family

With stunning beaches, a working harbour and a wealth of activities, it’s not surprise this town is among the best for staycations

A charming Cornish seaside town that has delighted tourists for generations has managed to hold on to its authentic local character. It is precisely this quality that draws visitors seeking a genuine taste of Cornwall, while also offering plenty to keep the entire family busy.

It has now been recognised as one of the finest seaside destinations in the UK. Looe, nestled in South East Cornwall, is undeniably stunning, boasting sandy beaches, vibrant fishing boats and quaint cottages.

The town’s working harbour has been cherished by generations of hardworking fishing families — and to this day, they continue heading out to sea to supply local restaurants with some of the freshest and most delicious fish you’ll ever taste.

There’s always something happening in and around Looe, both during the day and into the evenings.

With a railway station right in the heart of town, it couldn’t be easier to venture out and explore the surrounding area without needing to get behind the wheel.

Looe is a brilliant base for families — you can visit The Monkey Sanctuary, take a dip or a paddle at East Looe Beach or Talland Bay, or treat the little ones to a visit to the Seaside Sweets shop.

You can embark on a Looe Sea Safari or take to the water with Boatzer Glass Bottom Boat Trips for a truly unique experience.

For thrill-seekers, speedboat trips are available to get the adrenaline pumping.

Local outfit Adventure Fit Southwest offers even more excitement, with canoeing, kayaking and paddleboarding adventures all on the menu. On TripAdvisor, Adventure Fit Southwest outlined the range of other activities on offer: “Other adventure activities, such as bushcraft, mountain biking, hill walking, navigation and outdoor rock climbing.”

The two principal beaches are East Looe Beach, situated in the town itself, and Talland Bay, which can be reached either via the South West Coast Path or by car.

East Looe Beach is home to the iconic Banjo Pier and is widely regarded as a “great family beach”.

One visitor who headed there in May 2025 shared their thoughts on TripAdvisor: “A beautiful stretch of dark golden sand, cleaned daily, ideal for having a picnic or just taking in the sun’s rays. The sands shelve gently into the sea if you fancy a paddle.”

Talland Beach has also received glowing reviews, with one family who made the trip describing it as a “beautiful bay”.

Their TripAdvisor review portrays Talland Beach as a “small bay fronted by a cafe and adjacent car parking”.

They added: “Good walks nearby along the coastal path. Slightly difficult drive due to the very narrow roads, but worth the effort.”

The picturesque woodland surrounding Looe has also proved to be a firm favourite amongst visitors, best experienced along the South West Coast Path — with the charming and “unspoilt” fishing village of Polperro lying just to the west.

The trek to Polperro stretches over five miles, offering breathtaking views throughout — taking walkers directly past the stunning Talland Beach along the way. Getting around by car and finding parking in Looe and Cornwall more broadly can be an absolute headache during the holiday season, but from Looe, there’s the option to hop on the train to certain destinations.

While it’s worth noting that not every corner of Cornwall is accessible by rail, from Looe you can still reach some other fantastic Cornish locations.

In under half an hour you can head inland to the market town of Liskeard – and from there you can catch trains to other areas of Cornwall, although some journeys can take quite a while.

The picturesque Looe Valley Line, which will transport you to Liskeard, also features some other intriguing stops along the way, with many describing this train journey as like “going back in time”.

The Owens family curse strikes again — and this time it’s here for the next generation.

In the new trailer for “Practical Magic 2,” released Wednesday, Sally’s (Sandra Bullock) daughter Kylie (Joey King) learns about her family’s legacy and curse after her paramour is involved in an accident.

“It’s true, we’re witches and the curse is real,” Sally tells a tearful Kylie, who along with her sister (Maisie Williams) grew up being told stories where everyone who fell in love died. But the siblings didn’t believe they were actually cursed.

“I will never trust you again,” Kylie responds.

Directed by Susanne Bier, the sequel of 1998’s “Practical Magic” will follow Sally and Gillian (Nicole Kidman) as they chase after Kylie who has set off to “fix the curse,” which will put her on a dark path. Along the way, the sisters encounter a mysterious “scholar of the craft” played by Lee Pace.

The trailer also offers a glimpse into Sally and Gillian’s present lives — with the latter teasing the former’s apparent lack of love life. It seems Sally is uninterested in tempting the fates since for generations those who have fallen in love with members of the Owens family have been cursed to die. Even after things take a turn with the tragic accident, it’s clear that their sisterly bond remains strong. While Sally seems worried about her daughters inheriting her powers, the clip also hints that there might be some happier times ahead.

Also returning for the sequel are Dianne Wiest and Stockard Channing, who play Sally and Gilly’s aunts Jet and Franny Owens. In the original film, Jet and Fran are the witchy, eccentric aunts who took in their nieces after their parents died. The “Practical Magic 2” cast also includes Xolo Maridueña, who plays Kylie’s seemingly ill-fated love interest, and Solly McLeod.

Written by Akiva Goldsman, Georgia Pritchett and Kelly Marcel, “Practical Magic 2” is based on the 2021 novel “The Book of Magic,” the fourth and final installment of author Alice Hoffman’s “Practical Magic” series.

“Practical Magic 2” will hit theaters Sept. 11.

Lawsuit claims Tesla’s Autopilot shortcomings led to fatal crash; family seeks $1m in damages and punitive measures.

The family of a Texas woman who was killed has filed a lawsuit against Tesla after a driver using a Model 3’s automated driving assistance system crashed into a suburban Houston home last week.

The complaint, filed on Tuesday, argues that Tesla should be held liable for the wrongful death of 76-year-old Martha Avila. The family alleges that the automaker, led by Elon Musk, failed to adequately warn drivers about alleged defects in its Autopilot and Full Self-Driving systems.

Avila’s daughter, Jennifer Barbour, and her husband, Justin Barbour, said the Model 3’s driver, Michael Butler, told law enforcement he engaged Autopilot before ploughing through the front wall of Avila’s home in Katy, Texas, the United States, on June 19, pinning her before she succumbed to her injuries at a nearby hospital, according to the complaint.

Video obtained by KHOU – Houston’s CBS affiliate — shows the car travelling at top speed over the front lawn of Avila’s home in the Houston suburb before slamming into the front room.

The driver told the Harris County Sheriff’s Office that he was using the technology at the time of the accident. The driver in the incident was not under the influence of alcohol and is cooperating with authorities.

Butler is also a defendant in the Barbours’ lawsuit. It is unclear whether he has a lawyer.

Musk, the world’s richest person, posted on X on Monday night: “FSD drives slowly through neighbourhood streets and this was a high-speed crash!”

Ashok Elluswamy, vice president of AI software at Tesla, posted on X in response, saying that “the driver manually overrode self-driving by pressing the accelerator all the way to 100% of the accel pedal in this residential area.”

The lawsuit filed in a Harris County, Texas, state court seeks more than $1m in damages, and punitive damages reflecting Tesla’s alleged “reckless disregard for a substantial risk of severe bodily injury”.

The National Highway Traffic Safety Administration (NHTSA) has been investigating the crash.

Since 2016, the NHTSA has opened nearly 50 special investigations of Tesla crashes believed to involve advanced driver assistance systems. About two dozen deaths were reported.

In March, the NHTSA escalated its probe into 3.2 million Teslas equipped with Full Self-Driving, on concern the system may fail to detect or warn drivers in poor visibility. In 2023, Tesla recalled about two million vehicles, nearly all of its electric vehicles on US roads, to better ensure that drivers pay attention when using Autopilot.

Tesla has said Autopilot enables vehicles to steer, accelerate and brake within their lanes, while Full Self-Driving lets vehicles obey traffic signals and change lanes.

The carmaker has also said both technologies require “fully attentive” drivers whose hands are on the wheel.

The incident comes as the Musk-owned company is rolling out robotaxis using automated software in several US cities this year and plans to invite Tesla owners across the country to put their cars into the fleet using the same system.

