L.A

LA28 hopes to sell more tickets for the 2028 Games than any other Olympic organizing committee in history, and the private group launched a fundraising campaign Thursday to help keep those tickets accessible to local fans.

The fundraising effort invites local sports teams, philanthropists and partners to fund ticket donations that will go to local organizations that will distribute tickets within their communities. The Rams are the inaugural partners, donating $5 million to the campaign.

“The 2028 Olympic and Paralympic Games are for everyone,” LA28 president Casey Wasserman said in a statement. “This program is about making sure that the people who live, work and contribute to the spirit of Los Angeles can access the Games taking place in their hometown. We’re incredibly thankful to Stan Kroenke and the Rams for being the first to step up for the people of their city. This is true partnership in action, and we look forward to welcoming others for this meaningful initiative.”

Registration for tickets will open in January and single tickets will start at $28. Amid concerns about skyrocketing prices for sporting events, LA28 said it will not use dynamic pricing that is common for large sporting events such as the FIFA World Cup.

Tickets for the FIFA World Cup coming to Canada, Mexico and the United States next year will start at $60 for some group-stage matches and climb to $6,730, the international soccer governing body said this year. Excluding the opening or closing ceremonies, tickets for the Paris Games ranged between 24 euros (about $27) and 950 euros ($1,097).

Leading up to the Games, the Paris organizing committee set aside more than 1 million tickets at 24 euros each and ensured half of the tickets on sale to the general public would be 50 euros or less. Hoping to keep the Games relatively affordable to fans, Paris 2024 used an “adapted pricing policy” that aimed to use the 15% of the tickets offered at the highest rates to allow the millions of lower-priced tickets.

The Paris Games sold a record 12 million tickets for the Olympics and Paralympics, which helped the organizing committee blow past its initial ticketing and hospitality revenue estimate by $365 million.

LA28 organizers expect to make 14 million tickets available for the largest Olympics in history and the first Paralympics in L.A.

After fans register for the ticket lottery beginning in January, purchasing windows will open that spring. Fans living near Olympic venue cities will have access to presale opportunities.

The Olympics are spread across more than 40 venues, with most clustered in L.A., Long Beach, Inglewood and Carson. Southern California residents and those living in Oklahoma City where softball and canoe slalom events will take place who are selected for the presale window will have access to all tickets for all venues.

Tickets for the Paralympics will go on sale in 2027.

Los Angeles County’s district attorney has opened an investigation into claims of fraud within the largest sex abuse settlement in U.S. history.

Dist. Atty. Nathan Hochman said Wednesday his office has started a wide-ranging probe into claims that plaintiffs made up stories of abuse in order to sue the county, which agreed to the historic $4-billion sex abuse settlement this spring.

The announcement follows Times investigations that found nine people who said they were paid small amounts of cash by recruiters to sue the county for sex abuse in juvenile halls. Four of them said they fabricated the claims.

“They looked at this opportunity to compensate these true victims of sex abuse as an opportunity to personally profit and engage in some of the most greedy and heinous conduct,” Hochman said at a news conference Wednesday morning in the Hall of Justice downtown. “We are going to aggressively go after them.”

All nine plaintiffs had their cases filed by Downtown LA Law Group, a personal injury firm that represents roughly 2,700 people in the county settlement. The firm has denied wrongdoing. The Times could not reach the recruiters who made the alleged payments to plaintiffs for comment.

Hochman indicated his investigation, still in its early stages, showed this was just a small fraction of the “significant number of fraudsters involved in these settlement claims.”

Hochman emphasized the inquiry would focus on those higher up the chain — lawyers, recruiters and medical practitioners who may have submitted fraudulent forms — and not the plaintiffs.

Many of the people The Times spoke with who filed false claims were poor and in unstable housing. They said they desperately needed the cash promised by recruiters, which ranged from $20 to $200. All were flagged down outside county social services offices, where many were on their way to get food assistance and cash aid.

Hochman said any person who contacted his office about filing a fraudulent claim would not have the statements haunt them in a criminal prosecution.

“If you provide us truthful information, complete information, any of the words that you use will not be used against you,” said Hochman, adding the offer did not extend to attorneys or medical professionals. “It’s not something that we offer lightly to anyone.”

Hochman said Downtown LA Law Group was one of the law firms they were focused on, but the probe was not limited to them. He said the investigation would touch anyone who helped fraudulent cases get filed.

“I’m happy to label that entire group as a group of fraudsters conspiring to defraud a settlement where the money should be going to legitimate sex abuse survivors and victims,” he said.

The law group has denied paying plaintiffs and said it only wants “justice for real victims” of sexual abuse. The firm declined to comment further Wednesday.

Shortly after The Times’ investigation, the county supervisors voted to launch their own inquiry into possible misconduct by “legal representatives” involved in the lawsuits. The county set up a hotline for tips from the public, and moved to ban “predatory solicitation” outside county social services offices.

The supervisors also joined a chorus of voices — including California lawmakers, labor leaders and a powerful attorney trade group — calling for the State Bar to investigate. The State Bar does not comment on potential investigations, but has previously said California law generally prohibits making payments to procure clients, a practice known as capping.

Downtown LA Law Group represents roughly 2,700 people suing the county. Hochman said the firm is one of several he’s focused on.

(Carlin Stiehl / Los Angeles Times)

A flood of sex abuse claims followed the passage of AB 218, a state law that gave victims of childhood sexual abuse a new window to sue that stretched far beyond the previous statute of limitations. The law, which went into effect in 2020, has led to thousands of lawsuits filed against California school districts, governments and religious institutions.

This spring, the county agreed to pay $4 billion to resolve thousands of claims from victims who said they were abused decades ago in county-run juvenile detention centers and foster homes. In October, the county agreed to a second settlement worth $828 million over another set of similar claims.

Hochman noted the first settlement would have massive financial ramifications for decades for the county, which acts as a social safety net for the region. The county will pay the settlement out over the next five years and has asked most departments to trim their budgets to help pay for it. The district attorney’s budget, Hochman said, had been slashed by $24 million, in part, to help pay for the cases.

“Every penny that a fraudster gets is a penny taken away from a sex abuse victim that validly and legitimately suffered that abuse at the hands of someone [in] Los Angeles County,” said Hochman. “It is not free money.”

Los Angeles City Controller Kenneth Mejia loves to show off his two corgis, displaying them on his social media accounts, his financial reports and his reelection campaign materials.

Cardboard cutouts of corgis even adorn the entrance to Mejia’s office at City Hall East, making it resemble the dorm room of an especially proud dog parent.

Now, Mejia’s corgis are the subject of a complaint submitted to the city’s Ethics Commission, alleging that the controller has impermissibly blurred the lines between his government communications and his campaign operation.

Former State Sen. Isadore Hall, looking to unseat Mejia in June, conceded in his complaint that the corgi images — especially the one meant to look like Sherlock Holmes, with a pipe and magnifying glass — are “adorable.”

Nevertheless, Hall suggested that the graphics run afoul of a city law barring candidates from using city resources, since the cap-wearing corgi appears both on Mejia’s official city website and on his campaign yard signs.

Los Angeles City Controller Kenneth Mejia uses images of corgis, sometimes sporting a pipe and a magnifying glass, on his website, his campaign materials and even the entrance to his office at City Hall East.

(David Zahniser / Los Angeles Times)

“These practices, if substantiated, undermine public confidence in the neutrality of the City Controller’s office and violate clear prohibitions on using public assets for campaign advantage,” Hall said in his complaint.

The complaint, and the focus on the controller’s signature mascots, has sent the race for the city’s top auditor position in an unusual direction. Jane Nguyen, a Mejia campaign spokesperson, pushed back on the idea that the controller failed to comply with city law, while also suggesting that Hall is “jealous of our cute corgi graphics.”

In an email, Nguyen said it’s common for politicians to use similar designs and color schemes in their campaigns and their official government duties. At the same time, she said the “Sherlock corgi” used in city publications is different from the one in Mejia’s reelection campaign.

“He is wearing glasses in one version and is not wearing glasses in the other version,” she said.

David Tristan, executive director of the city’s Ethics Commission, which levies fines when enforcing local campaign finance laws, declined to comment, saying his office “cannot confirm or deny the existence of a complaint or investigation.”

Attorney Jessica Levinson, a former Ethics Commission president, said the agency responds seriously to allegations that city resources have been misused for campaign purposes. Still, she voiced doubts that Hall’s complaint would lead to a meaningful ethics case.

“This is not the type of thing that’s going to topple democracy,” she said. “Even if the allegations are true, I don’t think this weighs particularly heavily on the minds of voters.”

Hall, 53, is basing his complaint on a city law that bars city employees from using city cars, email lists, supplies or other municipal resources for campaign purposes. For example, city employees cannot take part in campaign activities while wearing uniforms with “official city insignia.”

The complaint goes beyond Mejia’s corgis, which are a diminutive herding breed beloved by the late Queen Elizabeth II. Hall also contends that the controller’s campaign logo, font colors and other design elements match the branding on his official city website, making it appear that the city is effectively endorsing his reelection bid.

Nguyen said Mejia’s corgi images and other designs were created as part of his 2022 campaign, without using city resources. She also said that the campaign logo is “far different” from the controller’s city logo, since it contains the word “for.”

Mejia, 35, has proven to be a savvy purveyor of marketing, distributing corgi stickers at community events and sending his staff to City Council meetings in green city controller jackets. He and his team are equally strategic about publicizing data on homelessness spending, legal payouts and other city expenses.

On his campaign website, Mejia described himself as “the father of two corgis, Killa and Kirby. He is known for bringing his dogs to work, walking them down the marble corridors of City Hall. They also showed up this year on an Instagram video where Mejia and his staff performed choreographed moves to Kendrick Lamar’s “Not Like Us” outside City Hall.

Former state Sen. Isadore Hall has filed an ethics complaint against City Controller Kenneth Mejia, his opponent in the June election.

(Isadore Hall for Controller)

Hall has faced scrutiny over his own election activities.

In 2014, The Times reported that Hall’s Senate committees spent $7,812 on cigars and membership at cigar lounges, $42,000 on airfare and hotels and $11,000 to stay at the Fairmont Hotel in Kihei, Hawaii, during a conference.

Hall defended the expenditures, saying they were for campaign fundraisers, dinners with potential donors and other political activities. He won his Senate race and made an unsuccessful run for Congress two years later.

Nguyen, in her email, pointed out that Hall was also accused of illegally using general election donations to pay for his primary campaign for Congress in 2016. In response to those and other violations, the Federal Election Commission issued a $24,000 penalty to Hall’s campaign.

Hall said earlier this year that he learned from the experience and had held his accountant accountable for the error.

Hall is not the only candidate running against Mejia. On Tuesday, entertainment industry executive Zachary Sokoloff formally launched his own bid for controller, promising to bring a “problem-solving approach to City Hall.” Sokoloff, 36, said he would “lead by listening” and “bring people together to fix what’s broken.”

Rick Taylor, Sokoloff’s campaign strategist, said he views Hall’s ethics complaint as “not relevant” to the upcoming campaign.

“Let’s focus on what the public wants to know,” he said. “They want to know who’s capable and competent and can do the job.”

It was a terrible, horrible, no good, very bad season for Angel City FC. But it’s not one the team is running away from.

“Did we put it all together this year?” team president Julie Uhrman asked. “No.”

In fact, the team won just one of its last eight games; missed the playoffs for the third time in four seasons; saw attendance plummet; lost Alyssa Thompson, its best and most exciting player, on a million-dollar transfer; and watched its two most-decorated players — Ali Riley and Christen Press — retire after a season in which they combined for two starts.

For sporting director Mark Parsons, however, it still counted as progress. Yet the team has a lot of work to do to clear the high bar of community impact and soccer success it set as its twin goals when it launched in 2022.

