breaks

Emmerdale actress Lisa Riley lost her mother, Cath, to cancer back in 2012 after she was first diagnosed in 2001.

Lisa Riley broke down in tears when speaking about her late mother during an episode of Loose Women.

On Thursday’s show, the ITV panel touched on where they find comfort in challenging times after The Princess of Wales touched on nature bringing her comfort during her cancer recovery. Touching on where they find comfort, the Emmerdale actress spoke about her faith getting her through the time her mother died.

She said: “It helped with my mum so much; sometimes it was hard- sorry.” Lisa then began to cry as she reflected on the time her mother was dying, as Charlene got up and offered her a tissue.

The actress went on: “At the end of the day, when I had to be the leader of the family and tell my dad. My dad was in denial all the way through and through. He was like, ‘She’ll get better’. I had to be so stoic for the family and go. ‘She’s not going to get better. She isn’t, Dad. She’s going to die’.

“Up until her last breath, he believed that. So I was like, ‘Dad, come on, remember our faith, remember those days when we used our faith and just had that silence together?’ Yeah, you are so rich having the faith you have. It’s wonderful.”

Lisa explained on the programme that she had grown up a devout Catholic, going to church every weekend and attending midnight mass each Christmas. She told the Loose Women panel that her faith also helped when her mother’s father was dying.

She shared: “When he was in his last five days of his life, when we had faith, it wasn’t necessarily on our knees praying. What we did, around the bed, we just held hands, and we gave that energy.

“That good, heartfelt energy, and it was faith that he would get better. We knew the outcome; we knew he wasn’t going to make it, but he could feel that next to him.”

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Lisa lost her mother, Cath, to cancer in 2012 and has been open about how she felt as though she had lost purpose following her death. Earlier on in the year, she told the ITV show that appearing on Strictly Come Dancing helped her with her grief.

At the time, she said: “Behind the camera, there was so much going on for me and also for Robin [Windsor]. Robin was there for me; he was my dance partner, my grief counsellor, my therapist, all the way through. My family were so grateful for how he got me through the worst time of my life.”

Loose Women is available to watch weekdays on ITV from 12:30pm.

JONATHAN Ross has broken his silence after sex abuse claims emerged against David Walliams and Russell Brand was convicted of rape – saying he is “horrified”.

The presenter said he was friendly with both men at one time but said he had been “genuinely unaware of their conduct”.

Walliams was yesterday named as the celebrity accused of preying on young girls and employees.

The Little Britain star had attempted to block Independent Television News (ITN), which produces news programmes for ITV and Channel 4 and Guardian News and Media, publisher of The Guardian, from publishing the claims against him.

A three-year joint investigation by ITV News and the Guardian has now revealed allegations dating back as far as 2003 against the star.

Walliams has been accused of preying on young girls for sexual purposes – including two as young as 15.

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One of the schoolgirls said an alleged encounter amounted to “sexual assault” and claims he told her to wait until she was 16 for sex.

Multiple women have also claimed they were “groomed” by the star when they were teens and have painted the star as “pushy” and “predatory”.

Walliams denies any wrongdoing and insists he is “not a sexual predator”.

Ross had come under fire after a 2004 clip of him making a joke about Walliams having sex with a teenager went viral.

He told the audience: “The Comedy Awards is 15 years old. 15 years old.

“And like all 15-year-olds, it’s drunk, it’s unpredictable and it’s probably going home with David Walliams.”

It is understood Ross did not write the joke, but simply delivered it.

On Tuesday night the presenter broke his silence on the sex claims against Walliams and Russell Brand‘s rape conviction, saying his “thoughts are with the many, many women who have bravely come forward”.

Ross called the 2004 joke “tasteless”, saying: “I recognise how deeply shocking it is to revisit footage of a joke delivered by me at the Comedy Awards in 2004, in which I make light of the notion of Walliams going home with a 15-year-old.

“This joke was submitted to me by the Comedy Awards script writing team and I believed that the punchline was a reference to the fact he had publicly dated younger women, exaggerated for comic effect.

“It is also a tasteless joke that I would not dream of making today about anyone, but that is beside the point.

“Had I had any reason to suspect that it might be referring to actual events, I would not only have refused to use it, but I would not have felt comfortable continuing a personal or professional relationship with him.

“I also like to think that I would have acted upon that knowledge.”

The presenter has also faced scrutiny over his past association with Brand, who was handed a 10-and-a-half year jail sentence on Monday for raping one woman and sexually assaulting three others.

Brand and Ross appeared on several TV shows together and both were caught in a scandal in 2008 when they left a series of vulgar voicemails on BBC Radio 2 in 2008.

The pair left messages for actor Andrew Sachs, making explicit comments about a relationship between Brand and his granddaughter Georgina Baillie.

At one point, Ross explicitly shouted, “He f***ed your granddaughter!”

The scandal, which became known as Sachsgate, saw Brand resign from the BBC and Ross suspended from his TV show for three months.

Sachs’ granddaughter Georgina was just 20 at the time of the fling, and said she was “completely dazzled by celebrity”.

Brand is facing multiple fresh allegations in the wake of his 10 year jail sentence as cops reveal “several” people have come forward.

After the 51-year-old was found guilty of one count of rape and three counts of sexual assault, it was revealed that more women had come forward.

Prosecutors are assessing whether to bring further charges against the convicted rapist.

The Guardian reported that at least 10 more women are suspected of having been attacked by Brand.

Ross, Brand and Noel Fielding appeared on Channel 4’s Big Fat Quiz of the Year together in 2007, in which Brand made jokes about rape later described by fellow panellist Lily Allen as “really horrendous”.

In the episode, Ross moves Lily, then just 21, away from Brand and Fielding.

Ross explained: “I’m a bit concerned because look where you’ve put us – you’ve put the only sexually attractive young lady – near two of the best known cocksmen of the business.”

“I’m going to insist as a sort of uncle figure in Lily’s life that she moves over there. And then, Lily might go home with her dress still on.”

Walliams has denied the allegations against him, saying: “Looking back, I realise that at times I behaved thoughtlessly towards other people I had casual sexual relationships with… I realise I did not always take people’s feelings properly into account. That is something I regret.

“And whilst a power imbalance is inevitable when one party is famous, abusing that power is something else entirely and it is something that I never did…

“I am not a sexual predator… I have not broken the law… I am devastated that some of the women I met ten to twenty years ago have now expressed hurt or anger towards me.”

MAYA Jama has spoken out about her return to the small screen after signing a huge deal with streaming giant Netflix.

The former Love Island host, who this week stepped down from the ITV dating show, revealed on Monday that she had signed an impressive seven-figure multi-project deal.

Now, Maya has hinted that her first role isn’t far away at all.

Taking to X, Maya re-shared a story about her Netflix deal and wrote: “won’t be off your screens for too long..@netflix”.

She also shared a selfie to Instagram from a dressing room which showed her holding a Netflix mug – proving she has already been filming for something.

Fans already know that Maya is set to appear in the third season of The Gentleman, which could be what she is referring to.

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Following the news of Maya’s new career path, a source told the The Sun: “Maya has signed a deal with Netflix, with a number of exciting new projects in the works.

“She’s become a huge pull for them on The Gentleman and she is excited to throw herself into something new with the leap.

“It’s a huge 7 figure global deal.

“Further details of the specific projects are being kept under wraps for now.”

Maya has also bagged herself a deal with one of the States’ biggest talent agencies, William Morris Endeavour.

She signed with the powerhouse of a management company which is best known for representing stars including Idris Elba, Olivia Rodrigo and the entire Kardashian family to name just a few.

While real-world tech mogul Elon Musk suffered a major setback this week after pouring more than $200 million into Texas Republican campaigns that lost to protect his business empire, over on HBO’s “The Gilded Age,” robber baron George Russell is fighting tooth and nail against looming federal regulations to save his.

The period drama returned Sunday with its fourth season. After leaving George (Morgan Spector) at a major turning point in Season 3 — seemingly done with his marriage following Bertha‘s (Carrie Coon) forced engineering of their daughter‘s marriage, as well as his own survival of a near-fatal shooting — the couple is still at odds. As the new season picks up, George unravels under the looming threat of anti-monopoly laws targeting his industrial empire. And that’s just part of all the drama and fun that made the episode the show’s most-watched premiere yet, averaging nearly 4 million viewers across platforms, according to the cabler/streamer. Season 4 promises more tension as the Russells try to maintain their wealth and status while Agnes van Rhijn (Christine Baranski) tries to regain her position, all while the show’s various relationships face challenges, ultimatums or bittersweet developments. Ahead of this week’s second episode, I spoke with Sonja Warfield, who is co-showrunner of the series alongside creator Julian Fellowes, about how Season 4 kicks off — including that unexpected cameo from David Letterman and Matt Damon.

