L.A

Spring is the season of creation, a time of renewal and new beginnings. In Los Angeles, alas, we were, last spring, a city of cinders. It was a time to mourn.

A hard year followed with floods, ICE, AI, etc., menacing our native optimism. Making matters worse, in December we lost L.A.’s grand visionary vizier, the architect who time and again built us out of civic funk and transformed L.A., inspiring the city he so loved to look good, feel good and do good.

But that is still the case. So many plans Frank Gehry imagined for L.A. still remain. Gehry bequeathed blueprints and models, sketches and concepts, for his large and devoted team of younger architects and next-generation visionaries equipped to fabricate our way out of angst.

Isn’t there supposed to be an Olympics on the way for which the city appears ill-prepared? Spring 2026 is the time to build.

A couple of springs ago, L.A. County dubbed the blocks around Gehry’s masterpiece, Walt Disney Concert Hall, the Grand Avenue Cultural District. This includes the rest of the Music Center, Museum of Contemporary Art, the Broad and Colburn School. The Grand, Gehry’s resplendent complex across the street from Disney, had recently opened and ground was about to be broken for the Colburn Center, a 1,000-seat concert hall equipped to also serve dance, opera and whatever yet-to-be-invented genres Gehry designed it to enable.

The Colburn Center is well on its way to completion next year. Bits of the building’s pink skin have started to peek out like spring blossoms on the construction site at 2nd and Olive. The Broad has begun an expansion. But after two years, nothing else has been done to make this the cultural district it must become, one unlike anything else in any city.

Four springs ago I toured Grand Avenue with Gehry to gather what he had in mind for an arts district. When Disney Hall opened in 2003, it instantly became an enduring symbol of L.A., overtaking the Hollywood sign in many cases. The Dodgers want to parade joy in winning their second World Series in row last October, where else but in front of Disney? But not in front of all Gehry had in mind.

We will soon have a pair of futuristic new museum buildings to show off this year: the David Geffen Galleries, the controversial Los Angeles County Museum of Art’s Peter Zumthor building (I predict it will prove a sensation), and the new Lucas Museum of Narrative Art (no predictions on that one) next door to the Coliseum. But the fact that each is a 15-minute ride away from the cultural district’s new Metro station only makes the district even more of a center.

A center, indeed. Gehry’s vision included completing the original plans cost-cut out of Disney a quarter-century ago, along with new modifications and much more throughout the area. Some are more costly than others. Enough could be done on Grand Avenue in time for the Olympics to make a difference if we begin this minute.

Since its opening, Disney has been — shamefully — the most poorly lit building of its stature in the world. Gehry had chosen the specific steel for its capacity to reflect light. His idea was to project on the building whatever concert was taking place that night. No sound, just imagery. Belt-tighteners didn’t want to commit the $2 or $3 million or whatever and go through the trouble.

It was spectacularly tested at the hall’s 10th anniversary, but with tacky prerecorded video and crummy amplification. Facilities are now included in the Grand for projectors. It would have been amazing in 2003 and will be amazing now. The Grand has been disappointingly slow to attract the restaurants, bars, cafes and shops it needs to create a scene. The projections could change all that and even create enough of a ruckus to get a reluctant, car-crazed city to make that Grand Avenue block pedestrian.

There is much more for Disney. Gehry wanted to turn BP Hall, where preconcert talks occur, into a small chamber music hall with a suspended balcony. He had plans for reconfiguring the seldom-used small outdoor Keck Amphitheater into an enclosed jazz club for Herbie Hancock and turning the little-used 1st Street entrance into a glass-enclosed bar that would be named the Ernest, in tribute to Ernest Fleischmann, the L.A. Phil executive director who was responsible for building Disney.

Disney was supposed to have a pit for the orchestra, allowing for staging opera and dance. The plans exist. That could be done in a summer for a couple million. Bottom-liners had also nixed Gehry’s original design for a more gracious lobby with a cafe out front, not the gloomy one installed against his will.

The Colburn Center has the potential for being another game changer for the area, a vibrant new hall where we are promised upward of 200 events a year from all walks of musical life, local and international. But Gehry had in mind even more.

He intended to lower the steep and pedestrian unfriendly 2nd Street hill, so that it would be an easy walk from the new Metro station two blocks away, and add two more pedestrian blocks by diverting traffic to the 2nd Street tunnel. This would connect the cultural district with Grand Central Market on one end and the Broad on the other. Then 2nd could itself become a lively street with the stores and restaurants a “district” needs.

The extraordinary original plans for the Colburn Center included turning the parking lot across 2nd from the hall into a public plaza with a giant video wall and high-end outdoor sound system, for projecting nightly concerts in the hall. Gehry was a devoted outdoor-indoor architect, and he designed for the hall a balcony on which musicians can perform.

That initiative has thus far been blocked by City Hall officials, fearful of the tunnel’s aging infrastructure. Although if that’s the case, I’m not all that eager to be in the tunnel as it currently is when the Big One comes along. This is where L.A. shows its moxie. Upgrade the tunnel. Now! If this were Beijing, New Delhi or Hanoi, it would be a no-brainer.

Gehry next proposed building low-cost artist housing in Grand Park directly across from the Music Center, which would further create a true arts community. There has been talk of renovating the Dorothy Chandler Pavilion for three decades and that’s all it’s been. The corporate-esque recent Music Center plaza could use a little excitement, maybe a Phase II.

Arts make a city. The Edinburgh Festival in Scotland was created after World War II to help bring the city back to life. After its fire-bombing, Tokyo founded a bevy of symphony orchestras as a phenomenal experiment in mass antidepression. Beethoven’s Ninth Symphony played no small role in lifting the collective mood, preparing Tokyo to create what now feels like the world’s most arresting capital.

Unlike Scotland, unlike England, unlike Germany, unlike France, unlike Italy, unlike Poland, unlike Russia, unlike Finland, unlike the Czech Republic, unlike China, unlike any number of countries, America has no major international arts festival these days. We had one in L.A. in 1984 with the Olympic Arts Festival. The Cultural Olympiad in 2028 has shown no bones. But if we make the cultural district what it could be, there would be no better place anywhere for a major festival.

We have the goods. L.A. artists helped make the modern Salzburg Festival the meaningful model for all others. In 1992, the summer before Esa-Pekka Salonen became music director of the Los Angeles Philharmonic, he and the orchestra were invited to shake up clinging Austrian tradition. With the help of director Peter Sellars, they staged Messiaen’s epic opera “Saint François d’Assise,” with pyramids of televisions, resulting in music and monitors upending, in Mozart’s hometown, the role of the modern opera and, so to speak, the sound of music.

Over succeeding decades, both Sellars and Salonen have been Salzburg Festival lodestars. Last summer they were back staging two monodramas, Schoenberg’s “Erwartung” and “Abschied” (the last movement of Mahler’s symphonic song cycle “Das Lied von der Erde”). Conductor and director looked with shocking depth into the “Expectation” of death and gave a “Farewell” to the “Song of the Earth” we all await. I saw it twice and can’t imagine how anyone came away from it quite the same person, not more alive, not more fragile. Art on the stage doesn’t get deeper than “One Morning Turns Into an Eternity,” as Sellars named the production. Salonen, who conducted the production with Vienna Philharmonic, is now about to become the L.A. Phil creative director in the fall and will bring the production to Disney with the L.A. Phil next season. It is thus far the most important opera news of next season in America. All the more reason to build that pit in the hall and get started on much bigger plans.

Salzburg, which manages to come up with around $80 million from here and there, also helped with the question I’ve evaded: Who’s going to pay for all this? I’ve evaded it because it’s the wrong question. Money only started pouring into the building of Disney Hall when people got wind of what it was going to become. Five years ago, Crypto.com paid more than $700 million to change the name of Staples Center. That amount, which created nothing but an advertisement for a product of dubious value to society, is the price of two Walt Disney Concert Halls and probably all of Gehry’s projects put together. It is the amount that could fund nearly nine Salzburg-scale festivals.

If we let ourselves believe that L.A. wealth only cares for mega-crypto advertising, mega-mansions and mega-yachts, then L.A. is over. It isn’t. Do we want to show only that to the world? Downtown, and prominently Crypto.com Arena in L.A. Live, have been designated a center for LA28, as we’re calling the Olympics. That makes a graciously glorifying cultural district, which functions as creation being existential not commercial, just up the road from L.A. Live, L.A. live.

When one morning turns into an eternity, you don’t ask for the bill.

There is no such thing as a day of rest for artist Kenny Scharf, not even Sunday. “I wake up super early. It’s still dark outside,” the Los Angeles native says.

Rising before the sun anchors his active day. “I always have to keep moving,” Scharf says. “Otherwise, I’ll get very depressed.”

An avid hiker and swimmer, Scharf, 67, also maintains a disciplined yoga practice and cycles daily from his Culver City home to his Inglewood studio. There almost everything serves as a canvas, including painted trash doubling as decor and the silkscreened couch on which he’s seated.

“I don’t like to waste good paint and silkscreen ink. Why wash it? We apply it everywhere until we use it up,” Scharf says.

Scharf, who grew up in the Valley before making his way to New York City, first gained acclaim in the ‘80s East Village art scene alongside his friends and contemporaries Jean-Michel Basquiat and Keith Haring, his former roommate. The trio also befriended Andy Warhol, who predicted Scharf’s fame.

Renowned for his self-coined “pop surrealism,” Scharf often populates his bold, colorful work with grinning cartoon faces, elastic blobs, and sci-fi creatures floating through cosmic landscapes. Anxieties about overconsumption and environmental degradation lie beneath the playfulness.

Like their creator, Scharf’s works are always on the move, either rolling down the street on the cars he’s painted — featured in his recently published book “Karbombz!” — or traveling to forthcoming exhibitions in Wuhan, Tokyo and Paris.

This interview has been lightly edited and condensed for length and clarity.

5:30 a.m.: Wake up and feed the cats.

My cats, Cutie and Socks — one’s a tabby and the other is a tuxedo cat — wake me up by mewing and walking on me. They’re like, “Hey, I’m hungry.” So I get up and crack open the cans. They like that disgusting, smelly canned food. And then they go out into the yard.

I got the cats because I went to New York for a show. I was gone for five days and I live next to a park, so there are a lot of animals. I came back and my entire house was overrun by mice. I was like, “What the hell am I gonna do? I need cats.” The mice are gone and now I have these cats. They’re so cute and so much fun. They take over my life.

6 a.m.: Detox

I make lemon and hot water. It’s a good way to start the day and clear out the toxins. Right now, I have a lot of citrus because Ed Ruscha’s studio is across the street from my house, and in the back of the studio he has a citrus farm. I go there, especially during this time of year, and get bags of citrus. It’s like a farm community in the middle of L.A. I love L.A. because you can surround yourself with trees and gardens and kind of pretend that you’re not living in a giant metropolitan area.

8:30 a.m.: Iyengar yoga

An Iyengar yoga instructor comes to my house. I find Iyengar is great for aging. You use ropes and gravity to hang and do different things, using your body weight so you can relax into the positions. I also have a swing to go upside down on. When people walk into my living room, they go, “What’s going on here?” because of the ropes on the wall.

In the summer, I’ll go to the beach in Venice and swim in the ocean. It’s wonderful when I’m out in the water. It’s cathartic and cleansing, and sometimes I see dolphins. I’ll go early in the morning before the crowds come.

