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OCHOPEE, Fla. — The immigration detention center in the Florida swamps known as “Alligator Alcatraz” is closing after nearly a year, Gov. Ron DeSantis said Thursday.

DeSantis said the center was always supposed to be temporary and now federal officials have enough ability to handle detention and deportation in more permanent facilities.

“It served its purpose for the time,” the Republican governor said.

Officials announced a temporary closure of the facility earlier in June, saying hurricane season made it unsafe to keep the detainees in the Florida Everglades. All the of people kept at the isolated airstrip had been sent to other facilities.

Immigration advocates said the tents were never humane or safe to hold people. Detainees at the facility have talked about their difficulty accessing lawyers and have described poor physical conditions, including worms in the food, toilets that don’t flush, flooding floors with fecal waste, and mosquitoes and other insects everywhere.

The detention center was built by DeSantis’ administration in a matter of days in 2025, and President Trump came to visit site.

DeSantis and Trump said the detention center was critical to Republican efforts to return people in the country illegally back to their home countries. The Republican governor said 21,000 people were deported through the facility.

Collins writes for the Associated Press.

The Space Shuttle Endeavour is approaching its final mission. But this time, it won’t be blasting into a different atmosphere.

The California Science Center on Wednesday announced its Samuel Oschin Air and Space Center will open to the public on Nov. 13. The $450-million, 200,000-square-foot addition will permanently house the Korean Air Aviation Gallery and the Kent Kresa Space Gallery. But its centerpiece will be the Samuel Oschin Shuttle Gallery, where the Space Shuttle Endeavour will be on permanent display in its vertical “ready-to-launch” position.

When it debuts, the gallery will be the only place in the world with a complete shuttle stack, including orbiter, solid rocket boosters and an external tank.

“I’ve been here a long time. We’ve done a lot of great stuff, but this just keeps getting better. Everybody on our team was so proud of it,” said Jeffrey Rudolph, the Science Center’s president and chief executive. “We are incredibly excited, and we actually think people are gonna come from all over the world to see this thing.”

The Samuel Oschin Air and Space Center will open to the public on Nov. 13. The $450-million, 200,000-square-foot space includes the Samuel Oschin Shuttle Gallery, where the Space Shuttle Endeavour will be on permanent display in launch position.

(Allen J. Schaben / Los Angeles Times)

The Air and Space Center opening will mark the completion of the master plan adapted by the Science Center in 1993. One of three surviving space shuttles, the Endeavour made 25 successful missions into space between 1992 and 2011. In 2012, the shuttle arrived at LAX atop a modified Boeing 747 before being taken on a procession through the streets of Los Angeles to reach Exposition Park. Construction on the Samuel Oschin Air and Space Center, a sleek, 20-story building designed by ZGF Architects, finished in April.

“This shuttle really represents everything that my husband loved,” said Lynda Oschin, the widow of Samuel Oschin. “He was very involved in relativity, exploration, inspiration, children, math, science.”

Dennis R. Jenkins, project director at the California Science Center, estimated that at the height of construction, the team averaged about 400 construction workers a day. For Jenkins, who spent 30 years of his career as a NASA contractor working on space shuttles, seeing the Endeavour in its vertical position is “particularly special.”

“I walk in there 50 times a day, and 50 times a day it takes my breath away,” Jenkins said. “Especially when we have the theatrical lights on instead of the work lights, it is just so stunning to me. I’ve been around space shuttles for exactly 50 years now, and it still takes my breath away.”

Retired astronaut Barbara Morgan, who flew aboard Endeavour in 2007, said the shuttle will inspire space enthusiasts.

“This takes me back! I am right there again, strapped in, excited to launch,” Morgan said in a statement. “But this is even better, because here now is Endeavour for our future generations. She will launch big dreams.”

Jeff Rudolph, president and CEO of the California Science Center, gets a close-up view of the aft section and main engines of the Space Shuttle Endeavour, displayed in a vertical, launch-ready configuration at the new Samuel Oschin Air and Space Center at the California Science Center.

(Allen J. Schaben / Los Angeles Times)

The gallery will open with a video of the shuttle’s history, produced by J.J. Abrams’ company, Bad Robot. The video ends with a simulated launch of the shuttle — complete with fog machines — before the walls retract, letting visitors take in the Endeavour in all its massive glory.

The Endeavour is visible from several angles. Visitors walking around the bend of the center’s second-floor gallery can peek inside the payload bay, which was used to transport cargo like satellites into space. Step downstairs, and viewers can walk underneath the shuttle’s massive engines. To catch a bird’s-eye perspective of the Endeavour, guests can take a glass elevator to the 20th story to look at the shuttle through a glass floor.

“You go up slowly, [the elevator] stops at different levels. You see inside where the payload is, and at every stop you see something else, and when you get to the top and you look down,” Oschin said, the view is just unbelievable. It’s breathtaking. I don’t know what other word I could use.”

Despite the grandeur of the Endeavour, the Science Center didn’t want to glorify it either. Rudolph explained that the tiles on the shuttle’s wings, which were part of its thermal protection system, show the damage on each launch. The shuttle reflects the physical toll space took on the vessel.

“This thing went 25 missions into space, and you can see,” Rudolph said. “When we first got [the Endeavour] at LAX and had it in the United hangar a couple of weeks before we moved it through the street, the United guy said, ‘Do you want us to paint it?’ and we said ‘No! We wouldn’t think of it.’”

Jeff Rudolph, president and CEO of the California Science Center, walks through a doorway toward the Space Shuttle Endeavour during a tour and preview of the new Samuel Oschin Air and Space Center at the California Science Center.

(Allen J. Schaben / Los Angeles Times)

The center’s goal is to present the shuttle as close to mission-ready as possible. Rudolph explained that the exhibit’s hardware, including its bolts and nuts, are unique and extremely specialized. Since the space shuttle program concluded in 2011, many of Endeavour’s missing pieces are no longer produced. Jenkins spent years sourcing pieces of equipment.

However, the largest artifact of the exhibit was the most challenging to source. ET-94 — the exhibit’s ginormous, bright orange external fuel tank— was particularly difficult to get a hold of because it shouldn’t still exist.

“External tanks were only used once. … We jettisoned them on the way to orbit, and it burned up in the atmosphere before it hit Earth,” Jenkins said.

Jenkins explained that the ET-94 was built for a future Columbia Space Shuttle mission, but after the Columbia was destroyed, the fuel tank was used for research. To complete the Endeavour’s full shuttle stack, Jenkins persuaded NASA to donate the $65 million to the Science Center.

The Endeavour will not be alone in the gallery. Plans are in the works for a variety of unique, ancillary creations including a 15-second slide that mimics the path of reentry as a space shuttle descends back into Earth’s atmosphere. Visitors will start inside a dark slide that gives way to an orange glow followed by a double sonic boom. The slide finishes with an S turn, which the Endeavour executed to burn energy.

For Rudolph, the effort represents a giant leap toward the Science Center’s goal of making space exciting for “the next generation of scientists, engineers and explorers.”

“I just can’t wait to stand there and watch people come in, and kids especially. There are going to be a lot of tears looking at this, that I can tell you, happy tears,” Oschin said. “It’s something for children. Children are our future and our hopes for the future. This is going to be very inspiring for them and extremely exciting for them to see.”

