L.A

Celebrate St. Patrick’s Day at L.A.’s best Irish pubs

In 1936, Irish Bostonian entertainment lawyer Tom Bergin founded L.A.’s first Irish pub, the Old Horseshoe Tavern, on Wilshire Boulevard. The bar was later renamed in his honor and relocated to its current Tudor Revival-style building off Fairfax Avenue in 1949.

The tavern claims to have introduced Irish coffee to the U.S. — though some argue that San Francisco’s Buena Vista Cafe holds that title. Either way, Tom Bergin’s is one of the oldest bars in continuous operation in L.A. and boasts the second-oldest liquor license in the city. And its Irish coffee is still one of the best you’ll find.

Today, L.A.’s Irish pub tradition extends to Santa Monica, Long Beach and Woodland Hills, with many founded by Irish immigrants seeking to bring a bit of their homeland to the West Coast in the form of Guinness pints, corned beef and cabbage and traditional Irish folk music.

Whether you’re celebrating St. Patrick’s Day or just looking for somewhere to split the G, here are 13 Irish pubs to check out in L.A. — Danielle Dorsey

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Most L.A. voters undecided about mayor’s race, with support for Bass at 20%, poll finds

A majority of Los Angeles voters are undecided about the race for mayor, with support for incumbent Karen Bass at 20%, according to a new poll.

The poll by Emerson College Polling/Inside California Politics found that about 51% of Angelenos have not made up their minds about who should lead the city for the next four years.

Spencer Pratt, a conservative reality TV star, came in second to Bass, at just over 10%. City Councilmember Nithya Raman, a former Bass ally who shook up the field with her last-minute entry, polled at slightly more than 9%. Tech entrepreneur Adam Miller was supported by just over 4% of those polled, with leftist candidate Rae Huang at about 3%.

Although Bass had the most support among the candidates in the June 2 primary election, the poll showed that nearly half of Angelenos are unhappy with her performance. She was weakened politically by her handling of the devastating Palisades fire but has touted reductions in homicides and homelessness.

About 25% of those polled said they approve of the job Bass is doing as mayor, while about 47% disapprove. About 28% said they have no opinion or felt neutral.

The poll, based on interviews with 350 likely voters March 7-9, revealed just how up for grabs the mayoral election is, with less than three months before the primary.

“This is a wide open race,” said Zev Yaroslavsky, a former city council member and L.A. County supervisor who runs the Los Angeles Initiative at the UCLA Luskin School of Public Affairs. “The general narrative [of the poll] is that the mayor is not popular for somebody going into reelection, but the majority of people have not made up their mind whether they’ll come back to her or go to someone else.”

Los Angeles Councilmember Nithya Raman meets with reporters after filing paperwork to run for mayor.

City Councilmember Nithya Raman meets with reporters after filing paperwork to run for mayor of Los Angeles.

(Christina House / Los Angeles Times)

Bass campaign spokesperson Doug Herman did not respond directly to the poll. But he said in a statement that the mayor “took on the challenge to change Los Angeles after decades of decline from long ignored issues; resulting in first ever back to back drops in homelessness, 60 year lows in homicides and an unprecedented 40,000 affordable housing units accelerated.”

Pratt said through a campaign spokesperson, “The Emerson poll confirms what we’ve been seeing on the ground — this is a two-person race for Mayor of Los Angeles between me and Karen Bass. Angelenos are frustrated with the direction of the city and it’s reflected in her low approval numbers. Our campaign is gaining real momentum as more voters look for new leadership focused on results and accountability. This race is just getting started.”

Raman’s campaign, however, said she’s the one gaining momentum.

“It’s clear that voters want change, and we’re gaining momentum for our campaign to make L.A. more affordable and to govern with urgency and accountability,” the campaign said in a statement.

The field of candidates did not take shape until the week of the February filing deadline. Billionaire developer Rick Caruso and L.A. County Supervisor Lindsey Horvath both flirted with a run before deciding against it, and former L.A. schoolsSupt. Austin Beutner dropped out after the death of his 22-year-old daughter. With no other major candidate opposing Bass, Raman filed her paperwork with hours to spare.

With petitions still being verified, 13 mayoral candidates have qualified for the June ballot. If no one gets 50% of the vote in the primary, the top two finishers will head to a runoff in November.

“This race could shift dramatically come June,” Spencer Kimball, executive director of Emerson College Polling, said in a statement.

Kimball cited the large percentage of undecided voters of all stripes — 67% of independents, 49% of Democrats and 37% of Republicans are undecided. Pratt is a Republican, and the other major candidates are Democrats in a heavily blue city.

Pacific Palisades resident Spencer Pratt, who lost his home in the Palisades fire, stands with supporters.

Pacific Palisades resident Spencer Pratt, who lost his home in the Palisades fire, stands with supporters after announcing his run for Los Angeles mayor on the one-year anniversary of the Palisades fire in the Palisades Village on Jan. 7, 2026.

(Genaro Molina / Los Angeles Times)

The poll is not the first to show negative views of Bass.

Last year, after the Palisades fire, a poll of L.A. County residents by the UCLA Luskin School of Public Affairs found that 37% held favorable views of the mayor, while 49% held unfavorable views.

The Emerson poll also featured questions on issues such as public safety and homelessness.

More than 82% of Angelenos in the poll said they feel very safe or somewhat safe in their communities, while about 17% said they feel not too safe or not safe at all.

On homelessness, the view was grimmer. Only 15% of Angelenos polled said that homelessness is getting better, while more than 55% said it is getting worse. Almost 30% feel it is staying the same.

Los Angeles has seen significant reductions in street homelessness for the last two years, after years of steady increases.

Bass has attributed the declines to her signature Inside Safe program, which clears encampments and places homeless people in short term housing.

“There is no doubt that Inside Safe, by bringing thousands of people inside and reducing street homelessness by 17.5 percent, has saved lives and helped drive this decline,” Bass said in a statement Tuesday.

The Emerson poll also asked California residents about the governor’s race. Rep. Eric Swalwell (D-Dublin) had the most support at slightly more than 17%, followed by Republicans Steve Hilton at just over 13% and Chad Bianco at more than 11%. Billionaire Tom Steyer came in at about 11%.

Nearly a quarter of California voters were undecided, according to the poll.

Paul Mitchell, a political data expert, called the Emerson poll flawed. Not enough Angelenos were polled, and the sample skewed too heavily toward young people, when older residents are more likely to vote, he said.

Mitchell called the poll an “amuse-bouche.”

“This tells all of the candidates [they] should be doing a poll,” he said.

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Engineer sues L.A. County over Pride flag at government buildings

A Christian engineer with L.A. County claims his bosses discriminated against him by forcing him to pass by a Pride flag on the way to his office, the latest legal challenge to the government’s policy of requiring many government buildings display the flag throughout June.

Eric Batman, a 24-year veteran of the Department of Public Works, sued the county March 10 for refusing to let him work remotely in June, when the rainbow-striped flag hangs in front of his department’s Alhambra headquarters.

It’s the second lawsuit to target the county’s 2023 policy ordering the raising of the “Progress Pride Flag,” a modified version of the traditional rainbow flag with additional stripes representing people of color and transgender and nonbinary people.

In May 2024, Jeffrey Little, an evangelical Christian county lifeguard, sued the county for requiring he work feet away from the flag. That case, filed by conservative Catholic legal group Thomas More Society, is ongoing.

Batman said he first asked to work remotely for the month of June in 2024 to avoid the flag, which he found “highly offensive,” according to the suit.

A supervisor rejected his request, according to the filing, noting the county was “committed to fostering an inclusive workplace, including for our LGBTQ+ employees.” The supervisor suggested he use another entrance, Batman’s suit claimed.

“They wouldn’t give it to him because the county said ‘Our interest is in inclusivity — regardless of whether or not that includes you,”’ said Daniel Schmid, an attorney with Liberty Counsel, a Christian legal group representing Batman.

Liberty Counsel frequently takes on high-profile plaintiffs who oppose same-sex marriage, including the case of Kim Davis, the Kentucky county clerk who refused to provide marriage licenses to same-sex couples.

A spokesperson for the county’s public works department said she could not comment on the suit as it had not yet been served.

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L.A. Times Festival of Books lineup, speakers and panels

The L.A. Times Festival of Books is back for its 31st year.

The event will feature authors, poets, artists and podcasters across panels, book signings, cooking demonstrations and screenings. This year’s lineup includes comedian Larry David, actor and Booker Prize judge Sarah Jessica Parker, musician Lionel Richie, Beyoncé’s mother and multihyphenate Tina Knowles, bestselling author and social critic Roxane Gay and News & Documentary Emmy- and Peabody-nominated scholar Reza Aslan, among others.

Scheduled for April 18 and 19, the literary festival will feature more than 550 storytellers and nearly 100 panels across the University of Southern California’s campus.

Other notable personalities include: Pat Benatar, Blippi, Mark Harmon, David Duchovny, Susan Lucci, Jennie Garth, Hannah Brown, Anne Lamott, Chanel Miller, Lisa Rinna, Stephanie Garber, Jon Klassen, Mac Barnett, Meghan Quinn, Hayley Kiyoko, Megan McDonald, Elyse Myers, Eli Rallo, Raegan Revord and Molly Jong-Fast.

As part of the Ideas Exchange speaker series, Richie will sit down with Times Pop Music Critic Mikael Wood, to discuss “Truly,” Richie’s new memoir. The book explores the singer’s upbringing in Alabama and his rise to stardom, including performing with the Commodores.

On Saturday, Sarah Jessica Parker and Alexandra Oliva join the festival to discuss Oliva’s new SJP Lit novel “The Radiant Dark.” The following day, Larry David and Times News and Culture Critic Lorraine Ali will talk about Ali’s new book, “No Lessons Learned: The Making of Curb Your Enthusiasm.”

This year’s event will debut the Audiobook and Podcast Stage presented by Spotify, hosting talent like “Crimes of The Times” host and Times writer Christopher Goffard and “Remarkably Bright Creatures” bestselling author Shelby Van Pelt. The festival will also screen a preview of the Hulu show “Rivals,” which will be followed by a discussion between producer and writer Dominic Treadwell-Collins and actor Nafessa Williams.

At the Times Food Stage, Cassandra Peterson, known for her work as Elvira, will be demoing from her book “Elvira’s Cookbook From Hell.” Culinary influencer Cassie Yeung will also be stopping by to discuss recipes from her new Asian takeout cookbook “Bad B*tch in the Kitch.”

The festival will kick off April 17 with The Times hosting the 46th annual L.A. Times Book Prizes at Bovard Auditorium. The ceremony will honor Amy Tan with the Robert Kirsch Award for lifetime achievement, We Need Diverse Books with the Innovator’s Award and Adam Ross with the Christopher Isherwood Prize for Autobiographical Prose. The prizes recognize 61 works in 13 categories.

General admission to the festival is free. Friend of the Festival packages, which include panel reservations, parking and merchandise, are currently on sale.

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L.A. will continue to fund eviction defense program

A dispute over the city of Los Angeles’ eviction defense program came to an end Tuesday when the City Council approved millions of dollars in funding for the next 15 months.

The program, Stay Housed L.A., started in 2021 and provides thousands of renters with legal representation in eviction proceedings as well as other services.

Tenant advocates feared that the new contract, which passed 12 to 1 and funds an initial portion of a three-year, $177-million contract, was under threat after City Atty. Hydee Feldstein Soto urged the council to reconsider it in a confidential memo last week.

Feldstein Soto said she had concerns about awarding such a large contract to Legal Aid Foundation of Los Angeles, which frequently sues the city over homelessness issues.