11:30 a.m.: Mar Vista Farmers’ Market

It’s fun to go there with my daughter Zena, who’s a chef, and my grandkids. We stroll around and get food. All the food stands are delicious. I grew up here in L.A., so I’m into Mexican food. I don’t really want to eat American food. I’m not into hamburgers. I want all the stuff with the culture. I like hot and spicy.

I also buy apples and berries, whatever I can’t grow, because I grow my own food at home.

And I buy stuff from an Indian man who sells Chyawanprash, which is kind of a jam. It’s really concentrated and like an elixir. He also sells Shilajit, which almost looks like tar. You put a little bit under your tongue and it dissolves, and it’s got like every single mineral in it.

2 p.m.: Painting at the studio

I’m painting seven days a week, but I really love coming here on Sundays because nobody’s here and the phone doesn’t ring. Sometimes, my granddaughter, Lua, will come. She paints. Upstairs at the studio I have a little painting area with easels for my grandkids, but my grandson, Jet, isn’t that into painting. I do my work, and Lua’s up there keeping herself busy painting, and it’s great.

5 p.m.: Hike

The easiest one is right behind my house. It goes up to the top of the Baldwin Hills Scenic Overlook where the [Culver City] Stairs go. It’s one of the best views in all of L.A. You can see from the airport to the ocean, downtown, Mount Baldy. You can see almost all the way to Palm Springs, Mount San Gorgonio. The view is amazing.

We also hike a lot in Kenneth Hahn [State Recreation Area].

My grandkids often like to go on a waterfall hike, so there are a couple in Malibu. There are also a couple over in the San Gabriel [Mountains]. We’ll get into the car and drive an hour and hike.

6:30 p.m.: Dinner at a restaurant

Zena, Lua and Jet live close to me, so we have dinner together at least three or four times a week. Because Zena’s a chef, we don’t go out to eat that often, but sometimes we go to a restaurant called Madre that I love. It’s on National [Boulevard]. The food is so good. They often have squash blossoms. They fry them and put a little cheese in them.

I also love Gjelina in Venice. Sometimes I take people from Europe there because it is quintessential California. All the food they make is from the farmers market, so you get a tomato salad with incredible tomatoes.

8 p.m.: Read

I just finished Patti Smith’s latest book, “Bread of Angels.” It’s beautiful. I love her. I saw her perform at Disney Hall recently, and she was selling this book. I actually saw her perform at the Santa Monica Civic [Auditorium] when I was 19. I’d been wanting to move to New York for a lot of reasons, but when I saw her performance, it was, “I’m moving there.” There was so much energy in her.

9 p.m.: Bedtime

Usually I’m in bed by 9 and asleep by 10. When I was young, I was very involved in nightlife. I was working in nightclubs, all of my friends were in nightclubs, so I lived that big time. But now I’m jaded. I don’t want to sound above it all, but I don’t see anything going on that I’m getting excited about the way it was. And I’m not a nostalgic person, so I choose not to go out. I’m happier getting a good night’s sleep.

Sheriff Robert Luna has asked the National Institute of Corrections to examine conditions and practices at Los Angeles County jails, a request made after 10 inmates died in jail custody in less than three months.

The request comes amid growing concern over conditions inside county lockups. In September, California Atty. Gen. Rob Bonta sued the Sheriff’s Department over what he called “unsafe and unconstitutional conditions at county jails.”

Luna has also faced questions from the Sheriff Civilian Oversight Commission over health conditions, health access, drug use, and other factors that have led to in-custody deaths.

Now, the Sheriff’s Department is asking the National Institute of Corrections to conduct a comprehensive review of county jails in an effort to reduce the number of deaths, Luna told The Times.

“I want someone to come in and review from top to bottom,” Luna said.

Specifics on when the review would begin, and what it would entail, have not yet been set, but Luna said the aim is to get an outside, “unbiased view.”

Officials with the National Institute of Corrections referred questions to the federal Bureau of Prisons, its parent agency, which did not respond to a request for comment.

The National Institute of Corrections provides state, local and federal resources and guidance.

The agency, according to its site, provides “on site technical assistance” to jail administrators, and also helps to identify “gaps in policy and practice.”

The review, Luna said, would entail “everything we’re doing from policy, procedure, facilities, to make sure we’re not missing anything,” Luna said.

Inmate deaths have raised concerns among top sheriff officials and agencies charged with overseeing sheriff operations. The department saw 46 in-custody deaths in 2025, a steep increase from the 32 reported in 2024.

In-custody deaths are reviewed by the Office of Inspector General and the U.S. Department of Justice.

Bonta’s lawsuit against the Sheriff’s Department, filed in September 2025, alleged inmates were being “forced to live in filthy cells with broken and overflowing toilets, infestations of rats and roaches, and no clean water for drinking or bathing.”

In a statement, Bonta’s office alleged that a lack of access to healthcare in the jails, and conditions inside, contributed to a “shocking rate of preventable in-custody deaths, such as suicides.”

In a previous interview, Luna referred to the spate of death at the start of the year as a “kick in the groin.”

Efforts to reduce deaths are challenging partly because the inmate population inside the jails has been increasingly older, and ill, Luna said, with many of them suffering from drug addiction or long-term conditions.

About 82% of those in custody disclosed at least one medical or mental health issue when booked, officials said.

According to department data, half of the 46 inmate deaths recorded in 2025 were listed as natural. Autopsy results to determine the causes of death are still pending in this year’s cases.

Luna has pointed to changes that have already been made as efforts to improve conditions, including deploying body-worn cameras at the Inmate Reception Center, Men’s Central Jail and Twin Towers Correctional Facility.

The department has also opened a remodeled mental health assessment area at the Inmate Reception Center, the primary intake and release point for county inmates near Men’s Central Jail.

Most people think you can’t walk without an Achilles tendon. Jo Giese begs to differ, especially since she hikes without one.

The L.A. hiker, journalist and community activist shares her journey of recovery in her new 240-page book, “You’ll Never Walk Alone: A Hiker’s Memoir of Adventure, Tragedy, and Defying the Odds” (Amplify Publishing). Giese outlines how one fall down the stairs led to eight surgeries and a relentless search for answers for how she could return to the trails she loved.

“The reason I wrote the book is to inspire others,” Giese said, “that if you’re given a grim diagnosis — and it certainly doesn’t have to be your left Achilles — you do not have to accept it.”

Like many of us, Giese’s love of the outdoors started early. At age 5, she regularly took walks alone from her family’s home on Lake Washington Boulevard in Seattle. Wearing a frilly pinafore dress and Mary Jane shoes, she’d walk a few blocks to Seward Park, pausing at the playground, where she’d persuade someone to push her on the swing. That wasn’t the main goal of the trip, though.

“There is a path that leads up into the middle of the peninsula in this old growth forest. The canopies of the trees are two and three stories high. You’re just walking in this green wonderland,” Giese said. “And then after I finished walking all the way up as far as I wanted to go, I’d come back, and I’d walk back along [the route] and go home.”

Giese has been a walker and hiker ever since, falling in love with waterfall hikes in particular. Giese and her husband, Ed, split time between their house near L.A. and a home in Bozeman, Mont. They hike in the Santa Monica Mountains when they are home in Southern California, but Giese isn’t picky.

“I mainly hike anywhere I am,” Giese said.

That includes an epic vacation “jumping out of helicopters in New Zealand … in my late 60s,” she said. But neither that adventure nor any other is how Giese got injured.

It was a rainy night in late November in L.A. Giese was upstairs when her friend Lana arrived, and not wanting her friend to get drenched, Giese raced down the stairs to open the front door.

“I miss the bottom two steps, and I literally go flying horizontally,” Giese said. “My husband heard the crash. He came running, and I said, ‘Go let in Lana. She’s getting wet!’”

The trio immediately rushed to a nearby urgent care, where an X-ray showed a complete rupture of Giese’s left Achilles tendon, a thick band of tissue that attaches a person’s calf muscle to their heel bone.

Giese quickly called an orthopedist whom she’d seen for a simple knee procedure. He told her to come to his office the following day at 8 a.m. At the appointment, the doctor said, “‘I can do this. I did [an]

Achilles repair 20 or 30 years ago. I can do this,’” Giese recalled.

In hindsight, it’s clear she should have found someone who’d done an Achilles repair “20 or 30 minutes ago,” she said. But the relief of not having to wait for surgery mixed with the shock of the moment made Giese and her husband impulsive.

“We were so frightened then — I’m in a wheelchair, and I’m all black and blue and bruised. I cannot walk. And there is someone in front of me who says he can do this,” Giese said. “And that should be a lesson to anybody.”

After the surgery to reattach her Achilles, her doctor left for a two-week vacation while Giese was at home recuperating, studiously following the doctor’s after-care guidelines. At her follow-up appointment, the nurse was unwrapping the bandage when the doctor observed, “That’s necrotic.” At the time, Giese didn’t know that word essentially meant “dead.”

The doctor immediately blamed her, saying it was from an ice burn. Both she and her husband knew that wasn’t true. Another doctor would later suggest that the surgeon introduced the infection during that first surgery.

“I don’t think I’d been so scared since my encounter with a bear,” Giese wrote in her book.

Exactly 49 days from her accident, Giese was scheduled for another surgery (with a different doctor) to debride the wound and reattach her Achilles. It was supposed to take several hours. But less than an hour into surgery, her physician told Ed that Giese’s Achilles had died. Soon, he asked Giese if she wanted to see what was left of the largest and strongest tendon in the body.

It looked like “a nasty little caterpillar that had turned fetal, curled in on itself, and died in a sea of black-and-green muck,” Giese wrote.

Next, Giese needed a skin graft to cover the wound from the previous surgeries. After that, she returned to her doctor’s office — 114 days after her accident — where her doctor removed the bandages from that third surgery and suggested something revelatory: that Giese should put her left foot down, putting her whole weight on it.

“My naked left foot — heel and five toes — made intimate contact with a floor, a cold linoleum floor, for the first time since this medical journey had begun four months earlier,” Giese wrote. From here, she walked her first 20 steps.

But recovery would come in fits and spurts. About a month later, Giese wanted to attend a festival while in Austin, Texas, only to find the 10 blocks of booths and vendors too daunting. She went back to the hotel and screamed, “I cannot walk!”

From here, she demanded better care. Giese was tired of hearing medical professionals say they’d never encountered someone without an Achilles. She wanted to find someone who was experienced with complex muscle injuries.

Her search ended 274 days after her accident when she learned about the Center for Restorative Exercise in Northridge. Giese felt dubious about another physical therapist, though. She’d already been to three physical therapy clinics, and “those had been a waste of time, energy and hope,” she wrote. But here, she was met with science and intentionality.

Taylor-Kevin Isaacs, the clinic’s co-founder, told Giese that she had other muscles still intact that could help her walk again, and she luckily hadn’t suffered any nerve damage, Giese wrote in the book. She spent the next 2½ years working with the center’s staff, which included receiving acupuncture, shockwave therapy and scar tissue massage, which was so painful “you could have heard me screaming from where you are,” Giese said.

After she completed care at the center, Isaacs nominated Giese for an award she won — an Oboz Footwear “Local Hero” award in 2024.

