Lee

KATIE Price is continuing to fuel rumours she has secretly got back together with her conman ex-husband, as she flashed her huge engagement ring again.

The couple have been estranged since the summer, with Katie, 48, telling The Sun that she had dumped Lee Andrews, 43, after becoming fed up with his lies.

But over the last few weeks the pair of them have been dropping clues that they have secretly reunited.

While her ex, Lee, has been sharing cryptic messages, Katie has been suggesting they are back together by putting her sparkling engagement ring back on her wedding finger.

The Sun reported last week that the TV star was spotted wearing the huge bling again, and in latest social media posts, the ring has remained firmly on her left hand.

In a video posted on Snapchat from Sunday morning, Katie can be seen flashing the huge diamond rock.

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Then in a new Instagram post of the star wearing a fur coat, the ring is in full view for all to see.

It comes after Lee has also dropped several clues he is back with his famous wife.

Last Friday, the former jailbird was spotted liking Katie’s post about her son Harvey, 24.

Then the next day, Lee posted a cryptic love poem, suggesting they were getting back together.

The Sun previously revealed that Katie ended their marriage via WhatsApp last month.

It came after she found out he had been lying to her and had just £2.22 in his bank account.

The brilliant Korean filmmaker Lee Chang-dong is a suffering protagonist’s best friend, exploring the buried pain in people like no other filmmaker. But he’s never been so delicately novelistic, and so accessibly human, as with his latest movie, “Possible Love,” even when Lee is spinning the enigmatic vibes he’s known for.

A marriage story weighty enough to bear two fascinatingly complex couples, it explores a web of isolation and desire knotted with the divisions and woes of society today: class, labor, media. The film fairly vibrates with ominous tension even in scenes in which seemingly nothing happens. (Which, admittedly, is a Lee staple if you remember his last film, 2018’s eerie psychological thriller “Burning.”) Astonishingly acted, intricately written, with nary a shot out of place and never insulting to its audience, “Possible Love” is a masterpiece of everyday struggle — essentially, who bears it and who doesn’t — and easily among the year’s best films.

At the funeral for a colleague who committed suicide in the wake of a disastrous labor strike, out-of-work Ho-seok (Sul Kyung-gu, of Lee’s “Peppermint Candy”) would rather brood in the car alone and let his patient, grasping-for-connection wife Mi-ok (Jeon Do-yeon, a Cannes prize-winner for her turn in Lee’s “Secret Sunshine”) be around others. With these blue collar parents’ grade-school-age son a tangibly quiet presence, a seemingly impassable unhappiness oozes from the opening scenes. The appearance inside the funeral home, however, of a documentary crew interviewing laid-off workers spurs Mi-ok to engage with the outgoing director, Ye-ji (Cho Yeo-jeong), whose reserved, well-to-do husband Sang-woo (Zo In-sung) is in tow. When Mi-ok agrees to participate in Ye-ji’s film, a friendship forms.

Is it friendship, though, or a mutually useful rapport? The women couldn’t be more unalike in terms of background and status. Mi-ok has to tell Ye-ji that her expensive clothes don’t jibe with someone championing labor issues. But they have a breezy, even jokey openness, fed by the stories Mi-ok tells on camera as well as soju-fueled double dates with their spouses. They also have in common husbands who are remote, albeit for vastly different reasons. Hedge-fund-rich Sang-woo has an air of cool privilege, while the gloomy, taciturn Ho-seok harbors unprocessed trauma about what happened during the strike, the details of which are judiciously doled out to us in flashbacks. (Lee drew the background for his scenario from a real-life labor protest met by a government crackdown that shocked the country.)

But underneath what seems promising, the beginnings of empathy and maybe healing, there’s something performative and calculated in this fast bond. There are Ye-ji’s filmic needs — “I’m trying to love these people,” she says privately to Sang-woo after he calls her behavior with them “Method acting” — and Mi-ok’s swirl of intentions, hoping to save her husband with not ignoring the allure of her new pal’s quietly confident and wealthy man. Right at the moment when more cracks materialize, Ye-ji invites this broken family for a shared weekend at Sang-woo’s vacation mansion.

