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Oil prices fluctuate after U.S., Iran call off talks in Switzerland

June 19 (UPI) — Global oil prices have fluctuated slightly on Friday, briefly reaching back above the $80 per barrel mark for Brent crude, as the United States and Iran called off further talks in Switzerland.

A stall in talks between the United States and Iran have cast doubt over the preliminary peace agreement reached earlier this week. The oil market has begun reflecting that uncertainty early Friday.

Vice President JD Vance was set to travel to Switzerland to continue into the next phase of negotiations with Iran. Vance’s trip has been postponed while Israel has opened up more strikes on Lebanon.

Part of the agreement between the United States and Iran included an end to military operations in Lebanon.

The Swiss foreign ministry said talks between the United States and Iran will no longer take place on Friday as previously planned. The White House confirmed that Vance will not be traveling to Switzerland, citing logistical issues involving negotiations.

Vance said during a press conference Thursday that Iran will not receive “a single penny from the United States.” He added that Iran will not receive any of the benefits from the preliminary agreement unless “they comply fully and change their behavior.”

Overall oil prices are heading toward a second consecutive week of falling prices. August Brent crude oil, the international benchmark, traded at about $80.23 per barrel on Friday morning. July West Texas Intermediate futures, the U.S. benchmark, traded for about $75.96 per barrel.

Altogether, benchmark crude oil is on pace to be down in price by about 8% for the week.

After falling below $4 per gallon on Thursday, the U.S. national average for premium gas edged down to $3.97 per gallon on Friday. The price of gas remains higher than prior to the start of the Iran war. A year ago, the average price of gas was $3.20 per gallon on average, AAA reports.

President Donald Trump presents a Medal of Honor to Tom Ripley on behalf of his father, John W. Ripley, during a Medal of Honor award ceremony in the East Room of the White House on Thursday. Photo by Aaron Schwartz/UPI | License Photo

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Georgia Republicans reject governor’s call for 2028 redistricting

Georgia’s Republican legislative leaders on Wednesday rejected Gov. Brian Kemp’s call to redraw congressional and legislative districts during a special session, citing concerns about moving too quickly after a U.S. Supreme Court decision weakened federal Voting Rights Act protections for minority voters.

House Speaker Jon Burns sent Kemp a letter hours before a special session was set to begin Wednesday, and he announced the decision as demonstrators filled the Georgia Capitol with chants of “Black voters matter!”

The decision marked a setback for both Kemp and President Trump, who has urged Republican-led states to redraw congressional districts to their advantage. Ten states already have enacted new congressional districts ahead of the November midterm elections. Georgia would have been the first to change districts for the 2028 elections.

Burns said lawmakers want to take their time after the court’s decision in Louisiana v. Callais, which struck down Louisiana’s congressional map as an illegal racial gerrymander and laid the groundwork for other Southern states to redraw their congressional districts. Burns said it was more important for lawmakers to focus on economic matters rather than “partisan games.” He also cited pending litigation over existing Georgia districts and the need for the state to understand the full ramifications for how race can or cannot be used in redistricting.

Republican legislative leaders did not rule out revisiting redistricting later this year.

Minority voting rights are especially salient in Georgia, where the Capitol complex includes a statue of the Rev. Martin Luther King Jr. and sits blocks from where the slain civil rights icon lived, preached and led the movement that yielded the Voting Rights Act in 1965.

Conservative justices gave the green light

Before Callais, Section 2 of the Voting Rights Act was understood to require maps — for Congress, state legislatures and local legislative bodies — that gave historically marginalized minorities a reasonable chance to select candidates of their choice. Nationally and in Georgia, those so-called “opportunity districts” have disproportionately elected Black and other nonwhite representatives.

For example, about a third of Georgia’s 180 state representatives are Black. Latino, Asian and other minorities bring the total nonwhite share to about 40% — roughly reflecting the state’s overall population. Georgia’s U.S. House delegation has five districts out of 14 total where the electorate is majority or plurality nonwhite. All elected Black Democrats in 2024.

With the Callais ruling, issued in April, a conservative majority of justices concluded that jurisdictions drawn with racial makeup in mind are discriminatory and violate the U.S. Constitution’s equal protection clause. The justices declared that apportionment should be “race neutral.”

Their stated reasoning did not hinge on party interests, and federal courts have said partisan gerrymandering is constitutionally permissible. But in Southern states, especially, party loyalty dovetails considerably with race and ethnicity. So the decision has allowed Republicans — a party dominated by white people — to redraw maps to goose likely GOP districts by redistributing nonwhite voters who tend to support Democrats.

That, many civil rights activists and experts argue, makes it impossible for Southern legislatures to be genuinely “race neutral” when drawing boundaries.

Emory University professor Carol Anderson compared Callais and the resulting redistricting push to poll taxes and literacy tests imposed by white Southern conservatives — and blessed by the Supreme Court — during the Jim Crow era.

“They used racially neutral language for policies that were clearly racially targeted,” said Anderson, who is also a board member of Fair Fight Action, a group organizing against the Georgia redistricting.

There were risks for Kemp and Republicans

It’s not guaranteed that Georgia Republicans can get what they want from new maps.

Partisan gerrymandering involves redistributing voters — packing certain citizens into fewer districts or dividing them across more districts. Around metro Atlanta, spreading nonwhite, Democratic-leaning voters across more districts could make more seats seem to lean Republican. The risk, however, is that more battleground districts emerge because white metropolitan voters are trending less conservative, which could give Democratic candidates of any race or ethnicity more chances to win.

That’s perhaps not a major factor in the Georgia state Senate, which already is considered gerrymandered for Republicans. But it could be a consideration when drawing state House and U.S. House maps.

Kemp was effectively asking Republicans, especially in metro Atlanta, to redraw their own boundaries and take on new, unfamiliar territory.

Trump started the fight before the Supreme Court decision

Nationally, a partisan redistricting battle started last year when Trump urged Republican-controlled states to redraw congressional boundaries to shore up the GOP’s narrow House majority in Washington this November. Texas answered the call first.

California Gov. Gavin Newsom and Democrats in Sacramento answered with their own gerrymander that voters later approved. A succession of states followed. The outcome would have been close to even had the Virginia Supreme Court, controlled by conservatives, not struck down new Democratic-drawn maps approved by the state’s voters. All told, Republicans think they could gain as many as 16 seats from their redistricting efforts while Democrats think they could gain six seats from new districts in California and Utah.

That still may not be enough for the GOP to hold a congressional majority, given Trump’s lagging approval ratings. But it could mitigate Democratic gains and set Republicans up well for 2028 and beyond.

Barrow writes for The Associated Press.

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Alex Callender back as Wales call up new faces to take on Barbarians

Wales have been boosted by the return from injury of highly-regarded back-row Alex Callender for their uncapped encounter against Barbarians at Allianz Stadium in Twickenham on Saturday, 27 June.

The 25-year-old missed Wales’ Women’s Six Nations campaign because of injury, but is set to return for a fixture that follows a men’s international against the Barbarians in a double-header at the home of English rugby.

Head coach Sean Lynn’s 33-strong training squad includes 14 uncapped players, while 24 members of the squad play for Wales-based teams Brython Thunder or Gwalia Lightning.

Lynn has his eye on the future after Wales suffered a winless Six Nations and emphasised that focus.

“It’s a real opportunity to continue to build our playing philosophy and to have a look at the exciting young talent now coming through our pathway and through the Celtic Challenge teams, Wales U21s and Wales U18s,” said Lynn.

“All the players have been told there is a real opportunity to play against an experienced Barbarians side and not to assume that they will or will not play.

“The door is open for selection, and this is a good opportunity for our younger players to taste what is expected at international level.”

Kelsey Jones, Bethan Lewis, Sian Jones, Lleucu George, Hannah Dallavalle, Nel Metcalfe, Sisilia Tuipulotu, Jorja Aiono and Alaw Pyrs were all involved with Gloucester-Hartpury in Sunday’s Premiership Women’s Rugby semi-final defeat by Ealing Trailfinders.

They have not been named in Wales’ initial squad and will be assessed on Thursday.

Saracens duo Georgia Evans and Donna Rose, and Trailfinders back Carys Cox, will be involved in the PWR final on the same weekend as the Barbarians game so will not be involved for Wales.

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Jakob Nowell used to call Sublime ‘his dad’s band.’ But new album proves ‘Now it’s our band. It’s us’

There was a time in the beginning of Sublime’s recent revival when Jakob Nowell, the son of the band’s late singer Bradley Nowell, saw himself simply as a good son trying to help his adoptive uncles — drummer Bud Gaugh and bassist Eric Wilson — restart his dad’s iconic Long Beach trio. The goal wasn’t to take the place of his frontman father who died of an overdose in 1996. “I’ll never look at it as my band. Sublime is my dad’s band, and I’m helping out, that’s all,” he told The Times in 2024. Luckily, he was wrong.

