Imagine cutting the cost of accommodation on your next holiday to about £5 a day. You can have a whole house, rather than just a bedroom. And you can go almost anywhere in the world and stay as long as you like, within reason. Welcome to house swapping.
You’re sceptical, I know. I was, too. Our terrace house was too small. Too overflowing with stuff. The 1980s kitchen was too old (and battered). We aren’t in a nice enough neighbourhood. Who would want to stay here? Lots of people, it turned out.
Our first swap was with a pair of retired Australian judges who had lived in the UK decades before. They came to our house first and, over a cup of tea and cake in our living room, we talked about where to find a good pint and the best fish and chips locally, as well as mastering the idiosyncrasies of how to run our dishwasher. They told us about their favourite local parks (warned us about snakes) and when to put out the bins, before we headed for our month-long stay at their house in Perth. It’s these conversations and connections that really make house swapping special.
Yes, we have stayed in some truly extraordinary homes. There was a house in Florida where we watched rocket launches while lounging in the pool; a clapboard cottage with a hot tub in the Stockholm suburbs; and a swanky five-bedroom villa in the south of France that we shared with friends. We couldn’t have afforded any of these if it were not for house swapping. In fact, the swaps themselves are free, but I pay $235 (£177) a year to use Home Exchange, a house swap booking platform, which works out at about £5 a night for the 35 or so nights I used it last year.
Rory Boland and family on a house swap holiday in New York. Photograph: Rory Boland
The greatest pleasure, however, is in the genuine relationships forged. Through the messages exchanged before and during the swap, friendships are created. You become, however briefly, part of each other’s lives. We have swapped pets and cars, and watered plants along the way. For a week, we became passionately involved in helping pick a summer school for our Basque guests’ kids. Warm welcomes are universal. We’ve had olive oil from the garden grove of a house in Greece and marmalade from Seville. In return, guests at our house can expect to find sparkling wine from Kent, Essex jam and a pile of Cadbury chocolate bars to try – French guests are big fans of the Crunchie.
Even in challenging moments we found friendship, such as when our shower sprang a leak and rained all over the dining table. We had to arrange an emergency repair via video call with our Spanish guests, an Albanian plumber and a UK insurer, all while frantically looking for a reliable phone signal in the countryside. The babel of languages resulted in a tube of silicone being applied and both parties leaving five-star reviews.
I won’t go back to hotels. I have saved tens of thousands of pounds over the past five years, but what has really hooked me is the interactions with hosts and guests that make my holidays more fulfilling. It’s like having a friend everywhere you go.
Q&A – Everything you need to know
Will I be comfortable house swapping? If you’re precious about the things in your home or anxious about someone sleeping in your bed, a swap is not for you. Likewise, if spending the last day of your holiday cleaning is a deal-breaker.
How do I house swap? For some sites, you pay a flat annual membership fee (£100-£200) to use a booking platform with thousands of homes. I use Home Exchange because it verifies member identities and offers some guarantees such as damage, theft and cancellation protection. Kindred is a smaller and generally more expensive rival, focused on upmarket homes. Instead of locking you into membership, it charges variable service and cleaning fees.
How does it work? Classic swaps are simultaneous; you exchange houses on the same dates. But non-direct swaps are also allowed via a points system: you are awarded credits for stays at your house, which you can then spend to stay somewhere else.
What about scams and safety? Everyone on Home Exchange is a host and a guest, so there is a high degree of trust. Most swaps don’t involve money, so scams are rare. The only exception is a cleaning fee, payable when the stay is at an end. If you’re asked for money in advance, it’s a scam.
The Home Exchange website. Photograph: Home Exchange
How do I pick my accommodation? This is time-consuming. The website looks similar to Airbnb, where you filter by availability, destination and the type of property you want, but you need to match with a host, too. Hosts and guests both have ratings from previous stays, but some people still like to phone or video call before agreeing to an exchange. Then once the exchange is agreed, there are messages to organise the swap and answer questions such as how to use the cooker or where the bedding is. Many hosts prepare a house manual. Cancellations are rare but do happen, usually due to illness in our experience. The one time it happened to us, Home Exchange helped us find a new host in the same city, and it will pay for a hotel in a true last-minute emergency.
Do I need to own a luxury house? No. If you have a pool, hot tub or luxurious mansion, you will certainly get more offers, but flats and smaller houses near popular UK destinations (whether that’s Edinburgh, or the Dorset coast) do just as well. Most houses, like ours, are completely ordinary.
Do I need to put my stuff in storage? Clear a few drawers, perhaps a wardrobe, for guests, and that’s it. Most of the houses on Home Exchange are family homes.
What about cleaning? You do need to scrub that oven and clean that grout. Cleanliness expectations are high (and should be agreed upfront). We usually spend much of the last day of our holiday cleaning, and return to find our own house absolutely sparkling. Some hosts give you the option of paying a cleaner.
And DIY? One of the fringe benefits of house swapping is that it has made us look after our house a little better. Sticky door handles and dripping taps need to be dealt with.
What if I break something? We have broken small things, as have our guests; usually this is simply forgiven. Put more precious items away. For more expensive items, such as a TV or screen door, house swap platforms usually offer a level of cover, but you should make sure you have home insurance.
Will my home insurance cover my house swap? Ask. Some insurers offer no cover, others offer it for a certain number of exchanges, or you may need to buy a bolt-on. House swapping is still relatively unusual, so persevere to get a clear answer. Insurers that cover holiday lets, such as Pikl, are also useful.
Are there legal restrictions? Because no money is exchanged, house swapping is not restricted in the same way as Airbnb and similar services – except in Amsterdam, where only reciprocal swaps are allowed (so no paying with points). You do need to check visa rules if looking after someone’s pet – some countries (such as the US) may view this as providing a service and in breach of a visitor visa.
The framed photo of César Chávez and Dolores Huerta sits in my personal office on a bookshelf crammed with volumes about California and the American West.
The two are at a 1973 United Farm Workers convention, presiding over the union they co-founded. After years of victories in the name of campesinos, the group and its charismatic leaders seem ready for what’s next.
A UFW banner emblazoned with the group’s famous black Aztec eagle logo hangs in the center of the picture, making Chávez and Huerta look like equals.
But they’re not.
He’s speaking from a podium, looking down and appearing cast in darkness due to Chávez blue vest melding into his black hair and brown skin. She’s by his side clasping her hands, wearing a colorful blouse that pales in radiance to Huerta’s hopeful face as she looks at the crowd before them.
It’s the only picture of historical figures that I display at home, and it’s in a place where I’m guaranteed to look at it. It has long served as my secular version of a prayer card, a daily reminder to fight for the good in the world and a reminder that giants before me faced challenges far more daunting than mine. It was also a testament to teamwork — when I acquired the photo a few years ago, it called to me in a way a solo Chávez never would have because I always knew el movimento was more than just one man.