On the photo shoot for the award, Giese hiked with a photographer along a trail to Ousel Falls, a 50-foot waterfall in Big Sky, Mont.

It had been five years since her accident, and Giese thought back to a medical appointment in Montana the first summer after her fall. A physical therapist that Giese had been working with for about a month asked her to walk about 50 feet across the room.

“I hate to be a Debbie Downer,” the therapist said, “but you’re going to be compromised for the rest of your life.”

At that point, Giese told me, all she had was hope — that she’d get better, that she’d walk again.

Here at the waterfall, Giese told the photographer they should take the steps down to the splashdown area for a better shot. She was ready, navigating black ice like she’d done many times before the accident.

“My thought was, ‘If only that person could see me now,’” she said. “This person who said, ‘You’re going to be compromised the rest of your life, and you have to accept it.’ I thought, ‘No, I don’t.’”

3 things to do

1. Have a home run of a hike in L.A.
The Dodgers Blue Hiking Crew will host an intermediate hike at 6:30 a.m. Sunday at Griffith Park. Participants are required to wear hiking or trail shoes or boots. The group’s hikes are usually six miles and last about three hours. Register at facebook.com.

2. Clear the trail near Ojai
Los Padres Forest Assn. will host a workday from 8 a.m. to 3 p.m. Saturday along the Potrero John Trail. Volunteers will meet at the Cozy Dell Trailhead before carpooling to the work site. The trail features jagged rock formations, a perennial creek and bigcone Douglas fir. Register at lpforest.salsalabs.org.

3. Wander through nature’s wonders in Whittier
The California Native Plants Society San Gabriel Mountains chapter will host an easy hike from 9 to 11 a.m. Sunday through Sycamore Canyon in the Puente Hills. Cris Sarabia, conservation director for the Palos Verdes Peninsula Land Conservancy, will educate hikers on plants along the trail, both native and nonnative species. Participants should wear long pants to protect against poison oak. Register at eventbrite.com.

The must-read

Perhaps you’re reading this from a dark room, blinds drawn, fan blowing, praying for a return to spring. That’s definitely the scene where I’m writing to you! Whenever L.A. experiences an intense heat wave, I feel a little trapped. That’s why this week I updated our list of the best hikes around L.A. that will offer you shade and, in most cases, streams and rivers where you can cool down.

Please take good care, though. Hike before 11 a.m., stay hydrated and only cross creeks when you feel safe doing so.

Happy adventuring,

P.S.

Our recent weather pattern — heavy rains followed by intense heat waves — has meant wildflower season came earlier than expected in several regions of Southern California. Times contributor Jessie Schiewe outlines in this guide the hiking areas where you’ll most likely find recent blooms. For example, Towsley Canyon in Newhall, an area I have yet to visit, is likely a spot where you’ll find bright orange poppies. Want to learn a quick hack that I use to better ensure I will see blooms? Search iNaturalist, a citizen science app, for the flower you’d like to see, using the filter option to only view posts from the last two weeks. If users have recently posted, for example, about spotting poppies, your chances are higher that you will too. Keep on reading The Wild, and I promise I will keep giving you my secrets of outdoors reporting!

For the Record: Last week’s edition of The Wild said decentralized seed banks would be built by procuring seeds from L.A. County nature centers. A decentralized seed bank will be developed to procure seeds for and by L.A. County nature centers.

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

This year marks a veritable museum-palooza as Los Angeles debuts four new major arts complexes, with three in the wings likely to open in advance of the 2028 Summer Olympics.

Immerse yourself in a psychedelic explosion at Meow Wolf, plan an afternoon liaison with Van Gogh at LACMA’s new David Geffen Galleries, inhale the scent of nature inside Refik Anadol’s AI arts museum, Dataland, or simply geek out over George Lucas’ jaw-dropping collection of “Star Wars” memorabilia.

Whatever your arts craving may be, this astoundingly rich new lineup of new local museums has you covered.

LACMA’s David Geffen Galleries

The Los Angeles County Museum of Art’s David Geffen Galleries are set to debut this April to members, before opening for general admission at the beginning of May. The $720-million Geffen Galleries will display 2,500-3,000 objects from LACMA’s collection.

The building, designed by Pritzker Prize-winning architect Peter Zumthor, is described by supporters as a “concrete sculpture” and will host 90 exhibition galleries across 110,000 square feet. The Wilshire Boulevard museum’s inaugural exhibition will organize artwork by the Pacific, Indian and Atlantic Oceans and the Mediterranean Sea instead of by medium or period.

“The idea is for you to make your own path — not to speak at you, but to let you wander like you would through a park or a place,” LACMA Director and Chief Executive Michael Govan said in an interview with The Times. “That change in attitude, and how the building is built, is really exciting.”

Some of the most-anticipated works on display include Georges de La Tour’s “The Magdalen With the Smoking Flame” (1640), Henri Matisse’s “La Gerbe” (1953) and Vincent Van Gogh’s “Tarascon Stagecoach” (1888).

Lucas Museum of Narrative Art

After more than 10 years of anticipation, George Lucas and Mellody Hobson’s museum will open in Exposition Park this September. With over 10,000 square feet of galleries, the museum will feature a wide array of artwork and pop culture ephemera, including Lucas’ personal trove of “Star Wars” film franchise treasures, “Peanuts” comic strips, “Alice’s Adventures in Wonderland” illustrations, a Richard Sargent painting and covers of the Saturday Evening Post.

Lucas donated his collection to curate the Lucas Archives, which, in addition to “Star Wars,” will encompass props and production art from Lucasfilm projects, such as the “Indiana Jones” franchise.

One of the museum’s defining features is its massive green-roof garden designed by Mia Lehrer and her landscape architecture firm Studio-MLA.

“This brings everything together,” Lehrer said in an interview with The Times. “Design, ecology, storytelling, infrastructure, community. It’s the fullest expression of what landscape can be.”

Meow Wolf

Meow Wolf’s L.A. location will reimagine a ’90s movie theater with its takeover of the Cinemark at West L.A.’s Howard Hughes entertainment complex outside Culver City. Meow Wolf’s sixth permanent exhibition comes on the heels of the immersive art creator’s 52,000-square-foot psychedelic art installation in Las Vegas, which was disguised as a dystopian grocery store called Omega Mart and promptly went viral on TikTok.

Complete with sci-fi elements, a meditative space and a 30-foot-tall mushroom tower, Meow Wolf’s new location will open at the end of 2026. Although organizers have kept much of the exhibition under wraps, visitors can expect to be transfixed by a thoroughly Los Angeles tale.

“It’s cool that we’re creating a story about a pilgrimage, because L.A. is that for so many artists, especially people involved in storytelling,” Shakti Howeth, Meow Wolf‘s creative director, told The Times. “It’s one of those places that’s built on layers and layers of dreams, and we’re really exploring that here. Not only dreams but broken dreams — the compost that can happen when you digest broken dreams.”

Refik Anadol’s Dataland

Opening this spring at the Frank Gehry-designed Grand L.A., Dataland dubs itself the world’s first museum of AI arts. Turkish American artist Refik Anadol designed his own AI model, named the Large Nature Model, which only sources material with permission from original creators, making it what Anadol calls “ethical” AI. Partners include the Smithsonian and the Cornell Lab of Ornithology.

“I’m calling this new art form not AR, not VR, not XR — so we are still finding a name for it. The best name so far, and people love it, is generative reality,” Anadol told The Times.

Dataland will feature five galleries, including the Infinity Room, which Anadol first created in 2014 as a student at UCLA. In another exhibit, he trained an AI model on half a million scents and built a machine to push those scents into the gallery to create a totally immersive viewing experience.

Opening Later

The Armenian American Museum and Cultural Center of California

Slated to complete construction in downtown Glendale in late 2026, the 51,000-square-foot Armenian American Museum has been in the works for more than a decade. With a $67-million budget, the museum will include permanent and temporary exhibitions, as well as an auditorium, learning center, archives collection and a demonstration kitchen.

The museum is an initiative of the Armenian Genocide Centennial Committee Western US, and planning began as the group prepared to mark the the 100th anniversary of the Armenian Genocide in 2015. The museum is adorned with the 36 letters of the Armenian alphabet and a glass hazarashen skylight, inspired by traditional roofs in homes across the Armenian Highlands.

“The Armenian American Museum was once an idea, then a vision, and today is rising before our eyes,” museum Executive Chairman Berdj Karapetian said in a statement. “This progress is the result of an extraordinary collective effort by Armenians and non-Armenians here in California, across the United States and around the world.”

The Samuel Oschin Air and Space Center

A solid opening date has not yet been announced, but the $400-million Samuel Oschin Air and Space Center at the California Science Center in Exposition Park is busily preparing for liftoff. Construction on the building began in 2022. The shiny new building will be home to the Korean Air Aviation Gallery, Kent Kresa Space Gallery and the Samuel Oschin Shuttle Gallery, which will host the Space Shuttle Endeavour.

Endeavour will be displayed in launch position, making it the tallest authentic spacecraft displayed vertically in the world, with a height of 20 stories. One of three surviving space shuttles, Endeavour made 25 successful missions into space.

The center is also expected to have 20 planes and jets, including a Boeing 747, a mock flight deck and a pair of introductory films produced by J.J. Abrams’ company Bad Robot, one of which will end with a simulated launch.

“It is an amazing experience, and we want to really build it up,” Jeffrey N. Rudolph, president and chief executive of the California Science Center, told The Times. “It’s not just about the hardware but about the people and the educational aspects.”

The Broad Expansion

Opening in 2028, the Broad expansion will contain 70% more gallery space, two outdoor courtyards, a live programming space and views of the museum’s art storage vault. First announced in 2024, the $100-million addition is slated for completion before the 2028 Summer Olympics.

Located in downtown L.A., the expansion was deemed necessary after the museum significantly exceeded visitor projections. The new building will invert the existing Broad museum’s architectural design, with a smooth, gray structure attached to the original construction.

“The idea is that it adds new facets to the visitor’s journey through the expanded Broad,” said Joanne Heyler, founding director and president of the Broad, in an interview with The Times. “In a way, the existing building is always sort of talking to you. And there will be a similar thing happening with the expansion, but just a slightly different conversation, like you’re listening to its sibling.”

The line at Holbox during the midweek lunch hour has become a cultural sensation, a queue of locals and visitors trailing past the automatic doors and around the parking lot like devotees angling for the latest iPhone series or limited-release sneakers. Believe the lauds, including ours when we named Holbox as The Times’ 2023 Restaurant of the Year. Gilberto Cetina’s command of mariscos is unmatched in Southern California – his ceviches, aguachiles and tostadas revolutionary in their freshness and jigsaw-intricate flavors. The smoked kanpachi taco alone — clinched with queso Chihuahua and finished with salsa cruda, avocado and drizzles of peanut salsa macha — is one of the most sophisticated things to eat in Los Angeles.

Holbox could be considered for the top ranking on its own strength. But in a year when disasters tore at our city, honoring the power of community feels more urgent than ever. Cetina’s seafood counter doesn’t thrive in a vacuum. Holbox resides inside the Mercado La Paloma in South L.A. The mercado is the economic-development arm of the Esperanza Community Housing Corp., a nonprofit organization founded in 1989 that counts affordable housing and equitable healthcare among its core missions. When the mercado was in the incubation stage, Esperanza’s executive director Nancy Ibrahim interviewed would-be restaurateurs about their challenges and hopes in starting a business. Among the candidates was Cetina’s father, Gilberto Sr., who proposed a stall serving his family’s regionally specific dishes from the Yucatán. Their venture, Chichén Itzá, was among the eight startups when the mercado opened in a former garment factory nearly 25 years ago, in February 2001.

