodes. Still, playing Olmo remains the highlight of his short but burgeoning career.

“I’ve gotten some auditions here and there about Mexican American or Latino characters, but if I’m being honest, none of them really clicked to me as much as it did with Olmo. I really felt a connection with the character,” Uttapa notes.

That Eimbcke set “Olmo” in the ’70s — based on his memories of watching “Saturday Night Fever” as a child and being enamored by disco music — helped Uttapa connect with the character. At several points in their adventure, Olmo and Miguel break out their best dance moves.

His mother, Uttapa says, thinks of him as an “old soul,” given his eclectic taste in music, from Elvis Presley and Del Shannon to AC/DC and Led Zeppelin.

“I was already familiar with cumbia, because my mom would always teach me,” Uttapa says. “The disco dancing wasn’t really that hard for me because I grew up loving ’70s music, so I’d always dance in my room to it. And being able to show it on screen was really special.”

Eimbcke says he has no secret technique to obtain wonderful performances from his teen stars; the only strategy that works is to lean into fun. “Teenagers are very willing to play. They are willing to take risks,” the director adds. “And I always love combining two schools of acting: the professional and the nonprofessional.” The actors who play Olmo’s parents, Gustavo Sánchez Parra and Andrea Suárez Paz, are seasoned Mexican thespians.

And while Eimbcke may very well be the Mexican John Hughes, there are certainly uniquely Mexican, and perhaps unexpected, references that were foundational for him as an artist.

“I also grew up watching a lot of telenovelas. They were really formative for me, specifically, the telenovelas on the local Channel 2,” Eimbcke confesses. “I remember there was one I followed religiously called ‘Quinceañera,’ starring Thalia. I loved it.”

A MAJOR American-style attraction, with 13 venues across the globe, is moving to the UK for its first ‘flagship’ site.

The venue is set to span over 26,000 sq ft, and is based at the heart of a renowned tourist destination.

London is getting its very first Time Out Market, as the acclaimed city guides brand expands to the UK.

Based in the heart of London’s West End, the market is set to take over 55 Regent Street, a three-floor building overlooking Piccadilly Circus.

Inside, the market will span over 26,000 sq ft, featuring a curated selection of London’s best food and drinks.

Time Out has previously found success with its markets across the globe, with its 13 destinations welcoming over 12million annual visitors.

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First opening in Lisbon in 2014, the concept now features in New York, Dubai, Cape Town, Osaka, Budapest and more.

The London site is expected to have approximately 15 restaurants, bars, and food businesses, paired with a live entertainment programme.

Development of 55 Regent Street is part of a wider regeneration scheme of 10 Piccadilly, overseen by the Crown Estate.

The Grade II listed building, based in the heart of Piccadilly for over a century, is being modernised into a 65,000 sq ft contemporary workspace.

Time Out was founded as a print magazine in London back in 1968, moving to be entirely digital in 2022.

This is not the first time Time Out has looked for a market location in its origin location, initially proposing a site in Waterloo in 2021 and Spitalfields that were both later scrapped.

Chris Ohlund, chief of Time Out Group plc, said: “Securing this partnership with The Crown Estate to create our global flagship in the heart of Piccadilly Circus is one of the most significant milestones in Time Out’s nearly 60-year history.

“Bringing the globally recognised Time Out Market concept home to London is both a celebration of where we began and a statement of where we are going.

“London is one of the world’s greatest cities for food and culture, and there is no better location than Piccadilly Circus to showcase everything that makes it extraordinary.”

Time Out Market in Piccadilly is set to open in 2028, with the company also planning new venues in Delhi, Abu Dhabi, Sao Paulo, Prague, and Riyadh.

THEY say you should never meet your heroes . . . but I can heartily recommend meeting your villains.

At the Night With The Knights special event near Belfast, a crowd of Game Of Thrones fans joined a Q&A session with actors Ian Beattie (sadistic Kingsguard Ser Meryn Trant), Dominic Carter (weaselly Ser Janos Slynt) and Ian McElhinney (noble Ser Barristan Selmy).

Beattie stole the show with hilarious, sweary anecdotes about his time on the HBO fantasy series, with Ed Sheeran the target of some choice barbs.

But all three were amusing and gracious, posing for photos, signing autographs and coming round to chat during our dinner.

It was my first time at the GoT Studio Tour — which is planning more events with stars — and, as a megafan, I was not disappointed with all the costumes, weapons and sets.

Highlights were being able to scan my mug into the Hall of Faces, which Arya Stark’s assassins used to disguise themselves, posing with the giant Wun Wun and, of course, sitting on the coveted Iron Throne.

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Our evening was just one stop on a five-day tour of film and TV locations in Northern Ireland.

We’d started in Londonderry, home to Channel 4 comedy Derry Girls, spotting a giant mural featuring the five hellraising teens and visiting an exhibition showcasing a few sets and props.

From there, we travelled east around the coast, and in fair weather there are few places that can rival the scenery.

It’s easy to see why Northern Ireland is so attractive for filmmakers.

