father

Meghan Markle is “distressed” following reports that her half-brother Thomas Markle Jr. found explicit material involving minors in their father’s possession.

On Thursday, British tabloid the Sun reported that Thomas Jr. claimed he’d found “hundreds, if not thousands” of child pornography images inside four large boxes at the Cebu, Philippines, home of his father, Thomas Markle Sr., and contacted authorities.

Meghan’s team issued a statement to The Times on Friday, writing that she was “deeply distressed” by the news.

“My thoughts are with any children who may have been harmed,” she said.

“In 2018, a letter was sent to the Metropolitan Police and Royalty and Specialist Protection. That letter was subsequently shared with me. It made troubling and disturbing allegations against my father and I was given assurances that these were being investigated,” she continued, adding, “I hope it can now be understood that, despite certain media publications’ distortion over the years, any distance from my father and my choice to not allow him to have contact with our children, was for one reason: to protect them.”

The Duchess of Sussex said that she trusted authorities were “doing the same for other families.”

“Although the breadth of what has now been uncovered is more sickening than one could ever imagine, my sincerest hope is that justice will be fully served and that the priority remains the safety and protection of innocent children.”

Meghan’s relationship with her 82-year-old father has been the subject of media scrutiny since 2018, when she and Prince Harry tied the knot. Thomas Markle Sr. did not attend the wedding.

The Met Police told People that they are looking to confirm the passing of a letter in 2018. The FBI did not immediately respond to The Times’ request for comment, but told People that the agency is aware of the allegations, will investigate any related allegations of federal violations of U.S. law, and “will provide support, as appropriate, to the Philippine authorities.”

Thomas Markle Sr. denied the accusations on Friday, calling them “bulls—” and “lies.” He told the Daily Mail that he was “shocked” and “hurt” by his son’s claims and that he “could never do” what he’s being accused of.

“It’s the worst thing anyone could accuse me of. … I have no idea why Tom is trying to destroy me with these lies.”

Thomas Markle Jr. did not immediately respond on Friday to The Times’ request for comment, and Thomas Markle Sr. could not be reached for comment.

The news comes shortly after Meghan and Prince Harry closed their California chapter and returned to England with their children, Archie, 7, and Lilibet, 5.

A father who shot dead a gunman at his two daughters’ school in the US state of Oregon has described “hearing children pleading for their lives” and his anguish over those he could not save.

Three students and a teacher were killed by a 16-year-old former student at Silver Rail Elementary School earlier this month. The attacker was then killed by parent Kaylub Giamanco.

“I want to apologise for not saving their babies,” Giamanco, who has been hailed as a hero, said of his thoughts for the parents of the children killed in an interview with Oregon Public Broadcasting (OPB) that aired on Friday.

“The gratitude for saving people’s children is awesome, but there were ones that I didn’t save.”

Giamanco, 36, said he wanted to meet the victims’ families and “cry with them and hold them”.

He credited a teacher who fought the attacker with giving him the chance to intervene without losing his own life.

“I would love to give her a hug because that’s a real true hero,” he said.

The students who were killed were all boys, aged five, eight and 11. They were among six people in total who were shot in a classroom at the school, police said. Alongside the teacher who was also killed, another child and a teacher were wounded.

Giamanco told OPB the day of the attack began with breakfast and packed lunches. He and his wife spent extra time getting their daughters ready because it was school picture day.

The carpenter had taken lunch to work but decided to go home to eat with his wife instead. That decision brought him past the school as the attack began.

He initially wondered whether someone carrying a long gun was playing a prank. Then he saw him fire at a pickup truck and head towards the school.

Giamanco retrieved a handgun from his vehicle and called emergency services.

“I said, ‘I’m sorry, I have to go in. People are going to die,'” he told the broadcaster.

He followed the attacker, who shot through the school’s locked glass doors. Hearing children pleading for their lives and more gunfire, Giamanco crawled towards the building.

“I told myself this is probably the last thing that I’m ever going to do,” he said.

HAVANA — The Caribbean island of Nevis has received a financial boost in honor of one of its most famous sons, Alexander Hamilton, who went on to become a founding father of the United States and America’s first treasury secretary.

The U.S. government this month awarded $245,000 to restore the home where some believe Hamilton once lived as the U.S. celebrates its 250th anniversary.

Hamilton was born on Nevis in the mid-18th century and spent his childhood living at his adopted father’s home in Charlestown.

The 17th-century Georgian stone building is now Hamilton House, a museum that houses documents from the famous forefather’s early years and features exhibits honoring other Caribbean personalities. But it has demanded constant repairs: time and salty air have damaged the woodwork.

Nevis Premier Mark Brantley told the Associated Press on Wednesday that he’s grateful for the funds.

“We have tried valiantly as locals to preserve these very important historical monuments,” he said.

Despite Hamilton having lived only the early part of his childhood in Nevis, the premier believes his legacy is inspiring.

“Hamilton is significant because I think it’s a demonstration of what a small island like Nevis, a little dot in the ocean, can contribute to the founding of the greatest nation in the world, the United States,” Brantley said.

The two-story, Georgian stone building that was originally built around 1680 was destroyed by an earthquake in 1840 and was last restored in 1983.

Brantley said the restoration work is important to both the U.S. and Nevis: “Hamilton remains, I think, an iconic figure for us and a figure that we can look at his legacy and inspire our own people to achieve and to know that greatness is available for all of us.”

At the federal courthouse in downtown Los Angeles late Monday, several green card holders arrested in a crackdown on alleged California voter fraud expressed confusion over the charges — with some saying they had no recollection of registering to vote, as Trump administration officials accuse them of doing.

Among them was Ana Domínguez, 60, a native of El Salvador living in Long Beach as a lawful permanent resident. Federal authorities accused her Monday of fraudulently registering to vote in July 2006 and then lying about it in her naturalization paperwork in March 2026.

Domínguez said she did not have any memory of registering to vote.

Another man accused of the same crimes as Domínguez said the same: He wasn’t aware of ever registering to vote, as federal prosecutors claimed he had.

Both were among the 28 people charged with federal election-related crimes Monday, including fraudulent voter registration and making false statements in a naturalization application. Federal prosecutors and high-ranking Justice Department officials had touted the arrests during a news conference hours before as proof that California elections are corrupted by noncitizen voters — as President Trump has long alleged.

State officials said the isolated instances of noncitizens voting, if accurate, are not evidence of widespread voter fraud. They also raised questions as to whether the charges could be trusted to be accurate — citing similar accusations being disproved elsewhere in the country.

Election experts have said many instances of noncitizens registering to vote are a result of administrative error or confusion on the part of the immigrant — not intentional criminality.

“We know from past experience that sometimes people register to vote accidentally, as when there is a mistake at the DMV,” Rick Hasen, director of the Safeguarding Democracy Project at UCLA School of Law, wrote Monday in a blog post. “There is only a crime if the government can prove willful violations of federal law.”

Four of the defendants charged Monday had initial court appearances later that afternoon. Beforehand, more than a dozen of their loved ones milled around the federal courthouse in downtown L.A., antsy and clearly worried.

One woman, her baby and young daughter in tow, struggled to find the right courtroom. Another woman — Domínguez’s daughter — cried in the hallway as she waited for her mother’s case to get called up. When Domínguez moved to stand before the judge, she blew a kiss to her husband and daughter in the second row. She wore a black back brace and her legs were cuffed.

A third defendant — Omar Muñoz, 72, a lawful permanent resident from Belize whose arrest at his home in Commerce was captured by photographers in images transmitted around the world — shuffled into a court room shackled at the waist, his feet cuffed, still wearing the red and black pajama pants he’d been arrested in.

Homeland Security Investigations task force officers escort a suspect accused of illegally registering to vote to a processing facility at Federal Building in Los Angeles on Monday.

(Jae C. Hong/AP Photo)

Muñoz was charged with fraudulently registering to vote in September 2019, and then voting in 2020, twice in 2022 and again in 2024. He is also accused of lying on his application to become a naturalized U.S. citizen, when he claimed to have never falsely claimed to be a U.S. citizen in the past.

In the court room, Muñoz held a hand over his heart as he waved to his family in the first row of the gallery.

Hasen, the UCLA expert, wrote that the government’s blasting out images of Muñoz being arrested was clearly “meant to convey that the problem of noncitizen voting in California is both pervasive and serious, crimes that are undetected by willfully ignorant California election officials.”

But the reality, he wrote, “is likely far different,” with voter fraud limited to isolated cases, some with less nefarious intent.

