book

As a young sportswriter studying journalism at the University of Missouri, Seth Wickersham looked to Los Angeles for inspiration. At the campus bookstore, Wickersham bought his first sportswriting anthology, “The Last of the Best,” a collection of columns from the Los Angeles Times’ Jim Murray, one of four sportswriters ever to win a Pulitzer Prize.

Collections of work from Murray, Rick Reilly, Frank Deford and others offered Wickersham a road map for the career he wanted to build — and he has, with 26 years’ worth of work at ESPN meriting an anthology of his own. “Be on That Hill: Stories From the Summits of Sport,” which will hit bookshelves Sept. 22, is Wickersham’s third book. He said assembling an anthology is both “the coolest thing you could ever imagine happening” and “this weird mind warp.”

“When you’re just on a treadmill like I’ve been, the years just go,” says Wickersham, who’s been covering sports since he was hired by ESPN The Magazine straight out of college. “You don’t realize it, but then you take stock of it, and you’re like, ‘Holy cow, I’ve been doing this 26 years …’ It’s surreal to go back and look at it.”

A premier investigative and feature reporter primarily covering the NFL, Wickersham has also written “It’s Better To Be Feared: The New England Patriots and the Pursuit of Greatness,” and “American Kings: A Biography of the Quarterback.” Both books combine new, headline-generating reporting with intel Wickersham has gathered over decades covering football. With “Be on That Hill,” Wickersham selected stories that he hopes, taken together, “tell a bigger story not only about the games that we love, but the ways we consume them, and even about the country.”

Football has always been Wickersham’s first love — he weaved his journey as a high school quarterback into “American Kings” — but his latest book features stories about a college basketball coach on the job hunt and an NHL enforcer’s attempts to avoid head injuries.

“I’m trying to write about people who have a certain level of inner turmoil,” Wickersham says, “whether it’s Sean McVay after he wins the Super Bowl, or Jerry Jones when he’s threatening to sue the NFL to stop Roger Goodell from signing a contract extension.”

The sports media industry has changed dramatically since Wickersham’s career began. ESPN The Magazine no longer exists. Access to coaches and players is increasingly hard to secure. But Wickersham’s journalistic goals are the same today as they were when he bought Murray’s anthology.

“I want to be a link on a chain,” he says. “It’s hopefully an installment of a body of work that one day might help me be a link on a chain of the best who did this.”

This Q&A was edited for length and clarity.

✍️ Author Recommendations

In addition to Jim Murray’s anthology, here are some other sports books that have inspired Wickersham.

• “The Breaks of the Game” by David Halberstam: This is the Pulitzer-winning Halberstam’s first sports book, following the 1979-1980 Portland Trail Blazers. “When it comes to trying to decode a team, that’s the standard,” Wickersham says.
• “Joe Namath and the Other Guys” by Rick Telander: Namath, the Hall of Fame New York Jets quarterback, serves as an example of quarterbacks’ rising celebrity profile in “American Kings,” and Telander is one of Wickersham’s favorite sportswriters. “The portrait he gave of Joe Namath in his twilight was just so rare,” Wickersham says. “I don’t think a book like that has ever been done.”
• “When Nothing Else Matters” by Michael Leahy: Another book about an athlete in his twilight. This one documents Michael Jordan’s time with the Washington Wizards. “He worked his tail off as a reporter and really gave a brutally honest glimpse into what it was like to live and play with Michael Jordan the last few years of his career,” Wickersham says.
• “The Franchise” by Michael MacCambridge: Wickersham read this history of Sports Illustrated in college. “It really not only gave a glimpse into how so many of these great stories by my heroes … were done,” he says, “but also how those guys got hired at Sports Illustrated. It was like a job road map.”

📰 The Week(s) in Books

Our fall book recommendations answer your call for learning and discovery this season.

(Kissi Ussuki / For The Times)

Our Fall Preview includes 29 books to keep on your radar this fall, as well as television and movies we’re excited about.

Mark Athitakis reviews Marlon James’ “The Disappearers,” a Booker Prize longlisted novel that follows gay men in Jamaica across seven decades.

Can’t get enough of “The Odyssey”? Acclaimed classicist Emily Wilson, who eviscerated Christopher Nolan’s cinematic take on the epic, is translating the Greek poem for a second time.

📖 Bookstore Faves

Sons and Daughters is a new bookstore on Melrose.

(Photo from Sons and Daughters)

This week, we caught up with Raine De Leon, owner of Sons and Daughters Books, a formerly online bookstore that opened a brick-and-mortar location earlier this year. Here’s what they had to say about their IRL location, the local bookshops that inspired them and more.

This interview was edited for brevity and clarity.

Your bookstore began as an online store in 2024. What motivated you to open an online store? How did it grow from there?

A brick-and-mortar was always the end goal, since I wanted a physical space for writers, readers and other artists to come together for events and community building. Originally, the online store was actually an online poetry journal, where I published poets from around the world, wrote reviews, and held virtual readings. I wanted to translate that into an in-person experience.

What other bookstores, in Los Angeles or elsewhere, served as inspiration for the type of bookstore you wanted to open?

Skylight Books in Los Feliz and Village Well Books and Coffee in Culver City really inspired how I wanted the store to feel: warm, inviting and dynamic enough to serve both a neighborhood and a larger L.A. audience. I took inspiration from the Painted Porch in Texas in regard to curating the selection of books in the store. City Lights in San Francisco was also a huge inspiration for not only my store, but my life in general. The place it holds in the history of its community, the history of publishing and the history of poetry are profound, and I am trying to emulate that legacy as best I can.

What inspired the name Sons and Daughters Books?

The poet Charles Olson wrote a landmark essay, “Projective Verse,” in 1950. In it, he talks about poetic lineage and influence, and he says something to the effect of “We are the sons of the poets who came before us,” and that really spoke to me. I expanded it out to “Sons and Daughters,” with that same sentiment, to be a little more inclusive.

What type of selection can people expect at Sons and Daughters Books?

Our selection is almost all new books with focus on fiction, poetry, social sciences and more. We also have a cart of used books out on the floor every day, and on Sundays I bring out two more carts of used books.

For the new books, I selected each book in the store myself. I may not have read every book on these shelves, but I went line by line in our inventory sheets to select books that I wanted people to be aware of. Even though I am the only staff member, our “Staff Rec” table features reviews and picks from those closest to me. I wanted our selection to be extremely specific to me, my loved ones and the community the store is now in.

In the time you’ve been open, what events have been the most popular? Any particular upcoming events you’re excited about?

Our two most popular events are definitely our weekly stand-up comedy open mic night and our thriller book club.

September is our fullest month yet in regard to events, and I’m very excited for a few. We have two book launch events. The one on Sept. 26 is for “Valley Girl Manifesto” by Noelle Cope, a collection of both poetry and prose. The other, on Sept. 19, is for “Anger Is a Gift,” a new poetry anthology from FlowerSong Press. Both celebrate poetry, locality and connection.

Our full events calendar, which continues to grow, also features community workshops, silent reading clubs and more.

Sons & Daughters is located at 7817 Melrose Ave., Los Angeles.

After oohing and aahing over “The Odyssey,” it’s time for the hot summer splash to make way for an intriguing fall lineup.

At the movies, Alexander Skarsgård plays a sexy wicker husband. Tom Cruise, a bizarro oil man. Jenna Ortega, a robot friend, and Kendall Roy, ahem, Jeremy Strong, is Mark Zuckerberg. Then we revisit classics of various stripes on the small screen, from a further-future “Blade Runner” to “A Different World” relaunch to “East of Eden” to “Pride and Prejudice.”

For new books, it’s an Emily fest. Emily St. John Mandel’s “Exit Party,” based in Los Angeles, is being called her best work since “Station Eleven.” And Emily Wilson, “The Odyssey” translator who launched 1,000 hot takes, lets us inside her process. As for arts, directors steal the spotlight: the Lucas Museum of Narrative Art opens with 20 inaugural exhibitions and a collection of David Lynch’s L.A. photography fills a local gallery.

Bookmark this page and come back daily this week as we share even more of the best of fall. — Brittany Levine Beckman

The series is based on a best-selling book

A book adaptation hailed a “masterpiece” by viewers is coming to ITV’s streaming service for the first time.

Nine Perfect Strangers, which debuted on Hulu in 2021, will arrive on ITVX in September. It’s not the only new launch landing next month, with all five seasons of Poldark also making its way to the streaming service.

Based on the best-selling novel of the same name by Liane Moriarty, the mystery drama has a star-studded cast list with big Hollywood names such as Nicole Kidman and Melissa McCarth.

Luke Evans, Christine Baranski, Bobby Cannavale, Michael Shannon, Annie Murphy and Mark Strong also star.

A synopsis reads: “Nine Perfect Strangers is set at a boutique resort which promises healing and transformation to nine stressed city dwellers.

“Watching over them during the ten-day retreat is resort director Masha (Nicole Kidman), a woman on a mission to reinvigorate their tired minds and bodies. However, these nine perfect strangers have no idea what is about to hit them.”

Nine Perfect Strangers was directed by David E. Kelley, known for Big Little Lies, and has been described as a “suspense-filled drama” with lighter comedic moments. The series explores how far people will go to face their personal demons and get well, shining a light on the world of health and wellness and our constant quest for self-improvement.

And while the drama is new to ITV, those who watched it on Hulu back in 2021 have a lot to say about it.

One viewer wrote on IMDb: “This show is amazing I honestly could NOT stop watching, Great casting very thrilling and suspenseful it definitely had me hooked. Going into this show I honestly did not expect much but boy was I wrong, I’m not gonna spoil anything but trust me you should definitely give this show a watch it will not let you down. 100000 out of 10 perfection, thanks Hulu.”

While another added: “Modern masterpiece.Perfectly relevant. Wonderfully acted across the board. This is top tier production of story.

“Filled with character and drama and poignant climax each episode. There is direction and building and thorough relation with everything. No disappointment episode to episode and an overall positive outcome that closes with satisfaction and optimism. Fiction steeped with reality.The music, cinematography, acting, animation, and overall direction really sends this into the upper echelon. Brilliant.”

Overall, Nine Perfect Strangers has mixed reviews, with some calling the plot “confusing”. Reflecting on this, one fan of the book wrote: “The TV adaptation follows the novel very closely. If you read the book you’ll enjoy it on the screen. If you haven’t read the book, sit back, shut up, and get ready for a bumpy ride. THEN leave your review.”

Nine Perfect Strangers will land on ITVX on September 27.

