America

NEW YORK — Former President Biden will publish a memoir, “Promise Me, America,” which he says will touch upon everything from the economy to his decision to drop his bid for reelection.

The memoir is scheduled to come out Nov. 17, publisher Little, Brown and Company told The Associated Press. The timing of the book — two weeks after midterm elections in which Democrats seek to regain control of Congress — could raise concerns within Biden’s party by putting him back into the spotlight.

Democrats remain divided on Biden’s legacy, with many blaming his ill-fated determination to seek a second term for Republican President Trump’s return to the White House. Leaders hope to keep the fall campaign focused on Trump and his record, and any leaks or promotional efforts before votes are cast could draw frustration.

“‘Promise Me, America’ is about the challenges we faced as a nation. It’s about the decisions I made and why I made them,” Biden said in a video statement accompanying Wednesday’s announcement. “It’s about why I chose to run for reelection and why I chose to step aside.”

Reports of Biden’s book have circulated for more than a year, and the former president himself has referred to it during public remarks, appearing to suggest it would be released before November’s election.

Biden, who will turn 84 three days after the publication of “Promise Me, America,” has long presented himself as an upholder of standards and traditions; presidential memoirs are one of them. With a handful of exceptions, modern presidents since Harry Truman in the 1950s have published books about their White House years. Little, Brown declined to release financial details for ”Promise Me, America,” although presidents have usually reached deals worth at least seven figures.

The book’s title echoes a 2017 memoir by Biden, “Promise Me, Dad,” which centered on the death of his son, Beau Biden.

Vowing as a candidate to “restore the soul” of his country, Biden was sworn into office in the midst of the COVID-19 pandemic and in the aftermath of the Jan. 6, 2021, attack on the U.S. Capitol by Trump supporters seeking to stop his certification as president. Biden’s term was defined by a wide range of conflicts and achievements, from his handling of wars in Ukraine and the Middle East to the passage of ambitious infrastructure and economic aid bills. But many readers will likely want to know more about his health while president, including the disastrous debate in June 2024 against Trump that led to his giving up his reelection bid. Then-Vice President Kamala Harris, who ran instead, lost decisively to Trump.

Former first lady Jill Biden wrote in her own book that her husband seemed so weak and disoriented during the debate that she feared he was having a stroke. In “View from the East Wing,” published in June, she noted that the White House had initially said he was suffering from a cold.

“The biggest lesson for us, I think, was that if you don’t explain something well enough then the question won’t go away,” she wrote. “There was never a satisfying enough explanation offered for Joe’s debate performance, and a lot of people never got over it.”

Biden was the oldest man to serve as president and his health was a source of speculation for much of his term; Biden and his White House advisers have faced intense criticism from Democrats and Republicans for allegedly concealing the extent of his problems. A notable book release from 2025, Jake Tapper’s and Alex Thompson’s “Original Sin,” was subtitled “President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again.”

That year, Biden announced he had been diagnosed with prostate cancer.

Biden’s previous books also include “Promises to Keep,” a campaign work published to boost his run for president in 2008, when Barack Obama was the eventual nominee and Biden his running mate. ”Promise Me, America” comes out during a year when nonfiction sales have declined and few political books have caught on, although recent bestsellers have included Vice President JD Vance’s “Communion” and an inside account of Trump’s second term, by New York Times reporters Maggie Haberman and Jonathan Swan, “Regime Change.”

A Little, Brown spokesperson said that Biden plans to tour on behalf of the book and give interviews. In his video announcement, Biden said that many people had been asking him how he was doing.

“I’ve been spending a lot of time with my family. I’m dealing with a cancer diagnosis, been getting treatment, and it’s going really well,” he said. “I want to thank all those who have offered their prayers and support and well-wishes. It’s meant the world to me and to Jill.”

Italie writes for the Associated Press.

The Writers Guild of America sued Paramount on Tuesday, alleging that the company’s planned $111-billion acquisition of Warner Bros. Discovery violates federal antitrust law.
The union said that with fewer competitors, the merged Paramount-Warner Bros. Discovery business would be able to lower costs by reducing writers’ wages and work.

“Writers will be paid less and have fewer employment opportunities,” the WGA said in its lawsuit.

The move comes a day after California Atty. Gen. Rob Bonta led a coalition of 12 Democratic state attorneys general who filed a federal lawsuit to block Paramount Skydance’s $111-billion merger with Warner Bros. Discovery.

Bonta has separately asked a judge in San Francisco for a temporary restraining order to hold up the deal while his case is pending in court.

“We feel we have a very strong case,” Bonta said Tuesday during a town hall meeting. “This proposed merger will raise prices. It will lower quality. It will reduce output. It will hurt the American people, and it’ll hurt the the economy and competition.”

The writers guild’s missive creates a second line of attack against tech scion David Ellison’s industry-reshaping deal.

Ellison’s proposed merger has been moving closer to the finish line after securing approvals from the U.S. Justice Department and numerous other foreign governments. President Trump, an ally of Ellison’s billionaire father Larry Ellison, favors the deal.

David Ellison wants to close the deal by September to avoid a higher payout to Warner Bros. Discovery shareholders.

A Paramount spokeswoman said the company is reviewing the lawsuit.

The proposed merger has sparked fears in Hollywood that it would bring thousands of job losses — similar to past consolidations, including Walt Disney Co.’s 2019 takeover of Fox entertainment properties.

“The Writers Guild of America will not stand idly by as Paramount attempts to violate our country’s antitrust laws and deepen the contraction entertainment workers already feel,” said Writers Guild of America East President Tom Fontana in a statement. “This proposed combined entity would be the largest employer of writers, with tremendous power to suppress our wages, eliminate opportunities for emerging writers, cut jobs across the industry, and produce less programming, affecting the range of storytelling. This merger is not inevitable and we are fighting to stop it.”

US President Donald Trump welcomed Iraqi Prime Minister Ali al-Zaidi to the White House. Trump praised the ‘tremendous chemistry’ between him and the PM and said the countries will be announcing a new ‘massive’ oil partnership.

They came for the soccer.

We gave them Americana.

Their tickets entitled them to World Cup games.

We threw in an education in United States history, geography, and the economics of the $20 baseball cap.

They expected an athletic tournament.

We staged a county fair, featuring nine exhibits stretched across 3,000 miles, with people and surroundings as varied as our twangs.

Visitors to the Boston venue will remember the success of the Soccer Train, a commuter rail and site of opposing pep rallies on the 50-minute trip to Foxboro Stadium.

Classic stories from the Los Angeles Times’ 143-year archive

Imagine that, longtime Bostonians said. A culture clash where nobody gets hurt.

Visitors to the Dallas venue will remember our failures: the blight around the aging Cotton Bowl, the empty seats inside, the construction-hampered traffic flow that turned game days into nightmares.

For nearly a month, in nine locations, the world has applauded our wonders, cringed at our bruises, and, in some places, even felt our embrace.

So how did we do?

Sometimes, we shined. Other times, we stumbled.

Sometimes we yelled too much, pushed too much. When the rest of the world was rushing joyfully out of a subway or dancing through an alley, often we put up our dukes and played the frightened bullies.

But we also smiled a lot, and listened a lot, and sometimes accepted that which we did not understand.

Like those hourlong postgame fan celebrations that forced stadium police to work overtime. We eventually realized something could not be so bad if it made so many people so happy.

We hollered and hugged, we were impatient and helpful. In other words, we were ourselves.

Sometimes we thrilled. But other times, we disappointed.

Visitors to the New York venue will remember what Dublin sales representative Gerry Taylor remembers.

Nothing.

Taylor learned on the first weekend that despite slick World Cup advertisements, New York was not New York.

Just as Boston was not Boston, but Foxboro. And Detroit was not Detroit, but Pontiac. And Los Angeles was Pasadena.

And New York was actually a smelly, industrial area in northern New Jersey.

Taylor left his Manhattan room early one Saturday morning, four hours before the opener between Italy and Ireland.

He wrapped himself in an Irish flag and planned on a making a pregame stop in a pub next door to Giants Stadium.

“Do this all the time in Dublin,” he said. “Pop a few Guinness at the pub, talk to other fans, get ready for the game.”

But upon arriving in East Rutherford, N.J., he realized the only thing he could drink next door to the stadium was toxic waste.

There wasn’t a pub in sight. Or a store. Or a house. Or even a street that wasn’t an expressway.

He spent the next three hours sitting with two friends on a curb, cursing his introduction to sports in America.

“Are all stadiums like this, away from cities, in the middle of nothing?” he asked. “Seems to me it must be hard to have good sports in places like this, isn’t it? We are let down.”

The only thing we can assure him, and others as disillusioned as Taylor, is it wasn’t because we didn’t try.

Rating the 1994 World Cup venues, best and worst of show:

Chicago

BEST: We knew this would be a great spot from the moment we first bit into something called “the Belly Buster,” sold at a hot dog stand near Soldier Field.

Ingredients: Polish beef dog, relish, ketchup, mustard, onions and jalapeno peppers. It lived up to its billing. Trust us.

And so did everything else.

Soldier Field is the perfect location for an international event, being just a short cab ride from one of America’s great downtowns.

Michigan Avenue has been buzzing for a month, what with German tourists in Bermuda shorts buying black patent leather shoes to accompany their white socks. At night, horse-drawn carriages fought with taxis for street space in some of the best action since Ben Hur.

Bolivian Marco Etcheverry tackles German captain Lothar Matthaeus from behind in Chicago, Ill. (AP Photo/Santiago Lyon)

(Santiago Lyon / Ap)

WORST: The only people who didn’t enjoy themselves here were the Greeks, both the national soccer players and the large Chicago-area community that gathered to watch them one Sunday morning against Bulgaria.

Greece lost that game, 4-0. In the process, the teams drove Greek fans so crazy they started seeing things.

At one point during the game, a Greek tossed a smoke bomb on the field, later claiming it was tradition to do so after his team scored.

His team is back in Athens, and it still hasn’t scored.

IMPRESSIONS: The World Cup’s kind of town, Chicago is. Not only were the streets brimming with international flavor, the shuttle system to Soldier Field was so efficient that cabbies complained about not getting enough chances to rip people off.

Now that’s a venue.

YOU HAD TO BE HERE: During a bachelor party held on the 36th floor of a prominent local hotel, somebody poured beer down the elevator shaft. By morning, the ale had dripped to ground floor and short-circuited the electrical system.

Many hotel guests–some checking out with reams of World Cup-related luggage–were forced to carry everything down 20 flights of stairs.

Once at the bottom, they had to tip valet-parking drivers for walking 10 steps to pick up their cars.

Boston

BEST: We marveled not at a city’s effect upon a World Cup, but vice versa.

“What has happened to a town divided along ethnic lines has been remarkable,” said E.J. Kahn of the Boston Host Committee.

By order of Mayor Tom Menino, the historic City Hall area was turned over to foreigners of every imaginable color and tongue.

Old-timers who never thought they would see an African soccer team playing at the home of the New England Patriots also never thought they would see people dancing on their cobblestone streets in tribal costumes.

Police were particularly worried the night after Argentina had defeated Greece in a first-round game. While the Greeks partied in front of City Hall, the Argentines celebrated eight blocks away in Copley Square.

The fiestas drew closer and closer until five Argentine fans wearing blue-and-white uniform shorts stood directly behind a dozen Greeks dancing in a circle.

Just as security guards prepared to move in, the circle slowly opened, and the Greeks motioned for the Argentines to join them. The Argentines did.

The hardened city sighed.

WORST: Many fans apparently didn’t realize that the game would be played about 45 minutes south of Boston in the desolate suburb of Foxboro.

And nobody knew that once they arrived at the stadium, in a forested area where parking availability seemed unlimited, parking spaces would cost $20 each.

Visitors got even with the World Cup Organizing Committee, though, by leaving their hotels in Boston and staying closer to the stadium in places such as Providence, R.I.

Our smallest state as a World Cup host? Not quite what organizers had in mind.

IMPRESSIONS: The Northeast may have tried harder than any other area, and it showed.

The normally reserved Bostonians, ranked 28th out of 36 U.S. city residents in a recent survey rating kindness to strangers, discovered warmth and tolerance.

When dozens of Irish tourists were swindled out of tickets, Bostonians found them more. When foreigners didn’t understand those distinct accents, Bostonians spoke more slowly.

YOU HAD TO BE HERE: For an hour after Argentina’s victory over Greece, more than a hundred Argentine fans remained at Foxboro Stadium, dancing and singing.

Police politely asked them to leave their seats, but the group only moved as far as the lower concourse. Thirty minutes later, police finally escorted them down the concourse and out the front gates, where they continued to party.

Was the game that exciting? Well, yes and no. With this stadium being 20 miles from the nearest decent-sized city, they had nowhere else to go.

Dallas

BEST: From the World Cup volunteers to city cab drivers, we appreciated the people. Amid bleak surroundings and uncomfortable temperatures, they provided the venue with some badly needed touches of humanity.

One hero was Laura Addington, a schoolteacher from Louisiana. She served as an interpreter for everyone. Well, at least everyone who spoke English, French, Spanish, Italian, German or Arabic.

Other stars were the African taxi drivers. They knew the roads, and they knew soccer, which is the only reason we were able to find Maradona during rush hour.

WORST: Some nights were almost cool enough to hold a sporting event. Yet most of the games were held in the blazing afternoon or early evening sun to accommodate European television.

Those brave enough to attend games suffered through stifling heat. Don’t buy those happy expressions you saw on ESPN. It was torture.

IMPRESSIONS: Dallas is a Cowboy town. And not the Germans, Argentines or any of the soccer fanatics who came through here changed that.

With poor attendance and a distinct lack of any electricity other than that generated by the Cowboys’ new set of uniforms, this proves there are about a thousand better places in this country to hold an international event.

Not that Dallas is a bad place–it’s merely the wrong place.

We have learned that events such as the World Cup require diversity of thought and appreciation of differences. Dallas is just too danged American for any of that.

What Dallas’ failure here portends for the 1996 Olympics in another southern town called Atlanta, well, that’s for another story.

YOU HAD TO BE HERE: By some estimates, the World Cup games here were outdrawn even by the demolition of the Cotton Exchange building downtown one Saturday morning. But at least at the soccer games, nobody was treated for smoke inhalation.

New York-New Jersey

BEST: With the melting pot of New York City nearby, this was the only truly international venue.

The stadium rocked with the sounds, colors and even smells of those countries competing.

