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In Deborah Levy’s new novel “My Year in Paris With Gertrude Stein,” the celebrated British author turns her keen observational and critical eye toward Stein, a writer that Levy feels has been criminally redacted from the canon of modernist masters that emerged at the turn of the 20th century. “My Year in Paris With Gertrude Stein,” however, is anything but a dry-as-dust revisionist treatise.

Levy couches her thoughts on Stein’s life and work within the story of three women in contemporary Paris, including Levy’s fictive avatar as the narrator, grappling with her own notions of identity as she writes about Stein and her partner Alice B. Toklas. I spoke with Levy about Stein, Toklas and Picasso.

✍️ Author Chat

Have you always had an abiding interest in Gertrude Stein?

She has always been lurking there for a number of reasons. When I was studying modernist literature, I was pointed to all the usual suspects — T.S. Eliot, Ezra Pound, Beckett, Joyce. But no one ever pointed to Gertrude Stein. She was absent in Britain, anyway. I’m not sure it’s the same in America.

I feel like in America she certainly is not frequently cited among that pantheon of modernist writers that you just mentioned.

I thought her most commercial work, “The Autobiography of Alice B. Toklas,” was quite enchanting. But when you start to dig into her other writing, you find this mixture of very obtuse, very violent work, and some brilliant work.

You write in the book that you sometimes don’t understand Stein, but this doesn’t diminish your enjoyment of her work.

The thing about avant-garde writers is that they either crash or they triumph. For readers, it’s either someone popping a vein at the new and strange, or someone over-praising the work. And I thought, well I’m allowed to have mixed emotions about Stein’s writing. Sometimes she is totally brilliant, and sometimes less so.

Author Deborah Levy

(Sheila Burnett)

You also celebrate Stein and Toklas’ fierce individuality, which runs counter to the usual narratives about female authors during this time.

Well, female writers are supposed to suffer or commit suicide. And the glorious thing about Stein and Alice is that the art of living was very important to them. Travel, conversation, or driving around. This really appeals to me. You know, Stein would have a roast chicken leg in one hand and one hand on the steering wheel, with the dogs in the back.

I feel like Stein’s legacy as a writer has been occluded by her renown as a collector of the greatest modern art of the century, most notably Picasso before he became Picasso. She is remembered more for collecting others’ art than for her own art.

If you’re going to collect this bold, daring art of your own time, and you’re buying it cheap, because it’s being mocked, you have to know how to defend it. Stein wasn’t an art historian. She studied psychology with William James and then studied medicine at Johns Hopkins. Through her conversations with Picasso and others, she really began to acquire the apparatus to defend the work, and that fascinated me.

You write that Stein wanted to kill the 19th century with her work by dismantling and then reassembling language.

She was going to write through continuous present tense. She got rid of commas so she could hurtle through time and make her thoughts move forward. No question marks, because it was self-evident to her when someone was asking a question in her writing. She really was a pioneer.

Her prose reads like Beckett’s, decades before his novels were published.

The critic Roland Barthes wrote that all writing has some kind of behavior. A lot of avant-garde writing behaves like Stein, but she wasn’t imitating any other thing. She made something new for her century.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

Book jacket for “Marilyn and Her Books: The Literary Life of Marilyn Monroe” by Gail Crowther

(Los Angeles Times illustration; book jacket from Galley Books)

Marilyn Monroe was an avid reader who traveled with her treasured library of books wherever she lived. Yet, the stubborn image of Monroe as a literary dilettante remains. Now Gail Crowther has written “Marilyn and Her Books” which sets out to debunk that misconception of the screen legend. Crowther’s sharp account is both the story of Monroe’s library and “what we’ve projected upon Monroe when we’re asked to consider that she had one,” writes Mark Athitakis.

As Cuba struggles with a faltering economy and President Trump’s saber-rattling overtures, Ada Ferrer’s timely new memoir “Keeper of My Kin” “argues that the grand narratives of exile and revolution are, at their core, made up of private reckonings with irretrievable consequences,” writes Mariella Rudi.

When Eagle Rock’s Read Books was threatened with a massive rent hike from its landlord, co-owners Jeremy and Debbie Kaplan rallied the community around the fight for tenant’s rights and started an activist organization called Save North East Los Angeles Shops. “Commercial landlords [have] unbelievably unrealistic expectations of rent, and a small business can only sell a T-shirt or a hamburger or a service for what the market will bear,” neighborhood preservationist Aaron Peskin told Emily St. Martin.

Finally, Swan Huntley found a novel way to put off writing her next book: She hiked to every Erewhon store in Los Angeles.

📖 Bookstore Faves

A Good Used Book’s beautiful interior

(A Good Used Book)

Jenny Yang and Chris Capizzi started A Good Used Book in 2017 by selling secondhand titles at local flea markets and the Grand Central Market downtown. Seven years later, after a brief COVID blowback, the pair opened their own storefront in Historic Filipinotown. Now, A Good Used Book has blossomed into a vital community space featuring a vast selection of previously loved books across all genres. The store also hosts pop-up markets on the weekends, with more events scheduled in the coming year. I spoke with Capizzi about his store.

Who are your customers?

Our customer base is pretty broad. We’re selective about the books we carry, but we want anyone to be able to find themselves somewhere in the shop, whether you’re just getting back into reading or you’re the kind of person who already has strong opinions about translations. And we try not to take ourselves too seriously, so even though we may have critical theory, we also have “Choose Your Own Adventure.”

How do you pick inventory? Is there any emphasis on any particular genres that might be popular?

We definitely do the work to find books, but honestly a lot of the time the books seem to find us. In terms of what we carry, we focus mostly on classic, modern and contemporary fiction, but we love genre fiction too, like sci-fi, crime and horror. And a big part of what makes the store feel like us are our nonfiction and culture sections — humanities, sciences, film, music, fashion and design. Anything for that curious person who just wants to go a little deeper.

I know the store is about much more than books. Can you tell me about some of the other community events you guys organize?

During the week we’re all about the books. Every Sunday we host the Every Sunday Funday Market that features two food pop-ups out front, one savory and one sweet, and four or five local vendors and artists inside. We rotate vendors selling and making ceramics, jewelry, Japanese retro radios, soaps and candles, zines and prints, and even Persian perfumes. And we always have drinks going out of our vintage Coleman cooler, too. It’s a lot of things happening at once, but it adds up to a pretty easy, fun Sunday afternoon.

A Good Used Book is located at 307 Glendale Blvd., Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Animator Jorge R. Gutierrez is facing online backlash following news that his latest series, “Punky Duck,” will use artificial intelligence for its production.

Amazon MGM Studios and Amazon Web Services announced on Wednesday the launch of the GenAI Creators’ Fund, a joint initiative that gives creators access to professional-grade AI tools and funding to produce cinematic entertainment.

Three animation projects have already been greenlighted, including Gutierrez’s “Punky Duck,” which follows a punk duck and his best friend, Smiley Cat, through a wildly exaggerated Los Angeles filled with alien invasions, giant monsters, robot criminal conspiracies, telenovela-style family drama and supernatural mayhem.

BuzzFeed Studios’ “Cupcake & Friends” and Albie Hecht’s “Love, Diana Music Hunters” are also part of the initiative.

Speaking at the AI on the Lot event at Culver Studios, Gutierrez spoke positively of using the controversial new technology, comparing it to “having sex and then they hand you the baby.”

Fans took to social media to critique the “Book of Life” creator, sharing their disappointment. Many pointed out how the tool is actively reshaping traditional Hollywood jobs, from storyboarding to production design, raising concerns over creative control.

As a response to the backlash, Gutierrez uploaded a screenshot to Instagram that same day featuring news articles by Variety and the Hollywood Reporter with a caption addressing the collaboration: “I understand a lot of you are happy for me and a lot of you are really angry at me for experimenting with AI at Amazon. I’m going to leave the comments open so you can get it all out and hopefully feel better.”

Gutierrez also warned that any death threats will be reported, as well as threats to his family. The post has since been deleted.

In a subsequent Instagram post, he shared a screenshot of a post on X, which showed edits to Gutierrez’s Wikipedia page, where he is described as a “sellout.” Gutierrez captioned his Instagram: “Whoever did this I thought it was really funny!”

The Mexican creator is behind Nickelodeon’s “El Tigre: The Adventures of Manny Rivera” and Netflix’s “Maya and the Three.” He is also currently developing the long-awaited Speedy Gonzales film with Warner Bros. Pictures Animation.

It took over a decade for Gutierrez to get approval for his 2014 film “The Book of Life,” a beloved storybook animation about the Day of the Dead. After multiple rejections from top animation studios, it was eventually produced by Mexican director Guillermo del Toro — a staunch critic of AI, who described its use as “sharting” at a party to The Times late last year.

By comparison, “Punky Duck,” was greenlighted in two months, according to Cartoon Brew.

In a statement to The Times, Gutierrez said he is “cautiously optimistic” about his collaboration with Amazon MGM Studios: “Artists driving tech, and not the other way around, is my goal.”

“It’s a big experiment for me, and like all experiments it might not work, and I will be as cautious and ethical as possible with AI,” he said.

Gutierrez has been critical of AI in the past, expressing distaste for the tool through a series of cheeky memes shared in 2023, 2024 and 2025. Last year, he referred to the nascent technology as a “mutant AI cockroach.”

In the age of Ozempic, the buzziest hardcovers are getting smaller — and slip right into your Baggu. At Book Soup in West Hollywood, the bestselling hardcover fiction display is marked with laminated cards that denote the book’s place in the top 10, with each one cut snugly into the popular hardcover frame of 6-by-9 inches. But lately, more of the books rising to the top wear the placard noticeably looser.

I should know, I work at Book Soup so I spend a lot of time staring at this display and can tell you, the answer to this problem is definitely to print out smaller cards cut to the little sister “trim size” of 5-by-8 inches — or 5½-by-8¼ to be specific.

While the New York Times bestsellers from 2025 skew in favor of the 6-by-9 trim, the popularity of 5-by-8 books appears to be on the rise. Current utilizers of the smaller cut include the buzzy Vanderbilt heir Belle Burden’s “Strangers,” George Saunders’ darkly humorous “Vigil” Lena Dunham’s millennial-tinged tell-all “Famesick” and the infamously tablet-sized “Transcription” from Ben Lerner.

1/5

“Strangers: A Memoir of Marriage” by Belle Burden  (The Dial Press)

2/5

“Famesick: A Memoir” by Lena Dunham  (Random House)

3/5

“Vigil: A Novel” by George Saunders  (Random House)

4/5

“Transcription: A Novel” by Ben Lerner  (Farrar, Straus and Giroux)

5/5

“Lost Lambs” by author Madeline Cash  (Farrar, Straus and Giroux)

Gretchen Achilles is the director of interior design at Farrar, Straus and Giroux. Achilles recently implemented the 5-by-8 cut for one of this year’s breakout hits, “Lost Lambs” by Madeline Cash. “It’s a tone,” she says. “Smaller trim sizes have an intimacy. … You want to echo what’s going on in the text as an experience for the reader.”

According to Achilles, FSG frequently implements the 5-by-8 trim size. She said that length is the No. 1 factor when deciding to employ it, followed by genre. She listed literary fiction, memoir, biography, and essay collections as the defining genres of the smaller size books.

Caroline Mason is a writer in New York whose debut novel “An Endless Cycle of Evenings” from Hyperion Avenue is slated for 2027; she runs the Instagram account @literarycrushes. Mason described a 5-by-8 hardcover as shorthand for a specific book she seeks out when she is in a bookstore because it often signals a character-driven novel. “It’s my favorite kind of book,” Mason says. She adds that it’s also Instagram-friendly.

“Holding the book up to take a photo of it is easier,” she says with a laugh. “Although I do sometimes still drop it.”

Dahlia de la Vega is an L.A.-based Bookstagrammer who runs the page @ofpagesandprint. According to De la Vega, she finds the shrunken books more approachable. “When I sit down to read a small hardcover, it almost feels like I’m reading a journal,” she says. “Whereas when I read a large hardcover, it almost feels like I need a journal to jot down notes about what’s happening.”

Ethan Mann, my colleague and a supervisor at Book Soup, told me he remembers the place he was both mentally and physically when he purchased a 5-by-8 hardcover copy of “The Parade” by Dave Eggers. (Right before the pandemic struck at CSUN campus store at Cal-State Northridge). “It’s easier to attach relevance to the specific feel of [the book] because it seems one of a kind,” he says.

Mann adds that hardcovers are sometimes a tough sell on the floor. They are often derided for their cost, and customers declare they will wait till the paperback comes out. But the smaller hardcover has the benefit of fitting into nearly any bag.

Esther Margolis is a publishing veteran and the founder of Newmarket Press. She says that the 5-by-8 hardcover is nothing new. According to Margolis, the smaller trim size was previously the industry standard for U.S.-based publishing houses, and any fluctuation is due to the evolution of printing technology.

“Unlike for mass-market paperbacks, hardcover books were shelved, so it didn’t matter that the books were different sizes,” Margolis says. “They didn’t have to fit into a pocket.”

The popularity of the 5-by-8 hardcover is, at the very least, indicative of a shift in what I witness consumers at Book Soup seeking out. With social media making it easier than ever to connect over the act of reading, or looking like you are reading, cover design and presentation — and how it cuts through the noise of the attention economy— is perhaps a factor too.