The Godfather, widely considered the greatest gangster film ever made, is being shown on BBC2 tonight at 10pm – starring Marlon Brando and Al Pacino

The Godfather, based on the much-loved gangland crime book of the same name, is widely accepted as “the best of all time” is on BBC tonight.

The 1969 novel by Mario Puzo was adapted for screen and directed by Francis Ford Coppola. The film was a smash hit and swept up during awards season with the performances revered as the best in cinema history.

With a stacked cast including Marlon Brando and Al Pacino to the film remains the gold standard for the crime genre today. One IMDb user said it is “One of the best of all time”, giving the film a solid 10/10 score.

Another wrote: “A flawless movie. This movie translates from the book perfectly!This movie made me want to be a director and create film. Everyone’s acting was perfect. To think that Puza wrote this specifically to make a hit is at first crazy.”

More than five decades since its release, The Godfather continues to command a devoted following, and tonight you can watch it on BBC Two, completely free of charge.

The story follows the shady underground world of the Corleone crime family. It scooped up three Oscars for Best Picture and Best Adapted Screenplay, with Brando also claiming Best Actor.

An IMDb review said: “A masterclass in film making, is The Godfather a contender for the best film of all time? I’d argue the case that it is, this is the ultimate gangster movie.

“Before you panic at the thought of a film being almost three hours long, you needn’t, you won’t even notice the time, it flies by. Production values are incredible, it looks sublime the whole way through, it’s so well produced, at roughly fifty years old it puts many new films to shame.

“Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more. If you’re considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference. This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10. “

Another wrote: “This movie is strong, good script, great casting, excellent acting, and over the top directing. It is hard to fine a movie done this well, it is 29 years old and has aged well.

“Even if the viewer does not like mafia type of movies, he or she will watch the entire film, the audiences is glued to what will happen next as the film progresses. Its about, family, loyalty, greed, relationships, and real life. This is a great mix, and the artistic style make the film memorable.”

The Godfather will be on BBC2 at 10pm.

Hig (Jacob Elordi) may be the most perfect guy alive, not that he’s got much competition. In Ridley Scott’s simple-minded sociological study “The Dog Stars,” an influenza epidemic wiped out the majority of our squabblesome species sometime during the last decade. The LCD screens outside the Denver Nuggets basketball arena continue to flicker, although weeds and wolves have overrun the fast-food joints in a bit of postapocalyptic product placement.

A former mechanic and construction worker, Hig lives 25 miles north of the city on what appears to be a combination high school football field/rural airport. Periodically, the soft-spoken and generous man flies his Cessna into town to scavenge soda pop for a dozen or so cherubic Mennonite children on a nearby homestead. Those wholesome visits seem to cheer him up a little, what with the kids’ minder (Benedict Wong) striding around in a straw hat and overalls like something out of Norman Rockwell, and the youngsters thanking Hig with crayoned portraits of his doting German shepard, Jasper. Still, he’s bummed out about his dead wife (Sai Bennett), who, like most dead movie wives, appears in flashbacks as beatific, mute and adoring.

The script by Mark L. Smith (“The Revenant”) wants us to fret that Hig may succumb to suicide but whiffs that idea by trying to get it across in a scene where Hig shuts off the Cessna’s engine mid-flight with Jasper happily riding shotgun. Even if we were willing to accept that Hig might deliberately crash his plane, we can’t buy for a second that he’d hurt his sweet pup. Nevertheless, the film’s dystopian beats are so familiar, you’ve probably guessed by now that you shouldn’t get too attached to the dog.

Hig has bunkered down with a grouchy companion, Bangley (Josh Brolin), who thrives in this harsh world. To Bangley, the four essentials of life are “power, food, water and weapons.” Their armory is formidable; their cash supply, a source of comic relief. At night, Hig and Bangley play poker with stacks of $5,000 bills that they throw around as casually as nickels. Patrolling their two-man compound, Bangley insists on killing all outsiders before they might cause any trouble. Adding insult to headshot, he calls his casualties “cockroaches.”

Soon, Hig will meet a freckled widow named Cima (Margaret Qualley) and her suspicious father, Pops (Guy Pearce). The young pair make eyes at each other. Yet these survivors are so hard-wired to be fearful of their neighbors that Hig and Cima’s rusty, tentative flirtation takes place under the gaze of her daddy’s gun, a heck of a chaperone. The most they get up to is heavy spooning.

This is an uncomplicated yarn about a man prying open his heart and nudging other hard nuts to do the same. There’s little tension or drive, just shaggy scenes about paranoia, trust and hope. The characters seem to endure only to get to their next traumatic memory reveal.

At once plain-spoken and vague, the story lacks a firm grip on facts like the distance between places and how long this mess has been going on. It snatches at our attention with no more finesse than a losing fighter fumbling for a weapon. Hig’s Cessna works fine until it’s narratively convenient that it doesn’t. Then when needed, it works again. Meanwhile, Brolin’s Bangley oscillates in personality from miserable bastard to laugh factory.

At 88, Scott remains the cinema’s uneasy philosopher, continually fretting about the technological and societal tools we’ve developed to destroy ourselves. He’s made one genuinely optimistic film, 2015’s “The Martian,” which also happens to be his biggest box office success. Other than that, he’s never seemed confident that the future will turn out all right, although he’s kept on working out his worries onscreen, forever hunting for flakes of hope in the rubble. (If you take Scott’s IMDb as gospel, he’s got seven upcoming features in various stages of preproduction, more than George Lucas has ever made.)

“The Dog Stars” is based on Peter Heller’s 2012 novel of the same name, which, in those naive, pre-COVID times, was received as a rosier take on Cormac McCarthy’s “The Road.” Scott’s version of“The Dog Stars” borrows its title, premise and a handful of proper names. Otherwise, it’s loud where the book was quiet and subtle where the book got sweaty. A barrage of newly concocted action sequences in the second half makes the pacing so off-balance that the film feels like a heron trying to fly with one blinged-out wing.

I’m only half-complaining — those giddy, bloody scenes are the best parts of the movie. But we in the audience could have used some of that pizzazz at the beginning, too, before we spent nearly an hour settling into the idea that we’ve seen all of this before.

The attackers to come are a bizarre grab bag of baddies. One gang wears football pads as armor and comes galloping in on horses, whooping like the Apaches in a John Ford movie. Another horde, the Reapers, runs around shirtless to show off their thick black tattoos. The Reapers look awesome through cinematographer Erik Messerschmidt’s night-vision binoculars that make their skin glow an alien shade of green. Neither group comes across like human beings. The film handles them more like zombies or rabid raccoons, and since these extras are the only characters of color, I won’t fault anyone who finds their treatment morally queasy.

Late in the film, we also meet a third group headed by Allison Janney doing a cap-tip to Nurse Ratched as the soundtrack cues the mind-numbing waltz from “One Flew Over the Cuckoo’s Nest.” Otherwise, Harry Gregson-Williams’ meddlesome score tells us everything that’s about to happen 30 seconds before it does. Besides Janney and Qualley’s plucky Cima (what in the made-up name is that?), few grown women seem to be left alive for reasons probably better left unsaid. (A goon in the book wears a necklace made of dried labia. Scott sagely omits that detail.)

Elordi nearly shoulders the running time but plays his Hig a bit too humbly. I’ve rarely seen Elordi wearing his lanky, handsome screen presence comfortably; something about the actor usually seems to be apologizing for his own existence. His recessive Hig needs more charisma so we can care about him as a character, not just an idealized hero. But you like him anyway. How can you not when Hig is giving his dog a good scratch?

Having lived through a seismic pandemic himself, it makes sense that Scott would be drawn to the original novel’s blend of patience and poetry. Yet, it’s odd how little of it he’s kept. To hold my own interest, I imagined myself as a hunter-explorer trying to figure out why Scott had bothered to adapt it at all, and turned up a line where Brolin’s Bangley looks back on his old life and admits that he couldn’t understand what he had until it was gone. A lovely moment, although I don’t believe it’s in the book either.

That’s the theme of this rote exercise. But I preferred a minor beat a few minutes later when a character puts down their gun and picks up a guitar. Bad as this world feels, there’s still pleasure in making art. Which is why Scott keeps at it, too — and while I don’t think much of this one, I’m awful glad he does.

When you’re a Hollywood icon, everyone in town has a story about you. But with Dolly Parton, so do visitors of a 160-acre Tennessee theme park.

I waited for what felt like my entire life to see Dollywood. As a theme park journalist, it was the absolute summit of my professional bucket list — always close yet somehow out of reach. Pigeon Forge, Tenn., like many regional gems, thrives from its proximity to nearby towns but is a haul and a half to get to from Los Angeles. (Consider it no coincidence that Delta Airlines canceled our flight there on two separate occasions.)

My friends and I wore Dolly and Mickey Mouse T-shirts for the occasion.

(Carlye Wisel)

After a failed attempt in 2025, my crew of friends rallied to at long last make the successful pilgrimage to the country crooner’s compound earlier this spring. Once we checked into our Lincoln Logs rental cabin and reality hit that we’d actually made it — cowboy boots on the ground! — we realized all four of us were unusually clueless about what came next.

As Disney obsessives, my friends and I know theme parks, but had no barometer for what to expect from … a celebrity-themed one. Would it feel worn-down and somewhat sad? Would they smell the coastal elite media bias on us? Was the cinnamon bread actually that good?!

Of course, it was all perfect. Gloriously lush, vast and yet somehow deeply quaint, it was jarringly unexpected in the best of ways.

The 12,000-pound Dollywood Eagle is the mascot for the park’s winged roller-coaster, the Wild Eagle.

(Amy Harris / Invision / AP)

Mornings at Dollywood were spent wandering the now-relocated bald eagle sanctuary and crafting village, afternoons were spent riding black bears, coasters and log flumes. We watched candle-dipping artisans at work with wide eyes, heard the screaming whistle of the authentic steam locomotive train, and perused each room of the Dolly Parton Experience museum with glee. By the second day, one friend was walking arm-in-arm toward the cinnamon bread grist mill with its cashier. There was a palpable kindness that emanated throughout, as though every employee was working in her honor, whether performing in a show alongside her blood relatives or selling bedazzled tank tops.

The glorious cinnamon bread at Dollywood.

(Carlye Wisel)

Standing in front of the Grist Mill, a.k.a., the home of the cinnamon bread.

(Carlye Wisel)

And then there were the rides. As for enduring monuments, Elvis fanatics have Graceland, Beatles obsessives have Abbey Road, but Dolly? Dolly acolytes have a wooden-steel coaster so intense it can pop your boob right out of your bra. (In retrospect, my friend’s incident was a perfectly unintended homage to the busty star.)