Legal Aid is the main legal service provider under the Stay Housed L.A. contract, which also funds Southern California Housing Rights Center for short-term emergency rental assistance, Liberty Hill Foundation for tenant outreach and Strategic Actions for a Just Economy to protect tenants from harassment.

The city’s Housing Department had recommended a three-year contract, but the council opted for a shorter period that can be extended.

Legal Aid has argued that its lawsuits against the city are unrelated to its eviction defense work under the Stay Housed L.A. contract.

“We are very relieved that our services can continue uninterrupted,” said Barbara Schultz, director of housing justice for Legal Aid, in an interview after the vote.

Feldstein Soto, who is running for reelection, said in a statement that her office wanted to make sure the city wasn’t giving a “blank check” to Legal Aid without requiring detailed reporting of finances and outcomes.

“The eviction defense program is a city program and is in zero jeopardy,” she said. “What is in question is a $177-million blank check to [Legal Aid] and its partners without the reports and invoice review that is required by law. That is an amount that exceeds the budget of numerous city departments.”

On Tuesday, the City Council added a requirement that the nonprofits in the program provide “performance metrics” including the number of tenants served, case outcomes and demographic data.

Schultz said that Legal Aid already provides monthly data to the city.

John Lee was the only councilmember who voted against the new contract, saying he was not comfortable with the new “transparency requirements.”

Since its inception, Stay Housed L.A. has opened about 26,000 cases overall, providing full representation for 6,150 cases and working on nearly 20,000 “limited scope” cases, according to data from Legal Aid. The original contract, which is set to lapse at the end of the month, was for about $90 million.

The program is funded by Measure ULA, the “mansion tax” passed by city voters in 2022. On Tuesday, the council included a provision that would allow it to cease funding the eviction defense program if Measure ULA were overturned.

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L.A. City Council candidate stays in race after report that he stabbed a boy at age 12

Jordan Rivers, who is running to represent a harbor-area district on the Los Angeles City Council, said he will continue his campaign after a report surfaced that he stabbed a neighbor when he was 12.

Rivers, 22, is the sole challenger to incumbent Tim McOsker in the June 2 primary election.

In a lawsuit, Nicholas Parszik and his parents alleged that Rivers stabbed Nicholas, then 8, while the two boys were playing video games in the garage of Nicholas’ San Pedro home on July 30, 2016.

Rivers “stabbed Nicholas repeatedly around the neck and shoulder areas,” inflicting “severe and life threatening physical and emotional injuries,” the lawsuit said.

On Monday, Rivers said it was an “accident” that happened a decade ago.

“I do not believe that past situations or indeed past mistakes define or determine who a person is or what they are,” he said in a statement.

Rivers, who is Black, said that an initial media report about the lawsuit had “a racial undertone” and seemed meant to damage his reputation ahead of the election.

The California Post first reported the lawsuit on Monday, which was also the last day for candidates to withdraw paperwork to run for office.

McOsker is seeking a second term representing District 15, which includes Harbor City, Harbor Gateway, San Pedro, Watts and Wilmington.

“I am saddened and troubled that this happened here in our community, and my heart breaks for the victim and his family. I hope they have gotten the care needed. My office will be here to provide advocacy and support for anybody who has been traumatized by this incident,” McOsker said in a statement.

Asked whether Rivers should withdraw, McOsker campaign consultant Dave Jacobson said, “Only Mr. Rivers could decide whether to run, and only he can decide whether he should stay in the race.”

Rivers, who listed his occupation as “community organizer” on campaign filings, has not reported any campaign donations. By Dec. 31, McOsker’s campaign had raised over $190,000, according to the city’s Ethics Commission.

Juvenile criminal records are sealed. Rivers said that law enforcement “got involved” but that he did not serve time in juvenile hall.

Paul Parszik, Nicholas’ father, said he was doing dishes when he heard screaming from the garage and Nicholas ran into the house with stab wounds on his neck and shoulders.

Paul Parszik recalled shoving his fingers into the wounds to staunch the bleeding.

Nicholas fully recovered and is about to turn 18, his father said, but still has physical scars.

In an interview with The Times, Rivers denied attacking Nicholas. He said he had been cooking and accidentally brought a cooking knife to the younger boy’s home.

He forgot that he had put the knife under a video game controller, and the two began “play fighting,” he said.

Rivers said he didn’t notice anything was wrong until Nicholas was already injured.

Rivers’ mother, Eunice Rivers, wrote in a 2016 filing in the lawsuit that her son “was eating an apple and had a small peeler in his hand to cut his apple when the Plaintiff started wrestling with the Defendant. While wrestling Plaintiff Nicholas was injured.”

Eunice Rivers settled the case, which was filed in Los Angeles County Superior Court, for $10,000 in 2018. The settlement did not include an admission of fault.

In an October court filing, Paul Parszik claimed that Eunice Rivers never paid the settlement and owes $7,941.71 in interest.

Parszik said the lawsuit was primarily intended to pressure the Rivers family to move away, which they did not do.

He plans to attend Rivers’ campaign rallies.

“I can’t wait to go home and go to his first rally and say, ‘Hey, you stabbed my kid and you have no remorse,’” he said.

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Flag football event featuring Tom Brady moved to BMO Stadium in L.A.

Tom Brady‘s return to the football field will take place on U.S. soil.

Right here in Los Angeles, to be specific.

The Fanatics Flag Football Classic, featuring Brady and a slew of other NFL stars and athletes, will take place March 21 at BMO Stadium, the venue that is also slated to host flag football during the 2028 Summer Olympics.

The event was originally scheduled to take place on the same date, but at a location more than 8,000 miles away at Kingdom Arena in Riyadh, Saudia Arabia.

No official reason for the relocation has been given, although the move was made amid increased tensions in the Middle East after the United States and Israel began military strikes against Iran this month. Last week, Iran used two drones to strike the U.S. Embassy in Riyadh, Saudi Arabia’s capital city.

The event will feature three 12-player teams. Brady, the retired seven-time Super Bowl champion and minority owner of the Las Vegas Raiders, and Philadelphia Eagles quarterback Jalen Hurts will co-captain the Founders FFC team, which will be coached by Denver Broncos’ Sean Payton.

A second team, Wildcats FFC, will be co-captained by Cincinnati Bengals quarterback Joe Burrow and Washington Commanders quarterback Jayden Daniels, with San Francisco 49ers’ Kyle Shanahan coaching. During a March 18 draft, the two teams will be built from a pool of athletes that include Philadelphia Eagles running back Saquon Barkley, Cleveland Browns defensive end Myles Garrett, former Rams receiver Odell Beckham Jr., four-time Super Bowl-winning tight end Rob Gronkowski and WWE star Logan Paul.

The third team in the event is the U.S. national flag football team, the reigning IFAF flag football world champion coached by Jorge Cascudo and captained by Aamir Brown and Darrell “Housh” Doucette.

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These 18 Southern California music venues have opened since the pandemic

Ron Mesh was a tour manager for Guns N’ Roses and hard rock acts for decades — he knows how a well-appointed club can make or break a band. He just opened Dune Room, an independent venue in Indio that aims to keep the desert’s edgier music scenes thriving for the non-festival-saturated months of the year.

“I put in everything I would have wanted playing clubs — bus parking, a great green room and amazing sound system,” Mesh said. “In L.A., I wouldn’t have come close to getting this. But Indio’s very exciting — a lot of young metal bands are thriving, and now you don’t even have to go to the high desert to find them.”

Mesh is well known in the desert’s music scene (he also opened Studio B, a high-end mix studio). The venue — formerly the Little Street Music Hall — had a knotty opening after some early ownership disputes with former partners. But for salty desert rockers and hungry young punks who can’t afford Coachella tickets, it’s a welcome addition to the scene. “Pappy’s has a vibe where you go to the club just knowing there’ll be something cool there,” Mesh said, “Indio is getting that too.”

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These L.A. spots will make you think you’re in Europe (kinda)

My husband and I celebrate our 40th wedding anniversary in April! Years ago we planned to go to Paris (as we did on our 25th), but now our 17-year-old dog can’t be left alone with a dog sitter for that long. And look, our cat is 15! Any recommendations for a special dinner (we live in the Pasadena/Highland Park area) and maybe a little escapade where we would only be gone for shorter bursts? Hints: We love theater, movies, the beach, laughing and food that is divine, but not so rich you can’t stand up after. I also can’t eat dairy. — Diane Kelber

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

First and foremost, congratulations on 40 years of marriage! That’s a milestone definitely worth celebrating. Also, I hear you on not wanting to leave your dog for an extended period of time. Although you won’t be able to make it to Paris this time, hopefully we can bring glimpses of the romantic city to you here in L.A. I’ve compiled a list of spots for you to create your own adventure.

If you look closely enough, you can find slices of Europe in L.A. Or as my colleague Christopher Reynolds once put it, places that aim to “feed travel dreams or remind someone of home.” A prime example of this are the many French restaurants in the city where you can indulge in as many macarons, steak frites and beef bourguignon as you’d like. Two standout spots are Camélia and Pasjoli, both featured on the L.A. Times list of 101 Best Restaurants. Located in the downtown Arts District, Camélia merges French and Japanese cuisines. On the menu is uni pasta, hanger steak au poivre and a dry-aged burger with fries, which restaurant critic Bill Addison says doesn’t require any twists because “it’s simply a fantastic burger.”

Restaurant critic Jenn Harris says the Santa Monica-based Pasjoli “straddles the line between destination dining and the kind of neighborhood restaurant everybody wants to have down the street.” The eatery is best known for its tableside pressed duck, which the chef prepares in a theatrical fashion during dinner service. But if you’re not into duck, there are several other popular dishes on the menu, including French onion soup, steak frites, sole meuniere and what Harris calls “the best grilled cheese sandwich in the known universe” (though this might be a better option for your husband).

If you prefer a more laid-back vibe that makes you feel like you’ve been teleported to Saint-Germain-des-Prés in Paris, check out Figaro Bistrot in Los Feliz. As I wrote in a guide about neighborhood, the restaurant embodies the Parisian way of dining: guests linger over wine and good conversation.

Another L.A. spot that is reminiscent of Europe is the the Getty Center in Brentwood. Designed by architect Richard Meier, the sprawling hilltop complex is gleaming with manicured gardens, breathtaking city views and a museum, making it the perfect backdrop for a romantic date. Bring a blanket, your favorite snacks and have a picnic on the lawn near the central garden. The best part is that it’s free to visit (though reservations are required and parking rates vary depending on the time of day). For a more intimate experience, check out the Getty Villa in Malibu, modeled after the Villa dei Papiri in Herculaneum, Italy.

For a picturesque date that feels like you’ve been plopped onto a movie set, consider the Gondola Getaway in Long Beach. Here, a gondolier takes you on a loop around an enchanting residential Naples Island. Years ago, I went on a date there and I’ve been wanting to go back ever since.

Now for some rapid fire recommendations: Since you’re into theater, my colleague Lisa Boone suggests the Pasadena Playhouse, a Tony Award-winning theater, which is close to home for you. Times outdoors reporter Jaclyn Cosgrove also recommends drinks and dinner on the charming balcony at Checker Hall in Highland Park. Afterward, you can check out a live show next door at the Lodge Room. And because you love laughing, consider checking out Hollywood Improv, which hosts multiple events throughout the week.

Now, I know that these experiences aren’t Paris, but I hope they might help bring you and your husband a bit of what travelers feel when they’re there: excitement, adventure, passion and most importantly love. And when you’re with that special someone, I think you can capture those emotions no matter where you are. Happy anniversary!



