L.A

Through his decades-long career, Nick Lachey has done it all in Hollywood — he’s acted, he’s released solo albums, he’s led campaigns with brands (including Purina) and he’s reigned on the reality TV circuit, hosting the dating shows “The Ultimatum,” “Perfect Match” and the phenomenon that is “Love Is Blind,” which wrapped up its ninth U.S.-based season last week.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

But through it all, he keeps returning to one passion project: 98 Degrees, the swoon-eliciting boy band that catapulted him to stardom in the late ‘90s.

“I’m really blessed to be able to be a part of some incredible shows,” Lachey says. “But truly it all comes back to the band for me. I still continue to love to do that and perform with those guys, so hopefully that will continue for a long, long time.”

Earlier this year, 98 Degrees released their first non-Christmas album in more than a decade, “Full Circle.” It features reworkings of their most iconic songs — including “I Do (Cherish You)” and “The Hardest Thing” — along with five new tracks.

Outside of work, what’s paramount in Lachey’s life “is being a dad and being present for my kids, and really being involved in their life,” he says. He and his wife, Vanessa Lachey, who’s also his “Love Is Blind” co-host, have three young children: Camden, Phoenix and Brooklyn.

The Cincinnati native and die-hard Bengals fan takes us along for his perfect Sunday in L.A., where he’s lived for more than 20 years. It involves football (of course), an indulgent brunch with waffles, relaxing at a Malibu beach and reading a print copy of the L.A. Times — an activity that we can absolutely get behind.

This interview has been lightly edited for length and clarity.

7:30 a.m.: Coffee and the L.A. Times

I usually wake up around 7 or 7:30 a.m. I’m conditioned to get up when the kids do, so that’s typically the time even on a weekend. The first thing I’m doing on a Sunday is getting a cup of coffee. I’m kind of old-school. I still get the print paper. So I’ll walk out of my front door and go grab my L.A. Times and my cup of coffee, and hopefully have a few moments to myself to read the paper before my kids get up and harass me.

9 a.m.: Football time

Are we in football season? That’s a very important question. If it’s my dream Sunday then we’re in football season so around 8:30 or 9 a.m., I’m turning on “NFL Countdown” and we’re getting ready for the Sunday slate of games. The Cincinnati Bengals are my team. I grew up in Cincinnati so I’m kind of a fan by birth, if you will. Now, the Bengals are pretty good. For the majority of my life, they’ve been absolutely horrible and I’ve just been stuck with them, but it’s kind of fun now that they’re actually competitive [laughs].

12 p.m.: Indulge in waffles at brunch

We’re getting into the afternoon and getting ready for lunch. A place my family and I love to have lunch or maybe a late brunch is More Than Waffles, which is kind of an Encino institution, if you will. I usually get a skillet or an omelet, then combine that with a waffle. I don’t eat that great, but if you’re ever gonna eat bad, Sunday is the day to do it, so you gotta get the waffle. You gotta get the whipped cream and the strawberries. Go for broke.

2 p.m.: Hang out at the beach

A good Sunday is heading out to the beach. I’d take the kids to Zuma to see the ocean for a little bit even if it’s just a drive. It’s nice to take the drive down that way, see the water and feel the wind on your face. I’m not a big get-in-the-water guy. If I’m in the Caribbean or somewhere, maybe. [laughs] It’s a little chilly for me, so I’m more of the lay-on-the-sand, take-in-the-scenery kind of guy at the beach.

5 p.m.: Burritos and margs for dinner

Let’s get back to the house to take a shower and then we’d hit Casa Vega. That’s another one of my favorites in the Valley. My whole family loves it. I like the oven style chicken burrito smothered. You gotta get the chips and guac. You gotta get a house margarita blended, no salt, and you’re good to go.

8 p.m.: Family meeting

We always have a family meeting on Sunday nights to get ready for the week and kind of go over what’s going on. So we’d get the family back to the house, sit down with the kids, and kind of go over the expectations for the week and plan it out. Then you’re into shower and bath time because it’s a school night.

10 p.m.: Mommy and daddy time

Once the kids are down, maybe Vanessa and I will take in whatever show we’re watching at that time. That’s a good cap to a Sunday. I just finished watching “Perfect Match” on Netflix, which is a classic. I love all the Taylor Sheridan [shows]. I’ve already watched them all.

Officials announced Thursday that Los Angeles County has automated the process of notifying law enforcement agencies when people who violate restraining orders fail to comply with judges’ orders to hand their guns over to authorities.

Previously, court clerks had to identify which of the county’s 88 law enforcement agencies to notify about a firearm relinquishment by looking up addresses for the accused, which could take multiple days, Presiding Judge Sergio C. Tapia II of the L.A. County Superior Court said during a news conference.

Now, “notices are sent within minutes” to the appropriate agencies, Tapia said.

“This new system represents a step forward in ensuring timely, consistent and efficient communication between the court and law enforcement,” he said, “helping to remove firearms from individuals who are legally prohibited from possessing them.”

According to a news release, the court launched the platform, which the Judicial Council of California funded with a $4.12 million grant in conjunction with the L.A. County Sheriff’s Department and district attorney’s office, and the L.A. Police Department and city attorney’s office.

The court also rolled out a new portal for law enforcement that “streamlines interagency communications by providing justice partners with a centralized list of relevant cases for review” and allows agencies “to view all firearm relinquishment restraining order violations within their jurisdiction,” according to the release.

The new digital approach “represents a major enhancement in public safety,” Luna said.

“Each of those firearms,” he said, “represents a potential tragedy prevented or a domestic violence situation that did not escalate, a life that was not lost to gun violence.”

A federal grand jury subpoena has been served on the Los Angeles Fire Department for firefighters’ text messages and other communications about smoke or hot spots in the area of the Jan. 1 Lachman brushfire, which reignited six days later into the massive Palisades fire, according to an internal department memo.

The Times reported last week that a battalion chief ordered firefighters to pack up their hoses and leave the burn area the day after the Lachman fire, even though they complained that the ground was still smoldering and rocks were hot to the touch. In the memo, the department notified its employees of the subpoena, which it said was issued by the U.S. attorney’s office in Los Angeles.

“The subpoena seeks any and all communications, including text messages, related to reports of fire, smoke, or hotspots received between” 10 p.m. on New Year’s Eve and 10 a.m. on Jan. 7, said the memo, which was dated Tuesday.

A spokesperson with the U.S. attorney’s office declined to confirm that a subpoena was issued and otherwise did not comment. The memo did not include a copy of the subpoena.

The memo said the subpoena was issued in connection with an “ongoing criminal investigation” conducted by the Bureau of Alcohol, Tobacco, Firearms and Explosives.

Last month, an ATF investigation led to the arrest of former Pacific Palisades resident Jonathan Rinderknecht, who was charged with deliberately setting the Jan. 1 fire shortly after midnight near a trailhead.

It is unclear from the memo whether the subpoena is directly related to the case against Rinderknecht, who has pleaded not guilty.

During the Rinderknecht investigation, ATF agents concluded that the fire smoldered and burned for days underground “within the root structure of dense vegetation,” until heavy winds caused it to spark the Palisades inferno, according to an affidavit attached to the criminal complaint against Rinderknecht.

The Palisades fire, the most destructive in the city’s history, killed 12 people and destroyed thousands of homes, businesses and other structures.

Last week, The Times cited text messages among firefighters in reporting that crews mopping up the Lachman fire had warned the battalion chief that remnants of the blaze were still smoldering.

The battalion chief listed as being on duty the day firefighters were ordered to leave the Lachman fire, Mario Garcia, has not responded to requests for comment.

In one text message, a firefighter who was at the scene on Jan. 2 wrote that the battalion chief had been told it was a “bad idea” to leave because of the visible signs of smoking terrain, which crews feared could start a new fire if left unprotected.

“And the rest is history,” the firefighter wrote in recent weeks.

A second firefighter was told that tree stumps were still hot at the location when the crew packed up and left, according to the texts. And a third firefighter said this month that crew members were upset when told to pack up and leave but that they could not ignore orders, according to the texts. The third firefighter also wrote that he and his colleagues knew immediately that the Palisades fire was a rekindle of the Jan. 1 blaze.

The Fire Department has not answered questions about the firefighter accounts in the text messages but has previously said that officials did everything they could to ensure that the Lachman fire was fully extinguished. The department has not provided dispatch records of all firefighting and mop-up activity before Jan. 7.

After The Times published the story, Mayor Karen Bass directed interim Fire Chief Ronnie Villanueva to launch an investigation into the matter, while critics of her administration have asked for an independent inquiry.

For a historian who writes about war, Rick Atkinson is surprisingly optimistic. The Pulitzer Prize-winning author and former journalist — who recently released the second volume in a trilogy of books about the American Revolution — believes that the bedrock of American democracy is solid enough to withstand any assaults on its founding principles.

As the guest of honor at a Sunday night dinner sponsored by the Library Foundation of Los Angeles as part of its biennial Literary Feasts fundraiser, Atkinson was the most upbeat person at the event, which took place just before Election Day. Speaking to about 18 guests gathered around two circular tables carefully laid out on the back patio at the home of fellow writers and hosts Meenakshi and Liaquat Ahamed, Atkinson buoyed the flagging spirits of those certain that the country was currently dangling on the precipice of disaster at the hands of the Trump administration.