With funnel cakes in the shape of her beloved butterfly and fashion exhibits with eye-popping heels and wigs, Dolly Parton’s theme park has history, entertainment, reverence. She was inviting us into her figurative and literal home — the tour bus she resided in for over a decade, with an overzealous guide to boot. In fact, most employees couldn’t wait to talk about Dolly, and neither could we. To be here is to be close to Dolly Parton, but to work here seems almost spiritual.

The Lightning Rod roller coaster is intense.

(Carlye Wisel)

At some point between the blacksmithery heat, second loaf of cinnamon bread and feeling my soul leave my body aboard a haunted coal mine coaster, it hit me that this simply will never happen again. The splintering of mass media, the confluence of a cultural icon whose priorities are so admirable — the zeitgeist will simply never again support someone so pure of heart. Who else could pull off an eponymous theme park without it feeling brazenly self-serving?

After all, Dollywood isn’t just a pile of rides in the Great Smoky Mountains. Rooted in authenticity, service and philanthropy, they’re honoring Appalachian culture by forging iron and blowing glass in their Craftsman’s Valley, while inviting you in to do the same. The Imagination Playhouse, a live musical staging of children’s books, promotes her literacy initiative and its work gifting hundreds of millions of free books. Even the property’s most expensive hotel room is a low-key fundraiser for the Dollywood Foundation. In the era of budget cuts, corporate consolidations and layoffs, it feels like a respite from the fiscally overwhelming sides of America’s other theme parks these days, but that’s always been its objective. Dolly’s original investment in Silver Dollar City, the park’s predecessor, was purely to give back to the community and support jobs in the area.

Dollywood’s Palace Theater has hosted iconic shows through the decades.

(Amy Harris / Invision / AP)

Until her death Tuesday at age 80, Dolly was the closest thing we had to a modern day Walt Disney mixed with Mr. Rogers’ kindness and Miss Piggy’s flair. A true Renaissance woman who pulled herself out of a state of poverty that for many seems unimaginable (until, of course, you overstay your welcome ogling the exhibit of her two-room Tennessee Mountain childhood home, which I obviously have).

Dolly Parton was a living testament to what’s important in life: treating others the way you want to be treated, while also looking hot as hell. How unbelievable it is to have been alive at the same time as such a remarkable woman, and to have a place we can forever visit to celebrate her.

All I can do after the end to such a historic run is to urge you: Don’t wait as long as I did to experience Dollywood’s magic firsthand. Make the pilgrimage. Go there and see it yourself, in her honor.

And maybe, just maybe, wear a more supportive bra on Lightning Rod.

Fans gathered at Dollywood after she died at the age of 80.

(Melissa Sue Gerrits / Getty Images)

RIGHT now there are hundreds of holidays available to book over at the £9.50 Holiday website.

But if you want to bag one you’ll have to move fast, as this is the final £9.50 Holiday sale of the year – and they’re going quick.

Unlock the hols by signing up to Sun Club for £1.99 per month / £12 per year

The breaks listed on the website are for autumn holidays this year, or to book ahead for 2027. This means you could bag a stay at your favourite £9.50 holiday park for next year before anyone else.

How to book one? Don’t worry if you haven’t been collecting code words from the paper – you can gain immediate access to these holidays by signing up to Sun Club.

Simply click here to sign up to Sun Club for £1.99 per month (or £12 for an entire year) and you’ll unlock the final £9.50 holiday deals of the year.

Here’s a round-up of some of the most exciting and popular UK holiday parks which you can book now.

Read more on £9.50 holidays

GO SEA

Top £9.50 holiday parks on sale NOW with £10m upgrades, waterparks & private beaches

ACT NOW

Perfect £9.50 Hols for autumn on sale NOW – with beaches, cosy pubs & indoor pools

Parkdean Resorts Kessingland Beach

Sitting on a sandy stretch of Suffolk shoreline, Kessingland Beach Holiday Park offers easy access to a beautiful beach and lush woodlands beyond.

Whether you’re heading out for a family bike ride or taking a bucket and spade to the golden sands on your doorstep, this holiday park is in a pretty unbeatable location.

If you fancy a day trip, the historic Somerleyton Hall and Gardens is just a short drive away, where you can stroll through manicured grounds and take on a classic hedge maze.

Southwold pier is also nearby, lined with amusements and ice cream shops.

Hayling Island Holiday Park

Just east of Portsmouth, this holiday park on Hayling Island is surrounded by sprawling beaches and quirky surprises that truly set it apart from other parks.

Beyond the staple adventure playground and splash zones, families can tackle a Wipeout inflatable course, play a few rounds of disc golf, or put their pets to the test on the ‘Tough Mutter’ dog agility track.

After dark, the on-site entertainment dials up the fun with high-energy Glow Show DJ battles and dedicated Queen tribute nights.

To truly pamper the family, book one of the luxury caravans and end your action-packed days by sinking into a bubbling private hot tub.

Unlock the hols by signing up to Sun Club for £1.99 per month / £12 per year

Skirlington Coast

With a recent £10m cash injection, Skirlington Coast is the perfect pick to book ahead for next summer.

One exciting new addition is the ‘Festival Gardens’ – a brightly decorated, fairy-lit outdoor zone which is perfect for kicking back with a cocktail on a summer evening.

Add a brand-new lido to the mix, sheltered by a yellow-striped canopy and surrounded by colorful beach huts and loungers, and you’ve got the ultimate seaside holiday vibe on-site.

Indoors, you’ll find a pool with a kids’ splash zone, a sauna and hot tub for grown-ups, plus new activities like axe throwing and a mini bike pump track.

St Ives Bay Beach Resort

This £9.50 holiday park delivers a glamorous Cornish coastal escape on a budget and you can upgrade a standard holiday home to a glass-roofed ‘Stargazer’ caravan, a cozy luxury pod, or a sprawling sea-view family lodge.

The beach is just steps away when you want to unwind by the waves, plus there’s plenty of unique activities for kids like Nerf wars, disc golf and an open-air cinema.

If the weather turns, there’s an indoor heated pool, arcade, and lively evening entertainment to keep everybody entertained.

Plus, you’re perfectly positioned here for a day trip into St Ives to explore its postcard-perfect harbour and maze of independent art boutiques.

Parkdean Resorts Cayton Bay

Sitting a stone’s throw from Scarborough and Filey Beach, this North Yorkshire resort is the ultimate pick for outdoors-y, thrill-seeking families.

Beyond the sprawling swimming pool, there’s activities like high ropes, hoverboards, and bumper zorbs.

Accommodation comes as cosy caravans and luxury lodges, and if you’re feeling ultra-fancy, you can opt for a glam lodge with a hot tub.

Furthermore, family-favourite theme park Flamingo Land is around 40 minutes drive away.

When the Booker Prize longlist was recently announced, it included a book with the memorable title “May We Feed the King.” The debut novel by British author Rebecca Perry isn’t yet available in the U.S., and when it does hit shelves, it will be coming from Transit Books, a small Bay Area publisher run by the husband-and-wife team Adam Z. Levy and Ashley Nelson Levy.

Cited by the Booker committee as “a playful, stirring meditation on history and storytelling” about a curator and a king, the book “has been an early favorite with indie booksellers,” Ashley says.

“May We Feed the King” by Rebecca Perry

(Transit)

“We knew the book was special when we acquired it,” Adam adds. “Ever since, we’ve been crossing our fingers and knocking on wood and sending up flares to the Booker gods, and sent the book to the printer a little earlier than usual just in case.”

Transit, known for publishing intelligent international fiction, began about a decade ago, when Ashley and Adam were convinced that great works of literature were being passed over by New York publishers, and that those books should have a place in America.

There were, Adam says, “really great authors who might have incredible reputations elsewhere not finding publishing houses here that are able to champion them in a way that gets them to access to a broader readership.”

The two were working full-time jobs while talking about their literary dreams over the dining room table. They had met at Columbia in New York and both worked in publishing there before moving to California, where Ashley is from.

Adam Z. Levy and Ashley Nelson Levy, co-publishers of the Bay Area nonprofit publisher Transit Books.

(Jennifer Baquing)

They carefully set out to connect with the international literary community and went through the slow process of launching Transit as a nonprofit. They now have a small staff, an office in Berkeley and count a Nobel Prizewinner, Jon Fosse, among their authors.

At the same time Transit was starting out in Northern California, a pair of not-married friends in Los Angeles saw the same possibilities. Chris Heiser and Olivia Taylor Smith were convinced that they could begin a publishing house, starting with international noir.

Smith, who is now a senior editor at Simon & Schuster and lives in Germany, recalled those early days for me over Zoom. “We launched it at a time when it was almost the golden age of independent, small publishing, a lot of which was translation-focused,” she says.

They jumped right in, came up with a name, Ricochet, and a logo. Then they got a cease-and-desist letter — a small poetry press was also starting as Ricochet. “We had to change names,” Heiser says. “We were literally unnamed.” That’s how they launched Unnamed Press.

“A Certain Hunger” by Chelsea G. Summers

(Unnamed Press)

“I’m very grateful to the litigious poets who forced us to change our name,” Heiser adds. Their original crime-fiction focus rapidly expanded. Science fiction? Nonfiction? Feminist cannibal fiction? Yes, yes, yes.

That last was “A Certain Hunger” by Chelsea Summers, which Smith acquired. “I really loved that it is violent and intense and so visceral,” Smith said. “The prose is incredible and it absolutely was a cut above. Not to use a cannibalistic meat pun.” To date, the 2021 novel has been Unnamed Press’ biggest seller.

Where many literary novels from small presses sell fewer than 2,500 copies, “A Certain Hunger” has sold close to 200,000. “We’re a hits-driven business, you know — you have to have a book that does well enough to keep you going,” Heiser says.

Heiser remains with Unnamed as its publisher, and continues to guide it to unpredictable destinations. In 2022, the press opened North Figueroa Bookshop in Highland Park with fellow L.A. publisher Rare Bird Books — it stocks all publishers’ titles, not just their own.

Guests gather at the North Figueroa gallery for Unnamed Press’ launch of “Four Nose Jobs a Day,” a poetry book with an accompanying vinyl album by Devendra Banhart, center.

(Hoda Mallone)

And next door is the gallery they opened late last year. In June they held a gala launch for Devendra Banhart’s new collection of poems, “Four Nose Jobs a Day” in the North Figueroa gallery, published by Unnamed as both book and record album. The party was a little livelier than your typical book launch: Heiser says it “featured a reading backed by an excellent jazz trio, ceramic noses, a scent-maker, mimes and speed therapy, among many other things.”

Where Unnamed often makes unexpected turns, Transit has stuck close to its original mission: to translate a handful of books a year, often works of translation themselves, with a certain aesthetic.