FORT WORTH, Texas — A demonstrator who shot and wounded a police officer outside a Texas immigration center last July 4 was sentenced to 100 years in federal prison Tuesday, while other protesters accused of having links to antifa were given multiple decades in federal prison.

Benjamin Song was convicted of attempted murder last March after prosecutors say he opened fire and wounded a police officer at the Prairieland Detention Center in Alvarado.

The seven other protesters sentenced Tuesday received prison terms ranging from 30 to 70 years.

“Our issue with this case has always been this isn’t a bunch of terrorists. This is a bunch of kids and young adults who really have a really big heart and really wanted their voice to be heard,” Philip Hayes, Song’s attorney, said outside the federal courthouse in Fort Worth. “It was never intended that anybody get hurt. It was never intended that any shots would be fired.”

He said his client would appeal the sentencing.

“Song, aside from this day, has had an impeccable life. A former Marine. A good student,” Hayes said. “He had a lot of good qualities that were just ignored. The judge went ahead and gave as much as he could.”

One of the defendants, Daniel Sanchez Estrada, was convicted of corruptly concealing a document and conspiracy to conceal documents. Others pleaded guilty to providing material support to terrorists rather than take their case to trial.

Prosecutors say the eight are members of antifa, a decentralized anti-fascist organization that has become a target of the Trump administration. They have denied any affiliation and maintain they attended the demonstration to show support for immigrants inside the detention center.

President Donald Trump last fall signed an executive order designating antifa a domestic terrorist organization, even though there is no domestic equivalent to the State Department’s list of foreign terror organizations.

Critics warn the case could have wide-reaching impact on protests given that organizations operating within the U.S. are supposed to be protected by First Amendment free-speech rights.

Short for “anti-fascists,” antifa is not a single organization but rather an umbrella term for far-left militant groups that confront or resist neo-Nazis and white supremacists at demonstrations.

Last week, federal prosecutors charged 15 people with impeding the Trump administration’s immigration crackdown in Minnesota. They claimed the demonstrators were members of antifa who conspired against the federal government to block arrests and deportations by setting up blockades around government buildings and throwing chunks of ice at federal vehicles, among other actions.

Stengle and Marcelo write for the Associated Press. Marcelo reported from New York.

June 20 (UPI) — The board of directors at the John F. Kennedy Center for the Performing told a judge this week that the venue has no plans to schedule new programming and will likely remain closed for renovations.

U.S. District Judge Christopher Cooper in May ruled that the Kennedy Center’s board had decided to close the facility in July for two years of renovations and refurbishments without considering its responsibilities as a federal monument, ABC News and The Washington Post reported.

The May 29 ruling also ordered the center to remove President Donald Trump‘s name from the building, which it complied with last Friday, just hours before the court’s deadline to do so.

Trump made a sudden announcement in February that he planned for the center to be shut down for “construction, revitalization and complete rebuilding” over the course of a two-year period.

Matt Floca, executive director of the Center, told Cooper in a filing Friday that the board will be considering three potential paths forward — full closure, partial closure or a set of phased closures — but that public access to parts of the building would be maintained during any work there.

“Given present uncertainty as to future programming, management has deferred affirmative long-term programming or staff adjustments until the board selects a final operational path.

Performances and shows that were scheduled after the July closure date have already been canceled and are not expected to be rescheduled.

The public will continue to have access to various exhibits and smaller gatherings held there, including the John F. Kennedy exhibit — the facility was designed as a living memorial to the former president — during work there.

The Center’s board is expected to consider the three renovation options at a meeting in mid-July.

Former President Obama, joined by three former presidents, celebrated the opening of his presidential museum in Chicago in an extraordinary event Thursday that brought together world leaders, A-list celebrities, athletes and other internationally known figures.

Bruce Springsteen, Stevie Wonder, Christina Aguilera and Bono were all slated to perform at the dedication ceremony.

Obama and former First Lady Michelle Obama and their daughters shared the stage with former Presidents Biden, George W. Bush and Clinton, along with former First Ladies Jill Biden, Laura Bush and Hillary Rodham Clinton. Former Vice President Kamala Harris was also in attendance.

Obama and Michelle Obama are both expected to give remarks. The invite-only celebration was livestreamed and kicks off a weekend of events centered around the Obama Presidential Center, which opens to the general public on Friday, which is Juneteenth.

President Trump was not in attendance. He called the $850-million center a “total disaster” in a social media post in February.

Those at the event included California Gov. Gavin Newsom, a potential 2028 Democratic presidential candidate; civil rights leaders Andrew Young and Al Sharpton; Oprah Winfrey; comedians David Letterman, Conan O’Brien and Stephen Colbert; actor Tom Hanks; tennis legend Billie Jean King and Chicago Cubs Chairman Tom Ricketts.

Former world leaders in attendance included former German Chancellor Angela Merkel and former Canadian Prime Minister Justin Trudeau.

Jennifer Hudson sang the national anthem. Other musicians slated to perform include Common, Eddie Vedder, Marc Anthony and the Roots, which was serving as the house band.

The Thursday celebration “will reflect a spirit of inspiration and joy, with a big boost from the performers who are sharing their talent with us,” said Valerie Jarrett, the Obama Foundation’s chief executive and former Obama top advisor. “We hope to inspire people everywhere to believe in their power to bring change home.”

General admission tickets for the center are sold out through the end of October. But tens of thousands of people have already been offered a sneak peek of the nearly 20-acre campus on Chicago’s South Side in Jackson Park.

The center, located near where Obama lived and began his political career, is expected to attract more than 1 million visitors annually. It is adjacent to the Griffin Museum of Science and Industry in the lakefront park, and not far from the University of Chicago.

The campus includes a towering museum that covers the political and personal realms of the nation’s first Black president and first lady, while public spaces include a branch of the Chicago Public Library, a playground and athletic center, basketball courts and a picnic area with grills.

The tower’s design is meant to depict four hands coming together in solidarity. Wrapped around one side are 5-foot tall concrete capital letters, an excerpt of Obama’s 2015 speech commemorating the 50th anniversary of the Selma-to-Montgomery march. It begins, “You are America.”

Bauer writes for the Associated Press.

June 18 (UPI) — The Obama Presidential Center will open Thursday in Chicago with a long list of celebrities attending.

The grand opening will be livestreamed starting at 11 a.m. CDT Thursday on Obama.org and on the Obama Foundation’s social media accounts. The opening is invitation-only, and there are no more tickets for the Midway Plaisance Park watch party in Chicago.

The center will be open to the public beginning Friday, and it’s expected to see up to 1 million visitors per year. Tickets, which are $30, are sold out through October.

The center is a 19-acre space on the south side of Chicago that features a tall building that includes a museum of the Obamas’ lives. It shows what life was like in the Obama White House.

The campus also has a branch of the Chicago Public Library, an NBA regulation-size basketball court and Women’s Garden dedicated to women leaders in Chicago. It also has an auditorium, a media suite that visitors can use, a Wetland Walk, a fruit and vegetable garden and a playground.

