SHOW BIZ

Hardcover fiction

1. The Night We Met (Indie Exclusive Edition) by Abby Jimenez (Hachette Book Group: $30) Friendship, missed connections and life-altering split-second decisions converge after one fateful night.

2. The Correspondent by Virginia Evans (Crown: $28) A lifelong letter writer reckons with a painful past.

3. Kin by Tayari Jones (Knopf: $32) The bond between two lifelong friends in the South is tested as they take different paths in life.

4. Heart the Lover by Lily King (Grove Press: $28) A woman reflects on a youthful love triangle and its consequences.

5. Vigil by George Saunders (Random House: $28) A spirit guide must shepherd the soul of a dying, unrepentant oil tycoon into the afterlife as he confronts his legacy of corporate greed all while supernatural visitors demand a reckoning.

6. Brawler by Lauren Groff (Riverhead Books: $29) A collection of short stories tackling the relentless battle between humanity’s dark and light angels.

7. Judge Stone by James Patterson and Viola Davis (Little, Brown & Co.: $32) The bestselling author and Oscar-winning actor team up for a small-town legal thriller.

8. Half His Age by Jennette McCurdy (Ballantine Books: $30) A teenager embarks on a secret relationship with her teacher.

9. Once and Again by Rebecca Serle (Atria Books: $27) A family of women have an astonishing gift: the ability to redo one moment in their lives.

10. Daughter of Egypt by Marie Benedict (St. Martin’s Press: $29) A young woman in the 1920s unearths the truth about a forgotten pharaoh, rewriting both of their legacies forever.

…

Hardcover nonfiction

1. A World Appears by Michael Pollan (Penguin Press: $32) An exploration of consciousness and a meditation on the essence of our humanity.

2. Strangers by Belle Burden (The Dial Press: $30) A woman explores her marriage, its end and the man she thought she knew.

3. The Best Dog in the World by Alice Hoffman (editor) Fourteen authors celebrate the life-changing bond with their canine companions in a collection of essays. (Scribner: $22)

4. Young Man in a Hurry by Gavin Newsom (Penguin Press: $30) The California governor tells his origin story.

5. You with the Sad Eyes by Christina Applegate (Little, Brown & Co.: $32) The actor opens up about her tumultuous childhood, her five-decade-long career and the MS diagnosis that upended it all.

6. Kids, Wait Till You Hear This! by Liza Minnelli (Grand Central Publishing: $36) The entertainment legend shares her story.

7. One Day, Everyone Will Have Always Been Against This by Omar El Akkad (Knopf: $28) Reckoning with what it means to live in a West that betrays its values.

8. Lessons From Cats for Surviving Fascism by Stewart Reynolds (Grand Central Publishing: $13) A guide to channeling feline wisdom in the face of authoritarian nonsense.

9. History Matters by David McCullough (Simon & Schuster: $27) A posthumous collection of essays from the Pulitzer-winning historian.

10. Writing Creativity and Soul by Sue Monk Kidd (Knopf: $29) A look at the mysteries, frustrations and triumphs of being a writer.

…

Paperback fiction

1. Project Hail Mary by Andy Weir (Ballantine: $22)

2. Theo of Golden by Allen Levi (Atria Books: $20)

3. Dungeon Crawler Carl by Matt Dinniman (Ace: $20)

4. Martyr! by Kaveh Akbar (Vintage: $20)

5. I Who Have Never Known Men by Jacqueline Harpman (Transit Books: $17)

6. Remarkably Bright Creatures by Shelby Van Pelt (Ecco: $20)

7. Heated Rivalry by Rachel Reid (Carina Press: $19)

8. Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (Vintage: $19)