“This season was about putting in all the foundations and all the pieces where we get to go compete for championships from ’26 and beyond,” Parsons said. “And I could not be happier with the success we’ve been able to do. That helps us win in the future.

“Of course we’d have all loved to win a couple more games,” he added. “But the priorities were try and win, but build for the future.”

Alexander Straus, center, is introduced as Angel City coach by sporting director Mark Parsons, left, and team president Julie Uhrman during a news conference in June.

(Al Seib / For the Times)

The die for the season, for bad or worse, was cast in the embers of the deadly Palisades fire last January. That first night, as Riley’s family home burned to the ground and other players were forced to relocate, Parsons could see the flames from the gated Brentwood estate of Bob Iger and Willow Bay, Angel City’s controlling owners. He was there interviewing for the job he would get nine days later.

And he was brutally honest about what he thought the club needed.

“I looked at them and said ‘We have a lot of work to do. Unless we get really lucky, it’s going to be a roller coaster. However, we will be really excited about our team by the end of the year,’” Parsons recalled this month.

Part of the problem has to do with how Angel City was built. The team has had three general managers or sporting directors in four seasons and four coaches, including interim manager Sam Laity, over that span. Parsons and Alexander Straus, his hand-picked coach who started in June, were hired to shore up that creaky foundation and bring consistency to the team’s soccer operations, which mostly had been spinning its wheels.

For Parsons, that basically meant tearing things down and starting over. And if he had to sacrifice his first season in doing so, it was a price he was willing to pay.

“We’re going to try and compete and win every single game, because that’s why we’re here,” he said. “We are not going to do that at the expense of building a championship-winning team. This season is about building the future, to not just get to the top, but to stay at the top.”

So the team made 29 transactions in his first nine months. In addition, seven players won’t be re-signed when their contracts expire at the end of the year, among them midfielder Madison Hammond and defender Megan Reid, who are 1-2 in appearances in club history, and Japanese defender Miyabi Moriya, a World Cup and Olympic veteran.

Of the additions, Parsons is especially high on midfielders Evelyn Shores and Hina Sugita, Icelandic attacker Sveindis Jonsdottir and Zambian international Prisca Chilufya. All joined in the second half of the season, adding to a core that included rookie of the year candidate Riley Tiernan and defenders Gisele Thompson, Sarah Gorden and Savy King.

Angel City’s Sarah Gorden controls the ball against Racing Louisville on Sept. 27.

(Andy Lyons / Getty Images)

Of those eight, only Gorden is older than 28 and three of the others — Thompson, King and Shores — can’t legally buy a beer in California. Parsons will double down on one of those additions Tuesday, announcing he has signed Sugita, 28, a two-time World Cup player from Japan, through 2029.

“Most teams try not to do too much during the season. It can be unsettling,” Parsons said.

But for Angel City, every second mattered.

“The top teams in this league that have been pretty consistent the last couple of years took three years to get to a point of being in the top four. We don’t have three years,” Parsons said. “This is a city that is expected to compete and to win in a stadium that [is] rocking, that represents this community.”

That hasn’t happened for Angel City, which was founded with solid community support and an A-list ownership group of more than 100, including Hollywood stars, former U.S. national team players and deep-pocketed investors. The vision was to build a team that won games while making a deep and lasting impact on the community.

The club certainly has gotten the second part of that equation right by providing more than 2.5 million meals and more than 51,000 hours for youth and adult education; distributing equipment and staff for ongoing soccer programming for the children of migrants trapped at the U.S.-Mexico border; and funneling $4.1 million into other programs in Los Angeles. Last week the club awarded $10,000 grants and access to business coaching to 13 former players to help support the transition to the next stage of their lives.

From the start, Angel City games offered a welcoming place, especially for the LGBTQ community, and that helped the team finish first or second in the NWSL in attendance in each of its four seasons.

“We are committed to providing an environment of connection, community and belonging,” Uhrman said.

But while doing that the club struggled on the field, making the playoffs just once while going 30-42-24 over that span. As a result average attendance plunged nearly 16%, to 16,257 this year.

In its first three seasons, Angel City played before a home crowd that small just once, although the team still ranks second in the league, behind only the Portland Thorns. Making the team a draw again, Uhrman conceded, will require trying something new. Like winning.

“Our goal is to be a dynasty on the pitch and a legacy off the pitch,” she said. “And for that to be true, we need to win on and off the field. We need to have the positive impact in the community and continue to give back, but we also need to win championships.”

Some of the team’s most loyal supporters have grown tired of waiting.

“I’m just frustrated with the team’s performance,” said Caitlin Bryant of Burbank, a season-ticket holder from the first season who has not renewed for next year. “I’m done dragging myself down to BMO [Stadium] every other weekend until this thing turns around.

“The vibes are great. The stadium environment is great. But watching the team lose game after game, season after season, it’s exhausting and it’s not fun. I need the team to win.”

⚽ You have read the latest installment of On Soccer with Kevin Baxter. The weekly column takes you behind the scenes and shines a spotlight on unique stories. Listen to Baxter on this week’s episode of the “Corner of the Galaxy” podcast.

Sabrina Carpenter brought her latest world tour in for a landing Sunday night at Crypto.com Arena, where the pop star will play half a dozen sold-out dates through Nov. 23 to wrap up her year-long road show behind 2024’s “Short n’ Sweet.”

I was at Crypto when Carpenter played the arena last November, just after “Short n’ Sweet” was nominated for six Grammys. (It went on to win prizes for pop vocal album and pop solo performance.) But since then she’s released a speedy follow-up LP, “Man’s Best Friend,” which itself earned another six Grammy nods this month, including album, record and song of the year.

So it seemed worth checking in on the tour again as Carpenter, 26, gets close to stepping offstage. At least for a moment, that is: Come April, she’ll be back in the spotlight to headline Coachella along with Karol G and Justin Bieber. Here are the seven best moments from Sunday’s concert:

1. Turns out that earlier visit to the Lakers’ home wasn’t quite as cheery as it seemed then. “This time last year, when I played this show, I was going through it,” Carpenter told the crowd Sunday night. “I was not in a good headspace, and thankfully because of that I was able to write a whole new album for you guys this year.”

“Man’s Best Friend” follows Carpenter’s breakup with the Irish actor Barry Keoghan, whom she seems to refer to in her song “Go Go Juice” when she threatens to drunk-dial an ex named Larry. “So thank you for Crypto last year,” she added, “’cause you really inspired ‘Man’s Best Friend’ and what was to come after that.”

2. Carpenter didn’t sing “Go Go Juice” on Sunday, though she did throw a few tunes from “Man’s Best Friend” into a set list still dominated by material from “Short n’ Sweet.” (“Short n’ Sweet” is the better of the two albums, so this was fine.)

For the lightly country-fied “Manchild,” the singer and her dancers did a cute little line dance, and Carpenter’s live band powered “Tears” with some appealingly skanky disco-funk energy. The evening’s surprise song — the product of a regular bit in which Carpenter selects a tune via spin the bottle — was the new album’s “Nobody’s Son,” which emulates Ace of Base’s Nordic reggae more precisely than anyone else has in the past 30 years.

3. In one of the show’s other recurring bits, Carpenter pretended to arrest one of her opening acts, Amber Mark, with a pair of fuzzy pink handcuffs before singing the very horny “Juno.” That song features Carpenter simulating a different sexual position every night; here, well, you can look it up on TikTok.

4. Shout out to Carpenter’s guitar player, Caleb Nelson, whose ripping solo in “Juno” made the tune sound just like the theme from “Beverly Hills, 90210.”

5. “I’m gonna give you a little bit of history that you didn’t ask for,” Carpenter said about halfway through the concert, which ended up being a selective rundown of gigs she’s played in L.A. since she was a teenager on the Disney Channel.

“I played the Roxy when I was 16, and then I think played the Wiltern,” she said. “Then I played the Fonda and then the Wiltern again. And then I went to the … the Greek! Went to the Greek, of course — that was the best night ever.”

6. It says something about Carpenter’s commitment to the concept of her show, which takes place in the various rooms of a late-’60s/early-’70s-style bachelorette pad, that after dozens of tour dates she’s still performing one of her most emotionally cutting songs, “Sharpest Tool,” while sitting on a toilet.

7. Carpenter closed, as she always does, with “Espresso,” and if you’d assumed that by now this breezy electro-pop bop would inevitably have lost some of its fizz, think again. “I’m working late ’cause I’m a singer,” she sang as she strutted down a runway jutting onto the arena floor. It’s a task she’s still up to.

Sean “Diddy” Combs, who is serving four years in federal prison for using prostitutes in “freak-offs,” is under investigation by the Los Angeles County Sheriff’s Department in connection with new allegations of sexual assault. A record producer alleges Combs assaulted him on two occasions.

The sheriff’s Special Victims Unit initiated the probe because one of the incidents occurred in East Los Angeles, according to Nicole Nishida, a department spokeswoman. The producer reported the incidents to police in Largo, Fla.

Florida-based music producer John Hay revealed in media interviews that he was the “John Doe” plaintiff from a civil lawsuit filed in July alleging assault.

The producer, who was not named by law enforcement investigating the allegations, alleged he was subjected to sex acts in 2020 and 2021 while working on a remix project of music by Biggie Smalls, a.k.a. Christopher Wallace, which put him into contact with Bad Boy Records and company executive Combs.

A spokesman for Combs did not immediately respond to The Times’ request for comment on the investigation.

The lawsuit states that, in December 2020, the producer was at a warehouse in Los Angeles that housed some of Notorious B.I.G.’s clothing. The items were being donated to the Rock & Roll Hall of Fame later that year, when Biggie would eventually be inducted.

Combs “provided drugs to everyone present. Everyone there was running around the warehouse and tripping on the drugs,” the lawsuit alleges. Combs “started watching porn on his cell phone, grabbed one of Biggie’s shirts off a rack, and began to masturbate with it in front of the plaintiff,” the suit states.

Combs subsequently threw the shirt over the producer’s lap and arm, laughed and said “Rest in peace, Biggie” before leaving the room.

In an incident in March 2021, the plaintiff claims that he was set up. He states in the lawsuit he was lured to a meeting by Biggie’s son, Christopher “CJ” Wallace Jr., and music producer Willie Mack.

But upon his arrival, his head was covered, and Combs appeared and began yelling and ordered everyone to leave, the lawsuit alleges. Combs then allegedly attempted “to force plaintiff to perform oral copulation on Combs, while plaintiff’s head was still covered.”

“I’m pushing for criminal charges to be filed against Combs at a state and federal level,” Hay told ShockYa earlier this month in an interview where he stated he was the civil suit plaintiff.

According to a police report first obtained last month by People magazine, Hay reported the allegations on Sept. 20 of this year to Largo, Fla., police.

Gary Dordick, the producer’s lawyer, said “we intend to present out client’s case to a jury in California and we are confident that the truth will prevail.” Dordick said in a message to The Times that he would not comment further given that a defamation lawsuit was filed last week by Wallace.

Wallace, the son of Biggie Smalls and singer Faith Evans, sued Hay for defamation in a Florida federal court last week, calling Hay’s recent interviews “a calculated smear campaign” that included false statements that he attended Combs’ so-called freak-off parties and “conspired to lure Hay to a location where Combs purportedly assaulted him.”

An attorney for Mack could not immediately be reached for comment.

Wallace says in his defamation action that Hay worked on the remix project, titled “Ready to Dance,” with Wallace and Mack in 2020. A single was released, but the remaining songs were not, due to a lack of interest.

According to the suit, Hay was upset over the decision not to release the music he worked on and began accusing Mack of “inappropriate and abusive behavior” in 2021. But Hay never made an assault allegation, the suit claims.

Combs is currently incarcerated at Federal Correctional Institution Fort Dixon, a New Jersey low-security federal penitentiary.

Koreatown resident Scott Lyness was well aware that the city of Los Angeles was looking to tackle its food waste problem.