Their portrait can never mean just those things ever again after the New York Times reported last week Chávez sexually assaulted two teenage girls in the 1970s and Huerta in the 1960s.
Places left and right — colleges, cities, classrooms, even states that mark Chávez’s birthday as a holiday — are now deleting his name and image from the public sphere. It’s not going to be a quick, easy task even if the cancellation is starting to take place with startling speed: Chávez’s presence is as ubiquitous in Mexican American life as the Virgin of Guadalupe.
Just this weekend, a friend acknowledged that he and his wife had just started reading a book about him to their 5-year-old daughter, a book they now plan to trash.
I thought of doing the same to my photo of Chávez and Huerta. But I’ve decided not to.
I don’t fault folks for wanting to scrub any hint of Chávez from their daily lives and neither does the Cesar Chavez Foundation, the nonprofit headed by his descendants that recently announced in a statement, “We support and respect whatever decision[s]” may come in the weeks and months to come. Communities are entitled to decide whom they should and shouldn’t publicly honor.
But to eradicate Chávez’s civic presence so fast — to tear down his statues, relabel streets and parks named in his honor, paint over his image on old and new murals, to throw away artwork that has adorned homes and offices for decades — doesn’t remove the fact that millions largely saw him as a champion of the downtrodden until last week. It can’t rescind the positive influence Chávez had on generations of Latinos and non-Latinos who saw in him the hopes of a people and now must reconcile their memories with his horrible deeds.
Historians, educators, activists and politicians for far too long elevated Chávez above Huerta in the name of a simplistic narrative that should’ve never been constructed. The public at large bought into those efforts with little skepticism in the understandable desire to have Latinos star in the American story. It’s a culpability we should all interrogate, not immediately purge.
That’s why not only am I keeping up my photo of Chávez and Huerta, I’m going to put it in a more prominent place from where I can’t look away.
Workers for the city of San Fernando cover the statue at Cesar E. Chavez Memorial Park on Thursday.
(Kayla Bartkowski / Los Angeles Times)
It will serve as a memory of a tragic, tremendous moment in the history of Latinos in the United States, where we should be focusing our attention on a presidential administration that wants most of us gone but instead must deal with the fallout from the downfall of one of our own. It will challenge me anew to look past the big names of the past and highlight those whose stories aren’t nearly as known by the mainstream.
Seeing Huerta next to her abuser will forever remind me about how the now-95-year-old sacrificed her own mental health and safety in the name of something bigger than the two of them — a choice no one should ever have to make but one that she nevertheless did.
The photo will stand as the manifestation of the old newspaper adage that if your mom tells you she loves you, go check it out. No one should ever be above skepticism no matter how sanctified and righteous they may seem — that’s why the New York Times investigation crashed into the Chicano collective sense of self like a meteor. No one could’ve imagined that Chávez could’ve possibly done things so monstrous, but maybe we shouldn’t have built him up so much while he was alive and after his death in the first place.
My framed Chávez-Huerta memento will make me think of how the stories of sexual abuse survivors are still not heard enough or even believed. Even now, some Chávez defenders are casting doubt on the claims of Huerta and the three other women named in the New York Times story, questioning their motivations to come forward after decades of silence and decrying how their decision to do so has permanently tarnished the reputation of one the few nationally known Chicano heroes. In Huerta’s case, critics just don’t buy how someone who carried Chávez’s torch decades after his death could all of a sudden supposedly turn on him.
But as a Catholic who has long covered the Catholic Church sex abuse scandal, I know that every sexual assault survivor has their own journey of recovery. I also know that we must always seek the truth instead of living a lie.
And turning Chávez into a historical footnote is a lie. He long served as a moral exemplar; he should now serve as a cautionary tale known to all.
Erasing historic figures from the public sphere is an exercise in power going back to the pharaohs, a way rulers ensured future generations couldn’t learn about their enemies. The push to nix Chávez comes from the trend in recent years by progressive activists to remove monuments that hail problematic figures under the pretense that someone’s sins trump any good they might have done no matter how influential they were.
Again, all communities have that right to reexamine the past. But we can’t and shouldn’t disappear the full story of Chávez, as painful as it is. It’s the easy way out — and remedying wrongs is never easy.
If the photo in my book shelf was only of Chávez, I’d still keep it up. The good he did was really good — the bad he committed was as terrible as it gets.
By Neal Allen and Anne Lamott Avery: 208 pages, $27
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They’re so darn cute together, these two. Neal Allen, father of four, newspaper reporter turned corporate executive turned spiritual coach turned author of two spiritual guidebooks, stands a full head of hair taller than his dread-headed wife, who calls him her “current husband.” He calls her his “remarkable and beautiful partner” and himself “Mr. Anne Lamott.”
And no wonder. Author Anne Lamott has published 21 books, with worldwide sales in the millions. “Bird by Bird,” her 1994 writing handbook, which has sold more than 1 million copies and continues to sell approximately 40,000 copies each year, became a meme before there were memes. Thirty-two years later, the titular phrase has made appearances everywhere from “Ted Lasso” (Coach Beard: “I hate losing.” Coach Lasso: “Bird by bird, Coach.”) to a Gloria Steinem interview in Cosmopolitan (“Every writer, truth-seeker, parent, and activist I know is in love with one or more books by Anne Lamott”).
Ask a famous writer how they do what they do, and “Bird by Bird” will likely get honorable mention. Harlan Coben, whose 35 novels have sold roughly 90 million copies, calls “Bird by Bird” his “favorite writing manual.” “I use it like a coach’s halftime speech to get me fired up to write.”
In a 2007 interview, “Eat Pray Love” author Elizabeth Gilbert called herself Lamott’s “literary offspring.” Paula McLain, who wrote the 2011 blockbuster “The Paris Wife,” told me: “I return to ‘Bird by Bird’ again and again because Anne Lamott tells the truth about how hard this work is — and then somehow makes you laugh about it.”
I reached out to best-selling memoirist and novelist Dani Shapiro to ask if she had her own experience with the book. “A writer is always a beginner,” she said. “And there is no better companion than ‘Bird by Bird.’”
Lamott and Allen partnered to write “Good Writing.”
(Christie Hemm Klok / For The Times)
Lamott, 71, and Allen, 69, met in 2016 on the 50-plus dating site OurTime.com. Nine months later, they bought a woodsy Marin County home with room for Lamott’s son and grandson. Sam, when he was 1 year old, was the subject of his mom’s first bestseller, the 1993 memoir “Operating Instructions.” His son Jax was the subject, at age 1, of his grandmother’s 2012 memoir, “Some Assembly Required.”
“We were watching U.S. Open tennis one night and Neal said, ‘Can I ask you something?’” Lamott told me via email. “I barely looked away from the TV, and he asked me to marry him. I said, ‘Yes, if we can get a cat.’”
