epic

At 69, I had never hiked with a backpack and I had no idea what land art was. Nonetheless, when my friend Jackie, a nature documentary film-maker, invited me to join her and her friends Wendy and Sasha on a hiking trip to Refuges d’Art in the mountainous countryside of Haute-Provence, I said a resounding “yes”. We would be sleeping alongside sculptures by the renowned land artist Andy Goldsworthy.

First, I watch Rivers and Tides, a documentary on Goldsworthy’s work, and discover he has built exquisite ice sculptures and stone cairns in my own country, Canada. His work seems to speak to an older part of the soul. Then, I start walking up hills, gradually adding weights to my backpack until I can comfortably carry 9kg (20lb).

We meet in Digne-les-Bains, a bustling mountain town in the centre of the Unesco geopark of Haute-Provence, and the starting point for a 10-day, 150km (93-mile) hiking route that includes the possibility of staying overnight at seven reservable but free off-grid sleeping cabins. Goldsworthy worked alongside local teams to restore the abandoned shepherd huts, farmhouses, chapel and stone shelters, and created a site-specific artwork for each one. Over four days, we will visit three of these refuges and hike about 45km (28 miles).

Our first stop in Digne-les-Bains is Maison Alexandra David-Neél, a museum dedicated to the adventurous, peripatetic life of a woman who, in 1924, disguised herself as a beggar to become the first western woman to enter the Forbidden City of Lhasa in Tibet. The keys to the refuges are kept here, no doubt, to inspire hikers for the adventures that lie ahead.

On the first day, we encounter one of three sentinels that sit like giant mysterious eggs watching over the route. These 2 to 3-metre tall cairns were made by Goldsworthy without mortar or cement and rely on fitting the right shapes and weights of the stones.

Jackie has told us the trail is mostly flat and indeed, we start on even gravel, chatting and laughing, getting used to the weight of our packs. After 5km, she says we should look for a path leading up the hill on our right. She checks her satnav and points to a goat path going straight up the rocks. I panic. My backpack suddenly feels extremely heavy. In desperation, I check further down the road and, to everyone’s relief, find a path marked with white and red horizontal lines signifying a grande randonnée, a trail certified by the French government.

We begin our ascent, pausing to photograph curlicued and wispy plants right out of Dr Seuss, yellow, scarlet and blue wildflowers, an orange moth sitting on purple brush. Spanish broom perfumes the air. We lift our gaze and see multiple valleys and unique geological formations. It’s easy to imagine our ice-age ancestors walking these trails 15,000 years ago and it’s gratifying to be travelling under our own steam, as they did.

We arrive at the first refuge, La Forest, as the sun is setting. The key unlocks the door. Inside, the air is cold. Our eyes adjust to the dark. A table and benches stand in front of us. To the left, a stairway leads to sleeping platforms. To the right, a doorway into a dark, empty room. From its depths glows a cylindrical obelisk, light falling on one large stone where someone could sit. It’s concave, constructed of light grey stone ending in a porthole to the sky. It’s illuminated by natural light and changes with the time, the weather, the season. This art is living and feels sacred.

That evening, we eat freeze-dried mushroom risotto in the flickering candlelight, play cards, eat chocolate, laugh and share stories. Sasha, who works in film in Germany, teaches us two words: der salzlose – someone who is bland and without flavour; and extrawurst – someone who always demands more. Neither apply to our group. The camaraderie and conviviality bring pure pleasure.

We climb the stairs to the sleeping platforms. Wendy and Sasha have brought sturdy sleeping mats on Jackie’s recommendation. We lay them out and say goodnight. The quiet is complete. Then, a tidal wave of sound erupts. Wendy and Sasha have rolled over. The friction on the technical fabric of their sleeping mats is deafening. The price of comfort has been revealed; they must lie like mummies.

The next day, we descend, picnic by a river on crackers, avocados and cheese, then start climbing again. Sasha and I subversively agree that it’s psychologically better to be told something is going to be hard and then it turns out easier. I console myself that climbing with a backpack is good for bone density and way less boring than lifting weights.

The next refuge, Le Vieil Esclangon, is in a mountain-top meadow. A majestic fan of lifted rock shines across the wide valley. Everywhere we turn there are more mountains and valleys. The first floor of the refuge is a large dark room split in two by a massive fireplace. Upstairs, the sleeping platforms look out on to a sunlit verge. Across from the fireplace, a tall serpentine shape made of dried mud loops back and forth like a meandering river, ending at the top in the source.