While bicycling to work, he saw the growing number of green trash bins popping up on curbs. He read the notice sent to his home instructing residents to expect green bins to be delivered at some point.

Still, Lyness was not prepared for what came next: 13 green bins deposited earlier this month outside the apartment building he manages on New Hampshire Avenue.

That’s on top of the three bins that the city delivered the previous week at a smaller building he also manages next door, and the two green bins that those properties were already using.

Lyness, 69, who works as a project manager at USC, said the two buildings don’t have anywhere near the room to store so many full-size cans — and don’t generate enough organic waste to fill them. He’s tried to have his tenants contact city offices to say they don’t need them. He said he’s even thought about throwing them into the street.

“Our neighborhoods are being inundated with green waste bins,” he said.

City officials are working furiously to get Angelenos to separate more of their food waste — eggshells, coffee grounds, meat bones, unfinished vegetables, orange peels, greasy napkins — to comply with SB 1383, a state composting law passed in 2016. They’ve even implemented Professor Green, an online chatbot that can help residents decide what can and can’t go in the green bin.

SB 1383 requires that 75% of organic waste be diverted away from landfills by the end of the year and instead turned into compost. Food and other organic waste sent to landfills is a significant source of methane, a potent greenhouse gas. Methane has a global warming potential about 80 times greater than carbon dioxide over a 20-year period.

To reach that goal, crews from L.A.’s Bureau of Sanitation have deposited huge numbers of 90-gallon green bins in front of some apartment buildings, including duplexes, triplexes, fourplexes and larger buildings that have been grandfathered into the city’s curbside trash collection program.

Scott Lyness, 69, stands near green waste bins outside the apartment building he manages in Koreatown.

(Kayla Bartkowski / Los Angeles Times)

Residents are already familiar with the green bins, which were long reserved for lawn clippings and other yard waste but now are the destination for food scraps as well.

Most large apartment buildings in L.A. have been spared from the recent round of green bin deliveries, since they participate in recycLA, the city trash franchise program that relies on private waste haulers.

Sanitation officials say that Angelenos who prefer smaller, more manageable containers should fill out a form to get a 30- or 60-gallon replacement. They point out that the bins are part of a much larger effort by the city to reach its zero-waste goals and “lead on sustainability.”

Most of the green bins’ contents are taken to a facility in Bakersfield, where the resulting compost can be used by farmers, said Heather Johnson, a sanitation spokesperson.

“While some may find [the bins] inconvenient at the moment, in the short term they will result in more diverted waste and cleaner air,” Johnson said in an email.

Despite those serious intentions, Angelenos have been poking fun at the “Great Green Bin Apocalypse of 2025,” as journalist and podcaster Alissa Walker framed the situation on Bluesky. Walker recently shared a photo showing what appeared to be 20 green bins in front of one property, right next to a discarded sofa.

“This one is probably my favorite,” she wrote. “I like how they lined them all up neatly in a row and then left the couch.”

Green organic waste bins outside an apartment building in Koreatown.

(Kayla Bartkowski/Los Angeles Times)

After Walker urged others to send in pictures, Silver Lake resident Tommy Newman posted a photo on Bluesky showing eight bins outside an eight-unit building, just south of Sunset Boulevard.

“Unless they are running a juice bar in there, how could they possibly create this much organic waste on a weekly basis?” wrote Newman, who works at a county housing agency.

Over on X, another observer summed up the absurdity in a different way. “LA gave every multi family unit a green bin due to a bureaucratic fever dream about composting,” the person wrote. “I have 5 personally.”

In recent months, L.A.’s sanitation agency has sent teams of “ambassadors” into neighborhoods to educate residents about the need to throw food in the green bins.

That means keeping food out of the 60-gallon black bins where residents have been accustomed to dumping most of their garbage, which ultimately winds up in landfills. Recyclable items, including glass and aluminum, will continue to go into blue bins.

The changes were also spelled out on fliers sent out by the city last summer, with a clear warning in all capital letters: “Unless we hear from you immediately, we will deliver a 90-gallon green container to your residence.”

Lyness saw those alerts and knew about the change. But he contends that most people would have missed the news or thrown the fliers away. Depositing an inordinate amount of bins around town is just not the way to encourage people to properly dispose of their organic waste, he said.

The city’s new food-waste program, which is projected to cost $66 million a year, is one reason the City Council approved a huge increase in trash fees earlier this year, in some cases doubling them. Each 90-gallon green bin costs the city $58.61, tax included, though residents are not being directly charged for the recent deliveries.

Sanitation officials say they have delivered more than 65,000 green bins across the city, with 4,000 to go. For residents waiting for them to be removed or replaced with a smaller bin, only 1,000 orders can be carried out in a regular workday, those officials said.

Around the corner on North Berendo Street, Lyness’ neighbor Lucy Alvidrez agreed that the green bins were troublesome while dragging in her black bin Thursday afternoon.

“They sure got carried away with it,” she said, pointing across the street to an apartment building with about two dozen green bins on its front curb.

Alvidrez, 69, who has lived in the neighborhood for two decades, never had an issue with trash collection until the city dropped off four green bins, one for each unit in her building. She was more fortunate than Lyness: sanitation workers took two of the bins back, upon request.

Alvidrez said she would prefer that the city “spend our money feeding the homeless” instead of purchasing bins that no one needs, she said.

A dozen green organic waste bins occupy a street in Koreatown..

(Kayla Bartkowski/Los Angeles Times)

Nearby, Lyness opened a neighbor’s green bin, which was filled to the brim with trash that wasn’t compostable and should have gone in a black bin. If no one knows what to put in the green bins, nothing is going to improve, he said.

“It’s trash,” he lamented. “It’s all trash.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser and Doug Smith, giving you the latest on city and county government.

Could L.A.’s Zohran Mamdani moment be here?

It’s definitely a long shot. But Rae Huang, a 43-year-old community organizer, minister and dues-paying member of the Los Angeles chapter of the Democratic Socialists of America, is making her move, throwing her hat into the ring for mayor of Los Angeles.

The virtually unknown candidate is the deputy director of Housing Now California, a coalition that fights displacement of tenants at the state and local levels.

Huang, who is planning a campaign launch on Sunday, is shying away from comparisons to Mamdani, a democratic socialist who was elected mayor of New York City last week. She has not been endorsed by DSA-LA, though she hopes to be. Nevertheless, she sees next year’s election as a “moment for change.”

“We are in a place in our country and in our political environment where folks feel stuck and afraid,” Huang said in an interview. “They feel like nothing is going to change, and the things that are changing are making things even worse.”

Huang, a Sawtelle resident, has never run for elected office. She faces an extremely uphill battle against Mayor Karen Bass, a veteran politician with close ties to the Democratic Party who has spent much of the year denouncing President Trump’s immigration crackdown in L.A.

Still, Huang could complicate Bass’ reelection bid by playing a spoiler role, pulling away left-of-center voters in a year when the incumbent is facing criticism over her handling of the Palisades fire, a struggling city budget and less-than-optimal public services.

Bass already has a challenger in former Los Angeles Unified School District Superintendent Austin Beutner, who has assailed her record in each of those areas. And it’s still not clear whether billionaire developer Rick Caruso, who lost to Bass in 2022, will jump in the race.

The larger the pool of candidates, the more work Bass will have to do in the June primary to secure an outright victory. If she falls below 50% of the vote, she would need to wage an expensive runoff campaign in the November 2026 election.

Doug Herman, a spokesperson for Bass’ campaign, said that under her leadership, “there has been unprecedented progress on the issues that matter most to Angelenos.”

“Homelessness has declined for the first time in two consecutive years, neighborhoods are safer with significant drops in crime, and the Palisades fire recovery continues far ahead of pace with the fastest recovery and rebuilding in California history,” Herman said in a statement. “In addition, there was no better defender of Los Angeles than Mayor Karen Bass when Trump’s ICE raids started and we won a court ruling to help stop the illegal raids and unconstitutional arrests.”

Sara Sadhwani, a politics professor at Pomona College, said the upcoming mayoral election differs from recent L.A. contests that were won by DSA-aligned candidates. In many of those races, DSA-backed challengers ousted incumbents who were already struggling politically, she said.

The same goes for New York City, where former Gov. Andrew Cuomo — Mamdani’s main opponent — was trying to emerge from scandal and stage a comeback, Sadhwani added.

The Democratic incumbent, Eric Adams, was so weakened by his own legal issues that he ended up running as an independent and then withdrawing from the race.

“Bass has her detractors,” Sadhwani said, “but is not in such an embattled position as Eric Adams or even Cuomo, who had stepped down from the governorship amid sexual harassment claims.”

Huang said she is in it to win — and hopes to highlight important issues for people on the left. She wants to expand public housing, make buses free for Angelenos and invest more in unarmed crisis responders.

Sound familiar? Those would pretty much be Mamdani’s talking points.

Huang said she was “hopeful” when Bass was elected. Now, she lobs plenty of criticism at Bass.

She thinks the mayor’s Inside Safe program is allowing too many people to slip back into homelessness. She believes Bass should explicitly support the Venice Dell affordable housing project. And she doesn’t feel the mayor did enough to curb police violence during the summer’s chaotic protests over federal immigration raids.

Huang is not the first to run from Bass’ left. In 2022, late-arriving mayoral hopeful Gina Viola won nearly 7% of the vote, scooping up more than 44,000 votes in the primary after positioning herself as the self-proclaimed “infamous defund-the-police candidate.”

Viola said she is glad to see Huang get into the race, and with much more time to campaign. Viola ran in 2022 with just three and a half months left before the primary. Huang has nearly seven months.

“What she needs to do is [win over] those voters that are so terribly disenfranchised that they don’t have anything to vote for,” Viola said.

Part of getting those potential voters out to the polls is having a strong ground game, knocking on doors and raising money. An endorsement from the local DSA chapter could help Huang get her name out to more Angelenos, Sadhwani said.

DSA members have petitioned to endorse Huang. She needs to receive 50 signatures, which would trigger a vote of chapter members, with 60% required to capture the endorsement.

“It’s certainly exciting to see a left challenger to a status-quo Democrat. That always pushes the conversation in a good direction,” said Claire Palmer, an organizer with DSA-LA.

There has been “enthusiasm” among members about Huang, Palmer said.

As for the DSA-backed members of the City Council?

“I haven’t sat down with them yet,” Huang said.

While four DSA-backed L.A. City Council members celebrated Mamdani’s win with a party at a Highland Park bar on election night, it’s not clear that they have any interest in getting behind a candidate other than Bass.

“Karen Bass is the most progressive mayor we’ve ever had in L.A.,” Councilmember Nithya Raman told The Times at the party.

Bass “has been doing a good job at least in handling this crisis,” Councilmember Eunisses Hernandez said in June, referring to Bass’ handling of the federal immigration raids.

Councilmember Hugo Soto-Martínez has already endorsed Bass.

State of play

— THE RENT IS TOO DAMN CAPPED: The City Council voted Wednesday to lower the annual cap on rent increases for rent-stabilized apartments to 4%. Many landlords and developers opposed the move, saying it would eat into their bottom line and drive away investment. Council members argued that the changes are needed to keep Angelenos from falling into homelessness.

— WILDFIRE PROBE: Los Angeles County has opened an investigation into State Farm General’s treatment of January wildfire victims following complaints that claims were delayed, denied and underpaid. The state’s largest home insurer received notice of the probe in a letter demanding records and data showing whether the company violated the state’s Unfair Competition Law.

— MISSING INFO: At least one official in the Los Angeles Fire Department was aware of concerns that its firefighters were ordered to stop mop-up operations for a Jan. 1 brush fire that later reignited into the massive Palisades fire. Yet the department’s 70-page after-action report on the Palisades fire didn’t include that information — or any detailed examination of the reignition, The Times reported this week.

