Lee

KATIE Price has revealed why she’s still wearing her engagement ring from conman ex-husband Lee Andrews despite their split – and if she’s spoken to him since her bombshell Good Morning Britain appearance this week. 

After ending her marriage to Lee, 43, the former glamour model was played a voice note from him on GMB on Wednesday, in which he insisted “there’s been no wool pulled over anyone’s eyes”. 

On the latest episode of her podcast The Katie Price Show, Katie held up her hand to sister Sophie, 36, and said: “I’m still wearing my ring but on the other hand because I love the ring. 

“I’ve taken Lee out of [my Instagram] bio now. Enough is enough now, it gets to a point where you can tolerate so much… 

“I did what I had to do. It doesn’t matter what people say about whoever I’m with. I have to do what I need to do. 

“If there are things that I question, that’s for me to find out myself to make my decision. Things haven’t added up and I’m not happy about them. He is still in prison and I haven’t spoken to him.”

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Speaking to Susanna Reid and Ed Balls this week, Katie candidly confessed that – despite everything – she still loves Lee. 

She said: “I love him… but who is he?

“I love the man I met. I can’t take it. I was stupid to fall for him. It’s really sad.”

Katie also admitted she believes her ex loves her too, saying: “I do believe he did. 

“I think he’s got himself in such a situation… where he copy and pastes what he says to women… I do believe he’s fallen for me.”

Katie then revealed the signs that finally made her open her eyes.

She said: “For example, one of the rings he bought me he said was worth £72,000. So I thought I’d better get it insured.

“So I took it into a shop and got it cleaned to get it insured. When they gave it back to me I said, ‘How nice are the diamonds?’

“They said, ‘They’re really good lab diamonds. They were grown in a lab. The ring is probably only worth about five grand’. Do you know how embarrassed I was?”

VENICE, Italy — “My actual personality is not very friendly, I’m afraid,” claims Korean actor Jeon Do-yeon. “Myself and actor Sul Kyung-gu, we can be a little bit brusque. We don’t really have the talent to make the set fun.”

As she says it, though, Jeon and co-star Cho Yeo-jeong are laughing — making the assertion rather harder to believe when it arrives in English from Korean via an interpreter. Throughout our conversation, in fact, the pair chuckles, nods along to each other’s answers, interjects sounds of assent. Enough for me to understand that their chemistry comes naturally, whatever Jeon’s protestations.

“In the film I play a character that chases [Jeon’s character] and it really suited me, almost to the point where I didn’t really need to try and act this role,” as Cho puts it. “I was almost like a sunflower, constantly facing and chasing actor Jeon.”

The actors needed every ounce of the sublime chemistry they forged to portray the magnetic but fatally flawed relationship at the heart of auteur Lee Chang-dong’s first film in eight years, “Possible Love,” which premiered Sunday at the Venice Film Festival. South Korea’s international feature submission for the 2027 Oscars, the Netflix film sees Ye-ji (Cho), a documentarian married to a wealthy businessman (Zo In-sung), cozy up to Mi-ok (Jeon), whose husband (Sul) has been seriously injured in a brutal crackdown on striking factory workers, in order to secure an interview with him — only for divisions of class and professional ambition to expose the fault lines in their relationship, and in turn their marriages.

“It seems like they want to be friends with each other, but then there seems to be a line that just cannot be crossed between them,” says Lee, also through an interpreter, of the actors’ accomplished double act, referring to a scene in which Ye-ji bristles at Mi-ok’s suggestion that her high-end clothes are out of place interviewing unemployed laborers. “[Jeon and Cho] knew of that and they went into shooting that scene knowing that it was quite challenging to express. There were, of course, some things that were up to the camera in bringing that about, but I think that was a scene where the two were able to express just how nuanced and quite strange the relationship can be.”