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Nathan Martin wins closest L.A. Marathon in race history

Victory was decided by a single stride Sunday morning during the 41st Los Angeles Marathon.

American Nathan Martin needed every foot of the 26.2-mile course to chase down leader Michael Kimani Kamau of Kenya, winning by 00.01 seconds an exciting finish that left spectators and athletes alike breathless. Martin posted a time of 2 hours, 11 minutes, 16.50 seconds and forced the closest finish in race history.

“In any race, I just want to give 100%,” said Martin, 36. “I saw an opportunity to race at the end and give one last push. All I wanted to do is push myself.”

Martin, who clocked a personal best 2:10:45 at the Grandma’s Marathon in Duluth., Minn., in 2023, surged in front as he got to the finish line alongside Kamau, who immediately collapsed and was attended to by medical personnel before being carried off on a stretcher.

Kenyan Priscah Cherono waves her hands in the air as she wins the women’s elite race during the L.A. Marathon on Sunday.

Kenyan Priscah Cherono waves her hands in the air as she wins the women’s elite race during the L.A. Marathon on Sunday.

(Ronaldo Bolanos/Los Angeles Times)

“I made an actual move five miles out … when I saw no one else was picking up the pace. I decided I needed to push,” Martin said. “At a mile and a half to go, I could see the leader and with 800 meters to go, I was thinking, ‘I’m catching him.’”

Ethiopian Enyew Nigat (2:14:23) was third, former University Florida runner Josh Izewski (2:14:43) was fourth and 2024 winner Dominic Ngeno of Kenya was fifth in 2:16:17.

Martin is the second straight American champion, following former Montana State University standout Matthew Richtman, whose time of 2:07:56 in 2025 was the second-fastest in race history and the fastest on the Stadium to the Stars course, which debuted five years ago.

Runners take part in the L.A. Marathon, moving through downtown on Sunday.

Runners take part in the L.A. Marathon, moving through downtown on Sunday.

(Eric Thayer/Los Angeles Times)

This year’s race drew 27,000 runners, beginning at Dodger Stadium and ending on Santa Monica Boulevard at the Avenue of the Stars in Century City. Traditionally held on the third Sunday in March, this year’s race got moved up one week to avoid clashing with the Oscars, which will be held on March 15 at the Dolby Theatre along the race route.

Kenyan Priscah Cherono took the lead immediately in the women’s race and was already two minutes ahead of the chase pack by the ninth mile. The 45-year-old cruised to victory in 2:25:18.31, well ahead of runner-up Kellyn Taylor, who won the Austin Marathon in 2:33:29 on Feb. 15.

It is fitting that Cherono, on International Women’s Day, earned a $10,000 bonus for winning the Marathon Chase as the first runner, male or female, to cross the finish line. The women were given a 15-minute, 45-second head start and in the 16 Chase competitions to date a woman has won the race-within-a-race on 11 occasions.

Cherono, who won The Marathon Project on Dec. 21 in Chandler, Ariz., in a personal-best time of 2:25:17, was only three seconds off that pace Sunday and said afterward she knew she would win.

Runners compete in the L.A. Marathon, moving through downtown on Sunday.

Runners compete in the L.A. Marathon, moving through downtown on Sunday.

(Eric Thayer/Los Angeles Times)

“I was feeling OK and I felt I could take it all the way,” said the mother of three who represented her country in the 5,000 meters at the 2008 Beijing Olympics. “Normally I train alone, so I was happy running by myself.”

Taylor, a 39-year-old mother of four and a certified firefighter from Wisconsin, clocked 2:27:36:00 to earn the second-place medal, one spot in front of Antonina Kwambai, last year’s runner-up.

“I would’ve liked to have won, but my time is fair for this course,” Taylor said. “I did everything I could to stay in it, but [Cherono] went out really hard and ran a great race. We were hopeful she was gonna come back, but she didn’t.”

The men’s wheelchair winner was 25-year-old Miguel Jimenez Vergara, whose time of 1:42:13.28 was good enough to hold off Colombian and three-time winner Luis Francisco Sanclemente, who settled for second in 1:45:33.01. Canadian Josh Cassidy (1:45:53.60) was third.

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Shadows are cast on the road as L.A. Marathon runners move toward the finish line.

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Spectators watch the L.A. Marathon and hold up signs cheering on participants.

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Kenya's Michael Kimani Kamau is tended to by personnel after falling at the finish line.

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Priscah Cherono, of Kenya, celebrates with a crowd of supporters after finishing first in the L.A. Marathon women's race

1. Shadows are cast on the road as L.A. Marathon runners move toward the finish line. 2. Spectators watch the L.A. Marathon and hold up signs cheering on participants. 3. Kenya’s Michael Kimani Kamau is tended to by personnel after falling at the finish line. 4. Priscah Cherono, of Kenya, celebrates with a crowd of supporters after finishing first in the L.A. Marathon women’s race. (Ronaldo Bolanos/Los Angeles Times)

“I did this last year and got second,” Jimenez Vergara said after maintaining a robust 3:54 per-mile pace. “I absolutely got my butt kicked last year on Mile 4, but that’s where I took the lead this time and I tried not to look back.”

Jimenez Vergara, who resides in San Diego, set a personal-best of 1:27.17 at the Grandma’s Marathon two years ago and is looking forward to making his Boston Marathon debut on Patriots’ Day in April.

Hannah Babalola, a former Nigerian now living in Chicago, won the women’s wheelchair division for the third year time in four years in 2:17:48.86.

The Los Angeles Marathon was first held in 1986, with Rick Sayre (2:12:19) and fellow American Nancy Ditz (2:36:17) taking the men’s and women’s Open titles. Markos Geneti set the men’s course record of 2:06:35 on the previous Stadium to the Sea course in 2011 and fellow Ethiopian Askale Marachi set the women’s mark of 2:24:11 on the same layout in 2019.

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A 1986 documentary meets today’s moment, plus the best movies in L.A.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

If you are anything like me, you felt pretty out of sorts this week, not sure how to process the news that we are suddenly, apparently, a nation again at war. It can make the movies seem frivolous — a glorious, privileged sandbox to stick your head in — but it is also times like these that make them seem most vital and necessary: a place to focus energy and anxiety and maybe figure things out.

I was particularly struck by something New York Times critic Wesley Morris said in an appearance on the podcast “The Big Picture.” He was ostensibly talking about the downside of the Paramount-Warner Bros. merger news (“These people are f— with our dreams here” is how he began) but he landed on why movies matter in their moment, crucial to “how we develop as a culture, how we come to understand ourselves as a people, what this country ought to or should look like 40 years from now.”

The week’s big new release is Maggie Gyllenhaal’s “The Bride!” a sort-of adaptation of 1935’s “Bride of Frankenstein” starring Jessie Buckley and Christian Bale that is also very much its own thing, purpose-built to drive some people up a tree and already sharply dividing critics.

A man and a woman in a red dress walk at night.

Christian Bale and Jessie Buckley in the movie “The Bride!”

(Niko Tavernise / Warner Bros. Pictures)

In her largely positive review, Amy Nicholson calls the movie “an unhinged scream,” adding, “‘Every wacky second, you’re well aware how perilously close it is to falling apart at the seams. This spiritual sequel to ‘Frankenstein’ is a romantic tale of obsession, possession and fantasy — adjectives that also apply to its filmmaker, Maggie Gyllenhaal, who expends massive quantities of energy jolting it to life. She succeeds by the skin of her teeth.”

I interviewed Gyllenhaal about “The Bride!” — including the significance of that exclamation point in the title. There have been numerous reports about a back-and-forth between the filmmaker and execs at Warner Bros. and Gyllenhaal didn’t shy away from talking about it. She had specific praise for Pam Abdy, co-chair and co-chief executive of Warner Bros. Motion Picture Group.

“Something really alive was born, and I think the movie is better for the work that she and I did together,” Gyllenhaal told me. “I know that’s an unusual thing to say. I know that you have lots of people saying like, ‘Ah, the studio f— my movie up.’ That is not my experience. It’s really not.”

Louis Malle’s ‘…and the Pursuit of Happiness’

Customers stand at an ice cream truck.

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

On Saturday, in a co-presentation of 7th House at the Philosophical Research Society and El Cine, the will be a 16mm screening of director Louis Malle’s 1986 “…and the Pursuit of Happiness,” a documentary made for television that explores the immigrant experience in America. The French-born filmmaker traveled across the U.S. interviewing recent arrivals from all walks of life.

Writing about the film in 1988, The Times’ Kevin Thomas called it “an often amusing and always insightful survey of the contemporary emigre experience. … an irresistible array of vignettes depicting cultural accommodation and assimilation in all its variety.”

I got on a video call this week with 7th House programmer Alex McDonald and El Cine founder Mariana Da Silva to talk about why this movie matters now.

The movie is streaming on the Criterion Channel right now. Why was it important to also put this movie in front of audiences right now?

Alex McDonald: I think Mariana and I are on the same page with this. I never let streaming or home video availability deter programming. Growing up, the theater was a holy place, a cathedral of congregation. I feel like these films are meant to be seen with an audience. And thankfully, I feel like our audience recognizes that as well, even if the film is out there. Particularly in our current moment, it’s a very prescient film and it’s one that will be all the more powerful within community.

Mariana Da Silva: I agree fully. One of the biggest things within our program is the communal aspects — just seeing the same people come back, that trust that develops with the audience. The best part I love about going to movie theaters is standing outside with people I maybe would never speak to and having a conversation about a film.

Children sit in a school room.

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

Do you respond to a movie like this as a sort of time capsule of how things were, or is it important to you that it is saying something about what’s happening right now?

McDonald: That’s something I’m very conscious of when I program repertory titles. When I program social, politically minded films, a lot of what I’m trying to do is to show that the issues within these things have not really changed — the ways in which things have progressed, the way in which we have regressed. Malle has such a humane view on all of these people in the film. He narrates but he doesn’t really editorialize. He just sort of observes, and in doing so, he’s making the most compelling argument for the richness of diversity and everything that these people contribute to this country, what they lose in assimilation, what they have to give up and what they bring. There’s a complexity to it. There are certainly dissenting voices in it and those resonate differently now.

It wasn’t perfect then. Obviously, there’s always been conflict, but I think there was an open-heartedness that has really shifted. And this is kind of a poignant reminder of what we need to try to get back to and recognize.

Da Silva: If we were able to have these conversations more openly, it would put us all on an even playing field. Humans are flawed. There’s been a lot of miseducation. In this moment, especially for me as somebody who is an immigrant, I feel like there’s so many people who I know who are so liberal and so aware, but then they don’t really understand the experience of the immigrant. And it’s not their fault in any capacity. They just haven’t been exposed to somebody like me before.

I think we can all come together on the things we celebrate, but we also need to be very open and come together on the things that we differ on too.

Points of interest

‘Good Night, and Good Luck’ in 35mm

Newsmen have a conversation in a TV control room.

George Clooney, left, and David Strathairn in the 2005 movie “Good Night, and Good Luck.”

(Melinda Sue Gordon / Warner Independent Pictures)

On Sunday afternoon at the Los Feliz Theater, as part of the American Cinematheque’s ongoing “Sunday Print Edition” series, there will be a 35mm screening of George Clooney’s “Good Night, and Good Luck,” introduced by The Times’ own Rosanna Xia.

Starring David Strathairn as pioneering television journalist Edward R. Murrow at the height of the McCarthy era, the film was nominated for six Oscars, including picture, director, actor and original screenplay.