“A small hardback is like a Labubu,” my co-worker Mann says. “ The feeling in your hands isn’t just about books — it’s about all cute things. … We like small things we can control.”

The success of the publishing industry could never rest on the tiny shoulders of the small hardcover. It may not even represent any changes in production. But on the bestsellers display at your favorite local indie, it represents the small pleasure of palming a near-pocket-size book in your hands.

And, yes, maybe Instagrammability too.

Messinger is a writer in L.A. who runs the Substack adumbmessinger.

POP star Mollie King has admitted that the birth of her daughter Annabella was a bittersweet moment for her family.

She and cricket star Stuart Broad welcomed Annabella, now three, in November 2022 – at a time Mollie’s father Stephen was dying from a brain tumour.

The Saturdays singer-turned-Radio 1 host has revealed that the sad circumstances gave her the incentive to book a C-section for the birth – to make sure Stephen would be able to meet his granddaughter before he passed.

Stephen died 10 days later, but got to meet Annabella thanks to Mollie’s decision.

Chatting to Giovanna Fletcher on the Happy Mum podcast this week, Mollie, 38, revealed that she learnt of her father’s illness when she was six months pregnant.

“It happened in August. And I had seen my dad that morning. We had gone out for a walk with my dog and with Stuart as well. And everything seemed pretty fine, pretty normal,” she recalled.

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“And then that evening, I had a call from my sister to say Dad’s not been very well at all – he’s gone into hospital.

“I was like, Oh my gosh. Basically, over the next few days, we got the news that he had a brain tumour, which is obviously shocking because there was nothing – there were no signs.

“And you just don’t know how to process it.”

Mollie went on: “I think that I was trying to really get my head around it and come to terms with it. But also, I’m in this stage of like – I’m pregnant, this is meant to be such a magical happy time.

“I was really worried that he wasn’t going to meet Annabella. I was like, I can’t have him not meet my kids.”

Mollie – who has since welcomed a second daughter – reflected on how her father had been a very “present granddad” for her nephews, and couldn’t picture her own child never knowing him.

“I was like, I just can’t have him not meet my little girl. It can’t be like that,” she continued. “And so… because of that… I’d booked in to have a C-section.

“I was like, I just need to know that she is going to come out at a safe time, but I need her to meet dad.”

Mollie admotted that, after she made the decision, she felt self-conscious telling the hospital staff of her reasons; but that they were happy to accommodate the C-section, booking her in for it right away.

Mollie was one fifth of The Saturdays – they released four studio albums and 18 singles between 2008 and 2014 before going on hiatus. Mollie then turned to radio presenting.

She welcomed her second daughter, Liliana, with Stuart in January 2025.

The idea grew as organically as the purple cauliflower at Erewhon. One day, I walked from my place in Los Feliz to the beach. I stopped at two Erewhon locations on the way to refuel. I made a reel about my journey and posted it to Instagram. My friend Fish saw it and said, “You should walk to all the Erewhons.”

I thought: I don’t have time to do that. I’m a very serious person who needs to write her novel.

But later I found myself mapping out an 89-mile hike in my Notes App, starting in Pasadena and ending in Calabasas, stopping at all 10 Erewhon locations on the way. (My route did not include the Palisades, which is closed because of the fires; nor did it include LACMA or the new Glendale locale.)

“I need to write my novel” is a thought I have a lot. I usually heed this thought and sit at the desk like a soldier, imagining the wonderful day when I’ll sell said novel — for an amount that would probably be comparable to a fraction of an Erewhon employee’s yearly salary.

Erewhon Trail map illustration by Swan Huntley.

(Erewhon Trail map illustration by Swan Huntley. )

I really wasn’t in the mood to write the novel, though. When I imagined myself pecking away at the keyboard, I felt bad. When I imagined myself walking around L.A. in my Home Depot gardening hat, I felt good. So, I put on my hat, got into an Uber headed for Pasadena, and texted my sister, “Carpe diem, bitch.” Or at least that was my intention. What I actually sent was, “Carpet diem hitch.”

Over the summer, I hiked a little bit of the Pacific Crest Trail. A few years ago, I biked the Camino in Spain. I’ve walked from Los Feliz to the beach a handful of times. I’ve traversed the length of Manhattan thrice. Before that, when I was a teenager, I used to trek from La Jolla to Del Mar while drinking beer (I carried a cooler; yes, I’m sober now) and listening to Sarah McLachlan on my Discman. I’ve always been drawn to activities that many people find tedious. Like walking forever. Or writing a novel.

Starting in the fourth century, pilgrimages were served up by the church as a way for Christians to pay penance for their sins. They were hard and dangerous and a lot of people died. Fast-forward to now: Such treks have taken on an “Eat, Pray, Love” aura. Or a “Wild “ aura. They live in the realm of self-help and of sport. They’re a way to create friction in an increasingly frictionless world. By walking from Mexico to Canada, or from Erewhon to Erewhon, I wonder whether we’re trying to get back to the part of ourselves that wants to try harder.

Or we just want to become more valuable dinner party guests.

What do you do?

I do really long walks.

I ordered a Goddess Smoothie in Pasadena, and then I repeated this tradition at every store thereafter. The smoothie costs $19, tastes like heaven, and it’s green, which my brain reads as “good for me.”

It took me a little over three hours to walk 11 miles to Silver Lake. I got a Vegan Avocado Sandwich for lunch, took an Uber home and posted a reel on Instagram about my first day on the trail. A lot of people liked it. Some of them called me a genius.

In the last 10 years, I’ve published four novels and two illustrated books for adults. I was naïve and just totally blindly happy about the publishing process in the beginning. People wanted to buy my work? Other people wanted to read it? Cool.

The first book, “We Could Be Beautiful,” did well because the publisher put real money into the marketing of it. Then that stopped happening. At a certain point, I realized that expecting too much was unwise. It was up to me to market my books myself. Which meant: social media.

They say you have to see a book cover six times before you buy the book — or consider buying it. There are a lot of book covers on Instagram. Actually, there’s a lot of everything on Instagram, and out of all the everything, is a book cover that exciting?

No.

My second reel, which depicted my journey from Silver Lake to Studio City, went a little bit viral. To date, almost 10,000 people have shared it with their friends. Why? I think the answer has something to do with a desire for levity.

If the atmosphere of the world could be depicted by an Erewhon beverage, it wouldn’t be a vibrant, cheerful one, like the bright magenta Pitaya Smoothie. It would be the dark and brooding Germ Warfare Shot. I find it perplexing that people talk about the apocalypse as if it’s happening later. It’s happening now. If we were really thinking about how climate change is affecting us, we’d be out in the streets screaming. All the time. But we’re not doing that. We’re carrying on with our usual lives. Apparently, for me, that includes walking to Erewhons.

Any long-distance trek is as much an internal journey as it is external. As I continued the trail, I started to think that maybe my endeavor was a reaction to my feeling of total powerlessness. I can’t save the polar bears. I can’t force the president to go to therapy. But I can add some levity to the brooding atmosphere.

Recently, someone commented on one of the reels, “Transplants make LA locals look bad.” This person, and many others, hear the name Erewhon and assume I’m poking fun at it. Erewhon has become a joke about L.A. — a joke that was amplified after Hailey Bieber invented her smoothie in 2022 that Erewhon dubs the “Strawberry Glaze Skin Smoothie.” I’ve never had it, but I can tell you that it looks like a sky full of strawberry clouds. According to an Erewhon employee I spoke to, this smoothie was a turning point. It aligned the brand with wealth and power. Now, Erewhon evokes the image of smooth-skinned, health-conscious Angelenos with money to burn.

The Erewhon Trail, then, inevitably becomes a conversation about privilege, my own included. Instagram hid my two favorite comments, because it was worried they’d be too rude to show, but I think they’re the funniest ones.

This is what white people do on Prozac.

This is what happens when a liberal arts teacher gets fired.

To both of these comments, I say: Yes.

I’m not on Prozac yet, but maybe after I get fired, I will be.

In order to get fired, though, I’d have to get an actual job, which might never happen.

The most intense leg of the trail was from Santa Monica to Calabasas. My friend Fish joined me. Google said it would take 27 miles. After marching through the mountains, I decided to use my own intelligence to make the route shorter. This cut out four miles, bringing the total to 23. For long stretches, Fish and I walked in the bike lane, or in the bramble by the side of the road. That’s the penalty for straying from Google. Your sidewalks disappear and your chances of getting hit by a car go way up.

My legs were noodles by the time we got to Calabasas. I crawled across the parking lot to show my viewers how weak they’d become. The employee at the door smiled at me and handed me a basket, and I thought about the pain of my legs, which no one could see, and about all the secret battles people are fighting all the time, and I wished that we cared about each other as much as Erewhon cares about us. Multiple employees were perfecting the already-perfect plateaus of bell peppers and apples in the produce section. Their thoughtfulness was the opposite of the vibe I encounter in most public restrooms, which is that the strangers who were there before me didn’t have many thoughts about my experience. As lame as the fact that an Erewhon smoothie costs $19 is that so many of us need to be paid to be nice to each other.

When I tell people about my love for Erewhon, they either say, “Duh, I know,” or something along the lines of, “That place is ridiculous, right?” This is almost always followed by the mention of a food item and some amount of money. Like, “Doesn’t a carrot cost $12,000?”

Actually, I tell them, no. Although sometimes, yes. There is a Japanese strawberry that’s famously expensive ($20), but that’s avoidable. I then explain that contrary to popular thought, there is a way to shop at Erewhon on a budget. A jar of soup, for example, costs $15.50. If you return the bottle, you get $3 back. In my opinion, the soup can be two meals, so that’s $6.25 per meal. A lot of the produce is either the same price or only a little bit more expensive than at other health food stores, and it’s in consistently better shape. The most important piece of making Erewhon more affordable, though, is becoming a member. You get 10% off, a free drink of the month and discounts on a bunch of items.

You might be wondering: How many Erewhon memberships has she personally sold?

She’s lost count.

The other reason to go to Erewhon is the environment. It’s visually appealing and the employee-to-customer ratio is notable, and the result is that you feel like you’re at a resort. And frankly, these simple things — a nice environment, high quality food — should be available to everyone.

Back to the question of whether or not Erewhon is ridiculous — yes, of course it is. If you sit at any of the locations and listen to the conversations around you, you’ll probably feel like you’re an extra in a satirical movie. At Studio City, I overheard two moms in white pants and cashmere sweaters talking about how, based on their Instagram recon, they figured out that so-and-so was sitting next to so-and-so at a benefit dinner. Another snippet I overheard in Studio City: “You gotta make music from the heart, man, and the label will feel it.”

It didn’t occur to me to ask for free merch until after I’d finished the trail. Armando at the Santa Monica location was the lucky recipient of my request. I explained my uniquely heroic feat to him, and then wondered aloud if perhaps I could get a sweatshirt, or at least a hat.

Sadly, Armando was unauthorized to give me merch, but he did offer me a gift card in a tiny envelope. I was very grateful. I assumed the card was worth $50 at least.

After we parted ways, I opened the envelope.

Ten dollars.

Enough to put a down payment on a smoothie.

My dreams now are so different from when I was younger. Back in grad school, I imagined that maybe I’d write a bestselling novel, and maybe it would be adapted for the screen, and maybe my tombstone would read: She contributed very serious literature to civilization.

What I never accounted for was, of course, the unknown. Maybe one day, over a decade after school ended, I’d get a lot of attention for making performance art about walking to grocery stores.

Huntley’s novels include “I Want You More,” “Getting Clean With Stevie Green,” “The Goddesses” and “We Could Be Beautiful.” She’s also the writer/illustrator of the darkly humorous “The Bad Mood Book” and “You’re Grounded: An Anti-Self-Help Book to Calm You the F— Down.” She lives in Los Angeles.

In 1951, not long after her breakthrough appearances in “All About Eve” and “The Asphalt Jungle,” Marilyn Monroe went to college: She enrolled in a pair of 10-week classes at UCLA’s adult-extension program, both covering literature. Looky-loos peeked through the windows. Some likely assumed a publicity stunt. But Monroe’s passion for books was sincere. An orphan who bounced around upward of a dozen foster homes and orphanages regretted that she’d never graduated high school, she moved often in her life but always made sure her books came wherever she went.

Gail Crowther’s “Marilyn and Her Books” is the story of that library, though more precisely it’s about what we’ve projected upon Monroe when we’re asked to consider that she had one. Our prevailing cultural reflex, then and now, is skepticism larded with misogyny. A famous 1955 photo of her sitting in a Long Island playground reading James Joyce’s “Ulysses” — one of 50 known photos of her reading — is routinely scoffed at whenever it’s posted online. (Crowther gathers up a sampling of misogynistic comments.)

But Crowther’s sleuthing determines that Joyce’s novel was a regular companion of hers, and she was particularly enchanted with Molly Bloom’s closing soliloquy. As an actor who had to be exceedingly smart to play dumb blondes, she used the shoot to make “a profound statement about her social positioning.”

Marilyn Monroe reads the book “To the Actor: On the Technique of Acting” by Michael Chekhov in a quiet moment at the Ambassador Hotel in New York.