— FAREWELL TO A WATCHDOG: One of L.A. County’s most prominent citizen watchdogs is dead at 62. Eric Preven, a resident of Studio City, advocated for increased public access to city and county meetings, filed countless public information requests and regularly offered his views on CityWatch. “It wasn’t just like [he was] shooting from the hip,” said Supervisor Kathryn Barger. “He would do his research.”

— MEMORIES OF MARQUEZ: Environmentalists are mourning the death of Wilmington clean air advocate Jesse Marquez, who battled the Port of Los Angeles for years over emissions from trucks, trains and ships. Marquez, 74, died Nov. 3 from health complications that developed after he was struck by a vehicle while in a crosswalk in January.

— A NEW ROADBLOCK: The proposal from Frank McCourt for a gondola between Union Station and Dodger Stadium faced yet another setback this week, with the City Council urging Metro to kill the project. “This resolution tells Metro that the city of Los Angeles refuses to be bought by shiny renderings and empty promises,” said Hernandez, who represents Chinatown and the stadium area.

— PROTEST POWERS: The council’s Public Safety Committee endorsed legislation this week that would bar the LAPD from using crowd control weapons against peaceful protesters and journalists. The proposal, which now heads to the full council, would prohibit the department from using “kinetic energy projectiles” or “chemical agents” unless officers are threatened with physical violence.

— POLICING THE POLICE: The LAPD took more than a year to begin fully disclosing domestic abuse allegations against its officers, as required by a state law passed in 2021. The revelation came out during a recent hearing regarding an officer who was fired after being accused of time card fraud and physically assaulting her former romantic partner, a fellow cop.

— CHIEF IN CHARGE: The council voted Friday to make Deputy Chief Jaime Moore the city’s newest fire chief. Moore, a 30-year department veteran, said one of his top priorities will be improving morale in a department that has faced heavy criticism for its handling of the Palisades fire. He also plans to seek an outside investigation into missteps by fire officials in the days leading up to that disaster.

— GRILLING GIBSON DUNN: U.S. District Court Judge David O. Carter pressed attorneys from Gibson Dunn this week on the fees they’ve been charging the city in the landmark LA Alliance homelessness case. At one point, the firm had 15 lawyers billing the city $1,295 per hour, regardless of their titles or experience.

Carter also voiced his anger over reports that a South L.A. homeless facility had only 44 beds, not the 88 spelled out in a contract awarded to a nonprofit group. The judge set a hearing for Wednesday on whether to hold the city in contempt over what he described as delaying tactics in complying with an order he issued earlier this year.

QUICK HITS

• Where is Inside Safe? The mayor’s signature initiative to combat homelessness did not launch any new operations this week. The program did move about a dozen people indoors from Skid Row, according to Bass’ team.
• On the docket next week: The council heads out on recess next week, with members taking part in the National League of Cities conference in Salt Lake City. Meetings are also canceled the following week for the Thanksgiving holiday. They’ll be back Dec. 2.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

There hasn’t been a “substantiated” allegation of sexual abuse by staff against an inmate in the nation’s largest jail system since 2021.

At first glance, the statistic — based on Los Angeles County Sheriff’s Department data — might appear to indicate that a federal law called the Prison Rape Elimination Act has finally accomplished its mission more than two decades after it was enacted by Congress.

But a broad array of local oversight officials and advocacy groups are raising eyebrows over the claim, and bringing new scrutiny to how the Sheriff’s Department investigates allegations of sexual abuse made by inmates against their jailers.

L.A. County incarcerates about 13,000 people — including roughly 1,500 women — throughout its network of jails watched over by sheriff’s deputies.

Sheriff’s Department records show that between January 2022 and September 2025, inmates filed 592 allegations of abuse and harassment against staff. None were deemed “substantiated,” which the Sheriff’s Department defines on its website as “an allegation that was investigated and determined to have occurred.”

The suggestion that there has not been enough evidence to support even one alleged incident by staff against an inmate in nearly four years has struck some tasked with monitoring the Sheriff’s Department as absurd.

“When you have this many complaints and you have zero that are founded, there is something wrong with the process,” said George B. Newhouse, a member of the L.A. Sheriff Civilian Oversight Commission.

L.A. County’s Office of Inspector General and advocacy groups, including the Anti-Recidivism Coalition and Peace Over Violence, also shared concerns about the lack of substantiated allegations during a Nov. 4 virtual discussion of the federal Prison Rape Elimination Act, or PREA. The law was enacted in 2003 in an effort to reduce widespread sexual abuse behind bars.

In 2012, the federal government instituted a set of rules known as PREA standards, which laid out steps that jail and prison operators are required to take to prevent and reduce sexual abuse and harassment between inmates and staff.

L.A. County Sheriff’s Department Sgt. Ryan Vaccaro said the department “has zero tolerance for sexual abuse and sexual harassment.” He added that monthly town hall meetings are held in jails to educate inmates about PREA and record any questions and complaints they have about the federal standards.

“Our team is dedicated to ensuring our residents know we have a zero-tolerance policy and know how to get help when they need it,” he said. “All PREA allegations are documented and processed promptly, thoroughly and objectively.”

During a public meeting last month, Hans Johnson, the chair of the Civilian Oversight Commission, pressed John Barkley, assistant director and PREA coordinator at the Sheriff’s Department, to explain the lack of substantiated reports, and how long it typically takes for allegations to be investigated.

Dozens of the harassment and abuse claims identified in the sheriff’s department records are listed as “pending,” which the department defines on its website as an “allegation still under investigation.”

“It kind of beggars credulity that that number of complaints could be raised and that none could be substantiated,” Johnson said. “It’s just a red flag.”

Barkley said “every case is investigated” and found to be either “substantiated, unsubstantiated or unfounded.” He said “every situation is different. The thing that we’re mandated to do is to do the investigation promptly and to do it thoroughly.”

In a statement a colleague read aloud at the Nov. 4 forum, Portland, Ore., resident Frank Mendoza said that while he was incarcerated at L.A.’s Twin Towers Correctional Facility in 2006, “officers at the jail repeatedly harassed me because I was openly gay” and one beat and raped him in his cell.

“I was then left in the cell naked, bloodied, and completely humiliated,” Mendoza said in his statement. “I tried to report what happened. First, I told the officer on the next shift who found me on the floor of my cell, and all he did was order me to get dressed. That was the norm. Officers didn’t tell on one another.”

Mendoza alleged he wasn’t provided medical treatment or examined for injuries caused by the assault. When he reported the rape, he found that “without a forensic exam, it was impossible to build a criminal case.”

Now, Mendoza gives voice to other people who have been victims of sexual abuse and harassment while incarcerated through his advocacy work as a member of Just Detention International’s Survivor Council.

“It’s clear the county still has a lot of work to do to ensure the safety of people in detention,” he said. “At the same time, the fact that such a hearing is happening is evidence to me of a culture shift and that people are listening.”

The Sheriff’s Department also tracks inmate-on-inmate allegations, which accounted for 296 reports of sexual abuse or harassment between January 2022 and June 2025. Of those, 28 were classified as “substantiated.”

The numbers have spiked since then, with 82 inmate-on-inmate allegations between July and September 2025. Of those claims, the department deemed five involving sexual abuse to be “substantiated,” along with another five claims of sexual harassment.

During that three-month period, inmates made 121 sexual abuse and harassment claims against staff, none of which have been identified as “substantiated” by the Sheriff’s Department.

Arthur Calloway, co-vice-chair of the Civilian Oversight Commission, asked at the October meeting whether the sheriff’s department could be trusted to investigate inmate claims against its own employees.

He added that, “if it was all objective, there would be some substantiated ones actually to trickle out” from claims filed since January 2022.

Barkley responded that “many of those” unsubstantiated outcomes are “dictated on whether the D.A. takes the case.” He added that “if the D.A. decides that they’re not going to prosecute the case with inmate-on-inmate, then it is going to be an unsubstantiated.”

The L.A. County district attorney’s office said in a statement that the Sheriff’s Department first conducts internal investigations of allegations of criminal activity. Then, the department “may present their investigation to our Justice System Integrity Division (JSID) to determine whether criminal charges should be filed,” the statement said.

The Sheriff’s Department can also opt “to discipline their employee administratively in addition to, or in lieu of, seeking criminal charges,” the statement said.

The prosecutor’s office noted that substantiated and unsubstantiated are terms used by the Sheriff’s Department for “administrative purposes,” not legal outcomes.

“JSID reviews all cases presented to them by law enforcement using the standard of whether charges can be proved beyond a reasonable doubt,” the D.A.’s office said.

The Sheriff’s Department said in a statement that sexual abuse cases are investigated internally and that when they are “determined to meet the elements of a crime,” they “are submitted to the District Attorney’s Office.”

The department said that since January 2022, four such cases “resulted in administrative investigations and five were/are being investigated by” the department’s Internal Criminal Investigations Bureau. None of those have been deemed “substantiated.”

“Substantiated allegations, often require cooperation and some sort of evidence, which can make them more challenging,” the Sheriff’s Department said. “However, unsubstantiated allegations are more common because it has a lower threshold.”

Dara Williams, assistant inspector general, said it “would be much better if all complaints were investigated by people who were outside the chain of command.”

Otherwise, she said, when sheriff’s department employees are the ones determining “what triggers an investigation, there is some bias.”

Inspector General Max Huntsman told The Times that he believes the Sheriff’s Department is “not in compliance with PREA in many senses,” such as its internal policies and the physical state of its aging correctional facilities.

At the public meeting last month, Barkley, the PREA coordinator at the Sheriff’s Department, explained that a sergeant must record every sexual abuse and harassment allegation in a dedicated database by the end of the shift when it is received. After that, he said, the allegation is automatically sent to sheriff’s leaders and the inspector general’s office.

At the conclusion of the meeting, Johnson, the chair of the Civilian Oversight Commission, called on the Sheriff’s Department to take steps to ensure it is conducting fair and thorough reviews of all inmate allegations.

“It is unacceptable to have no substantiated cases reported,” he said.

Camp Flog Gnaw is being postponed because of the rain in Los Angeles.

The annual music festival presented by Tyler, the Creator — which was supposed to take place this weekend on the grounds surrounding Dodger Stadium — will now happen Nov. 22 and 23 in the same location.

“Due to the fact this storm became an atmospheric rain torrential downpour we had 2 choices — cancel or move to next weekend,” Tyler said in a post on Instagram. “We chose the latter.”

The rapper, who last week was nominated for five Grammy Awards including album of the year for “Chromakopia,” added, “We understand this is not ideal so we will offer refunds.”

The show as rescheduled will feature a slightly pared-down lineup that includes performances by Tyler, ASAP Rocky, Doechii, Clipse, Childish Gambino, Earl Sweatshirt, T-Pain and others. Among the acts who dropped off the bill are Tems, Clairo, Sombr and Don Toliver.

Tyler launched Camp Flog Gnaw in 2012 as a one-day event at downtown’s Club Nokia (now known as the Novo). The festival expanded to two days in 2016 and moved to Dodger Stadium in 2018. Flog Gnaw is known for its eclectic booking and a carnival-like atmosphere complete with games, rides and funnel cakes. Performers at the festival’s 2024 edition included Tyler, Playboi Carti, Doechii, Vince Staples, Omar Apollo and André 3000.

This weekend’s storm is expected to bring heavy rain to Southern California and has triggered fears about flooding and mudslides, particularly in areas burned in this year’s destructive wildfires. A live taping of Will Arnett, Jason Bateman and Sean Hayes’ ”SmartLess” podcast scheduled for Saturday night at the Hollywood Bowl was also called off because of weather.