Except for its location in New Jersey, Giants Stadium was also the perfect World Cup facility, with a beautiful field and gleaming facilities that had foreigners gawking.

WORST: The only Cup fever to hit New York City involved the Stanley Cup.

Maybe it was because of the Rangers. Or Knicks. Or Gay Games. It certainly wasn’t the Yankees, whose attendance was routinely tripled by the World Cup games.

Maybe it was because every day in New York City feels like an international festival. Or maybe it was because New York City simply didn’t have the time.

Whatever, the city that doesn’t sleep also didn’t care. It was interesting to drive to the stadium listening to New York City sports-talk radio hosts rip soccer, then arrive to discover mile-long lines at the front gates.

New Jersey license plates, all of them.

IMPRESSIONS: Organizers could save tourists and taxi fare by dropping all pretenses that the game is being played in New York City.

The success of this venue proves it is time to start celebrating the ethnic charms and splendid facilities of northern New Jersey . . . and leave New York to worry about the Mets.

YOU HAD TO BE HERE: The location for the World Cup host committee in this country’s largest city? New Brunswick, N.J., 90 minutes from Manhattan.

The location of these New Jersey-played games as listed on commemorative postal stamps? New York.

Detroit

BEST: Do not underestimate the accomplishment of organizers who ran the Detroit venue by avoiding all traces of Detroit.

Games were staged an hour’s drive north in the suburb of Pontiac, a bedroom community dominated by large front lawns and strip malls. If Detroit street gangs possess missiles that can fly that far, we didn’t see them.

The venue MVP (Most Valuable Professor) was Trey Rogers, the god of sod. The assistant prof of turf-grass science at Michigan State actually made grass grow inside the Silverdome.

After three years of experiments, at a cost of $2.4 million, the indoor stuff held up admirably and was hailed by all but the most serious allergy sufferers.

The crowd cheers at the Pontiac, Mich., Silverdome as the United States and Switzerland play. (AP Photo/Bill Waugh)

(Bill Waugh/AP)

WORST: Much like East Rutherford and Foxboro, there was no there there. The venue lacked big-city energy and a pulse.

The streets emptied at 10 p.m. After night games, if you hadn’t paid someone to hold a spot in line at Herschel’s Deli, the happening spot was a Taco Bell drive-through.

Of course, after a game in the non-air-conditioned Silverdome, all anybody wanted to do was lie down in a nice comfortable meat locker.

IMPRESSIONS: Smiling faces, helpful people, but mostly sweat. Three-alarm, two-shirt sweat.

YOU HAD TO BE HERE: After the June 24 game between Brazil and Sweden, a thunderstorm passed directly over the media tent as hundreds of journalists were filing their stories. The thunder was deafening and the tent shook as if it were going to break.

Lightning threatened to knock out the power. The lights flickered, World Cup officials implored reporters to save their files or risk losing them.

This scene was repeated at media and hospitality tents in most of the venues. But aside from the Mexican team, nothing in the tournament has collapsed.

Washington

BEST: We never thought we’d say this, but we liked the subways.

The blue line, which stopped three blocks from RFK stadium, was a shoulder-to-shoulder mass of international passion.

The Dutch fans made their mark by pounding on the ceilings. The Swiss, by chanting through the underground terminals.

The Mexicans demonstrated their presence with songs, singing loud even though they could barely breathe while crushed in overloaded cars during the final 10 minutes of the trip.

It was all underground, but it was true democracy, rare even for our nation’s capital.

WORST: Everything was wonderful until you actually walked inside RFK.

The stadium is falling apart. The Mexican fans literally caused it to rock with their constant bouncing during Mexico’s emotional tie with Italy.

The stadium security officials were surly and overbearing. Maybe it was those horrible purple berets that made them so mad.

The stadium media-tent volunteers, mostly of college age, were the worst. This would be of no interest to the public, except many worldwide impressions of this country are created by foreign journalists.

And those foreign journalists were treated horribly. Little attempt was made to understand or deal with them.

Tickets were refused with no explanation given. Attempts to talk with media coordinators were denied. Questions about the facility were greeted with shrugs.

Translators working player interviews refused to even offer translated quotes until they had been typed and apparently approved by supervisors, which often took two or three hours.

When one Middle Eastern journalist complained about discrimination, one college girl working as a volunteer laughed in his face and replied, “I don’t think so.”

IMPRESSIONS: Sports organizers beware. Any further events staged here should not involve any local volunteers or officials from this World Cup.

This is a wonderful city, and as our capital, it should be the one of the first places promoters go for big events. But now we wonder if haughty attitudes and low-rent facilities haven’t kept the big games away.

The pre-game show at RFK Stadium prior to the Norway v Mexico group stage match of 1994 FIFA World Cup. (Photo by David Caban/Archive Photos/Getty Images)

(David Caban/David Caban)

YOU HAD TO BE HERE: A local activist hung a “Save Bosnia” sign in the stands during the opening game here between Mexico and Norway. It was taken down by local officials. He sued for the right to display it. He won.

Not that the guy wanted to rub it in, but visible the next game were two “Save Bosnia” signs.

San Fransisco-Palo Alto

BEST: We love Los Gatos. This mountain town of 28,000 near San Jose has adopted–and been adopted by–the Brazilians.

After Brazil’s games at Stanford Stadium in Palo Alto, Los Gatos became Little Rio, complete with samba music, incessant drumbeats and conga lines through Town Plaza Park.

“This is very exciting,” local resident Judy VanKampen said. “It is totally different than what you normally see in Los Gatos, which is people walking down the street with dogs and strollers.”

Even though crowds were lively, they were orderly. Some of the women might have strained the city’s public decency codes with their skimpy bikinis, but city officials, to their credit, looked the other way.

Sure they did.

Brazilian forward Romario beats United States defender Alexi Lalas at Stanford Stadium, July 4, 1994 in Stanford, Calif. (AP Photo/Thomas Kienzle)

(Thomas Kienzle / Associated Press)

WORST: The whining of Palo Alto politicians because World Cup organizers identified the venue as San Francisco.

But unless we are missing something, nobody has written a song called, “I Left My Heart in Palo Alto.”

IMPRESSIONS: Of all the venues, Stanford University was the worst in creating obstacles for World Cup organizers.

University officials were in position to drive a hard bargain because FIFA, soccer’s organizing body, wanted a presence in San Francisco but did not want to use Candlestick Park because of its smaller size.

Thus, Stanford Stadium is by far the least modern of the venues. Even though some improvements were made, World Cup organizers did not get all of their demands met.

Yet those academics learned that the World Cup is just the type of event that educational institutions should be encouraging.

The excellent soccer is the least of its legacies. Teams from four continents played here, and the visitors who followed those teams to Palo Alto left something of themselves behind.

Unfortunately for the merchants, it was not money. They were disappointed in their take.

But the visitors contributed something more valuable, their cultures. Los Gatos, one feels, will never be the same.

YOU HAD TO BE HERE: A Brazilian woman walked into an ice cream store in Los Gatos one hot day and ordered a beer.

Los Angeles-Pasadena

BEST: My, but the old lady still can sing. Our Rose Bowl looked wonderful with its face lift and colorful frills.

When the air is clear and the heat isn’t oppressive, there is no better view in this World Cup than that of the San Gabriel mountains looming behind the Rose Bowl scoreboard.

Well, OK, the view of that scoreboard after the United States played Columbia was pretty nice too.

Soccer fans inside the Rose Bowl stadium in Pasadena, Calif., prior to World Cup Final match between Brazil and Italy, Sunday July 17, 1994. (AP Photo/Lois Bernstein)

(Lois Bernstein / Associated Press)

WORST: That World Cup chief Alan Rothenberg would allow his hometown facility to rip off hungry and thirsty soccer fans–many of them his neighbors–with inflated prices is inexcusable. Two dollars and fifty cents for a Sno-cone? Fish and chips for $7.50?

IMPRESSIONS: The scene reminds us of the 1984 Olympics, causing emotions we never thought we would feel again. Traffic flowing smoothly, the city clean and pressed, citizens talking about something fun.

Surveys say that many people here couldn’t care less about the event, but the ones who do have made it memorable.

YOU HAD TO BE HERE: With so many men ignoring the “Women” signs on the portable toilets outside the Rose Bowl, officials placed “Out of Order” signs on several working potties and secretly passed around the word that women should use those.

Orlando

BEST: Quick, somebody get this town an NFL team. There was no better stadium-area atmosphere than here, where fans congregated less than a mile from the Florida Citrus Bowl at a trendy shopping and dining area called Church Street Station.

One night the Dutch fans were having so much fun, they started stealing baseball caps from policemen. Another night, the Mexicans were having so much fun they lay down on the railroad tracks upon hearing an oncoming train.

OK, so maybe we don’t all have the same kinds of fun.

Expensive restaurants became rollicking pubs. Thousands of foreigners became wailing, wandering messes.

Did we mention that the Irish were also in town?

WORST: This was soccer in a sauna. Every team that played under the unforgiving midday sun recorded a triumph of spirit.

For fans, merely getting to the games was a similar triumph. Ten dollars to ride a parking lot shuttle? Fifteen dollars to park at a local school, with the money being handed to a member of the PTA?

This was central Florida hucksterism at its worst. But then, they learned from the experts down the street, those guys wearing the ears.

IMPRESSIONS: With the Dutch and Belgians in town, this was supposed to be the site of hooliganism. Police from around the state were summoned for 12-hour shifts. But nothing happened. The most serious crime involved people refusing to leave bars at closing time.

Already our vacation capital, Orlando proved that it deserves to become a sports capital as well. It knows how to turn a game into an event without anybody getting hurt.

After existing for so long in the shadow of fantasyland, it acts as if it loves this real stuff.

YOU HAD TO BE HERE: In the downtown area on July 4, fans from everywhere joined to sing “Happy Birthday.”

To whom? To the United States, of course. Considering how we came of age in yet another international sporting scene this summer, it was a happy birthday indeed.

Times staff writers Elliott Almond, Julie Cart, Lisa Dillman, Chris Dufresne, Helene Elliott, Randy Harvey, Mike Penner and Times Sports Editor Bill Dwyre contributed to this story.

Rebekah sold her car and put all her clothes on Vinted to raise enough for an open-ended trip

A woman saved £18,000 in just seven months to travel the world – by selling her wardrobe on Vinted. Rebekah Swatton, 26, has spent the past seven months aggressively saving for an open-ended trip abroad after a previous journey forced her to rethink her relationship with money and possessions.

Her outlook on life changed dramatically after the sudden death of her boyfriend from a cardiac arrest five years ago, an experience she says made her realise that “nothing in life is certain”. Last March, she embarked on a six-month backpacking adventure across Australia, Africa, and Asia, taking a sabbatical from her job at Lloyds Banking Group.

But when she returned to the UK in September, she says she was struck by how little she actually needed the possessions waiting for her at home. That realisation sparked a drastic lifestyle change.

Rebekah sold her car, worked up to 20 hours of overtime each week and cleared out the majority of her wardrobe on Vinted – ultimately building up savings of £18,000 for her next trip to South America. Rebekah, from Powick, Worcestershire, said: “I had been away for so long that when I came back I realised I had been living without any of these extra material things happier than I was living with them.”

Rebekah began saving in 2022 following the sudden death of her boyfriend of six months, who passed away from an undiagnosed underlying heart condition. Rebekah said: “It really made me wake up and I felt that nothing is certain going forwards. I’d gone straight from college into career mode without thinking.

“I’d always said I wanted to travel and this really catalysed my first trip, as I want to live my life to the fullest.”

Last March, Rebekah set off on a six-month backpacking adventure, travelling through Australia, the Philippines, Cambodia, Vietnam, Kenya, and Tanzania. When she returned, Rebekah decided to completely change the direction of her life and pursue travelling full time.

She said: “It was such an amazing time. I really enjoyed feeling free and experiencing new things each day. But once I got back and realised I wanted a change, I decided next time I left I would leave my job permanently and not return to the UK for at least a few years.”

With that commitment in mind, Rebekah knew she would need to build up substantial savings to support herself on an open-ended trip with no fixed return date. Rebekah said: “Since I’ve been back, I’ve been living with my parents, which of course helps keep outgoings down.

“I have been working my £30,000 banking job full time plus an extra 15 to 20 hours over time each week. I sold over 200 items on Vinted, from clothing to accessories to random trinkets and also sold my car for £2,500.

“This, plus working 60 hour weeks and living with my parents, meant I saved nearly £20k for the next time I leave the country.”

Rebekah has booked a flight to Guatemala for the first week of May, with plans to travel through South America from there. She said: “I’ve planned out the first couple months of my trip with flights and loose accommodation.

“But I know over the next six months I want to travel through Guatemala, Columbia, Peru, Bolivia, Brazil, Argentina, and Chile.”

America’s semiquincentennial came and went, and the Disneyland Resort marked the occasion with a transformation of its now-classic Soarin’ ride. Gone, for now, is Soarin’ Over California and Soarin’ Around the World. In their place is Soarin’ Across America, a lightly patriotic-themed journey from coast to coast.

There are flyovers of nationalistic symbols such as the Statue of Liberty, Mount Rushmore National Monument and the Washington Monument, but the majority of its dozen locations are national parks, making Soarin’ Across America a love letter to America’s natural and diverse beauty. And it felt like a four-and-a-half-minute celebration.

Soarin’ Across America has the strongest scene of any of the three attraction films, which envelop riders as they ascend in the sky on a hang glider simulator. That’s its opening, a shot of a rocket launch at Florida’s Kennedy Space Center. We start level with the spacecraft, and then follow its journey into the clouds. Being this close to a liftoff, and feeling the sensation of rising with it, creates an inspiring, rousing moment. As in any Soarin’ film, we are promised the great outdoors, but here we get magnificent ingenuity.

Is it the best Soarin’? I’d still rank Soarin’ Over California as No. 1, as it has a sort of goofball charm, such as tumbling skiers or a golf ball flying toward the audience. But Soarin’ Across America is a worthy successor. It takes a more patient approach, as the ride now seems to linger longer over certain locales, allowing us to take in the majesty of the Grand Canyon West or vibrancy of the Louisiana bayou without distraction. I appreciated the tonal shift, which makes it stand on its own and doesn’t try to force itself to capture the original’s whimsy.

A coastal scene from Soarin’ Across America.

(Disney Parks)

I also enjoyed the new smells. When hovering near the Hawaii coast, for instance, the tropical fragrances that wafted over guests seemed to reflect the gummy fruitiness of a mai tai. (No, that wasn’t just me longing for an afternoon break at Trader Sam’s.)