(Ed Feingersh / Michael Ochs Archives / Getty Images)

Writing about Monroe’s reading habits demands a lot of speculation on the part of Crowther, who’s written engaging books on Dorothy Parker, Sylvia Plath and Anne Sexton. We know a lot about the star’s library — when she died in 1962, she owned more than 400 books, diligently cataloged and auctioned in 1999. There’s documented marginalia and scribblings that suggest a serious reader, and anecdotes about her reciting poems at parties, reading Proust on set, and expounding on Whitman, Dostoevsky and Tolstoy. She had strong opinions about Hemingway: “Those big tough guys are so sick, they aren’t even all that tough. … They always want to kill something to prove themselves.”

And Crowther literally has the receipts from Los Angeles and Beverly Hills stores like the Pickwick Book Shop, Martindale’s Book Store and Hunter’s Books, where she purchased titles that were practical (“How to Live With a Cat”), relatable (“Sister Carrie”) and weighty (a three-volume life of Sigmund Freud).

Her third husband, playwright Arthur Miller, suggests the purchases were largely a pose: In his memoir, he wrote that aside from some short stories and Colette’s “Cheri” she likely never read anything start to finish. It would be nice to know more, but as Crowther pointedly observes multiple times, journalists never thought to ask her about her reading. When the subject of literature came up, Monroe seemed compelled to play to ditzy expectations. After telling interviewers she wanted to play Grushenka in an adaptation of “The Brothers Karamazov,” they asked her if she could spell the character’s name. She demurred.

A clearer historical record might have blunted the sexist comments that have stalked her, and given Crowther an opportunity to do less guesswork. “Marilyn and Her Books” is scaffolded with 15 chapters, each dedicated to a question that usually can’t be answered in full: “Did Marilyn read all her books?” (probably not, who does?), “Did Marilyn suffer from imposter syndrome?” (probably, who doesn’t?). Some questions feel like attempts to pad the pages (“Are there any surprising omissions from Marilyn’s personal library?” “How did Marilyn’s reading compare to that of her contemporaries?”). The elegiac opening and closing chapters, in which Crowther imagines visiting Monroe’s home and scanning her shelves, also add to the feeling that too much is being extrapolated out of not enough information.

Curiously, the book also dwells little on Monroe’s own literary ambitions. Crowther shares a few scraps of despairing, Plathian verse, but almost entirely neglects her unfinished posthumous memoir, published in 1974 as “My Story.” Its relative shapelessness, along with its use of a ghostwriter, doesn’t bolster her literary credentials, but its existence points to Monroe’s ambition to have them.

And there’s plenty to say about the literary work that Monroe herself has inspired, including Joyce Carol Oates’ 2000 masterpiece, “Blonde,” or Sharon Olds’ poem “The Death of Marilyn Monroe,” in which a man who carted away her body is shocked into the reality of “a woman breathing, just an ordinary woman breathing.” Writers have afforded Monroe the grace and status in death that she was rarely afforded in life.

But the core question that drives the book, the subject of a central chapter, is valuable: “Why is Marilyn Monroe’s reading ability doubted?” Among other things, Crowther argues, Monroe suffered from a “poisonous cocktail of patriarchy, industry decisions, cultural stereotypes, social expectations, Marilyn’s unwitting complicity,” and more. Crowther keeps her focus narrowly on Monroe, but it doesn’t require a substantial mental leap to see how Monroe is just one example of a cover-model-worthy woman artist being told she’s a try-hard for demonstrating intelligence. (To pick just one example, the pop star Dua Lipa’s book club has a demonstrated high-literary bent, selecting Tommy Orange, Olga Tokarczuk and Percival Everett, which got her mocked as “an alien spaceship touching down in a medieval peasant village.”)

“Marilyn’s reading formed a concerted effort to overcome any inadequacies she perceived in herself,” Crowther writes. That, too, made her a lot like anybody who goes to books to satisfy gaps in our knowledge. We can do that in private, to avoid embarrassment. For Monroe, though, the effort was always public and always suspect — the culture was attuned to see any book in her hand as a prop. For most people, reading is an escape route. For Monroe it only led to one more cul-de-sac.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

Barnes & Noble was turning a page on the chain’s history of declining sales, but recent comments have stirred bad blood for the bookseller.

James Daunt, the chief executive credited with breathing new life into the retailer, is clarifying the store’s stance on stocking its shelves with AI-written books.

The controversy stems from Daunt’s Monday appearance on “Today” with Jenna Bush Hager. In a viral clip from the interview, Daunt said, “I have actually no problem selling any book, as long as it doesn’t masquerade or pretend to be something that it isn’t. So, as long as an AI-written book says it’s an AI-written book, then we will stock them.”

By Wednesday, thousands of calls to boycott the bookseller had flooded social media.

Kathlin Finn, a writer and former employee of the chain, posted on social media, writing, “Hey Barnes & Not Noble, I worked for you and have supported you, but your latest AI decision is extremely disappointing. I will not be shopping or promoting B&N unless you change your AI policy.”

Author Cristin Bishara wrote, “As an author this [is] the most depressing news. I’ve been saying for a long time that this was coming. People told me I was overreacting. And I had a feeling it would start with a cute round table at the front of a B&N.”

Another social media user added, “The Barnes & Noble CEO saying they’ll stock AI generated books as long as they’re labeled and aren’t ‘ripping off somebody else’ is wild considering all generative AI is ripping off someone else.”

Daunt told The Times that the wave of backlash is based on misinterpretations of what he said, and that only a “highly edited version” of what the bookseller “actually said” had been aired.

In an emailed statement, he said the bookseller does not sell AI books, “as far as we are aware.” Barnes & Noble “demand[s] that publishers label any books that are AI generated,” and the chain takes “active measures to exclude all AI generated books.”

Daunt further stated that Barnes & Noble “will sell AI generated books if there is clear demand” and not “ban reputable books published by reputable publishers, even if AI generated, should these be published, labeled and there be clear evidence of customer demand.”

He also said that the retailer thinks it’s “very unlikely” that there will be customer demand for AI-generated books or that reputable publishers will publish them.

“The argument is nuanced, and perhaps over nuanced, but there are important principles that have to be balanced and I believe we do so as sensibly and thoughtfully as is possible,” he said. “Book banning is a clear and present danger, so we are very careful with demands to ban any books” while also remaining vigilant “not to sell AI generated books that masquerade to be by real authors.”

Last year, Daunt spoke with BBC on the issue of AI in publishing and bookselling and said that there’s a huge proliferation of AI-generated content, and “most of it is not books that we should be selling.” He told the broadcaster that, as a bookseller, the company sells what publishers publish and that he’d be surprised by efforts to put forth an “AI-generated piece of nonsense” but that, ultimately, the decision on reading material would lie with the reader.

“We don’t dictate, and we don’t dictate around politics or any other particular issues around books,” he said. “We leave it up to the reader to decide.”

In June 2025, more than 70 authors issued a call to action to big-five publishers Penguin Random House, HarperCollins, Simon & Schuster, Hachette Book Group, and Macmillan, asking the companies to pledge that they will never release books that were created by machines. Authors Lauren Groff, R.F. Kuang, Emma Straub and Emily Henry were among the petitioners.

“At its simplest level, our job as artists is to respond to the human experience. But the art we make is a commodity, and our world wants things quickly, cheaply, and on demand,” the letter read.

“We are rushing toward a future where our novels, our biographies, our poems and our memoirs — our records of the human experience — are ‘written’ by artificial intelligence models that, by definition, cannot know what it is to be human. To bleed, or starve, or love. …

“Every time a prompt is entered into AI, the language that bot uses to respond was created in part through the synthesis of art that we, the undersigned, have spent our careers crafting. Taken without our consent, without payment, without even the courtesy of acknowledgment.”

In March, Hachette pulled “Shy Girl” from publication after widespread allegations that the horror novel appeared to be AI-generated and was swiftly scrubbed from Amazon and the Hachette website. The book’s author, Mia Ballard, denied that she had relied on AI to pen the book but said an acquaintance she had hired to edit the novel used AI.

“Hachette remains committed to protecting original creative expression and storytelling,” a Hachette spokeswoman said, per the New York Times.

All three Butlin’s resorts across the UK can expect to see these new additions to their sites, perfect for your family holidays and adult-only weekend breaks

The Brits’ favourite holiday resort has launched something new just in time for the school holidays, and it’s set to provide an experience you can’t get at other family parks.

It’s known as the ‘home of entertainment‘ for a reason, with its iconic Butlin’s live performances, rides, arcades, and waterparks all leading the way for family fun for decades. Now, a whole new experience has been added to the resorts that will amplify the fun for very little added cost.

Butlin’s has launched a whole new private sing-along experience, taking you away from the stage and audiences of the park and into your very own space with Karaoke Pods – bookable, just for you. Now, you can give the performance of a lifetime in the comfort of your own friendship group or amongst your family at whichever Butlin’s resort you choose.

As of now, the pods are open at all three Butlin’s resorts, including Bognor Regis, Minehead and Skegness, and can be booked for groups of up to 12 people.

Inside the Karaoke Pods, you can choose from an impressive catalogue of songs made up of over 5,000 chart-topping hits and throwback tunes carefully picked for guests to have the utmost fun.

Each session is set to last for a whole 55-minute session and should be booked in advance or, on the day when you decide to give it a spontaneous go, for £36.

If you want the drinks to keep on following, there’s no need to leave the pod, as they’ve thought way ahead of the curve. Any drinks can be ordered and delivered directly to your very own karaoke room.

During your sing-along session the pods, which Butlin’s describes as ‘high-tech’, capture each moment with videos, photos and even gifts. Meaning, you can sing your heart out in the soundproofed room without a care in the world and remain present as the pod does all the memory capturing for you.

Heidi Watson, head of innovation at Butlin’s, said: “We’re thrilled to have partnered with the Coca-Cola brand to bring this exciting, new karaoke experience to all three of our resorts. It’s the perfect activity for families or groups of friends to create unforgettable memories together while singing their hearts out to their favourite tunes.

“We’re confident the new Karaoke Pods will be popular with our guests, and an amazing addition to the activities already on offer across all of our different breaks.”

There’s no better time to book the karaoke pods than now, in time for your May half-term getaway as schools close for the week beginning May 25. Alternatively, you can get ahead of the curb and book in time for your summer holidays.

Route 66 was 20 years old and World War II had just ended when Bobby Troup, an aspiring songwriter from Pennsylvania, decided to go west. As it turned out, that drive in early 1946 did more than anyone could have imagined to establish the road as a symbol of footloose American freedom.

Stories, photos and travel recommendations from America’s Mother Road

Troup, 25 at the time, had already earned an economics degree from the University of Pennsylvania, written a hit song (1941’s “Daddy,” sung by Sammy Kaye), worked for bandleader Tommy Dorsey and served as a Marine through the war years. But to restart his career as a songwriter and actor, he believed that he needed to be in Los Angeles. So he and his wife, Cynthia, pointed their 1941 Buick toward California.

They started on U.S. 40, then picked up Route 66 in Illinois. Along the way, as Troup told author Michael Wallis in the book “Route 66: The Mother Road,” Cynthia came up with a phrase she thought was songworthy.

Bobby Troup, composer of the hit song “Route 66” and grand marshal of Duarte, Calif.’s Salute to Route 66 parade, rides in a 1948 Buick convertible and waves to fans in 1996.

(Louisa Gauerke / Associated Press)

“Get your kicks on Route 66,” she said.

Troup took it from there, creating “a kind of musical map of the highway.”

As Troup later recalled in an introduction to a Route 66 book by Tom Snyder, they heard Louis Armstrong play a club in St. Louis, stopped at Meramec Caverns in Missouri and found that “a good part of the highway was absolutely miserable — narrow, just two lanes, and very twisting through the Ozarks and Kansas.” Then came a snowstorm in Texas.

By the end of the drive, the up-tempo tune was half-done. Then, not quite a week after arrival, Troup landed a chance to pitch a few songs to Nat “King” Cole, who had already won fame with hits including “Sweet Lorraine” and “Straighten Up and Fly Right.”

They were sitting by a piano on stage — after Cole’s last set of the night at the Trocadero on Sunset Strip — when the nervous young songwriter decided to share his unfinished road song.

“I got up on the riser, pulled the piano bench back a little bit — and it went over the side and I fell over backwards,” Troup confessed in a later interview.

Still, Cole “loved it,” Troup recalled. “As a matter of fact, he got on the piano with me and played it.”

This was February. By mid-March, the song was done and Cole was recording it in a studio on Santa Monica Boulevard, part of Route 66.

The finished version name-checked a dozen cities along the route, including these words:

Now you go through Saint Looey

Joplin, Missouri,

And Oklahoma City is mighty pretty.

You see Amarillo,

Gallup, New Mexico,

Flagstaff, Arizona.

Don’t forget Winona,

Kingman, Barstow, San Bernardino.

Won’t you get hip to this timely tip

When you make that California trip

Get your kicks on Route 66.

In April, Capitol Records released “(Get Your Kicks on) Route 66” and the tune quickly rose to #11 on the Billboard chart of top-selling singles. Before 1946 was out, it had been recorded again, this time by Bing Crosby with the Andrews Sisters. That version went to #14.

Musicians Nat “King” Cole, left, and Bing Crosby, circa 1945.

(NBC / NBCU Photo Bank / NBCUniversal via Getty Images via Getty Images)

Coming just as postwar America was rediscovering leisure travel, the song was a big hit — and for many, a painful irony. Even with guidance from the Green Book used by many African American travelers in those days, it would have been deeply risky — and illegal in some places — for any Black man, Nat King Cole included, to eat and sleep on Route 66. This was a year before Jackie Robinson integrated baseball’s major leagues, two years before the U.S. Army was integrated.

