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If you get out to Joshua Tree and the night is clear, look up. You’ll see not just the stars, but a massive swath of the Milky Way. It’s a reminder that the vastness is always present, beyond the city’s bright lights. And once dawn comes, the desert performs the same magic: long horizons, unfamiliar landscapes, the creeping feeling that we are small, short-lived creatures on an immense ancient planet. No wonder some people find it unsettling.

Not the characters in Claire Vaye Watkins’ new novel “Yellow Pine,” who embrace the desert in the extreme. They live at the far side of the Mojave Desert where California meets Nevada. Wherefore the pines, you ask? The book’s title is a wry joke — “Yellow Pine” is not a forest, not a tree. It’s a massive solar array slated to be built nearby in the Nevada desert. A ragtag crew of desert dwellers are hoping to stop it, or at least slow down the grinding wheels of capitalism that see the desert merely as an empty space for the taking.

Primary among them is Rose, a 30-something single mom who lives near the end of a very, very long dirt road in a cabin she calls Nothingness Flats. Rose works for an environmental nonprofit that has gone remote because it’s the pandemic; she often spirals at the state of the world. “Sometimes I think I can feel the planet just hemorrhaging under all this greed. Like it’s tectonic,” she laments.

Rampant environmental destruction notwithstanding, the novel kicks off with the joyous return of Miles, the guy who got away. He is an outdoor person, like Rose; has trouble fitting into societal norms, like Rose; and he is an ideal intellectual partner for her, bantering, well-read and ready to engage. Also, they have great sex.

Lest I portray this as a typical summer beach read, Watkins’ writing is in a special, different mode. Her latest books somehow cut past narrative traditions and portray plot and emotion more directly. Another novel might find Rose, after she decides she loves Miles so much that she wants to get pregnant, going to a doctor, getting tests, worrying about being almost 40 and what that means. Rose does none of that — she just suddenly deeply wants a baby, and that desire is vivid in the text. Overexplained storytelling is set aside for something that’s striking and vivid.

When I reached Watkins via Zoom to talk about the book, I asked her how she does it. “Partly it’s an intuition I have about what makes an interesting story,” Watkins says. “A story requires a lot of improbable decisions. Maybe they’re not great decisions, but the person doesn’t know that at the time.”

In “Yellow Pine,” Miles is not without some red flags. In my reviewer’s copy, I found myself scrawling “bad idea!” in the margin, trying to warn Rose about him. It gives the story some tension, and shows that our heroine isn’t perfect — she’s just doing her best under desert skies.

Rose lives in Tecopa, population 120, among people who’ve chosen the isolation, quietude, natural beauty and brutal conditions on purpose. Of the real-life people in these communities, Watkins says, “It’s really tough. The environment is extreme. There are no amenities. There’s no jobs. … I think there’s a refusenik quality to them.”

Nevertheless, some of them come together to try to forestall the installation of the solar array. They point out that “solar farm” is a misnomer because the land — an alluvial plane with Yucca colonies dating back hundreds of years, creosote rhizomatic rings even longer — will be scraped and fenced. What happens to the endangered desert tortoises is awful. These activists are trying every legal recourse and have set up a tiny camp at the edge of the property. Sweetly, and with little hope, they make a small community of people who understand each other and the desert landscape that others see as a blank space on the map.

“In California most of the biodiversity in the state is in the inland deserts, partly because a lot of the other ecosystems have been totally destroyed, you know? It’s a very alive place,” Watkins explains.

In “Yellow Pine,” Rose’s conviction that she should get pregnant grows to a point where she comes up with a wild scheme to make that happen. It is very funny, outsized and unexpected. It’s a small individual resistance to the impending destruction of the desert.

Watkins is very good at making a humorous turn at the end of thoughts, sentences, books. This is her fourth. Her debut, the short story collection “Battleborn” in 2012, set her on a trajectory of accolades; 2021’s “I Love You But I’ve Chosen Darkness,” was an L.A. Times book prize finalist. She is currently a professor of writing at UC Irvine.

“The thing I love about novels, writing them and reading them, is that it’s private thoughts,” Watkins says. “It’s this cool technology that we’ve come up with to deal with the fact that we don’t know what’s going on in each other’s heads and hearts and how painful that can be.”

She adds that a novelist’s job is to care about the reader. “There’s something really beautiful about, I’m going to do my very best with my part and then I give it to you, and I let it go and I trust you and I respect you,” she says. “I love the world when I’m writing and my books are like acts of love, partly because I really struggle. I’m not walking around loving my fellow man easily.”

When our Zoom began, she apologized for the noises outside — construction, dog walkers, gardeners. I couldn’t hear them at all, but I got the impression that those intrusions and distractions were weighing on her. “I feel like I have a very sensitive instrument,” she says. “I get a little agitated and the pace is really, really different.”

I had been expecting to reach her at an improbable desert outpost, like a Death Valley library with Wi-Fi, but instead reached her in Orange County. It’s for her job, and also as a part-time parent, much easier for amenities. It’s a busy town where there are lots of people, lots of businesses, lots of traffic, the hectic pace of modern life — but still, the desert has its pull. She splits her time between the two locales.

“Yellow Pine” is a testament to her beloved remote corner of the Mojave, its beauties, hardships and endangerments. The place has been an essential part of her creative process and project. “What we do for fun in Tecopa is like, watch the sky. That’s our entertainment, you know?” she says, reflecting on the long moments of silence that stretch out over the evenings. “And it’s like, ‘wow.’”

In 2007, for the first time in recorded history, more humans were living in urban spaces than rural ones. The animal kingdom has followed suit. In our cities, we are surrounded by synanthropes — wild animals that have adapted to human-modified environments and have learned to thrive in them — yet most of us are unaware of the biodiversity of this urban wildlife and how it functions along a parallel track with its human brethren.

Dan Werb’s latest book “Our Wild Familiars” explains how these “soil churners … epidemic vectors and ecosystem partners” have a crucial role to play in the future sustainability of our communities. I talked to Werb about coyotes, the health benefits of birdsong and seagulls with junk-food issues.

✍️ Author Chat

You are an epidemiologist.

I was trained as a social epidemiologist — somebody who can look at how societal factors influence the health of populations. I study how society determines who lives and dies, who is sick and who is healthy.

I’m wondering if it was your interest in Zoonotic viruses that led you to this subject?

The last book I wrote was called “The Invisible Siege.” It is an overview of the history of coronavirus science, starting in the ‘80s, braided with the much longer history of the coronavirus family. And it ends with this scientist who is describing being in northern Thailand and moving through Myanmar and Yunnan Province in China in the ‘90s. And he stumbles upon this exotic animal market near the Shan Autonomous state, which is an ethnic enclave in northern Myanmar that’s been at war with the junta there forever. And this market’s got cloud leopard skins, civets and every crazy, exotic animal that you can imagine. And they were all being sent directly into China. And it’s exactly this kind of trafficking that is carrying all these viruses, like this superhighway of exotic animals into urban areas.

But not all urban animals are vectors for disease. In fact, we have fostered very cushy urban environments for many different species. Pigeons, for example, who don’t have to fly in cities because they have no natural predators.

Chris Shell, a coyote expert from Altadena that I interviewed, pointed out that pigeons do have to worry about predators now, because there are red tail hawks and coyotes and other creatures. Our urban ecosystems are becoming more complex. There are some biologists that are describing our time right now in North America as the great urban shift. They’ve done modeling exercises showing that over the next few decades there are literally going to be thousands of species moving into urban areas. They’re increasingly going to be mega-fauna, much larger animals.

Why is that happening?

We’re seeing the continuing acceleration of the transformation of wild spaces into human modified spaces. But it’s also because of extreme weather events. If you look at the horrible fires that occurred in Los Angeles last year, one of the things that happened was hundreds of thousands, even millions, of animals had to flee those areas that were on fire, and they fled into urban areas. What do urban areas provide? Constant sources of freshwater, continual sources of food waste, and other prey. You’ve got climate change happening, and that’s causing this real shift of animals moving into different places.

Dan Werb, author of “Our Wild Familiars,” a new book about wild animals who’ve managed to survive in human communities.

(Joseph Fuda)

What about a less traditional metropolitan space, like L.A. County, which is a hodgepodge of so many different kinds of topography and terrain.

L.A. is super fascinating because lot size isn’t directly related to income. It’s very much more heterogeneous and variable, even within neighborhoods. The wealthier a neighborhood is, the higher the biodiversity is going to be, because we’re going to have larger lots, more green space, fewer fences, things like that.

We have a complicated relationship with coyotes in L.A., especially those of us who have lost pets to them. But according to your book, we have trapped them in our cities.

Coyotes need to have pathways that allow them to move in and out cities. As it is now, they move into urban environments looking for food and water, and they can’t get out. They get trapped in cities, and conflict happens. Like black bears in suburbs across large parts of North America that dig into people’s garbage.

And bears and other animals eating, say, fast food leftovers is a nutritional disaster as well.

It’s like an ecological trap. They see no reason why they would leave, even though staying is actually more dangerous for them. And there are all kinds of ecological traps across cities that manifest in different ways. One that I always think about is seagulls at the seashore that have evolved over tens of millions of years to be able to hunt fish and shellfish. And the fish are right there, yet they’re eating french fries because it’s slightly less work.

You mention the Wallis Annenberg Wildlife Crossing that spans the 101 freeway in Agoura Hills, the first animal crossing of its kind in America, as a potential solution to this problem.

I think it’s great. One hopes there will be more projects like that undertaken in other cities around the world.

We’ve discussed all the rotten things that are going on with animals in cities. Why is it a wonderful thing that animals have come into our cities and our lives?

If we hear birdsong, we’re less stressed. If we hear additional birdsong, it multiplies the stress-relieving effect. Being close to animals is biologically beneficial for us. It’s really about connection. I look at AI, and there’s this kind of sense that an AI chat bot can decrease loneliness. But it’s just an echo chamber. I think a true connection is bridging some kind of divide in the way that you think or perceive the world. And in that sense, being aware of an animal who is aware of you takes you out of yourself in a way that I think is really, really special.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Book jacket for “You Won’t Get Free of It: Stories of Mothers and Daughters” by Rachel Aviv

(Los Angeles Times illustration; book jacket from Knopf)

The ostensible topic of Rachel Aviv’s new essay collection, “You Won’t Get Free of It,” is mothers and daughters, but according to Julia M. Klein, Aviv’s sparkling, sharp-eyed pieces “involve the slipperiness of truth and the crushing inadequacy of our mental-health system and social safety net.”

“Cool Machine,” the final volume of Colson Whitehead’s Harlem trilogy, is an “American epic disguised as a heist novel,” writes Leigh Haber. “Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic.”

Whitney Friedlander profiles Jessica Knoll, one of America’s most successful authors of sexy thrillers that “depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads.”

Finally, Dan Tana’s book about his legendary, eponymously-named restaurant in West Hollywood, “Everybody Came to Tana’s,” has been posthumously published. Sixty-two years after the restaurant’s opening, it’s still a tough reservation to snag. “In a town that’s always trying to be something that it’s not, it’s not trying to be anything,” his daughter Katerina tells Maddie Connors. “Dan Tana’s is longevity in the midst of ephemera.”

📖 Bookstore Faves

The Philosophical Research Society is a Los Angeles Historic Cultural Monument in Los Feliz.

(Philosophical Research Society)

There is nothing else in L.A. like the Philosophical Research Society. The nonprofit was founded by scholar Manly Hall in 1934 as a place for the curious to explore wisdom, philosophy, mysticism and mythology across all cultures. Its visually striking Mayan Revival Los Feliz campus, a Los Angeles Historic Cultural Monument, features an auditorium, a gallery and a library of 30,000 volumes. The PRS bookshop is its own gem, a well-curated miscellany of books for spiritual seeking and enlightenment.

In a joint email exchange, PRS staffers dama, Jarrett Schaefer, Kelly Carmena and Amanda Brass explain what makes the store a sui generis experience.

How does the bookshop tie in thematically with the Philosophical Research Society?

The PRS Bookstore is a reflection of all that we do here at PRS. It is an extension of the library created by Manly Hall where you will find foundational texts in alchemy, mythology, philosophy, astrology, and art. You will also find a selection of books based on themes explored in our talks and screenings and from recommendations made by the team at PRS.

It’s a very well-curated inventory of new and secondhand books — I assume you’re very careful about what you stock on the shelves.

We select works that are meaningful to us and hope that they will resonate with everyone too. We highlight works by mystics and visionaries. In our staff recommendations section, you’ll find titles like Ben Caldwell and Robeson Taj Frazier’s “Kaos Theory,” art books by Penny Slinger, Betye Saar and Remedios Varo, Yoko Ono’s “Grapefruit,” “Red Tarot” by Christopher Marmolejo, “The Bhagavad Gita,” and “Time, Myth & Matter” by LD Deutsch. We also feature items from local artists like Moss Candles, Black Willow Jewelry, and perfume by Syd Botanica. Our secondhand books are donation-only and are a kaleidoscopic bag of surprises.

The Philosophical Research Society features an auditorium, a gallery, a library of 30,000 volumes and a bookshop.

