America

June 24 (UPI) — Investment from the United States in Latin America and the Caribbean fell 11% in 2025, although the country remained the region’s leading source of foreign direct investment, the Economic Commission for Latin America and the Caribbean, or ECLAC, reported.

The organization presented its annual report, Foreign Direct Investment in Latin America and the Caribbean 2026: Navigating the New Global Context, in Santiago, Chile, on Tuesday. The report showed that the region received $194.233 billion in foreign direct investment in 2025, up 1.7% from the previous year.

ECLAC attributed the modest growth to an international environment marked by geopolitical tensions, technological rivalry among major powers and changes in U.S. trade policy.

The United States accounted for 35% of foreign investment with an identifiable origin entering the region, while Europe represented 32%.

ECLAC said the decline in U.S. investment flows and the increase in European investment significantly narrowed the gap between the two players.

The organization warned that recent changes in U.S. tariff policy could affect Latin American countries unevenly depending on their productive structures and their level of integration into regional value chains.

“In the current global context of weaponized interdependence, it is essential to understand the relationship between trade and foreign direct investment in order to design policies that allow us to advance toward more productive, inclusive and sustainable development,” ECLAC Executive Secretary José Manuel Salazar-Xirinachs said.

During the presentation of the report, Salazar-Xirinachs also said the world had moved from a period in which economic interdependence was viewed as a source of efficiency and even a guarantee of peace to one in which it is increasingly perceived as a source of vulnerability, according to statements reported by Xinhua.

Brazil remained the region’s leading destination for foreign investment, attracting $77.676 billion, equivalent to 40% of the regional total. Mexico received $43.221 billion, or 22% of the total, although it recorded a year-over-year decline. Together, the two countries accounted for 62% of all foreign investment received by Latin America and the Caribbean in 2025, according to ECLAC.

They were followed by Chile with 7% of regional flows, Peru and Colombia with 6% each, Guyana with 5%, and Costa Rica and Dominican Republic with 3%.

The sectoral composition also showed changes. Services attracted 53% of foreign investment received by the region and increased 19.5% from the previous year. Natural resources rose 7% and accounted for 16% of the total, while manufacturing declined 17.2% and represented 31% of investment flows.

The report also showed signs of caution among investors. During 2025, 1,326 new investment projects were announced with a combined value of $114.1 billion, a decline of 10.2% in the number of projects and 34.3% in value compared with 2024.

In response to this scenario, ECLAC recommended diversifying export markets and sources of investment, strengthening coordination between trade and investment policies, and expanding regional cooperation to reduce dependence on individual markets and increase economic resilience.

WASHINGTON — Colombian presidential candidate Abelardo de la Espriella has vowed to crush criminal groups and slash government programs. He promises to bomb “narco-terrorist” camps and build sprawling mega prisons if he wins Sunday’s runoff election.

De la Espriella’s views have earned him the vociferous backing of President Trump, who has broken with White House tradition by publicly seeking to tip the scales in foreign elections — particularly in Latin America.

After Trump gave his “complete and total endorsement” to De la Espriella, whom he referred to by his nickname, “El Tigre,” the candidate posted an AI-generated image of a bald eagle and a tiger, with American and Colombian flags waving side by side.

“You have paved the way for the people to defeat the entrenched powers that have long held sway,” he wrote to Trump. “In Colombia, we have now begun to follow the same path.”

De la Espriella, a political newcomer who built his campaign around gym workout videos and vows to “disembowel” the left, is part of a new wave of far-right, MAGA-aligned politicians in Latin America openly borrowing from Trump’s playbook, presenting themselves as outsiders who will trim the government, curtail immigration and militarize law enforcement.

In a region that remains plagued by high crime and inequality after a decades-long period of leftist domination known as the “Pink Tide,” the playbook appears working.

More Latin Americans now identify with the right than at any time over the last two decades, according to polling firm Latinobarómetro. A series of conservatives have won presidential elections in recent years, giving Trump a slate of willing partners as he seeks to expand U.S. power in the region, combat drug cartels and counter growing Chinese influence.

President Trump meets with El Salvador’s president, Nayib Bukele, in the Oval Office of the White House on April 14, 2025.

(Brendan Smialowski / AFP via Getty Images)

Among Trump’s many allies are Argentina’s Javier Milei, a libertarian firebrand whose dramatic cuts to state services were a blueprint for Elon Musk’s so-called Department of Government Efficiency, known as DOGE; and El Salvador’s Nayib Bukele, a mano dura autocrat who housed U.S. deportees in his notorious prisons to assist Trump’s immigration crackdown.

Ecuador’s Daniel Noboa has welcomed U.S. Special Forces, who are attacking drug traffickers in his country, and Chile’s José Antonio Kast has pledged a border wall along his country’s frontier with Peru and Bolivia in his quest to “make Chile great again.”

Trump might soon gain another ideological bedfellow in Peru with the election of Keiko Fujimori, the daughter of late autocrat Alberto Fujimori. With ballots still being counted, Fujimori was on track for a narrow victory

In a sea of nations led by conservatives, the left now retains power in just three key countries: Mexico, Colombia and Brazil.

It faces serious challenges in two of them.

Ahead of October’s presidential election in Brazil, incumbent Luiz Inácio Lula da Silva, a leftist stalwart and one of the last vestiges of the Pink Tide, has been polling even with Flávio Bolsonaro, the son of former President Jair Bolsonaro, a Trump ally convicted of convening a Jan. 6-style insurrection.

Brazil’s President Jair Bolsonaro, right, with President Trump during a dinner at Trump’s Mar-a-Lago estate in Palm Beach, Fla., on March 7, 2020.

(Alan Santos / Associated Press)

And then there’s Colombia, where De la Espriella, a criminal defense attorney, surged ahead in the first round of voting and this weekend faces off against Sen. Iván Cepeda, an ally of leftist President Gustavo Petro.

Petro drew Trump’s ire by denouncing the U.S. military campaign to oust leftist President Nicolás Maduro of Venezuela and a spate of lethal U.S. attacks on alleged drug boats.

Petro slammed Trump’s endorsement of De la Espriella, calling on Colombians to “vote freely and not allow ourselves to become either slaves or anyone’s colony.”

Mexican President Claudia Sheinbaum also accused Trump of electoral interference after the U.S. announced drug trafficking charges against several members of her ruling Morena party and The Times revealed that two more sitting governors are under investigation.

“Is it truly a legitimate interest to combat organized crime?” Sheinbaum asked of the U.S. investigations. “Or are we perhaps witnessing how sectors of the American far right … intend to influence the 2027 election in our country?”

President Trump meets with Argentine President Javier Milei during the United Nations General Assembly on Sept. 23, 2025, in New York.

(Evan Vucci / Associated Press)

The White House has declined to comment on Sheinbaum’s criticism. But Trump earlier this month warned Mexico that his administration is “focused on coming in by land” to deter drug trafficking.

“President Trump has been clear that Mexico must do more to combat the drug cartels running rampant in their country,” a White House official told The Times when asked whether Trump is planning a military operation there.

Trump, who publicly backed Kast and President Nasry Asfura of Honduras, as well as Milei’s political party ahead of Argentina’s midterm elections last fall, has openly mused that he should charge money for endorsement of leaders in foreign countries.

Guillaume Long, who served as foreign minister in Ecuador under leftist President Rafael Correa and who is now a fellow at the Center for Economic and Policy Research, criticized Trump’s “unprecedented, unabashed interventionism in Latin American politics.”

“There are a number of taboos that have been broken,” he said.

Long added that Latin America is mirroring the United States in its political divisions. “I think we’re likely to see in the coming decades a very polarized politics,” he said. “And that doesn’t bode very well for political stability.”

Much of Trump’s activity in the region, including the deposing of Maduro, has been presented as part of a war on drug cartels, which the White House has formally declared terrorist organizations. Long described that rationale as a “pretext” for expanding U.S. political and economic influence in the region.

Nicolás Maduro and his wife, Cilia Flores, are escorted by federal agents as they make their way to an armored car for a trip to a federal courthouse in Manhattan on Jan. 5.

(XNY/Star Max/GC Images)

He said he believed that focus on cartels had pushed some Latin American politicians to the right “because they think being security hawks will make them popular with the Trump administration.”

But James Bosworth, the founder of Hxagon, a company that provides political risk analysis in Latin America, said many leaders in the region have come to tough-on-crime policies on their own.

“I think that some of the hemisphere is willing to play along with it because the hemisphere has issues, including security issues, where the U.S. can be of assistance,” Bosworth said. “Many Latin Americans do want a greater military focus, so there’s certain alignment that’s occurred.”

Conversely, Mexican journalist Alex González Ormerod said he believes Trump has been influenced by Latin American leaders, including Bukele, who suspended civil liberties and began locking up alleged gang members en masse in 2021.

“I think there’s a lot of cross-pollination going on,” he said, crediting groups like the Conservative Political Action Conference, a gathering of right-wing activists and elected officials that has hosted events in Brazil and Argentina.

Many analysts cautioned that Latin America operates on a pendulum, swinging every few years between right and left.

“There’s a lot of evidence that voters are just unhappy and voting for the opposition, and then losing patience very quickly with whoever is in office,” said Benjamin Gedan, director of the Latin America Program at the Stimson Center.

Voters dissatisfied with the status quo so often vote out incumbents there is a phrase for it: voto castigo, or “the punishment vote.”

Ceballos reported from Washington and Linthicum from Mexico City.

Daiki Kaneko had only 24 hours before his World Cup journey took him to Dallas, where his home country’s squad will take on Sweden.

The Japanese soccer fan was making the most of it on Tuesday in Inglewood, snapping pictures of SoFi Stadium before taking in a different kind of monument: a space-age, two-story branch of the chicken chain Raising Cane’s, complete with a 308-square-foot screen, a mirrored dog sculpture and a massive halo hovering around the exterior.

For Kaneko, 25, who lives in the Tokyo suburbs, it was the perfect encapsulation of American grandeur.

“All this for chicken,” he said. “I love America.”

Inglewood is already diverse — most residents are Latino or Black, and nearly a third are immigrants. But during the World Cup, it’s looking more like the United Nations. English, Japanese, Swiss, Iranians, Paraguayans, Bosnians, Belgians and others are flocking to the city of about 102,000, where eight matches are being played at SoFi Stadium.

Though visitors from abroad may not have heard of Inglewood until now, they’re soaking up the vibes of a city that has long been a major sports and entertainment hub, home to venues such as the Kia Forum and Intuit Dome, and a crucible of Black culture, immortalized in hip-hop songs by artists such as Tupac Shakur and Dr. Dre.

“We’re an international city now,” Mayor James Butts said.

Butts said locals were already proud of what the city has become, but the World Cup has put the celebratory feelings over the top.

“We have people from so many different countries migrating to Inglewood, and there’s an explosive sense of community pride,” he said.

Bartender Elijah Gonzalez, left, mixes a drink at the Nile Bar in Inglewood while customers watch a World Cup soccer preview.

(Allen J. Schaben / Los Angeles Times)

City officials are doing everything they can to embrace the spirit of the tournament, including speeding up permits so small businesses and neighborhoods can hold World Cup gatherings and watch parties, Butts said. During the U.S.’s opening match against Paraguay on June 12, the city hosted the Wood Cup, a block party on Market Street that brought in more than 5,000 people.

Businesses across the city are embracing the tournament as well, vying for a piece of the roughly $17 million the city expects to haul in. For a few weeks, concerns about skyrocketing housing costs and gentrification, brought on by the city’s increasing popularity as a place to settle down, are taking a back seat to the sheer fun of international soccer.

The supersized Raising Cane’s had its grand opening on June 11, the first day of the tournament. During the USMNT’s opening match, Cinepolis, a luxury movie theater down the road from SoFi Stadium, turned into a global sports hub, according to CEO Luis Olloqui.

Maddy Daversa, a bartender at the Meeting Spot, a restaurant near the stadium, said 2,000 people poured in when the Americans played Paraguay.

“I was selling beers for five hours straight,” she said. “It was crazy.”

Daversa said the restaurant is usually closed on Mondays but opened in hopes of getting some spillover fans from the Iran-New Zealand game at SoFi.

“Every table was full,” she said. “We’re taking advantage.”

Tuesday was an off day for Inglewood, with no games at SoFi. But the energy was still palpable, with locals sporting soccer jerseys and tourists popping up across the city.

“I just want to be where the fans are,” said David Meier, a Swiss fan in town for his home country’s match against Bosnia-Herzegovina on Thursday.

Meier, 45, plans to explore L.A. via bars, restaurants and watch parties, taking in every game that his schedule will allow before heading north of the border to Vancouver, where Switzerland will face Canada on June 24.

“Everyone has been so kind,” he said. “Soccer and beer turns strangers into friends.”

Flags from countries competing in the World Cup are on display at Manchester Boulevard and South Market Street in Inglewood.

(Allen J. Schaben / Los Angeles Times)

The energy carried over to Market Street, a historic shopping district about a mile from SoFi Stadium. Businesses set up signs, posters and international flags to lure locals and tourists alike, while the Miracle Theater hosted a watch party for the match between France and Senegal.

Owen Smith, who co-owns the theater with his wife, Mariana, said a Senegalese friend who grew up in France asked if he would be willing to show the game on the big screen. A day later, fans of both teams assembled inside, snapping photos in front of a giant inflatable World Cup trophy in the lobby.

“The Miracle is a cultural event theater. It’s about accommodating the community,” Smith said.

Benyam Woldegiorgis, who co-owns the Nile Bar on Market Street, is showing every single World Cup match — all 104 of them.

“It brings in business,” he said. “Usually it’s just football, basketball and baseball, but now we’re adding soccer to the mix.”

Dionte Johnson, owner of the streetwear store Kingsrowe, partnered with Adidas to hold a watch party for the U.S. team’s opener and said the turnout was massive, bringing in loads of Mexico fans who are local residents, even though their team had already won their opener the day before.