Step into the 35,000-square-foot market today, and the smell of corn warms the senses. Fátima Juárez chose masa as her medium when she began working with Cetina at Holbox in 2017. Komal, the venue she opened last year with her husband, Conrado Rivera, is the only molino in L.A. grinding and nixtamalizing heirloom corn varieties daily. Among her deceptively spare menu of mostly quesadillas and tacos, start with the extraordinary quesadilla de flor de calabaza, a creased blue corn tortilla, bound by melted quesillo, arrayed with squash blossoms radiating like sunbeams.

Wander farther, past the communal sea of tiled tables between Holbox and Komal, to find jewels that first-timers or even regular visitors might overlook.

Taqueria Vista Hermosa, run by Raul Morales and his family, is the other remaining original tenant. Order an al pastor taco, or Morales’ specialty of Michoacan-style fish empapelado smothered in vegetables and wrapped in banana leaf. The lush, orange-scented cochinita pibil is the obvious choice next door at still-flourishing Chichén Itzá, but don’t overlook crackling kibi and the brunchy huevos motuleños over ham and black bean puree. The weekends-only tacos de barbacoa de chivo are our favorites at the stand called Oaxacalifornia, though we swing through any time for the piloncillo-sweetened café de olla and a scoop of smoked milk ice cream from its sibling juice and snack bar in the market’s center. Looking for the comfort of noodles? Try the pad see ew at Thai Corner Food Express in the far back.

The everyday and the exquisite; the fast and the formal (just try to score a reservation for Holbox’s twice-a-week tasting menu); a food hall and sanctuary for us all. Mercado La Paloma embodies the Los Angeles we love.

Anxieties due to war. A culture inhospitable to LGBTQ+ communities. And an underpinning of loneliness and suppressed yearning.

The play “5 Lesbians Eating a Quiche” is set in 1956, but its themes resonate in 2026. The United States is at war. Attacks on gay marriage and other LGBTQ+ rights remain a cornerstone of today’s conservative movement. A reimagining of the 2011 production, one popular with universities and fringe festivals, seeks to further modernize the show in which a morning gathering quickly turns into a stay in a Cold War-era bomb shelter after near nuclear annihilation.

When I arrived at the back room of a Glendale church, I was given a new name. It was clear that “Todd” was not welcome here. “Joan” turned out to be a suitable replacement, and I was immediately asked how my life had been since my husband had died. For on this night I would no longer be occupying the role of a straight white male. Every audience member is asked to take on the persona of a widow, for losing a husband appeared to be a perquisite to enter this meeting of the Susan B. Anthony Society for the Sisters of Gertude Stein.

How did he die, I was asked. “Ski accident,” I blurted out. “Yours?” A camping travesty that led to a bear mauling, I was told. Ad-libbing, in addition to quiche, was on the menu tonight. Metaphors, absurdities and seriousness intermingle in this production from New Forms LA and directed by Marissa Pattullo.

Pattullo’s vision for “5 Lesbians Eating a Quiche” ramps up the interactivity, seeking to transform a largely traditional proscenium show, albeit one with a few moments of fourth-wall breaking, into one that is centered around audience participation. Staged in a flex space without a tinge of irony at the Glendale Church of the Brethren, “5 Lesbians,” written by Evan Linder and Andrew Hobgood, has been reconstructed as a largely immersive production, that is one that asks audiences to lean in and interact.

While there is a small stage, it is used sparingly. The five-person cast roams the room, sitting at various circular tables to blur the lines between script and improvisation. Typically a svelte 75-minute show, on the night I saw the production it swelled to about two hours, allowing time for drinks, mingling and, of course, the eating of a quiche. Pattullo has added an intermission, with quiches courtesy of Kitchen Mouse and Just What I Kneaded included in the ticket.

For quiche, I was told often, was the primary topic of conversation at the Easter-timed meeting, so much so that it was clear within moments that this was a gathering not of breakfast enthusiasts but of the repressed. The hidden meaning is no secret; it’s in the title of the play.

“It’s a giant metaphor,” Pattullo, 30, says. The show, she adds, “keeps finding ways to make sense with the times, whether it’s Trump being elected, or we’re at war. Or gay marriage. All of those things. A bomb going off and being trapped inside. It speaks to whoever is watching it.”

Pattullo, who splits time building New Forms LA and serving tables at Los Feliz’s Little Dom’s, first discovered the show while in college in the Midwest. It immediately resonated, and Pattullo has been tinkering with ways to perform it live ever since. During the worst of the COVID-19 pandemic, she staged an online version of the show, and debuted it as an immersive production last winter. It’s back for two weekends this month.

“5 Lesbians” makes a relatively smooth transition to the immersive format. Perhaps that’s because the audience, in the script, is cast as attendees of the Susan B. Anthony Society for the Sisters of Gertude Stein’s brunch meeting, whose motto is “no men, no meat, all manners.” For about the first 30 minutes of the show we largely interact with the actors. Dale Prist (Nicole Ohara) has hidden ambitions. Vern Schultz (Chandler Cummings) seems ready for the group to cut its charade. Lulie Stanwyck (Noelle Urbano) is fighting so hard to stay prim and proper that she feels on the verge of bursting.

“I really like to play,” Pattullo says, referencing how “5 Lesbians” lends itself to improvisation. “Some of the girls I think are very ‘stick to the script.’ I’m like, ‘Stray from the script.’ If people come in late, call them out. If people are talking, call them out. You can adjust and improvise in immersive theater. Having a script but being able to break from it, is really fun for me. It tickles me.”

There’s an underlying tension in the show because it walks a line between silliness and graveness. Ultimately, “5 Lesbians” is about finding joy in dark times, and moments inspire uncomfortable laughter, such as jokes about gay marriage being legal in four years’ time (1960) or Ginny Cadbury (Jessica Damouni) devouring a quiche in a way that leaves nothing to the imagination. But it’s also a show about how stressful moments can bring about vulnerability and community, as the whole church practically exhaled when Wren Robbin (Emily Yetter) finally let her hair down and expressed who she truly was.

“Even when we did it back when I was in college, Trump had just won, so it just feels like it’s keeping relevant,” Pattullo says. The timeliness, she says, makes it such an amusing play to perform.

Pattullo will sometimes, depending on cast availability, take on a role in the show. It’s a chance, she says, to amplify the play’s wackiness, which she believes helps puts audiences at ease and makes its difficult subject matter easier to digest. She tries to create the most outlandish tale possible for when relaying to guests one on one how her husband perished.

“My story was a raccoon attack,” she says. “Because my husband thought the raccoon was behaving with foreign intent, like the raccoon was a spy or something. It was just stupid.”

Or it was evidence of how immersive theater can delight when it deviates from the script.

Former L.A. mayor and current candidate for governor Antonio Villaraigosa wants voters to know that he navigated billion-dollar budgets, cracked down on violent crime and championed the expansion of bus and rail lines.

The onetime state Assembly speaker argues he’s the only Democratic candidate with the experience to do the complicated job of running California.

But Villaraigosa left City Hall in 2013 — eons ago in the world of politics. President Obama was still in office, singer Robin Thicke’s “Blurred Lines” was atop the charts and Apple Watches weren’t yet a thing.

Because of his distance from elected office, combined with a decent but overshadowed fundraising effort, Villaraigosa lacks a high-profile platform to attract attention in today’s fractured media universe, an essential ingredient he needs to remind voters about his experience and accomplishments as mayor and a state lawmaker.

Recent polls show Villaraigosa, 73, wallowing at the bottom of the field, though none of the major Democratic candidates have an overwhelming edge.

Villaraigosa also ran for governor in 2018, coming in third in the primary election behind Democratic rival Gavin Newsom, who went on to win and is now serving his second term, and little-known Republican businessman John Cox.

Political strategist Mike Madrid, who worked for Villaraigosa on that campaign, said the former mayor’s absence from politics in recent years is a major liability in this race.

“He’s a dogged, determined candidate,” Madrid said. “But there are pretty stiff headwinds.”

Villaraigosa got a boost last week when the State Building and Construction Trades Council of California pledged $1 million to an outside committee supporting him.

His allies argue voters aren’t paying attention to the governor’s race because eyes are on President Trump, immigration raids and the Iran war.

But the new funding is a pittance compared to some of his rivals. Billionaire Tom Steyer is tapping tens of millions of his own money to pump out ads. Tech companies and billionaire Rick Caruso are supporting Matt Mahan, the mayor of San José, with millions.

Another contender, Rep. Eric Swalwell (D-Dublin), has the power of incumbency. Swalwell launched his campaign on “Jimmy Kimmel Live!” and is a regular on cable news shows, while former Orange County Rep. Katie Porter, who is also running, recently served in Congress and campaigned for the U.S. Senate two years ago.

With the June primary looming, Villaraigosa’s campaign risks sputtering out.

Leaving a Compton church earlier this month, he reacted to Mahan’s support from technology companies, and the billionaire money in the race.

“When you have overwhelming sums of money influencing elections, there’s a great deal of concern for those of us who care about our democracy,” said Villaraigosa. “As much as they say it’s about free speech, it actually drowns out speech.”

(During his 2018 bid for governor, though, Villaraigosa was a major beneficiary of Californians using their wealth to wield political influence. Charter school backers, including Netflix co-founder Reed Hastings and philanthropist Eli Broad, spent around $23 million on efforts to boost his campaign. )

Earlier in the morning, he rallied runners at a 10K road race in L.A.’s Chinatown, lighting firecrackers, posing for photos and looking as energetic as when he was mayor and would dart into the street to personally fill potholes.

Villaraigosa flitted around the racers’ VIP tent, spotted a bowl of fortune cookies and made a beeline. “You have an active mind and a keen imagination,” he read aloud.

“Antonio V.!” a middle-aged man called out as the former mayor passed.

Minutes later, Villaraigosa swapped his black and white Veja sneakers and jeans for dress shoes and a suit for the church service in Compton, at which an overwhelmingly Black audience gave him a warm reception.

Building a coalition of Black and Latino voters helped him win the 2005 L.A. mayor’s race in a dramatic upset of then-Mayor Jim Hahn, and brought wide attention to the one-time high school dropout, who was raised by a single mother on Los Angeles’ eastside.

Newsweek magazine featured Villaraigosa on its cover with the headline, “Latino Power: L.A.’s New Mayor and How Hispanics will change American Politics.”

But national acclaim can be fleeting. Today, voters aren’t as interested in identity-based politics, said Fernando Guerra, a professor of political science at Loyola Marymount University who has known Villaraigosa for decades.

Guerra said Villaraigosa is struggling to differentiate himself in the race because his pitch to voters is not unlike the moderate path taken by Mahan. Another contender, former Health and Human Services Secretary Xavier Becerra, overlaps with Villaraigosa when it comes to biographical details: Both are from the L.A. area, Latino and relatively close in age.

“What’s made it so difficult is that [Villaraigosa said], ‘Here’s my path,’” said Guerra. “Well, guess what, there are one to two more candidates who are also on that path.”