(Philosophical Research Society)

What book genres tend to sell well?

Esoteric art, mythology, tarot and divinatory practices, ancient philosophy, and hermeticism are all popular subjects. The top-selling book every year is Manly Hall’s seminal work “The Secret Teachings of All Ages,” which is an encyclopedic outline of symbolic philosophy. The used astrology books and children’s books are quite popular too.

Do you have author events?

We’ve hosted book talks with Mark Mothersbaugh, Michelle Coltrane, Mitch Horowitz and Susan Orlean. We regularly co-present events with publishers like Hat & Beard Press, Angel City Press, the Library of Esoterica, Sky Press, Ouroboros Press and Bibliomancers. There are also monthly events that are centered around the bookstore: The Manly Hall Book Club, Astro Study Group, Surrealist Study Group, Tarot Salon and an Esoteric Game Night.

Philosophical Research Society is at 3910 Los Feliz Blvd. in Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

HumAngle Foundation gathered students, professors, and community journalists on Tuesday, June 21, at the University of Maiduguri in northeastern Nigeria to hold timely conversations around ways to strengthen community journalism in Nigeria.

The event, which also featured the launch of a guide to community journalism, is part of the Strengthening Community Journalism and Human Rights Advocacy in Northern Nigeria (SCOJA) project, implemented with support from the Embassy of the Kingdom of the Netherlands in Nigeria. Through a fellowship, the project has trained 90 journalists and human rights defenders in the past year. 

During the event, three SCOJA Fellowship alumni reflected on the journey so far and called on relevant organisations to commit to similar projects. The session had Yahuza Bawage, Faiza Jibrin, and Nathaniel Ishaya in attendance. 

“There aren’t many trainings that focus on the ethics of journalism in a very practical way,” Yahuza said. “One of the sessions we treated during the three-day workshop in Plateau State was Journalism Ethics and Standards, and that taught me a lot. I was able to learn about minimising harm.”

The same sentiment was echoed by the other fellows. They highlighted that interviewing vulnerable people is a delicate skill that not many journalism training programmes cover in depth, and that they were happy to have learned it during the fellowship.

“One skill I sharpened during the fellowship was my interview skills. I learned about building connections with the subjects first, and I practised it. It really works because instead of sticking strictly to my interview guide, I connected first, and the person became eager to share [their] experience with me. I also learned about not re-traumatising my sources through the questions I ask,” said Faiza. 

They also offered some advice and encouragement for fellow young journalists trying to find their feet.

“One thing I will tell student-journalists is that they should not allow fear to hold them back. They should try out new opportunities, and with mentorship, they can do so much,” Nathaniel added. 

During another session at the event, Hassana Danyerwa, a SCOJA Fellowship alumnus, talked about the elevation she experienced as a result of the fellowship.

“Although I am not a journalist and I joined the SCOJA Fellowship as an advocate, my experiences from the fellowship set me up for a global experience where I was the only Nigerian selected. The mentorship aspect of the fellowship helped me and opened a new professional pathway for me.”

She offered some words of advice on the conditions necessary for journalists to do their work.

“Sometimes, we do not know what we need until we are given it, but one thing community journalists need is mentorship. Also, trust and avoiding micromanagement so journalists can express themselves and explore different topics is important.”

During the six-month fellowship, the fellows produced several investigative reports and carried out advocacy activities on various issues, including human rights, gender-based violence, and climate change. In Kano, northwestern Nigeria, some of the fellows launched the Kano Climate Change Journalists’ Network as a direct result of their fellowship.

This month, “Cool Machine,” a riff on 1980s New York in the form of a tightly plotted crime novel, arrives from Colson Whitehead. It concludes his Harlem trilogy, they say. If you’d told readers two decades ago that Whitehead would become a bestselling crime novelist, they might have thought you were kidding. He started out writing innovative novels with such intellectual and stylistic punch that the MacArthur Foundation gave him a fellowship in 2002.

His written output is fun, fearless and fantastic. Where to start? Here’s a cheat sheet.

For N.Y. lovers

With “Harlem Shuffle,” Whitehead begins his crime trilogy in the 1960s in a furniture store with stylish midcentury stock whose owner, Ray Carney, is trying not to be a fence. Love the evocation of Harlem as a place with a cool interconnected community. Worry about that cousin who’s always trouble. The follow-up, “Crook Manifesto,” is set in the 1970s. All of New York City is at a nadir; Ray is on the straight and narrow, but needs an influx of cash (for Jackson Five tickets for his daughter). Then comes “Cool Machine,” secrets to be revealed when it hit shelves this week . And as a bonus, his essay collection “The Colossus of New York,” which is vivid, episodic and yet still a story: “Talking about New York is talking about the world.”

To break your heart

The novel “The Underground Railroad” comes from an imagined misunderstanding, logical for anyone who grew up riding subways: that the path to freedom for enslaved people that we call The Underground Railroad was in fact underground. In Whitehead’s hands, that imagining takes us through both time and place while making visceral the horrors of enslavement. The book won the National Book Award and the Pulitzer Prize and was adapted by Barry Jenkins into a limited series.

In a rare feat, Whitehead won the Pulitzer Prize a second time for his novel “The Nickel Boys,” another work of historical fiction dealing with the devastating effects of American racism. Based on the true story of a reform school where Black boys went missing, the novel pairs the stories of two teens, one a troublemaker and the other caught up by mistake. Barack Obama called it “a necessary read.” Cleverly structured, it seemed difficult to adapt, but director RaMell Ross made it into a brilliant film.

To blow your mind

In Whitehead’s debut novel, the not-realistic “The Intuitionist,” a Black female elevator inspector faces powerful forces aligned against her. Inflected with Thomas Pynchon-like wordplay and situations, it’s both ambitious and funny. So is “John Henry Days,” mixing narrative forms while telling the story of a Black journalist around the year 2000 going to every press junket he can, unmaking the myth of John Henry all the while. And “Apex Hides the Hurt” is a comic novel about the conflicts that arise in a small town when they hire a name consultant for a possible rebranding.

To eat your mind

Just around the time they started staggering onto TV, Colson Whitehead published a zombie novel. “Zone One” is a smart take on the shuffling hordes and pandemic survivors who try to take Manhattan back.

To beat the odds

Whitehead, an enthusiastic amateur poker player, wrote the nonfiction book “The Noble Hustle” about his entry into the World Series of Poker in Las Vegas. It was a luxurious time in media, circa 2011, when ESPN’s Grantland paid his $10,000 entry fee and said he could keep his winnings. The book, expanded from what he wrote for them, includes his training, pending divorce, joking asides and playing for high stakes.

To take to the beach

“Sag Harbor,” set in the mostly Black, affluent beach community in the Hamptons, is the closest Whitehead has come to writing a coming-of-age story. Taking place during the summer of 1985, Benji and his teenage friends banter about culture and get their first taste of freedom.

Colson Whitehead’s latest foray into the bent world of “reluctant fence” Ray Carney — “Cool Machine,” the third and final installment of his Harlem Trilogy — is an American epic disguised as a heist novel. It’s a dizzyingly brilliant measure of the versatility and depth of the acclaimed author’s literary talent.

After writing two books dealing with monstrous historical trauma and institutional abuse — “The Underground Railroad” and “The Nickel Boys,” for which he won two successive Pulitzers — Whitehead pivots to an entirely new genre, subverting it, toying with it, making it wholly his own. And while the Harlem novels, too, have a great deal to say about serious subjects such as systemic racism, corruption, and crimes and misdemeanors of various proportions, they often lean on humor to get the message across.

In fact, it’s easy to envision the author at his laptop, as exhilarated as his prose, cracking himself up over how he bends language, employs slang, and forges descriptions like this one about a bar where Carney and a partner in crime conspire over how to fence a stolen diamond necklace: “He met Flinch Wilson at the Marlin, a narrow dive on 110th and Broadway with a decor inspired by an old leather shoe that lived in a drainage pipe.” Or this about a rival who has it out for Carney and his cohorts: “Buzz struck him as a plumber, one who comes back when you aren’t home to strangle your parakeet if you stiff him on the bill.”

“Cool Machine” is set in the 1980s, and Carney is still in the picture. It’s the Reagan era, and predatory capitalism rules, as does Mayor Giuliani, who’s waged war on the mafia and the homeless. What Whitehead dubs the “churn” roils the city and his protagonist. It’s that “churn” that beckons Carney to break his promise to himself and once again divert from his legit furniture store business. The excuse this time is that his wife Elizabeth wants to open her own travel agency, and can’t get a bank loan. Despite the couple’s closeness, for all these years her husband has managed to conceal that he’s a part-time crook. He desires respectability, but savors the buzz, the camaraderie — the honor among thieves. Carney falls in with criminal mastermind Uncle Rich and signs on to his outrageous plan to break into the Waldorf Astoria; the goal is to liberate Jesse Owens’ Olympic gold medal from those who forced him to cash it in.

The intricacy with which Whitehead details the planning and execution of this caper marks him as a top-tier researcher — he’s drawn on many primary sources to ground this work of fiction in historical fact. (There’s also his obsessive use of Pinterest.) The scenes set in the bowels of Grand Central, where there’s a secret train track leading to the Waldorf, are thrilling enough to read for their action, but the atmospheric descriptions are equally delectable: “Track 23’s next departure pulled into the station. One commuter joined Carney and Uncle Rich on the platform, a deflated man in a pinstripe suit with shiny elbows, then another businessman who sagged on one side, as if his briefcase was filled with lead weights.” One of the marvels of this novel is how effortlessly such sentences land, despite being honed to perfection. It would be a spoiler to say anything further about whether the thieves’ mission impossible yields their reward.

Part two of the novel shifts downtown, into the heart of the ’80s East Village art scene. A preoccupation of Whitehead’s — Jean-Michel Basquiat — is the inspiration for a fictional graffiti artist whose omnipresent scrawls capture the pretensions of the burgeoning wheelers and dealers, who, like uptown crooks, are relentless strivers, albeit with sleeker facades. Their snobbery is juxtaposed with Carney’s friend and colleague Pepper’s unsettling bluntness and eyeball to eyeball stare. He’s on the trail of a psychopath-for-hire dubbed “the Melancholy Hitman,” while battling stomach issues that have him downing Pepto-Bismol and coughing up blood in random bathrooms. In this section, Carney plays a supporting role to Pepper’s lead; “Escape from New York” is the enveloping soundtrack.

In the novel’s final act, Carney reemerges from straight life and Pepper from retirement in Delaware to rescue Carney’s nephew, Robert, who’s on the mob’s hit list for a murder he witnessed. Political corruption is rampant, and the revelation of who’s on the take has rattled a lot of cages. Robert is unwittingly entrapped, and has absconded with something mob bigwig Lombardi wants revenge for. Carney dons his best furniture salesman hat to make the pitch of a lifetime, a deal that could save Robert’s life, or take Carney’s. As Carney drives to the meet-up, he reflects on New York’s evolution: “Crime transformed the city by degrees. He thought of what John [his son] told him about rap music, where it came from. Rap was part of the New York environment now, barging from boom boxes and windows. They created something new from the spoils, the theft of turntables from record shops, the rip-off of a musical line or riff from another song — a crooked art.”

For those who enjoy knowing how an author’s inspiration arrives, it’s amusing to note that in the case of the trilogy that kicked off in 2021 with “Harlem Shuffle,” Whitehead told the New Yorker: “I was staring off into space and thinking about how much I like heist films and how much fun it would be to write a heist.” That sounds simple enough, but “Harlem Shuffle” turned out to be years in the making. The idea initially came to him around the same time he was writing “The Underground Railroad,” which was published in 2016. It wasn’t until after the release of that book, and then “Nickel Boys,” that Whitehead decided to lighten the mood by composing a crime novel set in New York City in the 1960s. And while he usually avoids staying on the same topic or voice from book to book, in the midst of writing “Harlem Shuffle,” Whitehead found he was still imagining further escapades for his main character, this time in the 1970s, with the city on the verge of bankruptcy, and incendiary conflagrations between the NYPD and the Black Liberation Army trending. As he envisioned what would become “Crook Manifesto,” Whitehead thought: “Why not make it three?”

Carney is part poet. Part crook. Part salesman. Part philosopher. To my knowledge, Carney’s creator is neither crook nor salesman, but Whitehead can lay claim to those other two mantles. His vocabulary appears boundless, as does his apparent love for the city he grew up in, where he still lives. “Cool Machine” is a modern masterpiece and an ode to New York, no matter that rats skitter and cockroaches scamper underfoot. When Carney has the chance to move anywhere in the world he wants, he ponders the appeal of fresh air. “Fresh was nice,” he reflects, “but so was other stuff. Noise, dirt, and struggle.” After escaping Manhattan, he wonders, “Where do you go? There’s no place else. It was like going on the lam from yourself.”

Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic. Never mind the rats and cockroaches — it’s the churn.

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

The ‘outstanding’ historical drama, adapted from a best-selling book series, has been dubbed ‘highly addictive’ by fans who are calling it ‘a treat to watch’ — streaming free on Channel 4

An under-the-radar period drama currently streaming free on Channel 4 is being hailed as a masterpiece adaptation of a best-selling book series — and viewers are ‘obsessed’.