The wind picks up and the temperature drops. We gather wood and light a fire. In the flickering orange light, the sculpture comes to life, looking like one of Plato’s eternal forms. We eat our freeze-dried pad thai, the art and the hikers transient and temporary but together in this warm and cosy moment.

Later, we sleep to the sound of wind and rain, woken only by a mouse rave in the middle of the night.

We arrive at the third refuge, La Ferme Belon, in time for a late lunch. In the basement, huge interlinked semicircular stone arches look like a dragon’s body swimming through earth. Upstairs, the sleeping platforms are lovely except for one small detail. A colony of bats hang above. I can feign nonchalance because I know Wendy, who is quietly uber-capable, will find us a delightful B&B for the night. Over pizza and cold rosé, Sasha and I confess to Jackie that we would have rather known how challenging the hikes were going to be. “But you wouldn’t have come if I’d told you,” she answers with a twinkle in her eye.

Andy Goldsworthy said: “To me there is a tremendous difference between works of art that we observe in a museum just for a few minutes and works of art in which we live for a short while, in which we sleep. To sleep in a sculpture is a wonderful idea.”

In Digne-les-Bains we return the keys and soak our stronger bodies in the town’s hot springs. We’ve already said yes to Jackie’s next adventure, sight unseen.

Claudia Casper’s novel The Mercy Journals won the Philip K Dick award for distinguished science fiction in 2017 (Arsenal Pulp Press)

The 31st Marine Expeditionary Unit’s (31st MEU) recent deployment to the Middle East marked the first time the United States Marine Corps (USMC) used its Expeditionary Advanced Base Operations (EABO) concept in a combat setting, the service confirmed to TWZ on Thursday. At its core, EABO involves relatively small groups of Marines quickly establishing bases of operation in forward areas, often within the enemy’s weapons range. During operations in the fight against Iran, Marines refueled and rearmed their own aircraft, as well as those from the joint force, at these austere locales. They also set up remote sensing locations, among other actions from the EABO playbook.

This employment of EABO for Epic Fury is a highly significant development. After years of progressively evolving the EABO playbook, it was no longer an experimental exercise. This meant that Marines were forward deployed in a contested area in a region where established bases were taking heavy fire from Iranian missile and drone barrages. Troops were killed in some of these attacks and U.S. aircraft, buildings and equipment were damaged and destroyed across the Middle East. Pushing aircraft from the MEU, as well as the joint force, to FARPs (forward arming and refueling point) would have been a relevant asset preservation tactic as well as one that would help accelerate combat operations, and it’s exactly what EABO is meant to do.

The 31st MEU’s six-month deployment began in January in the Pacific, before the unit was ordered to the Middle East in March, returning to Okinawa, Japan, in July. That’s where it is stationed as the USMC’s only continuously forward-based MEU.

“This was the first time we were able to implement EABO in combat operations since the concept was created for the force,” Capt. Steven J. Keenan, a USMC spokesperson, told us. “We have practiced it many times, but this was a first for supporting a Joint Force named operation with forward FARPs and forward bases that supported joint ops and combat power sustainment.”

EABO was first introduced in 2020 by then-Commandant Gen. David Berger in his Force Design 2030 plan for the future of the Corps. It was created with a fight against China in mind, especially utilizing small Pacific islands. The idea is to have highly mobile, low-signature forces deployed forward in austere, contested or potentially contested maritime locations. The mission is to “support sea control operation, conduct sea denial operations within the littorals, contribute to maritime domain awareness, provide forward command, control, communications, computers, combat systems, intelligence, surveillance, reconnaissance, targeting, and counter-targeting capability and forward sustainment,” according to the Marines.

The news of the first activation of the EABO concept in combat came Wednesday during a media roundtable with Col. Chris P. Niedziocha, who commanded the 31st MEU during its deployment to the Middle East in support of Operation Epic Fury. Now director of the USMC Expeditionary Warfare School, Niedziocha discussed EABO and a range of other operations during that deployment, including boarding vessels during the blockade of Iranian ports.

The 31st MEU was embarked aboard the Tripoli Amphibious Ready Group (ARG), which consisted of the America class amphibious assault ship USS Tripoli, San Antonio class amphibious transport dock ship USS New Orleans, and Whidbey Island class dock landing ship USS Rushmore. You can read more about the ARG/MEU and its assets in our initial story about the deployment to the Middle East here.

