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Nearly every week, I pass a colleague in the office who taunts me with four words: “Count of Monte Cristo, Count of Monte Cristo,” as he shakes his head. He’s disappointed his favorite book didn’t make the cut of our 101 best book club picks list, which served as the 2026 LA Times Festival of Books curtain-raiser. I don’t mind the barb. There’s nothing more exciting than an impassioned reader — even when they’re wrong. I’m all for rallying around a book or author and debating their merits like it’s a sporting match. Our book lists, after all, aren’t meant to be final verdicts. They’re invitations to read more (and, maybe, better).

To compile our expansive list we surveyed more than 200 bookish luminaries — along with a few zealous book club members. Our readers had their own ideas for their top book club picks, many of which we deeply considered. Here you’ll find some of our worthy Los Angeles Times reader selections.

“Fahrenheit 451” by Raymond Bradbury

“A favorite book my book group read and discussed is ‘Farenheit 451.’ It was fascinating to see what the past thought the future might bring,” reader Margaret Hardy writes of the 20th century classic. “In terms of technology and control by the government we are seeing today what Bradbury was thinking about in 1953. We felt that the future was found in the past. It was a chilling read.” Equally chilling is that the book often shows up on banned books lists — not unlike in its narrative.

“Homegoing” by Yaa Gyasi

“You missed ‘Homegoing’ by Yaa Gyasi!” reader Melanie H. writes of the critically acclaimed Ghanian historical fiction novel. “My book club read it and I was enthralled. I can’t stop thinking about it ever since. The amount of research and empathy into every single character and era Gyasi put into this story is incredible. It altered my brain and to this day I tell everyone about this book.”

“Giovanni’s Room” by James Baldwin

Reader Roxanne Yahner writes, “It is beautifully written, elegant and eloquent, and there is no preparing anyone for the sheer inexorable force of Baldwin’s language. This novel expresses the personal — and historical — grief of two gay, perhaps bisexual, men as they explore their sexuality at a time and place where such behavior was dangerous. The reader aches for these men and feels their grief. Some in our book club were disturbed by this novel, but all agreed they were deeply moved by it.”

“The Satanic Verses” by Salman Rushdie

Several readers wrote to us recommending Rushdie’s magical realist epic. “It’s such a complex, yet entertaining novel. We learned a lot about the tenets of Islam as woven into the story,” Ellyn Moscowitz shares about their book club pick. “It provoked great discussions about death, afterlife, religion in general and great character studies.”

“Geek Love” by Katherine Dunn

Reader Francesca Smithwick-Driver chose this as a book club pick in the ‘90s for her group and the 1989 National Book Award fiction finalist remains a favorite.

“[It’s] about a family who runs a carnival of ‘freaks.’ The story is told by an albino dwarf. There are strong themes about what it is to be normal, falling in and out of love with yourself — your family — and the world around you. Wonderfully written scenes about horrible things and beautiful things. I still remember the discussion of my book club — from ‘why in the world did you recommend this disgusting book’ to ‘what a book’ … I couldn’t wait to get back to it each time I put it down.”

“The Master and Margarita” by Mikhail Bulgakov

Reader Kate Karp, who has a cat who resembles a key character in this Russian classic, writes: “[It] turned out, no surprise, to have been the inspiration for the Stones’ ‘Sympathy for the Devil.’” She notes it also requires multiple readings to grasp all the subplots — but it’s worth it.

“Klara and the Sun” by Kazuo Ishiguro (and “Chain Gang All-Stars” by Nana Kwame Adjei-Brenyah)

“I am terrible at book clubs because I have found that I am a very picky reader who simply will not read a book that I do not enjoy,” reader Mike Gascoigne writes. “That said, in a book club I did very much enjoy Kazuo Ishiguro’s ‘Klara and the Sun’ and Nana Kwame Adjei-Brenyah’s ‘Chain Gang All-Stars.’ There was a lot to discuss about both titles including AI/robots, intellectual enhancements, climate change, reality television, prison reform/abolition and human nature.”

“All the King’s Men” by Robert Penn Warren

“‘All the King’s Men’ is a powerful summer read — a Pulitzer-winning novel that feels strikingly current,” reader Ken Muche writes. “Set in the 1930s South, Willie Stark’s political rise echoes modern demagogues, reminding us how easily power can blur truth. Even more important, the novel invites reflection on our own bad life choices — showing that taking accountability for one’s actions is the first step toward forgiveness, peace, and ultimately, a more grounded kind of happiness.”

(Grove Press / Black Cat)

“Girl, Woman, Other” by Bernardine Evaristo

Reader Seth Kivnick’s pick is this work of fiction that co-won the Booker Prize in 2019, he notes that the compelling book describes the Black women in the British Isles who came from all walks of life and different countries. “[It] appealed to male and female club members.”

“Hell of a Book” by Jason Mott

“It’s good-humored without being comedy or satire but opens serious friendly discussions about contemporary problems,” reader Christine Almeida writes of the novel that won the 2021 National Book Award for fiction. “Our library-based book club talked about it for a solid 90 minutes without straying from what the book itself had to offer its readers.”

Legal challenges flared this week over an Inland Empire school district’s alleged removal of library books and, separately, on its efforts to require parental notification on student gender identity — policies strongly supported by the school board president, Sonja Shaw, a leading contender to become the next state schools superintendent.

One policy of Chino Valley Unified allows parents and others to force the removal of school library books to which they object, resulting in books with sexual content or with LGBTQ+ themes being pulled off shelves, according to a complaint filed this week by a leading public-interest law firm and local parents.

The complaint, filed with the California Department of Education, asks the state agency to investigate whether education codes have been violated. The complaint also seeks to invalidate the policy and have books returned to shelves.

The other Chino Valley Unified policy under legal scrutiny would require school employees to notify parents when students express gender-identity issues at school — even if the students want to keep this information secret from their parents. The Chino Valley school board passed its notification policy in July 2023, but a state judge put the policy on hold and subsequently ruled it illegal.

However, the Chino Valley school board is seeking to reinstate the policy in light of recent U.S. Supreme Court decisions. A court hearing on the matter had been scheduled for Wednesday, but has been moved to Sept. 15.

The San Bernardino County school system of 26,000 students adopted both policies under the leadership of school board President Shaw, a conservative Republican running for the office of state superintendent of public instruction. Shaw finished first in the June primary among 10 candidates, seven of them Democrats who appeared to split the Democratic vote among them.

On Wednesday, Shaw had not yet had an opportunity to review the book-policy complaint, but said both policies ultimately look out for children by safeguarding the rights of parents.

“I believe the larger issue is whether parents are going to remain the primary decision-makers for their children or whether Sacramento continues to chip away at that role,” Shaw said. “I will always stand on the side of parents.”

The book policy “is about ensuring that sexually explicit material is not placed in the hands of children in our schools,” Shaw said. “That is a reasonable responsibility for a school board, and I believe parents overwhelmingly expect us to exercise that responsibility.”

The challenge to the policies comes in the context of the November election, which pits Shaw against second-place finisher Richard Barrera, a Democrat.

Barrera said that some parents may agree with some of Shaw’s positions on culture war issues, but not with her entire agenda.

“I would say that the overwhelming majority of parents of students in our public schools find the agenda that Sonja Shaw is promoting to be terrifying,” Barrera said. “The idea that we’re going to restrict access to books for students, the idea that we are going to pick on and bully LGBTQ students, and particularly transgender students, is not a reflection of the values of parents in California.”

Barrera, the president of the San Diego Unified school board, also works as a senior state Education Department staffer, but has no involvement in handing complaints such as the one just filed, the department said.

Books removed from shelves

The Chino Valley school board adopted the book restriction policy in October 2023.

The district policy permits any community member to call for removing a library book. Such a demand, according to the policy, must be acted on immediately, with the book’s removal occurring within three days. A subsequent hearing within 45 days allows for public testimony, board discussion and a board vote, which would be the final decision.

Before the policy was adopted, community members had complained in public hearings about specific books and dramatically read aloud sexually explicit passages at board meetings to make their point. Defenders of the books said the passages were taken out of context in works that needed to be considered in their entirety.

The district began acting on its new book-removal policy before receiving any formal complaints, according to the filing submitted to state officials by Los Angeles-based Public Counsel.

In the fall of 2023, district officials asked schools for an inventory of specific titles public speakers had complained about at board meetings. Also included in the inventory were some books perceived as likely to be challenged.

Shortly after, parents and employees were no longer able to find copies of some of these books on the public-facing, book-search system, these critics told The Times in early 2024.

During this early period, only one formal complaint about a specific book was immediately received, a November 2023 request to remove the Bible “in all its forms” based on the Bible’s sexual content. This request was not carried out, the Public Counsel complaint states.

Other requests were submitted in October 2024 and covered 14 books, including: “Looking for Alaska” by John Green; “A Court of Mist and Fury” by Sarah J. Maas; “Beloved” by Toni Morrison; “Juliet Takes a Breath” by Gabby Rivera; and “More Happy Than Not” by Adam Silvera.

The complaint to the Education Department also alleges the removal this year from at least one library of an unnamed book by Maya Angelou and an unnamed middle school book that touched on sexual identity.

The complaint alleges that the Chino Valley policy is unlawful under state law and unconstitutional under state and federal law. It also alleges that, even if the policy were to survive the legal test, Chino Valley did not follow its own rules. The complaint states there is no evidence of any public hearings or board votes on a challenged or removed book.

The state Education Department had no immediate response to the filing of the complaint.

A consistent theme in the removed books was LGBTQ+ content, according to the complaint. Targeting that content would amount to unlawful discrimination against LGBTQ+ individuals, who are explicitly protected against discrimination in California, said Elizabeth Graves, senior staff attorney in the educational equity unit of Public Counsel.

Ultimately, books were removed “not because they contain sexually obscene material, but because they contain content protected by law,” Graves said. “The school district appears to be targeting books that are featuring LGBTQ people, or written by LGBTQ authors.”

The state education code, Graves said, “really calls out how important accurate and inclusive education is for students, especially LGBTQ people, Black, Indigenous, and other peoples of color.”

Graves said that Public Counsel filed its complaint with the California Education Department because it can carry out an expedited complaint process in as little as 60 days.

Shaw said that if anyone questioned the district’s management of its policy, the matter could have been brought directly to district officials. Her issue, she said, is simply sexually explicit, graphic description — not references to sex. Parents can find that explicit material for their children in a public library if they choose, she added.

Parent notification on gender issues

Chino Valley became the first school district in California to adopt a parental notification policy in July 2023. It required that a school administrator, counselor or teacher notify parents if a student requests to be treated as a gender different from the student’s biological sex in any facet of school or in school records.

California Atty. Gen. Rob Bonta quickly sued to stop the policy and San Bernardino County Superior Court Judge Michael Sachs barred nearly all its elements. But he did allow parents to be notified of any student requests to change school records; for example, if a student requested to be known by a different name on a class roster.

In March, however, in a California case, a U.S. Supreme Court majority ruled that parents had a right to be told — if they asked — about their child’s sexual orientation issues at school. A lower court in the same case — Mirabelli vs. Bonta — had already ruled that school staff could not be barred from informing parents if they wanted to.

Since then, California Justice Center and Advocates for Faith & Freedom have filed a motion asking the state court to dissolve the injunction blocking Chino Valley’s original parent notification policy.

“Chino Valley is now in the impossible position of being subject to two conflicting permanent injunctions,” said attorney Emily Rae.

“The original policy was important because parents have a fundamental right to know what is happening with their own children,” Shaw said. “The U.S. Supreme Court has recognized the fundamental role parents play in raising and directing the upbringing of their children. Schools should not replace parents.”

Bonta’s office asserted in court papers that the original ruling should stand because the other recent rulings did not directly apply and because the Chino policy “discriminated against transgender and gender nonconforming students by forcing school personnel to ‘out’ those students to their parents, even if their parents have not asked for such notification; even when disclosure would result in physical, emotional, or psychological abuse; and even when less harmful alternatives … were available.”

Brace yourselves, BookTok: Bestselling romantasy author Sarah J. Maas just dropped the titles and covers for the sixth and seventh “A Court of Thorns and Roses” books.

Maas scrubbed her Instagram of all previous posts for the big reveal, and digital billboards in Los Angeles, Denver and New York City also broadcast the book news. In March, Maas announced on Alex Cooper’s “Call Her Daddy” podcast that the two new books were on their way, ending a five-year drought since the fifth installment, “A Court of Silver Flames.”

The sixth book, “A Court of Splintered Harmony,” will hit bookshop shelves Oct. 27. According to news media materials, in the sixth installment of the romantasy phenomenon, “what was broken will be remade.” As Koschei the Deathless stirs from millennia-long captivity, powerful allies close in to reclaim the human lands. To counter the growing threat across Fae territories, Prythian’s fractured Night Court must overcome internal rifts and recent betrayals to restore former alliances.

And in the seventh book, “A Court of Forgotten Melody,” which is slated for publication Jan. 12, diplomacy is failing and traditional alliances are falling apart as the threat of Koschei the Deathless reaches a critical point. Desperate for any advantage, the Night Court’s Inner Circle must scatter far and wide to face emerging past enemies and salvage Prythian’s fragile peace.

The first installment of the “A Court of Thorns and Roses” series was released in 2015, but the series garnered widespread popularity on BookTok during the COVID-19 pandemic lockdowns. The books follow Feyre Archeron in the faerie lands of Prythian and her steamy love story with the High Lord of the Night Court, Rhysand.

