drama

People looking for a gripping TV drama to watch have been recommended a BBC show that is leaving people ‘hooked from start to finish’. The programme features stars such as David Tennant and Stephen Graham

Deciding what to watch next has become a daily headache for millions of British viewers, thanks to the sheer volume of streaming platforms now available, including Netflix, BBC iPlayer, Disney+, Amazon Prime Video, and Apple TV+. But one influencer is on a mission to make that choice easier by sharing his top TV and film picks online. EccyReviews’ is the online handle of Luke Eccleston, a well-known UK-based content creator and self-proclaimed “TV fanatic” who regularly shares his must-watch television recommendations with his 5,000+ followers.

In one of his most recent posts, Luke put forward a TV suggestion for anyone “looking for a gripping new TV drama series to go and watch right now”.

He added: “You’ll be completely hooked from start to finish.”

The show in question is BBC prison drama Time. “Season 3 just dropped on BBC and I’ve binge-watched all three episodes and it is my favourite season by far,” he said.

Time is a critically acclaimed, BAFTA award-winning BBC series penned by celebrated British screenwriter Jimmy McGovern.

Each three-part series shines a spotlight on a different setting and ensemble cast within the UK criminal justice system, exploring themes of guilt, punishment, redemption, and institutional failings.

Season 1 centred on Mark Cobden (Sean Bean), a former teacher consumed by guilt after accidentally killing a man while drink-driving, who is subsequently sentenced to four years behind bars. It also features Eric McNally (Stephen Graham), a principled prison officer attempting to safeguard the inmates in his charge.

When a dangerous prisoner uncovers Eric’s weakness, he faces an excruciating decision between his professional obligations and his loved ones.

Series 2, meanwhile, relocated the action to a women’s facility, Carlingford Prison. It follows three women who arrive on the same day: Orla (Jodie Whittaker), a mother who tampered with her electricity meter; Kelsey (Bella Ramsey), a pregnant young drug addict; and Abi (Tamara Lawrance), a woman serving a life sentence carrying a tragic secret.

Compelled to share a cell, they forge an unlikely alliance to endure.

The most recent season, which recently dropped, has shifted attention to a Young Offender Institution. The narrative examines young men ensnared in the justice system following a tragedy, grappling with prison overcrowding and institutional collapse.

This instalment is fronted by David Tennant and Siobhan Finneran, who returns to her recurring role throughout the anthology as prison chaplain Marie-Louise O’Dell.

Since each season presents a self-contained narrative with a different principal cast, viewers can jump into any series without prior knowledge, though chaplain Marie-Louise serves as the connecting element throughout all three.

Discussing the latest series, Luke tells viewers: “I was gripped from start to finish and all the performances are brilliant.

“I guarantee that you will absolutely love this show.”

The recommendation proved a massive hit, with the post amassing more than 7,000 likes.

One person wrote: “Watched it all tonight – best thing I’ve watched for ages. Very violent and very sad. The writer spent a lot of time in these youth offenders prisons and was horrified at the conditions, it was all based on truth.”

Another added: “I have just started watching it, it’s brilliant very gripping.”

While a third added: “Totally hooked from the start! Talent is incredible.”

All series of Time are available to stream on BBC iPlayer now.

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Jimmy McGovern’s BAFTA-winning BBC drama is returning to screens with David Tennant and Siobhan Finneran leading the cast

Time returns tonight for its third but there’s some bad news for fans.

The wait is almost over for a brand new instalment of the gripping BBC drama which first began in 2021 and has featured the likes of Stephen Graham, Jodie Whittaker and Bella Ramsey.

Creator Jimmy McGovern explained that while the first series focused on a male prison and the second series was based on a female prison, he knew he wanted to focus on young offenders next, but didn’t have a story.

That was until he found a real-life story in his research about a mother going to see her son in a young offender institution, whom she hadn’t seen for years. Although she didn’t speak English and he didn’t speak her language, which Jimmy shares is Swahili, in their BBC story.

However, the creator has shared that the upcoming series, which will being on Sunday night (October 11) will be its last. Speaking to RadioTimes, he said: “There’s very little altruism involved with these stories. I do them because I love doing them, although I think this will be the last time. I have said that many a time before, though, because these are also stories I feel bound to tell.”

A synopsis for the third series of Time details that viewers will see two young offenders struggle through the terrifying first weeks and months of their incarceration. However, an unlikely friendship between them looks to shift the trajectory of their futures.

The description further reads: “Meanwhile, Prison Chaplain Marie-Louise (Siobhan Finneran) comes to the young offender institution having lost her faith.