“You’re starting to see this has been validated,” the colonel said of the EABO concept during the roundtable TWZ attended virtually. “It’s still nascent, but we actually, for the first time, demonstrated what we thought we were able to do, which I think is pretty exciting. And then things like forward arming and refueling to extend the operational reach of aircraft and expeditionary reloading, and then the ever-present logistic challenge of doing something like that. So that’s pretty significant.”

“We successfully implemented critical Expeditionary Advanced Base Operations (EABO), establishing sensor expeditionary advanced bases and forward arming and refueling points (FARPs) where none existed,” the colonel added. “Through our forward logistic elements, we proved that an agile Marine Air-Ground Task Force can sustain itself and generate ready, lethal power in contested maritime environments, directly setting the theater for follow-on joint forces.”

One of the objectives of the FARPs was to reduce reliance on the Marines’ fleet of KC-130 aerial refuelers and serve as jumping-off points for its F-35B Lightning II fighters.

“There was all manner of tankers all the time, but the FARP is to extend the operational reach, and if you can do it, you reduce the load on that,” Niedziocha noted. “Because there’s some aircraft that are basically for expeditionary austere operations, especially the F-35B,” the Marine Corps’ variant of the aircraft designed for short take off and vertical landing. 

“There are some trade-offs associated with the Bravo,” Niedziocha pointed out, using a slang for the jets. “There’s less internal fuel, but you have the lift [system], which gives you the option to do these kinds of things. So, the goal there was to walk that fine line between providing the full sortie over wherever you needed it, and keeping the ships far enough away to make them as survivable as possible.”

In addition to the F-35Bs and other aircraft organic to the 31st MEU, the FARPs were also used by Army helicopters, Keenan told us. Imagery posted on the Pentagon’s image distribution site also showed U.S. Army Gray Eagle drones and Marine MV-22B Osprey tiltrotor aircraft were included.

Niedziocha did not provide details about where the FARPs were set up, but a U.S. defense official told us they were “disaggregated throughout the Middle East.” The official declined to provide further information, citing operational security concerns since they are still being used.

“Throughout the deployment, the Tripoli ARG and 31st MEU successfully conducted over 1,600 mishap-free flight hours of combat aviation missions, including precision strikes, transporting 800,000 pounds of cargo, and moving 5,000 personnel,” a 31st MEU overview of the deployment explained. “The units also provided sustained combat support to joint force operations by delivering critical intelligence and refueling over 300 aircraft ashore and underway.”

The colonel also didn’t provide details about the sensor expeditionary advanced bases. According to the Marines, “a sensing expeditionary advanced base (SEAB) brings together coastal surveillance radars, electronic sensors, and Marines ashore to extend maritime domain awareness, complementing the radars and sensors already at work aboard naval ships off the coast.”

“When SEAB systems identify surface vessels in nearby sea lanes, small unmanned aircraft system (sUAS) operators launch their platforms to visually identify and track the contacts,” the Marines added. “Sensor data and imagery are transmitted in real time across the blue-green command network to decision-makers.”

This capability could have been used to track Iran’s remaining fleet of small boats that it has used to harass shipping and mine the Strait of Hormuz, as well as larger vessels trying to transport oil. Other sensors, like radars and counter-drone systems, could also help identify incoming threats and provide general situational awareness. The EABO concept was employed as part of the 31st MEU’s larger role in supporting the blockade and mine clearance efforts.

The 31st MEU interdicted four vessels during the deployment, three of which led to boardings. On April 19, Marines boarded the MV Touska; on April 28, the MV Blue Star III; and on May 19, the MT Celestial Sea.

The Touska was boarded after USS Spruance fired multiple 5-inch rounds, targeting the engine room and disabling the vessel’s propulsion. The crew of the vessel was retained for about two weeks before being repatriated.

Niedziocha told us that none of the crews offered any resistance.

“At two in the morning, when 30 Force Reconnaissance Marines fast rope onto your vessel, [you are] just compliant with a capital C. They did exactly what they were directed to do. The overmatch that you put onto that vessel is pretty surprising. And then there’s overwatch provided by UAS and manned aircraft, so you create this bubble around the vessel. So yeah, they complied.”

You can see the Touska being boarded in the following video.

Two years ago, as the EABO concept was maturing, TWZ was invited to get an exclusive look at how an advanced EABO concept would be put into action, including how squadrons operated the F-35B out of an austere combat environment while generating combat sorties. It was an unprecedented and exclusive peek into the EABO playbook and what a real fight in the Pacific with the USMC’s most advanced fighter aircraft could actually look like. You can read about that in our story here. It appears the operations in the Middle East mirrored this exercise closely.