But it’s not a presidential library and doesn’t house the Obama presidential documents. Those are in the mostly digital Barack Obama Presidential Library run by the National Archives, though the center does have some artifacts on display that are on loan.

Some of the celebrities planning to perform are Bruce Springsteen, Christina Aguilera, John Legend, Stevie Wonder, Jennifer Hudson, Marc Anthony, The Roots, Common, Eddie Vedder, Bono and The Edge, Tems and Marsai Martin.

Every living president will be there except President Donald Trump.

CEO of the Obama Foundation Valerie Jarrett has said Trump is welcome to visit the museum, and they’d love to give him a tour. She said he simply was not invited to the dedication.

“I can tell you that this is a celebration for those who helped get President Obama where he is. And this is a gift to them,” Jarrett said. “And so the people who will be here are the people who’ve been helpful along the way.”

WASHINGTON — While millions of soccer fans cheer or groan over World Cup matches spanning North America, health officials are on high alert for germs.

A heat wave may be the most obvious health threat. But infectious diseases can spread in a crowd, and experts are scrutinizing wastewater, hospital visits, even social media for any signs that an outbreak might be brewing.

Measles, one of the most contagious diseases, is among the top concerns, sparking a warning this week from the Pan American Health Organization, PAHO. With a nearly six-week stretch of packed stadiums, bars and tourist sites in 16 cities, officials are on the lookout for a long list of infections, from the stomach bug norovirus to mosquito-borne dengue fever.

“This is truly a marathon,” said Palak Raval-Nelson, Philadelphia’s health commissioner.

The mass gatherings come at a tense moment for budget-strapped health agencies in the U.S. The Centers for Disease Control and Prevention, hit hard by Trump administration staffing cuts, already was grappling with a growing Ebola outbreak in central Africa and a cruise ship hantavirus outbreak. While CDC officials have advised state and local health departments behind the scenes, it’s expected World Cup disease surveillance dashboard still was “in final development” days before games began, according to the Department of Health and Human Services.

“Our public health professionals are pretty stretched,” said global health specialist Rebecca Katz of Georgetown University, who is leading an unusual new hub to help.

At the Health Security Operations Center, a joint effort between Georgetown and MedStar Health, workers are analyzing data from around the country so they can alert health authorities, even emergency rooms, to any early signs of trouble. The center is issuing daily “situation reports” about disease trends around World Cup host cities and team base camps to several hundred local and federal public health groups, emergency management and hospital officials and others who’ve signed up.

“It’s important that we don’t become alarmist,” said MedStar emergency medicine specialist Dr. Shane Kappler. “We’re trying to be the insurance policy.”

Measles is a top concern for potential World Cup spread

Already more than 2,000 people in the U.S. have come down with measles this year, nearly as many as during all of last year, according to the CDC. Patients can spread measles before the rash appears and they realize they’re sick. Not too long ago, the U.S. seldom saw measles except from international travel by unvaccinated people.

Now with frequent U.S. outbreaks, “actually a lot of our international partners are worried about measles being exported to them after the games,” said Georgetown’s Katz.

Measles is spreading in Canada, too, and has exceeded 11,000 cases in Mexico, according to PAHO. It’s urging soccer fans to be sure they’re vaccinated, with a health campaign saying a single measles patient can spread the virus to up to 18 unprotected people.

Is Ebola a concern at the World Cup?

Brown University’s Dr. Craig Spencer, who survived Ebola while working in the West Africa outbreak over a decade ago, said he’s repeatedly asked about the risk of Ebola during the World Cup — but “for me, Ebola is not the No. 1 or No. 2 or even No. 3 threat.”

“I am concerned about importation of measles, I am much more concerned about the importation of other infectious threats that may not seem as scary to us as Ebola,” Spencer said.

Many health experts agree that the risk of Ebola spreading in the U.S. is very low. That’s partly because of government travel screenings and restrictions on people recently in outbreak-affected areas. Moreover, Ebola spreads by contact with bodily fluids from someone showing symptoms, not through the air like measles or respiratory viruses.

“One fortunate thing about this virus is you’re most contagious when you’re really quite ill. It’s not like COVID, where you could be sitting next to someone who doesn’t even know they’re infected and perhaps contract the virus,” said Jennifer Nuzzo, director of Brown’s Pandemic Center.

How to spot brewing diseases

There’s precedent for germs invading major sporting events. Canadian scientists linked a community measles outbreak to the 2010 Olympics in Vancouver, and clusters of norovirus had to be contained during the Olympics this year in Milan and in 2018 in South Korea.

One way to detect signs of trouble: People with certain viral or bacterial infections shed genetic material that sophisticated testing of wastewater can spot. For example, measles can appear in wastewater days before an emergency room sees its first patients.

A recent surveillance reports from Katz’s center note that wastewater testing recently found diarrhea-causing rotavirus, hepatitis A and norovirus in some parts of the U.S., something to watch as soccer crowds arrive.

In Dallas, officials ramped up wastewater screening including at the international airport, casting a wide net rather than looking for specific illnesses, said Dr. Phil Huang, director of Dallas County Health and Human Services.

His team also is enhancing the usual mosquito testing, checking not just for West Nile virus that regularly spreads in the U.S. but for viruses more common in other countries like dengue and chikungunya.

Public health officials have been preparing for months, said Philadelphia’s Raval-Nelson, including with mock emergency drills and communications with counterparts around the country.

“I don’t want to send a message that there’s one key thing,” she said. “We have the frameworks in place to carry out what we need to.”

Neergaard writes for the Associated Press.

June 13 (UPI) — Trump’s name has been completely removed from the John F. Kennedy Center for the Performing Arts, the executive director told the court Saturday.

Executive Director Matt Floca told the court in documents that the name was changed before the extended deadline of noon Saturday, CNN reported. The court had allowed an extension after the center missed the midnight Friday deadline due to thunderstorms, Justice Department attorneys said.

Workers began removing the name from the building early Saturday, and documents confirming the name change were filed around 11 a.m. EDT.

Since December, the center has been named the Donald J. Trump and John F. Kennedy Center for the Performing Arts, after the center’s board, whose members Trump installed, voted to rename the venue.

Trump claimed that naming the center after him was a surprise, but the name was added to the sign the next day.

Rep. Joyce Beatty, D-Ohio, filed a lawsuit on Dec. 23 against Trump and others alleging that renaming the center was illegal.

And on May 29, a judge agreed. U.S. District Judge Christopher Cooper ruled that the center’s board had overstepped its authority when it voted to add Trump’s name to the center.

“Congress gave the Kennedy Center its name, and only Congress can change it,” Cooper said.

On Friday, a court denied the center’s last-minute request to stop the name change while the case gets appealed.

Beneath azure skies and fluffy white clouds, three giggling toddlers and their mothers arrive at a candy-colored water park in the town of CoComelon.

It’s the opening of “Fast Little Fishy Splash Water Park Adventure,” a three-minute episode of “CoComelon,” the popular children’s cartoon series that is perhaps as controversial as it is appealing to young children.

Moonbug Entertainment, the studio behind “CoComelon,” says the episode, which debuted on YouTube in May, is the result of a years-long collaboration with a UCLA think tank.

In an unconventional move for a privately held entertainment company, the studio released its child development guidelines on its website Tuesday. Moonbug’s head of communications Bao Nguyen said the company began to incorporate findings from the research into its creative process in late 2025.