The film itself is just as slippery and multi-layered, down to Lee’s heady admixture of documentary and dramatic aesthetics. Inspired by real-life labor conflict in South Korea, “Possible Love” uses Ye-ji’s nonfiction study of laid-off workers as a window into the lives of ordinary people swept up in large-scale social change, against the backdrop of which the two women’s competing priorities are thrown into stark relief. Can a filmmaker who totes a $4,000 Lora Piana backpack, however well-intentioned, truly understand the plight of the working class? Is a subject eager to publicize a political struggle prepared for the risk that her personal privacy will be invaded in the process?

To choreograph the film within the film — so compelling that I almost missed seeing its conclusion when “Possible Love” shifts the focus to interpersonal fireworks in the third hour — Lee cast a real-life documentary director and cinematographer as Ye-ji’s crew, lending what Cho calls their “natural energy” to the movements of the camera. Cho herself prepared by consulting the late master of the form, Frederick Wiseman, who was unabashed about the tension between documentary filmaking’s often radical politics and the privilege required to turn it into a profession.

“[Wiseman] was posed the question by some students studying film and documentary: ‘How can I pursue this work in reality?’” she recalls. “And he replied with the immortal words, ‘Marry a rich man.’ And you know, I was preparing for the role of Ye-ji, so it was such an apt response for her situation.”

Jeon, left, and Cho in “Possible Love.”

(Joo Jae-bum/Netflix)

The potential for conflict bursts into the open at a seaside home that has been in Ye-ji’s husband’s family for years, where the group has decamped for a supposedly restorative holiday. Reminded of the setting by the location of our conversation — a set of green-curtained, pink-carpeted suites at the Hotel Excelsior, overlooking the northern shores of the Adriatic — I ask the actors what’s going through their characters’ minds when Mi-ok and Ye-ji’s promising connection ultimately severs.

Mi-ok “doesn’t really want to reveal to anyone else what’s going on in the family … She only wants to show the good side that they are trying to live their best life and trying to improve and move forward with hopefulness,” Jeon says, citing an early scene in which Mi-ok asks the crew not to film her son’s awkward taekwondo at a school field day. When the camera’s prying eye becomes more intrusive, though, she “feels a great sense of betrayal, that her family is being used and exploited.”

For Cho, who says Ye-ji is “constantly balancing the ethical dilemma” between documenting the truth and treating her subjects with care, the break was always inevitable, and no amount of Ye-ji’s remorse or guilt can repair the damage.

Against this microcosm of the class war Lee sets the emergence of artificial intelligence, which threatens to further destabilize labor across a range of industries — including his own. Although he’s uncertain if, when or how AI will “intrude” on the “entirely creative” filmmaking process, the “Poetry” and “Burning” director is already using it for everyday tasks.

“Before going to see the doctor, I like to ask AI all the symptoms that I have, ask what’s wrong with me. Or I would ask, you know, ‘What’s the weather like in Venice?’” he says. “AI gives us instant answers, and it goes even beyond that to where it gives you advice these days. And in that sense, AI has indeed really gotten deeply intertwined in my daily life.”

Similarly, Jeon is open to using AI for more “trivial” matters, such as simultaneous translation from English to Korean and vice versa. But she admits to more “extreme thoughts” than Lee about the technology’s role in the future of screen acting.

“I’m going to be starring in a [Korean-language adaptation] of Anton Chekov’s “The Cherry Orchard” upcoming in New York. And I was wondering, actually, is the stage the last place that cannot be conquered by AI, and will not be replaced by AI?”

Perhaps. But the scene in “Possible Love” that best captures the finely honed chemistry of its female leads, in which Mi-ok and Ye-ji drunkenly bond over soju and Korean barbecue as their bemused husbands look on, seems to me beyond the capabilities of AI — it’s too warm, too meticulously rendered to be anything other than fully human, the sort of acting one hopes the Venice jury will remember when it hands out the Volpi Cup for best actress on Saturday.

“It is quite difficult technically and practically — it was a scene that we shot all night long,” Cho says. “But I remember shooting it with a lot of pleasure.”

No protest there.

IT’S BEEN nine months of drama for Katie Price after she said “I do” to con man Lee Andrews.