“The downside of the World Cup is that tickets are so expensive, so a lot of locals can’t go check out the games themselves. That’s why we’re hosting events,” Johnson said. “The games are in our backyard, so this is something people have had on their calendar for a long time.”

Homeowners are cashing in as well, with some renting out their places on Airbnb for a small fortune, figuring that crashing on a friend’s couch or booking a hotel room elsewhere is well worth the lofty payouts brought by World Cup demand.

Across L.A., hotel demand lagged compared with initial expectations, but short-term rental prices still jumped 56% compared with typical rates, and more than 70% of rentals were booked by December 2025.

In Inglewood — especially for rentals walkable to SoFi Stadium — prices became dizzying.

David Orenstein and his wife, Peggy, run an Airbnb across the street from SoFi Stadium. It usually rents for $400 per night, but for the U.S. team’s opening game, it went for $3,000.

(Robert Gauthier / Los Angeles Times)

Peggy Orenstein and her husband, David, own a home steps from the stadium that typically rents for $400 a night on Airbnb. For the U.S. team’s opener, the nightly rate shot up to $3,000.

For other matches, the four-bedroom house is going for $1,200 to $1,500 a night. Orenstein said the high demand and international crowds are a teaser for what’s to come.

“Next up is the Olympics,” she said. “This is a great learning lesson for what we can expect.”

AFTER years of “neglecting” Europe and the UK, Aussie duo Empire Of The Sun return for three sold-out nights at London’s Alexandra Palace next week, proof they are making up for lost time. 

“The Empire surges on,” says singer Luke Steele in a quiet moment away from the tour.  

“Empire still feels as intense as ever. It’s like being in a vortex. It’s like Lord Of The Rings when they put the ring on, or when you’re surfing and you’re caught in the wave. Being on this tour is always like that.  

“We’ve changed a few things and added a few new songs, and suddenly it changes the ripples of everything else.” 

Nearly 20 years after track Walking On A Dream first introduced Empire Of The Sun’s fantastical universe, Steele and non-touring band member Nick Littlemore are bigger than ever. 

“It’s incredible because these are our biggest shows and it’s the biggest following we’ve had,” says Steele proudly on a video call. 

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“It’s exploded in a completely different way, to a whole new generation who are my son and my daughter’s age.  

“My daughter Sunny is about to turn 18 and Walking On A Dream came out the week she was born. Nearly 20 years later, it has hit that next generation and it is so reinvigorating. I’m running into kids who are 15 asking, ‘Who’s this new band?’.  

“A lot of people have been asking about the band’s outfits — they’re fascinated by the fashion. 

“But for so many people, they just hear the songs on the radio or at a party and don’t even know what the band looks like. They’re just captivated by the melodies.” 

Steele is in Budapest to perform, and he has just got back from a scooter ride around the city’s sights on a rare day off. 

The pair have survived near burnout and band tensions, but Steele says the music always pulled him back and now he feels the healthiest and sharpest he has ever been. 

“We always had great shows in the UK, but it felt like we’d lost a bit of steam by not touring there frequently. Then the pandemic was tough — five years not being able to tour and stuff — so maybe now we’re making up for lost time.” 

Last summer’s sold-out Labyrinth On The Thames show at Greenwich’s Old Royal Naval College was Empire Of The Sun’s first London performance in more than six years. 

“That was special. It was amazing,” Steele says. “So it’s great we are coming back to the UK — to London and also Cardiff and Halifax — which I am told is right at the top of the UK but not as far as Scotland.” His music is better than his geography. 

Empire’s return has meant more than just filling venues. It is about the band’s influence on the fans, who have found their own lives reflected in the songs. 

“The music is so important. It’s important for us, for our sanity, but it’s amazing what the records have been doing to people,” he says. “I feel a bit more like a conduit now. I’ve been handed these keys, and it’s like, what are you going to do with them? What doors are going to open?” 

“I have to harness that power of influence in a clever, natural way. 

“Coming back with the new show and writing new records post-pandemic, it feels like the songs need to have new revelations and new messages in this crazy world.” 

Steele reckons part of the success of Empire Of The Sun’s performances has been down to his live band, which includes former Gomez guitarist Ian Ball and drummer Olly Peacock.  

“They are the greatest players — really seasoned musicians, which is incredible to have,” says Steele. “People with experience are worth everything in touring. Ian is my right-hand man. The one and only.  

“You rehearse for three months, then you get up in front of 80,000 people and suddenly my in-ear pack goes down, or the pedalboard dies. Ian is so calm. He just mooches over, cool as a cucumber, sorts it out and comes back before I’ve even noticed.”  

Steele says having a great team behind him means he can execute the ideas he has been inspired by. 

“There are quite a few songs from Ask That God in the set.  

“We always play the hits, like We Are The People and Alive, because that’s important for people’s memory, and then there are a couple of throwbacks from the earlier records. 

“It’s about trying to fit it all in without it becoming an exhausting meal for people.  

“The first show probably had too many songs — like eating that last chicken wing at the Chinese buffet, where you walk out thinking you’ve had too much. It’s a fine line. 

“I don’t like those shows where bands play for three-and-a-half hours. I want to see a concert, get blown away, and go and put my pyjamas on. You don’t want to lose people.” 

Almost two years into the Ask That God tour, Steele is still pushing the show forward. 

He says: “It’s so exciting and exhilarating, and then there are the fans who mean so much. 

“It always sounds so cliched to me, to talk about ‘the fans’ but as I’ve got older and seen their dedication they become like your friends. It’s more than someone buying an album. The music seeps into their lives. 

“The other day I met this girl who showed me a video of her three-year-old kid dancing to one of our songs. It’s amazing to be so far away from home and see how much the music touches people.  

“We played Poland recently and this girl had spent months making these elaborate Salvador Dali and Escher-style collage illustrations for each song. She printed them all in a book and had written a personal note at the end. 

“People really go on the journey with us, so I’m pretty thankful.” 

Being away for long periods from his own family in Australia is what hits Steele the hardest. 

“I’m not really going home until Christmas. We go from here to the American tour and it just keeps going, but they’re all coming out to the UK shows. 

“I find it hard. I go through different stages of exhaustion and depression, excitement and exhilaration. It’s like a wave.  

“I feel quite fragile because I’m so emotional. Being on the road is a real vortex. And when you get home it’s not easy — this pipe burst in the front bathroom of my new house I bought in Perth, and 700,000 litres of water flooded the whole house.  

“When I came back from tour in January from Miami, it was just like a swimming pool, so everything’s been gutted now. It’s just all concrete, so we’re in a rental for a while — we’re pretty much homeless now.” 

After living in the US then New Zealand, Steele moved back to Perth to be closer to his family. 

Steele, who was living in America during Donald Trump’s first presidency, says the country’s extremes fed into his songwriting. 

“I had to go because I was writing so many aggressive songs. Now I’m back where I grew up and it’s been awesome,” he says.  

“I haven’t lived there for 20 years, so it’s a perfect amount of time to get over the regret, you know? 

“And it’s been good to be the hometown hero.  

“Walking On A Dream became the soundtrack for Tourism Western Australia’s global campaign and it is even named after that song.  

“There’s also a music room at my school named after the family. It feels kind of cool to be given the keys to the city, where it all started.” 

Steele lost his dad, blues musician Rick Steele, last year and he recently paid tribute to him with a night of blues. 

“It was the one-year memorial and it was awesome to come back together, remember him and play the blues. The blues club he belonged to is stronger than ever, which is great. 

“I didn’t want him to pass away and then the club to fall over. His legacy moves on, and we’re about to do a grant the Steele family has started — the Rick Steele Music Grant. 

“We’ve also got a plaque on a park bench just down the road from his house, where he lived his whole life. He used to go there most mornings, get a coffee and sit on that bench. I think he’d think that was pretty cool. He’s got his own bench there.” 

For Steele, that sense of legacy, home and survival has fed back into the music. 

“It’s a good spot to be, because I feel the sharpest I’ve ever been and the healthiest. I got rid of all of that garbage, all the drugs and alcohol, years ago.  

“It was music that helped me to heal by writing every song and playing, recording and mixing it myself.  

“Music is still such a powerful phenomenon and medium. It’s a healer. It brings renewal, hope and vision.  

“Music was always the vessel, even after I said the band was done and went off to write a solo record.” 

That sense of purpose also seems to have softened the creative tension between Steele and Littlemore.  

They have not always seen eye to eye, but time, distance and their separate lives have made the partnership easier to understand. It’s like a marriage that works because both know when to step away. 

“I think Nick and I have been good at that,” he says.  

“We probably spend more time apart than together and, when we come together, it’s quite focused on the job at hand.” 

After side projects — Littlemore is the frontman of electronic trio PNAU — and an eight-year gap between third album, Two Vines, and the release of 2024’s Ask That God, time apart now seems to be part of how Empire Of The Sun have survived.

Steele says: “When we came back, it was like, OK, we’re older now — what are we actually talking about? What’s the real meaning? So we’re trying to bring more of that into the show and the theatrics.  

“But I think now we can sit back and soak in the fruits of our labour a bit.  

“For a while, you’re just trying to hold on to it, because you spend your whole life trying to get to a point where people are actually listening. 

“Now we have people’s attention, we have to treat that with respect and not take it for granted. 

“I haven’t spoken to Nick for a while, but we’ll probably start talking more now we are about 45 songs into the new record and trying to finish a huge batch of songs. It’s definitely going to be a little bit more edgy.  

“We’ve been working with different producers and in Hawaii, LA and Sweden. Each territory brings different colours.  

“Working with these different people, from different places gives you beautiful ingredients.” 

But before new music arrives, there is the small matter of shows in Halifax, Cardiff and three sold-out nights at Alexandra Palace. 

It is surely a pinnacle moment, which Empire Of The Sun have been building towards for nearly 20 years. 

“We’re going all out on that,” he insists.  

“They’re going to be massive shows.” 

Tyra Banks has filed a defamation lawsuit against Netflix and the directors of “Reality Check: Inside America’s Next Top Model” claiming that she was manipulated and misrepresented in the series.

The three-part documentary, directed by married duo Mor Loushy and Daniel Sivan, revisited the reality show’s rise and many controversies, including former contestant Shandi Sullivan discussing what she described as a blackout sexual encounter that took place during Cycle 2 of the series and was a major plot point because Sullivan was in a relationship.

Sullivan said in “Reality Check” that she felt like producers should have stepped in considering she was heavily intoxicated, but instead they followed her into the bathroom and bedroom to record a sexual encounter with a male model. In a following scene, Banks lectures Sullivan about cheating and “carnal” temptation.

“Tyra Banks participated in the Netflix documentary series about ‘America’s Next Top Model’ because she believed viewers deserved a candid conversation about the show’s legacy — its successes and its shortcomings,” reads the lawsuit. “There are aspects of the show for which Ms. Banks takes accountability and she wanted ANTM viewers to hear that from her directly.”

The lawsuit, filed on Saturday in the Central District of California, claims that the supermodel turned media personality participated in a 3½-hour interview, of which about 16 minutes was used.

“The producers used what could be stripped of context and reassembled to support a false and defamatory narrative unrelated to what she actually expressed,” reads the suit. “The accountability Banks took ended up on the cutting room floor.”

The suit alleges that producers used “selective editing, deliberate omission and surgical manipulation of continuous footage” to create a false narrative that Banks “knowingly allowed a contestant to be sexually assaulted on her show, exploited that contestant’s trauma for ratings, and then could not even remember it when asked.”

Banks claims that she asked Netflix and the producers of the docuseries for access to the unedited footage of her 3½-hour interview, and proposed they work together to “correct the record.”

“Had they agreed, Ms. Banks could have made the truth public and this litigation would likely have been unnecessary,” reads the suit.

According to the suit, Banks was pitched the docuseries as a “definitive three-hour Netflix docuseries exploring America’s Next Top Model as a groundbreaking popculture phenomenon.” The pitch had a Netflix logo on its cover, and Banks had “long trusted and admired Netflix.” The streamer’s involvement was the reason Banks claims she considered the project.

Banks claims the pitch included promises that the documentary would unpack the show’s legacy “not as a takedown, but as a thoughtful in-depth reflection on its influence, evolution, and impact on fashion, television, and culture.”

The suit claims Banks was prepared for a fair comeuppance, but ultimately the former supermodel felt hoodwinked. “Nothing suggested that the project would falsely accuse Ms. Banks of covering up a sexual assault, or being indifferent to what a contestant characterizes as a traumatic experience.”

In February, directors for “Reality Check” revealed that Banks wasn’t invited to participate in the docuseries until well after production began

“It was like, ‘Hey, this can be a great addition, but definitely not a necessity,’” Sivan said. “People talking trash about her is very easy to find. … But having her passion, bringing this program to life, is something that only she could tell.”

Sivan and Loushy, who also helmed the acclaimed 2025 docuseries “American Manhunt: Osama bin Laden,” said they treated “Reality Check” with the same level of care as previous heavyweight projects.

“There were things that were sensitive and important for me,” Loushy said, from the harassment that she said “ANTM” contestants endured to the insecurities that “to us as women, are sitting tight and hard every day on our heart.”

The directing duo hoped to examine the good intentions Banks and producers had, of turning the fashion industry on its head, empowering women and championing diversity, and the way those intentions evolved as the show moved through cycles.

“At the end of the day, was it a force of good, or was it a force of evil? I hope people keep debating that,” Sivan said.

Former Times staff writer Malia Mendez contributed to this report.

June 12 (Asia Today) — The 2026 FIFA World Cup opened with K-pop voices and performances woven into the tournament’s first major stages.

The tournament is the first World Cup jointly hosted by Mexico, the United States and Canada. With three host countries, opening events were held across North America, placing global pop, Latin music, hip-hop, Afrobeats and K-pop at the center of the celebration.

