While Fuchs’ first senior managerial role saw him win just nine of 31 matches in charge of the Exiles, he got off to a victorious start in cricket whites.
Bowling first, Fuchs returned figures of 2-20 from his 3.2 overs and also contributed to a run out as Grindleford dismissed Riverside Notts for 150.
“His bowling, he was throwing it but it was alright,” Mahmood laughed.
“It was his first game, so it is what it is. We gave him the benefit of the doubt and didn’t say anything to him.”
During the run chase, Fuchs batted at number six, scoring 12 runs off 18 deliveries, including a four and that six as Grindleford triumphed by one wicket.
“When he got out, he was chatting to all of us. He was a very, very nice guy,” added Mahmood.
“It was a surprise to actually see him there because it was so random. It’s a random game on a Sunday and we just see a Premier League winner there.”
Fuchs is not the only former footballer who has swapped between the two sports later on in life.
Former England goalkeeper Nigel Martyn plays for Cornwall’s over-50s side. Ex-Liverpool and Manchester City midfielder Dietmar Hamann once represented Cheshire side Alderley Edge’s second team while still contracted at City.
Current Newcastle United midfielder Sean Longstaff is also spending his summer break playing for Tynemouth in Division 1 of the North East Premier League.
During his football career, Fuchs made more than 650 appearances for club and country that included six seasons at the King Power Stadium.
As well as winning both the Premier League and the FA Cup, Fuchs won 78 caps for Austria and was captain at Euro 2016.
Great Britain’s Ben Whittaker marked his American debut with an impressive second-round victory against Richard Rivera at Barclays Center in Brooklyn.
The flamboyant Whittaker dropped the American at the end of the first round with a right hand, although Rivera pointed that the punch had caught him on the back of the head.
But Whittaker, nicknamed ‘The Surgeon’, clinically caught his rival with a left-hander at the start of the second and, although Rivera staggered to his feet, the referee stopped the light-heavyweight bout.
The win improved Whittaker’s record to 12 wins and a draw from his 13 professional fights, while Rivera suffered the third defeat of his 30 fight career.
“Brooklyn, that’s how you do it man,” said Midlands boxer Whittaker, who is renowned for his showboating and did a little dance at the end of the first round on the way back to his corner.
The fight took place on the undercard of Xander Zayas, who attempted to defend his WBA and WBO super-welterweight titles against Jaron Ennis.
But Zayas succumbed to a seventh-round stoppage, with the referee ending the contest after the Puerto Rican boxer had been knocked down for a third time in the fight.
It was the first defeat Zayas had suffered in his 24-fight career, while unbeaten American Ennis has 36 wins from as many fights.
THE two nepo-baby sons of an iconic American pop star have made their modelling debut at Paris Fashion Week – can you guess who their mum is?
Her debut single skyrocketed her to fame in the late 1990s and at the time she was just 16-years-old.
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Sean Preston Federline made his debut at Paris Fashion WeekCredit: GettyJayden Federline was also spotted on the runway of Vetements’ Spring/Summer 2027 showCredit: GettySean and Jayden’s famous mum is none other than music legend Britney SpearsCredit: @britneyspears / instagramBritney Spears is best known for her hits Baby, One More Time and Oops!… I Did It AgainCredit: Getty
The hitmaker, from Louisiana, bagged herself nine Billboard Music Awards, one Grammy and one American Music Award throughout the years she was actively performing and making new music.
She is best known for her tunes Toxic, Baby, One More Time, Oops!… I did It Again and Gimme More.
The princess of pop thrilled her millions of fans with her high-energy performances, memorable outfits and complex dance moves.
Her most unforgettable moment was perhaps when she danced to I’m A Slave 4 You at the VMAs with a huge yellow python.
Singer Britney Spears was spotted with her sons Sean (right) and Jayden (left) at the Los Angeles Premiere of Smurfs 2 in 2013Credit: GettyBritney Spears was arrested earlier this year and charged with a DUICredit: @britneyspears / instagram
The legendary singer in question is of course Britney Spears.
Her two sons – Sean Preston and Jayden – made their official runway debut in Paris on Friday.
Ferrari has announced that Enrico Galliera, its chief marketing and commercial officer of more than 16 years, will step down, handing one of the most sensitive jobs in the luxury car world to an outsider.
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His successor, Massimiliano Di Silvestre, the former head of BMW’s Italian business, takes over on 1 July and will report directly to CEO Benedetto Vigna.
Galliera’s exit comes barely a month after Ferrari pulled the covers off the Luce, its first fully electric model, which received a reception few at the company were happy about.
The car, whose edgeless styling was developed with LoveFrom, the design studio founded by former Apple design chief Jony Ive, broke sharply from Ferrari’s traditional look and drew swift ridicule from enthusiasts and investors alike.
The backlash was unusually public for a brand accustomed to adoration.
Ferrari’s shares fell more than 8% in a single session after the reveal, a sharp market verdict on one of the industry’s most valuable names.
Critics lined up to attack the design, among them the company’s own former chairman, Luca Cordero di Montezemolo, who warned that the brand was risking the destruction of a legend and went so far as to suggest the famous badge be removed from the car.
Italy’s deputy prime minister, Matteo Salvini, joined in, questioning the four-door model’s price, which starts at €550,000.
However, Ferrari has firmly rejected any link between the criticism and Galliera’s departure.
According to the company, he had decided to move on some time ago and agreed to remain in place through the Luce launch before pursuing what it described as a new chapter in his career.
Vigna praised his contribution and framed the change as part of the brand’s evolution rather than a reaction to it.
An outsider for an uncertain road
Whatever the motivation, the choice of replacement is telling.
Di Silvestre brings more than two decades of experience in the premium car market, having steered BMW Italy since 2019, and represents a rare move by Ferrari to recruit its commercial chief from a rival rather than promote from within.
He inherits the task of selling an electric Ferrari to a clientele that pays a heavy premium for exclusivity, at a moment when demand for high-performance EVs has cooled.
Ferrari maintains that interest in the Luce remains strong, though investors will not get a clearer picture until the company reports its second-quarter results on 30 July.
Romeo Beckham has made his acting debut in a gay tennis movie – as he flirted with his co-star in a first look of the filmCredit: Studio CanalRomeo has modelled for the biggest luxury brands like Yves Saint Laurent and Balenciaga for yearsCredit: PA
Romeo stars opposite Paul Kircher (The Animal Kingdom), Guillaume Canet (Sink or Swim) and Benjamin Voisin (The Stranger).
The movie, Forty Love, centres around Sacha Gallo, a tennis superstar who’s been training with his father to win a major trophy in Paris.
But the arrival of a charismatic new rival — played by Romeo — challenges everything Sacha thought he understood about competition, ambition and himself.
The synopsis reads: “For the first time, he faces an opponent of an entirely different nature — love.
Romeo and his girlfriend Kim Turnball recently attended his father’s Hollywood Walk of Fame Star CeremonyCredit: GettyRomeo is the son of David and Victoria BeckhamCredit: GettyRomeo was recently seen on the catwalk at the Burberry show during London Fashion Week.Credit: PARomeo and his girlfriend Kim Turnbull recently enjoy a Harrods picnic togetherCredit: Instagram
“A force as exhilarating as it is destabilizing — and far more dangerous than anything he has encountered on the court.”
Fans flocked to comment on social media and one wrote: “Romeo picking a debut where the rival becomes the love interest is bold casting.”
Another said: “Watching this to see if romeo can sell the moment the match turns personal.”
A third said: “Beckham energy meeting soft tennis drama is giving unexpected but welcome character arc.”
