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Passengers travelling with checked luggage face stricter deadlines from November 10

Budget airline Ryanair has confirmed it is making a major change to one of its luggage rules. The upcoming change, set to take place from next month, is expected to affect millions of people who fly with the airline.

Ryanair announced it is changing its airport check-in and bag drop rules, starting November 10, giving passengers less time to drop off their luggage before a flight. The change is hoped to give passengers more time to clear airport queues before takeoff.

Under the new policy, Ryanair will close all airport bag drop desks and physical check-in counters strictly 60 minutes before the scheduled departure time. This is a significant shift from the airline’s previous rule, which allowed passengers to drop off their checked luggage up to 40 minutes before takeoff.

The airline has stated that the extra 20-minute window is being introduced to help operations run more smoothly. If your flight is at 10am, you used to have until 9.20am to drop your bags. Starting November 10, you must have them dropped by 9am.

According to Ryanair, the change is designed to give passengers more time to successfully navigate airport security lines and passport control queues. Ryanair says this should help reduce the number of travellers who miss their flights due to airport delays.

Who is affected by the new rule?

The rule change specifically impacts the estimated 20% of Ryanair passengers who travel with checked luggage or require physical check-in assistance at the airport desk. If you have paid for a 10kg or 20kg checked bag, you must ensure your luggage is fully processed at the bag drop kiosk or desk at least 1 hour before your flight is scheduled to depart.

Ryanair CMO, Dara Brady, said: “From Tues, 10 Nov, bag drop services at all Ryanair airports will close 60 minutes before scheduled departure, instead of the current 40 minutes. This small change will give the 20% of Ryanair passengers who check in a bag, more time to clear airport security and passport control queues and get to their departure gate before boarding begins, particularly during busy travel periods when airport queues can be longer.

“We remind passengers using airport bag drop services to arrive at the airport in good time and ensure they have checked in and dropped their bags before check-in and bag drop closes 60 minutes before departure. The remaining 80% of passengers who check in online and do not check in a bag are unaffected by this change.”

Who can skip the queue?

The vast majority of Ryanair passengers will see no change to their travel routine. Roughly 80% of the airline’s customers travel with cabin baggage only and check in via the official Ryanair app or website. If you are travelling with hand luggage only and have already downloaded your digital boarding pass, you do not need to visit the check-in desks.

You can continue to bypass the counters and head straight through airport security as normal. Ryanair’s standard online check-in timelines remain completely unchanged. Passengers can still check in online via the app or website up to two hours before their scheduled departure.

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What happens if you arrive late?

Passengers are being urged to double-check their airport arrival times ahead of the November 10 deadline. Ryanair is known for its strict enforcement of cut-off times. If you arrive at the bag drop desk less than 60 minutes before your flight, the airline will close the desk, and you will not be allowed to check your luggage.

Missing this deadline will likely result in you being denied boarding, and Ryanair does not offer refunds for missed flights. To ensure a stress-free journey, holidaymakers and business travellers alike are advised to arrive at the airport well in advance of the new one-hour cutoff.

“Heated Rivalry” will soon steam up a movie theater near you. Special Season 1 marathon screenings will celebrate the one-year anniversary of the smash sports romance series that set HBO Max ablaze last November.

Three sets of paired episodes will screen Nov. 6-30 in more than 650 theaters around the world (in the U.S., Canada, the U.K., Australia and New Zealand): over 275 Regal theaters and 375 others, including AMC and Cinemark locations, distributor Sphere Abacus announced Thursday.

Tickets will cost $9.99 per screening, and Regal showings will include filmed greetings from the cast and show creator-writer-director Jacob Tierney. (The show is based on the novel of the same name by Rachel Reid.) Advanced tickets are available now at Regal (showtimes: Episodes 1 and 2, 3 and 4, and 5 and 6).

”Heated Rivalry” is a global phenomenon creating a rush of social media and press activity wherever it lands. We’re very excited to give audiences the opportunity to watch the drama unfold on big screens,” Hana Palmer, Sphere Abacus’ executive director of global distribution and partnerships, said in a statement.

For a limited time, participating locations will offer themed cocktails, including “Summer in Montreal” and “Russians Don’t Blush.” Shane (Hudson Williams) plays for the fictional Montreal Metros hockey team; although Shane’s cottage, where Ilya (Connor Storrie) agrees to spend the summer, is technically in Lanaudière, Québec, two hours outside of Ottawa.

