This image, released on March 20, by the North Korean Official News Service (KCNA), shows North Korean leader Kim Jong Un and his daughter, Kim Ju Ae, observing a military exercise involving tanks, drones, and other munitions. File Photo by KCNA/UPI | License Photo
April 19 (UPI) — South Korea’s Defense Ministry said North Korea test launched multiple, short-range ballistic missiles into the East Sea, also known as the Sea of Japan, Sunday morning.
“Detailed specifications are currently under close analysis by South Korean and U.S. intelligence authorities,” officials in Seoul said in a statement, according to ABC News.
“Our military is closely monitoring North Korea’s military activities under a firm combined defense posture and maintains an overwhelming capability and readiness to respond to any provocation.”
The Japan Times said the Defense Ministry of Japan also confirmed the activity.
“North Korea’s series of actions, including the repeated launches of ballistic missiles and other weapons, threaten the peace and security of Japan, the region and the international community,” the ministry said in a statement.
Newsweek said Pyongyang has increased its ballistic missile testing and nuclear weapons development since the conflict between the United States, Israel and Iran began nearly two months ago.
Sunday’s missile launches appear to have come from Sinpho, a coastal city in North Korea where submarines capable of launching such weapons are built.
Sakie Yokota, mother of Megumi Yokota, who was abducted by North Korea, speaks during a rally demanding the immediate return of all abductees in Tokyo on November 3, 2025. Photo by Keizo Mori/UPI | License Photo
Back when late-night TV sets were still the primary route for a comedian to reach a mainstream audience, Ari Shaffir found a different way to make his mark. It started with creating a show where comics could tell completely uncensored, unhinged real-life stories. What started as a live show grew into “This Is Not Happening” on Comedy Central, and later, into “Ari Shaffir’s Renamed Storytelling Show,” building a loyal fan base along the way, with clips still making the rounds 15 years later.
Supporting shows leads to new opportunities, and while Shaffir’s latest chapter may close the book on his storytelling run, his final offering is certainly a strong one. Aptly titled “The End,” and taped live at the Box NYC, this seven-part series will be released and available for purchase through YMH Studios on Thursday , and it’s jam-packed with comedians that quite literally might kill you. Especially one.
The lineup is too stacked to leave anyone out, so buckle up for wild, unforgettable stories from Shaffir, Tom Segura, Ali Siddiq, Nate Bargatze, Tony Hinchcliffe, Ms. Pat, Shane Gillis, Sam Tallent, Steph Tolev, Jim Breuer, Robert Kelly, Chris Distefano, Big Jay Oakerson, Jordan Jensen, Joe List, Steve Simeone, Mark Normand, Duncan Trussell, Roy Wood Jr., Jessa Reed, Sarah Tollemache, Dan Soder and Colum Tyrrell.
Dan Soder, left, and Shane Gillis appear in Chapter 6.
(Troy Conrad)
Everyone’s stories are so next–level, and I almost choke-laughed and died during Ms. Pat’s. It also looks incredible, tell me everything about the room.
Ari Shaffir: The room is called the Box, and it’s this burlesque place. Or maybe you call it modern burlesque because it’s not just those feathers. I really don’t know, but I feel like burlesque has evolved and that’s what this place is. It’s kinda crazy, and it’s definitely a night out. Dave Chappelle used to have these “comedian balls,” which were so cool because he would just invite comics. Like, all of the comics. He’d invite everyone out and pretty much without saying it was like, talk to each other and trade ideas about the industry. It was just so cool in there, and we scouted a bunch of places, but the look of this place, it was just right.
It makes so much sense that the room is called the Box now, visually.
What you saw wasn’t even color-corrected, so I appreciate it. I went to test the sound because we put the stage in a different place. It moves around and we just thought it looked better with all the red, but I wanted to hear what the sound was like when they were not on the stage too. They were like, oh the emcee will have a cordless as they move around, and I watched it, and it was great. But man, I was so f— up on molly that I was grinding my teeth so hard that I cracked a molar, so yeah, that place rules!
