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World Cup 2026: Declan Rice – England to make late call midfielder for semi-final

England will make a late decision on whether Declan Rice is fit to start the World Cup semi-final against Argentina.

But there remains optimism the Arsenal midfielder can shake off the effects of an illness to play on Wednesday.

Rice, who suffered with a sickness bug in the lead-up to Saturday’s quarter-final victory over Norway in Miami, was substituted at half-time.

Head coach Thomas Tuchel admitted afterwards that Rice had spent three days in bed before the match, which England won 2-1 after extra time.

It is understood Rice still has not recovered fully from the illness – picked up in Mexico, where England beat the co-hosts 3-2 in the last 16 – but his condition has improved markedly over the past 48 hours.

As things stand, there is growing hope he will be well enough to start in Atlanta.

Rice is almost certain to rule himself fit for the semi-final given the enormity of the occasion.

But given the severity of the illness, England medics are set to make a late call on his availability.

And Tuchel will wait to see how rapidly his condition improves before making a final decision on whether to pick him.

In addition to his recovery from the sickness bug, Rice has also been carrying a neural problem for several months, affecting his lower back and hamstring.

The midfielder, who has 78 caps, has started all but one of England’s World Cup games so far, missing the 2-0 group-stage win over Panama because of an injury flare-up.

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Would the Dodgers’ NL West rivals call a Tarik Skubal trade overkill?

If the Dodgers picked up Tarik Skubal, would that be overkill?

Logan Webb, the longtime ace of the San Francisco Giants, laughed.

“I don’t think they need him,” Webb said, “but you never count those guys out on getting anybody in the league.”

The Dodgers could make a mockery of the National League West by trading for Skubal, who won the last two American League Cy Young awards for the Detroit Tigers.

Then again, you could argue the Dodgers already are making a mockery of the NL West. They lead the division by 11½ games, more than double the lead in any other division.

So, on the day before the All-Star Game, I posed the overkill question to the stars from the other teams in the NL West.

“Would I consider it overkill? It’s a crazy game,” said outfielder Corbin Carroll of the Arizona Diamondbacks, the team that swept the Dodgers over the weekend at Dodger Stadium.

“I don’t think, going into the weekend, that too many people would have expected that. The nature of this game is about you can never be good enough, and you always have to look to keep improving. I think I would just view it in that same light.”

The Dodgers are not about winning the NL West this season. From owner Mark Walter to president of baseball operations Andrew Friedman, from manager Dave Roberts to franchise icon Shohei Ohtani, the Dodgers last fall loudly and proudly declared their intent to three-peat, to become the first NL team ever to win three consecutive World Series championships.

Their postseason rotation could be so overloaded that All-Star Justin Wrobleski, whose 2.69 ERA compares favorably to NL All-Star starter Cristopher Sanchez (2.62), could find himself in the bullpen behind starters Yoshinobu Yamamoto, Ohtani, Blake Snell and Tyler Glasnow.

On the other hand, Ohtani missed his last start for treatment of a troublesome left knee, and neither Snell nor Glasnow has pitched since May. The Dodgers might not be entirely sure of projecting their October health and effectiveness by the Aug. 3 trade deadline, and the chance to three-peat might never come again.

The Dodgers have the prospects and the money to acquire Skubal, should the Tigers trade him. The Dodgers might or might not have the need, but they have the motivation.

“I wouldn’t blame them,” Colorado Rockies catcher Hunter Goodman said. “They’re trying to win another World Series.”

Said San Diego Padres closer Mason Miller: “He’d help any team he went to. They’ve got a strong rotation, a lot of guys that are going to get healthy and help them out, but I don’t necessarily consider it overkill. Anybody, on any given night.”

If the Dodgers acquired Skubal, the fans of those rival NL West teams would explode in frustration, perhaps even in rage, at the back-to-back champions. Ohtani for $700 million, Kyle Tucker for $60 million per year, and now the rich kids would get Skubal, too?

The owners are trying to channel that level of fan frustration and anger in their push for a salary cap. They say they’re trying to help teams like, say, the Rockies and Pittsburgh Pirates compete more effectively against the Dodgers.

The Pirates have not posted a winning record in eight years and have not appeared in the playoffs 11 years. Surely, a salary cap would help them, right?

“I don’t think there’s any need for a salary cap,” Pirates ace Paul Skenes said. “I don’t know if there’s a perfect answer, but I do know the salary cap would not be a fix-all for parity.”

Parity is in the eye of the beholder, or more accurately in the definition of the beholder. The owners like to note that no small-market team has won the World Series since the Kansas City Royals in 2015.

However, in a league that owners insist demands immediate reform, 23 of the 30 teams are within four games of a playoff spot.

As one of eight players on the executive committee of the players’ union, Skenes is involved in the current collective bargaining negotiations. Salary cap or none, would it be overkill if the Dodgers picked up Skubal?

“They’re trying to win, aren’t they?” Skenes said. “You can’t ever blame a team for going out and doing everything possible to win.”

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News organizations call for legal sanctions against OpenAI

A group of 17 news organizations that are suing OpenAI for its use of their content to train artificial intelligence models asked a federal court for sanctions because they allege the company lied about its ability to search its own datasets. File Photo by Adam Vaughan/EPA

July 9 (UPI) — More than a dozen news organizations asked a court to sanction OpenAI for withholding evidence in lawsuits filed against the company for copyright infringement.

The New York Times, New York Daily News, The Intercept and 14 other news organizations asked a federal court on Thursday for sanctions against the artificial intelligence company for lying about its ability to provide data showing how it has used copyrighted material to train its models.

The companies had sued OpenAI for violating copyright law by using their content to create a secondary product — its AI models — without paying for it, The New York Times and Variety reported.

In court, the AI company had said it could not search training datasets and output data, but earlier this year one of the company’s employees said during a deposition that the data could be accessed.

“The evidence is in OpenAI’s training data sets and ChatGPT output logs,” the organizations said in the court filing.

“But instead of just producing that evidence at the start of the case and focusing on the merits of its fair use defense, OpenAI chose obstruction,” they said.

In addition to accusing OpenAI of lying about searching for the organizations’ content in its data, they allege that the company deleted data logs, which would violate a court order to preserve relevant evidence.

An attorney for the organizations said in a statement that OpenAI had claimed that searching its ChatGPT outputs was “infeasible, burdensome and invasive of users’ privacy” but then lied about having already done searches.

OpenAI called the news organizations’ allegations in the filing “blatantly false,” and said that its use of their content falls under “the long-established principles of fair use.”

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VAR call, Argentina win over Egypt raise questions of legitimacy at World Cup | World Cup 2026

The clamour surrounding the World Cup’s controversy involving US President Donald Trump and FIFA chief Gianni Infantino had barely died down when another arose in the aftermath of Argentina’s controversial 3-2 win over Egypt in the round-of-16 match in Atlanta.

As the defending champions staged a stunning comeback against the Pharaohs in the knockout match on Tuesday, questions were raised about an unusually late VAR call that saw Egypt’s second goal rescinded, followed by a chain of events that led to Argentina’s victory.

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A day earlier, Trump had revealed that he had asked FIFA to review, and overturn, USA striker Folarin Balogun’s one-game suspension for a red card, and the governing body controversially obliged. The matter was dusted off by Belgium as they dumped the hosts out of the tournament with a 4-1 win in the match Balogun was initially suspended from but ended up playing – to no avail.

Trump watch on the World Cup

While the anger surrounding FIFA’s red-card decision was directed at both the football governing body and Trump, Egypt’s outburst was solely aimed at the organisation, which, according to Egypt’s manager, had “wanted to keep the world champions in the competition”.

Head coach Hossam Hassan speculated that match officials had been put under pressure to ensure that one of the biggest names, Argentina’s Lionel Messi, stayed in the tournament.

“Perhaps they wanted Messi to stay in the running,” Hassan told beIN Sports after the match.

“In football, there are sometimes external factors that go beyond the technical aspects. The world champions received support at every level.”

While the tournament has been no stranger to the political spotlight of questionable integrity, experts say the lines between sport and politics have been blurred even further.

“After the Balogun affair, who knows which decisions are legitimate and can be trusted, and which can’t?” Simon Chadwick, professor of Afro-Eurasian sport at the Emlyon Business School in Shanghai, told Al Jazeera.

“If the Trump administration is maintaining a watching brief over the tournament, it’s worth remembering: Argentina’s president, Javier Milei, is a staunch Trump supporter.”

Trump and his Argentinian counterpart share a close relationship. Milei is a regular feature at pro-Trump political gatherings in the United States, and Trump has described Argentina’s far-right populist leader as his “favourite president”.

Chadwick also opined that Hassan’s vociferous support for Palestine at the World Cup could have prompted some officials to “have built-in biases when making decisions”.

Hassan dedicated part of his pre-match news conference on Monday to making an impassioned plea for the people of Palestine, especially those in the besieged Gaza Strip.

Advantage, Argentina

Circling back to the VAR call that sliced Egypt’s lead in half and was followed by decisions that conveniently favoured Argentina, Chadwick said the period of play was “unusual”.