“It’s a great example of what we’ve been trying to do,” said Rich Hickey, Moonbug’s chief creative officer, referring to the episode. “Inclusive storytelling and learning through play — they’re all evident within that episode.”

Nina and Cody, ecstatic about visiting their neighborhood splash pad, run through fountains and hop in kiddie pools, but protagonist JJ is a bit more skeptical.

With support from his friends and his mother, who offers him goggles and a pair of orange arm floaties, JJ decides to face his fears. He joins his friends under a tipping bucket, and — spoiler alert — realizes that he actually enjoys playing in water. (“I just love to swim, swim, swim,” he sings.)

The guidelines, called the “Moonbug Learning Principles Framework,” are informed by academic research and advise that Moonbug shows should help young viewers navigate “real life moments” and “model positive relationships among children and their friends and caregivers.”

Other priorities include creating shows that encourage kids to learn through play, as this helps them develop their imagination and creativity, and featuring characters from diverse backgrounds (“CoComelon’s” Nina is Mexican American, Cece is Korean American and Cody is Black) — and giving said characters depth — across all Moonbug shows.

“We’re a digital-first company and we realized that there may be some … hesitation to sharing online content with children,” Hickey said. “This is really to keep building on the trust we think we’ve built.”

“CoComelon” is Moonbug’s flagship preschool show, and the series’ origins date back to 2006 when commercial director Jay Jeon shared a YouTube video of an alphabet cartoon set to music. The videos began to revolve around toddler JJ in 2017.

By 2020, “CoComelon” was the most-watched YouTube channel in the world, averaging 3.5 billion monthly views. That year, the show made its streaming debut on Netflix — where it broke ratings records — and was bought by London-based entertainment company Moonbug.

Moonbug was then acquired by Candle Media, a firm led by ex-Disney execs Kevin Mayer and Tom Staggs, for a reported $3 billion. Disney+ has since obtained the exclusive streaming rights to “CoCoMelon.”

“CoComelon‘s” image woes aren’t new. The series has developed a reputation for keeping children glued to the screen, as seen in videos that have gone viral on social media of babies bolting to the television upon hearing the marimba theme song.

In 2020, a Guardian columnist wrote that “CoComelon” was “like crack” for a preschool child. A New York Times report in 2022 gave the public more insight into Moonbug’s audience development process, which included testing “CoComelon” videos on young children to make its shows as attention-grabbing as possible.

The program has been a hot topic on parenting forums. The exchange typically goes something like this: Someone asks if “CoComelon” is “bad” and a gaggle of parents weigh in. “Very overstimulating,” said a user in one Reddit thread. “It moves too fast for kids’ brains to process, which can cause a speech delay,” wrote another.

Asked to respond to the criticism, Hickey said he believes Moonbug makes “age-appropriate content” and produces a range of videos to cater to different moments throughout a child’s day, from slow bedtime videos to faster-paced ones meant to encourage movement, Hickey said.

In 2023, Moonbug recruited the Center for Scholars and Storytellers, a think tank at UCLA that bridges entertainment media and psychology research, to “create the best possible product” for its audience, Hickey said.

The center was tasked with analyzing Moonbug’s content and crafting the learning principles to guide the studio’s future preschool programming, which also includes the “Blippi” and “Little Angel” franchises.

A scene from Moonbug Entertainment’s “Blippi’s Job Show.”

(Jessica Perez / Moonbug)

Moonbug also asked the center to determine if there was research showing that audiovisual content could be addicting for preschoolers, said Yalda T. Uhls, an assistant adjunct professor of psychology at UCLA and executive director of the Center for Scholars and Storytellers. Uhls said the center’s review of existing peer-reviewed research found that there was no such evidence.

And despite oft-repeated claims that long-form content is better for kids than short-form content, “there isn’t really actually any evidence for that,” Uhls said. “It’s very inconclusive.”

The center found that preschool children struggle to learn as much from content with frequent cuts, though consuming it doesn’t impact their attention span negatively, Uhls said.

As such, the principles the center crafted recommend Moonbug “minimize distractions and tangential songs or storylines” when characters are navigating real-life situations to make sure it does not interfere with preschool children’s ability to learn lessons.

The center interviewed members of Moonbug’s creative teams and formed an advisory council of academic experts in child development to evaluate a selection of Moonbug’s episodes, assess the quality of socio-emotional learning and find areas for improvement, Uhls said.

“The content certainly had a lot of places where it could improve, but it wasn’t horrible,” Uhls said. “There was some learning within the episodes. … It wasn’t all good, it wasn’t all bad.”

Uhls said she recalled several instances of episodes modeling unsafe behavior, but declined to share specifics.

The center plans to continue to work with Moonbug to integrate child development research much earlier in the studio’s creative process and aid with the integration of the learning principles into its content slate, Uhls said.

WASHINGTON — The curtain started to come down for President Trump at the Kennedy Center on Saturday.

After a day of legal maneuvers and thunderstorms, workers began the process in the early morning hours of removing the letters spelling out Trump’s name from the facade of the performing arts venue. They were a few hours past a court-ordered deadline and did their work shrouded by a tarp, much to the frustration of onlookers who had gathered for hours hoping to witness a dramatic moment symbolizing the limits of Trump’s power.

As the sun rose over Washington, the tarp remained in place, leaving it impossible to determine whether all the letters had been removed. Shortly after midnight, the Kennedy Center asked a judge to extend the deadline until noon Eastern time, citing the storms for delaying the work. The court agreed to that request Saturday morning.

The removal of Trump’s name closes one of the more unusual chapters in the history of the Kennedy Center, which began construction in 1964 and was dedicated to the memory of the slain president, John F. Kennedy. At what is typically one of the few relatively nonpartisan spaces in Washington, Trump has exerted unprecedented executive influence over the congressionally created venue during his second term.

Though he rarely discussed the Kennedy Center during his 2024 campaign, Trump moved quickly to oust the institution’s leadership when he returned to office in January 2025 and replaced it with a board of trustees that named him chairman. It rebranded the venue the “Donald J. Trump and John F. Kennedy Center for the Performing Arts” and his name was quickly added to the building’s exterior, though an official name change would require an act of Congress.

While the removal of his name marks a setback for Trump, he is moving forward with other plans to reshape the physical landscape of the nation’s capital in ways that have few modern parallels.

He demolished the East Wing of the White House and is building a controversial ballroom in its place. He remodeled the Lincoln Memorial Reflecting Pool and plans extensive renovations of a golf course in East Potomac Park, moves that could significantly reduce the public’s access to running and biking paths. He is also moving forward with a triumphal arch that would sit near Arlington National Cemetery across the Potomac River in Virginia.

Indeed, as Trump’s name is being removed from the Kennedy Center, the South Lawn of the White House has been transformed into a venue for a UFC match intended to celebrate the 250th anniversary of American independence but also coinciding with Trump’s birthday on Sunday.

Back at the Kennedy Center, there are many questions about the institution’s future. The same May court decision that ordered Trump’s name to be removed from the building also blocked a planned two-year closure for renovations that was set to begin next month.