Also in this week’s Screen Gab, our writers recommend a new stand-up special from everyone’s favorite sitcom principal and a sports drama chronicling the life of Muhammad Ali. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Janelle James at the Vic Theatre in Chicago, where her Netflix comedy special was filmed.

(Elizabeth Sisson / Netflix )

“Janelle James: How Romantic” (Netflix)

Among the many gifts “Abbott Elementary” showered upon the culture was bringing Janelle James to national prominence. As work-averse principal Ava Coleman — a selfish, insulting character one is always delighted to see — she is as attractive as she is difficult. And as the show has gone on, the actor has found layers to play, including hints of a kind of existential melancholy. James began in stand-up — her biggest brush with fame was touring with Chris Rock in 2017 — and now she’s headlining her own, first hourlong special, which debuts Tuesday on the streamer and was filmed at Chicago’s Vic Theatre. Hang on through an opening salvo of political jokes that elapsed time and Tuesday’s election results have rendered stale (Rudy Giuliani, anybody? Joe Biden?) as James, laughing and dancing, unwinds into her real material — spending 24 hours in labor, the problems and perks of being suddenly famous, men and how they are, having money with a poor person’s mind. Of the power of comedy (and being on a hit sitcom) to unite a diverse audience, she says, “There’s one of everything in here. … We can all be in here and share a laugh, then everyone goes back to their respective neighborhoods, never to speak again. But for a small moment in time we were all friends. Because of me. So that’s nice.” — Robert Lloyd

Jaalen Best as Muhammad Ali in Prime Video’s “The Greatest.”

(Brooke Palmer / Prime)

“The Greatest” (Prime Video)

The multitude of projects about Muhammad Ali just received a new entry with Prime Video’s limited series “The Greatest,” starring newcomer Jaalen Best as the legendary boxer. The project traces Ali’s breakthrough as a gold medal boxer through his brutal battle with Sonny Liston. Viewers looking for a companion piece to the drama can check out Ken Burns’ 2021 epic documentary “Muhammad Ali.” Burns called the four-part miniseries an extensive look at a “man who may be the most iconic figure of the 20th century.” The filmmaker added that Ali was also a “very complex, dynamic man” who had an immeasurable impact stretched into politics, culture and religion.” — Greg Braxton

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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Morgan Spector and Carrie Coon in Season 4 of “The Gilded Age.”

(Karolina Wojtasik / HBO)

Clocks have rolled back and “The Gilded Age” Sundays have returned — the perfect couch rotting combo for fall. Lingering crises and fresh new scandals collide in Season 4 as our favorite New York elite navigate a fracturing power marriage, perilous childbirth, a horse-carriage breakdown that ignites a night of forbidden passion, and a titan‘s struggle to maintain his empire. Even Jack’s new invention, the electric mixer, couldn’t whip up a more delicious start. Episode 2 airs Sunday on HBO and will stream on HBO Max. I spoke with Sonja Warfield, the co-showrunner of the drama, about the premiere, that David Letterman and Matt Damon cameo and what’s ahead this season. — Y.V.

You said you were looking at social media a bit after the premiere. What stood out to you about what fans were responding to?

Marian. Someone had a lot of thoughts about some of Marian’s costumes. But then I read something about Marian and Larry having sex, and they don’t want to hear about her complaining about him this season — something like, “She just needs to go over there to his house and get her ring back.”

It’s been interesting to see the conversation around Marian’s freak-out the morning after she had sex with Larry — and the ramifications of premarital sex at that time.

Louisa [Jacobson, who plays Marian] did an amazing job conveying the gravity of the transgression; it just was all over her face. And Harry’s reaction, because he’s kind of surprised. They just had this roll in the hay, but it transmits to him as well. So really, kudos to Louisa for selling that. Wonderful actors like Louisa Jacobson help the viewer along in their understanding that this is about the worst thing that you can do, and then we have the scene afterwards. That walk of shame back and the aunts even say, “Oh, it was better that you took a cab because the impropriety of that.”

We also see Gladys survive this traumatic, life-threatening breach birth, ultimately welcoming a baby boy. Some of us have PTSD from Lady Sybil’s death in “Downton Abbey” and were very nervous about where it was going.

One of the first things I said to Julian when we first started working together was, “I might never forgive you for what you did to Lady Sybil.” I remember every frame of what Lady Sybil went through. … We wanted to make sure that [“The Gilded Age”] was different, so we worked closely with a doctor who specializes in Victorian medicine to figure out how we can make it traumatic, her life is salvaged, but she’s forever changed. It’s women’s health. There’s still more questions than answers, and especially back then when they had not even surfaced. Maternal mortality rate has been lowered in recent years in America. It’s real jeopardy, and it happens all the time and every day.

Women’s health and decisions surrounding it are not the only timely modern parallel. Something that looms large is wealthy business titans trying to exert profound, direct influence over American politics and policies. How was it to dig into that history this season, given the current real-world backdrop?

As we got the research in, and we started having conversations with Dr. Dunbar [Erica Armstong Dunbar is a co-executive producer and lead historical consultant on the series], it became abundantly clear that the reason why there have been so many regulations in business is because of the Gilded Age. We’re just right back where we started. I love this argument that is being used today that was being used back then, which is “let us regulate our ourselves.” That’s ridiculous. They changed America, and brought in wealth and industry and the railroad and all of that; at the same time, it has to be regulated. They cannot regulate themselves. Greed is one of the seven deadly sins.

Audra McDonald, left, and Denée Benton in “The Gilded Age.”

(Karolina Wojtasik / HBO)

Were you nervous about having this plot about anti-monopoly legislation or how it would be received by studio brass, given the Paramount and Warner Bros. merger?

It was not in my mind because it is the real history. We are being historically accurate.

There is a moment eight minutes into the premiere episode that, if you blinked, you missed it: David Letterman and Matt Damon made cameos as background actors. Apparently, David has long wanted to be a background actor, and this stunt was filmed as a field segment for the new season of his Netflix interview show; Damon got his start as a background actor. Were you in disbelief when you heard about this request?

I am a huge David Letterman fan. When I heard that there was a possibility that I could meet David Letterman, I was ecstatic and really kind of selfish. We shoot tandem sets, so there are two sets going at a time. My mandate was, “I’m on the David Letterman set that day. Take me there.” All the way in Long Island. I had an event that night. I didn’t care. I waited for David.

Forget Matt Damon.

What was so funny was that my dad is a huge Matt Damon fan, and whilst I was awaiting David Letterman, I had an audience with Matt Damon, who is the most lovely, kind person ever. So empathetic and gracious and wonderful, and game whatever they had cooking on Letterman’s show. Then I met David Letterman. It was an absolute blast. I was like, “This is a the best day at work in a long time.” It all started because someone on our staff was friends with someone on David Letterman’s show.

We see them casually crossing the street. Was it hard to decide what scene to plop them into?

It was really about scheduling. And what would be the least conspicuous because David Letterman does have that long beard. We held on to it for so long. We shot that back in May.

I want all good things for Peggy, in life, love and career. Her wedding to William is on the horizon. What did you want out of that moment for her?

Well, once I knew we had a bigger budget, I wanted all of it too. I really do think we deliver. I want to be mindful here. The location of where she gets married is exquisitely beautiful. We enter the wedding and the marriage with trepidation because there is real conflict, inherent conflict with this family in the form of Elizabeth Kirkland, played by the incredible Felicia Rashad. I think all weddings are fraught because you’re bringing together these different factions, and people want different things and have ideas and dreams. I think Peggy’s wedding delivers on all fronts. I think it delivers in terms of dramatic tension. I think it delivers in terms of set decoration. It delivers in terms of costume and, of course, performances and direction. I can’t wait for the audience to watch it and then watch it again. Accompanying the wedding will be some beautiful photography done by the Tyler Twins. Their work is really just exquisite, and I’m excited for the world to see all this. We’ve been holding all of this in.