Strategist Madrid questioned whether voters even want to hear about a candidate’s experience at a time when anti-Trump messages rally Californians. “They want a fighter,” he said.

Since leaving the mayor’s office, Villaraigosa has enjoyed success in the lucrative private sector. He purchased a $3.3 million home in the L.A. neighborhood of Beverly Hills Post Office in 2020. . A recent campaign filing shows he’s spent the last few years advising companies including the health company AltaMed, financial lender Change Company and crypto currency exchange Coinbase Global.

He also worked for a few years for consulting firm Actum and briefly advised the Newsom administration on infrastructure projects.

“It’s not that I didn’t like the public sector,” said Villaraigosa, explaining his decision to run again. As he talked about his desire to serve, he cast a gauzy image of the aughts in Los Angeles, taking credit for the downtown resurgence, skyline full of construction cranes and fewer homeless people on the streets during that period.

“Most people look back on those years and say they were some of the best years we’ve had in the last 25 — at least,” said Villaraigosa.

Stuart Waldman, president of the business group Valley Industry and Commerce Assn., argues Villaraigosa’s experience in the private sector and distance from elected office is a good thing.

“Look at what the economy was like, look at what the city was like” under Villaraigosa, said Waldman. “That’s what he’s going to be judged on.”

Villaraigosa started his career working for labor and civil rights groups before entering politics. Elected to the state Assembly in 1994, he pushed legislation that banned assault weapons and created healthcare coverage for children. His outgoing personality established him as a coveted fundraiser for Democrats in Sacramento and paved the way for him to be chosen as Assembly speaker.

As L.A. mayor, he brought down gang crime through a program that used former gang members to broker truces. Voters backed his ballot measure to expand L.A.’s transit system through new sales tax money in the middle of the Great Recession. He drove down pension costs after a bruising battle with city unions. At the same time, he established himself as a national leader on climate issues and education.

His reputation took a hit after an affair with a television reporter led to the breakup of his marriage.

The media scene that covered Villaraigosa back then is vastly diminished, with young people now getting news from TikTok videos, message boards or Instagram posts.

Weighing in on recent TV news layoffs in Los Angeles, Villaraigosa called himself “lucky” that there were plenty of newspaper and television reporters covering him as mayor, recalling that he’d get a dozen cameras to his press conferences.

Asked to compare his 2018 campaign for governor with this one, he said, “I didn’t have to reintroduce myself last time in quite the way I’ve had to this time.”

Villaraigosa spent a significant time in Mexico in recent years to see his now ex-wife Patricia Govea, a clothing designer. “She was in Mexico 80% of the time, the last six years. So I` went to Mexico a lot.” The pair’s divorce was finalized last year.

During a debate in front of Jewish voters on L.A.’s westside last month, Villaraigosa appeared to seize on the fact that he was the sole Angeleno on the stage, introducing himself by saying, “It’s good to be home.”

He told the crowd about his work as president of the American Civil Liberties Union of Southern California and criticized UCLA — his alma matter — for its handling of incidents targeting Jewish students on its campus.

It remains to be seen if he’ll have a hometown advantage. In the 2018 race for governor, Newsom won more votes than Villaraigosa in Los Angeles County. While Villaraigosa did well in Latino communities in central L.A. and on the Eastside, Newsom captured more votes in wealthier, whiter areas.

But at the Compton church, a security guard approached Villaraigosa and told him she’d worked on his 2005 campaign, while others promised to vote for him.

“I know he has a track record,” said Valerie Bland, a 63-year-old former port worker from Long Beach, as she watched Villaraigosa work the pews. “I haven’t even looked at anyone else.”

Former Assembly speaker Fabian Núñez, a longtime friend of Villaraigosa and managing partner at Actum, hopes voters dig into Villaraigosa’s record.

“We have short-term memories in this country,” said Núñez.

All the predictions, drama and pageantry of Hollywood’s biggest night will play out at the Dolby Theatre this afternoon as the 98th Academy Awards get underway.

How many awards will “Sinners,” directed by Ryan Coogler, win from its record-setting 16 nominations? And will Coogler win best director? Our critic says, “no.”

Tonight is also a big evening for our entertainment team, which has been producing features, previews, explainers, predictions and so much more.

Let’s jump into some of that work.

How and when to watch

My colleague Katie Simons provided some show basics, like it’s 4 p.m. Pacific start time.

The 2026 Oscars will air on ABC, and those with cable subscriptions can also watch by logging into the ABC app or abc.com.

The telecast will also stream live on Hulu, YouTubeTV, AT&T TV and FuboTV. Internationally, the ceremony will be broadcast in more than 200 territories. You can check your local listings here.

When the red carpet viewing gets underway

“Chicken Shop Date” host Amelia Dimoldenberg will return, for a third-straight year, as social media ambassador and correspondent for the official red carpet, which will kick off at 3:30 p.m. on ABC and Hulu.

For extended coverage, E! will begin its red carpet broadcast at 1 p.m. ABC’s coverage begins at 12:30 p.m., followed by “The Oscars Red Carpet Show,” hosted by Tamron Hall and Jesse Palmer.

“Sinners” is picking up steam heading into the show

My colleague Greg Braxton wrote about how award prognosticators believe Sinners gained positive press after its stars — Delroy Lindo and Michael B. Jordan — were called a racial slur at the BAFTAs.

Jordan’s and Lindo’s handling of the BAFTA incident, along with warmly received victories for the “Sinners” cast at the Actor Awards on March 1, has given the Warner Bros. release unexpected momentum leading up to Sunday’s Oscars ceremony.

Although it received a record-breaking 16 nominations, the film has been largely overshadowed through much of awards season by Paul Thomas Anderson’s political thriller “One Battle After Another.”

And Timothée Chalamet of “Marty Supreme” had been considered for months as an almost-certain lock for lead actor. But the events in past weeks have seemingly positioned “Sinners” for upset wins in the picture race and lead actor for Jordan.

Who’s going to win?

Our critic Amy Nicholson and our expert Glenn Whipp believe they know the winners and the snubs.

Nicholson believes “Sinners” should win for best picture.

Nicholson wrote that the Jim Crow-era murder musical is the best kind of smart filmmaking, a barn-burner about religion and art and race that ditches the speeches for scenes of action and romance.

Every character — from Miles Caton’s rebellious guitarist and Jack O’Connell’s lilting vampire to Wunmi Mosaku’s soulful witch and Michael B. Jordan’s bootlegging twins Smoke and Stack — has been scarred by life in 1930s Mississippi.

She also said the film “Eddington” should’ve been a contender (perhaps a nod to “On the Waterfront”). Ari Aster’s merciless black comedy drags us back to May 2020 when tempers, temperatures and misinformation were heating up across America.

Dueling civic leaders Sheriff Joe (Joaquin Phoenix) and Mayor Ted (Pedro Pascal) agree that COVID has yet to arrive in their New Mexican hamlet.

Whipp wrote that “One Battle After Another” vs. “Sinners” is very much a 1A/1B situation, with Anderson’s epic having the slight edge.

But with the Oscars, quality is often secondary to an awards narrative. Both movies have cultural relevance.

Both won critical acclaim and, to a degree, commercial success. (Though “One Battle” wasn’t the blockbuster “Sinners” was, it still grossed more than any other movie in Anderson’s career.) “Sinners” scored 16 Oscar nominations, the most in history; “One Battle” was close behind with 13.

There’s much more to read in the above links. Enjoy them and the Oscars.

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When I think of the solidarity of musicians, I recall an iconic scene from the film “Titanic.”

It’s the one where a quartet plays “Nearer, My God, to Thee” as the great, “unsinkable” ship sinks into the North Atlantic Ocean.

They attempted to offer calm amid a sea of panic as passengers and crew feverishly boarded lifeboats. The events were based on a true story and historians note that the body of the Titanic band leader Wallace Hartley was found floating in the ocean “with his music case strapped to it.”

Even in tragedy, we seek music to bring us solace.

Much closer to home, musicians from Pacific Palisades, Altadena and other affected areas have been challenged to keep the music going after losing instruments, studio equipment and business along with their homes in the January 2025 fires that claimed the lives of 31 people.

One organization, Altadena Musicians, launched the app Instrumental Giving to connect donors who can spare an old piano or a gently used cello with those who lost similar instruments.

KC Mancebo, an Altadena Musicians advisor, spoke with The Times about the group’s mission and success.

The campaign’s genesis

It started with composers Brandon Jay and his wife, Gwendolyn Sanford, who saw their Altadena home, music studio and several instruments destroyed by the Eaton fire.

Shortly after the fire, Jay posted about the lost equipment and what each piece meant to his family.

He said the response from that post — hundreds of people offering their instruments and other types of aid — left him “overwhelmed and gobsmacked.”

He called friends and helpers from throughout the music industry, including Mancebo, chief executive of the event production and talent booking agency Clamorhouse, hoping to offer to others the same help he received.

Mancebo had been helping homeowners navigate fire insurance paperwork and processes.

“Brandon Jay asked, ‘Why don’t we start gathering instruments for our friends,” Mancebo said. “We had 25 friends in the Palisades and 15 friends in the Eaton fire that lost everything, so we and others got involved.”

How’s it going so far?

The organization has passed out around 3,500 instruments to 1,200 families since the first donations in late January 2025, Mancebo said.

The donations range from ukuleles to Steinway & Sons pianos.

“We’re providing instruments to anyone from children who lost their first instruments to people who lost their entire studio,” she said. “The need is great.”

The gifts have come from individual donors and corporate benefactors such as JBL, which has provided speakers and equipment, as well as guitar makers Fender and Gibson, among others.

Rebuilding from the ashes

Mancebo lost her Westside home eight years ago because of a defective dryer that caught fire, she said.

“I went through the whole process of insurance, permitting and rebuilding and we didn’t have FEMA or anyone to help,” she said. “I want to provide that help to those in a similar situation.”

Mancebo said it took eight years to recover and rebuild her home.

“No one is fine after the first year,” she said. “Everyone needs help.”

One person’s goodbye is another’s hello

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, loved her Kawai upright piano she purchased through a PennySaver ad in 2000.

“It was a deal for the starving artist,” she said. “I paid so little and I always considered it a gift.”

Since then, Engelhardt said she has written all of her music on that piano. She didn’t, however, play it while recording her Grammy-nominated vocal group, the Bobs.

Still, she donated her piano this week to a woman who lost her home. The instrument would not be making the permanent move with Engelhardt back to New York, where her playwriting services are in demand.

“I did get emotional about it, but it’s OK,” Engelhardt said. “It’s comforting knowing that someone else will love it and create their own memories.”

Those interested in donating can check out https://altadenamusicians.org.

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How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser and Melissa Gomez, giving you the latest on city and county government.

Former Deputy City Atty. Michelle McGinnis wants to know why she was escorted out of City Hall in front of her colleagues, forced to turn in her work computer and placed on administrative leave in April 2024.

In her search for answers, a separate issue has arisen: whether her former boss is withholding or deleting text messages.

In a lawsuit against the city, McGinnis subpoenaed text messages about her between City Atty. Hydee Feldstein Soto and one of her top deputies, Denise Mills.