9. Parable of the Sower by Octavia E. Butler (Grand Central: $20)

10. The God of the Woods by Liz Moore (Riverhead Books: $19)

…

Paperback nonfiction

1. The Beginning Comes After the End by Rebecca Solnit (Haymarket Books: $17)

2. The Artist’s Way by Julia Cameron (TarcherPerigee: $24)

3. The Wager by David Grann (Vintage: $21)

4. I’m Glad My Mom Died by Jennette McCurdy (Simon & Schuster: $20)

5. All About Love by bell hooks (William Morrow Paperbacks: $17)

6. The Demon of Unrest by Erik Larson (Crown: $22)

7. Raising Hare by Chloe Dalton (Vintage: $21)

8. Slouching Towards Bethlehem by Joan Didion (Farrar, Straus & Giroux: $18)

9. Braiding Sweetgrass by Robin Wall Kimmerer (Milkweed Editions: $22)

10. When the Going Was Good by Graydon Carter (Penguin Books: $22)

SCOTT Mills’ “work wife” Tina Daheley has revealed the “real reason” she was missing from Radio 2 this week.

It was revealed this week that fan-favourite host Scott had been fired from his Radio 2 Breakfast Show over allegations surrounding his “personal conduct.”

The Sun understands that his contract was terminated within five days of the complaint being made.

It then came to light how Scott’s sacking was linked to a complaint about a 2016 police probe into historic “serious sexual offences” against a teenage boy, with the timeline of proceedings showing the BBC took seven years to act.

Scott’s co-presenter Tina took to social media on Wednesday to admit that it’s been an “awful week” after she went “missing”.

She shared a photo of herself in bed with a cup of tea and wrote: “Good morning! Just about recovered from this awful cold/flu.

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no trace

Scott Mills’ podcast disappears as he’s dropped by charity after Radio 2 sacking

“I’ve had for the past week (being parent to a primary school aged child is like having a subscription service to viruses!).”

Tina then revealed when she would be returning to her hosting duties.

“Good news is I’m over the worst of it and looking forward to spending two weeks with my family over the Easter hols from tomorrow after what’s been an incredibly difficult past week,” she said.

“I’ll be back on the radio Tuesday 21st April.”

It comes after Scott’s podcast was pulled by the BBC.

His Mercedes-Benz Vans Under the Bonnet: On the Road podcast has also been taken off Spotify.

The four part series created in 2025 with the Under the Bonnet report, shone the spotlight on varying issues for van drivers including everything from road conditions to mental health.

Scott has previously opened up on his own mental health battles and the podcast saw him reveal how 65 per cent of drivers had also struggled.

Yet when users search for it on Spotify, from a Google link that previously worked, a caption now states: “Couldn’t find that podcast.

“Search for something else?”

The BBC have also removed him from a Race Across The World podcast and pulled scenes he filmed for EastEnders.

Yesterday, we exclusively reported how charity Neuroblastoma UK dropped him as a patron.

Recently, we reported how Scott had been wiped from the BBC’s social media.

It comes after it was confirmed the Scott Mills Bridge at the M3 service station was now set to be re-named.

Additionally, The Sun was first to report how his Eurovision replacement is his fellow BBC Radio 2 DJ, Sara Cox.

Since 2011, he has commentated on the semi-finals, which air on BBC One on Tuesday and Thursday in the week leading up to the grand final.

• Scott Mills has been sensationally sacked by the BBC in a “tense” meeting with bosses
• The sudden axing is understood to be linked to a 2016 police probe into historical sex offences involving a teen boy
• Mills was questioned by police under caution in 2018 but the case was dropped in full due to a lack of evidence it is understood
• The race is now on to find a replacement for Mills, with fellow BBC DJ Gary Davies standing in
• And uncertainty now surrounds his future projects

In recent years, he has been joined by Rylan Clark to commentate on the shows, as well as the final live on Radio 2.

It comes after it transpired the broadcaster was questioned by police under caution in 2018 – when he was in his 40s, the Mirror reports.

The interview was related to alleged offences which took place between 1997 and 2000.

The case was dropped in full due to a lack of evidence.

A Metropolitan Police spokesperson told The Mirror: “In December 2016, the Met began an investigation following a referral from another police force.

“The investigation related to allegations of serious sexual offences against a teenage boy.”

The spokesperson said a man, who was in his 40s at the time of the interview, was questioned by police under caution in July 2018.

“A full file of evidence was submitted to the Crown Prosecution Service, who determined the evidential threshold had not been met to bring charges,” the Met said.