The series, originally developed for the BBC, delves into Britain’s history and is based on real events that took place in the 1400s in the tumultuous battle for the throne of England. With the War of the Roses as the backdrop of the historical drama, the series takes a closer look at real-life incidents and the drama surrounding court politics at the time.

The period drama is based on author Philippa Gregory’s Cousins’ War book series and has been adapted from three best-selling novels — The White Queen, The Red Queen, and The Kingmaker’s Daughter.

The costume drama is an amalgamation of stories, characters, and instances from all three books and follows the story of three women — Yorkist Elizabeth Woodville, wife of King Edward IV and played by Rebecca Ferguson; Lancastrian Margaret Beaufort, mother of the Tudor King Henry VII of England and portrayed by Amanda Hale; and Yorkist Anne Neville, wife of the Duke of Gloucester, King Richard III, portrayed by Faye Marsay.

Elizabeth Woodville is the protagonist of the 2009 novel The White Queen, while Margaret Beaufort and Anne Neville are the focus of The Red Queen (2010) and The Kingmaker’s Daughter (2012) respectively. These three women appear in the three novels which constitute the screenplay of this underrated television drama which first hit UK airwaves in June 2013.

The series has been on the receiving end of glowing reviews from both critics and audiences.

One critic says of the show: “As a love story set in an impossibly chivalrous past, this was deliciously enjoyable. The conflict between the houses of Lancaster and York ceased to matter — the crucial conflict was between Innocence and Experience.”

While another reviewer writes: “Part soap opera, part war film, and part melodrama, this series is an intoxicating jaunt through a snippet of British history fraught with contentious loyalties and lethal power struggles.”

A third critic said: “It’s a great tale and beautifully told with beautiful actors…Don’t miss it.”

One viewer posted to IMDB: “Fantastic!! The BBC, like most of their period piece dramas, got this series right. It is highly addictive and very watchable. The White Queen has everything an avid audience for this type of show craves; It is romantic; It is violent; It is full of vengefulness, cruelty and karma. I thoroughly enjoyed it and wanted more.”

While another fan of the show added: “Excellent period drama! BBC does it again! I came across this title by accident and I ended up watching the first four episodes! I love the love story, the drama, the betrayal. Truly a treat to watch! I really enjoyed it, I found the actors to be truly convincing, the decor lovely and the storyline engaging!”

Another IMDB user review reads: “I’ve read the 3 books, The White Queen, The Red Queen and The Kingmaker’s Daughter, and this series is one of the most faithful adaptations I have ever watched.

“The portrayal of the Tudor and Lancastrian England, the life and politics of the feudal society, how Kings and Queens and Great Royal Houses were made or unmade with in fire and blood, and the brilliance and fortunes of Edward’s court, with some artistic license from Philippa Gregory, make for a very compelling watch.”

While one audience review of the show on Rotten Tomatoes states: “I absolutely loved this mini-series. Gorgeous costumes, realistic scenery, intrigue, treachery, lies, unexpected twists and a torrid love story. Seriously, what more could you ask for?”

The White Queen is available to stream for free on Channel 4.

WITH the summer holidays here, you might be regretting not booking a holiday yet.

Well, luckily for you, there are a whole host of places you can travel to for cheap under £210 per person.

And what’s even better is that you don’t have to use any of your annual leave as all the following weekend breaks are for between July 24 and 26.

They even take off in the afternoon or evening so you can go after work on Friday.

Turiquintas, The Algarve in Portugal

You could head to Turiquintas Hotel in The Algarve in Portugal for a weekend – the hotel has breakfast in the morning, and lunch anddinners are included.

There are 80 apartments in total across the site, as well as a pool, children’s pool, games room, supermarket, cafe and a bar.

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Even better, the beach is just 800 metres away.

You would fly from East Midlands Airport on the Friday at 7:10pm to Faro, and return on the Sunday at 7:10am.

A two night stay costs £165 per person.

a&o Prague Rhea, Czech Republic

If you fancy being in the middle of a bustling and vibrant city, you could head to a&o Prague Rhea for two nights.

All the rooms have their own bathrooms as well as free Wi-Fi.

Downstairs in the lobby, you’ll also find a 24-hour bar.

And in the morning you can head to the breakfast buffet.

To get to the town centre, it is just 20 minutes on public transport where you can explore fairytale-like architecture including Prague Castle.

You would fly from Bristol Airport on the Friday at 9:55pm to Prague, and return on the Sunday at 3:45pm.

A two night stay costs £168 per person.

PortAventura Hotel El Paso & Theme Park, Spain

Want a theme park and a hotel for the price of one? You can head over to PortAventura Hotel El Paso with Woody Woodpecker-themed rooms and unlimited access to PortAventura Park just down the road.

And the beach is also only seven minutes away.

As for the hotel itself, there are two pools including one with a pirate ship, day and evening entertainment, a hot tub as well as a selection of bars and restaurants.

You would fly from Liverpool Airport on the Friday at 9:45pm to Reus, and return on the Sunday to Manchester at 12pm.

A two night stay costs £185 per person.

Granada Palace Affiliated by Melia, Spain

If you want to feel like a king or queen, then head to Granada Palace Affiliated by Melia, in Spain.

The hotel has rooms and suites, as well as a spa with sauna and steam rooms and an indoor heated pool and an outdoor freshwater pool.

It is great for those who just want a relaxing weekend away, where you can explore Monachil, which is a great spot for hiking including a 63-metre-long bridge across a gorge.

You’ll also be an 18 minute drive from Granada city centre.

The hotel has a restaurant, cafe and bar if you want to grab a bite to eat. And of course, there is a huge buffet breakfast.

You would fly from Manchester Airport on the Friday at 9:30pm to Malaga, and return on the Sunday at 6:40am.

A two night stay costs £175 per person.

ITC Colón by Soho Boutique, Andalucia in Spain

In Córdoba, you’ll find Hotel ITC Colón with 40 rooms, each with a private bathroom. There’s also an onsite restaurant, breakfast room and a bar.

When it comes to things to do around the hotel, just a 10-minute drive away is the Mosque-Cathedral – which features 850 columns and towering arches.

Though for something closer you could head to Palacio de la Merced convent, which are both within a five-minute walk.

You would fly from Manchester Airport on the Friday at 9:30pm to Malaga, and return on the Sunday at 6:40am.

A two night stay costs £169 per person.

Studio 17 by Atlantic Hotels, Algarve in Portugal

The Studio 17 by Atlantic Hotels sits in Portimao resort in Algarve, Portugal, just a short drive from the coast. The accommodation features Mediterranean-style apartments with kitchenettes and either a balcony or a terrace.

There’s an outdoor swimming pool for adults as well, including a sun terrace with sun loungers and parasols ideal for soaking up the sunshine.

The coast is just a six-minute drive away and the town centre is less than a 20-minute walk from the hotel.

You would fly from Leeds Bradford Airport on the Friday at 6:30pm to Faro, and return on the Sunday at 6:10am.

A two night stay costs £179 per person.

NEW YORK — Former President Biden will publish a memoir, “Promise Me, America,” which he says will touch upon everything from the economy to his decision to drop his bid for reelection.

The memoir is scheduled to come out Nov. 17, publisher Little, Brown and Company told The Associated Press. The timing of the book — two weeks after midterm elections in which Democrats seek to regain control of Congress — could raise concerns within Biden’s party by putting him back into the spotlight.

Democrats remain divided on Biden’s legacy, with many blaming his ill-fated determination to seek a second term for Republican President Trump’s return to the White House. Leaders hope to keep the fall campaign focused on Trump and his record, and any leaks or promotional efforts before votes are cast could draw frustration.

“‘Promise Me, America’ is about the challenges we faced as a nation. It’s about the decisions I made and why I made them,” Biden said in a video statement accompanying Wednesday’s announcement. “It’s about why I chose to run for reelection and why I chose to step aside.”

Reports of Biden’s book have circulated for more than a year, and the former president himself has referred to it during public remarks, appearing to suggest it would be released before November’s election.

Biden, who will turn 84 three days after the publication of “Promise Me, America,” has long presented himself as an upholder of standards and traditions; presidential memoirs are one of them. With a handful of exceptions, modern presidents since Harry Truman in the 1950s have published books about their White House years. Little, Brown declined to release financial details for ”Promise Me, America,” although presidents have usually reached deals worth at least seven figures.

The book’s title echoes a 2017 memoir by Biden, “Promise Me, Dad,” which centered on the death of his son, Beau Biden.

Vowing as a candidate to “restore the soul” of his country, Biden was sworn into office in the midst of the COVID-19 pandemic and in the aftermath of the Jan. 6, 2021, attack on the U.S. Capitol by Trump supporters seeking to stop his certification as president. Biden’s term was defined by a wide range of conflicts and achievements, from his handling of wars in Ukraine and the Middle East to the passage of ambitious infrastructure and economic aid bills. But many readers will likely want to know more about his health while president, including the disastrous debate in June 2024 against Trump that led to his giving up his reelection bid. Then-Vice President Kamala Harris, who ran instead, lost decisively to Trump.

Former first lady Jill Biden wrote in her own book that her husband seemed so weak and disoriented during the debate that she feared he was having a stroke. In “View from the East Wing,” published in June, she noted that the White House had initially said he was suffering from a cold.

“The biggest lesson for us, I think, was that if you don’t explain something well enough then the question won’t go away,” she wrote. “There was never a satisfying enough explanation offered for Joe’s debate performance, and a lot of people never got over it.”

Biden was the oldest man to serve as president and his health was a source of speculation for much of his term; Biden and his White House advisers have faced intense criticism from Democrats and Republicans for allegedly concealing the extent of his problems. A notable book release from 2025, Jake Tapper’s and Alex Thompson’s “Original Sin,” was subtitled “President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again.”

That year, Biden announced he had been diagnosed with prostate cancer.

Biden’s previous books also include “Promises to Keep,” a campaign work published to boost his run for president in 2008, when Barack Obama was the eventual nominee and Biden his running mate. ”Promise Me, America” comes out during a year when nonfiction sales have declined and few political books have caught on, although recent bestsellers have included Vice President JD Vance’s “Communion” and an inside account of Trump’s second term, by New York Times reporters Maggie Haberman and Jonathan Swan, “Regime Change.”

A Little, Brown spokesperson said that Biden plans to tour on behalf of the book and give interviews. In his video announcement, Biden said that many people had been asking him how he was doing.

“I’ve been spending a lot of time with my family. I’m dealing with a cancer diagnosis, been getting treatment, and it’s going really well,” he said. “I want to thank all those who have offered their prayers and support and well-wishes. It’s meant the world to me and to Jill.”

Italie writes for the Associated Press.

BUSTED’s Matt Willis has penned an emotional book about his life on and off the stage.

The musician says he hopes the project will help others who are currently battling addiction issues.

Speaking about Mending: Busted, Breaking and Getting Better, out on October 8, Matt said: “For a long time, I wasn’t sure I’d ever be able to tell this story, or even if I should.

“But over the last few years, I’ve realised that talking honestly about addiction, recovery, family and everything I’ve learned along the way might help someone else.

“This isn’t a book about having all the answers. I definitely don’t.

“It’s about learning that recovery isn’t a finish line, life doesn’t suddenly become perfect, and that we’re all still figuring things out as we go.

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“Writing it has been one of the hardest and most rewarding things I’ve ever done, and I honestly can’t wait for you to read it.”

Just four weeks before his marriage to Emma Willis in 2008, Matt checked into rehab, and despite a relapse in 2016, he’s now been sober for almost nine years.

He’s a brave man, and I’m looking forward to reading his book.

WANT A BLUE PETER BADGE LIKE HARRY? YOU JUST HAVE TO ASK

HARRY STYLES said it was one of his proudest achievements when he was given a Gold Blue Peter Badge to mark his record-breaking run of 12 shows at Wembley .

But I can reveal that the Beeb has now resorted to giving the famous accolade away on freebie websites in a desperate bid to keep the younger generation tuning in.

Once a prized possession, Blue Peter badges used to be given out strictly on merit.

However, an online listing reads: “The BBC are giving away free Blue Peter badges to anyone aged between five and 15.

“The badge allows you to gain free entry to over 200 attractions. Just send Blue Peter a letter explaining why you’d like one. That’s all.”

I understand it’s a sign of the times, but it seems a bit bleak to give it away for next to nothing.

BRITAIN’S Got Talent winner Sydnie Christmas joined American legend Gloria Gaynor for an unlikely collaboration on her 1979 hit I Will Survive at Boogie- town Festival in Surrey at the weekend.

Sydnie said: “I didn’t want it to end. Her love and passion consumes you.

“In that moment, nothing else mattered but the love of music.”

PUB MICK: IT’S CRAWL OVER NOW

SIR MICK JAGGER has revealed how he ended up singing in a pub in Oxford last month.

The global rock icon, whose band The Rolling Stones are on course for their 15th No1 album on Friday with Foreign Tongues, joined an Irish folk group at The Half Moon pub where he sang Handsome Molly with them.