But according to a new petition that McGinnis filed in Los Angeles County Superior Court, Feldstein Soto produced zero text messages between her and Mills, and Mills produced just three with Feldstein Soto. The subpoena also asked for messages on Signal and other apps.

McGinnis’ lawyer, Caleb Mason, said the lack of texts strains credulity and probably means that some were deleted or withheld. McGinnis, who headed the criminal branch of the City Attorney’s Office, was fired in January 2025.

“It is obviously relevant and critical … to see what Ms. Feldstein [Soto] and Ms. Mills were saying to one another about Ms. McGinnis … that led to the extraordinary and unprecedented action of escorting a Branch Chief out of the building,” Mason wrote in a Feb. 23 brief.

A deputy city attorney representing Feldstein Soto and Mills disputed Mason’s claims in court filings, calling the new petition “uncomprehensible [sic]” and asserting that the two officials complied with the subpoenas. The attorney also sent 2,061 pages of documents to Mason.

Feldstein Soto, in a declaration, said that she “diligently searched for any documents” and shared them with her lawyer.

Mills said she did the same. In an effort to “retrieve any backup text messages,” she performed a factory reset of her phone on Jan. 30. McGinnis said the subpoenas were served on Dec. 15.

McGinnis’ lawyer said that was tantamount to spoliation — or destruction of evidence.

“Every court and every attorney in the country knows that ‘performing a factory reset’ means erasing information from a phone,” he wrote.

“It is reckless or negligent to reset a device when you know the opposing party is seeking that info,” said Laurie Levenson, a professor of law at Loyola Law School.

Still, Levenson said, politicians and lawyers often prefer speaking in person or on the phone to avoid their communications being exposed in a lawsuit. So it’s possible that the two didn’t exchange many text messages.

Feldstein Soto said in a statement that she has turned over all text messages about McGinnis. “There is nothing new here,” she said. “Ms. McGinnis was terminated, for cause. We remain confident in that decision.”

The city has argued that McGinnis “routinely opposed” Feldstein Soto’s policy and prosecutorial decisions.

McGinnis was placed on administrative leave due to a “pattern of insubordination and failure to meet minimal job requirements,” the city wrote in a legal filing in 2024.

The lawsuit that McGinnis filed against the city in 2024 alleged that Feldstein Soto retaliated against McGinnis and made prosecutorial decisions based on “personal relationships” or “perceived political gain.” The lawsuit also accused Feldstein Soto and Mills of “inappropriate alcohol consumption” in the office.

Other local politicians have also coughed up remarkably few text messages in response to public records requests.

Mayor Karen Bass came under scrutiny following the Palisades fire over the fact that her text messages auto-delete after 30 days, destroying potentially critical information about her decisions surrounding the devastating blaze. The Times sued the city after Bass’ counsel argued that her texts were “ephemeral” and not subject to public records requests. L.A. County Supervisor Kathryn Barger also said she auto-deletes messages after 30 days — and sometimes manually deletes them.

City Council President Marqueece Harris Dawson, meanwhile, turned over zero texts, emails, Signal and WhatsApp messages in response to a Times public records request for his communications with Bass from Jan. 6 to Jan. 16, 2025 — before, during and after the Palisades fire.

Harris-Dawson’s office said it had “conducted a search and found no responsive records for this request.”

State of play

— IDK, VOTERS SAY: A majority of Angelenos have not made up their minds about the June 2 mayoral primary, according to a poll released this week. Bass had the most support at 20%, while reality TV star Spencer Pratt had 10% and Councilmember Nithya Raman had 9%, the poll found.

— HOMELESS DEATHS DROP: For the first time in the decade that homeless mortality has been tracked in Los Angeles County, fewer people have died on the streets and in shelters than the year before, the Department of Public Health reported Tuesday. A sharp decrease in overdose deaths drove a decline of 10% in the rate of homeless deaths from all causes in 2024, the most recent data analyzed by the county.

— LAST-MINUTE MEMO: The City Council was set to vote on a $177-million contract for the Legal Aid Foundation of Los Angeles to continue representing tenants for the next three years, with other groups providing related services. But the night before the March 3 vote, Feldstein Soto sent a confidential memo to council offices recommending that council members “reconsider the award of such a large contract to a frequent litigant against the city.”

The council approved the contract, with changes, a week later.

— CAMPAIGN REVELATION: Community organizer Jordan Rivers, who is running against incumbent Tim McOsker to represent Council District 15, said he will continue his campaign after a report surfaced that he stabbed a neighbor when he was 12. Rivers, now 22, stabbed the 8-year-old boy in the neck and shoulders, inflicting “severe and life threatening physical and emotional injuries,” a lawsuit said. On Monday, Rivers said it was an “accident” that happened a decade ago.

“I do not believe that past situations or indeed past mistakes define or determine who a person is or what they are,” he said.

— LAPD REFORMS: A series of proposed changes to the city’s charter — essentially its constitution — could give elected leaders in Los Angeles more oversight over the Police Department and enable the police chief to fire problem officers. The changes, recommended by the city’s Charter Reform Commission, have long been sought by advocates and are likely to face fierce opposition.

— SUPE SPEAKS: Embattled Los Angeles schools chief Alberto Carvalho made his first public statement since the FBI raided his home and district office on Feb. 25. He denied any wrongdoing and asked to return to his duties.

“While the government’s investigation remains ongoing, no evidence has been presented by prosecutors supporting any allegation that Mr. Carvalho violated federal law,” the statement said.

— A WEEK OF WIPEOUTS: With city officials finalizing the list of candidates for the June 2 election, a number of hopefuls failed to gather enough signatures to qualify for the ballot. They include community leader Eddie Ha, publicist Dory Frank and entrepreneur Jeremy Wineberg on the Westside; residential connectivity specialist Rosa Requeno on the Eastside; neighborhood council member Jon Rawlings in the San Fernando Valley; and neighborhood council president Adriana Cabrera, civil rights attorney Chris Martin and social worker Michelle Washington in South L.A.

— REWORKING ULA (TAKE 3): The City Council voted Wednesday to create an ad hoc committee to look at potential changes to Measure ULA, the tax on high-end property sales passed in 2022. City leaders have made two previous moves to rewrite the measure, neither of which succeeded.

— VOTING OLYMPIC VALUES: The council voted Friday to “express concern” about LA28 Olympics committee chairman Casey Wasserman, saying his appearance in the Epstein files poses a “potential conflict” with the values of the Olympic movement. Several elected officials at City Hall, including Bass, had already called for Wasserman to step down.

— MEETING OF MAYORS: On Friday, about 20 mayors and city council members from across L.A. County, including Bass, came together to discuss the impact that immigration raids have had on their communities. Many raised concerns about the role of local law enforcement in allowing federal agents to act with what they described as impunity.

One mayor suggested that all the cities that contract with the L.A. County Sheriff’s Department should get together to demand accountability for deputies in their interactions with immigration agents.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program went to Washington and Lincoln boulevards in Councilmember Traci Park‘s district, bringing more than 20 people inside, according to a mayoral spokesperson.
• On the docket next week: The Los Angeles chapter of the Democratic Socialists of America will meet on Saturday, March 21, at Immanuel Presbyterian in Koreatown. Members are expected to vote on whether to make an endorsement in the mayoral primary.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

The list of candidates running for Los Angeles city and school board offices is set, with a number of incumbents facing what could be competitive primary elections on June 2.

Fourteen Angelenos have qualified to run for mayor, including incumbent Karen Bass, City Councilmember Nithya Raman and former reality TV star Spencer Pratt.

Seven City Council incumbents face at least one challenger, while Councilmember Monica Rodriguez is running unopposed to represent her northeast San Fernando Valley district.

City Atty. Hydee Feldstein Soto is running against three opponents — deputy attorney general Marissa Roy, human rights attorney Aida Ashouri and Deputy Dist. Atty. John McKinney.

In the race for city controller, incumbent Kenneth Mejia will battle it out against Zach Sokoloff, who is on sabbatical from his job as senior vice president of asset management at Hackman Capital Partners.

For the last week and a half, workers at the City Clerk’s Office have been verifying the legitimacy of voter signatures submitted by the candidates, finishing the last batch on Friday.

Gathering the required 500 signatures is relatively easy in citywide races but harder in council and school board districts. Some candidates who submitted petitions by the March 4 deadline failed to qualify because some of their signatures were deemed invalid.

In each race, if no candidate gets more than 50% of the vote in June, the top two finishers will compete in a November runoff.

The field of 14 for mayor narrowed significantly from the roughly 40 who filed initial paperwork on Feb. 7. The qualifiers include a game streamer, a singer-songwriter and a tech entrepreneur, as well as government veterans like Asaad Alnajjar, a longtime engineer for the city. Rae Huang, a pastor and housing advocate, will also appear on the ballot.

Raman, a former Bass ally, shook up the race with her surprise entry, hours before the filing deadline.

A recent poll found that about 51% of Los Angeles voters are undecided on who they want for mayor. Bass led at 20%, followed by Pratt at just over 10% and Raman at slightly more than 9%, according to the Emerson College Polling/Inside California Politics poll.

Tech entrepreneur Adam Miller was supported by just over 4% of those polled, with Huang at about 3%.

In District 1, which stretches from Glassell Park and Highland Park to Chinatown and Pico Union, four challengers are looking to unseat City Councilmember Eunisses Hernandez. They are Maria Lou Calanche, a former Los Angeles Police Commissioner and founder of the nonprofit Legacy LA; Nelson Grande, an executive consultant and former president of Avenida Entertainment Group; Raul Claros, founder of CD1 Coalition, which organizes cleanup days; and Sylvia Robledo, a small-business owner and former council aide.

Councilmember Bob Blumenfield is terming out in District 3, leaving the race to represent the southwestern San Fernando Valley open to a newcomer. The three candidates are Timothy K. Gaspar, who founded a private insurance company; Barri Worth Girvan, a director of community affairs for an L.A. County supervisor; and Christopher Robert “C.R.” Celona, a tech entrepreneur.

In District 5, which includes Bel-Air, Westwood, Hancock Park and other West L.A. communities, Councilmember Katy Yaroslavsky faces two challengers: tenants rights attorney Henry Mantel and accountant Morgan Oyler.

With Councilmember Curren Price terming out in District 9, six candidates are vying to represent parts of downtown and South L.A. They are Jose Ugarte, who was formerly Price’s deputy chief of staff; Estuardo Mazariegos, a lead organizer at the Alliance of Californians for Community Empowerment; nonprofit director Elmer Roldan; entrepreneur Jorge Nuño; professor and therapist Martha Sánchez; and educator Jorge Hernandez Rosas.

Councilmember Traci Park, who represents the Westside communities of District 11, including Brentwood, Pacific Palisades and Venice, will face off against civil rights attorney Faizah Malik.

In District 13, which includes Hollywood and East Hollywood as well as parts of Silver Lake, Echo Park and Westlake, Councilmember Hugo Soto-Martínez is defending his seat against three challengers. They are Colter Carlisle, vice president of the East Hollywood Neighborhood Council; Dylan Kendall, an entrepreneur and founder of Grow Hollywood; and Rich Sarian, vice president of strategic initiatives for the Social District.

And in District 15, which includes San Pedro and other harbor-area communities as well as Watts, Councilmember Tim McOsker is running against community organizer Jordan Rivers, who is continuing his campaign after reports that he stabbed a neighbor when he was 12. Rivers said it was an “accident” that happened a decade ago.