After The Sun revealed tonight that Katie, 48, is talking to top divorce lawyers, we take a look at all the signs that pointed to her secretly planning to split from her jailbird fifth husband, 43.

Katie ditches wedding ring

Katie has had a rocky year so far, with the drama surrounding her marriage to Lee, who is currently in jail.

Since trouble started brewing in May, when he was first banged up, the former pin-up has had a very on/off relationship with her wedding ring.

Just yesterday, in a clear sign that the marriage is in big trouble, the star ditched the significant piece of jewellery as she enjoyed time in Marbella.

Katie was also seen without her wedding ring as she flashed her bum while dancing on her close pal during her wild trip.

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Refusing to return to Dubai

One of the biggest signs that Katie was not happy with her marriage to Lee is her refusal to go back to Dubai, where he lives.

The star hasn’t returned to the UAE since the end of June, which was just before Lee was sent back to jail, for a second time.

Previously speaking about how she would never move to Dubai to live with Lee, she said in a YouTube vlog: “I don’t know why people think I’m moving to Dubai.

“My family’s here. The husband is there, but the husband come here and I can go to Dubai when I can.”

Katie then added: “It’s a lot of hoo-ha.”

Katie openly flirts with Jake Quickended

At an awards ceremony earlier this month, as Lee languished behind bars, Katie asked Jake Quickended if she was “his type”.

The star was seen publicly flirting with the former The X Factor star at The Hair and Beauty Awards.

It happened as they shared the stage to present an award, and Katie told him how This Morning host Ben Shephard had said to her that she would make a “good match” for Jake.

She then proceeded to see how Jake felt about that, and when he was left red-faced she said: “Are you blowing me out? Is that a yes or a no? I’m putting you on the spot.”

Never paid his bail

Lee was sent back to jail in July, just weeks after he was freed from prison the first time this year.

The con man was originally locked up in May for fraud, but was most recently nabbed for unpaid debts.

However, Katie has refused to pay any of the money he owes, in order for his release.

She told The Sun: “He’s in prison and the only way Lee will get out of prison, he has to sort it out himself.

“That’s the end of that. If not, he’ll be prison. There’s nothing I can do. I’m not here to pay anything for anyone. I’ve got my own life. Even though he’s part of my life.”

Stopped speaking about Lee

Last, but not least, Katie has stopped speaking about Lee on her podcast.

The star drops an episode of The Katie Price Show, which she does with her sister Sophie, every Thursday.

However, recently Katie has been very quiet on the topic of her jailbird husband.

KATIE Price has not laid eyes on her soon to be ex-husband Lee Andrews since June.

The star, 48, has started proceedings to divorce the Dubai-based alleged conman just eight months after their surprise ceremony in his home city.

Lee has been in out of jail in Dubai since May and is currently holed up in the UAE’s notorious Al Awir prison.

The last time Katie saw Lee was shortly after he was released from prison the first time.

He then went back to prison at start of July and has been in there for eight weeks over three civil cases.

Katie has now vowed to never go back to Dubai and visit him.

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pricey fears

Katie Price ‘worried’ that Lee will ‘take her money’ as she consults lawyer

The Sun revealed exclusively tonight that Katie had quietly consulted a top London divorce lawyer about ending her marriage.

She discovered he only had £2.22 in his crypto bank account — not the £37million he had promised her.

Katie told a pal on Tuesday: “I have come to my senses — Lee has lied and lied and lied. I am sick of it. It is over.”

A source added: “The marriage is done. She will never go to Dubai to see Lee again.

“It was, of course, an accumulation of many things but the final straw came after Lee had told Katie he had $50million (£37million) in a crypto wallet, and promised her some of the funds.

“He gave her the ‘recovery phrase’ — the passkey — to get into his account, and on Monday she had a financial expert access the wallet — and, to her shock, discovered it contained just $3, or £2.22.

“Lee never had $50million; he doesn’t have a bean. The most he ever had on any one day was in March for $14,490 (£10,720) which was sent out the very same day.