The first opening ceremony took place at Estadio Azteca in Mexico City before the match between Mexico and South Africa. Korean-American singer and songwriter EJAE performed “DNA,” the official FIFA World Cup 2026 anthem, with Italian tenor Andrea Bocelli.

The anthem also features David Guetta and Megan Thee Stallion. EJAE performed Korean lyrics during the ceremony, including a line that translates as, “Even if I fall again, I rise again.” Video of the moment spread quickly online after the performance.

The sound of Korean lyrics on an official World Cup stage carried symbolic weight for EJAE, who has drawn global attention for her work connected to the soundtrack of “KPop Demon Hunters.”

The U.S. opening ceremony was scheduled for SoFi Stadium in Inglewood, Calif., near Los Angeles. The event was designed as a large-scale entertainment show reflecting American pop culture and the country’s diverse immigrant communities.

BLACKPINK member Lisa was among the performers, joining a lineup that included Katy Perry, Anitta and Rema. Her appearance highlighted K-pop’s continued expansion into major global sports and entertainment events.

One of the most closely watched K-pop-linked songs of the tournament is Lisa’s “Goals,” released May 21. The track combines Latin pop, K-pop and Afrobeats and features multilingual lyrics and percussion influenced by African rhythms. Brazilian singer Anitta and Nigerian singer Rema also joined the project.

Lisa’s role places her not only among the opening ceremony performers but also among the artists attached to the World Cup’s official music program.

K-pop’s presence is also expected to continue through the end of the tournament. BTS is scheduled to appear as a co-headliner at the final halftime show on July 19 at MetLife Stadium in East Rutherford, N.J., alongside Madonna and Shakira.

It will be the first halftime show held during a World Cup final, giving the tournament a Super Bowl-style entertainment moment.

For K-pop, the 2026 World Cup is not limited to one performance. EJAE brought Korean lyrics to the Mexico opening ceremony. Lisa helped anchor the U.S. opening stage. BTS is set to appear during the final.

From the opening match to the championship stage, K-pop has been placed at key moments in the world’s largest soccer event.

The lineup reflects how global sports organizers increasingly view K-pop not as a regional trend but as a mainstream force in international entertainment. At the 2026 World Cup, K-pop is helping shape the sound and image of the tournament itself.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260612010004213

The U.S. men’s soccer team chose an incredible day to have an incredible day.

Crucially, the United States aced its only chance to make a first impression, kicking off this colossal World Cup it’s co-hosting with Mexico and Canada with a 4-1 victory over Paraguay.

Consider it a save for the tournament, three points for soccer in America and maybe even a win for uniting the States.

The Americans on the pitch did all that, including making sure a sellout crowd of 70,492 fans got their money’s worth for their exorbitantly high-priced seats to watch football under Friday Night Lights at SoFi Stadium.

U.S. forward Folarin Balogun, right, celebrates with Sergino Dest and Chris Richards after scoring during a World Cup win over Paraguay on Friday at SoFi Stadium.

(Robert Gauthier/Los Angeles Times)

It was not a clean sheet. And it wasn’t an elixir for all the issues — visas, tickets, transportation — that ailed the tournament in its buildup.

But the opening statement by the United States confirmed what we thought might be true. Only one thing could save this soccer tournament: soccer.

The U.S. delivered a performance to change the conversation — for the next few weeks and maybe longer.

Making history to alter history.

The United States scored multiple goals in a World Cup first half for the first time since 2002.

It got two of them from Folarin Balogun, the Brooklyn-born, England-raised forward of Nigerian descent who became just the second USMNT player to score two goals in a World Cup game and the first since 1930.

Got a perfect match from Chris Richards, the afro-rocking defender with the long, loping strides, who was 83 for 83 on his passes. That’s better than any player at a World Cup since 1966.

And if possession is nine-tenths of the law of attraction, know that the Americans possessed the ball 71% of the first half, most in the first half of a World Cup game in the modern era.

Landon Donovan, star of the 2002 team that reached the World Cup quarterfinals — a record that still stands — posted on X: “From start to finish, that was the most enjoyable day of soccer I’ve ever experienced.”

That’s the stuff that will get the American people going. Get us invested, get us behind them. That could convert even devout casuals.

Americans love a good underdog story. We also want the best, the finest, the biggest — and this, with its expanded field of 48, is the biggest version of the biggest and best tournament in the world.

And the only thing we love more than winning is dominating. The United States did that Friday against a Paraguayan team that had allowed only 10 goals in 18 World Cup qualifying matches, and whom the United States beat 2-1 in a tense match in November.

Fans cheer during the U.S. win over Paraguay in their World Cup opener Saturday at SoFi Stadium.

(Robert Gauthier/Los Angeles Times)

That was Mauricio Pochettino and his players helping us help them.

“The fans, amazing,” said Pochettino, the team’s accomplished Argentine coach. “On behalf of the whole team, a massive thank you to the fans. Because the energy that they [gave] to the team was amazing. We can do amazing things if the fans are in this as well.”

Friday was so good for soccer in America.

And so good for America. The kind of butt-kicking that’s chicken soup for a nation’s soul.

Maybe it’s idealistic and naive, or apple-pie-in-the-sky wishful thinking, but I believe that they can win. (And by win, I mean make the quarterfinals again.)

There’s no removing politics from this World Cup, but wouldn’t it be fun to all rally behind a team together? Can’t you see the country coalescing behind the right wingers and left wingers on the pitch? Picture people celebrating the freedom inherent in Pochettino’s system? Cheering the all-for-one and one-for-all of this team of dual nationals and Americans raised abroad — or in Alabama?

Postmatch, Pochettino refused to single out any one player, instead giving reporters a recitation of his roster: “[Christian Pulisic] was amazing [setting up two goals]. Balogun was amazing, of course. Tim Ream was amazing, of course. Chris Richards was amazing, yes. Weston McKennie, he was amazing, amazing. Antonee Robinson, Alex Freeman, amazing. Sergiño Dest, amazing …”

Like they put it on the @USMNT Instagram account: “Together as Won.”

U.S. soccer, amazing.

President Trump is known for being combative. And to mark his birthday Sunday, he’s literally picking a fight — actually seven of them. But a legion of opponents are determined to squash the celebration.

Trump has been gearing up for weeks for UFC Freedom 250, a mixed martial arts extravaganza that will turn the historic White House into a one-night fight house. The event designed to simultaneously celebrate his 80th birthday and commemorate America’s 250th anniversary will take place in a massive octagon-shaped structure that has been erected on the South Lawn of the White House.

The invitation-only event is scheduled to stream live on Paramount+, which is owned by David Ellison, one of Trump’s closest allies. UFC fights began streaming on the service earlier this year, with some airing on CBS, one of the first major deals signed under Ellison.

White House spokesman Davis Ingle has called the UFC card “one of the greatest and most historic sports events in history, and President Trump hosting it at the White House is a testament to his vision to celebrate America’s monumental 250th anniversary.”

But the gala is facing fierce legal challenges from activists who say UFC Freedom 250 is a scam flavored by financial and political corruption, accusing Trump and his close friends UFC chief Dana White and Ellison of benefiting financially from the event. Opponents say Trump has purchased stock in UFC’s parent company, TKO Group Holdings, while pointing out that UFC Freedom 250 is happening several weeks before the Fourth of July anniversary.

White House officials have called those allegations baseless and have asked a judge to dismiss the lawsuit.

As promo spots showing the combatants in fight mode fill the airwaves, the Public Integrity Project watchdog group has filed a lawsuit trying to derail the event. While the National Park Service is named as one of the defendants in the suit, environmental groups and former park service staff have decried the event.

Dana White, left, and then-President-elect Trump attend a UFC event held at Madison Square Garden in New York City in 2024.

(Sarah Stier / Getty Images)

Though some legal experts have predicted that those efforts may fall short, UFC Freedom 250 marks the latest in a relentless stream of furors shadowing Trump as he faces sharply declining poll numbers and harsh criticism over his economic and domestic policies, as well as his handling of the war with Iran. Here’s what we know about the event and what to expect Sunday.

What is UFC Freedom 250?

The event will take place in a mammoth claw-like outdoor arena that will spotlight the White House in the background. Undisputed lightweight champion Ilia Topuria will face off against current interim lightweight champion Justin Gaethje in the main event, which is billed as a five-round title unification battle.

A six-fight undercard, including a heavyweight interim title bout between Alex Pereira and Ciryl Gane, will precede the main event.

Who is putting on the fight?

White‘s UFC is staging the event. White, who has stressed in interviews that no taxpayer dollars are involved, has said that Trump made the suggestion of a White House event when they were together at a recent UFC fight.

Wouldn’t baseball or basketball be a more appropriate sport to feature in a celebration of America instead of a cage fight?

Perhaps. But Trump is a huge fan of boxing and mixed martial arts. He was flanked by several of the fighters who will be participating in the event when he first announced the bouts at the Oval Office. He gushed as he introduced them individually, calling them warriors: “No people in sports are tougher than these people.”

But Conor Friedersdorf, a staff writer for the Atlantic, put forth a different theory: “On Trump’s 80th birthday, blood sport will be the diversion of choice at the White House because he wants to associate his presidency and himself with the violent domination and humiliation of rivals,” he wrote in a newsletter. “America itself is weaker now on the world stage than it was when Trump began either of his presidencies.”

White has credited the president’s devotion to the sport with propelling it into the cultural mainstream, and he is predicting a record-breaking global audience.

Where can viewers watch the event?

UFC Freedom 250 will stream on Paramount+ as part of a $7.7-billion deal that Ellison struck with TKO Group Holdings, the owner of UFC. The broadcast starts at 5 p.m. Pacific.

Dana White, left, and President Trump attend UFC 327 in Miami in April.

(Julia Demaree Nikhinson / Associated Press)

The event is another apparent maneuver for Ellison to curry favor with Trump as he seeks his support and approval for a $111-billion deal to buy Warner Bros. Discovery. Trump has made no secret for his desire for shake up Warner Bros. Discovery-owned CNN, which he regards as a hostile platform.

Will this be a star-studded event?

Don’t expect a New York Knicks-style celebrity row. Although several stars including Dwayne “The Rock” Johnson, Adam Sandler, Mario Lopez and former star quarterback Tom Brady have reportedly been invited by White, none have indicated that they plan to show up.

White has said that 70,000 fans have registered for free tickets to attend the fan event at the Ellipse near the White House.

Since it’s Trump’s birthday, is UFC Freedom 250 a political event?

“This isn’t politics,” White said recently on ESPN’s “The Pat McAfee Show. “This is about the United States, what this country is about … If you love America, you’re going to love this event. It has nothing to do with politics. We just happen to be on the White House lawn and the president of the United States will be there.”

Why is there opposition to the fights?

The lawsuit filed by the Public Integrity Project contends that UFC Freedom 250 violates federal regulations that prohibit sporting events on federal park lands. Two Virginia activists who are plaintiffs in the suit claim that they “want to uphold the rule of law and protect our nation’s most cherished monuments from corrupt exploitation.”

The suit contends that the plan includes a weigh-in at the Lincoln Memorial and a pre-fight walkout from the Oval Office.

According to the suit, “The president is giving White and his company what none have enjoyed before: unfettered access to the White House and Lincoln Memorial to state a private, for-profit sports event with all of the promotional and branding opportunities that accompany such access.”

Brendan Ballou, chief executive of the Public Integrity Project, said in an interview on MS NOW that the event and advertising is “fundamentally the private profiteering of our national monuments, and that is fundamentally what is violating the law and why we are suing.”

A cross section of a 250-year-old Pasadena oak tree that was uprooted in a 1993 windstorm is among the first things visitors will see upon entering the Huntington’s new exhibit, “This Land Is…” Jagged cracks in the trunk, which was once rooted in the Huntington’s lawn, are feebly held together by wooden joints.

It’s a fitting emblem of what’s to come in a long-planned show curated to coincide with the country’s upcoming semiquincentennial, and crafted to pose land itself as central to the country’s complex past. After taking in the exhibit, attendees can draw their own conclusions about the land’s role as a “geographical and metaphorical space of promise, struggle, and belonging.”

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On a recent late afternoon, the Pasadena sun drilled down on the facade of the Huntington’s MaryLou and George Boone Gallery, where the show’s organizers waited beside four chiseled columns with their hands tucked behind their backs, swaying in anticipation.

“It’s the first time anyone is seeing it,” said Linde B. Lehtinen, the museum’s senior curator of photography.

Joining her are Josh Garrett-Davis, curator of Western American history, and Armando Pulido, assistant curator for special projects. All three smile with excitement.

For the better part of the last two and a half years, Lehtinen and Garrett-Davis have spearheaded the curation of “This Land Is…,” which opens Sunday and runs through early next year.

For them the fallen oak tree represents hope amid disturbance: Another once-towering elder on the museum’s North Vista was uprooted during a windstorm in 2025 — one of its acorns has since sprouted and now stands more than 6-feet tall.

Still, it only brushes the surface of an exhibition that seamlessly draws upon a plethora of works crafted across U.S. history. Want to plan a visit? Here are five things you shouldn’t miss seeing.

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“This machine kills fascists,” etched on the back of Woody Guthrie’s guitar on display at The Huntington.  (Robert Gauthier/Los Angeles Times)

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A closer view of the “This Machine Kills Facists” etching.  (Robert Gauthier/Los Angeles Times)

Woody Guthrie’s guitar, inscribed with ‘This Machine Kills Fascists’

In 1940, Woody Guthrie sat in a Midtown Manhattan hotel, toiling over lyrics for what would become “This Land Is Your Land.” Today, it’s been adopted as a quasi-anthem for the U.S. and the epitome of American progressivism.

For this exhibition, the museum acquired Guthrie’s C.F. Martin and Co. guitar, a seamless blend of spruce, mahogany, celluloid, ebony and mother-of-pearl. On its back, a carved inscription reads, “This Machine Kills Fascists.”

“The idea for ‘This Land Is…’ emerged … because the scope and breadth of his voice in terms of his activism and how prolific he was … and thinking about how he reflected on and experienced American land,” Lehtinen said.