Maas is one of the pioneers of the modern romantasy boom and widely credited with taking “fairy porn” or “faerie smut” into the mainstream. But Maas told Cooper in May that although she loves writing hot sex scenes, she has a bone to pick with people dismissing her work as “smut.”

“I find that there is a tendency for people to roll their eyes at things that bring women joy,” she told Cooper. “Anytime a woman writes something and there’s even a little hint of sex that’s not fade to black or very artistically mentioned, it’s like suddenly it devalues the work, and it doesn’t matter what else is in that book. … I don’t understand because you’re writing a thing that is so accurate to life, and sex is a part of life.”

Times staff writer Katie Simons contributed to this report.

Nearly 30 years after Tupac Shakur was gunned down near the Las Vegas Strip in a killing that rocked the rap world, the trial of the man prosecutors allege did everything but pull the trigger got underway Monday with new revelations.

Nevada prosecutors allege Duane “Keffe D” Davis, a one-time Compton gang member, orchestrated Shakur’s killing as revenge for an attack on his nephew hours earlier and are using Davis’ own words in interviews and a book he co-authored as evidence.

In opening statements, prosecutors said an ugly gang rivalry on the streets of Compton led to the slaying of Shakur, a famed rapper and actor, who died six days after he was shot.

The Sept. 7, 1996, shooting, they said, was rooted in a war between Southside Crips-Burris Street, led by Davis, and Mob Piru, a gang long associated with Death Row Records. Shakur was closely affiliated with Death Row, and the record company’s boss, Marion “Suge” Knight, was inside his car the night he was attacked.

In court testimony Monday, it was revealed that Shakur was conscious after the shooting en route to the hospital but did not cooperate with authorities.

The first witness, Garry Dale, a Las Vegas Metro police officer, testified that he saw Shakur pulled out of the car with gunshot wounds and rode in the ambulance with him.

When he asked Shakur who shot him, the rapper replied, “‘No, we’ll take care of it,’” Dale said. “I couldn’t get him to talk any further.”

Duane “Keffe D” Davis is accused of murder in the 1996 killing of hip-hop icon Tupac Shakur.

(Steve Marcus / Associated Press)

The incident, according to Clark County Chief Deputy Dist. Atty. Binu Palal, followed a violent confrontation at a Mike Tyson fight earlier that night in Las Vegas. Palal showed video of Shakur’s entourage attacking Davis’ nephew Orlando Anderson. Travon Lane, a Mob Piru member, had spotted Anderson in the MGM Grand hotel lobby. Months earlier, Anderson stole Lane’s Death Row Records chain in the Lakewood mall during an attack.

The rivalry between the groups grew after the Southside Crips became the West Coast security for Sean “Diddy” Combs’ record label, prosecutors said.

“Let’s be clear, Duane Davis did not pull the trigger. But he did plan the shooting in retaliation of the beating of his nephew,” Palal said. “Remarkably, you will learn that from Duane Davis himself.”

Palal noted that Shakur’s shooting was followed by numerous slayings in Compton, including that of an 11-year-old girl.

“In this world, silence means survival,” Palal said. “The one person who has had a hard time being silent is Duane Davis.”

The prosecutor played parts of an interview with a Los Angeles Police Department federal task force in 2008 in which Davis acknowledged his role in the rapper’s fatal shooting. They also cited other interviews as well as his own memoir.

The prosecutor said Davis got the gun from Eric Zip Martin, an East Coast drug dealer associated with Combs’ Bad Boy Entertainment.

“He admits putting the gun he obtained that night in the back seat of the vehicle so the shooters could shoot,” the prosecutor said. “You will learn that Duane Davis got the gun. … You will learn that he got into a white Cadillac. You will learn when the opportunity presented itself for retribution, Duane Davis made sure that the shooter was armed and ready to execute their revenge.”

Palal said Davis and his crew set out in search of Knight and Shakur. In multiple accounts, including in his book “Compton Street Legend,” Davis wrote that they spotted the Death Row caravan stopped at a red light, with Shakur waving to female fans while hanging out of the BMW window.

“Tupac, he gave himself away,” Davis said in the recording played in court. “Otherwise, they would’ve got away.”

Davis was arrested in 2023 and indicted for masterminding the killing and providing the gun.

Rapper Tupac Shakur is show at Club Amazon in New York on July 23, 1993.

(Al Pereira / Getty Images)

Michael Sanft, Davis’ defense attorney, told jurors there will be no evidence linking his client to the shooting.

“There are no facts to point to Keffe — not one,” he said. “You’re going to hear about this over and over again.”

Sanft recounted decades of probes and noted that prior investigations did not take his client’s statements seriously because they were not credible. “He treats that book like it’s fact,” Sanft said of a lead detective in the case. The defense attorney, in an unusual move, repeatedly undermined his own client’s credibility.

Sanft portrayed Las Vegas police as incompetent, with lost records, and the LAPD and then Compton police as corrupt.

“What facts do they have to put Keffe D in a car in 1996? When you look at the video in 1996, do you see Keffe D?” he added, referencing the lobby beating.

Sanft said Death Row’s security chief was Reggie Wright Jr., a felon and former Compton police officer whose father led the Compton police gang unit. He said the former officer was not with Knight and ordered his security team not to carry firearms. The defense lawyer cast Davis’ memoir as fiction and said there was no evidence his client was in Las Vegas.

The prosecutor, however, told jurors that Davis, from 1998 to 2023, made several incriminating statements and, in 1998, admitted to the FBI to being in Las Vegas at the time of Shakur’s slaying.

Davis, according to prosecutors, told investigators during a secret meeting he “was mad about Orlando Anderson’s beating” and he was the boss who got the firearm and was in the white Cadillac. When Greg Kading, an LAPD detective who led the task force, left policing and later published a book revealing Davis’ role, it made Davis want to go public, according to the prosecution.

“Greg Kading is profiting off Duane Davis’ life story,” Palal said. By the time the book was released, the others who were allegedly in the car the night of the shooting were dead. Anderson was killed and Smith passed away. In 2019, after a series of interviews, Davis published his own book, which, full of bravado, gave a similar account of Shakur’s killing as that of the federal task force. The prosecutor then played an interview from the time of the book’s release, in which Davis justified his actions.

Rap mogul Marion “Suge” Knight appears in court in 2018 in an unrelated case.

(Irfan Khan / Los Angeles Times)

Ingrid Stokes, one of four women in a car that had been following Shakur the night of the attack testified that she freaked out and screamed, then fled the scene, telling police she “didn’t see anything” because “snitches get stitches.”

A third witness who testified Monday, former Las Vegas Metro Det. Brent Becker, said he interviewed Knight about the beating in the MGM Grand lobby, and Knight said he basically “didn’t know anything.” By 1997, detectives suspected that Davis was in the Cadillac that opened fire on Shakur, he testified.

Davis, now 63, has pleaded not guilty to murder with a deadly weapon with the intent to promote, further or assist a criminal gang. In recent weeks, he’s denied being in the Cadillac or Las Vegas that night and, in interviews with Las Vegas TV stations, blamed a former head of Death Row Records security.

“I had nothing to do with nobody’s murder,” he told interviewers.

Prosecutors are expected to call witnesses to support Davis’ claims from over the years. Davis’ lawyers will seek to portray him as a fabricator — his bragging is all fiction. Davis has done the same with Las Vegas reporters.

“I did not write the book; a ghostwriter wrote that book,” Davis said in a recent jailhouse interview. “I was trying to make my family some money.”

LOOKING for some last minute action-packed family days out this summer?

Luckily, top UK theme parks are teaming up with giants like Minecraft, Formula 1 and Pokémon for amazing events that you and the family to get stuck into.

Whether your little ones want to hunt down real-life Minecraft Mobs, build LEGO Poké Balls or ride record-breaking coasters after dark, you still have time to do all of the above this summer.

Here’s the top events across UK theme parks that STILL have plenty of availability in August, from as little as £19 per person.

Alton Towers

Minecraft Meet the Mobs event: until August 28

If you’ve got any Minecraft fans in the family, you’ll want to bring them along to the Meet the Mobs event at Alton Towers.

Families can explore the theme park in an entirely new light as Creepers, axolotls, baby pandas and more roam the park ready to pose for pictures. And yes – you can meet the Minecraft movie-famous Chicken Jockey.

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There’s also an adorable Baby Mob Trail which takes you through memorable scenes and terrains from the movie and game. Complete the trail, and you’ll even get a baby axolotl hat to take home.

Not only this, but there’s even Minecraft-themed food and drink to enjoy, plus an arts and crafts zone to take a breather.

Book a day to ticket to Alton Towers from £32.13pp

Legoland Windsor Resort

Lego Festival and Pokémon collaboration: until August 31

Think everything you get from a fully-fledged festival – headline performances, chill zones, live music and more – but fully designed for kids. And throw in a whole bunch of Lego bricks.

Not only is there live shows and brick building zones here, but there’s also a new-for-2026 Pokémon play zone.

Here you get an interactive Pokémon Trainer experience, before building your own Lego Poké Ball as well as plenty of other themed activities.

You can even grab a family photo with Lego Pikachu for the memories.

Plus, for any Formula 1 fans, there’s also a new F1 Thrill Zone, where you can take on the Lego Brick Stop Challenge as you build against the clock.

Throw into the mix designing, building and racing your own F1 car, and you’ve got yourself a pretty action-packed day out at the Lego Festival.

Book a day to ticket to Legoland Windsor Resort from £29.75pp

Thorpe Park

Thorpe Park Lates: Summer Sounds: 14, 15, 21 and 22 August

Make the most of summer’s bright, sunny evenings with Thorpe Park Lates, where you can ride coasters up until 9pm in August.

Not only can you stay out later, but the theme park also hosts live DJ sets, so you’ll have a soundtrack to your late night rides.

Tackle the record-breaking Hyperia, go from 0-80mph in under 2 seconds on Stealth, or reach speeds of nearly 60mph on The Swarm.

If high-intensity coasters aren’t your thing, there’s bumper cars, teacups, a 4D cinema and plenty more attractions to spend your evening drifting between.

Book a day to ticket to Thorpe Park from £35

Blackpool Pleasure Beach

Late Night rides with fireworks and summer shows: until August 29

End the night with a bang at Blackpool Pleasure Beach with their Late Night Riding and Fireworks nights.

Here you can ride famous coasters like the Big Dipper and The Big One into the night, before grabbing a hot drink to watch the fireworks to put a finish to a fun-filled day.

The fireworks begin at 10pm, with an epic backdrop of massive rollercoasters and the familiar Blackpool seaside skyline.

There’s also entertainment shows running until the end of summer. One of which is the Evolution of Magic (£14) where you can watch an interactive magic show from Britain’s Got Talent-famous illusionists, Craig Christian and Elizabeth Best.

Book a day to ticket to Blackpool Pleasure Beach from £29

Gulliver’s Land

Summer Soundwaves: until September 1

Gulliver’s Land are bringing the festival feeling to Milton Keynes, with a packed live DJ schedule throughout the rest of the summer.

DJ Leonard’s Rides and Vibes sees Leonard the lion leading dance parties throughout the park, plus Buddy’s Buccaneer Boogie brings the pirate tunes.

And that’s not all – there’s also K-Pop Karousel events where you can learn dance routines and take part in karaoke, plus you can spin under the lights at Dodge’s Disco Dodgems.

When you’re not stopping to sing and dance at one of the park’s many parties, there’s rides like the Jungle Falls waterslide and The Wriggler caterpillar kids coaster, plus a dinosaur trail and farmyard to explore.

Book a day to ticket to Gulliver’s Land from £12.50

Prices correct at the time of publication.

AND just like that, the solar eclipse is over… until next year where you can see another in several European destinations.

The solar eclipse will return on August 2 next year, with some European destinations getting a total eclipse, including Spain again.

Alongside Spain, Gibraltar, Tunisia, Morocco and eight other countries will also experience a total solar eclipse.

Meanwhile, the UK will once again see a partial eclipse.

Unlike yesterday’s celestial event, this solar eclipse will take place in the morning in most destinations.

But the hype caused by yesterday’s event is already creating hype for next year’s.

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Gibraltar, for example, you can fly from the UK for between £170 and £190 return, on average.

Looking at flights for next year around the solar eclipse, prices are already rocketing.

If you were to head out on July 29 and return on August 3, direct flights from Manchester will set you back at least £453 return and £739 return from London.

Alter the dates slightly and it is still expensive – flying out on July 30 and returning on August 4 will set you back at least £419 direct from London.

Even if you flew out the day before and then headed home straight after the eclipse, you’ll be set back around £400 for direct flights.

Adele Cooke, Senior Consumer Reporter and Consumer Champion at The Sun, who is from Gibraltar, said: “The next eclipse may still be a year away but Gibraltar is already buzzing with excitement.

“The total eclipse will be visible over Gibraltar and the uninterrupted views over the Strait make it a great place to watch the event.

“The eclipse will be visible for a full four minutes, one of the longest durations of anywhere in the world.

“Friends and family have already booked their flights home to be there on August 2 and prices are already climbing.

“But there’s no need to worry about missing out.

“There are dozens of flights from the UK to Malaga every day, and the Spanish airport is just an hour and a half’s drive from Gibraltar.

“Set up price alerts now so you’ll be notified when prices drop.
Meanwhile, website GibStay.com can help you find affordable accommodation.