Peggy and William are at the dawn of their relationship, just as Bertha and George are navigating a major stress point in their union.

Marriage is a journey. I’ve been married and divorced, and I just remember my dad’s advice early on was that there are always going to be these trials, and if you can make your way through them and end up together, you will be stronger for it. For Bertha and George, who’ve been married for many years now — he didn’t make a lot of money when they were first together, and now they they’re in this place of extreme wealth, and their lives have changed. And now he is going through something that couldn’t have been predicted. And Bertha rides for her husband. There are times when couples can go their separate ways, and, like my dad said, if you can find your way back together through the storm, and you’ve weathered it together, you’re stronger. I want that for Peggy and William. They want a Bertha-George marriage — if Bertha and George make it through.

I really worry about Agnes’ stress levels this season. I don’t think it’s a spoiler to say that. Later in the season, she delivers one line — “That article was poppycock!” — in a way that will live in my head as a GIF forever.

I even said something to Christine during the season — “We’re really putting you through it this season.” I love it, and she loved it too. She had a ball, and especially in Episode 3, which I got to write with Julian. I loved writing some of that dialogue because she just has so many highs and lows throughout the season, and it was like a masterclass for me to watch Christine go from the highest high to the lowest low. She wants revenge; she is out for blood because someone is attempting to take away her opportunities. It was delicious, and I’m glad that you liked it, and I hope the greater audience enjoyed it.

Is there a moment coming up from Episode 2 that you’re excited for people to see?

I’m excited for people to see more of the Black elite in Newport.

What’s the film or TV show that you’re recommending to everyone right now?

Well, I’m behind, but I love “Nobody Wants This” [Netflix]. I have not been able to watch all of it; we had a premiere for “The Gilded Age” and lots of things going on. But I love that show. I got to meet the whole cast at the Emmys. I’m a free advertisement for that show.

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LOTTIE Tomlinson was seen wiping away tears as she opened up about losing her mum, and how her brother Louis really “stepped up” in a fatherly role.

The two siblings “grew closer” after their beloved mother Johannah Deakin’s death in 2016, aged 43.

Lottie was just 18-years-old when her mother died from leukaemia.

Speaking to her brother’s girlfriend Zara McDermott on her Feel Good Formula podcast with Boots, mum-of-two Lottie, who shares her kids with Lewis Burton, said: “‘It’s really hard having your own kids without your mum.”

Beginning to well up, she said: “(I’m) Not gonna get upset. Literally said to myself, ‘Don’t cry’.

“But yeah, I think my sisters have been a big one, we’ve all sort of come together and tried to look after each other and it makes me feel closer to her in a way because obviously I know how much being a mum meant to her.

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“And it means so much to us, I think, because of how she brought us up with being so maternal and I think that’s why we all are how we are because of her but yeah, it’s hard.”

Speaking about how her big brother Louis really stepped up, she added how he took her on tour with him, and supported her.

“I appreciate now that he even let me come on the tour,” Lottie said.

“But it was actually really nice in the end because he sort of stepped into a real fatherly role on that tour, and he didn’t let me get away with anything.

“I think it gave us a really strong bond that you sort of can’t explain because we went through that together.

“We’re so close now, and I think it is because of those few years. Me being there with him, I think in the end he liked having me there for the support.

“And he was sort of fathering me a bit, but I was almost mothering him a bit as well. So I would pull him up on stuff if he was acting a certain way and it sort of worked both ways, which was nice.”

Lottie’s late mother Johannah had seven children, including Louis and Lottie.

But just three years after their mum’s death, the siblings lost sister Félicité Tomlinson, following an accidental overdose, after she took a fatal concoction of anti-anxiety medication, cocaine and painkillers.

Zainab Johnson believes in optimism — to a somewhat alarming degree. Not just because she usually presents as smart and happy and sharply dressed on stage or because she’s doing incredibly well in her comedy career, or even just because she’s a millennial. She’s happy in spite of every aspect of life that conspires to bring her down because it’s the ultimate power move. From surviving a near deadly car crash that broke both her legs to fighting for every opportunity to become successful in stand-up only to realize there’s more work at the top of the mountain, Johnson’s attitude towards it all has been to keep smiling. It’s no wonder she named her newly-arrived second special “Toxically Optimistic” (the first stand-up special produced by the Obama’s Higher Ground Productions).

But the unbridled joy is also the byproduct of a weight she’s lifted off herself in this new hour on Netflix — the pressure of always having to keep it real in her comedy. As a Black female stand-up it’s the box she says she’s often put in when she goes on stage and audiences are expecting her to air out her true-life trauma and make it funny as if she’s got nothing else to offer. Those who know her know better. Johnson’s mode as a storyteller has always been to dig for the deeper meaning in things, and in this new special she uses an opossum — her unlikely spirit animal — to get the job done.

This conversation has been edited for length and clarity

Having optimism is tough these days, especially for people glued to their algorithms and, of course, watching too much news. Is it a challenge as a comedian to be able to get people out of that and get them into the positive mode of thinking?

It’s not difficult because it’s kind of what they want. People come to comedy shows because they want to feel good. Ultimately, they do want to come to hear you say the things that they can’t say. They want to hear your opinion on the things happening in the world that we’re all experiencing. They want to be affirmed by you. They want to be challenged by you, but ultimately they want to feel good. A comedy club is like a restaurant for the soul. Nobody likes to eat and then not feel good afterwards, right? And so I think that what I do in my comedy is I always like to put medicine in the candy. And “Toxically Optimistic,” is another medicine in the candy.

What were some things that you took from your first special “Hijabs Off” that helped you craft “Toxically Optimistic?”

My first special “Hijabs Off” was me laying the groundwork. I just wanted people to understand my foundation of who I am and know that whatever I give them after that, this is who it’s coming from. I think that “Hijabs Off” taught me to have fun, to really trust myself in the moment. There’s really spontaneous moments that I have in “Toxically Optimistic” and watching at home, you might not know that they’re spontaneous. You might think that I wrote that and I have been performing that all along. Some things in that special that night was the first night I said it… I don’t shy away from things. If anybody watched “Hijabs Off,” one of the most talked about moments was when my hair was like getting unruly because of the temperature in the room, and I can’t see myself, but I could I could feel it, and I called it out in that moment, like comedically. You see everybody on camera all the time, and so it liberated every woman in the room to “OK, good, she knows her hair is going crazy right now.” I was glad that I trusted myself at that moment, and so I just leaned more into that with “Toxically Optimistic.”

Johnson says Black women comedians often face pressure to deliver authenticity and personal meaning, while some white male peers can roam freely into the absurd; her bit nudges audiences to expect more.

(Christina House / Los Angeles Times)

The people that know you now through that special know your story of being one of 13 siblings. If that doesn’t make you funny. I don’t know what will.

A lot of people say “you must be so funny being one of 13.” But I don’t know if that can take responsibility for me being funny.

I think it helps at least when it comes to fighting to be heard. I know because I’m one of a bunch.

How many specifically?

Well, I’ve got four in my immediate group, but my dad had 14 total.

Oh wow, look at papa, a Rolling Stone.

[Laughs] So I understand what it is to like fight for space in the conversation or to do anything. So maybe for you it was something like that?

I definitely think that it is. I can attribute that to being one of 13, being on stage with stand-up. Because with comedy, you could choose improv, you could choose sketch, right? But I think I do like that I’m carving out time almost every night that I get to be the center of attention, whether it’s for 15 minutes at a time or an hour at a time. But yeah I think my family’s so funny. They just don’t have the guts to do it in front of people over and over again, which is why I try to bring them as characters to life on stage. I feel like I might be the messenger.

You talk specifically about one of your sisters in your new special and how close you are with her as well as her mental state.

I think she would be called neurodivergent but I don’t really like that term. Every time I see a movie with “divergent” in it, the divergent is bad. Anytime you see a sci-fi movie and they talking about a divergent, the divergent is like not a good thing.

“I’m not a person that gets on stage and just talks about something for the joke of it,” Johnson said. “I’m always looking not just on stage, but in my life, for the deeper meaning, or the ‘why’ in things.”

(Christina House / Los Angeles Times)

I think it’s worth noting that you don’t necessarily treat your sister any different.