When it comes to knowing his way around Los Angeles, actor Martin Starr is an expert. Born in Santa Monica, Starr says his family moved around the region often. ”I lived in the Valley, Hollywood, Hancock Park, and ended up in Santa Monica again when I was 15,” Starr says.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Today, the actor known for his role in the HBO comedy “Silicon Valley” and films like “Knocked Up” and the “Spider-Man” franchise, lives in Miracle Mile. His latest television role is on Paramount+’s crime drama “Tulsa King,” where he plays Bodhi, a weed store owner who has become a trusted member of a mobster’s (Sylvester Stallone) crew. The show’s third season finale airs Nov. 23.

“What I love most about L.A. is the people and the friends I’ve made over the years,” Starr says. “Aside from that, L.A. has some of the best food in the world. There’s plenty of fancy, Michelin-star restaurants, but there are so many delicious, moderately-priced places in L.A., and those are my favorites.”

Starr, a foodie who co-founded the candy company Sweet Stash with musicians Ezra and Adeev Potash (The Potash Twins), says his ideal Sunday includes a walk on the beach, eating enchiladas and playing video games or reading at home.

9:30 a.m.: Sleep in, then hydrate

I’m a lazy weekend guy. I often have to wake up early for work so it’s nice to take a little time for myself on a Sunday. After we wake up, my wife (Alex Gehring, bassist of the band Ringo Deathstarr) makes coffee for herself. I start the day with a glass of water or a matcha, then we’ll probably roll to a restaurant for breakfast.

10:30 a.m.: Get some really good pancakes

One of my favorite breakfast places is John O’Groats on West Pico. They don’t just do a side of fruit. They do cantaloupe, specifically, and I’ve grown to love it. I wouldn’t have chosen cantaloupe as the fruit to go to in my morning, but it turns out cantaloupe is pretty darn good. They make their own biscuits, which are delicious. They have a variety of really good pancakes. They do a seven-grain granola pancake that I really like.

If we don’t go there, we’d go to another great breakfast spot called Met Her at a Bar. That place is really tasty. The guy who opened it met his wife at a bar. They’ve got great French toast, and they do a Thai-style fried chicken and waffles. I just love the fresh-squeezed orange juice in both places.

Noon: Take a walk with Betty White

After breakfast, we’d go on a walk with our dog and have a lazy stroll around the neighborhood. Our dog is an all-white pit bull and her name is Betty White. We’d walk up through Hancock Park. There are some really pretty houses there, and it’s nice to just walk around. I grew up in that neighborhood for a bit too. I went to Third Street [Elementary] School so I’m pretty familiar with the area.

1 p.m.: Devour enchiladas by the beach

Then we’d go down to the beach. It’s a bit of a drive, but one of my favorite restaurants is there because I spent so much of my time as a youth in Santa Monica and Venice. It’s called Cha Cha Chicken, and is by far, my favorite restaurant in L.A. It’s in Santa Monica, one block east from the water, where Pico dead ends into the beach. I’d order the jerk chicken enchiladas, which comes with a side of rice and beans, mixed together. There’s a little chopped salad that comes on the side, too, and I love the dressing. The enchiladas have a sweet and spicy combo of sauces on top that are so good. And then I get the spicy Cuban fries. I always ask for them extra crispy, and they put a little spicy salt on top. I went there so much as a kid that I became friends with the owner, Ricky Prado. He inherited the place from his parents and took over. He and I took a trip once to Florida, where he met my dad, as I’ve met his whole family because they all worked at the restaurant.

2:30 p.m.: Stroll on Santa Monica State Beach

Next, we’d go for a walk on the beach to enjoy the beauty and fresh ocean air. There’s a little road that veers off from Cha Cha Chicken, and the Marvin Braude Bike Trail is right there. The Santa Monica Pier is north of there, and going south is the shopping area of Venice Beach. You can see sidewalk shows and all the fun performers when you go.

4:30 p.m.: Post-traffic puzzles and video games

The traffic to get back home would probably be an hour. There, Alex would probably do some crossword puzzles while I read or play video games for a bit. We’d put on some jazz music in the background. Or maybe we’d just go hang out on the porch and enjoy the day. We’re lounge folk. So when we have the opportunity, we just enjoy reading and crossword puzzles. It’s a simple life. We brought the Midwest to Los Angeles. All I need is a rocking chair.

6 p.m.: Happy Hour calls

After that, we might hit Happy Hour at Uchi West Hollywood. My wife is from Austin and her favorite restaurant opened up a place in L.A., so we go there every once in a while for a nice meal. It’s Japanese, but focused on sushi. If you sit at the bar, you can get happy hour all night.

7:30 p.m.: Keep the happy hour going into dinner

We’d eat some of our favorite food. My wife loves a particular sake and I love Mitsu Mitsu, which has ritual zero proof gin, rosemary and yuzu honey. Our favorite dish is called hama chill. It’s got little slices of Mandarin orange over yellowtail fish, with a little bit of Thai chill on top, and sits in a ponzu sauce. My wife loves edamame and I don’t. But this place has the best edamame so I can’t help but enjoy it. Some of them are a bit crisp, and there’s lemon juice and salt on it. It is so tasty. They course things out so you can really take your time and enjoy everything.

9 p.m.: Dessert on and off screen

We’d probably come back home, have a little dessert and watch either “The Great British Baking Show” or “Below Deck,” a drama-packed look inside the world of private yachting. You also get a good view of the interesting people who rent these yachts, and whether they’re good tippers or not.

11 p.m.: Go to bed, after a laugh

We’d go to bed but probably stay up for an hour just talking and laughing before we actually fall asleep. That would be a perfect Sunday.

It takes a certain composure, as a teenager, to walk out onto Taylor Swift’s stage in a sold-out stadium and play an opening set to tens of thousands of fans who have never heard of you. But it takes even more conviction to use the occasion to play music almost guaranteed to leave them squirming — grimy, bloodletting noise-rock and electro about being a sexual menace and growing disillusioned with God.

The now-20-year-old singer-songwriter Sofia Isella did that last year, opening on the Australian run of Swift’s Eras tour. “Taylor was an angel for allowing me to share that stage,” L.A.-raised Isella said. “I wish I could have recorded that feeling. But the show itself is not as nerve-wracking as it is playing for 20 people. There’s something about a giant room that almost feels a little dissociative, like it’s not really happening or it’s not really there.”

“Dissociative” is a decent descriptor for Isella’s music, too — disorienting, unnerving, drawing out emotions you might not understand. But there’s so much skill in the performances and imagination in her arrangements that they may well get Isella — who plays the Fonda Theater on Nov. 16 — onto much bigger stages of her own, just as the world gets much bleaker around her.

“This next record, I’m having so much fun with s— that’s really f— dark,” Isella said. “It’s like, the only way to stop screaming about it is to have a moment laughing about it.”

Isella grew up in Los Angeles in a family with enough entertainment-biz acclaim to make being an artist feel like a viable career. Yet they still let her be feral and freewheeling in developing her craft. Her father, the Chilean American cinematographer Claudio Miranda, won an Oscar for 2012’s “Life of Pi” and shot “Top Gun: Maverick” and the recent racing hit “F1” (Her mom is the author Kelli Bean-Miranda). Looking back on her bucolic childhood in L.A., Isella recalled it filled with music and boundless encouragement, worlds away from her social media-addled peers.

“I’d been homeschooled my whole life,” Isella said. “My mom would leave little trails of poetry books for me to find, and my dad would set up GarageBand and leave me for hours with all the instruments and nothing but free time. I didn’t even have a phone until I was 16. When I first was on TikTok, I saw everyone had the same personality, because they had been watching each other for so long. Being around kids my age was so strange, because I’d grown up around adults — like, ‘Oh, these kids are so sweet and kind and adorable, but they think I’m one of them.’”

After her family temporarily moved to Australia during the pandemic and Isella began self-releasing music, it became clear that her talents set her very far apart. Drawing on her early background in classical music and a fascination with scabrous rock and electronic music, she found a sound that melded the Velvet Underground and Nico’s elegant miserablism, Chelsea Wolfe and Lingua Ignota’s doom-laden art metal and the close-miked , creepy goth-pop of Billie Eilish’s first LP.

Isella began self-releasing music during the pandemic. Since then, she’s landed opener spots on multiple high-profile tours.

(@okaynicolita)

Her early music showed a withering humor and skepticism of the culture around her (“All of Human Knowledge Made Us Dumb,” “Everybody Supports Women”), but singles came at rapid clip and translated surprisingly well on the social media platforms she loathed (she has 1.3 million followers on TikTok). It all got her onto stages with Melanie Martinez and Glass Animals and, eventually, Swift. (A Florence + The Machine arena tour opening slot is up next.)

On 2024’s writhing EP “I Can Be Your Mother,” songs like “Sex Concept” had the sensual fatalism of poets like Anne Sexton and Sylvia Plath, paired with the drippy erotic menace of Nine Inch Nails. “I’ll bend him over backwards, give him something to believe in,” she sings. “We’ll play the game, both go insane and then we’ll call it even … I’m the only god that you’ll ever believe in.”

“The first EP was this whole story of giving birth to yourself, this giant stretched-out muse,” Isella said, leaning into a stemwinder about the genesis of art. “It just doesn’t feel like it’s coming from me. It feels like it’s coming from some weird thing I somewhat worship.”

A May 2025 follow-up, “I’m Camera,” dealt with the depersonalizing effects of sudden attention. On “Josephine,” she makes tour life feel like a proverbial grippy-sock vacation to the breakdown ward — “I’m sock-footed, sick and selfish holding strangers’ hands … I lost something, I sold it, I only remember the ache.”

Isella’s wariness of institutions extends to her recording career. She’s still independent for now — surprising for an artist on Swift’s radar — and uncompromising about what a label would demand of her compared to what they can provide. “I’ve met with a lot of the big dogs, and they’re very kind people, but I just love the feeling of being independent,” Isella said. “Maybe I’ll change my mind on that, but I’m trying to fully understand a label and what its functions are, what it gives the artist in a social media day. I’m trying to fully assess that before I sign any magic papers.”

Her newest material (and her subversively eerie, Francesa Woodman-evoking music videos like “Muse”) feel perfectly timed to the apocalyptic mood in L.A. and the U.S. now, where an inexorable slide to ruin feels biblical. “Out In the Garden,” from September, hits some of the Southern gothic moods of Ethel Cain, but with a sense of acidic pity that’s all her own. “That there’s a small part of me that’s envious / That you full-heartedly believe someone is always there,” she sings. “That will always love you, and there’s a plan for you out there.”

Even at her bleakest, there’s a curdled humor underneath (her current tour is subtitled “You’ll Understand More, Dick”). But if this little sliver of young fame has taught Isella anything, it’s that even when everyone wants a piece of you, no one is actually coming to save any of us.

“There’s nothing with weight, nothing that’s meaningful, to blind faith,” Isella said. “On this next record, I’m about to go really angry because religion really pisses me off, it inflames me. But it’s the most beautiful placebo to imagine that there’s a father that loves you no matter what you do. I’m a really lucky person in that I’ve always been safe and protected, but if you’ve had a rough life, that is insanely powerful to imagine that and believe that.”

L.A. is a harmony of contradictions: It’s a bankrupt skyscraper covered in graffiti, a Mercedes-Benz G-class SUV with an expired registration, the quiet confusion of wondering whether a stranger’s outfit means they’re unhoused or just new to Silver Lake. L.A.’s refusal to make sense is what makes it irresistible, and no one understood that better than writer, artist and provocateur Eve Babitz, who died in 2021.

“Los Angeles isn’t a city. It’s a gigantic, sprawling, ongoing studio,” she wrote in her 1974 book “Eve’s Hollywood.” “Everything is off the record.”

Born in Hollywood in 1943 to a classical violinist father and an artist mother — and with Igor Stravinsky as her godfather — Babitz was destined for “It”-girl-ism. While people tend to flee their hometowns to start over in a new city, usually a place like L.A. or New York, Babitz knew she was exactly where she was meant to be. She tried New York once as a typist for Timothy Leary, because it’s where “real writers” lived and worked; she gave it one year before moving back to L.A.