As Kenneth Turan wrote in his original review, “‘Good Night, and Good Luck’ couldn’t be more unlikely, more unfashionable — or more compelling. Everything about it — its look, its style, even its sound — stands in stark opposition to the trends of the moment. Yet by sticking to events that are half a century old, it tells a story whose implications for today are inescapable. … The son of a TV anchorman, Clooney had the nerve to believe that a drama of ideas could be as entertaining as ‘Desperate Housewives.’ He insisted that a fight for America’s soul, a clash of values over critical intellectual issues like freedom of the press and the excesses of government, had an inherent intensity that would carry everything before it. And it does.”

‘Days and Nights in the Forest’ 4K restoration

A passenger looks out of a car window.

An image from Satyajit Ray’s 1970 drama “Days and Nights in the Forest.”

(Janus Films)

Now playing at the Laemmle Royal in a new 4K restoration undertaken by the Film Foundation is Satyajit Ray’s 1970 “Days and Nights in the Forest.” In this examination of masculinity and class, four male friends drive from the bustling city of Kolkata to a rural village, mixing with the locals with volatile results.

In a special video introduction, Wes Anderson, a longtime admirer of Ray, admits he lifted a scene from “Days and Nights” for one of his own films — 2023’s “Asteroid City” — and says, “Anything by Satyajit Ray must be cherished and preserved, but ‘Days and Nights in the Forest,’ I think you will agree, is one of the special gems among his many treasures.”

‘Grease 2’ returns

A woman stands on the beach in front of a thatched hut.

Michelle Pfeiffer on the set of “Grease 2” in 1981.

(Vinnie Zuffante / Getty Images)

The Cinematic Void series at the American Cinematheque will show 1982’s pastiche musical “Grease 2” on Monday. Directed by choreographer-turned-filmmaker Patricia Birch, the film is, of course, a sequel to 1978’s megahit “Grease” but it is also very much its own thing. Largely dismissed on initial release, it has found a growing following over the years thanks in large part to its extremely engaging young cast, including an on-the-rise Michelle Pfeiffer.

In his initial review (more complementary than one might expect), Kevin Thomas wrote, “There’s so much youthful talent and vitality in ‘Grease 2’ that it’s depressing to discover it is so unblushing and relentless and paean to ignorance. … This is a pity, because Birch displays an organic sense of how to make dance evolve out of the kids’ everyday activities — converging en mass at Rydell High on the first day of school or having fun at the bowling alley. But Birch has scant opportunity beyond letting us know she cares for these ignoramuses, most of who seem likable enough beneath aggressively crude exteriors.”

Anti-fascist films at UCLA

Two people lean against a streetlight.

Ingrid Bergman and Charles Boyer in the 1948 drama “Arch of Triumph.”

(Enterprise-UA / Photofest)

The ongoing series at the UCLA Film and Television Archive titled “From John Doe to Lonesome Rhodes: Anti-fascism from the Archive” hits a real stride this weekend for two nights of restored rarities. On Friday comes a restored 35mm print of 1948’s “Arch of Triumph,” directed by Lewis Milestone and starring Ingrid Bergman, Charles Boyer and Charles Laughton in a romantic drama of refugees in 1938 Paris. Also playing is Arthur Ripley’s rare 1944 emigree drama “Voice in the Wind.”

Much of the press around the film at the time of its release had to do with the challenge of bringing the racier aspects of the novel by Erich Maria Remarque (“All Quiet on the Western Front”) to the screen. As producer David Lewis told The Times’ Philip K. Scheuer, “I promise you that as Joan, Ingrid Bergman will set the town on its ear. They’ll never think of her as anything but sexy again.”

Saturday brings the world premiere of the 35mm restoration of Walter Comes’ 1947 “The Burning Cross,” in which a returning veteran is recruited into the KKK. John Reinhardt’s 1948 “Open Secret,” about antisemitism, will also play in a 35mm restoration.

The series concludes next week with a 35mm screening of Elia Kazan’s 1957 “A Face in the Crowd,” starring Andy Griffith in an examination of the dark side of populist politics and media manipulation.

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Kennedy Center’s NSO executive director leaves for the Wallis in L.A.

The tumult continues at the John F. Kennedy Center for the Performing Arts as the National Symphony Orchestra’s executive director, Jean Davidson, steps down from her role to become executive director and chief executive of the Wallis Annenberg Center for the Performing Arts. Davidson will assume her new position May 4, the Wallis announced Friday.

Davidson is not new to L.A., having served as the president and CEO of the Los Angeles Master Chorale at the Music Center from 2015 to 2023. She left the Master Chorale for the NSO in Washington, D.C., where she worked for two years until President Trump began his controversial takeover of the Kennedy Center, firing its board and installing himself as chairman. Major artist defections ensued, culminating with a board vote to rename the center the Trump Kennedy Center in December and February’s surprise announcement that the center would close for two years for renovations, beginning July 4.

“I’ve learned a lot in the last three years, and I think it’s no secret that it’s been a hard year,” Davidson told The Times, adding that the politicization of the Kennedy Center was a factor in her decision-making. “I had intended to stay through the [orchestra’s] 100th anniversary in 2031, but found it more and more difficult to achieve the goals that we had set out to achieve given the external forces that are at work that are just so far beyond my control.”

It seemed like “I had reached a natural ending point,” she said.

With the imminent closure of the Kennedy Center, speculation has swirled around the NSO’s future, especially in light of the Washington National Opera’s decision in January to cut ties with the storied venue, which has been its home since 1971. The Kennedy Center’s Trump-appointed leadership, however, made it clear that it intended to support the NSO in the long term, and the orchestra’s board chair assured musicians that the orchestra and its staff would remain intact.

Davidson said the NSO is in the process of identifying venues for the next two years, and that the orchestra has been told by the Kennedy Center that its financial support is not in question.

“Many venue operators in the D.C. area have been very generously reaching out to us, asking how they can help,” she said. “Of course, we plan our seasons years in advance, and so next season was already planned. We already have conductors and soloists and all of that, and so it’s a bit of a jigsaw puzzle aligning our existing programming and obligations to those artists with venues that are appropriate for those programs.”

It will take several more weeks to come up with a cohesive plan and it will probably include several venues, “but we will have a season,” Davidson said. “And we hope that everybody will come.”

In many ways, Davidson said, the NSO is stronger than it has been in quite some time. During her tenure, Davidson helped reboot the orchestra’s international and domestic touring, which includes upcoming shows at New York’s Carnegie Hall in May and at the Hollywood Bowl in August. The orchestra also extended acclaimed music director Gianandrea Noseda’s contract through 2031.

“The orchestra is just playing at such a high level and they really have never sounded so good,” said Davidson, echoing what notable critics have also been saying. “We’re still welcoming many new players after our audition process, and I think that’s all very positive for the NSO.”

Davidson knows that leaving her role will be difficult for the orchestra, but she believes it will emerge stronger.

“I care deeply about the NSO and I am so proud of everything that we’ve accomplished together. I think the world of Gianandrea, of [principal conductor] Steven Reineke, our musicians, our staff and board — it’s a great community of people,” said Davidson.

Davidson also believes that the upcoming renovations to the Kennedy Center will ultimately result in a better experience for audiences and artists. She just wishes there had been much more advance notice.

“Usually orchestras will plan for being out of their hall years in advance, and we only have months to do that, so it is causing a bit of strain,” she said. “I think the most important thing is that our audiences and donors continue to support the NSO during this transition period.”

Davidson will now embark on her own transition as she moves from D.C. to L.A., rejoining her husband who has stayed in the area as a music professor at UC Irvine.

“This is an opportunity that’s been on my bucket list of things that I want to do in my life and it seems like the right time,” said Davidson of her new role at the Wallis in Beverly Hills.

Compared with the NSO, the Wallis is practically brand new, having opened in 2013.

Davidson is excited that there is lots of room for growth, and that the Wallis has evolved into one of the region’s most exciting multidisciplinary performing arts presenters and home base to a variety of local arts groups.

“I think anytime you’re starting a new role, there’s a lot of learning that needs to occur,” Davidson said. “And I’m not somebody that is prone to walking in with a big vision that’s going to suddenly change course. I think they’ve been doing a lot of great work and so I’m looking forward to collaborating with the team that’s there — to learn and to create a shared vision for the future.”

It’s an exciting time to be in Los Angeles, Davidson said.

“The last decade or so has seen a lot of growth in the art sector, and there are so many talented artists and organizations in L.A. that need a place to perform.”

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L.A. is getting four more years of Councilmember Monica Rodriguez

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Howard Blume and Noah Goldberg, giving you the latest on city and county government.

She’s blunt. She’s combative. She doesn’t go along to get along.

And now, Los Angeles City Councilmember Monica Rodriguez is almost certainly getting four more years in office.

On Wednesday, with the deadline past, no one filed a petition to challenge Rodriguez in the June 2 primary election. That makes her the only official at City Hall to be in that coveted position this year.

One caveat: Someone could still run as a write-in, waging a long-shot campaign. But realistically, Rodriguez has a free ride to continue representing her northeast San Fernando Valley district.

Rodriguez, who lives in Mission Hills, said she had been prepping for “another fight,” raising money and giving endorsement interviews. Now, she’s started talking about what her third and final term could look like.

“Giddyup. Everyone better buckle up,” she said, cackling.

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For an elected official, nothing can bolster one’s confidence like a reelection victory or two. Newly elected council members tend to keep a low profile their first few years. The longer they stay, the more outspoken they become.

Rodriguez, on the other hand, has been willing to speak her mind for quite some time.

She’s been a longstanding critic of Mayor Karen Bass’ Inside Safe program, which moves homeless people indoors. She has pushed, without success, for the city to yank its money from the embattled Los Angeles Homeless Services Authority, or LAHSA. Last fall, she told a mayoral aide that Bass’ team “botched” the Palisades fire recovery in the first few months.

Rodriguez frequently expresses her views in vivid terms, and in ways that can annoy her colleagues.

Last year, she warned a proposal to hike the minimum wage for hotel and airport workers to $30 per hour would trigger job losses, leaving the city with “the best paid unemployed workforce in America.”

She denounced the city’s plan to upgrade the Convention Center, saying the council was continuing to “fund failure.” She regularly drops the phrase “merry go round from hell” — shorthand for her struggle to get her colleagues to pull out of LAHSA, the city-county homeless agency that’s been the subject of blistering audits.

With the election approaching, the zingers have only gotten zingier.

Six weeks ago, City Councilmember Nithya Raman launched a last-minute bid to rewrite Measure ULA, the city’s tax on high-end property sales, saying it had chilled development of much-needed apartments. Raman wanted her proposal to go on the June ballot but failed to garner support from her colleagues, who said it hadn’t been vetted.

Rodriguez, in a screed delivered on the council floor, compared Raman to “the arsonist that comes showing up as a firefighter.”

That was a not-so-veiled reference to the fact that Raman promoted Measure ULA in 2022 — and downplayed concerns that it would affect housing production.

“Ms. Raman, you supported and endorsed the false notion to voters that [Measure ULA] was going to be the panacea — without study, without any of the verified proof,” she said. “We knew that these were the implications.”

Raman, in a statement on Friday, said she endorsed Measure ULA after reading through research suggesting that the tax, which generates money for housing programs, would not affect housing production. Newer analysis, she said, found that the measure “indeed resulted in less investment in multi-family housing.”

“That is a huge concern to me and should be to everyone in L.A., a City that is still very much facing a housing shortage,” said Raman, who is now running for mayor. “I am willing to take some heat to get the best outcomes for the City and to secure support for these crucial revenues.”

Stuart Waldman, president of the Valley Industry and Commerce Assn., a San Fernando Valley-based business group, said he appreciates Rodriguez’s direct approach, even when he disagrees with her.