When tragedy strikes in the prison, Marie-Louise clashes with veteran officer Bailey (David Tennant), a man in the midst of his own crisis. Bailey knows more about the circumstances that led to this major incident – but will he come clean before the guilt gets too much?”

Since the series first began five years ago, it’s been highly praised by viewers, with some hailing it as a masterpiece. On Rotten Tomatoes, one person has said: “Absolutely riveting drama, a must-watch from start to finish. Brilliantly acted and excellent plot.”

Meanwhile, on IMDb, another added: “I expected a mediocre show, but got a well-crafted masterpiece. In its two seasons, each with three episodes, ‘Time’ tells the stories of two people who are imprisoned for the first time and, in my opinion, it does this excellently” While a third wrote: “Serious, realistic and brutal. If you want to see something serious and realistic, this is for you.”

Also joining David Tennant and Siobhan Finneran in the third series will be Vinette Robinson, Jo Joyner, Daniel Ryan, Warren Brown, Louis McCartney, Ollie McNulty and Chukwubuikem Molokwu will star in the third series.

Time airs on Sunday, October 11 on BBC One at 9pm

Winner of the Palme d’Or at this year’s Cannes Film Festival, still among the most prestigious prizes any movie can claim, “Fjord” aims for both a quiet, subtle power and the directness of a sledgehammer. It speaks to the skill of Romanian writer-director Cristian Mungiu, along with the star power and acting prowess of its leads, Sebastian Stan and Renate Reinsve, that the film achieves those goals, creating a mix of feelings including ambivalence, shock and dismay over what people will do to one another in the name of a common good.

Having recently moved from Bucharest to a remote village in Norway, a conservative, devoutly Christian couple and their five young children have begun to insert themselves into the fabric of their new community. Mihai, the Romanian father (Stan), is a little intense and gloomy; Lisbet (Reinsve), a Norwegian, is shy but kind, and their focus seems clearly on what they see as a warm, loving homelife.

But when their children are suddenly taken into protective custody over allegations of abuse, they find their world turned upside down. Eventually, the father asks a prosecutor with equal parts anger and exasperation, “Am I on trial for my beliefs?”

The official answer to that question, more or less, is both no and yes. The government’s position is that the children cannot be placed back into a home where they will be harmed, whether that means physical violence or indoctrination in ideology counter to that of the state’s, such as no dancing, no internet and that being gay is wrong.

Based on actual events involving a Romanian family in Norway in 2015, “Fjord” is purposefully designed to make a viewer — any viewer — question their assumptions and predispositions regarding the relationship between personal liberty and state power. While this may all sound a bit reactionary or like shooting fish in a barrel, Mungiu wisely complicates matters.

The filmmaker, a previous Palme winner for his 2007 abortion drama “4 Weeks, 3 Months and 2 Days,” presumably knows that the majority of the audience for his international art-house domestic drama will be more aligned with the liberal, progressive politics of the Norwegian state than the religious, conservative couple at the story’s center. So most audiences will automatically be put into the purposefully uncomfortable position of siding with people they would never see themselves inclined to agree with. It is Mungiu’s sharpest and most illuminating maneuver.

Once the story moves to the courtroom, “Fjord” begins to resemble 2023’s “Anatomy of a Fall” — another Cannes-winning champ released in the U.S. by boutique distributor Neon — for the way in which it allows American viewers a glimpse into another country’s legal system. It comes off as more conversational and slightly more chaotic than what we are used to in our own domestic courtroom procedurals. As the government prosecutor, Norwegian actor Christian Rubeck gives a smug and condescending tone to nearly every word out of his mouth, becoming the closest thing the movie has to a villain.

Having previously appeared together in the offbeat comedy “A Different Man,” Stan and Reinsve keep the story from feeling like a dour exercise. As Mihai, Stan puts across a low-simmering rage at being put in the position of defending himself at all, while grappling with how to maintain what he sees as his natural role of patriarchal control. Reinsve, known for more outwardly dynamic roles in “The Worst Person in the World” and “Sentimental Value,” here conveys a subdued nuance as Lisbet struggles with understanding her place between her husband and her children.

The moment when the couple’s infant child is taken from them by the authorities is devastating, each of them capturing a sense of helpless isolation from themselves, their community and each other.

Special mention should also go to the performances by Vanessa Ceban and Jonathan Ciprian Breazu as the couple’s teenage children, also to Henrikke Lund-Olsen as a neighbor girl who becomes close to them. These young performers are the film’s secret weapon, since in practical, lived terms they bear the brunt of the existential hand-wringing on the part of all the adults. And too often they become an afterthought.