First Assistant U.S. Atty. Bill Essayli, the top federal prosecutor in Los Angeles, said Monday that the cases represent strong federal work to ensure that noncitizens aren’t negating the votes of eligible U.S. voters — a problem he said California officials have refused to recognize despite federal authorities providing the proof.

Essayli dismissed the idea that those charged may have been unaware of what they were doing. “You have to go out of your way to register to vote, it’s not something that just happens to you,” Essayli said.

José Antonio Bañuelos-Díaz, 42, a Mexican national and West Adams resident, appeared in court wearing a reflective vest with the name of a landscaping company, blue jeans and boots with the American flag on them. He’d been on his way to work when he was arrested.

During the hearings, the defendants only spoke to acknowledge that they reviewed and understood the charges against them. In every case, the federal prosecutor said the government was not seeking detention.

The magistrate judge ordered the four released on personal recognizance and said they were not required to be under supervision. They are all set to appear in court for a preliminary hearing on November 9. Their deputy federal public defenders did not respond to a request for comment.

Lliani Orantes, Muñoz’s daughter and a nurse who was born in the U.S., said her father had been hauled out of the family home by federal authorities after they swarmed and cordoned off the block. She said the family was rushing to figure out what happened, including whether Muñoz could have been confused with younger relatives of the same name, including a U.S.-born son who is a registered voter.

Orantes also expressed frustration with the handling of her father’s arrest — to which federal authorities had clearly alerted some media, who were brought along for the raid.

She said her father is recovering from cervical surgery, rotator cuff repair on a shoulder and a double knee replacement, and that he was pulled out of the family’s home “like he was a dog” as part of what she described as a “political ploy, an example used for the operation” — which federal authorities dubbed “Operation Protect the Vote.”

“They’re trying to instill fear in society,” she said.

“We have so much more in the world to be dealing with, do we really need to focus on these little things that could be taken care of in a different fashion? In a different way? Like, hey, somebody from immigration visit the home,” she said.

Acting United States Deputy Atty. Gen. Trent McCotter speaks at a news conference Monday to announce charges against 28 people in California accused of illegally registering to vote as noncitizens.

(David Butow/For The Times)

California Atty. Gen. Rob Bonta — who is defending the state and top election officials for the state and Los Angeles County against a lawsuit from the Justice Department alleging they are not treating alleged voter fraud by noncitizens seriously enough — said Monday that voting illegally is wrong and “one off, isolated incidents” of it should be prosecuted.

But Bonta denied that there is widespread voter fraud in the state, called 28 cases brought out of the 23 million registered voters in California a “drop in the bucket,” and said he’d be watching how those cases play out in court.

“We’ll see what the facts show, and whether they’ll have to drop charges or whether they’ll be able to prosecute,” he said.

About 3 p.m. Monday, the four defendants at the downtown courthouse were released and exited the court room, some to family members waiting in the hallway to hug them.

Domínguez wiped away tears as she recounted her arrest, showing bruises on her wrists from the handcuffs.

“They were accusing me of voter fraud since 2006,” she said. Domínguez said the accusations don’t even make sense considering she has never voted.

“If I would have committed all those frauds about voting registration and whatever they’re saying, since 2006, wouldn’t you imagine that I would have been voting all these other years?” she asked.

In a visual presentation at their news conference, federal authorities alleged that 21 of the 28 people charged had actually voted. Domínguez was not one of them.

Domínguez said she’s been a lawful permanent resident since the late 1980s, and that she applied for U.S. citizenship earlier this year. As part of the application process, she said she told an immigration agent that the only people registered to vote in her household were her husband, who previously became a U.S. citizen, and her daughter, who was born in the country.

Since then, Domínguez said she has just been waiting on the citizenship ceremony, “but it never came through.”

Instead, she was arrested Monday when she was about to leave for work as an administrative assistant.

“I never, ever in my entire life … thought this would ever happen to me,” she said.

Acting U.S. Deputy Atty. Gen. Trent McCotter stands next to a display showing photos of people charged with illegally registering to vote during a news conference on Monday.

(Jae C. Hong/AP Photo/Jae C. Hong)

Muñoz and his family gathered outside the courthouse. Muñoz, who declined to comment on the charges against him, said he’d been up to have coffee early that morning when he heard the commotion outside. Agents said if he didn’t open the door, they’d break it down.

He described seeing helicopters, at least eight cars and several agents from different agencies descending on his home, and recalled thinking, “What movie am I in?”

“That’s a lot of money. Taxpayers paying for that,” he said. “They could have sent me a letter saying report to the court.”

Muñoz — who said he came to the U.S. legally in 1975 and has “paid all my taxes” since — said he explained to the arresting agents that he’d had six surgeries recently and they “didn’t care.” He said he didn’t learn about the charges against him until four hours later.

Muñoz’s son, Omar Muñoz Jr., questioned why federal agents didn’t take his father’s age and ailments into consideration.

“We understand that there’s a procedure that has to be addressed at court. But 5 in the morning, handcuffed? It’s just the way everything was done, and what my mom had to go through. It’s not just an impact on my father’s health, but also on my mom,” he said. “There is a law, we understand that. But innocent until proven guilty.”

Muñoz’s wife, Esmeralda, echoed her son’s questions about why so many agents were deployed to their home.

“Seriously? All these people just to come for an elderly person,” she said she told a federal agent. “It’s unbelievable.”

John McLellan is not old enough to have a driver’s license at 13 years old, but the Redondo Beach teenager has been racing kart cars at speeds nearing 80 mph in Italy this month.

Last week, he had a breakthrough performance, finishing third among 117 drivers representing 33 countries at the FIA Karting World Cup OK-N Junior Final at Leopard Circuit Viterbo, Italy.

His father, John Sr., sent him to Italy for four weeks to compete for Sweden-based Ward Racing.

“Dad is on him all the time,” his father said. “Do your homework, brush your teeth.”

“Yes and yes,” John Jr. said this week after returning home.

John Jr. is enrolled in a Texas-based online middle school to help with his unpredictable traveling schedule. He had been a club soccer player until deciding racing is what he wants to do.

First he was into motocross at age 6. After an accident resulting in a broken hand and broken collarbone, kart racing became his specialty, with a dream of racing Formula 1 cars.

John McLellan, 13, in his Kart car.

(Matteo Segago)

His mother is from Australia and his father is a Torrance native who chose racing motorcycles over playing high school soccer. Like father, like son.

“He loves it,” John Sr. said. “What kid wouldn’t want to race cars?”

John said of the strangeness driving high speeds at 13: “Whenever you have a kid going 80 mph without a driver’s license and going to middle school, you would think that’s absolute carnage and crazy. Karting is just a very competitive sport.”

The average lap speeds are 56 mph. John wants to attend a regular high school when he enters ninth grade next year, so whether it’s Rolling Hills Prep or Redondo Union, new friends need to know they’re hanging out with a teenager who, as Tom Cruise said in “Top Gun,” “I feel the need … the need for speed.”

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Cuban American poet Kyle Carrero Lopez first learned what sanctions were as a child — not as a political measure, but as a gendered one. In his poem “Sanctions,” he describes how his father, a surly Cuban refugee who worked as a DJ, laid out the terms of acceptable masculinity.

“No dance class/no “girl toys”/don’t walk like that,” writes Carrero. “His anthem, his law, hammered, hammered, into me.”

The poem features in his debut book of poetry, “Party Line,” released in July by indie publisher Graywolf Press. As a gay, Black Cuban American, Carrero uses social etiquette as a springboard to critically examine how marginalized people learn to negotiate space — whether at a nightclub; in the stratified gay mecca of Fire Island; at a socialist magazine party; or in line for customs at the U.S. border. He cites Black cultural figures like the queen of salsa Celia Cruz, American fashion journalist André Leon Talley, the late French singer and dancer Josephine Baker and political activist Assata Shakur as guiding lights.

“There are two sides of me,” he told De Los. “Between the party girl and the politico is Kyle Carrero Lopez.”

Born in 1995 to Cuban parents in New Jersey, Carrero is now based in New York City, where he earned a master of fine arts in poetry at NYU and published his award-winning 2022 chapbook, “Muscle Memory.” He answered my phone call in South Carolina, while overlooking the Atlantic Ocean; his mother was on the precipice of getting married a second time. Carrero, already a poet, scholar, political organizer and nightlife host, would flaunt yet another title that weekend as wedding officiant. “My work is naturally in conversation,” he explained.

Many of the poems in “Party Line” came to Carrero after visiting Cuba for the first time in 2017, through the CubaOne Foundation. Inspired by the Birthright Israel program for Jewish youth, the nonprofit sponsored trips for Cuban Americans to connect with Cubans on the island. Yet for Carrero, this strengthened his political dissonance with many Cubans in the U.S., who’ve supported economic sanctions on the communist nation. In order to force regime change, in January the Trump administration levied an oil blockade on Cuba, triggering a humanitarian crisis.