The journey of finding his own voice through his father’s sly, shambolic poetry and reggae rock anthems, along with his determination on the road with Gaugh and Wilson through a barrage of festivals and tour dates helped him eventually step into his own as a songwriter and Gen Z rock star. It’s all been done with the mission to preserving his dad’s legacy and having fun while doing it. Now it feels as natural as the trio sitting together on the waterfront in LBC’s shoreline marina within earshot of the bellowing horn of the Queen Mary earlier this year as they were finishing the recording of “Until the Sun Explodes,” the first album under the Sublime moniker in 30 years.

Just like the band’s original recipe of shoving punk, dub reggae, hip-hop and ska into a blender, the new songs dutifully stick to the formula along with Jakob’s soulful caterwauls that sound scarily similar to his dad. But what emerges from the 21-song tracklist is the evolution of a trademark sound that gives a nod to the past while standing strong on its own, just like Jakob, despite coming to the interview on crutches while healing from a performance-related knee injury. The band members chatted with The Times about recapturing the effortless essence of their immortal beach-ready sound and looking forward to a second chance to chase an endless summer.

This interview was edited for length and clarity

It’s kind of a rare thing for all three of you guys to be in one place at the same time. What was it like working in the studio together to finish the new album?

Bud Gaugh: Magical. Things are just coming together. We showed up, Jake had an idea for another song, and he sent us a little demo and said “Hey, this is what I’ve been thinking about.” And then we get down to the studio [in San Pedro], and he’s like, “Oh yeah, so I had another idea,” and kind of changed it. We jumped in there [and by the end of our sessions, we had written] brand new songs to the list of songs that we already had.

The band’s revival has been a long time in the making. I remember when you guys had your first show together, a surprise gig a couple years ago as part of a benefit show for the Bad Brains frontman H.R. Do you feel you’ve come a long way since then?

Eric Wilson: I never thought the chemistry would be like it was with Bradley.

Jakob Nowell: Especially now that we’ve been playing together this long, the chemistry is very much there. We’re just comfortable and having fun. Jamming together is the best. We get in there to do a take for a song, and I’m always like “Let’s just do like three more!” It’s just that much fun, and that’s how it feels playing live too.

When did the idea for creating a new album come about?

Gaugh: It was pretty much just while we were playing shows, At first, the idea was that we were getting together to do this benefit for H.R. [at Teragram Ballroom in December 2023]. We went from “How’s this going to work?” and then [after the show] it was like, “Wow, this is something special. We should definitely go out and play some more shows, and get this music out there and get the opportunity to bring the music to the people in the purest form that we possibly could.” As we’re doing that, it’s like we’re seeing the reaction in the fans, and we were feeling it emotionally. We realized this is going to be bigger than we ever thought. That’s when we really decided where it was going to go.

 Sublime members stand in front of a palm tree

Jakob Nowell, right, once thought Sublime was only his late father’s band; now, fronting the Long Beach trio, he’s leading a new chapter that still honors Bradley Nowell’s legacy.

(Allen J. Schaben / Los Angeles Times)

Were any of the songs on the new album mined from previously unreleased material or did you start fresh?

Nowell: There was that song we did with Stick Figure [“Feel Like That”], so I think that kind of inspired us. [We realized] “Oh s—, there really is some meat on the bone.” And then I had found some old recordings of stuff that were just like jams without even like vocals or whatever. Then it became just this thing during sound check or maybe in the middle of sets, we’d just start jamming these random progressions and stuff, and it kind of just evolved from there naturally.

The new songs that I’ve heard fit right in the vein of what people love about Sublime. What was it like putting some of those new songs in the setlist as you were building them?

Nowell: It was like magic. We were joking yesterday that sometimes we’ll play a new song for the first time just randomly and I’d see people try mouthing the lyrics and stuff and I’ll say “you’ve never even heard this before! I know you haven’t. We don’t even really know what the hell we’re saying.”

Gaugh: You frontin’! [Laughs]

Nowell: But [the new material] sounded like it was supposed to be there, so it was kind of a rad little test in a lot of ways. We almost don’t even have to think about it. That’s always going to be the guiding goal of any band trying to make fun music that’s relatable.

Wilson: What if you’re Slayer? That’s not true if you’re Slayer.

Jakob, it seems like you’ve gotten a lot more comfortable in the frontman role since joining the band. What’s it like just taking the lead, not just for the sake of your dad, but for the fans?

Nowell: Oh, dude, it’s the best. I don’t even have to think about it. We really feel like this is — we’re a band, you know?

Gaugh: It’s [Jakob’s] band too. Now it’s our band. It’s us.

Nowell: It feels like that whenever we’re hanging out, just doing stuff, or at the studio or at these shows. So, this upcoming year feels like a really rad adventure. We got all these different eras [of fans] — people who were in their 50s when [Sublime’s] first stuff dropped, who are still alive, and then their kids and their grandkids and great grandkids. Everybody finds a piece of the discography they can relate to. That’s what is most exciting. It’s not just one or two songs, people sing along to everything.

I was at Warped Tour in Long Beach last year when you guys played and —

Nowell: That was my favorite set!

To me that felt like it encapsulated what you were talking about with the multigenerational groups of fans that have enjoyed you guys and associate you with Long Beach.

Gaugh: It was like a homecoming for me. I remembered playing the Chili Cook off, you know, right over there in the same area [as Warped Tour], and it was just bringing me back 30 years. It’s so meaningful to be in our backyard playing our music again, right there. This is where it all started. It’s come full circle.

Nowell: It was like playing at a local bar in a cool way. I had this huge group of people up front, they were just talking and shouting and saying stuff, like f–ing with us and joking around. I was like “Damn this is great!”

How about you, Eric? How’d you feel playing Warped?

Wilson: [Mumbles] It was f–ing awesome.

Now that you’ve played all these festival shows, from Coachella to No Values, you’ve got your own festival going on. Can you talk a little bit about Sublime Fest and your Sublime Reef Madness Cruise and how you came up with it?

Nowell: We could put on a bunch of the bands we love, and some of our boys, like Vandals, and make it our own vibe.

Gaugh: You walk around Coachella and there’s so many different elements there. Wouldn’t it be neat if we could make like all this like a Long Beach element, a Sublime element. Looking at this thing, it’s like “Oh wow. So we can actually get some of our friends and set up like a tattoo booth, and have our idea of art and everything out there, and mix it all together — food, art, music — bringing all these different elements, and friends of ours that play music. We get to decide who’s going to share the stage with us, so it’s really neat. It’s like planning a high school party or something like that.

Nowell: The biggest backyard party ever seen.

You guys always had your own sound going on, what’s it like to see that the fans still want it?

Wilson: It took a lotta years to catch on, but it did.

Nowell: Yeah, the kids really want that, like ‘90s, Y2K kind of vibe. That was the last era of like cool authenticity and stuff. You can see it when young people make stuff to look retro … when things get so high fidelity, we’re almost losing a little element, so I think these festivals kind of seek to bring some of that back in a way that everybody can get into.

Sublime members from left: guitarist Eric Wilson, drummer Bud Gaugh, and vocalist Jakob Nowell

With “Until the Sun Explodes,” Sublime’s first album in three decades, Jakob Nowell, Bud Gaugh and Eric Wilson rediscover their studio chemistry, jamming new songs that feel instantly familiar onstage.

(Allen J. Schaben / Los Angeles Times)

You guys also have the timeless iconography of the Sublime sun logo. The title of the album is “Until the Sun Explodes.” Does that title have any particular meaning to you?

Nowell: It’s almost just another way of saying “forever,” like “Oh baby I’m gonna love you till the sun blows up.” That’s gonna happen in billions of years, if at all. The fact that [Sublime’s] lasted this long and has this many fans is evidence to me that we wanna be here forever. I think that’s what everybody wants for themselves.

Jake, you’ve taken steps to advance your own aspirations and music with your label, Sunburnt Records, how does that fit into where Sublime is right now?

I was inspired by the whole Skunk Records thing [Sublime’s first label], Evan Zinger with [his lifestyle brand] SRH, and just all the local brands I grew up with when I was a kid. So just trying to do a cool, chill local thing that has that vibe of putting on small shows and kind of getting to use this new notoriety to be like, man, I have so many friends in these small bands like Strange Case and Eight Ball, and other bands up and down Southern California. Let’s put on shows and sneak them on a Sunburnt Stage at [Sublime Fest] and if people really like that Sublime sound here’s a bunch of kids who are carrying the torch like Slightly Stoopid did when they started out. Mike Watt always said “start your own band!” So the more we can inspire people to do that and be some small part of that, it’s a dream come true.

Do you feel like this version of Sublime is something Brad would be proud of?