“Obviously over the past few months Kate has seen all the damning evidence building up against him — and was always planning her exit once the white noise became unavoidable.

“But after seeing his accounts — as opposed to his AI mock-ups — she lost her s***.

“He has deeply embarrassed her and, more importantly, has scammed, hurt and cheated so many other women. Enough is enough.”

ABBY Lee Miller showed off her incredible figure in a black swimsuit as she enjoyed a trip away this week.

The Dance Moms star, 60, was soaking up the sun in Long Island, New York, and took to Instagram to share snaps from the trip with her fans.

Staying at the four-star Hotel Indigo, Abby beamed for the camera as she took a dip in the pool in a black one-piece swimsuit.

She matched the swimwear with statement gold jewellery and had her brunette tresses styled into a bouncy blowdry.

Sipping on a mocktail, Abby posed for several poolside shots.

She later added a butter yellow beach coverup over her bathing suit while relaxing by the pool.

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Abby captioned her post: “Couldn’t have asked for a better spot to stay while I was on Long Island this summer! 🌊☀️

“@indigoeastend was not only beautiful, but the perfect place to relax and enjoy all the amenities, from the pool to their fabulous restaurant, @bistro72, with a gorgeous sunset view! Top of the pyramid👏🏼👏🏼“.

Abby has been using a wheelchair since 2018, when she underwent spinal surgery and battled Burkitt lymphoma – a rare form of cancer.

Before her health woes, the TV star and dance instructor dropped from a size 24 to a size 16 and has been looking incredible over recent years since becoming cancer-free in 2019.

Abby rose to fame in 2011 when Dance Moms hit screens as the strict dance coach and leading personality of the show.

The series, which launched the careers of stars such as JoJo Siwa, was centred around the young girls who were members of the Abby Lee Dance Company and their mothers, who were also in competition with each other.

Tour Championship – first round

-8 MW Lee (Aus); -6 V Hovland (Nor), C Morikawa (US), C Gotterup (US); -5 R Gerard (US), A Bhatia (US), L Aberg (Swe), S Scheffler (US)

Selected others: -4 T Fleetwood (Eng), M Fitzpatrick (Eng), R Fox (NZ); -3 R MacIntyre (Sco), W Clark (US); -2 J Rose (Eng), A Fitzpatrick (Eng), R McIlroy (NI)

Full leaderboard

Defending champion Tommy Fleetwood shot a four-under 66 to put himself in contention, four strokes off first-round leader Min Woo Lee at the Tour Championship in Atlanta.

However, Northern Ireland’s Rory McIlroy endured a mixed start in his bid to win a record-extending fourth Fedex Cup, bogeying two of the first four holes before fighting back on the back nine to sign for a 68.

Lee, who won last month’s Scottish Open, carded a bogey-free 62 to set the pace at eight under as he equalled his best ever round on the PGA Tour in its season-ending event at East Lake.

Australia’s Lee is two strokes clear of Norway’s Viktor Hovland, who triumphed in 2023, and American duo Collin Morikawa and Chris Gotterup.

It was a fine display from Lee, who was second from last in the BMW Championship a week ago and found himself without a partner for most of the day, with JJ Spaun withdrawing through injury after four holes.

“It was a little strange at first, just like looking for a playing partner and you’re just there by yourself,” said Lee.

“It was more just maintaining speeds and not rushing because I would just catch the group in front and wait. So I had to just slow down a little bit. It worked out.”

Ominously, world number one Scottie Scheffler ended his round with a birdie on the 18th to sit at five under, with England’s Matt Fitzpatrick in the mix at four under after also making a birdie four on the concluding hole.

Scotland’s Robert MacIntyre is at three under, with the highlight of his day arriving on the sixth hole when he rolled in a putt from over 30 feet for an eagle.

England’s Justin Rose and Alex Fitzpatrick both signed for rounds of 68 on a day when none of the 29 players in the field to complete the round went over par.

The winner on Sunday will take home the Fedex Cup and a $10m (£7.4m) prize.