The Dodgers’ decision to deny U.S. Customs and Border Protection agents access to Dodger Stadium wasn’t the way the team intended to first address the surge of federal immigration enforcement a year ago.

Pressed by religious, labor and community leaders to take a stand, the Dodgers had prepared a response to Immigration and Customs Enforcement and Border Patrol raids that triggered widespread protests — only to shelve the announcement as the team went public with their refusal to let federal agents onto stadium grounds. A day later, on June 20, the Dodgers unveiled their plan, centered on $1 million “toward direct financial assistance for families of immigrants impacted by recent events in the region.”

In total, the Dodgers donated $1.1 million, representatives for California Community Foundation and Labor Community Services — the two nonprofits that received the funds — told The Times.

“The Dodgers have been in L.A. for 68 years,” said Joseph Tomás McKellar, executive director of PICO California. “They’re beloved among immigrant communities in a way that no other sports team is. That gives the Dodgers cultural and financial power in the region. We applaud what they did, but they could do even more by exercising leadership.”

PICO California, the state’s largest faith-based organizing network, was behind a petition delivered to the Dodgers, the contents of which were largely addressed by the team’s $1-million commitment. But as the last of the money flowed to immigrant families in need in late August, another petition circulated that demanded Dodgers owner Mark Walter sell his “company’s stake in ICE jails and deportation flights.”

Walter’s massive investment firm, Guggenheim Partners, owned more than a million shares of GEO Group, valued at nearly $12 million. By the end of 2025, Guggenheim’s interest in GEO Group had fallen to around 10,000 shares. And by the end of March of this year, Guggenheim no longer owned any shares of the prison company that also assisted in the deportation of immigrants, according to SEC filings reviewed by The Times.

Walter also faced criticism over the partnership announced last year between Palantir Technologies and TWG Global — of which Walter is chairman and chief executive officer. Palantir provides AI and analytics software to ICE, tools the American Civil Liberties Union said “form the backbone for ICE’s mass deportation regime.”

There are no indicators as to why Guggenheim Partners divested from GEO Group. The Dodgers declined comment. Guggenheim Partners did not respond to The Times’ request for comment. GEO Group referred questions to Guggenheim Partners.

In January, Coalition for Humane Immigrant Rights, or CHIRLA, filed a federal lawsuit against federal officials over the condition of the Adelanto ICE Processing Center in San Bernardino County, a facility operated by GEO Group. In the complaint, CHIRLA alleged “detained individuals face dangerous conditions and pervasive abuses — disease and illness are rampant, mold grows on the walls, and detained individuals are denied sufficient food, clean drinking water, proper medical care, and disability accommodations.”

Donald Trump’s reelection has been a major driver of profits for GEO Group. GEO Group founder, chairman and chief executive George Zoley said in a May earnings call the company was “awarded new or expanded contracts that represent up to approximately $520 million in new incremental annual revenues, which represents the largest amount of new business we have won in the single year in our company’s history.” Former GEO Group exec David Venturella is the acting director of ICE.

“It’s really good to know [of the Guggenheim divestment],” said Rabbi Susan Goldberg, a longtime immigrants rights activist and founder of Nefesh, a Jewish spiritual community in Echo Park. “We showed up so often at its [regional] headquarters in Culver City that they moved. We don’t know where they are located in the area now.”

The California Community Foundation received $1 million, which worked with Los Angeles city officials to distribute $1,000 in direct relief to 1,000 households impacted by the immigration raids. The money was distributed through cash cards, according to the foundation. The Dodgers’ gift amounts to a quarter of the $4 million the foundation has raised for its Los Angeles Neighbors Support Fund, $3.3 million of which has been “deployed to impacted communities with new investments continuing to roll out,” according to the nonprofit.

The Dodgers also donated $100,000 to Labor Community Services, a partner of the Los Angeles County Federation of Labor, that provided more than 4,000 families with food assistance with the team’s donation.

“The Dodgers’ generous donation has enabled us to reach and assist more families throughout Los Angeles County with dignity and compassion, providing critical food assistance at a time when it is needed most,” Labor Community Services Executive Director Norma López said in a statement to The Times.

A spokesperson for Labor Community Services said no other pro sports team outside the Dodgers made a similar donation to help impacted immigrant families.

“The Dodgers have a unique responsibility and they are an example of something we want to continue to see, especially as the World Cup and the Olympics come to L.A.,” said Carlos Martin Rodriguez, director of organizing for L.A. Voice, a multifaith coalition that organized several vigils and demonstrations when the raids were at their height. “I hope this wasn’t a singular moment, but the beginning of a movement.”

June 24 (UPI) — The United States has sanctioned five Cuban state companies and the wife of Raul Castro‘s son, as the Trump administration continues to apply economic pressure on the Caribbean nation.

Three of the companies blacklisted by the State Department on Tuesday are associated with Grupo de Administracion Empresarial, which the United States initially sanctioned during the first Trump administration on accusations of being a Cuban military-controlled umbrella enterprise with interests sprawling throughout the island nation’s economy.

The two other entities hit are accused of operating in Cuba’s mining sector with foreign investment from Australia as well as working in collaboration with Russia.

Annalie Lilliam Rueda Cadero was sanctioned for being the wife of Alejandro Castro Espin, the son of Raul Castro, Cuba’s former head of state. Alejandro Castro was sanctioned by the Trump administration earlier this month.

Secretary of State Marco Rubio said in a social media statement that he was sanctioning GAESA network entities for diverting Cuba’s money and assets and the two other companies for exploiting its mineral and metal reserves.

“The situation in Cuba is devolving as the island’s corrupt, brutal and anti-American Communist regime continues to prioritize its own total control over the freedom, opportunity and basic well-being of the Cuban people,” he said.

Sanctions generally freeze U.S.-based property or interests in property under the control of those designated while threatening foreign businesses with secondary sanctions for doing business with them.

The United States has long imposed a blockade and sanctions on Cuba, but the economic punitive measures have starkly increased during the second Trump administration, exasperating the power and energy shortages in the country, causing blackouts. The supply shortages have forced more than 100,000 people, including 11,000 children, to wait for surgeries, according to the United Nations.

Tuesday’s designations come under an executive order Trump signed in May permitting the sanctioning of those operating in Cuba’s energy, defense, mining and financial services sectors, as well as those complicit in human rights abuses or corruption related to Cuba working or for providing services to the Havana government.

Trump has been increasing the political and economic pressure on Cuba since ousting Venezuela’s authoritarian leader in January, declaring a national emergency with respect to the island nation early this year.

Since signing the sanctions-related executive order in May, he has used it at least five times to designate Cuba-related entities and individuals.

Cuba’s foreign minister, Bruno Rodriguez, accused the Trump administration on Tuesday of increasing its sanctions regime against Havana, because Havana continues to prove it is “stronger, more capable and efficient than it expected.”

He accused the Trump administration of collectively punishing the Cuban people.

Ernesto Soberon, Cuba’s United Nations ambassador, accused the United States of lying about employing sanctions due to human rights abuses by Havana.

“No government, no person with even a shred of common sense — and certainly not the people of #Cuba, who are suffering the humanitarian impact of the U.S. economic war — can believe that the tightening of the blockade, the energy siege and the newly announced sanctions are intended to support the Cuban people,” he said on social media.

“Anyone who has doubts should ask the parents of the more than 12,000 children currently awaiting surgery in Cuba as a result of the U.S. government’s genocidal policy.”

“Toy Story 5,” the latest installment to one of Disney Pixar’s longest-running franchises, topped the box office this weekend.

The tech-fueled tale, led by fan favorite characters Woody, Buzz Lightyear and Jessie, earned $160 million for its opening weekend at the domestic box office and a global total of $312 million, according to Rentrak Data. The animated feature now holds the biggest box office opening of the year, further signaling what could be a massive summer for theaters.