After a decade of marriage, Lamott and Allen have undertaken a professional collaboration whose outcome, like their union, is greater than the sum of its parts. “Good Writing: 36 Ways to Improve Your Sentences” is as sharply specific as “Bird by Bird” is wanderingly wonderful: as winning a companion piece as two winning companions could create. The table of contents is itself a mini-manual of writerly tips: “Use Strong Verbs.” “Sound Natural.” “Keep it Active.” “Stick with Said.” “Don’t Show Off.”
Lamott and Allen.
(Christie Hemm Klok / For The Times)
I spoke to the late-life lovebirds about their process of marital manuscript-making: the good, the not so good and the blackmailing.
Meredith Maran: How did writing “Bird by Bird” compare to co-authoring “Good Writing”?
Anne Lamott: “Bird by Bird” was literally everything I knew about writing, everything I had been teaching my students for years. It was definitely my book. “Good Writing” was definitely Neal’s book. I just foisted my attention on him and threatened to undermine the marriage if he did not let me contribute.
MM: Neal, what on earth convinced you that you could add something to one of the world’s most popular writing books —written by your wife, no less?
Neal Allen: Oh, I’m not adding anything to “Bird by Bird,” which is a complete classic. It’s everything you need to know about becoming a writer. “Good Writing” is about what comes next: a second draft. And while it’s not fair to call “Bird by Bird” a craft book — it’s much more — it’s fine to define “Good Writing” that way.
“Helping each other with our work is one of the richest aspects of our life as a married couple,” Lamott said.
(Christie Hemm Klok / For The Times)
MM: In producing this joint project, how did you two negotiate the differences between your writing styles and personalities?
AL: We didn’t need to negotiate. Neal somehow manages to be both elegant and welcoming, whereas I think I am more like the class den mother, with a plate of cupcakes, exhorting people not to give up, trying to convince them that they can only share their truth in their own voice, that their voice is plenty good, and that when they get stuck, as we all do, I know some tricks that will help them get back to work.
NA: I once asked AI to describe the difference between my writing and Annie’s. AI answered that I explain things to readers; Annie helps readers reach catharsis. I think that’s absolutely right.
MM: How did you come up with the book’s fab format, whereby each of you writes your own introduction, and then each chapter starts with Neal’s thoughts about one of the 36 rules and ends with Annie’s?
NA: Annie first asked if she could annotate what I had written. That scared the bejesus out of me. When she started writing her own essays in her own voice, I was quite relieved. One of the format’s surprising strengths is that Annie always gets the last word. I explain the rule; then she helps the reader find their way and resolve their issues with the rule. There’s a downside: I don’t get to respond when she tells the reader to ignore me.
“I’m not adding anything to ‘Bird by Bird,’” Allen said. “It’s everything you need to know about becoming a writer. ‘Good Writing’ is about what comes next: a second draft.”
(Christie Hemm Klok / For The Times)
MM: In your intro, Anne, you recall Neal telling you he was working on a writing book. “Well. Hmmmph,” you replied. “I had written a book on writing once …” How did professional jealousy, competitiveness, possessiveness, or, on the brighter side, tenderness, collaborative spirit and generosity play out as you wrote a writing book together?
AL: We have no competitiveness or jealousy when it comes to each other’s writing. We just want the other person to write the most beautiful work they can. We are each other’s first reader, and editor, and while of course I feel attacked if Neal suggests even the tiniest change to my deathless prose, I have come to understand that his suggested cuts and additions save me from myself. Helping each other with our work is one of the richest aspects of our life as a married couple.
NA: There’s no way around “Bird by Bird,” and I just have to deal with that. My worry was whether Annie really wanted to be associated with my little book. I’m envious of Annie’s brilliance, of course, but we speak the same writing language and we love it equally.
MM: What are each of you proudest of, “Good Writing”-wise?
AL: We just recorded the audio version, and I was surprised by how much practical help the book offers. Also, I love the tone, which is so conversational and sometimes, I hope, pretty funny.
NA: I had the opposite reaction to recording the audio version. I saw all the opportunities for readers to mock me. In the 18 months between writing a final draft and the book showing up in stores, we’ve both flipped from believing it reflects well on us to thinking it’s a disaster. Luckily, both of us haven’t ever thought it sucks at the same time.
MM: That is fortunate. Also, Neal, I’m not sure you answered my question.
NA: What am I proudest of? That the book exists. I carried around these rules for improving sentences for years. I think a lot of writers do a book because they notice it’s not out there, and why isn’t it? And then they shrug, ‘Well, I guess it’s up to me.’ That’s how I came into all three of my books.
AL: May I just add that I’m proud to introduce my seriously charming and breathtakingly wise husband to a wider audience.
Festival of Books
“Written by Hand: Lexicons, Storytelling, and Protecting Human Language in an Age of Artificial Everything” (featuring Anne Lamott and Neal Allen)
At the moment, most UK airlines won’t be affected because of hedging – essentially a fixed price for oil – which is keeping prices stable.
Depending on the length of time that the Iran conflict continues and if the Strait of Hormuz remains closed, there could be price hikes in the coming months.
This in turn will see airlines having to put up their fares for passengers.
Mr Jarvis said that he expects easyJet to be “good for three weeks.”
Meanwhile, Ryanair boss Michael O’Leary said that he doesn’t expect disruption as long as the ongoing conflict ends “in the next month or two.”
Unlike these airlines, US carriers aren’t hedged which has resulted in the rise in fare prices already.
Willie Walsh, director general of the International Air Transport Association (IAG) who owns British Airways, explained that fares across the North Atlantic are set to jump up.
Talking more on the issue, he said that due to the price increase of US airlines, “competitors at the other end will match the price increase. It’s the nature of the industry.”
Some airlines have already put the price of their fares up, or are preparing to.
AirAsia said it would temporarily raise ticket prices but said it would be revising fares at a later date.
Thai Airways said it expects tickets to go up by 10 – 15 per cent, while Qantas also said it would increase prices depending on the route.
And Scandinavian airline SAS has introduced a “temporary price adjustment”.
Air New Zealand has increased prices of its flights in response to rising fuel costs as well.
Domestic flights were going up by $10 (£4.37) one way, short haul by $20 (£8.74), and long haul $90 (£39.35).
Billy Porter says a poorly treated urinary infection nearly killed him.
On Wednesday, the 56-year-old Broadway icon appeared on “Today” to promote his new children’s book, “Songbird in the Light,” and discussed a recent health scare that’s given the actor a new outlook on life.
“I am on the road to complete recovery,” he said, tearing up. “It is a gift to be alive. It’s still emotional to talk about it.”
Last year, Porter crossed the pond and made his West End debut starring as the Emcee in the musical “Cabaret,” which ran Jan. 28 through May 24 at London’s Playhouse Theatre. The Tony-winning actor said he was having a ball and living his purpose, but then he got a urinary infection.