“Following this advice, the investigation was closed in May 2019.”

The allegations, which did not result in any charges, were reported to have taken place between 1997 and 2000.

Scott began at Radio 1 in 1998 presenting the early morning slot before earning his own breakfast show The Scott Mills Show.

Scott’s pals have also claimed they “can’t reach him” amid the “teen boy sex probe”.

A BBC spokesperson told The Sun: “While we do not comment on matters relating to individuals, we can confirm Scott Mills is no longer contracted to work with the BBC.”

When the world is topsy-turvy, the theatergoing public seeks explanations. Arthur Miller provides something better: moral intelligence. He doesn’t tell his audience what to think but challenges them to think harder.

There’s clearly a hunger right now for Miller’s work. His plays are back in high demand in Los Angeles, New York and London.

A new revival of “Death of a Salesman,” starring Nathan Lane and Laurie Metcalf, is in previews on Broadway. And a less starry production of Miller’s masterpiece opened last weekend at Pasadena’s A Noise Within.

“All My Sons,” Miller’s breakthrough play about capitalism’s warped ethics in the guise of a domestic drama, just finished a successful run at Antaeus Theatre Company in Glendale. And National Theatre Live will screen the recent London production, starring Bryan Cranston and Marianne Jean-Baptiste, in April and May courtesy of Boston Court Pasadena and L.A. Theatre Works. (Late last year, I caught a screening at the Wallis of another London revival, the 2019 production starring Bill Pullman and Sally Field.)

Dana Dewes and Scott G. Jackson in “The Price” at Pacific Resident Theatre in Venice.

(Ian Cardamone)

“A View From the Bridge,” a play whose revenge plot hinges on a tip to immigration authorities, could hardly be more timely. The same could just as unnervingly be said about “The Crucible,” Miller’s parable about the McCarthy witch hunts. The play, always front of mind when power is being abused, has given rise to a modern feminist riposte, Kimberly Belflower’s thrilling “John Proctor Is the Villain,” which is coming to the Mark Taper Forum next year.

Not to be missed right now is a small, exquisitely acted production of “The Price” at Pacific Resident Theatre. Miller’s 1968 play, written during the agonizing days of the Vietnam War, concerns the disposition of the remains of a once-illustrious estate. As two estranged brothers working with an 89-year-old appraiser try to put a price on the antiques and personal effects their father — a casualty of the Great Depression — left behind, the family history they both tried to bury explodes.

Miller’s plays compel theatergoers to connect the dots not only between the past and the present but also between the political and the personal. His dramas set domestic conflicts against the backdrop of societal systems that insidiously warp the playing field for their characters.

Miller is often contrasted with Tennessee Williams. And while it’s true that Miller is more of a social realist and Williams is more of a dramatic poet, Miller’s carefully carpentered plays are emotionally supple and Williams’ lyrical dramas are acutely mindful of the power dynamics of our collective life.

The realism of “The Price” is as heavy as the old wooden furniture that the Franz brothers, Victor (Scott G. Jackson) and Walter (Jason Huber), are trying to profitably offload.

(Ian Cardamone)

Director Elia Kazan was drawn to both playwrights because he understood that they were as interested in the stories of individual Americans as they were in the larger tale of America itself. Kazan found in both writers more than enough poetry and grit to satisfy the new breed of realistic actor he was showcasing on stage and screen.

“Death of a Salesman” and “The Price” are vastly different plays. The former, which Miller once considered calling “The Inside of His Head,” is fluidly constructed, playing fast and loose with time as it tracks the disintegrating mental life of down-and-out salesman Willy Loman. “The Price,” by contrast, is set inside what looks at first glance to be a crowded antique shop but turns out to be the apartment once inhabited by the Franz family after the market crash changed everything.

The realism of “The Price” is as heavy as the old wooden furniture (stacked and sorted on Rich Rose’s eye-catching set) that the Franz brothers, Victor (Scott G. Jackson) and Walter (Jason Huber), are trying to profitably offload on a shrewd antique dealer named Gregory Solomon (Richard Fancy). “Salesman” is more limber in its dramaturgy, shifting locations and blurring chronologies. But it too depends on the ability of actors to embody the biographical weight of its finely detailed characters.