The route was packed with superb locations for memorable Thrones scenes, including:

• Downhill Beach — the clifftop temple where Red Priestess Melisandre burned heretics.
• Portstewart — where Jaime Lannister and Bronn encounter the Sand Snakes in Dorne.
• Dunluce Castle — Greyjoys’ home Pyke, with help from CGI.
• Ballintoy Harbour — where Theon Greyjoy meets sister Yara, and the neighbouring bay, where he is baptised for the Drowned God.
• Carnlough Harbour steps — where Arya Stark crawls to safety after her battle with the Waif.
• Hidden Village of Galboly — which doubles as the Vale of Arryn.
• Cairncastle’s hills — where Ned Stark beheads a deserter in the first episode.

The film scenery isn’t restricted to GoT, as the clifftop ruins at Dunseverick Castle were used for the live-action remake of How To Train Your Dragon.

At the centre of Glenarm Castle’s walled gardens, you can see areas used to film Dungeons & Dragons: Honour Among Thieves, and Thrones spin-off A Knight Of The Seven Kingdoms.

Nearby, in Glenarm village, is Steensons jewellers, which made many of the pieces used in GoT, then it was on to Carrickfergus Castle, a key location for Dungeons & Dragons.

I’d recommend having a guide — not just to get to the right places, but because locals love a good chinwag.

You’ll probably hear stories about the cast and crew (occasionally indiscreet, such as the actress despised by fellow thesps, or which actor appeared naked in a hotel lobby), and they are proud to show off their country.

Next stop Belfast, with locations for some of my other favourite non-fantasy TV series including Line Of Duty, which was shooting its seventh season while we were there, the Botanic Gardens where The Fall’s sexy serial killer, played by Jamie Dornan, stalks his victims, and Crumlin Road Gaol, now used for tours and filming.

We stayed in a different hotel every night and not a dud among them, but highlights were Harbourview in Carnlough, a destination whiskey property, and Slieve Donard in Newcastle, with an opulent pool.

South of Belfast we were back into the wild at Castle Ward, which served as the Starks’ seat of Winterfell and features the courtyard where Ned Stark taught his children archery, the stable where Tyrion Lannister romped with brothel beauties, and the window from which Jaime Lannister pushed Bran Stark.

Further around Strangford Lough is Audley’s Castle, a 15th-century tower that doubled (literally, as CGI was used to create two) as The Twins, treacherous Walder Frey’s stronghold.

Finally, at mystical Tollymore Forest, GoT scenes here include the creek where the direwolf pups are found, and where Arya hides from the Gold Cloaks.

Most bone-chilling, though, was the glade where Thrones’ opening scene was shot, where Night’s Watch rangers encounter a pit containing dismembered corpses that are not as dead as they appear.

So our tour’s end had brought us to the start, which just made me want to binge-watch it all again.

To paraphrase Jaime Lannister, the things we do for love of TV . . . 

LeBron James has decided this time, he’s taking his talents to Philadelphia.

The Lakers couldn’t be happier.

By not extending his contract a summer ago, they made it clear: They were ready to move on. And they have. They found their way to a front-line center and got a whole lot younger. And get this: They got better. In the long run and probably in a sprint too.

Maybe it seems sacrilegious to suggest they’ve improved by parting ways with the greatest player of all time and trading for a fifth-year pro who missed all but five games last season with the Utah Jazz after suffering a torn labrum.

It’s not. Not when Walker Kessler was the missing piece for these Luka Doncic Lakers.

Maybe you’re finding it hard to get fired up about the new guy with no playoff experience. And you’re used to the Lakers collecting the biggest names — not guys whose games are unfamiliar. Giannis, say. Not … Walker.

But please, stop and consider the tankathon Utah has been running; the last thing the Jazz wanted was Kessler on the court winning games for them.

You also still might be experiencing sticker shock on the Lakers’ behalf. They’re getting Kessler on a $130-million, four-year deal after completing a sign-and-trade that sent out a 2031 first-rounder, 2033 first-rounder and first-round pick swaps in 2028 and 2030.

But position, position, position is to the NBA what location, location, location is to real estate — and if this fit proves as fun as Doncic seems to believe, then Kessler’s contract is going to feel like a real fair trade on the hot center market.

Because, defensively, the Lakers’ new 7-foot-2 center is a shot-blocking, space-eating deterrent in the post. That’s invaluable when you’re going with Doncic and Austin Reaves on the perimeter.

Offensively, Kessler has good hands and good handoff timing. You can call for him to screen all day. He has a radar for the rim, sixth in the NBA in dunks per game in 2024-25.

And Kessler is a blessing on the glass, the king of second chances. His 4.6 offensive rebounds per game in 2024-25 led the NBA.

Also: LeBron is going to turn 42 this season; Kessler is 25.

Walker Kessler was a big presence in the paint for the Jazz before he got hurt last season.

(Frank Franklin II / Associated Press)

Age and experience count for a lot in life. But increasingly, today’s NBA is proving a young man’s game — and check ball, the Lakers are now in it.

Out went Deandre Ayton (28 years old), Rui Hachimura (28), Luke Kennard (30) and Marcus Smart (32). Jaxson Hayes (26) too, the only departing rotation player younger than 28.

In come Quentin Grimes (26), Sandro Mamukelashvili (27), Collin Sexton (27), Ziaire Williams (24), Jaden Hardy (24) and rookie summer league sensation Cameron Carr (21). Also, Kevon Looney, who will be Kessler’s backup big, and Matisse Thybulle, a proven defender on the wing, who are 30 and 29, respectively, and the only additions not younger than Doncic (27) and Reaves (28).