You may be forgiven for anticipating a potboiler climax when a lush hideaway with a private beach is concerned, and what occurs there is indeed juicy. But that’s only because Lee, in his finest screenplay to date, has laid out precisely where his vectors of hardship, exploitation, pent-up anguish and hidden desire are going to converge. Just add more alcohol and more reminders of these couples’ experiential chasm, and Lee’s command of irony in a simmering atmosphere is in a league all its own.

The documentary angle, of course, is this great director probing the ethics in his own vocation as an intrusive force, one that shapes lives, emotions and, in this case, the weight of a genuine tragedy. In much the way he finessed a truth about art facing evil in “Poetry,” the camera here is both predatory and a tool for catharsis. In one scene, the confluence is literally breathtaking.

Best-of lists were made for performances like Jeon’s. With tear-swollen eyes and an anxious intelligence that imbues Mi-ok’s mission of repair with heartbreaking energy, she is this movie’s restless soul of want: a wife, lover, worker and mother trapped between the balm of recollecting better times and worry for the future. Alongside Sul’s deftly handled, physical characterization of a proud man swallowed by hurt he could never imagine, “Possible Love” stands as one of the more sensitively wrought depictions of a wounded marriage you’ll ever see.

And when it’s over, it somehow doesn’t feel over. Maybe no scene better embodies Lee’s exquisite communion with his characters than his last one, which supplies them with a hint of grace. “Possible Love” hovers over the moment’s sublimity like the moonlight and I haven’t stopped thinking about its elemental beauty since.

LEE Andrews has continued to hint that he’s back with Katie Price with a cryptic love poem – as she’s seen wearing her wedding ring again.

The latest piece of the puzzle comes just days after the conman was spotted liking Katie’s post about her son Harvey.

The couple have been estranged since the summer, with Katie telling The Sun that she had dumped conman Lee after becoming fed up with his lies.

But recently, there have been clues they have secretly got back together, and today it was Lee‘s turn again.

It comes after Katie was spotted with her ring back on, hinting at a reconciliation with her jailbird hubby.

Now, Lee has posted a poem which reads: “There’s something about her eyes which f**** with my head.

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“And don’t give me that mascara or makeup bulls***.

“Makeup’s got nothing to do with it. You can’t buy a look like that at a f***ing beauty counter.

“Those eyes are a drug. Devastating. Beautiful. And I can’t get clean.”

Katie had previously spoken about how she had started wearing her engagement ring on her right hand instead of the left after the split.

But she has now swapped it back to her left wedding ring finger – as she continues to fuel speculation that she is back with Lee.

The TV personality was seen emerging from a nail salon after a pampering session with the ring firmly back on her finger.

The Sun previously revealed that Katie ended their marriage via WhatsApp last month after finding out he had just £2.22 in his bank account.

We then told how the former glamour model is bracing herself for a “messy” divorce battle with her ex as the conman vowed to return to the UK.

But just days after scrubbing all his images from her Instagram page in a subtle swipe, she appeared to have given him grace on social media.

Eagle-eyed followers spotted how the mum of five is re-following his account and Lee, who previously erased her from his page, is doing likewise.

Lee was recently released from the notorious Al Awir prison after a four-month stint, but is now eyeing up flying back to his home country.

The conman launched a Go Get Funding page this month in a bid to collect bail cash so he can return to Britain.

And as Lee vows to fly back to England, Katie is understood to be “naturally worried” that Lee will come after her money, in what could be one of showbiz’s messiest divorces.

Raise your hand if your group chat is still talking about “You Can See Everything.”

For anyone who has watched Nathan Fielder and Lance Oppenheim’s documentary about former Theranos CEO (and convicted felon) Elizabeth Holmes and her partner Billy Evans in the past week, every new think piece, funny meme, discussion thread or video parody about the film has been something to revel in. I’ve personally spent several hours messaging or speaking to friends and colleagues over the phone about the documentary, and it seems like a lot of people similarly can’t stop obsessing about it.