Oh no, no. I talk about that on stage a lot. Like any time we have taboo topics or taboo-like scenarios different from the “norm” we get really precious about it. Even in comedy clubs, people get awkward and stuff. The only way to normalize it is we have to get comfortable talking about like it is not something different. My sister is getting roasted like everybody else. She’s having a say like everybody else. She has a voice like everybody else — and we wouldn’t have it any other way. However, that’s inside the house. Now, outside the house, protection is different. I’m not like, “Oh yeah, you could talk to her like you would talk to me.” No, no, no. Talk to her nicely or you’re gonna have 12 other people to deal with.

In comedy specials there’s a difference between storytelling for a cheap laugh and showing us an allegory or something with a deeper meaning within the story. I love that you take that route with kind of an unlikely character.

I love talking about comedy when you’re not trying to give away the punchline.

I’m trying.

You’re trying to save the bit. Like they gotta go watch the bit. Yeah. But you want to talk about the bit!

What was the key for you about going beyond the joke or the story in that particular part of your special?

I am aware of the point that I’m making. The point that I ultimately end up making, I’m hyper aware of that because I’m living in that every day. Eugene, the opossum [the main character of the bit in question], was something that was really happening to me, and so these were like these two simultaneous situations — what does it mean for me to now be on stage as a Black woman every night trying to deliver comedy, but also I got this wild animal in my backyard every night and like, how am I dealing with this? And at some point on stage, I found the connection. I found it because I’m not a person that gets on stage and just talks about something for the joke of it. I’m always looking not just on stage, but in my life, for the deeper meaning, or the “why” in things. And when I found [it], I know it’s a trip to just give the audience this [wild story] but I’m gonna use it to prove a point. I’m gonna use it to illustrate something that I think is really important for the audience to be aware of. And when I figured that out, I felt really good. Watching it, you’re like “Where is she going with this?” And then when you get there, you’re like “it’s a great destination, thank you so much for bringing me here.”

And I think that destination brings up a big issue about what Black women are and aren’t allowed to say or how they’re “allowed” to be comedic. Why was that topic important for you to put out there to the world?

A few reasons. One, I am an observer as much as I am a doer, and I would be doing these really fun shows with really big comedians…I remember Mark Maron put me on a show with him and Zach Galifianakis, who’s hilarious and can speak very deeply about things in the world. I remember he went out in front of this audience, and I mean the stuff he was saying was so wildly imaginative. I was kind of like, “Hold on a second, they’re not even requiring him to be based in reality.” Like they were eating it up, you know?

And I was like, “What would happen if I did that?” That’s just a question that I asked myself… I watch someone who’s fully capable of being accountable not have to be accountable at all and kill in front of this audience. But the moment I went out there [on stage], I felt the pressure. I don’t know if it’s from me or from [the audience]. I can’t tell. But the pressure is there. It’s pungent, for me, like to “Give us something real, give us something valuable. Tell us who you are.” And [Galifianakis] didn’t have to do that. And I was like, “What does it feel like to not have to do that?”

“I don’t know if I should say that, but sometimes I’m watching things, and sometimes I’m up there as a performer, and I want the audience to want more,” Johnson said. “I want the audience to be smarter.”

(Christina House / Los Angeles Times)

Does the freedom from “being real” as a Black female comedian feel like an unboxing for you?

I think this is an unboxing. I’m naturally so scared to be trapped. It’s crazy because I’m usually not a person that’s trapped, but it’s because I’m so scared to be trapped. But also, the thing that I love about the Eugene [opossum] bit is that I say, you know, that there’s this comedian talking about a horse. A horse is a majestic animal. It’s a respected animal, nobody’s afraid of a horse, people love horses, horses signify beauty. But the opossum? To make an audience love an opossum is very difficult because I would go out on a road, and the moment I would say, “Anybody know what an opossum [is]?” Immediately, the audience would be like, oh, like their reaction to an opossum is like, “Girl, don’t even. I’m not trying to think about that right now. I’m sitting here enjoying some chicken wings at a comedy and you about to make me think about a big a— rat!” So even just to get them to sort of endear an animal that usually gives people a sort of like a reaction of like “ugh,” just that alone is a win for me. But then to turn up the heat and say also, I want you guys to know that I walked you through something that you had no idea that I was walking you through, and here’s why, you know. And I hope that it trains the audience in a way.

I don’t know if I should say that, but sometimes I’m watching things, and sometimes I’m up there as a performer, and I want the audience to want more. I want the audience to be smarter. I want the audience to be more sophisticated. I don’t want them to have less fun. I don’t want them to be less silly. I knew every time I did that bit, I was challenging them without letting them know. Like I’m about to challenge you guys to do something, and when you leave here, I hope that you, you know, I hope that you don’t do it just for me, but every other person that you see that is not a straight cis white male.

I think wanting better for the audience, especially a comedy club audience, is the most toxically optimistic thing I’ve ever heard. But it’s a pursuit I think you’ve achieved. I also walked away with a greater respect and love for possums.

I love that. I think most people do. I was at an event last night, it was an event solely focused on beauty and makeup and that sort of stuff, right? And the amount of women that came up to me and were like, “How’s Eugene?” The special was not out yet at this point, but they saw me working out this bit, And it reminded me of the process. To get up on stage and just do that [bit], it’s not easy. It’s easier to do it once I’ve already given you a full, nice 40 minutes of comedy. Now I’m gonna go into the experiment. But [the women who saw the early version of the bit] reminded me “Yeah, Zainab, you’re bold. You, you’re not doing it the way most comedians do it.”

CORONATION Street star Will Mellor broke down in tears as he came clean on his alcohol and gambling battles.

Actor Will, who shot to fame as Jambo Bolton in the Channel 4 soap Hollyoaks in 1995, previously told how he turned to booze following his dad’s tragic death from cancer.

The soap star, who also lost sister Joanne to a heart attack in 2012, aged 44, bravely told the Happy Place podcast how he “slipped into a dark place” and “wasn’t a good person” after her passing.

Will, 50, said he “didn’t want to get out of bed” and he “hated himself” for turning to his demons.

He apologised to anchor Fearne Cotton as he wiped tears from his eyes and confessed: “I struggle with my emotions, they are on the surface all the time and when I talk about these things its because I care and I can’t help it”.

Will detailed the struggles that led to his harmful life choices and said: “I never thought I would find myself in that cloud and not see colour any more.

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“Because I couldn’t protect her [his late sister] any more, I couldn’t change it.

“And that’s what the killer is, because I always thought I could fix things, I will do anything to help people if I can – and I couldn’t help her”.

He added: “I just did the wrong thing drinking, gambling, trying to find a high in life, which sent me further down the hole.

“I hated myself for it.

“But I got through it, my wife got me through it”.

Will is married to dancer and dance school owner Michelle McSween.

Coronation Street Spoilers: News & Cast Updates

The beloved British soap has been captivating audiences for decades.

The show follows the lives of the residents as they navigate love, loss, family drama, and community struggles.

Here’s the latest on:

Will – who played drugs lord Harvey Gaskell in ITV soap Corrie – previously opened up on his poor mental health in the rough patch.

He said: “I had to stop feeling guilty about things, that I couldn’t do any more for my sister, you put things onto yourself – it was a vicious cycle and I had to get out of it. 

“When my dad passed I saw the signs and didn’t go that deep. Obviously lockdown didn’t help, when you don’t have to be up in the morning there’s no excuse not to have a few drinks. 

“You have a word with yourself, I was sick of feeling rubbish and now I feel great.”

The Two Pints star added: “My mindset is better. You can’t change a situation but you can change yourself, the repetition of what you’re doing and keep an eye out for those little triggers”.

As well as Hollyoaks and Corrie, Will has also appeared in EastEnders, Casualty, Broadchurch and – more recently – Mr Bates vs The Post Office.

The owner of the Villa Vie Odyssey ‘never-ending cruise’ has broken his silence after passengers claimed they were ‘dumped’ in Cambodia. The round-the-world voyage came to a halt this week, with the ship now docked at the Cambodian port of Sihanoukville.

The boss of a ‘never-ending cruise’ has said he feels awful after passengers claimed they were ‘dumped’ in Cambodia when their round-the-world voyage came to a halt. The Villa Vie Odyssey remains moored at Sihanoukville, on the Gulf of Thailand, with no departure date confirmed by its operator.

Passengers claim they were given just seven hours’ notice to leave the ship on Tuesday and received no assistance with making alternative arrangements. Randy Cassingham, one of those on board, alleged they had been “dumped” in Cambodia. Mikael Petterson, founder and executive chairman of Villa Vie Residences, spoke to reporters the following day.