Now back in Japan, the ARG/MEU is getting ready for a new deployment, said the colonel.

“We got back to Okinawa, I think July 22nd, and they had already begun their workup cycle in earnest to be on the water in early January to go out and do another Iron Fist [training exercise] with the Japanese, and then long periods of a crisis response,” said Niedziocha, who relinquished command in August before moving on to his new role. “Just being there, present in the First Island Chain to partner with your allies, demonstrates the resolve and commitment to deter whatever needs deterring.” 

As noted earlier in this story, the EABO concept was designed with a Pacific fight in mind. Its first combat employment in the Middle East clearly offers lessons that can now be adapted to enhance EABO operations globally.

Contact the author: howard@twz.com

MIS-TEEQ sent fans wild at their reunion gig on Saturday night, as original member Zena McNally joined the girl group on stage to perform their debut single.

The highly-anticipated show saw Alesha Dixon, Sabrina Washington and Su-Elise Nash regroup for a comeback performance at London’s OVO Wembley Arena.

And fans were treated to an extra hit of noughties nostalgia as OG member Zena took to the stage as a special surprise guest.

Zena was only part of Mis-Teeq for the band’s first year, just appearing on their debut single, Why?

She left in 2001 and attempted to launch a solo career, only releasing two songs, before becoming a DJ for Radio 1 Xtra and eventually moving to the US with her then beau, US soccer [football] player, Cory Gibbs, who she married in 2008 but split from in 2014.

Since her divorce, her work has included being an entertainment manager in LA, as well as working as the director of a property investment company.

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But as the group welcomed her to the stage at Wembley on Saturday night, their excitement to be back together as a four-piece was palpable.

Zena looked stunning in a black leather ensemble and hugged the other three ladies as she arrived on stage, with Alesha seen jumping up and down at the reunion in The Sun’s exclusive video.

“How beautiful is Zena?” she exclaimed, before telling the crowd: “You didn’t see that one coming did you?”

Alesha went on the explain that they didn’t want to perform the song that launched them unless Zena sang it with them.

She said: “We could not sing this song without our girl, who, as the day one’s know, is in the video.

“Her vocals are still on the record – she had a sweet voice!”

Alesha turned to Zena and said: “The fans are always talking about you!

“I don’t think they think we like each other – we love each other!”

Zena affirmed that there was no bad blood between the girls, saying: “It’s all love!”

She added: “I want to thank you for having me here tonight – such a special moment.

“I’m hoping you’ll have fun with this – let’s do it!”

The ladies then sat in a line on four stools and delivered their track Why? for the adoring crowd.

The reasons behind Zena’s abrupt 2001 departure have been widely speculated, and the former Mis-Teeq queen has kept relatively tight-lipped.

The only occasion she seemed to shed any light on the split was in an 2010s blog post by writer and speaker Anika Allen where Zena spoke of her initial joy of being in a group before things soured.

She said: “Everything was fine in the beginning and it fun. But as time went on, I began to notice an imbalance in the group as the other members [Sabrina and Alesha] had been their first.”

Sabrina continued: “I felt they were focused on a bit more by the production team, who were suppressing my ideas. I write a lot also. We’re a team, but there was no compromising. I became unhappy.”

The 2026 reunion show has been nine months in the making, since the group announced their comeback at the start of 2026, with The Sun revealing this week that it would be an extraordinary gig for the fans.

Celebrating the 25th anniversary of their debut album Lickin’ On Both Sides, the Scandalous singers locked themselves inside Soundstage Studios in North London in the days leading up to the gig.

“This concert means everything to Alesha, Su-Elise and Sabrina and they have been working so hard to put on the performance of a lifetime,” an insider explained.

The trio performed live together in May, delivering a medley of their hits at the final of Britain’s Got Talent, and sang again as the surprise guests during Capital’s Summertime Ball, thrilling the 80,000-strong crowd.

The insider continued: “When they reunited at BGT and Summertime Ball, they loved being back performing together but they have taken it up a notch for their Wembley concert.

“This past week they’ve been pushing themselves in rehearsals to make sure their moves are flawless.”

The noughties group had seven consecutive top-10 singles and two top-ten albums across US, Europe, Asia and Australia, including their double platinum second album Eye Candy which was released in March 2003.

In spite of this success, the group would disband 2005 while recording their never-released third album, with all three members turning their focus on their respective solo careers.