Gaugh: We all kind of brought our own element to the music orignally. So we just kind of followed that recipe. Jake’s his own person, he’s got his own influences, and we just kind of stick with that idea. Jake brings in his feelings, and Eric brings in his and we sat there and recorded this song, and then as we were recording it, we’re coming up with ideas. It’s like, “Oh wait, we should do this here, slow that down there, stop here,” it’s all a conglomeration of ideas, everyone does their part, brings in their own spices and we mix it in a pot like gumbo.

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England call up Henry Crocombe for second Test as cover for Ollie Robinson

Crocombe’s selection may raise eyebrows, given other recent picks such as Essex’s Sam Cook or Durham’s Matthew Potts have been overlooked, but it should not be a big surprise.

When England named their Test squad at the start of the summer, Key mentioned the tall, strong quick saying he had “really kicked on” this season.

Crocombe, a product of Sussex’s academy, was first picked by England Lions in 2024 before struggles with injury.

It was when he began this County Championship season with his first five-wicket haul, taking nine in the match against Leicestershire, that he began to seriously catch the eye.

Another right-arm quick, Crocombe bowls at a lively pace.

Overall, his statistics this season are solid – a Championship average of 28.61 while sitting joint 11th in the wicket-takers’ list – and he has the skills England value.

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Call the Midwife legend opens up on ‘enormously sad’ exit from BBC drama

Call the Midwife favourite Judy Parfitt appeared on ITV’s Love Your Weekend with Alan Titchmarsh

A Call the Midwife legend has opened up about their emotional exit from the BBC drama.

Judy Parfitt is best known for playing Sister Monica Joan in the long-running series. Viewers were therefore left heartbroken when the cherished nun passed away peacefully in her bed at Nonnatus House in the season 15 finale.

During her final moments, Sister Monica Joan was emotionally reunited with Sister Evangelina (played by Pam Ferris), who unexpectedly died during the season five finale from a suspected stroke.

Actress Judy Parfitt appeared on ITV’s Love Your Weekend with Alan Titchmarsh on Sunday (June 7), where she was joined by Brian Conley, Freddie Fox, Julian Ovenden and Honeysuckle Weeks.

After being shown an “enormously sad” clip of Sister Monica Joan being reunited with Sister Evangelina, Alan said: “I can’t watch that,” with Judy admitting: “Neither can I!”

She added: “Showing me at my best, I see. Also, [I] had a cap and it had the thing [go] round, so all the wrinkles were pushed up. So, [you think], ‘God, do I look as bad as that?’ And the top lighting, it looked like the Grand Canyon!”

On being reunited with Pam Ferris, Judy went on: “It was absolutely wonderful, because, I think, Pam left after four years, and we used to sit together quite a lot during the time she was there, swapping recipes and everything – it was wonderful.

“I hadn’t seen her, we only phoned a couple of times after she left, and it was so wonderful to do that scene with her, because it’s like you’ve found your teammate, sort of [like] tennis or something, and she was throwing the ball back.

“It was just a lovely atmosphere, and we’ve kept in touch ever since then – it was lovely.”

Judy then looked back on being part of the drama for so many years, sharing: “It was like a family, and that’s what I miss terribly. We’d seen each other through marriages, births, deaths, divorce – everything. And we helped each other.

“It was lovely because it was mostly women. Sorry guys, but it was wonderful to be in a show where instead [of there being] 13 men and two women – one young one and one old one – you have a show with all these women. There was no jealousy, no rivalry or anything. It was wonderful.”

BBC viewers will be pleased to learn that they haven’t seen the last of Sister Monica Joan.

Following the latest season of Call the Midwife, the show will rewind the clock to World War II with a prequel series, titled Sisters in Arms, which will be set in Poplar during the London Blitz.

Creator and writer Heidi Thomas revealed that it will include younger incarnations of Sister Monica Joan, as well as Sister Evangelina and Sister Julienne (Jenny Agutter).

The returning Sisters will also be joined by three new young midwifes, who are new to the East End.

Call the Midwife is available to watch on BBC iPlayer, while Love Your Weekend with Alan Titchmarsh is streaming on ITVX

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WGA and SAG-AFTRA call out CBS and the recent firings at ’60 Minutes’

Both SAG-AFTRA and the Writers Guild East are condemning the recent firings at CBS’ “60 Minutes.”

Under the news network’s editor-in-chief Bari Weiss, on-air correspondents Scott Pelley, Cecilia Vega, Sharyn Alfonsi and the program’s executive producer, Tanya Simon, have all been ousted from the legacy newsmagazine. The two unions, which represent journalists, said the recent actions appear to compromise editorial independence.

WGA East president Tom Fontana wrote in a letter to members on Thursday that the changes at CBS News “are more than mere ideological interference with the news. They display a profound contempt for the journalism profession.”

He added, “it is clear that CBS brass is engaged in a near-constant level of editorial interference that would have previously been unthinkable.”

Tom Fontana joined WGA and SAG-AFTRA members on the picket line in the strike over contract negotiation.

Tom Fontana joined WGA and SAG-AFTRA members on the picket line in the strike over contract negotiation at Netflix and Warner Bros. Discovery offices on Aug. 15, 2023, in in New York City.

(Lev Radin / VIEWpress via Getty Images)

SAG-AFTRA similarly said in a statement Thursday that these “decisions can only be seen as part of a broader strategy to gut the crucial independent journalism that is so important to our democratic system.”

A spokesperson for CBS News said in a statement, “There is no political interference at CBS News, not from ownership, not from Bari Weiss. The only ‘interference’ is the normal back and forth between editor and correspondent that happens in every newsroom.”

Pelley, one of the program’s most high-profile correspondents, was fired on Tuesday after speaking out during a team meeting. He reportedly said Weiss “is murdering ‘60 Minutes.’ … She does not love this place. She was brought in to kill it, and she’s been doing exactly that.” He also questioned the newly hired executive producer, Nick Bilton, and his ability to run the show, citing his lack of TV news experience.

Pelley accused CBS News management of favoring the Trump administration by instructing him to put “falsehoods and bias into a politically sensitive story.”

“I’ve been told to include assertions that are unverified,” he said in a statement. “To date, in every case, I have ignored these instructions or refuse them.”

“60 Minutes” is now down four correspondents, following Anderson Cooper’s departure and the firings of Vega and Alfonsi. These are only the most recent controversial moves from Weiss, who’s set on remaking the institution long defined by tradition. She arrived at CBS News in October with no television experience, installed by Paramount Chief Executive David Ellison after he acquired her digital news outlet, the Free Press, with a mandate to change the network.

Since her hiring, there was a significant round of layoffs and CBS News Radio was shut down.

“I’m only interested in working in a newsroom that is built on trust and mutual respect,” Weiss said of Pelley’s firing during a meeting on Wednesday morning. “That foundation was broken on Monday, and despite our attempts to engage with Scott Pelley and to find a way back, unfortunately we weren’t able to do so, and so we had to part ways.”

The lack of reporters means “60 Minutes” will have to line up new talent quickly to fill the correspondent roles, as production of the 2026-27 season is already underway.

WGA’s Fontana added, “To our friends and colleagues at CBS News: We see you, and you are not alone. Thousands of your union brothers, sisters, and siblings have your backs.”

SAG-AFTRA also said the union is prepared to take “legal actions related to the company’s conduct over the last several weeks.”

Times staff writer Stephen Battaglio contributed to this report.

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Sooryavanshi in line for T20 call as India fast-track 15-year-old to top | Cricket News

Following his run topping display at the IPL, Vaibhav Sooryavanshi is being lined up as India’s youngest player.

The 15-year-old batting sensation Vaibhav Sooryavanshi is likely to be named in India’s T20 squad, while skipper Suryakumar Yadav could get the axe when selectors meet on Saturday.

Sooryavanshi had a stellar Indian Premier League (IPL) for Rajasthan Royals, finishing top of the batting charts with 776 runs, including a hundred and five half-centuries.

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It is understood that the left-handed opener is in line to be picked for two T20 matches in Ireland, followed by five games in England.

He would be the youngest debutant for India in history.

Batting great Sachin Tendulkar played his first Test for India at 16 years and 205 days in 1989.

Sooryavanshi has also been included in a 30-member of probables for the Asian Games in September-October in Japan, Indian media says.

He was named most valuable player in the IPL, despite his team narrowly failing to reach the final.

He also scooped the Orange Cap for leading the batting charts, and was named emerging player of the season, among other prizes.

The India T20 team is expecting a leadership change, with Suryakumar likely to be removed from the captaincy nearly three months after he led the country to World Cup glory at home.

Suryakumar has struggled with the bat, scoring just 242 runs in nine World Cup innings, with his unbeaten 84 against the United States the only significant knock.