“I feel awful,” he said when contacted by phone on Wednesday, Business Insider reported. “I’m the villain in the story, but I’m doing everything I can to support the residents on a solution.” Mr Petterson described disappointing passengers as “incredibly deflating”.

He added: “Nobody that’s tried residential cruising has succeeded, and we’ve gone further than anyone else. But I think we would have been absolutely fine – and we would have seen this through – if there was no Iran war.”

On Thursday, Captain Emanuele Giudice spoke to reporters on the dock, telling them that passengers were asked to leave because the fuel situation was “critical”.

The Odyssey was promoted as a way to combine long-term living at sea with travel across all seven continents. Its operator offered to “make the Odyssey your permanent home,” with cabins available to buy for the lifetime of the vessel from around $230,000 (roughly £171,000).

According to Cambodian authorities, the ship was carrying 203 passengers, most of them American, and 156 crew members. It has room for 650 passengers. In a statement on Tuesday, Villa Vie Residences said monthly fuel costs had soared following the US and Israel invasion of Iran. The company said costs per cabin, previously averaging $1,800 (£1,340), had risen to an estimated $6,000 to $8,000 in some parts of Asia.

The operator tried to reduce fuel use by cutting back its itinerary and spending longer in port, but said those measures had not been enough to offset the rising costs. Mr Petterson told CBS News the company would “likely file for Chapter 11 here any day, right, which will put a stay on that while we go through the restructure process”.

CBS also reported claims from insiders that crew members had to buy food from local supermarkets after an unpaid supplier stopped making deliveries. A Villa Vie source told the Express that staff had occasionally used a corporate credit card to buy supplies, but said all employees had since received their wages.

For some passengers, the voyage had been intended to last for years. Paul and Lynn Montoya, a retired couple from Wyoming, told AP News they had bought a window cabin and joined the ship in Panama 17 months ago. Mr Montoya said itinerary changes, unreliable internet access and declining food standards had prompted many residents to leave in recent months.

Sisters Carol Larson, 69, and Crystal Lavering, 72, from California, had lived in separate cabins for 18 months. They described the suspension as heartbreaking but remained hopeful the cruise could resume. “I hope there is a movement for the residents to buy the ship and I am hoping that goes through because it’s a dream to live on the ship and I don’t want it to end,” Larson said.

The ship arrived in Sihanoukville last Friday and had been due to leave on Wednesday, according to Long Dimanche, deputy governor of Preah Sihanouk province. He said it was now expected to refuel and depart Cambodia on Saturday, although the operator has not publicly confirmed that date.

Built in 1993, the Odyssey sailed under several names for different cruise lines before being grounded during the coronavirus pandemic in 2020. Villa Vie Residences bought it in 2023. Its current voyage began in October 2024 in Belfast, Northern Ireland, following refurbishment. The journey was originally scheduled to last three and a half years, with a second cruise provisionally due to finish in August 2030.

James on his exit

“The idea of doing that got me through the whole experience because you feel as a Traitor sometimes, when you see people have real life reactions that are bigger than the game, you feel bad, and I would have to remind myself they don’t have a game without you, literally, if no one’s doing this stuff, they can’t play, and they all want to play,” he said.
“So you are doing an important job here, so they all have something to do, and when they catch you, they’ll be really happy and they’ll like it, and it will feel good to just tell them and see that reaction.”

KELLY Osbourne was reduced to tears while spending quality time with her infant son on Tuesday – after brother Jack reunited with their estranged sister.

The TV personality choked up after son Sidney, four, her only child with ex-fiancé Sid Wilson, presented her with a thoughtful gift for her 42nd birthday.

Celebrating her second birthday without late father Ozzy, Kelly was overwhelmed after opening the present, a small keyring fashioned in the shape of a bat – a poignant reference to the legendary Black Sabbath rocker.

Reading the trinket’s accompanying message for social media followers, she said. “When life turns you upside down, look ahead and don’t look round.

“Even in stillness you can see, your strength awakened, alive and free.”

Sharing a video of the moment with Instagram followers, she wrote: “If today was not emotional enough already, but then my favorite little man in the world went and did this!

READ MORE ABOUT KELLY HERE

KELL TELLS ALL

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“I’m so lucky that I get to be his mummy! He truly is the best thing that has ever happened to me!”

Kelly’s birthday comes after younger brother Jack, 40, reunited with their estranged sister Aimee in Los Angeles.

Recent photos show the TV personality hugging his eldest sister, 43, as their mum Sharon watches on.

Jack – who took part in last year’s I’m A Celebrity… Get Me Out Of Here! – is also shown warmly embracing his mother.

Back in September, Kelly ended her relationship with sister Aimee – and says there’s no chance of reconciliation.

The pair have been feuding for years, with Kelly admitting she felt Aimee was “embarrassed” of the family.

Aimee, 43, who famously opted out of appearing on the family’s iconic reality show, The Osbournes, is accused of “never truly acknowledging” her siblings.

In an emotional interview on Paul C Brunson’s We Need To Talk podcast, Kelly, 42, expressed deep resentment over never having a supportive older sister, and explains why she has cut her out of her life permanently.

Asked of there was hope for a reconciliation, she said: “No… I respect her, I accept her, but we’re different, and that’s okay…

“If you’re not going to accept me for who I am, and constantly be trying to change me and say horrible things about me, and truly seem to thrive when I’m not doing well, I don’t want you in my life.”

The Osbournes aired on MTV from 2002 to 2005 and ran for four series.

MATTHEW Perry’s sister has spoken publicly about her late brother for the first time, revealing that she still talks to the Friends star nearly three years after his death.

Mia Perry Bowick opened up about Perry ahead of Netflix’s new docuseries The One About Matthew Perry, offering an emotional glimpse into how his family continues to cope with his loss.

Appearing on TODAY alongside the documentary’s director, Mary Robertson, Bowick said her brother remains a constant presence in her life.

“He was my main confidant in talking just about life stuff, you know, he was my big brother,” she said,

“He always had the best, loving advice and I do still talk to him.

“He’s still very much a constant presence in our lives, but I miss being able to hug him after our conversation.”

‘A RAW RECORD’

Matthew Perry’s never-before-seen photos shown in first-look of Netflix doc

LEFT TO DIE

Matthew Perry’s assistant jailed for injecting star with fatal ketamine dose

Bowick also described him as her “favorite person” during the emotional TV chat on Monday as she held back tears.

Her appearance marks the first time Bowick has spoken publicly at length about Perry, giving viewers a rare perspective from inside the actor’s family as the third anniversary of his death approaches.

Perry died on October 28, 2023, at age 54 after being found unresponsive at his Los Angeles home.

His death was ruled accidental, with the acute effects of ketamine identified as the primary cause and drowning and coronary artery disease listed among the contributing factors.

Five people were later charged over the drugs supplied to Perry, with his live-in assistant Kenneth Iwamasa eventually jailed for three years and five months after admitting he injected the actor with ketamine on the day he died.

Drug dealer Jasveen Sangha, dubbed the “Ketamine Queen” by prosecutors, was sentenced to 15 years in federal prison after admitting supplying the ketamine that ultimately killed Perry.

Middleman Erik Fleming was sentenced to two years in federal prison, while Dr. Salvador Plasencia was handed 30 months behind bars after admitting illegally distributing ketamine to Perry.

A second doctor, Mark Chavez, avoided prison but was sentenced to eight months of home detention, three years of probation and 300 hours of community service.

The actor had spent years speaking candidly about his struggles with alcohol and drug addiction, including in his 2022 memoir, Friends, Lovers, and the Big Terrible Thing.

Perry described repeated attempts at treatment and recovery while dealing with addiction during and after his years playing Chandler Bing on Friends.

Bowick said her family eventually learned to approach Perry’s addiction differently as they gained a better understanding of what he was going through.

“As we learned more and more about what was happening to him, it was easier to love him through it, rather than try to control what was happening,” she said.

Those experiences form part of The One About Matthew Perry, which uses unseen photos, family material and interviews to explore Perry beyond his public image.

Alongside Bowick, the series features Perry’s longtime friends, former co-stars and people he met through recovery, as well as figures involved in the investigation into his death.

Among those appearing are longtime friend and co-star Kevin Pollak and former U.S. attorney E. Martin Estrada, who led the prosecution connected to Perry’s death.