“This setup turns every serve into a metaphor and i’m here for it,” said another.
While a fifth wrote: “From the football pitch to a romance film…. That’s an unexpected career move. Wishing him the best for his acting debut.”
Forty Love marks the first directorial outing by renowned fashion photographer Pierre-Ange Carlotti.
The film is produced by Hugo Sélignac and Paco de Bary at Chi-Fou-Mi Productions, a Mediawan company, and co-produced by Studiocanal and Manna Studios.
Spanish painter Nieves González arrives in Los Angeles for her first U.S. solo exhibition having already experienced a taste of fame.
The 29-year-old caught the attention of the art and fashion worlds last year after being discovered on Instagram and commissioned to paint the cover of Lily Allen’s album “West End Girl.” Depicting the singer as a Baroque aristocrat clad in contemporary designer fashion, the portrait helped propel González onto an international stage.
Collectors have taken notice. The 13 paintings in “A Friendship Story,” opening Saturday at Richard Heller Gallery in Santa Monica, have already sold out, according to the gallery, with prices ranging from $4,000 to $20,000.
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Elle magazine dubbed González “Fashion’s Favorite New Artist,” while exhibitions in Rome, Paris, Belfast and Bilbao, Spain, expanded her reputation across Europe.
González developed her classic yet defiantly modern approach while studying at the University of Seville, where Spanish masters such as Diego Velázquez and Francisco de Zurbarán painted in the naturalist Baroque tradition. Drawing liberally from fashion, art history and everyday life, she often dresses the subjects of her portraits in puffer jackets — garments she wears herself during the cold winters of Granada, Spain, where she lives. The material, she said, recalls the sculptural rendering of fabric in paintings by Zurbarán and Velázquez: the folds, the volumes, the high shine.
Nieves González often dresses her subjects in puffer jackets.
(Genaro Molina / Los Angeles Times)
“It works beautifully from a visual standpoint,” she said, speaking Spanish during an interview at Santa Monica’s Bergamot Station a few days before the exhibition opened. Wearing blue jeans and a pink button-down blouse, she echoed the pastel blues and pinks that appear throughout many of the works surrounding her.
“Fashion inspires me,” she said. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same,” she said. “The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”
This fall, González’s painting “La Sfida” (2025) will appear in the Städel Museum’s exhibition “Mary Magdalene. Sin. Pray. Love” in Frankfurt, Germany, alongside works by Lady Gaga, Marlene Dumas and Auguste Rodin. The painting depicts Mary Magdalene with long, flowing hair, draped in a regal red garment and clutching a skull — a contemporary interpretation of one of Christianity’s most enduring figures.
“Nieves González is the youngest of these artists and, at the same time, probably the one who most closely follows in the tradition of the Old Masters,” curators Bastian Eclercy and Stefan Roller wrote in an email.
The Santa Monica exhibition marks an evolution from the paintings that established González’s reputation. Earlier works often centered on solitary women posed with the self-possession of royal portraits or religious icons. “A Friendship Story” focuses on relationships between pairs of women, exploring friendship, intimacy, support and shared experience.
For González, friendship is one of the most profound aspects of women’s lives and a subject she felt deserved greater attention in painting.
Victoria Rios, a curator who works with González, said the artist’s paintings “rewrite the narratives of the past, rewrite the history of martyrdom and place women at the center.”
“Nothing in her painting is arbitrary,” Rios said in an email. “Every formal decision is also an ethical one.”
“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” Nieves González said. “It seemed like a way to elevate the concept of friendship.”
(Genaro Molina / Los Angeles Times)
González frequently turns art historical conventions on their head. In “Salir a robar caballos: Go out to steal horses,” she replaces the archetypal portrait of a gallant man on horseback with two young women dressed in puffer and vinyl jackets, posed like contemporary Amazons atop rearing horses.
“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” González said. “It seemed like a way to elevate the concept of friendship. It also has an element of play, adventure and fun, since having fun is part of the bond too.”
The artist also sees her work through a feminist lens.
“We live in a patriarchal society, and so, unfortunately, I belong to the oppressed segment of that society, and my work relates to that,” she said. “It stems from a struggle, an understanding and a process of redefining concepts that we have historically established as normal, natural and habitual.”
“I am interested in portraying us as brave and powerful, sometimes even with an air of haughtiness,” she said.
Another painting, “Something’s crossed over me and I can’t go back” (2026), captures González’s fusion of historical and contemporary references. Two women dressed in green and pink fur cradle each other’s heads, reimagining medieval depictions of cephalophores — Christian martyrs who carry their severed heads while continuing to preach or pray.
The title comes from a pivotal line in the 1991 film “Thelma & Louise,” marking the turning point for Geena Davis’ character Thelma, fully committing to her ultimately fatal adventure with Susan Sarandon’s Louise.
Nieves González, “Holding You,” 2026 (oil on canvas).
(Genaro Molina / Los Angeles Times)
González builds each painting from what she calls a “Frankenstein” — a digital composite assembled from archival photographs, found images and reference material. The painting process then takes over. A mid-project visit to the Prado Museum in Madrid, for instance, might send her back to the digital sketch to pull in a compositional element from Velázquez before returning to the canvas. “The final result often ends up being completely different from what I initially envisioned,” she said.
Heller began representing González, whom he calls an “original voice,” last year after being introduced to her work by another painter.
Staging her first U.S. solo exhibition in Los Angeles rather than New York reflects what he sees as a more relaxed environment for an emerging artist, without the glare and expectations of the New York art world.
“L.A. feels a little less constrained,” Heller said. “It feels a little more free.”
González’s portrait of Allen is currently on view at London’s National Portrait Gallery, hanging in the same room as a self-portrait by David Hockney. She said while it “has been very significant in terms of media exposure,” exhibitions and professional opportunities were already in motion before the album cover brought wider attention.
“I’ve always said that what I want to do in life is make a living from painting,” she said.
Mission accomplished.
‘Nieves González: A Friendship Story’
Where: Richard Heller Gallery, 2525 Michigan Ave. #B-5A, Santa Monica
MYLES Smith reveals he was physically abused by his father in his heartbreaking debut album My Mess, My Heart, My Life.
The Luton-born star, who was raised by his mother Deborah, recalls his difficult childhood in emotional tracks My Mess and Grandma’s House.
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Myles Smith’s debut album My Mess, My Heart, My Life, delivers a powerful and honest record inspired by pain and life’s struggleCredit: GettyHeaven is sure to become a live staple for Myles, who has more than proven he can go up against the greats when it comes to writing about love and lossCredit: Splash
Created over the past three years, as Myles’ career went stellar thanks to his 2024 runaway hit Stargazing, the star takes his fans back to his beginnings.
Lead track My Mess reduced me to tears as Myles regaled his relationship with his father against a backdrop of an upbeat, acoustic guitar.
He sings, “I was born into a fractured family, where a word can start a war.
“Lost my tongue, when I spoke my peace, yeah he grabbed my shirt and he bruised my cheek.
“Sad a man had to go toe to toe with a boy thirteen.”
Emotion-packed Grandma’s House, where Myles, 28, recalls finding his safe space as his mum Deborah worked to make ends meet, is packed with emotion and reflection.
On the track he sings: “Take me back to my Grandma’s place.
“I was 7 years old when I learnt how to cook, and 10 when I started to sing.
“Oh she’d bring me to church, and she’d cover my ears, when my Dad would scream horrible things.”
Myles’ signature acoustic guitar underpins every track, with Hate You untangling the realities of navigating love and Sertraline seeing Myles exploring mental health and complexities surrounding it.