Steven Spielberg’s “Disclosure Day” came in second at the box office with a domestic haul of $17 million. “Obession,” “Backrooms” and “Scary Movie” rounded out the top five.

“Toy Story 5” features the original cast, including Tom Hanks as Woody, Tim Allen as Buzz Lightyear and Joan Cusack as Jessie. The story follows the beloved band of toys as they grapple with the introduction of technology into their home, with a tablet named Lilypad. The production budget for “Toy Story 5” is about $150 million to $200 million, and a crew of about 300 people worked on the film at Pixar’s Emeryville, Calif., headquarters.

“Tech versus toys is a very easy concept for families and parents to grasp. Every family goes through that to some degree,” said Andrew Cripps, head of theatrical distribution for Walt Disney Studios.

With the successes of “Inside Out 2” and “Zootopia 2,” sequels have proved to be dependable releases for Disney and Pixar in recent years. But “Toy Story” has been a steadfast juggernaut for the entertainment giant. This new release marks a new debut weekend record for the 31-year-long franchise, beating the nearly $121-million opening of 2019’s “Toy Story 4.” The original opened with $29 million in 1995, 1999’s “Toy Story 2” hit $57 million, and the third installment from 2010 received $110 million.

“The franchise is just so big,” Cripps added. “It’s in the theme parks. The consumer products keep it alive. It’s been 31 years with five movies, so it’s not like it’s overstayed its welcome. They’re very good at Pixar. They tell a story when they have a story worthwhile telling, and it feels like this one was worthwhile.”

Across the franchise’s lifetime, “Toy Story” has grossed more than $3 billion worldwide. The new movie also landed the second-highest animated opening weekend of all-time, behind only “Incredibles 2,” which earned $182 million.

Building off the surprise successes of budget horror films like “Obsession” and “Backrooms,” “Toy Story 5” brings yet another major boost to this year’s box office. Domestic ticket sales are up over last year, and Roth Capital Partners forecasts the second quarter will climb 6.5% to $2.8 billion.

With this uptick, there’s a chance the box office could climb back to pre-pandemic numbers. The 2026 box office is tracking 1.1% behind the summer of 2019 and 16% ahead of last year, according to Paul Dergarabedian, head of marketplace trends at Rentrak data.

“The industry’s on a roll,” Dergarabedian said. “There’s some unpredictable things that have happened so far this year, with the holdover strength of ‘Project Hail Mary,’ ‘Michael’ and ‘The Devil Wears Prada 2.’ Their worldwide grosses are incredibly impressive. It’s a phenomenon.”

“Toy Story 5” is just the first of several theatrical tentpoles hitting the big screen later this summer. Rentrak predicts this could be another $4-billion summer season domestically, following in the steps of the 2023 “Barbenheimer” summer.

Warner Bros.’ DC Studios has “Supergirl” landing later this month. Universal Pictures and Illumination’s “Minions & Monsters,” Disney’s live-action “Moana,” Christopher Nolan’s “The Odyssey” and Sony Pictures’ “Spider-Man: Brand New Day” are all lined up for releases in July.

Times staff writer Samantha Masunaga contributed to this report.

EastEnders Elaine Peacock star Harriet isn’t the only member of her family to star on the BBC soap

EastEnders star Harriet Thorpe is the sister of a well-known television actress.

As fans of the BBC soap will know, Harriet arrived in Walford as Elaine Peacock in May 2023 to reunite with her daughter Linda Carter (Kellie Bright).

The former Queen Vic landlord was soon revealed to be in a relationship with George Knight (Colin Salmon), Cindy Beale’s (Michelle Collins) former husband. Over the past three years, Elaine has gotten divorced, opened up her own Bed and Breakfast, and enjoyed a romance with Ian Beale (Adam Woodyatt).

Away from EastEnders, the 69-year-old actress has starred in a number of other popular shows, and is famed for playing Carole Parkinson in the 1990s show The Brittas Empire.

She also worked with Dawn French and Jennifer Saunders many times over the years, from starring in eight episodes of their programme French and Saunders between 1987 and 2003 to portraying the recurring role of Fleur in Absolutely Fabulous from 1992 until 2012.

Harriet has held roles in Alexei Sayle’s Stuff, A Bit of Fry & Laurie, Casualty, Material Girl, Endeavour, Midsomer Murders, The Madame Blanc Mysteries, and The Bill.

Away from the small screen, Harriet has appeared in several films, including Calendar Girls, and has worked extensively on stage, with her acting in productions at the Royal National Theatre and in London’s West End.

Harriet previously opened up about her childhood and her relocation abroad with her family.

Appearing on Loose Women in 2024, Harriet discussed all things EastEnders and revealed that she has a famous sister who is an actress.

Talking about her childhood, where her family’s move to Los Angeles, Harriet said: “My sister and I, who is also an actress, Matilda Thorpe, we were little children at a normal state primary school. Do you remember the food? It was all sort of grey? Memories!

“Suddenly I was in Beverly Hills and we went to school and they had an ice cream machine. They had pizza and chocolate milk!”

Who is Harriet Thorpe’s famous sister?

Harriet’s sister, Matilda Thorpe, has certainly followed in her sibling’s footsteps and also has an impressive acting career.

Matilda is best known for her role as Mandy Mosgrove in Desmond’s from 1989 to 1994, before landing the roles of Mother in How to Be a Little Sod and Mandy in Porkpie.

More recent roles include Claire Glass in Sick Note, Nina in One Life, and Auntie Melody in Back to Black, a biographical film about Amy Winehouse.

However, in a coincidence, Matilda’s early career saw her land a role in EastEnders years before her sister Harriet’s debut. Matilda played Rachel Ford on the BBC One soap back in 1998.

Family life

Harriet and Matilda are the daughters of novelist Gillian Freeman, who penned The Leather Boys, and Edward Thorpe, an actor, novelist and the ballet critic of the Evening Standard.

Harriet welcomed two children, a son and a daughter, with her husband, Howard Baker, whom she reportedly married in 1989.

Her son, Jack Thorpe-Baker, previously acted and starred in The Brittas Empire, Life is Sweet, and Ballet Shoes, which also starred Emma Watson.

EastEnders airs Monday to Thursday on BBC One and iPlayer

READY to swap the school run for a family getaway?

Young’s Rooms is giving one lucky reader the chance to win a two-night family escape to The Crown in Chertsey, the ultimate home-away-from-home conveniently located near the thrills of Thorpe Park and a 20-minute drive from Chessington World of Adventures.

Forget cookie-cutter corporate rooms, The Crown in Chertsey promises comfort and personality.

Think beautifully-designed bedrooms with plenty of space for the whole crew to kick back and relax.

While grown-ups can enjoy bubble baths and honesty bars, kids will be kept occupied with their very own ‘Borrow Boxes’, brimming with books, toys, activities and games to keep the boredom at bay.

Downstairs, the pub is the heart of the action.

Whether you’re fuelling up with a hearty breakfast or tucking into a three-course feast of homemade pies and fresh seafood, it’s all about seasonal British produce that deliver on flavour.

And yes, the Sunday roasts come with bottomless Yorkshires and gravy – enough to satisfy even the hungriest little explorers!

The prize is:

• Two-night stay for a family of four at The Crown in Chertsey
• Three course meal per person, including a bottle of wine of up to £50 value for adults, and juices and soft drinks for kids (as guided by GM) on one evening
• Family breakfast before checkout on both days

Enter below and good luck!

To win, enter using the form below by 11:59pm on July 4, 2026.

For full terms and conditions, click here.

BROOKLYN Beckham reportedly raked in £753k for his savage World Cup ad that left his estranged family fuming.

The aspiring chef, 27, appeared in an advert for the fast food delivery service DoorDash and took a swipe at his dad David in it.

He said to the camera: “You’re probably wondering why I’m watching the FIFA World Cup 2026 from home…”

Smirking Brooklyn then laughed: “It’s a long story.”