Explaining how it happened, he told the Conan O’Brien Needs A Friend podcast: “I had dinner at an Oxford college and then one of the students who I was talking with said, ‘I play mandolin. I’m going down the road to play with an Irish band. Do you want to come?’.

“I said, ‘Sure’, and I took a couple of people I was with and the provost of the college, who took his gown off.

“The band was doing fiddle pieces and the guy joined in with his mandolin, but no one was singing so I thought, ‘Well, here’s an opening. This is my chance for pub crawl singing’.”

I don’t think you’ll ever have to revert to that, Mick.

Kerry’s all gold

KERRY WASHINGTON was going for gold as she hit the red carpet.

The actress wore this quirky metallic gown at the opening of stage production The Whoopi Monologues in New York.

Things really are going swimmingly for US star Kerry, who appears in the show penned by Sister Act’s Whoopi Goldberg.

The one-woman comedy turn debuted on Broadway in 1984, starring Whoopi herself, pictured with Kerry at the opening.

Speaking on US TV’s The View about the original hit, Kerry said: “Whoopi has been such a groundbreaker – a trailblazer and an inspiration for so many of us.

“Throughout my career, this show became a bonding place with other actresses. I would meet them and we would talk about how it impacted us and our idea of what was possible.”

SET FOR A MAIDEN VOYAGE

IRON MAIDEN have sold a stake in their publishing and master music rights, name and image to the Pophouse Entertainment company run by Abba’s Bjorn Ulvaeus, with massive plans to expand their legacy.

The big-money deal with Bruce Dickinson and the group was announced yesterday and comes after the firm partnered with other acts including Tina Turner and Kiss.

It will mean the band can pursue new creative ventures, including the filming of their Run For Your Lives tour for a “major cinematic project” as well as “developing a digital universe centered around” their mascot Eddie.

It’s exciting news for fans of the band, given Pophouse is the founding investor in Abba Voyage.

Perhaps Iron Maiden will be returning to a stage, in digital form, soon.

Kim’s heart is racing

KIM KARDASHIAN and Lewis Hamilton’s romance is motoring.

She shared this cute selfie with the F1 legend and her daughter Chicago, taken on a family getaway to Idaho.

Kim captioned the post on Instagram: “Summers at the lake with my favourite people.”

I first revealed in February that Lewis and Kim were dating, before they were pictured at the Super Bowl.

Since then, they’ve jetted all over the world on a series of dates, with Kim recently supporting her man at the Monaco Grand Prix.

Judging by the smile on her daughter’s face, Kim isn’t the only one who’s been won over by Lewis.

Bestselling author Jessica Knoll’s protagonists mostly follow a specific pattern: They are women who have learned Not. To. Flinch.

And, apparently, neither does Knoll. Talking over Zoom about her fourth novel, the erotic thriller “Helpless,” which is out this month, the author is blunt about the challenges it took to complete the book. “It takes a lot of skill to write good sex,” Knoll says. “I relied a lot on feedback from my editor and from my book agents saying ‘this is hot; this is not.’”

Knoll has written romantic scenes before, but “Helpless” needed to be enthralling and economic enough not to get her kicked off of Target’s bookshelves. In the end, the author says, “I went by what felt good and natural for these characters and maybe a little bit of the really unfiltered talk you have with your girlfriends after a couple martinis or are on a girls trip.”

Knoll’s successful career as a novelist rests on her knack for creating provocative page-turners that depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads. Since her debut bestseller, 2015’s “Luckiest Girl Alive,” — a master class in braided narration between a Machiavellian magazine editor and her younger self who endured so much emotional and physical trauma that it’s no wonder she grew up to be extremely calculating — to 2018’s reality TV-set “The Favorite Sister” and 2023’s “Bright Young Women,” a response to the public’s obsession with immortalizing serial killers while also not knowing the name of a single one of their victims. Knoll’s books are not only stories about women who do not care if you like them but also ones where disastrous results await the women who do follow our cultural conditioning to be agreeable to men.

Her “Helpless” heroine is not so different from a lot of her previous main characters: Type A overachievers with cutting inner monologues that let the reader know they’re always one step ahead in the social Darwinism that is female relationships. This time, she’s named Faye Heron, an Emmy-winning Hollywood multi-hyph who found cachet while working on one of those edgy premium dramedies that probably aired on HBO. Faye, and her husband/producing partner, have parlayed this notoriety into indie, cool-kid projects that are just commercial enough that some of the target audiences’ boomer parents may also watch.

When Faye’s beloved college professor dies suddenly and she’s asked to speak at a memorial ceremony, nostalgia and flattery make her drop everything and hightail it back to the leafy northeastern college town. The place is a time capsule with sketchy internet service, drunken frat boys, and — most crucially — Faye’s college boyfriend Henry, who is now married with two kids and still lives in the area. The clothing references and song choices are popcorn for those old enough to remember the aughts but young enough to party during them. The Elsa Peretti-designed Tiffany & Co. heart necklace that was the it-girl accessory of the time, and now is one that Gen Zers are fishing out of the bottoms of their parents’ jewelry boxes, factors significantly into the plot.

Although the story eventually spirals into other tropes of the Knoll-niverse — kidnappings, cover-ups, affairs, the laissez-faire security that only old money affords — Faye stands out because she wants to be told what to do. In a secure and mutually consenting relationship, of course. And preferably after she’s told her partner what she wants.

“Helpless” was influenced by the 1995 Susanna Moore thriller “In the Cut” as well as Sarah J. Maas’ currently uber-popular romantasy series “A Court of Thorns and Roses,” both of which discuss power imbalances and smart women who become enamored with dangerous lovers.

Knoll has always been open about creating work that’s commercial. She famously wrote a 2018 New York Times opinion piece, titled “I Want to Be Rich and I’m Not Sorry,” that discussed her need to rank in money with an almost Scrooge McDuck fervor: “Success, for me, is synonymous with making money,” she writes. “I want to write books, but I really want to sell books. I want advances that make my husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights and I want the screenwriting comp to boot.”

(Evelyn Freja / For The Times)

During our Zoom, with the background carefully faded behind her wavy blond bob, she promises that she doesn’t just copy and paste her subjects and settings from what sells.

“I’m just always looking on what the spin is; like, what the timely take is on something that happens to capture my attention,” she continues, citing a habit she credits to her early career working in women’s magazines like Cosmopolitan and Self. She adds that “I just happen to be interested in, like, really dark s—.”

“Helpless,” Knoll stresses, is a work of fiction; even though fans may be looking to draw comparisons to her life since “Luckiest Girl” was heavily influenced by her own career and childhood. Like the book’s Faye, Knoll went to a private liberal arts college. She’s spent time in the Adirondacks with the wealthy families who vacation in bare-basics cabins on the land they own. And she has dealt with her share of studio executives. Unlike Faye, Knoll is happily married to her husband, financial technology executive Greg Cortese. They share a young daughter. Last year, the family moved back to New York after some time in Los Angeles.

She does relate to Faye’s wealth dynamics. Her “Helpless” heroine grew up middle class but now has reached the “made it” level of nervous cockiness that happens when you combine new money and fame; the dream of so many who move to L.A. Henry, Faye’s ex, and his family are so comfortable in their generational wealth that he was raised to wear the same, now-bleach-stained, chambray button-down he had in college than buy a new one because clothes aren’t sound investments.

Knoll says she doesn’t want “things to feel didactic,” but concedes that class divides offer a treasure trove of stories.

“I just find myself going back to, again and again, this idea of someone who is the outsider because they don’t have the pedigree of their peers, but however many years later they’ve accomplished something and they think that they’re on more equal footing with these people from their past,” Knoll says. “Then something happens that brings them back into this environment where maybe they felt less-than years ago. They think that they’re going to go back and be like, ‘well, I’ll show you now because I’ve made it’ and those feelings of inferiority are still there.”

As she’s grown older and her career has become more stable, Knoll says she doesn’t think about success and fame the same way she did when she wrote her viral opinion piece or gave interviews where she talked about money and her own financial security. She says now that her priority is “the longevity of the career.”

Like her heroines, no one tells Knoll what to do. Unless she gives the OK.

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

A great novel can transport you to places you’ve never been, take you on imaginary adventures across the globe and, just occasionally, inspire you to visit a literary location in real life. We’d love to hear about a book you’ve read that led to one of your favourite trips, whether it was somewhere far-flung or close to home.

The best tip of the week, chosen by Tom Hall of Lonely Planet wins a £200 voucher to stay at a Coolstays property – the company has more than 3,000 worldwide. The best tips will appear in the Guardian Travel section and website.

Keep your tip to about 100 words

If you have a relevant photo, do send it in – but it’s your words we will be judging for the competition.

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The competition closes on Monday 20 July at 10am BST

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IF YOU’RE dreaming of a late summer holiday but holding off until the Three Lions finish their World Cup run, let me give you some free advice: stop playing chicken with the booking button.

Because I work in travel, my screen is constantly locked onto live booking data, and I’ve been crunching the numbers from Euro 2024 and the last World Cup, comparing tournament months against normal years, and the trend is identical.

The second England gets knocked out (or in this year’s case, hopefully lifts the trophy) the market goes completely mental.

Millions of Brits who put their summer plans on ice to watch the football suddenly rush to the package holiday sites at the exact same time.

And according to the data, this massive surge forces package prices to spike five to eight per cent above normal seasonal baselines within hours.

Whether we lose to Argentina on Wednesday or go all the way, demand is going to flood the market.

So if you still fancy a summer holiday this year but haven’t yet booked, you need to beat the post-tournament rush.

And here’s exactly where the data suggests prices are about to climb fastest.

5. Antalya, Turkey

Turkey always reacts aggressively after a major tournament, especially around the Antalya coast where all-inclusive packages dominate.

Our data shows that the moment football fever breaks, resorts like Alanya experience an immediate eight per cent price hike above the normal baseline.

You could stay at the Lemas Suites Hotel Side, which is a cracking value base right near the harbour, but my favourite thing about this hotel is its private river-boat shuttle.

The property sits slightly back from the coast on the side of the Manavgat river, and they run a free, regular boat service that drops you directly onto their private sandy beach lot, completely cutting out the sweaty August coastal walk.

On the Beach offers a five-night stay from August 22 at Lemas Suites Hotel Side, including return flights from Manchester Airport, from £355pp.

4. Canary Islands, Spain

The Canaries are Britain’s ultimate safety net for guaranteed summer sun, which makes them prime targets for the post-football booking surge.

The data shows that Fuerteventura’s Caleta de Fuste climbs a massive 17 per cent above normal rates post-tournament, while Matagorda in Lanzarote jumps by 13 per cent.

But, fear not, because you can check in to Club Tenerife in Los Cristianos.

And because the hotel’s built directly into a sheltered hillside, the main sun terraces are entirely shielded from the standard high-summer Atlantic winds that plague the flat beachfront hotels, giving you a proper, peaceful sunbathing setup.

On the Beach offers a five-night stay from August 22 at Club Tenerife in Los Cristianos, including return flights from Liverpool Airport, for £318pp.

3. Crete, Greece

Crete is another major mover in our holiday tracking, with the family-heavy resort of Kato Gouves seeing a massive 24 per cent price surge the second England exits a tournament.

You could stay at Ourania Apartments in Kato Gouves – this hotel’s an absolute peach of a pick too. 

Every week, the family hosts an incredible local souvlaki night where they cook everything over open coals right in the central courtyard, serving up an elite, authentic Cretan feast for a fraction of what you’d pay at the beachfront tourist spots.

Where do I sign?

On the Beach offers a five-night stay from August 22 at Ourania Apartments in Kato Gouves, including return flights from Manchester Airport, from £383pp.

2. Costa Brava, Spain

As you’d expect, Spain always runs hot after the football finishes – but the Costa Brava sees some of the steepest climbs on the board, specifically, the resort of Calella routinely records package prices sitting 25 per cent higher than normal once the tournament wraps up.

You could head to MedPlaya Esmeraldas Aparthotel in Tossa de Mar, for example.

These apartments are exceptionally modern, but the best feature here is the private underground walkway that links the complex directly to the beachfront avenue.

It means you can wander from your living room to the sand in about two minutes without ever having to cross the busy main resort traffic.

On the Beach offers a five-night stay from August 22 at MedPlaya Esmeraldas Aparthotel in Tossa de Mar, including return flights from London Gatwick, for £283pp.

1. Costa Blanca, Spain

The undisputed heavyweight of post-tournament price surges is the Costa Blanca.

Cala de Finestrat routinely explodes by 32 per cent above normal rates, while Albir climbs by 18 per cent.

Even Benidorm, despite its massive hotel capacity, jumps five per cent overnight.

You could opt for five-nights to the Jardin Milenio Hotel in Elche for under £300pp and for peak August, that is an unbelievable data loophole.

The standout feature here is that the hotel is located directly inside the famous Palmeral of Elche – a massive, UNESCO-protected tropical palm grove.

It means the entire pool area is surrounded by thousands of ancient palm trees, giving you a lush, high-end Caribbean resort aesthetic for less than three hundred quid.