This is an album for the brokenhearted and the hopeful, with the beautifully worded Lifetime and the dreamy vocals on Heaven – which is my favourite song on the record – seemingly bringing Myles’ the happy ending he’s been searching for.
Over the past two years, Myles has grown in prominence – winning the Brit Awards Rising Star gong as well as earning an Ivor Novello Award for Stargazing.
To date Myles has amassed over 4.7billion streams worldwide and is one of our country’s most exciting new stars.
Opening up about the record, Myles said the album was born out of “therapy notes, old memories, relationships, insecurities, heartbreaks, mistakes and all the moments that shaped me.”
The latter half of the album moves towards a positive note, with Nice To Meet You and Gold showing Myles coming out on the other side.
Myles said: “It was important to end the album, and particularly this project on a high.
“I feel like I always try to mirror my music with my live shows and my live shows are always about taking people on an emotional journey and then sending you home happy.
“It is that sense of hope which lingers on as Gold closes the album.
“Even though I may appear miserable for a lot of this album, I genuinely always walk with hope and I walk with joy at the end of the day.”
Heaven, mark my words, will become a live show staple for Myles, who with My Mess, My Heart, My Life has more than proven he can hold up against the greats when it comes to writing songs about love and loss.
★★★★★
Lotts of stars at V&A
It was all-white on the night for Pixie Lott at the V&A Museum’s summer partyCredit: GettyMaya Jama also chose white to impressCredit: GettyJessie Ware sang live at the bashCredit: Getty
It was all-white on the night for Maya Jama and Pixie Lott as they stood out in these dresses at the V&A Museum’s summer party.
They were joined at the bash by model Leomie Anderson, in an open white suit with gold jewellery, Ellie Goulding sporting a blazer dress, and Sir Mick Jagger with his fiancee Melanie Hamrick.
Once inside the museum, in London’s South Kensington, guests got the chance to schmooze around the exhibits, while Jessie Ware sang live in a sequin gown.
With tickets flying for her autumn tour, they were lucky to see her.
But access to the fundraiser, for those who did pay, cost £3,999. That is one expensive night out.
Ellie Goulding was sporting a blazer dressCredit: GettyModel Leomie Anderson wore an open white suit with gold jewelleryCredit: Getty
KAISER CHIEFS frontman Ricky Wilson will play Teen Angel in Grease: The Immersive Movie Musical.
The show is being put on by Secret Cinema from July to September at Evolution London in Battersea Park.
Singer Ricky Wilson will play Teen Angel in Grease: The Immersive Movie MusicalCredit: Getty
Ricky, left, said: “At school I was in Grease. I was not yet the pop sensation I am today and I only really wanted to do it because I fancied the girl who played Frenchie,
“I was Doody, so this is my chance to show everyone I should’ve got a bigger part.
“I don’t believe anyone from that production is now a professional singer – so in short, I win.”
Sian’s up for toy techover
Capital Breakfast’s Jordan North and Sian Welby, above, have landed roles in Toy Story 5Credit: Getty
You will hear some surprisingly familiar voices in Toy Story 5 if you head to the cinema this weekend – as Capital Breakfast’s Jordan North and Sian Welby have landed roles.
They voice a garden gnome and inflatable flamingo in the long-awaited Pixar sequel, and mum-of-one Sian has high hopes for its impact.
Speaking about the film, which is about tech replacing toys, Sian, right, said: “I do think it’s going to start a massive conversation about screen time.
“It made me want to smash every bit of tech in my house and just get out in the grass and play all the games that I did growing up.
“I think a lot of us are going to watch it and feel guilt. It’s sad we have to grow up so fast because there’s so much magic when you’re younger.”
Best-selling novel One Day is coming to the West End as a musical.
The David Nicholls love story – which has previously been adapted for both the big and small screen – will premiere at London’s Garrick Theatre on November 17, following shows in Edinburgh earlier this year.
Tissues and jazz hands at the ready.
MNEK is back in reverse
MNEK is releasing his first album for eight yearsCredit: Maja Smiejkowska
MNEK is returning with his first album in eight years.
The singer has today released the single Reverse!!, which samples Lethal Bizzle’s Pow! (Forward) and will be on his Bulldozer record this autumn.
Also out now is Jax Jones’ Pulling Me Back, Tiny Habits’ Anything He Was featuring Matty Healy from The 1975 and Grow Down by Luca George.
Ahead of his opening night in Jesus Christ Super-star in London, Sam Ryder has released What’s The Buzz.
And to support England’s World Cup efforts, Kerry Katona has re-recorded Atomic Kitten’s Whole Again as Home Again to raise cash for kids in care.
She said: “Even if you think it’s s***, please download it so we can give back.”
If there is a stage that is too big for Erling Haaland, we’re yet to find it.
A hat-trick on his Champions League debut for RB Salzburg, a hat-trick on his Bundesliga debut for Dortmund, a double on his Premier League debut for Manchester City, and now two goals on his World Cup finals debut, inspiring Norway to a 4-1 win over Iraq.
The 2026 World Cup might be six days in, but it felt as if it really began on Tuesday, with Kylian Mbappe inspiring France to a 3-1 victory over Senegal with two superb goals which made him Les Bleus’ all-time leading scorer.
Little over an hour later, Haaland strode out for his first World Cup appearance and picked up the gauntlet thrown by Mbappe, nearly 18 months his senior, with a display full of desire, as well as the goals we have come to expect.
Norway manager Stale Solbakken said afterwards: “You can see he lived up to the occasion – it wasn’t too big for him.
“I had a good feeling before the game, the last training session was very good. I had a feeling he would do it for us today.”
Iraq head coach Graham Arnold added: “He’s just an amazing number nine. We dealt with him quite well for a lot of the game [but] at the end of the day he’s a top striker.
“Norway could shock a lot of people with the team they have. They could go a very long way.”
Arnold spoke to Haaland after the final whistle and revealed: “I just said to him: ‘You’re one of the best number nines I’ve ever seen.’ He’s so strong, so quick and he’s just lethal.”
The moment that Wall Street had anticipated all year arrived on Friday as SpaceX, the AI and aerospace company controlled by Elon Musk, began trading publicly on the Nasdaq in the largest initial public offering (IPO) in the history of financial markets.
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In a speech before the New York session opened for trading, Musk stated that SpaceX’s goal is to “take the fiction out of science fiction.”
SPCX opened at $150, over 10% above its $135 IPO price, and it was already at more than $160 after the first few minutes of live trading.
The company confirmed on Thursday that it had priced 555.6 million Class A shares at $135 each, valuing the firm at roughly $1.78 trillion (€1.54trn) and targeting a raise of $75 billion (€64.5bn) that instantly eclipsed Saudi Aramco’s $29.4 billion (€25.4bn) listing, which had stood as the global record for almost seven years.
Only around 3% to 4% of SpaceX shares are currently available for public trading.
The company earmarked as much as 30% of its offering for retail investors, including 10% dedicated to European buyers, but the final amount was set at 20%. As for options contracts on SPCX, they are scheduled to begin trading next week.
The IPO has also brought Elon Musk closer to becoming the world’s first trillionaire.
Forbes valued his pre-IPO SpaceX stake, estimated at around 42% of the company, at about $500bn (€435bn). At the IPO valuation, those holdings are worth roughly $690bn (€600bn), adding nearly $190bn (€165bn) to his fortune and pushing his net worth closer to the $1tn (€870bn) milestone.
Along with Musk, thousands of SpaceX employees are benefitting from the IPO and becoming millionaires.