The Kennedy Center’s calendar for the weeks ahead include performances of “Moulin Rouge! The Musical” and “Bluey’s Big Play.” Comedian Bill Maher is to be awarded the Mark Twain Award for American Humor during a ceremony on June 28.

But little is scheduled for the stages beyond that and, after the Kennedy Center substantially reduced staff, it is unclear how quickly it could build out a robust performance list. Trump, angered by the court’s order to remove his name, has said he would turn the Kennedy Center over to Congress and has suggested it might simply shutter because of public safety concerns.

In its unsuccessful appeal Friday seeking a pause on the order removing Trump’s name, the Kennedy Center’s leadership argued, in terms similar to the president’s use of language and framing of the argument, that the lower court was interfering with needed renovations.

“The District Court is not allowing us to close in order to properly fix up and repair the Building, including potentially life threatening structural damage like beams and parking garage ceilings that are rusted, and in serious danger of falling onto people below,” according to the appeal. “Indeed, total collapse!”

The institution also suggested that the president’s name could return to the building if the Kennedy Center later wins its appeal.

If the court denied the venue’s request for a pause, the Kennedy Center argued that it would “be forced to squander time and money — by both removing the signage and then potentially returning it after appeal.”

Sloan writes for the Associated Press.

The Washington National Opera filed a lawsuit on Thursday that demands more than $17 million from the John F. Kennedy Center for the Performing Arts. The opera company claims it is owed millions in donations that have been withheld.

The lawsuit claims that after the opera company and the Kennedy Center parted ways in January, center officials have not returned more than $17 million in gifts and donations that belong to the opera company. The lawsuit lists the federal government as a defendant because the Kennedy Center was established by Congress.

According to the suit, the opera company and the Kennedy Center had a longstanding contract in which WNO produced its operas at the Kennedy Center, which in return, provided a number of services and other support for the opera company including managing its donations.

In late 2025, after approximately 15 years of affiliation, the suit claims that the Kennedy Center stopped performing the obligations of their agreement, which included marketing, fundraising and administrative support, as well as timely reporting on the growth of the opera company’s funds. When the opera company requested the Kennedy Center remedy the issue, center officials asked to sever ties.

“Five months have now passed since the termination of the affiliation, and the Kennedy Center still has not returned the funds to WNO,” reads the suit. “To the contrary, according to the Kennedy Center’s Chief Financial Officer, the Kennedy Center has put a significant portion of WNO’s money at risk by using it to collateralize the Kennedy Center’s line of credit.”

In an emailed statement responding to the lawsuit, Roma Daravi, a spokeswoman for the Kennedy Center, told The Times that the contract between the opera house and the center financially burdened the center for more than a decade. The statement claimed that taking into account the company’s endowment, an external accounting firm calculated that the opera company had “accumulated a $72 million deficit to the center” between 2011 and 2026.

“The Center has acted transparently and in the best interests of the public throughout this process,” the statement reads. “This lawsuit is meritless, and we plan to pursue a countersuit to defend the institution.”

The legal action comes during a tumultuous time for the Kennedy Center. Last year, President Trump fired the board and appointed himself chairman of the Kennedy Center.

In December, President Trump’s name was installed on the exterior of the center the day after his handpicked board of trustees voted to change the institution’s name to the “Trump-Kennedy Center.” Last month, a federal judge ordered President Trump’s name to be removed from the exterior of the building within two weeks and a halt to the Trump administration’s planned two-year closure of the venue.

On Friday, the court-ordered deadline for removing his name sparked widespread interest and crowds gathered outside the center. A live cam was also placed near the structure.

The Times arts editor Jessica Gelt contributed to this report.

The US president has sought to reshape the capital city’s image and institutions through series of plans and projects.

President Donald Trump’s name is set to be removed from the facade of the Kennedy Center, an entertainment and cultural institution in Washington, DC, after a judge rejected a last-minute request to keep it in place.

US District Judge Christopher Cooper dismissed an effort by the centre’s board, whose members were handpicked by Trump, to reverse a previous order taking his name off the building by Friday.

The saga is yet another example of Trump’s effort to make changes to major sites and institutions across the nation’s capital, on which he has sought to impose himself through a series of planned projects that include an enormous triumphal arch and a White House ballroom.

Many of those efforts have faced legal challenges.

Trump dismissed the centre’s previous leadership and appointed a board that named him chairman.

Cooper had ruled last month that the addition of Trump’s name to the exterior of the John F Kennedy Center for the Performing Arts was illegal and ordered its removal.

“Unfortunately, Judge Cooper and the Radical Left would rather see it DIE than have President Trump transform it into something that everyone could be proud of,” Trump wrote in a 580-word social media post at the time, slamming the decision, referring to himself in third-person.

A June 4 memo from the centre’s Office of General Counsel had instructed staff to use the name “The John F Kennedy Center for the Performing Arts” or “Kennedy Center” in email signatures, letterhead and other documents. The centre’s website also dropped Trump’s name.

But the board attempted to salvage the change in an appeal on Thursday, appealing a previous ruling that denied their request for a stay. Cooper rejected that request on Friday.

There’s nothing like taking a cool dip after a hot day, especially in L.A. summer weather. As peak swimming season kicks off, the Hansen Dam Aquatic Center pool in Lake View Terrace reopened Memorial Day on weekends after being closed for the season. It will be open daily for swim and play starting Saturday.

The popular San Fernando Valley aquatic center spans 40 acres that include a massive 1.5-acre pool lined with sand like a beach. There’s also a nine-acre lake used for fishing and nonmotorized boat activities.

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1. Jaylia Martinez, 5, left, is splashed with water by Elijah Santillana, 6. 2. The height chart for the water slide at the Hansen Dam Aquatic Center. 3. Visitors enjoy the pool at the Hansen Dam Aquatic Center. (Kayla Bartkowski / Los Angeles Times)

“As one of the largest pools in the U.S., capacity [being] 3,500, we get so many people from all over the city, all over the county, people coming from out of state to this place,” Edwin Realegeno, aquatic facility manager of the center, said.

The Hansen Dam Aquatic Center pool was constructed in 1999 in a $15-million project to replace a previous pool in the area that was filled with silt.

Along the pool’s sandy shores, individuals can use the volleyball courts and teqball table. There are also different levels of shallow water for young swimmers and toddlers.

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Paty Santillana, a Van Nuys resident, has visited the Hansen Dam Aquatic Center for the last 15 years. “It’s perfect for little kids. I have a 5-year-old and also a 21-year-old, who we used to come here with,” Santillana said. She adds that her grandchildren are ecstatic every time she mentions a visit to the pool.

Idalia Fraga, a 12-year-old swimmer who has been to the pool twice since its reopening on Memorial Day weekend, said she enjoys the pool for its affordability.

“Prices are very cheap … it really helps those families who struggle,” Fraga said.

After some renovations to its large water slide that will be reopening Saturday, the pool is open to swimmers for an admission fee of $4 for adults and children 17 and under for $1. The center takes cash only.

The recreational lake is open year-round and is restocked with fish from the California Department of Fish and Wildlife.

Christopher Lopez relaxes by regularly fishing at the Hansen Dam Recreation Lake on the weekends.