“If accommodation in Gibraltar is out of your price range then consider staying in one of the nearby towns and driving down for the event.

“Estepona, Soto Grande and Tarifa are all around an hour’s drive away.

“You could book a villa and make a week of it.

“In August temperatures in southern Spain average between 21 and 28 degrees, while the region gets less than 8mm of rainfall for the entire month.”

For Spain, major cities and locations that will be under the path of totality include Cadiz, Malaga and the coast of Almeria and Granada in southern Spain.

If heading to Cadiz, you’ll need to head to Jerez Airport, which is about a 40-minute drive from the city centre.

Direct return flights for the days around the solar eclipse to Jerez Airport from London are already around £495.

This is still more than the average £170 to £350 return trip to the city usually costs in August.

Malaga seems to be one of the only destinations that hasn’t risen… yet.

Average direct return flights to Malaga from the UK in August usually cost £170 to £270.

There are currently direct flights still available heading out at the end of July and returning on August 3 for £187.

There are currently lots of hotels available for affordable prices too.

You don’t have to go to Spain though, you could fly to Morocco instead for £230 return.

Here’s the full list of countries you could head to where there will be a full solar eclipse on August 2:

• Algeria
• British Indian Ocean
• Egypt
• Gibraltar
• Libya
• Morocco
• Saudi Arabia
• Somalia
• Spain
• Sudan
• Tunisia
• Yemen

Most of these destinations will experience a total eclipse mid morning on August 2.

WITH temperatures soaring towards 38C this week, a holiday close to home can feel like being abroad.

And when there’s UK holiday parks with plenty of last-minute summer availability, there’s no better time to set off on a cheeky spontaneous staycation.

If you bag one of these last-minute offers, you could be cooling off in giant waterparks, floating down lazy rivers, or feeling the sand between your toes on the beach.

And with prices tumbling to entice holidaymakers, you can bag an action-packed family break from as little as £7.71 per person a night so here’s our pick of the best last-minute bargain holidays you can book right now – before they all sell out.

Cleethorpes Beach, Lincolnshire

If you’re looking for a last-minute getaway with loads to do for the kids, this park has plenty of excitement on-site. It’s also ideal for a dip in the sea, thanks to its direct beach access.

Sunny days are best spent cooling off at the outdoor splash park, dropping a line in the peaceful fishing lake, or tackling pedal go-karts and mini golf outdoors.

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PIER IN

The UK’s largest pier opens new fancy holiday park with lodges right on the lake

BARGAIN ALERT

You can stay at these award-winning UK holiday parks from £2.88pp per night

For bigger thrills, kids can scale the giant climbing wall or battle it out in the NERF training camp.

Feeding the family is easy too, thanks to Slim Chickens, Papa Johns, Burger King, and even its very own on-site Wetherspoons pub.

Last-minute three night break in a Bronze caravan sleeping eight for £185 total, working out to just £7.71pp per night.

Todber Valley Holiday Park, Lancashire

Fancy a last-minute getaway to a relaxing holiday resort with two national parks on your doorstep?

Todber Valley sits in Clitheroe, where caravans are surrounded by nothing but rolling hills and greenery.

But if you do fancy a slice of history, you’ve got Clitheroe Castle and Museum just under 20 minutes’ drive away.

For kids, there’s an outdoor adventure playground and sports courts to burn off energy, and for grown-ups there’s a pub with a pretty beer garden that’s perfect for enjoying the sunshine.

Three night break for six people in a Bronze caravan for £313, working out to £17.39pp per night.

Combe Haven, Sussex

Set in sunny St Leonards-on-Sea, this Sussex park centers around an epic waterpark complex with a lazy river and a giant Space Bowl flume

Out of the water, you can test your aim with archery coaching, tackle Footgolf, or scale the massive climbing wall.

For dinner, tuck into a proper chippy tea at Cook’s Fish and Chips, then head to The Saxon Bar for evening drinks with sea views.

Plus historic Hastings is just 15 minutes away – ideal for exploring its famous castle and delving into the underground caves at Smuggler’s Adventure.

Three night break for four people in a Saver caravan for £279 total, working out to £23.25pp per night.

Craig Tara, Scotland

Perched on the dramatic Ayrshire coast, Craig Tara is one of the biggest Haven holiday parks in the UK.

This seaside spot delivers non-stop action no matter what the weather is doing. The star attraction is Splashaway Bay – one of Scotland’s largest indoor waterparks – with multi-lane slides, thrill flumes, a lazy river, and a toddler splash zone.

Indoors, the massive Airspace sports hall keeps the momentum going with climbing walls, soft play, a golf simulator, and electronic target walls.

Outdoors, at the Lighthouse Harbour Adventure Village, you can brave an aerial ropes course or take the plunge on the six metre-high ‘The Jump’.

Last-minute three night break in a saver caravan sleeping six people for £339 total, working out to £18.83pp per night.

Butlin’s

Butlin’s have a selection of last-minute breaks for the remainder of the summer holidays that can cost you as little as £22.50pp per night.

There are three and four night breaks available across all three locations – Skegness, Minehead and Bognor Regis.

Included in the price you’ll get waterpark and fairground access, as well as daytime activities like soft play, football and arts and crafts.

Plus you’ll be able to catch one of this summer’s exclusive shows before they end for the season, including performances from Diversity, The Masked Singer and Maximum Pro Wrestling shows.

We found one three night break at Minehead, including access to Diversity and The Masked Singer shows, for £269 total, or £22.42pp per night.

Prices correct at the time of publication.

WOULD you rather spend £15 on a takeaway pizza, or use that money to go on a mega family holiday?

Your next family getaway in the UK doesn’t have to involve saving up for months and months.

Not when we’ve found entire family holidays for less than the price of a pizza.

Order a large pizza from Domino’s and you can expect to pay at least £14.

A six-piece tenders bargain bucket from KFC costs £15.99, and a chicken sharebox from McDonald’s on its own will set you back £13.69. And that’s all before you add drinks and delivery on top.

We’ve found 10 UK family holidays that cost less than all of the above – priced at £12.50pp or under.

So put down the delivery apps, and start packing your bags. Here’s the best family holidays you can book right now for less per person than a Friday night takeaway.

1. Devon Cliffs, Exmouth

Backed by dramatic red cliffs and perched above its own, award-winning private beach, Devon Cliffs is one of Haven’s top coastal resorts.

This holiday park is ideal for kids who love to make a splash, with a massive, four-lane indoor waterslide that plunges you straight into the indoor pool – plus a rubber ring tube slide outside.

Out on the beach, you can take part in sea kayaking and paddle-boarding lessons.

Back on land, there’s adrenaline-pumping activities like high-ropes courses and mini 4×4 off-roading.

Keeping costs down for meals is a breeze thanks to the resort’s own Wetherspoons pub, The Red Rocks, where you can eat familiar favourites like curries and pizzas and enjoy cheap pints.

Another dining option is the South Beach Cafe, which serves up seaside cocktails with sunset views.

When night falls, two live entertainment venues keep the whole family entertained with everything from classic bingo to 90’s tribute acts.

2. Marton Mere, Blackpool

Just a ten-minute drive from Blackpool’s famous seafront, Haven’s AA five-star rated Marton Mere holiday park has so much to do that you’ll barely want to leave site.

Family days here are spent braving free-fall airbag drops on ‘The Jump’, conquering the huge climbing wall, and getting competitive at the NERF Training Camp.

For something a little more relaxing, you can float down the outdoor lazy river or take a gentle swim in the heated indoor pool.

Feeding the family is hassle-free too, with on-site options including Papa Johns, Burger King, and Cook’s classic seaside fish and chips.

Evenings centre around the newly-upgraded Showbar, packed with exciting entertainment like interactive game shows.

Best of all, you’re just moments from the iconic Blackpool Tower, the world-famous Illuminations, and Pleasure Beach’s newest thrill rides such as Aviktas, which opened earlier this summer.

3. Billing Aquadrome, Northampton

Sprawling across 235 acres of lakes and countryside in Northamptonshire, Billing Aquadrome is designed to keep even hard-to-please teenagers off their phones.

Where else can kids feed alpacas, ride on a BMX pump track, learn TikTok dances, and ride a miniature railway all in one afternoon?

Kids can go full Total Wipeout on the lake’s massive inflatable obstacle course, while younger ones get stuck into slime-making and outdoor survival workshops.

When the sun goes down, the outdoor cinema becomes a popular spot with its open-air cinema screenings, plus there’s also silent discos and live shows in a giant outdoor amphitheatre.

Refuelling the family is easy thanks to loaded burgers at Smash’d Town and sweet snacks from the Bak’D & Swirls dessert shop.

To top it all off, you can fall asleep right on the water’s edge by booking a stay in a cosy lakeside pod.

4. Littlesea, Weymouth

Overlooking Dorset’s tranquil Fleet Lagoon, Haven’s AA 5 Gold Star-rated Littlesea Holiday Park puts natural wonders like Durdle Door and the Jurassic Coast right on your doorstep.

When you’re not out on a nature hike, there’s unique activities like pottery classes, an inflatable arena and games of beach bingo on-site.

Plus there’s plenty of Haven holiday classics too, like a crazy golf course, archery and football sessions.

Keen swimmers get the best of both worlds with heated indoor and sunny outdoor pool – plus it wouldn’t be a proper seaside holiday without getting in the sea.

The park is also only a 10-minute drive from the town centre of Weymouth and the historic Nothe Fort.

5. Orchards Holiday Village, Clacton-on-Sea

Active families are spoilt for choice at Essex’s AA four-star Orchards Holiday Village.

The park packs in a nine-hole golf course, mini Segway hire, Footgolf, and pop-up Football Fun Factory sessions into one site.

Soak up the countryside views by cycling around the large fishing lake, or if the weather plays up, spend those spare two pence coins winning prizes in the amusements.

A stay here isn’t complete without a visit to Clacton Pier and Pavilion, which is 17 minutes’ drive from the park.

This well-loved seaside spot has over 20 exciting rides that you can take on with a £12.99 unlimited ride wristband.

6. Butlin’s

What’s better than a family weekend away at Butlin’s?

There’s an abundance of activities across the popular Bognor Regis, Skegness, and Minehead resorts.

On rainy days, kids can spend hours conquering the massive Splash Waterworld waterpark, loaded with high-speed flumes, raft rides, and wave pools.

The action centres around the Skyline Pavilion, where the stage hosts West End-quality live productions, pantomimes, and character meet-and-greets with TV favourites.

Add in high-ropes courses, archery, soft play arenas, and direct beach access – and your schedule is packed from morning to night.

Plus, make sure to make use of the traditional fairground for unlimited spins on the dodgems and carousels.

7. Parkdean Looe Bay Holiday Park, Cornwall

From crabbing off Banjo Pier to exploring the giant biomes of the Eden Project, Parkdean Looe Bay puts proper Cornish adventures front and centre.

On-site, kids can splash around in the heated pool, tackle wildlife trails, or join in with action-packed tots’ activity sessions.

Nighttime brings live family entertainment alongside quality park dining, with all inclusive food and drink options up for grabs on selected midweek breaks.

Off-park, you’re just minutes from West Looe’s sandy coves, quiet rockpools, and Nelson, the town’s legendary bronze seal statue.

Historic harbour pubs like The Jolly Sailor serve up hearty home-cooked meals and fresh local catches straight off the boat.

Plus, with the Monkey Sanctuary and Polperro‘s ancient fishing village right around the corner, you’ll never run out of day trips.

8. Hopton Holiday Village, Great Yarmouth

Haven’s Hopton Holiday Village isn’t just another bog-standard holiday park – it’s the reigning AA Holiday Park of the Year.

Sitting in Norfolk’s Hopton-on-Sea, here you’ll get direct beach access to signature flat, golden sands and gentle waves.

Fresh from a massive makeover, parents can even grab a cheap pint and family meal at the park’s brand-new, on-site Wetherspoons, The White Clover.

Kids won’t get bored either, thanks to a newly upgraded pool complex that has doubled in size and comes stacked with high-speed flumes and an inflatable arena.

On dry land, little thrill-seekers can tackle everything from a Mini Aerial Adventure and climbing wall to Segway tours and go-karting.

When night falls, pull up a seat at the buzzing lounge bar for a drink while the kids go wild for the Seaside Squad live shows.

You’re also only 12 minutes from Great Yarmouth’s legendary Golden Mile, where you can tackle giant seafront rides.

And if you don’t visiting outside of peak travel seasons (which – let’s be honest – makes for a much more peaceful break anyway) you can bag a serious bargain.

9. Unity Beach, Somerset

Unity Beach in Somerset is an absolute powerhouse of a holiday park. And lucky for you, it’s available with The Sun’s £9.50 holidays.

What really sets this park apart is that it has its very own theme park and waterpark right on site.

Thrill-seekers can tackle over 40 attractions at Brean Theme Park, from spinning rollercoasters to classic log flumes.

Then head over to the newly-upgraded Unity Splash waterpark or fast slides, rubber-ring rides, and heated indoor and outdoor pools.

Throw in an 18-hole golf course, plenty of sports, and direct beach access, and you’ve got a non-stop holiday where boredom simply isn’t an option.

10. Seal Bay, West Sussex

Perched on a private mile of coastline in Selsey, Seal Bay delivers a classic seaside family holiday, but with a thoroughly modern upgrade.