The listing will give millions of savers indirect exposure to SpaceX as the company is expected to qualify for major stock market indexes shortly after its debut, meaning its shares could be automatically purchased by index-tracking funds.
SpaceX is estimated to be fast-tracked into the Nasdaq-100 in less than a month, as opposed to a typical wait of as much as a year.
Nasdaq’s new fast-entry rule, introduced in May, now sees it evaluating newly listed stocks for potential entry by ranking their market capitalisation on the seventh trading day and assessing whether they would rank within the top 40 index members.
SpaceX is already in the top 10.
Among other changes announced, the rule that requires companies to float a minimum of 10% of their shares was also scrapped.
Analysts estimate that funds tracking the Nasdaq-100 will be required to purchase at least $7bn (€6bn) worth of SpaceX shares around the inclusion date, creating a wave of mechanical demand.
SpaceX has also already become eligible for inclusion in both the Russell US Equity Indexes and the FTSE Global Equity Index Series under the newly announced fast-entry rules from the index provider FTSE Russell.
The S&P 500, however, will not adopt a similar fast-track approach.
S&P Dow Jones Indices confirmed in early June that it would maintain its 12-month seasoning requirement and GAAP profitability test, meaning SpaceX will not join the index before mid-2027.
This is a developing story and will be updated as more information becomes available.
This article does not constitute financial advice, always do your own research and invest according to your specific circumstances.
Erling Haaland swapped the football pitch for the ice rink as he and his Norway team-mates took in a Stanley Cup match.
The Norway contingent provided lively support for the Carolina Hurricanes in game five of the NHL play-off series against the Vegas Golden Knights on Thursday.
The Manchester City forward, who will make his long-awaited World Cup debut against Iraq on 16 June (23:00 BST), cut a relaxed figure at the Lenovo Centre in Raleigh, waving to the crowd when the Norway team appeared on the scoreboard screen and swinging a Hurricanes rally towel around his head.
Arriving at the game in a grey polo shirt, he was later filmed beaming in a white and red Hurricanes jersey emblazoned with the number nine – the same number he wears for both club and country.
The Hurricanes, targeting their first Stanley Cup crown for 20 years, lead the Golden Knights 3-2 in the best-of-seven series, completing a 4-2 regulation win in game five.
Norway are playing at their first World Cup since 1998 – and their first major tournament since Euro 2000 – and have already made a mark despite not starting their campaign until next Tuesday.
SpaceX is set for the largest stock market debut ever.
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Elon Musk’s rocket company begins trading on the Nasdaq on Friday under the ticker SPCX. The company priced its shares at $135 each, raising $75 billion (€64.5bn) and valuing the business at $1.75 trillion (€1.5trn) in the biggest stock market flotation on record.
The deal would comfortably eclipse Saudi Aramco’s previous record of $29.4bn, set in 2019 and later increased through an overallotment option.
SpaceX made an unusually strong push to attract retail investors, including those in Europe. According to Bloomberg, individual investors placed roughly $100bn (€86.6bn) in orders through trading platforms including Robinhood, Fidelity and SoFi during the IPO process.
That demand alone exceeded the company’s $75bn (€64.5bn) fundraising target, underscoring the level of interest from smaller investors ahead of the stock market debut.
Yet beneath the hype, several warning lights are flashing. Here are five risks investors should weigh before the SpaceX IPO goes live.
1. Is SpaceX worth $1.75tn?
At a valuation of $1.75tn (€1.5trn), investors would be valuing SpaceX at roughly 94 times its annual revenue, which was $18.7bn (€16.1bn) in 2025. By comparison, Nvidia — one of the market’s most highly valued technology companies — trades at less than a quarter of that level.
The investment research firm Morningstar, which values the company at $780bn (€675bn), called it “significantly overvalued” while Goldman Sachs data suggests sustaining the share price would require revenues above $100bn (€86.6bn) by 2030, implying a compound annual growth of more than 40%.
History offers a note of caution. Research by University of Florida professor Jay Ritter, often referred to as “Mr IPO”, found that while IPOs between 2012 and 2021 rose an average of 23.6% on their first day of trading, they returned just 10.6% over the following three years.
2. Fast-tracked into indexes and supported by a small float
SpaceX’s expected inclusion in major stock indexes has become a point of controversy. Investment officials from four large US states have urged Nasdaq and FTSE Russell to explain recent rule changes that could accelerate the company’s entry into widely tracked benchmarks.
Critics argue the move could expose passive investors to a highly valued stock sooner than expected, while the index providers say the changes reflect broader market developments.
The debate matters because relatively few SpaceX shares will initially be available for trading. Although SpaceX is valued at $1.75tr (€1.5trn), only around 3% to 4% of its shares will initially be available for public trading.
That means the company’s market value will be determined by trading in a relatively small portion of its equity. Reports suggest more than 75% of the $75bn (€64.5bn) offering has already been allocated to existing investors and insiders, leaving fewer shares available on the open market.
According to Morningstar, the limited float and strong demand for artificial intelligence-related stocks could help support the share price in the early stages of trading, even if the company is valued above what the research firm considers fair value. The firm argues that a clearer picture of investor demand may emerge once lock-up restrictions expire and more shares become available for trading.
Some analysts, however, believe the limited float could continue to support the stock. Estimates suggest between $22 billion (€19bn) and $27 billion (€23.4bn) of passive investment could flow into SpaceX once it joins the Nasdaq 100, creating additional demand from index-tracking funds.
3. Losses, not profits
SpaceX’s financial results may also give investors pause.
The prospectus shows that the company is growing rapidly but still losing money.
The company owns the Starlink satellite internet service, which generates most of its revenue and is its only profitable business. It also owns the artificial intelligence company xAI, which merged with SpaceX in February.
According to the filing, SpaceX carried an accumulated deficit of $41.3bn (€35.76bn) as of 31 March and reported a net loss of $4.27bn (€3.7bn) in the first quarter of 2026.
This compares with $528mn (€457mn) in the same period a year earlier.
Much of the recent loss stems from xAI. According to SpaceX’s IPO filing, the AI business recorded an operating loss of about $6.4 billion (€5.5bn) in 2025. The filing also showed xAI spent heavily in the opening months of 2026 as it expanded its AI infrastructure.
Morningstar argues the AI unit “poses a material threat of value destruction”, noting that Grok has yet to win meaningful market share against rival chatbots.
Supporters counter that the losses are a choice, not a structural flaw.
Revenue climbed 33% to $18.7bn (€16.2bn) in 2025, up from $14.1 billion (€12.2bn) a year earlier. The underlying launch and satellite business was profitable as recently as 2024. The deficits largely reflect heavy investment in AI infrastructure, spending that supporters say is already beginning to be offset by new compute contracts.
4. The AI growth gamble
Supporters argue investors are paying for future growth rather than current profits.
Starlink remains the company’s main source of revenue, while its artificial intelligence business is expected to play a larger role in the years ahead.
Bulls also point to SpaceX’s dominant position in rocket launches and satellite communications, arguing the company is uniquely placed to benefit from growing demand for connectivity, computing power and AI infrastructure.
SpaceX conducts more rocket launches annually than the rest of the world combined and counts over nine million Starlink subscribers, but its newest growth driver is the AI data-centre business acquired through the xAI merger.
Last Friday, Google agreed to pay SpaceX $920 million (€796.6mn) per month for compute capacity at xAI data centres, in a 32-month deal running from October 2026 through June 2029, and covering access to roughly 110,000 Nvidia GPUs.
That followed a May agreement under which Anthropic pays $1.25 billion (€1.08bn) a month to rent the entire output of the Colossus 1 data centre until May 2029, putting combined annualised compute revenue at around $26 billion (€22.5bn).