Book lovers attend a Literary Feast dinner featuring Pulitzer Prize-winning historian Rick Atkinson at the home of writers Meenakshi and Liaquat Ahamed.

(Jason Armond / Los Angeles Times)

“We’re the beneficiaries of an enlightened political heritage handed down to us from that founding generation, and it includes strictures on how to divide power and keep it from concentrating in the hands of authoritarians who think primarily of themselves,” Atkinson said with the cheery aplomb of a man who has spent the bulk of his time burrowing deep inside archives filled with harrowing stories of the darkest days the world has ever seen. “We can’t let that slip away. We can’t allow it to be taken away, and we can’t allow ourselves to forget the hundreds of thousands who’ve given their lives to affirm and sustain it over the past 250 years.”

The questions and conversation that followed Atkinson’s rousing speech about the history of the Revolution — including riveting details about key players like George Washington who Atkinson noted had “remarkably dead eyes” in order to not give away a scintilla of his inner life to curious onlookers — was what the evening’s book-loving guests had come for.

“We’re the beneficiaries of an enlightened political heritage handed down to us from that founding generation,” said Rick Atkinson.

(Jason Armond / Los Angeles Times)

A total of 40 authors are hosted at salon-style events at 40 houses with more than 750 guests over the course of a single evening, raising more than $2 million for the Library Foundation, which is a separate entity from the public library. Founded in 1992 in the wake of the devastating 1986 fire at downtown’s Central Library, which destroyed more than 400,000 books, the foundation seeks to continue the community-driven mission of the library when funding runs short, including supporting adult education, early literacy programs for children, and services for immigrants and the unhoused.

“I often describe it as the dream-fueling work, the life-changing work,” said Stacy Lieberman, the Library Foundation’s president and chief executive. “Because it’s a lot of the one-on-one support that people will get.”

The Foundation typically raises about $7 million to $8 million a year, with an operating budget of nearly $11 million, so money raised through the Literary Feasts is a significant slice of the funding pie. The feasts began in 1997 and have continued apace every other year since then, featuring a who’s who of literary accomplishment across every genre. Writers past and present include Sue Grafton, Jane Fonda, Ann Patchett, Viet Thanh Nguyen, Abraham Verghese, Scott Turow and Michael Connelly.

Dinner hosts fund the events themselves — no small outlay considering the lavish offerings.

Guests were served steak with roasted carrots, turnips and potatoes.

(Jason Armond / Los Angeles Times)

The Ahameds delighted guests with a tangy grapefruit and greens salad, followed by tender steak with roasted carrots, turnips and potatoes; a dessert of hot apple tart à la mode drizzled with caramel sauce; and plenty of crisp red and white wine. Both hosts are literary luminaries in their own right: Liaquat, a former investment manager, won the 2010 Pulitzer Prize for history for his book “Lords of Finance: The Bankers Who Broke the World” and Meenakshi recently published “Indian Genius: The Meteoric Rise of Indians in America.”

The couple travels in bookish circles and enjoys hosting salons at their home, including one earlier this year in support of New Yorker political columnist Susan Glasser and her husband, New York Times chief White House correspondent Peter Baker. As friends of Atkinson, the Ahameds did their part to introduce him, and later tried their best to entice him to stop taking questions and eat his dinner.

The guest of honor could not be persuaded. There was too much to say. “The Fate of the Day,” which explores the bloody middle years of the Revolution from 1777 to 1780, was released in April, and Atkinson has spent the past eight months touring and speaking on panels with documentarian Ken Burns to promote Burns’ six-part documentary series “The American Revolution,” which premieres Nov. 16 on PBS.

Atkinson is a featured speaker in the series and has been involved with it for about four years.

The dinner featuring Rick Atkinson was one of 40 taking place across town that evening. The events raised $2 million for the Library Foundation of Los Angeles.

(Jason Armond / Los Angeles Times)

The week before the Literary Feast, Atkinson and Burns spoke to members of Congress in Washington, D.C., and also screened a 40-minute clip at Mount Vernon where Atkinson discussed Washington’s unique talents as a general.

“I’ve seen the whole thing several times and it’s fantastic,” Atkinson said of the 12-hour film. “It’s as you would expect: beautifully filmed, wonderfully told, great narrative.”

The country is now more than four months into its semiquincentennial, which Atkinson joked “sounds like a medical procedure,” but is actually the 250th anniversary of the founding of the United States. It’s well known that Trump is planning a splashy party, with festivities and commemorations intensifying over the next eight months, culminating in a grand celebration in Washington, D.C., on July 4, 2026.

Rick Atkinson’s book “The Fate of the Day,” which explores the bloody middle years of the Revolution from 1777 to 1780, was released in April.

(Jason Armond / Los Angeles Times)

“My hope is that as a country, we use the opportunity to reflect on those basic questions of who we are, where we came from, what our forebears believed and what they were willing to die for,” said Atkinson. “I’m optimistic because I’m a historian, because I know our history. No matter how grim things seem in 2025, we have faced grimmer times in the past, existential threats of the first order, starting with the Revolution.”

The politically deflated might also consider World War II — the subject of Atkinson’s Liberation Trilogy — the second volume of which won the 2003 Pulitzer Prize for history. The writer knows his stuff. Guests — and readers — take heart.

L.A. County supervisors want to bar “predatory” salespeople who they say prey on vulnerable residents seeking benefits from the region’s social services offices.

The supervisors unanimously voted Tuesday to explore creating a “buffer zone” outside county offices, prohibiting certain types of “aggressive” solicitation toward people seeking food stamps and cash aid. County lawyers have two months to figure out what such a zone would look like.

The looming crackdown follows a Times investigation that found seven people who said recruiters outside a social services office in South Los Angeles paid them to sue the county over sex abuse. Two more later told The Times they, too, were solicited for sex abuse lawsuits outside a county social services office in Long Beach, though they initially believed they were being recruited to be extras in a movie.

“We are painfully aware of the ongoing allegations of fraud and the pay-to-sue tactics used to recruit clients and file lawsuits against the county,” said Supervisor Janice Hahn, who announced she would push for the buffer zone after the Times investigation. “There must be greater accountability both to protect survivors seeking justice and to ensure that fraudulent claims and predatory solicitation are stopped at their source.”

The county’s more than 40 social services offices act as one-stop shops for residents who need help applying for food, housing and cash assistance. Outside many of the larger offices in poorer areas, a bustling ecosystem thrives with vendors hawking goods and services to those in line.

The supervisors said Tuesday they were troubled by some of the offerings.

“Vendors asking for copies of people’s personal documents, trying to sell them products and even recruiting people into claims against the county — this behavior puts residents at real risk and undermines the trust in our public services,” said Supervisor Lindsey Horvath.

Supervisor Kathryn Barger said she wanted to see reforms that would protect both taxpayers and “vulnerable individuals who are being used as pawns to line the pockets of many of these attorneys.”

The motion passed 3 to 0. Supervisors Hilda Solis and Holly Mitchell, whose district includes the social services office where some of the lawsuit recruitment took place, were absent.

The Times spent two weeks outside the South L.A. office this fall and watched vendors seek out dozens of people with Medi-Cal, the state’s health insurance for low-income Californians. The vendors would pay them anywhere between $3 and $12 to undergo COVID and blood pressure tests, which they said would be billed to their state insurance. Some people said they routinely stopped by the location for quick cash.

Giveaways of free phones are also popular for those who are eligible through a government-subsidized program. Recipients have complained that the service on the phones was often short-lived, with some people returning to the kiosks within a few days after their number stopped working.

Leaders at the Department of Public Social Services, who oversee the offices, say they’re limited in what they can do outside their facilities. Many of the busiest locations are in Los Angeles or smaller cities, where the county has no authority. And regulating where vendors can go on public sidewalks has proved a reliable headache for local governments in the past.

Last year, the Los Angeles City Council eliminated the “no-vending zones” it had created in areas where it said street vendors would contribute to congestion. The ban was met with an outcry and a lawsuit from vendors who argued street vending had been decriminalized and the city could no longer outlaw the stands.

Eugene Volokh, a 1st Amendment professor and senior fellow at Stanford University’s Hoover Institution, said the county will have to be careful in defining what conduct is “predatory” and what is protected speech.

“The devil’s going to be in the details,” Volokh said. “Whenever you hear words like ‘predatory’ or ‘exploitative’ or ‘harassing’ or ‘bullying,’ you know you’re dealing with terms that are potentially very vague and often, by themselves, too vague to be legally usable terms.”

MADISON, Wis. — Out in Wisconsin’s state capital, where the orange leaves are falling and every other person seems to wear the red and white of the University of Wisconsin Badgers, the pride and pain of rooting for the Dodgers in 2025 played out in the household of Carolina Sarmiento and Revel Sims.