Playing for Mumbai Indians in the IPL, the 35-year-old managed only 270 runs in 13 innings at an average of 20.76. His team ended ninth in the 10-team table.

Indian media have predicted Suryakumar will lose his place in the T20 squad, with insiders calling it a “tough call”.

Suryakumar is likely to be replaced by Shreyas Iyer, who last played a T20 for India in December 2023 but has been an IPL-winning captain.

He led Kolkata Knight Riders to the title in 2024 and then captained Punjab Kings to a runners-up finish in 2025 and into the playoffs this year.

Ishan Kishan and Tilak Varma are also in contention for the captaincy, with selectors set to name the squad over the weekend in Mumbai.

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Top Gun: Maverick actor James Handy stabbed to death at Los Angeles home as cops reveal chilling 911 call

TOP Gun: Maverick actor James Handy has been stabbed to death with his girlfriend’s son telling cops in a 911 call: “I just killed the man”.

The 81-year-old, who also starred in Logan and Jumanji, was found unconscious with multiple stab wounds to his chest on his front yard.

James Handy, pictured in TV series NYPD Blue, has been stabbed to death Credit: Getty
Surveillance footage from outside the home caught an unknown man walking past around the time of the stabbing Credit: FOX 11

Authorities rushed to the scene in Tarzana, Los Angeles on Wednesday morning at around 9.30am after receiving a chilling 911 call.

Police revealed a voice at the end of the line said: “I am the son of man, I just killed the man of sin.”

Officials rushed to James’ home on Erwin Street and raced him to hospital where he was pronounced dead.

Some time later, 44-year-old Michael Gledhill – the son of James’ partner – waved down officers as they searched near the home.

GRISLY END

Man bleeds to death after ‘cutting off his penis & slicing throat’ on LA street

James, pictured in TV show X files, was found with multiple stab wounds outside his home Credit: Channel 4
Police swarmed round James’ home early on Wednesday morning after receiving a chilling 911 call Credit: ABC7
Police are continuing to investigate the death Credit: ABC 7
The actor (far left) also starred in Arachnophobia in 1990 Credit: Alamy

Gledhill confessed to carrying out the fatal attack and said he was the one who phoned the police, according to the Los Angeles Police Department.

Gledhill was arrested for murder and taken to Van Nuys Jail with his bail set at $2,000,000.

The LAPD statement said: “Detectives believe this is an isolated incident and there appears to be no danger to the public at this time.”

A motive for the attack remains unclear.

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James (far right) in NYPD Blue Credit: Getty
James (center) had a major role in 1986’s Popeye Doyle Credit: Alamy

Neighbors have claimed Gledhill and James were overheard arguing overnight.

The star’s talent agent, Pam Ellis-Evenas, paid tribute saying: “With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

James’ career spanned almost five decades with his most recent major role being in Tom Cruise’s Hollywood sequel Top Gun: Maverick in 2022.

He played the role of bartender Jimmy.

Another memorable role for James came in 2017 superhero flick Logan as he played the doctor who treated lead man Hugh Jackman.

James also starred in 1995 cult classic Jumanji alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His career featured several TV credits such as the role of Arthur Devlin in eight episodes of Alias and recurring stints on Melrose Place and NYPD Blue.

James’ tragic death comes less than a year after Hollywood icon Rob Reiner, 78, had his throat slit inside his LA home.

Son Nick, 32, is currently in jail after being accused of killing both Rob and his mum Michelle, 68, while they were in bed on December 14, 2025.

Nick has pleaded not guilty on both counts of murder and is awaiting trial.

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Actor James Handy stabbed to death in Tarzana; girlfriend’s son arrested

Los Angeles police are investigating the fatal stabbing of actor James Handy, who officials said was killed by his girlfriend’s son Wednesday at a home in Tarzana. The suspect was apprehended after he made a bizarre 911 call.

On Thursday, authorities identified the 81-year-old stabbing victim as the actor, who appeared in the films “Logan,” “Jumanji,” “Top Gun: Maverick” and “Arachnophobia.”

Representatives for the actor confirmed the news to The Times.

On Wednesday morning around 9:30 a.m., West Valley area patrol officers responded to an emergency call in a residential neighborhood of Tarzana. The 911 caller stated, “I am the son of man. I just killed the man of sin.”

When police arrived, they found Handy in the front yard of the Erwin Street home, unconscious and suffering from a stab wound to his chest. According to law enforcement, Handy was taken to a local hospital by paramedics, where he was pronounced dead.

A news release said that Michael Gledhill, the man suspected of stabbing Handy, flagged down officers who were responding to the incident and told them he was the one they were looking for.

Gledhill, 44, lives at the Erwin Street home with his mother, who police said was in a relationship with Handy.

Detectives said they believed this was an isolated incident and there appeared to be no danger to the public at this time.

Gledhill was arrested and transported to Van Nuys Jail, where he was booked on suspicion of murder. His bail was set at $2 million.

Handy has more than 150 acting credits to his name and had acted across television and film since the 1970s. Most recently, he played a bartender alongside Jennifer Connelly in the 2022 sequel “Top Gun: Maverick.” In 2017, he played opposite Hugh Jackman in “Logan” as a doctor who pleads with Wolverine to heal up.

In 2021, he portrayed Father MacGuffin in the comedy “Senior Entourage.” The film’s director, Brian Connors, posted on Facebook last year that Handy was one of the “finest character actors I know.”

Handy also acted in numerous television crime dramas, including “Alias,” “Criminal Minds,” “NCIS: Los Angeles,” “Rizzoli & Isles,” “CSI: NY,” “Cold Case” and more.

The police are asking anyone with additional information about this incident to contact the Robbery-Homicide Division, Valley Section, Dets. Simonyan or Lopez, at (818) 374-9550.

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Actor James Handy is stabbed to death in Tarzana by girlfriend’s son

Los Angeles police are investigating the fatal stabbing of actor James Handy, who officials said was killed by his girlfriend’s son Wednesday at a home in Tarzana. The suspect was apprehended after he made a bizarre 911 call.

On Thursday, authorities identified the 81-year-old stabbing victim as the actor, who appeared in films “Logan,” “Jumanji,” “Top Gun: Maverick” and “Arachnophobia.”

Representatives for the actor confirmed the news to The Times.

On Wednesday morning around 9:30 a.m., West Valley area patrol officers responded to an emergency call in a residential neighborhood of Tarzana. The 911 caller stated, “I am the son of man, I just killed the man of sin.”

When police arrived, they found Handy in the front yard of the Erwin Street home, unconscious and suffering from a stab wound to his chest. According to law enforcement, Handy was taken to a local hospital by paramedics, where he was pronounced dead.

A news release said that Michael Gledhill, the man suspected of stabbing Handy, flagged down officers who were responding to the incident and told them he was the the one they were looking for.

Gledhill, 44, lives at the Erwin Street home with his mother, who police said was in a relationship with Handy.

Detectives said they believed this was an isolated incident and there appeared to be no danger to the public at this time.

Gledhill was arrested and transported to Van Nuys Jail, where he was booked on murder charges. His bail was set at $2 million.

The police are asking anyone with additional information about this incident to contact the Robbery-Homicide Division, Valley Section, Dets. Simonyan or Lopez, at (818) 374-9550.

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Live Election 2026 primary results, updates: races too close to call as ballots counted

More than a day after polls closed, voters still hadn’t learned which two candidates would run off in the November general election for dozens of races.

Many significant races are still too close to call. In the race for governor, Republican Steve Hilton and Democrat Xavier Becerra held leads, with Democrat Tom Steyer and Republican Riverside County Sheriff Chad Bianco trailing. Former Los Angeles Mayor Antonio Villaraigosa, San José Mayor Matt Mahan and former Rep. Katie Porter conceded the race Tuesday night.

The Associated Press surveys the numbers posted by local election officials and projects the winner using vote returns and other data. Races can be called within minutes of polls closing on election night. However, if a race has tight margins or an high expected volume of mail-in ballots, it can take longer to call.

In some cases, such as for L.A. mayor and state treasurer, the tight race is between second and third place.

In California’s primary, the top two vote-getters move on to the general election regardless of candidate pool size, party preference, or whether one candidate receives a majority of votes. Locally and in nonpartisan races, however, a candidate can avoid the November election if they win with a majority.

Statewide

State Senate

State Assembly

Congress

Almost half of California’s 52 U.S. House of Representatives seats had known finalists on election night. But in tight races such as the Republican vs. Republican competition in the 40th District and the Democrats’ challenging of Republican Rep. David Valadao in a redrawn 22nd District, the top two vote-getters weren’t yet known.