Robertson said the documentary seeks to pull back the curtain on his life and show the person behind the TV favorite and the headlines surrounding his struggles.

The three-part documentary is due to land on Netflix on October 27, one day before the third anniversary of Perry’s death.

More to follow… For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos.

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NOVEMBER in Britain: dark before you’ve left work, washing draped over every available radiator and a coat that hasn’t had a dry week since August.

Meanwhile, somewhere else in the world it’s 30C with someone cooking and every drink on the house for you… I know where I’d rather be.

So, I dug through the November holiday data and picked out ten resorts that are up to 34 per cent cheaper than the average price of a hotel stay that month.

Not only that, but I’ve found a fantastic deal for each at some underrated resorts, overlooked by bigger names nearby.

Some are familiar spots, while others you typically might scroll straight past if you’re not in the know.

But they all deserve a look before you write off a week away – here’s where I’d be booking this November.

1. Naama Bay, Egypt (34% below average)

Naama Bay is my pick for anyone who wants to enjoy Egypt beyond the hotel resorts.

You’ve got a big beach, plenty of restaurants and somewhere to head after dinner, so there’s no need to spend seven days orbiting the buffet.

With November temperatures typically around 27C, you can spend the afternoon on the beach and head out for a slap-up meal in the evening.

This is where I rate bed & breakfast: your morning food is sorted, then lunch and dinner are yours to choose.

Falcon Naama Star gives you a cheap base around ten minutes’ walk from the beach.

I found seven nights with breakfast and direct return flights from Belfast for £280pp – that leaves more of your budget for enjoying the place you’ve flown all that way to see.

2. Om El Sid, Egypt (29% below average)

Another Egypt find, Om El Sid suits a week of beach days and evenings spent having a wander and finding somewhere good for dinner.

You’re on Sharm’s southern side, with the Old Market to explore when you’ve had enough of lying horizontal.

November daytime temperatures typically reach around 27C.

That’s proper beach weather, with the added pleasure of knowing someone at home is scraping the car windscreen, so try to be modest with the photos… or don’t.

My hotel pick is Old Vic Sharm Resort & Spa.

It’s inland, but there’s a free beach shuttle, so you can get your beach fix without paying for a beachfront stay.

I found seven nights all inclusive with direct return flights from Liverpool for £350pp.

And because your meals are covered, you can still get out for a nosey around Sharm without having to spend much extra.

3. Patong, Thailand (28% below average)

Thailand can spend years on the “maybe one day” list.

But this Patong deal is a decent reason to move it along: seven nights at Club Bamboo Boutique Resort & Spa for £765pp, with connecting return flights from Manchester and checked luggage included.

Patong gives you Phuket’s tropical heat, a busy beach and plenty going on after dark.

November daytime temperatures are around 31C as the island heads towards its drier season, and this is somewhere I’d opt for room only.

With so much food to try outside the hotel, picking a different place for dinner is part of the holiday.

Club Bamboo’s greener hillside setting gives you somewhere quieter to retreat to after Patong’s bustle.

There are hills and steps to factor in, so it won’t suit everyone.

But for someone who wants to get out and enjoy Phuket, I’d put the money towards the trip rather than a flashier hotel.

4. Agadir, Morocco (19% below average)

Seven nights, breakfast and direct return flights from Manchester for £230pp?

Safe to say Agadir is doing a very convincing job of getting me out of Britain this November.

Typical daytime highs are around 25C, with a big beachfront for lazy afternoons and the souk for a proper browse when you fancy moving.

You can spend a morning exploring, stop for proper Moroccan food and still have time to spend the rest of your day by the sea.

Tulip Inn Oasis is my pick for a handy bed & breakfast base near the beach and within reach of the marina.

You’re paying for somewhere to sleep and something to eat first-thing, with plenty of holiday budget left for getting out and about.

Agadir was even named one of the most affordable holiday destinations earlier this year, so it’s a great bargain option.

5. Nabq Bay, Egypt (18% below average)

Some holidays need a plan, while others just need a sun lounger, a cold drink and your hardest choice of the day being how many plates to get at the buffet for dinner.

Nabq Bay suits the second kind.

This part of Sharm is spread out and centred around the hotels, so the hotel itself matters here.

Typical November daytime temperatures are around 27C so it is another great hot winter destination.

Parrotel Aqua Park Resort gives you all inclusive ease with waterslides thrown in.

And I found seven nights all inclusive with return flights from London Luton for £395pp.

Meals covered, drinks included and no nightly negotiation over where everyone wants to eat.

That’s a week with considerably fewer decisions. My kind of week.

6. Caleta de Fuste, Fuerteventura (14% below average)

Caleta de Fuste makes an easy week away feel exactly that.

There’s a sheltered beach, a flat waterfront for a wander and plenty of places to stop for lunch.

So you can arrive, unpack and get on with enjoying yourself.

Fuerteventura’s November daytime highs average around 24C and a long beach walk here definitely beats standing outside a soft-play centre in sideways rain.

Fuertesol’s bungalow accommodation is my pick for a simple self catering base, so you can sort breakfast in your own time, then head out for the day.

I found seven nights with direct return flights from London Stansted for £235pp.

And if you get restless after a few beach days, Caleta’s position makes exploring north and south really easy.

Just hire a car for a day or two and spend some of the money you’ve saved on seeing the island.

7. Bahia Feliz, Gran Canaria (14% below average)

A separate living area is an underrated holiday luxury – somewhere in your hotel room to sit that isn’t the bed, with space to spread out and breakfast without getting dressed for a buffet.

That’s what I like about the apartments at BlueBay Beach Club.

Its quieter beach-side setting in Bahia Feliz suits people who want room to relax in Gran Canaria, with the busier south-coast resorts there when they fancy a change.

This is one to book for the space and the setting rather than nightlife outside reception.

November temperatures around this part of the island are typically about 24C.

This means plenty of opportunity for a long lunch outside and another chapter in the sun.

I found seven nights self catering with direct return flights from Newcastle for £445pp.

This is my pick for someone who really values a bit of breathing room on holiday.

8. Costa del Silencio, Tenerife (13% below average)

Costa del Silencio gives regular Tenerife holidaymakers a change of scene from Playa de las Americas.

You’ve got volcanic coastline to explore and nearby Las Galletas for a wander around a town.

Southern Tenerife’s November daytime highs average roughly 25C.

That’s still warm for a long day by the pool working on your tan.

Hotel Palia Don Pedro keeps the stay simple, with studios and apartments spread across small two-storey buildings.

I found seven nights all inclusive with return flights from London Stansted for £350pp.

That covers your meals and drinks while you spend a week enjoying a different corner of Tenerife.

9. Nuevo Horizonte, Fuerteventura (13% below average)

A free beach shuttle can make a cheaper hotel location a much better deal.

And that’s the exact detail I love at Elba Lucía Sport & Suite Hotel in Nuevo Horizonte.

The resort sits just north of Caleta de Fuste, but here you get an even quieter base to come back to.

Fuerteventura’s November highs average around 24C, so there’s still plenty of reason to pack the sunglasses.

You won’t have the beach and all of Caleta’s restaurants immediately outside the door here.

BUT the hotel’s free shuttle heads directly to Caleta and the beach area, which can save you paying for taxis every day.

I found seven nights self catering with direct flights from London Stansted for £295pp.

A good fit for someone happy to trade a central location for a quieter stay, with an easy way to reach the beach.

10. Puerto de la Cruz, Tenerife (12% below average)

Puerto de la Cruz is my pick for a Tenerife holiday with a proper town to get stuck into.

An old harbour, loads of restaurants and greener scenery give you plenty to enjoy in between cheap beers.

November’s nice and warm in Tenerife, and for a trip built around sunbathing, exploring, tapas and lunch outside when the sun appears, Puerto’s well worth a look.

Coral Teide Mar sits in the residential La Paz area, with shops and restaurants all around you.

That makes self catering a good money-saving choice: breakfast supplies nearby and somewhere different to head for dinner every night.

I found seven nights with direct return flights from Liverpool for £310pp, giving you a cheap week of sunshine and getting out to enjoy the town.

As he prepares for a potential future conflict on the continent, the commanding general of Multi-Domain Command Europe told TWZ that he envisions dispersing hundreds of high-altitude balloons at a time. The balloons, Brig. Gen. Steven Carpenter explained, would be used for a wide range of purposes, from serving as communications platforms to launching weapons. For years now, TWZ has been closely tracking the expanding use of high-altitude balloons and other lighter-than-air systems globally for intelligence gathering, networking, as platforms for launching drones, and in support of other missions.