They’re urban planning professors, Southern California natives — he’s from Eagle Rock, she’s from Santa Ana; they met at UCLA — and longtime friends of mine who have lived in Madison for a decade but are still involved in immigrant and anti-gentrification activism back home. I visited them recently as part of a speaking tour of Midwestern colleges and found myself in the middle of a debate that passed through the lives of too many people we know back home.

It’s one that’s unlikely to completely fade away no matter how many rings and parades the Boys in Blue rack up:

Is it OK to, well, revel, in this year’s World Series champs?

On one hand the Dodgers won back-to-back titles for their first time ever and became the first team to do so in a generation. The squad looked like Los Angeles at its best: people from across the world who set aside their egos to win and bring joy to millions of Angelenos in a most difficult year for the City of Angels.

L.A., a city long synonymous with winning — the weather, the teams, the people, the food — has suffered a terrible losing streak that started with the deadly and catastrophic Eaton and Palisades fires and continues with mass deportations that the Trump administration vows to escalate.

That’s where the rub came for Sarmiento and other Dodgers fans. For them, the actions and inactions of the team this year have been indefensible.

“For me, it started when the Dodgers went to the White House,” said the 45-year-old as we drove to their blue-and-white house. She especially took issue with shortstop Mookie Betts, who skipped a White House visit in 2019 when he was with the World Series-winning Boston Red Sox but shook Trump’s hand this time around, describing his previous snub as “very selfish.”

“Who got in his ear?” she exclaimed, bringing out dried mangoes for us to snack on as we waited for Sims to come home. “Since when has standing up for injustice been about you?”

Sarmiento didn’t grow up a Dodgers fan but bought into the team once she and Sims became a couple. They and their two young sons usually attended Dodgers games on trips back home and regularly caught the Dodgers in Milwaukee whenever they played the Brewers. One time, manager Dave Roberts “happily” signed a jersey for them when the family ran into him at a hotel, Sarmiento said.

In Madison, she long wore a Dodgers sweatshirt emblazoned with the Mexican flag that Sims bought for her because “it was a way to represent home. But not anymore. I tell Revel, ‘Babe, I’m not asking you to boycott the Dodgers forever, but they gotta give us something back.’”

Sure, the Dodgers blocked federal agents from entering the Dodger Stadium parking lot in June just after la migra raided a Home Depot facility. Shortly after, the team donated $1 million to the California Community Foundation to disburse to nonprofits assisting families affected by Trump’s deportation Leviathan.

But as the summer went along, Sarmiento grew frustrated that only Dodgers outfielder Kiké Hernández spoke out against immigration raids and Trump’s deployment of the Marines and National Guard. She also wondered why Dodgers chairman Mark Walter wouldn’t address charges that companies he has investments in do business with Trump’s deportation machine. One has a stake in a private prison company that contracts with the federal government to run immigrant detention centers; another has a joint venture with Palantir, which ICE has contracted to create data surveillance systems that would make the Eye of Sauron from “The Lord of the Rings” series seem as innocuous as a teddy bear.

“After a while, it’s like a woman who knows her partner is a cheater but keeps saying, ‘He’s not a cheater, he’s not a cheater’ and then gets upset when he cheats on her again. At that point, all you can say is, ‘Girl…‘”

I brought up how many Dodgers fans I know saw the team’s World Series win as a giant middle finger to Trump.

The heroes of Games 6 and 7, outfielders Kiké Hernández and second baseman Miguel Rojas, come respectively from Puerto Rico and Venezuela, a commonwealth Trump has neglected and a country he’s salivating to invade. The team’s most popular player, Shohei Ohtani, still proudly speaks in his native Japanese despite being in the U.S. for eight years and knowing some English. Tens of thousands of fans came out for the Dodgers victory parade and celebration at Dodger Stadium, many of them undoubtedly immigrants.

Isn’t it OK to let folks be happy?

“It’s like community benefit agreements,” Sarmiento responded, referring to a tactic by neighborhood groups that sees them win commitments from developers on issues like open space, union contracts and affordable housing with the threat of protests and lawsuits. “You know what’s coming, so you try to get something out of it. This year was a political moment that fans could’ve taken and they didn’t, so the Dodgers gave nothing.”

We greeted Sims as he walked in. The two of us walked down to the basement, where he watched the World Series in exile on a big-screen TV.

“It’s a little lonely being a Dodgers fan out here,” joked the 48-year-old, although he was heartened to have seen a fellow University of Wisconsin professor decked out in a Freddie Freeman jersey earlier in the day. Sims grew up going to Dodger Stadium with his father and remembered going to games on his own in the mid-2000s “when it wasn’t a pretty time.”

He brought up the Dodgers’ owner from that era: Frank McCourt, who raised ticket and concession prices seemingly every year and who still partially owns the parking lots surrounding Dodger Stadium. Fans responded to his disastrous regime by protesting before and during games. “It was disheartening to not see that in the stadium this year, when there was an even bigger problem going on.”

Sims felt “conflicted” rooting for the Dodgers this year. He watched every game he could but admitted he found the team celebrating ethnic pride nights “hollow” as raids increased across Los Angeles and the Trump administration attacked the rights of groups that the Dodgers were honoring.

“It would’ve been easy [for the Dodgers] to make a bland statement — ‘We’re a team full of immigrants in a city of immigrants and we’re proud of us all’ — and you wouldn’t have to go any further. They have a historical obligation to do that because of their history.”

But not rooting for the Dodgers was never an option.

Pitcher Yoshinobu Yamamoto stands onstage at the World Series celebration at Dodger Stadium on Monday.

(Carlin Stiehl / For The Times)

“I want to see L.A. people happy. The parade! It’s a free holiday. People just ditch work and don’t get in trouble for it. We’re the only city — not New York, not Boston, not San Francisco — with a chant against us. We’re despised and misunderstood. So if the Dodgers win, L.A. wins.”

Sarmiento joined us. “She’s my better political half,” Sims cracked. “Caro said to pick another sport.”

“No I didn’t!” she kindly replied. “I just said to take a pause, just for now. A political pause.”

Sims admitted that that a vintage jacket that he used to bring out every October as the Dodgers made another playoff run and Wisconsin turns cold was still in the closet. “I haven’t worn any gear all year.”

“When you went to the game!” Sarmiento shot back, referring to a visit to Milwaukee earlier this year with his local softball team.

“I went with a Valenzuela jersey to represent L.A.,” Sims responded as Sarmiento shook her head.

He laughed.

“I love the team. I just don’t like this team for not saying anything. But it’s what I signed up for.”

From Jack Harris: The celebration had hardly begun, when Shohei Ohtani first voiced the theme of the day.

“I’m already thinking about the third time,” he said in Japanese, standing atop a double-decker bus in downtown Los Angeles with thousands of blue-clad, flag-waving, championship-celebrating Dodgers fans lining the streets around him for the team’s 2025 World Series parade.

Turns out, he wasn’t alone.

Two days removed from a dramatic Game 7 victory that made the Dodgers baseball’s first repeat champion in 25 years, the team rolled through the streets of downtown and into a sold-out rally at Dodger Stadium on Monday already thinking about what lies ahead in 2026.

With three titles in the last six seasons, their modern-day dynasty might now be cemented.

But their goal of adding to this “golden era of Dodger baseball,” as top executive Andrew Friedman has repeatedly called it, is far from over.

“All I have to say to you,” owner and chairman Mark Walter told the 52,703 fans at the team’s stadium rally, “is we’ll be back next year.”

Continue reading here

Photos: World Series champion Dodgers parade through Downtown L.A.

Fernando Valenzuela to be considered for National Baseball Hall of Fame induction

DODGERS POLL

Yoshinobu Yamamoto was the pitching star for the Dodgers, but who would you consider to be the hitting star in the World Series?

Shohei Ohtani, who hit .333 with three doubles, three homers, five RBIs and six runs scored

Will Smith, who hit .267 with two doubles, two homers and a team-leading six RBIs, including the go-ahead homer in the 11th inning of Game 7

Max Muncy, who hit .214 with two homers, including a clutch homer in the eighth inning of Game 7 to bring the Dodgers within one

Miguel Rojas, who only went two for 10 but hit that tying, ninth-inning homer in Game 7

or someone else?

Vote here in our poll and let us know.

LAKERS

From Thuc Nhi Nguyen: After Nick Smith Jr. had scored eight consecutive points, slashing to the rim for a layup followed by two deep threes, Rui Hachimura could tell the 21-year-old guard was going to deliver a big game just when the Lakers needed it.

“Keep going,” Hachimura encouraged Smith during a second-quarter timeout.

Smith did. Straight to the tunnel, where the third-year guard got sick.

With their three biggest stars out, the Lakers literally gutted out a 123-115 win over the Portland Trail Blazers on Monday at Moda Center as Smith fought through an uneasy stomach to notch 25 points and six assists in the Lakers’ fourth consecutive victory.

Smith, playing on a two-way contract with the South Bay Lakers, gave the Lakers (6-2) the perfect substitute off the bench as Luka Doncic (leg) and Austin Reaves (groin) sat out. He delivered electric shooting, making five of six shots from three-point range. With the team’s primary ball-handlers sidelined against an aggressive Portland defense, Smith steadied the offense. He also ignited it with 17 second-half points.