He went on to throw down his tickets onto the coffee table.

The advert then said: “It’s complicated. More soon.”

READ MORE ON BROOKLYN BECKHAM

CLOUD DECLINE

Brooklyn Beckham detailed business struggles weeks before his World Cup ad

BECKLASH

Brooklyn Beckham’s ad ‘could backfire disastrously & tar him as nepobaby FOREVER’

It’s now been claimed that the nepo baby was paid a whopping $1 million dollars, which equates to £753k, according to Mail Online.

The Sun have contacted Brooklyn’s representatives for a comment.

The advert poked fun at Brooklyn’s estrangement from his famous parents David, 51, and Victoria, 52, as well as his brothers and sister and wider family for over a year.

Beloved England player Becks famously played in three FIFA World Cups in 1998, 2002 and 2006.

He’s been out in America promoting the World Cup – watching the opening match with Tom Cruise.

A source close to the Beckhams said: “To do an ad based on estrangement from family as if it’s a joke when his family is devastated and sister and grandparents are inconsolable…

“It just seems a tad hypocritical from someone claiming to want peace and privacy and the trying to cash in on it all.

“He says he wants nothing to do with his family, but is now trading off them by using one of his footballing father’s legacies – the World Cup – as an advertising selling point.

“Brooklyn is absolutely entitled to go and make his own money – his parents laud such ambition – but taking the mick out of a deep-rooted, heartbreaking family situation is not the one.”

DoorDash replied to the video, which quickly gained thousands of views online, saying: “We have a guess on why you’re watching from home…”

The ad came after Brooklyn failed to acknowledge his dad’s Hollywood Walk of Fame honour.

Instead, he took to Instagram to share a story of himself enjoying a run in the park while in New York.

Brooklyn and his wife Nicola, 31, incidentally actually only live down the road from the Los Angeles location that the event took place at.

But he was out of town for a few days as he was at the Tribeca Film Festival promoting his hot sauce range, called ‘Cloud 23’.

Brooklyn has been estranged from his family – including his siblings – for more than a year.

In January, the Beckhams’ eldest son made a dozen explosive accusations in a ruthless statement hitting out at his family.

He called out his famous parents for their “inauthenticity”, accused them of making bribes and scolded the family for their treatment of his wife on their wedding day.

He sent his parents a legal notice warning they can only contact him via lawyers.

In the extraordinary “desist” letter, he also instructed them not to “tag” him on social media.

Unlike the movies, where directors get the glory, TV directors sit lower in the hierarchy, below creators, producers and actors. In most series, which might employ several over a season, they are interchangeable — which isn’t to say they aren’t valuable, transforming words on a page into a four-dimensional living thing. But a director hired to helm a pilot, as James Burrows, who died Friday at 85, was again and again — almost as a lucky charm — helps set the tone for the series. Jake Kasdan’s input was crucial to the feel (and philosophy) of “Freaks and Geeks,” as Hiro Murai’s was to “Atlanta” (and most recently “Widow’s Bay”). In some cases a director is a co-creator in all but title and union affiliation. A show might subsequently pass to later hands, but they’ll be honoring its established look and feel.

But Burrows was more than a little well known. If you sat through the opening credits of “Taxi,” whose pilot he directed along with 74 other episodes — and why wouldn’t you, with its pleasing Bob James theme and Checker Cab crossing the Queensboro Bridge — you would have seen his name for weeks on end. You might have noticed it on “Cheers,” which he co-created and for which he directed 236 episodes, or on “Will & Grace” (246 episodes), or “Frasier,” “The Big Bang Theory,” “3rd Rock From the Sun,” “Caroline in the City,” “Two and a Half Men,” “2 Broke Girls,” “The Neighborhood” or, just last year, “Mid-Century Modern” — all series whose pilots he directed. You might have caught it on episodes of “The Mary Tyler Moore Show,” “Phyllis,” “Rhoda” or “Laverne & Shirley,” until you began to think that maybe there was nobody else directing network multi-camera situation comedies, the most human of television formats and a specialty from which he rarely strayed.

And you might have seen him as himself this year in the third season of Lisa Kudrow’s “The Comeback,” as the man she enlists to save a television pilot from hacky AI jokes. “Surprising only comes from a group of writers huddled in a corner, beating themselves up to beat out a better joke,” he says.

“As director, I am there to help create the ensemble, to do everything I can to foster a community among the company, and to train a new set of actors to behave as a group and respect one another,” he wrote in his 2022 memoir, “Directed by James Burrows.” He famously took the cast of “Friends” to Las Vegas before the show premiered in order to foster bonds in a soon-to-be-impossible state of anonymity. “I guess I have a gift for creating families,” he told the New York Times in 2023.

But if “Friends” refers to the characters and the people who play them, it includes the audience too. Burrows’ talent was to midwife a real relationship between the viewer and the viewed, “You want to go where everybody knows your name,” runs the “Cheers” theme, and where you know everyone’s name. The families he excelled at creating were yours as well, and one watched knowing that these things happened in real time in real space, and that you could be in the room, if you made the effort. Tickets were available.

The son of Abe Burrows, who wrote or co-wrote the books for “Guys and Dolls,” “Can-Can” and “How to Succeed in Business Without Really Trying,” and co-created the radio comedy “Duffy’s Tavern” — set, like “Cheers,” in a bar, though the younger Burrows denied any influence — he’d been directing dinner theater when he had the idea to write to Mary Tyler Moore, whom he’d met on the set of a never-opened “Breakfast at Tiffany’s” musical. His stage experience (and his Yale School of Drama degree, presumably) proved eminently transferable to the proscenium reality of multi-camera situation comedy.

What Burrows shows share — the ones we remember, at least, out of many we don’t — is that they’re fundamentally joyful. They lack cynicism. They’re expressive of their times without being showily edgy. They walk a line between freshness and familiarity, which makes one want to return week after week. They may push an envelope — “Friends” was something new, after all — but subtly. We can assume, given his reputation and the fact that he could have retired on “Cheers” alone, that he liked what he did and did what he liked, and regard his choice of projects as a form of personal expression in itself, the basis of a body of work that has and will live on.

A FREE UK beach festival dubbed a “giant family playground” returns this weekend to an iconic seaside town.

Tens of thousands of visitors are expected to descend on the beachfront to enjoy a programme of live music and workshops.

A huge, free beach festival is set to return this weekend (June 20 to June 21) with tens of thousands of visitors expected to attend.

The First Light Festival takes place annually in Lowestoft, Suffolk, and features more than 200 performances across 24 stages.

The creative festival also offers visitors a wide-ranging programme of workshops, wellbeing sessions, crafting, dance, science, storytelling and family adventures for a fun-filled weekend.

Taking place over the summer solstice, the festival is a celebration of the first sunrise of midsummer.

EU NEED TO KNOW

All of the European rules you need to be aware of this summer

DEEP DIVE

We’ve travelled all over Britain and found its best beaches – here are our faves

This year, visitors will be able to attend a “special Indian Sunrise raga” at dawn on Sunday, June 21.

The festival covers an expansive area of the South Beach, spreading along the seafront, promenade and nearby Kensington Gardens and East Point Pavilion.

Converting the seafront into a “giant family playground”, festival-goers will enjoy events such as dance parties, science discoveries and circus skills workshops.

There are also camping options for those looking to stay overnight, including a glamping experience in well-equipped campervans.

Visitors are able to enter the First Light Festival for free and without a ticket.

However, after 9.30 pm, any festival-goers looking to attend one of the Sundown Events happening on Saturday night after the free programme of beach events ends will need to purchase a ticket.

The festivities began on Friday, June 19, with a selection of live theatre and music events to kick off the celebrations, and there are many more activities to get involved in as the weekend progresses.

A huge Big Bang Boogie parade takes place on Saturday, June 20, starting at the East Point Pavilion at 11 am and travelling along the seafront towards the main Sunlight Stage.