Ilya, a gruff Russian from Moscow, is a fellow professional hockey player for the fictional Boston Raiders. The latter cocktail references a scene in the Raiders’ locker room: One of Ilya’s teammates sees him secretly texting Shane. “You’re straight up blushing,” he tells him. “Never in life have I blushed,” Ilya snaps back. “Russians do not do this.”

“Heated Rivalry” stars Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov.

(Sabrina Lantos / HBO)

“When a series connects with audiences the way ‘Heated Rivalry’ has, we look for ways to bring it to the big screen and give fans a reason to experience it together,” Regal’s SVP of U.S. content Brooks LeBoeuf said. “Nearly a year after its premiere, we’re proud to work with our partners to turn a season fans have watched again and again into a true theatrical event. It’s a chance to celebrate the story, its creators, and its performances before Season 2 arrives in 2027.”

Filming and production are still underway on Season 2, which is slated for release in spring 2027 on Crave and HBO Max.

Loyal British Airways customers should be aware that the UK’s flag carrier is making a change to its Avios loyalty points scheme that will come into force on November 24

British Airways passengers should put November 24 in their diaries, as the UK flag carrier is preparing to make a change that’ll impact repeat customers.

Avios is the loyalty scheme of more than 30 major airlines, including British Airways, Iberia and Aer Lingus. It allows you to earn points that you can then exchange for flights, although you still need to pay taxes and fees.

Last year, BA announced a change to the scheme that left some repeat customers fuming. The price of trips booked through the scheme went up.

An off-peak return trip in economy from London to New York bought through Avios used to cost 50,000 points and £100 fee, now it costs 55,000 and £120. Similar hikes were introduced across premium economy, business, and first class.

However, now the airline has announced another change that will be a little more welcome. British Airways Holidays is updating its Avios offering. Launching on 24 November 2026, members of The British Airways Club booking a holiday package with British Airways Holidays can collect six Avios for every £1 spent on the total package price.

Avios will be calculated on the full booking value and then divided equally between all travellers on the booking. Club members will be able to collect their individual share or choose to pool their Avios through a Household Account.

BA has said that the change will make “booking with British Airways Holidays even more rewarding”. It replaces the current approach, in which all customers collect Avios on the flight element of their holiday package and the lead passenger can also collect one bonus Avios for every £1 spent on the holiday package booking.

BA has shared an example of how the new system could be better for customers. Two people heading to Crete could see each traveller collect 11,316 Avios – enough for them to secure a one-way Reward Flight to Paris each, using 10,000 Avios, plus a £2.50 fee. Previously, the lead booker could have collected 5,462 Avios and the second traveller 1,690 Avios from just the flight element of the booking.

Andrew Flintham, managing director at British Airways Holidays, said: “For many people, a holiday is the ultimate reward, so we want booking one to feel rewarding too. For Avios collectors, that relationship should be symbiotic. A holiday should not only be somewhere they can spend their Avios; it should also help them build their balance towards whatever comes next. Our aim is to create a simpler and more compelling offer for our Club members. Whether those Avios help reduce the cost of another holiday, contribute towards a future flight or make an upgrade possible, it means the value of the holiday can continue long after customers return home.”

Eric Dangerfield is surrounded by senior citizens.

After a packed set at Riot Fest the previous weekend, the 25-year-old lead singer and rhythm guitarist of the Paradox welcomed the quiet of his boomer-dominated neighborhood.

“I’m a suburban dude,” he said, smiling from his home in metro Atlanta, his cropped two-toned dreads bobbing as he spoke.

The Paradox spent much of the summer on the festival circuit, powering through a growing discography of pop-punk gems, so Dangerfield and the three other band members are taking a brief breather before their Proceed With Caution Tour starts this month — their first as headliners.

It’s peaceful. That is, “Except when the boys come over,” he adds.

On a late morning in September, the boys are here and accounted for: patching in to a video call, minutes apart, from their homes, also in suburban ATL. Dangerfield, born with the perfect stage name, has ideas that flow faster than he can seem to get them out. Then there’s Donald Bryant on bass. Yin to Dangerfield’s yang, with a quiet, commanding presence.