Continue reading here

Lakers box score

NBA standings

CLIPPERS

Bam Adebayo had 25 points and 10 rebounds, Norman Powell added 21 points in his return to Southern California and the Miami Heat held off the Clippers 120-119 on Monday night.

Powell was a key member of the Clippers for three seasons before being traded to the Heat before this season

Andrew Wiggins scored 17 points and Kel’el Ware added 16 to help the Heat end a two-game losing streak and win on the road for the second time in five games. Miami is 1-2 to open a four-game trip.

Continue reading here

Clippers box score

NBA standings

RAMS

From Gary Klein: Puka Nacua returned to the Rams’ lineup in spectacular fashion, catching a touchdown pass, amassing nearly 100 yards receiving and picking up key yardage on a fourth-down jet sweep during a victory over the New Orleans Saints.

But that rushing play, which ended with a crushing hit, came with a cost.

On Monday, Nacua was scheduled to have a scan of his injured ribs, though coach Sean McVay said during a videoconference with reporters that “I feel optimistic … in regard to where we’re potentially heading.”

McVay on Monday said he felt “sick” about leaving Nacua susceptible to injury because of the play call.

“I’m kicking myself about putting him in that spot where he sustained that shot to the ribs,” McVay said

Continue reading here

CHARGERS

From Sam Farmer: A bad situation on the Chargers offensive line just got worse, as the team announced Monday that standout left tackle Joe Alt will undergo season-ending ankle surgery.

Alt, who missed three games earlier in the season because of an ankle injury, re-injured the same ankle during Sunday’s victory at the Tennessee Titans when linebacker Jihad Ward was blocked into the back of his legs.

“Feel bad for Joe,” Chargers coach Jim Harbaugh told reporters. “I know it’s going to be OK. It’s not going to be life-altering. Feel bad for him.”

Continue reading here

UCLA BASKETBALL

From Ben Bolch: It was the sort of postgame rant that Mick Cronin usually saves for a bad loss at a time when he’s trying to swing a season back in the right direction.

This one came after a victory in the season’s first game.

That’s how few positive takeaways there were for UCLA on Monday night on its home court.

Having beaten two quality opponents in exhibition games, the 12th-ranked Bruins struggled mightily in a game that counted against a team from the Big Sky Conference.

Most of the problems came on the defensive end.

“There’s so many mistakes,” Cronin said after his team held on for an 80-74 victory over Eastern Washington at Pauley Pavilion, “I’d like to fire myself for our defense.”

Continue reading here

UCLA box score

————

From Kara Alexander: The No. 3 UCLA women’s basketball team won its first game of the season, defeating feisty San Diego State 77–53 on Monday at the Honda Center.

The Bruins (1–0) built an eight-point lead in the first quarter, but the unranked Aztecs (0–1) managed to cut the deficit by three by the end of the period.

San Diego State struggled to score in the second quarter when UCLA went on a 12–2 run.

The scoring gap continued to increase as the Bruins extended their lead to 15 points, ending the first half with a 37–22 advantage.

Continue reading here

UCLA box score

USC BASKETBALL

From Andrés Soto: For most of Monday night, USC played exactly like a team with 13 new players.

Coach Eric Musselman’s preseason concerns about the Trojans’ offense likely were not abated after USC struggled in the first half of its season opener against Cal Poly San Luis Obispo at Galen Center.

Cal Poly, a mid-major coming off a 16-19 season, wouldn’t let USC run away with the game, with the Trojans clinging to a six-point lead at halftime.

But then sophomore forward Jacob Cofie — one of 10 transfer portal additions — came alive in the second half, notching a 23-point double-double as the Trojans pulled away for a comfortable 94-64 win.

Continue reading here

USC box score

THIS DAY IN SPORTS HISTORY

1934 — The Detroit Lions rush for an NFL-record 426 yards in a 40-7 rout of the Pittsburgh Pirates. The only bright spot for the Pirates is scoring the first touchdown against Detroit this season, ending the Lions’ shutout streak at seven games.

1951 — The U.S. wins six of eight singles matches and ties another to win the Ryder Cup 9½-2½ over Britain at Pinehurst in North Carolina.

1960 — Wilt Chamberlain of Philadelphia scores 44 points and sets an NBA record by missing all 10 of his free throws in the Warriors 136-121 victory the Detroit Pistons.

1984 — Seattle’s Dave Brown returns two interceptions for touchdowns in a 31-17 triumph over the Kansas City Chiefs.

1987 — NBA announces four new franchises; Charlotte and Miami for 1988 and Minneapolis and Orlando for 1989.

1989 — Sunday Silence holds off the late charge by favorite Easy Goer to win the $3 million Breeders’ Cup Classic by a neck at Gulfstream Park.

2000 — R.J. Bowers rushes for 128 yards to become the first player in NCAA history to gain 7,000 yards in his career, leading Grove City past Carnegie Mellon 14-10.

2000 — In the highest scoring Division I-AA game in NCAA history, Ricky Ray passes for 344 yards and three touchdowns and scores three more to lead Sacramento State over Cal State Northridge 64-61.

2006 — Rod Brind’Amour of Carolina scores his 1,000th career point, assisting on a goal in the Hurricanes’ 3-2 win over Ottawa.

2007 — Adrian Peterson runs for an NFL-record 296 yards and three touchdowns in Minnesota’s 35-17 win over San Diego.

2012 — Andrew Luck breaks the NFL’s single-game rookie record by throwing for 433 yards in leading Indianapolis to a 23-20 win over Miami

2016 — Cam Atkinson, Nick Foligno, Scott Hartnell and Josh Anderson score two goals apiece and the Columbus Blue Jackets beat Montreal 10-0, matching the biggest loss in the Canadiens’ storied history.

2017 — Quarterback Ahmad Bradshaw rushes for a career-high 265 yards and Army ends Air Force’s 306-game scoring streak with a 21-0 victory.

2017 — With a 31-24 overtime victory over Nebraska, Northwestern becomes the first Football Bowl Subdivision program to win three consecutive overtime games.

Compiled by the Associated Press

THIS DAY IN BASEBALL HISTORY

1959 — Cubs shortstop Ernie Banks wins his second consecutive NL MVP award.

1976 — Baseball holds its first free agent draft with 24 players from 13 major league clubs participating. Reggie Jackson eventually signs the most lucrative contract of the group, $2.9 million over five years with the New York Yankees. Others free agents are Joe Rudi, Don Gullett, Gene Tenace, Rollie Fingers, Don Baylor, Bobby Grich and Willie McCovey.

2001 — Luis Gonzalez’s RBI single caps a two-run rally off Mariano Rivera in the bottom of the ninth, and the Arizona Diamondbacks win their first championship by beating the New York Yankees 3-2 in Game 7.

2009 — The New York Yankees win the World Series, beating the defending champion Philadelphia Phillies 7-3 in Game 6 behind Hideki Matsui’s record-tying six RBIs.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at [email protected]. To get this newsletter in your inbox, click here.

Somehow in Los Angeles, everything comes back to traffic.

While making their works featured in the Hammer Museum’s Made in L.A. biennial, artists Patrick Martinez, Freddy Villalobos and Gabriela Ruiz set out to capture the essence of the city’s crammed streets through different lenses.

For over a decade, the Hammer has curated its Made in L.A. series to feature artists who grapple with the realities of living and making art here. It’s an art show that simultaneously pays homage to legacy L.A. artists like Alonzo Davis and Judy Baca, and gives a platform to newer faces such as Lauren Halsey and Jackie Amezquita.

This year’s show, which opened last month, features 28 artists. As part of that cohort, Martinez, Villalobos and Ruiz bring their lived experiences as Latinos from L.A. to the West Side art institution, drawing inspiration from the landscapes of their upbringing.

While creating their displayed works, Martinez took note of the many neon signs hanging in stores’ windows, leading him to make “Hold the Ice,” an anti-ICE sign, and incorporate bright pink lights into his outdoor cinder block mural, “Battle of the City on Fire.” With flashing lights and a shuttered gate tacked onto a painted wooden panel, Ruiz drew on her experiences exploring the city at night and the over-surveillance of select neighborhoods in the interactive piece, “Collective Scream.” Villalobos filmed Figueroa Street from a driver’s perspective, observing the street’s nighttime activity and tracing the energy that surrounds the place where soul singer Sam Cooke was shot.

This year, Made in L.A. doesn’t belong to a specific theme or a title — but as always, the selected art remains interconnected. These three artists sat down with De Los to discuss how their L.A. upbringing has influenced their artistic practice and how their exhibited works are in conversation. Made in L.A. will be on view until March 1, 2026.

The following conversation has been condensed and edited for clarity.

All three of you seem to put a spotlight on various elements of L.A.’s public spaces. How is your art affected by your surroundings?

Ruiz: I really got to explore L.A. as a whole, through partying and going out at night. I prefer seeing this city at night, because there isn’t so much traffic. That’s how I started my art practice. I would perform in queer nightlife spaces and throw parties in cheap warehouses. With my commute from the Valley, I would notice so much. I wouldn’t speed through the freeway. I’d instead take different routes, so I’d learn to navigate the whole city without a GPS and see things differently.