For readers in sync with Transit’s sensibility — literary, bold and with an edge that feels fresh — they offer subscriptions. Their biggest swerve was adding children’s books. “The quality of the writing is really important, first and foremost,” Ashley said on a Zoom call with Adam and their executive editor, Lizzie Davis.

“We’re really attracted to literature that takes risks on the page,” Adam said. They began publishing acclaimed Norwegian author Jon Fosse’s work three years before he was awarded the Nobel Prize in literature. Transit is the American home of Fosse’s big and bold “Septology,” translated into English by Damion Searls.

“Septology 1-VII,” by Jon Fosse

(Transit Books)

Despite years of a cohort within the publishing community advocating for international literature, such as the National Book Awards’ translated literature prize being relaunched in 2018, translated works remain only 3% of the U.S. publishing market. Transit has remained committed to publishing works in translation, and has had genuine success.

Small publishers can be caught in a catch-22 when they have a sudden success. They have to pay to print books and get them distributed, then wait months before the profits (or unsold returns) come back. An author winning the Nobel Prize in literature is about as big a bonanza of demand as you can imagine.

When Fosse won the Nobel in 2023, that meant publishing a big run of his almost 700-page masterwork. “It was a bit of a cash crunch for us,” Adam admits, “but I think we were also lucky in a lot of ways.” The year before they had published “I Who Have Never Known Men” by Jacqueline Harpman, a Belgian novelist who died 20 years before — hardly a guaranteed success.

“Stories, Like Illnesses” by James Elkins

(Unnamed Press)

The publishers themselves can’t fully describe what happened — it was well-reviewed, it went viral, it kept selling, it went viral again. Now, the novel has sold more than 450,000 copies. “I feel like for a small press you really need to, not just catch a break, but catch a break every time,” Adam said, “if you want to last.” Those two pillars — the Fosse and Harpman — allowed the Levys to open their office in Oakland in 2024.

Transit recently released another Harpman book, “We Were Forbidden,” a trio of never-before translated novellas. In September, in addition to Perry’s book, they’ll also be publishing two novels by esteemed French writer Marie Darrieussecq.

Unnamed Press’ fall schedule includes James Elkins’ “Stories, Like Illnesses,” the third installment of a multivolume work called “Five Strange Languages.” Unnamed is publishing in five volumes over five years, “an epic publishing project for any publisher,” Heiser says. Luckily, the first volume got a boost when Jacob Elordi was photographed reading it during a marathon Frankenstein makeup session.

The Levys and Heiser all maintain that there was something about being in California that gave them the creative space to launch their publishing houses.

From their similar visions a decade ago, Transit and Unnamed were born separately, and have taken very different paths to sustainability. The Levys were deliberate and focused; Unnamed spontaneous and evolving. Both are flourishing and show what a little freedom can do.

The women’s all-American final will be followedby a men’s title clash between Frances Tiafoe and Arthur Fils of France.

Jessica Pegula rallied in the third set to topple defending champion Iga Swiatek and book a title showdown with Coco Gauff at the Cincinnati Masters tennis tournament.

World number three Pegula won a “crazy” match against Swiatek 7-5, 4-6, 6-4 on Saturday in the US city.

Gauff powered past giant-killer Sara Bejlek 6-4, 6-1, ending the unseeded Czech’s dream run that included a fourth-round victory over world number one Aryna Sabalenka.

Their all-American Sunday night final will be followed by a men’s title clash between American Frances Tiafoe and Arthur Fils of France.

Fils charged into his first Masters 1000 final with a 6-3, 6-4 victory over French Open runner-up Flavio Cobolli in a match delayed for 45 minutes by rain and lightning.

Swiatek and Pegula then waited out another rain delay before their match, which was also briefly interrupted two games in.

“Crazy match today,” Pegula said after needing nearly three hours to subdue Swiatek, who was coming off her first title of 2026 in Toronto last week.

“A lot of back and forth, a lot of breaks,” she said. “Really windy, kind of odd conditions. I felt like we were playing well and then not playing well.

“It was really tough to kind of get a gauge on the match.”

The pair rode a rollercoaster of breaks and re-breaks before Pegula took a 5-4 lead in the final set, Swiatek saving three break points before double-faulting on a fourth.

Pegula quickly closed it out, firing a service winner on match point.

“I was just really happy with the way I was able to kind of handle just a lot that was going on today,” the 31-year-old American said. “I did a good job no matter what was happening.”

The first five games of what evolved into an epic went against the server as Pegula and Swiatek struggled to adjust to the conditions.

Swiatek blinked first as Pegula held at love for a 4-2 lead, but Swiatek won the next three games before Pegula broke again, finally taking the set when Swiatek smacked a volley into the net on set point.

They had exchanged two breaks in the second when Swiatek broke in the final game to square the match.

Tiafoe feeling ‘damn good’ on return to final

Tiafoe, runner-up to Jannik Sinner in Cincinnati in 2024, returned to the final with a 7-5, 6-3 victory over fellow American Brandon Nakashima.

Tiafoe saved three set points in the opening set, breaking Nakashima five times in all to earn the win in less than two hours.

“It feels d*** good,” Tiafoe said.

The American predicted a “h*** of a show” against Fils, whose 68-minute win over seventh-seeded Cobolli made him the youngest French Masters finalist since a 20-year-old Richard Gasquet in Toronto two decades ago.

Fils admitted he had been unsettled by the weather delay.

“You come on court more nervous because it’s a semi-final. The rain arrives, you wait and when you come back conditions are completely different,” he said.

“It was tough, but I’m happy with how I dealt with it.”

The first time that artist and filmmaker James Spooner heard Patti Smith’s song “Rock n Roll N—,” he cringed and reflected on the years of racism, microaggressions and abuse he dealt with as a young Black punk rocker in California’s high desert and later, New York.

According to Spooner’s new book, “It Starts With Anger,” this moment of reflection is a catalyst that prompts him to pursue a closer examination of the experiences and challenges Black people face in punk rock and alternative music scenes that are predominantly white.

“If there was such a thing as a ‘Rock n Roll N—’ Patti Smith wasn’t going to be the one to define it. Right then, I decided I was going to make a movie,” Spooner writes in his book.

In 2003, Spooner started working on a documentary called “Afro-Punk,” which took him across the country as he interviewed Black artists, musicians and fans to talk about their experiences in punk rock. “Afro-Punk” starts by calling out Smith’s controversial song before diving into what it means to be Black in a music scene intended to welcome outsiders, but which nonetheless alienates and projects harmful values toward people who are not white.

“I don’t think she’s a bad person, I think she’s a white person who was trying to be edgy and then just like doubled down her whole career,” Spooner told The Times. “I’m all for and have always been understanding of people who make mistakes, people should have an opportunity to correct themselves.”

The punk rock documentary is being rereleased this month after Spooner launched a successful Kickstarter campaign to remaster the film. The rerelease coincides with the publication of Spooner’s new book, “It Starts With Anger,” which covers the author’s personal history, the creation of the documentary, the larger Afropunk brand (it does not use a hyphen like the film), and the eventual demise of his brainchild at the hands of corporate ventures. “Afro-Punk” will premiere in Los Angeles and New York, with a special screening and book talk on Sunday at the Skirball Cultural Center with former S.O.A. and Black Flag vocalist Henry Rollins.

“Young people at the time needed it,” Spooner says about his documentary “Afropunk.” They needed that connection to see that there were other young Black punk rockers, they needed to hear from them and know that they had common experiences.”

(Lisa Nola )

“Before there was anything negative attached to it and before there was any corporate interest attached to it, people saw the movie and were like, ‘Oh, that’s my story, I guess I’m an Afropunk and didn’t even know it,’ and then they started calling themselves that,” Spooner said. “I helped define an experience for a group of people in the underground, I inadvertently helped to define an experience for a lot of people who feel othered and ostracized.”

Spooner, who upheld punk’s DIY ethos by shooting, producing, directing and editing the entire project himself, recently regained the rights to his film after a contentious years-long legal battle against his former business partner, Matthew Morgan, and Essence Ventures, the current owners of the Afropunk brand.

“The way that it all turned out in the end, it’s like, not everybody gets to see the long arc of justice in their lifetime, but to be so hurt and slighted and then watch karma do its thing is like, why waste time with being pissed off anymore? There are still things that I wished wouldn’t have happened, but I’m lucky in the end,” the Afropunk founder said.

After Spooner made his documentary, he realized how much the film resonated with Black punks who yearned for community and acceptance. Damon Locks, a visual artist and musician who was featured in the documentary and later worked as a publicist for the Afropunk festival, said he was “really impressed” with the film when it first came out, and that “James’ instincts were correct” when it came to the vision and execution.

“Young people at the time needed it, they needed that connection to see that there were other young Black punk rockers, they needed to hear from them and know that they had common experiences,” he said.

Eager to extend the reach of “Afro-Punk” beyond the documentary, Spooner began organizing a series of DIY underground punk shows known as “The Liberation Sessions,” with the goal of developing this concept into a major festival. He also decided to enter a business relationship with Morgan, who offered to manage Spooner’s creative affairs and help him take “Afro-Punk” to the next level.

According to Spooner, Morgan wanted to bring in corporate sponsors and feature music genres outside of punk to generate more interest and maximize profits. Spooner said he reluctantly compromised, yet after several years of working with Morgan, Spooner grew disillusioned with what Afropunk the festival became.

Maurice “Moe” Mitchell, vocalist for hardcore band Cipher and national director of the Working Families Party, was featured in the documentary and performed at several Afropunk shows and festivals. He said what happened with Afropunk is “a tale as old as time” and Morgan being outside of the movement led to “moneyed interests” altering what Spooner had created.

“At some point, those interests figure out how to co-opt, how to monetize, how to profit, how to take over this thing and it becomes a shell of itself, no longer owned or operated by the original originators, just a product or a marketing scheme for some company,” Mitchell said. “And that is rinse and repeat what happens to really good art and really good movements, and it’s what happened with Afropunk.”

By 2008, Spooner decided he wanted to walk away. He moved to Los Angeles and signed over the Afropunk rights and trademark to Morgan.

“My priority was to the kids … and I didn’t want for them to not have Afropunk just because I was over it, just because I moved on to the other side of the country, I could have just been like, ‘F— you, everything’s in my name, if you want it, sue me,’ I could have done that and I probably would have won because everything is in my name,” the punk filmmaker said. “I also was incredibly broke, I was not only broke when I moved to L.A., I was like $20,000 in debt on credit cards, so it was not like I was in a good place to continue this thing.”