Other activities include a grounded movement ring, rocketry experience, and a traditional Punch and Judy show.

Visitors can also explore a selection of dance workshops, aerial displays and even get to see objects from the Natural History Museum.

Returning for its sixth year, the festival also has a huge impact on the town itself.

Chairman of Lowestoft Vision business improvement district, Danny Steel, told the BBC that the midsummer festival was “massive” for Lowestoft.

He explained: “We get about 30,000 people come to the First Light Festival over the weekend, and if all of those people spend £35 in Lowestoft, that’s £1m extra into the Lowestoft economy.”

Chief executive officer of the First Light Festival, Genevieve Christie, said the festival is about “coming together” as a community and gives people the chance to “experience things in real life”.

The festival also aims to put Lowestoft on the map as a holiday destination.

She explained: “All of our work is about raising the profile of Lowestoft, actually as a place to come on holiday, to be a tourist.

“We’ll be looking forward to 2028, when we’ll be operating the new cultural centre in Lowestoft, and our whole idea there is to bring the spirit of the festival into the town.”

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

ITV series Fletchers’ Family Farm has been a hit with viewers since it launched in 2023

Fletchers’ Family Farm fans have declared they “can’t wait” after the stars posted an adorable video confirming what lies ahead for the show.

Former Emmerdale star Kelvin Fletcher’s programme – which chronicles him, his wife Liz and their children on their Peak District farm – has proven enormously popular with audiences since its 2023 debut. And earlier this month, ITV announced it had commissioned two further series, reports the Liverpool Echo.

The Fletchers have now posted a clip on Instagram featuring their daughter Marnie revealing the announcement. The nine-year-old was spotted calling enthusiastically to her dad, who was occupied feeding the sheep.

“I’ve got some news!” she shouted, but Kelvin said he couldn’t hear her.

She then attempted to inform little brother Milo, who was riding his toy bike, before calling out to her mum Liz and twin brothers Mateusz and Maximus, who are four. “What did she say?” they asked each other.

Marnie then declared: “Guys! The Fletchers are back. Series five and six, let’s go!”

Viewers were delighted by the clip, which was posted on Instagram with the caption: “WE ARE BACK! Who’s excited?!”

“Love this!” commented one individual, while another wrote: “Absolutely love this show, always lifts me up, such a lovely family.”

Another described the programme as “one of the best things on TV”.

“Excellent news,” remarked someone else, while another fan exclaimed: “Fletchers are BACK let’s gooooooooooooooooo.”

“Great news!” observed another viewer, as one admitted: “I’m that excited I almost peed my pants.”

“Wonderful wonderful news and amazing family,” gushed one delighted viewer, while another declared it was the “best show” on television.

Kelvin, who is widely recognised for his portrayal of Andy Sugden in ITV’s Emmerdale, first chronicled his agricultural journey in Kelvin’s Big Farming Adventure, before he and Liz went on to star in Fletchers’ Family Farm together.

The show has proven to be a hit with audiences keen to follow the family’s escapades on their 120-acre farm, and has now run for four successful series.

Reacting to the confirmation of two further series, Kelvin and Liz said: “We’re delighted to be returning for series five and six. What started as a simple desire to share our family’s journey has grown into something far bigger than we ever imagined.”

Fletchers’ Family Farm airs on ITV.

FOR years, summer holidays followed a pretty rigid formula: book a week somewhere hot, find a beach, find a pool, and spend seven days rotating between the two.

But this year, the data is showing a change that I find really interesting.

More and more people – families included – are looking at the price tags of traditional, single-resort beach holidays and feeling like they’re being rinsed.

When a standard week in the Med easily climbs to £700, £800, or even £1,000 per person in 2026, a city beach break becomes the ultimate loophole.

You still get the sand, the sun, and the tan – but you also get proper restaurants, nightlife, and culture for a fraction of the cost.

Here are the seven city-beach crossovers I’d genuinely put my own money toward this summer.

7. Copenhagen, Denmark – from £193pp

Copenhagen might sound like a massive wildcard, but it’s actually one of Europe’s best-kept summer secrets.

When the weather hits the low 20s, everyone in the city practically lives outdoors, canalside bars stay packed, and everyone is diving into the harbour clean-water swimming spots.

I found three nights at the Scandic Sydhavnen flying from Edinburgh for £193pp.

Traditional beach packages charge a massive premium in August just because they have a monopoly on the coastline, but Copenhagen flips that layout – you’re paying bottom-dollar for the flight and hotel because it’s technically a city break window.

Yes, Denmark can be pricey when you’re buying a beer, but starting with a sub-£200 bill offsets the spending money before you even land.

For a proper beach day, head straight to Amager Strandpark, a massive two-mile stretch of white sand where you get a brilliant view of the Oresund Bridge while sunbathing.

6. Nice, France – from £230pp

The French Riviera usually conjures up images of billionaires, superyachts, and remortgaging your house for a salad.

Nice, however, is the exception to the rule if you play it smart.

You still get the iconic promenades and pastel Old Town streets, all without the Saint Tropez price tag.

I spotted three nights at the Aparthotel Adagio Access Nice Magnan from London Stansted for £230pp.

Plus in Nice, because it’s a living, breathing city, you can bypass the overpriced tourist traps on the front and eat like a local at the independent bakeries just two streets back.

The main beach strip is great, but walk east past the port to Plage de la Réserve – a tiny, rocky hidden cove where you can escape the crowds and swim in crystal-clear water.

5. Palermo, Sicily – from £210pp

Italy has become notoriously expensive over the last few years, but Sicily is where the smart money goes.

Palermo gives you a beautiful mix of historic grit, world-class street food, and access to proper sandy beaches just down the road. It’s got Capri’s charm, but on a €3-a-beer budget.

You can grab three nights at Villa D’Amato flying from London Luton for £210pp, including breakfast.

Landing a hotel that throws in breakfast on an Italian island for just over £200 is a serious result.

But the real money-saver is Palermo’s legendary street food scene. You can fill up on incredible arancini and panelle for pennies in the local markets, avoiding the eye-watering sit-down dinner bills that plague the Amalfi Coast.

When you want to hit the sand, hop on a local bus out of the center to Mondello Beach, a stunning bay with shallow turquoise water sitting right under the massive cliffs of Monte Pellegrino.

4. Dubrovnik, Croatia – from £203pp

Dubrovnik is usually a victim of its own success – it can get packed and it can get incredibly expensive.

But if you catch the right flight windows, the value opens right up, giving you crystal-clear Adriatic water, historic city walls, and island-hopping boat trips all in one place.

I tracked down three nights at the Marnic Apartments flying from Manchester for just £203pp.

Because Dubrovnik has a massive airport and tons of flight capacity from the UK, flight prices drop through the floor if you avoid weekend departures.

And by using a city apartment base like this instead of an all-inclusive hotel block, you skip the resort premium but still get the exact same sea views as the luxury hotels down the road.

For the best swim in the city, walk just a few hundred meters past the eastern entrance of the Old Town to find Banje Beach, a pebble-and-sand spot that gives you a surreal view of the medieval city walls from the water.

3. Valletta, Malta – from £253pp

Malta feels like a cheat code for a summer break in 2026.

By the time late June rolls around, the limestone coast is properly baking and the coves and beaches around the capital are at their absolute best.

Valletta itself is brilliant because when you’ve had enough sun, you can wander straight into historic bars and massive waterfront restaurants.

I found three nights at the Excelsior Grand Hotel flying from Bournemouth for £253pp.

This is a proper, high-end property, so bagging a stay there alongside flights for under £300pp is unbelievable value.

Malta consistently delivers dramatically better hotel value than neighboring Italy, and because Valletta is compact, you don’t need to shell out on car rentals – the cheap local public transport will get you anywhere for pocket change.