Bulls argue this contracted income, won in under four months, shows how quickly the company can monetise its infrastructure. Sceptics note that both contracts carry 90-day termination clauses after December 2026, and that Google itself has framed the arrangement as “bridge capacity” rather than a permanent commitment.
5. The Elon Musk-sized risk
SpaceX’s success is closely tied to Elon Musk, whose profile and track record have helped attract investors, customers and business partners. That creates what investors call “key-person risk” — concerns about how the company would fare if he were no longer leading it.
The company’s governance structure reinforces that dependence. Musk’s super-voting Class B shares give him around 85% of voting power, leaving outside shareholders with little influence over major corporate decisions. In practice, that means no one but Musk himself can determine whether he remains chief executive.
Critics also point to SpaceX’s incorporation in Texas, where only investors holding at least 3% of shares can bring derivative lawsuits. The Danish academic pension fund AkademikerPension has blacklisted the stock, describing the governance structure as “catastrophic”.
Supporters argue that dual-class share structures are common among US technology firms, including Meta and Alphabet. They say concentrated voting control allows founders to pursue long-term goals without pressure from short-term investors.
Musk’s prominence also brings political risk. US Senator Elizabeth Warren has urged the Securities and Exchange Commission to scrutinise the listing, warning that future index inclusion could expose millions of passive investors to the stock without them actively choosing it.
Others note that the SEC completed its review faster than expected, allowing the IPO process to move ahead without delay and suggesting regulators see no immediate obstacle to the listing.
Disclaimer: This information does not constitute financial advice, always do your own research on top to ensure it’s right for your specific circumstances. Also remember, we are a journalistic website and aim to provide the best guides, tips and advice from experts. If you rely on the information here, then you do so entirely at your own risk.
Angels first baseman Trey Mancini, a cancer survivor and former Baltimore slugger, had three hits in his first major league game since 2023 on Monday night in a 5-4 loss to the Houston Astros in 10 innings.
Mancini delivered a run-scoring single in the second inning in his first at-bat. He singled again leading off the fourth before adding a third single in the eighth.
The Angels selected the contract of Mancini and put him in the lineup at first base against the Astros after putting infielders Vaughn Grissom (left oblique strain) and Adam Frazier (right elbow inflammation) on the 10-day injured list.
Mancini, 34, agreed to a minor league contract with the Angels in February, a deal that included an invitation to major league spring training. Mancini hit .273 with six homers, 29 RBIs and three steals for triple-A Salt Lake this year.
Mancini has batted .263 with 129 homers and 400 RBIs over parts of seven seasons in the majors. He played parts of six seasons with the Orioles and hit a career-high 29 homers in 2019.
Mancini then missed the 2020 season after surgery to remove a malignant tumor from his colon. He made a successful return to the Orioles in 2021, and he won a World Series ring in 2022 after Baltimore traded him to Houston.
He spent part of the 2023 season with the Chicago Cubs. He has since played in the minor league systems of the Reds, Marlins and Diamondbacks.
Mancini opted out of a minor league deal with Arizona last July after batting .308 with 16 homers for triple-A Reno.
Grissom’s move to the IL was retroactive to Friday. Frazier’s move was retroactive to Saturday.
The Angels also recalled infielder Denzer Guzman from Salt Lake and transferred infielder Yoán Moncada to the 60-day injured list.
England’s Emilio Gay falls for eight on Test debut as he’s caught off the bowling of Kyle Jamieson with the home side 16-1 on the first morning of the first Test against New Zealand at Lord’s.
An eerie silence descended upon Dodger Stadium as the swatted ball soared toward the right field corner.
What was this? Who was this?
This wasn’t a crowd-roaring drive by a future Hall of Famer. This wasn’t a Ravine-rattling shot by a perennial All-Star.
This was rare. This was weird. This was a long fly by a long-shot outfielder ending a long minor-league journey with his first appearance at Dodger Stadium.
The ball flew and flew and, suddenly, this was a home run. A home run? Who was that again?
Yeah, the sunny 28-year-old did the Freddie Freeman Hop as he rounded second base in a wonderful show of giddy celebration by a guy who’s earned it.
“Kind of a blackout, if I’m going to be honest with you,” Ward said. “Hit it and kind of just went numb.”
Feel free to go numb with him. With his fourth-inning solo blast in Sunday’s 9-1 victory over the Philadelphia Phillies, this not-exactly-a-kid-anymore was the once-in-a-lifetime story.
After seven minor league seasons, his first major-league home run.
After 156 minor-league homers, his first big-league dinger.
After years of trudging through Great Lakes and Ogden and Tulsa and Oklahoma City, his first big fly at 1000 Vin Scully Ave.
In fact, it was his first game at Dodger Stadium, period, and he soaked in the atmosphere with the same wide-eyed wonder as all those little leaguers who marched around the field before the game.
”When I went out to left field, kind of just looking around, taking it in, just realizing how special it was, just have fun with it, enjoy it all,” he said.
The Dodgers’ series win against a team that will challenge them in October was especially a blast for the “others,” the role players who wind up being so important, with Ward and Alex Freeland homering while Alex Call hit a two-run single.
“Everybody in this locker room is a superstar,” Freeland said. “A lot of us get overlooked just because we have guys like Shohei and Freddie. Everybody in this clubhouse can ball.”
Nobody was as excited to just be in the clubhouse as Ward, who is one of the little-known casualties of the Dodgers’ success, a decent hitter from their farm system who has never gotten a chance because the Dodgers don’t have a need for just-decent hitters.
”When I went out to left field, kind of just looking around, taking it in, just realizing how special it was, just have fun with it, enjoy it all,” Ryan Ward said after hitting a solo home run Sunday.
(Ronaldo Bolaños / Los Angeles Times)
When it comes to position players, with the exception of the former prospect Andy Pages, they buy stars, they trade for stars, they hoard stars, and they rarely give a long look to anybody who isn’t guaranteed to be a star.
It is in this environment that Ward has surely asked himself, what does he have to do?
He was drafted out of Rhode Island’s Bryant University in 2019 and by 2021 he was showing home-run power with 27 jacks at class-A Great Lakes. Every year he climbed the minor league ladder, and every year he grew stronger, with 34 homers and 104 RBIs two years ago, and 36 homers with 122 RBIs last year when he was named Pacific Coast League MVP.
How long has he been in the bush leagues? He is triple-A Oklahoma City’s career leader in home runs.
But he was prone to slumps, and oversized swings, and average defensive skills, and last season at Oklahoma City his strikeouts equaled his RBIs.
So he never got even a major-league sniff, leading him to spend his winters working a snow plow with his father to stay in shape, yet he never complained.
“Even talking to Freeland today on the bench, and he made a note that Ryan was probably the most positive guy down there in triple A, and that speaks to his character,” said manager Dave Roberts. “And if there’s anyone that has the right to be salty and frustrated, it’s him, but he was professional about it, and he was an easy one to recall and get him here.”
This finally happened late last month when Ward was recalled to briefly fill a hole when Freddie Freeman went on paternity leave. He played two games in Colorado, had a couple of hits, and was sent back down.
This weekend, he was recalled again to replace Teoscar Hernández, who was placed on the injured list with a strained left hamstring. Ward was jammed in the lineup Sunday, struck out against Phillies’ rookie Andrew Painter in the second inning, then made contact on a 1-and-0 pitch and sent it whirling into the right-field bullpen.
“Watching it go over the fence was really cool,” he said.