Local

In Los Angeles County, there were still 27 races with uncertain results. The Times considers uncertain races those where no candidate has a majority or where the vote share for the top two is between 55% and 40%. The Associated Press does not call winners for most local races, such as city councils, city officers and ballot measures. If no candidate wins with a majority, the top two will face off in November. That could be the case for the sheriff and L.A. City Council’s 3rd District.

The L.A. County registrar will continue to count and confirm mailed-in, provisional and conditional ballots until June 26. Updates to the results charts below are expected approximately once a day in the early evening.

Close city races

Voters can track their own cast ballot here.

The secretary of state will certify results in early July.

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Fans call for reality show dubbed ‘prime British TV’ to return as old clip resurfaces

Channel 4 abruptly cancelled plans to reboot the popular competition series

Channel 4 fans have pleaded with bosses to bring back a show they say is “prime British TV.”

The savage reality competition series titled Four Weddings quickly became a huge hit with fans all thanks to its chaotic moment.

The show saw four brides-to-be attend and score each other’s weddings, awarding marks for dress, venue, entertainment and food in hopes of coming out on top and winning a luxury honeymoon.

As expected there were some rather uncomfortable scenes as some contestants were rather harsh with their scores or were clearly opting for shady tactics.

The series originally broadcast on Sky Living between 2009 and 2013. With the success of smash hit shows such as Married At First Sight, it sparked the interest of Channel 4 producers decade later, who planned to reboot the show.

The team behind Come Dine With Me, were expected to run the show and it was said that they would be introducing a big change to the news – the star prize would be switched from a holiday to a £50,000 cash prize.

Despite fans’ excitement at the time, the network abruptly cancelled the reboot just days before it was supposed to start production. No official reason was given for the sudden cancellation of the series.

There are no plans of the show making a return since it vanished from our screens, however TV fans have urged Channel 4 to consider a revival again following a nostalgic post on social media.

One fan commented: “This is prime British TV.” Another said: “We need this show back.” A third wrote: “This was peak UK reality. LOVED this show, so underrated.”

Another commented: “This was the best programme ever.” One fan said: “This was so savage.” One insisted: “This is the best show ever.”

Meanwhile another fan added: “I don’t know why they stopped this show, I would watch it over Corrie.”

It comes as a former bride, who appeared on the show previously opened up about how the show left her completely blindsided.

Linsie Abshire, who was 26 when she was crowned winner, revealed that her honeymoon prize came with one major thing she was completely unprepared for.

The bride took to Reddit and explained that while they were being sent to Tuscany for five nights, with dinner, a spa day, a wine and olive oil tasting, and a $1,000 gift card all paid for, the most significant expense was not covered.

Linsie wrote: “They do not pay for the plane tickets.” Her husband was naturally “kind of upset” because they had been under the impression that the entire trip would be paid for.

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Love Island fans furiously question dumping and call out ‘boring’ twist

Love Island fans are already making their feelings be heard after just two days and a whole host of twists on the ITV2 reality series

Fans have been left fuming after a bombshell decision that was set to rock the Love Island villa failed to take place. Yasmin and George have been on a secret mission to choose two islanders to leave the hit ITV2 dating show after just 24 hours.

But their decision failed to air on Tuesday, with fans fuming that they have to wait another day. Devastated viewers at home slammed the decision to carry the twist to another episode and criticised the “boring” start.

One user on X, formerly known as Twitter, raged: “What a boring episode, where is the dumping we were promised? #Loveisland” Another added: “Probably the most boring bombshells in history btw #loveisland.”

And a third said: “Love Island needs to drop this dragging a dumping out across 3 episodes business, it’s giving nothing else is happening. probably will be tomorrow’s cliffhanger too #loveisland.”

All Stars 2025 winner Gabby Allen had told us after the launch show that the bombshell pair had a big task at hand – and they certainly ruffled feathers. Gabby told us on Monday: “I think they’ll both dump their biggest competitor!

Adding what she would do, Gabby continued: “If I was the bombshell, I would go in andtest the waters and get to know everybody and then when it comes down to it probably send home my biggest competition!

“At this point you don’t have any loyalties to anybody and you never know how long you are going to have in there so you have to do what you have to do! I did it my first time around and I would do it again!

“As an islander already in there you just have to give all you’ve got and my the best person win! And manifest that it’s you!”

George and Yasmin’s arrival shocked the hopefuls who screeched as they entered the villa. And they quickly got to work pulling islanders for chats. Pulling Aidan, things quickly got cosy for Yas she quizzed him on whether he was keen to get to know her more and have more chats.

He said: “You could be a bit of a problem here…,”with Yas admitting: “I feel like we’ll get on… a little cuddle in bed”

Aidan let his feelings be known as he whispered to her: “You’re the sexiest girl in here…”

After watching on, Ellie pulled Robyn about the situation and shared her feelings. “What’s going to happen will happen, I’m very much ‘what’s for me won’t go past me’. But obviously seeing it, I knew they’d get along anyway…”

Robyn told her pal: “I think it’s a major thing of how he moves now, because let’s just cut the bullsh*t, he’s been laying in on thick…”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .



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Democrats call Bondi’s Epstein files interview a ‘sham’

Democrats on Friday called former Atty. Gen. Pam Bondi’s interview with the House Oversight Committee about her handling of the Epstein files a “sham” and a “coverup,” and said she refused to answer numerous questions about President Trump in the closed-door session with lawmakers.

“It’s a sham in there. They’re not answering any questions,” Rep. Dave Min (D-Irvine) told reporters during a break from the interview.

Bondi was joined in her interview by attorneys from the Department of Justice, including Assistant Atty. Gen. Harmeet Dhillon, who intervened to prevent answers to some questions about Trump, Democrats said.

“The DOJ is in there right now stopping questions about President Trump and about what happened in the release of these files,” said Rep. Robert Garcia (D-Long Beach), the ranking Democrat on the committee.

He said Bondi, who was not under oath, declined to answer five questions he posed about the president.

The committee said it will release a transcript of the interview, which was not recorded on video.

The committee subpoenaed Bondi in March to appear for a deposition when she was still in office, but she didn’t initially comply, agreeing to the voluntary interview only after Democrats filed a resolution last month seeking to hold her in contempt.

Dhillon, a San Francisco attorney and longtime Republican activist who has been floated as a potential future attorney general, wouldn’t say whether she expressly prevented Bondi from answering questions about Bondi’s interactions with the president.

“There were ground rules laid with the committee before we walked in there and we simply wanted to stick to those,” Dhillon said.

Garcia said that Bondi blamed Acting Atty. Gen. Todd Blanche, then her deputy, for problems with the release of the files.

Bondi, who didn’t meet with reporters after her interview, disputed Garcia’s characterization.

“NOT TRUE. I praised Acting AG Blanche’s management of this Herculean task. I said his ethics are beyond reproach and that he is an incredible Attorney General,” Bondi wrote on X.

The department was criticized for not releasing the files as quickly as required under a law passed last year mandating release of all records from the department’s investigations into sex trafficker Jeffrey Epstein, who died in federal custody in 2019.

The department also came under fire for failing to redact the names of some of Epstein’s victims, while redacting the names of some of Epstein’s alleged co-conspirators, as well as for its removal of some of the files it initially posted.

A group of Epstein victims who spoke with reporters in front of the closed doors of the Bondi interview criticized the department’s rollout of the files and the department’s lack of communication with victims.

“Pam Bondi and Todd Blanche have derailed the lives of so many survivors,” said Dani Bensky, who said she was abused by Epstein when she was a 17-year-old high school student in New York City.

Rep. Melanie Stansbury (D-N.M) said that in the interview, Bondi acknowledged she had never met with any of Epstein’s victims.

In Bondi’s opening statement, reviewed by The Times, she acknowledged issues with the rollout of the files, but defended the administration’s handling of the release.

“There were redaction errors,” Bondi’s opening statement said. “But since day one of this process, this Department has been committed to accountability and transparency.”

Bondi was fired by Trump on April 2 and faced questions throughout her tenure about the department’s investigations into Epstein.

In February 2025, she claimed on Fox News that she had a copy of Epstein’s supposed client list, showing the names of the financier’s high-powered friends that he had directed girls to have sex with.

But in July 2025, as Trump faced questions about his relationship with Epstein, whom he knew socially, the Justice Department closed its investigation into Epstein’s alleged crimes and said no such client list existed.

Rep. Ro Khanna (D-Fremont) and Rep. Thomas Massie (R-Ky.) introduced the bipartisan Epstein Files Transparency Act soon after, requiring the Justice Department to release all of the records from its investigation into Epstein. Despite initially opposing it, Trump signed it into law on Nov. 19, 2025.

When asked about what Trump might have known about Epstein’s crimes, Bondi said she did not know, according to Rep. James Walkinshaw (D-Va.)

“I’m not certain of the extent of his knowledge,” Bondi said, according to Walkinshaw.