Ali Siddiq appears in Chapter 7.
(Troy Conrad)
Well, the room took my breath away, kinda like the lord took your solid tooth away. It’ll make sense to fans of your podcast You Be Trippin’ that ‘The End’ is produced by YMH Studios, but how did this series even end up happening?
Tom [Segura] and I have a relationship, we were openers for Rogan together, and we were kinda broke together, so we just talk about things. He’s so funny and prolific and I like talking things out with him. I talked to him about doing my special “Jew” too, but they were busy with the show, and you know back then, people weren’t jumping on getting into YouTube specials. So I had a chance to think about doing this show over the pandemic and finally was like, alright, let’s start working on this, and they said, “Come talk to us about it because we can help you now.” They have a great infrastructure there, and a streaming service too, so it’s like they already have everything built in, and Tom was like, “Dude, this show meant a lot to me, and we should make it again.” It’s not going to be a huge moneymaker for Tom, you know, it’s like pro bono work for lawyers, so it’s really cool of them. Another cool thing about this is the way the staff kicked in too. They’re all super talented, and kind of wasting their time on podcasts because they’re more talented than that, but it’s cool to work with a family and I liked the way they really took ownership of the work they did.
They’re a well-oiled machine of fun over there! With so many wild stories in the mix, is there anyone you are especially excited for people to see?
I’m excited to show some people new people. Even with the live shows, it’s always like, let me show you two headliners you know, a mid-level guy you’ll know and let me show you two people that you just don’t know. That’s what stand-up is in New York, L.A. and even Austin. There are some killers no one has ever heard of, and they’re destroyers. So I’m excited to show people Colum Tyrrell because he rules, he’s so funny, and his story is great. Tony Hinchcliffe’s story was really good, he’s just a monster storyteller in every sense of the word now. I just rewatched all of these a few times in a row for sound, and Roy Wood Jr. is so smooth it makes me feel like I’m needy and insecure on the stage. He’s just so calm and so good you’re like, “Damn, I’ve never been this smooth.” Sam Tallent is going to be one people talk about, Jim Breuer is so great, Steph Tolev crushed it with something fun and interesting and wow, this is really tough. Every time I’m doing a promo for this show it’s like, but what about this person, and this one?
It was also nice to see past killers on, definitely love to see the classics doing something new.
Yeah, having Big Jay [Oakerson] back was a key because he’s on the Mount Rushmore of this show, and we have three of those on “The End.” Jay, Ms. Pat and Ali Siddiq. We couldn’t get Sean Patton out because he was shooting something, and Bert [Kreischer] had a movie or something with his daughter moving or maybe it was a graduation…
Ms. Pat, from left, Ari Shaffir, Dan Soder, Duncan Trussell, Shane Gillis and Colum Tyrrell.
(Troy Conrad)
What a funny world, though, if Bert Kreischer paid to have a graduation moved so he could do your show.
Yes! Just pay the school to move the graduation for a week! Don’t you make like $50 million a year? It’s so funny how it used to be crazy to think of someone making $100 million and now there are like 10 comics who make at least half of that. And without doing press! It is really cool, though, I haven’t paid for lunch in so long. And Ali Siddiq has become so huge, he’s like the success story of this storytelling show in its entirety. Everyone got helped a little bit, but Ali kind of broke off of these stories and to see him so successful and still so smooth, it’s really cool. You can’t be “niche” doing arenas, and there’s this independent boom that’s not going to wait for anybody. So it’s another big win for us, it’s our turn in the whole story of this.
So then is this really “The End” or could it be a new start?
There is a very, very small percentage of a chance that it comes back. The plan is that this is it, and that’s why we called it that. I’m just glad you liked the show. I’m glad you liked the look and the intimacy, and that you picked up on all of that. It feels so long ago that you forget, but that’s so awesome to hear because it was a lot of fun. I think comedy fans that knew about the show before will want to see more of it because it’s just this funny televised storytelling, and they missed it. And everything turns over every five years anyway, so new people can now be like, actual stories being told like this in front of an audience? What is this cool new thing?