“A lot of councilmembers, if they don’t agree with you, they won’t even meet with you,” he said. “There are council members who say they’ll listen and take [an issue] under advisement, even though they’ve made up their mind. They just don’t want to tell someone to their face that they disagree.”

Rodriguez’s approach doesn’t always reap political dividends.

Last year, Council President Marqueece Harris-Dawson removed her from a number of high-profile committees, including those that oversee homeless programs, public safety and the city budget.

Despite her warnings, the council hiked the minimum wage for tourism workers and approved the $2.6-billion Convention Center project. She championed the creation of a new youth development department, only for it to wind up on the chopping block in last year’s budget.

Rodriguez, 52, grew up in Arleta, the daughter of a U.S. Marine veteran who served in Vietnam while holding a green card, and later became one of the city’s earliest Latino firefighters in the wake of a federal consent decree on hiring. She graduated from San Fernando High School in 1992, one year after Assemblymember Luz Rivas and two years after U.S. Sen. Alex Padilla.

She worked for former Mayor Richard Riordan and former Councilmember Mike Hernandez and later ran unsuccessfully against former Councilmember Richard Alarcon. She joined the Board of Public Works in 2013, running for council a second time four years later.

With a third term looming, Rodriguez wants to take a program she launched in her district — moving homeless people out of RVs and into housing — and take it citywide. She’s excited about expanding a program for fixing sidewalks that also teaches job skills to young people.

Rodriguez acknowledged that her stances, and her remarks, can rub people the wrong way, noting that it’s “more comfortable to walk in a group than to walk alone.” Nevertheless, she doesn’t intend to change her approach.

“I know what I’m here to do, and I’m just going to continue,” she said.

State of play

— SCRAMBLE FOR SIGNATURES: The deadline for candidates for city office to turn in petitions arrived on Wednesday, and the signatures are still being counted. By Friday, 12 mayoral candidates had qualified to run against Bass, including Raman, reality television star Spencer Pratt and tech entrepreneur Adam Miller. The City Clerk’s office is still reviewing the petitions of several other mayoral hopefuls, all of them political unknowns.

— ANOTHER FREE RIDE: L.A. Unified School board member Kelly Gonez is also running unopposed in the June 2 election. On Wednesday, her one potential opponent, JP Perron, announced he was dropping out. Like Rodriguez, Gonez represents part of the San Fernando Valley.

— A HELPING HAND: For a hot minute, things were touch and go for Sylvia Robledo, a former council aide looking to unseat Councilmember Eunisses Hernandez. After filing her petitions, Robledo learned Tuesday that she was short 14 voter signatures. Raul Claros, one of her rivals in the race, stepped in to help close the gap, gathering some signatures himself. “People want options,” he said later on Instagram. “People want anybody but Eunisses Hernandez.”

Two of Robledo’s other opponents — entrepreneur Nelson Grande and nonprofit executive Maria Lou Calanche — added their own names to her petition. On Wednesday, she qualified for the ballot.

“We may have a different vision or path, but we all want new leadership,” Robledo said.

— JANISSE JETS OFF: The top executive at the Department of Water and Power, Janisse Quiñones, announced this week that she has taken a job as CEO of a privately owned electrical company in her native Puerto Rico. Quiñones, who was hired at $750,000 a year, faced criticism over the DWP’s decision to drain a reservoir shortly before the Palisades fire broke out. Her first day in the new job is March 30.

— TRUMP ON LINE 1: Bass spoke on the phone this week with President Trump to request FEMA reimbursements for the Palisades fire, KNX News reported. Bass told the station that the president was “very receptive.”

“I was reluctant to call because there are a few other things going on, like what’s happening overseas, and I didn’t think, given all that was happening internationally, that he would actually return my call,” she told the station.

— OVERDUE BILLS: The county Board of Supervisors voted this week to fund a financial review of the Los Angeles Homeless Services Authority, after finding that the agency owes tens of millions of dollars to nonprofits that oversee interim housing for the region’s homeless population. Supervisor Lindsey Horvath said her phone was “ringing off the hook” from groups needing to get paid by LAHSA.

— TIT FOR TAT: Meanwhile, the long-running feud between Bass and Horvath continued to boil over, with the two taking digs at each other over the future of the region’s homeless programs. Bass, in a statement, said pulling out of LAHSA too quickly would bring “unintended consequences” and leave “more Angelenos to die on our streets.”

“When the County created their new Department of Homeless Services and Housing, they also created a $300 million gap, which they had to close by prioritizing bureaucracy rather than services,” Bass said.

Horvath shot back, saying she is already conferring with council members on a strategy to have the city pay the county to provide homeless services.

“I’m ready to work with the City Council and show the Mayor what locking arms actually looks like,” she said, swiping one of Bass’ signature phrases.

— PALISADES BOWL IN PERIL: The owners of a mobile home park destroyed last year in the Palisades fire are marketing the site as a potential “mixed use” project — housing plus commercial space, which would result in permanent displacement of residents. City Councilmember Traci Park said any developer looking to take the sellers up on their offer should “pound sand.”

“What we are interested in doing is restoring this property as a mobile home park for the people who were there and remain displaced,” she said.

— PURSUING POT PROCEEDS: L.A. cannabis companies owe the city more than $400 million in business taxes, late fees and interest. Hoping to recoup $30 million of that total, the council voted this week to set up an amnesty program for those pot businesses that still owe money and haven’t already shuttered.

— JAIL DEATHS: Ten people have died in L.A. County jails so far this year, putting the county on track for another record-setting year of in-custody deaths. Now, county supervisors want the Sheriff’s Department to reverse that trend by beefing up safety checks, more closely monitoring cameras and increasing access to the overdose reversal drug Naloxone.

— FOR FLOCK’S SAKE: The Police Commission wants to know how data captured by the controversial license plate reader Flock Safety are being stored and shared. Commissioner Jeff Skobin asked for the information following reports that federal agencies had repeatedly accessed Flock’s surveillance data as part of Trump’s ongoing immigration crackdown.

QUICK HITS

  • Where is Inside Safe? The mayor’s signature program to fight homelessness went to a stretch of Laurel Canyon Boulevard in North Hollywood, underneath the 170 Freeway. About three dozen people went inside, according to Bass’ team.
  • On the docket next week: The council’s Planning and Land Use Management Committee meets Tuesday to take up a proposal to hike the penalties for putting up illegal billboards and other unpermitted signs.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.



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How to have the best Sunday in L.A., according to Jordan Chiles

Jordan Chiles is always in motion.

The decorated gymnast and two-time Olympian recently competed in the latest season of “Dancing With the Stars,” finishing in third place alongside her partner Ezra Sosa. She’s an ambassador for brands including Nike and Hero Cosmetics. In August, she launched a mentorship program called SHERO Athlete Collective for young athletes.

And in the midst of all of that, she’s finishing up her senior year at UCLA.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“I’m happy, but I’m also sad,” the 24-year-old says about her final year as a Bruin, adding, “It’s pretty cool to know that my dream school has become my legacy.”

Chiles is also in the thick of a legal battle to reclaim the bronze medal she won, then was stripped of, at the 2024 Paris Olympics. In January, the Swiss Federal Supreme Court granted her an appeal to reexamine the matter. “I’m going to stand for what is right,” she says. “I am doing the things to make sure no other athlete has to go through what I had to go through.”

With the Olympics arriving in Los Angeles in 2028, the question of whether Chiles will participate is top of mind for many fans. Her response?

“Right now, it’s just me and my college career,” she says, flashing a bright smile. “I think right now just being able to be a part of UCLA for my last season and then seeing from there on, from April until the next year, we’ll see what happens.”

Chiles trains every day except Wednesdays and Saturdays, but on her perfect Sunday, she’d skip the gym to hang out with her dogs, take a trip to the mall and binge-watch her favorite shows.

9 a.m.: Gospel music to start the day

I feel like waking up at 9 a.m. is the perfect time because it gives you enough time in the day to do whatever, but also you didn’t wake up too early. The first thing I’d probably do aside from washing my face and brushing my teeth, is put on gospel music or listen to anything that can put my mind at ease. If I don’t have practice, then that’s typically what I’m doing, cleaning my house and starting to rejuvenate my body differently. I’d take my dogs out. I have an Aussie doodle, a teacup poodle and a maltipoo. Their names are Versace, Chanel and Dolce Gabbana. Very bougie dogs.

9:30 a.m.: Breakfast with a side of “Chicago Fire”

I’d cook for myself. I like typical scrambled eggs, bacon, avocado toast and sometimes a bagel. To get in some fruit, I’d drink some apple juice to make it feel like, “OK, this was a great, healthy breakfast.” Then I’d most likely sit on my couch and start binge-watching something. This is where lazy Jordan comes in. Like I got up, I did this, I ate, so now it’s time to relax. I’ve recently been watching all of the Chicago [shows] like “Chicago Fire,” “Chicago PD” and “Chicago Med.” I also recently started rewatching “Pretty Little Liars.”

12:30 p.m. Shop for athleisure and other goodies

This is typically when Jordan feels like she needs to go shopping. I’d put my dogs up and go to the mall. I deserve to go shop. I deserve to go splurge. I like going to the Topanga mall. I really, really like Jamba Juice and there’s one in the Topanga mall. I used to know the secret menu by heart before they started putting it on the actual menu. My go-to is the White Gummi smoothie.

I love streetwear, so if there’s sneaker stores around, I’d check that out. I sometimes end up in an Apple Store, don’t ask me how or why. It just always ends up like that. If I need to get athleisure wear, I always go to Nike. You can never have too many Nike Pros. If I need to get my eyebrows threaded or my nails done, I can do everything at the mall while I’m shopping.

4 p.m.: Time for homework

I’m heading back home so I can beat traffic and let my dogs out. I’d probably sit on my couch, scrolling on Pinterest, trying to figure out what I’m going to eat. Then I’d start doing my homework. Since I am still in college, I’d start whatever I need to do for that week. I try to stay as organized as best as I can because it is hard being a businesswoman and still being a college student. I’d probably do homework for about 2 ½ hours.

7 p.m.: Domino’s pizza and more binge-watching

I’d turn whatever show I’m watching back on, then I’d either cook or sometimes I’ll order in. It honestly depends on what Sunday it is. If it’s football Sunday, you know I have the wings and the typical Sunday vibes. But if it’s not, I might make tacos or Alfredo, or order off Uber Eats. I know this is probably crazy but I really, really, really, really love Domino’s. I am a pizza person. My Domino’s order is a small pepperoni, pineapple, olives and sausage slice … hand tossed, cheesed up, and then I will get a side of garlic knots and a side of buffalo wings with ranch.

If it’s not Domino’s, then I either will do Shake Shack or Wendy’s. I know it’s probably crazy and you’re like “Jordan, you’re an athlete,” but sometimes a girl just has to go in that direction. I like teriyaki food and hibachi places, so I’d either order from a place called Blazed N Glazed or Teriyaki Madness, or this place on campus called Hibachi Papi.

9 p.m. Video games before bed

I have an Xbox and a PlayStation, so sometimes I will go into my game room and just literally sit in my chair and play “Call of Duty” or “Halo.” Other than that, I have no night rituals. I will just make sure my dogs are fed. I always pray before I go to bed and my skincare is legit all Medicube, but I always make sure to do a face mask every other day before I go to bed.

10:30 p.m.: Prepare for an early practice

Since I probably have to wake up the next morning for an early practice, I feel like 10:30 p.m. is a good time to go to sleep. Unless I’m doing something with my friends and we don’t get back until like 11:30 p.m., but other than that, I’m in my bed or at least on my couch just relaxing.