I went in with a bit of skepticism, and I’m relieved to say my fears weren’t realized. Well, fully realized. This is a divisive time in American history, and cultural works are increasingly viewed through a political lens. When announcing the attraction, Disney did so with symbolism of the American flag, a bald eagle and the Statue of Liberty, art that was admittedly bright and welcoming, but also could be read as giving it an uncomfortable, chauvinistic sheen.

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Not everyone in 2026 may be excited with a flight simulator that serves as a cheerleader for America. And I still question the inclusion of Mount Rushmore, which has a long, controversial history, and has been a fascination of President Trump’s. But aside from that scene, and some odd red, white and blue sparkler-like fireworks visible in the New York Harbor, which curiously distract from a view of the Statue of Liberty, Soarin’ Across America doesn’t lay on the jingoism. At least until the final moments, when we see an American flag in the sky above Disneyland’s Sleeping Beauty Castle.

I’ll take it. The vibe throughout is one of restraint. When we glide near a Maine lighthouse, the film seems to pause, allowing the rocky coast and long-standing structure to be the stars. A dip across the American plains takes us above a herd of bison, but by and large movement is kept to a minimum (here the scent is of grassy freshness, which I’m betting is not what a bison smells like). A train in the Ozarks, for instance, comes to us rather than the film rushing to trace its path.

Filmed primarily with helicopters and drone shots, Soarin’ Across America utilizes CGI, courtesy of Industrial Light & Magic, less than Soarin’ Around the World, and primarily on scene transitions when we appear to fly next to a bird. This is an attraction that leans more National Geographic, that is it is unobtrusive and unstaged, than past iterations of Soarin’. While some may miss more active visuals, I appreciate that each Soarin’ film takes a different approach. Long term, it will allow Soarin’ Across America to serve as a snapshot in time, of an America at a certain point in history.

Soarin’ Across America shows aerial vistas across the United States, and it’s arriving at a divisive moment in our nation’s political history.

(Disney Parks)

And that’s already true. For when the film takes us down in front of the Washington Monument, we can off in the distance ever-so-slightly glance at the Lincoln Memorial Reflecting Pool, caught before its current Trump adminstration remodeling. Depending on your point of view, it can be unintentionally uncomfortable or amusing to see a locale before it became a political lightning rod. But that’s sort of the appeal of the Soarin’ films. They’re glimpses of not just a moment in time, but of a constantly changing world.

In that sense, there’s something relatively quaint about Soarin’, especially for our fast-paced, thrill-focused world. Soarin’ was groundbreaking when it debuted in 2001, but today we have venues like Las Vegas’ Sphere and Inglewood’s Cosm, whose spherical screens are higher definition and can even create the illusion of movement. Soarin’ Across America charms — all four of my rides last week ended in audience applause — by simply being a calming, relaxed journey that stokes our sense of adventure.

This week in SoCal theme parks

Disneyland Park has now welcomed more than 1 billion guests.

(Christian Thompson / Disneyland Resort)

• Disneyland: More than 1 billion served. The Disneyland Resort over the weekend welcomed its 1 billionth guest. The distinction went to 8-year-old Andres Robles, who with his family was treated to a VIP tour of the park. Disneyland has updated its population sign atop the Disneyland Railroad’s Main Street Station. To help put into context how unfathomably large 1 billion is, it’s worth noting that it took Disneyland, which in recent years has been drawing around 17 million attendees, nearly 71 years to reach that number.
• The Cenobites are coming to Universal Studios Hollywood. The latest addition to this year’s Halloween Horror Nights has been revealed, and it’s a haunted house based on the “Hellraiser” franchise. Pinhead actor Doug Bradley will reprise his role for the walkthrough attraction by voicing the character’s representation in the house. Halloween Horror Nights is set to launch Sept. 3.
• Don’t miss this look into Disney history. PBS SoCal will on Friday, July 17, show the documentary, “Bob Gurr: Living by Design.” It’s a revealing look into the life of a key early Disneyland designer, as Gurr created the look and feel of the Haunted Mansion “Doombuggies,” the original Autopia cars, the bobsleds of the Matterhorn and, of course, the first Disneyland Monorail. Before you watch, get to know the colorful, outspoken Disney legend.
• A Disneyland deal for Anaheim residents. Good news for those who live near the Disneyland Resort. For a limited time from July 20 through Aug. 8, Anaheim residents will have access to a locals-only deal. Adult one-day tickets will start at $71, while child tickets will be $50. Park-hoppers for adults will sell for $104 while child tickets will remain $50. It’s a significant savings and a great way to see the start of the park’s Halloween season. The tickets go on sale July 16.

The best thing I ate at the parks

The al pastor pork chop at Lamplight Lounge.

(Todd Martens / Los Angeles Times)

One of Disneyland’s best dishes is currently available at Disney California Adventure’s Lamplight Lounge, its Pixar-decorated pub-like outpost. It’s a sliced al pastor pork chop served with cheese polenta, pineapple relish and a spicy red chili butter sauce ($32). The pork is soft, the polenta creamy and it carries just enough heat to give it a bit of an edge. While filling, it’s surprisingly not too heavy, and Lamplight is always a lively spot to take a break from the parks. I only wish the place had a non-hazy IPA.

Your questions answered

Disneyland’s Sleeping Beauty Castle on a crowded 2019 day.

(Jay L. Clendenin / Los Angeles Times)

Hi Todd, we went to the park [Sunday] and it was empty: walk on to Cars, walk on to Indy. Thirty minutes for Guardians. Everything else was down to about 5 [minutes] besides Tiki Room because it’s a 15 min show. Are they struggling this summer? I haven’t seen a day like that at Disney since I was a kid.
— Jake from Riverside

Disneyland has been unseasonably comfortable this summer (read: less people). And the Fourth of July holiday week was kind of a breeze, with low wait times at most attractions at both parks.

But I wouldn’t says struggling, as I have seen busy days in recent weeks and Sunday was particularly unique. Mexico and England were playing a much-buzzed-about World Cup match, which no doubt kept crowds at bay. But it’s true that Disneyland this summer has, on a whole, been more pleasant, crowd-wise, than in year’s past.

Ultimately, I attribute the potentially lighter attendance to a combination of factors. One, the park has likely hit the peak price it can currently offer guests (fingers crossed this is true, as I don’t think most Disneyland fans can absorb another yearly price hike right now). Two, the aforementioned World Cup is drawing away potential attendees. And three, everything is more expensive today, forcing families to choose between, say, an afternoon at Dodger Stadium or a day at Disneyland. It’s increasingly untenable to do both.

And people are hungry for different, approachable ticket options. Last week, for instance, Disneyland unveiled a new evening ticket deal for all guests. The $59 offer allows attendees to enter either Disney California Adventure at 5 p.m. or Disneyland at 7 p.m. Available Sundays to Wednesdays through Aug. 5, all dates sold out in six days, unless Disneyland allots more tickets for the deal.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Universal Studios Hollywood first began exploring a high-speed coaster more than a decade ago.

(Todd Martens / Los Angeles Times)

Universal Studios Hollywood’s new Fast & Furious: Hollywood Drift is set to open soon, and while many are excited, I’m curious to hear from those who live near the theme park. Universal has emphasized how it has instituted a number of noise-mitigating factors, from placing pea gravel in the tracks to building sound walls and creating shields designed to capture rider screams.

Theme park rides, however, can still be loud. If you’re in one of the neighborhoods surrounding the park, drop a line at todd.martens@latimes.com and let me know if Universal’s efforts have been enough, or if the coaster is a disruptive presence.

Once again, Walker Kessler sat hunched forward, ears and eyes intently locked onto the person whose words would change his life.

This wasn’t his bewildering 2022 NBA draft day experience captured on video that began with him hearing commissioner Adam Silver announce he had been chosen by the Memphis Grizzlies only to learn moments later that he had been traded to the Minnesota Timberwolves, only to learn two weeks after that he’d been dealt to the Utah Jazz.

No, this time it was about the love of his life, Abbie Stockard. Glued to a screen, Kessler reacted to the words, “Your new Miss America is … Alabama!” as if he’d been electrocuted. He jumped from his chair and put his hands over his mouth, speechless as Stockard was crowned.

Nineteen months later, Kessler — now the Lakers center — found his voice while on a Fourth of July outing at Lake Martin, Ala., and asked Stockard to marry him. She said yes.

The Lakers obtained the 7-foot-2 Kessler from the Jazz on July 1 in exchange for 2031 and 2033 first-round picks and 2028 and 2030 pick swaps, bringing to L.A. a strong defensive presence to accompany offensive-first star guards Luka Doncic and Austin Reaves.

Kessler, 24, agreed to a four-year, $130 million contract, not a bad nest egg for newlyweds. The Instagram story of the two sharing their engagement was captioned: “The future Kessler’s. Let’s get y’all married!!!”

Kessler’s mother, Andrea, played matchmaker two years ago, taking a photo of Stockard during an Auburn basketball game and sending it to her son. He messaged her on Instagram.

Stockard was on the dance team at Auburn, where she studied pediatric nursing. Now she is a former Miss America engaged to the Lakers’ newest star.

“I get to marry Walker Kessler — my best friend!,” she wrote on social media. “Our story is truly one that only the Lord could have written. So many things I once thought were coincidences were really His perfect plan unfolding, and our story is greater than anything I could have imagined.

“There’s no one else I’d rather spend the rest of my life with, doing life together and cheering each other on!”

In 201 games with the Jazz, Kessler averaged 9.5 points, 9.3 rebounds and 2.4 blocks across 25.3 minutes. He played only five games last season while recovering from a shoulder injury.

In New York, the Brooklyn Bridge went up in flames briefly during a fireworks display. In Washington D.C., stormy weather delayed a grievance-filled speech by President Trump.

And here in Los Angeles? On Saturday night, tens of thousands of Angelenos joined voices peacefully at the L.A. Memorial Coliseum to sing along with Chris Stapleton as the country star compared a lover to Tennessee whiskey.

A unifying cultural figure beloved by both liberals and conservatives, Stapleton was the headlining act at a Fourth of July benefit concert that also featured Smashing Pumpkins, Chaka Khan, Maren Morris and Queen Latifah. (I’d be surprised if those five names had previously appeared together in the same sentence.) The show, with tickets priced at $17.76, was presented by America250, a bipartisan commission that Congress created in 2016 to plan celebrations for the country’s 250th birthday; proceeds went to Feeding America, which calls itself the largest domestic hunger-relief organization in the United States.

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“No politics — just purpose” is how America250 Chair Rosie Rios described the night in remarks from the stage, and it wasn’t hard to interpret the distinction she was seeking to draw between her group and Freedom 250, Trump’s rival semiquincentennial initiative that organized Saturday’s windblown event on the National Mall (not to mention an earlier concert by Vanilla Ice that was called off due to the threat of rain).

But here’s the thing: Compared with the president’s celebration, where he complained about his treatment by the justice system and suggested we should refer to his current term as his third, the show at the Coliseum really did feel like a politics-free zone — the somewhat rare occasion these days when folks from different walks of life come together just to listen to music and drink overpriced micheladas.

Said Stapleton not long into his set: “I won’t waste time talking.”

America250’s success was hardly a sure thing. Despite the relatively low price, tickets moved slowly in the weeks before the concert; one guy I talked to Saturday told me he’d paid six bucks for a discounted pass. Yet to my eyes the Coliseum was close to full by the time Stapleton came on.

The country singer was as solid and soulful as always, snarling gently through “Bad as I Used to Be,” then trading loving harmonies with his wife, Morgane, in “Millionaire.” He closed with “Tennessee Whiskey,” of course — a trusty yet somehow un-shopworn piece of Americana that’s earned a place on the shelf next to Ray Charles’ “Georgia on My Mind” and Willie Nelson’s “Angel Flying Too Close to the Ground.”

Smashing Pumpkins was perhaps a stranger fit for an explicitly patriotic event — “The world is a vampire,” frontman Billy Corgan sneered in “Bullet With Butterfly Wings” — yet the band sounded sharp and punchy in the ’90s alt-rock hits that have brought zoomers and even Gen Alpha kids into its audience.

Billed not inaccurately on the concert’s poster as “the legendary Chaka Khan,” the 73-year-old funk doyenne flexed her vocal chops in jammy renditions of “Ain’t Nobody” and “Tell Me Something Good” and got people hoisting their drinks for “I’m Every Woman.” Morris, who’d flown in from New York after attending her pal Taylor Swift’s wedding on Friday night, made an improbably smooth segue between her and Zedd’s synthed-up “The Middle” and the rustic “My Church.”

As the show’s host, Queen Latifah dispensed uplifting thoughts about American idealism throughout the evening but also got a slot of her own to do her classic “U.N.I.T.Y.” with help from a rambunctious drum line. It’s an unapologetic message song about demanding respect, and what was moving about hearing it here is that nobody seemed put off by that idea.

I’ll wave a flag for that.

Here are more photos from Saturday’s concert:

Chaka Khan performs.

(Myung J. Chun / Los Angeles Times)

Queen Latifah hosted the show.

(Myung J. Chun / Los Angeles Times)

A couple in patriotic garb share a kiss.

(Myung J. Chun / Los Angeles Times)

Smashing Pumpkins performs.

(Myung J. Chun / Los Angeles Times)

A concertgoer enjoys confetti.

(Myung J. Chun / Los Angeles Times)

Maren Morris performs.

(Myung J. Chun / Los Angeles Times)

July 5 (UPI) — President Donald Trump called the United States’ 250 years an “unmatched achievement” during his Fourth of July speech in Washington, D.C., on Saturday.

Trump’s address was delayed late into the evening due to severe storms that caused a two-hour evacuation of the National Mall. The storms followed on the back of a heatwave on the east coast.

The president took to the podium at 11:15 p.m. EDT. His speech echoed his past speeches, touting the “golden age of America,” repeating unfounded claims of election fraud and calling for the passage of the SAVE Act in Congress.

“We want to keep America great, and we will do so by approving the Save America Act,” Trump said. “You won’t have cheating on the elections anymore. It’s very simple.”

As Trump listed off a series of U.S. military achievements, he included the January operation to abduct Venezuelan President Nicolas Maduro and the war in Iran, which he compared to the sinking of the Spanish Armada in the Anglo-Spanish War in 1588.

“Much like our recent victory, by sinking the entire Iranian navy,” Trump said. “One hundred and fifty-nine ships to the bottom of the sea, all done in just a moment’s time.”