On the Beach offers a five-night stay from August 22 at Jardin Milenio Hotel in Elche, including return flights from London Luton for £268pp.

“Little House on the Prairie” is the third television adaptation to bear the name of Laura Ingalls Wilder’s 1935 autobiographical novel of life on the Kansas plains in 1869 to 1870. The first, the Michael Landon television series that debuted in 1974, set in Walnut Grove, Minn., is really based on Wilder’s subsequent volume, “On the Banks of Plum Creek,” while a 2005 miniseries, shown as part of “The Wonderful World of Disney,” was generally faithful to the letter and spirit of the text. The record shows that I liked it.

The new “Little House,” created by Rebecca Sonnenshine and streaming on Netflix, is fairly faithful to its spirit, and less so to its letter. At its center is the Ingalls family: father Charles (Luke Bracey), or Pa; mother Caroline (Crosby Fitzgerald), or Ma; serious older sister Mary (Skywalker Hughes), and adventurous Laura (Alice Halsey), whose story this is. They are heading out to Kansas to what they imagine is free land, though they will have a thing or two coming on that account. “This will be our new forever,” says Laura, who doesn’t yet know that her future will be in Minnesota.

To be sure, the character relations remain essentially the same. Pa will play his fiddle. Laura and Mary will dance, when not getting in one another’s hair, or sulking. There will be singing, frequently. Major episodes from the book — when Jack got lost, (Jack is the dog, and he will be found), the incident of Mr. Scott (Maclean Fish) down the well, Christmas, the one about malaria, and all the business of building the eponymous log house — are accounted for, if in some cases expanded upon or altered. So extensive are its innovations that, although I am going to point out certain departures from or additions to the text, because I am that sort of pedant, it may be best just to regard this “Little House” as an original thing, a variation on a theme by Laura Ingalls Wilder, or a reboot of the television show.

Some touches are drawn from Wilder’s own history. Her mother was a teacher before she married Charles Ingalls; her maternal grandfather died from drowning. The black cowboy hat Laura sports is straight from a photograph of Wilder as a girl. Laura is made a sort of mini-Scheherazade to foreshadow the writer she’ll become (though she’ll also ask, “What am I ever going to need in a book?”). Baby Carrie, in the novel from the start, is born, as she really was, in Kansas, meaning that Ma is pregnant through much of the season — a condition that may have seemed too complicated for a 1935 children’s book, but which adds new strains of drama to the miniseries. It also introduces a theme in which Ma, who has lost “so many” babies, is trying to give Pa a boy, though he is not the sort to be disappointed in another girl.

Also new to the story is Independence, Kan., itself, which in the book is an offstage place to which Pa will sometimes go to fetch necessities, disappearing from the story until he returns. Here it’s nearby — a nicely realized little movie town to which the whole family will sometimes repair, to shop, raise a church or join in a Founders Day celebration. It’s dominated by a less than transparent booster, Eli James (Michael Hough), who comes with a self-important wife, Jemma (Mary Holland), and a pair of teenage twin girls who might be described as all dressed up with nowhere to go.

Notably, the series’ treatment of Native Americans feels intended to rectify, or at least deepen, their portrayal in the book — naive or romantic, maybe, though not, I’d argue, negative — with added native characters and discussions regarding the land and treaties and such. While Ma frets about the natives in the neighborhood, for no reason she can articulate — one juvenile delinquent steals her cherished china figurine, but we understand that there are social causes for his behavior — Pa, who has built his house unwittingly on an Osage trail, has sympathy and perspective. (Ma will soften considerably, because this is that kind of show.)

It’s not an issue for guileless, outgoing Laura, who acquires an Indigenous best friend, Good Eagle (Wren Zhawenim Gotts). Her father, Mitchell (Meegwun Fairbrother) will be a friend to Pa and her mother, White Sun (Alyssa Wapanatâhk), will provide a skeptical counterpoint to Ma. Mission-educated, they live in a nice house with a crucifix on the wall and shelves full of literature.

Most every character gets some backstory, some traumatic. The Ingalls left Wisconsin under a cloud. (“Why didn’t anyone come to say goodbye?” wonders Laura.) (Still, it’s good to see Martin Donovan as Pa’s angry father in a fever-induced flashback.) Ma married Pa, her social inferior, against her mother’s wishes. Caleb (Kowen Cadorath), a new character who works for another new character, Emily Henderson (Barrett Doss), at the general store, was abandoned as a small child. Echoing the character played by Victor French in the TV show, Mr. Edwards (Warren Christie) has a drinking problem, brought on by a family tragedy. (In the book he describes himself as a “wildcat from Tennessee”; here he has wild … cats.) Much of the time, someone is sad. Halsey and Hughes, who are very watchable throughout, are especially good with worried looks, and Fitzgerald, perhaps the series’ MVP, is an artist when it comes to expressing concern.

Sonnenshine also invents tentative romances between Edwards and Lacey Aubert (Rebecca Amzallag), who is French, independent, runs the saloon, I guess you’d call it, dresses in black and wears trousers; between Emily and Dr. Tann (Jocko Sims), who is in the book, but much more established here; and between Mary and Caleb. All these storylines sacrifice the centrality of Laura as a character and observer and makes this “Little House” less a story of a family out on its own than a family in the context of community. (That’s for later volumes in Wilder’s nine-book saga.)

It’s very sentimental — which the novel, with its matter-of-fact, if sensually evocative prose, and its child’s-eye view, is not. The dialogue here is ripe with sampler sentiments and weighted with meaning (“Hope is everything,” “What if this is where we finally become who we’re meant to be,” “Life can get away from you if you don’t speak your heart.”) Much of the added material would have easily fit the TV series — temperamentally, it’s very much a case of late 20th century broadcast television — which to some may be a recommendation.

It’s pretty, often very pretty, to look at. The flat expanse of Winnipeg, Canada, where it was filmed, makes a good topographical match for east Kansas. Prairies are prairies.

Mothers and daughters are often caught in a double bind: biologically kindred yet divided by competing claims on identity and selfhood. In Cay Kim’s debut novel “The Future Perfect”, that bond is tangled by cultural discontinuity.

The novel’s mother has been reared in a South Korean household that places a high value on academic rigor and head-down discipline. She devotes all of her energy to grinding that work ethic into her daughter (Kim’s characters are unnamed), who is shuttled between her native Seoul and Minnesota, and grapples with finding the one true way for her to navigate the world.

I spoke with Kay, a native of Seoul who relocated to the States, about mothers, daughters and the unstoppable power of language.

✍️ Author Chat

Author Cay Kim

(Margaryta Bushkin)

This is your first novel. Did you start writing it in college?

This actually originated from a long poem that I wrote. I didn’t know I was going to turn it into a novel at the time. I just had the idea, the summer before my MFA, to expand each stanza into a chapter. That made the writing process relatively easier for me because it was such a straightforward process. I already had the frame of it.

Even though the novel is grounded in a very specific milieu — that of a child who is ensnared between Korean and American cultures — it’s very much a universal story, of a mother who feels the burden of raising a perfect daughter and is resentful when the daughter rebels against her ministrations.

It’s something that occupies so much of my head space. I wanted the mother to be portrayed as a victim of her society. The way that people choose to parent isn’t something that they learn in a vacuum. She has deep-seated beliefs about suffering and self-abnegation. But there’s a point at which an act of service risks inverting into a selfish act.

A big concept for the mother is endurance.

Exactly. It’s a generational trauma the mother is dealing with. She has had such ingrained beliefs passed down to her, and she’s unable to recognize when her methods result in her own mental and physical splintering, as well as her daughter’s.

Is it a function of the mother’s ego, or some kind of twisted narcissism?

She is putting herself through so much suffering because she believes she is doing the right thing. And there’s an extent to how much you can excuse that self-unawareness.

Yet despite this, the daughter feels tied to her mother, even when they are at loggerheads and she is living thousands of miles away.

The mother is such an integral part of the daughter’s consciousness that severance is impossible. They have a shared history and the daughter wants to share things with her mother, even when they are fighting. When she feels lonely at Stanford, the daughter verbalizes the fact that she has learned loneliness from her mother.

There are a lot of scenes in the novel tied to meals prepared by either the mother or the grandmother.

I do a lot of thinking about how cooking plays a role in our everyday lives. It’s something that people can spend hours preparing, only to have it disappear. It’s her mother’s domain. It is so opposed to the way the father thinks, which is very much tied to capital, to amassing and saving money.

The daughter really comes into herself when she is exposed to American culture.

Minnesota is where she acquires language for the first time. Language is so important to this character. Then she is shuffled back to Korea, and this disjunction is the thing that propels her narrative development. But as the story goes on, the daughter reaches a point where she has such mastery of expression and that is a power she acquires.

“The Future Perfect” is written in a very precise and concise way. What fiction writers do you admire, or who may have served as models?

I love writers whose use of language jolts the mind. My favorite writer of all time is Marguerite Duras. “The Lover” reads so easy but when you pay attention to the language, it’s very precisely engineered. I also love Clarice Lispector, for the way she expresses human spirituality.

Is this book drawn from your life? I ask that only because your protagonist winds up attending Stanford, as you did.

When I first started learning how to write, my teacher always used to say that writing shouldn’t necessarily contain the factual truth, but it should have emotional truth. And I feel like that has been the core of my writing practice throughout my life, and that even for those that don’t think consciously about it, that’s often the case.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Country music performer Kenny Chesney sat down with Holly Gleason, the co-author of his new memoir, to talk about writing the book.

(Jill Trunnell)

The state of Ohio is celebrating America’ssemiquincentennial by offering a statewide reading project that features Toni Morrison’s fictional oeuvre, thus providing a vivid alternative history of the country. “Not only does her work re-center African Americans in the story of our country, it also tackles major events from our founding, through slavery, to the impact of Jim Crow, to the great migration and beyond,” Literary Cleveland Executive Director Matt Weinkam tells Leigh Haber.

Chef-Podcaster-Author etc. Eddie Huang has written his first novel, a lightly autobiographical twirl through the foodie-verse called “Come Undone.“ “This book was very much about breaking up with your family to start your own,” he tells Mariella Rudi.

At a time when teen literacy is declining, Rudi polled five high school teachers to find out what books students should be reading now.

Gabrielle Korn’s novel “Long Island Girls” is a Millennial coming-of-age story that drips with Y2K nostalgia and the ways in which youthful optimism and hope can drift into middle-aged cynicism. “One thing I wanted to capture about early adulthood is the constant humiliation,” Korn tells Emily St. Martin. “The thing about being young is that people are so resentful of your youth, but you don’t understand that it’s resentment, you just think everybody hates you.”

📖 Bookstore Faves

The Loved Ones bookshop

(James Alan Duran)

J.C. Gabel, the owner of local book imprint Hat and Beard, has opened a new bookshop called The Loved One, and it already feels like an essential anchor for Historic Filipinotown’s burgeoning cultural scene. The store, which is also a gallery and events space, is expansive (5,000 square feet) and inviting, with patinated hardwood floors and a wall of picture windows that bathes the interior in natural light. I spoke with Gabel about his future plans for his new space.

What is the mission statement of The Loved One?

The Loved One reflects our ongoing commitment to independent publishing, original exhibitions, and the belief that books (and ideas within them) are best experienced in conversation with one another, in-person, whenever possible. In our post-post digital age, the serendipitous nature of organically curating physical objects is, in a sense, the point of the entire operation. We envision The Loved One as a space where everyone can exchange ideas, free from data-mining tech overlords, AI slop and click-bait tomfoolery.

What kind of books are you selling?

We’re going to focus mostly on new books about the visual arts, but we’ll also have several curated tables of fiction and nonfiction organized by subject and publisher, to highlight and promote the work of publishers we admire. Moreover, our genre-based book clubs and live author events — which will run weekly by August — will also influence the titles carried in the shop, too. Lastly, we’re bringing back Big Table, our books and conversation podcast — which we started with Dub Lab during COVID — now that we have a physical space to host and record these conversations.

It’s a very large space. What are your plans for it?

We are really keeping the space as modular as possible so we can change the interior of both storefronts to exhibit art and photography, as well as host author events, artist talks, live music, comedy, book clubs, etc.

You’re also a publisher, with Hat and Beard. How will that tie into The Loved One?

At least half of the arts programming I bring to the table will tie back to Hat and Beard’s original publications; the other half will be curated by Aubrie Wienholt and her team, working in tandem with myself and the H&B family. H&B will, of course, continue to program events all over the city regularly, but it will be nice to have a storefront again for the publishing house. We also intend to sell our rare and limited edition bundles of our books at TLO. There will finally be a physical space where one can come see this work in person before purchasing.

What about Historic Filipinotown? The Loved One is such a cool addition to what is becoming a vital cultural hub for L.A.

We are honored and thrilled to be working out of Historic Filipinotown. So much has opened in and around this neighborhood since COVID. It is a really vibrant community. There is a great camaraderie among all the small businesses in and around our cluster off Temple Street and Glendale Boulevard. Our immediate neighbors, Couplet Coffee and the bar 1642, are both actively involved in our programming monthly: Couplet has sent over a pop-up barista to serve coffee and tea at our literary events, and most of our after-parties are now held at 1642, two doors down.