Written with an unmistakably Caribbean verve and snappy, conversational meter, Carrero defines his stance on Cuba in no uncertain terms.

“This book really is for Cuban Americans,” he said. “Those of us who are not trying to destroy Cuba, that is.”

Carrero spoke to De Los about party politics, Black Cubanidad and how visiting the island changed his writing for the better. The following interview has been lightly edited for clarity and length.

A lot of people fall back on these ideas about immigrant communities being all hard work and drudgery — but we come from a festive, dance-fueled culture. How did you get the idea to combine poems about parties with poems about politics?

I’ve always been involved in politics. I’ve done a lot of canvassing. In high school, I was in a learning community called the Civics and Government Institute. We did a “social reformers” panel, where you had to play somebody from a social movement. They had me up there dressed up as Elijah Muhammad in the 10th grade, asking me what I’d think of Obama. I had to drag Obama! These Nation of Islam people were not feeling the moderate Democrats.

But that informed my political engagement to this day. I was concerned with the language surrounding the embargo and U.S. aggression against Cuba. In my poem “Torricelli,” I talk about how [former New Jersey congressman and senator] Bob Torricelli wrote the Cuban Democracy Act, which he designed to, quote, “wreak havoc on that island.”

And I write a lot about nightlife. It is a family industry for me on both sides. My maternal grandfather ran a social club in New Jersey, a games parlor. My mom was a club kid. She was out all the time. Parenthood changed some things, but my father still had DJ gigs. Our basement was his studio. He’d leave the house at 9, 10 o’clock to go to the gigs. You know that new Jordan Firstman movie, “Club Kid”? I’m the original club kid.

How do you write for those who may not be ready to receive the club kid and the politico at once?

I like challenging assumptions that political people are drab and unglamorous — and that party people are brain-dead, escapist and have nothing to say. One of the problems I have with the ’90s club kid scene, as it existed, is they were extremely apolitical. And not only were they apolitical, but I would go so far as to say the club kids in the ’90s were a white supremacist entity. We don’t talk enough about how their whole thing was like whiteness and white privilege. All we’re here to do is have fun — and we see what that mentality leads to, right?

[The movie] “Party Monster”!

Yes, “Party Monster”! Michael Alig literally killed a man of color. That is not the party world that I live in. We don’t take off who we are just because there’s low lighting and fog and loud music. I’m going to respond the same way to harassment and perceived injustice as I would any other space.

To this day, there are white club kids in New York who are in the club talking in black-ccents and wearing imitations of black people’s hairstyles. And then if you call them out, they’re like, “Why? It’s a party!” And I’m like, “OK, but it’s a party where all of the music comes from Black people … you are a guest in this space.” Before I’m going to serve you a history lesson, let’s at least start with decency.

And though you may not think you’re doing politics … politics will still do you. Your club kid parents experienced politics by coming to the U.S. from Cuba. Can you tell me about their journey?

My father emigrated from Havana as a child. My mother was born to parents who emigrated in the 1950s during Batista’s regime. Cubans have a privileged relationship to immigration — the pipeline available to us [political asylum] was not the same for most people of Latin American descent.

My family came here not only as Cuban immigrants, but as Black immigrants. Politics happened to them. My father came to the U.S. in the late ’60s, getting called the N-word walking home from school with his two sisters…. They got hit so hard with belts that they would go home having soiled themselves. They were not only Black, but they didn’t even know what language or culture they were trying to assimilate to. There were layers of hatred…. When people talk about Cuban Americans, they think of white, rich Miami Cubans. It’s irresponsible to think in such a flat and one-dimensional way.

In the poem “Usefulness,” which was originally published in the Yale Review, you speak of how Black Cubans exist at the nexus of two different political agendas: the pro- and anti-Revolution contingents. Can you talk about that?

My opinion is very useful to many agendas. I joke that I would make a great Republican talking head. If I decided tomorrow that I wanted to get the GOP bag and be like, “Democrats are liars! I hate immigrants! I hate welfare! There’s two genders! We don’t need gay marriage!” — I would be a millionaire in under six months.

There’s a tokenism that happens when you exist at this nexus of identities. It’s true of the left as well sometimes. You could ask five different people in Cuba what they think about the government and they will give you five different answers. And that is OK! We need to allow that to be the case.

I don’t want what Trump and the Marco Rubios of the world want for Cuba — which is to seize it, to subjugate it and turn it into the next Puerto Rico. If people who are progressive and committed to Cuba’s autonomy don’t want that, I think part of [the work] is talking to Cuban people and hearing them out. I don’t think it’s acceptable to seek out only the opinions that match your own.

You bring up a historical moment that not a lot of Cuban Americans know about, which was the 1976 bombing of Cubana Flight 455, by an anti-Castro Cuban exile group. You said they planned on bombing a flight to Havana the week before, which your mom and her sister were on. How did they manage to avoid that?

[My grandfather] was an influential man. He knew the right people. So he heard something was going down and said, “I’m not putting my kids on that flight.” The flight went on as planned, but these men knew my grandfather and heard that his daughters were getting on the plane. To me that’s like getting on the list … sometimes you get into the party, or the plane [isn’t] bombed. It’s the same negotiation. Or just a moment of alignment.

What was it like visiting Cuba for the first time after the Obama administration eased travel and trade restrictions?

I don’t give Obama much, but he did try to normalize relations there. Unfortunately, Biden didn’t follow through with that, but for a second, we did care about Cuba.

The first time I went was in 2017, when I was 22. It was an incredible experience. My mother traveled to Cuba as a teenager; my father never went back. But they never discouraged me from going. I know that’s the case for a lot of Cuban Americans; there’s so much baggage. But once there was an easy path to go, it changed my life.

I write about Amiri Baraka’s time in Cuba, when he was earlier in his poetry journey — and his writing changed from being there. He wrote a poem called “Betancourt,” named after a young radical there. It made me more politically serious. I feel closer to my heritage, having done that.

What made you close the book with “I Saw Assata In Havana”? Did you really see Assata Shakur?

That was an imagined encounter. But it was the vision of what I imagine was her new life in Cuba — her second chance. I thought that it was a good ending note to land on, pushing against prevailing narratives.

I think the ways that we talk about our radicals — the Huey Newtons of the world, people like Kwame Ture or Angela Davis — we think of them as mythical beings, or, depending on who you ask, terrorists. But that disconnects them from their humanity. I wanted to create a portrait of [Shakur] as a normal lady who needed to pick up groceries sometimes. These were regular people who saw what was going on in the world and decided that they needed to do something about it. Each of us has that ability to enact change.

There are so many ways to make societal shifts, whether that’s writing to your officials or protesting or creating art that is challenging. What Shakur did was to say, “I don’t like this for my people. I don’t like this for the world I’m living in.” The same boot that’s on the necks of Black American people is on the necks of people in the Congo, people in Palestine, people of the global majority. We all have to share the planet. If we work together, we can have a world that can actually sustain itself.

My last question for you is: What would you like to see happen for Cuba?

I’m not a politician; I’m an artist. My duty is not toward any specific government; it is toward truth. My Cuba position, as a Cuban American, is focused first and foremost on my home country’s contribution to the conflict. If Cuba is truly no more than a failed state, why not lift all of the restrictions? Let’s see what happens when Cuba is unimpeded by hostile U.S. policy. That’s how you can best prove your point, right? Unless, of course, you’re afraid of what Cuba could be.

“We’re all hiding a little bit of our personality inside,” says director Cristian Mungiu of the characters in “Fjord,” a searing drama inspired by real Norwegian child welfare cases. “The film speaks about a limit of intimacy, after which you will need to make a choice not knowing precisely what happens. This is why I wanted the film to start at the end of a conversation in which you don’t really know what kind of punishments exist in this family.” Lighting and shallow focus deepen the uncertainty of a mother (Renate Reinsve) comforting her daughter (Vanessa Ceban) and a father (Sebastian Stan) waiting to have his say: “You need to admit when you’re wrong.” “You see the role of a mother who tries to play this more empathic part, while the father is the one playing the role of the educator who imposes his rules,” Mungiu says. “This shot speaks about our way of storytelling and designing everything to be ambiguous enough about their relationship. At the same time, this also speaks about a theme in the film: this idea that there isn’t anything like right and wrong and the truth. And we all believe that the truth belongs to us. And this is the problem.”

As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.

The only guide you need for fall entertainment.

Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.

‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)

Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”

(Netflix)

Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali

‘Brothers,’ Sept. 23 (Apple TV)

Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”

(Ryan Green / Apple TV)

Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara

‘American Hostage,’ Sept. 20 (MGM+)

Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”

(Steve Ackerman / MGM+ / Sony Pictures Television)

Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia

‘East of Eden,’ Oct. 1 (Netflix)

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton

‘Below,’ Oct. 8 (Netflix)

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.

‘Cupertino,’ Oct. 8 (CBS)

Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”

(Elizabeth Fisher / CBS)

Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd

‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)

Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.

(Paramount+)

When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown

‘VisionQuest,’ Oct. 14 (Disney+)

Paul Bettany in Marvel’s “VisionQuest” on Disney+.

(Marvel)

When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.

‘Crystal Lake,’ Oct. 15 (Peacock)

Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”

(Peacock)

Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.

‘The Diplomat’ Season 4, Oct. 15 (Netflix)

Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal

‘Nocturne,’ Oct. 30 (Apple TV)

Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”

(Dennis P. Mong Jr / Apple TV)

Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.

‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)

Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”

(Paramount+ with Showtime)

At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.

‘Dig,’ Nov. 23 (Peacock)

Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”

(Colleen Hayes / Peacock)

A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.

‘Blade Runner 2099,’ Nov. 25 (Prime Video)

Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”

(Clay Enos / Prime)

Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.

‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)

Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”

(Netflix)

For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.

‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)

Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”

(Aidan Monaghan / HBO)

In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.

‘North of North’ Season 2, Fall 2026 (Netflix)

Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.

(Netflix)

No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.

‘Pride and Prejudice,’ fall 2026 (Netflix)

Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”

(Ludovic Robert / Netflix)

Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.

Movie stars are an endangered species. They still exist, sure. Their beautiful faces still fill 50-foot screens, beaming down on us. Yet, there is a shortage of, say, Michael Douglas. A man who, over the span of decades, played an American president, a troubled detective, and a Wall Street tycoon so convincingly that the FBI recruited the actor to do a PSA for investment bankers about the perils of financial fraud.

The night before I meet Michael Douglas on Zoom, I have a hard time sleeping. I want to be well-rested before I meet the leading man — perhaps one of the last leading men from an era in Hollywood that felt limitless. What do I mean by that? He’ll tell you. His new memoir details his movie-making career as a prolific producer and actor, along with his affair with his “Romancing the Stone” co-star Kathleen Turner, mudslides in Mexico, snorting cocaine with O.J. Simpson, encounters with Princess Diana and screaming matches with Paul Verhoeven that end in blood. In short: the life of a movie star.

“People say to me: Michael Douglas. When I see your name, I don’t know what I’m going to get, but I know it’s going to be good,” Michael Douglas says.

(David Urbanke / For The Times)

Halfway through our conversation, something unanticipated happens: Douglas reveals that he doesn’t quite see himself as a movie star. After gentle pushback, he elaborates. Instead, Douglas sees himself as a chameleon.

“People say to me: Michael Douglas. When I see your name, I don’t know what I’m going to get, but I know it’s going to be good,” he says.

He’s speaking from his home in New York. Behind him is a moody 18th-century Orientalist painting, its scene too indistinct for me to make out. His smiling face — which, like most American moviegoers, I had watched 50 feet tall in the dark — glows with warmth even on my laptop screen. It seems abnormal even to witness him in miniature.

To be clear: Michael Douglas is a movie star, whether or not he wants to cop to it over Zoom. It’s in his blood. His father, Kirk Douglas — born Issur Danielovitch to Russian Jewish immigrant parents — was a legendary actor whose shadow Douglas struggled to escape, as he details in the early chapters of his memoir. He spent his childhood on movie sets, watching his father spar with iconic directors like Stanley Kubrick. Michael Douglas was subject to violent and angry outbursts as well. “Dad’s volatility kept us on edge,” he writes. He felt suffocated by his father’s legacy, often hoping to shake the title of “Kirk Douglas’ son.”

Early in his career, Douglas left his starring role on TV’s “The Streets of San Francisco” after producing his first film, “One Flew Over the Cuckoo’s Nest,” which became a breakout success. On that film, he had to deliver the shattering news to his father that he was too old to play the lead — essentially, firing his father from his dream role. It was a betrayal. Instead, the role went to Jack Nicholson, who would later win an Academy Award for his humanizing portrayal of Randle McMurphy. The film won multiple Academy Awards, launching Douglas’ career as a heavyweight producer and later an actor. Escaping the shadow of being Kirk Douglas’ son has been a lifelong battle for the actor.

(Grand Central Publishing)

Occasionally, inheritance can be a burden. In his own life, Douglas details how he was a distracted father and husband who lost sight of his son, Cameron Douglas. During Cameron’s childhood, Douglas was elsewhere — on location in the Mexican jungle in “Romancing the Stone,” then a disastrous film production in Morocco for “Jewel of the Nile” that included a fatal plane crash that resulted in three crew members’ deaths. To cope with the breakneck pace of show business, Douglas sought refuge in women, cocaine and work.

Cameron’s troubled youth reached a crescendo when he was sentenced to five years in federal prison for drug smuggling, with an additional sentence for drug possession in prison — serving seven years in the end. It was enormously painful for Douglas, who also struggled with addiction, and had sought out treatment to provide an example to his son.

In a late chapter, he recalls confiding in Rob Reiner, who also had a son who struggled with addiction issues. In the memoir, Douglas addresses the killing of Rob and Michelle Reiner in December 2025; their son Nick has been charged with murder. “We both had sons with serious drug issues and we both, at times, had been at the end of our rope,” Douglas writes. “It was a heartbreaking confessional for us, but I know we gave each other some measure of comfort during the hard times.”

Why trudge through movie history, turning over every stone and every wound, in a nearly 500-page memoir? Because, according to Douglas, it’s time.

“Your 80s may be a good time to share,” the actor says, who recently turned 82. “People interested in movies, we give them a certain insight into the process, and maybe they could learn something. For others, it’s just gossip.” His battle with Stage 4 oral cancer brought the contours of his life into stark relief, sharpened by seven weeks of radiation and chemotherapy. His official diagnosis was tongue cancer, but he told the public he had throat cancer, hoping to stall speculation in the press about the possibility of disfigurement — and, more specifically, the prospect of losing his tongue. It was isolating, and Shane Salerno — the memoir’s co-author — stayed by Douglas’ side.

Michael Douglas.

(David Urbanke / For The Times)

As much as Douglas’ memoir, “One Helluva Ride,” is a revealing and delightful account of a life in show business, it is also a love letter to California — a place where Douglas spent much of his adult life, beginning at UC Santa Barbara. The college travel brochure read: campus by the sea. “I remember the cover of it was a guy walking down the beach with a surfboard, two girls in two-piece bathing suits. In 1963, I never saw a two-piece bathing suit back east.” He was sold.

The California years made an impression. Douglas is still, at heart, a hippie. Raised in stiff East Coast prep culture, he was reborn in the California sunshine. “I transferred into becoming a hippie, influenced by the Maharishi Mahesh Yogi, hallucinatory drugs, and the world that existed in the early ‘60s in San Francisco.”

Strangely, Douglas argued that some of the utopic sentiments of the 1960s are returning. “People are beginning to look back at that time, and realize how important family is — cooperation, sharing,” he says. “Socialism is not a four-letter word or something that’s terrible. There are other things to pursue in life other than just making money.”

“Your 80s may be a good time to share,” Michael Douglas says.

(David Urbanke / For The Times)

Like the characters he portrayed, Douglas is far from perfect. He admits that he struggled — in his first marriage, and later as a father. After marrying Diandra Luker, Douglas was unfaithful, having relationships with co-stars, most notably Turner on the set of “Romancing the Stone” in the Mexican jungle. The two denied the relationship for years. Now, with Turner’s blessing, Douglas writes about their involvement in his memoir.

Before Turner, there was Diane Thomas, the film’s waitress-turned-screenwriter, with whom Douglas had an affair. Thomas’ life was tragically cut short in a car accident involving a Porsche that Douglas had gifted her.

Then there were the rumors. On the set of “Basic Instinct,” some speculated that Douglas and Sharon Stone were having an affair. They weren’t, he explains. Douglas was instead locked in a power struggle with director Verhoeven, who, during one particularly heated argument with the actor, suffered a burst artery in his nose, turning the confrontation into a bloody scene. Douglas, meanwhile, was involved with another co-star, Jeanne Tripplehorn. “They were so focused on a possible relationship between Sharon and me, they missed the real relationship happening between me and Jeanne,” he writes.