Trump also focused his attention on communism, which he called a threat to the United States.

“We don’t want communists in our country,” Trump said. “It never worked and it never will work.”

Can you tell the story of America in 10 movies? Maybe so — at least a version of it — if you stick to moments of serious national friction and those rare instances when a filmmaker meets the mood with a true vision. If you want tearjerkers about red, white and blue triumph, this is not your list (although the Space Race drama “The Right Stuff” always does the trick). Meanwhile, our current state of disunity and division will find its own expressions in time; start with “Civil War,” though it’s a bit too soon. Instead, we thought about historical pivot points and built a list of classics, along with a few alternatives for each title.

The Great Depression

Henry Fonda, left, in the 1940 film “The Grapes of Wrath,” directed by John Ford.

(20th Century-Fox)

‘The Grapes of Wrath’ (1940)

America is a broken place in John Ford’s poetically charged adaptation of the Steinbeck novel: a downbeat landscape of Oklahoma dust storms, long shadows and the teetering sight of a car turned into a truck transporting a family westward. This will always be one of those essential movies about a particular national dream — not just a myth — of emerging from economic catastrophe and being reborn in the promised land of California. Ford, with the instincts of a showman, foregrounded hope on the horizon via inspired performances by Henry Fonda and Jane Darwell’s pragmatic Ma Joad getting the final word (“We keep a’coming…”). But there is still so much darkness in “The Grapes of Wrath,” especially in its scenes of John Qualen’s Muley Graves, crumpled on the ground, suddenly a squatter on his own piece of land. He’s no match for the bulldozers. As long as the idea remains that property gets its purpose from those tending it, working it, nourishing it and dying on it, the film will never become a relic. Its binding values of labor and community remain relevant, even if today’s Hollywood rarely speaks to them. — Joshua Rothkopf

See also: “Modern Times,” “Sullivan’s Travels,” “Bonnie and Clyde”

Postwar optimism

Michael Hall, from left, Teresa Wright, Myrna Loy and Fredric March in the 1946 movie “The Best Years of Our Lives.”

(Samuel Goldwyn Productions)

‘The Best Years of Our Lives’ (1946)

World War II ended with ticker-tape parades and soaring expectations. William Wyler’s sweeping drama arrived just as America was beginning to reckon with what coming home actually meant. Harold Russell, a real-life veteran who lost both hands during the war, plays a sailor struggling to imagine a future with the woman he loves. Dana Andrews is a decorated bombardier who returns to the same soda fountain job he held before the war, discovering that military heroism doesn’t necessarily translate into peacetime opportunity. The movie became one of the biggest hits of 1946 because it understood a challenge facing millions of Americans: The war had given the country a common purpose but peace meant each person had to find their own. Yet for all its honesty about that dislocation, the film remains remarkably hopeful. Its faith that people can rebuild their lives and start over feels almost radical today. Seen from the distance of eight decades, it feels like a dispatch from a country that had just survived a catastrophe and still believed its best days lay ahead. — Josh Rottenberg

See also: “It’s a Wonderful Life,” “Miracle on 34th Street,” “Giant”

Capitalism, unchecked

Daniel Day-Lewis in the 2007 movie “There Will Be Blood,” directed by Paul Thomas Anderson.

(Paramount Vantage)

‘There Will Be Blood’ (2007)

“I drink your milkshake — I drink it up!” Oil man Daniel Plainview’s deranged metaphor, allegedly taken from congressional transcripts from the 1920s Teapot Dome scandal in which Interior Secretary Albert Fall defended the practice of directional oil drilling, a.k.a. drainage, became a catchphrase when “There Will Be Blood” arrived in 2007. Elon Musk probably has a T-shirt in the back of a drawer emblazoned with the line. It epitomizes the American ethos of extracting resources that belong to someone else and then brutally bragging about the beatdown. Paul Thomas Anderson’s movie is part history lesson, part horror film, which, when it comes to chronicling the American experience, feels like the perfect blend. The oil man’s exploits take place more than a century ago, but seem particularly relevant now with Musk newly minted as the world’s first trillionaire and income inequality rapidly widening. Plainview confesses, “I have a competition in me. I want no one else to succeed.” It neatly sums up the endgame in which we find ourselves — and his vanquishing of the preacher Eli speaks to what we worship in the United States. He’s finished and sometimes it feels like we are too. — Glenn Whipp

See also: “The Wolf of Wall Street,” “WALL-E,” “Sorry to Bother You”

Post-Vietnam/Watergate cynicism

‘Nashville’ (1975)

Ronee Blakley in the 1975 movie “Nashville,” directed by Robert Altman.

(Paramount Pictures)

Could one movie capture the breadth of emotions around this year’s 250th anniversary celebrations as well as Robert Altman did the bicentennial? As the country was still reeling from the assassinations and discord of the 1960s, the despair of Vietnam and the scandals of Nixon and Watergate, there was a soul-baring uncertainty to what it even meant to be an American. With 24 main characters interwoven around the town of Nashville, home of country music and intersecting political undercurrents, the film tries to make sense of the chaos. While the conspiracy thrillers of the 1970s are seen as the most direct response to the moral malaise of the moment, Altman finds an unexpected way to gild his innate skepticism with a light filigree of hope, a complex quilt of characters capturing the contradictions inherent in the American identity. And yet as cynical and beaten-down as the film’s viewpoint can often be, there is still a spark of decency and perseverance. That is the America that Altman celebrates, even as he lets no one off the hook. Few films capture the hum of life in all its maddening beauty quite like this one. — Mark Olsen

See also: “Blow Out,” “The Conversation,” “The Parallax View”

‘Network’ (1976)

Robert Duvall, Faye Dunaway and William Holden in the 1976 movie “Network,” directed by Sidney Lumet.

(MGM Studios / Getty Images)

Much has been made over the years about how prescient this film was, as if screenwriter Paddy Chayefsky and director Sidney Lumet saw the constrictive dangers of corporate consolidation in the distance and came back to warn us. But if these rumbling premonitions have remained true across multiple eras of an ever-evolving media landscape, have we really learned anything? Perhaps we really do live in a “demented slaughterhouse of a world,” as the unhinged newsman Howard Beale says in one of his apocalyptic broadcasts, and have all along. Maybe what “Network” nails most of all is apathy: that even the most righteously committed can have their heads turned from their true goals and then struggle to get back on track. What may be most shocking rewatching the film today is the suspicion that some current media figures see the maneuverings of villainous executives played by Robert Duvall and Faye Dunaway and somehow think that they were the heroes of the story all along. Not even Lumet or Chayefsky would have predicted that. — Mark Olsen

See also: “Broadcast News,” “The Insider,” “Nightcrawler”

Gentrification and racial tensions

Spike Lee, left, and Danny Aiello in the 1989 movie “Do the Right Thing.”

(Universal Pictures)

‘Do the Right Thing’ (1989)

Spike Lee’s masterpiece was met with hand-wringing when it arrived in theaters 37 summers ago, with white critics fretting how “urban audiences” would react to its shocking ending of brutality and angry protest. “If some audiences go wild, [Lee] is partly responsible,” critic David Denby wrote in New York Magazine. Nobody rioted. “Do the Right Thing” made some people uncomfortable because it told truths from a Black perspective that they did not want to accept. That unwillingness to have hard conversations and learn from them remains evident today as we prepare to celebrate our nation’s 250th birthday without an honest reckoning of the anguish that lies beneath the storybook version of America’s founding. The paradox is that Lee’s movie is itself that conversation, its characters engaging in a series of arguments, evenhanded and empathetic, about how race affects the lives we lead in America. Until our country engages in that dialogue, nothing will change. For a moment, the Black Lives Matter movement signaled a willingness to grapple with the past. But the pendulum swung and we’re back to days of “Driving Miss Daisy” denial. But “Do the Right Thing” remains with us, its urgency and relevance undiminished, waiting for an America open to listen and live up to its idealized aspirations. — Glenn Whipp

See also: “Get Out,” “12 Years a Slave,” “Fruitvale Station”

The rise of the yuppies

Roddy Piper, left, and Keith David in the 1988 movie “They Live,” directed by John Carpenter.

(Universal Pictures)

‘They Live’ (1988)

“I believe in America,” the guy says, but we’re not in the private office of some all-powerful Corleone. Rather, this is a working man in a plaid shirt and denim. As the sun sets on his sad L.A. tent city (inspired by the real-life Justiceville), he only wants what everyone else wants: a hard day’s work for fair pay and the chance to get ahead. “It’ll come,” he says, serenely. He doesn’t know he’s in a John Carpenter movie — Roddy Piper was never put to better on-screen use — and that those keeping him down are, in fact, aliens hypnotizing us into an unseeing stupor as they carve up the world’s resources. Released at the tail end of Reaganomics, Carpenter’s most politically forward thriller now feels like a decoder ring for ’80s-era greed, detachment, complacency and ruthlessness. Carpenter meant us to to see his bug-eyed space invaders as yuppies. He also intended us to question whether we were selling each other out, just to join the “human power elite” for a tiny piece of pie. “They Live” looms just on the other side of appreciated. Many genre films say what our more prestigious dramas can’t about the creeping forces that are changing America; this one still feels like it’s getting away with murder. — Joshua Rothkopf

See also: “American Psycho,” “Invasion of the Body Snatchers,” “After Hours”

’80s women in the workplace

Harrison Ford, left, Melanie Griffith and Sigourney Weaver in the 1988 movie “Working Girl.”

(20th Century Fox)

‘Working Girl’ (1988)

Mike Nichols’ zeitgeisty hit opens on a shot of the Statue of Liberty hoisting her torch like a paycheck. Down by her green toes, Melanie Griffith’s Staten Island secretary Tess McGill ferries to Manhattan to type memos for important men. Tess has a job, not a career. But 1988 was the first year that female undergraduates outnumbered men on college campuses. Even without a degree, Tess is ambitious to climb the corporate ladder — once she swaps out her practical white sneakers for a pair of pumps. The script by Kevin Wade throws up hurdles of sexism and class snobbery, never sugarcoating how Tess’ male co-workers treat her like a blow-up doll. (Critics dismissed Griffith, too, until this performance earned her an Oscar nomination.) Yet note how her Ivy League-educated boss Katharine (Sigourney Weaver) isn’t immune to harassment either; she’s just mastered how to parry her colleagues’ advances. Fantastic as it is, “Working Girl’s” core flaw is that Tess can’t snag her seat at the conference table until she yanks Katharine out of it. Weaver said that when she showed the script to real-life working girls on Wall Street, they asked, “This awful secretary steals your man, wears your clothes, takes your office — who’s going to sympathize with her?” Millions did and still do. — Amy Nicholson

See also: “9 to 5,” “Baby Boom,” “Silkwood”

Digital alienation

Justin Timberlake, left, and Jesse Eisenberg in the 2010 movie “The Social Network,” directed by David Fincher.

(Merrick Morton / Columbia TriStar )

‘The Social Network’ (2010)

In 2010, Apple introduced the iPad, Instagram launched its app and Silicon Valley still looked to many tech-besotted Americans like a force for progress. At a moment when technology companies were promising to bring people closer together, David Fincher’s acerbic drama about the founding of Facebook had a darker theory about why people wanted to connect in the first place. Aaron Sorkin’s screenplay traces Facebook’s creation back to a very old human desire: getting noticed by the people who matter. Instead of celebrating innovation, the movie unfolds through lawsuits and broken friendships. At Harvard, Jesse Eisenberg’s Mark Zuckerberg fixates on the exclusive final clubs that won’t quite accept him. It’s a surprisingly sour approach for a Facebook origin story. Years before social media became a political battleground, Fincher was focused on something more basic — the fear that everyone else had been invited to a party you couldn’t get into. The movie ends with Zuckerberg alone at a computer, refreshing the Facebook page of the woman who dumped him and waiting for her to accept his friend request. More than 15 years later, it’s still hard to think of a better image for the loneliness and insecurity lurking beneath our connected lives. — Josh Rottenberg

See also: “Her,” “Eighth Grade,” “Ingrid Goes West”

Post-9/11 anxieties

A scene from the 2004 movie “Team America: World Police,” directed by Trey Parker.

(Melinda Sue Gordon / Paramount Pictures)

‘Team America: World Police’ (2004)

To add drama to the ennui over the 2000 U.S. presidential campaign, “South Park” creators Trey Parker and Matt Stone pledged to immediately produce a silly sitcom about the winner. “That’s My Bush!” ran for eight episodes in the spring of 2001, with plans to spin off into a feature called “George W. Bush and the Secret of the Glass Tiger.” But the Sept. 11 attacks changed everything, including the work of satirists. Parker and Stone pivoted to “Team America: World Police,” a bomb-throwing comedy about our country’s napalm-strength combination of naiveté and swagger. To prevent an attack hailed as “9/11 times a thousand,” a squadron of puppet commandos blows up the planet themselves. The dark joke is these marionettes aren’t behaving much differently than the action heroes who have shaped the national id — it’s a through-the-looking-glass lens into our Hollywoodized view of the globe, down to the Parisian streets made of cobblestone croissants. At once straight-faced, sacrilegious and scatological, “Team America” needed nine tries to eke past the MPAA. Yet in divided times, it was a unifier. The political spectrum from Kim Jong Il to Alec Baldwin got equally savaged and the film’s eff-yeah patriotic theme song (“Rock and roll! The internet! Slavery!”) could even be heard blaring from real-life tanks in Fallujah. — Amy Nicholson

See also: “Eddington,” “Idiocracy,” “Harold & Kumar Escape From Guantanamo Bay”

Happy Birthday, America!

You turned 250 on Saturday and, honestly, you don’t look a day over 249. (Ha ha.)

Seriously, it’s perfectly understandable why there’s more gray on your scalp and deeper worry lines on your face. This last year has been another challenging one, to say the least. (And we thought the one cataloged 12 months ago in this space was rough.)

The country is caught up in an unpopular, on-again, off-again war with Iran that was recklessly launched by President Trump with far more swagger than foresight. In an utterly predictable move, Iran choked off the the Strait of Hormuz, a vital passageway for the world’s oil, sending gasoline prices skyrocketing. Though they’ve fallen since the announcement of a shaky ceasefire agreement, the cost of filling up is still significantly higher than a year ago.

Of course, costlier oil means virtually everything else has become more expensive. Trump was reelected in good part because he vowed to tame inflation on his very first day in office. Instead, it’s reached a three-year high.