As “Afro-Punk” returns to screens in Los Angeles and New York, Spooner leans into punk’s rebellious ethos, reclaiming his work and spotlighting Black liberation in loud, uncompromising ways.

(Lisa Nola )

In 2020, Spooner sued Morgan for failing to make contractual annual payments and failing to observe a clause in their 2010 agreement that mandated that if more than 50% of the company was sold, Spooner was entitled to a share of the profit. In 2020, Essence Ventures acquired the Afropunk LLC, but Spooner was not made aware of the sale. After a complicated legal battle against both Morgan and Essence Ventures, Spooner settled, successfully recovering the rights to the film in 2025, which he says was more important to him than financial compensation.

Representatives for Essence Ventures did not immediately return requests for comment.

“I didn’t start ‘Afro-Punk’ with money in mind, I wanted people to see my film,” Spooner said. “I wanted people to see my film, and then people saw the film, and then I wanted those people to stay in the room together and become friends, and all of that happened.”

Mitchell, who ended up becoming friends with Spooner after participating in the documentary, said he is “very happy” that Spooner “came out vindicated” in the legal struggle. The Cipher frontman believes “Afro-Punk” is an important documentary that shows “what it means to be a person of color in America,” and which makes visible the identity issues Black people experience beyond the punk rock community.

“That’s also the story of Black people when we lean into our liberation, right?” Mitchell said. “Like we are expressing ourselves in very loud and uncompromising ways that challenge the status quo and so I’m really happy that this film is coming out because this is a moment where we need as many people, as many Black people, to lean into who we are in loud and uncompromising ways, because we have a whole political structure that is demanding our compromise.”

As Spooner celebrates the release of his new book and the premiere of his remastered film — which he says still needs distribution — he hopes that he can continue shedding light on the Black experience and sharing the legacy of what he created as a young Black punk rocker.

“It’s wild to me that I made something when I was 25 that people still care about, and I hope that it keeps reaching another generation and proves itself to be valuable in some kind of way,” he said.

Nearly every week, I pass a colleague in the office who taunts me with four words: “Count of Monte Cristo, Count of Monte Cristo,” as he shakes his head. He’s disappointed his favorite book didn’t make the cut of our 101 best book club picks list, which served as the 2026 LA Times Festival of Books curtain-raiser. I don’t mind the barb. There’s nothing more exciting than an impassioned reader — even when they’re wrong. I’m all for rallying around a book or author and debating their merits like it’s a sporting match. Our book lists, after all, aren’t meant to be final verdicts. They’re invitations to read more (and, maybe, better).

To compile our expansive list we surveyed more than 200 bookish luminaries — along with a few zealous book club members. Our readers had their own ideas for their top book club picks, many of which we deeply considered. Here you’ll find some of our worthy Los Angeles Times reader selections.

“Fahrenheit 451” by Raymond Bradbury

“A favorite book my book group read and discussed is ‘Farenheit 451.’ It was fascinating to see what the past thought the future might bring,” reader Margaret Hardy writes of the 20th century classic. “In terms of technology and control by the government we are seeing today what Bradbury was thinking about in 1953. We felt that the future was found in the past. It was a chilling read.” Equally chilling is that the book often shows up on banned books lists — not unlike in its narrative.

“Homegoing” by Yaa Gyasi

“You missed ‘Homegoing’ by Yaa Gyasi!” reader Melanie H. writes of the critically acclaimed Ghanian historical fiction novel. “My book club read it and I was enthralled. I can’t stop thinking about it ever since. The amount of research and empathy into every single character and era Gyasi put into this story is incredible. It altered my brain and to this day I tell everyone about this book.”

“Giovanni’s Room” by James Baldwin

Reader Roxanne Yahner writes, “It is beautifully written, elegant and eloquent, and there is no preparing anyone for the sheer inexorable force of Baldwin’s language. This novel expresses the personal — and historical — grief of two gay, perhaps bisexual, men as they explore their sexuality at a time and place where such behavior was dangerous. The reader aches for these men and feels their grief. Some in our book club were disturbed by this novel, but all agreed they were deeply moved by it.”

“The Satanic Verses” by Salman Rushdie

Several readers wrote to us recommending Rushdie’s magical realist epic. “It’s such a complex, yet entertaining novel. We learned a lot about the tenets of Islam as woven into the story,” Ellyn Moscowitz shares about their book club pick. “It provoked great discussions about death, afterlife, religion in general and great character studies.”

“Geek Love” by Katherine Dunn

Reader Francesca Smithwick-Driver chose this as a book club pick in the ‘90s for her group and the 1989 National Book Award fiction finalist remains a favorite.

“[It’s] about a family who runs a carnival of ‘freaks.’ The story is told by an albino dwarf. There are strong themes about what it is to be normal, falling in and out of love with yourself — your family — and the world around you. Wonderfully written scenes about horrible things and beautiful things. I still remember the discussion of my book club — from ‘why in the world did you recommend this disgusting book’ to ‘what a book’ … I couldn’t wait to get back to it each time I put it down.”

“The Master and Margarita” by Mikhail Bulgakov

Reader Kate Karp, who has a cat who resembles a key character in this Russian classic, writes: “[It] turned out, no surprise, to have been the inspiration for the Stones’ ‘Sympathy for the Devil.’” She notes it also requires multiple readings to grasp all the subplots — but it’s worth it.

“Klara and the Sun” by Kazuo Ishiguro (and “Chain Gang All-Stars” by Nana Kwame Adjei-Brenyah)

“I am terrible at book clubs because I have found that I am a very picky reader who simply will not read a book that I do not enjoy,” reader Mike Gascoigne writes. “That said, in a book club I did very much enjoy Kazuo Ishiguro’s ‘Klara and the Sun’ and Nana Kwame Adjei-Brenyah’s ‘Chain Gang All-Stars.’ There was a lot to discuss about both titles including AI/robots, intellectual enhancements, climate change, reality television, prison reform/abolition and human nature.”

“All the King’s Men” by Robert Penn Warren

“‘All the King’s Men’ is a powerful summer read — a Pulitzer-winning novel that feels strikingly current,” reader Ken Muche writes. “Set in the 1930s South, Willie Stark’s political rise echoes modern demagogues, reminding us how easily power can blur truth. Even more important, the novel invites reflection on our own bad life choices — showing that taking accountability for one’s actions is the first step toward forgiveness, peace, and ultimately, a more grounded kind of happiness.”

(Grove Press / Black Cat)

“Girl, Woman, Other” by Bernardine Evaristo

Reader Seth Kivnick’s pick is this work of fiction that co-won the Booker Prize in 2019, he notes that the compelling book describes the Black women in the British Isles who came from all walks of life and different countries. “[It] appealed to male and female club members.”

“Hell of a Book” by Jason Mott

“It’s good-humored without being comedy or satire but opens serious friendly discussions about contemporary problems,” reader Christine Almeida writes of the novel that won the 2021 National Book Award for fiction. “Our library-based book club talked about it for a solid 90 minutes without straying from what the book itself had to offer its readers.”

Legal challenges flared this week over an Inland Empire school district’s alleged removal of library books and, separately, on its efforts to require parental notification on student gender identity — policies strongly supported by the school board president, Sonja Shaw, a leading contender to become the next state schools superintendent.

One policy of Chino Valley Unified allows parents and others to force the removal of school library books to which they object, resulting in books with sexual content or with LGBTQ+ themes being pulled off shelves, according to a complaint filed this week by a leading public-interest law firm and local parents.

The complaint, filed with the California Department of Education, asks the state agency to investigate whether education codes have been violated. The complaint also seeks to invalidate the policy and have books returned to shelves.

The other Chino Valley Unified policy under legal scrutiny would require school employees to notify parents when students express gender-identity issues at school — even if the students want to keep this information secret from their parents. The Chino Valley school board passed its notification policy in July 2023, but a state judge put the policy on hold and subsequently ruled it illegal.

However, the Chino Valley school board is seeking to reinstate the policy in light of recent U.S. Supreme Court decisions. A court hearing on the matter had been scheduled for Wednesday, but has been moved to Sept. 15.

The San Bernardino County school system of 26,000 students adopted both policies under the leadership of school board President Shaw, a conservative Republican running for the office of state superintendent of public instruction. Shaw finished first in the June primary among 10 candidates, seven of them Democrats who appeared to split the Democratic vote among them.

On Wednesday, Shaw had not yet had an opportunity to review the book-policy complaint, but said both policies ultimately look out for children by safeguarding the rights of parents.

“I believe the larger issue is whether parents are going to remain the primary decision-makers for their children or whether Sacramento continues to chip away at that role,” Shaw said. “I will always stand on the side of parents.”

The book policy “is about ensuring that sexually explicit material is not placed in the hands of children in our schools,” Shaw said. “That is a reasonable responsibility for a school board, and I believe parents overwhelmingly expect us to exercise that responsibility.”

The challenge to the policies comes in the context of the November election, which pits Shaw against second-place finisher Richard Barrera, a Democrat.

Barrera said that some parents may agree with some of Shaw’s positions on culture war issues, but not with her entire agenda.

“I would say that the overwhelming majority of parents of students in our public schools find the agenda that Sonja Shaw is promoting to be terrifying,” Barrera said. “The idea that we’re going to restrict access to books for students, the idea that we are going to pick on and bully LGBTQ students, and particularly transgender students, is not a reflection of the values of parents in California.”

Barrera, the president of the San Diego Unified school board, also works as a senior state Education Department staffer, but has no involvement in handing complaints such as the one just filed, the department said.

Books removed from shelves

The Chino Valley school board adopted the book restriction policy in October 2023.

The district policy permits any community member to call for removing a library book. Such a demand, according to the policy, must be acted on immediately, with the book’s removal occurring within three days. A subsequent hearing within 45 days allows for public testimony, board discussion and a board vote, which would be the final decision.

Before the policy was adopted, community members had complained in public hearings about specific books and dramatically read aloud sexually explicit passages at board meetings to make their point. Defenders of the books said the passages were taken out of context in works that needed to be considered in their entirety.

The district began acting on its new book-removal policy before receiving any formal complaints, according to the filing submitted to state officials by Los Angeles-based Public Counsel.

In the fall of 2023, district officials asked schools for an inventory of specific titles public speakers had complained about at board meetings. Also included in the inventory were some books perceived as likely to be challenged.

Shortly after, parents and employees were no longer able to find copies of some of these books on the public-facing, book-search system, these critics told The Times in early 2024.

During this early period, only one formal complaint about a specific book was immediately received, a November 2023 request to remove the Bible “in all its forms” based on the Bible’s sexual content. This request was not carried out, the Public Counsel complaint states.