Arthur Miller’s 1968 play “The Price,” written during the Vietnam War, concerns the disposition of the remains of a once-illustrious estate.

(Ian Cardamone)

“The Price,” directed by Elina de Santos, thrives in the intimacy of Pacific Resident Theatre’s main stage. There’s not a moment in the play that isn’t deeply inhabited by a cast that understands the value of listening.

The drama builds toward a confrontation between Victor, a cop who dropped out of college to support his dad, and Walter, a wealthy doctor who made no such sacrifices and resents the guilt that he’s spent a lifetime trying to elude. Miller gives both characters some claim on the truth, making the twisting argument that breaks out between the brothers enthralling to follow.

But just as insightfully handled are the complicated emotional dynamics between Victor and his wife, Esther (Dana Dewes), who is frustrated by her husband’s resignation and blunted ambition but loyal to him and prepared to fight for his due. As for Solomon, the scene-stealing appraiser who dispenses old world wisdom while toting up an estimate for the furniture haul in between bites of a hard-boiled egg, is deliciously brought to life by Fancy, who has starred in both “All My Sons” and “Death of a Salesman” at PRT and enlivens this production with his veteran experience.

I saw “The Price” on Sunday after having been dismally disappointed at the Saturday night opening of “Death of a Salesman” at A Noise Within. That production, directed by Julia Rodriguez-Elliott, seems completely deracinated on a set by Frederica Nascimento that registers no Brooklyn ZIP Code or locatable address anywhere.

Deborah Strang, Ian Littleworth, David Nevell and Geoff Elliott in “Death of a Salesman” at A Noise Within.

(Craig Schwartz)

But the bigger problem is that the performances are ungrounded. Geoff Elliott, who shares the title of producing artistic director at A Noise Within with wife Rodriguez-Elliott, doesn’t so much play Willy Loman as try on various accents, none of them remotely convincing to this native Brooklynite. Are the Lomans meant to be Irish immigrants or is that a Boston dialect that is being affected when the cartoonish New Yorkese takes a breather?

The house needn’t be fleshed out to be made to seem real, but since it plays such an important role in the play, its presence onstage ought to at least be palpable to the characters. At one point near the play’s tragic climax, Willy is feverishly planting seeds in the backyard, but Elliott gives no credibility to any of his character’s actions. Willy might as well be delivering newspapers or mopping the kitchen floor, so disconnected are his gestures.

It’s true he’s not in his right mind, but it’s just another instance of the casual disregard of the character’s moment-to-moment reality. Willy’s world never comes into being onstage, and the rest of the cast seems to wander in the limbo that’s left behind.

“Death of a Salesman” is more limber in its dramaturgy, shifting locations and blurring chronologies.

(Craig Schwartz)

As Linda Loman, Deborah Strang, normally so reliable, tries to follow the lead of husband Willy, but that turns out to be a dead end. Ian Littleworth’s Happy, the dissolute son always looking for an easy way out, seems unsettled not only in his bearings but in his command of the script.

David Kepner’s Biff, the prodigal son who rediscovers the reasons he ran off in the first place, delivers the most centered performance. It’s at least possible to believe what his character is supposed to be feeling, but the placelessness of the production doesn’t give him enough to dig into. The emotional combustion of his climactic scenes with Willy fail to reach cathartic levels.

Still, I found myself listening attentively to the warning Miller was issuing about buying into the salesman ethos. Willy’s belief that good connections matter more than skill and that blarney and bluff can substitute for hard work explains a good deal about our current national disorder.

David Kepner, who delivers the most centered performance, and Ian Littleworth in “Death of a Salesman.”

(Craig Schwartz)

But Miller’s dramatic vision requires actors to relive the experiences of their characters, the way they do in De Santos’ production. “The Price” might not be an indisputable masterpiece like “Death of a Salesman,” but its solid construction reveals tremendous complexity when the human story is scrupulously observed and the societal forces shaping our lives are suddenly thrust into view.