Some, ahem, “congratulations” are in order for Post Malone and his sweetheart Christy Lee.

The “Sunflower” rapper-turned-country singer is engaged to stylist Lee more than a year after sparking a romance. Lee’s close friend Marina Hollyer announced the engagement news Wednesday on her Instagram stories, captioning a photo of the newly betrothed pair with the caption: “My best friend in the world just got engaged.” Hollyer also shared photos of the couple and friends posing in front of a flower arch and at dinner, seemingly moments after the proposal. Per Hollyer’s Instagram page, Posty popped the question in Utah, where he currently resides.

A representative for the Grammy-nominated “Circles” musician did not immediately respond Thursday to The Times’ request for more information.

Post Malone, 31, reportedly began dating Lee at the beginning of 2025 after calling off an engagement with his then-longtime girlfriend, with whom he shares a 4-year-old daughter. The exes settled their custody battle in November but details about their agreement were sealed, People reported at the time.

This year has been an exciting one for the singer. In April he headlined the final night of the Stagecoach festival in Indio, and this summer he headlined the FIFA World Cup 2026 closing ceremony in New Jersey, debuting new music and performing the fan favorite hit “Sunflower” with Swae Lee on the global stage.

While he is still yet to wed, Malone is already celebrating a milestone anniversary. His popular 2016 mixtape “August 26” is celebrating its 10th year and will finally be available to stream on — surprise — Aug. 26, he announced last week.

Long before he arrived at USC, a couple days shy of his 17th birthday, Ethan “Boobie” Feaster had always been in a hurry to grow up.

He was the baby of the Feaster family, seven years younger than his next youngest sibling. But nothing about his behavior, even as a kid, suggested as much. He was always quiet, calm, determined, seemingly from birth, according to his father, Lee. When Lee Feaster encouraged Boobie at age 8 to write down his goals, and “make ‘em plain,” Boobie took the advice literally. He went straight to his bathroom mirror and copied them down. They’re still written on the bathroom mirror, to this day.

When he was 9, Boobie asked his father to buy him a football poster. Lee came in later to find it attached to the ceiling, above his bed. He asked Boobie why.

“I need it to be the first thing I see when I wake up,” Lee recalled him saying, “and the last thing I see when I go to bed.”

This, needless to say, was not exactly normal behavior for a 9-year-old. But nothing about Boobie Feaster has ever been normal. Least of all the relentless drive that would one day have everyone at USC raving and others around the nation whispering about one of the most anticipated freshman in college football.

Neither is it normal exactly for USC’s offensive-minded coach, Lincoln Riley, to enter into a season so unproven at the receiver position.. With the status of No. 1 receiver Tanook Hines still unclear less than a week out from the season opener, USC will almost certainly have to rely on a group of talented freshman receivers to hit the ground running.

That includes Boobie, who at just 17 years and three months, will be the youngest among them by a wide margin. In fact, he may be the youngest ever to suit up at USC. Feaster is the school’s youngest player dating back to when USC started recording player birth dates.

But talk to those who know Boobie best, and they’ll tell you that age, in his case, is merely a number.

“He’s always been an old soul,” said Kerry Sweeney, the receivers coach at DeSoto High in Texas.

Sweeney met Boobie when he was in the seventh grade. He’d heard about the kid’s stellar football IQ, so he tried to stump him. He asked Feaster, then barely 12, to explain the difference between cover-2 and cover-3 defenses.

Boobie Feaster looks across the field during a youth football game. The USC receiver frequently played against older kids.

(Courtesy of Lee Feaster)

“He knew exactly what it was,” Sweeney said.

What Sweeney didn’t know was that when Lee Feaster, a football coach himself, was studying game film, Boobie was right there with him. He knew a lot more than coverage schemes.

Boobie had also been playing up one — or two even — age levels. In the seventh grade, he started working with a personal receivers coach, David Robinson of D-Rob Sports & Fitness Training. A year later, Robinson had Boobie, as an eighth grader, training with former NFL receivers, such as Dez Bryant, or college receivers on their way to the NFL.