When he and his current wife, actor Catherine Zeta-Jones, made it official, Douglas went to the other room to make breakup calls to five other women. (By this point in the memoir, Douglas has enough goodwill to pass this off as charming.) “From the moment I met Catherine, and we formed our family, I was a new man,” he writes.

The memoir enshrines Douglas’ petty show-business grievances too: a repaired grudge against David Letterman, a TV co-star who stole his longtime girlfriend, and a bouquet sent to Julia Roberts to apologize for his drunken buffoonery. In Douglas’ words: “There’s two or three people that I share my hostilities with.” He clashed with Brian De Palma, who was originally attached to direct “Fatal Attraction” and tried to have Douglas fired. De Palma underestimated Douglas and was replaced by Adrian Lyne. Years later, De Palma apologized, but Douglas rejected it.

It is impossible to tell the story of Douglas’ career without the women he encountered. The films he championed helped establish a new type of female lead — in all their powerful, morally ambiguous and deranged glory. “An actress was not allowed to play a villain,” he says. In “One Flew Over the Cuckoo’s Nest,” the actor struggled to cast Nurse Ratched. “A whole number of leading actresses turned that part down until we found Louise Fletcher, who went on to win an Oscar.”

For Glenn Close, Sharon Stone and Kathleen Turner, acting opposite Michael Douglas was transformative. After her role as a murderous, sex-crazed bisexual in “Basic Instinct,” Stone became one of the biggest stars of the 1990s and earned an Oscar nomination for Martin Scorsese’s “Casino.” Close‘s portrayal of the mistress-turned-lovesick psychopath in “Fatal Attraction” earned the actor her first lead Oscar nomination after three supporting nods. Turner went from being primarily known as the sexy femme fatale of “Body Heat” to a Golden Globe-winning star with box-office clout after her collaboration with Douglas. Sure, she sued him, too, but their friendship survived.

However, it wasn’t until his role as Gordon Gekko, the fast-talking, impulsive tycoon in 1987’s “Wall Street,” that Douglas was in full force, winning an Academy Award for lead actor. Directed by Vietnam veteran Oliver Stone, Douglas delivered an unforgettable performance about the dangers of unchecked capitalism and greed. At an early New York screening, Douglas recalls Wall Street traders being stunned by the film’s stinging accuracy. “A lot of the Wall Street characters were there, very cocky at the time; they all were shocked because we caught them.”

To his surprise, Wall Street financiers approached him on the street to praise Gekko — anointing him as their hero. “I said, ‘I was the villain.’ ‘No, no, no,’” he said. “So it showed me a lot.”

It speaks to Douglas’ gifts as an actor that he could transcend the caricature of white male entitlement he portrayed with such precision. In “Falling Down,” filmed during the 1992 uprising triggered by the Rodney King verdict, Douglas plays an unemployed defense worker, a man so consumed by disillusionment and blinded by his own sense of victimhood that he cannot recognize the harm he inflicts on others. The character would prove eerily prescient, anticipating an archetype that would take shape in the decades to come. An entire generation mistaking the actor’s brilliance as an invitation.

Perhaps that is the strange thing about being a movie star: Audiences decide who you are, and what you mean to them. For a chameleon, an actor who spent a lifetime resisting other people’s definitions of him, that might be the ultimate paradox.

As our conversation winds down, I remind him of his immense contributions to filmmaking, through producing and acting. It seems redundant, but I say it anyway. His response is polite.

“Quirky,” he said. “‘Falling Down,’ ‘The War of the Roses’ — I love those quirky films.”

“I’m proud of my movies,” he says. “I’m very proud of my movies.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

Halle Berry has several loved ones in her corner amid her contentious custody case with ex-husband Olivier Martinez, who accused the Oscar winner of physically abusing their 12-year-old son. Among the actor’s supporters is Nahla Aubry, the 18-year-old daughter Berry has kept largely out of the public eye.

Aubry, whom Berry shares with ex-boyfriend Gabriel Aubry, spoke against her former stepfather Martinez and in support of her mother in a declaration filed Monday in Los Angeles Superior Court. In his request for a restraining order filed last week, Martinez accused Berry of physically abusing their son, Maceo, “putting her hands around his neck, and choking him” during a Sept. 26 incident. Martinez was granted the restraining order and is seeking sole legal and physical custody. Nahla Aubry said in her declaration, obtained by The Times, that Martinez’s allegations left her “shocked, very sad, and very upset.”

“The statements Olivier claims my mom made are wholly inconsistent with the values she has taught me my entire life,” Aubry said. She added elsewhere in her declaration: “I have never witnessed her act violently toward anyone.”

A legal representative for Martinez did not immediately respond on Thursday to The Times’ request for comment.

In her declaration, Aubry spoke about her experiences splitting time between her mother and father’s homes amid their separation and and said her mother “consistently provided me with stability, support, guidance” and that she “never heard” the actor speak negatively about her family or her ex-boyfriend. Aubry said she lived with her brother for most of her life and has “never heard my mom say anything about Olivier” to her brother, contradicting claims Martinez raised in his request for a protective order.

Martinez pointed to an alleged 2023 incident when Berry is accused of telling their son, then 9, that his father is “ ‘a white b— trying to rob a Black woman’ due to child support issues,” according to court documents. She added that Berry has “always” encouraged her children to keep “loving relationships with our fathers.” Aubry also said in her declaration that while Berry can be strict, she is also “warm, supportive and deeply involved in our lives.”

“I have never witnessed her act violently toward anyone, however, I do remember Olivier beating up my father in our driveway when I was little,” she said, referring to a 2012 brawl between Gabriel Aubry and Martinez.

In addition to denying the claims of abuse against her mother, Aubry spoke about her stepbrother’s behavior, writing in his declaration he can be “very impulsive” and “often acts without thinking and then refuses to take responsibility for his actions.” Aubry noted she last spoke to her brother a day after the alleged September incident and that he did not seem upset, and that the current restraining order prohibits her from contacting her brother.

Berry’s fiancé, Van Hunt, and her attorneys also filed declarations in favor of the “Monster’s Ball” actor. Attorney Marina Z. Beck in her declaration accused Martinez of refusing to provide information to Berry about their son and his education, of interfering with their son’s therapy and of refusing to follow therapist recommendations. The court documents also include screenshots of text message exchanges between Berry and Martinez and an email from their son’s school about his disruptive behavior days after the alleged incident.

Berry and Martinez were married from 2013 from 2015. Their divorce finally ended in August 2023, when they agreed to joint custody of their son and Berry agreed to pay Martinez $8,000 a month in child support.

In his request for a restraining order, Martinez also asked that Berry refrain from drinking or partaking in other substances during her visitation time and asked that she complete sobriety testing “before, during and after” her visitation, according to court documents. The judge denied those sobriety testing requests until a further hearing for the order on Oct. 16.

Patrick Baghdaserians, an attorney for Martinez, told The Times last week the welfare and safety of Berry and Martinez’s child remains paramount.

It never has been about the glory for Semaj Morgan.

Not the touchdowns. Not the name, image and license deals. And not even the 2024 national championship he won with Michigan.

For the UCLA wide receiver, all of that plays second fiddle to giving back to his community in Detroit and touching the lives of the people around him through the Semaj J. Morgan Foundation — an initiative he started when he was 17 years old.

“My foundation is definitely the best thing that I do. It’s great being a football player, but being able to give back and show people that I really care for others and not just about football and money, I want to be able to pour back into the people that support me and show me love,” Morgan said. “A lot of people don’t get to wake up every day and know that there’s going to be food around. A lot of people in the city of Detroit don’t even know if they’re going to eat at all.”

UCLA receiver Semaj Morgan is surrounded by children he has helped through his foundation.

(Courtesy of the Morgan family)

Morgan decided he wanted to start the foundation when he handed out toys with the Dream Team Male Mentoring group, telling his dad, Semaj T. Morgan, that community service was his calling. But at 17, he was too young to have his name on the paperwork, so his parents opened the foundation for him.

Since the foundation’s launch in February 2023, Morgan has hosted turkey drives, during which he gives away 2,000 turkeys, 2,000 food bags and 1,000 hot meals along with hats, coats, scarves and gloves, in an effort to tackle the health and food gaps in his community.

Morgan also has spearheaded back-to-school giveaways, handing out backpacks and supplies to children.

“We don’t do it just to do it. We do it because we’re trying to close the educational gap that our kids in Detroit suffer from,” Morgan’s father said.

“When you have a kid that’s going to school with the same notebooks and pens and highlighters and erasers that their counterparts have, now they have more confidence when they go to school.”