He wondered why the referee had not called a foul in real-time that VAR picked up several moments later and only once Egypt scored their second goal.

“There was something distinctly unusual about the goal and VAR decision, something that was amplified when Argentina scored one of its goals,” Chadwick said, questioning refereeing standards in the match.

“In the build-up, an infringement was perpetrated by an Argentina player, which could have been interpreted as a similar offence to that supposedly committed earlier by the Egyptian player. At the very least, refereeing standards during the game were somewhat inconsistent, although critics are clearly making much more serious claims.”

But while many social media commentators and football experts were outraged at the decisions – Portuguese football icon Jose Mourinho reportedly termed the match “daylight robbery” – some football experts said it was a closer call.

“Robbed might be a strong word,” football analyst Ali El Garni said.

“I’d say decisions made by both the referee and VAR could have gone either way, and Argentina benefitted from all the 50/50 incidents.

“The incident leading to the Egyptian disallowed goal was an indisputable foul. The question is how far VAR should go back to check the legitimacy of a goal,” said El Garni, who has extensively reported on European and North African football.

However, he did wonder if VAR would have been involved had the scoreline been 2-0 in Argentina’s favour instead.

“Would the goal have been disallowed had it been scored by Argentina? It’s unlikely,” he said.

“What’s making it worse for Egypt is the fact that a similar incident involving what appeared to be a foul on [Mohamed] Salah took place before Argentina’s third goal, and VAR didn’t intervene,” he said.

Meanwhile, Chadwick questioned why VAR officials had raised the issue if the on-field officials did not call a foul when Egypt‘s Marwan Attia lightly tugged the shirt and stepped on the foot of Lisandro Martinez.

A logical solution to the VAR issue, Chadwick proposed, would be “for fans and viewers to listen to an assessment of the alleged offence, hear the various arguments, and have a clear insight into the basis for a decision”.

Chadwick admitted that although Egyptian players should not have become overwhelmed with emotion, “a sense of injustice was induced by the VAR decision”.

“This technology was supposed to minimise doubt and bring consistency. Instead, its use during this match had significant cognitive and behavioural effects,” he said.

“Indeed, rather than brandishing cards and inflaming the situation even further, the referee should have used his discretion and judgement to defuse the situation.”

While Chadwick dismissed rumours of match-rigging in favour of Messi and Argentina, he acknowledged the pull of the iconic footballer’s star power.

“There is no doubt that Messi is a box office attraction the tournament really can’t afford to be without.”

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Former DOJ employees call on senators to reject Blanche AG nomination

July 7 (UPI) — A group of more than 1,200 former Justice Department employees signed a letter asking senators to reject the nomination of Todd Blanche as attorney general.

Justice Connection, a nonprofit organization that advocates for Justice Department civil servants, sent the letter to the Senate Judiciary Committee on Monday. Signees argue that Blanche’s only goal as attorney general is to show loyalty to President Donald Trump, displaying political bias in an apolitical department.

The Senate Judiciary Committee hearing to consider Blanche’s nomination is scheduled for July 15 and 16.

“Since his confirmation as Deputy Attorney General, Todd Blanche has shown time and again that his guiding star is fealty to the president, not the Constitution,” Stacey Young, executive director and founder of Justice Connection, said in a statement.

“That fealty led to the purge of thousands of experienced career employees, a loss that will have a generational impact on the Justice Department’s ability to carry out its mission and maintain credibility with the courts and the American people.”

The letter highlights Blanche’s management of the department, his role in mishandling the congressionally ordered release of the investigation files on convicted sex offender Jeffrey Epstein and support for Trump’s plan to pay Jan. 6 rioters and other allies.

Under Blanche, more than 16,000 employees have left the Justice Department, Justice Connection says, including more than one quarter of its attorneys. Signatories include civil servants who worked under Republican and Democratic administrations.

Blanche was nominated by Trump to succeed former Attorney General Pam Bondi last month.

“The consequences of Blanche’s attacks on DOJ’s apolitical workforce radiate beyond the halls of Main Justice, affecting the entire country,” the letter reads. “They’ve meant that much of the department’s vital work isn’t being done, or isn’t being done well — leaving communities less safe, Americans’ rights less protected, and our national security more vulnerable.”

News anchors are seen outside the Supreme Court of the United States as the court releases their final opinions before summer recess on Tuesday. The court upheld birthright citizenship and also state laws banning transgender women and girls from playing on school athletic teams. Photo by Bonnie Cash/UPI | License Photo

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FIFA’s reversal of red card after Trump phone call prompts international uproar

President Trump did not like what he saw. So, once again, he picked up the phone.

Trump said Monday that he called FIFA President Gianni Infantino after he disagreed with the World Cup referee who gave a red card to U.S. men’s soccer team star Folarin Balogun. The discipline, which Trump called “very unfair” and a “stain” on the World Cup, would have barred Balogun from playing in Monday’s elimination game against Belgium.

“I asked for a review because I didn’t think it was a foul,” Trump told reporters during an event in the Oval Office. “I am good at this stuff. I didn’t think it was a foul. I thought it was two great athletes that crashed into each other and got entangled.”

Trump said he initially didn’t know “what the hell a red card was” or what it meant. “When I found out, I said, ‘You gotta be kidding!’” he said.

Trump’s involvement in soccer’s disciplinary process created an international uproar.

UEFA, European soccer’s governing body, said FIFA “crossed a red line” with the reversal. Belgium’s football association appealed the ruling, which FIFA denied during a hearing Monday. Belgian coach Rudi Garcia mocked the decision as an April Fools’ joke.

“This decision clearly raises many questions,” Belgian Foreign Minister Maxime Prévot said in a statement Monday, according to the New York Times.

“If a phone call really is what explains this incomprehensible decision, it would amount to undermining the most basic rules of soccer and sports,” added Prévot, a former soccer referee.

Trump’s close relationship with Infantino also has drawn new scrutiny.

In December, Infantino presented Trump with the inaugural FIFA Peace Prize, an award the governing body created after Trump was passed over for the Nobel Peace Prize. That decision is now the subject of an ethics complaint, backed by members of the European Parliament, who argue it compromised FIFA’s political neutrality.

Trump said he did not ask Infantino to reverse the call. But that was the outcome reached by FIFA’s disciplinary committee, which, in 64 years, has reversed a red-card penalty only once during a World Cup tournament.

The episode serves as a reminder of a pattern of behavior the president has exhibited when he doesn’t get his way, regardless of the rules of the game. For Trump, a deal-maker who has described the world as “a casino,” often pushes the boundaries of long-standing norms.

After FIFA reversed course, Trump called the decision “brilliant” and said Belgium can now “be really proud” if they were to beat the U.S. team on Monday night.

“The other way, if they beat us, we’ll say, or I’ll say it was rigged, just like the election was rigged in 2020, but I won’t get into that,” Trump said.

Steven Levitsky, a Harvard political scientist and co-author of “How Democracies Die,” said Trump’s action are “perfectly consistent with how Trump has behaved on the world stage.”

“He has no interest in or no respect for any kind of international rules or norms,” he said.

Levitsky said the events illustrate the Trump administration’s worldview, one that, he argues, revolves around the ethos that “if we’re strong enough, we can leverage our way to whatever the hell we want.”

As examples, he pointed to the administration’s military strikes on boats in the Caribbean and efforts to acquire Greenland, both of which have led to diplomatic tensions.

Trump also has a history of using phone calls to pressure officials to reach an outcome he wants.

In a 2019 call, he asked Ukrainian President Volodymyr Zelensky to investigate his political rival, a moment that became the catalyst of his first impeachment. And after losing the 2020 election, he pressed Georgia Secretary of State Brad Raffensperger to “find 11,780 votes,” the margin he needed to flip the state, a move that ultimately led to a criminal indictment.

FIFA President Gianni Infantino presents President Trump with the FIFA Peace Prize in December.

FIFA President Gianni Infantino presents President Trump with the FIFA Peace Prize in December.

(Evan Vucci / Associated Press)

Trump defended his call with Infantino to reporters and appeared to downplay how much it may have contributed to the red card penalty being reversed.

“I can’t tell [Infantino] what to do, and I don’t believe he made the decision,” Trump said. “I think it was a committee that made the decision, and they made the right decision, because No. 1, it wasn’t a foul, and you want to see a game with your best players.”

Sen. Ted Cruz (R-Texas), who was in the Oval Office when Trump acknowledged the call with Infantino, made reference to the Peace Prize as he thanked Trump for “getting rid of the ridiculous red card” ahead of the knockout game.

“There was a reason the FIFA trophy sat here for as long as it did,” Cruz told Trump.

Infantino, for his part, issued a statement Monday insisting that the decision came from FIFA’s independent disciplinary committee and that he told Trump the case would be decided by the body. Bill White, the U.S. ambassador to Belgium, also defended Trump, saying he “would never interfere with the inner workings of FIFA.”