Percy “PC3” Crews has been playing drums since he was 3, and his vicious skills on the drum kit contrast with a cheery, relaxed demeanor. Finally, there’s Christopher Bernard, a.k.a. Xelan — the lead guitarist and Dangerfield’s vocal complement.

Dangerfield likens the four to musical superheroes from a Marvel series. But not so much the “Earth’s mightiest heroes” variety.

On their first headlining tour, the band brings its new EP, “Proceed With Caution,” to Los Angeles while claiming space in a historically white genre and weaving social commentary into its pop-punk sound.

(Shorefire Media)

“I’m like Mister Fantastic and Donald’s my Invisible Woman. Xelan’s the Thing, and Percy is John Storm,” he says of his partners in musical mischief. “If I’m ugly, just say that,” quips Xelan, the band’s oldest member at 30. “Yeah. Because you’re strong, bro,” reassures Eric.

By this time, the interview has devolved into fun-loving chaos.

They finish each other’s sentences and switch up their Google Meet backgrounds, cracking up as an awkward graduation portrait pops up. At some point, Bernard decides to give a bedroom tour, showing off his collection of Blink-182 and Fall Out Boy posters.

A photo of him with Travis Barker hangs next to a framed Billboard plaque on a nightstand. Barker was featured on the Paradox’s 2025 single “Bender” and performed with the group at Vans Warped Tour the same year.

The Billboard plaque commemorates the band’s song “Get the Message” from its debut EP, “NSFW,” reaching No. 1 on the Alternative Airplay chart in January — a great achievement for any rock artist — but the Paradox also happens to be the first all-Black band to do so.

The success, although rapid, didn’t come from nowhere. All of the members have been working toward music in some form for years.

Dangerfield had a deal with a small label where he was originally making a go of it as a pop and R&B soloist. He also put out his music online. Looking for something different, he remembered his passing interest in pop-punk from his days growing up in Palm Coast, Fla. It was the “Fat Lip” video by Sum 41 that sealed the deal.

Yearning to be in a band, he started working with Bernard, whom he met online and shared his passion for the genre. Bryant was Dangerfield’s childhood friend from Palm Coast who had also moved to Atlanta, while Crews had been a fixture on the local music scene. And the name? It came from Dangerfield’s love of quantum physics.

Shortly after the group officially formed in June 2024, Dangerfield’s then-girlfriend — now wife and band “momager” Lexi Dangerfield — opened Instagram and TikTok accounts filming and posting their homey videos. The band’s song “Kaitlyn” and some covers blew up. The artists’ perspective, filtered through a Gen Z lens, struck a multigenerational nerve.

Attention came so quickly that Dangerfield felt the need to defend against online detractors who were convinced the group was an industry plant.

From there, the fairy-tale plot thickened. Billie Joe Armstrong followed Dangerfield on Instagram, and the two struck up a friendship that led to the Paradox opening for Green Day on the Atlanta stop of its Saviors Tour. But this was, of course, after Jack White’s people called — who the group ended up opening for at Basement East in Nashville.

Things haven’t slowed down in the two years since, with opportunities coming fast and furious. In the spring of last year, the band signed a deal with Hundred Days Records, a subsidiary of Virgin Music Group, and teamed up with producers Mike Pepe and Robopop to work on “NSFW.”

“Bender,” the group’s collaboration with Barker, and “Do Me Like That” are featured on Madden NFL 27 and NBA 2K26 video game soundtracks. Last month, the musicians streamed a concert from Twitch superstar Kai Cenat’s house. And now, instead of opening for their idols, they are inviting them up on stage as guests. For their second Warped Tour in Long Beach, that meant Deryck Whibley of Sum 41 and Logan Henderson from Big Time Rush.

The embrace from established musicians has definitely helped the band navigate its rise. In a moment of doubt, Crews said Good Charlotte’s Joel Madden, in particular, came through with sage advice.

“He asked me a question: ‘How does it feel being where we were?’ And I was like, ‘It feels like a dream.’ It felt like I was gonna wake up on my desk sophomore year with drool on my f— table. And I was telling him that, and he was like, ‘You know, it may feel that way, but it is real … It’s real, and it’s you … you belong in these rooms.’”

The irony of being embraced in a mostly white subgenre of punk rock while Black American culture formed its foundation is not lost on the group. Had the band come about during one of Dangerfield’s favorite eras of music, the ’50s and ’60s — there would likely have been rooms in which they weren’t welcomed.