While you’re there, take the quick ferry across the harbour to Sliema and head to Fond Ghadir to swim in the natural, rock-cut swimming pools right in the limestone coast.

2. Alicante, Spain – from £190pp

Alicante is often unfairly dismissed as just a gateway airport for the Costa Blanca, but the city itself is an absolute gem.

Playa del Postiguet is a massive beach that sits right on the edge of the city centre.

You can literally sunbathe all morning, shake the sand off your shoes, and step straight into a traditional tapas bar for lunch.

I found three nights at Alannia Costa Blanca flying from Bournemouth for just £190pp.

And booking Alicante completely eliminates the need for taxis, meaning your spend on transport drops to zero the second you check in.

While everyone stays on the main city beach, take the tram a few stops north to Playa de San Juan, a massive, five-kilometre stretch of wider, powdery sand that gives you plenty of space to hide away from the main city.

1. Valencia, Spain – from £165pp

Valencia might be the best-value city beach crossover in Europe right now.

It has a massive, wide sandy beach, an incredible Old Town, elite-level food, and prices that make Barcelona look like a total rip-off.

I clocked three nights at the Ilunion Valencia 4 flying from London Stansted for just £165pp. That is absurdly cheap, and you aren’t compromising on anything.

What makes Valencia a financial winner is the local economy – because it hasn’t been completely overrun by mass tourism like Madrid, a proper three-course Menú del Día (including wine) will still only set you back about €12 to €15 if you step into the local neighborhoods.

For the ultimate beach day, head down to Playa de la Malvarrosa and hit the best independent beach huts for a cheap drink on the sand. Bliss.

Three-time U.S. Olympian Jenny Simpson collapsed during a community running event Tuesday in Raleigh, N.C., and still is receiving medical treatment a day later.

There are few available details about what happened to the 39-year-old retired athlete who won a bronze medal in the 1,500 meters at the 2016 Rio Olympics, or what her condition is. The incident occurred during a weekly gathering for local running enthusiasts at which Simpson served as the pace runner for a mile group.

At some point during the event, Simpson suffered what organizer Sir Walter Running described as a “medical incident.” She had no pulse for a brief period, according to media outlets, but it was restored with CPR and an automated external defibrillator at the track. Simpson was then taken to a local hospital.

“We are incredibly grateful to the individuals who responded immediately, as well as EMS and the medical professionals who handled the situation with such care, urgency, and professionalism,” Sir Walter Running said in a statement. “Jenny is receiving excellent medical care, and our thoughts are with her and her family.”

No further details have been released.

“We ask that you continue to continue to keep Jenny and her family in your prayers as we all hope for the very best,” the running group said.

An eight-time state champion (five in track and field, three in cross-country) at Oviedo High School in Florida, Simpson went on to star at Colorado as a two-time national steeplechase champion, a two-time national runner-up in cross-country and a three-time outdoor track and field All-American.

In addition to representing the U.S. at the 2008, 2012 and 2016 Summer Olympics, Simpson was the 2011 world champion in the 1,500 and finished second in 2013 and 2017. She also was the 2014 Diamond League champion in the same event.

Upon her retirement in 2024, Simpson and her husband, Jason, spent a year traveling in their 23-foot Winnebago Ekko motorhome and running with community members at events across the country. This year, Simpson was named Fleet Feet’s chief running officer and joined FloTrack’s broadcast team for Diamond League recaps.

The Associated Press contributed to this report.

Al Jazeera journalist Al-Tahir al-Mardi has been reunited with his family in Khartoum after three years of separation and forced displacement caused by Sudan’s war.

VENEZUELA Fury looked unimpressed when her new husband Noah Price criticised her family for buying them such a “small house”.

The eldest daughter of Tyson Fury, 37, has moved into a static home which her boxer dad bought for her and Noah, 19, after they tied the knot last month.

Since moving into their first home as a married couple, Venezuela, 16, has been sharing videos of their life living there.

In the influencer’s latest TikTok, she posted a clip of her new husband Noah complaining about how small their static house is.

Noah can be heard laughing, as he says: “Why did you (Tyson) get me such a tiny house, oh cause you (Tyson) bought it!”

Venezuela can then be seen looking unimpressed at her husband’s comment about the size of their home that her dad had paid for.

AGE RAGE

Venezuela Fury slams ‘everyone who said I was too young’ in defiant wedding post

BUFF BRIDE

Venezuela Fury’s starts post-wedding health kick with Noah in matching gym sets

At 42ft long and 14ft wide, the static home spans 588 square feet – roughly the same size as a large London studio flat.

The Sun revealed how generous Tyson and wife Paris Fury, 36, splashed out on the £46,995 static home as a wedding gift for them.

They also gave them a nice little nest egg of £5M, to get them started out, as well as paying for their lavish wedding.

Meanwhile, the new couple have found their marriage has been lucrative so far for them.

Fans can’t get enough of their TikTok videos, where they share their daily life in their static home.

Venezuela and Noah have become so popular that The Sun recently reported how they are in talks to star in their own fly-on-the-wall show.

A TV insider said: “The couple are not A-list celebrities but everyone has become obsessed with their love story.

“People are genuinely intrigued by them.

“Whether it’s the fact they have married so young, Venezuela’s famous family or their gypsy lifestyle, they have the ‘X factor’.

“Several TV executives think a proper fly-on-the-wall series following their lives as newlyweds in the gypsy community would be fascinating.”

Netflix is likely to win any bidding war for the show, as the streamer already has a working relationship with the Fury family.

Their series, At Home With The Furys, became an instant hit when it dropped in 2023 and filming is already under way on a third series, which is due later this year.

As a mum to a six year old and a two year old, I love an all inclusive hotel. There’s plenty of food options, and I don’t groan every time one of my children tips their drink into the sand. But they’re often pretty big, and pretty expensive. So when I checked into Club Med in Bodrum, I was quickly won over.

While it’s quite large, with 242 rooms on the pretty hillside site, it still manages to feel boutique and exclusive. A high return rate, plenty of the guests we met were on their second or third visits. One, an elderly Belgian man on holiday with his wife, was on his seventh. “It’s just perfect,” he told me. Why would we go anywhere else? And I have to say I agree. Here’s why…

The rooms

There are three different room types at Club Med, Bodrum: superior, family deluxe and suites. As a family of four, we were given a deluxe, which was split over two floors. There were two single beds downstairs and a king upstairs, in a large living space that doubled as a living room.

There were two bathrooms and a spacious balcony with chairs for lounging that looked out over the archery courts below. As far as decor goes, it was simple – white walls, minimal accessories. Functional for a family who would be spending most of their time on the beach. Beds were comfy, and a cot was provided. The whole thing was immaculately clean and the thread count was high. It was an ideal base to set up camp for the week.

The food

While in Bodrum, we ate a lot of our meals out, but the ones we enjoyed at the hotel were very good indeed. The hotel’s main buffet restaurant, La Terrasse, is at the top of the site, with stunning breezy terraces overlooking the sea, all draped in purple flowers. The view, it has to be said, is breathtaking. The scenery served up is almost as good as the eggs.

Breakfast is varied, with omelettes made to order, a bakery, cereals and salads. A juice bar serves up brightly coloured drinks, and there’s a fruit station with enough bananas to keep my kids happy all day. Coffee is best sourced at the bar, which does a great flat white with fresh beans. Throughout the day, delicious picky snacks like olives and flatbread are served at the beach bar, and to the delight of the little ones, fresh watermelon was delivered to them on the sand.

La Terrasse opens once more for lunch and dinner, with a banquet of options for all tastes and palates, from grilled prawns to pizza. There were even snails one night – a nod to Club Med’s French brand heritage. A gentle theme runs each night, say Mexican, Chinese, and so on. And there’s plenty of Turkish treats to delight too. Once a week, a white party takes over the pool area and guests are all given light-up crowns to wear as they dine. My six year old absolutely loved this – as did I. Down the mountainside, the a la carte Halikarnas restaurant provides a more intimate, upmarket setting, with incredible seafood and meat options.