“The medicine in the U.K. is trash,” he told “Outlaws” podcast host TS Madison earlier this month. “Four rounds of antibiotics and 10 to 12 weeks later, it’s a kidney infection with kidney stones.”
Porter eventually thought the infection had cleared up and returned to New York, where last fall he was gearing up for a Broadway revival of the musical starring as the production’s first Black Emcee, but his history-making run was cut short.
“I go into rehearsals for ‘Cabaret’ on Broadway … and everything seems fine, and a month in, the kidney stone pain comes back,” he told Madison.
On a Tuesday in September, Porter checked himself into the hospital due to debilitating pain, and then the “Pose” star subsequently fell into a coma and woke up days later on a Saturday evening.
“They went in to do a routine check. They saw that the kidney stone was trapped in my urethra, and they went in to put a stent in, redirect the urine, blast me with real antibiotics — not U.K. antibiotics — and blow up the kidney stones. When they got in there, there was so much pus and bile and infection behind the stone, it bubbled up and I went uroseptic in minutes.”
“I was dead for three days,” Porter said.
Porter said he was placed on an ECMO (extracorporeal membrane oxygenation) machine, which, according to Mayo Clinic, pumps blood outside of the body to a heart-lung machine, removes carbon dioxide from the blood and sends oxygen-rich blood back to the body. It’s essentially a life-support system.
While Porter was in a coma, he said, one of his legs went into compartment syndrome, which happens when there’s too much pressure around your muscles, causing reduced blood and oxygen flow and possibly leading to necrosis. “They had to cut me open on either side of my leg while I was in a coma, from my knee to my hip, and leave it open for two days so they could save my leg,” he told Madison, visibly choked up over the ordeal.
Porter told “Today” that the experience was mind-altering yet also inspiring. “My work here on this earth is not done, and that gives me hope.”
His new children’s book, “Songbird in the Light,” which follows a young boy who grapples with bullying while learning to embrace his talent and love himself, hit bookshop shelves this week.
Shai Gilgeous-Alexander enjoyed another 40-point night as the Oklahoma City Thunder beat the Orlando Magic 113-108 to become the first NBA team to secure a play-off berth.
The 27-year-old Canadian went 14 from 27 from the field as he extended his record of most 20-point games in a row to 129.
Chet Holmgren added 20 points and 12 rebounds as the Western Conference leaders claimed a ninth straight win to improve to 54-15 for the season.
“We got off to a good start but then the car kind of came off the road for a little bit,” reigning NBA Most Valuable Player Gilgeous-Alexander said.
“But that’s what great teams do – they figure out a way to get the car back on the road, they figure out a way to go into a building and win a game when the chips are stacked against you, and we did that tonight.”
San Antonio Spurs remain second in the West after a comfortable 132-104 win over the Sacramento Kings, while the Minnesota Timberwolves beat the Phoenix Suns 116-104.
In the Eastern Conference, the Detroit Pistons handed the Washington Wizards a 13th straight loss to strengthen their position at the top.
But the 130-117 triumph was marred by an injury to star point guard Cade Cunningham, who had to leave the game in the first quarter with a back issue.
The New York Knicks stay third in the East after a thumping 136-110 win over the Indiana Pacers, a 14th consecutive loss leaving last year’s NBA Finals runners-up 15-54 this term.
There are few greater muses than one’s own childhood. In recent months, this idea has taken visual form across fashion runways, with brands from Chanel to Acne Studios showcasing childlike sketches, often referred to as ‘naive design’. The aesthetic favors deliberate roughness and mistakes over a sterile, polished sheen.
Book covers are the latest medium to embrace the trend. Scribbles, doodles, crayon marks and stickers — evoking Lisa Frank and anime cartoons — have begun appearing on prominent Gen Z contemporary fiction covers. The more childish and unrefined, the better.
The covers, which often accompany literary fiction written by women, signal a particular emotional register of naive, sticky chaos that youth promises. The visual language recalls a simpler time — a reclamation of an innocence lost. For millennials and Gen Z readers who worship collectibles like Labubus, friendship bracelets and butterfly hair clips, it’s natural that art direction would follow suit — sometimes with an ironic twist. Often, the design’s playfulness obscures the protagonist’s malaise.
The book cover trend, imbued with nostalgia for childhood, promises fiction that grapples with the pangs of adulthood in an age of precarity. In her Substack, cultural critic and novelist Natasha Stagg commented on the trend, noting, “Reverse-image searching these images turn up books on early childhood education, dealing with anxiety or migraines, or teaching a kid to color outside the lines as an artistic parent.” The book trend cover suggests collective angst about adulthood, highlighted by a cultural fixation on “girlhood” that sparked a spate of online think pieces in recent years.
It’s fitting, then, that the aesthetic has been adopted by Gen Z fiction writers like Honor Levy, whose paperback edition of “My First Book” includes girlish heart stickers on a hot pink background. The Y2K aesthetic elicits a young girl’s diary. Meanwhile, the 2025 novel “Unfit” by Ariana Harwicz, about a mother losing her children in a custody battle, uses erratic crayon scribbles on its cover. In the fall, McSweeney’s Quarterly Concern was contained in a binder with a Lisa Frank-style aquatic wonderland on the cover. This month, Cazzie David released a book of essays about early adulthood titled “Delusions: Of Grandeur, of Romance, of Process” with a cover resembling a child’s birthday cake.
(New Directions Publishing, Penguin Books)
Writer and culture critic Drew Zeiba noted the trend in his June 2025 Substack post. “I wonder if it represents a fed-up-ness with prior or concurrent trends in book design,” writes Zeiba over email. “A move away from the layered, the blobby, the clean — to something with more illusion of or allusion to an id.”
“Not for nothing, I assume adult coloring books sell better than literary fiction,” says Zeiba. “I’m struck by that in a way the crayon or marker drawing is provisional — there’s no final form to it.”
This January, novelist and Forever Magazine co-founder Madeline Cash released her highly anticipated debut novel, “Lost Lambs.” The story follows a family unraveling amid open marriages, conspiracy and emotional turmoil. Designed by Na Song, the cover features drooping blue crayon text and a small illustration of a girl.
The cover was heavily influenced by Henry Darger’s Vivian Girls. “I was attached to this Henry Darger painting when I was writing the book. I felt like that was a really accurate visual representation of little girls running away from utter chaos,” says Cash.
“The childish scribbling handwriting is also a red herring for some of the more serious and sinister themes in the book, “ says Cash.
“Having read Cash’s, I’m struck by the fact that the children in the book — and children are central to the book — are really insightful and transformative, and ‘lost lambs’ actually refers in the text to a specific group of adults,” adds Zeiba.