The ground beef served up at many July 4 cookouts costs 75 cents a pound more than it did a year ago. A package of hamburger buns is up 15 cents. The price of hot dogs and other picnic staples have also increased, along with just about every other item at the grocery store.

Chew that over with your corn on the cob. (Up roughly 2.5% from July 2025.)

Meanwhile, Trump enriched himself to the tune of $2.2 billion during his first year in office alone. Treating the U.S. treasury like his personal cash cow, the president has lavished hundreds of millions of taxpayer dollars on vanity projects such as a personally kitted out Air Force One — a “gift” from Qatar that Trump plans to keep after retirement — and a gilded White House ballroom, rising where the demolished East Wing used to stand. Plans are underway for a grand, marble arch in Washington celebrating, well, you know who.

At the same time, Trump has squandered money and resources pursuing political vendettas, persecution of his enemies and fruitless investigations like the one probing “theft” of the 2020 election and “vandalism” at the algae-clogged Reflecting Pool he promised and failed to rehab.

All this while millions of Americans have lost healthcare coverage and/or federal food assistance, all thanks to the One Big Billionaire Bounty bill that Trump signed into law a year ago.

It’s all a bit unnerving isn’t it, America? You’re on edge in a way you haven’t been in at least a generation.

In Minnesota, in the dead of winter, two of your citizens were gunned down by federal officers as they engaged in that most American of exercises, registering dissent against the policies of their government. From sea to shining sea, innocent Americans have been arrested — and sometimes shipped abroad — and immigrant communities cower in fear of federal agents who often seem bent more on meeting deportation quotas than meting out justice.

You’re divided, America, in ways no one alive has ever seen.

It starts at the very top. Trump acts as though he’s president of a favored rump group — his political supporters — rather than the nation as a whole. He’s used your 250th birthday not to celebrate those many grand and glorious things that hold us together as Americans but to bask in the tanning-bed glow of his immeasurable self-regard.

But, heck, if it’s any consolation on this star-spangled holiday weekend, the country has been through worse. Much worse. And you, America, have not only survived but in many ways grown stronger by surmounting obstacles, facing down your flaws and overcoming some knee-buckling, soul-crushing challenges.

Slavery. Civil war. Racist exclusionary laws. Genocide against indigenous peoples. Two worldwide conflicts. Depression. Financial crises. And too many deadly natural disasters — fire, floods, earthquakes, hurricanes — to enumerate.

Your treatment of some Americans, it should be said, hasn’t always been fair and just. It still isn’t.

People are despairing over the Supreme Court and its genuflecting deference to the president. The justices of its conservative majority have done just about everything short of handing Trump a crown and scepter to reign as a virtually untouchable, imperial president.

But it’s worth noting that earlier court majorities held that Black Americans — “beings of an inferior order,” in the words of the wretched Dred Scott decision — could be denied citizenship, that racial segregation was constitutional and that compulsory sterilization based on eugenics was perfectly fine from a legal standpoint.

That ugly, sordid history won’t necessarily make anyone feel better about the current state of affairs, nor should it. But it does offer some perspective and, with it, hope.

This weekend is best celebrated honoring the country’s many good things and the bright, shining place that America aspires to be, with liberty and justice for all. So chin up! Have another slice of birthday cake, America, and don’t worry about the calories — you really do look terrific for 250!

Going forward it’s up to us, your citizens, to keep working toward that more perfect union mentioned in the preamble to the Constitution. Whatever ails you, America, the remedy resides with we the people and the power we hold, particularly at the ballot box.

Unhappy with the wrecking crew that’s heedlessly chain-sawed federal programs and allowed Trump to money-grub with both fists, defile the White House and undermine our rule of law? Send a message and vote ‘em out, starting in November’s midterm election. And bear in mind the damage that’s been wrought come the 2028 presidential race.

Don’t stop believing that, as dark and difficult as things may seem right now, better days lie ahead.

That undimmed and abiding faith is what makes America great.

SEATTLE — James Wilson, one of just six men who signed both the Declaration of Independence and the Constitution, never could have imagined how grand the country he was founding would become. But he knew how it could get there.

Wilson envisioned a steady stream of foreigners coming to America every year, reinvigorating the energy and vitality the nation needed if it were to survive, much less thrive. Which is why Wilson, who moved to the colonies from Scotland at 22, argued against barriers on immigration that would “deprive the government of the talents, virtue and abilities of such foreigners as might chose to remove to this country.”

What Wilson had in mind, then, is something such as the U.S. national soccer team, which gathered to train Saturday morning, on the country’s 250th birthday.

Six of the 26 players on the team, which will face Belgium in a World Cup elimination game Monday, are foreign-born. Five others were born to immigrant parents and two others have immigrant grandparents or great-grandparents. Nearly half have dual nationality.

U.S. coach Mauricio Pochettino jumps into the arms of his players after their World Cup win over Paraguay at SoFi Stadium on June 12.

(Allen J. Schaben/Los Angeles Times)

Yet they all play with the U.S. flag stitched over their hearts. What could be more American than that?

“It is special,” U.S. captain Tim Ream said of having the team together on Independence Day. “Obviously, doubly special because it’s during a World Cup and triple special because it’s here in the U.S. “As a group, with all our different backgrounds, it’s a true representation of what America is. It’s a melting pot of, of people, of personalities, of characters.”

And it’s led by a country-music-listening Argentine coach, Mauricio Pochettino, who first learned to throw a baseball last week so he could perform first-pitch duties at a Seattle Mariners’ game. (He threw a strike.)

“That sort of stuff can only happen in America,” said striker Folarin Balogun, who grew up in England with Nigerian parents but plays for the U.S. because he was born in Brooklyn, qualifying for birthright citizenship through the 14th Amendment to the constitution Wilson helped write.

It would be hard for the U.S. soccer team to more closely resemble the architects who founded the country, nor the vision those architects had for their creation.

Eight the 56 signers of the Declaration of Independence and eight of the 55 framers of the Constitution were immigrants. That’s about the same percentage of immigrants on this summer’s World Cup roster. Another 20 of the Founding Fathers were the sons of immigrants; again, the same percentage as the national team.

“That is the U.S. experience of taking different people from all over the world, the immigrant experience, and mixing it into something that the world has never seen,” said Adam Sawyer, a co-founder of Relevant Research, a Baltimore firm which provides support to immigration researchers and organizations.

“One in seven Americans was foreign-born. Our soccer team is like one in four. I always think of soccer [as] leading society and it’s pulling us with it,” continued Sawyer, who recently published an analysis of the role global migration has played on World Cup success. “Our sporting teams push us forward towards further integration.”

The signers of the Declaration of Independence never foresaw a World Cup, much less an American World Cup team. But they did see immigration as such a fundamental strength, they used America’s founding document to condemn King George III for endeavoring “to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners.”

Without that naturalization, Christian Pulisic might not be playing for the U.S.; in fact, he might not even be in the U.S. His paternal grandfather Mate immigrated from the former Yugoslavia in search of opportunity and was later naturalized as a U.S. citizen. The paternal ancestors of goalkeeper Matt Turner became naturalized citizens after fleeing to the U.S. to escape religious persecution in Lithuania and midfielder Cristian Roldan’s parents escaped civil wars in El Salvador and Guatemala, then gained permanent residency through President Reagan’s amnesty program.

“This soccer team is reflecting America at its best,” said Faisal Al-Juburi, co-chief executive of RAICES, a Texas-based humanitarian aid and immigration services nonprofit. “Its global roots, its shared purpose, its one jersey.”

Soccer in the U.S. has long been an immigrant sport. In the years after World War II, when soccer was still an amateur and semi-pro game, the best teams in the country had names such as the Philadelphia Ukrainian Nationals, New York German-Hungarian SC and the Los Angeles Danes. Joe Gaetjens, one of the country’s first stars and the man who scored the goal that beat England in the 1950 World Cup, was a Haitian immigrant.

In recent years, however, the national team has begun recruiting dual-nationals from overseas, among them World Cup midfielder Malik Tillman, who was born to a U.S. serviceman in Germany, and Antonee Robinson, who was born in England to a naturalized U.S. citizen father, and Sergiño Dest, a Dutch native whose father is Surinamese American.

“It is definitely a team that embraces their diverse backgrounds, and that’s quite meaningful, especially now,” said Al-Juburi, the son of Iraqi immigrants. “This notion that we are stronger with impenetrable walls that divide us is definitely not reflected in this team. It credits a lot of its success to its immigrant roots.

“And I think that’s incredibly powerful to see that and to see a nation cheering and getting behind that diversity. It is a reminder that we are stronger from that coexistence.”

But Al-Juburi doesn’t see the result as a melting pot, which burns away the unique flavors and characteristics of each ingredient. For him, it’s more a gumbo in which every ingredient changes and improves the mix.

U.S. players huddle seconds before playing Bosnia-Herzegovina during a World Cup knockout round match at Levi’s Stadium on Wednesday.

(Robert Gauthier/Los Angeles Times)

“You’re looking at lineage from Nigeria, from Guatemala, from El Salvador, from Mexico, from Liberia, Jamaica, Croatia,” he said. “All these disparate ingredients work together so beautifully and in such a balanced way.”

And when that team succeeds, as the U.S. has this summer, it not only underscores the wisdom of the Founding Fathers, but it offers a lesson for today as well.

“This team contains a different picture of inclusion really mattering, just by being exactly who they are,” said Jules Boykoff, a political science professor at the University of Portland (Ore.) and a former U.S. youth international. “They don’t have to say anything. They just have to be who they are and do their best on the pitch.”

WASHINGTON — President Trump’s plans to commemorate America’s 250th anniversary of independence with a rally on the National Mall were complicated on Saturday by severe storms that gathered near Washington, forcing event organizers to order an evacuation.

“Freedom 250 will share updates on programming and doors reopening,” Freedom 250 spokesperson Danielle Alvarez said in a statement that encouraged participants to seek shelter at museums and federal buildings near the National Mall. Washington’s metro system also said several of its underground stations were available for shelter.

Plans for fireworks were still moving forward in other cities including Chicago and New York, where tall ships passed the Statue of Liberty earlier in the day, recalling the fanfare around America’s 200th anniversary in 1976.

Anticipation for the milestone holiday has been building for much of the year, serving as an opportunity for Americans to reflect on their complicated history as onetime colonists of an empire who became a superpower of their own. Organizers of celebrations months in the making had to adjust or cancel activities entirely as much of the East Coast sweltered under heat that approached and in many cases surpassed triple digits.

Heat is defining the big weekend in many places

The disruption was particularly acute in Washington, where signs at the Great American State Fair posted an alert shortly after 7 p.m. ET encouraging participants to leave the area. As the order to evacuate was played over loudspeakers on the National Mall, some people appeared to be standing in place, talking with those around them and not exiting the area, while others were walking toward exits. National Guard troops told people to leave.

The U.S. Secret Service announced it had temporarily closed checkpoints to screen attendees ahead of Trump’s speech, which was scheduled to begin around 10 p.m. ET.

Crowds were building in the area several hours before Trump’s speech. Tina Hale, 58, of Cohoes, New York, watched three of her grandchildren children dip their hands into a pool of water near a museum. Hale pointed toward the sky and urged them to look up as three military jets roared above the crowd.

“If that doesn’t make you proud to be an American,” she said.

David Koshko, 42, and his wife, Jennifer Koskho, of Harrisburg, Pennsylvania, came to Washington for a baseball game but planned to stay for the city’s fireworks show. After baking in the heat for hours during the Pittsburgh Pirates’ win over the Washington Nationals, they took a break in the shade of an overpass near the National Mall to plot their next stop.

“Just to be a part of the 250 years (anniversary) is an amazing thing,” said David Koshko, a commercial driver and veteran of the Marine Corps reserves.

In Philadelphia, fireworks began to crack as early as midday in the birthplace of the nation near the site where the Declaration of Independence was adopted by delegates to the Second Continental Congress. Hundreds of visitors were gathering at Independence Hall in the sweltering heat to await the celebrations coinciding with the France-Paraguay World Cup knockout game at Philadelphia Stadium, which began with commemorations of the holiday.

“It’s one big party in here,” Carlos Alban, who traveled to Philadelphia from Chicago to watch the match, said as he arrived at the stadium, adding that he spotted a fan in the parking lot dressed as one of the Founding Fathers.

About 45 minutes before another World Cup match in Houston, a message from astronauts aboard the International Space Station noting the holiday was beamed into the stadium.

In New York, tall ships, with their masts, rigging and white sails outlined against a blue sky, made a procession around the Statue of Liberty and up the Hudson River.

The 43 ships were followed by a display of aerial might with a stealth bomber and the Navy’s Blue Angels. Patrouille de France, the French Air Force’s acrobatic teams, flew over New York Harbor with their red, white and blue trails, evoking images of the American flag.

“We got up early and just rode our bikes about a mile down here to come see the scene,” said Oona Moore, a Jersey City, New Jersey, resident who took in the New York festivities. “We saw the tall ships and we saw the planes, you know, all different manner of military aircraft. I’ve never seen it so close and in the sky at the same time.”

At George Washington’s Mount Vernon, people took the Oath of Allegiance to become U.S. citizens. They stood with eyes closed and hands over hearts for the national anthem.

An uneasy nation gets ready to celebrate

Trump spoke Saturday with world leaders including Russian President Vladimir Putin and Ukrainian President Volodymyr Zelenskyy, who both congratulated the U.S. as they engage in a war. The president has also heard from Britain’s King Charles III and Israeli Prime Minister Benjamin Netanyahu in recent days.

Inside the U.S., The celebrations are unfolding against the backdrop of a deep divide this election year that has been expanding for years, visible in everything from political expression to cultural norms to age-old questions over race, class and immigration.

At Mount Rushmore on Friday, Trump spoke of communism as a “mortal threat to American liberty” with the Republican president saying it was more dangerous than either World War or 9/11.

Without naming Trump, New York City Mayor Zohran Mamdani, a Democrat who is also a democratic socialist and recently backed several successful congressional candidates in their primaries, appeared to reference Trump during a speech Friday.

“Those ideals upon which our nation was built — they are strong enough to endure any authoritarian regime, but only if we reach for them,” he said.

Vice President JD Vance said small but loud voices would speak on America’s birthday about its imperfections instead of its greatness.

“They will tell you that America is just another country, where the weak struggle against the strong,” Vance said speaking aboard the USS Kearsarge in New York Harbor.