Ryan Ward celebrates as he runs the bases after hitting a home run in the fourth inning against the Phillies.
(Ronaldo Bolaños / Los Angeles Times)
Watching the ball returned to his locker in a glass cube was perhaps just as cool. And then celebrating afterward by getting doused with all sorts of stuff by his thrilled teammates? Off the charts.
“I’m probably gonna smell for a little bit,” he said.
Smell of what?
“You name it.”
Considering Ward hit his homer in the fourth inning, you’re probably wondering how he performed the rest of the game. Well, um, there was no rest of the game. He was almost immediately benched again for Call.
And the struggle continues.
“Keep trying to grind your game as much as you can and just kind of force the door down,” he said.
The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.
“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”
The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.
“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”
Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.
The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.
But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.
“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”
(Bella Newman)
Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”
When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”
Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”
As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.
“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”
Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.
Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”
By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”
One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”
Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.
(Bella Newman)
From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”
It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”
During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”
Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”
EastEnders fans have been left gutted after Karen Henthorn, who plays Julie Bates, appeared in her final sceens of the BBC soap last night – 29 years after her debut
EastEnders star bids farewell leaving fans gutted
An EastEnders legend has bid a sad farewell to the BBC soap – 29 years after her debut.
Last night’s episode marked the end of actress Karen Henthorn’s time on EastEnders, almost 30 years after she made her debut in Walford. She had returned as part of Nigel’s dementia storyline in July last year, having previously appeared on the soap between September 1997 and April 1998.
Thursday’s episode saw Karen Henthorn, who plays Julie Bates, leave Walford for India, just weeks after the death of her husband Nigel. Julie finally read Nigel’s letter, which revealed he had left her his pension, meaning she could take the trip of a lifetime.
Following her final scene Karen appeared in a farewell video on EastEnders’ official social pages. Stood on the BBC set she said: “It’s my last day and I’ve had the best time. The best 10 and a half months.” She went on to pay tribute to the cast and crew and said: “Whatever you do in life, it’s always about people and kindness.”
Karen then thanked the EastEnders fans, saying: “thanks for your love, your support and your commitment and dedication to the programme, which you love as much as I love. And I’m going to really miss you. So thanks everyone, take care of each other, loads and loads of love.”
The video then showed a snippet from Karen’s final scene before she was presented with flowers and applauded by the crew and co-star Steve McFadden.
Executive Producer Ben Wadey gave a speech, he said: “Your constant waterworks, your endless tears, but your performance has really been amazing. Thank you for everything, you’ve been amazing.”
The video posted on Facebook was captioned: “Tonight we say goodbye to the outstanding Karen Henthorn and Julie Bates. You’ve been an absolute delight and we will miss you dearly!”
Loyal viewers took to the comments to share their thoughts on Karen’s departure. One wrote: “Great actress and amazing portrayal of such an awful disease. I hoped you might end up with Phil, it’s the most he’s smiled since you arrived.”
Another commented: “Have absolutely loved her. Please get her back, it won’t be the same without her. Maybe Karen (Julie) could come back after a period of time and slowly become Phil’s love interest? They could be the equivalent of Corrie’s Vera and Jack!”
A third wrote: “So gutted she’s left. Her performance has been absolutely phenomenal throughout Nigel’s dementia storyline. Best wishes for the future Karen.”
EastEnders airs on BBC One and is available on BBC iPlayer.
Football’s world governing body, FIFA, has framed the 2026 World Cup’s expansion from 32 to 48 teams as a watershed moment for inclusivity, opening the door for nations that have never qualified before.
Indeed, four teams will be playing at their first World Cup in North America this summer: Cape Verde, Curacao, Jordan, and Uzbekistan.
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Here is Al Jazeera’s short guide to the debutants at this year’s competition.
Cape Verde
FIFA world ranking: 69
World Cup fixtures (Group H): Spain (June 15, Atlanta), Uruguay (June 21, Miami, US), Saudi Arabia (June 26, Houston, US)
Player to watch: Garry Rodrigues
With a population of about 525,000, the small archipelago off the coast of Senegal will become the third-least populous country to participate in a World Cup after Curacao and Iceland.
Ryan Mendes is not even a household name in Turkiye, where he plays for second-tier Igdir, but Cape Verde’s 35-year-old captain was at the heart of their 3-0 win over Eswatini in October, which booked their place at the World Cup.
This was no freak occurrence as Cape Verde topped their group at the 2023 Africa Cup of Nations, which included Ghana, reaching the quarterfinals where they lost on penalties to South Africa.
Although they failed to reach AFCON 2025, they again topped their group in 2026 World Cup qualifying – this time finishing ahead of the once-mighty Cameroon.
“We have taken part in four African Cup of Nations tournaments, and we were also very close to qualifying for the 2014 World Cup,” Mendes told the AFP news agency.
“A lot has been achieved over the years. And today, we can say that this is the logical outcome.”
Garry Rodrigues of Cape Verde is challenged by Onni Valakari of Finland during a match in March [Phil Walter/Getty Images]
Cape Verde rely heavily on their Portuguese colonial past for a supply of diaspora talent, and also have several Dutch-born players, as well as one from Ireland – the Shamrock Rovers defender Roberto Lopes. The Dublin-born 33-year-old has a Cape Verdean father and Irish mother and was reportedly recruited for Cape Verde via LinkedIn.
The team’s best-known player, however, is probably 35-year-old winger Garry Rodrigues; now at Cypriot club Apollon Limassol, he has had stints at the likes of Galatasaray and Olympiacos.
But even without mega-star names, Mendes is certain that the Blue Sharks can make a mark at the tournament.
“One thing’s for sure: we’re not going there just to play three games and come home,” he said.
Curacao
FIFA world ranking: 82
World Cup fixtures (Group E): Germany (June 14, Houston, US), Ecuador (June 20, Kansas City, US), Ivory Coast (June 25, Philadelphia, US)
Player to watch: Tahith Chong
“Small island, big dreams” reads a poster for the football team of the Caribbean island of Curacao – the smallest country ever, by population, to qualify for football’s World Cup.
Since Curacao clinched qualification with a hard-fought 0-0 draw against Steven McClaren’s Jamaica in November, the 160,000 inhabitants of the Dutch island famed for its eponymous sapphire liqueur are riding the crest of the Blue Wave, as the national side is dubbed.
The most famous person around the squad is Curacao’s boss Dick Advocaat, the 78-year-old former Netherlands, PSV and Rangers manager who guided the Curacaoans to qualification. He is set to become the oldest manager ever at a World Cup.
Meanwhile, as a self-governing entity within the Netherlands, the island owes its World Cup squad entirely to its Dutch-based diaspora, the president of Curacao’s football federation, Gilbert Martina, admitted.
“All the players on the national team play in foreign leagues,” he told AFP.
Perhaps the best-known player is former Dutch youth international Tahith Chong, now at Championship side Sheffield United. The only team member born on Curacao, Chong moved to the Netherlands at the age of 13.
The 26-year-old winger or attacking midfielder is known for his pace, dribbling and a wicked left foot.
The most famous Curacaoan is probably former Ajax and Barcelona star Patrick Kluivert, who was born to a Surinamese father and a mother from Curacao.
“It’s fantastic that the island is in the World Cup,” Kluivert, who coached the Curacaoan side between 2015 and 2016, told AFP.
“In my day, [football] was not that big on the island, but the players have given Curacao visibility. It’s important for the future, for the next generation.”