A similar artistic logic underpins Sophie Kemp’s breakout 2025 novel, “Paradise Logic,” which gained attention for its unsettling cover. The book cover is an existing painting by Brooklyn-based artist Naruki Kukita, selected by veteran art director Martha Kennedy with Kemp’s input. Kennedy had come across “Virtual Temptation in Eden” in a weekly art newsletter called “It’s Nice That.” The image invokes a children’s coloring book with darker undertones, blending various cartoon and drawing styles to depict Adam and Eve in paradise. A cartoon snake lurks behind them.
The design mirrors the memorable prose. “This novel showcased one of the most original voices I’ve ever read. I would describe it as a psychosexual fever dream,” says Kennedy. “I recall the editor calling it ‘the first true Gen Z novel.’”
Kemp recalls sending a lengthy email about the book cover inspiration. “I want something super maximalist. I want it to be a preexisting image. And I wanted to do something that is shocking or crazy,” says Kemp. Kennedy presented Kukita’s painting, and it was love at first sight for Kemp.
(New Directions Publishing, Simon & Schuster)
“Kukita’s combination of finely crafted painterly portraiture and flat graphic anime (often in very intense sexual combination) seemed like a perfect match for the tone of this novel,” says Martha Kennedy, who served as the art director at Simon & Schuster.
Then, enter Comic Sans typeface — a perfect dash of irony. “Let’s use a typeface that feels kind of wrong,” Kemp recalls prescribing. “I used Comic Sans for the first time in my 35-year career for the rest of the type. I felt that was some sort of weird pinnacle in itself,” Kennedy explains over email.
Kemp sees a thematic alignment between her and Cash’s book designs. “Mine and Madeline’s books are about naive female characters,” Kemp says. “It makes a lot of sense with the protagonist of my novel, who’s an extremely naive young woman, for the book cover to match that tone that I created.”
While working in marketing, Cash recalls another book cover trend she calls “book blob.” The blob was earth-toned and splashed bestselling covers for years. “With any kind of viral aesthetic: one of those books did well, so they engineered every cover to emulate that, because people were drawn to them,” says Cash. “It looks like all the content was the same and ubiquitous. It is a disservice to a lot of those books.”
“I really wanted it to stand out,” says Cash about her own cover.
Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.
Travelling with kids can be expensive, even if you stay within the UK, but changing your travel dates could potentially save you hundreds of pounds – according to Expedia some dates could be the key to nabbing bargains
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Here’s what you need to know ahead of the summer holidays(Image: Jacob Wackerhausen via Getty Images)
When you have kids, it feels like the days of cheap holidays are over, especially once they hit school age. Holidays can take a lot more planning and careful budgeting.
However, travel booking site Expedia has given parents a hand, putting together data that shows the cheapest exact dates to travel as a family, as well as the peak travel dates to avoid. Melanie Fish, spokesperson for Expedia Group Brands said: “Using the right dates to dodge peak travel times is a great money‑saving hack, especially when paired with booking everything you need for your trip on Expedia for a hassle‑free holiday.”
It also revealed some up and coming destinations for spring that are seeing a surge in searches, potentially making them popular places for a spring break. These include Conwy, Tenby, and the Cotswolds, all classic family holiday staycation spots.
As you may expect, late-March and early-April are expensive times to travel as parents try to get some time away for the Easter holidays. For domestic travel, the most expensive dates are between May 23 and 31, which is half-term in most schools across the UK. The most expensive dates for international travel were revealed as April 5 and May 23, again both coinciding with school holidays.
The busiest dates for staycations were found to be March 6 and 27, while for international travel, you can expect packed airports and ferry ports on April 2 and 3. If you’re someone who prefers to avoid the crowds and traffic, it’s best to rethink booking a departure on these dates.
When it comes to the cheapest dates, for domestic travel these fall on March 1 and 2, early in the spring, as it’s before the main tourist season kicks off in most staycation spots.
For international travel, the cheapest departure dates include March 2 and April 27. Unfortunately, these do fall outside of school holiday dates, but some parents may be tempted to book a break anyway. However, it’s worth making sure you research school holiday fines before you pull the kids out of school, as a family of four could rack up a £320 bill even for a first offence.
The quietest times to travel also fall outside of school holidays: April 28 and May 31. However, if your school has a later May half-term or inset days tacked onto the holiday, then going slightly later could cut the cost of a break later in the month. Choose flexible dates when searching for flights or holidays to see how much you could save by departing a few days later.
If you’re in a particularly strict area for school holiday fines, don’t worry, shifting your dates within the school holidays can also cut costs. For example, the cheapest dates to book in the six week summer holidays tend to be closer to the end of the holiday, as most people want to go away as soon as school finishes. By opting for a late-August rather than mid-July break you could save hundreds and still be back in time for school.
Have a story you want to share? Email us at webtravel@reachplc.com
“Beast Mode” started as a phrase people used to describe the running style of former NFL running back Marshawn Lynch.
“I think it was just my relentlessness and my no-back-down type of demeanor when it came to running the ball, like, ‘Boy, that boy a beast,’” Lynch said. “And it’s like, yeah, when I get the ball, that’s what type of mode I’m in — I’m in beast mode.”
Lynch played 12 seasons for the Buffalo Bills, Seattle Seahawks and Oakland Raiders, amassing 10,413 in 2,453 carries with 85 touchdowns. Somewhere along the way, he said, the phrase “Beast Mode” evolved into “this persona bigger than myself.”
“The way that I get approached by kids and fans, like the way that they approach me is almost as if I am like a character so to speak, and I don’t think that I was doing it justice because I’m like, ‘Well s—, I’m just only a man,” the Super Bowl XLVIII champion said.
“But I believe in their mind what they had made up as Beast Mode is this larger-than-life, kind of surreal individual.”
An early look at a page from the upcoming “Beast Mode 510” graphic novel, starring Marshawn Lynch as the title character. Text will be added closer to the Oct. 6 publishing date.
(Art by Denys Cowan / Courtesy of AWA)
Lynch is embracing that perception of himself … and Beast Mode is about to become a literal comic book hero.
On Friday, Arists Writers and Artisans announced the graphic novel “Beast Mode 510,” which is scheduled to be released Oct. 6. Written by NAACP Image Award-nominated author Sheldon Allen and illustrated by Eisner Hall of Fame artist Denys Cowan, the book was “inspired and guided by” Lynch and is a “deeply personal love letter” to his hometown Oakland, according to a news release from AWA.
“At its center is Beast Mode: the 510’s legendary fixer and freelance sleuth whose rough exterior hides a code of loyalty and willingness to deal with problems others won’t touch,” the release reads. “If you’ve got a problem the authorities won’t handle, Beast Mode will. No invoices. No contracts. Just results.”
AWA chief creative officer Axel Alonso said when he was approached by Lynch and his team about possibly working on a project together, the idea of turning Beast Mode into an almost superhuman crime fighter quickly came to mind.