As Candacy Taylor puts it in her 2020 book “Overground Railroad: The Green Book and the Roots of Black Travel in America,” “the open road wasn’t open to all.” Into the 1950s, Taylor writes, “about 35% of the counties on Route 66 didn’t allow Black motorists after 6 p.m.” and six of the eight states on the route still had segregation laws. Cole may have helped sell Route 66, Taylor writes, but “the carefree adventure he was promoting was not meant for him.”

Documentary photographer Candacy Taylor at the New Aster Motel in Los Angeles in 2016. In her book “Overground Railroad,” she writes about the discrimination Black travelers faced while driving on Route 66.

(Brian van der Brug / Los Angeles Times)

Two years after recording the song, when the increasingly wealthy Cole and his family bought a Hancock Park mansion and became the neighborhood’s first Black homeowners, many neighbors tried to keep him out, poisoned the family dog and burned racist insults into his lawn.

The Coles stayed put. The family was still in that home on South Muirfield Road in 1956, when Cole became the first African American to host a network television show, and in 1965, when Cole died of cancer at 45.

Troup, who later was divorced from Cynthia and married singer/actor Julie London, went on to record more than a dozen albums and had other songs recorded by Little Richard and Miles Davis. As an actor, Troup filled many guest-star roles on television, played Dr. Joe Early on the 1970s TV show “Emergency!” and had a small part in Robert Altman’s 1970 film “MASH.”

Meanwhile, the song kept rolling. As years passed, Perry Como, Sammy Davis Jr., Chuck Berry, the Rolling Stones, the Manhattan Transfer, Michael Martin Murphey, Asleep at the Wheel, Buckwheat Zydeco, Depeche Mode, Glenn Frey, the Brian Setzer Orchestra and John Mayer recorded versions. At different points in the 2006 movie “Cars,” you hear Berry’s and Mayer’s versions. Troup, who died in 1999, never forgot the difference the song made, both in his life and the way people think about the road.

“On the basis of that song, I was able to go out and buy a house and stay in California,” Troup told Wallis. “I never realized when I was putting it together that I was writing about the most famous highway in the world. I just thought I was writing about a road — not a legend.”

The Rolling Stones are among the countless musicians who have recorded versions of “Route 66.”

(David Redfern / Redferns via Getty Images)

FANCY grabbing a last-minute break during May half-term?
There are lots of late deals offering adventures and attractions galore.

Cruise on a fabulous liner, escape to the countryside, explore a city or bed down in a zoo. Trisha Harbord selects ten top getaways for all budgets, at home and abroad.

FRENCH FANCY

OOH la la! The French seaside resort of Le Touquet will be holding a British Week from May 25 to 31.

There will be a host of activities delivered in English, such as guided horse rides, while the seven miles of coastline and dunes make Le Touquet perfect for sand-yachting.

The resort, an hour’s drive from Calais, has over 70 restaurants, for all tastes and budgets.

GO: Two nights’ room-only at the 3* ibis Styles, for two adults and two children, is from £366. See all.accor.com. Return ferry from Dover costs from £118. See irishferries.com.

BEACH PLEASE

Spanish TUI hotel to reopen next summer for adults only and it’s on the beach

RETREAT YOURSELF

From St Lucia to Ibiza – we tried 2 adults-only retreats for perfect reset

CRUISE CONTROL

YOU can’t beat a cruise for having everything on tap, and we really rate the no-fly MSC voyages on super-modern Virtuosa.

Enjoy five pools, a waterpark, clubs for kids, superb shows and an indoor promenade with restaurants, bars and shops.

The ship, sailing from Southampton, also has the first humanoid robotic bartender at sea, who shakes and stirs cocktails.

GO: Two nights’ full-board from May 23 costs from £265pp. Five nights from May 25, visiting four ports including Bruges and Rotterdam, costs from £541pp. See cruise.co.uk.

MINT IMPERIAL

SPOIL yourself at the 5* Imperial Island Resort in Paphos, which reopened this week. Everything has been upgraded, from the rooms to the food, spa and kids’ clubs.

There are new outdoor play areas at the Cyprus hotel and numerous sports on offer.

Soak up the sun on the adjacent beach or head to Paphos Archaeological Museum and the medieval fort that overlooks the harbour.

GO: Seven nights’ all-inclusive, based on two adults and two children sharing a superior family room, plus Gatwick flights on May 24, is from £1,072pp. See easyjet.com/en/holidays.

ITALIAN JOB

THERE aren’t many kids who don’t like pizza, pasta and ice cream – and they can have all those on a cultural trip to Rome.

The Vatican museums, beautiful Sistine Chapel, St Peter’s Basilica and the Colosseum amphitheatre are all must-sees.

There are also many children’s attractions, including interactive museums about everything from video games to illusions.

GO: Three nights’ B&B at the 3* Hotel Morgana, including flights from Birmingham on May 25, costs from £469pp, based on a family of four. See jet2holidays.com.

STAR PLAYA

MENORCA may be one of the quieter Balearic Islands, but you won’t be bored here.

Choose from lying on the beach or going hiking, cycling or horse riding.

The 3H Vibra Caleta Playa apartments, surrounding a pool with kids’ area, all have air-con, kitchenettes and a balcony or terrace.

They are close to a sandy cove in Santandria and the historic former capital, Ciutadella.

GO: Five nights’ self-catering in a one-bed apartment for two adults and children, including flights from Gatwick on May 24, costs from £442 per person. See firstchoice.co.uk.

GO FOR ’BROKE

THERE’S a great deal from Pembrokeshire’s 4* Ty Hotel Milford Waterfront, with kids staying free during half-term.

The offer at the hotel, which overlooks the Milford Haven marina, runs rom May 22 to 31.

If the children love dinosaurs, be there on May 27 when Dinomania comes to town.

You can also rent kayaks from the beach activity centre, visit the maritime heritage museum, go hiking or enjoy ten-pin bowling.

GO: A family room for two adults and two children, including breakfast, is from £104. See ty-hotels.com and milfordwaterfront.co.uk.

RURAL SAVINGS

GET back to nature with up to 30 per cent off countryside breaks with Landal, which has resorts in areas including Yorkshire, Cumbria, Northamptonshire and Scotland.

Woodland Lakes, near Thirsk, North Yorks, has indoor pool, kids’ play areas, archery, fishing and a wellness centre.

It’s close to the North York Moors and the Yorkshire Dales and only a half-hour drive from the historic city of York.

GO: Four nights’ self-catering in a lodge sleeping four people from May 25 costs from £639. See landal.co.uk.

PIER WE GO

IT should be a great week in Great Yarmouth, with plenty to do in the Norfolk resort.

A pantomime of The Wizard Of Oz is being performed at Britannia Pier’s theatre between May 28 and 31, and the town has a festival of circus and arts from May 28 to 30.

Stay at Richardson’s Hemsby Beach holiday park and you’ll be spoiled for family-friendly activities, too.

GO: Four nights’ self-catering in a two- bedroom chalet from May 25 costs from £419. Details at richardsonsholidayparks.co.uk and visitgreatyarmouth.co.uk.

SHOW STOPPERS

TELLY favourites are appearing at Butlin’s, and there are three-night late deals from £48pp. Headline acts include The Masked Singer Live and the new Maximum Pro Wrestling show.

The resorts – in Skegness, Lincs, Somerset’s Minehead and Bognor Regis in West Sussex – also boast Splash Waterworld pools with slides, unlimited fairground rides and soft-play areas for kids.

GO: Three nights for four people sharing a two-bedroom Comfort room in Minehead from May 29 costs from £192. For more information or to book, see butlins.com.

WHERE THE ART IS

HELP Whipsnade Zoo roar into the Guinness World Records book as one of more than 14,000 people taking part in a paint-by- numbers challenge from May 23 to 31.

The masterpiece featuring 200 animals will celebrate the 200th birthday of ZLS – the conservation charity behind the Bedfordshire zoo.

Families picking up a brush will need to register on the GWR Verify app. Stay overnight in one of the zoo’s lodges and enjoy zoo tickets, private tours, breakfast and dinner.

GO: A lodge for two adults and two children is from £520. See whipsnadezoo.org.

YOU can still bag a bargain break for the whole family this May half term without breaking the bank.

Travel companies like TUI, On the Beach, and Loveholidays still have some seriously affordable sunny escapes you can book for the upcoming school break.

These last-minute deals to Spain, Turkey, Portugal and beyond start from a tiny £163pp.

From colourful waterpark hotels in Turkey, to chic beachside apartments in Croatia, here are the cheapest last-minute deals you can book right now for a May getaway.

TUI – top picks for cheapest destinations

Holiday company TUI have hand-picked for Sun Travel some of their cheapest last-minute package holidays you can still book for May half term.

Neil Swanson, TUI UK Managing Director, says: “As holiday experts with decades of experience, we know how important it is for customers to secure great value holidays.

“May is a great time to travel, thanks to gorgeous weather and shoulder season prices.

“Destinations that offer year-round sun, such as Lanzarote and Turkey, also offer plenty of great value deals over the half term – and of course, booking a package gives holidaymakers extra value with flights, transfers, and 24/7 support all included as standard.”

Here are some of the most affordable holidays you can still book with TUI for the May half-term.

Marmaris, Turkey

The Club Candan in Marmaris is hard to miss with its bright yellow exterior backed by lush green mountains.

The star of the show is the massive outdoor pool, which is complete with a giant striped waterslide that keeps the kids (and adults) having fun.

Accommodation comes as spacious self-catering apartments that are perfect for families, plus there’s a poolside restaurant if you don’t fancy cooking, which hosts a weekly Turkish night with barbecues and dance shows.

TUI offer a 5-night self-catering stay from 23 May, including return flights from London Gatwick, for £539pp.

Pula, Croatia

The Park Plaza Verudela Apartments in Croatia‘s Pula are a stylish self-catering option overlooking a beautiful Blue Flag beach.

Apartments and dining areas are chic and modern, plus there’s a bar and two restaurants on the resort.

There’s plenty here for families, with a kids club that takes care of little ones and a dedicated teens club, too. As a guest here, you also get access to the spa and dining at Park Plaza Histria Pula, which is just a short walk away.

TUI offer a 7-night self-catering stay from 23 May, including return flights from Birmingham, for £698pp.

Lanzarote, Canary Islands

TUI BLUE Flamingo Beach is an ideal pick for a family holiday to Lanzarote.

This hotel has plenty of family-friendly activities on offer.

There are sports like tennis and volleyball.

Plus a daily activities programme including pool games, character parades, and unique “family togetherness” activities for all ages.

There’s also a splash pool with slides, and dedicated kids clubs for ages 0 – 17.

With so many exciting things to do, don’t forget to relax, too.

There’s a sunlounger-lined pool where you can lay back and watch the kids play in the splash pool, plus you’re just steps away from Playa Flamingo Beach.

TUI offer a 5-night all-inclusive stay, including return flights from Newcastle, for £874.05pp.

On the Beach – top picks for cheapest destinations

Holiday company On the Beach have found some very affordable last-minute breaks for the May half term for Sun Travel.

Caspar Nelson, holiday expert at On the Beach says: “There are still some incredible value holidays available for May half term, with deals from just £135pp still available”.

His top picks for last-minute, affordable holidays this May half term include Spain, Portugal and Tenerife.

“For families and couples looking to get away without overspending, Spain and Portugal continue to offer some of the best-value options thanks to their reliable sunshine, short flight times and wide choice of resorts.

“Benidorm remains a go-to for families wanting lively beaches and plenty to do, while Costa Brava is ideal for classic seaside breaks with pretty coves and charming towns”.

“Lloret de Mar is a popular pick for groups and younger travellers looking for a fun atmosphere, and the Algarve offers a more relaxed escape with golden beaches and scenic coastal spots.

“For travellers wanting to make their budget go further, all-inclusive breaks are also proving especially popular for May half term.”

Benidorm, Spain

This Benidorm break from On the Beach is an absolute bargain at just £180pp.

Stay at the Apartments Las Torres, a modern complex just a few minutes’ walk from the lively strip, and just a stone’s throw away from the golden Levante beach.

Each apartment comes fully kitted out with a living room and TV, a well-equipped kitchen, a double bedroom and balcony.

There’s also a spacious outdoor pool with a kids zone, plus a golf course nearby to practice your swing. On the Beach offers a 5-night self-catering stay from May 24, including return flights from Belfast, for £180pp.

Costa Brava, Spain

This four-star Costa Brava stay is in the prime location for a sunny Spanish holiday.

It’s just a short walk from the Pierre & Vacances Estartit Playa to the local beach, which is a quiet spot with soft sands and calm, shallow waters. There’s even water sports, kayaking and boat hire available on the beach.

This complex offers apartments that sleep up to six, perfect for a big group holiday. Plus there’s a play area and games like table tennis on site to entertain all ages.

On the Beach offer a 5-night self-catering stay from May 24, including return flights from Glasgow, for just £163pp.

The Algarve, Portugal

This luxurious resort in the Algarve has a stunning sun terrace with a sparkling outdoor pool.

The terracota-coloured Colina da Lapa complex has 70 stylish apartments, plus a swimming pool and free shuttle to the nearest beach.

The charming fishing town of Carvoeiro is under 10 minutes’ drive away, and has beautiful beaches, caves and hiking trails to explore.