When you’re not out enjoying the beach, there’s a massive, tropical water complex with plenty of slides and splash pads, plus a sunny outdoor lido surrounded by cabanas.

This holiday park also boasts its own on-site funfair, plus activities like ten-pin bowling, pottery painting, and high-ropes climbing courses.

When day turns to night, the resort comes alive across its multi-million-pound entertainment venues.

You’ll get to see some all-singing, all-dancing theatre productions with everything from acrobatics to pyrotechnics on stage.

Years ago, at the height of his success, Anthony Jeselnik couldn’t sleep. It was making him crazy. Hoping to find relief, the comedian sought help from a therapist he assumed would guide him back to a healthy sleep schedule. Instead, he encountered an apathy that stunned him.

“So what?” he recalls her saying. “So what if you don’t sleep? If you wake up, read a book. Find ways to be productive in your loneliness.”

Anthony Jeselnik grows earnest when he talks about his love for books.

(Ariana Drehsler / For The Times)

The advice resonated. Today, the comedian is still reading alone, only now he has a dog — and an audience. A lifelong reader, Jeselnik has transformed his literary habit into a popular online book club, Jeselnik Book Club, where he recommends novels and invites discussion on his YouTube channel. His first video, posted in January and reviewing Jim Thompson’s “The Getaway,” garnered over 31,000 views. Each month, he chooses a novel and offers it up for discussion.

“My goal was to curate and give people their best shot at enjoying reading,” he says. It’s a valiant effort, considering that reading has been in a steady decline. Last year, it was reported that the number of American readers had declined by 40% over the previous two decades.

“People will say, ‘Oh, I don’t like reading books.’ You’re choosing the wrong books,” says Jeselnik, his voice likely ringing with his signature snark because he, for the most part, knows otherwise. In 2022, bestselling writer Isaac Fitzgerald, who recently released the anticipated “American Rambler: Walking the Trail of Johnny Appleseed,” witnessed the power of a Jeselnik recommendation.

“It helps with the masculinity crisis in that reading is masculine. It is a masculine thing to do,” Anthony Jeselnik argues, advocating that young men trade online conspiracy forums for literature.

(Ariana Drehsler / For The Times)

“A friend texted me that Anthony Jeselnik, a comedian whom I loved — but had never met nor interacted with — shouted out his love of my memoir, ‘Dirtbag, Massachusetts,’ on his podcast. I was thrilled,” Fitzgerald says. “At my events, both in Chicago and throughout the rest of that year, more and more people in my signing lines told me they’d heard of the book from Jeselnik’s podcast. I was also buoyed by how many of the people in the signing lines were young men.”

Since then, despite Jeselnik’s self-proclaimed loner status, Fitzgerald and Jeselnik have struck up a friendship. “The man is a real lover of books, with excellent taste and, unsurprisingly, confidence in his convictions,” Fitzgerald says. Earlier this year, the author held a book launch event for “American Rambler” at Skylight Books in Los Feliz. Jeselnik hosted. “I think he may have single-handedly invented a new way to do literary events. I don’t know what to call it … a literary roast?” Fitzgerald says. “Everyone laughed for an hour straight.”

In a sun-drenched luxury apartment above Hollywood Boulevard, Jeselnik explains that he mostly avoids the press — because he says he’s become weary of cancel culture and identity politics, conversations that have mired comedy.

Still, he welcomes the chance to discuss books, his voice swelling with excitement at the mention of authors Emily St. John Mandel and Ottessa Moshfegh — both personal favorites. Almost an hour into the conversation, the comedian reveals that he has Joan Didion’s author photo tattooed on his chest. His hand rests on his heart as he evangelizes her writing — a surprisingly tender moment of sentimentality from a comedian who has made a career out of stinging misanthropy.

“She has the cleanest prose. I think she’s the best writer of all time,” Jeselnik says. “I’ve read all of her novels, a lot of her essays. Her book about her husband dying is one of the most heartbreaking books.”

In fact, Didion is a natural match for the comedian. He is renowned for his precise and restrained use of language, delivering provocative truths about people’s ugliest impulses and asking the audience to laugh at them.

In the comedy world, Jeselnik has become legendary for his razor-edged one-liners, each joke ending with a dark reversal. He’s gained a reputation as the provocative bad boy of comedy with irresistible charm. Over the course of his career, he has enjoyed toying with this stage persona, which he jokes is that of a “borderline psychopath.” His roast of Donald Trump catapulted him to stardom, and he has released five hourlong comedy specials, the most recent of which, “Bones and All,” debuted in 2024. On Instagram, he has over 1 million followers.

“I was trying to be the devil onstage and somehow ended up as likable anyway,” he says of his storied career. This interests him in literature too — transcending reputation through good art. “Edgar Allan Poe wrote these books about psychopaths and killers. Authors do not equal their persona.”

“I’m trying to make reading cool again,” Anthony Jeselnik says. “Reading is a solitary act in the way that stand-up comedy is a solitary art form.”

(Ariana Drehsler / For The Times)

Jeselnik’s book club recommendations are eclectic and literary — the kind of titles name-dropped in MFA writing workshops and met with impressed nods at dinner parties. Most recently, he recommended “Stoner” by John Williams, “Dept. of Speculation” by Jenny Offill, and “Paradais” by Fernanda Melchor. He curates his recommendations painstakingly, choosing brisk reads of around 250 pages that he hopes will hook new readers.

“I’m trying to make reading cool again,” Jeselnik notes. “Reading is a solitary act in the way that stand-up comedy is a solitary art form.”

He hopes his fan base embraces a life of reading. Similarly, in 2025, comedian John Mulaney also began recommending books on social media. “There are so few books for guys that are literary. There’s a lot of John Grisham and Jack Reacher, but there’s not something literary that a guy can sink his teeth into,” Jeselnik says. “If it’s well written, and the writer is great, then I’ll go on any kind of journey they take me on. I don’t always understand everything that I read, either. But reading a great writer, it’s like listening to classical music.”

With anti-intellectualism in comedy on the rise, he says his book club stands as an antidote to the manosphere. Young men passing time on conspiracy theory-infested corners of Reddit should instead pick up a novel, the comedian argues. “It helps with the masculinity crisis in that reading is masculine. It is a masculine thing to do,” he says. “The Hemingways of the world were out there. It used to be a badass thing to be a writer, and a brave thing to put your thoughts onto the page and publish them.”

The comedian has been a voracious reader since childhood. When he was in a Montessori school, the teachers discovered that reading would soothe Jeselnik. “I could go sit in a corner, and you can be a juvenile delinquent reading juvenile delinquent books.” Reading gave him a sense of accomplishment and satisfaction that followed him into early adulthood — a penchant he would like to stoke in his fans.

Early on, when Jeselnik discovered Bret Easton Ellis’ work, it felt revelatory. “Once you got outside of the curriculum, it was revolutionary to me to read Bret Easton Ellis; to read about sex, gay sex, to read about drugs, and people, young people, doing this was fascinating.”

Starting a book club felt like a natural progression for Jeselnik’s decadelong career, he explains. “In terms of how I do things and my approach to stand-up, instead of doing a podcast, having a book club seems like a natural extension of that.” There’s an earnestness in his appreciation of great literature that translates to his videos. “You can tell that I like the book and want people to enjoy it at the same level.”

Jeselnik, 47, imagines his comedy career is winding down. Thankfully for his fans, he has other creative ambitions. “I’d love to take a crack at either short stories or writing a novel.”

He reflects on the trend of comedians who, later in their careers, seek new legitimacy. “You see a guy like Jim Carrey: the last thing he wants to do is make anyone laugh anymore. He wants to be taken so seriously,” he says. Jeselnik believes his stage persona spared him from that particular crisis of self. “People are afraid of me. Fans who approach me are careful because my stage persona is borderline psychopath,” he says. “I don’t feel that same need to be taken seriously. I think I am taken seriously.”

His comedic sensibility explores cruelty, shock, transgressions and antiheroes — and it’s also what continues to draw him to literature. “I love bank robbers. I love the idea of the villain winning. That is revolutionary to me. You’re raised on TV, and things have to be wrapped up in half an hour, and the moral has to hold,” Jeselnik says. “I love that books don’t have to play by those rules.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

Does the arbitrary nature of our daily existence cohere into something resembling a story? And if so, how do we begin to tease out meaning from that story?

Valeria Luiselli posits these questions in her new book, “Beginning Middle End,” but mercifully she doesn’t weigh down her fiction with pedantry. Rather, Luiselli tucks her ideas into the folds of an all too human story about a woman, stinging from a recent divorce, and her younger daughter as they embark on a journey across Sicily. The book is written in fragmentary fashion, discrete chunks of prose that accrete into a greater whole, much like the ancient mosaics that are among of the novel’s thematic touchstones.

I recently spoke with Luiselli about Proteus, Pliny the Elder and Polaroid photos.

✍️ Author Chat

There are resonances of your last novel “Lost Children Archive” in “Beginning Middle End.” Certain character names are repeated, and there is also an audio-visual component, as there was previously. Additionally, a QR code in your new novel allows the reader to access audio recordings related to the book. Is this part of a larger project you have in mind?

I learned a lot about [sound and sound recording] when I was writing “Lost Children.” After I finished it I devoted the next five years to a work in progress called “Echoes From the Borderlands,” recording the sounds of the Mexican-U.S. borderlands. I think of “Beginning Middle End” as a book that exists both in its textual version and in its sonic translation.

The story is told in a fragmentary fashion, with short paragraphs that are separated by subheadings. And the last third of the book contains Polaroid pictures and postcards that relate to the story. There is also a mosaic tessera that is integral to the narrative. What is it that appeals to you about the notion of a story that is constructed from lots of discrete parts?

I’ve been interested for some time now in thinking about how to shorten the distance between process and result in such a way that the signs of the process can be read in the final project. When I’m working on something, I’m collecting postcards and archival material, and taking Polaroid pictures along the way, partly because I know that my process in writing is not linear. And I use Polaroids almost as Post-It notes, as another form of note taking.

Valeria Luiselli’s new novel, “Beginning Middle End,” is about memory and imagination.

(Clayton Cubitt)

It’s such a fascinating creative process.

It can be incredibly frustrating. Because sometimes it’s years before I know what language I’m going to be using in its final form.

Your book is about many things, but the act of storytelling is definitely a major theme. Not just in fiction, but in the way we shape our own personal narratives and how they are transmitted. And this notion of “the middle” as a space that hovers between two poles, the place where you are looking behind and ahead, between life and death, and so on.

The mother in the story is in the mess of the middle, trying to make sense of things and laying out events, but not really finding the deeper threads that tie life together and give it some kind of meaning. And it is only until her daughter arrives at the end of the book that you can read the novel backwards somehow, and understand in hindsight how she, the daughter, has seen a relationship all along between all these seemingly arbitrary events. She is the one that finds meaning in a sequence, where the mother sees only chaos.

The book is grounded in Greek and Roman Classical texts. Proteus and Pliny the Elder feature prominently. Where does your interest in the Classics come from?

The early pre-Socratic philosophers were the first to observe nature without the scaffolding of mythology, who were really just trying to make sense of it. And so that’s how I arrived eventually at Pliny, who has this 37-volume compendium of observations of nature that ask all the important questions about the oceans and rivers and mountains and the sky and the clouds. Pliny became a kind of ghost that led me through the years in which I was writing this novel.

Your novel delves into the relationship between memory and imagination.

What guides me are questions that press on me. I have little interest in plots early on. I become interested in plot as an emanation from questioning things. And one of those questions was about the relationship between memory and imagination. How are the two things connected? How much is our imagination shaped by our memory?

One of the writers that has best addressed that question is Jorge Luis Borges in the last story he ever wrote, “Shakespeare’s Memory,” where the protagonist has two consciousnesses inhabiting his interiority. When a train passes, he doesn’t know what it is, because he’s in Shakespeare mode. He doesn’t have a memory of the sound of a train. That story can be read as an allegory for how our memories and imaginations work as readers. We have all our life events that compose our being and our memory of life, but we also have everything we have read. And I think that that’s really where the discussion around imagination and memory gets very interesting.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Christopher Nolan’s film adaptation of “The Odyssey” ignited a fire in the literary world, inspiring harsh critiques from Homer translator Emily Wilson and staunch defenses from Joyce Carol Oates and Susan Orlean.

(Illustration by Jim Cooke / Los Angeles Times; Source: Louis-Frédéric Schützenberger)

Chris Young was serving two life terms without parole for a low-level drug charge when Kim Kardashian intervened. The reality TV mogul successfully petitioned President Trump to commute Young’s sentence in 2021. Now Young has written “The Wound Is Where the Light Enters,” a searing memoir that “not only reveals the system’s horrors, but also celebrates the redemptive power of hope, intellect and community,” writes Julia M. Klein.

Justin Halpern, the co-showrunner of ABC’s “Abbott Elementary,” has written his first novel, called “Get Lost,” and Stuart Miller talked to him about it. Of taking on the challenge of writing alone, Halpern told Miller that “I’m definitely still codependent, but the novel forced me to venture into waters that I never would have gotten into on my own.”

The battle over Christopher Nolan’s movie adaptation of “The Odyssey” rages on. In the wake of Homer translator Emily Wilson’s excoriating critique of the film, Emily St. Martin reports that Susan Orlean and Joyce Carol Oates have publicly rallied behind Nolan. In a recent post on X, Oates wrote that Wilson’s “tone of dismissal & haughty superiority strike a sour note.”