Norman Eisen, co-founder of Democracy Defenders Action, said Trump’s decision to get involved in soccer’s disciplinary process is a “classic example of achieving a right outcome through wrong means.” He added that he believes the Trump administration and FIFA showed to be “two of the most corrupt entities around.”

“Like many Americans who are following the World Cup and rooting our team on, I thought it was a bad call,” Eisen said. “But I would never have chosen to bring that about in this fashion.”

Levitsky argued that given the popularity of the World Cup, which hundreds of millions of people around the world are tuning into to watch, Trump is opening himself up for more scrutiny on the global scale.

“People across the world who don’t give a damn about politics are following the World Cup, and they’re seeing the United States behave this way, taking what it can take at the expense of others unfairly,” he said. “Of course it is going to hurt the U.S. image abroad.”

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Taylor Swift’s custom couture wedding dress revealed as fans call out Easter Egg

DETAILS from Taylor Swift and Travis Kelce’s elaborate wedding have been revealed, including the custom dress the singer wore and who stood beside them on their big day.

The couple exchanged vows on Friday at Madison Square Garden in New York City in an extravagant ceremony.

More details have emerged about Travis Kelce and Taylor Swift’s elaborate wedding Credit: Getty Images
Taylor wore a Christian Dior wedding gown after fans suspected she hinted at wearing the designer months earlier Credit: GC Images
Taylor did not have any bridesmaid stand beside her at the wedding Credit: Getty Images for The Recording A
Taylor’s brother, Austin Swift, instead served as her Man of Honor Credit: Getty

The U.S. Sun obtained a press release from Taylor’s rep shortly after the nuptials, which revealed some specifics about the special occasion.

Both the bride’s and groom’s looks were created by Christian Dior Haute Couture, designed by Jonathan Anderson, Creative Director of Dior Women’s, Men’s, and Haute Couture Collections, in close collaboration with the newlyweds.

Their shoes were custom-made by Christian Louboutin, and Taylor wore Cartier jewelry, per the release.

Some fans had already suspected that Taylor would wear a Christian Dior gown after she appeared to drop an Easter egg during an outing in April.

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Taylor stepped out with a buttercup yellow Dior bag from Anderson’s debut show in the spring, leading many to speculate that she’d chosen him as the designer for her wedding dress.

The “royal wedding” is the designer’s first couture wedding dress for a world-renowned celebrity.

The lovebirds also did not have the traditional bridesmaids or groomsmen; instead, Taylor’s brother, Austin Swift, served as her Man of Honor, and Travis‘ brother, Jason Kelce, served as his Best Man.

It was a day to remember for the pair and their guests, as comedian and friend Adam Sandler officiated the ceremony.

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Screens outside The Garden flashed signs that read, “JUST&T MARRIED!” about an hour after the ceremony began.

Fans showed their love for the beloved couple, gathering outside the venue and singing Taylor’s hit song, Love Story.

The reception is currently underway, continuing the three-day wedding festivities with 1,000 guests in attendance.

Rumors previously circulated that Taylor and Travis had already tied the knot in a private ceremony in Tennessee.

However, The U.S. Sun exclusively spoke to a relative of Taylor’s before the ceremony, who assured that the NYC bash would be the couple’s first wedding.

Screens lit up outside the venue, which read ‘JUST&T MARRIED’ Credit: Reuters
The couple wed in front of 1,000 people at Madison Square Garden in New York City Credit: Getty

It was previously believed that Taylor’s BFFs, Selena Gomez and Gigi Hadid, were a part of the songstress’s bridal party.

It was also thought that Taylor’s childhood best friend, Abigail Anderson, would serve as her Maid of Honor.

Abigail made a major faux pas with her wedding ensemble when she was seen wearing the exact same $800 Sau Lee dress as Laura Kruk, the fiancée of New York Giants wide receiver Juju Smith-Schuster.

Hundreds of other celebrity guests stunned in their “black tie” ensembles, including Ed Sheeran, Karlie Kloss, Bradley Cooper, Dakota Johnson, and Ellie Goulding.

Many of Travis’ NFL buddies and their wives also attended the big event.

The high-profile affair prompted a massive police presence, street closures, and parking restrictions around the venue.

The U.S. Sun exclusively revealed that some NYPD cops expressed their frustrations over the large-scale event taking place during a near record-setting heat wave and the July 4 holiday.

Police have also posted up outside of Taylor’s $50 million Tribeca compound, which served as the headquarters for the wedding day.

It doesn’t appear the chaos will die down anytime soon, as the festivities are expected to continue into the weekend.

No other public events have been booked at the venue until next week.

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Brother of NFL’s Calais Campbell charged with murdering their mother

A brother of veteran NFL star Calais Campbell has been charged with the murder of their mother in her Atlanta home on Tuesday.

Ciarre Campbell, one of the Baltimore Ravens defensive end’s seven siblings, faces two counts of murder as well as aggravated assault, and possession of a knife during the commission of a felony in connection with the death of his 71-year-old mother Nateal Campbell, according to the affidavits for his arrest issued by the magistrate court of Fulton County, Ga.

“We are devastated to share that the Campbell Family has lost its matriarch, Mrs. Nateal Campbell,” the family said in a statement. “While the details of her passing are still being investigated, we take comfort in knowing she is reunited with our father, her beloved Chuck, and in the arms of our Lord and Savior, Jesus Christ. We ask for privacy at this time so that we may honor her and share in our overwhelming grief privately and as a family.”

According to the Atlanta Police Department, officers responded Tuesday at around 12:36 p.m. to a welfare check at Nateal Campbell’s address. They found a male, later identified as Ciarre Campbell, 41, who “appeared to have barricaded himself inside the home.”

Nateal Campbell was found unresponsive inside the home and was pronounced dead at the scene by EMS services. Ciarre Campbell was detained by the officers and transported to the Fulton County Jail, where he was held without bond. He waived his initial court hearing Wednesday.

A booking photo of Ciarre Campbell provided by the Fulton County Sheriff's Office on Wednesday.

A booking photo of Ciarre Campbell provided by the Fulton County Sheriff’s Office on Wednesday.

(Fulton County Sheriff’s Office Via Associated Press)

WSB-TV in Atlanta reports that Ciarre Campbell is being represented by defense attorney Jay Abt, who told the station that his client is innocent.

“We look forward to his day in court,” Abt said. “I’m honored to defend him and, most importantly, the Campbell family.”

In a 911 call released by police, a man said he was calling for authorities to check on his mother at her house. He said he was there with his sister and brother-in-law but they couldn’t get inside. According to the caller, his brother — whom the caller says is “mentally ill” — had been staying at the house and was seen driving their mother’s car, “which is very unusual [because] he doesn’t drive at all.”

The caller said his brother was inside the house and told them their mother had left, even though video footage from a neighbor showed that wasn’t the case.

The affidavit for arrest stated that Ciarre Campbell created “incisions upon the victim’s neck causing her to be nearly decapitated.”

Atlanta police say they have received at least 10 calls for service at that address since September, including one in April reporting arson. According to a police report from that incident, Kimba Blaylock had called 911 because her brother, identified in the report as Ciarrie Campbell, had started a fire to rid the house of demons.”

Firefighters found no one inside the house.

Another police report from May 26 states that police were dispatched to the address on a dispute call. The responding officer wrote that a neighbor told him that her neighbor’s son, identified in the report as Ciarri Campbell, “was acting crazy and putting stuff in her trash and yelling at her.” She told the officer that the neighbor’s son had just been released from a hospital “for mental issues” a couple of days earlier.

The neighbor also said that Nateal Campbell had told her that her son “was a good kid.”

Calais Campbell is a five-time Pro Bowl selection who has played 18 seasons in the NFL for the Arizona Cardinals, Jacksonville Jaguars, Miami Dolphins, Atlanta Falcons and Ravens. He was named the Walter Payton NFL Man of the Year in 2019.

“We are incredibly saddened to learn about the passing of Calais Campbell’s mother,” the Ravens said Wednesday in a statement. “We extend our deepest condolences and full support to Calais and his family during this difficult time.”

The Associated Press contributed to this report.

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Alan Jackson’s grueling 15-year health battle with nerve damage disease as country icon performs final concert Last Call

COUNTRY legend Alan Jackson is preparing to take the stage one final time – but behind his emotional farewell has been a grueling 15-year battle with a degenerative nerve disease that has changed his life.

The music icon was diagnosed with Charcot–Marie–Tooth disease in 2011, but kept it private for a decade before publicly revealing the condition in 2021.

Alan Jackson first opened up about his health and Charcot-Marie-Tooth disease diagnosis when he revealed his diagnosis on the TODAY show in 2021 Credit: NBC
Alan Jackson performs at Shoreline Amphitheater on July 21, 1991 in Mountain View, California Credit: Getty

The hereditary disorder causes nerve damage, mostly in the arms and legs, leading to muscle weakness, loss of sensation, balance problems, and difficulty walking.

While it’s not typically considered fatal, it has led to deaths – including 911: Nashville actress Isabelle Tate, who passed away from the disease in 2025. 