Other requests were submitted in October 2024 and covered 14 books, including: “Looking for Alaska” by John Green; “A Court of Mist and Fury” by Sarah J. Maas; “Beloved” by Toni Morrison; “Juliet Takes a Breath” by Gabby Rivera; and “More Happy Than Not” by Adam Silvera.

The complaint to the Education Department also alleges the removal this year from at least one library of an unnamed book by Maya Angelou and an unnamed middle school book that touched on sexual identity.

The complaint alleges that the Chino Valley policy is unlawful under state law and unconstitutional under state and federal law. It also alleges that, even if the policy were to survive the legal test, Chino Valley did not follow its own rules. The complaint states there is no evidence of any public hearings or board votes on a challenged or removed book.

The state Education Department had no immediate response to the filing of the complaint.

A consistent theme in the removed books was LGBTQ+ content, according to the complaint. Targeting that content would amount to unlawful discrimination against LGBTQ+ individuals, who are explicitly protected against discrimination in California, said Elizabeth Graves, senior staff attorney in the educational equity unit of Public Counsel.

Ultimately, books were removed “not because they contain sexually obscene material, but because they contain content protected by law,” Graves said. “The school district appears to be targeting books that are featuring LGBTQ people, or written by LGBTQ authors.”

The state education code, Graves said, “really calls out how important accurate and inclusive education is for students, especially LGBTQ people, Black, Indigenous, and other peoples of color.”

Graves said that Public Counsel filed its complaint with the California Education Department because it can carry out an expedited complaint process in as little as 60 days.

Shaw said that if anyone questioned the district’s management of its policy, the matter could have been brought directly to district officials. Her issue, she said, is simply sexually explicit, graphic description — not references to sex. Parents can find that explicit material for their children in a public library if they choose, she added.

Parent notification on gender issues

Chino Valley became the first school district in California to adopt a parental notification policy in July 2023. It required that a school administrator, counselor or teacher notify parents if a student requests to be treated as a gender different from the student’s biological sex in any facet of school or in school records.

California Atty. Gen. Rob Bonta quickly sued to stop the policy and San Bernardino County Superior Court Judge Michael Sachs barred nearly all its elements. But he did allow parents to be notified of any student requests to change school records; for example, if a student requested to be known by a different name on a class roster.

In March, however, in a California case, a U.S. Supreme Court majority ruled that parents had a right to be told — if they asked — about their child’s sexual orientation issues at school. A lower court in the same case — Mirabelli vs. Bonta — had already ruled that school staff could not be barred from informing parents if they wanted to.

Since then, California Justice Center and Advocates for Faith & Freedom have filed a motion asking the state court to dissolve the injunction blocking Chino Valley’s original parent notification policy.

“Chino Valley is now in the impossible position of being subject to two conflicting permanent injunctions,” said attorney Emily Rae.

“The original policy was important because parents have a fundamental right to know what is happening with their own children,” Shaw said. “The U.S. Supreme Court has recognized the fundamental role parents play in raising and directing the upbringing of their children. Schools should not replace parents.”

Bonta’s office asserted in court papers that the original ruling should stand because the other recent rulings did not directly apply and because the Chino policy “discriminated against transgender and gender nonconforming students by forcing school personnel to ‘out’ those students to their parents, even if their parents have not asked for such notification; even when disclosure would result in physical, emotional, or psychological abuse; and even when less harmful alternatives … were available.”

Brace yourselves, BookTok: Bestselling romantasy author Sarah J. Maas just dropped the titles and covers for the sixth and seventh “A Court of Thorns and Roses” books.

Maas scrubbed her Instagram of all previous posts for the big reveal, and digital billboards in Los Angeles, Denver and New York City also broadcast the book news. In March, Maas announced on Alex Cooper’s “Call Her Daddy” podcast that the two new books were on their way, ending a five-year drought since the fifth installment, “A Court of Silver Flames.”

The sixth book, “A Court of Splintered Harmony,” will hit bookshop shelves Oct. 27. According to news media materials, in the sixth installment of the romantasy phenomenon, “what was broken will be remade.” As Koschei the Deathless stirs from millennia-long captivity, powerful allies close in to reclaim the human lands. To counter the growing threat across Fae territories, Prythian’s fractured Night Court must overcome internal rifts and recent betrayals to restore former alliances.

And in the seventh book, “A Court of Forgotten Melody,” which is slated for publication Jan. 12, diplomacy is failing and traditional alliances are falling apart as the threat of Koschei the Deathless reaches a critical point. Desperate for any advantage, the Night Court’s Inner Circle must scatter far and wide to face emerging past enemies and salvage Prythian’s fragile peace.

The first installment of the “A Court of Thorns and Roses” series was released in 2015, but the series garnered widespread popularity on BookTok during the COVID-19 pandemic lockdowns. The books follow Feyre Archeron in the faerie lands of Prythian and her steamy love story with the High Lord of the Night Court, Rhysand.

Maas is one of the pioneers of the modern romantasy boom and widely credited with taking “fairy porn” or “faerie smut” into the mainstream. But Maas told Cooper in May that although she loves writing hot sex scenes, she has a bone to pick with people dismissing her work as “smut.”

“I find that there is a tendency for people to roll their eyes at things that bring women joy,” she told Cooper. “Anytime a woman writes something and there’s even a little hint of sex that’s not fade to black or very artistically mentioned, it’s like suddenly it devalues the work, and it doesn’t matter what else is in that book. … I don’t understand because you’re writing a thing that is so accurate to life, and sex is a part of life.”

Times staff writer Katie Simons contributed to this report.

Nearly 30 years after Tupac Shakur was gunned down near the Las Vegas Strip in a killing that rocked the rap world, the trial of the man prosecutors allege did everything but pull the trigger got underway Monday with new revelations.

Nevada prosecutors allege Duane “Keffe D” Davis, a one-time Compton gang member, orchestrated Shakur’s killing as revenge for an attack on his nephew hours earlier and are using Davis’ own words in interviews and a book he co-authored as evidence.

In opening statements, prosecutors said an ugly gang rivalry on the streets of Compton led to the slaying of Shakur, a famed rapper and actor, who died six days after he was shot.

The Sept. 7, 1996, shooting, they said, was rooted in a war between Southside Crips-Burris Street, led by Davis, and Mob Piru, a gang long associated with Death Row Records. Shakur was closely affiliated with Death Row, and the record company’s boss, Marion “Suge” Knight, was inside his car the night he was attacked.

In court testimony Monday, it was revealed that Shakur was conscious after the shooting en route to the hospital but did not cooperate with authorities.

The first witness, Garry Dale, a Las Vegas Metro police officer, testified that he saw Shakur pulled out of the car with gunshot wounds and rode in the ambulance with him.

When he asked Shakur who shot him, the rapper replied, “‘No, we’ll take care of it,’” Dale said. “I couldn’t get him to talk any further.”

Duane “Keffe D” Davis is accused of murder in the 1996 killing of hip-hop icon Tupac Shakur.

(Steve Marcus / Associated Press)

The incident, according to Clark County Chief Deputy Dist. Atty. Binu Palal, followed a violent confrontation at a Mike Tyson fight earlier that night in Las Vegas. Palal showed video of Shakur’s entourage attacking Davis’ nephew Orlando Anderson. Travon Lane, a Mob Piru member, had spotted Anderson in the MGM Grand hotel lobby. Months earlier, Anderson stole Lane’s Death Row Records chain in the Lakewood mall during an attack.

The rivalry between the groups grew after the Southside Crips became the West Coast security for Sean “Diddy” Combs’ record label, prosecutors said.

“Let’s be clear, Duane Davis did not pull the trigger. But he did plan the shooting in retaliation of the beating of his nephew,” Palal said. “Remarkably, you will learn that from Duane Davis himself.”

Palal noted that Shakur’s shooting was followed by numerous slayings in Compton, including that of an 11-year-old girl.

“In this world, silence means survival,” Palal said. “The one person who has had a hard time being silent is Duane Davis.”

The prosecutor played parts of an interview with a Los Angeles Police Department federal task force in 2008 in which Davis acknowledged his role in the rapper’s fatal shooting. They also cited other interviews as well as his own memoir.

The prosecutor said Davis got the gun from Eric Zip Martin, an East Coast drug dealer associated with Combs’ Bad Boy Entertainment.

“He admits putting the gun he obtained that night in the back seat of the vehicle so the shooters could shoot,” the prosecutor said. “You will learn that Duane Davis got the gun. … You will learn that he got into a white Cadillac. You will learn when the opportunity presented itself for retribution, Duane Davis made sure that the shooter was armed and ready to execute their revenge.”

Palal said Davis and his crew set out in search of Knight and Shakur. In multiple accounts, including in his book “Compton Street Legend,” Davis wrote that they spotted the Death Row caravan stopped at a red light, with Shakur waving to female fans while hanging out of the BMW window.

“Tupac, he gave himself away,” Davis said in the recording played in court. “Otherwise, they would’ve got away.”

Davis was arrested in 2023 and indicted for masterminding the killing and providing the gun.

Rapper Tupac Shakur is show at Club Amazon in New York on July 23, 1993.

(Al Pereira / Getty Images)

Michael Sanft, Davis’ defense attorney, told jurors there will be no evidence linking his client to the shooting.

“There are no facts to point to Keffe — not one,” he said. “You’re going to hear about this over and over again.”

Sanft recounted decades of probes and noted that prior investigations did not take his client’s statements seriously because they were not credible. “He treats that book like it’s fact,” Sanft said of a lead detective in the case. The defense attorney, in an unusual move, repeatedly undermined his own client’s credibility.

Sanft portrayed Las Vegas police as incompetent, with lost records, and the LAPD and then Compton police as corrupt.

“What facts do they have to put Keffe D in a car in 1996? When you look at the video in 1996, do you see Keffe D?” he added, referencing the lobby beating.

Sanft said Death Row’s security chief was Reggie Wright Jr., a felon and former Compton police officer whose father led the Compton police gang unit. He said the former officer was not with Knight and ordered his security team not to carry firearms. The defense lawyer cast Davis’ memoir as fiction and said there was no evidence his client was in Las Vegas.

The prosecutor, however, told jurors that Davis, from 1998 to 2023, made several incriminating statements and, in 1998, admitted to the FBI to being in Las Vegas at the time of Shakur’s slaying.

Davis, according to prosecutors, told investigators during a secret meeting he “was mad about Orlando Anderson’s beating” and he was the boss who got the firearm and was in the white Cadillac. When Greg Kading, an LAPD detective who led the task force, left policing and later published a book revealing Davis’ role, it made Davis want to go public, according to the prosecution.