Aryna Sabalenka beat Jessica Pegula 7-5, 6-2 to reach US Open final with Elena Rybakina, who toppled her as World No 1.

Aryna Sabalenka stormed past Jessica Pegula in straight sets on Thursday to keep her bid for a rare US Open threepeat on track, booking a championship showdown with Elena Rybakina.

Sabalenka was simply unstoppable in a 7-5, 6-2 victory on Arthur Ashe Stadium, where she beat Pegula en route to US Open victories in 2024 and 2025.

Rybakina battled back to beat 2023 champion Coco Gauff 3-6, 6-4, 6-4.

In Saturday’s final, the Kazakh will try to deal Sabalenka another blow after her run to the semifinals ensured she will end the Belarusian’s reign atop the world rankings.

Sabalenka, bidding to join Chris Evert and Serena Williams as the only women to win three straight US Open titles, pounded third-seeded Pegula remorselessly with her powerful groundstrokes.

“I was super desperate,” said Sabalenka, who has had a slow summer since back-to-back wins at Indian Wells and Miami in March.

“I wanted it badly to go to the finals, and of course, I want to go all the way.

“The mentality was just I’m ready. I’m ready for whatever it’s going to take to get the win,” Sabalenka added, after producing her best performance of the tournament to snuff out Pegula’s dream of a first-ever Grand Slam title.

Sabalenka’s frustration at her inability to make any headway against Pegula’s serve showed in a tense first set. But she maintained her focus and was rewarded as Pegula, feeling the pressure to stay in the set as she served down 6-5, fell behind 0-40.

The American saved one set point but could not salvage the next.

Sabalenka kept rolling in the second set, attacking Pegula’s suspect second serve and seizing a break for a 3-1 lead when she lasered a forehand into the corner.

She sealed the victory with another break courtesy of another thunderous forehand.

“I thought her level was insanely high,” Pegula said. “Honestly, I don’t really know if there was much I could do today.”

Rybakina, who beat Sabalenka in the Australian Open final in January to claim her second Grand Slam title, said she would need to raise her level to do the same in Flushing Meadows.

“I feel like I definitely need to step my game up, serve much better than today and stay aggressive,” Rybakina said.

Gauff’s bid to return to the final for the first time since she defeated Sabalenka for the 2023 title had got off to a smooth start, the American gaining the lone break of the opening set for a 4-2 lead and pocketing the set with a love game.

But Rybakina hit back with an early break on the way to a 4-1 lead in the second.

Gauff responded superbly, breaking back and holding to square the set at 4-4 to roars from the crowd.

But she was unable to make the most of her fightback and double-faulted in the 10th game to hand two set points to Rybakina, who pounced to force a third set.

Rybakina looked on the brink of victory after breaking Gauff for a 5-3 lead in the third. Gauff broke back, but Rybakina clinched it in the next game.

A deft volley from Rybakina left her with two match points, and Gauff then hit a wide-open smash long to hand her opponent victory.

“I feel like I was a little bit lucky on her serve,” Rybakina said. “A couple of deep returns, one mistake from her, it went quickly my way … It was a real battle.”

Gauff, meanwhile, was left reflecting on the fine margins of the defeat.

“It honestly came down to a couple of service games of mine in both sets and I didn’t quite hold,” Gauff said. “I think she was able to hold the line a bit better than I could tonight.”

The men’s semifinals are on Friday, when eighth-seeded Ben Shelton takes on 11th seed Frances Tiafoe in an all-American clash.

Shelton took out defending champion and seven-time Grand Slam winner Carlos Alcaraz in an epic quarterfinal that ended at 3:34am on Wednesday – the latest finish in tournament history.

“Big Ben” and “Big Foe” will duel for a chance to end American men’s 23-year Grand Slam title drought.

The winner will take on either top-seeded French Open champion Alexander Zverev or unseeded Russian Karen Khachanov.

NEW YORK: Carlos Alcaraz tumbled out of the US Open quarter-finals at 3:34 am Wednesday, falling to Ben Shelton in an epic five-set thriller that broke the record for latest finish ever at Flushing Meadows.

The big-hitting Shelton claimed his first career win over Alcaraz, 6-7 (5/7), 6-1, 6-3, 1-6, 7-6 (10/7), ending the Spaniard’s hopes of retaining his title in his first tournament back after a four-month injury absence.

Iva Jovic outlasted the fellow young tennis sensation from the Philippines, Alex Eala, in an epic three-hour showdown.