Bondi responded to Walkinshaw’s claims, writing on X: “MISREPRESENTATION by Walkinshaw. What the world knows to be true is President Trump banned Epstein from Mar a Lago decades ago bc Epstein was a despicable creep!!”

Garcia, the top Democrat on the committee, said Democrats would seek to speak with Blanche and FBI Director Kash Patel next about the handling of the Epstein files and the department’s investigations into Epstein and his alleged co-conspirators.

Rep. James Comer (R-Ky.) was the only Republican member of Congress to attend the interview and Democrats called out their Republican colleagues for not joining.

“I have an election in four days, a very important one,” said Min, the Democrat from Irvine. “But I’m here, rather than in my district, because this is important.”

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Why ABS didn’t deter Dodgers’ Will Smith from honing his pitch framing

Will Smith crouched, his left knee on the ground and his mitt grazing the dirt as his Team USA teammate Mason Miller strode towards the plate.

From there, the only way for his glove to go was up and through the slider that fell out of the strike zone as the Dominican Republic’s Geraldo Perdomo stopped his swing. But, in a full count, home plate umpire Cory Blaser called it strike three.

Miller threw his hands above his head. Smith pumped his first. And the United States advanced to the World Baseball Classic final.

“That’s the work we do in the cage, and off the machine, and drills, and all that coming to fruition, and being applied to in-game,” Smith said in a recent conversation with The Times.

He has a slim chance of replicating that moment during the season, with the ABS challenge system implemented in MLB. If it had been in play during the WBC — as long as the Dominican Republic had challenges left — Perdomo surely would have used one on the final pitch of that 2-1 game.

And yet, as counterintuitive as it may sound, Smith dedicated time and effort during spring training to improving his framing.

“It’s important because you only get two challenges a game, offensively and defensively,” Smith said. “The whole team only gets those two. So the harder I can make it on the other team to challenge pitches, the better. The more strikes I can get and not have to challenge, the better. I think overall, it almost makes it more important, in a way.”

United States pitcher Mason Miller and catcher Will Smith celebrate a WBC semifinal win over the Dominican Republic.

United States pitcher Mason Miller and catcher Will Smith celebrate a WBC semifinal win over the Dominican Republic.

(Rebecca Blackwell / Associated Press)

Framing had been a weakness in Smith’s game in recent seasons, according to Statcast’s catching metrics. His best season was 2023, when he recorded four runs saved via pitch framing. But he slipped to minus-eight and minus-10 the next two seasons. Entering the Dodgers’ series against the Phillies this weekend, he was at an even zero after 43 games at catcher this season, including 39 starts.

And now, when Smith doesn’t get a call, he has ABS to fall back on. Entering Friday, he’s challenged 41 calls through the ABS system from behind the plate, the 10th-most of any catcher. And he had a 71% success rate, the ninth-best mark among catchers with at least 20 challenges.

Because the catcher has the best vantage point, teams across the majors have made their catchers, not their pitchers, the point men for ABS challenges on defense.

ABS as a skill, however, isn’t just about getting the challenges right. Knowing the right times to take a risk is also key.

“There’s so many games within the game,” Smith said, “and that’s just another one of them.”

As Smith alluded to, under the challenge system — as opposed to fulltime ABS, which MLB also tested in the minors — it’s still possible to steal strikes.

“I like the challenge system because you still have the human error element to the game,” Smith said. “…Everyone always talks about how it’s a game of life, dealing with failure and dealing with ups and downs — the umpire screwing you or catching a break, that’s part of the game.”

Dodgers catcher Will Smith walks to the dugout after the fifth inning of a Dodgers-Marlins game at Dodger Stadium on April 27

Dodgers catcher Will Smith walks to the dugout after the fifth inning of a Dodgers-Marlins game at Dodger Stadium on April 27.

(Ronaldo Bolanos/Los Angeles Times)

Now, the players have recourse for the egregious calls and the biggest moments of the game.

The margins are so slim, however, that if a hitter isn’t convinced enough on a borderline strike call, and the situation dictates caution, he may not challenge.

The same goes for a catcher on a borderline ball call.

That’s where Smith’s work on framing comes in. He describes it as a change in philosophy.

“For me, it’s more just understanding the move,” Smith said. “I had to drill it in a little bit obviously, but more understanding the move of going farther out to get it, working through the ball, more like towards the pitcher, as opposed to letting the ball kind of come back to you. That was just not how I’d ever done it.”

That’s what he did on that last pitch of the WBC semifinals. Moving through the ball creates a more seamless motion, compared to pulling it into the strike zone, making the frame job more convincing. And catching it out in front also stops the ball’s own movement before it gets too far out of the zone.

That’s how Smith made a pitch that appeared to cross the plate below Perdomo’s knees look like a strike from Blaser’s vantage point.

The effect Smith’s spring training work behind the plate will have on the Dodgers’ season will be subtler. Instead of a singular game-defining moment, it’ll be an edge here and there.

But over the course of a long season, that adds up.

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The Other Bennett Sister star reveals ‘misery’ during early Call the Midwife episodes

Ella Bruccoleri shot to fame on Call the Midwife in 2018 and has recently bowled over period drama fans on The Other Bennet Sister

Ella Bruccoleri has made a surprise confession about her rise to fame as a television actress.

The 36-year-old star recently appeared as the lead in the BBC One drama The Other Bennet Sister, inspired by Jane Austen’s timeless Pride and Prejudice.

Based on the popular novel of the same name by author Janice Hadlow, The Other Bennet Sister turns the spotlight onto Mary Bennet, the seemingly unremarkable middle sister in Pride and Prejudice.

Upon its March launch, the period drama became an instant hit with viewers, with some critics branding Ella’s performance “absolutely lovely” and the show a “must-watch”.

It’s no surprise that Ella captivated viewers with her portrayal of Mary Bennet, as she is no stranger to historical dramas. In 2018, the actress rose to fame when she joined Call the Midwife as Sister Frances, a role she held for 4 years.

The popular character’s final episode in 2022 saw her playing a game with the children at the Mother House to correctly guess the name she had before becoming a nun. On her way back from her day of work, she injured her shoulder after a bike crash.

While she hasn’t been seen since Sister Julienne (Jenny Agutter) sent her to Chichester to recuperate, viewers did get some closure when they learned her given name is Rosemary.

Following her exit from Call the Midwife, Ella has gone on to play Miss Barragan in the third season of Netflix’s Bridgerton and appeared in all three entries of the recent Strangers horror movie trilogy.

In 2021, she starred as Anabel Dinsdale in All Creatures Great and Small and played a nun in the series The Last Kingdom.

Enjoying great success in her career, Ella has now revealed that she struggled to watch herself on-screen during her earlier acting days, including on Call the Midwife.

She told the New York Times: “The first year of seeing myself on camera, I was just miserable because I was like, ‘I don’t think that looks like me'”. But on The Other Bennet Sister, Ella was happy to retreat from vanity and relished Mary’s characteristic of an unflattering haircut and geeky glasses.

The story of an overlooked and undervalued young woman finally realising her worth resonates with her. “I relate to her a lot, and I see a lot of her in me”, she added.

Earlier this year, Ella also opened up to the Radio Times about her feelings on her earlier work on Call the Midwife, including why she quit the role:

“When I look back at my early episodes, I’m thinking, ‘Oh, that’s not good’. I learnt screen acting on the job, and it was invaluable”, she said. “It felt crazy quitting a great job but I’d started getting different offers, and I realised I love the variety of different things.”

The Other Bennet Sister and Call the Midwife are both available to stream on BBC iPlayer

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Call the Midwife fans waiting for new episodes will love binge-watching ‘gorgeous’ drama

As fans anticipate the Call the Midwife prequel, they can enjoy four seasons of another heartwarming drama set in the 1930s.

Call the Midwife fans are urging period drama lovers to watch a show that features an All Creatures Great and Small star.

Earlier this year, season 15 of Call the Midwife left viewers in tears when Sister Monica Joan (Judy Parfitt) passed away peacefully at Nonnatus House from chronic kidney disease.

The much-loved, who had been a part of the BBC show since its launch in 2012, declined medical intervention for her health condition, allowing the illness to take its natural course, leaving her friends devastated.

The future of Nonnatus House also remains unknown due to advances in the National Health Service. However, the drama will return with a prequel, a movie, and season 16.

While fans wait for new episodes, they can watch another popular period drama featuring some well-known actors.

The Durrells, which originally aired on ITV back in 2016, is based on the best-selling book trilogy by author Gerald Durrell, chronicling his childhood on the Greek island of Corfu in the 1930s.

Keeley Hawes plays matriarch Louisa Durrell, who relocates her family from Bournemouth to the island of Corfu after struggling financially following the untimely death of her husband a few years earlier.