The film has sparked renewed interest not only in Holmes, but also in works previously released about her, including “Bad Blood,” written by John Carreyrou, the journalist who exposed Holmes and Theranos’ fraudulent practices, and Alex Gibney’s 2019 documentary “The Inventor,” which senior writer Greg Braxton rewatched and analyzed in the context of the new documentary. Also notable has been the resurgence of Hulu’s “The Dropout,” the 2022 limited series created by Liz Meriwether (“Furious”) that stars Amanda Seyfried — Variety reported this week that the series has seen a jump in viewership over the past month. And of course, there’s been lots of interest in Fielder; we’ve put together a guide to his work if you’re looking to understand him and his style.

But with all the attention on Holmes, Times culture critic Mary McNamara raises an important question: Why are we still so fascinated by Holmes, despite her track record as a con artist and fraudster? There are many answers to the question, but there’s no denying the public’s renewed fascination with Holmes, and now Evans as well.

However, if you prefer to think about lighter relationships that are less perplexing, NBC’s latest sitcom will do the job and remind you of what it’s like to be immediately swept off your feet. “Newlyweds,” starring Téa Leoni, Tim Daly and Jamie Lee Curtis arrives on NBC today. Curtis, who co-created the series, stopped by Guest Spot to talk about what inspired it and the recent changes behind the scenes.

Also in this week’s Screen Gab, our writers recommend a documentary about a saga surrounding one of the greatest hip-hop groups of all time and a cult-classic horror film that’s perfect for spooky season. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Tarik Azzougarh, left, and the RZA in Netflix’s “The Disciple.”

(Netflix)

“The Disciple: A Wu-Tang Fable” (Netflix)

In 2015, the only copy of the Wu-Tang Clan’s “Once Upon a Time in Shaolin” sold at auction for $2 million. The buyer was revealed to be hedge fund and pharma dirtbag Martin Shkreli, who infamously raised the price of an antiparasitic drug by 5,000% overnight and later went to prison for securities fraud. Joanna Natasegara‘s enchanting documentary “The Disciple” explores the long run-up to this Guinness Book of World Records event, and its aftermath, through the surprising, touching, funny and sometimes sad story of the album’s co-producer, Tarik Azzougarh, a.k.a. Cilvaringz. A Dutch Moroccan superfan whose freestyling and persistence earned him a place in the group’s auxiliary, it was Cilvaringz who first proposed the idea and brought it to fruition with Wu-Tang main man RZA — both a culmination and the beginning of an end. The film raises questions of art and ownership, friendship and business, creativity and capitalism, asking the questions who is music for, and what is it for. — Robert Lloyd

‘Highway to Hell’ (Tubi, Prime Video)

This is the perfect spooky-season flick to pop on when you don’t mind interruptions from trick-or-treaters or your buddy who treats movie night like an audition for “Mystery Science Theater 3000.” Directed by Ate de Jong (“Drop Dead Fred”), this 1992 comedy-horror cult classic stars Chad Lowe and Kristy Swanson as an eloping couple who take the wrong shortcut and wind up in Hades — basically, an even worse version of the drive to Vegas — where a young Ben Stiller works the roadside diner and Gilbert Gottfried plays Hitler. Every shot has a snort-worthy gag: a stop-motion Cerberus, a casino-bar called Hoffa’s, a cop whose handcuffs are literally a pair of severed hands. A flop at the time, “Highway to Hell’s” breakneck mix of smart and stupid was applauded by former L.A. Times film critic Kevin Thomas as “the Greek legend of Orpheus, revved up ‘Mad Max’-style.” Screenwriter Brian Helgeland would eventually win an Oscar for “L.A. Confidential.” Somehow, I never hear him brag about this goofy delight. He should. — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Jamie Lee Curtis as Claudia in “Newlyweds,” a sitcom she co-created and executive produces.

(Nicole Weingart / NBC)

Jaime Lee Curtis has been in showbiz for a very long time. And when she sets her mind to something, like returning to a sitcom, she’s going to make it happen.

“It’ll be 50 years next January that I have been a professional actress,” she says over a video call earlier this week. “It’ll be 50 years that I’ve been driving on the lot at Universal.”