Steve Wasserman takes a deep dive into “Too L.A.,” a newly published collection of author Eve Babitz’s rich trove of mostly unsent correspondence. The letters “brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona,” writes Wasserman.

📖 Bookstore Faves

Whitmore Rare Books in Pasadena caters to customers who value the physical experience of reading books.

(Pierre Galant Photography)

Although it lives on a busy Pasadena street corner, Whitmore’s Rare Books feels like something a book hound might discover in London or New York: an elegantly appointed space with a large bookshelf running along the length of one wall that contains some of the store’s inventory of antiquarian treasures. Founded by a former lawyer turned bookseller and Pasadena native Dan Whitmore, the store is doing brisk business among a younger clientele that still values the tactile pleasures to be found from beautiful books. I spoke with Whitmore about what’s selling in his store.

How long have you been in the rare book business?

I stumbled into a first edition when I was in law school in Philadelphia in 2006 and I was bitten by the bug to start a collection. I worked as a lawyer for a year out here in L.A. and quit my job in 2009 to pursue rare books full time. So we’re coming up on 17 years, which is a good stretch, although there are people who’ve been in the trade for 50 or 60 years.

How do you find your inventory?

You amass this database of knowledge over time, and there really isn’t a substitute for it. I know people think that the AI boom is going to just turn around and be able to do what we do, but it’s not quite that simple. You really have to understand the market and the way that the market tends to shift over time. More modern material can shift a bit faster. But a Shakespeare folio or Darwin’s “On the Origin of Species” or Adam Smith’s “The Wealth of Nations,” books that document important moments in history where something new is introduced to the world, will always have value.

We just bought a first edition of “Alcoholics Anonymous,” and a second edition that was inscribed by Bill Wilson. These are books that have had such a profound impact on so many people’s lives that there’s this really strong market for early AA books.

What is selling presently?

I would say things like fantasy, science fiction, especially some of the classics: “Lord of the Rings,” “The Hobbit.” Some of these iconic works are having a moment right now, such as “Dune,” “I, Robot” and the “Foundation” trilogy. There are new buyers coming in, and I think some of that is tech money — people who maybe grew up reading these books and find inspiration there.

Why should we spend a lot of money on old books, when we can buy new ones for a lot less?

I don’t think that everyone is a collector or should be. I think that there are people who love the physical objects. They love the connection to history, that feeling of thinking about what it must have been like when someone opened the book and read that for the first time, and they get to have that experience again.

Whitmore Rare Books is at 121 E. Union St. in Pasadena.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Ryanair and Jet2 are also offering discounted flights

EasyJet is offering a range of what it is calling ‘unbeatable flight deals’, with one-way fares starting from £16.99 this summer. The airline has thousands of seats available for under £40, although baggage does cost extra.

August flights from Bristol to Malaga start at £16.99, while London Gatwick fliers can reach Milan Malpensa from £34.99 this month. Flights from Manchester to Alicante start at £17.49, and a one-way journey from Glasgow to Kos can be purchased from £34.49.

Looking further ahead, flights from London Luton to Lisbon – in September – start at £31.99, while flies from the same airport can visit Barcelona from under £17. These prices, and the thousands of other deals on offer, are subject to availability.

The basic fare only includes a small carry-on bag, with any other luggage incurring a fee. Elsewhere easyJet is also offering £50 off beach breaks, per person and with no minimum spend, before August 31.

EasyJet competitor Ryanair is also running a promotion, with flights from £14.99 to destinations such as Spain, Italy and Portugal. The deal is available on selected flights departing between now and October 31, 2026, and you must book by August 31.

We found a one-way flight from Liverpool John Lennon Airport to Barcelona priced at £14.99, while a trip from London Luton to Alicante can be purchased for the same price. Ryanair said terms and conditions apply and promotional fares are subject to availability

And Jet2 is also running a deal, with thousands of seats at £39 or less, for travel between now and the end of October. We found return flights from Glasgow to Menorca, leaving on August 18 and returning on August 25, for £60 per person.

You can also travel from London Stansted to Ibiza, and back, from £63 per person when leaving and returning on the same dates. Unlike easyJet and Ryanair, Jet2’s standard fare comes with an allowance for two cabin bags without any extra charge.

Terms and conditions apply here, too, and Jet2 said: “When they’re gone, they’re gone”.

A chapbook by Henry Opeyemi 

Publisher: Felis Catus Press

“The purpose of literature is to turn blood into ink.”

T.S. Eliot

Henry Opeyemi is an oracle, and this chapbook is a miracle of sorts; it is a prayer of consolation, a hymn, a psalm, a song that gives birth to awakening after awakening, enlightenment after enlightenment. It starts with conscientising and ends by raising a phoenix-like awareness of boyhood and its challenges on the African continent. Where Rumi, Khalil Gibran, Weldon Kees, Mzi Mahola, and Ken Saro-Wiwa walked, where Rethabile Masilo walks, now Henry Opeyemi walks alongside these giants. There was Derek Walcott, Langston Hughes, those constellations feeding galaxies, and now there is Henry Opeyemi.

Perhaps all poets have an innate sense of clairvoyance. They can recognise the pains of the land, the masculine and feminine pains of the vessel of an African body, the psychological torment, the mental despair, the stigmatized struggle, the social alienation, the estrangement from the land of our ancestors, and the unbearable loneliness that every waking moment a poet experiences, lives with, suffers from, and the devastation of the internal landscape of the wounded children of Africa. Yes, yes, yes. Henry Opeyemi has turned blood into ink, and the veins are enriched with shelter.

These poems, each one “peeling itself into joy” (from the poem, Wanderers on pg.5).

This manuscript cleanses like the sea. Writing is a spiritual act, a spiritual dance. It is meditative and comes with instructions. It is sacred. When the hand of God moves through the pen, the poet must obey, and Henry Opeyemi has obeyed. The title of this chapbook speaks about black vulnerability, black stigma, the rallying cry of injustice and inequality, systemic racism, the undertow of the vision of poverty-stricken, disenfranchised and marginalised Africa. Henry Opeyemi writes about miracles in the same breath that he confronts suicide ideation, and when he writes, as he does in his dedication, “of the land of his youth”, he is addressing the social ills of the day, he is speaking to every man, woman, youth and child on the African continent. 

The dedication is a searing polemic, a testimony to a time that came before, and that sadly, heartwrenchingly still exists. The bittersweet river of the sands of time through the hourglass, the tapestry of exile, the memory of the silent witness, the memory of the historian and recorder and poet, the novel dispensation that we are living and co-existing in with the pains of a wandering soul, and history, have not erased anything. We, as African poets, living on the African continent beset with problems of despair and conflict, a continent ravaged by “hungry bowls” as the poet writes, we are the angry souls, the grief, heartbreak and emptiness of our rages.

There is beauty in the poetic sense and sensibility of Henry Opeyemi, and a sense of isolation. Every poet from this continent writes about what we have faced, endured, survived (colonialism, liberation, independence, civil war), and the terrible price we have had to pay, the debts of love of our mothers, the considerable debts of love of the maternal figures in our lives. There is the moral distress, the psychiatric distress, and cry of the poet, the language of moral decay in these verses, and the injury, the sickness, the mental tension, the utter mental turmoil and devastation, and the moral distress of the decay of the mind, of the psychological framework, of the alienation, the social ineptitude and isolation, the rejection from the church, from the community, from society who has labeled the citizens and inhabitants of African descent as interlopers, from the immediate and maternal and paternal family of the individual, of the poet.

Henry Opeyemi is the poetic version of Moses Molelekwa, and in his verses abound “genes and spirits”, ancestral kingdoms and bloodlines.

Every African writer, every African novelist and African poet who lives on the continent and finds themselves elsewhere in the world, writes about stigma, whether they acknowledge this consciously or subconsciously. It is written on the blueprint of our consciousness. Henry Opeyemi (remember this name) writes about the wounded child, the boy, the youth’s fractured sense of self and the youth’s spoiled identity, marginalised identity, wanting to seek validation and approval from the powers that be, from the same gender parent, from adult supervision, from their contemporaries, from leaders, from mentors. Every poet is a wanderer, a directionless nomad, a seeker, a believer if he has found the certainty of faith, of religious instructions and meditative practices. When I write, I write as an African, who lives on the African continent first and foremost; secondly, I write as a woman.

On these pages, a particular tenderness is personified in the writing. The wound is sacred and as omnipresent as the omega, and the grief our mothers have carried is a sacred kind of grief that their cells carried when they were in the womb of the maternal grandmother. The mother-figure is the portal, the origin of humanity. It is where the tension and spark of history coincide with the psychological repair, release and repair of life. 

The poet serves grief, heartbreak, their loneliness on a silver platter to humanity, like a beacon, an anchor, a lighthouse in the storm, like the being of light, like daybreak, like an oyster it is consumed, eaten, studied, investigated, and it is this noble endeavour, the practice of writing poetry about grief, heartbreak, and loneliness, that serves us, our collective humanity, exile and history, that is a remainder of colonialism that will last the test of time, that will serve as proof of evidence that we existed, that we were here, that this was our collective emotional pain on the face of the African continent.

The grief of Africa is, unfortunately, not bloodless. Even her tears are, in fact, tears of blood, of war, of strife, of conflict, of genocide. Poetry is our only method of self-defence. It is the survival, coping and defence mechanism of the novelist, the journalist, the filmmaker, the editor, most of all, the poet. It always has been since the onset of slavery and colonialism and independence. Henry Opeyemi does what poets have done before and after colonialism, he discusses emancipation, personal freedom, personal growth, missionary education, liberation, self-improvement, his youth, his Africa, he addresses the ritual of bone, blood, bowl, the question of God and religion, yes, how immortal religion defies and defines us, guides and interrogates us, he mentions the roles of Big Pharma, and the use of pharmaceuticals in society, are they of help or hindrance? He speaks about the mother-figure, the abandonment of Eve, the resurrection of Lady Macbeth on these pages. The mosque becomes an education, the mind of the young intellectual like a feverish young tree, eager for verdant-green growth, branches like limbs, eager to be acknowledged in a garden of other poets, all vying for attention and literary prizes, or, or, humility, imaginative grace, which is, to all intents and purposes more powerful than attention and literary prizes. 

Creative writing, the practice of writing poetry, is an intellectual pursuit. It is the cultural endeavour of the modern-day philosopher, and all poets are wanderers for an eternity of time.

Sidenote: Henry Opeyemi, welcome to the African Renaissance. May you mentor other poets, you, young poet, young leader, young intellectual. Africa is in good hands. Be, go forth, onwards and upwards; be as all princes from this continent who write poetry; be King of the World. Take the empire back. Build your own empires of gold from the dust of the colonial masters, from the powers that be.

Istanbul

Inspired by Agatha Christie’s Murder on the Orient Express

The first book I read willingly was Bridget Jones’s Diary. I was 19. Up to that point, I hadn’t been much of a reader. I’d been more into football, or Baywatch, or Robin Budd in the year above – anything really. Given the choice between reading a book and staring at a wall, I would have plumped for the latter.

After finishing my A-levels, I worked in a barbecue restaurant in Portsmouth – which is where I found Bridget Jones. The book was lying around in the staffroom. I picked it up and read a few pages, and then a few more, and then a few more. It felt exciting. Like I’d met someone. Like I was suddenly in a relationship. Over the next few days, I remember cancelling nights out so I could go to bed and read. My mum thought I was depressed.

It hardly matters what book gets you going. For Jeanette Winterson, it was the Book of Deuteronomy. For David Nicholls, it was Tales from Moominvalley. What matters is that a book gets you going. Throughout my 20s, I worked as a carer, but I was always reading and scribbling on the side. I became a published author seven years ago. It’s not an overstatement to say that Bridget Jones changed my life. That books did.

So when I learned that 2026 was National Year of Reading (a UK-wide campaign intended to promote the importance and joy of reading) and that Rabat was to be this year’s Unesco World Book Capital (a rotating designation intended to promote the importance and joy of reading), I packed a few volumes and set off for Morocco’s capital. I was hoping for a cultural adventure, and perhaps a tagine, in this ancient seaside city perched scenically between Casablanca and Tangier.

Rabat was made the capital of Morocco in 1912, at the beginning of the turbulent 44-year period when the country found itself under the thumb of the French. The first thing I saw of the city was the New Town, or Ville Nouvelle, which was laid out in the 1920s à la française, meaning it looks nothing like the huge medieval medina that’s just up the road.

From the central train station, I proceeded to the solar-powered Mohammed VI Museum of Modern and Contemporary Art, where the permanent exhibition – Shifting Horizon(s) – does exactly what it says on the tin. Highlights include the abstract paintings of Mohamed Melehi and a provocative photograph by Lalla Essaydi. Part of a series called Bullet Revisited, the latter shows a woman covered head to toe in gold bullets, and is a powerful indictment of the violence women suffer.

I walked north to the medina, an irregular network of narrow streets lined with small shops flogging mint, slippers, strawberries and sabon beldi, a black soap made from the flesh and oil of olives. The medina was busy but calm. Not once was I asked to consider a carpet or sample a sardine. Indeed, I felt rather invisible. In this respect, the customer service was uncannily French.

I followed my nose to the Kasbah of the Oudayas, an enchanting district of low whitewashed houses. Built on high ground in view of the ocean, this former royal citadel was ideally placed to spot visitors on the horizon, and greet them appropriately.

