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August Wilson’s “Ma Rainey’s Black Bottom,” the first of his plays to reach Broadway, catapulted the author’s playwriting career.

It’s the only drama in Wilson’s 10-play American Century Cycle not set in Pittsburgh’s Hill District. But the series might never have come to fruition were it not for the way “Ma Rainey’s Black Bottom” heralded the emergence of a major new American dramatist.

Although it’s still one of his most produced works, “Ma Rainey’s Black Bottom” has the hallmarks of an early piece. Wilson discovers his playwriting voice in this play, but he’s still working out his approach to dramatic structure.

I wasn’t champing at the bit to see another production of “Ma Rainey’s,” but I’m glad I didn’t miss this latest Wilson revival at A Noise Within, directed by Gregg T. Daniel. Acted with breathtaking ensemble naturalness, the play seems lived in rather than performed.

Francis C. Edemobi, from left, Amber Liekhus and CJ Obilom in August Wilson’s “Ma Rainey’s Black Bottom” at A Noise Within.

(Craig Schwartz)

The voices of the characters come through as though we’re eavesdropping from a discreet distance on their banter and squabbles. There’s nothing more riveting on stage than the truth, and here we have human beings in all their flagrant, unadorned and seemingly irreconcilable complications.

Set in a Chicago recording studio in 1927, the play splits its focus between the title character, a fictitious re-creation of the great blues singer Ma Rainey engaged in a power struggle with her white industry overlords, and the exchanges of her sidemen, a quartet of Black men with markedly different ambitions and sensibilities.

Levee, the role magnificently played by Chadwick Boseman in George C. Wolfe‘s 2020 film adaptation, may have more of a claim on the protagonist role than even Ma Rainey, who’s the play’s thematic center. As she throws her diva weight around in defense of a talent born out of Black suffering, she crystallizes the racial politics that Wilson powerfully illuminates.

But Levee’s role is the most dynamic in the play. A trumpeter who wants to move the band in a more musically sophisticated direction, he’s written his own arrangement of the song “Ma Rainey’s Black Bottom” that they’ve come to the studio to record. But Ma Rainey insists on doing it her way, even if Levee’s version is more interesting from a jazz perspective.

Overcome with anger from a traumatic childhood in which he witnessed his mother being raped by a mob of white men, he can’t tolerate slights, big or small. And his fiery temper, igniting at every possible moment with his older and more accommodating bandmates, turns this snapshot of history into genuine tragedy.

Kai A. Ealy, from left, Alex Morris, Gerald C. Rivers and Jamar Gilbert in August Wilson’s “Ma Rainey’s Black Bottom” at A Noise Within.

(Craig Schwartz)

The bedraggled studio has been visually renovated with the wood-slatted elegance of Tesshi Nakagawa’s scenic design. Daniel’s production demands that we experience the play in a fresh light. The period is respected but never allowed to become stiff or artificial. This isn’t a waxwork staging.

Standing microphones, placed on different tiers of the set, never let us forget that Wilson was first and foremost a conductor of voices. He bestows on his characters arias, and Daniel’s cast delivers them as though the words were expressly made for these particular actors.

Jamar Gilbert’s Levee moves through the world as if it’s a battle zone, which of course for him it has been. Conflict has dogged him his entire life, and injustice is what he’s come to expect. His focus is on himself, his music, his sensual pleasures and his determination not to be anyone’s victim. He takes as much pride in the shine of his new shoes as he does in the flirtatious giggle of a pretty woman.

Toledo (Gerald C. Rivers), the philosopher and historian of the group, tries to broaden Levee’s perspective, but the two men have a knack for getting under each other’s skin. Their antagonism is fueled in part by Levee’s immaturity, but there’s also a divide in their worldview: Levee wants society to change in time for him to make good while Toledo is more concerned with the collective spirit of his people.

Meanwhile, Slow Drag (Alex Morris) mostly wants to get on with the session, collect his money and enjoy life as it was meant to be enjoyed, with whiskey, a little reefer and good-looking women. Cutler (Kai A. Ealy) tries to be a moderating influence, but he winds up as exasperated by Levee as Toledo.