Behind Alan’s final curtain call is a brutal health battle that has quietly followed him for more than 15 years.

“It’s been affecting me for years,” he said in 2021 while first revealing the diagnosis on the Today Show. 

“And it’s getting more and more obvious. I know I’m not going to be able to tour like I have.”

Alan, 67, also revealed the diagnosis runs in his family, explaining: “I have this neuropathy and neurological disease. It’s genetic that I inherited from my daddy.”

The disease affects balance, coordination, and muscle control – making even simple movement more difficult as it progresses.

For a performer known for commanding massive stages and playing live instruments, the condition has made touring especially challenging.

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Alan has opened up about his struggles, saying: “I know I’m stumbling around on stage. And now I’m having a little trouble balancing, even in front of the microphone.” 

Over the years, Alan has continued performing despite worsening symptoms, though he acknowledged the disease has forced him to adjust.

“I don’t feel comfortable,” he said of performing while navigating the disorder. “It’s going to disable me eventually.”

While Charcot-Marie-Tooth does not always directly impact life expectancy, there is no cure, according to the Mayo Clinic. 

What is Charcot–Marie–Tooth Disease?

Charcot–Marie–Tooth disease (often shortened to CMT) is a group of inherited disorders that damage the peripheral nerves, which are the nerves outside the brain and spinal cord that control movement and sensation. The condition causes the nerves to send weaker signals to muscles, which can lead to muscle weakness, shrinking of muscles, and loss of feeling, especially in the feet, legs, hands, and arms.

Early warning signs can include:

  • Frequent tripping or clumsiness
  • Difficulty balancing
  • Foot deformities such as high arches or hammertoes
  • Weakness in the legs or hands
  • Numbness or tingling
  • A diagnosis usually comes after a neurological exam, family history review, nerve conduction studies, genetic testing, and sometimes electromyography (EMG).
  • There is no cure for CMT, and the condition is progressive – meaning symptoms can worsen over time. Treatment focuses on managing symptoms and maintaining mobility through physical therapy, occupational therapy, braces, orthopedic devices, pain management, and in some cases surgery.
  • The disease is not typically fatal and most people live a normal lifespan, but it can significantly impact mobility, independence, and quality of life as it advances. Because it is genetic, family members may also carry or develop the condition, which is how Alan Jackson said he inherited it from his father.
  • CMT is one of the most common inherited neurological disorders, affecting about 1 in 2,500 people worldwide.
  • Symptoms often begin in adolescence or early adulthood, but some people, like Alan Jackson, may not be diagnosed until later in life when symptoms become more noticeable.

Treatment typically focuses on managing symptoms through physical therapy, braces, pain management, and mobility support.

Still, Alan said he has refused to let the diagnosis define him, pushing through multiple tours and live shows while accepting that the end of his road on stage would come in the nearer future. 

Now, the singer is set for his final full-length concert, Last Call: One More for the Road – The Finale, on June 27 at Nissan Stadium. 

The massive send-off will bring Alan back to Nashville – the city where his career first took off – and feature an all-star lineup including Luke Bryan, Eric Church, Luke Combs, Miranda Lambert, George Strait, Carrie Underwood, Lainey Wilson, Little Big Town, Thomas Rhett, Jake Owen, Jon Pardi, and Lee Ann Womack.

Alan Jackson’s final concert ever will include a superstar lineup of his friends for Last Call: One More For The Road Credit: Instagram / officialalanjackson
Alan Jackson performs onstage at The 56th Annual CMA Awards at Bridgestone Arena on November 09, 2022 in Nashville, Tennessee Credit: Getty

The sold-out show will begin in the early evening and rock on all night, with more than 50,000 fans expected in attendance.

And for those who can’t make it in person, the historic farewell will be filmed for an NBC primetime special titled Alan Jackson: The Last Show, before streaming the following day on Peacock.

For the country crooner, it’s a full-circle moment – and the closing chapter of one of music’s most enduring careers.

The Georgia native has sold more than 75 million records worldwide, with a staggering 35 Number 1 hits and 50 Top 10 singles to his name. 

Alan Jackson performs live on stage during the 2015 Country Music Awards festival Credit: Alamy
Alan poses with his wife, Denise, and their daughters Credit: Facebook / Alan Jackson

He’s won two Grammy Awards, 16 CMA Awards, 17 ACM Awards, and was inducted into the Country Music Hall of Fame in 2017.

The singer is also a member of the Grand Ole Opry and has long been praised for helping preserve traditional country music through hits like Chattahoochee, Livin’ on Love, Remember When, and Where Were You (When the World Stopped Turning).

Alan has long credited his family as the backbone of his decades-long career.

He has been married to his high school sweetheart, Denise Jackson, since 1979 after the pair met as teenagers in their hometown of Newnan, Georgia.

Denise famously helped launch his music career after running into country legend Glen Campbell on a flight and passing along Alan’s demo – a moment that helped change their lives forever.

Together, Alan and Denise share three daughters: Mattie Jackson Smith, Alexandra Jane Bradshaw, and Dani Grace Jackson.

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Are Celtic reacting quickly enough to ‘wake-up call’?

As O’Neill throws himself into planning for the new campaign, he has had little time to digest last season’s success.

Celtic secured their 14th Premiership crown in 15 years in remarkable fashion, winning their final seven matches to snatch a title that had at times seemed to be edging out of reach.

“I feel as if, no it hasn’t [sunk in],” O’Neill said.

“If I’d no longer been at the football club, I think I would have more time to digest it and say, oh that was really great, surreal.

“It feels as if you’re just back in again, and so I probably haven’t got the time. Maybe the first league game at Celtic Park, maybe I’ll think about it then, but genuinely, no I don’t think it has really sunk in.”

The gruelling, draining nature of the job and title triumph left O’Neill unsure if he was open to taking the post full-time this summer. But the potential for regrets pushed him back into the dugout.

“It was strange in the sense that if I’d been asked about it a day after we’d done it, I don’t think I would have had the energy,” he said.

“And I suppose deep down really, if I felt okay by maybe late July, August or September time and things had moved on without me, then you think, oh gosh, maybe I would like to have stayed on.

“So I tried to project myself a couple of months further forward.”

The Champions League incentive also played a part. Celtic’s play-off tie is looming large – the first leg takes place on 18 or 19 August – and O’Neill is well versed in the competition’s importance to the club.

Celtic, then under Brendan Rodgers, suffered a calamitous qualifying exit to Kazakhstan’s Kairat Almaty last summer to set the tone for their turbulent season.

“Absolutely vital,” O’Neill said of reaching the league phase.

“If we’re going to do it, first of all, we’re talking about trying to augment the squad. Secondly, it’s getting players prepared both physically and mentally for those games, and that becomes very, very important.

“The disappointment of last season, not making it into the Champions League because of having a good run the previous year, I think that carried over to league performances. Malaise is far too strong a word but disappointment and concern about everything and as a consequence I think we fell down a little bit but we raised it at the end.

“Now this tie that we will be in, whoever it may be, becomes very important.”

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After Palisades, Boyle Heights fire may cost Mayor Bass politically

Los Angeles Mayor Karen Bass is once again dealing with blowback for being out of town when a massive fire ignited.

The fire at a cold storage facility in Boyle Heights began burning Wednesday, hours after Bass departed for the dedication of the Barack Obama Presidential Center in Chicago.

Since arriving back in Los Angeles around 6 p.m. Thursday, Bass has been to the scene of the fire numerous times, declared a local emergency, hosted five press conferences, met with local leaders and families affected by the fire, and distributed masks and air purifiers.

But her quick return and public appearances have not stopped some from drawing parallels to last year’s Palisades fire. Bass was in Ghana on a diplomatic trip when the deadly inferno spread amid extraordinarily high Santa Ana winds that forecasters had warned about for days.

While the scale of the destruction in Boyle Heights doesn’t compare to the 12 lives and thousands of homes lost in the Palisades fire, Angelenos are having flashbacks as toxic smoke hovers over parts of the region.

Bass, who is running for reelection, said in an interview that she rarely travels and always worries about what could happen when she does — whether it’s a fire or a big car accident. She also said she chose Chief Jaime Moore to lead the Los Angeles Fire Department because she trusts him to handle a crisis like this fire.

“I was in Chicago three hours away, and I was there 24 hours,” Bass said, noting that she was in constant communication with the chief during her brief trip.

Bass’ handling of the Palisades fire, beginning with her absence from the city, has had a long-lasting, negative impact on voters’ opinions of her, with polls repeatedly showing high unfavorability ratings.

A May poll by the UC Berkeley Institute of Governmental Studies, which was co-sponsored by The Times, found that 57% of likely Los Angeles voters had unfavorable views of Bass, while 35% had favorable views.

Bass, who served in Congress for more than a decade, was designated by then-President Biden to be part of his official delegation to attend the inauguration of Ghanaian President John Dramani Mahama. She was captured in photos at an embassy cocktail party in Accra as the Palisades fire exploded Jan. 7, 2025.

