It is difficult to find words to express my disgust for the coming White House visit. Like the man they are going to see, the Dodgers are without honor.
Rico Gardiner San Diego
Sports do not transcend or evade association with politics, especially in the current period of America’s decline under President Trump. It’s disgraceful that the Dodgers would again honor a rank authoritarian, a brazenly corrupt kleptocrat, criminal, malignant narcissist and wrecker of our democracy and rule of law.
Trump is not honoring the Dodgers; he’s using their presence to honor him and give him a bit more gaslight glory. The organization has smeared itself with the dishonor, serving the PR agenda of our vainglorious tyrant. If they cared about the optics, their civic duty and the good of the country, they would decline.
T.R. Jahns Hemet
Dodgers, you are out. Out of our house. In normal times, a White House visit is a grand honor for a championship club. I get that. These are NOT normal times. For you to pretend they are and honor this man with your presence is unforgivable. Spineless. A statement that makes the wrong statement. We will not be watching or rooting for you this season. You are out at home. Our home.
William Lewis Burbank
Ever since the Dodgers accepted their World Series visit to the White House, they’ve been error-prone on the field, and losing most games. In the All-Star Game, the players were hitless and the pitcher served up the only home run. To add more insult, their former player received the MVP award! Most importantly, is the disappointment and loss of respect from the fans. Karma has a way to haunt.
Robert Torres Torrance
Your letters to the editor section regarding the Dodgers’ planned visit to the White House continues the left bias of the L.A. Times. Four letters were published praising the article and one was published critical of the article. I doubt that the 4-to-1 ratio reflects the opinions of the L.A. population, but it may reflect the opinions of readers that your left-leaning paper attracts. I read the paper only to see what the lefties are up to.
By December of 2023, Paul Preston realized that his girlfriend Susan Huckle was a big fan of road trips and lists. So for Christmas, he gave her L.A. Times’ ”101 Best California Experiences” zine, a traveler’s bucket list highlighting my top destinations throughout my four decades of traveling the state.
The gift, I’m delighted to hear, was a hit.
Preston and Huckle went through it and checked off locations they’d seen already. Then they hit the road.
And now, after two and a half years of roaming the state between work assignments, they’re back to report that they’ve covered all 101 locations on that list. Though the two have also traveled beyond state lines, the quest to cover California “totally informed our lives for the last two or three years,” said Huckle, who sent me a note of thanks after ticking the last box.
After the note arrived, I was eager to call them and learn more. I caught the couple, of course, in the middle of a day trip.
Susan Huckle and Paul Preston set out to visit every spot on the L.A. Times’ 2023 list of “101 Best California Experiences.” Along the way, they got married in Yosemite Valley.
(Nick Wuthrich)
“We’re out exploring,” Preston said. “So you’re getting what we’re about.”
They’re also now married. That happened last July in Yosemite Valley, which, yes, was on the list.
Huckle, 41, an actress, a host on “L.A. This Week” on Channel 35, a Universal Studios performer and an author, grew up in Santa Maria on California’s Central Coast.
Preston, 56, is also an actor. He leads movie location tours and hosts podcasts, movie trivia nights and special events. He grew up and went to college on the East Coast, so he had fewer California miles under his belt when the couple met in 2020.
Their California 101 travels began in early 2024 with a trip to Paso Robles, where they saw the green slopes along Highway 46, Morro Rock and the elephant seals at Piedras Blancas near Hearst Castle.
“And then,” Preston said, “we just kept going.”
Some of their most satisfying stops, the two agreed, were places they hadn’t heard of, such as Orange Works in the Central Valley town of Strathmore and Angel Island State Park, sometimes known as the Ellis Island of the West. Huckle called Angel Island “a marriage of natural beauty with great, powerful, historic information.”
By early this year, there were only a few destinations left to check.
In April, they did the Indian Canyons and Sunnylands estate near Palm Springs, the Integratron near Joshua Tree and the Cheech Marin Center for Chicano Art & Culture in Riverside. In June, they rafted the South Fork of the American River, along with stops in Old Sacramento and, last of all, Columbia State Historic Park. Then they made their own favorites lists.
Susan Huckle’s top 10:
Yosemite Valley Badwater Basin Mammoth Mountain Angel Island State Park Cheech Marin Center Joshua Tree National Park American River South Fork The Marshall Store on Tomales Bay Santa Cruz Island Sunnylands
Paul Preston’s top 10:
Yosemite Valley Hollywood Bowl Griffith Observatory Catalina Mammoth Mountain American River South Fork Erick Schats’ Bakery in Bishop Huntington Library and Gardens Palm Springs Aerial Tramway Balboa Park, San Diego
Now that they’ve seen so much of the state, I had questions. For one, which spots not on the list would they have included?
“The Carmel Mission,” Huckle said quickly. “It’s beautiful and the missions are an important part of California history.” But she said the mission’s account of its own history seemed “whitewashed,” saying little about the Native loss and trauma that historians are increasingly recognizing in accounts of the missions.
Said Huckle: “I was like, ‘C’mon guys, nobody really thinks this any more, right?’”
Now that they’re done with the Times’ “101 Best California Experiences,” what what will shape their next trips?
They have a list for that. Huckle picked up an L.A. guide, Danny Jensen’s “Secret Los Angeles,” and the couple plans to start where the book does, with the Triforium, a many-colored sculpture that went up outside City Hall in 1975 (and once featured music).