On the Beach offer a 5-night self-catering stay from May 24, including return flights from Edinburgh, for just £470pp.

Callao Salvaje, Tenerife

“Tenerife is another strong choice, offering dependable sunshine, family-friendly resorts and plenty to do for all ages” says Caspar Nelson.

“With demand high during school holidays, the best-value destinations are likely to be snapped up quickly by late bookers.

“So holidaymakers are urged to act fast to lock in deals now available.”

Bag this Tenerife deal from On the Beach for an affordable all-inclusive stay at the family-friendly BLUESEA Callao Garden.

This holiday complex has three large outdoor pools to choose from, as well as a pool bar to grab a delicious chilled drink to enjoy in the sun.

It’s only 20 minutes from Tenerife Sur Reina Sofia airport, so you can avoid the dreaded overly-long coach transfer.

Plus there’s a beautiful beach just a 10-minute stroll away.

On the Beach offer a 5-night all-inclusive stay at the BLUESEA Callao Garden from May 24, including return flights from Edinburgh, for just £308pp.

Travel Supermarket – top picks for the cheapest destinations

Travel Supermarket has crunched the numbers to find us some of the cheapest destinations where you can still book a holiday this May half-term.

Gathering data based on a seven-night family holiday with two adults and two children, departing 23 or 24 May, the company found the following destinations came out on top.

Spain’s Costa Brava ranked number one, followed by the Costa Dorada and the Bourgas Area of Bulgaria.

Chris Webber, Head of Holidays and Deals at TravelSupermarket, analysed the top 10 cheapest destinations for May half-term.

He says: “For those with a little more flexibility on budget, the rest of the top 10 cheapest destinations for May half term are: Lanzarote (£726.88pp), Malta (£730.76pp), Larnaca (£738.93pp), Fuerteventura (£744.40pp), Agadir (£767.55pp), Dalaman (£771.53pp) and Paphos (£778.52pp).”

Costa Dorada, Spain

Spain’s Costa Dorada is the ideal family beach holiday destination.

And it turns out that it’s one of the most affordable options for booking a last-minute break, too.

Chris Webber says: “Costa Dorada is a solid value option for families, with good flight connections and a wide range of resorts keeping competition – and prices – keen.”

Travel Supermarket found the average cost of a week-long holiday during the May half-term to the Costa Dorada to be £638.78pp, making it one of their most affordable last-minute holiday destinations.

The Medplaya Hotel Vistamar sits on the beach, and is a family-friendly choice with a children’s playground, large family-sized rooms and entertainment including a games room and pétanque court.

Travel Supermarket offers a 7-night half-board stay from 23 May, including return flights from London Luton, for £499pp.

Bourgas Area, Bulgaria

Bulgaria, specifically the Bourgas Area, also ranked highly as one of the cheaper destinations to visit this May half-term.

Chris Webber says: “Bulgaria always tends to be decent value, and the Bourgas area in particular is great for all-inclusive deals.

“Families can keep their overall costs right down once they’re there.”

Travel Supermarket found the average cost of a week-long holiday during the May half term to the Bourgas Area to be £662.10pp – but we found an even cheaper deal.

Hotel Tiara Beach is a four-star resort with an excellent kids club and activity program, plus an indoor and outdoor pool, hot tub, sauna and more.

Plus, with this all-inclusive deal, you don’t have to worry about the additional costs of food and drink.

Travel Supermarket offers a 7-night all-inclusive stay from 25 May, including return flights from Birmingham, for £579pp.

Loveholidays – top picks for the cheapest destinations

Holiday website Loveholidays has rounded up some of its cheapest destinations for last-minute holidays this May.

Al Murray, Chief Marketing and Supply Officer at loveholidays, says: “With May half-term just around the corner, we’re still seeing fantastic value in sunny short-haul destinations.

“There are deals to be had in Spanish hotspots like Costa Brava, Gandia, Tenerife and Majorca in particular, offering families short flight times, reliable weather and plenty to do.”

Here are Loveholidays’ pick of last-minute holiday deals this May half term.

Majorca, Balearic Islands

The four-star Portodrach Aparthotel & Suites is a glamorous, modern resort with spacious self-catering apartments and all the amenities you’d need for a sunny Spain holiday.

The complex has a large swimming pool dotted with parasols and loungers, a poolside snack bar and even a swim-up bar.

Activities available range from a games room, to water sports like surfing and banana boat hire, to golfing at the nearby golf course.

Loveholidays offer a 7-night self-catering stay from 24 May, including return flights from London Gatwick, for £359pp.

Gandia, Spain

Hotel RH Arena By Hoteles RH in Gandia, Spain is a stunning place to stay just steps from a stretch of golden sand.

Whether you’re cooling off in the crystal-clear freshwater pool or hitting the sauna for a detox, this Spanish gem has everything you need for a recharge.

Watch the chefs in action with show-cooking in the restaurant, or grab a quick snack from the cafe. The hotel bar is the main hub for a chilled drink, providing plenty of space to relax and socialise out of the sun.

Loveholidays offer a 5-night stay with breakfast from 24 May, including return flights from London Gatwick, for £379pp.

Puerto de la Cruz, Tenerife

Situated in lively Puerto de la Cruz, the family-friendly Casablanca resort is a top tier pick for Tenerife.

You’re just a 10-minute stroll from the sand, but there is plenty to do on-site, with a heated outdoor pool and kids club to keep little ones entertained.

After a day of lounging by the pool or exploring the nearby old town, you can settle in for a night of live music and shows.

Loveholidays offer a 5-night self-catering stay from 24 May, including return flights from London Stansted, for £319pp.

Two press freedom groups that own shares in Paramount Skydance are demanding to see the company’s books and internal documents, citing allegations that the company’s leaders may have promised favors to the White House to win approval for Paramount’s deal to acquire Warner Bros. Discovery.

The letter, sent Thursday to Paramount chief legal officer Makan Delrahim, says that media reports alleging that Paramount owner David Ellison and others promised favors to the Trump administration “create credible concern that Paramount leadership has offered, solicited, or effectuated a corrupt exchange,” which the groups argue would “constitute a breach of fiduciary duties” and open the company up to a “range of potential civil and criminal penalties.”

The letter cites Delaware law that allows stockholders to inspect the company’s books and records “for any proper purpose.”

Paramount declined to comment on the letter.

Among the issues raised in the letter are promises reportedly made by David Ellison and his father, Oracle billionaire Larry Ellison, that they would make “sweeping” changes at the news network CNN, which is owned by Warner Bros. Discovery.

The Ellison family acquired Paramount, which includes CBS and the storied Melrose Avenue film studio, last summer.

The letter cites changes implemented in CBS since their acquisition, including their decision to end late night television house Stephen Colbert’s show days after he characterized a settlement Paramount reached with Trump as a “big fat bribe.”

Under Ellison’s ownership, the letter says, numerous high-profile reporters have left the network and its ratings have dropped to “historic lows.”

Larry Ellison, who is backing the financing of Paramount’s proposed takeover of Warner, reportedly told White House officials that Paramount would “implement the CBS playbook” at CNN if the merger is approved, and remove anchors and commentators at the cable news network that Trump doesn’t like, according to the letter.

The effort comes just two weeks after Warner Bros. Discovery shareholders overwhelmingly approved the proposed merger. Investors have supported the Larry Ellison family takeover, which would become the biggest Hollywood merger in nearly a decade. The deal would pay Warner stockholders $31 per share — four times the stock price a year ago.

The letter was written on behalf of the Freedom of the Press Foundation, which develops secure communication tools for journalists and tracks violations of press freedom, and Reporters Without Borders, which tracks press freedom globally.

The organizations are being represented by former federal prosecutor Brendan Ballou, who established the Public Integrity Project this year to challenged alleged government corruption, as well as Delaware attorney Ronald Poliquin.

The missive, which could be a precursor to a lawsuit, opens another avenue of attack against the controversial $111-billion deal, which would transform the smaller Paramount into an industry titan.

With Warner Bros. Discovery, the Ellisons would also control HBO, TBS and the vast film and TV library of Warner Bros., which includes the Harry Potter, DC Comics, and Scooby-Doo, in addition to CNN.

Paramount, led 43-year-old David Ellison, wants to finalize its Warner Bros. takeover by the end of September. President Trump favors the deal; he has long agitated for changes at CNN.

But the proposed merger would saddle the combined company with $79 billion in debt, stoking fears that Paramount would be forced to make steep cost cuts to juggle such a large debt load.

Politicians, unions and progressive groups separately have pressed California Atty. Gen. Rob Bonta to scrutinize the proposed merger, hoping that he brings an antitrust lawsuit in an attempt to upend the deal.

More than 4,000 film industry workers, including Ben Stiller, Bryan Cranston, Ted Danson, J.J. Abrams, Jane Fonda and Kristen Stewart, have signed an open letter imploring Bonta and other regulators to block the merger. The group lamented the proposed tie-up, saying it “would reduce the number of major U.S. film studios to just four.”

Opponents fear the consolidation would lead to massive layoffs and diminish the quality of programming that Warner Bros., CNN and HBO are known for.

Hollywood has sustained thousands of layoffs over the last seven years since Walt Disney Co. swallowed Fox’s entertainment assets in another huge merger. In addition, the film production economy hasn’t recovered from shutdowns during the 2023 labor strikes. An estimated 42,000 entertainment industry jobs were lost from 2022 and 2024.

On Thursday, 34 California Democrats in Congress also sent a letter to Bonta, encouraging him to look closely at the merger.

The deal is expected to become one of the largest leveraged buyouts ever.

Ballou, who is working with the press freedom groups, previously served as a Justice Department special counsel with expertise in private equity transactions.

He resigned from the Justice Department in January 2025 when Trump returned to office. In his book, “Plunder: Private Equity’s Plan to Pillage America,” Ballou examined large leveraged buyouts and found that many of which resulted in bankruptcies.

Panini will no longer provide its World Cup sticker albums after the 2030 tournament, ending a partnership of 60 years with Fifa.

The publisher has produced the books and stickers since the 1970 World Cup in Mexico.

Football’s world governing body has signed a new deal with Fanatics, owner of collectibles brand Topps, which will produce the stickers and trading cards for Fifa tournaments and events from 2031 onwards.

The same company already produces collectables for Uefa, having replaced Panini in 2024.

Fifa president Gianni Infantino described the deal as “a new, meaningful way for fans to engage with their favourite teams and with their favourite players”.

“This provides another important commercial revenue stream that we channel back, as always, into the game, into football,” Infantino added.

Panini sticker books will still be available for this summer’s tournament, next year’s Women’s World Cup and the 2030 World Cup.

The ninth in an occasional series of profiles on Southern California athletes who have flourished in their post-playing careers.

When the Dodgers drafted David Lesch in January 1980, they had visions of his fastball lighting up radar guns at Dodger Stadium.

He never made it that far.

Lesch never climbed above the lowest rung on the minor league ladder, where he pitched just 10 innings and gave up more runs, hits and walks than he got outs. Less than 18 months after he was drafted, Lesch, wracked by a rotator cuff injury, was released, his major league dream over before he was old enough to legally buy a beer.

“I went to Disney World after that,” he said.

But that wasn’t the only decision the Dodgers made that changed Lesch’s life. When he was drafted, the team gave him just a small bonus, but sweetened the deal by offering to pay for college if he ever went back to school. For the team, it seemed a safe bet.

“They probably have this algorithm saying ‘this is the No. 1 draft pick. If he doesn’t make it, he’s not going back to college. He’ll be assistant baseball coach of his high school or something,’” Lesch said.

Oops.

Lesch not only went back to college, but he also wound up getting three degrees, including a master’s and a PhD from Harvard. It was arguably the most important investment in humanity the Dodgers made since signing Jackie Robinson, because Lesch went on to become one of the world’s top experts on the Middle East, writing 18 books and more than 140 other publications while advising four presidents and a cadre of United Nations diplomats.

David Lesch interacts with students in his history class at Trinity University in San Antonio.

(Lucero Salinas / Trinity University)

“That was the best deal,” Lesch, 65, said by phone from San Antonio, where he is the Ewing Halsell Distinguished Professor of History at Trinity University.

“Without that I probably could not have said yes to Harvard because of the price. The Dodgers committed to paying.”

And by doing so, the Dodgers may have altered history just a bit.

Lesch’s regular meetings with Syrian president Bashar al-Assad, which ended with Lesch facilitating an important if temporary breakthrough in U.S.-Syrian relations? The diplomatic and conflict-resolution work in Syria and the wider U.N. initiatives on regional issues throughout the Middle East? The thousands of students Lesch inspired to go on to perform important diplomatic and public-service roles of their own?

None of that happens if Lesch’s shoulder had held on or if the Dodgers had reneged on their deal.

“It was very fortunate that he hurt his rotator cuff. Baseball’s loss is academia’s gain,” said Robert Freedman, a scholar and expert on Russian and Middle Eastern politics who taught Lesch at the University of Maryland Baltimore County.

“I’ve been teaching for, I guess, 60 years now and I can tell when a student can see a complex problem and can penetrate right to the heart of the problem very quickly. He was one of those students.”

Still, it took a slightly offhand comment from Freedman, who now teaches at Johns Hopkins, to launch Lesch on his post-baseball career.

“We were having lunch and he was looking for a project and I mentioned to him ‘you know, there hasn’t been a good American scholar doing work on Syria for many, many years,’” he said.

“That struck his interest.”