While the band members understand the impact their visibility has — especially for non-white kids who grew up in the suburbs as they did: skating, riding BMX, building Legos, watching anime, dreaming of a life onstage — it does require some balance. “They’re not asking Taking Back Sunday this stuff,” Dangerfield acknowledged when asked if they might tire of the representation mantle. “Or Blink, but … We are a minority in this space and in this country, and I think that you know the stuff that comes with being Black should definitely be talked about. I think those conversations are important.”

He said as much in August, when the group made its Tiny Desk debut in celebration of NPR’s Black Music Month. “Now, like they said, we made history,” he said, leaning into the mic after the first song. “And the Paradox is in the business of bringing rock ’n’ roll back to the originators.”

A glance at the comment section under the video makes clear the group’s authenticity resonates with those who haven’t felt seen or heard in certain spaces.

“I’m a black girl from the suburbs of Metro ATL,” wrote @rainjojo. “And I’m glad to see representation of people who are like me indulging in punk rock. I got into this genre from childhood shows like “16,” “Stoked”, and other early 2000 to 2010 shows, and I remember being bullied for being whitewashed. Please keep making more music like this.”

The tour is named after “Proceed With Caution,” the band’s sophomore EP released on Oct. 2. Across six tracks, it continues in the same vein as “NSFW,” with sharp melodies and a dash of humor thrown in. But on “That’s Not Fair,” the group wades deeper into social commentary. It was also the most difficult to record, cut raw with no click track.

“We were just trying to think of things that were not fair, [from] small and trivial like losing your keys to, I don’t know, using it as a bridge to talk about larger issues and things like that,” Dangerfield says of the song. “I think a big thing for me personally, it’s not political … is kind of the fact that everything is getting so expensive. The price of everything is rising so rapidly, and the salaries that people are being paid are not really growing to match that.”

The Paradox perform at The Moroccan Lounge on Thursday, Oct. 22.

(Hunter Lyon)

“And it’s like, we got very lucky, but the thing is, most people don’t,” he continued. “If you’re gonna sacrifice all your time, slaving away working for big corporations and stuff like that, you should at least be able to, you know, buy a candy bar or something.”

So far, the musicians aren’t taking anything for granted and are trying to enjoy the in-between moments.

Dangerfield and his wife took their daughter on a Disney cruise for her second birthday — she’s spent much of her young life traveling with the band.

With some of his publishing money, Bernard indulged his love of vintage Japanese fashion and has a 2000s-era Tuscan house on his vision board. Crews stays healthy, listens to lots of Snarky Puppy, and looks forward to the relaxed cannabis laws of L.A. when the tour stops at the Moroccan Lounge on Oct. 22 and 23. If time allows, he might even have time to surf in Malibu.

Bryant, who counts Mike Dirnt, Mark Hoppus and James Jamerson among his biggest influences, balances a dream of seeing his band play for thousands with looking forward to a life lived like his older brother: a chiropractor with a nice family.

But some dreams will have to wait as the band goes back to making music, hopefully with lasting impact. The members want to become household names, “like Nirvana,” with music people will play for hundreds of years. Why not?

Anything is possible when you are a fantastic foursome.

Genres Book Society, a new bookshop coming to L.A., is hiding a few secrets. The first indication that something a bit fantastical is going on here is the fact that the boutique store has a mascot.

Look up upon entering the space, and you’ll meet Lore. Lore is a dragon, and this dragon is made of books. The striking sculpture will hover over a cozy space with modular bookshelves that are arranged on a floor covered in book quotes. Peer closely and you’ll see the quotes are designed in the shape of a tree.

A story is being built, a narrative that signifies that Genres aims to be not just a bookshop, but a place that feels like a real-life fairy tale. For this bookstore is also concealing a speakeasy of sorts, a secluded cafe and bar with multiple themed spaces and a two-story tree with glowing books growing out of its branches.

Stories, Genres is telling us, are life.

“This is for people who want to enter into story worlds,” says Ann Morrow Johnson of design firm Gensler. Johnson, a former creative with Walt Disney Imagineering, leads Gensler’s entertainment and experiences division, which is designing the bookshop.

She wants guests to feel transported into a fantasy universe, and understands how to make that happen. For instance? “Adding just a little bit of theatricality and sparkle helps create an invitation of suspension of disbelief,” she says.