Still, I get it. You’re not wowed by the incoming group.

Were you wowed when the Dodgers acquired Max Muncy, Justin Turner or Chris Taylor? Probably not. But those guys went on to help the club win World Series titles.

Were the Dallas Mavericks banking on lob threat Derrick Jones Jr. — on a minimum contract — being a catalyst for their run to the 2024 NBA Finals? Do Lakers fans remember Doncic’s 17 assists to guys like Dante Exum, Tim Hardaway Jr. and Grant Williams in a 2023 victory over LeBron and Anthony Davis?

Doncic is manning the Lakers’ elevator now; it’s his job to lift his teammates to new heights. He can do it. He better do it.

Because the margins can be major, but they don’t account for most of the Lakers’ offseason grade this summer.

So give them a B+.

Not an A. No, because not every assignment has been completed.

There’s the minor matter of a starting five. The Lakers don’t appear to have one of those just yet.

They might yet add Jonathan Kuminga at forward. Or perhaps someone already rostered — hello, 22-year-old, skyscraping Adou Thiero — is waiting to wow us all in that role?

Normally, not having an answer to the most basic of questions at this point in the summer would fail you.

But this year is different.

Filling the hole at center was weighted so heavily among the Lakers’ priorities — and landing Kessler earned them so much extra credit — it bumps their grade almost all the way up.

Of course, this was only the introductory course.

The real tests for this fresh new roster — down an all-time talent but so much more solid in the center — come when the season begins. Or, really, when the postseason does.

And expecting that opponents won’t have an easy time coming up with answers for Doncic and his new dominant defensive center, the Lakers are now set up to score well there too.

WASHINGTON — The Trump administration has acknowledged in court documents that it canceled $7.6 billion in grants for hundreds of clean energy projects “based solely on the political identity of the grant recipient’s state,” including California and 15 other states that voted for Kamala Harris in the 2024 presidential election.

The statement, included in a court filing last week in a lawsuit over the canceled funding, contradicts repeated assertions by Energy Secretary Chris Wright and other officials that the projects were canceled because they did not adequately advance the nation’s energy needs or had other problems that made them a poor investment of taxpayer dollars.

The Department of Energy said in the filing Wednesday that “DOE accepts that the inclusion of grants … was based solely on the political identity of the grant recipient’s state, i.e., whether the recipient’s location and/or place of performance was in a Blue State or a non-Blue State. DOE will not contend that it looked beyond the prime grantee(s) to consider the political identity or geographic distribution of downstream beneficiaries of the grant funds.”

The agency also said that it “accepts that the differential treatment resulting in the October 2025 termination of Blue State grants and the non-termination of non-Blue State grants was not based on a rational connection between the recipient’s location and/or place of performance and DOE’s past or current agency priorities.”

Democrats and environmental groups seized on the court filing, saying the administration had “weaponized” the federal government to kill good jobs and punish working families because of their political views.

A ‘corrupt abuse of power’

“This administration has now admitted in court what has long been obvious: it terminated nearly 300 cost-cutting energy projects for no reason other than the fact that the states they were in did not vote for the president in the 2024 election,” Rep. Marcy Kaptur of Ohio and Sen. Patty Murray of Washington state said in a joint statement. Both are high-ranking Democrats on the House and Senate appropriations committees, respectively.

“Weaponizing the federal government like this is outright un-American, and it’s hardworking families already struggling with sky-high costs who are suffering the consequences of this corrupt abuse of power,” Kaptur and Murray said.

They called on congressional Republicans to join them in holding the Trump administration “accountable for the President’s failure to look out for all Americans.”

The Energy Department announced in October that 321 funding awards across 223 projects were terminated, saying that after review, they “did not adequately advance the nation’s energy needs or were not economically viable.”

The cuts, part of broader attacks from President Trump on climate programs and clean energy funding, slashed federal support for projects to build battery plants, develop hydrogen technology, upgrade the electric grid and capture carbon dioxide emissions.

Russell Vought, the White House budget director, highlighted the cutbacks in a social media post, saying that money “to fuel the Left’s climate agenda is being cancelled.”

The Energy Department did not immediately respond to a request for comment.

Projects from many states were cut

Projects that were cut were located in California, Colorado, Connecticut, Delaware, Hawaii, Illinois, Maryland, Massachusetts, Minnesota, New Hampshire, New Jersey, New Mexico, New York, Oregon, Vermont and Washington. All 16 targeted states supported Harris, but Wright said the cuts were “business decisions” based on whether the projects were a good use of taxpayer money or not.

The cuts were immediately challenged in court, and more than two dozen Democratic members of Congress, led by California Sens. Adam Schiff and Alex Padilla and Rep. Zoe Lofgren, wrote a letter to the Energy Department’s acting inspector general requesting a formal investigation. The department’s internal watchdog launched an investigation in December.

Government lawyers had previously confirmed in a court filing late last year that the selection of grants in fact “was influenced by whether a grantee’s address was located in a State that tends to elect … Democratic candidates in state and national elections (so-called ‘Blue States’).”