Making up the Durrells are Louisa’s four children, including sons Lawrence (Josh O’Connor), Gerald (Milo Parker), Leslie (Callum Woodhouse), and her only daughter, Margo (Daisy Waterstone).

All Creatures Great and Small fans will recognise Callum Woodhouse as rule-breaking veterinarian Tristan Farnon in the period drama.

The Durrells consists of four seasons and proved a hit with critics and viewers alike, earning a BAFTA and a TV Choice Award for Best Drama Series in 2017.

Seasons two and three also still have a perfect 100% Rotten Tomatoes rating, with one fan describing it as: “Full of sibling squabbles, an exasperated mother and gorgeous beach scenery. Despite the family drama, Durrells always maintains a sweet, loving tone.”

Taking to Reddit, one Call the Midwife asked: “Almost done with Call the Midwife on Netflix and it has become my newest comfort show. What else can I watch that will scratch my cosy historical itch?”

One person replied: “The Durrells or All Creatures Great and Small!”, while another echoed the sentiment and commented: “Yes! The Durells of Corfu was the first thing I thought of!”

“The Durrells is great”, added one fan as another suggested: “Agree and would add Grantchester.”

On IMDb, one fan referred to The Durrells as a “Lovely, quirky show”, while another commented: “Heart-warming but in a good way”.

“I see this as a charming, sun-baked, Mediterranean-blue inspired bit of froth. The family is suitably wacky, the scenery is stunning and the script is full of good fun. Opa!”, added another.

The Durrells is available to stream on Disney+ and all seasons of Call the Midwife are available to watch on BBC iPlayer

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Frustrated Angels fans call for owner Arte Moreno to sell team

Lifelong Angels fan Johnny Gonzalez has reached his boiling point as the team sits at the bottom of the standings, but he’s not giving up. And he’s not alone.

The Angels completed a surprise sweep of the Rangers Sunday, but the team still is tied for the worst record in Major League Baseball with a 20-34. Their fans spent the holiday weekend pushing back against the idea that the franchise would never be more than a bargain option amid rising prices all around them.

Frustrated fans have gone shirtless during the Angels’ homestand and chanted for owner Arte Moreno to “sell the team.” And about 75 fans heeded Gonzalez’s call for a protest, gathering in front of the Angel Stadium State College Boulevard entrance on Saturday chanting “sell the team,” “we want playoffs” and “winning matters.” Drivers passing the spectacle honked their horns in support.

“They’re not doing much for us fans,” said Gonzalez, who organized the protest using the Instagram account @AngelsBoycott. “It seems like every other team is just doing a lot more than us, despite us having a huge following [and] having some of the best players to ever play the game. I mean, it’s just like a lack of commitment, to say the least, and that’s why we’re here today.”

Angels fans wave signs and urge owner Arte Moreno to sell the team during a protest on Saturday at Angel Stadium.

Angels fans wave signs and urge owner Arte Moreno to sell the team to an ownership group willing to invest more in winning during a pregame protest Saturday at Angel Stadium.

(Joaquin Ruiz / For The Times)

It has been three months since Angels owner Arte Moreno told the Orange County Register that, according to Angels survey results, winning was not a top-five priority for fans and that data showed they valued affordability, safety and a “good experience” first.

Outrage over the remarks has grown as the Angels remain anchored at the bottom of the standings.

With a megaphone in his hand, Gonzalez pointed to the Ducks’ recent Stanley Cup playoff run as proof that Anaheim enjoys winning. He also noted how the nearby Dodgers and even the Padres demonstrate how Southern California teams can play for the postseason.

The Angels have missed the MLB playoffs for 11 consecutive seasons — including six with stars Shohei Ohtani and Mike Trout on the roster — and have reached the postseason six times since Moreno purchased the team in 2003 after the franchise’s sole World Series title win in 2002.

Team officials did not respond to The Times’ request for comment on the fans’ protest, but manager Kurt Suzuki addressed the “sell the team” chants that are so loud they can be heard during Angels television broadcasts.

“I know it’s a thing, the no shirts and waving,” Suzuki said. “But yeah, we see it. We recognize it. They have the right to their opinion, and … they cheer for the guys, they roll-call them. I think it’s pretty neat for them to have that kind of support.”

A fan wears a bag over his head that says "Sell the Team Arte!!!" during a game against the Rangers  on Friday.

A fan wears a bag over his head that says “Sell the Team Arte!!!” during a game against the Rangers on Friday at Angel Stadium.

(Mark J. Terrill / Ap Photo/mark J. Terrill)

Suzuki added that the Angels remain focused on winning and haven’t paid the chants too much attention.

The Angels entered Sunday’s game ranked No. 9 in MLB attendance with 34,555 announced fans per night, according to ESPN. There are swaths of empty seats during every home game, suggesting some season ticket holders are choosing to stay home.

There is an expanding contingent of fans in the upper deck adjacent to the right-field foul pole who have chanted “sell the team” while waving T-shirts, joining in on a trendy “tarps off” fan movement across MLB sparked by Cardinals fans in St. Louis.

Angels fans who haven’t joined the protests are pleased to see the calls for change.

“I think it’s good that there’s fans that are passionate enough to actually speak out, to want to see a better team and really want to get us back into the playoffs,” Darren Shimasaki, an Angels fan from Yorba Linda, said Friday.

Debbie and Reed Olive, meanwhile, said they usually attend games for the promotions.

“You’re not going to come away with the wins,” Debbie said. “So, we got to get something for our ticket price.”

Even the fan experience unrelated to winning that Moreno touted has taken a hit.

Angels officials said they quickly resolved a rodent infestation Orange County health inspectors flagged at an outdoor food stand in View Level Section 432. Videos of stadium workers capturing a possum in one fan section and spraying gnats on the field during the last few weeks haven’t helped the team’s image.

Reed said the rodent infestation “was a bad look” and that the Angels need a new stadium in addition to a new owner.

Catcher Logan O’Hoppe, who has spent his five-year career with the Angels, said he understands the fans’ frustration.

“We don’t like not doing well, either,” O’Hoppe said. “It’s not OK to us. It doesn’t matter how much we’re getting paid or that we get treated great throughout the league and things like that. We hate it, too. I think people definitely don’t realize that. I think I can speak for a lot of guys in here that we dedicate our lives to this. … We’re not happy with how it’s going, but we’re doing everything we can to fix it.”

O’Hoppe is a New York Rangers fan and gets frustrated when his team struggles, but he said he reminds himself that “we’re all humans.”

The Rangers' Josh Jung is tagged out at home by Angels catcher Logan O'Hoppe on Friday at Angel Stadium.

The Rangers’ Josh Jung is tagged out at home by Angels catcher Logan O’Hoppe on Friday at Angel Stadium.

(Mark J. Terrill / Ap Photo/mark J. Terrill)

Angels left fielder Wade Meckler, who made his debut on Friday night, is an Orange County native who grew up cheering for the team.

“I mean, I get it,” Meckler said. “It’s a hungry fan base. The fan base is hungry for a winning team. So I understand, you know, being frustrated. They just really want a winning team.”

Meckler has been following the Angels since age 5 and remembers feeling dejected after attending the Angels’ 4-1 home loss to the Royals in Game 2 of the 2014 American League Division Series.

“It’s a super loyal fan base,” Meckler said. “I feel like they show up with energy every day.”

The Angels are on track to miss the postseason for a 12th consecutive season, prompting restless fans to call for new owners who will invest in building a team capable of reaching the playoffs.

“Arte don’t know what he’s talking about,” said Austin Kleschka, an Angels fan who joined Gonzalez at the front of Saturday’s protest. “Winning is a priority. We want that.”



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As influencers rise in politics, some call for tighter regulations on payments

In the 2024 election, hundreds of social media influencers were credentialed for the first time to attend the Democratic and Republican conventions. They have been invited to holiday parties in the Pennsylvania governor’s mansion, to political rallies in Texas and to events at the White House by both the Biden and Trump administrations.

The role of influencers is surging as candidates and groups across the political spectrum see their social media feeds and personas as a pathway to younger audiences and harder-to-reach groups of voters.

“You have that sense of authenticity, like a friend is talking to you,” said Emma Briant, a professor at Notre Dame University’s Lucy Family Institute for Data & Society who studies propaganda.

That’s exactly what campaigns are hoping to harness when they partner with influencers, she said.

But the nature of that partnership has come into question in California’s hotly contested gubernatorial race after it emerged that a number of content creators — some with millions of followers, others with only a handful — had taken payments from the campaign of Democratic candidate Tom Steyer and not disclosed that they were paid to create those posts.

Some popular content creators have felt the need to explain themselves to their audience. Others have questioned how common such under-the-table payments might be, since there are no disclosure requirements for paid content at the federal level and few jurisdictions have any rules mandating it.