Basically, in the European scenario, hundreds or possibly thousands of balloons would be sent east. They would provide attritable real-time reconnaissance, strike, and decoy capabilities, while also acting as a force multiplier for other assets by providing a resilient active network over the battlefield — one that could help fill in the gaps if the space-based layer gets degraded.

“We would like to proliferate the stratosphere with high-altitude balloons, but I mean 200, 300 at a time,” Carpenter told us during last week’s Association of the U.S. Army (AUSA) conference in Washington, D.C., which TWZ attended. The Army would utilize high-altitude balloons “not only as decoys, a lot of decoys, but also communications retrans[mission platforms], electronic sensing, as well as electronic attack, and then obviously air-launched effects to be able to drop them down and use kinetic means as well.”

Air-launched effects (ALEs) is a collective term the U.S. military now commonly uses to discuss air-launched drones configured for a wide array of missions. The ALE umbrella encompasses designs that can be used for surveillance and reconnaissance, electronic warfare tasks, or signal relay, and can act as decoys. It also includes loitering munitions often referred to as kamikaze drones, capable of carrying kinetic attacks.

In general, modern high-altitude balloons offer persistent deployment that can last for days, weeks or even months at a time. After navigating to an assigned operating area, some modern balloon systems can hold their position, in spite of prevailing winds, by modulating their altitudes to keep on station.

In addition, high-altitude balloons operate at heights providing excellent fields of view for radars, cameras, and other sensors in all directions and across very broad areas. From a perch of 60,000 feet or more, they also offer a way to peer into certain denied areas while still soaring in international airspace and keeping farther away from potential threats. During a conflict, the balloons could be deployed deep into enemy airspace as they are attritable.

Though some balloon systems can hold their general positions in many circumstances, Carpenter told us that seasonal weather changes will still play a role in deployment.

“The flight paths are different. We study that,” he noted. “We understand during what seasons where the best places are to launch those high-altitude systems, and then again to hold enemy cities and capabilities at risk at any time, so that we can defeat them at the time and place of our choosing.”

We asked Carpenter for more details about how he sees balloons being used by troops in Europe.

“I think everybody knows there’ll be a point where satellite communications are going to be degraded, if not eliminated,” he stated. “One of the things that we’re focusing on is in the stratosphere, so above 60,000 feet up to 80,000 feet, which is next to impossible to target unless you’re using one of your exquisite systems, fifth-gen fighters, SA-21 Bravo [S-400 Triumf surface-to-air missile system], etc. to shoot that stuff down.”

Many of the balloons would be equipped with Link 16, a NATO-standard tactical datalink communication system central to U.S. and allied military operations, the general said. Link 16 allows coalition forces to seamlessly transmit and exchange real-time situational awareness data. You can read more about how Link 16 works, and its increasing dependence of space, in our story here.

As for using balloons as ALE delivery platforms, Carpenter told us there are “different technologies, different altitudes that we’d have to deliver those from” at “different ranges, different levels of yield or lethality. But for us, it’s really just a single arrow in a quiver full of arrows, utilizing space capabilities, cyber capabilities, or surface-to-surface capabilities. In this case, you’re talking just another air-to-surface capability with your air-launched effects off balloons.”

Carpenter said that when it comes to balloon-launched ALEs, he is looking at “everything from shorter range, lower yield, maybe targeting an adversary ballistic missile radar, to longer range, higher yield capabilities that you might use to maybe take out a ballistic missile system.”

In such cases, the balloons would carry drones deep into enemy territory, where they would be launched opportunistically to strike the targets Carpenter suggested. The size of the target, and how well it is protected, would determine what kinds of drones the balloons would launch, as well as their proximity to the target.

Should a fight break out in Europe tonight, Carpenter said he is confident he can rely on the technology.

“Our operating concept is proven,” he stated, noting that “we’ve already tested those capabilities against most modern adversary systems that exist. We’ve already validated our operating concept in terms of getting to mass and scale that we would need in large-scale conflict.”

As we have previously reported, while high-altitude balloons have been used for decades, the modern concept of these systems was recently employed operationally by the U.S. in a combat theater.

The Army had planned to demonstrate the ability of balloons to operate in swarms with a high degree of autonomy in the Pacific region last year before those assets were redirected to the Middle East. When exactly that deployment occurred and how long it lasted are unclear.

“We were asked to pivot and do some experimentation in combination with operations, and we pivoted and supported operations in CENTCOM [U.S. Central Command],” Andrew Evans, Director of Strategy and Transformation with the Office of the Deputy Chief of Staff of the Army, or G-2, told Breaking Defense, according to a story the outlet published last week. “They were effective for the mission that they were assigned,” he added. However, Evans was not able to disclose the exact location and operational scenarios in which they were used.

Other countries, including U.S. allies and partners, are increasingly fielding balloon-based and other lighter-than-air systems, too. Ukrainian forces notably have been using balloons to conduct kinetic attacks and launch drones against Russian assets. On the other side of that conflict, the Russians have used balloons as decoys to confuse and misdirect air defenses.

The following video shows Ukrainian forces using balloons to launch kamikaze drones.

To achieve the effects he laid out, Carpenter told us that he will still need to surge capacity to Europe.

“The Army will make decisions on which vendors they’re going to go with,” he pointed out. “But the ability to field that at scale is just simply based on the resources provided. I’m talking about money to go ahead and bring them into theater.”

Pushed to provide details of how quickly he could have the desired number of balloons, Carpenter told us that “if the United States or NATO and its allies were on a wartime footing, it would be extremely rapid, but we would need to get them into theater before crisis turned to conflict. So we’d have to keep a close eye from an IC [intelligence community] perspective on indicators and warnings to make sure we have the right systems on the ground at point of need.”

The Army’s overall vision for balloons is not new; the service has been openly discussing it for at least six years now. However, the use of high-altitude balloons in this context is now being operationalized. Meanwhile, China has very actively shown off its ability to gather intelligence and conduct other missions using balloons and other lighter-than-air craft on a broad operational level across the Pacific. TWZ had been reporting on this reality for years before it was thrust fully into the public consciousness after a Chinese spy balloon passed over parts of the United States and Canada back in 2023.

The concept Carpenter laid out for how balloons will be used in a future European conflict is another example of the renaissance in lighter-than-air military technology and how the Pentagon is increasingly seeking to weaponize it on a grand scale.

Contact the author: howard@twz.com

BUTLIN’S is continuing its all-inclusive family breaks into summer 2026 and 2027 – and absolutely everything is included.

From food and drink to waterparks and swimming pools to the adventure playgrounds – there are no hidden surprises.

Called the ‘All Inclusive Bundles‘ these include accommodation, breakfast, dinner, and drinks, Splash Waterworld, unlimited fairground rides, live shows, playgrounds and soft play.

The price starts from £125 per person for a family of four – or £41.50pppn.

When it come to the bundle, families have four different dining plans to choose from.

There’s the Food Court Dining & Drinks which has an all-you-can-eat buffet breakfast and dinner, DineAround, which offers a choice of restaurants across each resort.

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Premium Buffet Dining Plan which is the best of the buffets including live cooking stations and themed nights, and Hotel Dining Plan which has the variety of the premium plan but at your own hotel restaurant.

Meanwhile, the drinks package includes unlimited soft drinks, spirits, wines, cocktails, draught beers and ciders, as well as non-alcoholic choices and Costa Coffee.    

In 2027, there will be eight brand-new shows to enjoy too including Britain’s Got Talent which will take place during all school holiday breaks.

It will be hosted by a celebrity presenter and performers will take to the stage in an attempt to get the Golden Buzzer.

During February half-term, there will be the new DreamWorks’ Madagascar – A Musical Adventure on stage.

Other new performances include K-Pop Forever! which has hits from groups like BTS and Blackpink.

Animals Magnified by the Animal Guyz which is a family show perfect for anyone who loves animals from hippos to tiny insects.

A Billion Streams will be its new concert-style show where guests can hear some of the world’s biggest hits from the likes of Harry Styles and Dua Lipa.

The Skyline Gang will compete in a Battle of the Bands competition so get ready to hear incredible drum solos and guitar riffs.