Sloan writes for the Associated Press. Associated Press writers Emily Wang in New York, Luis Andres Henao in Philadelphia, Kristie Rieken in Houston, Sarah Rankin in Richmond, Va., Jeffrey Collins in Columbia, S.C., Safiyah Riddle in Los Angeles and Jesse Bedayn, Anna Johnson, Will Weissert and Michael Kunzelman contributed to this report.

WASHINGTON — President Trump ushered in the 250th anniversary of American independence on Friday with soaring rhetoric about American exceptionalism before veering into a darkly political speech with warnings about a sinister threat of communism that evoked one of the country’s ugliest chapters.

“Communism is a mortal threat to American liberty,” he said from Mt. Rushmore. “It is the greatest threat to our country, including World War I, World War II, Pearl Harbor or even 9/11.”

While the language was similar to several other speeches Trump has given in recent days, it was notable for being delivered in a national park that commemorates some of America’s most prominent presidents. And it swerved from the typically apolitical, unifying speeches past presidents like Gerald Ford or Ronald Reagan have delivered during earlier high-profile Independence Day celebrations.

Indeed, Trump’s language evoked the Red Scare of the 1950s, when purported communists were persecuted and blacklisted from jobs across America, from Washington to Hollywood.

In New York City, Mayor Zohran Mamdani, a democratic socialist, delivered his own address that cast America as a nation of contradictions “working each day towards the perfection in which it was conceived.”

The president’s speech capped an Independence Day eve that was otherwise most notable for a brutal heat wave that gripped much of the eastern portion of the country. Officials have warned those celebrating the holiday to stay hydrated and take air-conditioned breaks as needed.

Philadelphia canceled its Salute to Independence parade Friday. The Great American State Fair in Washington shut down in the early afternoon before reopening at 5 p.m. The Capitol Fourth concert, a mainstay of the holiday in Washington, opened its gates a little later than normal but ultimately moved forward with appearances from Patti LaBelle, Trace Adkins, members of the Artemis II space mission and fireworks over George Washington’s Mount Vernon. An Independence Day parade scheduled for Saturday in Washington was canceled.

Looking for a place to cool off

By early afternoon Friday in Washington, hundreds of people were roaming the grounds of the National Mall, home to the Great American State Fair. They snapped photos of the flyovers and tried to cool off inside tents that offered $9 lemonades and $23 turkey legs. Many were dressed in patriotic colors, their faces glistening with sweat.

Glenn Brooks, who was pardoned by Trump for his participation in the Jan. 6, 2021, attack on the Capitol, said he was “thankful to be participating in this grand event.”

The activity culminates in the main event Saturday, when fireworks will erupt in communities across the U.S., along with backyard cookouts and block parties. Trump will deliver another speech at the National Mall in Washington before what is being billed as a historically massive fireworks show.

As the rest of the country struggled under stifling heat, the Pacific Northwest enjoyed temperatures in the 60s with even a few light showers.

World Cup soccer fans in Seattle were staying cool Friday as they got psyched up for Monday’s big game between the U.S. and Belgium. In the nearby suburb of Issaquah, Megan Kurowski, 31, brought her two dogs to the dog park so they could get some exercise before she went to work.

Kurowski said she was feeling positive about America’s 250th anniversary and was planning a possible paddleboard to watch the fireworks.

“Everyone’s just, from what it seems, been pretty excited about celebrating 250 years,” she said.

The holiday is unfolding at a unique time in the U.S. The anniversary has served as an opportunity for the country to reflect on its history while also reminding it of the political polarization of the moment.

On a holiday of unity, there is an undercurrent of division

In New York, Mamdani, a Democrat, did not mention Trump by name, but parts of his speech appeared aimed at the president’s divisive rhetoric.

“For generation after generation, we have been told that when the world has sent its people to our shores, it has not sent its best,” Mamdani said in an apparent reference to a common criticism from Trump. “Those ideals upon which our nation was built — they are strong enough to endure any authoritarian regime, but only if we reach for them.”

Freedom 250, an organization aligned with the White House, has come to rival America250, a bipartisan group founded by Congress a decade ago. Freedom 250 has organized much of the activity in Washington, including the Great American State Fair. America250 is behind the ball drops unfolding in many cities, including New York, and will host a concert in Los Angeles on Saturday.

About 4 in 10 U.S. adults feel “proud” about the country’s 250th anniversary, according to an April survey from the Associated Press-NORC Center for Public Affairs Research. Roughly 3 in 10 said “excited” describes their emotions.

Ahead of the holiday, auto technician Joe Fuqua-Bejarano in Topeka, Kansas, sized up “what makes us awesome” as a people. It is clearly not the politics, in his view, but rather resilience.

“We’ve just all got to find unity somewhere, whether that’s in laughter or perseverance, and keep everybody cool,” he said from the fireworks stand where he is doing a booming business as a side hustle.

Christina Zhou, a 25-year-old research assistant from Cambridge, Mass., said she would aim to “think about just things that are happening locally.”

“It feels a little bit more like within our own personal control,” she said.

Jerry Chin of Newcastle, Wash., said he wasn’t aware that the U.S. was celebrating its 250th anniversary and planned to stay low-key around the holiday. He and his wife generally skip the fireworks and instead stay home with their fearful dogs to keep them calm.

“America’s a great place, but there are some concerns,” he said. Chin, 55, and his wife worry about healthcare and issues around staying healthy, but they also stress about politics.

“We’re Democrats, so kind of given up hope,” he said. “Just feel that it is the way it is. I don’t know if there could be change.”

At the National Archives in Washington, visitors made their way through the Rotunda to look at the Declaration of Independence, the Constitution and the Bill of Rights — and to escape the heat outside.

Michael Dresdner, 60, traveled from West Orange, N.J., with his wife, Cindi, 57, and about two dozen other people to be part of the America 250 celebrations. He said their group of travelers included people on both sides of the political aisle — and that is what gave him hope for the future of American democracy.

“We are all here, and we all love America,” he said.

Sloan, Peoples and Price write for the Associated Press. Peoples reported from New York. Associated Press writers Martha Bellisle in Seattle, Anthony Izaguirre in New York, John Hanna in Topeka, Kan., Michael Casey in Cambridge, Mass., and Calvin Woodward, Didi Tang, Gary Fields and Nathan Ellgren in Washington contributed to this report.

About six months after Toni Morrison died in the summer of 2019, Literary Cleveland began hosting annual community tribute parties on the Nobel Prize-winning author’s birthday, Feb. 18. Lorain, Ohio — a suburb of Cleveland — is where Morrison was born and raised, and where she set several of her novels. During these gatherings, participants were prompted to read aloud from their favorite Morrison works, and share why they savored those particular lines.

Over time, these meetings began to feel increasingly intimate, even “sacred,” according to Literary Cleveland’s Executive Director Matt Weinkam, which prompted him, in tandem with Ohio Humanities head Rebecca Asmo, to brainstorm how to take their program state-wide. “This is Toni Morrison, one of our greatest writers,” Weinkam recalls thinking. “We needed to do something bigger.”

At the time, Weinkam and Osmo were also trying to figure out how to commemorate America’s semiquincentennial. Weinkam was listening to Morrison’s entire oeuvre on audio and realized that when you organize the 11 novels in a certain order, “they tell the history of America.” So how, he thought, “could you use the literature of Toni Morrison to view our country through a different lens — through her lens?” He says they knew honoring Morrison as a consequential figure not just in literature but also in the context of American history would be central to Ohio’s celebration of the semiquincentennial.

“[But] only as the project was coming together did we strike on the fact that her novels trace American history from ‘A Mercy,’ set in 1690, through ‘God Help the Child,’ in the 2010s. Not only does her work re-center African Americans in the story of our country, it also tackles major events from our founding, through slavery, to the impact of Jim Crow, to the great migration and beyond.”

In the months leading up to the 250th anniversary, they decided to bring the Morrison salons they were curating in Cleveland to all 88 Ohio counties. For assistance they connected with Britt Lovett, a strategist, community leader and fellow Morrison acolyte.

“People say that reading Toni Morrison is challenging,” says Lovett. “[But] reading Toni Morrison is like my grandmother speaking to me.”

In February, on what would have been Morrison’s 95th birthday, they officially launched “Beloved: Ohio Celebrates Toni Morrison,” a yearlong homage including readings, workshops, lectures and a monthly book club that meets on Sunday evenings. They intentionally programmed the book club so that it would take readers through our U.S. history utilizing Morrison’s vision: Weinkam proposed reading Morrison’s novels in the order in which they are set rather than the order in which they were published. “That simple shift,” says Lovett, “changed everything.”

They began with “A Mercy,” one of Morrison’s later novels, published in 2008 — which is set in the late 17th century, before slavery took hold and the country became “racialized.” Next came “Beloved,” then “Sula” and “Jazz.” “Experiencing the novels this way reveals how Morrison traced generations of Black American life across centuries of our nation’s history,” Lovett says. “What may appear to be individual stories become part of a larger narrative about memory, freedom, family, belonging and the ongoing project of America itself.”

For Morrison, writing fiction was a form of “literary archaeology,” excavating history, and how the past hovers over the present. Her quest was what she termed “rememory.”

Eddie S. Glaude Jr. is a Princeton professor and author of “America, U.S.A.: How Race Shadows the Nation’s Anniversaries” who has studied Morrison. “She understood the ongoing national effort to disremember — this startling combination of dismembering and remembering — to protect the innocence of America,” Glaude says. “Instead, her novels relentlessly expose the horror and the magisterial efforts on the part of ordinary people to overcome them. In doing so, she takes us to the beating heart of this fragile experiment — something we desperately need to remember in this 250th year of the country.”

In 1973, as an editor at Random House, Morrison published and collaborated with collectors in compiling “The Black Book,” a seminal volume that tells the story of the African American experience in America in the form of an encyclopedic scrapbook that spans from 1619 through the 1940s. There is no narrator, and this is intentional. The visuals — newspaper clippings, slave auction notices, patent applications by Black inventors, photographs, sheet music, relate their own powerful story “Black life as lived” — great joy juxtaposed with the tragedy and legacy of slavery. From her work on that groundbreaking assemblage emerged the idea for “Beloved,” which won the 1988 Pulitzer Prize for fiction.

Nearly seven years after Morrison’s death at 88, we are living in a golden age of Morrisonia. Three extraordinary new books, published this year, shed light on the brilliance and complexity of Morrison’s life and work, and place her as an American eminence, a visionary who saw fiction as a means through which to recast her country’s story. “On Morrison” by Namwali Serpell; “Toni at Random: The Iconic Writer’s Legendary Editorship” by Dana Williams; and a posthumously published collection of Morrison essays entitled “Language as Liberation: Reflections on the American Canon.” Serpell writes that “Morrison has shaped the way we think about everything.” Morrison herself said that she wrote to “think the unthinkable,” to write novels that were “relentlessly black,” giving no deference to the “white gaze.” Her refusal to sugarcoat the interior and exterior lives of her characters, whether enslaved or traumatized by the past — by events in American history — was purposeful.

“You’re confronted with horrific acts of violence,” Serpell says. “Not to present it in spectacular fashion, nor to feed any kind of voyeuristic or prurient interest on the part of the audience, but to use quiet language — beautiful language — in order to actually get us to step back and think about why this violence is happening and where it’s coming from.”

In that way, Morrison’s work was always a radical experiment — and is perhaps why, according to the American Library Assn., “The Bluest Eye” her 1970 debut — continues to be one of the most frequently “challenged” books in the U.S. “Beloved” runs a close second. But this also is among the reasons her books are considered must-reads in the classroom, and contemporary classics.

John Freeman is an executive editor at Knopf who oversees Morrison’s publishing program. “Her books persist today because they beckon us doubly: they invite us to look clearly at what America is, to come to grips with the fantasies and shadows developed to avoid this awful knowledge,” Freeman says. “They also tell us one phenomenal love story after another.”

Through her book club, cultural icon Oprah Winfrey introduced millions of readers to Morrison by featuring four of the author’s novels. “From ‘The Bluest Eye’ through ‘Beloved,’ ‘Jazz,’ ‘Home,’ ‘A Mercy’ and ‘Love,’ Morrison’s words have helped me become more of myself,” Winfrey says. “She understands the lives of Black women like no one else I’ve ever read. Reading her, I’ve often felt seen in places I didn’t know how to name.”

(HarperCollins; Penguin Random House)

In Morrison’s essays, lectures and other public comments — including as a professor at Princeton for nearly two decades — she occupied the role of public intellectual, always teaching us how to view America’s evolution as a country, and how it became “racialized.”

In a Granta interview conducted late in her life, she challenged the interviewer to consider that the concept of “whiteness” is peculiarly American: “Think about it, “ she prompted. “If you come to this country from Germany or Russia, or anywhere you got off the boat, got on the land, in order to become an American, you have to be white. That’s the quality that brings the country, its people together — having a non-white population. My concept is that if you were from Sweden, you were Swedish. You didn’t have to say, ‘I’m a white Swede.’ You know what I’m saying?”

As we prepare to celebrate America’s 250th, it’s useful to reflect on how Morrison viewed the intersection of fiction, history and memory, how the mission of her fiction was to uncover truths omitted by the standard historical records and history’s “sages.” In her 1987 essay, “The Site of Memory,” she utilized a river as a metaphor to discuss how imagination excavates forgotten histories and people. “All water,” she wrote, “has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were.”

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

We did it! America made it to 250 years of existence!

OK, not everyone may be feeling especially celebratory as we hit the semiquincentennial, as culture critic Mary McNamara wrote in her essay this week, but we can still find some solace in wanting to do better and be better. I’ve always believed the arts are a reflection of the heart and soul of a people. And in a country as multicultural and diverse as ours, that can look very many different ways. While it’s true that social media and the internet at large has siloed us, nothing stays the same and, like it or not, change and progress are very much at the root of America’s existence, as is acceptance of different ways of living. What makes this country great are those varied experiences and how art can be an entryway to them.

It’s among the ideas that my colleagues dug into this week as they examined culture through the lens of America’s 250th anniversary, detailing 10 films that capture America in times of profound change, the quintessential American song, artworks that redefine what it is to be American, what literature belongs in the American canon, how playwrights have embraced the country’s diversity and why orchestras have been sitting out this Fourth of July. Television critic Robert Lloyd also wrote about a number of recent series, both historical and satirical, that take a closer look at America’s history (you will learn, laugh, cry or all three).