“She lived in Rome for six months, and that was the only other city she loved, almost as much as L.A.,” Mirandi Babitz, Eve’s younger sister, told me. Despite her growing popularity in the ’60s and ’70s, Eve Babitz didn’t hightail it from her Hollywood bungalow to live in Pacific Palisades or Topanga or Malibu — she lived and died in the heart of it all.

When I asked Mirandi what Babitz would think of today’s coffee-shop lines, overpriced wine bodegas and tinned fish culture, she said with a laugh, “She’d roll her eyes.”

Babitz may have been synonymous with places, including the Chateau Marmont and Musso & Frank Grill, or with people such as Jim Morrison and Ed Ruscha. But it wasn’t because she was a hanger-on, desperate to be cool or famous. She was the keeper of cool, and L.A. was the only muse she gave a damn about. “I did not become famous but I got near enough to smell the stench of success. It smelt like burnt cloth and rancid gardenias,” she wrote in 1977’s “Slow Days, Fast Company: the World, the Flesh, and L.A.”

After graduating from Hollywood High, Babitz skipped the traditional UCLA route and instead took classes at Los Angeles City College. “The school was located about 4 blocks from the hospital I was born in,” she wrote in “Eve’s Hollywood.” “It was on Vermont near Melrose, which is an indeterminate lower-middle-class sort of neighborhood with no delusions. Westwood, where UCLA is, is so insanely crappy you could throw up. It’s so WHITE and it’s so clean and it’s so impervious …”

At age 20, Babitz made a name for herself in the art world. She posed nude, playing chess with a fully clothed Marcel Duchamp for Esquire — a cheeky act of revenge against her lover, Walter Hopps, who wasn’t returning her calls. Shot by Julian Wasser at the Norton Simon Museum, the now-iconic photo did its job: Hopps rang her soon after. That photo is now described by the Smithsonian Archives of American Art as being “among the key documentary images of American modern art.”

Babitz also launched her independent career as an artist, designing album covers for Linda Ronstadt, the Byrds and Buffalo Springfield. Her foray into the music scene — where she partied with (and allegedly had affairs with) legends like Morrison of the Doors (“I met Jim and propositioned him in three minutes,” she wrote in “Eve’s Hollywood”) and some original Eagles members — blossomed into a social life so magnanimous that names like Andy Warhol, Steve Martin and Annie Leibovitz came up as casually as what Babitz had for lunch that day.

She went on to publish several books and worked as a journalist, writing about everything from Salvador Dalí to the best taquito stand in L.A. (Don’t worry — we listed it below.) Although Babitz’s love life kept the city gossiping, it was always apparent that her true love was the city itself. Her books, including “Sex and Rage” (1979) and “L.A. Woman” (1982), are all love letters to a city she knew inside out. In turn, her life in L.A. became the stuff of urban legend — and decades later, we’re still talking about it.

Babitz understood L.A. better than anyone, including its seductions and secrets. Her legacy is being revisited in the Huntington’s exhibition “Los Angeles, Revisited,” which explores how L.A. has been shaped — and reshaped — by its visionaries. Babitz and her mother, Mae, a self-taught artist known for her preservation work on the Watts Towers and her sketches of L.A.’s vanishing buildings, have drawings included in the show. The exhibition runs through Dec. 1.

Consider what’s below your invitation to see L.A. as Babitz did — expansively, honestly and maybe a little recklessly. Just a heads-up, though: You won’t find a single coffee shop with a DMV-like line on this list.

Frank McCourt’s proposed gondola from Union Station to Dodger Stadium hit what appears to be its most significant roadblock yet on Wednesday, when the Los Angeles City Council voted to urge Metro to kill the project.

The resolution, approved by an 11-2 vote, is not in itself any kind of formal decision. It would not take effect unless Los Angeles Mayor Karen Bass concurs, and Bass previously voted in favor of the project as a member of the Metro board.

But it makes clear that a City Council vote to approve the project, which is expected next year, could be an increasingly challenging hurdle for McCourt and his allies to overcome.

“This resolution tells Metro that the city of Los Angeles refuses to be bought by shiny renderings and empty promises,” councilmember Eunisses Hernandez, whose district includes Dodger Stadium, told her colleagues in Wednesday’s council meeting.

No councilmember spoke in support of the gondola.

The project requires approvals from the council, the state parks agency and Metro, which approved an environmental impact report for the project last year. A court demanded fixes to two defects in the report, and Metro is scheduled to vote next month on whether to approve the revised report.

The resolution approved Wednesday urges Metro to reject the revised report and “deny reapproval of the project.”

McCourt, the former Dodgers owner and still half-owner of the Dodger Stadium parking lots, first pitched the gondola in 2018 and later said fans would ride free. The projected construction cost is about $500 million; none of the promised private funding has been publicly identified.

“This project is an insult to our communities, and the process has been an insult to our collective intelligence,” Hernandez said.

Project opponents — and the resolution itself — cite among other issues that 160 trees from a beloved park would be permanently removed to make way for the gondola and that a UCLA study projected Dodger Stadium traffic would not even be decreased by 1%.

In a letter to councilmembers, the board of directors of Zero Emissions Transit — the nonprofit charged with funding and operating the gondola — urged the council to reject what it called “serious inaccuracies and misleading claims.”

The 160 trees would be temporarily removed and then restored, with 480 trees added as well, the letter said. The UCLA study retracted its conclusion, the letter also said, based on “biased data supplied by individuals affiliated with project opposition groups.”

Said ZET spokesman Nathan Click: “We continue to move forward with all the approval processes: Metro, city, state.”

Valerie Valentine bought a triplex in South Los Angeles two weeks ago, and already she wonders whether she made a terrible investment.

Bills are immediately adding up for the small-time landlord, from $1,000 to get the water turned on to $6,000 in annual property taxes. She worries that the amount she collects in rent will not be enough to cover her expenses.

With the city on the verge of making the first major change to its rent stabilization ordinance since 1985, potentially capping annual rent increases at 3%, landlords such as Valentine fear that Los Angeles will become a hostile environment for them.

“It’s draconian,” said Valentine, who also owns a four-unit building in the Inland Empire. “Lowering the amount we can raise rent is a slap in the face. They are favoring one side of the aisle more than the other.”

On the other side, renters, who far outnumber landlords in the city, have turned out in force to City Council hearings to support the proposed 3% cap for units built before 1978, which house 42% of the city’s residents.

The current cap for rent-stabilized units is between 3% and 8%, depending on inflation, going up to 10% if landlords pay for utilities.

One tenant, Cindy Moran, 31, has lived in a rent-stabilized one-bedroom apartment in Exposition Park with her parents since she was born. They are now fighting eviction, she said, with their landlord stating that he wants to move into the property.

Moran believes he is trying to turn the site into 120 units of affordable housing. She fears they will not be able to find another apartment as affordable as the $700 a month they pay.

“I meet people every day who pay $2,000 for a one bedroom. They can’t afford a 10% increase,” Moran said. “We need to think about the most vulnerable right now.”

The proposed update to the city’s rent stabilization ordinance, which has been on the books since 1979, would be a massive shift in favor of tenants. It comes as many parts of the country are struggling with a housing affordability crisis, and after democratic socialist Zohran Mamdani won the New York City mayor’s election on a pledge to “freeze the rent.”

Most Angelenos are renters, and more than half are rent-burdened, meaning they spend more than 30% of their income on rent, according to the Los Angeles Housing Department. One in 10 Angelenos pays 90% of their income toward rent, the department said in a report this year.

Last week, the City Council’s Housing and Homelessness Committee passed the 3% proposal, written by Councilmember Nithya Raman, in a 3-2 vote. It goes before the full council Wednesday.

Under Raman’s proposal, the annual rent increase would max out at 3%, or 60% of the consumer price index, whichever is lower.

The new floor on annual rent increases, now at 3%, would be 0%. That means that in years where there is no inflation, landlords would not be able to raise the rent at all.

“There is a need to reform it,” said Shane Phillips, housing initiative manager at UCLA’s Lewis Center for Regional Policy Studies, who wrote a 2019 report calling for reforms to the rent stabilization ordinance. He believes the cap should be around 5%, tied directly to inflation.

“I think this swings the pendulum too far in the other direction,” he said.

On top of making it harder for small landlords to turn a profit, some fear that Raman’s proposal would chill development in a city that desperately needs more housing.

Los Angeles City Councilmember Nithya Raman wrote the proposed rent cap that was passed by the Housing and Homelessness Committee in a 3-2 vote. It goes before the full council Wednesday.

(Carlin Stiehl / Los Angeles Times)

In L.A., a new building constructed on the site of one that was rent-stabilized is subject to the rent stabilization ordinance, unless 20% of the new units are affordable for lower-income households.

A lower cap on rent increases may cause developers to forgo building on those lots, said Zachary Pitts, the Los Angeles director of YIMBY Action, which advocates for more affordable housing.

“Such unintended consequences could undermine the City’s housing goals at a time when increasing supply is critical to affordability and homelessness prevention,” he said in a statement.

Raman said she “will work to ensure new production is not impacted by these changes.”

“Only increased supply can help reduce costs for everyone in this city,” she said in a statement.

The current cap on rent increases has helped Jenny Colon stay in her rent-stabilized apartment, a two-bedroom in North Hills, for more than 30 years. She was paying $981 a month but is moving out because of a dispute with her landlord. Her new apartment, outside the city, costs $1,600 a month.

“A low percentage of rent increase every year does really create a very steady and safe housing situation,” said Colon, who supports Raman’s proposal.

But some say that lowering the allowable rent increase could have a downside for tenants, as falling revenues could lead landlords to spend less on maintaining their buildings.

“Certain small mom and pop owners just won’t have that kind of money,” said Paul Jesman, a real estate agent and landlord. “They’re going to push this roof replacement to next year because they don’t have the money for it.”

Landlords also may be more motivated to evict long-term tenants who fall behind on payments, so they can charge market rates to new tenants, said Phillips of UCLA.

City law allows landlords to charge market rates to a new tenant, though the cap on increases kicks in for the tenant after that.

The city’s Housing Department had recommended a floor of 2% and a ceiling of 5%, both tied to the consumer price index. City Councilmember Bob Blumenfield put forward a motion to the Housing and Homelessness Committee that aligned with that recommendation, but he was the only vote in favor of it.

A majority of California cities with rent-stabilized apartments set a ceiling of between 3% and 5%, the Housing Department said.

Raman argued that the department’s recommendations did not go far enough to deal with rents that have “skyrocketed.”

“I think what is before us is an opportunity to adjust costs for renters, that to me is long overdue,” she said.

In September, Donald Trump posted an AI-generated image of himself on the shores of Lake Michigan in Chicago, depicted as Lt. Col. Kilgore, the gung-ho warmonger memorably played by Robert Duvall in Francis Ford Coppola’s messy masterpiece, “Apocalypse Now” — except the graphic bore the title “Chipocalypse Now.”

Trump sent out the message as his scorched-earth immigration enforcement campaign descended on the Windy City after doing its cruelty calisthenics in Southern California over the summer. Two months later, the campaign — nicknamed “Operation Midway Blitz” — shows no sign of slowing down.

La migra has been so out of control that a federal judge issued an injunction against their use of force, saying what they’ve done “shocks the conscience.” Among other outrages, agents shot and killed an immigrant trying to drive away from them, ran into a daycare facility and dragged out a teacher and tear-gassed a street that was about to host a Halloween kiddie parade.

I had a chance to witness the mayhem it has caused last week — and how Chicagoans have fought back.

The University of Chicago brought me to do talks with students and the community for a couple of days, including with members of the Maroon, the school’s newspaper. Earlier in the week, Fox News put them on blast because they had created a database of places around campus where la migra had been spotted.

Good job, young scribes!