Alongside the guitar is a copy of the Declaration of Independence, annotated by John McKesson, secretary of New York’s Fourth Provincial Congress, in the days following July 4, 1776. According to Lehtinen, the two objects were paired as instruments of protest and change.

“We talked to [Guthrie’s] granddaughter Anna Canoni, and she said to us at one point that he used guitars like pens or tools, and that was so appropriate to how we were thinking about its relationship to this document,” she added.

A map of the Butte Community, Gila River Relocation Center drawn by an internee.

(Robert Gauthier/Los Angeles Times)

Japanese flower farmers photographed before, during and after internment

Not far from the Guthrie guitar is a panoramic portrait of the Kuromi family, posing amid a flower farm that stood where Los Feliz Boulevard is now. To its right is a watercolor painting of the Gila River War Relocation Center in Arizona, where many members of the family were forcibly transported to and imprisoned during World War II.

“I was looking at a historic preservation report, and the name was the same as my mechanic in Los Feliz,” Garrett-Davis said. “The next time I went to get my oil changed, I took a printout of that panorama and was going to show it to them and ask, ‘Do you know anything about this? Is this related?’

“I walked into their office, and a copy of that photo had been on their wall for years. In 10 years, I had never noticed it,” he said with a laugh.

After their internment, the Kuromi family returned to their farm in 1945 to find their equipment stolen. The process of regaining access to their land was slow, but they eventually settled back in, and operated the farm until losing their lease in 1961.

‘A Harvest of Death’ and mail from home on the Civil War front

One of the most grotesque displays on view is an albumen print of an 1863 photo titled “A Harvest of Death,” taken by Timothy H. O’Sullivan after the Battle of Gettysburg. Within its frame lies the bodies of fallen soldiers, sprawled out and lifeless on the grass.

“That evocative title signals some of the other things that we have been thinking about, whether it’s looking at gardens or loss … in this case, these are bodies that have been left, and they’re decomposing,” Lehtinen said.

Paired with the print is a letter from a young woman named Harriet Bailey to her uncle on the front lines of the Civil War, containing seeds delicately etched with drawings of a ship, facesand a dog. The two pieces represent a stark contrast in experiences during the same conflict, once again touching upon the theme of hope amid disturbance.

“This is a remnant of home that he’s actually being sent while on the battlefield,” she continued. “So, the joy and lightness to what is an incredibly somber moment in American history.”

“Archiving the Watershed” is a collection of artifacts from the Colorado River assembled by Otis R. “Dock” Marston on display.

(Robert Gauthier/Los Angeles Times)

The Colorado River, mapped out through an adventurer’s eyes

This display is described as a “tiny slice” of the Huntington’s archive on Otis Reed “Dock” Marston, a historian and river runner who made it his life’s goal to collect information on the Colorado River. According to Garrett-Davis, Marston had around 185 binders full of photographs, often placed on a cut-out map of where they were taken and organized mile-by-mile, from below the U.S.-Mexico border all the way into Utah.

This taps into a focal point of the exhibition: adapting it to a West Coast perspective. In this way, the idea of independence is viewed expansively as it unfolds across time and place.

“The Huntington has a wonderful collection of presidential papers and documents relating to the Colonial era, but we also have materials on California … from the lens of the West,” said Huntington President Karen R. Lawrence.

“We can show the West’s visual culture at the same time that we can show the original copies of the Declaration of Independence … we have a breadth that’s quite rare.”

Artist Noni Olabiisi’s, “Troubled Island” mural on canvas, depicting the struggling of the Haitian revolution.

(Robert Gauthier/Los Angeles Times)

‘Troubled Island’ and a mirrored struggle

The Haitian Revolution may seem out of place in an exhibition celebrating the U.S., but Haiti was the second independent nation in the Western Hemisphere. Its independence from the French was proclaimed in 1804, just two decades after the American colonies signed the Treaty of Paris.

In the mural “Troubled Island,” Noni Olabisi chronicles the Haitian struggle for independence, including how suffering under French colonists led to the 1791 slave rebellion. The piece was first painted for the William Grant Still Arts Center in West Adams in 2003, referencing an opera of the same name.

The opera was composed by Still with a libretto from the Missouri-born poet, playwright, novelist and social activist Langston Hughes, who connected Haiti’s struggle for freedom to his home country’s.

“We wanted to focus on parts that might seem peripheral but are actually quite central to American history,” Garrett-Davis said.

Three years later, Olabasi would render the same powerful mural on canvas.

WASHINGTON — As the U.S. prepares for an extravagant celebration of its founding principles, fewer Americans see their country as exceptional, a new poll finds.

The survey from The Associated Press-NORC Center for Public Affairs Research highlights many Americans’ feeling of unease over the future of its representative government — particularly among young people. It presents a jarring contrast as communities around the country commemorate the nation’s 250th anniversary.

Only about one-quarter of Americans say the U.S. stands above all other countries in the world, the new poll found, while 44% say it’s one of the greatest countries in the world, along with some others. About 3 in 10 say there are better countries than the U.S., an increase from 19% in an AP-NORC poll conducted in June 2016.

Americans remain divided about whether diversity is an essential feature of the U.S.’s identity, and agreement about other aspects of the country’s underlying character appears to be eroding, the survey found. Americans are less likely to see a democratically elected government as “extremely” or “very” important to the United States’ identity as a nation than they were just a few years ago. About two-thirds of U.S. adults now say a democratically elected government is highly important to the U.S.’s identity as a nation, down from 80% in 2021.

“It’s not that the democracy part is not working,” said Derricka Wall, 24, of Chickasaw, Alabama. “It’s the people that are actually being put in office that is the problem.”

Wall believes politicians have damaged America’s governing system, which was designed to ensure representation and guard against government misuse.

America, she said, “is not what it used to be. I feel like our founding fathers would be kind of disappointed with how it is now.”

Rising belief that democracy is not essential to American identity

Young adults are much less likely than older Americans to believe the U.S. is special, compared with other nations, the poll found.

About 4 in 10, 44%, of U.S. adults under 30 say there are other countries better than the U.S., compared with 22% of U.S. adults ages 60 and older.

Fewer, too, see democracy as a key element of the U.S.’s identity. Only about half of Americans under 30 believe this, compared with 81% of those 60 and older.

Wall said the people who established the government with co-equal branches thought they were erecting safeguards to keep any one person or group from attaining too much power. But she believes they didn’t foresee how easily those guardrails would crumble if the people in the system stopped enforcing them.

“I feel like they would actually roll out of their graves,” she said. “I feel they would be very disappointed in us.”

The belief that politics isn’t working for everyday people extends beyond the youngest generations. Kent Stage, 62 and a retired senior enlisted man in the Army, is a registered Republican in Indiana. He does not think the current political system addresses the country’s problems. He’d like to see term limits on politicians and more working-class people serving.

“I’ll trust the ambulance-chasing lawyer and a shady used car salesman before I trust the politician,” he said.

Stage, who is also a former Marine, believes public servants make self-serving choices for their families “while mine and yours still got to hit the old grindstone.”

Many feel it’s harder to get ahead in the U.S.

The survey also finds widespread cynicism about America as the land of opportunity. About half of U.S. adults, 51%, say the American Dream — the idea that if you work hard, you’ll get ahead — once held true but does not anymore. About one-third say it “still holds true” while 15% say it never held true.

Jack Hermanson, a 27-year-old software developer in Denver, said his belief in the American Dream changed when he saw his engineer husband struggle to find a job. “That really shattered my impression that if you work hard, you get what you deserve,” Hermanson said.

Only 22% of Americans under 30 say the American Dream still holds true, compared with 46% of Americans ages 60 and older.

Angela Toombs, 31, works at a senior living facility in Atlanta where her clients talk about how easy it was to buy a house while working their first regular jobs in their 20s and are incredulous about the obstacles facing Toombs’ generation. Toombs recently gave up her own apartment to rent a room in order to save money.

Skepticism about the American Dream is more widespread among Democrats and independents, compared with Republicans. Most Republicans, 57%, say the American Dream still holds true, compared with about one-quarter of independents and 17% of Democrats.

Republicans are also much likelier than Democrats to see the U.S. as exceptional. About half of Republicans say the U.S. stands above all other countries in the world, compared with only 7% of Democrats.

Quintin Sharpe, 28, lives in a resort town on Lake Geneva in Wisconsin. A financial planner who is Republican, he said the American Dream remains accessible and he is proud of the country. “It’s been a great experiment.”

“The opportunity is there for those who want to work for it,” he said. Sharpe believes the country is “a meritocracy, and the best ideas, the best work ethic, those with the best succeed regardless of race, skin color, any of those factors.”

He and his wife will celebrate the country’s 250th anniversary watching the fireworks over the lake.

Divides on whether diversity is essential to U.S.

Just over half of U.S. adults — 56% — say a shared American culture and set of values are “extremely” or “very” important to the country’s identity, down from 65% in 2017. Younger Americans are less likely than older ones to say a singular set of values is important to U.S. identity.

But Americans remain sharply divided on the centrality of welcoming diverse perspectives: About half of adults, 51%, say the ability of people to come from other places in the world to escape violence or find economic opportunities is “extremely” or “very” important to American identity, while 55% say this about the mixing of cultures and values from around the world.

Only about 4 in 10 Republicans see the mixing of cultures and values from around the world as central to the country’s identity, compared with 76% of Democrats.

Rose Nunez, 70, of San Antonio, was a small business owner but now is a caregiver for family members. Nunez, who tends to vote for Democrats, said there is an unease and tension that are just beneath the surface, especially focused on Hispanics. She said some people have started carrying their papers showing their immigration status in case they are challenged.

“It is hard to celebrate when the feelings towards immigrants and communities of color are so strong,” she said of the upcoming America 250 celebrations.

She said even citizens are questioned now. If it gets to a point where being naturalized is challenged, “guess what, my mom would be leaving. She’s been living in this country since she was maybe four years old. She’s 93.”

Fields, Sanders and Riccardi write for the Associated Press. The AP-NORC poll of 2,596 adults was conducted April 16-20 using a sample drawn from NORC’s probability-based AmeriSpeak Panel, which is designed to be representative of the U.S. population. The margin of sampling error for adults overall is plus or minus 2.6 percentage points.

BUENOS AIRES, June 5 (UPI) — Argentine retirees have become one of the groups hardest hit by President Javier Milei’s fiscal austerity measures, which have pushed a growing number of older adults back into the workforce to supplement incomes that no longer cover the cost of living.

Over the past two years, the number of employed Argentines age 65 and older increased 12.7%, sociologist Candelaria Rueda, a researcher at the Argentina Grande Institute, told UPI.

The trend has had a particularly strong impact on women. Labor force participation among people older than 65 increased 14.5% for women, nearly four percentage points higher than the 10.8% increase recorded among men, according to a report by the think tank based on official data from the National Institute of Statistics and Census, known as INDEC.

One of those women is Patricia Guscione, 63. She worked as a teacher for decades and retired in 2021 at age 60, the legal retirement age for women in Argentina.

But rising living costs gradually eroded the value of her pension, leaving her unable to cover household expenses. When a call for retired teachers was issued in 2024, she applied. Today, she is back teaching in public schools.

“I lived on my pension for three years, but the reality is that it lost so much value that there came a point when I could no longer make it to the end of the month. I still have two teenage children who depend on me,” she told UPI.

Rueda said inflation remains a defining factor in Argentina’s economy and “causes incomes to lose value at an unusually rapid pace.”

“In addition, there has been a clear political decision to deregulate prices, which has led private health insurance premiums to rise 400% over the past two years,” she said.

At the center of the issue is Argentina’s minimum pension, the basic benefit received by more than half of the country’s retirees. It currently totals 450,300 Argentine pesos per month, or about $320. That includes a government assistance bonus that has remained frozen since early 2024.

Because the supplement has not been adjusted, the purchasing power of the minimum pension has fallen by nearly 10% compared with late 2023.

At the same time, food prices have continued to rise sharply, further reducing retirees’ spending power. Economic pressures have also intensified following cuts to free prescription drug coverage provided through the Comprehensive Medical Care Program, known as PAMI, Argentina’s main public healthcare system for retirees and pensioners.

Mario Perelli, 70, spent most of his career as an accountant, but now drives for ride-shareing platforms to supplement his income.

“I had never seen an economic situation like the one we are living through now. It keeps getting harder. I thought I had completed my working years and that retirement would allow me to enjoy life, travel and rest. Instead, I ended up driving for an app because I need to help support my household,” he said.

Juan Gómez, 76, faces a similar reality. After years working at an accounting firm, he now work for Uber and drives a taxi.

“I lived through different economic periods, and there were difficult moments under other governments, but this is terrible. I see it in retail stores, butcher shops, auto parts stores and oil-change businesses. There are hardly any customers. I hope things can be resolved and that we can move forward,” he said.

Gala Díaz Langou, executive director of the International Panel on Social Progress, linked the crisis to public spending cuts implemented by the current administration.

“In 2024, which was the year of the deepest adjustment, 19% of fiscal spending cuts were applied to the pension system,” she told UPI.

She also pointed to the continued freeze on the bonus supplement for lower pensions and the end of a program that allowed workers who had not completed the legally required 30 years of contributions to qualify for retirement benefits.

The trend of older adults extending their working lives is not limited to Argentina. It has become a regional phenomenon as Latin America faces a rapid demographic transition, lower levels of economic development and weaker social protection systems.

According to the Economic Commission for Latin America and the Caribbean, employment among older adults is increasing across much of the region because pensions are insufficient to cover basic living expenses.

“As a result, employment among retirees functions as a refuge from the shortcomings of the system rather than a choice. When someone who contributed for decades ends up cleaning houses at age 82 or selling goods on the street, what that reflects is a protection system that failed to sustain the old age it helped create,” the commission said.