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Review: Philip Glass’ ‘Akhnaten’ is back at L.A. Opera, this time with a magnificent John Holiday

By my count, Philip Glass has written 28 operas, the same number as Verdi. The count is iffy because Glass pushes the boundaries between what we tend to call opera and the fuzzier idea of music theater. His first, “Einstein on the Beach” in 1976 — a collaboration between the composer and the late, innovative theater maker Robert Wilson — is a non-narrative effusion of imagery, movement, music and text, each a brilliantly independent entity that somehow excites a hard-to-pin-down purpose.

His latest (and probably his last, Glass turns 90 this year) is “Circus Days and Nights” — a touching and thrilling opera for a circus and staged at a circus in Mälmo, Sweden, in 2021 — caps a wondrous 45 years of operatic advancement. You would have to go back to Handel’s 42 operas, Mozart’s 22 or Verdi’s oeuvre for operatic equivalence.

Glass’ subject matter varies widely in epochs and ethoses, from ancient Egypt to Walt Disney’s Hollywood. Taken as a whole, these 28 operas reveal how we got to be who we are historically, artistically, spiritually, politically and fancifully, often including more than one of those categories, as in his third opera, “Akhnaten,” which Los Angeles Opera has now remounted at the Dorothy Chandler Pavilion. The instantly recognizable musical style has remained, over the years, consistently abstract and refreshing. It doesn’t tell you how to think, how to feel, even how to understand. It simply grabs your attention; you do the interpreting.

Still, America knows little of Glass’ operatic enormity. The early “portrait” operas — “Einstein,” “Satyagraha” (about Gandhi) and “Akhnaten” (the 14th century BC Egyptian pharaoh) — appear in repertory here and there (meaning mostly in Europe) as do a trio of operas based on Jean Cocteau films. The rest remain little mounted, while several but not all have been recorded. The Metropolitan Opera, for instance, commissioned “The Voyage” in 1992 to celebrate the 500th anniversary of Columbus’ arrival in the Americas, but the epic opera is nowhere to be found in our semisesquicentennial year. It is sadly no longer even thinkable that “Appomattox,” Glass’ revelatory reminder of an America that once honored goodwill negotiation over political self-interest, return to the Kennedy Center, where its final version had its premiere 11 years ago.

L.A. Opera has been better than most American companies in its attention to Glass. It has excellently presented the three portrait operas on its main stage, beginning with “Einstein” in the final and most brilliant revival of the original Wilson staging. The “Satyagraha” and “Akhnaten” revivals have been the designed-to-dazzle inventions of quirky director Phelim McDermott, a co-founder of Impossible, an eccentric British theater company. When new in the last decade, they felt the most arresting productions of these operas since Achim Freyer’s in Stuttgart, Germany, in the early 1980s. Almost every performance at the Dorothy Chandler Pavilion has sold out.

John Holiday as the titular ruler in Philip Glass' "Akhnaten" at the Dorothy Chandler Pavilion.

John Holiday as the titular ruler in Philip Glass’ “Akhnaten” at the Dorothy Chandler Pavilion.

(Ariana Drehsler / For The Times)

McDermott’s “Akhnaten” got the most attention thanks to breathtaking jugglers and lavish costumes, along with a touch of full-frontal novelty as Akhnaten gets clothed in his kitschy, glittery getup for his inauguration. Glass had chosen the pharaoh because he is thought to have been the first monotheistic ruler.

Akhnaten is revealed in episodes of his life that are not fleshed out but presented as ritual, including the ravishing love duet with his wife, Nefertiti. The revolutionary pharoah builds a great city and reduces spiritual chaos by focusing on a single-minded form of worship. He looks androgenous in portraits, which led Glass to create the role for countertenor.

The sung texts are in ancient languages, and there are no projected song titles. Instead, a narrator gives a somewhat notion of what’s what in the language of the audience, as is Akhnaten’s great aria, a hymn to Aten (god of the sun).

Ultimately, the pharaoh’s prescient spiritual optimism comes in conflict with the all-powerful establishment priests, who kill Akhnaten and Nefertiti. The opera ends with Akhnaten’s son, presumably Tutankhamun, restoring polytheism, and then, once the staging jumps millennia into the future, it’s rediscovered by modern-day tourists. The currency couldn’t be missed Saturday, the Shia cleric and Iran’s supreme leader Ali Khamenei having just been assassinated along with his wife at the start of America’s and Israel’s Iran war.

Sun-Ly Pierce as Nefertiti and John Holiday as Akhnaten in Philip Glass' "Akhnaten" at the Dorothy Chandler Pavilion

Sun-Ly Pierce as Nefertiti and John Holiday as Akhnaten in Philip Glass’ “Akhnaten” at the Dorothy Chandler Pavilion.

(Ariana Drehsler / For The Times)

In the opera, it so happens, the ghosts of Akhnaten, his wife and mother, have the last word in a glorious trio.

When first performed at L.A. Opera a decade ago, the lavish production, co-produced with English National Opera, helped recover a neglected opera. In the meantime, “Akhnaten” has gone practically mainstream. The Metropolitan Opera, which also mounted McDermott’s production, released it on CD and DVD, winning a Grammy for best opera recording.

Since then, the choreographer Lucinda Childs, veteran of “Einstein on the Beach,” has staged a stunningly chic “Akhnaten” in Nice, France, that is available on YouTube. Last year, director Barrie Kosky created a sensation with his staging at Komische Oper Berlin, which starred American countertenor John Holiday.

Holiday happens to be the Akhnaten in the L.A. Opera revival, and he is magnificent. McDermott had built his production around the gracefully emotive Anthony Roth Costanzo, slight and luminous in voice and build and game for nudity. If Costanzo’s disarming enthusiasm for the role has been significant in mainstreaming “Akhnaten,” Holiday, who is a very different presence, may be the next step.

Although he can be a popularly gregarious crossover performer, here he suggests a ruler of profound, unflappable dignity, rather than vulnerability. His hymn to Aten is an exercise in majesty, an ode not just to the sun but to the expanses in which our solar system circulates.

In general, the singers class up the production. Sun-Ly Pierce as Nefertiti and So Young Park as Queen Tye add allure. The large cast of smaller roles and chorus is excellent. Zachary James returns as both Amenhotep III, Akhnaten’s father, and the engaging narrator who occasionally threatens to get carried away. McDermott had perfectly employed James as the droll animatronic Disneyland Lincoln in his animation-friendly, slightly goofy production of “Perfect American” in Madrid, where the opera premiered. Here McDermott’s inspired staging demonstrated that Glass’ forgiving personal portrait of Walt Disney makes it the quintessential Hollywood opera that no one dares bring to squeamish Hollywood.

Zachary James as Amenhotep III in Philip Glass' "Akhnaten" at the Dorothy Chandler Pavilion.

Zachary James as Amenhotep III in Philip Glass’ “Akhnaten” at the Dorothy Chandler Pavilion.

(Ariana Drehsler / For The Times)

Hollywood, however, is hardly squeamish when it comes to synchronized jugglers. For McDermott, they suggest somber ritual and were, in fact, known in Akhnaten’s Egypt. For the audience, they are a thrill a minute. For Glass, they may take on deeper meaning now that the circus is where he landed 26 operas later.

As for Finnish conductor Dalia Stasevska, making her L.A. opera debut, she keenly keeps score and bounding balls together with cinematic flair. Glass removed violins from the orchestra to achieve a dark, primordial orchestral sound along with pounding percussion. Stasevska finds light, color and action. She conducts for the moment. Picturesque wind instruments suddenly burst forth as if a flock of birds were flying over the pyramids. Solo brass can sound momentous. The percussion pounds like nobody’s business, opening the score up to all the implied emotion and glitter on an over-stuffed stage.

Childs’ exalted use of dance and Kosky’s dazzling theatrical imagination may have moved us into a sleeker, more sophisticated and paradisal Glassian realm, but the sheer passion McDermott and Stasevska bring continues its own attraction.

In the meantime, McDermott has worked with Glass on a theatrical show, “The Tao of Glass,” that has been seen in New York and will run throughout much of the summer in London. In a better world of Glass, it would be running alongside “Akhnaten” at the Ahmanson. But the Labèque sisters will be at Walt Disney Concert Hall at the end of the month with a two-piano program based on Glass’ operatic Cocteau trilogy. Also check out L.A. Opera’s several excellent podcasts on “Ahkhnaten” — the company has quietly become a leader in the medium.

‘Akhnaten’

Where: Dorothy Chandler Pavilion, 135 Grand Ave., L.A.

When: Through March 22

Tickets: $33.50-$415

Running time: About 3 hours, 40 minutes, with 2 intermissions.

Info: (213) 972-8001, laopera.org

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L.A. Marathon and the Oscars: What roads will be closed?

Over the next two weekends, Los Angeles will be flooded by long-distance runners and the film industry’s biggest stars — much to the delight of fans and the dismay of drivers trying to make their way through the city.

The L.A. Marathon and half-marathon will take place Sunday, with both courses starting at Dodger Stadium and ending at Avenue of the Stars and Santa Monica Boulevard.

The 98th Academy Awards are the following Sunday at the Dolby Theatre in Hollywood.

Here’s what road closures to expect and when:

Marathon closures on Sunday

Runners start the 2025 Los Angeles Marathon.

Runners start the 2025 Los Angeles Marathon.

(William Liang / For The Times)

The L.A. Marathon begins at 7 a.m. at Dodger Stadium. The McCourt Foundation, which organizes the race, said road closures will begin along the route as early at 3 a.m. and will reopen on a rolling basis after runners pass. Some stretches are expected to remain closed until around 6 p.m.

Oscars closures beginning March 15

Julianne Hough on the red carpet near the Dolby Theater at the 97th Academy Awards.

Julianne Hough on the red carpet near the Dolby Theater at the 97th Academy Awards.

(Robert Gauthier/Los Angeles Times)

A few blocks around the Dolby Theatre — including on Hollywood Boulevard, Orange Drive and Johnny Grant Way — closed for the Oscars earlier this month. But larger sections of Hollywood will be affected starting early on March 15.

Maps of the closures, according to event organizers, can be viewed here.

These roads and sidewalks will be closed from 12:01 a.m. March 15 through 6 a.m. March 16:

  • Hawthorn Alley from Orange Drive to Highland Avenue
  • Orange Drive from Hollywood Boulevard to Lanewood Avenue
  • North sidewalk of Hollywood Boulevard from Highland Avenue to 300 feet east of Highland Avenue (no pedestrian access)
  • South sidewalk of Hollywood Boulevard from Highland Avenue to 300 feet east of Highland Avenue (8-foot pedestrian access)
  • South sidewalk of Hollywood Boulevard directly in front of the north-south Hawthorn Alley (no pedestrian access to cross alley)
  • East sidewalk and curb lane of Highland Avenue from Yucca Street to Sunset Boulevard (8-foot pedestrian access, 300 feet south of Hollywood Boulevard only)
  • West sidewalk of Highland Avenue from Hollywood Boulevard to Sunset Boulevard
  • West curb of Highland Avenue from Johnny Grant Way to Hollywood Boulevard

These roads and sidewalks will be closed from 4 a.m. March 15 through 4 a.m. March 16:

  • North and south crosswalks on Hollywood Boulevard at the Highland Avenue intersection
  • Highland Avenue from Sunset Boulevard to Franklin Avenue
  • Hollywood Boulevard from La Brea Avenue to Orange Drive
  • Hollywood Boulevard from Highland Avenue to Cahuenga Boulevard

These roads and sidewalks will be limited to local residents, businesses needs and emergency vehicles from 12:01 a.m. March 15 through 6 a.m. March 16:

  • Hawthorn Avenue between Orange Drive and La Brea Avenue
  • Hawthorn Avenue between Highland Avenue and McCadden Place
  • McCadden Place between Yucca Street and Hollywood Boulevard
  • Yucca Street between Highland Avenue and Wilcox Avenue
  • Wilcox Avenue between Sunset Boulevard and Cahuenga Boulevard
  • South sidewalk of Franklin Avenue from Orchid Avenue to Highland Avenue
  • Hillcrest Road south of Franklin Avenue to the dead end

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An A-list folk rocker built this jewel-box concert hall, just when downtown L.A. needs it

On a dreary February afternoon in Chinatown, Ben Lovett, pianist and keyboardist of the British folk-rock group Mumford & Sons, was hours away from releasing his band’s sixth album, “Prizefighter.” The LP — co-produced by Aaron Dessner with guests Hozier, Gracie Abrams and Chris Stapleton — rejuvenates a catalog that includes a Grammy for album of the year in 2013. He could have been celebrating, or at least resting up for his upcoming “Saturday Night Live” gig and fall arena tour.