Over the course of her long career, Curtis, 67, has developed a lengthy résumé in film and television, winning numerous accolades along the way, including an Oscar and an Emmy (she’s been nominated for a Grammy too — there’s still time for an EGOT). But she longed to return to a sitcom ever since wrapping her lead role on ABC’s “Anything but Love,” a series that premiered in 1989 and ran for four seasons.

While she’s had guest appearances and some recurring roles on sitcoms over the years, including on shows like “New Girl” and “The Drew Carey Show,” NBC’s “Newlyweds” was an idea she had gestated for years, and now it’s set to arrive as part of the network’s Friday prime-time lineup. The actor, who executive produces “Newlyweds” and has a recurring role, took some time to discuss how she came up with the idea for the show, her co-creator’s firing and the political thriller series she’s watching with her spouse, filmmaker Christopher Guest. — M.G.

Jamie, you co-created this series and it’s loosely based on your relationship with your husband, Christoper Guest. Tell me how it came about and how you wanted to tell that story in this show.

It was April 25, 2019. I was in New York City … I was in a car being driven by a man in his 60s in a suit with gray hair on his temples. We were chatting, as one does in the back of a car, and I asked him if he was married, and he said he was divorced. I said, “Do you have kids?” And he said, “No.” And I said, “Well, that’s the blessing that you know you’re not dealing with divorce and children, which I’ve dealt with a lot.” And he then said, “But my new wife.” In that second, I went, “Oh, my new wife.” That’s a sitcom about people in their 60s hooking up, similar to the way my husband and I met, which was we met and married very quickly. And in fact, we would have gotten married had we gone out on our first date. We have said we would have gone and gotten married that night. So the idea popped in my head: What happens if two people in their 60s get married on a whim, and decide to just throw caution to the wind and go for it? What happens to the families and the friends and their own lives and the very routinized lives that they had led leading up to that moment? I knew it was a sitcom.

It wasn’t until years later I was put together with Gail Lerner, and we — during COVID actually — started working on the idea. But much of what’s in that script was kind of what happened to me and my husband … it’s something that’s been around for a while, and I’m just really excited finally that it has turned into this version, “Newlyweds” starring Tim and Téa.

Let’s talk about Tim and Téa. They’re the newlyweds, but they’re also married in real life. What was it like playing off their dynamic and vice versa?

When the pilot got picked up, … it was what they call “cast-contingent,” which means they like the idea, but they want to make sure that the right person gets in … so they wanted us to find Jeanie first, and it was a very short list of actresses they would bank a show on. Téa, luckily, was one of those actresses and had been looking for something on the lighter side. … and it so happens she’s married to a guy IRL who happens to have a lot of experience in the comedy space on TV shows, and all of a sudden we were like, oh, wouldn’t that make a kind of fantastic bit of pairing.

What do you think we’re going to learn about Claudia? She seems so liberated, but we’ve only seen the surface. She’s got a soft spot for Jeanie and even James.

I think you’re gonna see, in fact, that she becomes not just a foil but a friend. I feel like her acceptance of Jeanie … we’re going to mine it for its comedy. I mean, I think at the end of the day, she will always shake things up because that’s just her nature. We get to meet Claudia’s mother. I can’t tell you because we haven’t announced it yet, who plays my mother. I can tell you that she’s over 90.

You’re going to have me Googling.

We get to see a little bit of the oak tree and the acorn. We definitely get the snarky oak tree and the snarky acorn.

I want to come back to your co-creator Gail Lerner, who was recently dismissed from her role as showrunner, and has been replaced with Bruce Helford. Regardless of the news, she has called it “the most joyous TV experience of her life.” How are you and the cast moving forward after these changes?

Well, you can imagine it was a bummer. You know, network television has a whole series of requirements, way beyond … my little creative ideas. It has to do with management of scripts and the amount of early drafts of things, and it’s required within a network structure. And to run a show on television, and to consistently run a show, is a different animal than just the creativity that it takes to think of a show or to develop a show. That’s why Bruce has stepped in very quickly because Bruce has proven over and over again that he’s a guy who can make 100 episodes of a show with a much bigger worldview.