Carlos Román, executive director of SeniorLab UC, an aging innovation laboratory at the Pontifical Catholic University of Chile, told UPI that 1 in 4 older adults in Latin America was part of the labor force in 2024.

He said the trend is particularly visible in Chile among older age groups, where a significant share of people who have already reached retirement age continue working.

For Román, the phenomenon raises two key questions: Under what conditions do older adults work and what drives them to remain economically active?

Regarding working conditions, he warned that labor informality rises sharply with age.

“Labor informality does not decline over time. It accelerates, rising from 27.7% among people ages 60 to 64 to nearly 48% in the next age group and exceeding 60% among those older than 70,” he said.

He added that the impact is uneven across social groups.

“Among the poorest women ages 65 to 69, nearly 9 out of 10 work without a contract or pension coverage. About half of older adults working informally are self-employed workers without access to social protection,” he said.

While some older adults continue working because they are living longer and want to remain active, Román said “the evidence shows that, in most cases, the primary reason is economic necessity.”

He contended that the trend reflects a deeper structural problem that goes beyond national circumstances.

“Aging arrived in Latin America before the region built the economic model and social protection system capable of supporting it,” he said. “Economists often summarize this reality with a phrase that has become common in regional discussions: We will grow old before we grow rich.”

He said the region’s long-term challenge is to ensure that longer life expectancy does not translate into more years of economic insecurity and precarious living conditions.

WASHINGTON — When nearly all the scheduled musical performers pulled out of a concert series marking America’s 250th anniversary — fearing the event had become too closely tied to President Trump — he responded by making it official.

Trump announced he’d now be the headlining act of the Great American State Fair.

That put to rest any possible scenario where a president who has built his personal and political persona on seizing the spotlight might cede the stage to avoid overshadowing a national celebration bigger than himself. It also offered a peek into how the president is likely to approach hosting the upcoming World Cup.

From his reality shows before becoming a politician, to hours spent entertaining at events in ways planned and impromptu, to proudly showing off his various properties and efforts to overhaul the White House, the president relishes hosting. Last year he even jokingly mused about leaving the presidency to do it again full time on TV.

Trump can be a gracious, personable and highly watchable master of ceremonies — but he’s also one who tends to make every event about himself.

“The president has an outsized personality,” said Timothy Naftali, former director of Richard Nixon’s presidential library and professor at Columbia University’s School of International and Public Affairs. “There’s a predictability to the way in which the president frames his actions — or any actions around any event associated with him — and that’s just part of who he is, and his makeup and his professional background.”

Exhibit A is the fair, which begins June 25 and was supposed to feature concerts but now will be kicked off by a Trump rally. That will follow a UFC bout at the White House on June 14. Trump is a longtime cage match fan and the event marks his 80th birthday, but the president has sought to bill it as part of the anniversary festivities.

Many presidents relished hosting — but not like this

Andrew Jackson threw open the White House for an 1829 Inauguration Day bash so unruly that staff eventually dispersed the crowd by moving tubs of whiskey and ice cream to the lawn. Franklin D. Roosevelt mixed pre-dinner cocktails for friends and aides at White House gatherings he playfully dubbed “The Children’s Hour.” Audrey Hepburn was among the luminaries Ronald Reagan hosted at the White House.

Trump frequently had first-term dinners with business leaders but has more fully embraced the role since returning to the White House. He built a patio area similar to one at his Mar-a-Lago estate and frequently travels to Florida and his properties in Bedminster, New Jersey, and Sterling, Virginia, to headline fundraisers and other swanky gatherings.

Asked if Trump might overshadow events meant to bring the country and the world together, White House spokesman Davis Ingle pointed to the president’s efforts to lead extensive renovations at the White House and around Washington. He said in a statement that the “historic beautification” gives the city “the glory it deserves during our nation’s historic semiquincentennial celebration — something everyone should celebrate.”

Still, Trump has found unprecedented ways to inject himself into the anniversary.

The State Department is issuing passports with the president’s picture and officials have designed a new $250 bill with his likeness. The Trump Organization, being run by Trump’s children while he’s president, applied to trademark “Trump 250” logos and other merchandise.

The U.S. Mint is also producing a 24-karat gold commemorative coin with Trump’s face, though that recalls a half-dollar silver coin bearing the likeness of President Calvin Coolidge to help mark America’s 150th anniversary in 1926.

Past presidents had starring anniversary roles

Ulysses S. Grant opened a Centennial Exposition in Philadelphia to mark the 100th anniversary of the signing of the Declaration of Independence in 1876. Richard Nixon, in 1971, inaugurated a five-year “Bicentennial Era” ahead of the 200-year mark, though he resigned before the big day arrived.

Nixon’s successor, Gerald Ford, then in the midst of an ultimately unsuccessful reelection campaign, began the week of July 4, 1976, by inaugurating the Smithsonian Institution’s National Air and Space Museum and attending a Kennedy Center event featuring Bob Hope, OJ Simpson and others reading patriotic texts.

On Independence Day, Ford spoke at historic Valley Forge, then traveled to Philadelphia’s Independence Hall, declaring, “Liberty is a living flame to be fed, not dead ashes to be revered.“ He also went to New York Harbor for a tall ship parade, presided over naturalization ceremonies at Thomas Jefferson’s Monticello estate and hosted a state dinner for Britain’s Queen Elizabeth II.

Still, “while Ford certainly hoped to use the bicentennial to promote his reelection campaign, he didn’t do it in such a self-aggrandizing, self-centered, narcissistic way,” said Marc Stein, a history professor at San Francisco State University and author of “Bicentennial: A Revolutionary History of the 1970s.”

Ford, added Naftali, “knew when to step out of the limelight and make sure the focus was on what mattered, which was the United States of America and the Declaration of Independence.”

Trump, by contrast, “generally has contempt for norms” and rarely mentions “the great sweep of history,” Naftali said.

Dueling anniversary planners as Trump pushes to revise history

Congress charged a national organization, America250, with planning commemorative events. Ahead of the 2024 election, the group drafted a memo asking whomever the incoming president was to mobilize federal agencies and welcoming presidential involvement in events and initiatives.

Asked about Trump, America250 Chair Rosie Rios said the group “has had a very supportive and collaborative relationship with the organizations planning initiatives on behalf of the president.”

But Rios’ organization is separate from Freedom 250, a mix of public and private partnerships which the Trump administration established to fund and prepare anniversary events — which has caused confusion.

America250 aims to “inspire our fellow Americans to reflect on our past, strengthen our love of country, and renew our commitment to the ideals of democracy through programs that educate, engage, and unite us as a nation.”

That might seem a departure from the “Restoring Truth and Sanity to American History” executive order Trump signed last year. It sought to beat back a “revisionist movement” responsible for “replacing objective facts with a distorted narrative driven by ideology rather than truth.”

Stein, now serving a one-year term as president of the Organization of American Historians, is helping organize “We Want More History,” a push to coordinate local events celebrating the public’s love for the subject in fact-based ways.

He said Trump’s version of history is “closer to propaganda, and it’s closer to cheerleading.”

World Cup gives Trump another platform to play host

The president has similarly taken his exceeding-normal-limits approach to the soccer tournament the U.S. is co-hosting with Mexico and Canada.

He created a federal World Cup task force, and leads it. He collected a peace prize from soccer’s governing body, FIFA, and said he’d be on stage to present the tournament’s golden trophy to the winning team.

Trump even oversaw the tournament’s draw at the Kennedy Center, which he’s sought to rename for himself, sparking legal challenges.

He returned to the same building to headline December’s Kennedy Center Honors, noting, “We never had a president hosting the awards before.” He later posted on social media, “Would you like me to leave the Presidency in order to make ‘hosting’ a full time job?”

Naftali noted, “Whatever filters there were in the first term — and there weren’t many — are gone.”

“It’s undiluted Donald Trump.”

Weissert writes for the Associated Press.

Nonfiction films and series are among some of the most-watched (and most-discussed) programming on TV. As Emmy season heats up, the directors of six notable contenders share thoughts about their projects.

‘The Yogurt Shop Murders’ (HBO)

“It’s just a famous, famous story in Texas, but particularly Austin,” director Margaret Brown says of the bewilderingly complex case of four teenage girls slain at a yogurt shop in the state’s capital in 1991. “You heard about it all the time at parties. My best friend was like, ‘That story is rabbit hole upon rabbit hole upon rabbit hole — no one knows what really happened. It’s impossible to figure out.’ I liked the idea of something that was impossible to figure out. But when I started doing the interviews, I was like, ‘This is dark, this is deep trauma.’ I’d never watched or done true crime before. I didn’t realize what it would be like to sit with people who hadn’t known what happened to their siblings and children for over 30 years. I remember [thinking], ‘I’ve got to get this right. I can’t mess this up. There’s just too much pain here.’”

‘The American Revolution’ (PBS)

“Leading up to it, I said I just don’t want us drowning in fife-and-drum treacle,” director Ken Burns says of his expansive treatment of America’s origin story, which draws out the experiences of Native Americans and enslaved people as well as the era’s atmosphere of civic discord. “Clearly it’s not, because we’re so existentially challenged by the moment. But the revolution gives us a sense of perspective. Times were more challenging then. More division. More division in the Civil War. More division in Reconstruction. Yes, the threats are unprecedented, but they’re not totally unfamiliar. Mark Twain is supposed to have said history doesn’t repeat itself, but he’s [also] supposed to have said it rhymes. I love that. So like Odysseus, I tie myself to the mast and resist the temptation to put a little neon sign in the film saying, ‘Isn’t this so much like today?’”

‘Sean Combs: The Reckoning’ (Netflix)

“There was so much noise,” says director Alexandria Stapleton, who tracks hip-hop mogul Sean “Diddy” Combs’ rise and shocking fall in this series, executive produced by 50 Cent. “I’m scared for my safety, I’m scared for my career. Then there was every journalist, every giant corporation, trying to chase the same story. Because there was a feeding frenzy, there were a lot of people that were not truthful. It was making sure that we were going after the right people to speak with, and then … making sure that they felt safe emotionally. No one knew who I was interviewing while I was making it. In making a project about a man who’s very connected in media and very good at whatever he wants his narrative to be, there was a very deliberate decision to not drop this project until we literally were a week out.”

‘Ocean With David Attenborough’ (National Geographic)

(Keith Scholey / Silverback Films and Open Planet / National Geographic)

“It’s been weird, because I’ve got older, and he sort of stayed the same, like the Dorian Gray picture,” says Keith Scholey, one of the film’s directors, of the 100-year-old broadcasting legend and naturalist. “He’s still got that huge power and presence and commitment. It comes from the heart. He’s got a huge depth to him, in terms of knowledge, experience, personality … but he’s also very self-effacing. The most boring thing in the world for David Attenborough is David Attenborough. He’s interested in every aspect of the truth, and he loves uncovering that and passing that on to the world. He knows how to present in a way that it’s a performance, but it’s not a performance.”

‘Neighbors’ (HBO)

“Neighbor disputes are a great leveler,” says Harrison Fishman, who co-directs this gonzo excursion into neighborhood feuds with Dylan Redford. “If you think about class and race and politics, all that stuff gets thrown out the window when people are dealing with such small, concrete problems. You quickly start learning why people care so much about the things that they’re fighting for. It becomes a bit like a Trojan horse into learning about aspects of America and things about people that have nothing to do with the dispute. Those tangents are so valuable to us, because it gives context to the dispute. But it also helps people understand who everybody is in our country.”

‘Mr. Scorsese’ (Apple TV)

“We would get together and have these very long conversations,” says director Rebecca Miller, who interviewed American cinema’s great poet of tortured masculinity over five years. “But then in terms of the other voices, I thought, ‘Who knows him best?’ There was this wonderful movie called ‘Crumb,’ by Terry Zwigoff. He interviewed [cartoonist R. Crumb’s] ex-girlfriend at a certain point, and I felt like I got a view into the person, not in a gossipy way, but … trying to get a rounded view. If you only get the front-facing part, you’re not going to get a full sense of who they are. It was very important to me that we hear from the daughters or his wife, that there’s a sense of a person in there.”

Los Angeles City Councilmember Traci Park opened up a commanding lead over public interest attorney Faizah Malik in the race to represent the city’s coastal neighborhoods, according to early election returns Tuesday night.

Park has been a close ally of the police and fire unions in the city, calling for more cops and firefighters. Malik has been endorsed by the Democratic Socialists of America and also is backed by the Los Angeles County Federation of Labor and Unite Here Local 11, which represents hotel and airport workers.

L.A. City Council candidate Faizah Malik, left, and incumbent Traci Park.

(Eric Thayer and Francine Orr / Los Angeles Times)

Park reported raising $1.3 million in campaign contributions, according to the latest campaign finance reports filed with the city, compared with about $540,000 for Malik.

Park said she felt good about the early returns.

“It confirms that we have been right on the priorities and the results have spoken for themselves,” she said. “I have been writing a comeback story for the Westside for the last three years, and I’m super excited to finish it.”

In a speech to supporters at the Lincoln, a bar on the Westside, Malik remained upbeat.

“This campaign has demonstrated that we can chart a new course for a sustainable future and we can lead the way here on the Westside,” Malik said.

Los Angeles voters cast ballots for eight of the 15 City Council seats in Tuesday’s election, including races in two districts where the incumbents are leaving because of term limits.

In races with more than two candidates, the top two vote-getters will compete in a Nov. 3 runoff unless a candidate gets a majority vote in the primary.

Jose Ugarte was leading Estuardo Mazariegos in the field of six candidates in the District 9 race held by termed-out Councilmember Curren Price.

District 9 candidates Jose Ugarte, left and Estuardo Mazariegos.

(Genaro Molina / Los Angeles Times)

Ugarte is a former deputy chief of staff for Price, and Mazariegos is co-director of the Alliance of Californians for Community Empowerment Los Angeles and is backed by the Democratic Socialists of America.

Mazariegos said he felt confident he would make it into the Nov. 3 runoff against Ugarte.