The activities

While Club Med isn’t specifically a family hotel, and in fact most of the guests we met during our stay were friends or couples, it really does welcome children with open arms. Staff remember names and drinks orders, and a fuss is made of young guests wherever they go. The pool area is large and luxurious, with plenty of sunloungers, many of which are set under the shade of surrounding trees, and there’s a little baby pool for paddlers too.

Elsewhere, there’s a small playground set down a shady path and activities like archery and beach fit to keep everyone occupied when on a break from the beach. A complimentary twice-daily boat trip, which leaves from the hotel pier at 10am and 3pm each day to tour the beautiful coastline, lets the little ones on with lifejackets.

The beach

At the foot of the hill lies the jewel in Club Med’s crown – its pristine, private, beach. Set in a long bay, ensuring calm, safe water, it can be accessed via stairs or a lift, with a regular supply of buggies taking guests up and down the hill to reach it. Once at the shore, turning left takes you to a section of Bali beds set over the waves on the rocky cliffs, with some more to be found on a wooden pier.

We, however, turned right – to the main stretch of beach. With more than enough sunbeds, each with a generous umbrella for shade, there’s no jostling required. The beach is cleaned daily and the water is crystal clear. It’s paradisical. Little fish came to say hello as we built sandcastles by the water’s edge. The perfect place to wile away the day.

The surrounding area

If you can bear to leave Club Med Bodrum, there is plenty to explore nearby. A trip to Bodrum castle is a must to wander through the historic fortress. Built by the Knights of St John, it now houses one of the world’s most important collections of ancient shipwrecks and relics. There are a flock of friendly peacocks in residence too, which I have to say were the highlight for both my girls.

Elsewhere, Bodrum Antik Tiyatrosu (Bodrum Antique Theatre) is a remarkably preserved 4th-century BC Greco-Roman amphitheatre carved into the slopes of Mount Göktepe. Overlooking the city and the Aegean Sea, it stands as one of Anatolia’s oldest surviving theatres. Later, a walk up to the 18th-century windmills between Bodrum and Gümbet then provided sweeping views, and we headed down to the glamorous Bodrum marina to dine by the water at Liman Koftescisi, a renowned Turkish restaurant. The meatballs with aubergine were divine.

For those who love wine, Bodrum is abundant. Karnas Vineyards is a family-owned, boutique winery and agricultural estate located in the Karaova region of the Bodrum peninsula. Spanning over 20 hectares, it is famous for being the first vineyard to plant the Zinfandel grape variety in Turkey, producing award-winning wines using sustainable and traditional techniques. Featured in the Michelin Guide, the vineyard features a terrace restaurant serving local, farm-to-fork meals made from ingredients grown on-site or by local farmers.

And just down the road, Mehmet Vuran is the owner and winemaker at Garova in the Karaova Valley of Bodrum. A visit to his estate is as much of a delight for children as it is for the grown ups thanks to a menagerie of animals, with cows, chickens and baby chickens running around. As the golden sun dipped behind the horizon, as our visit to Bodrum drew to a close, we toasted to our return.

*For more on planning a trip to Türkiye, see Go Türkiye

Getting there

Without Flights: Seven nights all-inclusive stay at Club Med Bodrum, Palmiye, Turkey from £2,490 (based on a family of four). Price based on departure date 06.06.26. Book now at www.clubmed.co.uk/r/bodrum/y or call 03453 676767

London Flights: Seven nights all-inclusive stay at Club Med Bodrum, Palmiye, Turkey from £4,014 (based on a family of four). Price based on departure date 06.06.26. Book now at www.clubmed.co.uk/r/bodrum/y or call 03453 676767

JOHANNESBURG — Globally celebrated South African jazz icon Abdullah Ibrahim has died at age 91, his family announced in a statement Monday.

Ibrahim, formerly known as Dollar Brand, passed away peacefully in Germany following a short illness, surrounded by loved ones, the statement issued on behalf of his family said.

As one of South Africa’s most respected jazz figures, he famously played at Nelson Mandela’s 1994 presidential inauguration. Mandela referred to Ibrahim as “our Mozart.”

His final public concert in South Africa took place at the Cape Town International Jazz Festival in March, when he once again captivated audiences with the musical skill that defined his career.

Paying tribute to her partner, Dr. Marina Umari said he “passed away peacefully with South Africa and its people in his heart.”

“His love for his country never wavered, no matter where in the world he found himself,” she said.

His family said that even though his life is over, his influence and voice would continue to resonate around the world.

South African President Cyril Ramaphosa paid tribute to the musician, praising his contribution to the anti-apartheid struggle and acknowledging his lasting impact through music.

“Today our nation mourns the passing of an international icon and global citizen whose profound creations honored the South Africa that shaped his political commitment and musical brilliance,” said Ramaphosa.

Born Adolph Johannes Brand in Cape Town on Oct. 9, 1934, Ibrahim rose to international prominence as a pianist, composer and bandleader. With a career spanning more than seven decades, he forged a unique blend of jazz and South African musical traditions, making him a cultural ambassador whose music struck a chord with listeners worldwide.

Ibrahim’s mother Rachel Brand was mixed-race and under the apartheid system he was classified as “colored,” which afforded him certain social privileges that were denied Black South Africans. He was raised by grandparents and was told Rachel was his sister, only learning the truth in adulthood. Influenced by his grandmother and mother playing piano at the AME Church in Kensington, a Cape Town suburb, Irbrahim began piano lessons at age 7 and made his professional debut at 15.

In 1959 and 1960, he played with saxophonists Kippie Moeketsi and Mackay Davashe, trumpeter Hugh Masekela, trombonist Jonas Gwangwa, bassist Johnny Gertze and drummer Makaya Ntshoko in the Jazz Epistles. The group recorded the first full-length jazz LP by Black South African musicians, “Jazz Epistle — Verse 1.” The South African government began targeting jazz groups as part of increasing state repression, and following the Sharpeville massacre in March 1960, the Jazz Epistles broke up.

During this time, Ibrahim met jazz singer Sathima Bea Benjamin and the pair moved to Europe. The following year, in Zurich, Switzerland, Benjamin convinced Duke Ellington to come see Ibrahim perform with the Dollar Brand Trio. Impressed, Ellington helped arrange a recording session with Reprise Records, later released as “Duke Ellington presents The Dollar Brand Trio.”

In 1965, Ibrahim and Benjamin married and moved to New York. He played at the Newport Jazz Festival and toured throughout the U.S. In addition to playing with, and, on occasion, leading the Duke Ellington Orchestra, Ibrahim interacted with such musicians as Don Cherry, Ornette Coleman, John Coltrane and Pharoah Sanders, and was influenced by the Black Power movement, incorporating African elements into his jazz. His compositions also reflected the influence of Ellington and Thelonious Monk.

The musician returned briefly to Cape Town in 1968 and converted to Islam, changing his name from Dollar Brand to Abdullah Ibrahim. As an expatriate, he toured the world for decades, appearing at major venues and working with classical orchestras in Europe. His composition “Mannenberg” became noteworthy as an anthem of South Africa’s anti-apartheid movement.

In 2009, Ibrahim received an honorary doctorate in music from Wits University and the Order of Ikhamanga, a prestigious civilian award, from former President Jacob Zuma in the same year.

Ibrahim was named a Jazz Master by the National Endowment for the Arts in 2019.

Alan Winde, the mayor of the Western Cape, where Ibrahim’s hometown is located, honored the performer and commended him for capturing South Africa’s cultural richness and history in his music.

“South Africa has lost a legend,” Winde said. “Abdullah Ibrahim represented everything that makes South Africa and the Western Cape so remarkable. His music told the story of our unique cultural diversity and past.”