Jordan
FIFA world ranking: 63
World Cup fixtures (Group J): Austria (June 16, San Francisco, US), Algeria (June 22, San Francisco, US), Argentina (June 27, Dallas, US)
Player to watch: Musa Al-Taamari
Jordan head coach Jamal Sellami has called on his players to emulate Morocco’s shock run to the last four of the World Cup in 2022 as they prepare for their first appearance at the tournament.
“In big competitions, many teams can surprise. My country, Morocco, reached the semifinals in the last World Cup,” Reuters quoted him as saying during a training camp in Antalya, Turkiye in late March. “That gives us belief.”
Despite their underdog status, the players say they are not going to the World Cup just to make up the numbers.
“For us, we are not going just for participation,” midfielder Noor Al-Rawabdeh added. “We are aiming to go as far as we can in the tournament.
“To be honest, sometimes we don’t sleep when we think about it,” he added. “It’s a dream come true for us.”
Jordan’s Musa Al-Taamari, left, in action with Qatar’s Akram Afif during the AFC Asian Cup final in 2024, which Qatar won 3-1 [Robert Cianflone/Getty Images]
The Rennes winger Musa Al-Taamari is probably the team’s standout player – he was the key creative force as Jordan secured an automatic berth at the World Cup after finishing second behind South Korea in their Asian qualifying group.
Sellami said the camp in Antalya, which involved games against Costa Rica and Nigeria, was a key stage in building experience before facing elite opposition.
“We are preparing step by step. We’ve played against different football cultures,” he said.
“We are collecting experience and, Inshallah [God willing], we will surprise many people.”
Uzbekistan
FIFA world ranking: 50
World Cup fixtures (Group K): Colombia (June 17, Mexico City, Mexico), Portugal (June 23, Houston, US), DR Congo (June 27, Atlanta, US)
Player to watch: Abdukodir Khusanov
Uzbekistan FA Vice President Ravshan Irmatov is no stranger to the World Cup, having refereed at three finals, but believes the Central Asian country’s long-awaited qualification is merely the latest step in its football development.
“Qualifying for the World Cup has been a dream for 38 million people for 34 years,” Irmatov said. “You can understand how important it was for the Uzbek nation, we waited so long.”
Uzbekistan’s first qualification comes after seven attempts to secure a finals spot since the country was granted FIFA membership in 1994 following the break-up of the Soviet Union.
Slovenian coach Srecko Katanec guided a team built primarily on home-based talent to the cusp of the finals before health issues forced him to stand down, leaving Olympic team coach Timur Kapadze to secure the ticket for the 2026 tournament.
Abdukodir Khusanov became the first Uzbek to play in the Premier League when he joined City last year [File: Alex Livesey/Getty Images]
Captain Eldor Shomurodov, on loan at Istanbul Basaksehir from Roma, is the country’s top scorer with 44 goals in 90 games and scored 21 Turkish Super League goals this season.
But the team’s best-known player is probably Manchester City’s Abdukodir Khusanov. The 22-year-old centre back has become a key part of the defence this season, well-regarded for his positional play, pace, strength and quiet leadership.
Uzbekistan confirmed their place at the finals with a 0-0 draw against the United Arab Emirates in June, and since then, former Italian World Cup winner Fabio Cannavaro has taken over as coach.
“I’ll tell you what I always repeat to my players: for the first time you will play in a World Cup, you have nothing to lose,” Cannavaro was quoted as saying by The Mirror newspaper in March.
“Approach every match with maximum calm, enjoy yourselves as much as possible, and if you feel anxiety, let it be positive anxiety.”
Plenty has happened over the past seven days, including a nervy win for England’s women’s cricket team, some season-defining football matches and more Fifa World Cup build-up.
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The Dodgers took two steps forward and one step back in their quest for full strength Friday, putting Glasnow on the injured list because of back spasms while planning to activate Snell from the injured list on Saturday and Betts on Monday.
Snell’s start Saturday will be his first since the World Series. The two-time Cy Young winner opened the season on the injured list because of shoulder fatigue, as the Dodgers eased him into spring with the goal of putting him in the best possible position to succeed in October.
Glasnow left Wednesday’s game because of the injury. An MRI examination revealed “nothing really significant,” according to manager Dave Roberts, but the IL stint allows Glasnow to avoid rushing to be ready for his next start, with the bigger October picture in mind.
Dodgers pitcher Tyler Glasnow delivers against the Houston Astros on Wednesday.
(Ashley Landis / Associated Press)
Glasnow never has made more than 22 starts in a season. He has been on the injured list in every full season since 2019.
With Glasnow’s status in question, the Dodgers on Thursday reconsidered their plan for Snell. They originally planned for him to make a final rehabilitation start Saturday, but Roberts said the pitcher and the team agreed he could throw the planned five innings in Los Angeles as well as he could in Ontario.
The Dodgers recalled reliever Paul Gervase to fill Glasnow’s roster spot. They could return him to triple-A Oklahoma City to make room for Snell on Saturday.
Betts strained an oblique muscle April 4. The shortstop is scheduled to play two minor league rehabilitation games Oklahoma City Friday and Saturday, then return to Los Angeles for evaluation, with the hope he’ll be cleared for activation Monday.
“We’re not going to run him out there every single day,” Roberts said.
Snell and Betts are not the only reinforcements on the way. Utilityman Kiké Hernández and reliever Brusdar Graterol began rehabilitation assignments this week.
The return of Betts would appear to allow the Dodgers to jettison infield reserve Santiago Espinal, although the team opened the season with Espinal on the roster and Hyeseong Kim at triple-A, allowing Kim to play every day and Alex Freeland and Miguel Rojas to split time at second base.
However, since rejoining the Dodgers when Betts was injured, Kim is batting .314 with an .801 OPS.
The Dodgers dropped outfielder Kyle Tucker to sixth in the lineup Friday, in a batting order Roberts said was designed to combat Atlanta Braves ace Chris Sale.
In his career, Tucker is 0 for 9 with four strikeouts against Sale.
SHE’S been branded arrogant, entitled and irritating by people who’ve watched her growing up on The Kardashians.
And as I braced myself to listen to North West’s debut EP N0rth4evr, I was expecting to absolutely hate it. But in all honesty, I love it.
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North West has released her debut EP N0rth4evr – and it is surprisingly goodCredit: SplashThe 12-year-old daughter of Kanye West and Kim Kardashian does actually have talentCredit: Getty
The six-track record proves that the 12-year-old daughter of Kanye West and Kim Kardashian does actually have talent.
She mixes heavy-metal guitar riffs with rage-rap and a flavour of the Japanese culture she loves so much.
Critics will argue that having two of the most famous people on the planet as parents would mean she couldn’t produce something that’s utterly rubbish.
But I’d argue North has a flair of originality and authenticity on all the tracks.
Kanye West’s daughter North has a flair of originality and authenticity on all the tracksCredit: PAShe samples Mumford & Sons’ 2009 track Little Lion Man on punchy and pacy Th!s t!meCredit: Getty Images – Getty
She samples Mumford & Sons’ 2009 track Little Lion Man on punchy and pacy Th!s t!me, and the final 28 seconds of W0ah crunching has an electric guitar solo.
For a child who has grown up knowing only fame and privilege, North carries the expectations on her shoulders in her lyrics.
No doubt she’s had a big helping hand, working with American rock siblings Meg and Dia Frampton, but it opens your eyes to what life might really be like as a kid everyone thinks they know.
On How I Feel, North sings: “In the back of the Lamb’, it get lonely, they be all up in my comments like they know me.
“If they approach me no phones please, lot of eyes on me that I don’t need.”
While on Th!s t!me, she raps: “They hear the name, they don’t hear what I’m sayin’.