“To use a football analogy, when Marshawn and his people came to me and said, ‘Can you do anything with this, Beast Mode?’ it was like they gave me the ball on the one-yard line and I had to just walk it in — and Pete Carroll wasn’t the coach, so I could just go right in,” Alonso said, referring to an infamous play at the end of Seattle’s loss to New England in Super Bowl XLIX.
“It was as easy as that. I was like, come on, ‘Beast Mode’? So automatically I talked with Marshawn and said, ‘What’s important to you?’”
Lynch’s input has been key every step of the way, Alonso said, with the five-time Pro Bowl selection getting final say on every aspect. Lynch said he appreciates having his voice heard and being able to put his stamp on the project.
“From the start, we just sat down and had a conversation about where it was that we wanted to go, what is the kind of feel, the look that we want, the kind of tone that we want to tell the story,” Lynch said.
Seahawks running back Marshawn Lynch #24 of the Seattle Seahawks runs for a 67-yard touchdown against the New Orleans Saints during an NFC wild-card playoff game Jan. 8, 2011, at Qwest Field.
(Jonathan Ferrey / Getty Images)
An early look at pages from the upcoming “Beast Mode 510” graphic novel starring Super Bowl champion Marshawn Lynch as an underground crime fighter.
(Art by Denys Cowan / Courtesy of AWA)
“I can’t draw or nothing like that, but any type of update or anything Axel will get over to me and, you know what I mean, yea or nay. And then when it comes to like how certain characters would look, certain names, individuals — I would say I’m involved, but I’m not stepping on their toes.”
For Lynch, one of the top priorities was to bring attention to all the unique aspects of his beloved city.
“We kinda have Oakland being a character of its own,” he said. “The personality of what Oakland stands for is something that I would really like to highlight ‘cause I feel that my city gets overlooked. And then the amount of individuals that we have coming out of area, it’s also an opportunity to show a nod to a lot of the Bay Area cultures and icons that we have.”
Even though the book is fiction, Lynch insisted on authenticity in the depictions of the city and the people who live there, including the way they look, act and speak.
“I think the biggest thing will probably be just the way that I speak in general,” Lynch said. “Mother— from where I’m from, we talk with a certain type of a tone, a type of swag.”
An early look at a page from the upcoming “Beast Mode 510” graphic novel. Marshawn Lynch says his character was inspired by the larger-than-life persona fans sometimes associate with him.
(Art by Denys Cowan / Courtesy of AWA.)
And, judging from Lynch’s signature way of talking, a lot of profanity.
None of Lynch’s ideas has been toned down.
“This is an R-rated book,” Alonso said.
“I want this s— to be turned up to the max,” Lynch added, “so if a mother— do pick this up to read, it’s gonna be like, ‘Oh, this some real s—.’ As well as entertaining, as well as insightful and impactful.”
Lynch is used to keeping people entertained, including as the co-host of the “Get Got Pod” with former Seahawks teammate Mike Robinson and as an actor with numerous roles in TV and film (including a breakout performancein 2023’s “Bottoms”).
He said he’s proud of how the project is turning out.
“When you see work and be like, ‘Damn that s— was nice’ and you start thinking about the thought process and how they got to those points, how they got to those things that drew you in, those things that give you that warm feeling,” Lynch said, “I’m feeling like I’m living that as this s— is going.
“Which is crazy as f— because I played in Super Bowls, I walked the red carpet of f—in’ premieres, and this one feels like, out of a lot of s—, this one is capturing that feeling for me. I’m a [Black man] — you know we don’t feel too much. But when we do, we be like, ‘Oh yeah, you know this s— is special.’”
“I sometimes feel like the mayor of Larchmont,” Rosenthal says over the phone as he greets diners who notice him at the counter. “When people come in and realize I’m involved, they’re always surprised to see me. It’s a bit like being at Disneyland and running into Goofy.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Rosenthal is probably best known for creating the popular TV show “Everybody Loves Raymond” and hosting Netflix’s “Somebody Feed Phil,” which is moving to YouTube in 2027, but he is more than just a famous foodie. He’s now touring the country for his live show, “An Evening With Phil Rosenthal,” and he recently published his second children’s book, “Just Try It! Someplace New!,” which he wrote with his daughter Lily. (They’ll sign books at Barnes & Noble at the Grove on March 14.)
“The book series started when my daughter called and said, ‘Kids love your show. Why don’t you do a kids’ book?’ “ he says, before adding with a laugh: “I told her, ‘Yes, if you’ll do it with me.’ That’s a dad trick to get more time with your daughter.”
Rosenthal believes stories about kids feeling nervous or afraid to try new things connect with both children and adults. “When you write a kids’ book, you realize that it is not just a kids’ book,” he says. “It’s really a book for everyone.”
Although he travels a lot, Rosenthal likes to spend Sundays close to home. He enjoys walking his dog Murray to Larchmont Village and hosting movie night with friends at his place in Hancock Park.
Here’s what his perfect Sunday in L.A. looks like, with lots of good food along the way, of course.
This interview has been lightly edited for length and clarity.
7:45 a.m.: Coffee with Murray and neighborhood friends
Every Sunday morning, I walk my dog Murray to Larchmont Village and stop at Go Get Em Tiger. It’s our daily ritual. Over time, we’ve built a great community there, and I always invite others to join us. We sit outside, talk and have become close friends. I usually post a photo of Murray on Instagram each day. He’s a rescue mutt, and I like to joke he’s part Pyrenees, part psychopath.
9 a.m.: Shop for produce at the Larchmont Village Farmers’ Market
After about an hour, I head across the street to the Larchmont Village Farmers’ Market, which is held on Wednesdays and Sundays. I usually pick up some fruit for the house. It’s a great community spot.
9:30 a.m.: Breakfast at Max and Helen’s
Next I walk down the street to Max and Helen’s, the diner my family opened. I’m about to order the L.E.O., which is Gingrass Smoked salmon lox, three eggs and onions. So if I sound like my mouth is full, you’ll know why.
One of my favorite things on the menu is the sourdough waffle Nancy [Silverton] created, topped with butter mixed with maple syrup. I also love the hot chocolate, and the tuna melt is a special, more romanticized version of the classic. If you eat there every day, it’s smart to pick something healthy, like I’m having today — high protein and no carbs.
11 am: Browse titles at a neighborhood bookstore
I love visiting Chevalier’s Books, the oldest independent bookstore in Los Angeles. I’ve been going there since I moved to Los Angeles from New York in 1989. It’s just two doors down from the diner and feels like our community bookstore.
Noon: Hit the gym
Afterwards, I walk home and fit in a workout. I have to exercise every day because I eat a lot. If I didn’t walk everywhere, I’d probably weigh 300 pounds. My gym is simple — just some weights and a bench — but it works for me. Since I travel often, I stick to a routine I can do anywhere.