If that gives you enough inspiration, there are several Fourth of July events to watch over the weekend, including traditions like the “Macy’s 4th of July Fireworks Show,” now in its 50th edition, on NBC, Telemundo and Peacock, and Nathan’s Hot Dog Eating Contest on ESPN and ABC as part of their “Disney Celebrates America” programming. If you’re looking for something fresh, the America250 initiative will be streaming a ball drop from Times Square in New York beginning Friday night, which CNN is also covering via “Independence Eve Live With Anderson & Andy: Celebrating 250,” a New Year’s Eve-style production with Anderson Cooper and Andy Cohen. Similarly, PBS will be broadcasting “A Capitol Fourth: 250th Weekend Celebration” from the U.S. Capitol and from George Washington’s home in Mount Vernon. It will feature performances from the National Symphony Orchestra, Trace Adkins, Patti LaBelle, Kool & The Gang and more.

On Saturday, America250 will stream “America’s Block Party” from the L.A. Memorial Coliseum, which features performances by Chris Stapleton, the Smashing Pumpkins, Chaka Khan and Anthony Ramos. CBS will also air some of those acts on “The Great American Block Party 250,” along with performances from the Washington Monument in Washington, D.C., by the Zac Brown Band, Jon Batiste, Goo Goo Dolls and the War and Treaty (it will also stream on Paramount+).

In keeping with this week’s theme, we’ve also rounded up several series and films that we recommend watching over the long holiday weekend that tell a story about America or Americans in all their glory — imperfect, diverse and unique. Now that’s something to celebrate. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

“The Americans” (Hulu)

Matthew Rhys as Philip and Keri Russell as Elizabeth in “The Americans.”

(FX )

This series may seem like an odd choice to recommend during the July 4 holiday, particularly when the main characters are driven by values that are pointedly un-American. The FX series, which concluded its six-season run in 2013, stars real-life couple Keri Russell and Matthew Rhys as Russian spies posing as a suburban couple living in Washington in 1981. Critics celebrated the drama as the couple took on their assignments to undermine the U.S. government while also concealing their true identities from their friendly neighbor — an FBI counterintelligence agent — and their two American-born children. Their journey is further complicated as they grow more attached to American lifestyles and values. Rhys, who is currently stirring up awards season buzz with his lead roles in Apple TV‘s “Widow’s Bay” and Netflix’s “The Beast in Me,” won an Emmy for lead actor in a drama during the show’s final season. Fans of “The Americans” are still shaken by the memory of the devastating series finale. — Greg Braxton

“Spirit of ’76” (VOD)

Jeff McDonald, left, David Cassidy and Steven McDonald in “The Spirit of ’76.”

(Philosophical Research Society)

In this energetic, colorful, low-budget 1990 ode to the bicentennial year, travelers from a colorless 2176 attempt to travel to 1776 to reclaim foundational knowledge lost when “the magnetic storm degaussed all recorded history.” They arrive instead on July 4, 1976, where a different sort of freedom holds sway — freedom to get down, freedom to boogie. It’s a friends-and-family affair, written and directed by Lucas Reiner, with appearances by his brother Rob and father Carl; a story co-authored by Roman Coppola; and costumes by his sister Sofia. David Cassidy and Olivia d‘Abo star as among the visitors from the future; Leif Garrett (like Cassidy, a 1970s TV and pop idol) is a disco-mad lothario. Also on board are Tommy Chong, Barbara Bain, Don Novello, Moon Zappa and performance artists the Kipper Kids as men in black. Julie Brown is a sex worker who has something to say about the Gulf of Tonkin Resolution that will sound distressingly timely. Brothers Jeff and Steve McDonald — from the band Redd Kross, and not playing brothers — are the bike-riding, long-haired, slang-slinging teens who join in to help the time travelers accomplish their mission. One word: tetrahydrozoline. — Robert Lloyd

“The Simpsons” (Disney+, Hulu)

“The Simpsons” has long been an American staple on television.

(The Simpsons © 2025 by 20th Television)

With more than 800 episodes across 37 seasons, “The Simpsons” is basically on track to reaching its own semiquincentennial milestone. Its relevance in today’s landscape may be debated, but the animated series has audaciously and consistently captured the American experience with its piercing satire about societal and cultural events and shifts, as well as its reflections on the frustrations and absurdities of daily life for a middle-class family living in a quintessential American suburb — an ideal that has long stood as a standard of success for generations of Americans and now feels like a fantasy for many who still strive for it. (Insert GIF of Homer disappearing into a shrub here.) It’s one of the most entertaining time capsules of a good chunk of America’s run so far. And hey, there are plenty of July 4 episodes to pre-game, pair with, or distract from your social obligations. — Yvonne Villarreal

“American Movie” (VOD)

Bill Borchardt, left, and Mark Borchardt in the documentary “American Movie.”

(Sony Pictures Classics)

One of the breakout documentaries of the ’90s, Chris Smith’s portrait of aspiring Wisconsin filmmaker Mark Borchardt suggests that if you want to understand America, you could do worse than spend some time in his company. Borchardt has no Hollywood connections, no money and seemingly no realistic path to finishing his low-budget horror movie “Coven” (which he stubbornly insists on pronouncing “COE-ven”). Working the graveyard shift at a cemetery and battling his own drinking, he somehow keeps persuading friends and relatives to help him inch the film toward completion. The movie is often hilarious but it never makes Borchardt the punchline, leaving open the question of whether he’s a genuine outsider artist or simply incapable of recognizing impossible odds. When he starts feeling sorry for himself, he has a way of snapping out of it: “No one has ever, ever paid admission to see an excuse.” As America marks its 250th birthday, with so many of the country’s problems seeming unsolvable, Borchardt reminds us that impossible sometimes just means unfinished. — Josh Rottenberg

“Reservation Dogs” (Hulu, Disney+)

Willie Jack (Paulina Alexis), Elora Danan Postoak (Devery Jacobs), Bear (D’Pharaoh Woon-A-Tai) and Cheese (Lane Factor) in “Reservation Dogs.”

(Shane Brown / FX)

This is perhaps too on the nose, but what is the story of America without Native Americans and Indigenous storytellers? Don’t worry, “Reservation Dogs” is not meant to be a history lesson. A coming-of-age dramedy, the series follows a group of teenagers living in a small town in the Muscogee Nation in rural Oklahoma. Culturally specific and infinitely relatable, the teens are grieving one of their own as they navigate familiar perils of adolescence: future aspirations (or lack thereof), relationships and rivalries, family and more as they grow into who they are meant to be. Created by Sterlin Harjo and Taika Waititi, the show was celebrated for its representational milestones both in front and behind the camera for the entirety of its three season run. But what keeps this show on my perpetual rewatch list is its humor, heart and endless humanity. And Cheese! — Tracy Brown

“Star Trek: Strange New Worlds” (Paramount+)

Una (Rebecca Romijn), Capt. Pike (Anson Mount) and Spock (Ethan Peck) in “Star Trek: Strange New Worlds.”

(Marni Grossman / Paramount+)

Despite being set on a starship traveling through the far reaches of space, “Star Trek” is a quintessentially American show that celebrates very American ideals and aspirations. The franchise depicts a future where good people want to do good, are endlessly curious, believe in justice and diplomacy and strive to maintain peace. They’re also willing to fight for what they believe in. “Strange New Worlds,” though created in our modern streaming times, captures a lot of the spirit and swagger of the original series — and not just because it features some characters that originated there. The show follows Capt. Christopher Pike (Anson Mount) and the crew of the U.S.S. Enterprise as they explore strange new worlds and boldly go where no one has gone before. Pike wields a kind of empathetic, nice dad next door charm and all the capabilities of a decorated starship officer, which makes him a perfect ambassador for his exploratory mission. He’d probably also make a good host of a big Fourth of July backyard bash. — T.B.

“Mo” (Netflix)

Mo Amer in Season 2 of his eponymous Netflix series.

(Eddy Chen / Netflix)

The immigrant experience has been portrayed in a number of films and series over the years — though I’d argue there still aren’t enough. This series created by and starring comedian Mo Amer captures not only the realities of navigating the American immigration system, with its draconian requirements and regulations, but also the experience of multicultural life in the melting pot that is Houston, Texas. Here, Amer plays a fictional version of himself, a Palestinian refugee who is trying to get legal status while encountering personal and professional roadblocks at every turn. It’s funny and melodramatic, occasionally veering into silliness, but it brilliantly highlights the very real struggle of finding your place in the world when you don’t know where you can call home or where you belong (the Spanish saying, ni de aqui, ni de alla, neither from here nor there, applies). And it’s one of the very few humanizing onscreen depictions of the Palestinian American experience. — Maira Garcia

“Pose” (Hulu) and “Fellow Travelers” (Paramount+)

Mj Rodriguez as Blanca and Billy Porter as Pray Tell in “Pose.” (FX)

Tim (Jonathan Bailey) and Hawk (Matt Bomer) in “Fellow Travelers.” (Ben Mark Holzberg / Showtime)

The struggle for gay rights has been a long chapter in American history and in the case of these two series, one depicts it through New York’s ballroom scene and the other through the halls of Washington. “Fellow Travelers,” created by Ron Nyswaner and based on Thomas Mallon’s novel of the same name, depicts the romance between Hawkins “Hawk” Fuller (Matt Bomer) and Timothy “Tim” Laughlin (Jonathan Bailey) beginning in the 1950s during the height of McCarthyism and the Lavender Scare and goes through the decades, culminating with the AIDS crisis of the ‘80s. If you want a good cry this weekend, start here. “Pose,” meanwhile, is at turns celebratory and heartbreaking as it depicts the experience of a group of Black and Latino members of the ball scene in the ‘80s and ‘90s. The series highlights the opulent costumes and performers in drag who would leave it all on the floor for a chance at glory among their peers, but also the interpersonal relationships and challenges faced by trans characters like Blanca (Mj Rodriguez, who scored an Emmy nomination for her performance in 2021), Elektra (Dominique Jackson) and Angel (Indya Moore), as well as gay characters like Pray Tell (the inimitable Billy Porter). Both shows are reminders that LGBTQ+ rights were hard won and that the struggle continues. — M.G.

ICYMI

Must-read stories you might have missed

I hope all our American readers, have a great weekend enjoying the 250th birthday of the United States of America! Sit back, have a brew and a dog, smoke a cigar, enjoy the fireworks! And, above all else, watch tomorrow’s flyby!

Have a great weekend everyone and happy bday Lady Liberty!

This week’s caption reads:

A F-117 Stealth Fighter from the 49th Fighter Wing, based at Holloman Air Force Base in New Mexico, shows off its paint job during a March 12 refueling mission flown by the Columbus-based 121st Air Refueling Wing of the Ohio Air National Guard. (Photo/Senior Master Sgt. Kim Frey)

Prime Directives:

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Comedy saved Teruko Nakajima’s life.

In 2016, Nakajima received psychiatric care at Cedars-Sinai Medical Center, diagnosed with depression, PTSD and suicidal ideation. Her doctors searched for ways to manage her stress by exposing her to various activities, including video games, serene Icelandic landscapes and an aerial silks performance. The last brought her anxiety down, revealing that the arts were the answer. Her doctor prescribed the arts, comedy specifically, so she went to the Upright Citizens Brigade for class.

She found a calling and a safe space in comedy.

“I didn’t know I was born a comedian,” Nakajima said. “Finally, I really felt I was accepted as a comedian, validated for who I am.”

Nakajima shares her healing journey to the stage in “Made in America,” which just had an encore performance at UCB on Tuesday after its award-winning run in 2022 (it is also available for streaming on UCB’s website through Tuesday). The one-woman show arrives in time for the United States’ 250th anniversary on Saturday, documenting Nakajima’s search for the American dream as a first-generation Japanese American woman. “Made in America” premiered in 2022 at the Hollywood Fringe Festival during Joe Biden’s presidency and following the Jan. 6 United States Capitol attack. In 2026, its musings on identity and belonging pierce through today’s political landscape shaped by Donald Trump’s second presidency.

“I wanted to let people know this is an American story,” she said.

“Made in America” is about Nakajima’s life. It begins in her mother’s womb. She felt so safe there, she yearned to return. Growing up, she experienced an emotionally and physically abusive life at home, recalling her father breaking furniture and her mother’s alcohol-induced belittling comments. But her name, Teruko, translates to a “shining child.” Thus, she proclaims in the show, “I’m a superstar!”

The beauty in “Made in America” is Nakajima’s ability to find the humor in her trauma. When the show transitions to her life in America, she talks about her life as a dominatrix in New York City and her struggles with romance in Los Angeles. Her comedic jabs at the American economy and humorous reflections juxtapose somber moments of stillness in the midst of her struggles. This balance puts her life into perspective, revealing a positive personality beneath a dark saga.

Nakajima performs “Made in America” at Upright Citizens Brigade Theater.

(Nick Rasmussen)

“I look very happy-go-lucky and cheerful, but actually, I am a very dark person because I have a dark history,” she said. “I always wanted to leave my story behind. I wanted to leave my mark in this world before I died, so I needed to make something.”

The first class Nakajima took at UCB was John Flynn’s storytelling course. There, she started building pieces of the show without realizing it. As they added up, the idea for a show surfaced. After class one day, she asked Flynn to direct it. Flynn, who has been teaching at UCB in New York and L.A. for about 20 years, agreed.

“She disarms people,” Flynn said. “There’s something about her that is just so unique and so delightful that you won’t forget her.”

Flynn first met her at his storytelling open mic. She walked in with her emotional support dog Titi (also known as Tiny Teruko), wearing her signature red heart-framed glasses, without lenses. Soon, these glasses would make him double over in laughter when she performed and cried, dabbing her eyes with tissue through the frame.

“When you start to learn her story and the experiences she’s had, it is amazing that she is so positive,” he said. “She’s such a sort of undeniable positive energy that she just radiates all the time, which is so compelling and why people are so drawn to her.”

Revived at UCB amid Trump’s second term and the nation’s 250th birthday, Nakajima’s show doubles as a defiant immigrant love letter to America — and a refuge for audiences feeling alone.

(Nick Rasmussen)

Nakajima puts all of herself into the show. Aside from comedy, she has been a cheerleader in Japan, a salsa dancer in New York and a sculptor on the side — she loves sculpting MLB players’ butts; Derek Jeter is her favorite. In the show, she folds these aspects of her life into a single story, dancing from section to section. Comedy is more than just laughs; it’s storytelling.

“I am so good at cheering people up, since I was very little,” she said. “I had no competition with others because I’m the one and only. Nobody looks like me.”