Emily Ratajkowski’s viral essay detailing her sex life as a single mom just landed her a seven-figure book deal.

According to Page Six, the model’s essay in the Cut had publishers champing at the bit in a 12-way bidding war that culminated in the hefty pay day. Editor Helen Rouner at Penguin Press — who also edited Lauren Christensen’s memoir “Firstborn” and Michael W. Clune’s novel “Pan” — landed the deal.

“Emily is an electrifying writer, and she works with a style and force of presence that any publisher would be lucky to support,” Rouner told The Times on Friday. “She’s painting with every color in the palette.”

Rouner continued that the forthcoming memoir is “wise, funny, irreverent, moving — and wholly original.”

Publishers Marketplace announced the forthcoming memoir, describing it as “an examination of modern female identity through the story of the author’s own efforts as a newly single mother in New York City to discover what really constitutes a good life for a woman.”

The essay, which dropped a month ago and quickly broke the internet, drops the veil on EmRata’s sexual adventures (or maybe misadventures) since she and her former husband, Sebastian Bear-McClard, split in 2022.

“It was a violent transition into a new reality of screaming baby on my aching tit and ring on my swollen finger,” Ratajkowski writes of new motherhood. “And then, in a time period that felt both instant and excruciatingly slow, my marriage collapsed. Six months after my son was born, my husband and I stopped having sex. Less than a year later, we separated.”

In the missive, the model interrogates her sexuality — is she a Madonna or a whore? — while untangling bigger questions around gender, power and self-actualization. If Carrie Bradshaw wrote about “Sex and the City,” then Ratajkowski is writing about sex, the city and single motherhood. And naturally, her fleeting paramours have vague monikers: “Vegan Graffiti Artist,” “Spanish Gen-Zer” and “Son of a Billionaire.”

“And then there was the Elder Millennial: obsessed with dental hygiene, psychedelics, and dirty talk,” she writes. “He had approached the subject coyly at first, like it was something he was kind of embarrassed about — the way a kid will test you to see if you’ll talk to them about their dorky obsession of the moment. Do you like Godzilla? What about Star Wars?”

Would-be sleuths with Ratajkowski’s essay and a gossip rag handy will have their work cut out for them.

This will be Ratajkowski’s second book. The first, “My Body,” dropped in 2021 and was a bestselling collection of essays exploring gender, power dynamics, sexuality and the commodification of female beauty in the modeling and entertainment industries.

Ratajkowski’s foray into the spotlight came more than a decade ago when Robin Thicke’s controversial “Blurred Lines” music video made the model an overnight star. She was cast in David Fincher’s adaptation of “Gone Girl,” which hit theaters the following year, and catapulted to top fashion runways — Marc Jacobs, Versace, Victoria’s Secret and Dolce & Gabbana, to name a few. She she’s been romantically linked to Harry Styles, Eric Andre, Shaboozey, Brad Pitt and Pete Davidson, among others.

In 2023, she moonlighted as the host of the “High Low With EmRata” podcast, where she interviewed sex workers, investigated ethical nonmonogamy and pondered the etymology of the word “toxic.” The same year, she told The Times that she was coming into herself post-divorce, “Being able to assert what I want — that feels like it just started: My life as a creator and not as a muse.”

BOOKING something to look forward to doesn’t have to mean breaking the bank.

In fact, you can jet off to trendy European capitals or unwind at a spa hotel in the British countryside for less than you’d think.

We’ve rounded up a selection of the best Wowcher travel deals on offer right now, starting from £89 with options both in the UK and abroad.

Whether you want to hop on the Eurostar to the canals of Amsterdam, pop over to Paris for a 4* getaway, or take the ultimate £99 gamble on a mystery holiday, we’ve got you covered.

Wowcher Mystery Holiday – £99

This famous travel gamble lands you return flights and a minimum 3-star hotel stay for £99pp, with 100+ worldwide destinations in the mix.

While you could bag a sunny beach escape to Ibiza or a chic city break to Rome, the real jackpot is landing a long-haul trip to New York, Bali or the Maldives.

Read more on travel deals

ENDS SOON

Club Med launches mega sale on all inclusive summer hols & kids under 6 go FREE

BEACH KEEN

On the Beach drops HUGE surprise sale – with 50% off city breaks and hotels

Other destinations where you could land a mystery holiday include Disneyland Paris, Thailand and Miami.

Book a £99 Wowcher Mystery Holiday

4* Peak District Countryside Spa Stay – £89

Escape to the spectacular hills of the Peak District with this four-star spa staycation for two.

Situated on the edge of Staffordshire, this bargain break at The Three Horseshoes Country Inn includes a cosy overnight stay, a cooked breakfast, and access to the spa.

Nearvy, explore rock formations at The Roaches, go paddle-boarding at Rudyard Lake, or visit Alton Towers Resort, which is a 20-minute drive away.

Book a 4* Peak District Countryside Spa Stay from £89pp

4* Paris Getaway with Hotel, Flights, and Breakfast – £119

Whisk yourself away to Paris on a stylish, four-star city break from £119pp which includes return flights from your pick of nine UK airports, plus a two night stay and a delicious daily breakfast to fuel your sightseeing.

Stay at the sleek 4* Best Western Plus Suitcase Paris – La Défense, which has beautifully-designed contemporary rooms and a relaxing lounge bar.

Ticking off landmarks like the Eiffel Tower and the Louvre is totally effortless too, thanks to a metro station just 300 meters from the hotel door with direct routes straight into the city centre.

Book a two-night city break to Paris from £119

Northampton Stay at Staverton Park Hotel & Golf Club – £104

Treat yourself to a countryside retreat with a stay at the Staverton Park Hotel & Golf Club, starting from just £104 for two people which includes delicious two-course dinner or buffet access, a complimentary glass of wine each, and a full breakfast.

You’ll also enjoy unlimited access to the on-site gym and sauna, plus handy perks like a 2pm early check-in and an 11am late check-out to stretch your relaxation time.

Golf fans can even tee off on the PGA European-tour standard course, while the hotel sits just a short drive away from the beautiful Daventry Country Park and the iconic Silverstone Circuit.

Book a stay at Staverton Park Hotel & Golf Club for £104

Amsterdam Eurostar Break with Hotel Stay – £139

Hop aboard the Eurostar for a seamless two-night city break to Amsterdam, with return Eurostar tickets plus a stay at the modern ibis Amsterdam City West, which places you close to the vibrant Westerpark.

Getting around the capital will be easy, too, with a metro station a five-minute stroll from the hotel door.

From there, a quick ride drops you right at Amsterdam Centraal, putting bucket-list attractions like the Van Gogh Museum and beautiful canal cruises within easy reach.

Book a two-night city break in Amsterdam for £139

*Prices correct at the time of publication.

WEEKEND plans in the UK can easily burn through a hundred quid these days – so why not spend that exact same cash on a European getaway instead?

Travel companies Wowcher and Loveholidays offer city breaks that bundle your return flights and hotel stays together, all for £99 or less.

Whether you want to sip world-class beers in hidden cellar bars, or soak up the sunshine by a gorgeous Italian lake, here are five city breaks you can snap up now starting at £79pp.

Lake Como – £79

Rub shoulders with celebs at Italy‘s most glamorous lake without paying Hollywood prices.

Here you can cruise across sparkling waters, ride the funicular railway for panoramic mountain views, and tuck into delicious risottos at a waterfront trattoria.

Spend your days in Lake Como exploring historic cobblestone towns and lush botanical gardens right on the water’s edge.

BEACH KEEN

On the Beach drops HUGE surprise sale – with 50% off city breaks and hotels

SUMMER STAYS

European city breaks are mega cheap this summer with £34 flights & £28 hotels

This Wowcher deal includes a stay at the traditional B&B Hotel Como, which recently won a TripAdvisor Traveller’s Choice award.

Wowcher offer a two night break to Lake Como with return flights from London Gatwick, London Stansted, Manchester, Bristol or Edinburgh, from £79pp.

Krakow – £89

Lose yourself in the cobblestone charm of Poland‘s cultural capital, where fairytale spires tower over Europe’s largest medieval market square.

Feast on traditional dumplings by day before wandering the glowing historic streets and exploring underground cellar bars by night.

From the trendy cafes of the old Jewish Quarter to the grand castle overlooking the winding river, Krakow packs masses of history into every corner.

This bargain Wowcher deal bundles in your return flights and a stay at the charming Hotel Yarden by Artery Hotels, right in the heart of the city.

Wowcher offer a two night break to Krakow with return flights from Newcastle, Edinburgh, London Bristol or Manchester from £95pp.

Barcelona – £99

Spend a whirlwind weekend in Barcelona to try tasty tapas, visit golden beaches, and tick off a visit to the jaw-dropping Sagrada Familia.

Wander the winding alleys of the Gothic Quarter before dipping into buzzing bars along La Rambla.

When the sun goes down, head to the hidden neighbourhood plazas like Plaça del Pi to drink cold beer under the palms.

This brilliant Wowcher deal bundles your return flights with a stay at the modern, four-star Eurostars Executive hotel.

Wowcher offer a two night break to Barcelona with return flights from Edinburgh, London Birmingham or Manchester for £99pp.

Prague – £99

Escape to Prague on a fairytale break where the streets are filled with soaring stone spires and historic castles.

Here, winding cobblestone streets hide traditional taverns and cellar bars pouring world-class lager.

Vibrant market stalls fill the sprawling Wenceslas Square, while the famous Astronomical Clock draws lively crowds to the historic Old Town.

This Loveholidays getaway pairs your return flights with an easy stay at the automated, digital-entry Royal Court Legerova apartments.

Loveholidays offer a two night break to Prague with return flights from London Luton for £99.

Venice – £99

Tick off a trip to romantic Venice with this cheap Loveholidays city break deal.

You can hop onto a public water bus for a few euros and cruise down bustling waterways, passing striped-shirt gondoliers along the way.

Stop off at a traditional neighborhood tavern to wash down bite-sized cicchetti snacks with a glass of bright orange Aperol spritz.

Loveholidays is offering flights plus a stay at the traditional Venetian hotel Agli Artisti, situated steps from the Grand Canal.

Loveholidays offer a two night break to Venice in November with return flights from London Luton for £99.

*Prices correct at the time of publication.

CHEYENNE, Wyo. — She refused to ban books, many of them about racism and the experiences of LGBTQ+ people. And for that, Suzette Baker was fired as a library director in a rural county in central Texas.

“I’m kind of persona non grata around here,” said Baker, who had headed the Kingsland, Texas, library system until she refused to take down a prominent display of several books people had sought to ban over the years.

Now, Baker is fighting back. She and two other librarians who were similarly fired have filed workplace discrimination claims with the U.S. Equal Employment Opportunity Commission. And as culture war battles to keep certain books from children and teens put public and school libraries increasingly under pressure, their goal is redemption and, where possible, eventual reinstatement.

So far, it’s a wait-and-see whether the claims will succeed — and set new precedent — in the struggle between teachers and librarians around the country who oppose book bans and conservative activists who say some books are inappropriate for young minds.

The fight has involved a record number of book-banning efforts, some libraries cutting ties with the American Library Assn. — which opposes book bans — and even attempts to prosecute librarians for allowing children to access books some consider too graphic.

At least one terminated librarian has gained a measure of success.

Brooky Parks, who was fired for defending programs on anti-racism and LGBTQ+ stories she organized for teens at the Erie Community Library north of Denver, won a $250,000 settlement in September. Reached through the Colorado Civil Rights Division, the settlement requires her former employer to give librarians more say in decisions involving library programs.

Parks’ settlement with the High Plains Library District capped a stressful eight-month period without work, when community donations helped her avoid losing her home. And it will probably resolve Parks’ claim with the EEOC, said attorney Iris Halpern, who represents Parks and the other two librarians.

“I just wasn’t going to back down from it. It was just the right thing to do,” said Parks, now a librarian at the University of Denver.

After her firing in 2022, Baker filed an EEOC claim against her employer, the Llano County Library System in Kingsland. And in September 2023, Terri Lesley filed a claim over her firing last summer as executive director of the Campbell County Public Library System in Gillette, Wyo.

Halpern, with the Denver firm Rathod Mohamedbhai, compared the wrongful-termination claims to civil rights-era legal battles.

“It is honestly sad that we’ve gotten to this point. But history is a constant struggle, and we have to learn from our past,” she said.

The 1964 Civil Rights Act established the EEOC to enforce laws against workplace discrimination. One legal expert thinks the librarians might be able to prevail on the grounds that, under those laws, employees may not be discriminated against for associating with certain classes of people.

“With any case, the devil can be in the details in terms of how the facts come out and what they can present. But these are definitely actionable claims,” said Rutgers University law professor David Lopez, a former EEOC general counsel.

An EEOC investigation can take more than a year. After that, the EEOC may attempt to reach a settlement with the employer out of court, sue on the employee’s behalf or issue a letter saying the employee has grounds to sue on their own.

The librarians haven’t yet received an EEOC response and none is expected before the end of next year.