After checking into a riad on Rue Bazou, I descended a flight of stone steps to the beach, a modest curve of sand where scores of people were playing football and volleyball. I crossed the cooling sand and climbed on to the breakwater to better observe a neon sun sink slowly seaward, as a lone surfer, way out in the offing, sought inch-perfect swell.

I took a pew at the beachside Relais Marin restaurant. I didn’t deliberate over the menu. Like casserole and paella, tagine is a dish in two senses; both the cooking vessel and the meal, on this occasion a confusion of lamb, almonds and prunes in a delicious gravy that, with time, had reduced to a bold, flavourful pesto, which I mopped up with chunks of khobz (Moroccan flatbread). I could have eaten another.

The next morning I went to the Cafe des Oudayas. Situated next to the Andalusian Gardens – a wonderful place full of orange and pomegranate trees – this alfresco cafe offers three things: mint tea, biscuits and an excellent vantage point.

As I eked out the tea, I watched a boy poised on the edge of a towering rock, 30 metres above the Bou Regreg river. Goaded by his friends, he meant to jump, but he hesitated for minutes in the intensifying sun. His dive, when it finally came, was a thing of beauty – a wide and graceful arc, shapely, immaculate, somewhat divine, almost unreal. The gallery held its breath until he re-emerged – to be met with disingenuous disdain. “La poule a attendu une éternité!” (The chicken waited for ever!) Lads, eh?

On a whim, I boarded an electric tuk-tuk, one of 60 in the city. I asked the driver to take me directly to the Chellah, a medieval necropolis that also houses what’s left of the Roman city of Sala Colonia, but, knowing best, the driver instead went out of his way to show off his home town, swinging by St Peter’s cathedral and a nightclub called Amnesia, where Morocco’s king is said to have boogied back when merely a prince.

The Chellah – when I finally got there – did not disappoint. After doing a round of the picturesque ruins, I climbed to a gorgeous onsite cafe and ordered the couscous. Befitting tradition, the dish comprised a pyramid of seven vegetables, a moat of couscous, a jug of broth and some meaty treasure hidden within the veg. It was unmistakably bon.

If one requires beer in Rabat, one heads to Le Dhow, a bar and restaurant on a boat moored in the shadow of the kasbah. Sitting on the upper deck, I savoured an ice-cold pint while chatting with a British undergraduate studying at the Université Internationale de Rabat. I asked if she felt comfortable in the city. “It’s been fine,” she said. “Some men have said hello. One asked for a photo. To be honest, I’ve experienced a lot worse in Worcester.”

I’m just going to come out and say this – don’t go to Rabat because it’s this year’s World Book Capital. Despite my best efforts, the exact nature of the 300-plus events the city is purportedly going to run during its year as WBC remain a mystery to me. Instead, go to Rabat because it’s an excellent city. C’est simple.

On my final evening, I chanced on a humble bookshop in the medina – Bouquiniste El Azizi. Of the hundreds of preloved books assembled in the diminutive space, a dozen or so were in English. Among them was Bridget Jones’s Diary. I picked it up and read a few pages – and then left it for someone else to stumble on, and perhaps break their duck with.

On leaving the shop, I noticed a sign: Les livres prennent soin de nous. Books take care of us. The sentiment strikes me as the right note to finish on.

Ben Aitken is the author of Shitty Breaks: A Celebration of Unsung Cities, £9.99. To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply

If you get out to Joshua Tree and the night is clear, look up. You’ll see not just the stars, but a massive swath of the Milky Way. It’s a reminder that the vastness is always present, beyond the city’s bright lights. And once dawn comes, the desert performs the same magic: long horizons, unfamiliar landscapes, the creeping feeling that we are small, short-lived creatures on an immense ancient planet. No wonder some people find it unsettling.

Not the characters in Claire Vaye Watkins’ new novel “Yellow Pine,” who embrace the desert in the extreme. They live at the far side of the Mojave Desert where California meets Nevada. Wherefore the pines, you ask? The book’s title is a wry joke — “Yellow Pine” is not a forest, not a tree. It’s a massive solar array slated to be built nearby in the Nevada desert. A ragtag crew of desert dwellers are hoping to stop it, or at least slow down the grinding wheels of capitalism that see the desert merely as an empty space for the taking.

Primary among them is Rose, a 30-something single mom who lives near the end of a very, very long dirt road in a cabin she calls Nothingness Flats. Rose works for an environmental nonprofit that has gone remote because it’s the pandemic; she often spirals at the state of the world. “Sometimes I think I can feel the planet just hemorrhaging under all this greed. Like it’s tectonic,” she laments.

Rampant environmental destruction notwithstanding, the novel kicks off with the joyous return of Miles, the guy who got away. He is an outdoor person, like Rose; has trouble fitting into societal norms, like Rose; and he is an ideal intellectual partner for her, bantering, well-read and ready to engage. Also, they have great sex.

Lest I portray this as a typical summer beach read, Watkins’ writing is in a special, different mode. Her latest books somehow cut past narrative traditions and portray plot and emotion more directly. Another novel might find Rose, after she decides she loves Miles so much that she wants to get pregnant, going to a doctor, getting tests, worrying about being almost 40 and what that means. Rose does none of that — she just suddenly deeply wants a baby, and that desire is vivid in the text. Overexplained storytelling is set aside for something that’s striking and vivid.

When I reached Watkins via Zoom to talk about the book, I asked her how she does it. “Partly it’s an intuition I have about what makes an interesting story,” Watkins says. “A story requires a lot of improbable decisions. Maybe they’re not great decisions, but the person doesn’t know that at the time.”

In “Yellow Pine,” Miles is not without some red flags. In my reviewer’s copy, I found myself scrawling “bad idea!” in the margin, trying to warn Rose about him. It gives the story some tension, and shows that our heroine isn’t perfect — she’s just doing her best under desert skies.

Rose lives in Tecopa, population 120, among people who’ve chosen the isolation, quietude, natural beauty and brutal conditions on purpose. Of the real-life people in these communities, Watkins says, “It’s really tough. The environment is extreme. There are no amenities. There’s no jobs. … I think there’s a refusenik quality to them.”

Nevertheless, some of them come together to try to forestall the installation of the solar array. They point out that “solar farm” is a misnomer because the land — an alluvial plane with Yucca colonies dating back hundreds of years, creosote rhizomatic rings even longer — will be scraped and fenced. What happens to the endangered desert tortoises is awful. These activists are trying every legal recourse and have set up a tiny camp at the edge of the property. Sweetly, and with little hope, they make a small community of people who understand each other and the desert landscape that others see as a blank space on the map.

“In California most of the biodiversity in the state is in the inland deserts, partly because a lot of the other ecosystems have been totally destroyed, you know? It’s a very alive place,” Watkins explains.

In “Yellow Pine,” Rose’s conviction that she should get pregnant grows to a point where she comes up with a wild scheme to make that happen. It is very funny, outsized and unexpected. It’s a small individual resistance to the impending destruction of the desert.

Watkins is very good at making a humorous turn at the end of thoughts, sentences, books. This is her fourth. Her debut, the short story collection “Battleborn” in 2012, set her on a trajectory of accolades; 2021’s “I Love You But I’ve Chosen Darkness,” was an L.A. Times book prize finalist. She is currently a professor of writing at UC Irvine.

“The thing I love about novels, writing them and reading them, is that it’s private thoughts,” Watkins says. “It’s this cool technology that we’ve come up with to deal with the fact that we don’t know what’s going on in each other’s heads and hearts and how painful that can be.”

She adds that a novelist’s job is to care about the reader. “There’s something really beautiful about, I’m going to do my very best with my part and then I give it to you, and I let it go and I trust you and I respect you,” she says. “I love the world when I’m writing and my books are like acts of love, partly because I really struggle. I’m not walking around loving my fellow man easily.”

When our Zoom began, she apologized for the noises outside — construction, dog walkers, gardeners. I couldn’t hear them at all, but I got the impression that those intrusions and distractions were weighing on her. “I feel like I have a very sensitive instrument,” she says. “I get a little agitated and the pace is really, really different.”

I had been expecting to reach her at an improbable desert outpost, like a Death Valley library with Wi-Fi, but instead reached her in Orange County. It’s for her job, and also as a part-time parent, much easier for amenities. It’s a busy town where there are lots of people, lots of businesses, lots of traffic, the hectic pace of modern life — but still, the desert has its pull. She splits her time between the two locales.

“Yellow Pine” is a testament to her beloved remote corner of the Mojave, its beauties, hardships and endangerments. The place has been an essential part of her creative process and project. “What we do for fun in Tecopa is like, watch the sky. That’s our entertainment, you know?” she says, reflecting on the long moments of silence that stretch out over the evenings. “And it’s like, ‘wow.’”

In 2007, for the first time in recorded history, more humans were living in urban spaces than rural ones. The animal kingdom has followed suit. In our cities, we are surrounded by synanthropes — wild animals that have adapted to human-modified environments and have learned to thrive in them — yet most of us are unaware of the biodiversity of this urban wildlife and how it functions along a parallel track with its human brethren.

Dan Werb’s latest book “Our Wild Familiars” explains how these “soil churners … epidemic vectors and ecosystem partners” have a crucial role to play in the future sustainability of our communities. I talked to Werb about coyotes, the health benefits of birdsong and seagulls with junk-food issues.

✍️ Author Chat

You are an epidemiologist.

I was trained as a social epidemiologist — somebody who can look at how societal factors influence the health of populations. I study how society determines who lives and dies, who is sick and who is healthy.

I’m wondering if it was your interest in Zoonotic viruses that led you to this subject?

The last book I wrote was called “The Invisible Siege.” It is an overview of the history of coronavirus science, starting in the ‘80s, braided with the much longer history of the coronavirus family. And it ends with this scientist who is describing being in northern Thailand and moving through Myanmar and Yunnan Province in China in the ‘90s. And he stumbles upon this exotic animal market near the Shan Autonomous state, which is an ethnic enclave in northern Myanmar that’s been at war with the junta there forever. And this market’s got cloud leopard skins, civets and every crazy, exotic animal that you can imagine. And they were all being sent directly into China. And it’s exactly this kind of trafficking that is carrying all these viruses, like this superhighway of exotic animals into urban areas.

But not all urban animals are vectors for disease. In fact, we have fostered very cushy urban environments for many different species. Pigeons, for example, who don’t have to fly in cities because they have no natural predators.

Chris Shell, a coyote expert from Altadena that I interviewed, pointed out that pigeons do have to worry about predators now, because there are red tail hawks and coyotes and other creatures. Our urban ecosystems are becoming more complex. There are some biologists that are describing our time right now in North America as the great urban shift. They’ve done modeling exercises showing that over the next few decades there are literally going to be thousands of species moving into urban areas. They’re increasingly going to be mega-fauna, much larger animals.

Why is that happening?

We’re seeing the continuing acceleration of the transformation of wild spaces into human modified spaces. But it’s also because of extreme weather events. If you look at the horrible fires that occurred in Los Angeles last year, one of the things that happened was hundreds of thousands, even millions, of animals had to flee those areas that were on fire, and they fled into urban areas. What do urban areas provide? Constant sources of freshwater, continual sources of food waste, and other prey. You’ve got climate change happening, and that’s causing this real shift of animals moving into different places.

Dan Werb, author of “Our Wild Familiars,” a new book about wild animals who’ve managed to survive in human communities.

(Joseph Fuda)

What about a less traditional metropolitan space, like L.A. County, which is a hodgepodge of so many different kinds of topography and terrain.

L.A. is super fascinating because lot size isn’t directly related to income. It’s very much more heterogeneous and variable, even within neighborhoods. The wealthier a neighborhood is, the higher the biodiversity is going to be, because we’re going to have larger lots, more green space, fewer fences, things like that.

We have a complicated relationship with coyotes in L.A., especially those of us who have lost pets to them. But according to your book, we have trapped them in our cities.

Coyotes need to have pathways that allow them to move in and out cities. As it is now, they move into urban environments looking for food and water, and they can’t get out. They get trapped in cities, and conflict happens. Like black bears in suburbs across large parts of North America that dig into people’s garbage.

And bears and other animals eating, say, fast food leftovers is a nutritional disaster as well.

It’s like an ecological trap. They see no reason why they would leave, even though staying is actually more dangerous for them. And there are all kinds of ecological traps across cities that manifest in different ways. One that I always think about is seagulls at the seashore that have evolved over tens of millions of years to be able to hunt fish and shellfish. And the fish are right there, yet they’re eating french fries because it’s slightly less work.

You mention the Wallis Annenberg Wildlife Crossing that spans the 101 freeway in Agoura Hills, the first animal crossing of its kind in America, as a potential solution to this problem.

I think it’s great. One hopes there will be more projects like that undertaken in other cities around the world.

We’ve discussed all the rotten things that are going on with animals in cities. Why is it a wonderful thing that animals have come into our cities and our lives?

If we hear birdsong, we’re less stressed. If we hear additional birdsong, it multiplies the stress-relieving effect. Being close to animals is biologically beneficial for us. It’s really about connection. I look at AI, and there’s this kind of sense that an AI chat bot can decrease loneliness. But it’s just an echo chamber. I think a true connection is bridging some kind of divide in the way that you think or perceive the world. And in that sense, being aware of an animal who is aware of you takes you out of yourself in a way that I think is really, really special.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Book jacket for “You Won’t Get Free of It: Stories of Mothers and Daughters” by Rachel Aviv

(Los Angeles Times illustration; book jacket from Knopf)

The ostensible topic of Rachel Aviv’s new essay collection, “You Won’t Get Free of It,” is mothers and daughters, but according to Julia M. Klein, Aviv’s sparkling, sharp-eyed pieces “involve the slipperiness of truth and the crushing inadequacy of our mental-health system and social safety net.”