(Kayla Bartkowski / Los Angeles Times)

Along the lake, people enjoy walking the surrounding grassy pathway and fishing. Christopher Lopez, a Pacoima resident, who also goes by the nickname Squid, goes to the lake for the latter.

Lopez started fishing nearly two months ago with his longtime friend from elementary school. “[It’s about] getting out of the house and having something to do on the weekends and being able to enjoy the day,” he said. “Spending our time out here I think is just a great addition.”

For Lopez, catching bass or trout and enjoying the occasional breeze is a perfect day to absorb the beauty of nature.

Lifeguards Israel Orozco, left, and Ian Zabel, right, watch the pool as visitors cool off at the Hansen Dam Aquatic Center.

(Kayla Bartkowski / Los Angeles Times)

The recreational center is hosting fundraising 1K and 5K runs on Sunday followed by a party with free access to the pool. Realegeno said the fundraiser is to help fund public pool centers across L.A. County and to promote swimming safety lessons.

Visit the recreation center’s website or Instagram page for more information as well as updates on pool or slide closures. Hours vary.

Airbus has pulled the wraps off the U760 Ravenstorm, a combat drone designed to operate alongside fighter aircraft in air-to-air combat, strike missions, and electronic warfare roles. The new uncrewed aircraft is part of a revamped drone portfolio from the company, which also includes a Europeanized version of the stealthy XQ-58A Valkyrie, a medium-altitude long-endurance (MALE) platform, various tactical solutions, counter-drone systems, as well as the U145 uncrewed helicopter that you can read more about here.

The timing of the announcement — and the unveiling of the Ravenstorm, in particular — is especially notable given the recent collapse of the Franco-German-led plan to build a crewed New Generation Fighter (NGF) aircraft, as part of the broader, pan-European Future Combat Air System (FCAS) initiative. You can read more about this development here.

On the eve of the ILA Berlin airshow, starting in the German capital tomorrow, Airbus showcased what it describes as “Europe’s most versatile drone portfolio.” The various products have been newly assigned a “U” prefix for uncrewed systems. This reflects the company’s policy of prefixing with an “A” for crewed fixed-wing aircraft, and an “H” for crewed helicopters.

“Whatever uncrewed or ‘drone’ capability our customers need to strengthen sovereign air power, we deliver,” said Mike Schoellhorn, CEO of Airbus Defence and Space, in a company press release. “Our portfolio ranges from rapid-response drone interceptors and various tactical drones, autonomous cargo helicopters to uncrewed fighter aircraft UCCAs (uncrewed collaborative combat aircraft) operating co-operatively with crewed fighter jets.”

“On the other side of the spectrum we have the Eurodrone, our very high payload and very long endurance ISTAR (intelligence, surveillance, target acquisition, and reconnaissance) platform,” Schoellhorn continued. “Airbus provides the entire envelope of uncrewed capabilities required for modern multi-domain warfare. All our systems come with open architectures and a European mission system compatible with the wider European and international defence ecosystem.”

The most significant new arrival in the “U”-product line is the Ravenstorm combat drone, or U760.

A 1:1 model of the Ravenstorm will be on display at ILA. The drone is approximately 43 feet long and has a wingspan of 33 feet. In terms of rough size and general appearance, the drone strongly recalls General Atomics’ YFQ-42A ‘fighter drone’ prototype, now flying under the first phase of the U.S. Air Force’s Collaborative Combat Aircraft (CCA) program. Like the U.S. drone, the Ravenstorm features a swept, mid-wing configuration optimized for stealth and maneuverability. It also has the same twin-tail configuration. Like the YFQ-42, the Ravenstorm has a dorsal inlet, although this is closer to that which appeared on the EADS Barracuda demonstrator that flew for the first time 20 years ago. The drone is clearly optimized with low-observable (stealthy) characteristics, although the inlet is notably large and lacks the trapezoidal shape found on the YFQ-42.

At the same time, it should be noted that, when it comes to combat drones in general, many of them take on a relatively familiar form driven by similar requirements.

Airbus describes the Ravenstorm as “the next evolution” in its “roadmap towards a scalable family of uncrewed collaborative combat aircraft.” It is not clear how many related designs might be planned, and in what kinds of sizes they may come, but the company has highlighted the kinds of missions they will be expected to fly. These include air-to-surface strikes using precision-guided munitions, air-to-air defense with long and medium-range air-to-air missiles, and electronic warfare for suppressing enemy air defenses. Further offensive counter-air missions will involve UCCAs providing non-kinetic jamming.

Ravenstorm will be available in the early 2030s, according to the manufacturer, which is, interestingly, offering the new design alongside a version of the XQ-58. In Airbus parlance, the Valkyrie is designated U740 and combines the Kratos-designed airframe with Airbus’ proprietary Multiplatform Autonomous Reconfigurable and Secure (MARS) Mission System.

For the U740, Airbus provides a notably precise planned date of service entry: 2029, with the German Air Force. This would appear to reflect a specific Luftwaffe requirement for a drone in this class, although it remains unclear if the Valkyrie has been formally selected by the German military. Airbus furthermore expects the U740 to be used in operational experimentation teamed with the Luftwaffe’s Eurofighter combat jet, including demonstrating initial air-to-ground capabilities.

Returning to MARS, this is Airbus’ sovereign mission system, consisting of an AI-supported software core to enable platform autonomy. The system is scalable so that it can be used across the entire Airbus drone portfolio. It is also planned for use on the U950 Eurodrone — the new designation for the Eurodrone MALE platform. This twin-turboprop drone is now in development for missions including ISTAR, early warning, and anti-submarine warfare, and is planned to make its first flight in 2029.

As for Airbus’s two-track approach to UCCAs — U740 Valkyrie and U760 Ravenstorm — the thinking behind the two offerings, also of broadly similar sizes, likely reflects different cost points. The Valkyrie was designed from the ground up as a lower-cost aircraft and is runway-independent in its original form (since then, Kratos has announced a version with wheeled landing gear and there also exists the ability to launch the Valkyrie from a wheeled launch trolley, if required). Meanwhile, the Ravenstorm appears to be a more capable and costly platform, making it a closer match to Increment 1, the first phase of the U.S. Air Force’s CCA program.

It could be that the company has already identified specific national or service requirements (such as the Valkyrie for the Luftwaffe) that it aims to capitalize on. There could also be a plan to use the Valkyrie more for operational experimentation of the UCCA concept before focusing more on the fully sovereign Ravenstorm, including potentially scaling it up or incorporating other significant airframe changes — like higher performance, larger payload, improved low-observable characteristics.

Also unclear is the status of Airbus’s stealthy Wingman, a CCA-like concept that was unveiled at the last ILA Berlin airshow in 2024. This was also presented in the form of a 1:1 model, with a length of 51 feet and a wingspan of 39 feet. The drone was planned to be powered by the same Eurojet EJ200 turbofan as the Eurofighter, providing a proven powerplant and useful commonality.

At the time, Airbus noted that the German Air Force had “expressed a clear need” for a drone that would be able to operate in conjunction with crewed fighters before the arrival in service of the NGF, which was then slated for some time in the 2040s.