Martinez: That’s also how I started seeing neons. I had a studio in 2006 in downtown, off 6th and Alameda. I would wait for traffic to fade because I was staying in Montebello at the time. I would drive down Whittier Boulevard at night. And you see all the neon signs that have a super saturated color and glow bright. I thought about its messaging. None of the businesses were open that late. They were just letting people know they were there.

Ruiz: Specifically in this piece [“Collective Scream”], there’s a blinking street lamp. It reminds me of when I would leave raves and would randomly see this flickering light. It’s this hypnotizing thing that I would observe and take note of whenever I was on the same route. There’s also a moving gate, [in my piece,] that resembles the ones you see when you’re driving late at night and everything’s gated up.

Villalobos: You do experience a lot of L.A. from your car. It’s a cliche. But f— it. It’s true. When I moved out of L.A., I felt a little odd. I missed the bubble of my car. You can have what seems to be a private moment in your car in a city that’s packed with traffic and so many people. It made me think about what that means, what kind of routes people are taking and how we cultivate community.

Patrick Martinez’s “Battle of the City on Fire,” made in 2025, was inspired by the work of the muralist collective, named the East Los Streetscapers.

(Sarah M Golonka / smg photography)

It’s interesting that you all found inspiration in the biggest complaints about L.A. Maybe there’s something to think about when it comes to the way those born here think of car culture and traffic.

Martinez: I see its effects even with the landscapes I make. I’ll work from left to right, and that’s how we all look at the world when we drive. I always think about Michael Mann movies when I’m making landscapes, especially at night. He has all those moments of quiet time of being in the car and just focusing on what’s going on.

Beyond surveying the streets, your works touch on elements of the past. There’s a common notion that L.A. tends to disregard its past, like when legacy restaurants shut down or when architectural feats get demolished. Does this idea play any role in your work?

Martinez: The idea of L.A. being ashamed of its past pushed me to work with cinder blocks [in “Battle of the City on Fire”]. One of the main reasons was to bring attention to the East Los Streetscapers, the muralists who painted in East L.A. [in the 1960s and ‘70s as a part of the Chicano Mural Movement]. There was this one mural in Boyle Heights that was painted at a Shell gas station. It was later knocked down and in the demolition pictures, the way the cinder blocks were on the floor looked like a sculptural painting. It prompted me to use cinder blocks as a form of sculpture and think about what kind of modern-day ruins we pass by.

Villalobos: Speaking about L.A. as a whole feels almost too grand for me. But if I think about my specific neighborhood, in South Central, what comes to my mind is Black Radical Tradition. It’s where people are able to make something out of what other people might perceive as nothing. There’s always something that’s being created and mixed and mashed together to make something that, to me, is beautiful. It’s maybe not as beautiful to other people, but it’s still a new and creative way to see things and understand what comes before us.

Ruiz: Seeing my parents, who migrated to this country, come from nothing and start from scratch ties into that idea too. Seeing what they’ve been able to attain, and understanding how immigrants can start up businesses and restaurants here, speaks so much to what L.A. is really about. It’s about providing an opportunity that everybody has.

So it’s less about disregarding the past and more about making something out of nothing?

Martinez: It ties back to necessity, for me. Across this city, people come together by doing what they need to do to pay rent. It’s a crazy amount of money to be here. People need to regularly adjust what they do to survive. Recently, I’ve been seeing that more rapidly. There are more food vendors and scrolling LED signs, advertising different things. Once you understand how expensive this backdrop can be, that stuff sits with me.

Freddy Villalobos’ “waiting for the stone to speak, for I know nothing of aventure,” is an immersive work in which viewers can feel loud vibrations pass as they, figuratively, travel down Figueroa Street.

(Sarah M Golonka / smg photography)

We’ve talked a lot about how the past affects L.A. and the role it plays in your art. Does a future L.A. ever cross your mind?

Villalobos: I feel very self-conscious about what I’m gonna say. But as much as I love L.A. and as much as it helped me become who I am, I wouldn’t be too mad with it falling apart. A lot of people from my neighborhood have already been moving to Lancaster, Palmdale and the Inland Empire. When I go to the IE, it feels a little like L.A. and I’m not necessarily mad at that.

Ruiz: It’s really difficult to see what the future holds for anybody. Even with art, what’s going to happen? I don’t know. It’s really challenging to see a future when there’s a constant cycle of bad news about censorship and lack of funding.

Martinez: It’s murky. It’s clouded. This whole year has been so heavy, and everyone talking about it adds to it, right? We’re facing economic despair, and it’s all kind of heavy. Who knows what the future will hold? But there are definitely moves being made by the ruling class to make it into something.

When Los Angeles County Museum of Art director Michael Govan first stepped up to the podium at the museum’s star-packed 14th annual Art + Film Gala, the Dodgers were down one point to the Toronto Blue Jays in the eighth inning of the final game of the World Series.

There was no giant screen in the massive tent where a decadent dinner was being served Saturday night in celebration of honorees artist Mary Corse and director Ryan Coogler. Instead guests in elaborate gowns and tuxedos discreetly glanced at their phones propped on tables and at the base of flower vases across the star-packed venue. This became apparent when Miguel Rojas hit a game-tying home run at the top of the ninth inning and the whole room erupted in cheers.

Michael Govan, CEO of LACMA, wearing Gucci, speaks onstage during the 2025 LACMA Art+Film Gala.

(Amy Sussman / Getty Images for LACMA)

When Govan returned to the stageto begin the well-deserved tributes to the artist and filmmaker of the hour, the game had been won, the effusive cheering had died down, and the phones had been respectfully put away.

“Go Dodgers!” Govan said, before joking that LACMA had engineered the win for this special evening. The room was juiced.

It made Los Angeles feel like the center of the universe for a few hours and was fitting for an event that famously brings together the city’s twin cultural bedrocks of art and cinema, creating a rarefied space where the two worlds mix and mingle in support of a shared vision of recognizing L.A.’s immeasurable contributions to the global cultural conversation.

“This is a celebration that can only happen in L.A. — where art, film and creativity are deeply intertwined,” Govan said. “I always say this is the most creative place on Earth.”

The event raised a record $6.5 million in support of the museum and its programs. Co-chairs Leonardo DiCaprio and LACMA trustee Eva Chow hosted a cocktail party and dinner that drew celebrities including Dustin Hoffman, Cynthia Erivo, Cindy Crawford, Queen Latifah, Angela Bassett, Lorde, Demi Moore, Hannah Einbinder, Charlie Hunnam and Elle Fanning alongside local elected officials and appointees including U.S. Rep. Sydney Kamlager-Dove (D-Los Angeles); L.A. County Supervisors Holly Mitchell and Lindsey Horvath; L.A. Councilmember Katy Yaroslavsky; West Hollywood Councilmember John M. Erickson, and Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Sakoda said she thoroughly enjoyed the festivities “as representative of the incredibly diverse culture of Los Angeles and how that speaks to our entire nation.”

1

2

3

1. George Lucas arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press) 2. Elle Fanning arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press) 3. Angela Bassett arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press)

A special nod of gratitude went to previous gala honorees in attendance including artists Mark Bradford, James Turrell, Catherine Opie, Betye Saar, Judy Baca, George Lucas and Park Chan-Wook. Leaders from many other local arts institutions also showed up including the Hammer Museum’s director, Zoe Ryan; California African American Museum Director Cameron Shaw; and MOCA’s interim Director Ann Goldstein.

Rising in the background was LACMA’s new David Geffen Galleries, the 110,000-square-foot Peter Zumthor-designed building scheduled to open in April as the new home for the museum’s 150,000-object permanent collection.

“Every day I’m in that little building behind installing thousands of artworks,” Govan said to cheers. “I can’t wait for people to rediscover our permanent collection, from old favorites to new acquisitions. It’s a monumental gift to L.A., and in addition to L.A. County and the public, I would like to thank the person whose generosity brought us to this landmark moment, Mr. David Geffen.”

Geffen sat in a sea of black ties and glittering gowns, near Disney CEO Bob Iger and DiCaprio — who had been filmed earlier in the week in attendance at Game 5 of the World Series at Dodger Stadium.

Govan also gave a special acknowledgment to former LACMA board co-chair, Elaine Wynn, who died earlier this year and was one of the museum’s most steadfast champions. Wynn contributed $50 million to the new building — one of the first major gifts in support of the effort. Govan noted that the northern half of the building will be named the Elaine Wynn wing.

Honoree Ryan Coogler, wearing Gucci, speaks onstage during the 2025 LACMA Art+Film Gala.

(Amy Sussman / Getty Images for LACMA)

Left unmentioned was the fact that earlier in the week LACMA’s employees announced they are forming a union, LACMA United, representing more than 300 workers from across all departments, including curators, educators, guest relations associates and others. One worker told The Times there were no plans to demonstrate at the gala, which raises much-needed funds for the museum.

The crowd sat rapt as the night’s guests of honor, Corse and Coogler, humbly spoke of their journeys in their respective art forms, with Govan introducing them as “artists whose brilliant groundbreaking work challenges us to see the world differently.”