Last week, there was no warning that anything was amiss when she left the city. But any echoes of the Palisades fire could damage Bass’ image as she campaigns against City Councilmember Nithya Raman in the November runoff election.

“We’re talking about a fire, and she’s out of town, so it completely and totally reinforces that narrative of January 2025, and that’s not helpful,” said Fernando Guerra, director of the Center for the Study of Los Angeles at Loyola Marymount University.

Guerra said while Bass can do much of her job from another city for a day, a mayor is often faulted for not being front and center during an emergency.

“With today’s tech and instant communication, is it really that different that she’s in Chicago making calls than at City Hall?” he said. “But it has always been the case for executives that, symbolically, it is their job to be at the point of the crisis to assure those that are impacted directly, and the city as a whole, that they have the situation under control.”

Guerra said it didn’t help that Kevin Marchetti, the owner of the cold storage facility operating in the burning building, contributed the maximum, $1,800, to Bass’ reelection campaign last year.

Raman declined to comment on Bass’ handling of the Boyle Heights fire.

The blaze ignited Wednesday at the nearly 500,000-square-foot cold storage facility run by a company called Lineage, beginning on the roof, which caused a partial collapse and moved the flames into the building, where 85 million pounds of food are stored.

Firefighters have been battling the flames for seven days now, and smoke has made air dangerous to breathe in neighborhoods across the Los Angeles region.

Bass’ absence from the city soon caught the eye of right-wingers, with Spencer Pratt, who ran against her in the nonpartisan primary election, and Steve Hilton, who is running for governor, among those critiquing her.

“I don’t know what’s wrong with Karen Bass that she seems to keep leaving the city every time something happens,” Hilton said at a Monday press conference in Boyle Heights.

Pratt, who lost his house in the Palisades fire and came in third in the primary, drew the comparison directly.

“Karen was sipping cocktails in Chicago when the Boyle Heights Fire erupted, just as she was sipping cocktails in Ghana when our Palisades Fire erupted. I warned you all … what happened to us will happen to all of LA,” he posted on X on Sunday.

As she flew back to L.A. from Ghana, Bass repeatedly reminded her staff that she could make calls from the military flight, her text messages showed. But during one call or Zoom with her staffers, she had technical problems, texting, “I am listening don’t know why you can’t [hear] me.”

During the Palisades fire, then-Fire Chief Kristin Crowley publicly accused city leaders of failing to give her department the resources it needed. Bass ultimately removed Crowley from her post over her handling of the fire.

Moore, the new chief, has appeared to be in lockstep with the mayor during the Boyle Heights fire, saying she has been an active partner.

About 30 minutes after the fire began, Moore was on the scene. Ten minutes after he arrived, he was on the phone with Bass, he said.

Over the next day, while Bass was in Chicago, Moore estimated that they spoke six times over the phone.

Moore said her absence was a non-issue.

“Until Mayor Bass goes through our 20-week drill tower, and she learns to fight a fire and she can stand next to me on a hose line, I don’t need her in this city,” Moore told The Times on Tuesday.

“She’s our mayor. She was doing exactly what she needed to do,” he added. “She answered the phone. She provided me exactly what I needed, and that was, ‘Whatever you need to do, you do it.’”

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Syrians reject Trump’s call for Syria to combat Hezbollah in Lebanon | Donald Trump

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Residents in Damascus rejected US President Donald Trump’s suggestion that Syria should confront Hezbollah in Lebanon. They say Syria should avoid being drawn into new regional conflicts. In a rare critique, Trump told Israel to let Syria take on Hezbollah.

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Puppets, performers and politics filled the streets at LACMA’s first-ever Art Parade

Instead of the usual phalanx of cars and buses, Saturday evening traffic on Wilshire Boulevard was replaced by massive balloons, mobile sculptures, gaggles of gallerists and an endless array of elaborate costumes.

The first-ever Los Angeles Art Parade, a collaboration between the Los Angeles County Museum of Art (LACMA) and famed gallerist Jeffrey Deitch, transformed the stretch of Wilshire known as Museum Row into a human-powered exhibition of the city’s dynamic art scene.

About 146 groups, made up of more than 1,400 participants, marched in the parade, with projects ranging from larger-than-life marionette dolls to squads of children in do-it-yourself costumes to mobile re-creations of LACMA’s most iconic art pieces.

The parade followed an all-day block party thrown by LACMA as part of its Grand Opening Weekend, celebrating the new David Geffen Galleries and the completion of the 20-year-long, $724-million campus construction project. Together, the block party and art parade attracted an estimated 60,000 attendees, who swarmed the galleries, danced to explosive DJ sets, and lined the streets to watch the eclectic procession of artists.

People dance

People dance during Flying Lotus’ DJ set at the Los Angeles County Museum of Art (LACMA) in Los Angeles.

(Ariana Drehsler/For The Times)

According to LACMA Director and Chief Executive Michael Govan, the event was a long time coming and “just the beginning” of how his team plans to use the campus space, which he previously called the city’s “living room.”

“We’re not gonna close Wilshire every weekend, but it’s an example of what we can do,” Govan said. “It’s really exciting to see the building work.”

Following a crowd-drawing DJ set from electronic low-fi hip-hop artist Flying Lotus, Govan introduced L.A. County District 2 Supervisor Holly J. Mitchell. She said the event made her “proud to represent LACMA” and to be a Metro board member, referencing the recently-opened Metro D-line extension, which dropped attendees off a quick stroll from LACMA’s entrance.

“Just seeing you all at this amazing public facility does my heart good,” she said. “This is your local government at work.”

1

Silhouettes of people watching the parade.

2

A man and woman wearing tulle over them walk in the parade.

3

The crowd at the Los Angeles County Museum of History, Science, and Art (LACMA) Block Party.

1. Silhouettes of people watching the parade. 2. A man and woman wearing tulle over them walk in the parade. 3. The crowd at the Los Angeles County Museum of History, Science, and Art (LACMA) Block Party. (Ariana Drehsler/For The Times)

As the party raged on LACMA’s campus, hundreds of parade participants hurriedly prepared for their debuts in the corners of nearby streets and parking lots. One group inflated a giant disco ball, while another smeared themselves with body paint next to a line of rehearsing dancers. Elsewhere, a megaphone-wielding leader herded dozens of black cats in the style of artist Gary Baseman into some semblance of order.

Deitch originally staged the first Art Parades in New York City’s SoHo neighborhood between 2005 and 2008. While those took a more art-world-exclusive approach, Deitch said the Los Angeles version was designed with inclusion in mind. The call for parade proposals was open to “emerging and established artists and creatives of all ages and backgrounds,” according to guidelines, as long as the work was appropriate for all ages and didn’t require a motorized element.

“The New York one was much more oriented toward people in the art community. We didn’t put out this kind of open call,” Deitch explained. “This is very different in its openness and its diversity. There are some famous artists and famous choreographers, L.A. legends. But there are also mothers from the San Fernando Valley with their children. I really love that.”

Devil Jack in a Box with Crocodile

Artist Jordan Rountree’s rolling woodcut-sculpture called the Devil Jack in a Box with Crocodile appeared in Saturday’s Block Party and Art Parade hosted by the Los Angeles County Museum of Art’s (LACMA).

(Ariana Drehsler/For The Times)

“It’s just a very open platform, so you don’t have to have an M.F.A. to express yourself as an artist,” he added.

The procession was dizzying in its variety and scale. While many projects leaned into beauty and whimsy, others took a more overtly political approach, displaying anti-ICE messages on T-shirts and signs, sporting trans pride flags, or, in the case of performance artist Amy Kaps, wearing an unraveling U.S. constitution.

Some even referenced local causes, such as the “Boo Boo Bandage Brigade for Safe Streets,” which advocated for fixing sidewalks and increasing accessibility downtown. One particularly moving display by the Pali-Altadena Collective featured participants carrying miniature models of buildings and landmarks lost in the 2025 fires.

Chicana artist Nao Bustamante and Track 16 Gallery brought “Brown Disco” to the streets, which featured a giant gold disco ball and figures from decades of L.A. queer nightlife.

The crowd at the Los Angeles County Museum of Art (LACMA) Art Parade.

The crowd at the Los Angeles County Museum of Art (LACMA) Art Parade.

(Ariana Drehsler/For The Times)

“As a brown, queer person, I think that this really brought a light into our community, and now its presence [creates] an intergenerational conversation,” said Track 16 Assistant Director Steve Galindo. “The nightlife scene is how we come out as queer people, so it’s really special to be in the parade.”

For Joie Mitchell, volunteer coordinator for the Bob Baker Marionette Theater, which recently purchased its permanent Highland Park home, the parade was an opportunity to “show up for L.A. and be involved in the art history of this city.”

“Puppetry has been part of the arts for so many years,” added Daisy Hernandez, the theater’s production manager. “It’s a way that people express themselves, just like every other art form. So that’s what we’re here to do: express ourselves through puppetry.”