Whether the Wingman has now been abandoned entirely is unclear, but the Luftwaffe still has a requirement for an uncrewed companion that can work alongside its forthcoming Eurofighter EK electronic warfare jets. This is a role for which Airbus is earmarking the Ravenstorm, in particular, although it should be noted that the U.S. Marine Corps is also focusing heavily on the electronic warfare mission for the Valkyrie drone.

All of these Airbus efforts are being informed by experience testing the Barracuda, work on which began in 2003, initially as a ‘black program.’ After six test campaigns, the Barracuda was retired.

The company will also be leveraging prior work from the Airbus Low Observable UAV Testbed (LOUT) program. A stealthy demonstrator, LOUT was not flown but was run by the company in strict secrecy until finally it was publicly disclosed in 2019, as you can read about here.

Undoubtedly, the significance of Airbus’s new-look drone roster, and above all the appearance of the U760 Ravenstorm alongside the U740 Valkyrie, is greater now that the FCAS program’s crewed New Generation Fighter is seemingly defunct.

It was always anticipated that the NGF would be operated as part of a wider ecosystem that also included CCA-like drones — what Airbus now refers to as UCCAs. Indeed, there were already efforts in place to start integrating combat drones with crewed fourth-generation-plus fighters like the Eurofighter and Rafale. Now that FCAS, or at least the NGF component of it, has been thwarted, Ravenstorm and Valkyrie offer a glimpse of where Europe’s combat aviation ambitions may be headed instead.

Collaborative combat aircraft like these emerged as a higher-mass, force-multiplying capability for current and future crewed fighters. In the interim, at least, the demise of the NGF means that these kinds of combat drones could be in even greater demand within Europe, where there is already a pressing need for larger tactical air combat fleets, while resources are limited. At the same time, CCA-like drones promise to make existing fourth- and fifth-generation fighters even more potent, further driving demand both in Europe and elsewhere.

Contact the author: thomas@thewarzone.com

Attorneys for musician Chuck Redd say a D.C. Superior Court judge dismissed a breach of contract lawsuit filed against the artist after he canceled a Christmas Eve performance at the Kennedy Center in protest of President Trump’s influence over the venue.

The dismissal was granted Friday under Washington’s Anti-SLAPP laws, which are designed to prevent meritless lawsuits intended to silence opposing points of view on matters of public interest.

Redd, a drummer and vibraphone player who has toured with Dizzy Gillespie, Ray Brown and others, had presided over holiday “Jazz Jams” at the Kennedy Center since 2006. He called off last year’s performance shortly after Trump’s handpicked board for the Kennedy Center voted to add the president’s name to the venue, which Congress named for President Kennedy after his assassination.

“The Center sued Mr. Redd because he publicly and rightly objected to adding Donald Trump’s name to the Kennedy Center, a living memorial to former President John F. Kennedy,” Lisa J. Banks, one of Redd’s lawyers, said in a statement. “The lawsuit against Mr. Redd was political retribution, pure and simple, by the Trump Kennedy Center, and the Court correctly saw it as such in dismissing the case with prejudice.”

Redd told the Associated Press in an email Saturday that he is “very pleased with the judge’s ruling.”

The motion to dismiss, filed in March, argued that Redd wasn’t contractually obligated to perform. It included the contract provided by the Kennedy Center, which the artist never signed.

Representatives for the Kennedy Center did not immediately respond to a request for comment on the suit’s dismissal.

Goldin writes for the Associated Press.

June 5 (Asia Today) — Protesters who had blocked a polling station in Seoul’s Songpa district for two nights and three days moved Friday to a vote-counting center, demanding a new election after ballot shortages disrupted voting in the June 3 local elections.

The ballot boxes from the No. 2 polling station in Jamsil 7-dong were transferred and counted after about 1,000 police officers were deployed. But protesters said they could not accept the result and effectively occupied the entrance area of the counting center, calling for a revote.

About 300 people, including citizens and conservative YouTubers, gathered near the entrance of the Olympic Park handball arena, according to an unofficial police estimate.

Even after the counting was completed, protesters chanted slogans including “revote” and “invalidate the vote.” Some protesters have alleged election fraud, but election authorities have attributed the disruption to a shortage of ballot papers during voting.

The atmosphere grew tense as access for election workers and arena employees was effectively blocked. Some arena employees who tried to leave were reportedly stopped by protesters and remained inside.

Police continued to guard the area around the arena after the vote count ended. Officials at the scene were considering sending election commission workers home first and removing vote-counting materials separately.

The protest followed a broader ballot shortage controversy in South Korea’s local elections. The National Election Commission said ballot shortages occurred at 50 polling stations nationwide and temporarily halted voting at 22 sites. The disruption drew public criticism and led the commission’s chairman, Roh Tae-ak, to announce his resignation Friday.

Earlier, protesters blocked the removal of ballot boxes from Jamsil 7-dong’s No. 2 polling station after a ballot shortage left voters waiting for hours. Police later escorted officials to retrieve the remaining ballot boxes, and the final count ended Friday afternoon.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260605010001909

June 4 (UPI) — The Kennedy Center ordered its staff Thursday to remove President Donald Trump‘s name from the center by June 12.

A memo was sent out from the center’s general counsel that said they must remove all references from signs, brochures, websites, furniture and more, and that they must update email signatures and letterhead immediately.

On Friday, U.S. District Judge Christopher Cooper ruled that the center’s board had overstepped its authority when it voted to add Trump’s name to the center. The memo was the first sign that the center plans to comply with the order.

“Congress gave the Kennedy Center its name, and only Congress can change it,” Cooper said.

Rep. Joyce Beatty, D-Ohio, filed a lawsuit on Dec. 23 against Trump and others alleging that the move was illegal.

Trump claimed that naming the center after him was a surprise, but the name was added to the sign the next day.

Justice Department lawyers representing Trump later said the speed of the move showed it had been “prepared and/or purchased prior to the Board’s vote the day before,” The Washington Post reported.

Thursday’s memo also said officials were “considering their options and will provide further guidance shortly” on whether the center will close after July 5. The center was scheduled for two years of closure for a $257 million renovation.

In his decision, Cooper said the renovations are “sorely needed,” and his ruling doesn’t bar the board from closing “should it come to this decision anew after independently balancing its multiple obligations to the Center in a prudent fashion,” CBS News reported.

“By way of this opinion, the Court does not purport to dictate how the Center should be run, nor does it prescribe any particular plan for the institution — construction, closure or otherwise — moving forward,” he wrote. “It simply holds the Kennedy Center Board to certain minimum requirements imposed by law. Beyond that, the Court will let the parties play on.”

WASHINGTON  — The Supreme Court ruled Tuesday night that Alabama Republican leaders may redraw their congressional voting districts to oust a Black Democrat and elect a white Republican.

The court’s conservatives, who ruled for Louisiana Republicans in a redistricting dispute, extended that decision to Alabama. The three liberals dissented.

The decision clears the way for the governor and state lawmakers to redraw their congressional voting map with six districts that favor Republicans and one that favors a Democrat.

“Weeks ago, I warned that vacating the District Court’s injunction in these cases would ‘unleash chaos and … confuse voters,’ ” Justice Sonia Sotomayor wrote in dissent. “Yet just as Alabama doubled down on racial discrimination, the Court today doubles down on chaos. Because I choose to defend the rule of law and the right of all Alabamians to participate equally in democracy, I respectfully dissent.”