“Greg Kading is profiting off Duane Davis’ life story,” Palal said. By the time the book was released, the others who were allegedly in the car the night of the shooting were dead. Anderson was killed and Smith passed away. In 2019, after a series of interviews, Davis published his own book, which, full of bravado, gave a similar account of Shakur’s killing as that of the federal task force. The prosecutor then played an interview from the time of the book’s release, in which Davis justified his actions.

Rap mogul Marion “Suge” Knight appears in court in 2018 in an unrelated case.

(Irfan Khan / Los Angeles Times)

Ingrid Stokes, one of four women in a car that had been following Shakur the night of the attack testified that she freaked out and screamed, then fled the scene, telling police she “didn’t see anything” because “snitches get stitches.”

A third witness who testified Monday, former Las Vegas Metro Det. Brent Becker, said he interviewed Knight about the beating in the MGM Grand lobby, and Knight said he basically “didn’t know anything.” By 1997, detectives suspected that Davis was in the Cadillac that opened fire on Shakur, he testified.

Davis, now 63, has pleaded not guilty to murder with a deadly weapon with the intent to promote, further or assist a criminal gang. In recent weeks, he’s denied being in the Cadillac or Las Vegas that night and, in interviews with Las Vegas TV stations, blamed a former head of Death Row Records security.

“I had nothing to do with nobody’s murder,” he told interviewers.

Prosecutors are expected to call witnesses to support Davis’ claims from over the years. Davis’ lawyers will seek to portray him as a fabricator — his bragging is all fiction. Davis has done the same with Las Vegas reporters.

“I did not write the book; a ghostwriter wrote that book,” Davis said in a recent jailhouse interview. “I was trying to make my family some money.”

LOOKING for some last minute action-packed family days out this summer?

Luckily, top UK theme parks are teaming up with giants like Minecraft, Formula 1 and Pokémon for amazing events that you and the family to get stuck into.

Whether your little ones want to hunt down real-life Minecraft Mobs, build LEGO Poké Balls or ride record-breaking coasters after dark, you still have time to do all of the above this summer.

Here’s the top events across UK theme parks that STILL have plenty of availability in August, from as little as £19 per person.

Alton Towers

Minecraft Meet the Mobs event: until August 28

If you’ve got any Minecraft fans in the family, you’ll want to bring them along to the Meet the Mobs event at Alton Towers.

Families can explore the theme park in an entirely new light as Creepers, axolotls, baby pandas and more roam the park ready to pose for pictures. And yes – you can meet the Minecraft movie-famous Chicken Jockey.

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There’s also an adorable Baby Mob Trail which takes you through memorable scenes and terrains from the movie and game. Complete the trail, and you’ll even get a baby axolotl hat to take home.

Not only this, but there’s even Minecraft-themed food and drink to enjoy, plus an arts and crafts zone to take a breather.

Book a day to ticket to Alton Towers from £32.13pp

Legoland Windsor Resort

Lego Festival and Pokémon collaboration: until August 31

Think everything you get from a fully-fledged festival – headline performances, chill zones, live music and more – but fully designed for kids. And throw in a whole bunch of Lego bricks.

Not only is there live shows and brick building zones here, but there’s also a new-for-2026 Pokémon play zone.

Here you get an interactive Pokémon Trainer experience, before building your own Lego Poké Ball as well as plenty of other themed activities.

You can even grab a family photo with Lego Pikachu for the memories.

Plus, for any Formula 1 fans, there’s also a new F1 Thrill Zone, where you can take on the Lego Brick Stop Challenge as you build against the clock.

Throw into the mix designing, building and racing your own F1 car, and you’ve got yourself a pretty action-packed day out at the Lego Festival.

Book a day to ticket to Legoland Windsor Resort from £29.75pp

Thorpe Park

Thorpe Park Lates: Summer Sounds: 14, 15, 21 and 22 August

Make the most of summer’s bright, sunny evenings with Thorpe Park Lates, where you can ride coasters up until 9pm in August.

Not only can you stay out later, but the theme park also hosts live DJ sets, so you’ll have a soundtrack to your late night rides.

Tackle the record-breaking Hyperia, go from 0-80mph in under 2 seconds on Stealth, or reach speeds of nearly 60mph on The Swarm.

If high-intensity coasters aren’t your thing, there’s bumper cars, teacups, a 4D cinema and plenty more attractions to spend your evening drifting between.

Book a day to ticket to Thorpe Park from £35

Blackpool Pleasure Beach

Late Night rides with fireworks and summer shows: until August 29

End the night with a bang at Blackpool Pleasure Beach with their Late Night Riding and Fireworks nights.

Here you can ride famous coasters like the Big Dipper and The Big One into the night, before grabbing a hot drink to watch the fireworks to put a finish to a fun-filled day.

The fireworks begin at 10pm, with an epic backdrop of massive rollercoasters and the familiar Blackpool seaside skyline.

There’s also entertainment shows running until the end of summer. One of which is the Evolution of Magic (£14) where you can watch an interactive magic show from Britain’s Got Talent-famous illusionists, Craig Christian and Elizabeth Best.

Book a day to ticket to Blackpool Pleasure Beach from £29

Gulliver’s Land

Summer Soundwaves: until September 1

Gulliver’s Land are bringing the festival feeling to Milton Keynes, with a packed live DJ schedule throughout the rest of the summer.

DJ Leonard’s Rides and Vibes sees Leonard the lion leading dance parties throughout the park, plus Buddy’s Buccaneer Boogie brings the pirate tunes.

And that’s not all – there’s also K-Pop Karousel events where you can learn dance routines and take part in karaoke, plus you can spin under the lights at Dodge’s Disco Dodgems.

When you’re not stopping to sing and dance at one of the park’s many parties, there’s rides like the Jungle Falls waterslide and The Wriggler caterpillar kids coaster, plus a dinosaur trail and farmyard to explore.

Book a day to ticket to Gulliver’s Land from £12.50

Prices correct at the time of publication.

AND just like that, the solar eclipse is over… until next year where you can see another in several European destinations.

The solar eclipse will return on August 2 next year, with some European destinations getting a total eclipse, including Spain again.

Alongside Spain, Gibraltar, Tunisia, Morocco and eight other countries will also experience a total solar eclipse.

Meanwhile, the UK will once again see a partial eclipse.

Unlike yesterday’s celestial event, this solar eclipse will take place in the morning in most destinations.

But the hype caused by yesterday’s event is already creating hype for next year’s.

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Gibraltar, for example, you can fly from the UK for between £170 and £190 return, on average.

Looking at flights for next year around the solar eclipse, prices are already rocketing.

If you were to head out on July 29 and return on August 3, direct flights from Manchester will set you back at least £453 return and £739 return from London.

Alter the dates slightly and it is still expensive – flying out on July 30 and returning on August 4 will set you back at least £419 direct from London.

Even if you flew out the day before and then headed home straight after the eclipse, you’ll be set back around £400 for direct flights.

Adele Cooke, Senior Consumer Reporter and Consumer Champion at The Sun, who is from Gibraltar, said: “The next eclipse may still be a year away but Gibraltar is already buzzing with excitement.

“The total eclipse will be visible over Gibraltar and the uninterrupted views over the Strait make it a great place to watch the event.

“The eclipse will be visible for a full four minutes, one of the longest durations of anywhere in the world.

“Friends and family have already booked their flights home to be there on August 2 and prices are already climbing.

“But there’s no need to worry about missing out.

“There are dozens of flights from the UK to Malaga every day, and the Spanish airport is just an hour and a half’s drive from Gibraltar.

“Set up price alerts now so you’ll be notified when prices drop.
Meanwhile, website GibStay.com can help you find affordable accommodation.

“If accommodation in Gibraltar is out of your price range then consider staying in one of the nearby towns and driving down for the event.

“Estepona, Soto Grande and Tarifa are all around an hour’s drive away.

“You could book a villa and make a week of it.

“In August temperatures in southern Spain average between 21 and 28 degrees, while the region gets less than 8mm of rainfall for the entire month.”

For Spain, major cities and locations that will be under the path of totality include Cadiz, Malaga and the coast of Almeria and Granada in southern Spain.

If heading to Cadiz, you’ll need to head to Jerez Airport, which is about a 40-minute drive from the city centre.

Direct return flights for the days around the solar eclipse to Jerez Airport from London are already around £495.

This is still more than the average £170 to £350 return trip to the city usually costs in August.

Malaga seems to be one of the only destinations that hasn’t risen… yet.

Average direct return flights to Malaga from the UK in August usually cost £170 to £270.

There are currently direct flights still available heading out at the end of July and returning on August 3 for £187.

There are currently lots of hotels available for affordable prices too.

You don’t have to go to Spain though, you could fly to Morocco instead for £230 return.

Here’s the full list of countries you could head to where there will be a full solar eclipse on August 2:

• Algeria
• British Indian Ocean
• Egypt
• Gibraltar
• Libya
• Morocco
• Saudi Arabia
• Somalia
• Spain
• Sudan
• Tunisia
• Yemen

Most of these destinations will experience a total eclipse mid morning on August 2.

WITH temperatures soaring towards 38C this week, a holiday close to home can feel like being abroad.

And when there’s UK holiday parks with plenty of last-minute summer availability, there’s no better time to set off on a cheeky spontaneous staycation.

If you bag one of these last-minute offers, you could be cooling off in giant waterparks, floating down lazy rivers, or feeling the sand between your toes on the beach.

And with prices tumbling to entice holidaymakers, you can bag an action-packed family break from as little as £7.71 per person a night so here’s our pick of the best last-minute bargain holidays you can book right now – before they all sell out.

Cleethorpes Beach, Lincolnshire

If you’re looking for a last-minute getaway with loads to do for the kids, this park has plenty of excitement on-site. It’s also ideal for a dip in the sea, thanks to its direct beach access.

Sunny days are best spent cooling off at the outdoor splash park, dropping a line in the peaceful fishing lake, or tackling pedal go-karts and mini golf outdoors.

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For bigger thrills, kids can scale the giant climbing wall or battle it out in the NERF training camp.

Feeding the family is easy too, thanks to Slim Chickens, Papa Johns, Burger King, and even its very own on-site Wetherspoons pub.

Last-minute three night break in a Bronze caravan sleeping eight for £185 total, working out to just £7.71pp per night.

Todber Valley Holiday Park, Lancashire

Fancy a last-minute getaway to a relaxing holiday resort with two national parks on your doorstep?

Todber Valley sits in Clitheroe, where caravans are surrounded by nothing but rolling hills and greenery.

But if you do fancy a slice of history, you’ve got Clitheroe Castle and Museum just under 20 minutes’ drive away.