The poster and key image from the film is a smiling snapshot of Mihai and Lisbet with their children, a seemingly happy family. Or are they? For a movie so steeped in ambiguity and nuance, it also often states its case quite plainly, such as when the couple’s lawyer says no one can really know what goes on in another family. The film asks one to look closer, not just at others but also at one’s own accepted opinions, assumptions and preconceptions. But it ends up with an outcome that feels as sadly inevitable as it is heartbreaking — an ethical knot that cannot be undone.

Hit Northern Irish police series, Blue Lights, aired its second episode on Tuesday night with the series also available to watch in full on BBC iPlayer

Blue Lights recently returned with series four.

The hit Northern Irish police series is back with its fourth season, which is available to watch in full on BBC iPlayer now, and Tuesday night saw episode two air.

A teaser for series four reads: “Three years into their jobs as response officers, Constables Grace Ellis, Tommy Foster, and Annie Conlon are operating at their limit, facing a new threat on the streets that the police can barely control.

“Meanwhile, the murder trial of Gerry Cliff exposes a dangerous and long-buried secret that leads to chaos both inside the police and across the criminal underworld.

“As they grapple with big decisions about their future, Grace, Tommy and Annie must find the courage to face the greatest threat they have ever encountered: the truth.”

Meanwhile, a synopsis for episode two saw: “In the wake of the attack on Amira, Grace’s determination puts her in danger, while Mo spirals further with violent consequences.”

Many fans have already binged series four, taking to Twitter, now X, to share their thoughts one person said: “Such a brilliant show. Season 4 binged over 2 days. Not sure where it goes from here, would love more. I grew up with Cagney & Lacey, that really made me smile #BlueLights.”

Another viewer wrote: “@BBC thank you for another brilliant series of #bluelights, hopefully they’ll find a way to come back for a fifth season.”

A different account put: “Just finished episode two of #BlueLights it’s brilliant! No spoilers!” while another person added: “Two episodes into #BlueLights S4, @sgfmann you were indeed correct, it’s great – gripping & so pertinent.”

Elsewhere, another show watcher praised: “Just finished S4 of #BlueLights, surely one the best cop dramas ever produced, the writing, acting and filming are all top notch.

“Edge of my seat every episode. If that was the last, then what a way to go out! Deserves every award coming it’s way!”

While a different account added: “Finished watching #bluelights series 4 . I hope the BBC plan on doing more it’s probably one of the best shows I’ve watched on the beeb in recent years .. not sure how exactly most storylines seemed to be wrapped up!”

Blue Lights is available to watch on BBC One and BBC iPlayer

Call the Midwife star Natalie Quarry has taken on a brand new role away from the BBC period drama

A Call the Midwife star is set to appear in another period drama.

The BBC has confirmed Natalie Quarry, who played Rosalind Clifford in beloved series, will star in the forthcoming six-part series, Hercule.

The exciting drama, which has commenced filming in Liverpool, will centre around three of Agatha Christie’s early stories, while also introducing Hercule Poirot to future friends and allies and one particular nemesis.

The show, from Mammoth Screen and Agatha Christie Limited, has been described as “an intimate study of Hercule Poirot, the man, and an epic portrait of Britain between the wars.”

Actor Edward Bluemel takes on the lead role of Hercule Poirot, and is best known for his roles in Killing Eve and A Discovery of Witches. He is the youngest to take on the role created by Agatha Christie back in 1916.

Also starring in the drama is Death in Paradise star Ralf Little who joins the star-studded cast alongside Emily in Paris star Paul Forman, It’s a Sin star Omari Douglas, The Beauty’s Jessica Alexander, and The Souvenir’s Honor Swinton Byrne.

Widely regarded as one of the greatest detectives in fiction, Hercule Poirot has sold over 750 million copies, captivating readers and audiences for more than a century.

Sharing excitement for the new Agatha Christie series, James Prichard, the great-grandson of the famous author, and executive producer for Agatha Christie Limited, said: “My father had the privilege of working with David Suchet for nearly 25 years, and I now have the good fortune of being able to share my great-grandmother’s brilliant stories with a new generation of viewers.”

He added: “Edward Bluemel is an extremely talented performer and will make a great addition to the long line of actors that have played this celebrated character, aided and abetted by Benji Walters’ thoughtful scripts. I cannot wait to see Edward on screen as Hercule Poirot.”

Who is Natalie Quarry?

Actress Natalie Quarry joined the Call the Midwife cast in its 13th season as a student midwife, Rosalind Clifford, and has since become a fully-fledged practitioner among the nuns and nurses at Nonnatus House.