Morgan received a grant from the Ballmer Group, founded by Clippers owner Steve Ballmer and his wife, for the foundation’s DiscoverWorks Summer program. The initiative serves 250 families, giving students the opportunity to get their test scores up in the morning and go on field trips in the afternoon, alongside other enrichment activities such as robotics and mentoring.

UCLA quarterback Nico Iamaleava celebrates with Semaj Morgan after scoring a touchdown against Purdue at the Rose Bowl on Sept. 19.

(Ronaldo Bolanos/Los Angeles Times)

But the endeavor closest to Morgan’s heart is the foundation’s Mother’s Day and Father’s Day events.

“These are mothers and fathers who lost their sons to gun violence. Semaj is their son, and he takes his NIL money, and he takes them to dinner, buys them gifts as if their son was here,” Morgan’s father said. “These are parents that a lot of these children’s murders have not been solved, so this is a way for us to bless these parents, let them know that they’re not forgotten. There’s never a dry eye in the room.”

The events — which started out with 10 moms and five dads and are up to 35 moms and 20 dads — are particularly special to Morgan, who was friends with some of the sons of the parents involved. Morgan said that seeing the parents and hearing their testimonies puts everything in his life into perspective.

While Morgan is humble about the effect his foundation has had on the people around him, others are taking notice.

UCLA receiver Semaj Morgan holds up a Michigan state Senate certificate recognizing his foundation’s work to support people in Detroit.

(Courtesy of Morgan familiy)

Morgan was recognized on the Michigan House floor by state Sens. John DaMoose and Rosemary Bayer for the community service that he’s led in Detroit.

And during the 2024-25 academic year, Morgan was nominated for the inaugural Big Ten Jackie Robinson Community & Impact Award by his previous school, Michigan, for his philanthropic work.

“He understands his mission and call in life, and that’s to bless other people. He’s not about him; he’s about other people, and it’s very rare that you see individuals at such a young age understand their mission and cause in life,” Morgan’s father said.

“Football is one thing, but when he’s giving out turkeys, food bags, hats and coats, he has a bigger smile than getting in the end zone because he understands these people need help.”

Morgan’s desire to help others was inspired by Curtis Blackwell — Morgan’s travel football coach and president of Sound Mind Sound Body Sports Academy. Morgan’s father said Blackwell always urged players to give back to others.

Blackwell, who coached Arizona Cardinals cornerback Will Johnson, Buffalo Bills cornerback Maxwell Hairston and former Michigan safety Makari Paige alongside Morgan, stresses education before football and places an equal emphasis on academics, athletics and life skills.

And because Michigan does not get the same high school football exposure as Texas, Florida or California, Blackwell was keen on getting his players on college visits, leading to Morgan receiving more than 25 offers — a direct result of the travel the team made to raise players’ exposure.

“Growing up in a single-parent home, I was fortunate to get a scholarship to college, and it was because of my coaches. And had it not been for my coaches, I don’t know where I would be,” Blackwell said. “If we as coaches are the best people to really influence young people, they will listen to their coach more than their mom, their teacher. And so if we can get the coaches to be the teachers off the field, we could really change their attitude.”

Blackwell was astounded that Morgan was the pupil who took the program’s mission the furthest, surpassing the efforts of NFL players and affecting people well before he’s turned 21.

“You don’t have to wait till you get to the NFL to make an impact. You don’t have to wait till you retire to give back. You can do something every step along the way, and that’s what we teach to our kids — lift as you climb,” Blackwell said. “Semaj took that and ran with it. He has a really big heart and he’s a person that is a giver, not a taker. He’s going to give you the shirt off his back.”

UCLA receiver Semaj Morgan catches a touchdown pass against Purdue at the Rose Bowl Stadium on Sept. 19.

(Kevin Terrell / Getty Images)

Morgan earned his bachelor’s degree at Michigan and is working on his master’s degree at UCLA while playing football and running his foundation from the West Coast. But he may miss his first foundation event when UCLA travels to Ann Arbor to play his former school in November, although coach Bob Chesney already gave him permission to stay in Michigan after the team leaves.

Morgan’s greatest achievement that weekend may not involve the scoreboard at the Big House.

“I might not have done the best on the field last year, but being able to come home knowing that I’m touching people’s lives, that’s the biggest thing for me,” Morgan said. “To do this at such a young age, and grow so rapidly and touch so many lives, it’s great for me. After football, I want to continue to give back to people. I eventually want to be able to start football programs.”

Thousands of people have taken to the streets of Rio de Janeiro in a student-led protest against presidential candidate Flavio Bolsonaro and the growing influence of Brazil’s far right.

The march happened on Wednesday, just days after far-right Senator Flavio Bolsonaro, the son of former President Jair Bolsonaro, earned the most votes in the first round of the country’s presidential race.

Bolsonaro won 47 percent, ahead of his closest rival, incumbent left-wing President Luiz Inacio Lula da Silva, who gained 45 percent support.

Since neither candidate surpassed the 50 percent threshold, they will face each other in a run-off on October 25.

The results have triggered fears that Brazil could become the latest Latin American country to see its presidency switch from left to right.

Protesters marched through downtown Rio carrying signs reading “Never again Bolsonaro” and “No to the father, no to the son”. Others held banners reading “Dictatorship never again” and “Get out Bolsonaro”.

“I’m here because I believe in democracy. Because I’m scared,” said Alice Carneiro, 25, an administrator in maritime shipping who participated in the protests. She explained that, under a far-right government, she feared a backlash against her wife, who is transgender.

Jair Bolsonaro, the former president, led the country from 2019 to 2023. But his single-term tenure was marked by a series of controversies related to his far-right policies.

He voiced support for Brazil’s past military dictatorship, which was responsible for the disappearance and murder of hundreds of perceived dissidents. He also spread unfounded claims about the accuracy of Brazil’s election system, leading to a court ruling that barred him from holding office for eight years.

Currently, the former president is serving a 27-year sentence after being convicted of plotting to overturn his 2022 election defeat. After Lula’s inauguration in 2023, Bolsonaro’s supporters stormed government buildings in the capital, reportedly hoping to trigger a military uprising.

Critics have framed Jair Bolsonaro’s actions as a threat to Brazil’s democracy.

But Senator Flavio Bolsonaro has received his father’s endorsement, and he has backed amnesty for his father, a prospect that has raised concerns among protesters.

“I find this rise of the far right and the rise of Bolsonarism in Brazil very, very sad,” said Emmanuel Araujo, 19, who is preparing for university entrance exams.

“Lula might not be my preferred candidate,” Araujo added, “but amid this barbarism, we have to choose between someone we can keep criticising and someone who might take away our right to speak.”

Democrat Xavier Becerra, the frontrunner to become the state’s next governor, often invokes the story of his parents’ humble beginnings as immigrants from Mexico who, through hard work, built happy and productive lives in California.

“My parents came to California with $12 in their pocket. They lived the California dream,” Becerra said during last week’s gubernatorial debate with Republican rival Steve Hilton, aired nationally on CNN.

Becerra for years has described himself as the “son of immigrants” when talking about his upbringing, but that claim has come under scrutiny by Hilton and other critics who accuse Becerra of embellishing his family history. Becerra’s mother is from Guadalajara, Mexico, but his father was born in Sacramento and raised in Tijuana — making him a U.S. citizen and not a legal immigrant.

“Unlike Xavier Becerra, I am an immigrant. Unlike Xavier Becerra, my father was an immigrant. My stepfather too. My whole family,” Hilton wrote in a post on X.

Hilton is an immigrant from the United Kingdom and is the son of Hungarian immigrants who fled their homeland during a revolution in 1956.

Richard Grenell, a former Trump administration official, accused news outlets of letting a lie “continue for decades” throughout Becerra’s tenure as California attorney general and then as a Cabinet official in the Biden administration.

Becerra has openly discussed the details of his parents’ story, which unfolded on both sides of the border and in many ways reflects Mexican immigrant trajectories during the historical period of the 1920s and 1930s.

During speeches and in interviews Becerra has described how his father, Manuel, was born in Sacramento in 1928 and taken back to Tijuana as a young boy, with few jobs for Americans during the Great Depression, and even fewer jobs for Mexicans working in the U.S. His father traveled between the two countries often, and, as an older child, he would look for work in the U.S.

Becerra on Tuesday accused Hilton of “casting lies” about his family’s background, saying that the Republican failed to understand the struggle that many Mexican immigrants and Mexican Americans faced in this county decades ago. He said his dad would tell of the days when he couldn’t walk into some establishments that had posted signs that read “No dog, Negros or Mexicans allowed.”