For kids, there’s an outdoor adventure playground and sports courts to burn off energy, and for grown-ups there’s a pub with a pretty beer garden that’s perfect for enjoying the sunshine.

Three night break for six people in a Bronze caravan for £313, working out to £17.39pp per night.

Combe Haven, Sussex

Set in sunny St Leonards-on-Sea, this Sussex park centers around an epic waterpark complex with a lazy river and a giant Space Bowl flume

Out of the water, you can test your aim with archery coaching, tackle Footgolf, or scale the massive climbing wall.

For dinner, tuck into a proper chippy tea at Cook’s Fish and Chips, then head to The Saxon Bar for evening drinks with sea views.

Plus historic Hastings is just 15 minutes away – ideal for exploring its famous castle and delving into the underground caves at Smuggler’s Adventure.

Three night break for four people in a Saver caravan for £279 total, working out to £23.25pp per night.

Craig Tara, Scotland

Perched on the dramatic Ayrshire coast, Craig Tara is one of the biggest Haven holiday parks in the UK.

This seaside spot delivers non-stop action no matter what the weather is doing. The star attraction is Splashaway Bay – one of Scotland’s largest indoor waterparks – with multi-lane slides, thrill flumes, a lazy river, and a toddler splash zone.

Indoors, the massive Airspace sports hall keeps the momentum going with climbing walls, soft play, a golf simulator, and electronic target walls.

Outdoors, at the Lighthouse Harbour Adventure Village, you can brave an aerial ropes course or take the plunge on the six metre-high ‘The Jump’.

Last-minute three night break in a saver caravan sleeping six people for £339 total, working out to £18.83pp per night.

Butlin’s

Butlin’s have a selection of last-minute breaks for the remainder of the summer holidays that can cost you as little as £22.50pp per night.

There are three and four night breaks available across all three locations – Skegness, Minehead and Bognor Regis.

Included in the price you’ll get waterpark and fairground access, as well as daytime activities like soft play, football and arts and crafts.

Plus you’ll be able to catch one of this summer’s exclusive shows before they end for the season, including performances from Diversity, The Masked Singer and Maximum Pro Wrestling shows.

We found one three night break at Minehead, including access to Diversity and The Masked Singer shows, for £269 total, or £22.42pp per night.

Prices correct at the time of publication.

WOULD you rather spend £15 on a takeaway pizza, or use that money to go on a mega family holiday?

Your next family getaway in the UK doesn’t have to involve saving up for months and months.

Not when we’ve found entire family holidays for less than the price of a pizza.

Order a large pizza from Domino’s and you can expect to pay at least £14.

A six-piece tenders bargain bucket from KFC costs £15.99, and a chicken sharebox from McDonald’s on its own will set you back £13.69. And that’s all before you add drinks and delivery on top.

We’ve found 10 UK family holidays that cost less than all of the above – priced at £12.50pp or under.

So put down the delivery apps, and start packing your bags. Here’s the best family holidays you can book right now for less per person than a Friday night takeaway.

1. Devon Cliffs, Exmouth

Backed by dramatic red cliffs and perched above its own, award-winning private beach, Devon Cliffs is one of Haven’s top coastal resorts.

This holiday park is ideal for kids who love to make a splash, with a massive, four-lane indoor waterslide that plunges you straight into the indoor pool – plus a rubber ring tube slide outside.

Out on the beach, you can take part in sea kayaking and paddle-boarding lessons.

Back on land, there’s adrenaline-pumping activities like high-ropes courses and mini 4×4 off-roading.

Keeping costs down for meals is a breeze thanks to the resort’s own Wetherspoons pub, The Red Rocks, where you can eat familiar favourites like curries and pizzas and enjoy cheap pints.

Another dining option is the South Beach Cafe, which serves up seaside cocktails with sunset views.

When night falls, two live entertainment venues keep the whole family entertained with everything from classic bingo to 90’s tribute acts.

2. Marton Mere, Blackpool

Just a ten-minute drive from Blackpool’s famous seafront, Haven’s AA five-star rated Marton Mere holiday park has so much to do that you’ll barely want to leave site.

Family days here are spent braving free-fall airbag drops on ‘The Jump’, conquering the huge climbing wall, and getting competitive at the NERF Training Camp.

For something a little more relaxing, you can float down the outdoor lazy river or take a gentle swim in the heated indoor pool.

Feeding the family is hassle-free too, with on-site options including Papa Johns, Burger King, and Cook’s classic seaside fish and chips.

Evenings centre around the newly-upgraded Showbar, packed with exciting entertainment like interactive game shows.

Best of all, you’re just moments from the iconic Blackpool Tower, the world-famous Illuminations, and Pleasure Beach’s newest thrill rides such as Aviktas, which opened earlier this summer.

3. Billing Aquadrome, Northampton

Sprawling across 235 acres of lakes and countryside in Northamptonshire, Billing Aquadrome is designed to keep even hard-to-please teenagers off their phones.

Where else can kids feed alpacas, ride on a BMX pump track, learn TikTok dances, and ride a miniature railway all in one afternoon?

Kids can go full Total Wipeout on the lake’s massive inflatable obstacle course, while younger ones get stuck into slime-making and outdoor survival workshops.

When the sun goes down, the outdoor cinema becomes a popular spot with its open-air cinema screenings, plus there’s also silent discos and live shows in a giant outdoor amphitheatre.

Refuelling the family is easy thanks to loaded burgers at Smash’d Town and sweet snacks from the Bak’D & Swirls dessert shop.

To top it all off, you can fall asleep right on the water’s edge by booking a stay in a cosy lakeside pod.

4. Littlesea, Weymouth

Overlooking Dorset’s tranquil Fleet Lagoon, Haven’s AA 5 Gold Star-rated Littlesea Holiday Park puts natural wonders like Durdle Door and the Jurassic Coast right on your doorstep.

When you’re not out on a nature hike, there’s unique activities like pottery classes, an inflatable arena and games of beach bingo on-site.

Plus there’s plenty of Haven holiday classics too, like a crazy golf course, archery and football sessions.

Keen swimmers get the best of both worlds with heated indoor and sunny outdoor pool – plus it wouldn’t be a proper seaside holiday without getting in the sea.

The park is also only a 10-minute drive from the town centre of Weymouth and the historic Nothe Fort.

5. Orchards Holiday Village, Clacton-on-Sea

Active families are spoilt for choice at Essex’s AA four-star Orchards Holiday Village.

The park packs in a nine-hole golf course, mini Segway hire, Footgolf, and pop-up Football Fun Factory sessions into one site.

Soak up the countryside views by cycling around the large fishing lake, or if the weather plays up, spend those spare two pence coins winning prizes in the amusements.

A stay here isn’t complete without a visit to Clacton Pier and Pavilion, which is 17 minutes’ drive from the park.

This well-loved seaside spot has over 20 exciting rides that you can take on with a £12.99 unlimited ride wristband.

6. Butlin’s

What’s better than a family weekend away at Butlin’s?

There’s an abundance of activities across the popular Bognor Regis, Skegness, and Minehead resorts.

On rainy days, kids can spend hours conquering the massive Splash Waterworld waterpark, loaded with high-speed flumes, raft rides, and wave pools.

The action centres around the Skyline Pavilion, where the stage hosts West End-quality live productions, pantomimes, and character meet-and-greets with TV favourites.

Add in high-ropes courses, archery, soft play arenas, and direct beach access – and your schedule is packed from morning to night.

Plus, make sure to make use of the traditional fairground for unlimited spins on the dodgems and carousels.

7. Parkdean Looe Bay Holiday Park, Cornwall

From crabbing off Banjo Pier to exploring the giant biomes of the Eden Project, Parkdean Looe Bay puts proper Cornish adventures front and centre.

On-site, kids can splash around in the heated pool, tackle wildlife trails, or join in with action-packed tots’ activity sessions.

Nighttime brings live family entertainment alongside quality park dining, with all inclusive food and drink options up for grabs on selected midweek breaks.

Off-park, you’re just minutes from West Looe’s sandy coves, quiet rockpools, and Nelson, the town’s legendary bronze seal statue.

Historic harbour pubs like The Jolly Sailor serve up hearty home-cooked meals and fresh local catches straight off the boat.

Plus, with the Monkey Sanctuary and Polperro‘s ancient fishing village right around the corner, you’ll never run out of day trips.

8. Hopton Holiday Village, Great Yarmouth

Haven’s Hopton Holiday Village isn’t just another bog-standard holiday park – it’s the reigning AA Holiday Park of the Year.

Sitting in Norfolk’s Hopton-on-Sea, here you’ll get direct beach access to signature flat, golden sands and gentle waves.

Fresh from a massive makeover, parents can even grab a cheap pint and family meal at the park’s brand-new, on-site Wetherspoons, The White Clover.

Kids won’t get bored either, thanks to a newly upgraded pool complex that has doubled in size and comes stacked with high-speed flumes and an inflatable arena.

On dry land, little thrill-seekers can tackle everything from a Mini Aerial Adventure and climbing wall to Segway tours and go-karting.

When night falls, pull up a seat at the buzzing lounge bar for a drink while the kids go wild for the Seaside Squad live shows.

You’re also only 12 minutes from Great Yarmouth’s legendary Golden Mile, where you can tackle giant seafront rides.

And if you don’t visiting outside of peak travel seasons (which – let’s be honest – makes for a much more peaceful break anyway) you can bag a serious bargain.

9. Unity Beach, Somerset

Unity Beach in Somerset is an absolute powerhouse of a holiday park. And lucky for you, it’s available with The Sun’s £9.50 holidays.

What really sets this park apart is that it has its very own theme park and waterpark right on site.

Thrill-seekers can tackle over 40 attractions at Brean Theme Park, from spinning rollercoasters to classic log flumes.

Then head over to the newly-upgraded Unity Splash waterpark or fast slides, rubber-ring rides, and heated indoor and outdoor pools.

Throw in an 18-hole golf course, plenty of sports, and direct beach access, and you’ve got a non-stop holiday where boredom simply isn’t an option.

10. Seal Bay, West Sussex

Perched on a private mile of coastline in Selsey, Seal Bay delivers a classic seaside family holiday, but with a thoroughly modern upgrade.

When you’re not out enjoying the beach, there’s a massive, tropical water complex with plenty of slides and splash pads, plus a sunny outdoor lido surrounded by cabanas.

This holiday park also boasts its own on-site funfair, plus activities like ten-pin bowling, pottery painting, and high-ropes climbing courses.

When day turns to night, the resort comes alive across its multi-million-pound entertainment venues.

You’ll get to see some all-singing, all-dancing theatre productions with everything from acrobatics to pyrotechnics on stage.