Peaky Blinders fans were left baffled over Arthur Shelby’s glaring absence.

Peaky Blinders’ Arthur Shelby actor has finally opened up about his absence from The Immortal Man.

Peaky Blinders: The Immortal Man is on Netflix and the follow-up film explores Tommy Shelby’s (played by Cillian Murphy) redemption arc as he attempts to right his wrongs.

The Peaky Blinders film, which sees Barry Keoghan star as Tommy’s son Duke Shelby, focuses on the father and son relationship as Duke begins to head down a dangerous path.

Tommy, reluctant to return to his family, is forced to face the demons of his past following an unprecedented tragedy and viewers discover some hidden secrets about Tommy’s life in the events between the series and the film.

The film begins with Tommy living away from his family in a derelict mansion, which features a graveyard he regularly visits.

Viewers were shocked to see Arthur Shelby’s name written on one of the gravestones, and here is all you need to know about actor Paul Anderson’s absence.

Why is Paul Anderson not in The Immortal Man?

Arthur Shelby was last seen in season six of the flagship series, while he was battling an opium addiction following a relapse.

Paul Anderson played Arthur in all six seasons of the show, and is one of only three stars to have appeared in every episode, besides Cillian Murphy and Sophie Rundle.

Anderson opened up on the film and his absence to LADbible, explaining: “Well, what can you do eh? It is how it is. I thought I’d just leave them to it. I think it’s great. I [wasn’t] very nice to people in it [the series]. But people loved me.”

Creator Steven Knight said there were no plans to bring Anderson back, telling The Hollywood Reporter his character had been written out of the film.

He explained: “What I’ll say is that the story determines the cast, and the story was set. I knew that Tommy needed to have done something that he couldn’t forgive himself for.

“Therefore, that’s why the plot went in that particular direction. But in terms of Paul, all I’ll say is that he’s a fantastic actor.”

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What happened to Arthur Shelby in Peaky Blinders: The Immortal Man?

In the sequel film, Tommy was seen living in isolation as he was haunted by the ghosts of his past, including his brother, Arthur.

He often visited his brother’s grave, though it was not mentioned for a long time how his brother really died.

At first it was suggested he had died by suicide, but by the end of the film Tommy revealed what really happened as a flashback played out on screen.

He explained how he had killed his own brother in a drunken fit of rage, while they were both in a car together.

Tommy was seen strangling Arthur during a struggle, which ended with Arthur laying lifeless and Tommy almost instantly regretting his actions.

Peaky Blinders: The Immortal Man is on Netflix

SCOTT Mills was first investigated over sex offences against a teenage boy seven years ago – but only now the BBC has acted.

In a sensational move the BBC pulled Mills off air last Tuesday – with it emerging days later that the axing was linked to a complaint about the 2018 probe into the 53-year-old.

Mills was questioned over allegations of “serious sexual offences” against a boy who police confirmed was under 16 at the time of the allegations.

The case – said to have taken place between 1997 and 2000 – was later dropped in full due to a lack of evidence.

Last night we revealed that BBC bosses had known Mills was being investigated in 2018, Mills informed the corporation but denied the allegations.

And, in March that year The Sun on Sunday revealed how a probe was being carried out into an unnamed radio presenter.

DARK DAYS

Scott Mills’ troubled Radio 1 years that saw star go on-air drunk after tragedy

SCOTT SHOCK

Teen boy at centre of Scott Mills ‘sex offences’ probe was under 16, cops say

Officials decided to keep Mills on air for seven years after he informed them of the investigation before suddenly dismissing him on Monday.

It was only after a complaint was made regarding the police probe that Beeb bosses gave Mills the boot.

Mills’ £360,000 a year contract was terminated within five days of the complaint being made.

But the BBC has since apologised for not taking action on an allegation against Scott Mills raised last year. So, as the scandal unfolds, here is what was known and when.

1997 – 2000

The alleged “serious sexual offences” against a boy under 16 take place with Scott Mills joining the BBC in 1988.

Mills initially joined the corporation as a presenter on BBC Radio 1, presenting the early morning slot before earning his own namesake programme The Scott Mills Show.