The night concluded with an enthusiastic performance by Doja Cat on an outdoor stage in the shadow of the David Geffen Galleries, the lights girding its massive concrete underbelly like stars in the sky.

“It was a beautiful evening of community coming together around something that reminds us of our shared humanity at a time when we need it,” said Yaroslavsky with a smile as the evening wound down.

Entertainment and Features Editor: Brittany Levine Beckman

Lead Gift Guide editor: Marques Harper

Project editor: Betty Hallock (food)

Writers: Lisa Boone, Stephanie Breijo, Kailyn Brown, Jaclyn Cosgrove, Danielle Dorsey, Marah Eakin, Betty Hallock, Jenn Harris, Jeanette Marantos, Todd Martens, Deborah Netburn, Christopher Reynolds, Lindzi Scharf, Deborah Vankin

Senior deputy design directors: Jim Cooke, Faith Stafford

Lead Gift Guide art director: Nicole Vas

Art director: Judy Pryor

3D illustrations and lead animation: Daniel Jurman

Executive director of photography: Kim Chapin

Photo editors: Taylor Arthur, Raul Roa

Copy editors: Blake Hennon, Ruthanne Salido

Digital production: Nicole Vas

Fact checking: Michael Darling

Audience engagement: Defne Karabatur, David Viramontes

Editor’s note: Prices and availability of items and experiences in the Gift Guide and on latimes.com are subject to change.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from Libor Jany, giving you the latest on city and county government.

How do you spot a journalist?

The question lies at the center of a legal battle between Los Angeles City Atty. Hydee Feldstein Soto and the Los Angeles Press Club, as well as a political battle between Feldstein Soto and the City Council.

Two weeks ago council members called on her to give up her opposition to a federal judge’s order prohibiting LAPD officers from targeting journalists with crowd control weapons. According to the press club, dozens of journalists were excluded from public areas or attacked by police during chaotic summer protests against the Trump administration’s immigration crackdown.

Despite the slap down by the council, Feldstein Soto hopes to press forward. This week, in a confidential attorney-client memo shared with The Times by a source, she stressed to the council why she still wants to appeal the judge’s preliminary injunction, which she says makes virtually anyone a journalist.

In the injunction, U.S. District Judge Hernán Vera proposes “indicia” for LAPD officers to identify journalists, which include wearing distinctive clothing or carrying professional photographic equipment.

But the City Attorney’s Office, which is representing the city in the case, sees future issues.

“The problem with this vague definition is that anyone can claim they are a Journalist under the court’s definition,” Supervising Assistant City Atty. Shaun Dabby Jacobs wrote in the memo. “All a person needs to do is print out a badge that says ‘Press,’ or carry a camera … and they can go behind police line or into other restricted areas.”

The memo asks what clothing might identify a person as a journalist. “Is it simply that the person is wearing a suit or professional work dress? … It would be very easy for someone who is not a member of the media and is intent on causing trouble or harm to other peaceful protesters or to the LAPD, to pose as a journalist since they have some of these ‘indicia of being a Journalist.’”

Vera’s injunction imposes more onerous conditions on when police can use “less lethal” weapons than state law does, the memo also argued, allowing the “less lethal” force only when “danger has reached the point where deadly force is justified.”

The injunction also creates issues if the LAPD calls on mutual aid organizations, like the sheriff’s department or federal partners, since it applies only to the city’s police, the memo said. “The city could potentially be liable for our law enforcement partners’ actions if they act in a manner inconsistent with the terms of the injunction.”

All in all, the memo said, the judge’s injunction amounts to a “consent decree.”

With the nine-page memo in hand, Feldstein Soto headed to a closed session with the council Tuesday. Tempers flared when she and Chief Deputy City Atty. Denise Mills suggested that the press club’s lawyer, Carol Sobel, took on the case only to make money, according to two City Hall sources. (Feldstein Soto’s spokesperson, Karen Richardson, said the city attorney does not comment on closed session conversations but added that Feldstein Soto “absolutely did not say that.”)

Many council members, including Council President Marqueece Harris-Dawson, came to Sobel’s defense, according to a source with knowledge of the meeting.

“I’m trying to restrain myself right now,” Sobel said when she heard about the claim from Mills and the city attorney. “I’m really outraged. It is a baseless suggestion, and it doesn’t alter the fact that they’re shooting people in the head. Whether I get paid or not, they’re shooting people in the head.”

Sobel said she has taken on pro bono work frequently over her 40-year career and that when she is paid, it is partially to help fund future pro bono work.

Susan Seager, who also represents the press club in the case, took issue with Feldstein Soto’s continued pursuit of an appeal.

“She’s a cop wannabe,” Seager said. “She’s just a fake Democrat doing what [LAPD] Chief Jim McDonnell wants her to do.”

Richardson said Feldstein Soto has been a Democrat since 1976 and never worked with the police before she became the city attorney.

State of play

— FIRE BOMBSHELL: Los Angeles Fire Department firefighters told a battalion chief that parts of a New Year’s Day fire in Pacific Palisades still were smoldering the next day, according to text messages. Firefighters were told to leave anyway, and the blaze reignited on Jan. 7, killing 12 and burning thousands of homes. Interim LAFD Chief Ronnie Villanueva said the Palisades fire was not caused by “failed suppression” of the New Year’s blaze.

The story in The Times led to a tweet from sports critic Bill Simmons (bet you didn’t expect to see his name in bold in this newsletter!) blasting the city’s “indefensibly bad leadership,” which predictably led to a quote tweet from none other than Rick Caruso, who called Simmons’ tweet “spot on.” “The buck stops with Mayor Bass,” he added.

— TRASH ATTACK: Mayoral candidate Austin Beutner attacked Mayor Karen Bass over the rising cost of city services for Angelenos, calling out the City Council’s vote to increase trash collection fees. The mayor’s campaign responded that the hike was long overdue. “Nobody was willing to face the music and request the rate hikes,” said Doug Herman, spokesperson for Bass’ campaign.

— SAYONARA, SANITATION: The city’s top Bureau of Sanitation executive, Barbara Romero, stepped down this week. Romero, who was appointed by then-Mayor Eric Garcetti in 2021, touted the agency’s accomplishments, including increasing sewer fees and championing the construction of a water purification facility expected to recharge the San Fernando Valley groundwater aquifer.

— FREE(WAY) AT LAST: A judge agreed to place 29 protesters who shut down the southbound 110 Freeway in 2023 into a 12-month diversion program, which would require 20 hours of community service each. If the protesters, who were demonstrating against Israel’s war in Gaza, comply and don’t break other laws, they will have their criminal charges dropped.

— PHOTO BLOCK: L.A. County is trying to block a journalist from obtaining photographs of about 8,500 sheriff’s deputies and other sworn personnel in the department. The dispute centers on a public records request filed by journalist Cerise Castle in 2023 asking for the names and official headshots of all deputies not working undercover. An L.A. Superior Court judge ordered the release of the photos, but the county is appealing.

— A DOZEN BUSTED: Federal prosecutors announced charges against 12 people who allegedly assaulted law enforcement officers during the chaotic protests this summer against the Trump administration’s immigration raids. Many of the charges stem from demonstrators throwing items at police from a freeway overpass on June 8.

— CANDIDATE ALERT: A new candidate has thrown his hat in the ring to be the city’s next controller. Zach Sokoloff works for Hackman Capital Partners, serving as “Asset Manager of the firm’s Television City Studios and Radford Studio Center.” Sokoloff is running against incumbent Kenneth Mejia as well as veteran politician Isadore Hall.

QUICK HITS

• Where is Inside Safe? There were no Inside Safe operations this week. The mayor’s team held a virtual town hall with Councilmember Katy Yaroslavsky to engage with residents near nine operations in the West L.A. area, according to the mayor’s office.
• On the docket next week: Councilmember Curren Price will be in Los Angeles Superior Court for the preliminary hearing in his criminal case. The hearing is expected to last about five days.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

“We don’t really eat pumpkin, but we eat a lot of kabocha,” said co-owner Jonathan Yang. “My wife, Julia, and I love kabocha but not all people know it, and we realized this is a neat way to highlight that kabocha is pretty much like a Japanese pumpkin.”

Thank You Coffee’s KSL derives its chief flavors from a blend of toasted spices including cinnamon, nutmeg, cloves, cardamom and ginger, which are turned into a syrup with a combination of white and dark brown sugars and ginger bitters; it all gets steeped and strained. Yang steams fresh kabocha squash, then purées it and incorporates it into the spice syrup, adding depth without detracting from the spices, he says. In both locations, a hint of condensed milk is added to the lattes, and they’re dusted with kinako, a roasted soybean flour, for added earthiness and a pie-crust effect. This year they’re adding another fall-inspired drink to the menu at both locations: a persimmon-and-apple latte that’s meant to evoke coziness and comfort throughout the season.

When: Volunteers are typically needed on weekdays in the mornings and afternoons. Corporate volunteer shifts are typically scheduled on Mondays, Wednesdays and Fridays. Weekend volunteer opportunities can be arranged by emailing [email protected].