The centerpiece of Genre’s bookstore, shown in an artist’s rendering, will be a dragon named Lore.

(Gensler)

Genres, on track to open in mid-2027 near the intersection of Melrose and Fairfax avenues, is tapping into a local trend of heavily designed thematic spaces with a penchant for fantasy. Think, for instance, of the Witch’s Cottage in North Hollywood, or the Last Canteen in the shadow of Universal Studios Hollywood. Consider it the latest evolution of the themed restaurant, and a way to bring the heavily theatrical worlds of theme parks closer to home. Johnson, for instance, says the firm’s research with the the Immersive Experience Institute has shown a hunger in younger generations to embrace spaces such as the Rainforest Cafe.

“People are seeking out a moment,” Johnson says. “Those more theatrical, highly scenic spaces are more likely to get you off your phone. Little moments of delight center you.”

Genres was dreamed up Clare Grant and Karissa Marston, who brought the project to Gensler and tapped them to lead its design. Grant, an actor/producer, says the idea came to her while experiencing the regret of missing a retreat hosted by her girlfriends, who had rented a cabin to read the latest edition in the fantasy “Crescent City” series.

“Just having a newborn, I was like, ‘Why can’t I go read this book in a fantasy-themed cabin?’ That’s literally my dream,” Grant says. “Then I started thinking about it. Why don’t I have something like this in Los Angeles, where I can pop in for an afternoon or evening where someone is handing me drinks and food in an immersive space?”

Marston, it turns out, who has experience in hospitality and marketing with an emphasis on fandom, was already dreaming of such a space. The two of them crafted a business plan for a bookstore, one that wouldn’t look out of place in a sword and sorcery fantasy novel, with a hidden speakeasy.

“I was in Paris, and I went to the Shakespeare bookstore, and it was truly the most magical experience I have ever had,” Marston says. “I walked in and felt so immersed in the books and the history and I went up to the second floor and sat up there and wept. I was like, ‘I never want to leave this place. I only ever want to feel this way and be surrounded by books and people who love books.’”

Their vision is grand. The bookstore, they hope, will become a gathering spot for authors in the fantasy and sci-fi realms. And they talk of the speakeasy as not just being a safe eatery to sit and read all day, but also a future venue for, say, immersive theater. The two-story space will house multiple themed rooms, either for hanging out and hiding, or for potential events.

“I think it’s safe to say that if you wanted to be transported to outer space, you would be pleasantly surprised,” Marston says. “Or if you wanted to escape to Dracula’s castle or some of these other really big genres that you have, readers will be pleasantly surprised at the worlds that we are building.”

Johnson says Genres will be flexible enough to welcome introverts who want to dream away the day with a book, but can also be a home for a baby shower in addition to an author signing or a theatrical event. That’s in part why the shop and ground floor of the speakeasy have a familiar fantasy vibe, one not out of place in, say, the fairy tales of the Brothers Grimm, albeit with the welcoming tone of Disney.

Genres’ founders cited “A Midsummer Night’s Dream” as an inspiration for the bookshop’s bar, depicted in an artist’s rendering.

(Gensler)

“The focal point of the space is this sort of epic woodland fantasy,” Marston says. “When we first brought this to Gensler, and showed them our inspo deck, we kept saying ‘A Midsummer Night’s Dream.’”

That’s key, as everything in the space will spring from the written word. Genres, in that sense, also feels refreshing, emphasizing actual books and tactile media at a cultural moment when AI is often dominating conversations. Grant and Marston speak of being influenced by passionate social media creators who celebrate books, wanting to build a community as much as an event space. A prerequisite to be a bartender, says Marston, will need to be a love of books.

“We’re calling all our bartenders book-tenders,” Marston says. “Not only will they be well-versed in all things spirits and cocktails, but they are also someone who can give you the next book recommendation. These are very specialized employees. They can curate cocktails and books for you.”

Consider Genres a place for dinner and drinks, but one where story is always on the menu.

“People are craving more than dinner,” Grant says. “They want experience. They want magical memories that can get them through harder moments because nothing is easy right now. People want to spend money on something that is more than just dinner or going to a bar. Like whimsy.”

WINTER WONDERLAND returns next month – and you could nab TWO free tickets with The Sun – including entry to one of its most popular attractions.