That filing came in a separate suit filed by clean-energy groups and the city of St. Paul, Minn., over the canceled funding. The most recent admission came in a case called Thakur vs. Trump that’s been ongoing since spring 2025. Federal lawyers acknowledged that they used keywords related to diversity, gender and COVID-19 to screen for projects that ran afoul of the Trump administration’s priorities.

Holly Bender, chief program officer for the Sierra Club, said the latest court filing shows “the Trump administration is brazenly admitting to a vindictive approach to cancelling much-needed energy infrastructure that ignores the job losses, air pollution and increasing bills that people are experiencing everywhere.”

Instead of “building the energy projects we desperately need,” billions of American taxpayer dollars are “going to line the pockets of a small handful of fossil fuel company CEOs,” Bender said, citing nearly $3 billion pledged by the Trump administration to cancel offshore wind projects in favor of fossil fuel projects such as natural gas and coal.

Daly writes for the Associated Press.

The incoming tide has made a labyrinth of the beach. As silvery rivulets spread across Culbin Sands to meet the mudflats, my walk becomes increasingly circuitous: weaving inland towards the pine forest, backtracking closer to the waves, skirting tidal pools and scaling dunes constantly resculpted by the North Sea breeze.

In this shapeshifting stretch of north-east Scotland’s Moray coast, there’s not another soul in sight, nothing to anchor me to the modern day. It’s easy, then, to imagine a longship bringing weary warriors ashore, or a band of man-eating giants marauding from the woodland. Which is exactly what happens here – on screen – in Christopher Nolan’s adaptation of The Odyssey.

At first glance, Scotland is not an obvious backdrop for a nearly 3,000-year-old Greek epic. While the poem describes the Ithacan king Odysseus and his men being cast adrift on mysterious, far-flung shores, its imagined geography is the Mediterranean (unsurprisingly, Sicily, Morocco and the Peloponnese are the movie’s other locations). Few people who live in Moray, including me, anticipated Hollywood actors Matt Damon, Zendaya and Tom Holland descending on our local beaches and sleepy fishing villages last summer. The Moray coast isn’t even well known domestically, overshadowed by the likes of the Isle of Skye and the North Coast 500 driving route in the Highlands.

The more I think about it, though, the more Nolan’s decision makes sense. Unfurling due east of Inverness in a series of vast sand dunes, shingle bars, pine-edged marshes and sandstone skerries, this coastline is both cinematic and unusually varied. The absence of tourist crowds and coastal development must be a boon to film-makers.

Yet the resonances between the world of The Odyssey and these Scottish seafaring communities run deeper than scenery. Legends cling like barnacles to Moray’s shores. Superstitions intermingle with real histories of sieges and tragedies. Take the “Atlantis of the North” at Culbin Sands, the RSPB nature reserve and forest where Matt Damon’s Odysseus clashes with the giant-like Laestrygonians. A thriving agricultural estate and village stood here until 1694, when a freak sandstorm buried the settlement in a single night. Locals blamed either a witch’s curse or their reckless laird’s bargain with the devil.

“The lore you hear along this coast is worthy of a Homeric epic,” says Moray-based author and classicist VJ Randle, whose novel The Athenian Murders is inspired by Greek mythology. She leads me along a section of the 50-mile Moray Coast Trail. Through an early morning Stygian sea-mist, we set off from the fishing village of Hopeman, the sandy footpath weaving between tangles of gorse and heather, before we clamber over the rock pools of Clashach Cove to a shadowy opening between the golden sandstone cliffs.

“This cave always reminds me of Calypso’s home,” Randle says. “Although locally, it’s said that a scarier sort of sea-spirit lives here.” She’s talking about the Grin Iron Wife – a witch with pale-green skin, rusted-red teeth and hair of seaweed who drags children and the elderly down to her underwater lair.

Such tales were once shared by seanchaidhean – oral historians who preserved heroic battles, local legends and clan genealogy. They were to Scottish Gaelic culture what the wandering bards were to ancient Greece.

It’s a fading tradition that local storytellers like Michelle van den Hout of Otherworldly Tales are helping to revive. Her walking tours introduce figures with striking parallels to classical mythology: the Scottish creator goddess and giantess Cailleach, a titan if ever there was one, islands and mountains formed from the rocks that fell from her creel basket; or the siren-like Ceasg, luring sailors who listened to her song to a watery grave.

Such tales were never simply about frightening people, van den Hout explains: “For isolated coastal communities, storytelling was a way to pass down lessons about survival, respecting nature and how to treat strangers. Rather than warning a child with, ‘Careful, that place has a riptide,’ it was more effective to say that a witch lives there.”

Threats coming from the North Sea could sometimes be made of flesh and blood, of course. In the town of Burghead, I stand on the grassy promontory overlooking granite cottages huddled around a working harbour. This is where The Odyssey’s film crew docked a 35-metre (115ft) longship last year alongside the usual fishing vessels. My attention turns to the raised earthworks beneath my feet: the remains of one of the largest Pictish forts ever built, burnt down in the 10th century, most likely during a Viking raid.

Along the neighbouring beach of Roseisle, dozens of barnacle-covered concrete blocks and pillboxes are wedged in the sand, half buried, like the ruins of a forgotten civilisation – and resembling the Trojan horse in the movie. But these relics are not ancient; they’re part of a vast defensive frontier from the second world war, when Moray became a secret training ground for the D-day landings. This legacy continues beneath the waves, where several sunken tanks from the wartime exercises can be explored on scuba diving excursions.