Playing a child’s game and managing life-and-death Middle East politics share very little in common. But Lesch made the transition seamlessly.

“It is like he’s several different people, or has been,” said journalist and author Catherine Nixon Cooke, whose book “Dodgers to Damascus: David Lesch’s Journey from Baseball to the Middle East” traces those parallel lives.

“I’m wondering if, in a sense, it all worked out the way it was supposed to,” Cooke continued. “Even though his dream was to be a major leaguer, David certainly has reinvented himself to this really remarkable man following a completely different path.

“It was the Dodgers who paid for him to go to Harvard and so it’s kind of a weird thing. Baseball took away his dream because he got hurt, but baseball also gave him his backup plan.”

Lesch was still a teenager when, 20 minutes into his first spring training camp in Vero Beach, Fla., Dodgers manager Tommy Lasorda plucked him off a minor league practice field to pitch batting practice in the main stadium.

Waiting for him were Ron Cey, Bill Russell, Steve Garvey, Davey Lopes and Reggie Smith, the heart of a lineup that would win a World Series a season later.

It was the first time — and nearly the last — that Lesch faced big-league hitters. And it didn’t start well.

Batting practice pitchers throw from behind an L-shaped screen that protects them from comebackers and Lesch had never used one. That, combined with his understandable nervousness, caused him to short-arm his first fastball, which sailed at Cey’s head, sending him sprawling into the dirt.

“He got up and gave me this mean look,” Lesch said. “I remember it so vividly right now. I really thought I was going to be released that day.”

Instead, he gathered himself and finished the session, earning pats on the back from both Garvey and Lasorda. The incident, he said, has colored the rest of his life.

“I’ve met with presidents, prime ministers, been in war zones, all sorts of things,” Lesch said. “Anytime I say ‘well, you know, this should make me nervous,’ I think about that episode and the fact that I made it through and did OK.”

In high school, Lesch had focused on basketball and baseball. Academics? Not so much. So after spending his freshman year of college at Western Maryland College, he transferred to Central Arizona, a junior college, so he would be eligible for the January 1980 draft, allowing him to trade his books in for a baseball.

The so-called secondary draft, which was discontinued six years later, was specifically targeted toward winter high school graduates, junior college players, college dropouts and amateurs who had been previously drafted but did not sign. As a result, the bonuses teams offered winter draft picks were just a fraction of what players taken in the June draft received.

Lesch’s was so low, he can’t even remember what it was.

“I want to say $10,000 to $15,000,” he said. “No more than $20,000.”

When it became clear the Dodgers weren’t going to budge on the money, Lesch’s father, Warren, a family physician in suburban Baltimore, pulled out the Harford County phone book and looked up the number for Baltimore Orioles coach Cal Ripken Sr. Lesch played high school ball against Ripken’s son Cal Jr., who had been a second-round draft pick of the Orioles two years earlier. So his father thought the Ripkens might have some advice on what to ask of the Dodgers.

David Lesch, a former Dodgers draft pick, stands on the baseball diamond at Trinity University in San Antonio.

(Lucero Salinas / Trinity University)

“Ripken goes ‘does your son like school and is he smart?’” Lesch’s older brother Bob remembers. “So Ripken suggested if they offer you XYZ bonus money, take less and say ‘I’ll take this amount, but you have to cover education if he doesn’t make it.’”

Neither side thought that clause would ever be triggered; Lesch, a big, intimidating right-hander who threw bullets from behind Coke-bottle eyeglasses, wasn’t headed to a classroom, he was going to Dodger Stadium.

Until he wasn’t.

Lesch missed a couple of weeks with a back injury. By overcompensating for the sore back, he developed paralysis in the ulnar nerve in his right arm, limiting him to five appearances in his first minor league season.

He arrived healthy for his second spring in Vero Beach and threw three no-hit innings in his first outing against double-A and triple-A players, creating such a buzz that Ron Perranoski, the Dodgers’ major league pitching coach, showed up to watch his second game. By then the shoulder and back stiffness that shortened his first season had returned, and Lesch was rocked. Perranoski left early and unimpressed.

Lesch’s delivery had one major flaw: He threw directly overhand, as opposed to three-quarters or even sidearm, which can increase velocity but also places additional strain on the shoulder and elbow. As a result, his fastball could top out in the mid-90s one day, but when the stiffness and pain returned, it left him throwing in the low 80s.

The inconsistency continued to plague Lesch, and eventually the Dodgers decided they’d seen enough and released him. When he got back to Maryland, Lesch’s father sent him to see an orthopedic surgeon, who found the problem wasn’t in his back or elbow but rather the rotator cuff.

“We didn’t live in the era of pitch counts. So he just pitched,” said David Souter, a high school and college teammate who went on to develop big-league pitchers.

“He had the ability if he was developed and stayed healthy. I think he probably overthrew and tore his rotator cuff and nobody knew it.”

If Lesch had come along 10 years later, when rotator cuff surgeries were common, he might have returned to the mound. But in 1981, a rotator cuff injury was a death sentence for a pitcher.

“It’s just a crapshoot based on physiology,” Lesch said. “I probably was destined. Something would have happened.”

If he could do it over again, Lesch said he would change one thing.

“I’d throw sidearm,” he said. “It’s much less stress.”

He threw to big league hitters just one more time. Following the strike that interrupted the 1981 season, Ripken Sr. phoned Lesch back and asked him to throw batting practice at Memorial Stadium to help the Orioles prepare for the resumption of play. As a reward, the Orioles let Lesch hit — he never had batted in the minors — and he drove a pitch over the left-field wall, then dropped the bat and walked away.

He never stepped on a major league field again.

The Dodgers’ investment in Lesch’s education appeared manageable when he enrolled at a satellite campus of the University of Maryland, in part because his brother Bob was the school’s sports information director.

But it was 1981 and the Middle East was at the forefront of geopolitics. Lesch became convinced the Middle East would be central to world affairs for decades to come. Inspired and encouraged by Freedman and another professor, Lou Cantori, he applied to graduate school at Harvard, Georgetown, Johns Hopkins and the University of Chicago, knowing he couldn’t afford any of those schools on his own.

“I probably could not have said yes to Harvard when they accepted me because of the price,” Lesch said. “The Dodgers had committed to paying and whatever it was, it was a lot more collectively — my undergraduate MA and PhD — than I had gotten in the bonus.”

That wasn’t the only time his baseball background worked in his favor. Years after starting at Harvard, Lesch stumbled upon written evaluations of his application and learned that his grade-point average and other factors were similar to those of other applicants, but it was his athletic career that had swung enough votes in his favor to get him accepted.

“Failure is at the core of sports. And so you have to have this resiliency,” Lesch said. “What a lot of the top colleges have found is that these young kids out of high school who somehow get a 4.6 GPA, they come in — and I’ve seen this as a professor — they get their first C and they’re distraught.

“Athletes stick with it. They say ‘how can I turn this around? How can I get better?’ Admissions departments across the board have looked at athletes much differently.”

The struggles Lesch experienced on the diamond did not follow him into academia. Yet becoming an expert on the Middle East definitely was a backup plan.

“His first passion was clearly baseball and basketball,” said Souter, the former teammate. “Every kid dreamed … that.”

If the shoulder injury wasn’t a strong enough sign that that dream was over, the fire that destroyed Lesch’s childhood home a few years later was. The flames, which severely burned both his parents, also erased his baseball career, consuming all the photos and memorabilia he had collected, save for the championship ring from his one minor league season, which he found buried in the embers. It was the only thing to survive the blaze intact.

David Lesch’s championship ring from his one minor league season, the only surviving keepsake of his professional career after a his family’s home was destroyed in a fire.

(Courtesy of David Lesch)

A post-graduate trip to Syria, the first of more than 30 visits he has made to the country, sealed the deal a few years later. The love he once had for baseball he now felt for a strange and mysterious place that was as old as history itself yet as secretive as the classical ciphers.

Soon Lesch was helping arrange high-level meetings between Syrian president Hafez al-Assad and President George H.W. Bush, a baseball fan who seemed as interested in Lesch’s Dodgers days as his Middle Eastern expertise. But his big break came during the first presidential term of Bush’s son George W. Bush, when Bashar al-Assad, who succeeded his father as Syria’s president, welcomed Lesch for the first of many interviews that informed his book, “The New Lion of Damascus: Bashar al-Assad and Modern Syria.”

“His forte is listening,” Cooke, the biographer, said of Lesch, whose polite, unassuming manner reflects an adult life spent mostly in San Antonio. “When he goes in to try to mediate something, he is a big listener. There is a side of David that doesn’t talk much. But he’s listening.”

The book humanized al-Assad and opened, for a time, the possibility of normalized relations between Syria and the West, with Lesch serving as an unofficial liaison between Damascus and Washington, as well as other Western capitals.

“He’s absolutely a critical player in what we would call two-track diplomacy,” Freedman said. “If the government wants to reach out but doesn’t want to take the political consequences, they send somebody to sound out the situation.

“It’s absolutely critical that we have people like that who can speak the language and understand the overall context, which sadly is lacking in the current administration.”

David Lesch teaches students in his history class at Trinity University in San Antonio.

(Lucero Salinas / Trinity University)

But that opening closed as quickly as it opened. Lesch’s close contacts with al-Assad raised suspicions among some in Syria, and Lesch was poisoned twice. His relationship with al-Assad was severed completely shortly afterward when he criticized al-Assad for failing to implement promised reforms and becoming a “bloodthirsty tyrant.” The Syrian civil war took nearly 700,000 lives and displace another 6.7 million people before al-Assad and his family fled into exile in Russia in 2024.

“Many governments think that they can reduce war to a calculation,” Lesch said. “What we cannot measure accurately or fully appreciate is the human element. We cannot assess a people’s sense of grievance, passion, revenge, ideological commitment and historical circumstances that shaped the nature of their response and staying power.

“This is where academics can make a contribution to policy, giving it the depth and insight gleaned from years of study and learning the culture and the people.”

Baseball’s loss wasn’t just academia’s gain. It may prove to be humanity’s as well.

“I don’t really have any regrets,” Lesch said. “My career turned out great. I could not think of doing anything else at this point and, in fact, in a way I’m glad [baseball] didn’t work out.”

It’s 11:30 a.m. on a beautiful and unseasonably warm day in Marina del Rey, half an hour before the starting time for the Yacht Girls Book Club meeting, but several women are already standing at the gate leading to a vintage yacht docked at the California Yacht Club.

Nicole Vaughn, a first-time attendee who has driven from Woodland Hills with her friend Cani Gonzalez for the meeting, had been looking for author events on Eventbrite when she found the Yacht Girls Book Club’s “Brunch and Sound Bath,” which also includes a signed copy of the featured author’s book, a boat ride and swag bag for $65. “I read ‘sound bath, poetry and manifesting,’ which sounded intriguing, so I said, ‘Why not?’” Vaughn says.

Once the gate opens, Vaughn, Gonzalez and the others stream in, alone or in pairs. The mostly female attendees range from 30 years old to over 70 and are attired in outfits including cutoffs, tank tops, straw fedoras and glamorous full-length dresses. There are approximately 60 first-timers and returning members.

Brittany Goodwin, another first-timer and Mid-City resident who does social marketing and media for HBO Max, also heard about the meeting on Eventbrite. “I saw the word manifestation [in the ad] and I was there!” she enthuses, taking in the colorful array of arriving women. “And today is the full moon, so it’s very appropriate.”

That’s because the speaker is local poet and author Melody Godfred, whose latest book, “Moon Garden,” attracted the attention of Aloni Ford, Yacht Girls founder and organizer of the meeting.

“I thought Melody would be perfect for the official relaunch of the Yacht Girls,” Ford said in an earlier phone conversation. “Her message of self-love and living more authentically is the reason I started the book club in the first place.”

That was in 2018, when Ford, an Altadena-born manager of professional athletes and boating enthusiast who has lived in Marina del Rey for the last decade, was tired of conversations with women that only focused on relationships. “I wanted conversations with like-minded women that were intellectual but fun. And talking about books seemed to be the ideal way to achieve that.”

Erin Nelson, left, and Lisa Nelson make a brunch plate at the Yacht Girls Book Club.

(Carlin Stiehl / For The Times)

For that first meeting, Ford gathered six women — female friends, her masseuse, a favorite aunt. “We discussed Ruth Ware’s ‘The Woman in Cabin 10,’ so I held that first meeting on a local yacht cruise.” After the discussion, the women agreed they wanted to continue meeting, and brainstormed names until Ford suggested Yacht Girls, and the book club was launched.

Some of those “OGs” — Ford’s term for the original Yacht Girls who attended those first few meetings — now embrace each other, introduce the friends they’ve brought, and recount previous discussions of memoirs and books on self-care, building self-confidence and financial literacy. Tarzana resident and OG Felicia Smith still remembers her favorite book discussion. “It was ‘Let Your Fears Make You Fierce’,” she says, reaching for her phone to show the book is still in her audiobook library. Ford recalls that a highlight of those early years was a discussion of Gabrielle Union’s memoir, “We’re Going to Need More Wine,” which was held at Malibu Wines & Beer Garden and attracted more than 300 participants. “I tried to match the venue with the author whenever I could,” Ford says of those early meetings.