Together, Flynn and Teruko parsed through her life stories to give the show an arc. For Flynn, it’s like carving away at what is already there to create something fun and cohesive, like a sculpture. “What’s fun about directing one-person shows like this is that it’s usually just two people in a room putting something together,” Flynn said.

Bringing the show back this year, the work gets sharper and tighter, but the biggest shift is in its conclusion. Once optimistic about the future of life in America, the show now has a stronger desire to make change. There was a sense of hope in 2022 for women like Nakajima, an immigrant who sought safety in a new country and struggled with abuse from her family and strange men. Today, as Trump’s immigration policies lean on deportation and discrimination, she simply wants to be seen.

“America, thank you for not giving up on me,” Nakajima said toward the end of the show. She is proud to be American, not just because she gets to have the same nationality as her dog Titi, but primarily because of the new life it offered her. America promised happiness. Whether it actually comes is another story, but in this one, the promise itself gave her a sense of purpose.

“After the show, people come to me in person and through messages,” she said. “A lot of people said, ‘I felt like I am not alone.’ That gives me so much hope and unity. I feel safe and like I have something to look forward to because I’m not the only one.”

Flynn realized how much he took for granted while working on the show with Nakajima. “I think, even though these are scary times and things seem to be going in directions that aren’t the best, there are still great people, and there’s something that is still there and is not dying and is still fighting,” Flynn said.

When she began her acting journey, Nakajima thought she’d turn to drama, but there’s something more unguarded in comedy.

Nakajima holding up her dog Titi during a performance of “Made in America.”

(Nick Rasmussen)

“I’m very authentic and invincible through comedy,” she said.

By the end of “Made in America,” Nakajima is no longer trying to find her way back to her mother’s womb. She is confident in her place in the world. She remembers that she is a star. She brings out her dog Titi, who was hidden on stage throughout the entire performance, and shares that UCB gave her a new outlook on life. Comedy breaks away her stresses and allows viewers to be vulnerable with her.

“I always wanted to feel safe,” she said. “I never had that. Finally, I found a safe space, and then I realized that I’m actually important. I’m actually worthy. I’m so happy right now to be able to express myself through comedy because it’s the truth.”

WASHINGTON — Festivities commemorating the 250th anniversary of American independence from Great Britain kick into higher gear across the United States on Friday as celebrations are balanced with efforts to stay safe as much of the country bakes under extreme heat.

President Trump will travel to South Dakota to deliver a speech and watch fireworks at Mt. Rushmore. And in a novel twist, there will be a ball drop in New York City’s Times Square at midnight to usher in the July Fourth holiday with much the same revelry that is typically reserved for New Year’s Eve.

The activity culminates in the main event Saturday, when fireworks will erupt in communities across the U.S., along with backyard cookouts and block parties. Trump will deliver another speech at the National Mall in Washington before what is being billed as a historically massive fireworks show.

But for all the celebrations, there are also serious safety considerations as potentially record heat grips much of the Midwest and East Coast. Officials have warned those celebrating the holiday to stay hydrated and take air-conditioned breaks as needed.

The heat has already affected some of the programming surrounding the holiday. In Washington, organizers of the Capitol Fourth concert banned the public from attending a Thursday rehearsal because of the heat.

The concert Friday, a staple of Washington’s Independence Day traditions, is on, but the gates will open to the public later than usual, at 7 p.m. EDT, an hour before the show. Organizers of celebrations in Washington on Saturday said they were adding water stations along with cooling resources and medical support.

From Boston to Norristown, Penn., and Gettysburg National Military Park, plans were shifting to accommodate the soaring temperatures. Amtrak canceled some trains in the Northeast due to excessive heat that could affect the tracks.

The holiday is unfolding at a unique time in the U.S. The anniversary has served as an opportunity for the country to reflect on its history while also reminding it of the political polarization of the moment.

Even the celebrations themselves have not quite escaped the divide.

Freedom 250, an organization aligned with the White House, has come to rival America250, a bipartisan group founded by Congress a decade ago. Freedom 250 has organized much of the activity in Washington, including the Great American State Fair, which has gained attention for the relatively small crowds it has attracted. America250 is behind the ball drops unfolding in many cities, including New York, and will host a concert in Los Angeles on Saturday.

About 4 in 10 U.S. adults feel “proud” about the country’s 250th anniversary, according to an April survey from the Associated Press-NORC Center for Public Affairs Research. Roughly 3 in 10 said “excited” describes their emotions.

Sloan writes for the Associated Press. Associated Press writers John Hanna in Topeka, Kan., Michael Casey in Cambridge, Mass., and Calvin Woodward in Washington contributed to this report.

Until not so long ago Latin America had been considered a quiet region, located far from the world’s superpower main strategic confrontations, with sporadic but crucial moments that helped to shape the international order as we know it today. The Cuban Missile Crisis is the clearest example: it became the starting point for a series of agreements and treaties on nuclear and strategic security, involving both the US and the Soviet Union at first, and later extending to other actors of the international community, from Europe, Asia and Latin America, which became the first region free from nuclear weapons after the signing of the Treaty of Tlatelolco in 1967, 5 years after the crisis. After this episode, the region’s relevance seemed to fade, and Latin American countries appeared condemned to a destiny of surfing between weak political cohesion internally and relatively stable economies, even as most of its governments remained closely aligned with Washington on foreign policy matters.

It was precisely during this period of perceived irrelevance that China began building its presence in the region, very gradually and over the course of a little more than two decades. Washington largely ignored this process, even as it became clear that the Asian giant was becoming the largest trading partner for several South American countries, such as Peru and Brazil, and in many cases also the main investor in their economies. This neglect was not born of ignorance: it reflected, instead, a confidence that local governments would remain compliant regardless of who was investing in them. President Trump’s first term illustrates this well. Despite isolated clashes with the governments of Mexico and Venezuela, these episodes looked minor when compared to the “tariff wars” waged against the EU and China. In fact, the only time Trump ever set foot in the region during his entire first term was in November 2018 when he attended the G20 Forum in Buenos Aires. Significantly, there was a planned short visit in Colombia after this event, but I was cancelled. This was widely read at the time as a confirmation that Latin America remained a low priority for Washington’s foreign policy agenda, more due to the expectable compliance of local governments than ignorance of the importance of the region as a resource base capable of fueling US power projection in other regions.

It was only during Trump’s second term that American foreign policy has shifted towards the Western Hemisphere, attributing strategic importance to the region and setting the objective to maintain a near-absolute dominant presence, involving both economic and military dimensions, as is stated in the latest National Security Strategy of 2025.

By the time this shift was formalized, China’s footprint in the region was already deep and country-specific. In Brazil, China had been the largest trading partner since 2009; bilateral trade hit a record $171 billion in 2025, with China accounting for 27.2% of Brazil’s total foreign trade, besides, EV plants and a still planned bi-oceanic railway linking Brazil to Peru’s Pacific coast were being negotiated as part of the Chinese investment strategy in both countries. In Argentina, China became the primary supplier of mobile network infrastructure, part of a broader Chinese push into Latin American 5G and data-center markets. And in Peru, China invested around $1.3 billion in the strategic port of Chancay, a deepwater facility that entered full operation stage in November 2024, and set a new phase for trade between China and South America, bypassing the traditional deepwater ports located in the US, like the ports of Oakland and Stockton. Reinforcing this, China pledged in May 2025, at the CELAC forum ministerial meeting in Beijing, to ramp up its regional engagement even further. These were not isolated transactions but a structural presence, one that the 2025 National Security Strategy now identifies strictly as the rival foothold it intends to dislodge.

Now, within this context in 2026 the declared shift of interests proved it wasn’t merely rhetorical. The year started with the launching of Operation Resolve, when a group of American special military forces conducted a military raid and captured President Nicolás Maduro and his wife in Caracas, transporting them to New York to face narcoterrorism charges. Trump declared that the US was now “in charge” of Venezuela until a transition takes place. This meant in practice that the US would hold control over the country’s oil exports, which during the first four months after Maduro’s capture were estimated at $8 billion, but the data on how much oil has been sold, the revenue from it and the use given to those funds remains secret. The main importers of Venezuelan oil during this period were the United States (43 percent), India (26 percent, part of the strategy to reduce Indian import of Russian oil), and Spain (8 percent). This episode, condemned by critics as a return to the old days of imperialism, set the tone for the rest of the year: a hemisphere where Washington would use military force, tariffs, and other mechanics for pressuring countries to sign economic deals where American core interests prevail.

An example of this is the new and controversial Trade and Investment agreement signed by the United States and Argentina in February of this year. According to the text, Argentina shall adapt the regulatory framework to implement US trade standards and prioritize American direct investment in the country, while the counterpart shall “try to review its tariffs” and “consider supporting investment financing”. Milei’s government has justified this as the price for ideological loyalty and continued financial support after the $20 billion credit line that helped to stabilize the local currency (peso) last year.

On the other hand, Brazil took the opposite path: rather than just seeking accommodation to this policy, the government of Lula da Silva accelerated diversification, finalizing the long-delayed EU-Mercosur agreement in January, deepening trade with China and signing a memorandum of understanding with aims for further strategic partnership with Russia. Notably, the US has implemented another mechanism of pressure here, condemning the imprisonment of former president Jair Bolsonaro and holding a meeting with his son Flavio Bolsonaro, who will participate in the presidential elections this October. This gives clear signs of indirect support for this far-right candidate, following the regional trend with Milei in Argentina and Keiko Fujimori in Peru.

Peru, meanwhile, illustrates a third pattern and an interesting case, because alignment here is imposed less by negotiation than by sheer state fragility. Amid a presidency turning over for the ninth time in a decade, the US State Department warned in February that China’s control over the Chancay megaport threatens Peru’s sovereignty, following a Peruvian court ruling that exempted the port from national oversight. Peru’s case pictures a scenario where both counterparts keep pushing for concessions and more privileges. Under the government of José María Balcázar, the ninth president in 10 years, the country has been involved in the controversial purchase of 12 F-16 jetfighters with a cost of around $3.5 billion. On April he postponed the official ceremony where this deal was supposed to be signed arguing that it would have to be the responsibility of a new president, the decision was met with pushback, both internally, with declarations from the Ministry of Defense and in the US Embassy, with ambassador Bernardo Navarro declaring “If you deal with the U.S. in bad faith and undermine U.S. interests, rest assured, I, on behalf of [President] Trump and his administration, will use every available tool to protect and promote the prosperity and security of the United States and our region.” After this, with both internal and diplomatic pressure, the deal was signed on the 17th of April.

Taken together, these cases suggest the current US approach to Latin America is not fueled by a single ideological logic, but by transactional calculations that value compliance and heavily punishes resistance, exploiting weaknesses here and there and aiming to these policy goal indifferently to whether the country in question is led by a right, left or ideologically undefined government. What seems quite clear is that the decades of quietness in Latin America have ended, not necessarily because the region has changed, many of the deep challenges for development are still present, but because the rivalry that once defined the Cuban Missile Crisis has returned, this time fought over trade tariffs, infrastructure and technology access rather than missiles.

It’s the 250th birthday of the United States of America and how better to celebrate than with a big-screen hagiography of America’s first president, George Washington? “Young Washington” arrives in theaters just in time for the Fourth of July with a chiseled, hot young actor in the lead role and the sheen of a prestige HBO drama, though the result isn’t really big-screen spectacle or appointment television. It feels more like something to be watched on the AV rig in a middle school social studies class. At least there won’t be a quiz at the end.

But there could be, because the plot of “Young Washington” plays out with all the thrill of a textbook chapter. It takes place mostly around 1753-55, at the advent of the French and Indian War. We open in medias res when the 23-year-old Col. Washington (William Franklyn-Miller) lurches from a dysentery-riddled nap directly into battle in the Pennsylvania woods, his battalion on the back foot, surrounded by gore and gunpowder. Another officer describes how dire the situation is while George ponders saving his men and asks, “What could be worth the risk?” Washington steels his gaze and we cut to black. You can almost hear the eagles scream, guitars riff and engines rev.

“Young Washington” is produced and distributed by Angel Studios, the faith-based movie studio that churns out films based on true stories that either feature freak accidents, strange illnesses or, more recently, unique stories from the past in which faith in God is a factor. Apparently, our nation’s founding also falls under this umbrella.

The film is directed by Jon Erwin, one of the in-house Angel Studios mainstays, who also helmed “Jesus Revolution,” “I Still Believe” and “I Can Only Imagine.” Erwin gives the whole project a kind of gritty, visceral approach — very “Game of Thrones” in red coats. It’s violent, muddy, the contrast is high and too many drone shots soar over the forest treetops.

Though it opens with a bang, this 1755 battle framing device gives way to the George origin story, starting with his father’s death 12 years earlier, when the 11-year-old George is bereft that he’ll have to sacrifice his education in order to become a tenant farmer and provide for his family including his mother, Mary (Mary-Louise Parker, doing a bizarre accent).

His older half-brother Lawrence (John Foss) takes him under his wing and teaches him, and the young George grows into a smart, bright, ambitious young man, whose dreams of becoming a British officer are dashed because he doesn’t have formal education, a fortuitous marriage or his own land. But he’s bootstrapped himself into intelligence and with savvy networking and know-how, he becomes indispensable to the British, volunteering as a major to survey land and negotiate treaties with the Native tribes and French army. It’s all a bunch of politicking and petty disputes until it escalates into all-out war thanks to an ill-advised ambush.

Sir Ben Kingsley, Kelsey Grammar (who starred in “Jesus Revolution”) and Andy Serkis play the British officers who begrudgingly, at times, believe in George and his capabilities, though a lot of the film is about a young man getting rebuffed by snobbish British officers.

He’s the kind of character who always makes the noble choice, does and says what’s right, and sees everyone as equals (including enslaved African men and Native American allies). He inspires his brother and others that the world can change and takes inspiration from his mother, who encourages him to continue his path and do it as God’s servant.

Unfortunately, this doesn’t make for a character that’s in any way complex or interesting at all. Franklyn-Miller is certainly pretty, serving as a fine face for this story, but the screenplay (by Erwin, Diederik Hoogstraten and Tom Provost) flattens his character into a basic cookie-cutter hero. Audiences, including the middle school social studies students, deserve better and more nuanced stories about this country and the values it was built upon.

“Young Washington” is propaganda in the form of a history lesson wrapped in a summer blockbuster. If only it were even slightly entertaining — maybe they’ll tackle that in the inevitable sequel.