In Little Village, pocket Patton meets his match

After my speech at the University of Chicago’s Divinity School, I noticed someone had hung whistles around the neck of a bronze bust. Whistles have become the unlikely tool of resistance in the city, I wrote in a columna — something that I argued Latinos nationwide had also employed metaphorically with their election night clapback at Republicans.

When I woke up Thursday morning at my tony hotel, the Chicago Tribune’s front page screamed “Use of Force Under Fire” and focused on the actions of commander-at-large Gregory Bovino. You remember him, Angelenos: he’s the pocket Patton who oversaw the pointless invasion of MacArthur Park in July and seemed to spend as much time in front of cameras as doing his actual job.

Bovino has continued the buffoonery in Chicago, where he admitted under oath to lying about why he had tossed a tear gas canister at residents in Little Village, the city’s most famous Mexican American neighborhood, in October (Bovino originally said someone hit him with a rock).

I Ubered to Little Village to meet with community activist Baltazar Enriquez so we could eat at one of his neighborhood’s famous Mexican restaurants and talk about what has happened.

I instead walked right into a cacophony of whistles, honks and screams: Bovino and his goons were cruising around Little Village and surrounding neighborhoods that morning just for the hell of it.

From L.A. to the rest of the country, and back

“Every time Trump or la migra lose in something, they pull something like this,” a business owner told me as she looked out on 26th Street, Little Village’s main thoroughfare. Customers were hiding inside her store. Over four hours, I followed Enriquez as he and other activists drove through Little Village’s streets to warn their neighbors what was happening.

The scene played out again in Little Village on Saturday shortly after I filed my columna, with Bovino holding a tear gas canister in his hand and threatening to toss it at residents, openly mocking the federal judge’s injunction prohibiting him from such reckless terrorizing (Monday, the Department of Homeland Security claimed agents had weathered gun shots, bricks, paint cans and rammed vehicles). And to top it off, he had his officers pose in front of Chicago’s infamous stainless steel bean for a photo, just like they did in front of the Hollywood sign (Block Club Chicago reported the funboys shouted “Little Village” for giggles).

Given ICE just received billions of dollars in funds to hire more agents and construct detention camps across the country, expect more scenes like this to continue in Chicago, boomerang back to Southern California and cut through the heart of Latino USA in the weeks, months and years to come. But I nevertheless left Chicagoland with hope — and a whistle.

Time for us to start wearing them, Los Angeles.

Today’s top stories

Senate Minority Leader Chuck Schumer (D-N.Y.) currently faces the lowest approval ratings of any national leader in Washington.

(Jacquelyn Martin / Associated Press)

The government shutdown

• Senators approved a deal that could end the shutdown on a 60-40 vote, a day after Senate Republicans reached a deal with eight senators who caucus with Democrats.
• Democrats in the House vowed to keep fighting for insurance subsidies.
• Sen. Chuck Schumer (D-N.Y.) is facing pressure to step down as Senate Democratic leader after failing to prevent members of his caucus from breaking ranks.
• States are caught in Trump’s legal battle to revoke SNAP benefits after a federal judge ordered full funding.

A brief bout of summer weather

Courts protect LGBTQ+ rights

More big stories

Commentary and opinions

• California columnist Anita Chabria argues that Democrats crumbled like cookies in the shutdown fight.
• Gov. Gavin Newsom is still writing his path to the presidency. Columnist George Skelton points to Zohran Mamdani for inspiration.
• President Trump’s effort to rename Veterans Day flopped — and for good reason, argues guest contributor Joanna Davidson.

This morning’s must reads

Other great reads

For your downtime

(Andrew Rae / For The Times)

Going out

Staying in

Question of the day: What’s one special dish your family makes for Thanksgiving?

Judi Farkas said: “An old Russian recipe that has descended through 5 generations of our family, Carrot Tzimmis was traditionally served as part of the Passover meal. It’s perfect with a Thanksgiving turkey. Tzimmis is sweet, as are so many of the Thanksgiving dishes, so I pair it with a Jalapeño Cornbread dressing and a robust salad vinaigrette so that no one gets overwhelmed. It connects me to my family’s heritage, but repurposed for the holidays we celebrate now.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … the photo of the day

A person surfs at Salt Creek Beach on Sunday in Dana Point.

(Juliana Yamada/Los Angeles Times)

Today’s great photo is from Juliana Yamada of a surfer at Salt Creek Beach in Dana Point.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martin, assistant editor
Kevinisha Walker, multiplatform editor
June Hsu, editorial fellow
Andrew Campa, weekend reporter
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected].

In a small win for California’s film and TV industry, mixed martial arts franchise Combate Global will relocate production from Miami to Burbank.

The franchise, which will air on Spanish-language network Estrella TV after a six-year run on Univision, will film 20 live events at Estrella’s new networks studio, starting in February. That space seats 500 people and has been used to film the talent competition show “Tengo Talento Mucho Talento.”

The franchise wanted to relocate to Southern California because of the bigger media market, said Campbell McLaren, chief executive of Combate Global and co-creator of the UFC.

The move is expected to create about 60 jobs, and is estimated to have an economic impact of more than $1 million on an annual basis for the 20 shows, which is up from the eight produced this year, he said.

“It’s a bigger market, access to more talent, access to more behind-the-camera talent, access to more on-camera talent,” McLaren said. “We feel we’re making a big, big step.”

The move also allows the franchise to target the large Mexican American market in L.A. — Combate Global currently has its largest viewership in Mexico — as well as others who have not been as exposed to the mixed martial arts events, such as the Korean community. The sport’s Japan vs. Mexico nights have also been popular and could find broad appeal in in L.A., McLaren said.

“It’s a move to super serve our core audience,” he said. “We’re going to have real audience traction.”

The news comes as California tries to lure film and television productions back to the Golden State after many have relocated to other states and countries in search of more lucrative tax incentives.

Over the summer, state legislators bulked up the state’s film and TV tax credit program and agreed to more than double the annual amount allocated to it. So far, dozens of projects have been awarded tax credits, including 22 series and 52 movies. (Combate Global did not receive a tax credit because sports do not qualify for the program.)

Following the historic victory of democratic socialist Zohran Mamdani in the New York City mayoral election, many Los Angeles-based admirers of the 34-year-old politician’s campaign and agenda have longingly wondered: When will a political spark plug like that happen in L.A.?

Looking at the mayoral landscape of L.A. County, there are two existing mayors that espouse similarly progressive ideologies as Mamdani: Burbank Mayor Nikki Perez and Cudahy Mayor Elizabeth Alcantar Loza. Both elected officials have worked with and been recommended by the Los Angeles chapter of the Democratic Socialists of America.

Nikki Perez

Perez was sworn in as Burbank’s youngest mayor in 2024 at the age of 30. She is also the first Indigenous and out LGBTQ+ mayor to serve the city. The politician was first voted onto the City Council in 2022.

She was raised by parents who emigrated from Guatemala and El Salvador to Burbank. Perez received her bachelor’s degree from UC Riverside and a master’s from UCLA.

Prior to becoming a council member, she worked as a social worker with the L.A. Unified School District, served in the state Assembly as the communications director and functioned as a development coordinator for the Los Angeles Area Chamber of Commerce.

A key issue for Perez — and a common rallying point for democratic socialists — was having sufficient affordable housing options in the Media Capital of the World. The City Council has a goal of constructing 12,000 new housing units in the municipality and has accepted plans on two projects that are expected to create about 200 housing units.

“From the point of view of our average residents, most people just really want to be able to live, to work and to play in Burbank, so that’s what my priorities are,” then-Vice Mayor Perez told her constituents in 2024. “I want my very first priority to be continuing our efforts of alleviating the housing crisis.”

Cognizant of the unstable job market for production, or below-the-line, workers in the entertainment industry, Perez has attempted to combat the shrinking creative job prospects in her city.

In July — while celebrating the expansion of California’s film and television tax credit program alongside Gov. Gavin Newsom — Burbank launched a task force made up of professionals and stakeholders from across the entertainment sector to identify challenges, explore new opportunities and shape policies that help retain and grow industry jobs in the city.

Elizabeth Alcantar Loza

Before joining the City Council of her hometown of Cudahy, Alcantar Loza worked with the Coalition for Humane Immigrant Rights, or CHIRLA, to organize and educate community members about immigration issues. In November 2018, she was elected to the City Council and served as vice mayor of Cudahy.

She then served as Cudahy’s first Latina mayor beginning in 2020, when she led the southeast L.A. County city during the 2020 Delta jet fuel dump and the onset of the COVID-19 pandemic.

In November 2023, Alcantar Loza was a City Council member when Cudahy became the first city in Southern California to support the Palestinian people of Gaza with a resolution that not only called for a cease-fire, but declared Israel’s government as “engaging in collective punishment” in response to the Oct. 7, 2023, attack by Hamas militants. The resolution passed on a 3-1 vote after hours of public comments and deliberation.

Last year, she was reinstated as the largely Latino city’s mayor, and in December, she led the City Council to vote to divest from investments that contribute to Israel’s occupation of Palestinian territories and what it considers genocide in Gaza. The five-member council voted unanimously to divest city funds from all arms and weapons manufacturing industries.

“As a progressive leader representing one of our SELA cities, I am committed to ethical governance that prioritizes integrity, accountability, and the trust of the people I serve. Every decision I make is guided by a deep responsibility to transparency and equity in every policy we enact, with a commitment to rejecting backroom deals and self-serving politics,” she wrote in a social media post about her political ideologies.

“True leadership is not just about upholding the highest ethical standards but actively building a government that serves the people — not special interests or the politically connected. I look forward to collaborating with other progressive elected officials across our region who share these values, working together to transform the experience of our residents and redefine the narrative of Southeast L.A.”

Following Mamdani’s win, Alcantar Loza expressed joy for a national recognition that progressive ideals are popular.

“It’s an exciting time to see someone that is so like-minded, that is talking about the issues that matter most to our communities, actually win and win big for our communities and have a plan that will hopefully support folks that are very similar to our folks here,” Alcantar Loza told The Times.

While her city doesn’t have the same monetary sway or resources as New York City, the 32-year-old mayor noted that Cudahy is working with its limited funds to address the needs of as many citizens as possible.

“We often hear the phrase that a city’s budget is a list of the city’s priorities, and it’s something that rings really true,” she said. “In Cudahy, we’re really pushing forward with advancing programs that support the community.

“We’re so used to funding certain programs over for others. It’s often thought that every budget is touchable, except police and fire services. Those are important services to fund, but so are community program services ensuring that our kids have somewhere to go after school so that they’re not engaging in violent activity or activities they shouldn’t be participating in.”

One of Alcantar Loza’s main concerns is ensuring renters’ rights and that their needs are taken care of as over 80% of housing units in Cudahy are rentals.

“It’s important for us to fund programs and staff that support the renter community in knowing their rights and knowing what they can and cannot do, just how to keep folks housed because we should be catering to the needs of our of our most vulnerable folks,” she added.

The fight for rent stabilization is one that Alcantar Loza has been fighting for over half a decade now. She first tried to push it forward in 2019, but it lacked the votes on the City Council and it failed to pass again in 2021, despite a robust campaigning effort. In 2023, Cudahy’s City Council was able to get a Latina majority and advanced rent stabilization.

Additionally, the city established a minimum threshold for eviction in October in cases where a tenant has missed rent. Under the ordinance, a landlord may only initiate an eviction if the amount of rent missed exceeds one month of the fair market rent for the Los Angeles metro area, as determined annually by the U.S. Department of Housing and Urban Development.

One obstacle that Alcantar Loza has noticed in her work has been with citizens envisioning what progress looks like in their day-to-day life.

“It’s difficult to help others visualize the opportunities in their community,” she said. “It’s easier for folks to imagine business as usual because it’s been happening for so long. They do not know how to visualize something new.

“Gifting people the opportunity to visualize something new, to think about other ways to support their community is a very powerful tool that we’ve been able to implement and show folks there are other ways to do policy other than what we’re used to.”