Heading further east, the cliffs steepen and craggy outcrops have long stirred up stories of metamorphosis. The soaring, 50ft sea-arch of Bow Fiddle Rock, for instance, is a giant that’s fallen beneath the waves, only the edge of his fiddle still visible, and the cries of nesting seabirds are its mournful music.

A few miles further on, the ruins of Findlater Castle cling to a narrow promontory. Befitting its turbulent past, from Viking occupation to being besieged by troops loyal to Mary, Queen of Scots, this is where Nolan has the sorceress Circe bewitch Odysseus’ men into swine.

There’s magic on my visit, too, only it erupts from the ocean below. The setting sun is a bronze shield, the sea uncharacteristically calm, when a dozen dorsal fins pierce the surface. Bottlenose dolphins. They’re a regular sight along these shores, with the Moray Firth home to Europe’s most northerly resident pod. Minke whales, humpbacks and orcas sometimes pass through, too, making this one of the UK’s best cetacean-spotting locations.

A motor launch scuds across the bay, heading for shore apace as dusk falls. My thoughts turn to homecomings. That, after all, is the essence of The Odyssey, more than monsters or battles. The hero’s yearning to return. His wife Penelope anxiously waiting. Countless women through the centuries have surely done the same from this very clifftop, staring out to sea for a sign of a familiar sail.

But a visit to Buckie and District Fishing Heritage Centre the following day reveals that the Moray coast’s fishwives were no idle, passive Penelopes. While the menfolk were at sea, they baited thousands of hooks by hand, gutted and packed herring, and trudged 13 miles inland to sell their catch.

One faded, sepia photograph in the display is unforgettable: it shows the female fishers, barefoot and skirts hitched, carrying their husbands on their backs through the surf, ensuring the men’s boots stayed dry before they boarded their boats. These are, perhaps, the true heroes of these Scottish shores: not a cunning soldier-king, as Homer would have it, but the stalwart, unsung “fisher lassies”, sharing a sea-swell of stories and ballads as they worked.

Where to stay
The Odyssey’s cast and crew made their base at The Seafield Arms in Cullen (doubles from £150). “The production team turned our meeting rooms into a working base for editing the film,” says owner Charles Milne, “while our grand ballroom became a private cinema where Christopher Nolan and the crew watched the day’s footage each evening.” Its refurbished self-catering accommodation Bow Cottage, where Matt Damon stayed, has been decked out with ancient Greek-inspired touches and movie memorabilia for visiting fans (sleeps seven from £300 a night, minimum three-night stay.) While you’re in Cullen, browse the shelves at Beinn Books for collections of Scottish folklore or perhaps a translation of Homer’s original.

How to get there
National rail services run to Inverness and Aberdeen, with onward train and bus connections to larger coastal towns. Hiring a car is the easiest way to reach its more remote beaches, castles and walking trails.

AFTER their star-studded wedding in New York last week, Taylor Swift and Travis Kelce’s secret honeymoon location has finally been revealed.

Fans have of course been desperate to know where the newlyweds will be taking their post-wedding vacation.

The couple’s wedding was kept well under wraps and it seems the honeymoon has been no different.

In a bid to keep the location locked down, it’s been revealed that Taylor and Travis took different planes and airports to reach their destination.

NFL star Travis and pop queen Taylor are keen to enjoy their “newlywed bubble,” a source told the Mail.

They claim the A-listers hunkered for a few nights together before jetting off on their lavish getaway.

Read more on Taylor Swift

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New details on Taylor Swift’s wedding dress revealed – including ’25ft train’

Taylor and Travis were spotted at the ultra-exclusive Yellowstone Club in Big Sky, Montana, in the days following their nuptials at Madison Square Garden, according to the Mail’s source.

The smitten couple have been seen in the resort before and it’s quickly become somewhat of a quiet and private place for them to spend time.

Over the July 4 weekend, Taylor’s jet was loaned to family friends, who were spotted at her bougie $30 million holiday home in Rhode Island.

Flight paths show her plane then return through Nashville before it finally landed at Bozeman International Airport in Montana – a stones throw away from the Yellowstone Club.

To be granted a membership at the club, guests must own property on the site and pay the initial eye-popping membership fee of approximately $500,000, plus the yearly cost of $78,000.

Yellowstone Club features jaw-dropping mountain views, multiple pools including an infinity, rustic yet modern interiors and 15,200 acres of land.

Travis and 14-time Grammy Award winner Taylor have been to the luxury hideaway multiple times over the past few years with no snaps of the pair inside the gates ever surfacing online.

Last July, there was chatter they spent Independence Day weekend at the retreat and it was later confirmed by Travis himself as he donned a Yellowstone Club t-shirt in an episode of his podcast.

The resort is so exclusive that no one can enter without an invite.

Bill Gates, Tom Brady and Mark Zuckerberg are known members of the club.

Travis and Taylor tied the knot in front of 1000 of their closest family and celebrity pals on Friday July 3.

It was announced to the world at 7:30pm as the words “JUST&T MARRIED” flashed up on screens around MSG.

The adaptation of a much-loved Jane Austen novel has long been hailed a classic so watching it at the outdoor cinema at Kew Gardens was truly magical

More than 25 years since its release, this adaptation of a beloved classic novel is still winning over new fans.