Some campaign finance advocates are concerned that voters could increasingly be influenced by social media posts that they don’t know are sponsored.

“The problem is that it doesn’t look like an ad,” said Saurav Ghosh, a former enforcement attorney at the Federal Election Commission. “It ends up really getting people at a place where they’re not skeptical and not able to tell the difference between what’s voluntary and where the influencer is acting as a paid spokesperson.”

Ghosh is now the director of campaign finance reform at the nonprofit Campaign Legal Center, which has filed a petition asking the FEC to require disclaimers on paid content created by influencers.

Roughly 1 in 5 Americans said they regularly got news from social media influencers in 2024, according to the Pew Research Center, and that number was nearly double for younger adults between the ages of 18 and 29.

Working with social media creators can be an easy way for candidates to try to boost their image, particularly with a younger audience.

“If they don’t have big personalities, maybe partnering with some influencers who seem cool and fun can make you seem cool and fun also through association,” said Link Lauren, a political influencer and podcaster who served as a communications advisor for Robert F. Kennedy Jr.’s presidential campaign in 2024.

California is one of the few places that requires disclosure of sponsored social media posts, but the 2023 law that created those rules hadn’t gotten much of a workout before the issue was raised in this contest through a series of dueling complaints with California’s Fair Political Practices Commission. The commission has yet to weigh in on the various accusations.

Under the law, influencers are required to provide disclosure that a post was sponsored and say who paid for it. Political groups are required to notify paid creators of the requirement.

Even if the commission finds that violations have occurred, the penalties are not especially harsh.

Violation of the law carries no civil, criminal or administrative penalties. The FPPC can take alleged violators to court and ask a judge to force compliance. And violations can be penalized with a fine of up to $5,000 per instance.

Influencers reporting influencers

In the gubernatorial race, the issue of compliance was raised, naturally, by a pair of influencers.

Beatrice Gomberg has built up a following of more than 180,000 followers on TikTok, where she posts under the handle antiplasticlady. Her side gig of creating nonplastic children’s cups and lunch boxes became her main gig after she lost her human resources job at Macy’s during the COVID-19 pandemic.

“I started doing social media because I didn’t want to hire a marketing company,” Gomberg said.

Gomberg’s posts were initially largely focused on research related to plastic, but have become increasingly political over time. When campaigns put out the call for influencers to meet with candidates, Gomberg answered.

She interviewed Katie Porter, she met with Xavier Becerra. And it was at a Becerra event in April when she met Kaitlyn Hennessy, another influencer focused on politics.

They found that the world of online influencers can be isolating. “We stare in front of our phones,” Hennessy said. “You don’t want to see our screen time.”

As they scrolled through social media posts about the governor’s race, they found a cause to unite them.

They kept seeing videos posted by social media accounts espousing similar messages in support of Tom Steyer. Hennessy wondered at first if they were actually created by artificial intelligence.

They found that the posts seemed to be created by a network of women who, in some cases, had created several different profiles to promote a variety of products.

They pored over Steyer’s campaign disclosures and saw that the campaign listed payments to several prominent influencers — including one with the handle Zay Dante, with 1.8 million followers on TikTok — who had not disclosed creating paid content for the campaign.

The pair filed a complaint laying out their allegations, which the Steyer campaign has called “baseless.”

In the wake of their complaint, Steyer defended his campaign’s use of paid influencers, writing on Substack that his campaign believed content creators should be paid for their work and that the campaign had been transparent about disclosing those payments.

In a separate post, influencer Carlos Eduardo Espina said he had been paid $400,000 for work he has done for the Steyer campaign. Espina, who has more than 14 million followers on TikTok, is an advisor to the campaign, which was publicly announced.

“You will never see anything on my channels that I don’t believe in, or that I think goes against the best interest of my community. No one buys my opinion. But I also think it’s fair to be compensated for my work,” he wrote on Substack.

Not everyone is ready to accept payment for posts.

Lauren, the influencer who advised Kennedy’s campaign, said that while he doesn’t begrudge other influencers accepting sponsorship, he chooses not to.

“A passive viewer might think you really believe this,” he said. “I have a strong connection with my audience. I really consider them my family.”

Lauren said he favors disclosure requirements.

Briant, the propaganda researcher, said she is concerned about the possibility of foreign actors trying to influence Americans through paid posts.

In 2024, for example, federal prosecutors filed an indictment alleging that Russian state media employees had paid nearly $10 million to a Tennessee company that paid popular right-wing social media influencers to unwittingly produce pro-Russia content.

Briant said she believes that the only way to counteract increased manipulation through social media influencers is to impose harsh penalties when paid content is not disclosed.

“Ultimately, it’s a wild west at the moment if there are no repercussions for not doing it,” she said.

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Barnes & Noble clarifies stance on AI-written books after blowback

Barnes & Noble was turning a page on the chain’s history of declining sales, but recent comments have stirred bad blood for the bookseller.

James Daunt, the chief executive credited with breathing new life into the retailer, is clarifying the store’s stance on stocking its shelves with AI-written books.

The controversy stems from Daunt’s Monday appearance on “Today” with Jenna Bush Hager. In a viral clip from the interview, Daunt said, “I have actually no problem selling any book, as long as it doesn’t masquerade or pretend to be something that it isn’t. So, as long as an AI-written book says it’s an AI-written book, then we will stock them.”

By Wednesday, thousands of calls to boycott the bookseller had flooded social media.

Kathlin Finn, a writer and former employee of the chain, posted on social media, writing, “Hey Barnes & Not Noble, I worked for you and have supported you, but your latest AI decision is extremely disappointing. I will not be shopping or promoting B&N unless you change your AI policy.”

Author Cristin Bishara wrote, “As an author this [is] the most depressing news. I’ve been saying for a long time that this was coming. People told me I was overreacting. And I had a feeling it would start with a cute round table at the front of a B&N.”

Another social media user added, “The Barnes & Noble CEO saying they’ll stock AI generated books as long as they’re labeled and aren’t ‘ripping off somebody else’ is wild considering all generative AI is ripping off someone else.”

Daunt told The Times that the wave of backlash is based on misinterpretations of what he said, and that only a “highly edited version” of what the bookseller “actually said” had been aired.

In an emailed statement, he said the bookseller does not sell AI books, “as far as we are aware.” Barnes & Noble “demand[s] that publishers label any books that are AI generated,” and the chain takes “active measures to exclude all AI generated books.”

Daunt further stated that Barnes & Noble “will sell AI generated books if there is clear demand” and not “ban reputable books published by reputable publishers, even if AI generated, should these be published, labeled and there be clear evidence of customer demand.”

He also said that the retailer thinks it’s “very unlikely” that there will be customer demand for AI-generated books or that reputable publishers will publish them.

“The argument is nuanced, and perhaps over nuanced, but there are important principles that have to be balanced and I believe we do so as sensibly and thoughtfully as is possible,” he said. “Book banning is a clear and present danger, so we are very careful with demands to ban any books” while also remaining vigilant “not to sell AI generated books that masquerade to be by real authors.”

Last year, Daunt spoke with BBC on the issue of AI in publishing and bookselling and said that there’s a huge proliferation of AI-generated content, and “most of it is not books that we should be selling.” He told the broadcaster that, as a bookseller, the company sells what publishers publish and that he’d be surprised by efforts to put forth an “AI-generated piece of nonsense” but that, ultimately, the decision on reading material would lie with the reader.

“We don’t dictate, and we don’t dictate around politics or any other particular issues around books,” he said. “We leave it up to the reader to decide.”

In June 2025, more than 70 authors issued a call to action to big-five publishers Penguin Random House, HarperCollins, Simon & Schuster, Hachette Book Group, and Macmillan, asking the companies to pledge that they will never release books that were created by machines. Authors Lauren Groff, R.F. Kuang, Emma Straub and Emily Henry were among the petitioners.

“At its simplest level, our job as artists is to respond to the human experience. But the art we make is a commodity, and our world wants things quickly, cheaply, and on demand,” the letter read.

“We are rushing toward a future where our novels, our biographies, our poems and our memoirs — our records of the human experience — are ‘written’ by artificial intelligence models that, by definition, cannot know what it is to be human. To bleed, or starve, or love. …

“Every time a prompt is entered into AI, the language that bot uses to respond was created in part through the synthesis of art that we, the undersigned, have spent our careers crafting. Taken without our consent, without payment, without even the courtesy of acknowledgment.”

In March, Hachette pulled “Shy Girl” from publication after widespread allegations that the horror novel appeared to be AI-generated and was swiftly scrubbed from Amazon and the Hachette website. The book’s author, Mia Ballard, denied that she had relied on AI to pen the book but said an acquaintance she had hired to edit the novel used AI.

“Hachette remains committed to protecting original creative expression and storytelling,” a Hachette spokeswoman said, per the New York Times.

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