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After a weekend of gun violence in Chicago, Trump renews call for intervention

A spate of shootings in Chicago has led to seven deaths and at least 38 injuries since Friday evening, police say, prompting President Trump to renew his call for a military intervention in the nation’s third-largest city.

It is the latest in a series of threats made and interventions ordered by the Republican president against a Democratic-led city, including Los Angeles.

“Why isn’t Governor Pritzker calling me for help. I could make Chicago a safe City in ONE MONTH, in ONE YEAR, it would be one of the safest!!!” Trump said in a Sunday morning post on social media.

The office of Illinois Gov. JB Pritzker, a potential 2028 Democratic presidential contender who has repeatedly rebuffed Trump’s calls for a military intervention, did not immediately respond to a request for comment.

Under Trump, National Guard troops have been deployed on crime-fighting missions in Democratic-led cities including New Orleans, Washington and Memphis, Tenn.; and Marines and Guardsmen were sent to L.A. last year amid protests over federal immigration raids.

Although Chicago Police Department data show a slight increase in shooting incidents compared with the first half of last year, violent crime rates have generally dropped in the city over the last few years, in parallel with national trends.

Preliminary information shared by Chicago police indicate there have been at least two dozen shooting incidents since 5 p.m. Friday. Those killed by gunfire include a 21-year-old shot in the chest Sunday, an 18-year-old shot in the armpit Saturday evening and a 50-year-old shot in the chest Friday.

At least 12 people in a crowd on a Chicago street suffered gunshot wounds Friday evening after an SUV pulled up and two people inside started shooting, police said.

The eight men and four women in the group ranged in age from 17 to 47. They were being treated at four hospitals. Police said another man suffered unknown injuries and refused medical treatment.

That shooting happened on Juneteenth, a holiday that celebrates the end of slavery in the U.S. Earlier Friday, former President Obama and former First Lady Michelle Obama welcomed the first visitors to his presidential center on the South Side.

“What should have been a night of celebration and community reflection for Juneteenth was shattered by a horrific act of violence,” Mayor Brandon Johnson said in an X post Saturday. “My thoughts and prayers are with the victims and their loved ones.”

“Violence has no place in our city, and those responsible will be held accountable,” he said.

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Oil prices fluctuate after U.S., Iran call off talks in Switzerland

June 19 (UPI) — Global oil prices have fluctuated slightly on Friday, briefly reaching back above the $80 per barrel mark for Brent crude, as the United States and Iran called off further talks in Switzerland.

A stall in talks between the United States and Iran have cast doubt over the preliminary peace agreement reached earlier this week. The oil market has begun reflecting that uncertainty early Friday.

Vice President JD Vance was set to travel to Switzerland to continue into the next phase of negotiations with Iran. Vance’s trip has been postponed while Israel has opened up more strikes on Lebanon.

Part of the agreement between the United States and Iran included an end to military operations in Lebanon.

The Swiss foreign ministry said talks between the United States and Iran will no longer take place on Friday as previously planned. The White House confirmed that Vance will not be traveling to Switzerland, citing logistical issues involving negotiations.

Vance said during a press conference Thursday that Iran will not receive “a single penny from the United States.” He added that Iran will not receive any of the benefits from the preliminary agreement unless “they comply fully and change their behavior.”

Overall oil prices are heading toward a second consecutive week of falling prices. August Brent crude oil, the international benchmark, traded at about $80.23 per barrel on Friday morning. July West Texas Intermediate futures, the U.S. benchmark, traded for about $75.96 per barrel.

Altogether, benchmark crude oil is on pace to be down in price by about 8% for the week.

After falling below $4 per gallon on Thursday, the U.S. national average for premium gas edged down to $3.97 per gallon on Friday. The price of gas remains higher than prior to the start of the Iran war. A year ago, the average price of gas was $3.20 per gallon on average, AAA reports.

President Donald Trump presents a Medal of Honor to Tom Ripley on behalf of his father, John W. Ripley, during a Medal of Honor award ceremony in the East Room of the White House on Thursday. Photo by Aaron Schwartz/UPI | License Photo

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Georgia Republicans reject governor’s call for 2028 redistricting

Georgia’s Republican legislative leaders on Wednesday rejected Gov. Brian Kemp’s call to redraw congressional and legislative districts during a special session, citing concerns about moving too quickly after a U.S. Supreme Court decision weakened federal Voting Rights Act protections for minority voters.

House Speaker Jon Burns sent Kemp a letter hours before a special session was set to begin Wednesday, and he announced the decision as demonstrators filled the Georgia Capitol with chants of “Black voters matter!”

The decision marked a setback for both Kemp and President Trump, who has urged Republican-led states to redraw congressional districts to their advantage. Ten states already have enacted new congressional districts ahead of the November midterm elections. Georgia would have been the first to change districts for the 2028 elections.

Burns said lawmakers want to take their time after the court’s decision in Louisiana v. Callais, which struck down Louisiana’s congressional map as an illegal racial gerrymander and laid the groundwork for other Southern states to redraw their congressional districts. Burns said it was more important for lawmakers to focus on economic matters rather than “partisan games.” He also cited pending litigation over existing Georgia districts and the need for the state to understand the full ramifications for how race can or cannot be used in redistricting.

Republican legislative leaders did not rule out revisiting redistricting later this year.

Minority voting rights are especially salient in Georgia, where the Capitol complex includes a statue of the Rev. Martin Luther King Jr. and sits blocks from where the slain civil rights icon lived, preached and led the movement that yielded the Voting Rights Act in 1965.

Conservative justices gave the green light

Before Callais, Section 2 of the Voting Rights Act was understood to require maps — for Congress, state legislatures and local legislative bodies — that gave historically marginalized minorities a reasonable chance to select candidates of their choice. Nationally and in Georgia, those so-called “opportunity districts” have disproportionately elected Black and other nonwhite representatives.

For example, about a third of Georgia’s 180 state representatives are Black. Latino, Asian and other minorities bring the total nonwhite share to about 40% — roughly reflecting the state’s overall population. Georgia’s U.S. House delegation has five districts out of 14 total where the electorate is majority or plurality nonwhite. All elected Black Democrats in 2024.

With the Callais ruling, issued in April, a conservative majority of justices concluded that jurisdictions drawn with racial makeup in mind are discriminatory and violate the U.S. Constitution’s equal protection clause. The justices declared that apportionment should be “race neutral.”

Their stated reasoning did not hinge on party interests, and federal courts have said partisan gerrymandering is constitutionally permissible. But in Southern states, especially, party loyalty dovetails considerably with race and ethnicity. So the decision has allowed Republicans — a party dominated by white people — to redraw maps to goose likely GOP districts by redistributing nonwhite voters who tend to support Democrats.

That, many civil rights activists and experts argue, makes it impossible for Southern legislatures to be genuinely “race neutral” when drawing boundaries.

Emory University professor Carol Anderson compared Callais and the resulting redistricting push to poll taxes and literacy tests imposed by white Southern conservatives — and blessed by the Supreme Court — during the Jim Crow era.

“They used racially neutral language for policies that were clearly racially targeted,” said Anderson, who is also a board member of Fair Fight Action, a group organizing against the Georgia redistricting.

There were risks for Kemp and Republicans

It’s not guaranteed that Georgia Republicans can get what they want from new maps.

Partisan gerrymandering involves redistributing voters — packing certain citizens into fewer districts or dividing them across more districts. Around metro Atlanta, spreading nonwhite, Democratic-leaning voters across more districts could make more seats seem to lean Republican. The risk, however, is that more battleground districts emerge because white metropolitan voters are trending less conservative, which could give Democratic candidates of any race or ethnicity more chances to win.

That’s perhaps not a major factor in the Georgia state Senate, which already is considered gerrymandered for Republicans. But it could be a consideration when drawing state House and U.S. House maps.

Kemp was effectively asking Republicans, especially in metro Atlanta, to redraw their own boundaries and take on new, unfamiliar territory.

Trump started the fight before the Supreme Court decision

Nationally, a partisan redistricting battle started last year when Trump urged Republican-controlled states to redraw congressional boundaries to shore up the GOP’s narrow House majority in Washington this November. Texas answered the call first.

California Gov. Gavin Newsom and Democrats in Sacramento answered with their own gerrymander that voters later approved. A succession of states followed. The outcome would have been close to even had the Virginia Supreme Court, controlled by conservatives, not struck down new Democratic-drawn maps approved by the state’s voters. All told, Republicans think they could gain as many as 16 seats from their redistricting efforts while Democrats think they could gain six seats from new districts in California and Utah.

That still may not be enough for the GOP to hold a congressional majority, given Trump’s lagging approval ratings. But it could mitigate Democratic gains and set Republicans up well for 2028 and beyond.

Barrow writes for The Associated Press.

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Alex Callender back as Wales call up new faces to take on Barbarians

Wales have been boosted by the return from injury of highly-regarded back-row Alex Callender for their uncapped encounter against Barbarians at Allianz Stadium in Twickenham on Saturday, 27 June.

The 25-year-old missed Wales’ Women’s Six Nations campaign because of injury, but is set to return for a fixture that follows a men’s international against the Barbarians in a double-header at the home of English rugby.