Instead, Lovett was calf-deep in sludgy rain water flooding the streets from a sudden downpour, standing at the roll-gate of a ripped-apart warehouse. “You’ll need this,” Lovett told a Times reporter as he handed out hardhats, walking his construction team through the still-raw hallways, shouting over a cacophony of circular saws.

In a few weeks, this site will be Pacific Electric, a new 750-capacity music venue that Lovett and his venue-developer firm TVG Hospitality have been converting for six years. It’s a small but ambitious entry into a Los Angeles venue landscape that’s recovering from fire and economic woes, yet has also seen several jolts of life recently.

Pacific Electric is a new flagship for the team at TVG, which has become an independent-scene force in the U.S. and U.K. over the last decade. Beyond his band, this project plants Lovett’s flag as an L.A. live music entrepreneur too.

“I’ve never had such a significant moment around a venue launch,” Lovett said in the soon-to-be dressing room at Pacific Electric. “It’s the seventh venue we’ve done, but it has never coincided with such an important creative moment with the band. I have to be very disciplined right now.”

Mumford & Sons led the 2010s folk revival that minted a generation of plaintive, earnest singer-songwriter acts atop the charts. While their genre peers’ fates have varied, Mumford & Sons remained perennial arena and festival headliners, with an ambitious midcareer streak in the studio. As pop culture’s tastes shifted, and his band moved around New York, L.A. and the U.K., Lovett returned to his show-producing roots in 2016 to build the 320-capacity nightclub Omeara in London.

Exterior view of the new music venue Pacific Electric.

Los Angeles, CA – February 19: Exterior view of the new music venue Pacific Electric, which is under construction in Chinatown and owned by Ben Lovett of the Grammy-winning folk band Mumford & Sons. (Allen J. Schaben / Los Angeles Times)

(Allen J. Schaben / Los Angeles Times)

“A lot of rooms in America are owned by the promoter, so unless you are working with that promoter, you can’t play that room. I don’t like that. I think there’s something fundamentally broken with that practice,” he said. “I wanted to prove out that idea, but I had to learn everything, like how you get a liquor license. It wasn’t perfect, but the intent was so pure.”

Two years and a couple U.K. venues later, TVG got an unexpected call from the city of Huntsville, Ala., to build the Orion Amphitheater, an 8,000-capacity anchor venue for the massive civic project Apollo Park. The futuristic Grecian agora, which opened in 2022, was beyond anything they’d built before — similar to Red Rocks in Colorado or Forest Hills Stadium in New York. Suddenly, Lovett and TVG were players in the U.S. too.

“When I’m off the road, I drop my kid at school and I go to work. I sit in an office from 9 a.m. to 6 p.m.,” Lovett said. “That’s not common, but there are people I really admire like Pharrell Williams who have a foot in entrepreneurship while also being a creator of songs. By doing a day’s work with TVG, sitting down at the piano can still feel like a hobby.”

Lovett, who lives in L.A., had long wanted something closer to home. The industrial northern pocket of Chinatown housing Pacific Electric is well-known to ravers and foodies — Insomniac’s Naud Street warehouse is close by, and the upscale cocktail bar Apotheke and pan-Asian restaurant Majordomo are around the corner. But besides festivals at Los Angeles State Historic Park, there hadn’t been much of a live music presence in the area (a plan to open an outpost of the NYC venue Baby’s All Right was thwarted by the pandemic).

Pacific Electric will be on the small side for a theater, a more intimate peer of downtown’s Regent or Bellwether. But Lovett’s plowed 20 years of notes from touring into the space — from the serene sandstone-hued dressing rooms with a piano and built-in laundry facilities, to a fully-separated horseshoe bar area to keep fan drink lines moving. There’s no bad sightline in the space, from either the ground floor or upper level balcony, which looks out over a stage wreathed in pink neon and wood cutouts evoking the industrial cityscape outside.

“Keeping the dirt under my fingernails with projects like this, and watching shows as often as I do, you realize how hard and how much creativity and magic there are around shows,” Lovett said. “It’s never a given to have an audience.”

To manage the venue, TVG brought on Stacey Levine, a veteran of the Palladium, Wiltern and Theatre at the Ace Hotel (now the United Theater on Broadway). While her management experience is in larger, historic venues, the chance to build something from scratch with an artist’s insight was enticing.

“People really want to get off their phones and back into independent venues, and this little pocket of downtown is about to pop off,” Levine said. “It’s very cool and close to different areas of L.A. But the venue is also really artist-focused. At 750 capacity, do you often have really nice dressing rooms? Probably not. But this is like welcoming artists into a nice hotel.”

Pacific Electric is independent in the sense that it’s not wholly exclusive for either promoter conglomerate (they plan to work with both Live Nation, AEG and others). Lovett, who cited the San Francisco concert impresario Bill Graham as a model for his company, said, “I love the opportunity to back an artist and be their advocate, and they should be able to work in any room they want to. I’ll die on that hill.”

The music won’t lean especially Mumford-ish. Its first show, with the synthwave group TimeCop1983, is slated for March 20, with a Robyn-themed club night, heavy rockers Militarie Gun and a big comedy slate from the Netflix Is a Joke festival up next.

L.A.’s nightlife — particularly in downtown — is still recovering from the pandemic-era culling of live venues and hospitality. After the malaise that’s ripped through L.A.’s entertainment economy of late, and a year of fires, ICE raids and other withering events in Los Angeles, Pacific Electric will have its work cut out to build its regular audience.

But new venues like South Pasadena’s Sid the Cat Auditorium and Re:Frame in Atwater Village have taken similar big swings in recent months. Lovett sounded hopeful that L.A. has plenty of room for more.

“I operated five venues in the pandemic, and conversations abounded like ‘Is this the death of live experiences?’” Lovett said. “My take was different, which was the one thing that we couldn’t figure out how to fix, was how to spend time together. Our greatest void was human interaction. We’re always going to trend towards congregation. If I didn’t believe that, I wouldn’t do this.”

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Commentary: Iran, Israel, pet otters and hair gel. Gavin Newsom’s book tour stops in L.A.

Israel, Iran, ICE, dyslexia, single moms and a pet otter named Potter were among the subjects discussed Tuesday evening at California Gov. Gavin Newsom’s tour stop in Los Angeles to promote his new book, “Young Man in a Hurry: A Memoir of Discovery.”

Speaking to a sold-out crowd of around 1,300 at L.A.’s historic Wilshire Ebell Theatre, the hourlong Q&A hosted by Writers Bloc and moderated by “Pod Save America” hosts John Favreau and Tommy Vietor was equal parts a get-to-know-the-man-behind-the-mask chat and a timely discussion about challenges facing the country.

The engaging discussion was clearly geared toward dispelling the image of Newsom as “that slick guy” (his own words), by covering his journey from an insecure, cocky young man trying to impress those around him to an adult who, through his successes and follies, has become comfortable in his own skin.

Gavin Newsom, Jon Favreau and Tommy Vietor sitting on stage

Gov. Gavin Newsom and moderators Jon Favreau and Tommy Vietor promoting Newsom’s new book, “Young Man in a Hurry.”

(Ronaldo Bolanos / Los Angeles Times)

He described his young, pre-politician self as posing in a suit: “I was thinking I was Pierce Brosnan in ‘Remington Steele.’ I just discovered hair gel,” Newsom joked. He said in those early years he was often overcompensating for his own feelings of inadequacy as the son of a single mom who struggled to pay the rent. As a kid with learning differences, whose undiagnosed dyslexia put him behind in school. Whose “broke and broken” father neglected his family while hobnobbing with wealthy San Francisco families, including the heirs of the Getty oil fortune.

A chatty, relaxed and sometimes free-associating Newsom rarely needed prompting from the moderators when speaking about his childhood, his family’s strange choice of pet (the aforementioned otter) or far more serious matters. He said that Democrats need to “fight fire with fire” and be more “ruthless” in their fight to win back the country.

Newsom’s politician-speak was evident in some of his more rehearsed efforts to convince the crowd that he’s a regular guy (he may not have changed many diapers with his first daughter, but he got better at his dad duties with his next three kids). But those instances were matched by unvarnished comments that appeared genuine, and risked alienating some of his base.

One such instance came early in the conversation, when Newsom was asked about where he stood on President Trump’s new Iran war, and the administration’s changing rationales on why it launched the military operation without consulting Congress.

“[The Trump administration’s] first rationale was we’ve got to make sure that they’re not armed with nuclear [weapons]. But I thought that was resolved, that we had completely ‘obliterated’ it,” Newsom said, using Trump’s claims against him. “Then maybe that wasn’t the case, so now it’s about their missiles, and they can perhaps hit the United States, and then it’s wait, that’s a decade plus away. So that’s BS. Then it’s about their militias, it’s about their proxy. Then it’s no, it’s about their navy. And then no, it’s a response to the likelihood that Israel was going to [go in] so we had to go in ourselves. God help us … this is Keystone Cops.”

Newsom was then asked if the United States should perhaps consider rethinking its military support for Israel, and he said that would be reasonable.

“The issue of Bibi [Israeli Prime Minister Benjamin Netanyahu] is interesting because he’s got his own domestic issues,” Newsom said. “He’s trying to stay out of jail. He’s got an election coming up. I mean, to say this is in America’s interest, at a time when affordability is at crisis levels, where you had an administration who literally got elected saying this is exactly the opposite of what they would ever consider doing. The fact that we are in this now, regional war.…”

He also said Netanyahu was “potentially on the ropes. He’s got folks, the hard line, that want to annex the West Bank.” Newsom suggested that some critics have “appropriately” described Israel as sort of an “apartheid state.” His comments caused a stir Wednesday from pro-Israel advocates who felt Newsom was turning on their interests.

But most of the conversation was about the book, and domestic issues. Newsom has been a fierce critic of Trump and his policies, positioning himself as part of the resistance, one of the few high-profile leaders to hit back with policy (Proposition 50) and a strong media presence with his podcast, “This is Gavin Newsom,” and his Trump-trolling social media accounts.

“Nothing goes to the heart of who [Donald Trump] is than his press conference yesterday, where he was lamenting [that] four Americans had died,” Newsom said. “He mentioned them in passing. And then went on, in great detail, about the drapes and the Imperial Palace in the East Wing [of the White House] that he’s building. He talked about [it] with real passion and conviction. It says everything about Donald Trump, the uncertainty in the world, to the fact that we have allies under threat, UAE, we’ve got proxy war with, once again, with Hezbollah and Lebanon. We’ve got all the anxiety as relates to 20% of the world’s oil flow, issues related to oil prices and stocks.”