In the most recent series, which concluded earlier this year, she became involved with the Women’s Liberation Movement and found love with local social worker Cyril Robinson (Zephryn Taitte), but their relationship has been a topic of discussion among the locals.

Away from the BBC period drama, Natalie has also starred in Doctors, Atlanta, and Blitz.

Call the Midwife can be streamed on BBC iPlayer

“Tip Toe,” a fine new drama from Russell T Davies premiering Friday on Starz, begins at the end, with Leo Struther (Alan Cumming, phenomenally good), a gay Manchester bar owner, hanging dead from a streetlight outside his house, as a woman screams and his neighbor Clive Goss (David Morrissey) stands breathing heavily on his porch. Then, as so many series do nowadays, it goes back in time — 10 days here — to tell the tale that got them there.

And so you are prepared from the beginning for tragedy, though not everything that happens in its five episodes will be tragic — some of what we see will be sweet and even celebratory — and one might forget for a moment where this is all heading, and even believe that what we’ve already seen will turn out differently.

The series sets off in a comparatively light mood. Chasing a one-night stand who’s stolen his laptop, Leo finds he’s locked himself out of his house, and, dressed only in his underwear, goes next door to ask if he can borrow a phone to call his friend Stephanie (Elizabeth Berrington) to bring him a spare key; here we meet the Goss family, Clive, an out-of-work electrician; his wife, Marie (Pooky Quesnel), who doesn’t like Clive; 16-year-old son George (Jackson Connor), gay and closeted; and 25-year-old son Saul (Joseph Evans), an easygoing hunk who lives at home, secretly makes money on OnlyFans and accepts everyone for who they are. Leo and the Gosses have been living amicably at arm’s length for 14 years, though their lives are about to become closely entwined, with disastrous results.

In an act of something like willful, somewhat disturbing friendliness, or a desire not to have to deal with Leo the next time he’s locked out, Clive makes a copy of Leo’s key and installs a lock box by his door. (By the Chekov’s gun rule, a key copied in Episode 1 is bound to be turned in a lock in whatever later act Davies deems advantageous.) Then, Leo gives Clive work at his bar.

Alan Cumming and David Morrissey play neighbors whose relationship escalates to violence in “Tip Toe.”

(Ben Blackall / Starz)

Leo’s bar, Spit and Polish, sits on Canal Street in Manchester’s long-established “gay village.” It’s a safe space for his employees and regulars, including Zee (Iz Hesketh), who’s been sleeping hidden in the bar, frightened of new flatmates since coming out as a trans woman, and Melba (Paul Rhys, brilliant), a former drag performer who holds down the end of the bar like Norm from “Cheers” and carries a torch for Leo.

Things will go generally downhill from here, in a narrative of escalating misunderstanding — not in the sense of an innocent mistake, of simply getting the wrong end of the stick (though that’s part of it), but as a contemporary habit of mind, blinkered, closed to facts but open to conspiracies. (Clive, a consumer of social media disinformation, believes that AIDS and COVID are fake); he lives in fear.

Directed by Peter Hoar, it’s a rough watch, yet beautifully wrought and delicately performed, inspiring and depressing, hopeless and hopeful by turns Davies has points to make — hanging your protagonist is not subtle — but his dialogue carries a lot of weight lightly; long conversations ebb and flow and rise and fall like compressed playlets. If there is something schematic about the arc, the characters within it, Clive as much as Leo, are completely human. They stand for something bigger than themselves, but they also stand for themselves.

Davies brought gay life in its infinite variety to television with the 1999 series “Queer as Folk” (also set on Canal Street) and gender fluidity to “Doctor Who,” the series he revived in 2005 and returned to in 2023. (The Tardis is currently in limbo.) His “Cucumber,” about middle-age gay men, and “Banana,” about young LGBTQ+ people, are also set in Manchester, where Davies has lived since the late 1980s. “Tip Toe” has been crafted for an age of surging homophobia and anti-gay violence. “The president of America has given these men permission to attack us,” says Melba, as he sits with Leo late one night by the canal. The series’ dark prophet, he gives it its title.

“It’s a storm, it’s a tide, it’s a great big tsunami. We’re in the middle of it right now … If you’d asked me in 1996 what do you think 2026 will be like, I’d have said ‘glory days’ … But they tricked us didn’t they? They let us all come out, so now we’re standing in he open ready for them to shoot us down. I used to walk into a room and just go, ‘Ta-da!’ Now I tip toe, just in case.”

MIS-TEEQ’S Sabrina Washington has made a huge U-turn as she AXES her own solo tour and issues a grovelling apology to fans after sparking mass confusion.