Hailed a film masterpiece and dubbed the greatest ever made by devoted fans, Pride and Prejudice, starring Keira Knightley and Matthew McFadyen, tells the story of Elizabeth Bennet and her Mr Darcy.

Based on Jane Austen’s novel of the same name, released in 1813, this timeless love story follows our couple as they go from sworn enemies to something far deeper.

Austen’s classic work was adapted for the big screen by Deborah Moggach and was directed by Oscar-winning director, Joe Wright, as his first film.

With a star-studded cast that also includes Donald Sutherland as heroin Elizabeth’s long-suffering father, Mr Bennet, and Brenda Blethyn as her meddling mother, Mrs Bennet, along with Rosamund Pike as older sister Jane, Carey Mulligan as Kitty and Tom Hollander as the ever annoying Mr Collins. Judi Dench’s appearance as Lady Catherine de Bourgh is one of the many highlights of the film.

Just imagine watching this masterpiece period drama in one of the most dramatic of settings – an outdoor cinema in the middle of the stunning Kew Gardens in London.

Fans and critics alike can’t get enough of the film and it has an impressive 90 percent approval rating on Rotten Tomatoes.

One critic said: “Between Wright’s magnetically captivating vision and the impeccable performances, Pride and Prejudice 2005 shines as a leading benchmark of a breathtaking adaptation, earning a rightful stamp of approval from countless longtime fans.”

While another wrote: “Wright embraces the tactility of touch, the energy of chaos, and the beauty of stolen glances. Regardless of which Austen is your favorite, it’s easy to fall in love with Wright’s visual feast of a movie.”

Meanwhile a third added: “With the earnest, yet simple depiction of love and the gorgeous, dreamy visuals, Joe Wright’s Pride & Prejudice remains an enduring classic.”

Fans also adore Pride and Prejudice with many describing it as the “greatest period drama ever made”.

One wrote: “Everything about this movie is perfect. The soundtrack and cinematography are truly incredible and I will always say that this is my favourite adaption of Jane Austen’s Pride and Prejudice. It has also been my comfort movie for the last 10 years of life.”

While another added: “This is the best movie I’ve ever seen!!! Beautiful cinematography, The acting is by far the best thing about this movie everyone had such amazing chemistry and understanding of their characters. This really captures the essence and the tone of Jane Austen.”

What better place to watch a beautiful classic film than in one of the most stunning settings in the country – outdoor cinema at Kew Gardens.

As part of a weekend long series of outdoor showings, which included Jurassic Park, The Gruffalo, Mamma Mia and Dirty Dancing, sitting surrounded by the greenery and calm of Kew was the perfect way to spend a sunny Sunday afternoon.

Run along with Adventure Cinemas, the weekend of movies was a sell-out success and it’s easy to see why. Enjoying a picnic, or even a tipple or two, while watching some of the most iconic cinema ever made in such a stunning and incredible location feels like something out of a dream.

While this year’s event is now complete, when tickers become available again, run don’t walk to the front of the queue.

For more information about upcoming events at Kew Botanical Gardens, visit the website.

Foreign Office backed experts issue update as tourists from England, Scotland and Wales struck down

UK health experts have disclosed that 164 individuals have arrived back in England, Scotland and Wales from a holiday destination carrying a serious infection. In a fresh update, the Foreign Office-backed Travel Health Pro stated that people must exercise additional caution.

The surge in stomach bugs Shigella – also referred to as shigellosis or dysentery – and Salmonella has been occurring on the Cape Verde Islands, a favoured destination among British holidaymakers. Authorities confirmed that over the past eight months, cases of Shigella and Salmonella infection have been documented in travellers returning to England, Scotland and Wales from the Cape Verde Islands.

Of 164 confirmed Shigella cases, the majority – 112 – individuals reported travel to Cape Verde, predominantly to the Santa Maria and Boa Vista regions. As of June 2026, of 99 confirmed Salmonella cases, from three distinct clusters reported in England, Scotland and Wales since 1 October 2025, a total of 70 individuals reported travel to Cape Verde.

Cases in the largest of the Salmonella clusters reached their peak in January 2026. The European Centre for Disease Prevention and Control (ECDC) also flagged a surge in Shigella cases amongst travellers returning from Cape Verde since September 2022.

More than 1,000 confirmed and suspected cases of shigella and other gastrointestinal infections, including salmonella, have been identified in travellers returning from Cape Verde to 13 countries across the European Union/European Economic Area: Belgium, Czechia, Denmark, Finland, France, Germany, Ireland, Luxembourg, Norway, Poland, Portugal, Sweden and the Netherlands. Cases have also been recorded amongst US travellers who visited Cape Verde.

Shigella is a bacterium that can trigger shigellosis, a gut infection capable of causing severe diarrhoea, fever and stomach cramps. The majority of people recover within a week.

However, certain individuals, such as older adults, those with weakened immune systems, anyone with complex medical conditions, pregnant women and children under five, may face a heightened risk of complications, including sepsis.

Shigella spreads through contact with contaminated faeces, either directly via person-to-person transmission or indirectly through food, water or surfaces tainted with Shigella. Travellers visiting destinations where food and water safety cannot be guaranteed are particularly at risk.