As an avid fan who visits every year, this year has some very exciting new additions that will delight even frequent-goers.

And we have 10,000 FREE tickets up for grabs for Sun Club members, so you can enjoy the 150 rides and attractions inside.

The tickets, on a first come, first service basis, even include entry Magical Ice Kingdom presents Neverland in Partnership with Great Ormond Street Hospital Charity – a world made up of 500 tonnes of ice and snow.

Join Sun Club now — don’t miss out.

But how should you spend your time there?

Here’s a full rundown of what you MUST see from free things to do, to all of the new additions for 2026.

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Free activities

Winter Wonderland actually has more free activities than you’d think.

Last year, the attraction launched a free Santa’s Grotto experience, which is the largest free grotto in London.

Visitors will head on a journey through the new Elves’ Workshop and visit Mrs Claus before meeting the big man himself.

Of course, you can browse the German-style Christmas markets for free too, where there are dozens of chalets selling handmade crafts, ornaments, food and gifts.

In the Bavarian Village, make sure to head to The Bavarian Village Hall where there are often live bands, acoustic performers and Oktoberfest-style singalongs.

The atmosphere of the park in general is brilliant as well, with twinkling festive light installations, giant illuminated Christmas trees and themed areas.

What’s new this year

There are several new features for this year too including Gandeys K-pop Dragon Circus.

The circus will be based on an adventure with dragons, magic and K-Pop music and dance. Tickets start from £10.45 per child and £13.75 per adult.

Bar Ice will have a new theme this year too, with tickets from £17.05pp.

As will Magical Ice Kingdom presents Neverland with tickets from £8 per child and £10.20 per adult.

Best adult activity

Stepping into Bar Ice is as close as you will most likely get to experiencing an igloo.

The chilly cocktail lounge is kept at -10C and made entirely of giant blocks of carved ice.

Everything – I mean everything including the tables and chairs – is made out of ice.

And when you grab a drink, that will even be served in a glass made out of ice.

When you enter, staff will give you a coat and gloves to keep you warm too.

Inside, there are also a number of ice sculptures and neon lights illuminating the icy mythical creatures.

Each session lasts 20 minutes and includes one drink per person.

Tickets cost between £17 and £20 per person.

Join Sun Club now — don’t miss out.

Best family activity

Magical Ice Kingdom presents Neverland, in Partnership with Great Ormond Street Hospital Charity is great for families and allows visitors to literally chill out.

Kept at -10C, this magical kingdom is made entirely out of ice and is a walk-though indoor exhibition.

This year the theme is the very exciting ‘Neverland’.

For the first time ever, visitors will step through the Jolly Roger and into a Magical Ice Kingdom inspired by the Neverland, with Peter Pan and Wendy.

All the sculptures inside will be hand-carved by ice sculptors from 500 tonnes of ice.

Many of the ice features are interactive too, making it the ideal place to snap some photos of the family.

You can explore the exhibition at your own pace, but I’d recommend no more than 30 minutes.

My visit last year I spent about half an hour in the exhibition before getting a little too chilly and heading back outside.

Best food spot

Last year, Jingle Bell Bistro also launched and it is a great food spot.

Not as busy as the other food areas, the Jingle Bell Bistro is designed to be more child-friendly with options including simple burgers and chicken nuggets.

Adults can get food from here as well, but don’t expect fussy food with all the bells and whistles – more comfort food that pleases everyone.

You can even get Buddy the Elf’s famous spaghetti for £8.50. Prices vary, including £8 per child-sized pasta dish or £12 for an adult portion.

How to save your cash

There’s a whole host of new pre-bookable packages too for this year.

There’s the Explorer Pass for example, which includes the Real Ice Slide, Haunted Mansion, Snow Jet, Pirate Ship and Après Ski Party Funhouse.

It also includes free entry to the event.

There’s also Ride & Game Credit pass, which allows you to buy credit for the rides and attractions online in advance.

You can select from £20, £30 or £50 of pre-paid credit.

Of course, this year there are more £1 tickets than ever before as well.

Ig you want to save your money on entry make sure to book online in advance for an off-peak entry time.

Hyde Park Winter Wonderland will run between November 19, 2026 and January 3, 2027.

Join Sun Club now — don’t miss out.