1 p.m.: Enjoy a surprising meal at a Michelin-noted restaurant
If I weren’t hosting movie night, I’d love to stop by République. It’s an amazing place, maybe the best restaurant in L.A. Every menu is great. I usually eat just about anything there, and sometimes I ask them to surprise me. It’s an all-day restaurant and I’ve gone for breakfast, lunch and dinner. Their egg dishes are excellent, the burger is top-notch and the roasted chicken, which is cooked over an open fire in the kitchen, is superb. I often let the chef decide what to bring me, especially when I’m with a group. It’s fun to be surprised and try shareable dishes.
I also really enjoy Connie and Ted’s in West Hollywood, Michael Cimarusti’s casual spot. The seafood is just as good as it is at Providence, his fine dining place. Their fresh Maine lobster roll is excellent, and they have the best oysters in L.A. It’s pretty awesome. Check before you head over there, though, as I’ve heard it’s for lease.
3 p.m.: Go for a hike
I used to hike more before I started traveling so much, but I still enjoy it. After all, this is L.A. While other places deal with bad weather, we get to be outside. I love hiking in Runyon Canyon and Griffith Park. It’s great to make the most of the outdoors here.
6 p.m.: Movie night and Pizzeria Mozza at home
On Sundays, we host movie nights at home. We have a dedicated screening room, a wood-burning pizza oven in the kitchen and a chef from Pizzeria Mozza, who comes over to make pizza. The best part is that someone connected to the film often joins us. Sometimes we watch new movies, other times old favorites. Aaron Sorkin came for “The Social Network,” and when we screened “Tootsie,” Elaine May, Dustin Hoffman and Bill Murray joined us. We usually have about 25 to 30 people.
I really love my neighborhood and the people in it. One of the best things about traveling so much is that it makes you appreciate home even more.
A travel expert claims he has saved money by looking for flights at a specific time, and early risers could bag a bargain, but there are also other ways to cut the cost of your flight
Night owls could pay less for their flights(Image: MEN MEDIA)
A travel expert has claimed that the time you book a flight can be just as important as the day you choose to travel, and that setting your alarm at a very specific time could help you land the best deals.
Jamie Fraser, owner of Wild Packs, claims that the cheapest time to book flights is exactly 2:48am in what could be good news for night owls and insomniacs. He also claims that evening searches between 8pm and 2pm can also be around 5% cheaper than searching during peak morning hours.
Airlines will often raise prices when they see heavy demand for a destination, so if lots of other people are up at the same time looking for the same route and dates, this could potentially put prices up. Jamie says: “Most people search for flights first thing in the morning while they’re having coffee, but that’s exactly when everyone else is doing the same thing.
“When airline systems see that spike in demand, prices can rise quickly. It’s one of the easiest ways travellers overpay. The cheapest time to book is usually in the early hours of the morning, around 2:48 am, when far fewer people are searching, and airline pricing systems have reset overnight.”
He added: “If you’re not willing to set a 2 am alarm, the next best option is late evening. Booking between 8 pm and 10 pm can still save around 5% compared to that busy morning window.”
So does this hack work? In the early years of internet travel booking, airlines and other sites would update their fares manually overnight. This meant that savvy travellers could sometimes pick up middle of the night bargains. However, nowadays, it’s more complex because systems have evolved, so you may still need a bit of luck on your side.
You could also potentially save money by using Jamie’s other suggested hack, which is to set up price alerts rather than checking fares repeatedly. Jamie also reiterated the often given advice that travellers should be flexible with travel plans, looking out for different airlines, dates, or nearby airports.
If you use sites such as Skyscanner, you can often tick a ‘nearby airports’ box, as an airport a short drive away could end up being cheaper. If you’re flexible on destination, for example you simply want to go somewhere sunny with a beach, then choosing ‘everywhere’ as a destination will show you the cheapest options for your dates.
It’s also worth signing up for emails from specific airlines and looking out for deals such as flash sales or kids fly for free offers, which often have limited availability and need to be snapped up quickly.
Have a story you want to share? Email us at webtravel@reachplc.com
WASHINGTON — Jill Biden is breaking her silence about Joe Biden’s decision to abruptly end his 2024 presidential reelection bid under pressure from Democrats concerned about his age, health and viability against Republican Donald Trump in a rematch of their 2020 campaign.
A political spouse for nearly 50 years, Jill Biden said she has never publicly discussed her feelings about the three-week stretch when her husband ended his political career, instead saving her thoughts for the pages of her soon-to-be-released memoir.
Gallery Books, an imprint of Simon & Schuster, on Wednesday announced that her book, “View from the East Wing: A Memoir,” is scheduled to be published June 2.
Jill Biden told the Associated Press in a brief telephone interview that the book is a “reflection of my four years as first lady” and that writing it was somewhat healing.
“It was kind of cathartic for me to write it, and I wrote about all the, you know, sometimes painful — but other times, most of it really beautiful moments that Joe and I shared during his presidency,” she said.
Jill Biden declined on Tuesday to discuss any of those moments, good or bad — including watching her husband work his way to the decision to end his five-decade-long political career by dropping out of the 2024 presidential race.
In an announcement video shared on Instagram, she said she wants to “set the record straight.”
The last chapter of her husband’s political career
In April 2023, then-President Joe Biden was 80 and the oldest president in U.S. history when he announced he was running for a second term. His age and fitness to serve another four years — which would take him to age 86 — became a source of concern for the public. Some fellow Democrats began to pressure him to step aside after he turned in a disastrous debate performance against Trump in June 2024 in which he struggled, in a raspy voice, to land his debating points and often appeared to lose his train of thought. Aides blamed the poor performance on a cold.
Joe Biden at first insisted that he would stay in the race, but after a few weeks he withdrew from the campaign and endorsed Democrat Kamala Harris, his vice president. Harris became the party’s presidential nominee but lost to Trump in the November 2024 election.
Jill Biden said that, with the book, “I have put things in perspective,” presenting what she describes as a “more balanced view” of her husband’s time as president.
The memoir is also a tribute of the sorts to women who, like herself, juggle multiple roles.
“It’s also a story about my being able to balance life, you know, as a working woman and as a mother, a grandmother, a first lady,” she said.
During her four years in the role, Jill Biden, 74, made history as the first first lady to continue the career she had before entering the White House. She had taught English and writing for decades at the community college level, and she continued teaching twice a week at a Northern Virginia school while serving as first lady.
Joe Biden ‘doing well’ after his cancer diagnosis
The former president’s office announced in May 2025 that he was diagnosed with an aggressive form of prostate cancer and that it had spread to his bones. He’s receiving treatment.
Jill Biden said it was “quite a shock getting the diagnosis” for her husband, who’s now 83.
“The fact that it is in his bones means that he will have cancer, you know, all his lifetime,” Jill Biden said. She said the doctors say he will “live out his natural life.”