American teen Iva Jovic was moved to tears while talking about her off-court friend and on-court opponent Alex Eala, whom she beat in a three-set thriller to enter the round of 16 at the US Open.

Jovic outlasted the fellow young tennis sensation from the Philippines in an epic three-hour showdown on Saturday to book a meeting with fourth-seeded former champion Coco Gauff.

The 14th-seed Jovic won five of the last six games for a 7-5, 3-6, 7-5 triumph over 17th-seed Eala after three hours and three minutes.

“That felt like a marathon, and I felt like I lost my sanity five times over to win that match,” Jovic said. “But it’s really worth it for this feeling.”

Two of the top rising stars of women’s tennis made their Arthur Ashe Stadium debut a memorable battle that featured 17 service breaks in 33 games.

“That match, definitely the way it finished, deserved that court,” Jovic said.

“It literally took everything to somehow squeeze my way through that.”

When the emerging US tennis star’s win was sealed, her Filipina friend went around the court to congratulate her instead of waiting at the net as players usually do at the end of tennis matches.

When Jovic was asked about Eala’s gesture in her post-match news conference, the American was moved to tears and said it showed her friend’s character.

“It says a lot about her as a person,” Jovic said while wiping away tears. “I’m gonna start crying, but it says a lot about her as a person to be able to do that after that type of match and still come over to hug me and wish me all the best. And even in the locker room behind closed doors … so that just says a lot about her and her character. Yeah, she’s incredible.”

Jovic, 18, and Eala, 21, are friends and sometimes doubles partners, knowing each other’s skills and style well. That helped produce seven service breaks in the first 11 games.

“I’m usually not one that shows that many emotions, but this one really meant a lot to me. It’s everything to have another match here at the US Open,” Jovic said.

That match will be against compatriot Gauff, the 2023 US Open and 2025 French Open champion.

“I’m going to be more than happy to just bring this fight and this energy, and whatever happens I can leave with my head high,” Jovic said.

‘Put on a show’

Jovic broke four times to win the first set but was broken three times by left-hander Eala to drop the second.

“The level was absolutely incredible from both sides,” Jovic said.

“We definitely put on a show, and it literally took everything to get through that … losing my earrings, falling literally flat-out on the floor, cuts on my knees, mental breakdowns,” she said.

Eala admitted: “I had my chances. I’m happy with the match in general. Of course there is disappointment in losing, but trying to see the positive side. It was a really good match. The level was really high.

“I left everything out there. I fought through the ups and downs … What I know for a fact is that I fought, so I’m happy with that.”

A quarterfinalist at this year’s Australian Open, Jovic won her first WTA title last year in Guadalajara at age 17.

She beat Eala at the French Open and Queen’s Club in London earlier this season in their prior meetings, but that was before Eala won her first WTA title at Washington.

“She played an outrageous level tonight. She was serving very good. She was showing a lot more versatility with her returns,” Jovic said of Eala.

“She’s playing some of the best tennis in the world right now, so it’s no doubt it takes a hell of an effort to beat her.”

NOT ONE but three new theme parks have been given the go-ahead to open in Europe, which they claim could even rival Disney.

A deal between France and Saudi Arabia for three theme parks near Paris has been announced.

The project is expected to cost €6bn (£5.13bn) overall and will include a manga-themed park, inspired by the popular Japanese franchise Dragon Ball Z.

Little details have been revealed about the theme parks, but local media has reported that it could be built on the site of the former Mirapolis park in Val-d’Oise, which has been closed for 35 years.

The opening dates for the parks are not known yet, but they will be built near Cergy-Pontoise and expected to take years to construct.

French President Emmanuel Macron said that the development would be “extraordinary” and would create a “new global destination”.

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He also said: “Nothing like this has been seen since Disneyland Paris.”

The project is thought to have transpired from a conversation between Macron and bin Salman about their love for Japanese comics.

It is expected to create around 22,000 jobs.

Despite no details being revealed about the new theme parks yet, it is believed that the Dragon Ball Z theme park could be based around the park of the same theme currently being built by Qiddiya in Riyadh, Saudi Arabia.

The Riyadh theme park is set to have seven zones including Turtle House, Capsule Corporation and Beerus’s Planet.

There is also set to be a 70-metre high rollercoaster running through the park.

Overall, the Riyadh theme park is expected to have 30 themed attractions, five of which are set to be next generation rides.

Guests will be able to stay in themed hotels as well, and there will be a number of restaurants at the park.