How to get your free tickets to Winter Wonderland

To claim your tickets, follow the steps below:

• Step 1: Join thesun.co.uk/club for just £1.99 a month or £12 for the first year, then £19.99 thereafter.
• Step 2: Go to the Offers Hub and select the Winter Wonderland page. You do not need to collect Sun Savers codes.
• Step 3: Your unique booking code will appear on this page. Redeeming a code does not guarantee tickets. Click the ‘Copy’ button and then hit ‘Book’. You will be directed to the Winter Wonderland website.
• Step 4: Select your preferred date and time, then choose ‘The Sun Winter Wonderland Entry & Magical Ice Kingdom Offer’. Two tickets will be added automatically to your basket. 
• Step 5: Continue to checkout to complete your booking. You must book your tickets by Sunday, November 1.

Our tickets are available for visits between Thursday, November 19 to Sunday, December 6.

18+ UK only (exc. NI, IoM & CI). Sun Savers multiple code collect 10/10/26-14/10/26 or digital subscription required. Online access required. 5,000 pairs of tickets available (7,000 off-peak, 2,000 standard & 1,000 peak) on a first come, first served basis. Subject to availability, daily allocation limits apply. Tickets available between 19/11/26 – 06/12/26. 2 tickets per person only. Non-transferable and non-refundable. T&Cs apply, see sunsavers.co.uk  or club.thesun.co.uk/sun-club. New customer offer: £1.99 per month or £12 for the first year, then £19.99 thereafter unless you cancel at least 7 days before your next billing date. Full T&Cs apply, visit thesun.co.uk/terms-and-conditions.

A new passport rule will be introduced across 13 airports from this month, and it’s good news for holidaymakers as it could allow for a smoother travel experience

Airports across the UK are rolling out new contactless technology that will allow Brits to pass through the e-gates without presenting their passports. This is due to an enhanced facial recognition system that will capture the returning passenger’s face at the e-gates and cross-reference it with their passport photograph already stored on file.

The upgraded technology, being introduced at the e-gates of 13 UK airports, will help to speed up security checks and is said to dramatically cut queues by up to 25 per cent, according to the Home Office. It will also provide British passport holders with a smoother journey home, as they no longer need to rummage around for their document or face lengthy border control queues.

Phil Douglas, director general of Border Force, said: “This is a win for travellers coming to our brilliant country. By using state-of-the-art technology, we are making journeys smoother and faster, all while fully maintaining the UK’s robust border security. Our digital transformation also builds on our work this summer to extend eGates to children aged eight and above, making life a little easier for families.”

To make the process more efficient, it’s been reported that airlines would forward passport photos of their British passengers to border control at each airport on the day of arrival, which would then be uploaded onto the e-gates system. Douglas added: “Because we know who’s coming and can load up that gallery of who is arriving, it’s not a one in 60 million check, it’s a one in tens of thousands check [because the system only needs to check against the passports of passengers travelling on that particular day].”

The phased introduction of the revamped system began on Tuesday, 6 October, and will initially launch at Birmingham and East Midlands airports over the coming weeks. By early next year, the new ‘contactless borders’ will be rolled out across other UK airports already equipped with e-gates.

Steve Griffiths, managing director of East Midlands Airport, said: “We’re delighted to be the first UK airport to have contactless eGates introduced by Border Force. As an airport committed to providing an effortless travel experience, we welcome any technological innovation that can help to safely make our customers’ journeys smoother, swifter and simpler. This complements changes that we carried out to our immigration hall recently to help improve the flow of arriving passengers through the area.”

Full list of 13 UK airports impacted

1. Birmingham Airport
2. Bristol Airport
3. Cardiff Airport
4. East Midlands Airport
5. Edinburgh Airport
6. Glasgow Airport
7. London City Airport
8. London Gatwick Airport
9. London Heathrow Airport
10. London Luton Airport
11. London Stansted Airport
12. Manchester Airport
13. Newcastle International Airport

While the system will initially be introduced for British passport holders using e-gates at UK airports, there are proposals to extend it to other nationalities holding biometric passports, including those from Europe, Australia, Canada, Japan, New Zealand, Singapore, South Korea, and the US. Officials hope it will streamline re-entry into the UK and prevent disruptions at border controls.

Passengers who cannot be identified at the e-gate under the new system would need to revert to the existing method and scan their passports instead. Should this also prove unsuccessful, they will be directed to a staffed border control desk where their passport will be manually verified.

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