Head coach Sean Lynn’s 33-strong training squad includes 14 uncapped players, while 24 members of the squad play for Wales-based teams Brython Thunder or Gwalia Lightning.

Lynn has his eye on the future after Wales suffered a winless Six Nations and emphasised that focus.

“It’s a real opportunity to continue to build our playing philosophy and to have a look at the exciting young talent now coming through our pathway and through the Celtic Challenge teams, Wales U21s and Wales U18s,” said Lynn.

“All the players have been told there is a real opportunity to play against an experienced Barbarians side and not to assume that they will or will not play.

“The door is open for selection, and this is a good opportunity for our younger players to taste what is expected at international level.”

Kelsey Jones, Bethan Lewis, Sian Jones, Lleucu George, Hannah Dallavalle, Nel Metcalfe, Sisilia Tuipulotu, Jorja Aiono and Alaw Pyrs were all involved with Gloucester-Hartpury in Sunday’s Premiership Women’s Rugby semi-final defeat by Ealing Trailfinders.

They have not been named in Wales’ initial squad and will be assessed on Thursday.

Saracens duo Georgia Evans and Donna Rose, and Trailfinders back Carys Cox, will be involved in the PWR final on the same weekend as the Barbarians game so will not be involved for Wales.

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Jakob Nowell used to call Sublime ‘his dad’s band.’ But new album proves ‘Now it’s our band. It’s us’

There was a time in the beginning of Sublime’s recent revival when Jakob Nowell, the son of the band’s late singer Bradley Nowell, saw himself simply as a good son trying to help his adoptive uncles — drummer Bud Gaugh and bassist Eric Wilson — restart his dad’s iconic Long Beach trio. The goal wasn’t to take the place of his frontman father who died of an overdose in 1996. “I’ll never look at it as my band. Sublime is my dad’s band, and I’m helping out, that’s all,” he told The Times in 2024. Luckily, he was wrong.

The journey of finding his own voice through his father’s sly, shambolic poetry and reggae rock anthems, along with his determination on the road with Gaugh and Wilson through a barrage of festivals and tour dates helped him eventually step into his own as a songwriter and Gen Z rock star. It’s all been done with the mission to preserving his dad’s legacy and having fun while doing it. Now it feels as natural as the trio sitting together on the waterfront in LBC’s shoreline marina within earshot of the bellowing horn of the Queen Mary earlier this year as they were finishing the recording of “Until the Sun Explodes,” the first album under the Sublime moniker in 30 years.

Just like the band’s original recipe of shoving punk, dub reggae, hip-hop and ska into a blender, the new songs dutifully stick to the formula along with Jakob’s soulful caterwauls that sound scarily similar to his dad. But what emerges from the 21-song tracklist is the evolution of a trademark sound that gives a nod to the past while standing strong on its own, just like Jakob, despite coming to the interview on crutches while healing from a performance-related knee injury. The band members chatted with The Times about recapturing the effortless essence of their immortal beach-ready sound and looking forward to a second chance to chase an endless summer.

This interview was edited for length and clarity

It’s kind of a rare thing for all three of you guys to be in one place at the same time. What was it like working in the studio together to finish the new album?

Bud Gaugh: Magical. Things are just coming together. We showed up, Jake had an idea for another song, and he sent us a little demo and said “Hey, this is what I’ve been thinking about.” And then we get down to the studio [in San Pedro], and he’s like, “Oh yeah, so I had another idea,” and kind of changed it. We jumped in there [and by the end of our sessions, we had written] brand new songs to the list of songs that we already had.

The band’s revival has been a long time in the making. I remember when you guys had your first show together, a surprise gig a couple years ago as part of a benefit show for the Bad Brains frontman H.R. Do you feel you’ve come a long way since then?

Eric Wilson: I never thought the chemistry would be like it was with Bradley.

Jakob Nowell: Especially now that we’ve been playing together this long, the chemistry is very much there. We’re just comfortable and having fun. Jamming together is the best. We get in there to do a take for a song, and I’m always like “Let’s just do like three more!” It’s just that much fun, and that’s how it feels playing live too.

When did the idea for creating a new album come about?

Gaugh: It was pretty much just while we were playing shows, At first, the idea was that we were getting together to do this benefit for H.R. [at Teragram Ballroom in December 2023]. We went from “How’s this going to work?” and then [after the show] it was like, “Wow, this is something special. We should definitely go out and play some more shows, and get this music out there and get the opportunity to bring the music to the people in the purest form that we possibly could.” As we’re doing that, it’s like we’re seeing the reaction in the fans, and we were feeling it emotionally. We realized this is going to be bigger than we ever thought. That’s when we really decided where it was going to go.

 Sublime members stand in front of a palm tree

Jakob Nowell, right, once thought Sublime was only his late father’s band; now, fronting the Long Beach trio, he’s leading a new chapter that still honors Bradley Nowell’s legacy.

(Allen J. Schaben / Los Angeles Times)

Were any of the songs on the new album mined from previously unreleased material or did you start fresh?

Nowell: There was that song we did with Stick Figure [“Feel Like That”], so I think that kind of inspired us. [We realized] “Oh s—, there really is some meat on the bone.” And then I had found some old recordings of stuff that were just like jams without even like vocals or whatever. Then it became just this thing during sound check or maybe in the middle of sets, we’d just start jamming these random progressions and stuff, and it kind of just evolved from there naturally.

The new songs that I’ve heard fit right in the vein of what people love about Sublime. What was it like putting some of those new songs in the setlist as you were building them?

Nowell: It was like magic. We were joking yesterday that sometimes we’ll play a new song for the first time just randomly and I’d see people try mouthing the lyrics and stuff and I’ll say “you’ve never even heard this before! I know you haven’t. We don’t even really know what the hell we’re saying.”

Gaugh: You frontin’! [Laughs]

Nowell: But [the new material] sounded like it was supposed to be there, so it was kind of a rad little test in a lot of ways. We almost don’t even have to think about it. That’s always going to be the guiding goal of any band trying to make fun music that’s relatable.

Wilson: What if you’re Slayer? That’s not true if you’re Slayer.

Jakob, it seems like you’ve gotten a lot more comfortable in the frontman role since joining the band. What’s it like just taking the lead, not just for the sake of your dad, but for the fans?

Nowell: Oh, dude, it’s the best. I don’t even have to think about it. We really feel like this is — we’re a band, you know?

Gaugh: It’s [Jakob’s] band too. Now it’s our band. It’s us.

Nowell: It feels like that whenever we’re hanging out, just doing stuff, or at the studio or at these shows. So, this upcoming year feels like a really rad adventure. We got all these different eras [of fans] — people who were in their 50s when [Sublime’s] first stuff dropped, who are still alive, and then their kids and their grandkids and great grandkids. Everybody finds a piece of the discography they can relate to. That’s what is most exciting. It’s not just one or two songs, people sing along to everything.

I was at Warped Tour in Long Beach last year when you guys played and —

Nowell: That was my favorite set!

To me that felt like it encapsulated what you were talking about with the multigenerational groups of fans that have enjoyed you guys and associate you with Long Beach.

Gaugh: It was like a homecoming for me. I remembered playing the Chili Cook off, you know, right over there in the same area [as Warped Tour], and it was just bringing me back 30 years. It’s so meaningful to be in our backyard playing our music again, right there. This is where it all started. It’s come full circle.

Nowell: It was like playing at a local bar in a cool way. I had this huge group of people up front, they were just talking and shouting and saying stuff, like f–ing with us and joking around. I was like “Damn this is great!”

How about you, Eric? How’d you feel playing Warped?

Wilson: [Mumbles] It was f–ing awesome.

Now that you’ve played all these festival shows, from Coachella to No Values, you’ve got your own festival going on. Can you talk a little bit about Sublime Fest and your Sublime Reef Madness Cruise and how you came up with it?

Nowell: We could put on a bunch of the bands we love, and some of our boys, like Vandals, and make it our own vibe.

Gaugh: You walk around Coachella and there’s so many different elements there. Wouldn’t it be neat if we could make like all this like a Long Beach element, a Sublime element. Looking at this thing, it’s like “Oh wow. So we can actually get some of our friends and set up like a tattoo booth, and have our idea of art and everything out there, and mix it all together — food, art, music — bringing all these different elements, and friends of ours that play music. We get to decide who’s going to share the stage with us, so it’s really neat. It’s like planning a high school party or something like that.

Nowell: The biggest backyard party ever seen.

You guys always had your own sound going on, what’s it like to see that the fans still want it?

Wilson: It took a lotta years to catch on, but it did.

Nowell: Yeah, the kids really want that, like ‘90s, Y2K kind of vibe. That was the last era of like cool authenticity and stuff. You can see it when young people make stuff to look retro … when things get so high fidelity, we’re almost losing a little element, so I think these festivals kind of seek to bring some of that back in a way that everybody can get into.