December 2016

The Metropolitan Police launch a probe into allegations regarding Scott Mills.

The investigation, which related to allegations of serious sexual offences, followed a referral from another police force.

July 2018

Mills is questioned by police under caution about historical sexual offences against a teenage boy.

The former BBC Radio 2 star told the corporation about the investigation and denied the allegations.

May 2019

After it was decided there wasn’t enough evidence to bring charges against Mills the investigation is closed.

The case was dropped in full.

October 2022

Mills moved from BBC Radio 1 and joined BBC Radio 2, taking over the coveted afternoon slot from Steve Wright.

January 2025

Mills then moves on to take over the Radio 2 Breakfast Show, where he would stay until he was dismissed.

The former presenter took over after Zoe Ball stepped down — calling the role his “dream job”.

March 24, 2026

Mills signs off his show with “see you tomorrow” with his slot taken over the next day by Gary Davies.

Davies would continue to fill in for Scott after being named as the interim breakfast show host.

March 25, 2026

A BBC investigation is launched following a complaint regarding Scott Mills and the historic police probe.

March 30, 2026

In a sensational story, it is announced Mills had been sacked by the Beeb.

BBC Director of Music Lorna Clarke circulates an internal letter to staff informing them of the sacking.

March 31, 2026

The Metropolitan Police confirm that the teen boy at the centre of the allegations was under 16 years old at the time of the alleged offences.

April 1, 2026

The Sun reveals that the BBC was aware of the investigation as far back as 2018.

We revealed how Mills told the corporation in 2018 but was kept on air for another 7 years before suddenly being fired.

This story contains spoilers for “The Super Mario Galaxy Movie.”

Everybody’s favorite fearless and super capable princess is back for another adventure — along with the denizens of her kingdom and a pair of New York plumber brothers — in “The Super Mario Galaxy Movie.”

Now in theaters, the follow-up to the 2023 blockbuster “The Super Mario Bros. Movie” sees Princess Peach, Mario, Luigi and Toad joined by some new yet also very familiar faces as they try to thwart yet another evil plan by a member of the Bowser clan. The result is some intergalactic travel and family-friendly action.

Directed by Aaron Horvath and Michael Jelenic, who also helmed the first film, “The Super Mario Galaxy Movie” formally introduces into Nintendo’s movie universe the cosmically powerful Rosalina and her flock of star-shaped Lumas, Bowser’s ambitious mini-me, Bowser Jr., the insatiable dinosaur-like Yoshi, ace pilot Fox McCloud and more video game fan favorites. (That includes Mr. Game & Watch, one of Nintendo’s earliest playable characters.)

These introductions, of course, don’t stop when the film’s main story ends.

Much like the first installment, “The Super Mario Galaxy Movie” features a couple of bonus scenes that are shown after the credits begin to roll. The first is a mid-credits scene that involves a breakout character from “The Super Mario Bros. Movie,” and the second, shown after the credits end, introduces another Nintendo royal.

Many Lumas appear in “The Super Mario Galaxy Movie.”

(Nintendo and Illumination)

The mid-credits scene is justice for Lumalee

Lumalee quickly won audiences over in “The Super Mario Bros. Movie” with his cheerfully nihilistic one-liners while imprisoned by Bowser. The blue Luma doesn’t appear during the main story of “The Super Mario Galaxy Movie,” but the star-shaped creature steals the mid-credits scene.

The bonus scene takes place sometime after the movie’s main story ends at the prison where Bowser and Bowser Jr. have been locked up. After Fox teases a possible sequel or “Star Fox” spin-off by mentioning he is finally “heading home” as he approaches his ship, audiences get a glimpse of what’s in store for the Bowser duo’s foreseeable future.

Peace may not be an option, because their prison guard is former Bowser captive Lumalee. And the role reversal — complete with uniform — doesn’t appear to have changed Lumalee’s outlook on life in any way.

The blue Luma said it best in the first “Mario” movie: “Life is sad, prison is sad, life in prison is very, very sad.” Just how sad things might get for the Bowsers will be up to Lumalee.

Peach fights off some Ninjis in “The Super Mario Galaxy Movie.”