“I feel a sense of relief and accomplishment,” he said.

The other candidates in the race were trailing Ugarte and Mazariegos in early returns. They are Elmer Roldan, executive director of Communities in Schools of Los Angeles; Martha Sánchez, a therapist; Jorge Nuño, an entrepreneur; and Jorge Hernandez Rosas, an educator.

The district includes the Convention Center, USC and communities along the Harbor Freeway.

In the San Fernando Valley’s District 3, Tim Gaspar and Barri Worth Girvan were leading the field of three candidates vying for the seat being vacated by Bob Blumenfield.

Christopher “C.R.” Celona, left, Barri Worth Girvan, center, and Tim Gaspar are running for L.A. City Council District 3.

(Stephanie Lorens, Yauma Olstead and Tim Sullens)

Gaspar is the founder of an insurance company, and Worth Girvan is a district director for Los Angeles County Supervisor Lindsey Horvath.

Worth Girvan said she was confident she would face Gaspar in a runoff in November.

“[The campaign] has been about ensuring the West Valley gets its fair share of resources,” Worth Girvan said.

In a statement, Gaspar said he was feeling “incredibly optimistic” about the coalition of business owners and community leaders he built during his campaign.

“They are showing they want a fresh perspective in City Hall,” he said.

The third candidate, tech entrepreneur Christopher Robert “C.R.” Celona, trailed behind.

In District 13, Councilmember Hugo Soto-Martínez was leading three challengers — Dylan Kendall, who runs Grow Hollywood, an economic development corporation; Rich Sarian, vice president of strategic initiatives for downtown’s South Park Social District; and Colter Carlisle, vice president of the East Hollywood Neighborhood Council.

City Council District 13 candidates, clockwise from top left: Councilmember Hugo Soto-Martinez; Colter Carlisle; Rich Sarian; and Dylan Kendall.

(Los Angeles Times)

Soto-Martínez also was backed by the Los Angeles chapter of the Democratic Socialists of America for the district that includes Atwater Village, Glassell Park, Elysian Valley, Echo Park, Silver Lake and Hollywood and East Hollywood.

Soto-Martínez said in a statement he was feeling optimistic about the early returns.

In District 1, which covers Highland Park in the northeast to University Park in the southwest, Councilmember Eunisses Hernandez was leading a pack of four challengers in the race, according to early returns.

Maria Lou Calanche, executive director of the nonprofit Expanded Learning Alliance, trailed Hernandez, according to early returns. They were followed by Raul Claros, chief executive of UNO Partners; Nelson Grande, president of Grande Enterprises; and Sylvia Robledo, who worked as an aide to several elected L.A. officials and who has fallen into last place.

Hernandez was grateful for the support that put her far ahead on the first night of results.

“I just feel reassured that all these fights we’ve been taking on for the last 3½ years have been worth it and people have been watching,” Hernandez said.

In other races, Councilmember Tim McOsker had a wide lead over Green Party member Jordan Rivers for the 15th District seat, which includes Harbor City, San Pedro, Watts and Wilmington. But the incumbent said while the early returns were encouraging, it was too early to declare victory before 9:30 p.m.

“I’ll be back in City Hall early tomorrow morning to get back to work,” McOsker said from his campaign party at the Dalmatian-American Club in San Pedro.

His campaign, he said, was focused on moving forward projects “past the point of no return” to make real change in the district that encompasses Watts, Wilmington, Harbor Gateway, Harbor City and San Pedro.

In the 5th District, which includes Bel-Air, Westwood, Cheviot Hills and Hancock Park, Councilmember Katy Yaroslavsky declared victory in her race around 9 p.m. after early ballots pushed her far ahead of the two challengers.

“Across the spectrum, people are looking for lights to be fixed and sidewalks to be usable,” she said.

In the north San Fernando Valley’s 7th District, Monica Rodriguez was running unopposed.

President Trump signed an executive order on artificial intelligence Tuesday, less than two weeks after postponing a White House ceremony over his concerns that a similar policy could dull America’s edge on AI technology.

The order establishes a framework for the federal government to vet the national security risks of the most advanced AI systems for up to a month before their public release. The government will be able to work with trusted partners “that will have early access to covered frontier models to promote secure innovation and strengthen the cybersecurity of critical infrastructure,” the order says.

It was not immediately clear to what extent the order differed from the one he declined to sign on May 21.

Trump canceled an Oval Office event with tech industry executives last month because he did not like what he saw in the earlier version of the order’s text. “We’re leading China, we’re leading everybody, and I don’t want to do anything that’s going to get in the way of that lead,” Trump told reporters at the time.

That directive was characterized as a voluntary collaboration with participating U.S.-based tech companies, including Anthropic, OpenAI and Google.

O’Brien writes for the Associated Press.

When Craig Ferguson left CBS’ “The Late Late Show” in December 2014, fulfilling a pledge made public the previous April, it was assumed by some that it had something to do with not being offered the chair being vacated by his illustrious lead-in, David Letterman. (Stephen Colbert, you may be aware, was named the new “Late Show” host.) Others simply couldn’t believe anyone would just walk away from such a job, which Ferguson had held for two weeks shy of 10 years, because, even in the less prestigious 12:30 time slot it seemed like a prize — but mostly because he was so good at it.

“That’s one of the odd things about that particular genre of television,” he told me in 2016. “The minute I started at 12:30, the question became when and do you want and how are you going to get 11:30? But I never wanted 12:30, never mind 11:30. Why is that a thing?”

Ferguson went on to other things. He’s hosted game shows (currently the CW’s “Scrabble,” with puckish energy); toured as a stand-up (he’s on the road into June); hosted a history-themed panel show, “Craig Ferguson: Join or Die”; launched “Joy, a Podcast,” which is as close as he’s come to the confessional freestyling of “The Late Late Show”; and published “Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations & Observations.”

His latest show, premiering Saturday on CNN, is “American on Purpose,” which shares a title with his first memoir, a reference to the Scottish-born Ferguson becoming an American citizen. Timed generally to the 250th anniversary of the United States, it finds Ferguson in a five-episode crazy quilt of observations, interviews, inquiries, stunts, games and documentary vignettes forming a comical, but not unserious, somewhat wayward look at American ideas and ideals — freedom of speech, capitalism, patriotism, individualism and immigration. It’s a vision wide enough to include monster trucks, lowriders, underground comedy, Miami street art, Texas barbecue and haggis tacos, dreamed up by Ferguson and executed by celebrity chef Marcus Samuelsson.

Ferguson, a Scotsman, having haggis tacos on “American on Purpose.”

(CNN)

“You know me,” Ferguson said when we spoke over video call recently. “Less format is better for me always.”

His caveat to the producers was that he wouldn’t “make an anti-American show. I wouldn’t make a show pointing out everything that’s wrong. I feel that’s a market that’s heavily catered to. I’m not a f—ing idiot, I’m not making propaganda, I won’t make a jingoistic show. But I want to make a show which is celebratory,” Ferguson says. “And I want to be clear that the show I make for CNN will be the same as if I was making it for Fox News. It has to be my point of view, which is upbeat without being dumb — I hope. I feel like we got pretty close.” This conversation has been condensed and edited for clarity.

A good friend of mine, an Englishman, recently became an American citizen and had only wonderful things to say about the naturalization ceremony, the diversity of his fellow new Americans, and the graciousness of the people conducting it. What was your experience?

My ceremony was in Pomona fairgrounds in 2008. And I think it was 2,000 of us; I think it was 1,999 new Mexican Americans and one new Scottish American. And it was f—ing wonderful. And it is moving. I kind of wish it for my friends who are born here, American citizens, because you have to remove your everyday, “Oh my God, did you see the news today” cynicism, and remember what this place is about — freedom, second chances, third chances, escape, representation, individualism, different ideas coexisting in one country, wildly different points of view somehow managing to get along. That is f—ing beautiful. What I still feel as an immigrant American is a certain gratitude that doesn’t leave you. I’m not blind to the faults of the United States. Show me a country that doesn’t have faults. We talk about the bloody past. Show me a country that doesn’t have a bloody past. Humans have a bloody past. I’m not saying there’s nothing wrong, but I’m not looking at that in this show. I’m looking at what makes me feel great about this place, and it is a great place, an aspirational place. To my mind, we are still the big foam finger number one. I don’t think there’s anyone can touch us for … unusualness. We’re really unusual.

It’s a very optimistic show. Is that how you feel personally about the future of the country, and humanity?

Like most people, I have my moods. I got a real boost of optimism [hanging out] with very clever academics who kind of guard the Declaration of Independence in Philadelphia. And you say to them, “People say the country’s never been this divided.” They always laugh. They laugh at the idea it’s never been as bad as this, the rhetoric has never been this hateful. They’re like, “It’s always been like this. It’s always been an argument. The whole point of this place is that it is an argument.” The guys who started this country, some of them hated each other with just as much venom and outrage and indignance as political players hate each other today. I find that quite encouraging. Like I said, I’m not blind to the fact that there are issues and faults and deep things to worry about. But that’s not what this show’s about. It’s as if I was a musician, and I decided to write a happy song. People say, “Why aren’t you sad?” I’m like, “Well, I get that sometimes, but this song is a happy song, this is a rock song. I’ll do a power ballad later on.” It’s not terrible to to do something upbeat every now and again.

What did you discover in the course of making the show?

There were many things, actually. In L.A., I did a kind of run around with the guys who make the lowrider cars, and the community and the story of how that came about are really fascinating, a kind of parallel run of the rise of the automobile in America, but how it was taken on by the Mexican culture. Another that really stuck with me was in the Everglades, when I was with the Gladesman there, finding out that a large percentage of them [were descended from] displaced Scottish peasants, cleared out of the Highlands to make room for sheep for the landowners; they went to Canada, and they drifted all the way down to the southern tip of the United States. These guys there could trace their ancestry back to 100 miles from where I grew up. Americans would be kicked out of most of the countries of the world. So it makes us awesome. I mean, 40% of this country can trace themselves through Ellis Island, through that administration building in New York. That’s insane.

Ferguson at Venice Beach in a segment on the show.

(CNN)

When did you get interested in history?

In Scotland, we’re surrounded by it all the time. There’s a lot of stuff still lying around from a long time ago. American history became interesting to me because it was so attached to Scotland. The Scottish Enlightenment is really kind of the origin story of the Declaration of Independence. Knowing that the philosophy that was coming out of Edinburgh in the 1700s was directly feeding into what these guys were doing, it felt like the continuation of a certain strain of Scottish history. It didn’t end with “Highlander” or “Shrek.”

There’s a road movie element to the series. Do you take trips around the country on your own time?

All the time. I don’t think you can know the United States unless you’ve driven across it at least a couple of times. If you can take a car from New Orleans to Northeastern Maine, Florida to Washington state, it’s worth doing. One of the things that was in the engine for me when I started this [series] was, I’ve seen over the years a lot of — probably more in Britain than in America — lazy kind of pseudo-intellectual documentaries where somebody will say, “Well, you know, the thing about America is…” Well, which America are you talking about? And they will go and get some guy that lives on his boat in Fort Lauderdale with a hat that’s got “Who Farted?” written on it and tell you that’s America. That guy’s there and he’s awesome, but it’s not the whole story. You know what I mean? It’s like saying “Well, you know, Hitler was a vegetarian.” That’s true, he was. But it’s not really the whole f—ing story, is it?

President Trump plans to celebrate the nation’s 250th anniversary — and his own 80th birthday — next month by watching bare-chested and bloody UFC fighters kick, punch and choke each other on the storied South Lawn of the White House.

Later, during the administration’s summer-long festival to commemorate the signing of the Declaration of Independence, IndyCars will race in a fossil fuel-burning extravaganza around and around the National Mall — home to the U.S. Capitol and the Washington and Lincoln monuments.

Both venues are National Park Service land and are administered by the agency.

The planned spectacles — UFC Freedom 250 and the Freedom 250 Grand Prix — stray so far from the park service’s traditional mission and ethos that advocates and career employees are crying foul.

“These events are inappropriate and disrespectful to the history and importance of the White House and the National Mall,” said Jonathan Jarvis, who began his career as a park ranger on the Mall in 1976 and was named director of the National Park Service by President Obama in 2009.

White House officials insist that IndyCar and the UFC are extremely popular with everyday Americans: the race and the fights will be exuberant celebrations of patriotism and pride, they say.

The UFC event, in particular, “will be one of the greatest and most historic sports events in history, and President Trump hosting it at the White House is a testament to his vision to celebrate America’s monumental 250th anniversary,” said White House spokesperson Davis Ingle.

President Trump is hosting a UFC match on the White House grounds in honor of the 250th anniversary of the United States.

(Alex Wong / Getty Images)

To organize this summer’s events, the Trump administration asked the National Park Foundation — a congressionally chartered nonprofit that works closely with the park service and collects private donations to help maintain hiking trails and fund programs to get kids outdoors — to lend a hand.

Because of the scale of the planned celebrations, the foundation created a limited liability company, “Freedom 250,” to “execute events, activities, and celebrations in or around national parks,” according to the Freedom 250 website.

Freedom 250 has its own employees, but the foundation provides funds and the park service approves the events and reviews their budgets, according to the website.

Which is why advocates are appalled.

“Essentially, this is a hijacking of one of America’s oldest and most well-respected conservation organizations,” said Aaron Weiss, director of the Center for Western Priorities, an environmental nonprofit based in Denver. “There are so many very good people at the foundation, with so many years doing real work on behalf of America’s national parks, it’s heartbreaking to watch.”

When Jarvis was director of the park service — and therefore an ex-officio board member of the foundation — the two organizations worked hand in hand to ensure that the foundation’s work complemented that of the park service. They organized the annual Easter Egg Roll on the White House South Lawn and lit the Christmas tree on the Ellipse, Jarvis said.

Workers continue to paint the bottom of the Lincoln Memorial Reflecting Pool on the National Mall.