The singer has cancelled her upcoming tour just mere days after seemingly parting ways from the hit band and announcing her solo career plans.

Just days after Mis-teeq’s sold-out 25th anniversary reunion concert in London, Sabrina declared that there would be no further Mis-Teeq dates or new music – which left fans completely baffled.

But now she has sensationally backtracked on all of that.

In a statement shared on social media, Sabrina said: “I have been paying close attention to what people have been saying, reading the comments and trying to understand what you genuinely want to see from me.

“And one thing has come through very clearly: there is a strong desire to see the three of us perform Mis-Teeq’s greatest hits together again.”

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She went on: “Ultimately, I don’t want to push ahead with a solo tour when I know there is such a strong feeling among fans about seeing Mis-Teeq together again.

“So, with a heavy heart, I have decided that the right thing for me is to cancel the tour.”

Sabrina added: “This is not a decision I have taken lightly. But for me, the fans have to come first.”

She noted that although she is cancelling the tour, she is not putting her own music to one side.

“I have been working on new solo material,” she revealed in the statement.

She then addressed her comments about going solo and Mis-teeq having no new plans in the pipeline.

“I now understand that my plans may not have been fully communicated to Alesha and Su-Elise before the announcement.

“Looking back, I could have shared more detail with management and spoken to the girls directly beforehand, and for that I am sorry.”

Sabrina added: “I have never closed the door on Mis-Teeq. I said on GMB, and I want to say again: I would never say no to another Mis-Teeq show.

“If the right opportunity came along and the three of us all wanted to do it, I would absolutely be open to that.”

Fans were quick to brand her “courageous” and “brave” for speaking out, though some were annoyed as they had already booked tickets to her now-axed solo tour.

The Sun exclusively revealed last week that the Scandalous hitmakers would be going their separate ways following their recent sold-out reunion gig.

Sabrina, Alesha Dixon, 47, and Su-Elise Nash, 45, brought the house down as they took to the stage to mark 25 years since their debut album Lickin’ on Both Sides.

But soon after the performance, Sabrina revealed she planned to go solo.

Speaking exclusively to The Sun last month, she said: “We have had such a massive year together and I’m really proud of what we achieved. 

“We got to come back 25 years later, perform together again and finish with a sold-out Wembley show.

“It was a really special way to celebrate everything the three of us created together.

“But there aren’t any further Mis-Teeq dates or new music planned and we’ve all gone back to doing our own things now.

“For me, though, I wasn’t ready for the celebration to end there.”

Netflix viewers have hailed this latest ITV release as an “utterly absorbing” watch.

ITV viewers can’t get enough of this forgotten “brilliant” drama from a Peaky Blinders legend.

Peaky Blinders might be over but fans are still discovering some of its stars’ best work years before they even stepped foot into Tommy Shelby’s (played by Cillian Murphy) chaotic world.

One series that’s just started to grab fans’ attention is three-part ITV drama Leaving which originally made its debut 13 years ago.

Leading the cast is none other than actress Helen McCrory who portrayed Polly Gray, the dangerous matriarch of the Shelby family in Peaky Blinders’ first five seasons.

She isn’t the only recognisable face though in Leaving as McCrory is joined by Masters of the Air star Callum Turner who married singer Dua Lipa earlier this year.

Leaving revolves around 45-year-old wife Julie Ranmore (Helen McCrory) whose job as a hotel events manager keeps her from thinking too much about her loveless marriage. But things quickly change when she is introduced to unemployed 21-year-old Aaron (Callum Turner) who is still living with his parents.

They start working at the same hotel and what starts off as a flirtationship quickly escalates into a full-blown affair with the couple having to deal with the consequences.

Taking to IMdB to sing the show’s praises, someone simply described it as a “little gem”.

A fellow viewer said it was “utterly absorbing”, adding: “Brilliantly acted, often tense and heartbreaking, this is an outstanding drama…the late Helen McCrory gives an unforgettable performance.”

Another labelled it as “maddening all the right ways” and others hailing it as perfect for a “little binge on a rainy afternoon”.

McCrory sadly died of breast cancer in 2021 at the age of 52, keeping her illness private and only telling those closest to her.

She died ahead of the sixth series of Peaky Blinders being filmed which was postponed during the coronavirus pandemic.

Her husband and Homeland star Damian Lewis said at the time she had a “heroic battle with cancer”, stating that she was a “beautiful and mighty woman”.

He added: “She died as she lived. Fearlessly. God we love her and we know how lucky we are to have had her in our lives.”

Leaving is available to watch on Netflix.