“I would love to be optimistic,” Baker said. “I know there are a lot of people in this community who are just absolutely behind the library being open and free and equal for all. And there’s a lot of people who aren’t. So it’s a hard, hard situation.”

EEOC spokesperson Victor Chen declined to comment on specific filings, saying, “We can’t even confirm or deny we have these complaints.”

The county attorney offices and other representatives of the government officials who fired Parks, Baker and Lesley did not return phone and email messages seeking comment, or declined to comment.

At her Texas library, Baker displayed several books that have been targeted in recent book bans and a sign that read: “We put the ‘lit’ in literature” — a reference to a Tennessee pastor’s recent burning of books.

Baker was fired after refusing to take down the display and signs — considered the last straw after she resisted book banning in her library.

In March, a federal judge ordered 17 books returned to Kingsland library shelves while a citizen lawsuit against book banning proceeded. The works ranged from children’s books to award-winning nonfiction, including “They Called Themselves the K.K.K: The Birth of an American Terrorist Group,” by Susan Campbell Bartoletti; and “It’s Perfectly Normal: Changing Bodies, Growing Up, Sex, and Sexual Health,” by Robie Harris.

“Content-based restrictions on speech are presumptively unconstitutional and subject to strict scrutiny,” Texas U.S. District Judge Robert Pitman wrote in his March 30 ruling. He cited a 2015 U.S. Supreme Court ruling that barred communities from banning signs because of what they say.

The Llano County Commissioners Court decided against closing the county’s three libraries in response to the ruling. Closing the libraries would have echoed the history across the U.S. of closing swimming pools rather than desegregating them, Halpern said.

Like Baker, Lesley had trouble finding work after being fired from the library system she directed in Gillette, Wyo. Her dismissal followed two years of turmoil over challenges to the books available and library programs.

Some of the same county officials who opposed a transgender magician’s plans to perform at the library went on to join local residents in seeking to ban books, according to Lesley’s EEOC filing.

Baker and Lesley both were fired after local officials appointed new library board members willing to be more aggressive about pulling books.

“Our county commissioners appointed board members who were sympathetic to the people who wanted to remove the books. And it was a long dance to try to get it there. And in the end they had to fire me, I think, in order to be able to meet their goal,” Lesley said.

The Campbell County Commission skirted a deputy county attorney’s recommendation not to appoint past applicants for the board without reinterviewing them along with new candidates, according to Lesley’s EEOC claim.

“I saw this as a well-executed attack on the library by a group of citizens and elected officials. It was an attack on the LGBTQ+ community as well,” she said. “And it was an attack on the books.”

FANCY bagging a sunny getaway at a European resort from £9.50?

You don’t need to spend a fortune to book a family break abroad, because our famous £9.50 Hols unlock some of the biggest and best holiday resorts across Europe.

We’re talking massive pool complexes, thrilling waterslides, and doorstep access to gorgeous beaches – plus quirky perks like on-site bakeries with fresh bread delivered straight to your door.

Good news – new dates will be released for all of the following European holiday parks plus more on Wednesday, July 8.

But if you want to beat the crowds and bag yourself a bargain before they all sell out, make sure to sign up to Sun Club.

Sun Club members will get exclusive access to these holidays an entire day early, scoring the best deals before anybody else.

Read more on £9.50 holidays

HOL YEAH!

Travel guru’s guide to Hols from £9.50 – from quieter sites to romantic getaways

KID YOU NOT

The £9.50 holiday spots packed with cheap and FREE things to do for families

Whether you want to lounge under banana trees in Spain, explore ancient Rome from a shaded pine forest, or splash in Croatia’s clear blue seas, these action-packed parks have something for everyone.

Here’s our selection of the mega European holiday parks you can book with Hols from £9.50.

La Torre del Sol, Costa Dorada, Spain

While the kids are busy splashing around in a dedicated pirate pool and splash park, adults can kick back with a cocktail under the shade of lush banana trees at La Torre del Sol.

Centred around a massive swimming pool, this pretty resort is styled with Roman and Moorish designs.

There are plenty of ways to keep the energy high with table tennis, bike rentals, and evening family discos.

But the best way to unwind at this resort is going for a relaxing soak in a hot tub in the unique shape of a snake.

Millau Plage, France

Sat on the edge of France‘s Tarn River among rolling green hills and deep rock gorges, this holiday park is a total outdoor playground.

Here you can set off on a canoe or paddleboard onto the water, have a game of basketball or football on the multi-sports pitch, plus kids can tire themselves out on the outdoor adventure course.

Plus you could even hire a bike on-site and load up a picnic with fresh food from the park’s very own bakery, then pedal off to explore the nearby town of Millau.

When you return, you can unwind in your modern holiday home. Each spacious unit comes with full self-catering facilities and a private outdoor space.

Fabulous, Lazio, Italy

Surrounded by a sprawling 70 acres of beautiful pinewoods, Fabulous is an aptly-names resort that sits on Italy‘s Ostia coast.

The area was once a bustling port city in Ancient Rome, and while there is plenty of history and nature here to explore, the resort itself is packed with top tier amenities.

You can spend your days alternating between a massive outdoor pool and a lazy lagoon, catching thrills on the waterslide, or soaking in the whirlpool.

Plus the resort is a convenient 30-minute drive away from the centre of Rome, where you can tick off all of the must-see sites and restaurants.

Bella Austria

Set in a landscape of massive mountains and vibrant meadows, Bella Austria looks just like a film set.

Tucked away in the rural Katschtal Valley, this active park is built for outdoor adventures.

Nature lovers can set off on scenic hiking trails, guided countryside tours, and cycling routes down to the nearby Mur River.

When you aren’t out exploring the local villages, the resort keeps the whole family happy with a mini animal farm, sports pitches, and a traditional Austrian wellness area complete with saunas.

Park Umag, Istria, Croatia

Facing the turquoise Adriatic Sea, Park Umag is a massive, lively resort on Croatia‘s Istrian peninsula.

With direct beach access, it features two miles of waterfront promenade and Blue Flag beaches that are perfect for exploring on hired bikes.

When you aren’t off exploring the local beaches, the site keeps everyone busy with two seafront pools, waterslides, water zorbing and an inflatable obstacle course.

There’s also four restaurants, a pizzeria as well as supermarkets and a traditional market on-site – so you won’t go hungry.

Orbitur Valverde, The Algarve, Portugal

Imagine waking up to freshly-baked bread delivered to your door before spending the day out exploring the Portuguese coast.

That’s what’s on offer with a stay at Orbitur Valverde, a holiday park ideal for those who love the outdoors.

Tucked between The Algarve‘s Lagos and Praia da Luz, the resort has a wealth of dramatic coastal walks and sweeping sandy beaches right on your doorstep.

On-site there’s an action-packed itinerary of golfing, horse riding, and scenic boat trips that will fill your days with adventure.

New reads abound for your vacation tote throughout the weeks of July, with fiction picks featuring a Carnival cruise casualty, a highly entertaining jewel heist at the Waldorf-Astoria, and a Soviet-era madcap adventure. In nonfiction, authors consider how we define wild places, how we pigeonhole the aging, and how languages live or die. Happy reading!

FICTION:

A Real Animal: A Novel
By Emeline Atwood
Catapult: 368 pp., $29
(July 7)
After surviving a sexual assault, narrator Lucy stalks her college campus as a leopard. Don’t spend too much time worrying about whether this transformation is real, or not; Lucy’s knowledge of her fierceness is the point, a fierceness she employs as she struggles to negotiate her independence from parents who wish she’d come home to recover and men who offer up their desires and ignore hers. It’s an astonishing debut with a compelling voice.

Man Overboard!: A Novel
By Kathleen Rooney
Gallery Books: 208 pp., $27
(July 7)
Readers expecting something akin to Rooney’s wondrous previous novel, “Lillian Boxfish Takes a Walk,” should remember that that book followed “Cher Ami “ and “Major Whittlesey,” a story about a pigeon and a World War I Army officer. In other words, Rooney doesn’t repeat herself, and in “Man Overboard!” she’s concocted a hilarious adventure tale of a man floating in the Gulf of Mexico, adrift with himself, his thoughts, and a few sea creatures.

Astronaut!: A Novel
By Oana Aristides
W. W. Norton: 272 pp., $28
(July 14)
Imagine a dystopia set neither in the future nor in fantasy; that’s the 1989 Romania 7-year-old Lia inhabits, its adults living in fear of Communist dictator Nicolae Ceauşescu, its infrastructure strained by deprivation, and its reality so scrambled that calling an explorer an “astronaut” instead of “cosmonaut” risks punishment. When Lia sets out to buy her mother a birthday gift, she sets in motion a series of weirdly probable yet totally weird events.

City of Widows: A Novel
By Nadia Hashimi
William Morrow: 432 pp., $32
(July 28)
During the two decades of American occupation, Afghanistan experienced a sort of peace, one in which women could be educated, work as professionals, and even serve in the military. When the U.S. left in 2020, those same women found themselves — regardless of their individual status — subject to Taliban restrictions that deny differences in gender, desire and ambition. Hashimi (“Sparks Like Stars”) shows how desperate and daring the women become.

Cool Machine: A Novel
By Colson Whitehead
Doubleday: 368 pp., $30
(July 21)
First “Harlem Shuffle,” then “Crook Manifesto,” and now, “Cool Machine,” the highly anticipated “Harlem Trilogy” conclusion from the two-time Pulitzer Prize-winning Whitehead. The inimitable Ray Carney, who started out as a minor criminal, is now Sterling Furniture’s “Northeast Regional Dealer of the Month,” a respected businessman. It’s the mid-1980s, and when Ray’s beloved wife Elizabeth gets turned down for a small-business loan, he takes matters into his own hands, in his own former ways.

NONFICTION:

How to Kill a Language: Power, Resistance, and the Race to Save Our Words
By Sophia Smith Galer
Crown: 304 pp., $33
(July 7)
Smith Galer’s nonna spoke an Italian she called “dialet”; her mother spoke “dialet” and English; Smith Galer herself speaks only English. What do we lose, the author asks, when a language dies? The answers she found are powerful, like an enzyme to treat HIV that was found in a tree that was discovered because a researcher spoke Samoan. Unsurprisingly, she also found that language death often corresponds to ecological and cultural devastation.

The Earth Said Remember Me: How to Revive Our Memories and Restore Our Planet
By Jason Dove Mark
W. W. Norton: 224 pp., $25
(July 14)
Perhaps art will be the thing that preserves the environment, even if humans can’t save it. “Go outside. Bear witness. Make a record. Pass it on,” writes Mark in this eloquent, impassioned plea for us all to remain involved in environmental action. The more we appreciate the natural world, the more we’ll want to care for it, share it with others, and help future generations understand how some changes are natural and not all are inevitable.

Aging Out: An Exploration of Caregiving, Community, and How Americans Grow Old
By Lucy Schiller
Flatiron Books: 272 pp., $30
(July 14)
Services for the elderly range from luxury assisted-living facilities to special digital devices meant to bypass phone scams, but as Schiller explains, these things not only commodify a natural life passage — they separate older people from their natural communities. The author was inspired to investigate our country’s aging population when she cared for a grandmother who died from COVID; the book weaves the personal with the political in a meaningful way.

(Avid Reader Press/Simon & Schust)

Dad, Love, Me: A Memoir
By Matthew Quick
Avid Reader Press: 320 pp., $30
(July 21)
Novelist Quick (“The Silver Linings Playbook”) turns to memoir in recounting his contentious relationship with his father, whom he’s losing to dementia. While the author has had big highs (like the movie adaptation of “Playbook”), he’s also experienced deep lows, including alcoholism and severe creative block. Somehow, through recovery (which he credits to Jungian therapy), he affords both his imperfect, ailing parent and himself grace.

The Savage Landscape: How We Made the Wilderness
By Cal Flyn
Viking: 448 pp., $35
(July 28)
In “Downton Abbey”, the Dowager Duchess of Grantham starchily asked “What is a ‘weekend?’” In this book, journalist Cal Flyn asks — more affably, but with equal intensity — “What is a wilderness?” Her answer: Depends on your perspective. In other words, nearly every place on Earth teems with life. It’s only humans who have attached words like “wild” and “unexplored” to regions where they feel uncertain, afraid, and even awed.

Patrick is a freelance critic and author of the memoir “Life B.”

Eddie Huang has never felt lighter. Last month, after his debut novel, “Come Undone,” finally released, something shifted.

“I have a family. I feel healed,” he said over coffee and short ribs in Santa Monica hours ahead of a live talk with Ottessa Moshfegh, the bestselling, critically acclaimed author of Huang’s favorite book, “My Year of Rest and Relaxation.”

“People always write me off as a personality or a multi-hyphenate,” he said. “It’s a nice way of saying I’m not really good at anything. But I didn’t have any of that this time.” He leaned forward, serious. “I have to be honest. I do think the Knicks are a big, big part of it.”