(Alex Wong / Getty Images)

Occasionally, the president made special requests, which were reviewed carefully to ensure they were consistent with park service principles. Michelle Obama’s famous “Kitchen Garden” passed the test, Jarvis said with a chuckle, providing fruits and vegetables for family meals — and the occasional state dinner — for years.

It’s hard to imagine any career parks employee, or the foundation board members he served with, coming up with the current agenda, Jarvis said.

In addition to the IndyCar race and cage fights, the National Park Foundation is sponsoring “Freedom Trucks” — six red, white and blue tractor trailers traveling the country as rolling museums — and Rededicate 250, a large Christian revival meeting held on the Mall earlier this month that raised objections about the mixing of church and state.

“I think the foundation is being told what to do,” Jarvis said. “And I think it’s hard to say no to the White House these days.”

Josh deBerge, a spokesperson for the National Park Foundation, insisted that no money from Freedom 250 is being spent on the IndyCar race or the UFC fights.

But the IndyCar race is listed as a “signature” event on the Freedom 250 website, and both IndyCar and the UFC are listed as Freedom 250 sponsors.

Danielle Alvarez, a former Trump campaign senior advisor, is a spokesperson for Freedom 250. She acknowledged that the race and the cage fights are happening on national park land and under the banner of Freedom 250, but said neither is receiving funds or logistical support from her organization.

“Many groups have adopted ‘Freedom 250’ branding as part of their festivities, even though it does not mean it is backed by Freedom 250 funding,” Alvarez said in a text message. “The shared terminology is a natural expression of collective pride in 250 years of American independence.”

Neither IndyCar nor the UFC responded to requests for comment.

All of this comes as the Trump administration has taken an ax to the National Park Service, cutting its staff by 25% through buyouts and layoffs since 2025, and proposing another 25% staff reduction this year.

A worker applies hot wax during the restoration process of the Gen. Nathanael Greene statue in Stanton Park on Capitol Hill.

(Tom Williams / CQ-Roll Call / Getty Images)

Trump has also proposed slashing nearly $800 million from the park system’s roughly $3-billion operating budget — potentially diminishing the ability to keep facilities clean and control crowds. Already this year, Yosemite National Park has ditched a reservation system, leading to enormous crowds in the valley and on nearby trails.

Parks advocates fear it’s part of a broader and deliberate strategy to marginalize an agency that has long been a sanctuary for environmentalists and progressives — most of whom presumably did not vote for Trump.

In addition to the staff and budget cuts, Trump last year instructed the National Park Service to scrub any language he would deem negative, unpatriotic or smacking of “improper partisan ideology” from signs and presentations visitors encounter at parks and historic sites.

Instead, he ordered the agency to ensure that its signs remind Americans of our “extraordinary heritage, consistent progress toward becoming a more perfect Union, and unmatched record of advancing liberty, prosperity and human flourishing.”

Those marching orders left opponents and free speech advocates in disbelief, wondering how park employees were supposed to put a sunny spin on monuments acknowledging slavery, Jim Crow laws and the incarceration of Japanese Americans during World War II.

Trump opponents also question the political wisdom of picking on an agency that’s routinely ranked among the most admired branches of the large and sprawling federal government. Even Americans who pay little attention to politics will probably never forget standing in Yosemite Valley and admiring a towering waterfall.

There were more than 323 million visits to America’s national parks in 2025, dwarfing attendance — 135 million — at professional football, baseball, basketball and hockey games combined.

That has not stopped the assault by the current administration.

Black granite was installed last month as the new walkway for the West Wing Colonnade at the White House.

(Andrew Harnik / Getty Images)

“The ideologues in power now take a very dim view of the federal government in general, and the last thing they want is a highly popular and successful federal agency,” Jarvis said. “So if they can kill it, or diminish it through neglect, they win. They don’t really care about the public’s opinion.”

Chuck Sams, the last director of the National Park Service, stepped down the day Trump was inaugurated. Since then, the agency has not had a Senate-confirmed director.

Sams agreed that the Trump administration seems to have it in for the Park Service and worried that the guardrails that used to prevent the executive branch from doing whatever it wants with park land are disappearing.

Destroying the East Wing of the White House for Trump’s proposed ballroom and paving over portions of the White House Rose Garden lawn are prime examples, Sams said.

During his tenure, any proposed change to the White House or its grounds was approached in a “very concerted and deliberate manner with a lot of educated professionals weighing in,” Sams said. “Was it slow? Absolutely, but that was because everyone understood these places belong to the people.”

Asked what he thought of the IndyCar race and the cage fights, Sams said, “We are in uncharted territory, on uncharted ground.”

WASHINGTON — Yet another White House construction project is underway, though this one is meant to be only temporary.

Crews are erecting an octagon-shaped cage on the South Lawn that will host next month’s UFC bout, helping mark the nation’s 250th anniversary — and President Trump ‘s 80th birthday.

Online renderings depict what the completed, wire-mesh-fence-ringed fight space is expected to look like ahead of the June 14 event. It will be ringed by a red, white and blue stage under a towering arch featuring stars and stripes patterns and two large screens carrying the action live.

The cage and stage will themselves be surrounded by thousands of temporary seats, including ringside space for a full marching band that can set the entire scene to blaring music.

The project is part of a series of events celebrating the semiquincentennial of the Declaration of Independence’s signing on July 4, 1776. Other planned functions include an IndyCar race that will pass by the White House and the Great American State Fair taking place on the National Mall.

Trump has said that the finished UFC project will feature “a 5,000-seat arena right outside the front door of the White House.” Additional large screens broadcasting the fights will be set up in a park at the nearby Ellipse, and the UFC has said it plans to issue as many as 85,000 free tickets to accommodate spectators at both locations.

“I have never seen anybody want anything so much as people want those tickets,” Trump said recently of demand to attend the UFC fight, adding, “That’s gonna be something.”

The card has been panned by fans online as underwhelming, featuring just two championship fights. Brazil’s Alex Pereira will meet France’s Ciryl Gane for the interim UFC heavyweight title. Then Spanish-Georgian lightweight champion Ilia Topuria takes on interim champ Justin Gaethje, one of just two Americans who currently hold even a share of the UFC’s 11 championship belts.

The octagon and surrounding structures are the latest project in the White House building boom Trump is leading.

The president’s other efforts to leave his mark include tearing up part of the Rose Garden to make room for a patio space reminiscent of his Mar-a-Lago estate in Florida, affixing partisan plaques to the wall of the colonnade for a Presidential Walk of Fame, redoing the bathroom attached to the Lincoln Bedroom and renovating the Palm Room, placing new flag poles on the north and south lawns and demolishing the entire East Wing for a sprawling ballroom.

The president also wants to repaint the Eisenhower Executive Office Building beside the White House and build a 250-foot arch at the nearby Lincoln Memorial — the same monument where weigh-ins for the upcoming UFC fight are scheduled to take place, bout organizers say.

Weissert writes for the Associated Press.

Disneyland is no stranger to patriotism. Reflecting America — both its positives and its “hard facts,” to quote park founder Walt Disney — was part of its mission statement.

Over the years, the Walt Disney Co. in its parks has become more focused on its IP — that is, its film and television properties — rather than looking beyond its gates. But remnants from Disneyland’s past remain. The park still hosts a daily flag retreat, a respectful, music-focused ceremony often with the Dapper Dans and the Disneyland Band to honor veterans. Then there’s the animatronic show “Great Moments With Mr. Lincoln,” which is an inspiring, vital work of theme park theater. Using snippets of Lincoln’s most timeless speeches, it illustrates how words can unite rather than divide us, a rarity in today’s partisan-heavy landscape.

I’ve never believed Disney should stay out of politics. I’d argue that’s impossible, anyway, as all art is political. What a company shows — or chooses to leave out of its content — is a reflection of its values.

This summer, Disneyland is leaning all the way into its patriotic tendencies. A Sam Eagle popcorn bucket, complete with a Fourth of July-style stars and stripes cap, is on the way. And the centerpiece of the festivities will arrive July 2, which is when the Disney California Adventure staple Soarin’ Over California transforms into Soarin’ Across America. Key locations on the hang gilder simulator will include Mount Rushmore National Monument, the Washington Monument, the Statue of Liberty and the Hollywood sign, among many a national park.

Soarin’ Across America shows aerial vistas across the United States, and it’s arriving at a divisive moment in our nation’s political history.

(Disney Parks)

Though designed to celebrate the 250th anniversary of our country’s founding, it’s impossible to ignore that it’s coming at a divisive time in the U.S. Soarin’ Across America’s poster art, as I noted last year when the new version of the attraction was announced, made me cringe, as it features a Statue of Liberty juxtaposed with the American flag and bald eagle — art that conveys a sense of nationalistic pride. In 2026, such emotions are complicated. Our country is disrupting the world, ICE raids have shattered our communities and just the other day, our president was effectively shielded from examination of his finances and legal conduct.

So please forgive me if I don’t exactly want to don the red, white and blue right now. Soarin’ Across America feels like the excited guest showing up to a wedding that’s only happening because the couple can’t get their deposit back.

While I do want to cheer its representation of our national parks — spaces that need all the positive publicity they can get right now, thanks to the administration’s budget cuts and layoffs — I wonder about the inclusion, of, say, Mount Rushmore, which has a long, controversial history, and has been a fascination of President Trump’s.

I’m skeptical, in short, as to how Soarin’ Across America will be read at this moment, a time when many are questioning the relevancy of patriotism and loyalty to a flag. So I was eager to discuss these thoughts with veteran Imagineer Tom Fitzgerald, an executive creative director who recently worked on Main Street, U.S.A.’s Walt Disney animatronic show, who met with me last week.

An attraction poster for Soarin’ Across America released via the Walt Disney Co.’s corporate media site.

(The Walt Disney Co. )

I asked him about potential discomfort around Soarin’ Across America’s patriotic displays. He lightly pushed back, arguing in essence that’s why the attraction is necessary.

“I think we were taking the opposite approach, the optimistic approach, which is what Disney is all about,” Fitzgerald says.

“How can we do something that will help us all celebrate?” he continues. “I know personally when I saw the Artemis II mission recently, I felt like we all came together and said what an astonishing achievement. We were all rooting, going up and coming down. I think that’s more what we wanted to do. Let’s just do a portrait of America, and let the guests go in and just enjoy it. … Let’s just let the audience come in without any preconceived notions and enjoy this four-and-a-half-minute journey.”

I did ask a follow-up, wanting to hear about the conversations that were had at Imagineering to ensure this ride wouldn’t be seen as political, even as it is showing locations such as Mount Rushmore, often a site of protests and criticism from Native Americans.

“I think for us, it’s like, go for the iconic place, and keep it all in the Soarin’ style, with the big music, hang gliding,” Fitzgerland says. “Just make it a journey that just flows from coast to coast.”

A coastal scene from Soarin’ Across America.

(Disney Parks)

Fitzgerald says the ride came together in exactly 12 months, making it a relatively fast, time-crunched project. Yet that also means Disney was aware of the heightened cultural environment it was entering.

The attraction is already open at Florida’s Walt Disney World but I don’t believe in reviewing rides via point-of-view videos, so I’m waiting until July 2 to experience it here. When it lands in Anaheim, I hope I find it an empowering, uplifting work. A number of its locations, including our own Griffith Park, or the Grand Canyon West, Denali National Park, a Maine lighthouse and more, are a reminder of our park wonders. It’s in these scenes that I believe Soarin’ Across American will thrive, and become that “portrait or tapestry of crossing America” that Fitzgerald describes.

Also important: The attraction is a reminder that a theme park such as Disney California Adventure is not so much an escape as an idealized reflection of what is happening beyond its borders. Theme park additions don’t happen in a vacuum, and I applaud its designers for continuing to take risks, especially when they don’t involve pop-culture IP (the IP being explored here is America).

And if Soarin’ Across America can inspire a few trips into our great outdoors, whether that’s an afternoon at the Griffith Observatory or that Grand Canyon trip you’ve been putting off, I’ll take that as a win. But it would have been fine with me if the red, white and blue fireworks had been left in the editing bay.

This week in SoCal theme parks

Halloween season is coming soon. Universal Studios Hollywood announced this week one of its first major haunted houses for 2026’s Halloween Horror Nights.

(Wally Skalij / Los Angeles Times)

• “Sinners” is coming to Halloween Horror Nights. Ryan Coogler’s sexy, scary, music-heavy and politically-infused vampire film “Sinners” is getting the Halloween Horror Nights treatment at Universal Studios Hollywood. The 2025 Warner Bros. Pictures flick is set in the 1930s, and its Horror Nights haunted house will take guests into the film’s bluesy Club Juke. The would-be-safe haven, however, becomes anything but. I’m excited, but I do hope Universal is able to touch on some of the topicality and cultural commentary of the film. Halloween Horror Nights is currently set to launch on Sept. 3.
• Become a Disneyland ‘park ranger.’ Theme parks are stages, and I love when designers create activities to inspire play or exploration. And Disneyland has done just that this summer with its “Mickey’s Park Rangers” activity book. The free, 33-page booklet, available from retail shops near Disneyland’s Rivers of America, is full of puzzles, factoids (I honestly didn’t know there were catfish in the park’s river) and some light scavenger-hunt-like quests. The last will take players through Pirate’s Lair on Tom Sawyer Island, the boats of Rivers of America and the Disneyland Railroad. All told, it’s an excellent way to slow down, play some games and rediscover historic aspects of Disneyland.
• Do puzzles, see some apes. The Los Angeles Zoo on Saturday is hosting a special, game-focused puzzle adventure focused on its ape exhibits. “Zoo Quest: Amazing Apes” is an after-hours event in which participants will work in teams to solve puzzles across the zoo grounds, in this case zeroing in on the park’s ape habitats. The tasks will gradually reveal various ape facts as well as tip guests to the zoo’s conservation efforts. Tickets are $35 for those 12 and older, and $30 for those ages 2-11.
• Park hop to your heart’s content. The Disneyland Resort revealed that on June 9 it is eliminating a rule that prevents park hopping between the Disneyland Park and Disney California Adventure before 11 a.m. Guests will still need to make a reservation at one of the Disney parks, but will be able to check in at either park, subject, of course, to availability. This is a positive development, essentially eliminating a pandemic-era rule and allowing guests who pay for the park hopper upgrade to freely move between locales.