Alex Morris, from left, Amber Liekhus and Jamar Gilbert in August Wilson’s “Ma Rainey’s Black Bottom” at A Noise Within.

(Craig Schwartz)

The authenticity of the production encompasses the music. These actors don’t mime making music, as is often the case in revivals. They jam together, modestly but effectively enough to make their recording session real to us.

There’s nothing at all modest about Amber Liekhus’ musical talent. Indeed, Liekhus is the first actor who was able to convince me that the character of Ma Rainey really is a professional, jobbing singer. She doesn’t imitate being the mother of the blues, as her character is known. She earns the distinction through the wondrous depths of her soulful singing.

She refuses to be bulldozed by either Irvin (Bert Emmett), her manager, or Sturdyvant (Matt Foyer), the owner of the recording studio, knowing full well that they depend on her gift for their pile of money. Her insistence that Sylvester (Francis C. Edemobi), her nephew with a pronounced stutter, speaks the intro to her new record, is her way of asserting human control over corporate greed.

Liekhus’ Ma Rainey isn’t merely being temperamental, as Sturdyvant and Irvin assume. She’s using her limited leverage in whatever ways she can. There’s something touching about her imperiousness, a regal vulnerability that shines through even in her romantic interaction with Dussie Mae (CJ Obilom), whom Levee has his predatory eye on.

The honesty of the acting is so enlivening that I’m tempted to rank this production among the very best Wilson revivals I’ve seen. If there’s one slight misstep, it happens at the play’s violent climax. The moment makes perfect psychological and dramatic sense, but the confrontation needs a few more beats than Daniel allows.

But this encounter with “Ma Rainey” reveals that even early Wilson can, in the right hands, offer unadulterated playwriting greatness.

ONE tiny village in the North of England has been dubbed one of the best places to visit.

It’s surrounded by ‘Little Switzerland’s‘ rolling hills, not to mention it has a wild swimming spot that’s is considered England‘s highest beach.

The Independent put the village of Todmorden in top spot when ranking its ‘best places to visit in summer‘.

It said: “Hebden Bridge, up the road, is a tourist magnet. Happy Valley put Calderdale on the TV pilgrims’ map. But Todmorden at the eastern end of the valley has retained a down-to-earth, organic quality.“

It continued: “With the historic Lancashire-Yorkshire border running through the town – even cutting the Town Hall in half – it’s a mix of rural and urban, Mancunian and West Riding, poshed-up and proletarian.“

Found in Lancashire, Todmorden sits in the Upper Calder Valley in West Yorkshire.

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It has a few pubs like the Golden Lion, Hare & Hounds and The Polished Knob as well as cafes, an indoor market.

Some of the houses sit on the waterfront as the River Calder runs directly through Todmorden.

The village is also very close to Hardcastle Crags, a wooded valley managed by the National Trust.

It’s often referred to as ‘Little Switzerland‘ thanks to its steep Alpine-style hills, valley, streams and rock ravines.

It also has a 19th-century mill that is open to visitors.

One of its most popular attractions in Todmorden is Gaddings Dam which is a Victorian reservoir high up on the moors.

At 1,150 feet above sea level, it’s actually considered the highest beach in England and is a wild swim spot managed by the local communities.

One visitors said: “Wow! Went here one sunny, but windy day in July. Took about half an hour to walk to the top but well worth it when we got there!

“Make sure you take water and refreshments as there is nothing at the top apart from beautiful scenery! Only a small beach and only a handful of people there but was really peaceful.”

Another added: “Gaddings Dam is a fab place to go for a walk, swim, and picnic.”

Another popular site near Todmorden is Stoodley Pike, a landmark along the Pennine Way.

It overlooks both Todmorden and the neighbouring town of Hebden Bridge.

Lots of hikers say the spot ‘gets windier every single time you visit’ but is worth the walk for the ‘unreal’ views.

Meanwhile, Hebden Bridge is Todmorden’s more well-known neighbour considered ‘quirky’ and ‘bohemian’ thanks to its many artists, crafters, brewers and beekeepers.