Three seats are open on the Los Angeles Unified School District board.

In District 2, incumbent Rocío Rivas is being challenged by Raquel Zamora, an LAUSD teacher and attendance counselor.

In District 4, incumbent Nick Melvoin is facing off against Ankur Patel, director of outreach at the Hindu University of America.

District 5 school board member Kelly Gonez is running unopposed for her third term.

Phil Rosenthal likes to sit at the counter of Max & Helen’s, the diner he recently opened with acclaimed chef Nancy Silverton, and chat with people while they eat.

“I sometimes feel like the mayor of Larchmont,” Rosenthal says over the phone as he greets diners who notice him at the counter. “When people come in and realize I’m involved, they’re always surprised to see me. It’s a bit like being at Disneyland and running into Goofy.”

Rosenthal is probably best known for creating the popular TV show “Everybody Loves Raymond” and hosting Netflix’s “Somebody Feed Phil,” which is moving to YouTube in 2027, but he is more than just a famous foodie. He’s now touring the country for his live show, “An Evening With Phil Rosenthal,” and he recently published his second children’s book, “Just Try It! Someplace New!,” which he wrote with his daughter Lily. (They’ll sign books at Barnes & Noble at the Grove on March 14.)

“The book series started when my daughter called and said, ‘Kids love your show. Why don’t you do a kids’ book?’ “ he says, before adding with a laugh: “I told her, ‘Yes, if you’ll do it with me.’ That’s a dad trick to get more time with your daughter.”

Rosenthal believes stories about kids feeling nervous or afraid to try new things connect with both children and adults. “When you write a kids’ book, you realize that it is not just a kids’ book,” he says. “It’s really a book for everyone.”

Although he travels a lot, Rosenthal likes to spend Sundays close to home. He enjoys walking his dog Murray to Larchmont Village and hosting movie night with friends at his place in Hancock Park.

Here’s what his perfect Sunday in L.A. looks like, with lots of good food along the way, of course.

This interview has been lightly edited for length and clarity.

7:45 a.m.: Coffee with Murray and neighborhood friends

Every Sunday morning, I walk my dog Murray to Larchmont Village and stop at Go Get Em Tiger. It’s our daily ritual. Over time, we’ve built a great community there, and I always invite others to join us. We sit outside, talk and have become close friends. I usually post a photo of Murray on Instagram each day. He’s a rescue mutt, and I like to joke he’s part Pyrenees, part psychopath.

9 a.m.: Shop for produce at the Larchmont Village Farmers’ Market

After about an hour, I head across the street to the Larchmont Village Farmers’ Market, which is held on Wednesdays and Sundays. I usually pick up some fruit for the house. It’s a great community spot.

9:30 a.m.: Breakfast at Max and Helen’s

Next I walk down the street to Max and Helen’s, the diner my family opened. I’m about to order the L.E.O., which is Gingrass Smoked salmon lox, three eggs and onions. So if I sound like my mouth is full, you’ll know why.

One of my favorite things on the menu is the sourdough waffle Nancy [Silverton] created, topped with butter mixed with maple syrup. I also love the hot chocolate, and the tuna melt is a special, more romanticized version of the classic. If you eat there every day, it’s smart to pick something healthy, like I’m having today — high protein and no carbs.

11 am: Browse titles at a neighborhood bookstore

I love visiting Chevalier’s Books, the oldest independent bookstore in Los Angeles. I’ve been going there since I moved to Los Angeles from New York in 1989. It’s just two doors down from the diner and feels like our community bookstore.

Noon: Hit the gym

Afterwards, I walk home and fit in a workout. I have to exercise every day because I eat a lot. If I didn’t walk everywhere, I’d probably weigh 300 pounds. My gym is simple — just some weights and a bench — but it works for me. Since I travel often, I stick to a routine I can do anywhere.

1 p.m.: Enjoy a surprising meal at a Michelin-noted restaurant

If I weren’t hosting movie night, I’d love to stop by République. It’s an amazing place, maybe the best restaurant in L.A. Every menu is great. I usually eat just about anything there, and sometimes I ask them to surprise me. It’s an all-day restaurant and I’ve gone for breakfast, lunch and dinner. Their egg dishes are excellent, the burger is top-notch and the roasted chicken, which is cooked over an open fire in the kitchen, is superb. I often let the chef decide what to bring me, especially when I’m with a group. It’s fun to be surprised and try shareable dishes.

I also really enjoy Connie and Ted’s in West Hollywood, Michael Cimarusti’s casual spot. The seafood is just as good as it is at Providence, his fine dining place. Their fresh Maine lobster roll is excellent, and they have the best oysters in L.A. It’s pretty awesome. Check before you head over there, though, as I’ve heard it’s for lease.

3 p.m.: Go for a hike

I used to hike more before I started traveling so much, but I still enjoy it. After all, this is L.A. While other places deal with bad weather, we get to be outside. I love hiking in Runyon Canyon and Griffith Park. It’s great to make the most of the outdoors here.

6 p.m.: Movie night and Pizzeria Mozza at home

On Sundays, we host movie nights at home. We have a dedicated screening room, a wood-burning pizza oven in the kitchen and a chef from Pizzeria Mozza, who comes over to make pizza. The best part is that someone connected to the film often joins us. Sometimes we watch new movies, other times old favorites. Aaron Sorkin came for “The Social Network,” and when we screened “Tootsie,” Elaine May, Dustin Hoffman and Bill Murray joined us. We usually have about 25 to 30 people.

I really love my neighborhood and the people in it. One of the best things about traveling so much is that it makes you appreciate home even more.

I’ve had my fair share of bad neighbors over the years. Ones who’d stomp their feet above my bedroom at odd hours of the night or who’d block my parking garage without warning every time they had guests over. Talking to friends in L.A., such experiences seem to be the norm rather than the exception — people either have gripes about their neighbors or no feelings at all. A Stanford study showed that the percentage of Americans who frequently interact with their neighbors declined among all age groups from 2017 to 2023.

As someone who doesn’t live near any family, I know that good neighbors can be a godsend. And though I’ve had some questionable ones, I’m lucky to have also had some of the best. Like Joseph, who let me borrow his portable air conditioner — and even installed it — when a heat wave hit Los Angeles. Or Mr. Art, who’d close my garage whenever I was in a hurry and forgot to do it. And my current neighbor, Ms. Cassandra, who always makes sure to save me a plate when she grills her mouthwatering barbecue ribs.

Neighbors can become your friends — or even your family. That’s why we’re looking for Los Angeles’ most neighborly neighbors. And we want you tell us about yours. What’s the most remarkable thing they’ve done for you, big or small? Did they lend you a cup of sugar when you were baking a five-layer cake? Did they offer you a ride to work? Did they babysit for you last minute? Or invite you over for a holiday dinner so you wouldn’t have to spend it alone?

Nominate your favorite neighbor below. We may feature them in a future story.

In 1936, Irish Bostonian entertainment lawyer Tom Bergin founded L.A.’s first Irish pub, the Old Horseshoe Tavern, on Wilshire Boulevard. The bar was later renamed in his honor and relocated to its current Tudor Revival-style building off Fairfax Avenue in 1949.

The tavern claims to have introduced Irish coffee to the U.S. — though some argue that San Francisco’s Buena Vista Cafe holds that title. Either way, Tom Bergin’s is one of the oldest bars in continuous operation in L.A. and boasts the second-oldest liquor license in the city. And its Irish coffee is still one of the best you’ll find.

Today, L.A.’s Irish pub tradition extends to Santa Monica, Long Beach and Woodland Hills, with many founded by Irish immigrants seeking to bring a bit of their homeland to the West Coast in the form of Guinness pints, corned beef and cabbage and traditional Irish folk music.

Whether you’re celebrating St. Patrick’s Day or just looking for somewhere to split the G, here are 13 Irish pubs to check out in L.A. — Danielle Dorsey

A majority of Los Angeles voters are undecided about the race for mayor, with support for incumbent Karen Bass at 20%, according to a new poll.

The poll by Emerson College Polling/Inside California Politics found that about 51% of Angelenos have not made up their minds about who should lead the city for the next four years.

Spencer Pratt, a conservative reality TV star, came in second to Bass, at just over 10%. City Councilmember Nithya Raman, a former Bass ally who shook up the field with her last-minute entry, polled at slightly more than 9%. Tech entrepreneur Adam Miller was supported by just over 4% of those polled, with leftist candidate Rae Huang at about 3%.

Although Bass had the most support among the candidates in the June 2 primary election, the poll showed that nearly half of Angelenos are unhappy with her performance. She was weakened politically by her handling of the devastating Palisades fire but has touted reductions in homicides and homelessness.

About 25% of those polled said they approve of the job Bass is doing as mayor, while about 47% disapprove. About 28% said they have no opinion or felt neutral.

The poll, based on interviews with 350 likely voters March 7-9, revealed just how up for grabs the mayoral election is, with less than three months before the primary.

“This is a wide open race,” said Zev Yaroslavsky, a former city council member and L.A. County supervisor who runs the Los Angeles Initiative at the UCLA Luskin School of Public Affairs. “The general narrative [of the poll] is that the mayor is not popular for somebody going into reelection, but the majority of people have not made up their mind whether they’ll come back to her or go to someone else.”

Bass campaign spokesperson Doug Herman did not respond directly to the poll. But he said in a statement that the mayor “took on the challenge to change Los Angeles after decades of decline from long ignored issues; resulting in first ever back to back drops in homelessness, 60 year lows in homicides and an unprecedented 40,000 affordable housing units accelerated.”

Pratt said through a campaign spokesperson, “The Emerson poll confirms what we’ve been seeing on the ground — this is a two-person race for Mayor of Los Angeles between me and Karen Bass. Angelenos are frustrated with the direction of the city and it’s reflected in her low approval numbers. Our campaign is gaining real momentum as more voters look for new leadership focused on results and accountability. This race is just getting started.”

Raman’s campaign, however, said she’s the one gaining momentum.

“It’s clear that voters want change, and we’re gaining momentum for our campaign to make L.A. more affordable and to govern with urgency and accountability,” the campaign said in a statement.

The field of candidates did not take shape until the week of the February filing deadline. Billionaire developer Rick Caruso and L.A. County Supervisor Lindsey Horvath both flirted with a run before deciding against it, and former L.A. schoolsSupt. Austin Beutner dropped out after the death of his 22-year-old daughter. With no other major candidate opposing Bass, Raman filed her paperwork with hours to spare.

With petitions still being verified, 13 mayoral candidates have qualified for the June ballot. If no one gets 50% of the vote in the primary, the top two finishers will head to a runoff in November.

“This race could shift dramatically come June,” Spencer Kimball, executive director of Emerson College Polling, said in a statement.

Kimball cited the large percentage of undecided voters of all stripes — 67% of independents, 49% of Democrats and 37% of Republicans are undecided. Pratt is a Republican, and the other major candidates are Democrats in a heavily blue city.

The poll is not the first to show negative views of Bass.

Last year, after the Palisades fire, a poll of L.A. County residents by the UCLA Luskin School of Public Affairs found that 37% held favorable views of the mayor, while 49% held unfavorable views.

The Emerson poll also featured questions on issues such as public safety and homelessness.