The best thing I ate at the parks

A grilled cheese from the Grand Californian’s Hearthstone Lounge.

(Todd Martens / Los Angeles Times)

The signature restaurant at the Disneyland Resort is the Grand Californian’s Napa Rose. But don’t sleep on the hotel’s Hearthstone Lounge, which accepts walk-ups and reservations (bar seats can be hard to come by). Its relaxed casual atmosphere has made it one of my regular stops when at the park for a full day, and its menu ranges from the informal (sandwiches, pizza) to the more upscale (a $72 New York steak). I tend to lean to the former, and opted for the restaurant’s $21 grilled cheese sandwich on a recent visit. With Parmesan-crusted toast, it feels decadent but isn’t too filling, as bits of bacon, arugula and tomato balance out its mildly sweet and not-too-heavy Point Reyes Toma cheese filling.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

“Mouse P.I. for Hire” is a recent video game in a vintage, 1930s-inspired animation style.

(Fumi Games / PlaySide Studios)

One of my non-theme park passions is video games, and I think Disney fans who also enjoy interactive entertainment may want to give a recent release a close look. “Mouse: P.I. for Hire,” essentially available on all platforms, is a well done lighthearted first-person shooter with some stylistic thought behind it. It’s gorgeous, a black-and-white game in the 1930s cartoon feel, and it’s filled with many a sight gag that wouldn’t have been out of place in “Who Framed Roger Rabbit.”

Its tone is of a noir film, and begins with a missing persons mystery while gradually spinning out to reveal a world full of of fascist, evil mice. When it comes to gameplay, it’s a bit old-fashioned, focusing on the cartoonish aspects of video game shooting rather than anything realistic. It’s good fun and a bit silly, and I like to think of it as something that an alternate world Disney could have dreamed up.

Samsung Electronics Co. topped the smartphone markets in Central and South America, the Middle East and Southeast Asia in the first quarter on steady sales of its premium Galaxy S26 and budget Galaxy A series smartphones, industry data showed Monday.

According to the data compiled by industry tracker Omdia, Samsung Electronics sold some 12.9 million units of smartphones in the Central and South American market in the January-March period, accounting for 37 percent of the total 34.8 million smartphones sold there over the cited period.

Omdia said the performance was driven by solid sales of Galaxy A series smartphones as Samsung Electronics responded to market demand with a diversified product lineup.

In the Middle East market, where smartphone sales fell 6 percent on-year to 11 million units in the first quarter, Samsung Electronics led the market with a market share of 34 percent on strong demand for the latest Galaxy S26 and Galaxy A series smartphones.

The company also sold 4.6 million smartphones in the Southeast Asian market, accounting for 21 percent of all smartphones sold there in the first quarter.

Omdia said strong sales of the Galaxy S26 series, launched in January, and steady demand for the Galaxy A series helped Samsung Electronics expand its market share in Southeast Asia, where quarterly smartphone sales fell 9 percent from a year earlier.

Earlier, Omdia said Samsung Electronics ranked No. 1 in the global smartphone market in the first quarter with a 22 percent market share.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

Los Angeles voters will cast ballots in eight City Council district elections next week, including for two open seats where incumbents are leaving because of term limits.

The contests for the seats being vacated by Councilmembers Bob Blumenfield and Curren Price have drawn large fields of candidates, but the biggest spending has been in the Westside’s District 11, where incumbent Traci Park is facing challenger Faizah Malik, a public interest attorney and one of four council candidates backed by the local chapter of Democratic Socialists of America.

Park has raised $1.3 million, according to the latest campaign finance reports filed Friday, while challenger Faizah Malik reported about $520,000 in contributions. In addition, more than $3 million has been spent in the race by so-called independent expenditure committees that spend money to elect or defeat candidates but which are barred from coordinating their activities with the campaigns.

The district includes Venice, Mar Vista, Brentwood and Pacific Palisades, which was devastated by wildfire in January 2025.

Malik said Friday she is confident heading into the primary election, saying most of her donations are under $100 each, and that she hasn’t taken money from corporations.

Los Angeles City Council candidate Faizah Malik attends a canvassing event March 15 in Westchester.

(Eric Thayer / Los Angeles Times)

“This is what it means to be a grassroots candidate, and it is just more evidence that the people of CD11 believe in our vision for a Westside that is affordable for everyday people,” Malik said.

A Park campaign aide said Park’s haul is indicative of the councilmember’s record of getting results.

“But no one is taking anything for granted,” the aide said in a statement. “We’re working until the final vote is cast because this election will determine whether the Westside keeps moving forward or gets pulled backward into the same failed ideological politics Angelenos are exhausted by.”

Los Angeles City Councilmember Traci Park, center, with members of United Firefighters of Los Angeles City on May 12.

(Genaro Molina / Los Angeles Times)

Park has emphasized her advocacy for fire recovery efforts, including pushing for permit fee waivers for residents wanting to rebuild. Malik has said Park has been too focused on single-family homeowners and said she would focus more energy on renters.

They have contrasting views on policing: Malik said she opposes expanding the size of the Los Angeles Police Department and instead supports shifting more resources to the city’s unarmed crisis response program. Park said the Police Department should have about 10,000 sworn officers, up from about 8,700 currently. She voted in favor of a 2023 LAPD contract that gave raises to officers and increased salaries to new hires.

They stand in contrast of each other on the Venice Dell housing development project, which would turn a city lot into 120 housing units for low-income and homeless people. Park opposed the completion and instead wants to turn it into a “mobility hub” and move the housing project to an adjacent lot. Malik, who represented the developer that filed a suit against the city claiming Park and others sought to kill the project, said the project was a motivating factor for her campaign.

District 9

Six candidates are vying to replace Councilman Curren Price, who hit the 12-year limit, in District 9. The district includes the Convention Center, USC and communities along the Harbor Freeway.

The candidates vary on key issues, including policing and housing. Estuardo Mazariegos, co-director of the Alliance of Californians for Community Empowerment Los Angeles, is backed by the Democratic Socialists of America. He has called for reducing the LAPD budget and redirecting funds to other city departments.

Two other candidates — Jorge Hernandez Rosas, an educator, and Jose Ugarte, who previously worked for Price — said they support hiring more police officers. Another hopeful, Elmer Roldan, executive director of Communities in Schools of Los Angeles, said he believes in keeping the LAPD at its current size.

Ugarte, Roldan, Rosas and Martha Sánchez, a therapist, all support enforcing Municipal Code 41.18, which bars homeless encampments near schools and daycare centers. Mazariegos and Jorge Nuño, an entrepreneur, say the code doesn’t solve homelessness and instead just moves people around.

Ugarte has raised the most in contributions of any candidate and has been endorsed by the Los Angeles County Democratic Party in the nonpartisan race.

District 3

Three candidates are competing for an open seat in District 3, where Councilmember Bob Blumenfield has termed out of office. The district encompasses Woodland Hills, Canoga Park, Reseda, Winnetka and Tarzana.

The candidates are Tim Gaspar, who founded an insurance company, Barri Worth Girvan, district director for Los Angeles County Supervisor Lindsey Horvath, and Christopher Robert “C.R.” Celona, a tech entrepreneur.

The three candidates are similarly positioned on public safety, backing Mayor Karen Bass’ long-term goal to increase the LAPD ranks to at least 9,500 officers. All three also support enforcing Municipal Code section 41.18.

Gaspar and Worth Girvan have both scored key endorsements. Gaspar is backed by Blumenfield, billionaire developer Rick Caruso and Councilmembers Monica Rodriguez, Tim McOsker and John Lee and billionaire developer Rick Caruso. Worth Girvan has endorsements from a long list of state Democratic lawmakers, the county Democratic Party, the Sierra Club and labor unions.

Gaspar leads in campaign contributions, followed by Worth Girvan. Celona, who has promised to resuscitate the city’s entertainment industry by fast-tracking film permits and cutting red tape, trails far behind.

District 1

Councilmember Eunisses Hernandez faces four challengers in District 1, which stretches from Highland Park on the northeast to University Park on the southwest. She is backed by the local Democratic Socialists of America, and her challengers claim the district has suffered under under her leadership, pointing to MacArthur Park as emblematic of the homelessness and drug addiction crisis plaguing the city.

Hernandez counters with a list of accomplishments, including helping secure a $6.3-million state grant to house homeless individuals near the Arroyo Seco riverbed and advocating for a citywide network of unarmed crisis response teams.

She faces challenges from Maria Lou Calanche, a former Los Angeles police commissioner and founder of the nonprofit Legacy LA; Nelson Grande, an executive consultant and former president of Avenida Entertainment Group; Raul Claros, founder of California Rising; and Sylvia Robledo, a small-business owner and former council aide.

Hernandez’s campaign has also faced an onslaught of accusations of “dark money” spending. A group called Neighbors First has sent mail pieces critical of Hernandez and other leftist City Council candidates.

District 5

Incumbent Katy Yaroslavsky faces two challengers for her District 5 seat, both of whom oppose her stance on housing and public safety spending. The district includes some of the city’s wealthiest neighborhoods, including Bel-Air, Westwood, Cheviot Hills and Hancock Park.

Challengers Henry Mantel, a tenants’ rights lawyer, and Morgan Oyler, an accountant, say Yaroslavsky hasn’t done enough to increase the district’s housing supply. Yaroslavsky, who holds a wide lead in fundraising, has said she supports increasing housing density near transit centers but cautioned against building more than the city can sustain.

District 13

Councilmember Hugo Soto-Martínez, who is also backed by the Democratic Socialists of America’s L.A. chapter, faces three challengers in District 13, which includes Atwater Village, Glassell Park, Elysian Valley, Echo Park, Silver Lake and East Hollywood.

The list of challengers includes Colter Carlisle, vice president of the East Hollywood Neighborhood Council, Dylan Kendall, who runs Grow Hollywood, and Rich Sarian, vice president of strategic initiatives for downtown’s South Park Social District.

While Soto-Martínez supports expanding the city’s unarmed personnel program, Carlisle and Kendall would like to expand the police force. Sarian has said he supports the unarmed personnel program and wants to examine the LAPD’s current size and resources.

District 15

Incumbent Tim McOsker is facing off against community organizer Jordan River in District 15, which covers Harbor City, Harbor Gateway, San Pedro, Watts and Wilmington. McOsker has decades of experience in the political world, having worked in the mayor’s office, and the city attorney’s office before joining the City Council in 2022. Rivers, who is unemployed, is a member of the Green Party.

District 7

Monica Rodriguez is running unopposed for the District 7 seat in the northeast San Fernando Valley.

Times staff writers David Zahniser, Noah Goldberg and Sandra McDonald contributed to this report.

European Commission President Ursula von der Leyen and European Council President António Costa signed on Friday a revamped trade deal with Mexico as part of the EU’s efforts to expand its influence in Latin America, shortly after the Mercosur pact entered into force.

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The deal was signed at an EU–Mexico summit in Mexico, with von der Leyen and Costa joined by the country’s President Claudia Sheinbaum, amid rising geopolitical tensions and shifting global alliances following the return of US president to the White House.

The economic partnership between the two medium-sized powers reflects efforts on both sides to reduce their dependence on the US — the EU’s and Mexico’s largest trading partner—and on China, for which Mexico has become a hub for electric vehicle production.

“The EU and Mexico are committed to a close strategic partnership,” von der Leyen said, adding: “Today’s modernised Agreements set out our shared vision of the future and will deliver many benefits for both sides.”

The EU–Mexico trade deal strengthens the EU’s diversification strategy by updating a 20-year-old agreement that had already eliminated tariff barriers on bilateral trade.

Under the new deal, the EU will access new markets for products, such as agri-food (pork, dairy, cereals, fruit and pasta), pharmaceuticals and machinery.

EU tightens trade ties in Latin America

Mexico is the EU’s second-largest trading partner in Latin America and the EU is Mexico’s second-largest export market. Trade between both sides reached €86.8 billion in goods in 2025, alongside €29.7 billion in services in 2024.

The figures remain far smaller than Mexico’s trade with its neighbour, the US, which exceeded $900 billion in goods and services in 2024. But the deal comes as Mexico faces mounting pressure from a more protectionist White House.

For its part, the EU has been grappling with repeated tariff threats from Trump despite a trade deal clinched in 2025.

“At a time of growing global uncertainty, the EU and Mexico are choosing openness, partnership and ambition,” EU trade Commissioner Maroš Šefčovič, who was also in Mexico City, said. He pointed out that more than 43,000 European companies export to Mexico, while over 11,000 EU companies operate in the country.

On agriculture, the pact will open up new markets for Mexican products such as coffee, fruit, chocolate and agave syrup.

A total of 568 European and 26 Mexican geographical indications will also be protected, alongside the opening of public procurement markets, according to the Commission.

With this new deal, the EU also wants to signal its strengthened presence in Latin America, where China has expanded its influence.

“97% of the GDP of Latin America and the Caribbean will be covered by sophisticated preferential agreements with the European Union,” a senior EU official said, adding: “There is no other region in the world that has such a dense and connected network of agreements.”

The EU has already built new trade ties with Argentina, Brazil, Paraguay and Uruguay through the Mercosur trade agreement, which provisionally entered into force on 1 May and liberalises trade flows between the EU and those countries.

However, its signing has faced strong opposition from EU farmers, who fear unfair competition from Latin American imports, and ratification was suspended after MEPs challenged the agreement before the EU Court of Justice.

Brussels argues the Mexico agreement should avoid the backlash faced by Mercosur because sensitive agricultural imports remain capped through tariff quotas.