Where: Volunteers are needed at the warehouse in Santa Monica Mondays-Thursdays or at their mobile pantries around their service area including the Gerard Mobile Pantry, VAP Mobile Pantry and West LA Civic Center Mobile Pantry.

Details: Register online for volunteer opportunities. Drop off food donations at the food bank between 7 a.m. and 3 p.m. Monday through Friday. Frozen and/or refrigerated foods can be accepted by calling (310) 828-6016 beforehand. Appointments are required to drop off large collections of food.

A little over a year ago, Madi Diaz lay in bed in an apartment near Dodger Stadium sweating out a gnarly case of COVID-19.

The Nashville-based singer and songwriter had traveled to Los Angeles to record the follow-up to her album “Weird Faith,” which came out in early 2024 and would go on to earn two Grammy nominations, including one for a beautifully bummed-out duet with her friend Kacey Musgraves. But after three or four days of work in the studio, Diaz became sick just as the Dodgers were battling the Mets in last October’s National League Championship Series.

“I could literally see the stadium lights — there were drones everywhere and people honking and lighting things on fire,” she recalls. “I was just like, Why, L.A. — why?”

Her suffering in a city she once called home was worth it: “Fatal Optimist,” the LP Diaz eventually completed in time to release this month, is one of 2025’s most gripping — a bravely stripped-down set of songs about heartbreak and renewal arranged for little more than Diaz’s confiding voice and her folky acoustic guitar.

In the album’s opener, “Hope Less,” she wonders how far she might be willing to go to accommodate a lover’s neglect; “Good Liar” examines the self-deception necessary to keep putting up with it. Yet Diaz also thinks through the harm she’s doled out, as in “Flirting” (“I can’t change what happened, the moment was just what it was / Nothing to me, something to you”).

And then there’s the gutting “Heavy Metal,” in which she acknowledges that enduring the pain of a breakup has prepared her to deal with the inevitability of the next one.

“This record is me facing myself and going, ‘I have to stay in my body for this entire song,’ ” Diaz, 39, says on a recent afternoon during a return trip to L.A.

What makes the unguardedness of the music even more remarkable is that “Fatal Optimist” comes more than a decade and a half into a twisty-turny career that might’ve left Diaz more leathered than she sounds here.

Beyond making her own albums — “Fatal Optimist” is her sixth since she moved to Nashville in 2008 — she’s written songs for commercials and TV shows and for other artists including Maren Morris and Little Big Town; she’s sung backup for Miranda Lambert and Parker McCollum and even played guitar in Harry Styles’ band on tour in 2023.

Yet in a tender new song like “Feel Something,” about longing to “be someone who doesn’t know your middle name,” Diaz’s singing reveals every bruise.

“Music is a life force for Madi,” says Bethany Cosentino, the Best Coast frontwoman who tapped Diaz as a songwriting partner for her 2023 solo album, “Natural Disaster.” “She has to do it, and it’s so authentic and so real and so raw because it’s not coming from this place of ‘Well, guess I gotta go make another record.’ ”

“If she doesn’t put those emotions somewhere,” Cosentino adds, “I think she’ll implode.”

Which doesn’t mean that putting out a record as vulnerable as “Fatal Optimist” hasn’t felt scary.

“I was gonna say it’s like the emperor’s new clothes,” Diaz says with a laugh over coffee in Griffith Park. “But I know I’m not wearing any clothes.” Dressed in shorts and a denim shirt, her hair tucked beneath a ball cap, she sits at a picnic table outside a café she liked when she lived in L.A. from 2012 to 2017.

“For a second, I was like, Damn, I wish I’d brought my hiking shoes — could’ve gone up to the top,” she says. “I would absolutely have done that as my masochistic 28-year-old self. Hike in the heat of the day? Let’s go.”

Diaz points to a couple of touchstones for her LP’s bare-bones approach, among them Patty Griffin’s “Living With Ghosts” — “a star in Orion’s Belt,” as she puts it — and “obviously Joni Mitchell’s ‘Blue,’ ” she says. “That’s just a duh.”

Like Mitchell, Diaz achieves a clarity of thought in her songs that only intensifies the heartache; also like Mitchell (not to mention Taylor Swift), she can describe a partner’s failings with unsparing precision.

“Some ‘I’m sorry’s’ are so selfish / And you just act like you can’t help it,” she sings in “Why’d You Have to Bring Me Flowers,” one of a handful of what she jokingly calls “folk diss tracks” on “Fatal Optimist.” It goes on: “Bulls— smile, in denial / We’ve been circling the block / We’ve been in a downward spiral.”

“There are definitely a couple songs on this record where I felt apologetic as I was writing it,” she says. “Then when I finished it was just like: It had to be done.” She grins. “They’re tough,” she says of her exes. “They’ll be fine.”

Asked whether any of her songs express her feelings in a way she wasn’t capable of doing with the ex in question, she nods.

“I’d say I could get about halfway there in real life,” she says. “It’s almost like I couldn’t finish the thought within the relationship, and that was the signal that we couldn’t go onward. Or that I couldn’t go onward.”

Has writing about love taught her anything about herself and what she wants?

“I travel a lot — I’m all over the place,” she says. “And I really like to come and go as I please. But it’s funny: In retrospect, I think maybe I was chasing a relationship that was a little more traditional, even though I don’t know if I can actually be that way. So that’s a weird thing to be aware of.”

Madi Diaz in Pasadena.

(Annie Noelker / For The Times)

Diaz grew up home-schooled in a Quaker household in rural Pennsylvania and learned to play piano and guitar when she was young; when she was a teenager, her talent took her to Philadelphia’s Paul Green School of Rock, whose founder was later accused of abuse and sexual misconduct by dozens of former students, including Diaz. (“It was a really toxic place,” she told the New York Times.)

She studied at Berklee College of Music in Boston before dropping out and heading to Nashville, where she started making her name as a singer-songwriter operating at the intersection of country and pop. After a few years of fruitful grinding, she came to L.A. to “see how high the ceiling was,” she says, and quickly fell in with a group of musician friends.

“We used to love going to the Smog Cutter,” she says of the shuttered Silver Lake dive bar, “to have a couple Bud Lights and sing Mariah Carey really poorly.”

Diaz was making money writing songs — Connie Britton sang one of her tunes on the soapy ABC series “Nashville” — but she struggled to achieve the kind of liftoff she was looking for as an artist. “Turned out the ceiling was quite high,” she says now with a laugh.

Along with the professional frustrations came “a nuclear explosion of a breakup” with a fellow songwriter, Teddy Geiger. “They were going through a huge identity shift,” Diaz says of Geiger, who came out as transgender, “and we worked in the same industry, and it just kind of felt like there wasn’t a place for me here.”

Diaz returned to Nashville, which didn’t immediately super-charge her career. “I was bartending at Wilburn Street Tavern and making Jack White nachos,” she recalls. “He would never remember this, but I remember. I was like, This is my life now.”

In fact, her acclaimed 2021 album “History of a Feeling” — with songs inspired by the complicated dynamics of her and Geiger’s split — finally brought the kind of attention she’d been working toward. She signed with the respected indie label Anti- (whose other acts include Waxahatchee and MJ Lenderman) and scored the road gig with Styles after he reached out via DM; she also became an in-demand presence in Nashville’s close-knit songwriting scene.

“I don’t know of anybody in town that doesn’t love Madi,” says Little Big Town’s Karen Fairchild, who adds that Diaz “has instincts about melodies that are all her own. Sometimes I’m thinking, ‘How’s she gonna fit that into the phrasing?’ But she always does.”

For “Fatal Optimist,” Diaz took an initial pass at recording her songs with a full band before deciding they called for the minimalist setup she landed on with her co-producer, Gabe Wax, at his studio in Burbank.

“We did it with no headphones, no click track, no grid,” she says. “It speeds up and slows down, and it goes in and out of tune as instruments do.” (One unlikely sonic inspiration was a singles collection by the pioneering riot grrrl band Bikini Kill, which she hailed for its “still-kind-of-figuring-it-out energy.”)

Diaz describes herself as a perfectionist but says “Fatal Optimist” was about “trying to find our way through the cracks of imperfection to break the ground and sit on the surface. I feel so proud that we let it live there.”

She’s touring behind the album this fall, playing solo shows — including a Nov. 20 date at the Highland Park Ebell Club — meant to preserve the album’s solitary vibe.

“I don’t know if I’d really thought that through when I made the decision,” she says with a laugh.

As good as she is on her own — and for all the torment she knows another relationship is likely to hold — “I’m a die-hard loyalist,” Diaz says. “I’m still looking for connection more than anything else.”

Los Angeles mayoral candidate Austin Beutner took aim at the rising cost of basic city services Thursday, saying Mayor Karen Bass and her administration have contributed to an affordability crisis that is “crushing families.”

Beutner, appearing outside Van Nuys City Hall, pointed to the City Council’s recent decision to increase trash collection fees to nearly $56 per month, up from $36.32 for single-family homes and duplexes and $24.33 for three- and four-unit apartment buildings.

Since Bass took office in December 2022, the city also hiked sewer service fees, which are on track to double over a four-year period. In addition, Beutner said, the Department of Water and Power pushed up the cost of water and electrical service by 52% and 19%, respectively.