“Cool Machine,” the final volume of Colson Whitehead’s Harlem trilogy, is an “American epic disguised as a heist novel,” writes Leigh Haber. “Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic.”

Whitney Friedlander profiles Jessica Knoll, one of America’s most successful authors of sexy thrillers that “depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads.”

Finally, Dan Tana’s book about his legendary, eponymously-named restaurant in West Hollywood, “Everybody Came to Tana’s,” has been posthumously published. Sixty-two years after the restaurant’s opening, it’s still a tough reservation to snag. “In a town that’s always trying to be something that it’s not, it’s not trying to be anything,” his daughter Katerina tells Maddie Connors. “Dan Tana’s is longevity in the midst of ephemera.”

📖 Bookstore Faves

The Philosophical Research Society is a Los Angeles Historic Cultural Monument in Los Feliz.

(Philosophical Research Society)

There is nothing else in L.A. like the Philosophical Research Society. The nonprofit was founded by scholar Manly Hall in 1934 as a place for the curious to explore wisdom, philosophy, mysticism and mythology across all cultures. Its visually striking Mayan Revival Los Feliz campus, a Los Angeles Historic Cultural Monument, features an auditorium, a gallery and a library of 30,000 volumes. The PRS bookshop is its own gem, a well-curated miscellany of books for spiritual seeking and enlightenment.

In a joint email exchange, PRS staffers dama, Jarrett Schaefer, Kelly Carmena and Amanda Brass explain what makes the store a sui generis experience.

How does the bookshop tie in thematically with the Philosophical Research Society?

The PRS Bookstore is a reflection of all that we do here at PRS. It is an extension of the library created by Manly Hall where you will find foundational texts in alchemy, mythology, philosophy, astrology, and art. You will also find a selection of books based on themes explored in our talks and screenings and from recommendations made by the team at PRS.

It’s a very well-curated inventory of new and secondhand books — I assume you’re very careful about what you stock on the shelves.

We select works that are meaningful to us and hope that they will resonate with everyone too. We highlight works by mystics and visionaries. In our staff recommendations section, you’ll find titles like Ben Caldwell and Robeson Taj Frazier’s “Kaos Theory,” art books by Penny Slinger, Betye Saar and Remedios Varo, Yoko Ono’s “Grapefruit,” “Red Tarot” by Christopher Marmolejo, “The Bhagavad Gita,” and “Time, Myth & Matter” by LD Deutsch. We also feature items from local artists like Moss Candles, Black Willow Jewelry, and perfume by Syd Botanica. Our secondhand books are donation-only and are a kaleidoscopic bag of surprises.

The Philosophical Research Society features an auditorium, a gallery, a library of 30,000 volumes and a bookshop.

(Philosophical Research Society)

What book genres tend to sell well?

Esoteric art, mythology, tarot and divinatory practices, ancient philosophy, and hermeticism are all popular subjects. The top-selling book every year is Manly Hall’s seminal work “The Secret Teachings of All Ages,” which is an encyclopedic outline of symbolic philosophy. The used astrology books and children’s books are quite popular too.

Do you have author events?

We’ve hosted book talks with Mark Mothersbaugh, Michelle Coltrane, Mitch Horowitz and Susan Orlean. We regularly co-present events with publishers like Hat & Beard Press, Angel City Press, the Library of Esoterica, Sky Press, Ouroboros Press and Bibliomancers. There are also monthly events that are centered around the bookstore: The Manly Hall Book Club, Astro Study Group, Surrealist Study Group, Tarot Salon and an Esoteric Game Night.

Philosophical Research Society is at 3910 Los Feliz Blvd. in Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

HumAngle Foundation gathered students, professors, and community journalists on Tuesday, June 21, at the University of Maiduguri in northeastern Nigeria to hold timely conversations around ways to strengthen community journalism in Nigeria.

The event, which also featured the launch of a guide to community journalism, is part of the Strengthening Community Journalism and Human Rights Advocacy in Northern Nigeria (SCOJA) project, implemented with support from the Embassy of the Kingdom of the Netherlands in Nigeria. Through a fellowship, the project has trained 90 journalists and human rights defenders in the past year. 

During the event, three SCOJA Fellowship alumni reflected on the journey so far and called on relevant organisations to commit to similar projects. The session had Yahuza Bawage, Faiza Jibrin, and Nathaniel Ishaya in attendance. 

“There aren’t many trainings that focus on the ethics of journalism in a very practical way,” Yahuza said. “One of the sessions we treated during the three-day workshop in Plateau State was Journalism Ethics and Standards, and that taught me a lot. I was able to learn about minimising harm.”

The same sentiment was echoed by the other fellows. They highlighted that interviewing vulnerable people is a delicate skill that not many journalism training programmes cover in depth, and that they were happy to have learned it during the fellowship.

“One skill I sharpened during the fellowship was my interview skills. I learned about building connections with the subjects first, and I practised it. It really works because instead of sticking strictly to my interview guide, I connected first, and the person became eager to share [their] experience with me. I also learned about not re-traumatising my sources through the questions I ask,” said Faiza. 

They also offered some advice and encouragement for fellow young journalists trying to find their feet.

“One thing I will tell student-journalists is that they should not allow fear to hold them back. They should try out new opportunities, and with mentorship, they can do so much,” Nathaniel added. 

During another session at the event, Hassana Danyerwa, a SCOJA Fellowship alumnus, talked about the elevation she experienced as a result of the fellowship.

“Although I am not a journalist and I joined the SCOJA Fellowship as an advocate, my experiences from the fellowship set me up for a global experience where I was the only Nigerian selected. The mentorship aspect of the fellowship helped me and opened a new professional pathway for me.”

She offered some words of advice on the conditions necessary for journalists to do their work.

“Sometimes, we do not know what we need until we are given it, but one thing community journalists need is mentorship. Also, trust and avoiding micromanagement so journalists can express themselves and explore different topics is important.”

During the six-month fellowship, the fellows produced several investigative reports and carried out advocacy activities on various issues, including human rights, gender-based violence, and climate change. In Kano, northwestern Nigeria, some of the fellows launched the Kano Climate Change Journalists’ Network as a direct result of their fellowship.

This month, “Cool Machine,” a riff on 1980s New York in the form of a tightly plotted crime novel, arrives from Colson Whitehead. It concludes his Harlem trilogy, they say. If you’d told readers two decades ago that Whitehead would become a bestselling crime novelist, they might have thought you were kidding. He started out writing innovative novels with such intellectual and stylistic punch that the MacArthur Foundation gave him a fellowship in 2002.

His written output is fun, fearless and fantastic. Where to start? Here’s a cheat sheet.

For N.Y. lovers

With “Harlem Shuffle,” Whitehead begins his crime trilogy in the 1960s in a furniture store with stylish midcentury stock whose owner, Ray Carney, is trying not to be a fence. Love the evocation of Harlem as a place with a cool interconnected community. Worry about that cousin who’s always trouble. The follow-up, “Crook Manifesto,” is set in the 1970s. All of New York City is at a nadir; Ray is on the straight and narrow, but needs an influx of cash (for Jackson Five tickets for his daughter). Then comes “Cool Machine,” secrets to be revealed when it hit shelves this week . And as a bonus, his essay collection “The Colossus of New York,” which is vivid, episodic and yet still a story: “Talking about New York is talking about the world.”

To break your heart

The novel “The Underground Railroad” comes from an imagined misunderstanding, logical for anyone who grew up riding subways: that the path to freedom for enslaved people that we call The Underground Railroad was in fact underground. In Whitehead’s hands, that imagining takes us through both time and place while making visceral the horrors of enslavement. The book won the National Book Award and the Pulitzer Prize and was adapted by Barry Jenkins into a limited series.

In a rare feat, Whitehead won the Pulitzer Prize a second time for his novel “The Nickel Boys,” another work of historical fiction dealing with the devastating effects of American racism. Based on the true story of a reform school where Black boys went missing, the novel pairs the stories of two teens, one a troublemaker and the other caught up by mistake. Barack Obama called it “a necessary read.” Cleverly structured, it seemed difficult to adapt, but director RaMell Ross made it into a brilliant film.

To blow your mind

In Whitehead’s debut novel, the not-realistic “The Intuitionist,” a Black female elevator inspector faces powerful forces aligned against her. Inflected with Thomas Pynchon-like wordplay and situations, it’s both ambitious and funny. So is “John Henry Days,” mixing narrative forms while telling the story of a Black journalist around the year 2000 going to every press junket he can, unmaking the myth of John Henry all the while. And “Apex Hides the Hurt” is a comic novel about the conflicts that arise in a small town when they hire a name consultant for a possible rebranding.

To eat your mind

Just around the time they started staggering onto TV, Colson Whitehead published a zombie novel. “Zone One” is a smart take on the shuffling hordes and pandemic survivors who try to take Manhattan back.

To beat the odds

Whitehead, an enthusiastic amateur poker player, wrote the nonfiction book “The Noble Hustle” about his entry into the World Series of Poker in Las Vegas. It was a luxurious time in media, circa 2011, when ESPN’s Grantland paid his $10,000 entry fee and said he could keep his winnings. The book, expanded from what he wrote for them, includes his training, pending divorce, joking asides and playing for high stakes.

To take to the beach

“Sag Harbor,” set in the mostly Black, affluent beach community in the Hamptons, is the closest Whitehead has come to writing a coming-of-age story. Taking place during the summer of 1985, Benji and his teenage friends banter about culture and get their first taste of freedom.

Colson Whitehead’s latest foray into the bent world of “reluctant fence” Ray Carney — “Cool Machine,” the third and final installment of his Harlem Trilogy — is an American epic disguised as a heist novel. It’s a dizzyingly brilliant measure of the versatility and depth of the acclaimed author’s literary talent.

After writing two books dealing with monstrous historical trauma and institutional abuse — “The Underground Railroad” and “The Nickel Boys,” for which he won two successive Pulitzers — Whitehead pivots to an entirely new genre, subverting it, toying with it, making it wholly his own. And while the Harlem novels, too, have a great deal to say about serious subjects such as systemic racism, corruption, and crimes and misdemeanors of various proportions, they often lean on humor to get the message across.

In fact, it’s easy to envision the author at his laptop, as exhilarated as his prose, cracking himself up over how he bends language, employs slang, and forges descriptions like this one about a bar where Carney and a partner in crime conspire over how to fence a stolen diamond necklace: “He met Flinch Wilson at the Marlin, a narrow dive on 110th and Broadway with a decor inspired by an old leather shoe that lived in a drainage pipe.” Or this about a rival who has it out for Carney and his cohorts: “Buzz struck him as a plumber, one who comes back when you aren’t home to strangle your parakeet if you stiff him on the bill.”

“Cool Machine” is set in the 1980s, and Carney is still in the picture. It’s the Reagan era, and predatory capitalism rules, as does Mayor Giuliani, who’s waged war on the mafia and the homeless. What Whitehead dubs the “churn” roils the city and his protagonist. It’s that “churn” that beckons Carney to break his promise to himself and once again divert from his legit furniture store business. The excuse this time is that his wife Elizabeth wants to open her own travel agency, and can’t get a bank loan. Despite the couple’s closeness, for all these years her husband has managed to conceal that he’s a part-time crook. He desires respectability, but savors the buzz, the camaraderie — the honor among thieves. Carney falls in with criminal mastermind Uncle Rich and signs on to his outrageous plan to break into the Waldorf Astoria; the goal is to liberate Jesse Owens’ Olympic gold medal from those who forced him to cash it in.

The intricacy with which Whitehead details the planning and execution of this caper marks him as a top-tier researcher — he’s drawn on many primary sources to ground this work of fiction in historical fact. (There’s also his obsessive use of Pinterest.) The scenes set in the bowels of Grand Central, where there’s a secret train track leading to the Waldorf, are thrilling enough to read for their action, but the atmospheric descriptions are equally delectable: “Track 23’s next departure pulled into the station. One commuter joined Carney and Uncle Rich on the platform, a deflated man in a pinstripe suit with shiny elbows, then another businessman who sagged on one side, as if his briefcase was filled with lead weights.” One of the marvels of this novel is how effortlessly such sentences land, despite being honed to perfection. It would be a spoiler to say anything further about whether the thieves’ mission impossible yields their reward.

Part two of the novel shifts downtown, into the heart of the ’80s East Village art scene. A preoccupation of Whitehead’s — Jean-Michel Basquiat — is the inspiration for a fictional graffiti artist whose omnipresent scrawls capture the pretensions of the burgeoning wheelers and dealers, who, like uptown crooks, are relentless strivers, albeit with sleeker facades. Their snobbery is juxtaposed with Carney’s friend and colleague Pepper’s unsettling bluntness and eyeball to eyeball stare. He’s on the trail of a psychopath-for-hire dubbed “the Melancholy Hitman,” while battling stomach issues that have him downing Pepto-Bismol and coughing up blood in random bathrooms. In this section, Carney plays a supporting role to Pepper’s lead; “Escape from New York” is the enveloping soundtrack.