“They want the fame, but you know I ain’t playin’.”
North4evr links to Kanye’s 2018 track Violent Crimes, where he rapped about protecting daughter North from danger.
On it, she sings: “So much people ’round me, but I know they all fake, so much goin’ in my head that I can’t say.
“Know my minds in a place that is not safe.”
She balances the pitfalls with plenty of not-so- humble brags though, and on D!e boasts about her influence on fashion and culture.
The track, which contains some influences of Post Malone, has her rapping: “How am I younger than you, but I’m who you look up to?
“Once they on trend, I’m already off it.
“I’m a rock star, you could tell by my closet. Once they on trend, I’m already off it.”
The apple hasn’t fallen far from the tree, clearly.
Beyonce has dropped yet another hint that her new rock-inspired album is comingCredit: She posted a video of Destiny’s Child hanging out with Fleetwood Mac singer Stevie Nicks in 2001Credit: X
BEYONCE’s next era is just around the corner – and she’s dropped yet another hint that her new rock-inspired album is waiting.
The singer removed all the country- inspired Cowboy Carter merchandise from her website last night as she prepares to start promoting the record.
Bey also dropped another big clue about the direction she is heading by posting a video on her website of Destiny‘s Child hanging out with Fleetwood Mac singer Stevie Nicks on the set of their Bootylicious video from 2001.
As I told you last week, Beyonce is planning to reveal all about her new record around the Met Gala in New York on Monday.
The album, believed to be called Betty Black, is the third in a trilogy of records following on from 2022’s Renaissance and Cowboy Carter in 2024.
We first revealed in July that Beyonce was working on a rock-themed album.
She hinted the record could be called Betty Black in a reclaiming of the African-American work song Black Betty which was remade in 1977 by rock group Ram Jam.
He has also rescheduled the Manchester AO Arena gig to May 24.
His concert at London’s O2 Arena is still planned to take place on May 23.
Zayn said he was recovering and wanted to come back “stronger”.
Roses taxman tussle
The Stone Roses have been stuck in a secret battle with HMRC over their former touring firmCredit: Getty
THE STONE ROSES have been locked in a secret 13-year battle with the taxman involving their failed touring company.
HMRC has been fighting the indie rockers – who made £26million from two huge reunion tours – over an unpaid £127,000 corporation tax bill from BMSW Ltd.
Over the years, the figure has risen to £158,000. The touring firm collapsed and went into liquidation.
Documents filed at Companies House reveal the Roses tried to close down BMSW Ltd in July 2013 after the end of the first tour, with £10million being distributed to the band after paying a £3.1million tax bill.
But there was a change in HMRC policy, which meant liquidators asked the group – late bassist Gary Mounfield, singer Ian Brown, guitarist John Squire and drummer Alan Wren – for £32,000 each.
That was received badly by the lads, below, who felt “extremely aggrieved” after signing an indemnity protecting them from such a liability.
It meant the firm moved from a member’s voluntary liquidation into a creditor’s voluntary liquidation in 2022 . . . and the battle is still going on.
Graham: Traitors turn-off
Graham Norton says he is not interested in taking part in Celebrity Traitors for one clear reasonCredit: Shutterstock Editorial
DENVER — What do you know? The once-stampeding Dodgers have been caged by the Colorado Rockies.
With a 9-6 loss Sunday at Coors Field, the two-time defending World Series champions lost back-to-back games for the first time this season. The Dodgers again couldn’t hold a lead, letting the Rockies tee off for 15 hits.
Nor could the Dodgers keep up offensively at the hitter-friendly park — though they put some pressure on in the ninth inning, when Shohei Ohtani led off with a ground-rule double and the Dodgers scored twice to cut the lead to three runs. Then the new guy, Ryan Ward, made the final out in his big league debut, robbed of a hit and a chance to keep chipping away by a diving Troy Johnston in right field.
Before that, the Rockies — who beat the Dodgers twice in 13 meetings all of last season — chased starter Roki Sasaki from the game in the fifth inning and then ruffled the Dodgers’ relievers. That included closer Edwin Díaz, who came on in the eighth and promptly gave up three singles, a walk and two runs before being pulled with the Dodgers trailing 8-4.
Dodgers starting pitcher Roki Sasaki gave up three runs on seven hits in 4-2/3 innings Sunday against the Rockies in Denver.
(David Zalubowski / Associated Press)
He and Blake Treinen combined to face eight batters without getting an out.
“They both weren’t sharp,” said manager Dave Roberts, who had theories but not many answers — though he did have real concern, especially about Díaz, who recently had his right knee checked out by the medical staff.
Roberts said the closer wanted to pitch after nine days off, even though it wasn’t a save situation. But his velocity was slightly down (95.4 mph vs. 95.8) and so, “today was a tough evaluation,” the manager said.
“It really was,” Roberts said. “Because, you know, I know what it’s supposed to look like, and when it doesn’t look like that, it gets a little concerning, really.”
And losing for the second time to the Rockies, who are now 9-13? Being in danger of losing their four-game series, after arriving in Denver without having lost to a National League opponent, against a club that hasn’t made the postseason since 2018?
It’s well below the bar the Dodgers have set, and it added a bitter note to Ward’s otherwise sweet debut.
Ward punched a big league clock for the first time wearing No. 67 and cranked his first hit off Rockies starter Michael Lorenzen in the fourth inning, lining a changeup to right field for a single that scored Andy Pages, made it 3-0 and got the 20-some members of Ward’s party up, jumping in place, hugging and high-fiving.
“When I was on first base, I got to see them all jumping around up there,” Ward said. “That was a pretty special moment.”
He also singled in the sixth and swung on the first pitch in his first at-bat, a fly out in the third inning.
The Dodgers gave Sasaki a 2-0 lead in the third. Alex Freeland drove in Hyeseong Kim, and Shohei Ohtani doubled in Freeland — and extended his career-best on-base streak to 51 games, moving past Willie Keeler into third place in Dodgers history.
Sasaki went 4-2/3 innings, threw 78 pitches and gave up three runs on seven hits, striking out two and walking two. His ERA after his fourth start: 6.11, worst in the six-man rotation.
The Dodgers fell behind 6-4 in the seventh when Treinen — who was cleared Friday after he was struck in the head by a batted ball during batting practice — gave up four consecutive hits, including a two-run home run by Mickey Moniak.
The result likely will be a minor detail when Ward tells the story years from now about getting the call after first baseman Freddie Freeman was placed on the paternity list.
The Dodgers’ No. 19 prospect and reigning Pacific Coast League MVP spent the last seven years in the minors. Last season, he hit 36 home runs and drove in 122 runs with a .937 on-base-plus-slugging percentage for triple-A Oklahoma City, and he has a 1.020 OPS and four homers this year.
Ward made it a point to improve his chase rate, draw more walks and get on base more frequently, everything the Dodgers asked of him. He also passed the broadest patience test.
“The plate discipline, being a better hitter … he’s done all that,” Roberts said. “He’s improved his defense. But honestly, for me, just not to let his lack of opportunity in the big leagues deter him. That’s easy when you get frustrated and let it affect performance, and he hasn’t done that.”
If anything, Ward said, the waiting made him better.
“I used it to keep going. ‘OK, if I’m not there yet, what do I have to do to get there?’” he said. “‘What part of my game do I need to work on to keep getting better?’
“I used it as fire to keep working.”
That will be the Dodgers’ assignment too.
In the finale of the four-game series Monday, the Dodgers are expected to start left-hander Justin Wrobleski (2-0, 2.12) against Colorado left-hander Jose Quintana (0-1, 5.63).