(Nintendo and Illumination)

The second post-credits scene introduces a new princess

The final bonus scene in “The Super Mario Galaxy Movie” is more of a teaser for what could come in a future “Mario” installment.

This stinger takes place back at the hub known as the Gateway Galaxy. The mischievous thieving monkey Ukiki is once again trying to make off with the belongings of a passerby when he is stopped by another traveler: Princess Daisy.

Daisy is a character that first appeared in the 1989 Game Boy game “Super Mario Land.” Much like Peach in the first “Super Mario Bros.” video game, Daisy was the princess players were trying to rescue. She has since become a Nintendo regular, being featured as a playable character in “Mario”-related titles including in the “Mario Kart,” “Mario Party” and “Super Smash Bros.” series of games as well as the latest main series installment, “Super Mario Wonder.”

Although Daisy does not have any lines in the film, the video game incarnation of her is known to be energetic and feisty.

This brief glimpse of Daisy is another indication that there is more to come in the Mario movie franchise. Audiences will have to wait to see if (or when) a third movie is officially announced.

MEGAN Thee Stallion has been rushed to hospital after suddenly falling “very ill” during a performance of Moulin Rouge on Broadway.

The 31-year-old rap star managed to get through the opening scenes of the hit musical in New York before the show had to be halted so she could get treatment.

Megan, who plays Zidler in the beloved Broadway production, was quickly taken to hospital and is still undergoing an evaluation, it is believed.

A representative of the Savage rapper told TMZ: “During Tuesday night’s production, Megan started feeling very ill and was promptly transported to a local hospital, where her symptoms are currently being evaluated.”

There is yet to be any further update on her condition.

Megan’s personal hairstylist and close friend Kellon Deryck has come out since to ask fans to say “a prayer” for the rapper.

MEG-A SEXY

Megan Thee Stallion suffers wardrobe malfunction in completely see-through dress

Megan is due to appear in Moulin Rouge! The Musical until May 17 at the Al Hirschfeld Theatre.

Her casting as Zidler marks a history making moment for the star as she becomes the first female-identifying performer to play the role in any production of Moulin Rouge worldwide.

Concerned audience members said they were told to “stay inside and seated” while medics assessed Megan off stage.

After she left the theatre, the show continued as a male performer took on the role of Zidler.

Megan’s first show came on March 24 where she was congratulated for putting on an impressive act in New York City.

Earlier this year, the Hot Girl Summer artist spoke about how big of an honor it is to be able to perform on Broadway.

She released a statement when she was announced for the musical saying: “Stepping onto the Broadway stage and joining the Moulin Rouge! The Musical team is an absolute honor.

“I’ve always believed in pushing myself creatively and theatre is definitely a new opportunity that I’m excited to embrace.

“Broadway demands a different level of discipline, preparation, and storytelling, but I’m up for the challenge and can’t wait for the Hotties to see a new side of me.”

After his October 2015 overdose at a Nevada brothel, Lamar Odom says, he had “12 strokes and six heart attacks. All my doctors say, like, I’m a walking miracle.”

Now, more than a decade later, the Love Ranch brothel has been demolished, but Odom is still around.

The former Laker and onetime husband of Khloé Kardashian is telling his story for “The Death and Life of Lamar Odom,” the newest episode of Netflix’s documentary series “Untold,” along with Kardashian, former coach Phil Jackson and others who were around during his Oct. 13, 2015, health emergency. The episode premiered Tuesday.

“You know what’s funny?” the 46-year-old former player told Sports Illustrated in an interview published Monday. “I haven’t even watched it yet. You know why? Because I lived it.”

Odom, who just got out of another month of rehab in February, insists that the 2015 episode was not a mere overdose but a “hit,” an attempt on his life.

“Right when I signed the divorce papers, I was like, ‘I’m gonna get it in.’ The Bunny Ranch I used to always see on TV, but I don’t have any coke to take,” he says in the documentary. “ … It’s crazy when you think about [how] one decision, so big or so minor, could be so pivotal to you and to people that you really love.”