A strange scene unfolded at the Adams/Vermont farmers market near USC last week.

The pomegranates, squash and apples were in season, pink guavas were so ripe you could smell their heady scent from a distance, and nutrient-packed yams were ready for the holidays.

But with federal funding in limbo for the 1.5 million people in Los Angeles County who depend on food aid from the Supplemental Nutrition Assistance Program — or SNAP — the church parking lot hosting the market was largely devoid of customers.

Even though the market accepts payments through CalFresh, the state’s SNAP program, hardly anyone was lined up when gates opened. Vendors mostly idled alone at their produce stands.

A line of cars stretches more than a mile as people wait to receive a box of free food provided by the L.A. Food Bank in the City of Industry on Wednesday.

(Genaro Molina/Los Angeles Times)

As thousands across Southern California lined up at food banks to collect free food, and the fight over delivering the federal allotments sowing uncertainty, fewer people receiving aid seemed to be spending money at outdoor markets like this one.

“So far we’re doing 50% of what we’d normally do — or less,” said Michael Bach, who works with Hunger Action, a food-relief nonprofit that partners with farmers markets across the greater L.A. area, offering “Market Match” deals to customers paying with CalFresh debit cards.

The deal allows shoppers to buy up to $30 worth of fruit produce for only $15. Skimming a ledger on her table, Bach’s colleague Estrellita Echor noted that only a handful of shoppers had taken advantage of the offer.

All week at farmers markets where workers were stationed, the absence was just as glaring, she said. “I was at Pomona on Saturday — we only had six transactions the whole day,” she said. “Zero at La Mirada.”

CalFresh customers looking to double their money on purchases were largely missing at the downtown L.A. market the next day, Echor said.

A volunteer loads up a box of free food for a family at a drive-through food distribution site in the City of Industry.

(Genaro Molina/Los Angeles Times)

“This program usually pulls in lots of people, but they are either holding on to what little they have left or they just don’t have anything on their cards,” she said.

The disruption in aid comes as a result of the Trump administration’s decision to deliver only partial SNAP payments to states during the ongoing federal government shutdown, skirting court order to restart funds for November. On Friday night, Supreme Court Associate Justice Ketanji Brown Jackson temporarily blocked the order pending a ruling on the matter by the U.S. Circuit Court of Appeals.

But by then, CalFresh had already started loading 100% of November’s allotments onto users’ debit cards. Even with that reprieve for food-aid recipients in California, lack of access to food is a persistent problem in L.A., said Kayla de la Haye, director of the Institute for Food System Equity at USC.

A study published by her team last year found that 25% of residents in L.A. County — or about 832,000 people — experienced food insecurity, and that among low-income residents, the rate was even higher, 41%. The researchers also found that 29% of county residents experienced nutrition insecurity, meaning they lacked options for getting healthy, nutritious food.

Those figures marked a slight improvement compared to data from 2023, when the end of pandemic-era boosts to state, county and nonprofit aid programs — combined with rising inflation — caused hunger rates to spike just as they did at the start of the pandemic in 2020, de la Haye said.

“That was a big wake-up call — we had 1 in 3 folks in 2020 be food insecure,” de la Haye said. “We had huge lines at food pantries.”

But while the USC study shows the immediate delivery of food assistance through government programs and nonprofits quickly can cut food insecurity rates in an emergency, the researchers discovered many vulnerable Angelenos are not participating in food assistance programs.

Despite the county making strides to enroll more eligible families over the last decade, de la Haye said, only 29% of food insecure households in L.A. County were enrolled in CalFresh, and just 9% in WIC, the federal nutrition program for women, infants and children.

De la Haye said participants in her focus groups shared a mix of reasons why they didn’t enroll: Many didn’t know they qualified, while others said they felt too ashamed to apply for aid, were intimidated by the paperwork involved or feared disclosing their immigration status. Some said they didn’t apply because they earned slightly more than the cutoff amounts for eligibility.

Even many of those those receiving aid struggled: 39% of CalFresh recipients were found to lack an affordable source for food and 45% faced nutrition insecurity.

De la Haye said hunger and problems accessing healthy food have serious short- and long-term health effects — contributing to higher rates of heart disease, diabetes and obesity, as well greater levels of stress, anxiety and depression in adults and children. What’s more, she said, when people feel unsure about their finances, highly perishable items such as fresh, healthy food are often the first things sacrificed because they can be more expensive.

The USC study also revealed stark racial disparities: 31% of Black residents and 32% of Latinos experienced food insecurity, compared to 11% of white residents and 14% of Asians.

De la Haye said her team is analyzing data from this year they will publish in December. That analysis will look at investments L.A. County has made in food system over the last two years, including the allocation of $20 million of federal funding to 80 community organizations working on everything from urban farming to food pantries, and the recent creation of the county’s Office of Food Systems to address challenges to food availability and increase the consumption of healthy foods.

“These things that disrupt people’s ability to get food, including and especially cuts to this key program that is so essential to 1.5 million people in the county — we don’t weather those storms very well,” de la Haye said. “People are just living on the precipice.”

The largest work of art in the Los Angeles area by a woman might just be a museum.

The Norton Simon Museum in Pasadena is covered almost entirely in 115,000 hand-crafted architectural tiles created by ceramicist Edith Heath in 1969. Those tiles, affixed to the facade of a curvilinear building designed by architects Thornton Ladd and John Kelsey, have recently been cleaned and refurbished as part of a $15-million renovation designed to reintroduce the underappreciated museum to the public by making its exterior match the quality and beauty of the rare art inside.

The Heath tile is one of Norton Simon’s “superpowers,” said project architect Liz MacLean, a principal at the firm Architectural Resources Group, which specializes in historic preservation. “I think people drive by this museum all the time and have no idea that it’s clad with Edith Heath tile.”

Edith Heath attaching her tiles to the Norton Simon Museum in 1969. Heath would go on to be the first non-architect to win the Industrial Arts Medal from the American Institute of Architects for her work on the building.

(The Brian and Edith Heath Foundation and the Environmental Design Archives, UC Berkeley)

It’s not just the tile made by a groundbreaking ceramicist and innovator of midcentury modern tableware that people often drive by without recognizing — it’s the museum itself, said Norton Simon Vice President of External Affairs Leslie Denk.

The 85,000-square-foot museum — housing a private collection of 12,000 objects including work by Rembrandt, Degas, Picasso, Fragonard, Goya and Vuillard — and its 79,000-square-foot sculpture garden, dotted with work by Jacques Lipchitz, Henry Moore and Robert Morris, are situated on a steeply graded wedge of land girded by bustling Colorado Boulevard, and the traffic-snarled 134 Freeway, near where it meets the 210.

The new signage at the entrance of the Norton Simon Museum in Pasadena. Improving the curb appeal of the museum was the original goal of the renovation, which expanded to include refurbishing the Heath tiles and beloved sculpture garden.

(Etienne Laurent / For The Times)

The signage signaling the museum’s presence along one of Pasadena’s busiest thoroughfares was underwhelming and easy to miss, and the landscaping along Colorado Boulevard was overgrown and wide open. People would sometimes leave their shopping carts from a nearby Ralphs grocery store beside the entrance, not seeming to notice it at all. They also seemed unaware that French artist Auguste Rodin’s famed 1880 sculpture “The Thinker” had been sitting contemplatively along the street for decades — in a spot that no one appeared to realize was open to the public.

The sculpture was originally placed beside the main Norton Simon sign so that it would be visible to cameras filming the Rose Parade, but Denk said that when she recently watched a telecast, the sculpture was obscured by trees. That this iconic work was going unseen was representative of the museum’s problem as a whole.

Conversations about improving the Norton Simon’s curb appeal began a decade ago, said Denk, with the hope of unveiling new signage and entryways in time for the museum’s 50th anniversary celebration.

The space was built in the 1960s for what was originally called the Pasadena Art Museum, but that organization fell on rough times, and in 1974, industrialist Norton Simon — who had become a prominent art collector — took over the building, which reopened under his name in 1975. The last significant work on the museum — a $5-million renovation — was done in 1995 by architect and former museum trustee Frank Gehry.

The lobby of the Norton Simon Museum and its back garden pond, which was reduced in size and lined with concrete. It was also connected to a fountain that helps block the sound of nearby traffic.

(Etienne Laurent / For The Times)

Thirty years later, the need for more upgrades became paramount.

“What the museum was looking to do was to really improve our street presence, to elevate the way we present ourselves along Colorado Boulevard,” Denk explained. “There was a disconnect between the way we looked along the street to the experience of walking into the galleries.”

The renovation conceived to remedy this quandary naturally expanded to include a long-overdue restoration of the Heath tiles, as well as a refreshed sculpture garden with new resin-bound gravel pathways. A running fountain now connects to a concrete-lined pond with a reduced footprint to invite more foot traffic and allow for more community events, and walls have been erected to block traffic noise from nearby freeways. Crucially, a new pedestrian-friendly entryway has been constructed, alongside welcoming podium signage with fencing and pole banners that gaily announce the museum to the public.

The work, which took a total of 10 months, was scheduled to start on Jan. 7 — the same day that wildfires began tearing through the Pacific Palisades and Altadena, which borders the museum to the north. The campus was locked down immediately and no smoke infiltrated the galleries, said Emily Talbot, vice president of collections and chief curator, but the sculpture garden looked as if a hurricane had torn through it.

The restoration took on added meaning in the days that followed, Talbot said.

“This building’s design was intended to be in dialogue with the mountains, and so its preservation now just feels all the more significant and important,” she said.

Project architect Liz MacLean, from left, Norton Simon Museum Vice President of External Affairs Leslie Denk and Vice President of Collections and Chief Curator Emily Talbot. “It really is a work of art,” MacLean said of the Heath tiles that cover the building.

(Etienne Laurent / For The Times)

The mottled brownish-red of the Heath tiles is a huge part of that environmental dialogue, and on a recent sun-soaked Friday they shone with a radiant luster under an azure sky. Before the restoration they were cracked and dirty — some had fallen off altogether and others were marred by biological growth. ARG began the process of identifying which tiles needed the most remediation by doing a photorealistic laser scan of the building that MacLean described as a sort of high-tech x-ray.

Twelve artisans at Heath Ceramics, which still operates in the Bay Area, created 3,000 new tiles by hand. The process was complicated, MacLean and Denk note, because the workers had to re-create the tiles with a new formula. The original included materials like lead, which can no longer be used. So they had to test out different processes of glazing in order to make the tone and texture match the old tiles as closely as possible. They ended up using a two-part glaze and also created an entirely new mold since the tiles are not a standard shape.

After the first pressing in the clay, the final tiles shrank about 12%, said MacLean, so the fabricators had to conduct many trials to get just the right size. There were places on the facade where a single tile needed to fit in the grout on the wall. This work was done by Gardena-based company KC Restoration, which retouched and treated each damaged or cracked tile with the type of care and attention to detail used by painting conservators, Denk said.

The entrance and lobby of the Norton Simon Museum. “Our collection is at the heart of everything we do,” said chief curator Emily Talbot.

(Etienne Laurent / For The Times)

“It’s interesting, because a lot of times building elements are seen as owned by the architect,” said MacLean of the Heath tiles. “And this is a finish done by someone outside of the architecture firm and architecture world, which is really exciting.”

Thanks to her work on the Norton Simon, Heath became in 1971 the first non-architect to win the Industrial Arts Medal from the American Institute of Architects, helping launch her career.

“It really is a work of art,” said MacLean. “It’s more than just a building.”

It’s also what’s inside that building, said Talbot, which is coming into focus with the 50th anniversary celebrations.

“Our collection is at the heart of everything that we do,” she said.

Fittingly, “The Thinker” has been moved to a prominent spot by the new pedestrian entrance, where everyone can see it — and take an obligatory selfie — on their way to the front doors.