IT’S the no.1 children’s show on CBeebies and has been streamed more than 450million times on the BBC iPlayer – so where else to build a world-first Bluey rollercoaster than the UK’s biggest theme park?
Alton Towers know a sensation when they see one this week unveiled Bluey: Here Come The Grannies ride in the heart of CBeebies Land.
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Despite being an Australian show, the UK has the first Bluey rollercoaster and we were the first to try itAlton Towers has officially opened its first Bluey rideCredit: Alton TowersYou’ll feel immersed in the world of Bluey at the new rideCredit: Unknown
Now, toddlers and parents (lets face it, mums and dads love him too), can pay homage to the adventurous, inexhaustible puppy via a fun-filled rollercoaster.
The rollercoaster whisks you up and down over gentle dips, and around turns amid a fun, interactive setting of Bluey’s back garden.
It’s filled with fun references to the various episodes – including as the name suggests when the characters dress up as their Grannies.
The ride is the perfect mix of gentle and exciting and went down a storm on the day of opening.
Parents and kids were loving it while wee toddlers were genuinely immersed in Bluey’s world; they truly believed they were in his garden.
Alton Towers still remains the king of the theme parks and with CBeebies land, Gansta Granny and the big scary roller coasters – every age group is catered for.
As with all of Alton Towers rides, it is not just about the rides, but the imaginative settings and creative back stories that add to the fun.
As the terrified child will testify while we waited for the Wicker Man to finish his dramatic speech ahead of boarding the ride – they do not hold back.
But that is all part of the fun (sorry scared child).
I visited with two teens and even with fast track passes and their excited insistence on running everywhere we still struggled to do half the park – it is vast.
The glorious spotless grounds are so special too. I had sneakily hoped that I could grab a rest while my teens rushed about but the weather was rudely not accommodating.
On a beautiful day however, it is so worth taking the time to explore the perfectly managed gardens – ideal to regulate and find some peace from the thrills and spills.
The park looked fantastic, but as ever queues at the rides remain an issue and food and drinks pricey.
Meticulous planning, regularly checking the app and packing a picnic is advised to make the most of your day.
As the season opens Alton Towers are ensuring they are constantly evolving and investing in the park.
And the new Bluey: Here Come The Grannies rollercoaster will no doubt delight the next generation of thrill seekers.
One Sun writer spent their break in one of the Bluey hotel rooms…
The new accommodation is one of 13 rooms and suites designed especially for kids — which also include telly favourites Postman Pat, Bing and Octonauts.
But this isn’t the place for those looking for a chilled stay with calm kids . . . as Jess, my nine-year-old said, the room is just too exciting.
We knew exactly what we were in for the moment we opened the door of the large room — which can sleep up to seven — as the Bluey theme song blasted out from speakers.
This led to roughly 15 renditions of the Bluey-themed musical statues (yes, mum and dad got involved too). The hotel has done a great job.
The kids slept in Bluey and Bingo’s room, complete with bunk beds, the recognisable watermelon rug and the cartoon dogs’ pretty Himalayan rock salt night light — a nice touch for little ones.
There’s also a sofa bed which sleeps two, and a trundle at the bottom of the bunks. The only thing which excited all four kids more than the triple bunk was realising we were the first family to stay in the room.
Murals of the Heeler family cover the walls, with fairy lights and books dotted about. The bathroom had pictures of Bluey and her sister plastered across the walls.
My partner Dan and I were in Bandit and Chilli’s room, which had a king size bed, TV and lots of pictures of Bluey and Bingo as puppies, much to the delight of our kids.
The suite and other Bluey room (which sleeps five) tie in with the launch of Bluey Live at CBeebies Land. The excitable blue pooch and her whole family are part of the fun, with kids able to meet the characters and even have their photo taken with them.