“This is what happens when people who don’t understand immigration start to pontificate,” Becerra said Tuesday after a morning rally against Proposition 39, a voter identification measure, at Guelaguetza, a Oaxacan restaurant in Los Angeles’ Pico-Union neighborhood.

“I am very proud of my parents, and I consider them immigrants because even though my dad was born in the U.S. — in a country that wouldn’t treat him the way it would treat other U.S. citizens — my dad was a proud immigrant,” Becerra said. “I am proud that I am their son. I am the son of immigrants.”

G. Cristina Mora, a UC Berkeley professor of sociology studying attitudes toward immigration, said Becerra’s critics misunderstand a common phenomenon at the time, when immigrants moved back and forth across a southern border that was much more porous — very different from the militarized border of today.

Beyond the dwindling jobs and precarious economics of the 1930s serving as a push factor for many Mexican families, a wave of xenophobia also helped send hundreds of thousands back to Mexico. A wave of mass deportations across the Southwest states resulted in more than 1 million Mexicans and their descendants being forced out of their homes and loaded on trains out. More than 60% were U.S. citizens.

Mora, who also serves as co-director of the UC Berkeley’s Institute of Governmental Studies, said “it was a time of very great anti-Mexican fervor.” Many sought to later return. Some were deported multiple times.

“There are many types of immigrants. There’s so much nuance,” Mora said. “To think there’s only one immigrant story would just be to not know California.”

Becerra’s campaign spokesperson Jonathan Underland in a statement accused Hilton of hypocritically attempting to capitalize on an immigrant narrative.

“Steve Hilton doesn’t seem to have a problem with immigrants who look like him — but openly attacks immigrants who look like Xavier Becerra,” Underland said. “Trump ignited a deep anti-immigrant animus among MAGA voters, and Hilton is tapping into that as he scrambles to distract from his bizarre ad campaign that alienated some of his closest allies.” Last week, Hilton’s campaign put out a provocative, sexually suggestive ad that drew criticism from his fellow Republicans.

Becerra, both on Tuesday and throughout his long political career, has often described his parents’ upbringing.

He said his father’s family moved back to Tijuana during the Great Depression. His father, he said, was the eldest child and was forced to leave school after the sixth grade to help support the family. He began working as a preteen, bouncing back and forth between the U.S. and Tijuana. He would tell stories about being a shoe shiner, at times of celebrities and movie stars. He also worked in the farm fields with his dad and sometimes with his uncles.

In the early 1950s he married Becerra’s mother, Maria Teresa, who lived in Guadalajara.

“When they decided to make a go of it outside of Guadalajara, they went to Tijuana. They didn’t have great success, so that’s when they decided to come to the U.S.,” Becerra said on Tuesday. “So when I say my parents came to California with $12 in their pocket, it’s because, Steve Hilton, my parents came to California with $12 in their pocket.”

Becerra’s father later began a construction career that lasted 30 years, while his mother worked as a clerical worker and later purchased rental properties.

Times researcher Cary Schneider contributed to this report.

On the set of CBS’ legacy soap opera “The Bold and the Beautiful” at the Sunset Las Palmas Studios in Hollywood, two actors were caught in a fiery exchange.

“Do you want to know where Jack was last night?” actor Skyla Lynne asked with a sly grin. “He was with me.”

From behind a monitor displaying a vertically oriented feed, the director interjected: “Could you pause a bit more in between those lines? We might want to do an episode break there.”

The scene wasn’t for an episode of the famous soap opera. It was part of the 40-episode second season of “Hollywood Starlet,” a new microdrama series from “The Bold and the Beautiful” head writer Bradley Bell and his son Oliver.

“I’ve been doing soap operas my whole life, and it felt like there’s been a buzz about microdramas, and it really felt like a natural extension to the stories that we do,” Bradley Bell said. “[On soap operas] we build two cliffhangers usually on Fridays to keep the viewers over the weekend. Here, you do it every couple of minutes. It’s like speeding up the dance routine, but it’s really right in our lane of soap operas.”

Microdramas are the scrollable, cliffhanger-heavy stories built for phone screens. They are giving audiences a new way into the kind of stories that once belonged to traditional soap operas and telenovelas. The so-called vertical format originated in China a few years ago and has drawn a growing global audience thanks to its short, addictive nature. Hollywood names, including Issa Rae and Kevin Hart, are joining in.

Now, Bell is moving into the space. The 16-time Emmy winner and his son Oliver recently launched a production company called Red Flair Entertainment to capitalize on the format.

“Hollywood Starlet,” their first production, premiered Sept. 3 on aTwist, a new vertical series app founded by industry veterans Jana Winograde, former president of Showtime; Susan Rovner, former president of Warner Bros. Television; and Lloyd Braun, former chairman of WME.

Oliver Bell, founder of Red Flair Entertainment, is producing the micro series, “Hollywood Starlet,” being filmed at Sunset Las Palmas Studios in Los Angeles.

(Genaro Molina/Los Angeles Times)

Bradley Bell says it was Oliver who hatched the idea.

“I saw this unique format and was fascinated by it,” Oliver Bell said. “I noticed some areas that we could quite easily improve on.”

Microdramas first came across Oliver’s social media feed around a year and a half ago when he was still in college. The 24-year-old said he quickly “fell down a rabbit hole” and became so obsessed with the format that he wrote his dissertation at the University of St Andrews in Scotland on soap operas and microdramas.

After he graduated in December, he and his father founded Red Flair Entertainment and started to develop “Hollywood Starlet,” with Oliver serving as an executive producer and his father as a producer.

The series — which costs about $175,000 to $220,000 a season to produce — is being financed by aTwist. Red Flair has a backend deal, allowing it to share in subscription revenue the show generates for the platform.

After filming two seasons of “Hollywood Starlet,” Red Flair plans several more vertical series across many different genres, like horror and romance, the Bells said.

Oliver grew up visiting sets and eavesdropping on writing meetings from under his father’s desk. The family’s storytelling line runs back to his grandparents, William Bell and Lee Phillip Bell, who created “The Young and the Restless” and “The Bold and the Beautiful.” Oliver says he’s carrying on that legacy in a very Gen Z way.

“In a way, microdramas are just the natural evolution of the soap opera,” Oliver Bell said. “You could kind of trace the legacy through that and the modernization of serialized TV.”

His father, who was working on episode 9,911 of “The Bold and the Beautiful” while speaking with The Times, said the short-form stories can reach younger viewers who might be daunted by the soap’s decades of history.

“It’s like cracking open a book, and it’s hard for people to get into it to learn the history,” he said. “So having smaller, bite-sized pieces is appealing to us.”

“The Bold and the Beautiful” has aired continuously for 39 years, but it’s now one of American TV’s last soap operas. Until the 1980s, 10 to 12 soaps typically aired at once, said Elana Levine, a media professor at the University of Wisconsin-Milwaukee who studies the genre. Today, five remain: four on broadcast TV and one, “Days of Our Lives,” is on streaming only.

“It makes sense to take this storytelling form that has been super popular and enduring in the U.S. and find a way to translate that into the mobile devices that we carry around us all of the time,” Levine said.

While soap operas historically targeted a mostly female audience, microdramas reach a much broader audience, said Michael Berry, director of UCLA’s Center for Chinese Studies, who has studied the rise of vertical series.

“It gives us essentially the main beats that we would get from a soap opera format, but it’s happening in a much more compact and addictive way,” he added.

Cameramen prepare for a scene on the set of the micro series, “Hollywood Starlet,” being filmed at Sunset Las Palmas Studios in Los Angeles.

(Genaro Molina/Los Angeles Times)

Lou Trabbie, the soap’s production designer, had never heard of a microdrama before working on “Hollywood Starlet.”

“It’s all going in a different direction. You just adapt and move forward, and that’s what we see here,” Trabbie, who’s worked in the industry for 38 years, explained. “It’s really great to see how these are done with smaller crews. I feel like this is where the business is going.”

“Hollywood Starlet” shoots on the same Sunset Las Palmas soundstage as “The Bold and the Beautiful,” filming during the soap’s monthly dark week.

The first season, 45 short episodes, was shot in six days at the start of summer with a non-union cast and crew of 45. Less than a week after its release, much of the same crew was back to start working on season two.

Oliver Bell said the series used non-union crew due to “budgetary restrictions.”

At a time when major film and TV shoots are leaving the state, microdramas are one of the few areas of production that are growing locally.

Excluding China, vertical video is expected to generate $150 billion globally in revenue this year, according to consulting firm Owl & Co. Most of that comes from TikTok, YouTube Shorts and Instagram Reels.