It was beautiful that Gail said the very things she said because we all felt that way too. It was joyous, fun, but there were a lot of things that were way beyond my understanding. What I’ve come to learn, I’m 67, is that creativity is a continuum. That it is not rigid and binary. That I had an idea that then Gail took and built on that idea, and now Bruce has come in and taken Gail’s idea … and is building out another version of the show.

Bruce Helford was the second in charge at the TV show “Anything but Love” when I did it back in the day, so I’ve known him.

So y’all are back together.

The only other time I was ever on a sitcom was “The Drew Carey Show” when Bruce Helford wrote me a part of this crazy hairdresser who … goes on a date with Drew Carey and ends up doing bungee jumping with him on the date. It’s a funny continuum for me to be back with Bruce, who weirdly enough was the actual first person I called when I had the idea [for “Newlyweds”]. I called Bruce because I knew him as a showrunner for sitcoms. We talked about it very briefly, and then he went off to something else. I went off to something else, and it kind of fell apart. So it’s slightly weird to me, and beautiful in that way that the person I actually called when I had the idea is now the one running the show.

It’s a full–circle moment.

Completely full-circle moment.

Has Christopher seen the show? What does he think?

I will say this: Christopher Guest is not a sitcom fan. You know, my husband is a very specific person and makes very specific, very funny movies and television shows. [Sitcoms are] not the thing that he is drawn to. But he genuinely understands that I’ve wanted to do a sitcom for a long time.

Because it’s spooky season right now, and you’re one of the OG scream queens, I have to ask you: Do you watch anything in that vein?

So I’m boring because the truth is, I don’t like scary things. I don’t like scary movies. I have zero interest in scary movies, and I think if someone ended up doing some analysis of me as a human once I’m dead, they would understand that actually my natural fear of scary things is what, in fact, made me such a good actress in them, and I don’t pretend to like them. I like the fans of [scary movies] because there’s a passionate group of people that love them. But I don’t have to love the movies, I just have to love what I do.

Is there anything else you’re watching right now?

My husband and I just started watching the [fourth] season of “The Diplomat” [Netflix], which the writing is so great. Last night we watched an episode written … by Peter Noah, who was the guy who took over “Anything but Love” … and was the showrunner. This episode last night [Episode 4, “Pagliacci”] was what Chris and I watched, and I wrote to Peter last night to say, “Bravo, bravo! Oh, the writing is so gripping.” Of course the writing leads the performances, which lead the filmmaker. It’s always the writing.

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The New York Knicks celebrated their NBA championship Tuesday night at Madison Square Garden, yet hardly anything went according to plan. And LeBron James found himself smack dab in the swirl of the fierce and funny festivities.

James made his Philadelphia 76ers debut memorable, helping his new team defeat the Knicks, 106-100. Asked by NBC sideline reporter Zora Stephenson if he was enjoying spoiling the Knicks’ ring night, James grinned and said, “Yeah, I do. It’s pretty special.”

Last seen in Los Angeles bidding a hasty farewell after eight seasons with the Lakers — Times columnist Bill Plaschke wrote that “He left before the door could hit him in the butt” — James, 41, began his 24th NBA season by contributing 14 points, nine rebounds and seven assists in the 76ers’ victory.

LeBron James of the 76ers exchanges words with fans during a regular-season opener against the Knicks at Madison Square Garden.

(Sarah Stier / Getty Images)

And James did so even while jawing with courtside Knicks fans about using a helicopter to commute from his new home in New York to Philadelphia. Of course, famed director and Knicks fan fixture Spike Lee couldn’t stay out of it.

“Hey, LeBron, just because you have a helicopter and you live in New York doesn’t mean we’re gonna cheer for you,” one fan yelled, according to NBC broadcaster Mike Tirico. Another fan dinged James for being soft simply because he lived in L.A. for so long.

James couldn’t let that one go, yelling back, “Ain’t nothing soft in the Midwest. I don’t know what the f—- you talking about. I’m not from the West Coast, I’m from Ohio, baby.”