In the novel’s final act, Carney reemerges from straight life and Pepper from retirement in Delaware to rescue Carney’s nephew, Robert, who’s on the mob’s hit list for a murder he witnessed. Political corruption is rampant, and the revelation of who’s on the take has rattled a lot of cages. Robert is unwittingly entrapped, and has absconded with something mob bigwig Lombardi wants revenge for. Carney dons his best furniture salesman hat to make the pitch of a lifetime, a deal that could save Robert’s life, or take Carney’s. As Carney drives to the meet-up, he reflects on New York’s evolution: “Crime transformed the city by degrees. He thought of what John [his son] told him about rap music, where it came from. Rap was part of the New York environment now, barging from boom boxes and windows. They created something new from the spoils, the theft of turntables from record shops, the rip-off of a musical line or riff from another song — a crooked art.”

For those who enjoy knowing how an author’s inspiration arrives, it’s amusing to note that in the case of the trilogy that kicked off in 2021 with “Harlem Shuffle,” Whitehead told the New Yorker: “I was staring off into space and thinking about how much I like heist films and how much fun it would be to write a heist.” That sounds simple enough, but “Harlem Shuffle” turned out to be years in the making. The idea initially came to him around the same time he was writing “The Underground Railroad,” which was published in 2016. It wasn’t until after the release of that book, and then “Nickel Boys,” that Whitehead decided to lighten the mood by composing a crime novel set in New York City in the 1960s. And while he usually avoids staying on the same topic or voice from book to book, in the midst of writing “Harlem Shuffle,” Whitehead found he was still imagining further escapades for his main character, this time in the 1970s, with the city on the verge of bankruptcy, and incendiary conflagrations between the NYPD and the Black Liberation Army trending. As he envisioned what would become “Crook Manifesto,” Whitehead thought: “Why not make it three?”

Carney is part poet. Part crook. Part salesman. Part philosopher. To my knowledge, Carney’s creator is neither crook nor salesman, but Whitehead can lay claim to those other two mantles. His vocabulary appears boundless, as does his apparent love for the city he grew up in, where he still lives. “Cool Machine” is a modern masterpiece and an ode to New York, no matter that rats skitter and cockroaches scamper underfoot. When Carney has the chance to move anywhere in the world he wants, he ponders the appeal of fresh air. “Fresh was nice,” he reflects, “but so was other stuff. Noise, dirt, and struggle.” After escaping Manhattan, he wonders, “Where do you go? There’s no place else. It was like going on the lam from yourself.”

Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic. Never mind the rats and cockroaches — it’s the churn.

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

The ‘outstanding’ historical drama, adapted from a best-selling book series, has been dubbed ‘highly addictive’ by fans who are calling it ‘a treat to watch’ — streaming free on Channel 4

An under-the-radar period drama currently streaming free on Channel 4 is being hailed as a masterpiece adaptation of a best-selling book series — and viewers are ‘obsessed’.

The series, originally developed for the BBC, delves into Britain’s history and is based on real events that took place in the 1400s in the tumultuous battle for the throne of England. With the War of the Roses as the backdrop of the historical drama, the series takes a closer look at real-life incidents and the drama surrounding court politics at the time.

The period drama is based on author Philippa Gregory’s Cousins’ War book series and has been adapted from three best-selling novels — The White Queen, The Red Queen, and The Kingmaker’s Daughter.

The costume drama is an amalgamation of stories, characters, and instances from all three books and follows the story of three women — Yorkist Elizabeth Woodville, wife of King Edward IV and played by Rebecca Ferguson; Lancastrian Margaret Beaufort, mother of the Tudor King Henry VII of England and portrayed by Amanda Hale; and Yorkist Anne Neville, wife of the Duke of Gloucester, King Richard III, portrayed by Faye Marsay.

Elizabeth Woodville is the protagonist of the 2009 novel The White Queen, while Margaret Beaufort and Anne Neville are the focus of The Red Queen (2010) and The Kingmaker’s Daughter (2012) respectively. These three women appear in the three novels which constitute the screenplay of this underrated television drama which first hit UK airwaves in June 2013.

The series has been on the receiving end of glowing reviews from both critics and audiences.

One critic says of the show: “As a love story set in an impossibly chivalrous past, this was deliciously enjoyable. The conflict between the houses of Lancaster and York ceased to matter — the crucial conflict was between Innocence and Experience.”

While another reviewer writes: “Part soap opera, part war film, and part melodrama, this series is an intoxicating jaunt through a snippet of British history fraught with contentious loyalties and lethal power struggles.”

A third critic said: “It’s a great tale and beautifully told with beautiful actors…Don’t miss it.”

One viewer posted to IMDB: “Fantastic!! The BBC, like most of their period piece dramas, got this series right. It is highly addictive and very watchable. The White Queen has everything an avid audience for this type of show craves; It is romantic; It is violent; It is full of vengefulness, cruelty and karma. I thoroughly enjoyed it and wanted more.”

While another fan of the show added: “Excellent period drama! BBC does it again! I came across this title by accident and I ended up watching the first four episodes! I love the love story, the drama, the betrayal. Truly a treat to watch! I really enjoyed it, I found the actors to be truly convincing, the decor lovely and the storyline engaging!”

Another IMDB user review reads: “I’ve read the 3 books, The White Queen, The Red Queen and The Kingmaker’s Daughter, and this series is one of the most faithful adaptations I have ever watched.

“The portrayal of the Tudor and Lancastrian England, the life and politics of the feudal society, how Kings and Queens and Great Royal Houses were made or unmade with in fire and blood, and the brilliance and fortunes of Edward’s court, with some artistic license from Philippa Gregory, make for a very compelling watch.”

While one audience review of the show on Rotten Tomatoes states: “I absolutely loved this mini-series. Gorgeous costumes, realistic scenery, intrigue, treachery, lies, unexpected twists and a torrid love story. Seriously, what more could you ask for?”

The White Queen is available to stream for free on Channel 4.

WITH the summer holidays here, you might be regretting not booking a holiday yet.

Well, luckily for you, there are a whole host of places you can travel to for cheap under £210 per person.

And what’s even better is that you don’t have to use any of your annual leave as all the following weekend breaks are for between July 24 and 26.

They even take off in the afternoon or evening so you can go after work on Friday.

Turiquintas, The Algarve in Portugal

You could head to Turiquintas Hotel in The Algarve in Portugal for a weekend – the hotel has breakfast in the morning, and lunch anddinners are included.

There are 80 apartments in total across the site, as well as a pool, children’s pool, games room, supermarket, cafe and a bar.

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Even better, the beach is just 800 metres away.

You would fly from East Midlands Airport on the Friday at 7:10pm to Faro, and return on the Sunday at 7:10am.

A two night stay costs £165 per person.

a&o Prague Rhea, Czech Republic

If you fancy being in the middle of a bustling and vibrant city, you could head to a&o Prague Rhea for two nights.

All the rooms have their own bathrooms as well as free Wi-Fi.

Downstairs in the lobby, you’ll also find a 24-hour bar.

And in the morning you can head to the breakfast buffet.

To get to the town centre, it is just 20 minutes on public transport where you can explore fairytale-like architecture including Prague Castle.

You would fly from Bristol Airport on the Friday at 9:55pm to Prague, and return on the Sunday at 3:45pm.

A two night stay costs £168 per person.

PortAventura Hotel El Paso & Theme Park, Spain

Want a theme park and a hotel for the price of one? You can head over to PortAventura Hotel El Paso with Woody Woodpecker-themed rooms and unlimited access to PortAventura Park just down the road.

And the beach is also only seven minutes away.

As for the hotel itself, there are two pools including one with a pirate ship, day and evening entertainment, a hot tub as well as a selection of bars and restaurants.

You would fly from Liverpool Airport on the Friday at 9:45pm to Reus, and return on the Sunday to Manchester at 12pm.

A two night stay costs £185 per person.

Granada Palace Affiliated by Melia, Spain

If you want to feel like a king or queen, then head to Granada Palace Affiliated by Melia, in Spain.

The hotel has rooms and suites, as well as a spa with sauna and steam rooms and an indoor heated pool and an outdoor freshwater pool.

It is great for those who just want a relaxing weekend away, where you can explore Monachil, which is a great spot for hiking including a 63-metre-long bridge across a gorge.

You’ll also be an 18 minute drive from Granada city centre.

The hotel has a restaurant, cafe and bar if you want to grab a bite to eat. And of course, there is a huge buffet breakfast.

You would fly from Manchester Airport on the Friday at 9:30pm to Malaga, and return on the Sunday at 6:40am.

A two night stay costs £175 per person.

ITC Colón by Soho Boutique, Andalucia in Spain

In Córdoba, you’ll find Hotel ITC Colón with 40 rooms, each with a private bathroom. There’s also an onsite restaurant, breakfast room and a bar.

When it comes to things to do around the hotel, just a 10-minute drive away is the Mosque-Cathedral – which features 850 columns and towering arches.

Though for something closer you could head to Palacio de la Merced convent, which are both within a five-minute walk.

You would fly from Manchester Airport on the Friday at 9:30pm to Malaga, and return on the Sunday at 6:40am.

A two night stay costs £169 per person.

Studio 17 by Atlantic Hotels, Algarve in Portugal

The Studio 17 by Atlantic Hotels sits in Portimao resort in Algarve, Portugal, just a short drive from the coast. The accommodation features Mediterranean-style apartments with kitchenettes and either a balcony or a terrace.

There’s an outdoor swimming pool for adults as well, including a sun terrace with sun loungers and parasols ideal for soaking up the sunshine.

The coast is just a six-minute drive away and the town centre is less than a 20-minute walk from the hotel.

You would fly from Leeds Bradford Airport on the Friday at 6:30pm to Faro, and return on the Sunday at 6:10am.

A two night stay costs £179 per person.

NEW YORK — Former President Biden will publish a memoir, “Promise Me, America,” which he says will touch upon everything from the economy to his decision to drop his bid for reelection.

The memoir is scheduled to come out Nov. 17, publisher Little, Brown and Company told The Associated Press. The timing of the book — two weeks after midterm elections in which Democrats seek to regain control of Congress — could raise concerns within Biden’s party by putting him back into the spotlight.

Democrats remain divided on Biden’s legacy, with many blaming his ill-fated determination to seek a second term for Republican President Trump’s return to the White House. Leaders hope to keep the fall campaign focused on Trump and his record, and any leaks or promotional efforts before votes are cast could draw frustration.

“‘Promise Me, America’ is about the challenges we faced as a nation. It’s about the decisions I made and why I made them,” Biden said in a video statement accompanying Wednesday’s announcement. “It’s about why I chose to run for reelection and why I chose to step aside.”

Reports of Biden’s book have circulated for more than a year, and the former president himself has referred to it during public remarks, appearing to suggest it would be released before November’s election.

Biden, who will turn 84 three days after the publication of “Promise Me, America,” has long presented himself as an upholder of standards and traditions; presidential memoirs are one of them. With a handful of exceptions, modern presidents since Harry Truman in the 1950s have published books about their White House years. Little, Brown declined to release financial details for ”Promise Me, America,” although presidents have usually reached deals worth at least seven figures.

The book’s title echoes a 2017 memoir by Biden, “Promise Me, Dad,” which centered on the death of his son, Beau Biden.

Vowing as a candidate to “restore the soul” of his country, Biden was sworn into office in the midst of the COVID-19 pandemic and in the aftermath of the Jan. 6, 2021, attack on the U.S. Capitol by Trump supporters seeking to stop his certification as president. Biden’s term was defined by a wide range of conflicts and achievements, from his handling of wars in Ukraine and the Middle East to the passage of ambitious infrastructure and economic aid bills. But many readers will likely want to know more about his health while president, including the disastrous debate in June 2024 against Trump that led to his giving up his reelection bid. Then-Vice President Kamala Harris, who ran instead, lost decisively to Trump.

Former first lady Jill Biden wrote in her own book that her husband seemed so weak and disoriented during the debate that she feared he was having a stroke. In “View from the East Wing,” published in June, she noted that the White House had initially said he was suffering from a cold.

“The biggest lesson for us, I think, was that if you don’t explain something well enough then the question won’t go away,” she wrote. “There was never a satisfying enough explanation offered for Joe’s debate performance, and a lot of people never got over it.”

Biden was the oldest man to serve as president and his health was a source of speculation for much of his term; Biden and his White House advisers have faced intense criticism from Democrats and Republicans for allegedly concealing the extent of his problems. A notable book release from 2025, Jake Tapper’s and Alex Thompson’s “Original Sin,” was subtitled “President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again.”

That year, Biden announced he had been diagnosed with prostate cancer.

Biden’s previous books also include “Promises to Keep,” a campaign work published to boost his run for president in 2008, when Barack Obama was the eventual nominee and Biden his running mate. ”Promise Me, America” comes out during a year when nonfiction sales have declined and few political books have caught on, although recent bestsellers have included Vice President JD Vance’s “Communion” and an inside account of Trump’s second term, by New York Times reporters Maggie Haberman and Jonathan Swan, “Regime Change.”

A Little, Brown spokesperson said that Biden plans to tour on behalf of the book and give interviews. In his video announcement, Biden said that many people had been asking him how he was doing.

“I’ve been spending a lot of time with my family. I’m dealing with a cancer diagnosis, been getting treatment, and it’s going really well,” he said. “I want to thank all those who have offered their prayers and support and well-wishes. It’s meant the world to me and to Jill.”

Italie writes for the Associated Press.