Globally, the majority of Shigella cases occur in children younger than five years of age, though all age groups can be affected. There is additionally a risk of sexual transmission amongst men who have sex with men.

Salmonella, also known as salmonellosis, is a bacterial illness that primarily targets the intestines. Symptoms such as diarrhoea, stomach cramps, nausea, vomiting and fever typically appear between 12 and 72 hours after infection [8].

Young children, pregnant women, those with underlying health conditions and elderly people are at greater risk of developing severe symptoms. The majority of human cases stem from contaminated food and water.

For further details, click here.

While you are away.

Be sure to follow these steps when travelling overseas.

The Japanese government will pay you £14,000 to move to its beautiful countryside as part of a relocation scheme aimed at repopulating remote areas of the country

Everyone needs a change every now and then, and for some, this could be the perfect opportunity. The Japanese government has announced a relocation scheme under which families could be paid up to ¥3,000,000 (around £14,000) to move to the countryside.

The scheme has been created to repopulate more remote areas of the country, as more than 37% of the population live in the three major metropolitan areas of Tokyo, Osaka and Nagoya. A statement from Akiya Japan reads: “The Ministry of Internal Affairs projects that nearly half of Japan’s 1,700+ municipalities could become ‘functionally extinct’ by 2040. The subsidy is the carrot. The stick is demographic reality.”

The eligibility criteria are the same for both Brits and Japanese citizens and are based on where an applicant has lived and worked, rather than their nationality.

A statement adds: “A foreign national who has lived and commuted in the Greater Tokyo Area for 5+ years and holds an appropriate visa (work visa, spouse visa, permanent residency) qualifies on the same terms as a Japanese citizen.”

Sharing news of the scheme on social media, TikTok user @quinn__jp said: “This isn’t a joke. Japan is actually paying people to move to the countryside.

“Here’s how foreigners can benefit too. In many rural towns, you can get up to 600,000 yen if you move solo and up to 1 million per child, plus relocation grants if you’re moving as a family.

“That makes a big dent in your moving and settling costs. Across over 1,300 towns, around 80% of local districts, you’ll find the Akiya Bank, with empty houses listed for zero yen or at very low prices.

“Some free houses need lots of renovation, but many municipalities offer subsidies and renovation support through programmes like Chiiki Okoshi and the Regional Vitalization Cooperator programme.

“You can get placed in local roles, anything from running a guest house to agri-tech positions, with housing and visa guidance included.

“Japan needs people, and fast. With urban migration and population decline, local governments are desperate to attract newcomers with homes, jobs and cash.”

However, there are some practical barriers, including an expectation that applicants understand the Japanese language.

Visa implications can also be complex, while renovation loans and mortgage products may be harder to access for non-permanent residents. However, the subsidies help offset these challenges by reducing the amount that needs financing.

Commenting on the post, one user said: “I’d definitely move to Japan if I had some sort of online income (a safety net) like most influencers have.”

Another user added: “I want to move there so bad but I’m scared and I don’t have my passport.”

A third said: “My dream is to get an old house in Japan and trust me it’s not that easy. Currently looking for any place who’d hire me so I can move there on a work visa.”

Philadelphia’s Edmundo Sosa sauntered out of the box, motioning with one hand in a pump-wave in front of 51,794 Dodgers fans. The left fielder, who had taken over for Brandon Marsh in the top of the sixth, connected on a four-seam fastball that Dodgers reliever Tanner Scott left too far over the plate for a two-run home run that put the Phillies ahead.

The Dodgers had been playing with fire all night, but they couldn’t regain momentum after Scott’s struggles, losing to the Phillies 4-3 to set up a Sunday series rubber match.

The Dodgers (37-21) started strong, with pitcher Roki Sasaki giving up just three hits and one earned run over 5⅓ innings.

Sasaki’s elevated velocity posed early concerns for the Dodgers as he struggled more with his command. The right-hander crossed the 100-mph threshold for the first time this season on two pitches: a 100.4mph four-seam to J.T. Realmuto and another fastball, this time 100.1mph, to Kyle Schwarber.

Three of his four pitches — the four-seam, slider and splitter — averaged at least 1.2 mph faster than his yearly average. As a result, he struggled with location. Neither his slider and splitter hit the zone more than 45% of the time. Even his fastball hit the strike zone a mere 55%.

Dodgers manager Dave Roberts warned about this scenario when Sasaki’s fastball had only reached an upper limit of 99.5 mph.

“I think now the velo is certainly in a good spot,” Roberts said before the game. “I do believe that if he wanted to throw 100 miles an hour, he could do that, but it wouldn’t be where he needed to throw it.”

Dodgers starting pitcher Roki Sasaki delivers during the first inning Saturday against the Phillies.

(Mark J. Terrill / Associated Press)

Still, the Phillies (30-28) struggled to generate consistent momentum despite Sasaki’s location problems. Phillies third baseman Alec Bohm hammered a four-seam fastball that skimmed the top of the strike zone over the center field wall. The rest of the Phillies lineup ended most of their at-bats with little luck, striking out seven times and walking only once.

Roberts pulled Sasaki with runners on first and second in the sixth. Left-hander Alex Vesia walked Bryce Harper but escaped a one-out, bases-loaded jam by striking out Sosa and forcing Alec Bohm into a ground out to third.