The price of an all-inclusive bundle starts from £499 for a family of four – or £41.50pppn.

This is based on two adults and two children in a Comfort Room on an October Half Term three-night break with Food Court buffet breakfast and dinner, and the All Inclusive Drinks Package. 

During the 2027 summer holidays, a three-night break to Skegness from August 13-16 with a Food Court Dining & Drinks bundle costs £739.98 – or £61.66pppn.

Travel Writer Helen Wright checked out the all-inclusive last year where she enjoyed cocktails, including a ‘Butlin’s on the Beach’.

While her kids headed to all the free activities from go karting to the fairground and outdoor playground.

Jon Hendry Pickup, CEO at Butlin’s, said: “The cost of a family holiday doesn’t stop at the booking price.

“Meals and drinks can be harder to budget for in advance, so extending our All-Inclusive bundles to school holiday breaks gives families a much clearer picture of the overall cost before they arrive.”

Chelsea goalkeeper Emiliano Martinez says he will be back “in a few weeks” after breaking his jaw in the 2-0 Premier League win at Everton on Saturday.

The 34-year-old Argentina international and Everton defender Jarrad Branthwaite clashed heads in the second half at Hill Dickinson Stadium.

Martinez needed treatment for eight minutes before leaving the pitch on a stretcher. He was taken to hospital, where Chelsea said he had “successful” surgery.

Martinez posted a photo of himself wearing a hospital gown on social media, external on ‌Sunday.

“Thanks to everyone for the messages. The operation ‌went well,” he wrote.

“The most important thing is that we won, and kept a clean sheet. In a few weeks we’ll be back.”

Mike Penders, who replaced Martinez to make his Premier League debut, looks set to play in Chelsea‘s next three matches at least.

They face Tottenham and Manchester United in the Premier League, with a Carabao Cup tie at Liverpool in between.

Penders, 21, signed from Belgium club Genk for £17m in 2024.

Alonso said: “Mike has personality. He’s brave and we have full trust ‌with him. He did well when he came on.

“He played in the cup games and whenever he’s ⁠needed. Like the other players, whenever they are needed they can perform.

“It’s all about the squad – ‌that all the ​players feel important and can have ‌their moment whenever they are needed, ​and that’s very positive.”

KENDALL Jenner has denied ever dating fellow model Cara ­Delevingne — but says being a lesbian would be “amazing”.

The US beauty, 30, sees the Brit, who she has been pals with for around 12 years, as a “sister”.

She said: “There’s definitely a rumour that she and I dated or something in the past, which is not true.

“I love Cara.

“She’s my sister, and that never happened.”

Kendall, who is seeing Aussie actor Jacob Elordi, 29, spoke out in the latest episode of US reality show The Kardashians.

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She said: “She kind of like brought me under her wing in a way and made me feel really safe and welcome in the modelling world.”

She said that “people think I’m a lesbian to this day.

“I’m not”, but she has not ruled out the idea of same-sex love.

She went on: “For the record, I think being a lesbian would be fun and amazing and easier.

“I just have never had a desire to have sex with women.

“Never say never, right?”

MILEY Cyrus broke down in tears on stage at the Hollywood Bowl as she paid an emotional tribute to her late “aunt” Dolly Parton.

The Wrecking Ball hitmaker, 33, halted proceedings at the Los Angeles venue for a heart-wrenching monologue in which she said she and the country music icon are “eternal”.

Miley, who rebranded herself with a new name after Dolly’s tragic passing, aged 80, in August, took to the stage for her Bass Persuades gig.

Just five songs in, she took a seat and referred to the I Will Always Love You singer’s death and said: “Me and Dolly, we are eternal.

“Nothing in this life could ever tear us apart.

“And I am going to see her again, and I can’t f**king wait because I miss her,” before dabbing her eye with a tissue.

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Disney Channel alum Miley added: “Some of the greatest music that we have today was written, produced, performed by my aunt Dolly.

“This is one of those songs,” before the band started to play Jolene as the sixth song in her set.

One fan confessed on TikTok: “Now I’m crying”.

Another put: “Miley was the first person I thought of when I heard about Dolly”.

A third added: “And now I’m bawling over Dolly Parton again”.

Miley kicked off her 18-track show with song Orbit, and wrapped with Flowers.

Fan favourites The Climb, We Can’t Stop and Party In The USA also featured.

After dolly’s passing, she said she no longer wants fans to call her by her full moniker and revealed the change on social media.

She now appears to have dropped “Cyrus” completely from her stage name.

Dolly sadly passed after battling health issues.

Miley later penned a heartfelt tribute to her “Aunt Dolly” on Instagram, saying that the late singer “would want me to feel it, write a song about it, and then continue on and be strong.”

Dolly had first gotten close to Miley’s father, Billy Ray Cyrus, 65, after the success of his 1992 country hit, Achy Breaky Heart.

The pair toured together that same year, and Billy asked the I Will Always Love You hitmaker to be Miley’s godmother.

Rumors have circulated that Dolly, who did not have children of her own, left behind the rights and royalties of her hit track, Jolene, to Miley.

However, The U.S. Sun confirmed that no court filings related to Dolly’s will or official plans for what will happen to her $650 million fortune have been made yet.

Holidaymakers are increasingly planning their next destination around music, sporting and cultural events

More and more British holidaymakers are planning their trips around music, sports, and cultural events, according to a recent study. This surge in event-driven travel is shifting how people holiday, prompting 45% of respondents to explore destinations they’d never even thought of visiting before.

What’s more, out of all the travellers who stayed overnight for an event in the past four years, 62% planned their entire trip specifically around it. Looking ahead to 2027, 36% say they’re even more excited to travel for a concert, festival, exhibition, or big game than they were last year.

The survey of 2,000 adults revealed that 56% of sports fans would happily use their annual leave to follow their favourite team anywhere they play—and 31% are willing to head abroad to do it.

With hotels right near nearly every NFL stadium, Marriott Bonvoy—an Official Sponsor of the NFL—is helping fans build the ultimate game plan by bringing on Efe Obada as their official Check-In Coach.

Efe Obada said: “In the NFL, preparation gives you a strong starting point, but you’ve also got to trust your team and be ready to adapt when things change.

“I approach travel in the same way. If you’ve only got a few days in a city, be tactical, adaptable and make a game plan.

“Book your hotel, know how you’re getting to the main event and ask people who know the city for advice. That’s how to make the most of every trip.”

The research also identified four NFL-inspired traveller types, showing the roles people typically adopt while on holiday.

A quarter (25%) see themselves as ‘The Quarterback’, the trip leader who unites the group, takes charge of major choices, and adjusts plans when circumstances shift.

An equal proportion (25%) regard themselves as ‘The Coach’, the organiser who handles the practicalities, from accommodation and transport to excursions and schedules.

Meanwhile, 24% assume the position of ‘Rookie’, the first-timer who is discovering a location or occasion for the first time and seeks advice and insider tips from companions.

In contrast, 19% fell into ‘The Receiver’ category, the impulsive explorer who identifies possibilities, proposes unplanned diversions, and contributes to unforgettable experiences.

Andrew Watson from Marriott International, said: “This research highlights what we see in our hotels, that travellers are increasingly planning trips around the things they are passionate about.

“Our partnership with the NFL is just one example of a wider commitment to helping our members pursue what they love.”

Efe, who applied the strategy to his hometown, London, added: “London is one of those cities where every neighbourhood has its own personality.

“For a perfect weekend, I’d book at stay at citizenM Tower of London then grab a coffee at Qima Café in Covent Garden, walk along the Thames around Southbank or spend an afternoon at Hampstead Heath for unbeatable London views.

“For food, you can’t beat 2210 by NattyCanCook in Herne Hill or head to Passyunk Avenue in Waterloo for unmatched game-day vibes and a Philly cheese steak.”

EFE’S PLAYBOOK FOR A TACTICAL WEEKEND TRIP:

• Do your pre-match analysis: Book your hotel early, check journey times and map out the key moments you don’t want to miss.
• Kick off strong: Give yourself time to fuel up before heading out. A good game plan always starts with the essentials.
• Teamwork is key: Local knowledge can make all the difference. Ask hotel staff for recommendations and insider tips.
• Don’t be afraid to adapt: Leave room for unexpected discoveries – be that a bar, restaurant or neighbourhood. Sometimes the highlights aren’t part of the original strategy.