After that? Maybe the Faces of Elysian Valley, a traffic circle sculpture that Huckle said “looks like Easter Island in the middle of Cypress Park.”
That will leave only about 138 more destinations in the book to cover.
Last March, the L.A. Times had proclaimed that Nathy Peluso had found her musical language. Later that year, the Argentine singer decided to mix things up by releasing her 2025 EP, “Malportada.”
In a departure from her urbano and alternative leanings blended with notes of R&B, the six-song EP was a straightforward, traditional salsa offering that featured a collaboration with Venezuelan salsa hybrid band Rawayana on the title track.
“My experience being a woman and making music has always been to talk about my freedom [and] how I feel,” she told The Times in a recent interview inside the famous Amoeba Music record store in Hollywood. “Salsa seems to me like a stage that invites one to express themselves fully, speak loudly, dance freely and feel powerful.”
Peluso had previously dabbled in the salsa genre with tracks like 2020’s “Puro Veneno,” 2021’s “Mafiosa” and the 2025 salsa erótica tune “Erotika,” but had never dedicated an entire project to the Caribbean musical styling.
“It’s [my] function in society,” Peluso previously told The Times in a 2025 interview when asked about the criticism of her salsa jams. “I’m not the kind of artist who’s complacent or politically correct. I don’t do anything with the intention of pleasing others. I chose the mission of bringing salsa back to the present because I’m passionate about it. If a genre gives me so many wonderful sensations, I want everybody else to feel them as well. As long as people argue, they will have to listen to the songs — and as a result, they will listen to salsa.”
Peluso’s gamble paid off — as “Malportada” was so well-received by critics, fans and the wider salsa community that she managed to get herself booked as the co-headliner for the Hollywood Bowl’s upcoming Salsa Spectacular on Wednesday.
Over the last few years, salsa music has enjoyed a bit of a renaissance — thanks in part to the success of Bad Bunny’s universally acclaimed album “Debí Tirar Más Fotos” — which featured the salsa fusion hits “Baile Inolvidable” and “Nuevayol” — and Rauw Alejandro’s 2024 LP “Cosa Nuestra.”
But for Peluso, her integration into the salsa world was a long time coming.
“I grew up listening to Gloria Estefan, I fell in love with [the 2000 album] ‘Alma Caribeña,’ I fell in love with the richness of that music,” said Peluso. “I’ve had a strong relationship with salsa music since I was young, even though I didn’t grew up in a place that was a cradle for that genre.”
Peluso was born in the Argentine city of Luján and lived there until she was 9, when her family moved to Spain, eventually settling in the southeastern city of Alicante.
In addition to Estefan, she cited inspiration from Nuyorican percussionist Ray Barretto, Puerto Rican salsa orchestra El Gran Combo de Puerto Rico and genre icons Héctor Lavoe and Willie Colón.
(Ronaldo Bolanos / Los Angeles Times)
“Throughout my career, I’ve always flirted with the genre,” Peluso said. “After doing the press for [the 2024 album] ‘Grasa’ there reached a point where I realized I was ready to make my salsa record, and it just happened to coincide with the current salsa boom.”
While paying respect to the musical tradition, Peluso also imbued her spin on the genre with some of the swaggering feminine energy often found in urbano music — as is evidenced in the “Malportada” track “A Caballo.”
“I grew up listening to a lot of masculine salsa and I thought it would be interesting to approach that type of energy from a woman’s perspective,” she explained. “[To take] all these stories of danger and sex and desire that the genre is known for, but give them a feminine spin.”
Peluso further bolstered her salsa bona fides when she teamed up with a pair of Caribbean music legends over the last year.
In September, she collaborated with her idol Estefan for a remix of the 1993 track “Chirriqui Chirri.” The duo performed the explosive song at the 2025 Latin Grammy Awards show. In February, Peluso jumped in the studio with Puerto Rican salsero Marc Anthony to record the original track “Como en el Idilio.”
“It was so awesome to sing with [Anthony] because he is one of the all-time legends we have in salsa who expanded the genre worldwide,” Peluso said. “It was a blessing to sing with Marc and Gloria in this moment of my career in which I’ve decided to represent salsa from my point of view.”
For her Hollywood Bowl gig, Peluso will be accompanied by the Colombian salsa collective Grupo Niche, a Grammy- and Latin Grammy-winning group that has been around since the late ’70s.
“I’ve admired Grupo Niche for years,” Peluso said. “We met at the Latin Grammys a few years ago and really hit it off. A little while back, when I was offered to do the Hollywood Bowl show alongside them, it was a no-brainer.”
But the biggest honor that Peluso is looking forward to is playing the hallowed stage of the Hollywood Bowl.
“It’s like playing in a palace for me,” she said of the historic venue. “The last time I was in L.A. for the ‘Grasa’ tour, I left wanting more. I knew I’d have to waiting until my next tour to try it, but I didn’t expect my next tour to come so quickly. It’s such a mythical place, it’s such a luxury.”
The Times earned prestigious Associated Press Sports Editors triple crown honors for a sixth consecutive year, claimed first place in two individual categories and finished in the top 10 in eight categories.
The staff submitted work published in 2025 and competed against the largest print and digital sports publications in the country.
The Times also earned first place in event coverage for the staff’s work chronicling the Dodgers World Series Game 7 win, tying with the Dallas Morning News for top honors.
The Times’ eight top-10 finishes included the categories print portfolio, digital, event coverage, special sections, investigative, national beat writing, columns and short feature. The staff also earned an excellence in video award.