More than 82% of Angelenos in the poll said they feel very safe or somewhat safe in their communities, while about 17% said they feel not too safe or not safe at all.

On homelessness, the view was grimmer. Only 15% of Angelenos polled said that homelessness is getting better, while more than 55% said it is getting worse. Almost 30% feel it is staying the same.

Los Angeles has seen significant reductions in street homelessness for the last two years, after years of steady increases.

Bass has attributed the declines to her signature Inside Safe program, which clears encampments and places homeless people in short term housing.

“There is no doubt that Inside Safe, by bringing thousands of people inside and reducing street homelessness by 17.5 percent, has saved lives and helped drive this decline,” Bass said in a statement Tuesday.

The Emerson poll also asked California residents about the governor’s race. Rep. Eric Swalwell (D-Dublin) had the most support at slightly more than 17%, followed by Republicans Steve Hilton at just over 13% and Chad Bianco at more than 11%. Billionaire Tom Steyer came in at about 11%.

Nearly a quarter of California voters were undecided, according to the poll.

Paul Mitchell, a political data expert, called the Emerson poll flawed. Not enough Angelenos were polled, and the sample skewed too heavily toward young people, when older residents are more likely to vote, he said.

Mitchell called the poll an “amuse-bouche.”

“This tells all of the candidates [they] should be doing a poll,” he said.

A Christian engineer with L.A. County claims his bosses discriminated against him by forcing him to pass by a Pride flag on the way to his office, the latest legal challenge to the government’s policy of requiring many government buildings display the flag throughout June.

Eric Batman, a 24-year veteran of the Department of Public Works, sued the county March 10 for refusing to let him work remotely in June, when the rainbow-striped flag hangs in front of his department’s Alhambra headquarters.

It’s the second lawsuit to target the county’s 2023 policy ordering the raising of the “Progress Pride Flag,” a modified version of the traditional rainbow flag with additional stripes representing people of color and transgender and nonbinary people.

In May 2024, Jeffrey Little, an evangelical Christian county lifeguard, sued the county for requiring he work feet away from the flag. That case, filed by conservative Catholic legal group Thomas More Society, is ongoing.

Batman said he first asked to work remotely for the month of June in 2024 to avoid the flag, which he found “highly offensive,” according to the suit.

A supervisor rejected his request, according to the filing, noting the county was “committed to fostering an inclusive workplace, including for our LGBTQ+ employees.” The supervisor suggested he use another entrance, Batman’s suit claimed.

“They wouldn’t give it to him because the county said ‘Our interest is in inclusivity — regardless of whether or not that includes you,”’ said Daniel Schmid, an attorney with Liberty Counsel, a Christian legal group representing Batman.

Liberty Counsel frequently takes on high-profile plaintiffs who oppose same-sex marriage, including the case of Kim Davis, the Kentucky county clerk who refused to provide marriage licenses to same-sex couples.

A spokesperson for the county’s public works department said she could not comment on the suit as it had not yet been served.

The L.A. Times Festival of Books is back for its 31st year.

The event will feature authors, poets, artists and podcasters across panels, book signings, cooking demonstrations and screenings. This year’s lineup includes comedian Larry David, actor and Booker Prize judge Sarah Jessica Parker, musician Lionel Richie, Beyoncé’s mother and multihyphenate Tina Knowles, bestselling author and social critic Roxane Gay and News & Documentary Emmy- and Peabody-nominated scholar Reza Aslan, among others.

Scheduled for April 18 and 19, the literary festival will feature more than 550 storytellers and nearly 100 panels across the University of Southern California’s campus.

Other notable personalities include: Pat Benatar, Blippi, Mark Harmon, David Duchovny, Susan Lucci, Jennie Garth, Hannah Brown, Anne Lamott, Chanel Miller, Lisa Rinna, Stephanie Garber, Jon Klassen, Mac Barnett, Meghan Quinn, Hayley Kiyoko, Megan McDonald, Elyse Myers, Eli Rallo, Raegan Revord and Molly Jong-Fast.

As part of the Ideas Exchange speaker series, Richie will sit down with Times Pop Music Critic Mikael Wood, to discuss “Truly,” Richie’s new memoir. The book explores the singer’s upbringing in Alabama and his rise to stardom, including performing with the Commodores.

On Saturday, Sarah Jessica Parker and Alexandra Oliva join the festival to discuss Oliva’s new SJP Lit novel “The Radiant Dark.” The following day, Larry David and Times News and Culture Critic Lorraine Ali will talk about Ali’s new book, “No Lessons Learned: The Making of Curb Your Enthusiasm.”

This year’s event will debut the Audiobook and Podcast Stage presented by Spotify, hosting talent like “Crimes of The Times” host and Times writer Christopher Goffard and “Remarkably Bright Creatures” bestselling author Shelby Van Pelt. The festival will also screen a preview of the Hulu show “Rivals,” which will be followed by a discussion between producer and writer Dominic Treadwell-Collins and actor Nafessa Williams.

At the Times Food Stage, Cassandra Peterson, known for her work as Elvira, will be demoing from her book “Elvira’s Cookbook From Hell.” Culinary influencer Cassie Yeung will also be stopping by to discuss recipes from her new Asian takeout cookbook “Bad B*tch in the Kitch.”

The festival will kick off April 17 with The Times hosting the 46th annual L.A. Times Book Prizes at Bovard Auditorium. The ceremony will honor Amy Tan with the Robert Kirsch Award for lifetime achievement, We Need Diverse Books with the Innovator’s Award and Adam Ross with the Christopher Isherwood Prize for Autobiographical Prose. The prizes recognize 61 works in 13 categories.

General admission to the festival is free. Friend of the Festival packages, which include panel reservations, parking and merchandise, are currently on sale.

A dispute over the city of Los Angeles’ eviction defense program came to an end Tuesday when the City Council approved millions of dollars in funding for the next 15 months.

The program, Stay Housed L.A., started in 2021 and provides thousands of renters with legal representation in eviction proceedings as well as other services.

Tenant advocates feared that the new contract, which passed 12 to 1 and funds an initial portion of a three-year, $177-million contract, was under threat after City Atty. Hydee Feldstein Soto urged the council to reconsider it in a confidential memo last week.

Feldstein Soto said she had concerns about awarding such a large contract to Legal Aid Foundation of Los Angeles, which frequently sues the city over homelessness issues.

Legal Aid is the main legal service provider under the Stay Housed L.A. contract, which also funds Southern California Housing Rights Center for short-term emergency rental assistance, Liberty Hill Foundation for tenant outreach and Strategic Actions for a Just Economy to protect tenants from harassment.

The city’s Housing Department had recommended a three-year contract, but the council opted for a shorter period that can be extended.

Legal Aid has argued that its lawsuits against the city are unrelated to its eviction defense work under the Stay Housed L.A. contract.

“We are very relieved that our services can continue uninterrupted,” said Barbara Schultz, director of housing justice for Legal Aid, in an interview after the vote.

Feldstein Soto, who is running for reelection, said in a statement that her office wanted to make sure the city wasn’t giving a “blank check” to Legal Aid without requiring detailed reporting of finances and outcomes.

“The eviction defense program is a city program and is in zero jeopardy,” she said. “What is in question is a $177-million blank check to [Legal Aid] and its partners without the reports and invoice review that is required by law. That is an amount that exceeds the budget of numerous city departments.”

On Tuesday, the City Council added a requirement that the nonprofits in the program provide “performance metrics” including the number of tenants served, case outcomes and demographic data.

Schultz said that Legal Aid already provides monthly data to the city.

John Lee was the only councilmember who voted against the new contract, saying he was not comfortable with the new “transparency requirements.”

Since its inception, Stay Housed L.A. has opened about 26,000 cases overall, providing full representation for 6,150 cases and working on nearly 20,000 “limited scope” cases, according to data from Legal Aid. The original contract, which is set to lapse at the end of the month, was for about $90 million.

The program is funded by Measure ULA, the “mansion tax” passed by city voters in 2022. On Tuesday, the council included a provision that would allow it to cease funding the eviction defense program if Measure ULA were overturned.

Jordan Rivers, who is running to represent a harbor-area district on the Los Angeles City Council, said he will continue his campaign after a report surfaced that he stabbed a neighbor when he was 12.

Rivers, 22, is the sole challenger to incumbent Tim McOsker in the June 2 primary election.

In a lawsuit, Nicholas Parszik and his parents alleged that Rivers stabbed Nicholas, then 8, while the two boys were playing video games in the garage of Nicholas’ San Pedro home on July 30, 2016.

Rivers “stabbed Nicholas repeatedly around the neck and shoulder areas,” inflicting “severe and life threatening physical and emotional injuries,” the lawsuit said.

On Monday, Rivers said it was an “accident” that happened a decade ago.

“I do not believe that past situations or indeed past mistakes define or determine who a person is or what they are,” he said in a statement.

Rivers, who is Black, said that an initial media report about the lawsuit had “a racial undertone” and seemed meant to damage his reputation ahead of the election.

The California Post first reported the lawsuit on Monday, which was also the last day for candidates to withdraw paperwork to run for office.

McOsker is seeking a second term representing District 15, which includes Harbor City, Harbor Gateway, San Pedro, Watts and Wilmington.

“I am saddened and troubled that this happened here in our community, and my heart breaks for the victim and his family. I hope they have gotten the care needed. My office will be here to provide advocacy and support for anybody who has been traumatized by this incident,” McOsker said in a statement.

Asked whether Rivers should withdraw, McOsker campaign consultant Dave Jacobson said, “Only Mr. Rivers could decide whether to run, and only he can decide whether he should stay in the race.”

Rivers, who listed his occupation as “community organizer” on campaign filings, has not reported any campaign donations. By Dec. 31, McOsker’s campaign had raised over $190,000, according to the city’s Ethics Commission.

Juvenile criminal records are sealed. Rivers said that law enforcement “got involved” but that he did not serve time in juvenile hall.

Paul Parszik, Nicholas’ father, said he was doing dishes when he heard screaming from the garage and Nicholas ran into the house with stab wounds on his neck and shoulders.

Paul Parszik recalled shoving his fingers into the wounds to staunch the bleeding.

Nicholas fully recovered and is about to turn 18, his father said, but still has physical scars.

In an interview with The Times, Rivers denied attacking Nicholas. He said he had been cooking and accidentally brought a cooking knife to the younger boy’s home.

He forgot that he had put the knife under a video game controller, and the two began “play fighting,” he said.

Rivers said he didn’t notice anything was wrong until Nicholas was already injured.

Rivers’ mother, Eunice Rivers, wrote in a 2016 filing in the lawsuit that her son “was eating an apple and had a small peeler in his hand to cut his apple when the Plaintiff started wrestling with the Defendant. While wrestling Plaintiff Nicholas was injured.”

Eunice Rivers settled the case, which was filed in Los Angeles County Superior Court, for $10,000 in 2018. The settlement did not include an admission of fault.

In an October court filing, Paul Parszik claimed that Eunice Rivers never paid the settlement and owes $7,941.71 in interest.

Parszik said the lawsuit was primarily intended to pressure the Rivers family to move away, which they did not do.

He plans to attend Rivers’ campaign rallies.

“I can’t wait to go home and go to his first rally and say, ‘Hey, you stabbed my kid and you have no remorse,’” he said.