“I’m talking about the cost-of-living crisis that’s crushing families,” he said. “L.A. is a very, very special place, but every day it’s becoming less affordable.”

Beutner, speaking before a group of reporters, would not commit to rolling back any of those increases. Instead, he urged Bass to call a special session of the City Council to explain the decisions that led to the increases.

“Tell me the cost of those choices, and then we can have an informed conversation as to whether it was a good choice or a bad choice — or whether I’d make the same choice,” said Beutner, who has worked as superintendent of L.A. schools and as a high-level deputy mayor.

When the City Council took up the sewer rates last year, sanitation officials argued the increase was needed to cover rising construction and labor costs — and ramp up the repair and replacement of aging pipes.

This year sanitation officials also pushed for a package of trash fee hikes, saying the rates had not increased in 17 years. They argued that the city’s budget has been subsidizing the cost of residential trash pickup for customers in single-family homes and small apartments.

Doug Herman, spokesperson for the Bass reelection campaign, defended the trash and sewer service fee increases, saying both were long overdue. Bass took action, he said, because previous city leaders failed to make the hard choices necessary to balance the budget and fix deteriorating sewer pipes.

“Nobody was willing to face the music and request the rate hikes to do that necessary work,” he said.

DWP spokesperson Michelle Figueroa acknowledged that electrical rates have gone up. However, she said in an email, the DWP’s residential rates remain lower than other utilities, including Southern California Edison and San Diego Gas & Electric.

By focusing on cost-of-living concerns, Beutner’s campaign has been emphasizing an issue that is at the forefront of next week’s election for New York City mayor. In that contest, State Assembly member Zohran Mamdani has promised to lower consumer costs, in part by freezing the rent for rent-stabilized apartments and making rides on city buses free.

Since announcing his candidacy this month, Beutner has offered few cost-of-living policy prescriptions, other than to say he supports “in concept” Senate Bill 79, a newly signed state law that allows taller, denser buildings to be approved near public transit stops. Instead, he mostly has derided a wide array of increases, including a recent hike in parking rates.

Beutner contends that the city’s various increases will add more than $1,200 per year to the average household customer’s bill from the Department of Water and Power, which includes the cost not just of utilities but also trash removal and sewer service.

Herman pushed back on that estimate, saying it relies on “flawed assumptions,” incorporating fees that apply to only a portion of ratepayers.

In a new campaign video, Beutner warned that city leaders also are laying plans to more than double what property owners pay in street lighting assessments. He also accused the DWP of relying increasingly on “adjustment factors” to increase the amount customers pay for water and electricity, instead of hiking the base rate.

The DWP needs to be more transparent about those increases and why they were needed, Beutner said.

Nicey Nash-Betts has only ever lived in Los Angeles — and she’s proud of that.

“I’m an OG Angeleno,” says the Academy Award-winning actress who’s lived all over the county, from Compton to Palmdale. When I ask her why she’s stayed, she says, “The weather.” And also: “My family is here and I feel like as a whole, people who are from L.A. are a lot more down to earth. It’s the transplants who come here with some weird energy. But the people who are from L.A. are just lovely.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Starting Tuesday, Nash-Betts will star in Ryan Murphy’s new Hulu show, “All’s Fair,” which follows a crew of female divorce attorneys as they leave their male-dominated firm to launch their own practice. It’s a role she almost didn’t take.

“I was just coming off of doing ‘Grotesquerie,’ so I was like, “Ooo. It sounds like it might be a lot work,” says Nash-Betts, whose credits include “Claws,” “The Rookie: Feds” and “When They See Us.” “So I waited a little bit and then I slipped in at the last minute and was like ‘OK, I’m in!’ “

She joins a star-studded glamorous cast of badass women including Sarah Paulson, Kim Kardashian, Glenn Close, Naomi Watts and Teyana Taylor. What was it like working with them?

“We don’t just genuinely like each other, but we have respect for each other,” Nash-Betts says. “And when you respect somebody’s time, their talent, their effort, you know that you’ll always have one of your sisters to lean on that day even if you’re going through something in your personal life.”

When Nash-Betts isn’t on set, she can be found bopping around the city with her “hersband” singer-actor Jessica Betts, whom she married in 2020, and spending time with her three adult kids. Her perfect Sunday in L.A. involves hitting up the farmers market, getting a couple’s massage and ending the night in the same way she did when she won her first Emmy in 2024.

This interview has been lightly edited for length and clarity.

7:30 a.m.: A slow morning

It depends on how early I want to get to the farmers market, so I may wake up around 7:30 a.m. and then just slow roll the day. Make my spouse a cup of coffee. We’re not big eaters in the morning. Occasionally I will get up and make an omelet with all the things and some smothered potatoes, and bring it upstairs on a cart with some juice. Now, I’m telling you the truth. “Baby, am I telling the truth?” [Looks back and screams out to Betts in another room].

9:30 a.m. Get my essentials at the farmers market

I’d grab a shower and say, “Let’s get dressed and go outside, and see what the world has for us today.” I love to go by the farmers market. It’s where we get all of our peppers and vegetables. We like the eggs, the fresh pressed juices and we get our dog snacks from there. I like to go to the farmers market on Saturdays at the Commons in Calabasas, but if I’m going on a Sunday, it’s the one in Westlake. I just think that it’s a one-stop shop for everything that we’re looking for and typically the vendors are really kind. I don’t know if that’s because they want you to buy their stuff or that’s just who they are, but either way, I’ll take it.

And every now and then, I might find a little bop, a little sundress, a little something to throw on, drop the things back off and then head down into the city.

Noon: Stroll around the Grove

If the weather is great, we’ll take something out of the garage that’s a convertible because there’s nothing like the L.A. sunshine. Then depending on what time we can get spa appointments, we might go to the Grove first and walk around. I like the shops that are there. Sometimes you might get a little sweet treat when you’re walking around, but you can always impromptu decide you want to go to the movies and push your plans a little later. It’s just centrally located and it has all of the good things that I like.

2 p.m. Couples massage and a cocktail

Next, we’d head to the Four Seasons for a couple’s massage and a cocktail. Sometimes we’ll go to the Four Seasons Westlake. Sometimes we’ll go to the Four Seasons on Doheny [Drive], but we like to get a spa room, which is in the back. It’s like a suite with a fireplace and a bed in there. You can relax. You have your own private plunge pool and we get our services in the suite. We both always get deep tissue.

5 p.m.: Thai food for dinner

Afterward, we’d drive down to Farmhouse Thai in West Adams because we love it there and we have come to love the owner. I always get the crab fried rice, the whole cripsy fish, the cup of ramen noodles with the short rib on top and spring rolls. That’s the standard order. But if I don’t go out to dinner, I will make crabs every weekend. So sometimes, my kids will come over and eat. If I get to lay my eyes on them during the weekend, that’s always a good time.

9 p.m.: Skinny dipping and champagne

When we get back, we are definitely getting in the pool. Skinny dipping and champagne is how we’re going to end the day. We do this often. Even when I won my Emmy for “Dahmer,” people asked, “How will you celebrate?” and I said, “Skinny dipping and champagne.” And it just so happened, we found a hotel downtown that had a full-sized swimming pool inside the room, so there’s pictures on my Instagram of us in that pool, skinny dipping and drinking champagne. I think that night, we were probably drinking Perignon.

11 p.m.: Hang in the pool until I get sleepy

If I have to get up early on Monday morning, then I might try to lay down around 11 p.m., but if I don’t have to get up and be anywhere, it’ll maybe be around 12:30 or 1 a.m.

Oct. 30 (UPI) — Los Angeles has toppled Chicago as America’s Rattiest City, according to exterminating company Orkin, which publishes a Top-50 list.

“With year-round warm weather, a booming culinary scene and dense neighborhoods that offer ample access to food and shelter, the City of Angels checks every box for rodent survival,” a company press release said.

“From bustling commercial corridors to hidden alleyways, Los Angeles’ signature blend of glam and grit creates a perfect storm for rodent activity.”

Chicago has held the top spot since Orkin created the annual list in 2015

The shift is most likely due to weather patterns, urban infrastructure and human behavior, the press release said.

“Rats and mice are more than a nuisance — they’re opportunists,” Ian Williams, Orkin entomologist, said in a statement. “If there’s food, warmth and a way in, they’ll find it. And once inside, their constant chewing and rapid reproduction can quickly turn a small issue into a large, expensive one.”

Rodents are known carriers of illnesses to humans, including Leptospirosis, Salmonellosis, Lymphocytic Choreomeningitis, plague and typhus.

Orkin measures the number of calls to Orkin to eliminate rats to make the rankings.

The top 25 Rattiest Cities, according to Orkin are, in order, Los Angeles, Chicago, New York, San Francisco, Hartford, Conn., Washington, D.C., Detroit, Philadelphia, Minneapolis, Denver, Cleveland, Baltimore and Boston.

Also, Indianapolis, Dallas, Milwaukee, Seattle, Atlanta, Sacramento, Pittsburgh, Columbus, Tampa, Fla., Houston, San Diego and Grand Rapids, Mich.