The justices granted an emergency appeal that was backed by the Trump administration and set aside the decision of a three-judge panel in Alabama.

The court in a brief opinion said the three judges should not have blocked Alabama’s new map.

“While federal courts should not impose changes close to an election, states are free to decide for themselves whether last-minute changes to an election are in their best interests,” the court said.

Alabama’s emergency appeal went to Justice Clarence Thomas, who referred it to the full court.

Those three judges, two of them Trump appointees, ruled that Alabama’s state lawmakers discriminated against Black voters, who made up a near majority in the center of the state.

Three years ago, the Supreme Court agreed.

In a 5-4 decision written by Chief Justice John Roberts, the justices upheld the creation of a second district in the center of the state where Black voters had a near majority.

The result then was an Alabama state voting map that favored five Republicans and two Democrats for the House of Representatives.

But last month, in the wake of the Louisiana decision, Alabama’s lawmakers went back to court, arguing that the state may return to the voting map with only a single Black majority district.

In his appeal to the Supreme Court, Alabama’s Atty. Gen. Steven Marshall argued that the high court’s decision in favor of Louisiana “vindicates Alabama position on the lawfulness” of its earlier voting map. He said the state should not be penalized for “refusing to intentionally discriminate” to favor Black voters.

The court’s decision has cleared the way for Republican-led states in the South to flip congressional districts in Louisiana, Tennessee, Florida and now Alabama.

NEWARK, N.J. — New Jersey state police set up designated protest zones and vehicle checkpoints outside an immigration detention center in Newark on Friday, replacing federal immigration enforcement agents who have been clashing with protesters for days.

Gov. Mikie Sherrill said she sent in state police to bring order outside Delaney Hall as the demonstrations have intensified, with violence and arrests increasing as night falls.

“It has grown unsafe, and that’s completely unacceptable,” the Democratic governor said at a news conference announcing the new measures. “We need to take this opportunity to lower the temperature.”

As police erected protest barriers, U.S. Immigration and Customs Enforcement agents who had formed a line in front of protesters moved inside the building’s perimeter fence.

New Jersey State Police Lt. Col. David Sierotowicz said ICE officers agreed to stand down with state police assuming responsibility.

Demonstrators had mixed reactions. Some staged a sit-in and refused to move into one of the new protest areas police set up using metal barriers and concrete blocks.

Rachel Cohen worried that demonstrators exercising their 1st Amendment rights were being silenced.

“It is not helpful to quell protest for the sake of a false peace,” she said. “There is no peace while we are torturing our neighbors on [the] government dime inside this facility.”

U.S. Homeland Security Secretary Markwayne Mullin, on social media, called the measures a “win for law and order” and noted that Sherrill had resisted sending state police for days.

The protests began a week earlier after immigrant advocates said detainees inside launched a hunger strike over poor living conditions at the 1,000-bed facility, which opened last May.

Demonstrators have been attempting to block people and vehicles from entering and exiting, linking their arms in a human chain and using trash cans, umbrellas and other items as makeshift shields and barricades.

ICE officers wearing helmets and tactical vests have used pepper spray and batons to try to disperse the protesters and clear the roadway for vehicles.

At least six demonstrators were arrested and accused of assaulting law enforcement officers Wednesday night, and more have been arrested on other nights, according to the Department of Homeland Security.

Acting U.S. Atty. Gen. Todd Blanche shared images online Friday of bloody wounds and bruises sustained by ICE officers.

“These riots are clearly not ‘peaceful protests’ as you can see from the photos of these horrific wounds,” he said. “Assault a federal officer, you’ll be held accountable.”

Another demonstrator, Lisa O’Dwyer, said she was fine with the designated protest areas.

“I like to get my point across and stay safe at the same time,” the Westfield resident said.

Eyesha Marable, pastor at Mt. Zion AME Church in Millburn, agreed, even while acknowledging that there were “different schools of thought” among protesters.

“There are people here who are angry. Their family members are inside. Their friends are inside. People have been taken off the streets, out of their communities,” she said.

“We have to keep the peace,” Marable said. “The goal is to get our people free, to get them liberated, and we cannot do that if we’re fighting out here.”

State Atty. Gen. Jennifer Davenport said it was important to “de-escalate” the situation as “violence, either against protesters or by protesters, is unacceptable.”

Sherrill said she did not want to give ICE a pretext to expand operations in the state, noting that federal immigration officers around the country have killed and injured protesters in recent months.

“We all need to do everything we can to cool things down now,” she said.

The governor and other Democratic officials tried to visit detainees Monday but were denied entry.

Democratic members of Congress from New York City, however, were able to tour Delaney Hall the day after that. They reported dire conditions, with detainees being fed small portions of often spoiled food and their varied medical needs going ignored.

Families and supporters of detainees also say their loved ones have also been subjected to pepper spray and physical force in retaliation for their hunger strike and the protests outside.

Marcelo and Shaffrey write for the Associated Press and reported from New York and Newark, respectively.

May 29 (UPI) — A federal judge on Friday said President Donald Trump‘s name must be removed from the John F. Kennedy Memorial Center for the Performing Arts in a ruling that also blocked plans to shutter the facility for two years for renovations.

U.S. District Judge Christopher Cooper for the District of Columbia handed down the decisions halting Trump’s plans to impose sweeping changes at the historic venue.

The Kennedy Center’s board of trustees voted in December to add Trump’s name to the building. The decision came less than a year after Trump dismissed the entire board and named new board members, who in turn elected him chairman.

“Congress gave the Kennedy Center its name, and only Congress can change it,” Cooper wrote.

Rep. Joyce Beatty, D-Ohio, sued in response to the name change. Meanwhile, a coalition launched a separate lawsuit in March asking the court to stop the administration from shuttering the facility for two years and carrying out its quarter-billion-dollar reconstruction project.

Trump said the decision to close the facility came after a yearlong review in consultation with contractors, musical experts, arts institutions, and advisers and consultants. He had initially considered a partial project that would permit shows to continue, but decided the best option for the venue was a temporary closure.

Rep. Joyce Beatty, D-Ohio, an ex officio member of the board who sued to have access about the details of renovations, said she believes Trump wants to shutter the Kennedy Center in response to dozens of individuals and cultural organizations who have canceled appearances there in response to Trump trying to rename the center after himself. Beatty said the documents she received about the renovations were “inadequate.”

She said “the documents prove that there is absolutely no basis to shutter this precious living memorial and beloved institution,” she said in a statement. “It certainly looks like President Trump is shutting down the center because he is embarrassed that ticket sales are down and artists are fleeing since his illegal renaming.”

Beatty’s lawyers said she was concerned Trump might use his hand-selected board to push through wholesale changes at the Kennedy Center to design a facility more to his liking. In October, Trump had the East Wing of the White House demolished to make room for a $250 million ballroom.

In a post on Truth Social in March, Trump shared renderings of what he expected the center to look like after the renovations. He said he’s not planning to rip out the facade.

A Washington Post analysis of the renderings show very few changes to the exterior of the building, including altered cornices, updated roof and some windows, painted columns, new signage and landscaping changes.