Lee, resplendent in a bright orange and blue pinstriped suit with matching hat, stood from his front-row seat, seemingly serving as conciliator. Much of the exchange was caught on camera by NBC, with Tirico and fellow broadcaster Reggie Miller providing commentary.

“[James] said hello to somebody over here,” Tirico said. “Spike Lee is over for a look and a chat. … LeBron is taking the helicopter rides back and forth from Philadelphia to New York and engaged here in some front-row convo.”

Miller chimed in, “That’s the last thing you wanna do is get LeBron going here in this building…. And guess who’s playing peacemaker? Spike Lee! He’s over here playing peacemaker. Boy, I have seen everything.”

Fanatics is supplying James with the helicopter as part of a multiyear, exclusive trading card and collectibles contract signed in 2024. Although the deal raised the antenna of investigative reporter Pablo Torre — who won a Pulitzer Prize for uncovering the Clippers’ salary-cap circumvention with Kawhi Leonard — NBA commissioner Adam Silver called the helicopter arrangement “perfectly appropriate.”

LeBron James performs a pregame ritual before the game against the New York Knicks at Madison Square Garden.

(Caleb Bowlin / Getty Images)

Silver was at Madison Square Garden on Tuesday night. The Knicks celebrated their first NBA championship in 53 years with a ring ceremony and raising a banner to the rafters. They did their best to laugh off a typo on the T-shirts fans received that proclaimed the team as the 2026-2027 champions.

Despite the testy exchange with fans and enduring their “We don’t want you” chant while he shot free throws, James softened what he had said to Stephenson, sidestepping a suggestion by a reporter that the 76ers ruined the Knicks’ celebration.

“I wouldn’t say that,” James said. “It was a great night for New York fans. Fifty-plus years. I was a part of that at one point where we hadn’t won a major championship in Cleveland in over 50 years. The fans will never forget this moment.”

KATIE Price has taken a subtle swipe at Lee Andrews after she ended their marriage last month.

The former glamour model is currently bracing herself for a “messy” divorce battle with her ex as the conman vows to return to the UK.

The Sun revealed that Katie ended their marriage via WhatsApp last month after finding out he had just £2.22 in his bank account.

Katie has now has taken another step towards being entirely free from Lee with a social media swipe.

She has deleted all of their photos together and it looks as though she has blocked him, too.

Katie has likely blocked Lee because all of his comments and likes have disappeared from her posts.

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Lee was recently released from the notorious Al Awir prison after a four-month stint, but is now eyeing up flying back to his home country.

The conman launched a Go Get Funding page last week in a bid to collect bail cash so he can return to Britain.

And as Lee vows to fly back to England, Katie is understood to be “naturally worried” that Lee will come after her money, in what could be one of showbiz’s messiest divorces.

A source previously said: “Katie is determined not to be in financial trouble again.

“She’s been working really hard to get enough income to be comfortable – with her OnlyFans and various other projects, but she is all to aware of how easily it can be lost.

“There is a real worry Lee is going to try and take half of what she’s worth.”

They added: “She does not want to be his next con, and is hoping they can split amicably.”

Earlier this month, Lee appeared to fake his own death on social media, which left fans baffled.

Lee’s death hoax Instagram story, which was posted to his account in the early hours, was swiftly deleted.

Alongside a black and white picture of Lee posing in a car, the post said: “With a huge heart of sadness.

“And this heartfelt message, we say our final goodbyes to this beautiful soul, to our loving Lee who has tragically passed away.”

Lee’s ex Alana Percival, who he dated in 2025, took to her own Instagram to address the post and accused him of faking his own death via the post.

But Lee later took to his account to share another post with a red cross over the original image. 

Lee added: “Please don’t believe any of this I have been clearly targeted for the death hoax by sick individuals. 

“I’m very much alive and well this is terrible as I have family that had to see it.

“My account is back with me.”

Fan-favourite Gogglebox stars Jenny and Lee have been a staple on the Channel 4 show for 12 years, having joined the show back in 2014.

The Gogglebox star was in hysterics over Jenny’s marriage remark.