Ibrahim is survived by Umari; his son, Tsakwe, a musician; and his daughter, Tsidi, a rapper who goes by Jean Grae.

According to his family, Ibrahim will be laid to rest in the German state of Bavaria, where he lived.

Gumede writes for the Associated Press.

The Trump Department of Justice going after people who make the president mad or even sad is nothing new, in this dangerous age when the presidency is increasingly about placating the desires of the old man in the Oval Office.

Leticia James, James Comey, Adam Schiff. Most recently, E. Jean Carroll, who sued President Trump personally and won a huge settlement on her claim that he sexually assaulted her. Now, the Department of Justice is investigating her for potential perjury.

It would be easy to think of Gov. Gavin Newsom’s announcement Monday that the U.S. Department of Justice is now targeting his wife, Jennifer Siebel Newsom, as just another addition to that list.

But this attack on Siebel Newsom (alleged attack, anyway — the Department of Justice has not confirmed she is a target) is something much darker in our slide into authoritarianism. While the details of what is being investigated are murky and the president hasn’t chimed in yet, it has all the appearances of the Trump administration seeking to stop a political rival who has a real shot at knocking MAGA out of the top office.

“It’s not just random or accidental that the wife of a major presidential candidate is being investigated,” Steven Levitsky, a professor of politics at Harvard University, told me Monday. “That’s the nature of selective prosecution and that is a pillar of authoritarian rule.”

Levitsky is an expert on authoritarian regimes, and how they take and keep power. His point that Newsom is a viable challenger may seem obvious — Newsom himself is already fundraising off of it. But this particular alleged investigation bears a moment of pause because it is not the regular decline of justice we have been witnessing to this moment.

“This is different,” he said. “This is forward-looking persecution.”

Until now, Levistky points out, Trump has screamed and hollered for the prosecution of those who have wronged him in the past, sometimes even the distant past. Yes, he’s disgraced the Department of Justice with the demand it function as his own personal hammer of retribution, even putting his own personal attorney, Todd Blanche, in charge when Pam Bondi wasn’t accommodating or successful enough at stomping perceived enemies and quashing the Epstein files.

But those prosecutions have largely been grievance-based, not aimed at keeping power.

Going after Siebel Newsom seems more like a forward-looking, preemptive strike targeting Newsom ahead of the 2028 election through every decent man’s Achilles’ heel, his family.

In fact, the right-wing media — which is closely tied to the whims of the White House — has been targeting Siebel Newsom for months.

In particular, Siebel Newsom has been attacked for her work as a documentary filmmaker who focuses on female empowerment and parsing how and why we have the gender norms that we do when it comes to masculinity and femininity. I’ll let you figure out how popular that is in MAGA world, where real women make sandwiches.

Conservative commentator Sean Hannity has gone after Siebel Newsom for saying she sometimes changes the gender of a book’s character from “he” to “she” when she’s reading to her children. Fox News has attacked her for daring to give her boys dolls to play with, leading some MAGA influencers to label her “psychotic” or “abusive.” Right-wing icon Megyn Kelly called her a “nutcase” for sharing the tragic story of her sister’s death when Siebel Newsom was 6.

And other media have focused on the fact that some of the films she has been involved with have been approved for use in California schools, leading to conspiracies that Newsom used his influence to force his wife’s “woke” agenda on kids, by which we are apparently talking about the liberal plagues of decency and inclusion.

Newsom’s office said that in recent weeks, relatives, friends and business associates of the family have been contacted by investigators from the FBI and IRS. Siebel Newsom also does work around online safety for children, but it seems likely that any attention would focus on these films, and related nonprofits, and the perennially popular MAGA boogeyman of schools forcing ideologies on kids. Throw in Siebel Newsom’s company making even a dollar, and the way the IRS can find problems with any tax return, and you’ve got about 10,000 hours of right-wing propaganda.

So whether the pressure to target Siebel Newsom came from the White House or not, Newsom’s announcement raises the troubling specter that this administration is getting more serious about remaining in control by kneecapping potential replacements before they grow too strong.

In his Monday video, Newsom urged Trump with mano a mano bravado to come after him as much as he wanted, but to leave his wife and family out of it. But I would not underestimate Siebel Newsom, who showed her strength when she testified against disgraced Hollywood mogul Harvey Weinstein, laying out publicly a private, painful tale.

Siebel Newsom’s office told me she’s fine being part of any fight against Trump.

“There are clearly no boundaries to what Donald Trump will do to get his way or to challenge those who get in his way,” Siebel Newsom said in a statement.

The “governor and I will continue to speak truth to power because the American people deserve so much more.”

By coming out in advance of any official announcement of an investigation by the Department of Justice, Siebel Newsom and her husband may be able to take control of the narrative, something Trump detests.

That pushback, Levitsky said, is critical, not just for them, but more importantly for all of us. After last year, when so many institutions and individuals crumbled in the face of Trump’s power, the strength of our democracy increasingly depends on those with political capital standing up to him.

Coming out punching first does just that.

BROOKLYN Beckham has been accused of “cashing in” on his family feud – sparking fury from his famous parents.

The smirking 27-year-old alluded to his bitter estrangement with David and Victoria Beckham in a big-money deal to advertise a food delivery service.

Brooklyn – whose dad played for England in three World Cups – tells the camera: “You’re probably wondering why I’m watching the FIFA World Cup 2026 from home…”

He ends the DoorDash ad laughing: “It’s a long story.”

Now sources close to David and Victoria say they’ve been left “furious” over the ‘attack’ ad.

A source close to the Beckhams said: “To do an ad based on estrangement from family as if it’s a joke when his family is devastated and sister and grandparents are inconsolable…

READ MORE ON THE BECKHAMS

foul play

Brooklyn Beckham takes savage swipe at family in big-money World Cup ad

PEACE PLEA SNUB

Brooklyn Beckham BLANKS sister Harper’s attempt to mend toxic family feud

“Surely he’s going to get stick for claiming he wants peace and privacy and nothing to do with his family, before trying to cash in on it all?

“He says he wants nothing to do with his family, but is now completely trading off them again.”

Brooklyn has been estranged from his family – including his siblings – for more than a year.

In January, the Beckhams’ eldest son made a dozen explosive accusations in a ruthless statement hitting out at his family.

The 26-year-old called out his famous parents for their “inauthenticity”, accused them of making bribes and scolded the family for their treatment of his wife on their wedding day.

He sent his parents a legal notice warning they can only contact him via lawyers.

In the extraordinary “desist” letter, he also instructed them not to “tag” him on social media.

But in a surprising twist, Brooklyn filmed a World Cup advert taking a savage swipe at his family’s estrangement.

It showed Brooklyn throwing down his match tickets onto the coffee table, which appeared to show a £250,000 designer watch gifted to him by his dad and a stack of unopened letters.

The ad went live on social media after we revealed Brooklyn spurned his sister Harper‘s attempt at a reconciliation.

The 14-year-old was pictured delivering a letter to the house Brooklyn shares with his wife Nicola Peltz at the weekend.

The couple were not home at the time and have not yet responded.

They quickly hit back at the Beckhams, claiming the letter felt like an “orchestrated move by his family” – insisting it “made them feel uncomfortable.”

A spokesman for the couple added: “That photographers were in place as the letter was hand-delivered says it all.

“This was choreographed for the cameras.”

But a source close to the Beckhams called it “another untrue and unfair accusation”.

The moment came on about day four. A cloud-like mist was drenching our faces, hair and clothes, despite the thick canopy of trees overhead. My six-year-old daughter silently trudged uphill pushing her bike, her mouth set in a grim line. I looked again at the blue blob on Google Maps, which seemed, unfeasibly, to indicate we were on the right path. I thought, again, about the diminishing supply of chocolate in my backpack.

“See! I told you! We’re having an adventure,” I said with forced jollity. She didn’t even look up.

“This is not an adventure,” she said. “This is just pushing your bike up a big hill.”