Sunset Las Palmas Studios, where “La La Land” and the first two seasons of “I Love Lucy” were filmed, dedicated an entire sound stage in June to standing sets for vertical series. The sets include a courtroom, a bar/restaurant, an apartment, an office and a hospital.

Paxton Fuller, left, executive producer of “Hollywood Starlet,” walks with Sean Griffin, Vice President of Sales and Business Development, for Las Palmas Studios, through a courtroom set on the stage meant specifically for microdramas.

(Genaro Molina/Los Angeles Times)

Still, the Bells don’t think microdramas will replace soap operas. The two formats, they argue, can “coexist.”

“Coming into someone’s living room or bedroom, soap operas were almost like an extension of their family that they can count on for years and decades with the same actors. The same families that have watched since day one,” Bradley Bell said. “It’s a different type of viewer for microdramas.”

Oliver Bell added: “We’re trying to grab the scroller’s attention, not necessarily ‘The Bold and the Beautiful’ viewer … Microdramas are unavoidable through social media. [It’s] conditioning our brains and how we process media.”

Actor Robert Kelker-Kelly, who was a familiar face in daytime dramas in the 1990s with turns in “Days of Our Lives” and “General Hospital,” has died.

Kelker-Kelly died Saturday evening at his home in St. Peters, Mo., the city’s Police Department confirmed Monday to The Times. Law enforcement officials responded Saturday evening to a report of an unconscious man who was not breathing. Police arrived at the actor’s home along with paramedics and “life-saving measures were administered but were unsuccessful,” police said.

Police said officers found nothing suspicious at the scene. A cause of death was not revealed, but police noted that Kelker-Kelly was said to have complained of chest pain before he became unresponsive. A spokesperson for the St. Charles County Ambulance District confirmed paramedics responded Saturday to a report of a man in cardiac arrest. Kelker-Kelly was 62.

Kelker-Kelly primarily acted in TV and was best known for his work in long-running daytime dramas, which also included “Another World.” Notably, he portrayed the rebellious heartthrob Beauregard “Bo” Brady in “Days Of Our Lives” from 1992 to 1995. He began his turn as Bo, which lasted for more than 586 episodes, following the departure of original actor Peter Reckell, who would return to the show off and on in the following decades.

During his tenure, Kelker-Kelly portrayed the spouse of Hope Brady and love interest of Lisa Rinna’s Billie Reed. She spoke negatively of that experience and called her co-star a bully in her memoir, released earlier this year. He did not respond to People’s request for a response at the time.

Kelker-Kelly made his official debut in “Another World” in 1987 and appeared in more than 400 episodes in a handful of roles until 1998, according to the actor’s IMDb page. He was also known for his work as Stavros Cassadine in “General Hospital” and its spinoff series “Port Charles.” John Martinuzzi originated the role. Kelker-Kelly’s “General Hospital” tenure lasted from 2001 to 2014 and was his final TV role. His television credits also include “Jack’s Place,” “Touched by and Angel” and “Rescue 77.”

The actor was born April 18, 1964, in Wichita, Kan. His mother was a nurse and his father a pathologist. Kelker-Kelly’s parents divorced when he was 7 years old, and he later moved in with his father. The actor was in and out of colleges but studied acting and grew fond of Shakespeare, according to People.

After his acting career, Kelker-Kelly became a professional pilot. He married production assistant Linda Ratner in 1988; they divorced four years later. Kelker-Kelly then married “Days of Our Lives” actor Miriam Parrish in 1997. That marriage ended in 2013. He is reportedly survived by a daughter, Amelia Rose Kelly.

The baseball world was captivated by left-handed pitching prospect Jim Abbott ahead of the 1988 major league draft mostly because he didn’t have a right hand. Seven teams passed on him before the Angels picked him.

Why? Largely because Angels scouting director Bob Fontaine Jr. ignored the potential limitations that others fixated on when evaluating Abbott. Rather than dwelling on the absence of a right hand, Fontaine saw something wondrous coming out of Abbott’s left hand — a cut fastball.

“He’s actually more suited to the pro game than the amateurs with the aluminum bats,” Fontaine told The Times after the draft. “He’s going to be breaking off a lot of these wood bats with that cut fastball.”

As usual, Fontaine, who died Saturday at age 73, was prophetic in his assessment. Abbott became the rare pitcher to go straight from college — he’d starred at Michigan — to the major leagues, skipping the minors entirely and enjoying a 10-year MLB career while inspiring numerous fans in disabled communities.

Bob Fontaine Jr. as director of player development for the Seattle Mariners.

(Seattle Mariners)

“I think every scout, if they scout for any length of time, is going to have one player that just is special to you. Jimmy Abbott was that,” Fontaine told JapanBall in 2022. “There were people that were even kind of saying, ‘Oh, they did it for a publicity stunt.’ I remember saying, ‘Yeah, we took the eighth player in the country for a publicity stunt? Give us some credit!’”

Fontaine was showered with plenty of posthumous credit over the weekend. He scouted for six teams, and a highlight of his resume was drafting the nucleus of the Angels’ roster that won the 2002 World Series.

“What a character … what a storyteller … and what a talent evaluator … there is no 2002 World Series title for the #Angels without Bob Fontaine Jr. … RIP,” wrote former longtime Times baseball writer Mike DiGiovanna on X.

“Crushed regarding Bob Fontaine Jr.’s passing, as he was a special man who I was lucky to work closely with three times @WhiteSox @Mariners, and @BlueJays. Fun as hell, elite evaluator, and phenomenal people skills. RIP, Robert,” added former Dodgers general manager Dan Evans.

“A gifted talent evaluator and mentor, Bob helped shape generations of Angels by overseeing the signing and development of numerous Halos, including Jim Abbott, Jim Edmonds, Garret Anderson, Tim Salmon and Darin Erstad,” the Angels said in a statement. “Bob left a lasting mark on baseball by devoting over five decades to the game. Our thoughts are with his family and loved ones.”

The Angels frustrated Fontaine at times by declining to spend big on players from talent-rich Latin America. Rather than sulk, however, he scoured the globe, in 1992 signing three players from Russia and a fast-pitch softball player from New Zealand named Gus Leger.

Asked by The Times’ Bill Shaikin if he had ever played baseball, Leger responded, “I haven’t. Would it help?”

The experiment failed — none of the quartet advanced beyond Class A — yet Fontaine maintained the sunny outlook he inherited from his father. Bob Fontaine Sr. was a scout who worked under the legendary Branch Rickey with the Brooklyn Dodgers before becoming scouting director of the Pittsburgh Pirates for 18 years and the first scouting director of the expansion franchise San Diego Padres. He also served as general manager of the Padres from 1977 to 1980.

“[My father] told me when I got started, ‘Don’t you ever, ever not appreciate where you are and what you’re doing, because you’re lucky. You’re going to a ballpark to make a living, so your bad days aren’t that bad,’” Fontaine Jr. said. “I never forgot that, I never forgot how lucky I am.

“Hey, you’re looking at a guy that barely squeaked through high school, who doesn’t have any ability, and I lasted almost 50 years. It’s because in baseball, if you listen, and you’re not afraid to take a chance once in a while, even somebody with my lack of ability can stay around for a while,” he said.

Fontaine got his foot in the door through his father. His first job as a teenager was as a minor league bat boy with the Pirates. Next he became a peanut vendor at Forbes Field. By age 19, he caught on with the Padres as an area scout.

Both Fontaines were scouts well ahead of the deep empirical and objective analysis of baseball data — sabermetrics is the catchall term — that some believe has made scouts obsolete. Fontaine maintained the best evaluations come when scouting is utilized along with numbers.

“What the traditional scout gives you is personal reference, like with things I learned on players that I missed on,” he said. “Analytics didn’t do that. I’m a firm believer that the best video camera is your eyes, the best model is your brain, and the best way to make a tough decision is with your heart.”

Fontaine’s methods produced results. Under his guidance in 1977, the Padres drafted future Hall of Fame shortstop Ozzie Smith in the fourth round. Four years later Fontaine plucked another future Hall of Famer, taking outfielder Tony Gwynn in the third round.

And when Fontaine moved to the Montreal Expos in 1985, he took a 6-foot-11 left-handed pitcher out of USC named Randy Johnson in the second round — another Hall of Famer.

Fontaine co-authored a memoir in 2021, “In Search of Millionaires (The Life of a Baseball Gypsy): The Accounts of Bob Fontaine Jr.”

“Baseball has provided me with a fabulous opportunity to see the world and work in an industry that most people envy,” he wrote in the book. “I didn’t get rich, except in experiences. To meet and work against so many fine people, as well as some great general managers and owners, has been a privilege.”

Times sports columnist Bill Shaikin contributed to this story.