“There was no polish or anything,” Robinson said. “But he was just a natural. Natural speed, natural length, naturally tall.”

But it was his mind that continued to mystify coaches most. Even at a young age, he made sure to concern himself with the minor nuances of the playbook and the receiver position. By the time he debuted as a freshman at DeSoto, coaches already trusted him to run choice routes, which gives the receiver multiple different options based on the defensive alignment.

By the state playoffs that season, Sweeney said that Boobie was already the best receiver on a team that would produce three Division 1 wideouts.

“He was dominating,” Sweeney said, “as a freaking freshman. “

It seemed clear to everyone around him, at that point, that Boobie could handle skipping a season of high school football. So after his sophomore season, Boobie reclassified from the Class of 2027, in which he was recognized as a top-five prospect in the nation, to 2026.

His relationship with USC receivers coach Dennis Simmons was solidified by that point. They’d been introduced when Boobie was in the seventh or eighth grade — and just beginning to blow up on social media. Simmons said he was impressed by Boobie’s maturity.

“He recruited Boobie really hard,” Robinson said. “That relationship is what really kind of jump-started USC as a front-runner.”

USC never relinquished that spot. But Feaster had to wait until he enrolled at USC this summer while the other talented pass-catchers in his class got a head start.

That’s not to say he wasn’t trying to get ahead in other ways.

Boobie Feaster reaches out to catch a pass during his youth training before arriving at USC.

(Courtesy of Lee Feaster)

Lee Feaster said that before his son’s arrival at USC, Boobie was obsessing for months over USC’s playbook. He worked flashcards with Robinson and sometimes made his father line up in the street in front of their house just to commit certain plays and alignments to memory.

“Oh, he knew the playbook,” Lee Feaster said. “He knew it before he got there.”

He’s opening eyes at USC practice. During a preseason scrimmage at the Coliseum last week, Boobie burst through a sliver in USC’s defense and took a tunnel screen to the house, reminding in one play exactly why USC’s coaches thought he was ready to contribute at 17.

“He was game-ready,” wideout Terrell Anderson said, “as soon as he came in.”

How quickly he’ll actually influence a game at USC remains to be seen. The Trojans are expected to play several freshmen against San José State on Saturday, and anyone who knows Boobie will tell you it’s only a matter of time before he contributes. After all, after starting in the slot, Feaster took it upon himself to start learning the outside receiver spot.

When Boobie moved to L.A. in May, his father tagged along, just to make sure he got acclimated. His mother came shortly after that.

And they’re reminded sometimes that Feaster is still just a teenager. That he’s still got a lot of growing to do. His goals are still written on his bathroom mirror, to remind him of that every day.

But if the past is any indication, it shouldn’t be long.

“I believe, like three games in, everyone is going to be saying, ‘Who’s this freshman?” Sweeney said. “Who’s this Boobie Feaster?’”

“Other than the needle drops, this is probably my favorite part about making ‘Beef,’” says creator Lee Sung Jin of the show’s episodic title cards, which in Season 2 marry historical paintings with abridged quotations from authors and poets. For the finale, which sees its two feuding couples (Carey Mulligan, Oscar Isaac, Cailee Spaeny and Charles Melton) swept up in a seemingly inescapable fight for survival, the paintings of Giuseppe Arcimboldo’s “The Four Seasons” matched with the title “It Will Stay This Way And You Will Obey,” a reference to a passage in Marion Woodman’s “Coming Home to Myself: Reflections for Nurturing a Woman’s Body & Soul.” “It’s almost prisonlike because these very prominent faces of literally nature have created this wall that the title is stuck in. We wanted to express the cycles and how the four seasons come for you no matter what,” Lee says, alluding to the season’s central idea that people often repeat the same destructive habits. “The final shot is homage to the Buddhist concept of samsara. It was important for us to allow the audience to take a moment after all the craziness of the season to think about their own lives, think about society at large … and depending on where you are, come to your own conclusion.”