But then COVID-19 struck and, although she wanted to continue the book club via Zoom, Ford admits, “I’m not a Zoom kind of girl. I need the interaction, the face-to-face connection with women.” In the interim, Ford pursued other interests, including yachting, a hobby she picked in 2023 that birthed ideas for Yacht Yoga and other female empowerment gatherings of the Yacht Girls.

Ford’s chosen venue for Yacht Girls Book Club meetings is the “Northwind,” a 100-year-old, lovingly restored 130-foot vessel that once hosted Jacqueline Kennedy in 1961 and is open to the California Yacht Club’s members, of which Ford is one. After check-in, attendees are invited to take a ride on a smaller vessel docked nearby, enjoy the buffet luncheon on the main deck, get a tarot card reading from Ruby Sheng Nichols or take in the sun, ocean breeze and marina views from the upper deck, which is outfitted with umbrellas, tables for four and comfortable lounge seating, all arranged with a view of the ship’s stern, where Godfred is preparing to read and where Amber Melvisha is setting up a sound bath, which will accompany the reading.

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1. Felicia Smith listens to Melody Godfred recite poems from her book “Moon Garden.” 2. Members of the Yacht Girls Book Club enjoy brunch. (Carlin Stiehl / For The Times)

Godfred, 43, is delighted to be with such a diverse group of kindred spirits. “I’ve been craving in-person experiences lately,” she says, “especially with people outside my bubble. This absolutely fulfills that desire.”

Olympia Auset, a book club OG and founder of a nonprofit South Central organic grocery store, is pleased with the turnout. “There is a real spirit of community in this book club,” she says, after quietly taking in the scene.

That spirit is exemplified by Ford, a gregarious hostess who moves through the various groupings of women in a diaphanous full-length blue dress, introducing Godfred to a group of attendees and hugging both first-timers and her OGs enthusiastically. It feels a little like a reunion, with everyone a part of the extended family. “I come for the networking, to meet women of all different levels,” observes View Park resident Alicia Sutton, an OG who proudly displays her original Yacht Girls badge. “We have more in common than we think. We are a group of women of all colors.”

As the women — plus Ty Jessick of Santa Monica, a friend of Ford’s and the lone man at the event — settle into their seats, Ford greets them again, recounts the Yacht Girls’ early days and her vision for the book club’s next chapter. “This is an opportunity to unplug from our daily lives,” she tells the assembled group, amid nods and murmurs of agreement. “We schedule so much but we must not forget to schedule joy. Today you may meet your new best friend, a business partner, or just someone who loves books. After our first post-pandemic meeting last fall, we wanted to relaunch the Yacht Girls Book Club in a big way. And after today, I’m definitely back in those book streets again!”

With that, Ford hands the mic to Godfred, who shares her own story of immigrating to Los Angeles with her parents from Iran when she was three months old, of being a “recovering attorney” who was managing two businesses and raising three children with her husband but not taking time for herself. That self-neglect resulted in a health challenge, which eventually led to Godfred reconnecting with her passion for poetry and self-exploration. “It was a signal to start honoring my truth more fully,” she explains.

After introducing the inspiration behind “Moon Garden,” which contains 12 sections of spiritual poems, insights and affirmations tied to Earth’s lunar cycles, Godfred answers questions posed by Ford and the audience. Then, she invites participants to get comfortable in their seats while she reads selections from the book that encourage surrender, rest and contemplation during the winter months. The sound bath and a chiming bell provide a resonant echo in which attendees visibly relax, most with their eyes closed.

Members of the Yacht Girls Book Club enjoy drinks on the upper deck of the “Northwind.”

(Carlin Stiehl / For The Times)

The meeting breaks up around 2 p.m. and is followed by music-filled, informal mingling, where the participants discuss the book and the afternoon. From their tables in the “Northwind’s” aft section, Vaughn, seated with Gonzalez and a group of new acquaintances, says she definitely will return.

“This book club may attract women who are high achievers,” Auset says as she gathers with other regular members for a photo, “but we all need to make time for self-care and community.”

The next Yacht Girls Book Club will be held at noon June 13 at the California Yacht Club with brunch included. The featured book is “Proof of Life” by best-selling author and visual artist Jennifer Pastiloff. Pastiloff will be in attendance. Tickets required.

Woods is an editor, author, book critic and a regular contributor to the Times.

They call themselves the Booked Babes. Tonight, the women are gathered in Anna Sokol’s kitchen, surrounding an oven-roasted duck stuffed with apples. The dish is a Ukrainian delicacy from Sokol’s home country, where she was once a fashion designer and influencer. Now, she’s in Venice Beach. Sunlight bleeds in from the window where the sun is setting over the Venice Canals. At the women’s feet, a mini Bernedoodle, Zipper, paces nervously, barking at arriving guests. Screams echo from the upstairs bedrooms, where two husbands are in exile, watching a Green Bay Packers game with a newborn baby.

Tonight’s book club is Eastern European-themed, prompting the women to wear red cardigans and dresses. The book under discussion is “The New Rules” by Russian-born TikTok influencer Margarita Nazarenko, who prescribes gender roles that Sokol recognizes as distinctly Eastern European. Nazarenko is a best-selling author with more than 600,000 followers on Instagram, known for offering practical, blunt dating advice to women. “Her methodology feels very Eastern European in male and female relationships and dynamics,” Sokol explains as her guests pick at deviled eggs and brie cheese with manicured nails.

The guest list for the Booked Babes is small — only six women, with one of them commuting remotely from Miami; this time, she joins over FaceTime. The Booked Babes was founded more than two years ago at a holiday party as a New Year’s resolution to read more and forge new friendships. Since then, the women have become best friends, and the book club meetings they host have taken on a life of their own —becoming more spectacular and competitive with each meeting.

The Booked Babes journeyed to a gothic mansion in La Jolla and dressed as Marie Antoinette in extravagant rococo dresses.

(Anna Sokol)

“It started off very normal in the beginning, very casual,” book club member Cassandra Leisz explains. “I don’t really know when the switch happened.”

With each passing month, the book club became more elaborate and more involved — including vacations in coastal towns, costuming, pickleball tournaments and monogrammed custom merch.

Take the historical literary fiction novel “Perfume: The Story of a Murderer” by Patrick Süskind, for example, set in the 18th century. The group journeyed to a gothic mansion in La Jolla and dressed as Marie Antoinette in extravagant rococo dresses. Eighteenth century activities included croquet and designing a custom perfume, all accompanied by fashion photography. Sokol chose the novel for its cult status in Ukraine: “Everyone read it, even though it’s a really weird book.”

For the book club members, the spectacle is part of the fun. “It gives us all a chance to be creative and come together. You get to make it whatever you want it to be. There’s the element of: how do I want to express myself in this time period?” says Leisz.

For the book club pick “Flawless” by Elsie Silver, Ashley Goldsmith planned a cowboy picnic in Franklin Canyon, complete with her mother’s vintage Chevy pickup truck.

(Anna Sokol)

For her turn hosting, Leisz rented a boat — not quite a yacht, she clarifies — in Marina del Rey, paired with lobster rolls and champagne. The novel was “The Wedding People” by Alison Espach, set in a hotel in Newport, R.I. Leisz leaned into the snobby, blue-blood aesthetic described in the book for her outing.

“It is a financial commitment. We put a lot of money into it between the decor, the gifts and the activity,” says Leisz.

Opinions and literary taste often vary among the women. The book club enjoys sparring over polarizing books, but the point is always friendship. “There are a lot of times I don’t like the book, but I love having an opportunity to spend time with girlfriends,” says Ashley Goldsmith.

Custom merch like personalized sweatshirts, elaborate gifting and travel have become a tradition for this book club.

(Anna Sokol)

For her book club on “Flawless” by Elsie Silver, Goldsmith planned a cowboy picnic in Franklin Canyon, complete with her mother’s vintage Chevy pickup truck for photo ops. The meal was followed by a mechanical bull-riding competition at Saddle Ranch. Goldsmith even hired a security guard to secure the public picnic bench beginning at 7 a.m.

The Booked Babes have attracted attention on the members’ social media with eager requests to join. The book club always politely declines, given its specific chemistry. “The second we started posting about this and talking about it, people were like, ‘Oh my God, how do I join?’” says Leisz. Since schedules are already tricky to maneuver, the club does not accept new members.

The Booked Babes raise their glasses.

(Carlin Stiehl / For The Times)

In curating a book club, the members insist that diversity of opinion is key. “We’re all quite different from each other. We have very different backgrounds. Some of us come from different countries,” says Leisz. Illana O’Reiley, who joined over Facetime, immigrated from Dublin and is currently living in Miami.

At dinner, the book club sits down for the Ukrainian meal to discuss “The New Rules.” On the table are elaborate rose arrangements and settings draped in red ribbon. Amanda Ghaffari slyly streams the Green Bay Packers game on her iPhone. O’Reiley jokes via Facetime she is eating popcorn and watching the hit gay drama “Heated Rivalry.”

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1. A flower arrangement is set for a themed book club. 2. A cheese plate. 3. Book club members wear red and pink dresses for their meeting. (Carlin Stiehl / For The Times)

The conversation includes some light teasing about each other’s attachment styles — the intimate banter of close friends. Victoria Frenner, who is a therapist, expresses skepticism about the book’s punchy tone. “When someone is speaking on something with a lot of conviction, like, there always has to be some kind of caveat,” Frenner says.

“This is why I wanted you to read it. It’s very Eastern European-focused.” Sokol says. “American girls are a little more on the independent side. She doesn’t say ‘don’t be independent,’ but she talks a lot about femininity.” Sokol recounts the dizzying story of meeting her husband at a wedding in Moscow, which begins with her husband attending a nightclub in Dubai.

Ashley Goldsmith reads her individualized star chart.

(Carlin Stiehl / For The Times)

For the activity planned, Sokol, who is eight months pregnant and wearing a dazzling candy-pink dress that matches the chosen book’s cover, presents the members with their own custom Slavic astrology reading, one she procured from a Ukrainian astrologer she visited when she was 19. Fortune telling and mysticism are common in Eastern Europe, she explains. The custom readings are bound in booklets, each featuring a spirit animal, such as a panda, and suggested habits.

“Avoid fast cars and motorcycles. Avoid countries with active war,” one of the booklets read.

Ghaffari explains that ever since she was 3 years old in Milwaukee, her mother has been in a decades-long book club. “She flies back for it, and she’ll recommend books that they just read,” Ghaffari says. Three weeks ago, Ghaffari had her first baby, who is in attendance, whom she jokes is the “book club heir.”

The Booked Babes fall quiet as they thumb through their astrology booklets, reading about destiny, transfixed by the mesmerizing promise of inevitable fate.

Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.

In 1995, when the L.A. Metro system was in its most nascent stage, Ken Karagozian — then an amateur photographer in an Owens Valley, Calif., workshop — found his way underground to document the subterranean marriage between downtown L.A. and Westlake through Metro’s Red Line, now called the B Line.

From that came a feature in Life magazine, but more importantly, a driving principle: Karagozian believed that the construction workers, engineers and electricians who were subject to the whims of a city indecisive on the subway project were deserving of intimate documentation. The invisible many who built the pyramids and New York’s skyline never got that chance, he said, but the people who contributed to the historically controversial Metro D Line from Koreatown to Westwood would, if he had a say.

“When I did take photography workshops, they always said, ‘Do a project close to your home,’” Karagozian said on a call from his Agoura Hills residence. “I wrote a letter to [L.A. Metro], which said, ‘How can I get permission to photograph?’”

Days before the fires ravaged L.A. in 2025, Altadena-based historian and author India Mandelkern had a phone call with Karagozian, who was interested in collaborating on a project about the D Line. After publishing a book on the art and politics of street lighting in Los Angeles, Mandelkern worked on the L.A. Metro blog, soliciting interviews from Angelenos who seemed desperate for a line to the Westside.

A Karagozian photo shows a group of workers during the Section 2 breakthrough during the underground construction of the Metro D Line.

(Ken Karagozian)

A photo by Karagozian shows sunlight filtering underground into the Wilshire/Fairfax site during construction.

(Ken Karagozian)

After Mandelkern connected with Karagozian, their project had solid form: a photo book, titled “Wilshire Subway: The Making of the D Line Subway Extension,” about the history, conflict and people behind the scenes and underground ahead of the May 8 opening of the subway expansion along Wilshire Boulevard. (New stations will be added at Wilshire/La Brea, Wilshire/Fairfax and Wilshire/La Cienega. In the future, stations in Beverly Hills, Century City and Westwood will open.)

A related photo exhibition, “Wilshire Subway: Photographed by Ken Karagozian,” is on view through May 14 at the 1301PE art gallery on Wilshire Boulevard.

This week, we chatted more with Karagozian and Mandelkern about their project.

After writing a book about the social history of street lighting, what brought you underground?

Mandelkern: Well, a couple different reasons. First, I was very interested in Metro just because I had worked there as the blog editor, and in that role, I got to explore so many different stories. I thought Wilshire Boulevard was one of the most interesting places, the stories of this rail-building ambition that persisted for so many different years, and what that says about Angelenos. Second, I think that we talk about L.A. as a horizontal city, and that’s certainly true. If you go somewhere like Tokyo, you instantly see that this is what a vertical city is, but I wanted to bring a little bit of that to L.A. There is so much history buried beneath the ground that we seem to forget, and once you start tunneling, you realize that it’s always been there and it hasn’t disappeared. It’s just pushed beneath us.

In support of their new project, writer India Mendelkern, left, and photographer Ken Karagozian appear at the Los Angeles Times Festival of Books in April.