Though Newsom was speaking to an auditorium of blue state supporters, his tour kicked off last week in the South, with stops in Georgia, Tennessee and South Carolina. His efforts to relate to his audience were seized upon when, during a conversation with Atlanta Mayor Andre Dickens, he addressed the audience, saying, “I’m like you,” before bringing up his low SAT scores. He was called out for his comment, which was labeled as racist by critics, particularly those from right leaning media outlets.

In Los Angeles on Tuesday, he was asked how he felt about the California Democratic Party chair’s recent suggestion that some party candidates drop out of the governor’s race, to avoid a Republican potentially winning. “I confess. I agree. With all the promise and peril that marks this moment in California, the most un-Trump state in America,” we can’t risk a Republican winning, he said.

The California Highway Patrol and a private security firm deployed officers and agents around the venue for a tight security presence (no bags or purses allowed). On at least three occasions, one or more protesters interrupted the discussion with shouts from the balcony and floor seats, demanding Newsom do something about privatized prisons and the ICE sweeps of immigrants.

After they were removed by security, Newsom said he understood the “escalation of stress” over the last ten years or so, and defended his record, mentioning he signed the first bill banning private prisons and was a “fierce opponent” of what’s happening on American streets.

Attendees of the event applauded Newsom’s record, and just about everything else he said. They were, after all, folks who had paid up to $80 a seat to hear the conversation and receive a copy of his book. He walked into the crowd afterward and spent nearly a half hour chatting with audience members, posing for selfies and signing copies of his memoir. Newsom was not in a hurry.

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L.A. City Council declares the ‘Brady Bunch’ house a historic landmark

Here’s the story…of how a seemingly non-descript home in the San Fernando Valley turned into an L.A. landmark.

The L.A. City Council voted to designate the “Brady Bunch” house as a historic-cultural monument on Wednesday, enshrining the Studio City Midcentury as a piece of the city’s history.

“Long before it became a pop‑culture pilgrimage site and backdrop for countless photo ops, the Brady Bunch House helped shape America’s vision of family life in the late 1960s and early ’70s — especially the idea of a blended family,” said Adrian Scott Fine, president of the L.A. Conservancy. “We’re thrilled to see it now designated as a Historic-Cultural Monument, ensuring the Brady Bunch — and their iconic home — remain part of Los Angeles’ story.”

The Los Angeles Cultural Heritage Commission unanimously voted to recommend the house, located at 11222 Dilling St. in Studio City, as a landmark on Jan. 15. The Planning and Land Use Commission approved the designation a month later, sending final say to the City Council.

“I look forward to seeing this memorialized in the appropriate way as part of San Fernando Valley television history,” Councilmember Adin Nazarian said during the Planning meeting.

The landmark status protects the home from demolition, but doesn’t prohibit it. If the owner ever wants to destroy the home, the Cultural Heritage Commission can delay the process for up to a year to find preservation solutions. The commission also gets more oversight on proposed alterations.

“The Brady Bunch” was filmed in a studio for the entirety of its iconic run from 1969 to 1974. So how does a house that was merely for exterior shots wind up as a landmark?

Through painstaking renovations and a bit of reality TV magic.

The house was built in 1959 by architect Harry M. Londelius, who gave the contemporary ranch a shake roof, cathedral ceilings and heaps of Palos Verdes stone. After starring in the show, the home became a symbol for Southern California’s suburban, single-family charm.

For decades, it was owned by Violet and George McCallister, who bought it for $61,000 in 1973. Once they died, their children sold it in 2018 for $3.5 million — nearly twice the original ask.

The bloated sale price was the result of a bidding war, as offers poured in from TV enthusiasts and celebrities, including ‘N Sync’s Lance Bass. In the end, cable network HGTV emerged as the winner.

The channel had big plans for the property, announcing a $1.9-million remodel that would recreate the interiors exactly how they looked in the show. The entire process was documented in a four-part miniseries titled “A Very Brady Renovation.”

The show featured the actors who played the Brady kids taking sledgehammers to the interiors while “Property Brothers” stars Drew and Jonathan Scott reshaped the living spaces.

An inside look at the "Brady Bunch" house in Studio City.

An inside look at the “Brady Bunch” house in Studio City.

(Ryan Lahiff for Eklund | Gomes)

The final result was a near picture-perfect replica of the Brady abode: the floating staircase, the groovy orange kitchen counters, even the famous vase destroyed by a stray basketball during a famous episode. (“She always says don’t play ball in the house.”) To make space for the throwback bedrooms, the crew added 2,000 square feet to the rear of the house, as well as a second story — which they hid from the street by lowering the foundation by a foot.

The renovation nearly doubled the square footage, featuring five bedrooms and five bathrooms across more than 5,000 square feet.

After the miniseries, HGTV took a bath on the sale. They flipped it for $3.2 million in 2023 — $300,000 less than they paid for it five years earlier and $2 million less than the asking price.

The house was bought by historic-home enthusiast Tina Trahan and her husband Chris Elbrecht, former chief executive of HBO. It came with a few Brady-themed furniture throw-ins such as a green floral couch and credenza complete with a 3-D printed horse sculpture.

Fans still flock to the house to take photos from the street, but Trahan and Elbrecht opened it to the public for the first time in November, offering a limited run of tours for $275.

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Janisse Quiñones, head of the L.A. Department of Water and Power, resigns

The head of the Los Angeles Department of Water and Power stepped down Wednesday as part of a “planned leadership transition,” Mayor Karen Bass’ office announced.

Janisse Quiñones, who took the helm at DWP in 2024, is returning to Puerto Rico, where she is from, to help modernize the island’s electric grid.

In a statement, Bass said that Quiñones brought “steady leadership and engineering expertise to LADWP.”

“During her tenure, LADWP reinforced electric grid and water system reliability, enhanced coordination during wildfire events, and advanced investments to strengthen resilience amid increasing climate pressures,” the statement said.

Quiñones’ hefty salary of $750,000, which drew attention when she was hired, was meant to be competitive with private utility companies. She previously was a senior vice president of electric operations at Pacific Gas & Electric Co.

Quiñones managed the DWP through the Palisades fire, when a key reservoir was empty as firefighters battled the blaze.

Some argued that the reservoir, which had been drained to repair its cover, led to lower water pressure and hampered the firefight.

The DWP has pushed back, saying the repairs were necessary to protect public health and that even if the reservoir had been full, there still would have been water pressure issues, considering the extraordinary demand on the system during the fire.

A state investigation found that even if the reservoir had been full, the flow rate in the pipes “would have been a limiting factor in maintaining pressure and the system would have been quickly overwhelmed.”

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L.A. cannabis businesses owe $400 million. The city may get only $30 million

Los Angeles cannabis businesses that owe back taxes wouldn’t have to pay late fees and interest under an “amnesty” program proposed by the City Council.

To qualify, the businesses would have to pay their city taxes within three years.

The council’s unanimous vote on Tuesday, asking the Office of Finance to draft language creating the program, comes at a time when city leaders are searching for money to cover basic services after closing a $1-billion budget gap.

More than 500 of the roughly 700 licensed cannabis businesses in the city collectively owed about $400 million in taxes — an amount that includes $100 million in penalties and $35 million in interest, according to an October report from the Office of Finance.

The total amount owed increased to $417 million as of December, according to Matthew Crawford, the office’s assistant director.

But only about $150 million is collectible, since some tax debts are outside of the three-year statute of limitations and some cannabis businesses are no longer operating.

Based on a projection that about half of eligible cannabis businesses would take part in the program, the city would collect about $30 million in back taxes while waiving about $25 million in penalties, the October report said.

Under the amnesty program, about 20% of the revenue would go to the city’s general fund and the Office of Finance. The Los Angeles Police Department and the city attorney’s office would receive about 40% for illegal cannabis enforcement, and the remaining 40% would fund social equity grants to cannabis operators, particularly members of low-income and minority communities that have been subject to disparate enforcement of criminal cannabis laws.

“The city finds itself with a unique opportunity to bring businesses into compliance and, at the same time, properly fund cannabis industry-centric programming,” City Councilmember Imelda Padilla said during Tuesday’s meeting.

Owners of cannabis businesses say the 10% city tax rate on their gross sales is exorbitant, at the same time that illegal cannabis businesses have carved out a chunk of the market.

“Not only are we competing against the illicit market, we’re competing against licensed dispensaries that the city is allowing to stay open who have made it their business model to not pay tax,” Daniel Sosa, who owns four cannabis dispensaries in the city, told the council on Tuesday.

The amnesty program should be mandatory for businesses that are behind on their taxes, and those who default on their payments should have their licenses stripped, Sosa said.

Sosa said that the tax on cannabis sales should be “just like every other business pays in the city: guns, tobacco, alcohol, major, major billion dollar corporations.”

Other business tax rates in the city range from 0.11% to 0.425%, according to Crawford.

Last month, the council placed a cannabis-related measure on the June 2 ballot that, if approved by voters, would close a tax loophole for illegal cannabis businesses and open them up to the threat of civil collection.

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L.A. County pushes new jail safety measures amid deaths

Los Angeles County leaders are demanding the Sheriff’s Department ramp up safety measures within the jail system as inmate deaths continue to mount.

Ten people died inside L.A. County jails in the first two months of this year, putting the county on track for another record-setting year of in-custody deaths. Autopsies to determine causes for all the deaths are still pending.

County supervisors voted 4 to 0 on Tuesday on a motion, crafted by Supervisor Janice Hahn, requiring the Sheriff Department take a series of steps to reduce inmate deaths, including increasing access to the overdose reversal drug Naloxone, more closely monitoring cameras and beefing up safety checks.

“If we don’t address this now, we will see another record year of deaths in the County jails — a record we do not want to repeat,” the motion stated.

The death rate has eclipsed the pace of 2025, which saw nine deaths by the end of February. The year ended with 46 in-custody deaths, a jump from the 32 reported deaths in 2024.

Supervisor Kathryn Barger abstained from the vote, arguing the county could not address the death rate without building a new facility.

“We must be honest about the limitations of facilities that were never designed to house today’s population,” she said in a statement. “I have consistently called for a modern replacement facility focused on treatment and rehabilitation because that is where the real solution lies.”

Sheriff Robert Luna conceded this month that 2026 was “not off to a good start.” He framed the challenge as due partially to the fact that the county was booking people who were older and sicker than prior populations and needed more intensive care than could be offered by the jail system. Four in 5 people face a mental or physical health issue, the department said.

“Every time I get notified that someone in my care has passed away, it’s like a kick in the groin,” Luna said.

The department said in a statement that it has “taken aggressive action to prevent overdoses and violence,” but believes “no jail system can eliminate all risks when people enter custody already critically ill.”

The supervisors voted more than four years ago to shut down Men’s Central Jail, a downtown facility notorious for dangerous and deteriorating conditions, without building a replacement. Since then, inspectors continued to find a litany of problems inside the jail, including mildew and lack of food.

“The fact is that we need to close down Men’s Central,” said Peggy Lee Kennedy, one of several callers to the board meeting who urged the county to speed up the closure. “Why are all these people living there with major mental health issues instead of getting the help they really truly need?”

The county continues to face intense scrutiny from the state over the conditions inside the jail. California Atty. Gen. Rob Bonta sued the Sheriff’s Department in September alleging that inmates “are forced to live in filthy cells with broken and overflowing toilets, infestations of rats and roaches, and no clean water for drinking or bathing.”

Bonta alleged inmates were barred from mental and medical care, leading to a “shocking rate of deaths inside the jails, many of which are caused by preventable circumstances, such as overdoses, suicides, or violence among incarcerated persons.”

Times staff writer Salvador Hernandez contributed reporting.

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