His beloved Knicks winning the championship, he said, kept him from spiraling over the book. In person, Huang subdues his ironic braggadocio with polite eye contact and rolling belly laughs at his own jokes. For years, audiences have watched Huang resist whatever box you put him in. His particular brand of cultural fluency — a rapid-fire mix of food, fashion, basketball, politics and pop culture — is what made the “Gua Bao Bad Boy” impossible to categorize.

For most of his career, Huang has seemed constitutionally incapable of standing still. Chef. Memoirist. TV host. Filmmaker. Lawyer. Comic. Podcaster. His first book, “Fresh Off the Boat,” became the longest-running network sitcom centered on an Asian American family, even as Huang publicly distanced himself from the show. Since leaving post-fires L.A. for New York, he’s reopened Baohaus — returning to the kitchen that built his career. Waiting for him at home after the book tour is his wife, Natashia Perrotti, and their 2-year-old son.

Now there’s “Come Undone,” fiction that Huang called his most honest — and vulnerable — work to date.

“It’s sort of this next-gen auto fiction type thing that is creating its own rules,” Moshfegh said ahead of their Q-and-A. “It made me think about my own appreciation for the experience of male heterosexuality and how much it’s been commodified.”

The book follows Hubie, a globe-trotting food-show host drifting through Chateau Marmont, Madeo, Nobu and other “dirtbag L.A” (as Huang coins) spots. He meets Janine, his equal in appetite and id, sending him into a tailspin of yearning and loops of Sky Ferreira’s “Everything Is Embarrassing” on sadboi walks. The “two walking red flags” decide to try to make it work.

Huang called the novel an “autofictional riddle.” The puzzle isn’t especially difficult if you’ve followed his relationship with Perrotti, who co-hosts their podcast, “Canal Street Dreams.” Marrying a writer, she’s learned, often means finding out what he feels by reading it. “We’ll get into a fight,” she said, “and I’ll wake up to a Substack article about it.”

It’s also part of the private life she’s since conceded. “It’s annoying,” she added. “But now I can read it, and maybe understand him a little bit better. He’s trying to communicate through the writing, like sending somebody a song and saying, ‘I want you to listen to these lyrics.’”

The novel goes further, drawing from experiences the couple has never discussed publicly. In the novel, Hubie and Janine’s relationship pivots after an ectopic pregnancy ends in loss. Perrotti said the scene is fictionalized but mirrors a similar experience they had early in their own relationship.

“It brought us closer together,” she said. “It was the catalyst for us realizing we were serious.”

Before Huang could finish the book, the life he was writing about had to fall apart. “This book was very much about breaking up with your family to start your own,” he said. “There was a lot of anger in the book that had not been resolved.”

By the end of 2024, Huang had stopped speaking to his mother. The break followed what he described as a blowup at a Cheesecake Factory. It also unlocked the ending he’d been chasing.

Eddie Huang.

(Jason Armond / Los Angeles Times)

Looking back, Huang thinks the earlier versions failed because he was still arguing with her. He’s still trying, in some way, to communicate with her through his writing. “If there’s one person I wish would read the book,” he said, “it would be my mom.”

There were other chapters he had to close the book on, mainly Hollywood. His foray into fiction coincided with the writers’ strike, drying up all his income and future projects. That same year, he became a father. “I had to accept and realize that my value was not in making money,” he said. “Because for three years, I couldn’t.”

He recalled a particular low point researching life insurance policies. “I had to rebuild my whole self. Really love myself despite not being able to offer anybody anything.”

That new certainty didn’t make Huang any less willing to pick fights. Last year, as his documentary “Vice Is Broke” — an autopsy of the media company behind “Huang’s World” and its eventual bankruptcy — awaited release, Huang said distributor Mubi shelved the film after he boycotted the company over Sequoia Capital’s investment in an Israeli defense technology startup. (Mubi denied this and said it still planned to distribute the film.)

The ghost of Vice still lingers in today’s media ecosystem in what he called our “era of cartel journalism:” creators navigating a world of blurred incentives and corporate interests. He traced this instinct to challenge those systems back to Socrates’ “gadfly” — the person whose job was to annoy power. “As a writer, you should be challenging people,” he said. “If your memoir can be turned into a sitcom, it probably wasn’t challenging.”

Eddie Huang.

(Jason Armond / Los Angeles Times)

After the 2025 L.A. fires drove his new family back to New York, Huang went back to cooking. He worked pop-ups, reopened Baohaus and found himself alongside line cooks half his age. In March 2025, he rewrote the novel in five days. That same month “was the first month I didn’t overdraft my credit card,” he said, with the majority of his income today coming from the restaurant. It’s allowed him to make films, write books and walk away from deals he doesn’t believe in. “Being a chef is the anchor that allows me to maintain my artistic integrity.”

For years, comparisons to Anthony Bourdain followed Huang everywhere. The two eventually became friends.

“He was one of the few people who was as advertised,” Huang said. “Nicer and more generous in person. And wounded.”

Bourdain is the only real person who appears in “Come Undone” under his own name.

When Huang mentions him, he stops talking. He covers his face. Tears come.

“I don’t believe in God,” he said, “but I asked the universe why for many, many years.”

Bourdain’s suicide, he said, was one of the reasons he walked away from “Huang’s World” in 2018. At the time, few people understood why. “It was Tony. It was family. It was everything.”

Eddie Huang.

(Jason Armond / Los Angeles Times)

Now, looking back, Huang thinks he was writing “Come Undone” toward a different ending than the one he’d imagined.

“This book is a guy saying, ‘I don’t want to be like my biological father,’” he said. “And, in the most respectful, loving way, I don’t want to go out like Tony.”

He paused. “I needed to name the sadness in me. I needed to allow myself to be loved.”

Huang is already writing another memoir about getting back into the kitchen. Still, he said, these days, he’d rather write fiction.

Rudi, an L.A. native, is a freelance art and culture writer. She’s at work on her debut novel about a stuttering student journalist.

For 45 years, in his novels, short stories and essays, James Ellroy has been creating the definitive under-history of his Los Angeles hometown, mapping in his work the subterranean currents of power, corruption, sex and lies that have shaped the polity of the city. Ellroy’s latest is another compelling entry in his ongoing project.

“Red Sheet” is a multilayered American epic that blurs fact and fiction, a deep dive into anti-Communist paranoia, from the corridors of City Hall to the dank precincts of the LAPD. The novel also marks the return of Fred Otash, a real-life Hollywood fixer whom the author has featured in previous novels, including his last book, “The Enchanters.” I recently talked to Ellroy about Otash, L.A. in the ‘60s and L.A. today.

✍️ Author Chat

Freddie Otash has been something of a twisted muse for you. In “Red Sheet,” Otash is an LAPD detective trying to smoke out Communist sleeper cells in Kennedy-era L.A. He was, in fact, a real person, a notorious Hollywood fixer. How did you first become aware of him?

I had seen a documentary about his specious role in the cover-up caper surrounding Marilyn Monroe’s death. I’d been hearing about him for years, and then I created the Jack Vincennes character who worked for scandal magazines in my book “L.A. Confidential,” played by the scurrilous Kevin Spacey in the vastly overrated movie of the same name.

Did you ever meet him?

Years ago I met a producer named James B. Harris, who produced all the old Stanley Kubrick movies and had optioned one of my early books called “Blood on the Moon.” I asked him if he knew Freddie Otash, and he said everyone in Hollywood knew Freddie Otash. I was planning my novel “American Tabloid” and so I arranged to meet him. He was unpleasant and charmless and way past his prime. I spent some time with him in Miami, where he was living in a place called the Jockey Club, and I had to listen to him talk about his many conquests of the world’s most beautiful and desirable women. I didn’t believe a word of it.

But he did have useful stories, I’m assuming.

Otash I used for the character Pete Bondurant in “American Tabloid.” We entered into a deal whereby I would pay him 10% of what Knopf was paying me in exchange for him keeping his mouth shut. He has become that valuable literary artifact: the great detective.

“Red Sheet: A Novel” by James Ellroy

(Knopf)

Your book deals with a piece of legislation called the Rumford Act that would tear down the city’s racist racial housing covenants in 1963, but the act in ’62 had enemies in high places, namely Mayor Sam Yorty and his power base. You were 14 in L.A. in 1962. Did you feel this racial tension?

I remember vividly how the world was changing. I knew there was de facto segregation in housing. I remember Nixon’s pathetic campaign for governor in 1962. But I remember racial barriers breaking down, particularly in school. Just talking with Black kids in school, because why wouldn’t you? And I had been this dumb, bigoted kid.

What’s interesting about the characters in your book is that their ideological alliances are quite fluid, depending on the circumstances. Communists are married to John Birchers, who may be, in fact, red-diaper babies, and so on.

People are endlessly complex. Going back to Freddie Otash again. He knew Tom Bradley in the ‘40s, when Bradley was a cop. And Freddie becomes a bag man for the civil rights movement, and the Rumford Act in particular. He’s about the most unlikely guy you would expect to support civil rights. I wanted to show [how] complex human beings and their beliefs can be, and this book is a primer on that.

You are so closely associated with Los Angeles, and you lived here for most of your life. Why do you live in Denver now?

Helen Knode is my all-time life partner, who is also my second ex-wife. Ten years ago, we decided to get back together, but she was living in Colorado. She came up with the idea of me getting a loft in her building, and we would have the keys to each other’s places, and that’s why I did it. I like it in Denver, though it’s quite hot at the moment.

Do you miss L.A? What are you feeling about the city now?

I was just there on my book tour. I feel like it’s a complete dump. It’s just totally run-down. When I got off the airplane, I noticed a smog layer, so smog is back. I saw many young, odd-looking, overly adorned young people. I don’t know. … It’s a kid’s town now, to a certain extent.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Country music performer Kenny Chesney sat down with Holly Gleason, the co-author of his new memoir, to talk about writing the book.

(Jill Trunnell)

Greg Sarris is the chairman of the Federated Indians of Graton Rancheria in Sonoma County. He’s also an acclaimed novelist whose his first book in 28 years, “The Last Human Bear,” is loosely based on the life and teachings of Pomo spiritual leader Mabel McKay, a constant lodestar for Sarris. “An American Indian woman is as richly complicated as anybody else. I wanted to show this rich and complicated character who’s negotiated a history that she’s showing you,” Sarris tells Maddie Connors.

In “Daughters of the Sun and Moon,” author Lisa See excavates the events surrounding the Chinese Massacre of 1871. In doing so, she also digs into her own Chinese heritage in L.A. “My great-grandfather’s fourth wife was 16 when he brought her here, and she was never let out,” See tells Emily St. Martin. “My mom used to say these women would all get together, and she used to describe it as birds twittering together, because they actually had this opportunity to be with each other, but on really very rare occasions.”

Fear not, literary Cassandras: Authors can still generate online heat, thanks to BookTok and other social media outlets. So much so that more books are being adapted into streaming content than ever before. “With the advent of BookTok, it allows you to have so much social chatter around these authors,” producer Bryan Unkeless tells Gary Goldstein. “They’re becoming new rock stars, in a way.”

Finally, Kenny Chesney sat down with Holly Gleason to discuss their collaboration on “Heart Life Music,” Chesney’s new memoir. “I didn’t know if there was a story there,” the country megastar tells Gleason. “Over time you wore me down, to make me pause and … reflect.”

📖 Bookstore Faves

The interior of Counterpoint Records & Books.

(David Jones)

In a city that has so often seen its old-school retail businesses turned into nail salons and real estate offices, Counterpoint Records & Books remains an outlier. Originally established in 1979 by John and Susan Polifronio, the store on Franklin Avenue has remained, even as many of its nearby store-mates have shuttered, offering a well-curated selection of secondhand books and records from every conceivable genre. I chatted with David Jones, who is one of the owners of the Franklin Avenue store, about Counterpoint’s enduring success.

Counterpoint is an Eastside institution, but businesses along your strip on Franklin have gone under while you have survived. What is the secret to your longevity?

Firstly, we are lucky enough to own the building we do business in, which has given us a lot of freedom to be able to pursue doing business our way. That didn’t happen until we were in business for almost 20 years, but now in our 47th year we feel lucky to be able to continue to provide a physical, in-person shopping experience. I think our success is tied to this. People are looking for an experience away from their screens, and I think we provide that without being anachronistic or nostalgic by keeping up with and stocking contemporary music, digital media and all types of books.

Is your clientele mostly local? I’m guessing it’s a multigenerational clientele, given the store’s long history.

We definitely have a younger demographic these days, but we have a very intergenerational staff, and I think that attracts an all ages clientele. We meet folks daily from all over the world as a destination that people return to and tell their friends about. I think word-of-mouth is our greatest form of outreach. People say we feel special to them, as if they’ve stumbled onto a secret by shopping here. It’s something I love and am very proud of.

How have books maintained their staying power despite the countless distractions of daily life?

I think of it as one of life’s greatest luxuries. To be honest, I never thought too much about the staying power of books until the pandemic. During that time, people would come in and thank us for being open and a place they could come to escape what was happening. It was a real turning point for me. I started to think more about the importance of what we do and how much of an effect it has on people. I never took what we do for granted, but it gave me a sense of urgency that I didn’t quite have before.

Counterpoint Records & Books is at 5911 Franklin Ave. in Hollywood.

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