(Ken Karagozian)

Of all the people you spoke to for this book, which one most influenced the way you understood what the D Line could provide for the city?

Karagozian: This was a joint venture between three contractors, and they each had their specialty. It was Skanska, Traylor [Bros.] and Shea. With Traylor, they were brothers and they were doing the tunneling. Richard McLane [chief mechanical engineer of Traylor Bros.] was very helpful in telling me a little bit about the history of Wilshire Boulevard and facts of tunneling. … All these different contractors impacted the project in some way.

Mandelkern: I always say Ken is one of the best construction photographers out there, but his specialty is really people. When I interviewed some of these individual workers, a whole different story came to light, and I realized that many of these workers came to L.A., started at the bottom of the totem pole, and through working on the subway have risen through the ranks, gotten promotions, become leaders, and their kids now work in construction. … It’s just so amazing that so many of these individuals are doing all this work behind the scenes that creates infrastructure that connects all of us.

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1. Carpenter Jenna Dorough poses for a portrait by Karagozian during the underground construction of the Metro D Line. 2. A concrete supervisor photographed by Karagozian at the La Cienega Boulevard station. (Ken Karagozian)

There are many portraits in the book of the builders who created the D Line. India referred to the short lifespans of the workers compared to the marvelous structures they craft: Was it intentional that you documented most of the D Line’s visual history through the people who built it?

Karagozian: When I go down underground and after the stations are completed, to me, it’s the people that built it that should tell the story. I didn’t just want to get a shot of them from behind. I really like to photograph their faces. … When I photographed the workers from the Red Line, some of these workers from the middle ’90s are still working on the Purple Line. I’ve known them for years, and now their children are working in construction; it becomes a family issue. … Going down and photographing the tunnels with that lighting in that perspective, it’s always been so interesting.

Mandelkern: That just reminded me of one of the quotes in the book from John Yen, who is the VP of operations at Skanska. He said, “In construction, we work ourselves out of a job.” I always found it really interesting that, as we build, the whole point is to kind of disappear. It reminded me of one of my favorite quotes in the essay, when James [Rojas] writes [that] when the stations are open, they’ll be shiny and new, but that will kind of erase all the memories and all the work of the people who’ve been doing this for all this time. This book really became a way to sort of remember all of these different people that have been working on these projects for decades and decades, even if they’re not really remembered in the official record.

As the D Line prepares to open, does it somehow feel like the end of a journey?

Mandelkern: This just [started] so many other things for me. Afterwards, I decided I really want to learn about the geology of L.A., and I found an interest in paleontology, too. I hope with any book that it just gets people curious, and it gets them to start asking questions. I think that “Wilshire Subway” does accomplish that. L.A. is just this bowl with all these different salad layers, and as we penetrate down, we learn more and more about our history.

Karagozian: It does a little bit. With May 8 being the grand opening, and as the stations are complete and they’re testing the trains underground, it almost feels like it’s graduation time. Time to celebrate the journey of going through high school, college, whatever. I am still continuing to photograph the [Purple Line extension], which is Rodeo or Beverly [Hills] station … Now it’s just the accomplishment of celebrating all the work that I’ve put into this project and going down almost once a week and photographing the process for so many years.

We are living in an era of dissent, but what does that mean in 2026? According to writer Gal Beckerman, to be a dissident is as much a way of being as it is an act of resistance. In his new book “How to Be a Dissident,” Beckerman, a staff writer for the Atlantic, unpacks dissent as a kind of rough art. His book is both an instruction guide and a primer.

In nine short, potent chapters, Beckerman lays out the essential traits of an effective dissident — loyalty, recklessness and watchfulness, among them — to illustrate how communities of resistance are built from the ground up. I recently chatted with Beckerman about playwright and former president of the Czech Republic Václav Havel, President Trump and AI.

✍️ Author Chat

You have written three books that deal with dissent — political, cultural and societal. It’s clearly a big issue with you.

I don’t think of myself as an activist; I don’t approach these topics with an activist’s fervor. I’m genuinely curious about how change happens in society. All four of my grandparents survived the Holocaust, and I think the notion of a society that can change that quickly and turn on you was always very shocking and interesting to me.

In reading your book, it’s really inspiring and extraordinary to read about individuals putting their lives on the line to make change happen.

They genuinely fascinate me as these bizarre human beings who are able to act in ways that I find really mysterious. There’s a mystery as to how people’s minds actually change, and how society can change.

You write about making moral choices, and doing something bold because of some strongly held belief. This is not the same thing as joining the crowd, which can be the path of least resistance.

I had this feeling during the first few months of the current Trump term (and I share this sentiment with a lot of people) that we were just bowled over by the degree to which people in elite places were acquiescing to the exercise of executive power and being willing to bend the knee in ways that felt shocking to me. This prompted me to wonder, what would I do in that situation? Would I say “no” and not succumb to the will of executive power? Would any of us do so? It’s a question we all have to ask ourselves.

You cite Iris Murdoch’s notion of “radical humanism” as a key trait of effective dissent.

Radical humanists are attuned to the messy and wonderful ways that beings just are. They are defending those conditions for human beings to have a normal life, whether that means being able to listen to whatever music you like, or to wear your hair in a certain way, or to take care of a neighbor that is being ill-treated. Václav Havel called it the “pre-political” way of thinking and acting. And we saw this recently in Minnesota, with people standing up to ICE, regardless of what their political affiliations might be. Something pre-political was going on.

Another important factor you cite is civic mindedness, which feels like a difficult goal given how our communities have been dissolved by our screen addictions.

The communication tools that we use are dehumanizing in many ways because they don’t allow us to really see each other. Instead we preconceive each other and just scream a lot. And we know this at a gut level even as we continue to use them. That’s why I do think it takes an almost dissident sort of energy to insist on thinking in a different way and scrambling the assumptions that our modes of communication have foisted upon us.

What about AI? It feels as if there is a lot of resistance to accepting AI into our lives just because technology companies are investing billions of dollars to make it so. You are seeing communities protesting against the construction of data farms in their neighborhoods, for example.

The money behind the ideology pushing AI is about letting us feel that the only way to have an efficient life is through AI. And I feel like the 20th century taught us that there are lots of ideologies that come around to promise this sort of thing. And so we need to learn from that. I think there are a lot of overwhelming powers that try to flatten us. But we have to take that wonderful human element, that radical humanism, to say no, maybe there’s a way to do it better.

📰 The Week(s) in Books

Monica Lewinsky as a saint offering solace to the lovelorn and abandoned? Julia Langbein’s wild conceit works beautifully in her novel “Dear Monica Lewinsky,” according to Julia M. Klein, who calls the book “smart, poignant and involving.”

Among the casualties of the Vietnam War were the Appalachian communities whose male populations were decimated on the frontlines. This is the subject of Pamela Steele’s “taut, lyrical” novel “In the Fields of Fatherless Children,” a book that delves into the “poverty, racism, environmental degradation and despair suffered in the Appalachian ‘holler’ during the Vietnam era,” writes Meredith Maran.

The Times’ Deputy Entertainment and Arts Editor Nate Jackson sat down with the rapper, actor and K-Town native Jonnie Park to discuss his memoir, “Spit: A Life in Battles.”

Finally, Maddie Connors answers the question, “why are novels getting shorter?” Welcome to the age of the Adderall novel.

📖 Bookstore Faves

The inside of Mystery Pier Books

(Mystery Pier Books)

Established in 1998, Mystery Pier Books is L.A.’s prime destination for rare books and signed editions across a wide range of genres and forms, including Shakespeare folios and vintage sci-fi paperbacks. Located right alongside its Sunset Strip neighbor Book Soup, Mystery Pier was established by character actor Harvey Jason and his son Louis, who continue to run the store together. I chatted with Harvey about the treasures to be found in his store.

What is the market like for rare books right now?

Very strong, in fact. We just sold a beautiful edition of J.R.R. Tolkien’s “Lord of the Rings” trilogy to a private collector for $55,000. And that is actually a reasonable price for those books. We have a long list of serious collectors all over the world that contact us for books, customers that have been coming to us for years. We also sold a first edition of “The Adventures of Huckleberry Finn” for $17,500.

Why should one own a rare book?

It’s a good investment. People who collect rare books are book lovers, first and foremost. And they are smart enough to know that the books they love can increase in value year by year. First editions never depreciate. They always become more valuable over time.

I’m interested in journalism books. Do you have any Tom Wolfe or Hunter Thompson in your store?

Hunter Thompson came in here years ago and signed all of his books, so, yes, we have his books signed by him.

Do you see young people looking to get into collecting books?

Yes. A lot of recent college graduates are building collections. It’s very heartening to see that. You can come into our store and find nice editions for $100. The front room of our store contains the first editions but our other rooms will have landmark titles for far less money. This is really a pursuit for everybody, not just wealthy collectors.

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Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.

The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.

Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.

For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?

To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.

Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?

There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.

But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.

Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.

(Lenne Chai)

What was it like for you as you were discovering your voice through open mics at Project Blowed?

Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.

Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?

Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.

Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.

(Third State Books)

I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?

The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.

The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.

Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.

Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.

I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.

Just because you have booked your break, doesn’t mean that is the price you will pay

Travel industry chiefs have warned that holiday prices could go up – even for people who have already booked. There are fears of cancellations, delays and disruptions this summer as oil supplies are restricted by the war in Iran.

And there are concerns that prices of travel will go up to cover the rising cost of fuel. But industry experts have also raised the spectre of the price of existing holiday bookings going up.

That means people who have already booked and paid for their holidays being asked to pay more if they still want to travel. Emma Brennan from travel agent and tour operator trade association ABTA said the legislation allows companies to ask for more money.

Speaking to BBC Money Box Live, she said: “There is something in the package travel regulations which just applies to package holidays, that travel companies could increase the cost of package holidays by what they call a fare charge. However, it very rarely happens, and there have been so many situations of disruption and uncertainty in recent years, and we haven’t seen this happening.

“And even if the travel company did choose to do it, there are quite strict rules around it. So, for example, it would have to have been in their terms and conditions, they can only do it up to the cost of eight per cent after that, and that’s a cost of eight per cent of the whole holiday – after that you would be offered a refund and it can only apply to various cost increases they are facing.”

According to Which? A 14-night package holiday can cost between £1,500 and £2,000 per person – meaning you could be asked to pay an extra £160 – or £640 for a family of four.

Airports Council International, which represents more than 600 airports, wrote recently to European commissioners for energy and transport and tourism, claiming that if the crucial Strait of Hormuz in Iran does not reopen in a “significant and stable way within the next three weeks” then “systemic jet fuel shortage is set to become a reality for the EU”.

Some airlines such as Virgin Atlantic have imposed fuel surcharges on passengers in response to higher oil prices, and others such as KLM have cancelled flights amid concerns about a shortage of fuel.

Susannah Streeter, chief investment strategist at Wealth Club, said: “Consumers are bracing for an energy crunch, and there are fears that just like the credit crunch of 2007-2008, there could be a long tail of repercussions. In the immediate term, there’s the prospect of holiday plans being ruined by a jet fuel crisis which could see thousands of flights cancelled.

“Lufthansa has already scrapped a big chunk of routes, and there are worries tourist destinations could be hit.”

Raid is part of Moscow’s hardline social conservatism and clampdown on political life.

Russian police have raided the country’s top publishing house on suspicion that it has been disseminating “homosexual propaganda”, local media report.

Police reportedly seized thousands of books on Tuesday and took Yevgeny Kapiev, the chief executive of Eksmo, in for questioning. The raid appears to be part of Moscow’s pivot to hardline social conservatism with repressive laws running alongside a clampdown on political life and aggressive foreign policy.

Police targeted Kapiev as part of a “criminal case on extremism” over the publication of books “dealing with LGBT themes”, Eksmo communications director Yekaterina Kozhanova told the AFP news agency.

The firm’s finance director, head of distribution and deputy commercial director were also interrogated, Kozhanova said.

Eksmo is suspected of unofficially marketing books, including novels, that promote “gay propaganda” to Russian youth, the broadcaster Ren-TV reported.

An investigation into Eksmo was opened last year when authorities said “LGBT propaganda” had been “detected” in books published by its Popcorn Books subsidiary and they arrested several members of its staff.

Ultraconservative turn

Books showing approval of same-sex relations have been banned in Russia for more than 10 years.

The law has been tightened recently, requiring publishers to remove publications and destroy entire editions if they depict same-sex relationships.

The persecution of LGBTQ individuals, organisations and communities has intensified in the past decade or so as the Kremlin heralds “traditional values”. That drive has included a crackdown on films, books, art and culture, among other areas of social life.

Cultural producers have faced significant pressure even when they focus on giants of Russian culture. Biographies of Mikhail Bulgakov, author of The Master and Margarita, and the poet, actor and singer Vladimir Vysotsky have to be marked with warning labels because they are seen as promoting drug-taking.

The ultraconservative social turn has accelerated since Russia launched its full-scale invasion of Ukraine in February 2022.

In 2023, Russia’s Supreme Court ruled that LGBTQ activists should be designated as “extremists” and banned activities of the “international LGBTQ movement”.

Courts have issued fines and jail sentences to people displaying LGBTQ “symbols”, such as clothes, jewellery or posters featuring the rainbow flag.

Out of 49 European countries, the Rainbow Europe organisation ranked Russia third from bottom in terms of tolerance of LGBTQ people.