Here’s the full list of the best places to visit in the North of England…

1. Todmorden, Lancashire
2. Ouseburn, Newcastle
3. Stockton-on-Tees, County Durham
4. AND festival, Barnsley, South Yorkshire
5. The GM Ringway, Manchester and surroundings
6. Yorkshire Sculpture Park, Wakefield, West Yorkshire
7. Pub Festival, Preston, Lancashire
8. Queen Street Mill, Burnley, Lancashire
9. Whitehaven, Cumbria
10. Lune Valley, Lancashire and Cumbria

WASHINGTON — U.S. Immigration and Customs Enforcement arrested nearly 50,000 people during July, the highest single monthly arrest total during the second Trump administration, according to new figures.

The spike in immigration arrests shows that the administration has continued to advance its mass deportations agenda despite a shift in approach earlier this year from high-profile operations in large American cities that sparked a public outcry to arrests that have garnered less attention but have nonetheless been disruptive.

The July arrest tally of 49,571 marks a 15% jump from 43,021 arrests a month earlier and a 70% increase from 29,241 in February, in the aftermath of the Trump administration’s enforcement surge in Minnesota, according to government data that was provided by ICE to the University of California, Berkeley’s Deportation Data Project and analyzed by the Associated Press.

Immigration arrests the month before Trump entered office hovered a little over 8,000 a figure largely made up of immigrants transferred from city or state jails and prisons and turned over to ICE to remove from the country. During Trump’s first year in office the numbers started climbing as the administration loosened restrictions on where and who ICE could arrest while it also infused the agency with billions of dollars.

By December, the number of arrests jumped to more than 40,177, according to the data, which was obtained through a Freedom of Information Act lawsuit.

In the aftermath of two fatal shootings in Minnesota in January that sparked protests and an uproar from Democratic lawmakers, arrests began to fall to nearly 30,000 in February. After remaining stagnant for months, the numbers of people arrested in June jumped to more than 43,000 and then to roughly 49,500 in July.

In his confirmation hearing earlier this year, Homeland Security Secretary Markwayne Mullin pledged to keep ICE out of the headlines, suggesting that the administration’s immigration crackdown might take a softer approach. But his tenure has been marred by a number of fatal shootings of immigrants in encounters with ICE officers. And the figures show Mullin hasn’t shifted the agency from President Trump’s vision for mass deportations.

Texas and Florida accounted for nearly 20,000 of the July arrests, in a sign of how important those states have become to the Trump administration’s mass deportation agenda. Both states have leaned heavily into cooperation agreements with ICE called 287g agreements that allow local and state law enforcement to essentially operate as arms of federal immigration enforcement.

The spike in arrests comes as the agency, infused with billions of dollars last summer by Congress, has also hired 12,000 new deportation officers and investigative agents.

Santana writes for the Associated Press.

The waters far away from El Niño’s Pacific hunting ground are also extremely warm, including around the UK and Europe.

The western English Channel has seen almost continuous marine heatwave conditions for more than three years, peaking at 7C above normal in July, according to Prof Tim Smyth, director of science at Plymouth Marine Laboratory.

“This is unprecedented,” he added.

Scientists say such widespread warmth around the planet is a clear sign of the growing effect that human-caused climate change is having on the world’s seas.

The oceans take up more than 90% of the excess heat trapped by humanity’s greenhouse gas emissions, mainly from burning fossil fuels.

“The latest Copernicus data reinforce the troubling upward trend in ocean temperatures,” said Smyth.

Warmer seas help to fuel more extreme weather. They can provide storms with extra moisture and energy, and can intensify heatwaves on land in some coastal regions by reducing the cooling effect of sea breezes.

Warmer water also takes up more space, raising sea levels and bringing a greater risk of coastal flooding – while intense ocean heat can be devastating for sea habitats, such as coral reefs.

The increasing frequency of marine heatwaves is already “putting increasing pressure on marine ecosystems and the communities that depend on them”, Burgess said.