“Like most retired couples, he’ll probably drive me crazy till the end of it,” she joked.
She said he visits Washington at least once a week for meetings or to give speeches.
A unique period in American history
The former first lady also writes in the book about serving during a unique period in U.S. history, including the COVID-19 pandemic and the aftermath of the insurrection at the Capitol on Jan. 6, 2021, according to the publisher.
Her husband was sworn into office on the steps of the Capitol on Jan. 20, 2021, just two weeks after a mob of Trump supporters, spurred by his false claims that the Republican lost because of election fraud, stormed the building in a violent attempt to keep lawmakers from certifying Joe Biden’s victory.
Joe Biden’s first year in office was dominated by the federal response to the pandemic and, while he mostly stayed at the White House, Jill Biden wore face mask and traveled around the country to encourage people to get their vaccinations. She also continued her advocacy on behalf of military families, education and community colleges, cancer prevention and women’s health initiatives.
Before she became first lady, Jill Biden was second lady of the United States from 2009 to 2017, when her husband was Barack Obama’s vice president. She currently chairs the Milken Institute’s Women’s Health Network.
Jill Biden is also the author of “Where the Light Enters,” published in 2019, in which she writes about meeting Joe Biden, then a U.S. senator from Delaware, and marrying and building a life with him. She also has written three children’s books.
BRITISH holidaymakers have been caught up in the Iran crisis, with thousands stranded abroad and even more fearing for their upcoming trips.
But if you haven’t booked your holiday yet, should you be doing it now to avoid any price hikes?
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Your holiday to Spain and Greece is likely to cost more this summerCredit: AlamyAirlines are already hiking flight fare prices, and this is likely to continueCredit: Alamy
In response, airlines such as Qantas, Scandinavia’s SAS and Air New Zealand have all raised flight prices already.
Some airlines such as Ryanair, easyJet, British Airways and Virgin Atlantic, are less affected as they have secured some of their fuel at fixed prices for a set amount of time – called hedging.
Ryanair boss Michael O’Leary said the rise in jet fuel “won’t affect our costs and it won’t affect our low fares,” something easyJet also echoed.
But flights elsewhere are likely to go up in the next year or so, as the conflict continues.
Most airlines in America do not protect themselves against jet fuel price increases, meaning Brits are likely to see more expensive transatlantic fares.
According to research from Skift this could cost US airlines as much as $24billion in extra fuel costs – working out to 11 per cent increases on flights.
Not only that, but the closure of the Strait of Hormuz – one of the world’s most important shipping routes – is also having a knock-on affect and could lead to shortages.
James Noel-Beswick, head of commodities at market intelligence firm Sparta Commodities, told the BBC that it was very likely” that prices will increase this summer.
He added: “I think we’re weeks away from maybe flight cancellations or delays due to lack of jet fuel, rather than months.”
So, what can Brit holidaymakers do?
Qantas has already said they are raising pricesCredit: EPA
If you were planning on booking a package holiday, many tour operators allow you to lock in a cheap price, and simply pay a deposit, with the full balance coming later.
Jet2 allows you to book a holiday with a £60pp deposit while TUI has a number of £0 deposit schemes.
Loveholidays has deposits from £19pp, as well as a “Best Price Promise” that refunds the difference if your holiday is cheaper within seven days of booking, plus an extra £5 per person.
Destinations like Spain – already one of the most popular holiday destinations for Brits – are likely to see even more demand this year along with Greece due to being seen as ‘safer’ holiday destinations.
This means you might see a jump in price more than usual as well.
Dubai is still on the “only essential travel” list so holidays to the UAE city are currently suspended, along with Jordan also on the travel ban list.
Even destinations like Egypt and Turkey are being affected, with a number of Sun readers concerned about holidays to both.
The Sun’s Head of Travel on which holiday destinations to go to instead this year
The Sun’s Head of Travel Lisa Minot, explains: “There’s no doubt the current crisis in the Middle East is going to have a seismic impact on our holiday habits.
“Reports of travellers stranded in the UAE and across the globe will certainly prompt those looking to travel long haul to look at alternative ways to fly – with direct flights to places like Thailand, the Maldives and Japan sure to be very popular.
“Closer to home, the situation will sadly likely impact destinations like Turkey, Egypt, Cyprus and possibly even Greece.
“And with soaring fuel costs, tour operators will be looking to price alternative destinations competitively.
“But there are other options – our traditional resorts in places like Spain and Portugal are good, safe bets.
“Comparison giant TravelSupermarket has crunched the numbers for this summer and declared Spain’s Costa Calida one of the best-value destinations for this summer.
“Dubbed the ‘warm coast’, this region stretching along the south eastern region of Murcia is one of Spain’s most underrated coastlines with 150miles of beaches, crystal clear waters and the unique Mar Menor lagoon, Europe’s largest saltwater lake.
“Also worth exploring arethe likes of Montenegro, Albania and even North Macedonia for cheaper hotel and restaurant costs as well as traditional favourite Bulgaria.
Long haul holiday destinations are likely to see a spike in prices too, as Brits try to avoid booking connecting flights that go via Dubai, Doha and Abu Dhabi.
Some popular countries include Thailand, Vietnam, the Maldives and Bali, all of which usually fly via the Middle East.
There are alternative stopover destinations, usually via Turkey, Singapore or Hong Kong – but the soaring demand is likely to see these cost more this year too.
And with longer flight times? More jet fuel, so even more costs being passed on.
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Palm Beach Hotel, Kos
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Sylvia, Crete
TUI offer a 7-night stay with breakfast from 30 July including return flights from Cardiff from £772.80pp. This offer includes one free child’s place.
Dedalos Beach Hotel, Crete
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Trianta Hotel Apartments, Rhodes
TUI offer a 7-night self-catering stay from 2 August including return flights from Glasgow from £638pp. This offer includes one free child’s place.
Spain
Inter2, Salou
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Medplaya Hotel Monterrey, Girona
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Tabaiba, Costa Teguise, Lanzarote
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El Churra, Murcia
Jet2 Holidays offer a 5-night stay with breakfast from 24 May including return flights from Edinburgh from £548pp.
Poseidon La Manga Hotel & Spa, Murcia
Booking.com offer a 5-night half-board stay from 8 June from £231pp, flights not included.
There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.
Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.
That’s there, says Smith, but there are also a number of more subtle inspirations.
The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.
Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.
(Gary Coronado / For The Times)
Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”
Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.
Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.
(Nikkolas Smith)
His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.
“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.
“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”
Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.
Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.
(Gary Coronado / For The Times)
As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.
The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”
Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.
The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.
(Gary Coronado / For The Times)
“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”
And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.
“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”
It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.
Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.
(Gary Coronado / For The Times)
Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.
“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”
Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.
A selection from “The Artivist,” an illustrated book from Nikkolas Smith.
(Nikkolas Smith)
“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”
The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.
“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”
It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.