By then, the Dodgers had already established a lead. Alex Call put them on the board in the second on a poked single through the gap between second and short. In the fourth, Call reached third on a double and throwing error from Adolis García. Santiago Espinal hit a sacrifice fly to deep center field, driving in Call.

Mookie Betts also found his footing after he went 0 for 3 on Friday. The shortstop struggled in the first four games of the Dodgers’ homestand, batting .200 across 15 plate appearances. Against the Phillies on Saturday night, Betts laced two singles and a double.

Andy Pages scored on a close play at the plate after Betts singled to shallow right field in the seventh. Although catcher J.T. Realmuto missed tagging Pages’ foot, the Dodgers center fielder’s cleat didn’t appear to touch the plate. After a long review, the safe at home call stood.

But the Dodgers’ good fortune didn’t last. Scott gave up an RBI single to Bryce Harper, and it was like the Phillies could sense exactly when the reliever’s pitches crossed over the zone. Scott (1-2) then gave up the home run to Soto before going down in order on three groundouts in the ninth.

On a recent spring morning, Championship Soccer Stadium, which sits in a corner of the Orange County Great Park in Irvine, was quiet and empty save for the dozen sprinklers quenching a newly laid grass carpet.

Normally the well-used stadium is a buzz of activity. But its main tenant, the Orange County Soccer Club, which plays in the second-division USL Championship, has been temporarily evicted, left to train in the nearby park and play its final home game before the World Cup at Eddie West Field in Santa Ana, 12 miles away. (Not that it was necessarily a bad thing since the club drew a home-record crowd of 7,651 to its 3-2 win over Oakland on Saturday, which allowed it to hold onto second place in the Western Conference table.)

During the next month, the nine-year-old venue will have just one occupant, the U.S. national soccer team, which has chosen the stadium as its main training base for the World Cup. The temporary change in ownership is heralded by a giant orange orb the size of a hot-air balloon, adorned with the U.S. Soccer logo and tethered to a rise just outside the stadium.

Why and how the federation wound up in Irvine is unknown; U.S. Soccer declined to respond to multiple requests for comment. But it’s safe to say location was a factor since the Orange County Great Park is the closest World Cup training base to SoFi Stadium, where the U.S. will play two of its three group-stage games.

Crews work to prepare the training area for the U.S. soccer team at Championship Soccer Stadium in Irvine.

(Allen J. Schaben/Los Angeles Times)

The U.S. team’s first training session there, on June 8, will be the only practice open to the public. Four days later, the team will open its World Cup schedule against Paraguay in Inglewood, a 45-mile bus ride away. The Americans are one of seven World Cup teams to choose base camps in California. Australia and Paraguay will train in the Bay Area; Switzerland and New Zealand will be in San Diego; and Austria and Qatar will stay in Santa Barbara.

For the Orange County Soccer Club, which has just a humble spot on the U.S. soccer landscape, even a temporary association with the World Cup and the national team is worth celebrating.

“How can you not be excited about the host nation training in your facility when you are a club who prides itself on developing young talent,” said Dan Rutstein, the team’s president of business operations. “Sharing a stadium with the U.S. national team is a great opportunity.”

One that comes with great perks. FIFA, which vetted the location for World Cup teams a couple of years ago, has replaced the stadium’s grass field with one the Orange County team could never have paid for itself and will install security fencing in the next week or so, as it will at all 48 tournament training fields. U.S. Soccer is also expanding and improving the team’s tiny locker room and adding a media work room.

Alvaro Leon, Brian Biniasz, and Joesph Frausto install rubber flooring in the U.S. Soccer World Cup locker room.

(Allen J. Schaben/Los Angeles Times)

The Orange County Soccer Club is paying for those perks with a little inconvenience, however. The players will have to dress at home for practice, which will be held in the adjoining park. And the club’s next six games will all be on the road. The team also had to take down any signs or placards that mentioned the Orange County Soccer Club; they were replaced with USMNT signage.

“It’s their stadium now,” Rutstein said.

“If you look at what the club is trying to achieve and where we are as an organization, any short-term pain is more than offset by the medium- and long-term benefits of being associated with the World Cup and the U.S. national team,” he added.

The team is trying to sell naming rights to the stadium, for example, and its association with the national team and the World Cup could be a big help in that.

When FIFA first released potential World Cup training sites two years ago, Championship Soccer Stadium was on the list and Rutstein said about a dozen national teams sent representatives to have a look. How many bid on the site is unknown but FIFA rules say if two or more teams make a claim on the same venue, the team with the lowest FIFA world ranking gets first dibs.

The U.S. is ranked 16th, which clearly gave it an edge.

An aerial view of crews preparing the training area for the U.S. soccer team at Championship Soccer Stadium in Irvine.

(Allen J. Schaben/Los Angeles Times)

Besides, Orange County is no stranger to world-class soccer. The only other time the World Cup was hosted in the U.S., in 1994, the American team trained in Mission Viejo. And when European champion Paris Saint-Germain came to Southern California for last summer’s Club World Cup, it trained at UC Irvine.

“Being away from the glare of a big city is appealing,” Rutstein said.

“The World Cup is going to do wonders for soccer in this country, as it did over 30 years ago,” he continued. “And we’re excited to make the most of that growth.”