Channel 4 viewers tuned in to watch the nation’s favourite armchair critics give their thoughts and reactions on the latest TV shows of the week. However, in between giving their verdicts on the programmes of the week, Gogglebox favourites Jenny and Lee spoke briefly about marriage.

It comes ahead of the stars settling in to watch the latest HBO drama, War, which follows a very public divorce of two well-known figures. Lee asked Jenny: “Would you ever get divorced?”

After a brief pause, she replied: “Don’t know. No, I’d just wait.” Lee burst out laughing at her quick remark about divorce.

Jenny often speaks about her husband, Ray, on the programme, although he’s opted to stay out of the limelight. However, he did make a very brief cameo recently when he phoned Jenny and viewers got to hear his voice.

Last year, Lee shared a throwback image of Jenny on her wedding day to Ray as he celebrated their 50th wedding anniversary. He captioned the post: “Wishing my sidekick Jenny and Ray a happy 50th golden wedding anniversary, who gets the medal.”

It wasn’t long before people commented on the post, with many praising Ray’s ‘epic’ sideburns. One person said, “Ray should get a medal for those sideburns alone. Epic.”

Someone else added, “Jeez, those sideburns have a life of their own.” While another said: “Bl**dy hell, look at those side burns. You could ski down them.”

Although Ray was offered to join Jenny on the Channel 4 show when she was first scouted at Beverley Races Ladies’ Day in 2014, he declined, prompting her best friend Lee to take his place on the couch.

The pair have been friends since 1994 when Lee met Jenny at the pub when she was a landlady. Speaking to Ireland’s Big Issue magazine, Jenny commented: “Lee was a customer at my pub, The Crown Inn in Paull. He became a regular in 1994 and used to come in pretty much every night with his partner and we were friends from the off. We’ve been best friends ever since.”

Lee added: “I wish I’ve never gone in the pub – it cost me a fortune. When I first met her she had a perm and I can remember thinking, ‘She needs a haircut’. We were firm friends immediately. I don’t think we’ve ever had an argument. We’re too placid to argue. She makes me laugh too much for me to ever fall out with her.”

Gogglebox is available to watch Friday’s on Channel 4 from 9pm.

When Zoe Kazan learned she was going to adapt “East of Eden,” she knew it meant she’d be destroying a copy of John Steinbeck’s 1952 novel with scribbled notes in different colors, highlights and earmarked edges. So she ordered a used one from Powell’s Books — it has somebody else’s last name written on it, she points out.

“It’s a treasure to me,” she said during a recent video call from London.

Steinbeck’s Cain and Abel-inspired novel follows two families across decades as a way to explore good and evil, legacy, free will and what makes a person. Driving many of the biblical parallels are two sets of siblings — half-brothers, Charles and Adam Trask, and later, Adam’s fraternal twin sons Cal and Aron — each competing for their father’s attention and love. Disrupting their lives is an enigmatic woman named Cathy Ames, who Adam marries and who gives birth to Cal and Aron.

The book-to-screen adaptation has been Kazan’s passion project. And for a tale of familial legacy, she had her own to confront — in 1955, her grandfather Elia Kazan directed a film version that starred James Dean and covered the last third of the book, which focused on Cal and Aron. Zoe Kazan’s interest in the story took shape decades later when, as a teenager, she discovered the book.

She found herself drawn to Cathy, its famous antagonist.

“I felt repelled by her, attracted by her, curious about her. I felt empathy. I felt hared. I felt love. I felt all these things,” Kazan said. “I had never read anybody like her. I just remember, every few pages, wanting to stop and read aloud to someone the things that she was doing or [the things] that someone was saying about her.”

She also felt the pull of the story’s examination of intergenerational cycles and familial legacy.

“It feels a little bit like a chicken-and-egg situation. Which came first: Was I drawn to this book because of its intergenerational aspects or did this book teach me to think about intergenerational aspects?”

Now streaming on Netflix, the seven-part adaptation Kazan shepherded — alongside co-showrunner Jeb Stuart — covers more ground of the multigenerational saga than her grandfather’s film. This new version also centers Cathy.

Here’s what Kazan told us about her vision.