Sublime members from left: guitarist Eric Wilson, drummer Bud Gaugh, and vocalist Jakob Nowell

With “Until the Sun Explodes,” Sublime’s first album in three decades, Jakob Nowell, Bud Gaugh and Eric Wilson rediscover their studio chemistry, jamming new songs that feel instantly familiar onstage.

(Allen J. Schaben / Los Angeles Times)

You guys also have the timeless iconography of the Sublime sun logo. The title of the album is “Until the Sun Explodes.” Does that title have any particular meaning to you?

Nowell: It’s almost just another way of saying “forever,” like “Oh baby I’m gonna love you till the sun blows up.” That’s gonna happen in billions of years, if at all. The fact that [Sublime’s] lasted this long and has this many fans is evidence to me that we wanna be here forever. I think that’s what everybody wants for themselves.

Jake, you’ve taken steps to advance your own aspirations and music with your label, Sunburnt Records, how does that fit into where Sublime is right now?

I was inspired by the whole Skunk Records thing [Sublime’s first label], Evan Zinger with [his lifestyle brand] SRH, and just all the local brands I grew up with when I was a kid. So just trying to do a cool, chill local thing that has that vibe of putting on small shows and kind of getting to use this new notoriety to be like, man, I have so many friends in these small bands like Strange Case and Eight Ball, and other bands up and down Southern California. Let’s put on shows and sneak them on a Sunburnt Stage at [Sublime Fest] and if people really like that Sublime sound here’s a bunch of kids who are carrying the torch like Slightly Stoopid did when they started out. Mike Watt always said “start your own band!” So the more we can inspire people to do that and be some small part of that, it’s a dream come true.

Do you feel like this version of Sublime is something Brad would be proud of?

Gaugh: We all kind of brought our own element to the music orignally. So we just kind of followed that recipe. Jake’s his own person, he’s got his own influences, and we just kind of stick with that idea. Jake brings in his feelings, and Eric brings in his and we sat there and recorded this song, and then as we were recording it, we’re coming up with ideas. It’s like, “Oh wait, we should do this here, slow that down there, stop here,” it’s all a conglomeration of ideas, everyone does their part, brings in their own spices and we mix it in a pot like gumbo.

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England call up Henry Crocombe for second Test as cover for Ollie Robinson

Crocombe’s selection may raise eyebrows, given other recent picks such as Essex’s Sam Cook or Durham’s Matthew Potts have been overlooked, but it should not be a big surprise.

When England named their Test squad at the start of the summer, Key mentioned the tall, strong quick saying he had “really kicked on” this season.

Crocombe, a product of Sussex’s academy, was first picked by England Lions in 2024 before struggles with injury.

It was when he began this County Championship season with his first five-wicket haul, taking nine in the match against Leicestershire, that he began to seriously catch the eye.

Another right-arm quick, Crocombe bowls at a lively pace.

Overall, his statistics this season are solid – a Championship average of 28.61 while sitting joint 11th in the wicket-takers’ list – and he has the skills England value.

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Call the Midwife legend opens up on ‘enormously sad’ exit from BBC drama

Call the Midwife favourite Judy Parfitt appeared on ITV’s Love Your Weekend with Alan Titchmarsh

A Call the Midwife legend has opened up about their emotional exit from the BBC drama.

Judy Parfitt is best known for playing Sister Monica Joan in the long-running series. Viewers were therefore left heartbroken when the cherished nun passed away peacefully in her bed at Nonnatus House in the season 15 finale.

During her final moments, Sister Monica Joan was emotionally reunited with Sister Evangelina (played by Pam Ferris), who unexpectedly died during the season five finale from a suspected stroke.

Actress Judy Parfitt appeared on ITV’s Love Your Weekend with Alan Titchmarsh on Sunday (June 7), where she was joined by Brian Conley, Freddie Fox, Julian Ovenden and Honeysuckle Weeks.

After being shown an “enormously sad” clip of Sister Monica Joan being reunited with Sister Evangelina, Alan said: “I can’t watch that,” with Judy admitting: “Neither can I!”

She added: “Showing me at my best, I see. Also, [I] had a cap and it had the thing [go] round, so all the wrinkles were pushed up. So, [you think], ‘God, do I look as bad as that?’ And the top lighting, it looked like the Grand Canyon!”

On being reunited with Pam Ferris, Judy went on: “It was absolutely wonderful, because, I think, Pam left after four years, and we used to sit together quite a lot during the time she was there, swapping recipes and everything – it was wonderful.

“I hadn’t seen her, we only phoned a couple of times after she left, and it was so wonderful to do that scene with her, because it’s like you’ve found your teammate, sort of [like] tennis or something, and she was throwing the ball back.

“It was just a lovely atmosphere, and we’ve kept in touch ever since then – it was lovely.”

Judy then looked back on being part of the drama for so many years, sharing: “It was like a family, and that’s what I miss terribly. We’d seen each other through marriages, births, deaths, divorce – everything. And we helped each other.

“It was lovely because it was mostly women. Sorry guys, but it was wonderful to be in a show where instead [of there being] 13 men and two women – one young one and one old one – you have a show with all these women. There was no jealousy, no rivalry or anything. It was wonderful.”

BBC viewers will be pleased to learn that they haven’t seen the last of Sister Monica Joan.

Following the latest season of Call the Midwife, the show will rewind the clock to World War II with a prequel series, titled Sisters in Arms, which will be set in Poplar during the London Blitz.

Creator and writer Heidi Thomas revealed that it will include younger incarnations of Sister Monica Joan, as well as Sister Evangelina and Sister Julienne (Jenny Agutter).

The returning Sisters will also be joined by three new young midwifes, who are new to the East End.

Call the Midwife is available to watch on BBC iPlayer, while Love Your Weekend with Alan Titchmarsh is streaming on ITVX

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WGA and SAG-AFTRA call out CBS and the recent firings at ’60 Minutes’

Both SAG-AFTRA and the Writers Guild East are condemning the recent firings at CBS’ “60 Minutes.”

Under the news network’s editor-in-chief Bari Weiss, on-air correspondents Scott Pelley, Cecilia Vega, Sharyn Alfonsi and the program’s executive producer, Tanya Simon, have all been ousted from the legacy newsmagazine. The two unions, which represent journalists, said the recent actions appear to compromise editorial independence.

WGA East president Tom Fontana wrote in a letter to members on Thursday that the changes at CBS News “are more than mere ideological interference with the news. They display a profound contempt for the journalism profession.”

He added, “it is clear that CBS brass is engaged in a near-constant level of editorial interference that would have previously been unthinkable.”

Tom Fontana joined WGA and SAG-AFTRA members on the picket line in the strike over contract negotiation.

Tom Fontana joined WGA and SAG-AFTRA members on the picket line in the strike over contract negotiation at Netflix and Warner Bros. Discovery offices on Aug. 15, 2023, in in New York City.

(Lev Radin / VIEWpress via Getty Images)

SAG-AFTRA similarly said in a statement Thursday that these “decisions can only be seen as part of a broader strategy to gut the crucial independent journalism that is so important to our democratic system.”

A spokesperson for CBS News said in a statement, “There is no political interference at CBS News, not from ownership, not from Bari Weiss. The only ‘interference’ is the normal back and forth between editor and correspondent that happens in every newsroom.”

Pelley, one of the program’s most high-profile correspondents, was fired on Tuesday after speaking out during a team meeting. He reportedly said Weiss “is murdering ‘60 Minutes.’ … She does not love this place. She was brought in to kill it, and she’s been doing exactly that.” He also questioned the newly hired executive producer, Nick Bilton, and his ability to run the show, citing his lack of TV news experience.

Pelley accused CBS News management of favoring the Trump administration by instructing him to put “falsehoods and bias into a politically sensitive story.”

“I’ve been told to include assertions that are unverified,” he said in a statement. “To date, in every case, I have ignored these instructions or refuse them.”

“60 Minutes” is now down four correspondents, following Anderson Cooper’s departure and the firings of Vega and Alfonsi. These are only the most recent controversial moves from Weiss, who’s set on remaking the institution long defined by tradition. She arrived at CBS News in October with no television experience, installed by Paramount Chief Executive David Ellison after he acquired her digital news outlet, the Free Press, with a mandate to change the network.

Since her hiring, there was a significant round of layoffs and CBS News Radio was shut down.

“I’m only interested in working in a newsroom that is built on trust and mutual respect,” Weiss said of Pelley’s firing during a meeting on Wednesday morning. “That foundation was broken on Monday, and despite our attempts to engage with Scott Pelley and to find a way back, unfortunately we weren’t able to do so, and so we had to part ways.”

The lack of reporters means “60 Minutes” will have to line up new talent quickly to fill the correspondent roles, as production of the 2026-27 season is already underway.

WGA’s Fontana added, “To our friends and colleagues at CBS News: We see you, and you are not alone. Thousands of your union brothers, sisters, and siblings have your backs.”

SAG-AFTRA also said the union is prepared to take “legal actions related to the company’s conduct over the last several weeks.”

Times staff writer Stephen Battaglio contributed to this report.

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