The late Dennis Hof, owner of the Bunny Ranch, where HBO’s “Cathouse: The Series” was shot, owned other Nevada brothels. Odom set off that October for Hof’s Love Ranch in Crystal, about 80 miles outside of Las Vegas.

“It was pretty rare that a celebrity — certainly anybody above the D-list — would be actively trying to come out to one of the brothels,” former Love Ranch manager Richard Hunter says in the “Untold” episode. “This was kind of a myth. This was something Dennis perpetuated.”

But, Hunter said, “Lamar Odom actually began contacting several of the girls from the Love Ranch on Instagram. … Being a professional athlete, there’s a lot of easier ways to do this than to drive an hour outside of the city into the desert, walk into a brothel, such as it was, and want to live there for a few days.

“As the days progressed, I remember that him or one of his handlers … actually contacted the brothel and wanted a car to pick him up. So it definitely became real when he gave us the address of where he was at.” The driver called the Love Ranch and let them know his passenger really was Odom. They put him in a house behind the brothel, Hunter said, where they put folks who were “spending enough money.”

Odom told USA Today in an interview published Monday that what transpired at the Love Ranch — which was demolished in November 2024, after Hof’s 2018 death — “was like a hit. Obviously they missed. I don’t know if they want to finish the job.”

Hit or not, Odom infamously wound up overdosing on alcohol and various drugs including over-the-counter erectile-dysfunction supplements. He says no cocaine was involved.

Kardashian explains in the episode that her divorce from Odom came as a result of an ultimatum she was told to deliver during a planned intervention: a three-month rehab stint or a split. Odom surprised them, she said, when he said that all he wanted was his passport — and the divorce.

“I was like, looking around like, ‘Wait. Wait. I — I don’t want the divorce,’” she said. “‘You guys [who assembled for the intervention] told me I have to say this.’”

Odom and Kardashian had signed their papers before the OD, but a judge hadn’t yet signed off on the dissolution, which allowed her to keep him insured and, as his wife and next of kin, to make decisions regarding his health. Kobe Bryant, Odom’s Lakers teammate and Kardashian’s close friend, flew to Nevada to help her decide whether to proceed with surgery to fix Odom’s lung that had collapsed. She said yes, even though there was only “like a 10% chance” that it would work and that he would survive the procedure.

Odom made it through, recovering at Cedars-Sinai Medical Center. Bryant died in a helicopter crash less than five years later.

After the OD, Kardashian never left the hospital. She put their divorce — finalized in 2016 — on hold. When Odom awakened from his coma, he couldn’t control his bowels and needed six hours a day of dialysis, according to the documentary. “So you can understand the humility … I’ve won two championships. I’m Lamar Odom. I can’t walk, can’t talk. And they come in to check my diaper.”

He was 35 at the time. The next summer, he was removed from a flight at LAX before takeoff while drunk and vomiting, having been seen earlier slamming beer and whiskey in the Delta Airlines lounge.

So what would Odom tell his younger self, if he could, after suffering a dozen strokes and six heart attacks after that visit to the Love Ranch?

“Stay away from your weakness. And my weakness, obviously, was drugs because I’m a drug addict,” he told SI. “It could have been passed down to me from my father. But I’m not blaming anybody. Makes no sense to blame anybody. On or off the court, you have to work with what you’ve got. And I had an incredible stat line in terms of skills and how to play the game.

“And just work on being the best player that you can be. Anybody who offers you that s—, drugs, whether it be coke, pot, alcohol, they probably ain’t your friend. And to choose my friends wisely, because they could affect you on or off the court.”

Odom also wasn’t sure why Netflix had tapped him at this moment, but hopes that by telling his story he might help other people who are trying to get out of addiction.

“I was telling my girlfriend on the way here, it’s like swimming in a cesspool of trauma,” he told USA Today, mentioning a partner who has not been identified. “And I’m trying to get out of it, but the story reels me back into that pool every time. But I just know I’m bigger than the situation, and I hope to help a lot of people by giving my testimony. Not just with the story, but just in life, that we can all overcome addiction.”

That and, well, “Netflix had a good paycheck, bro,” he told SI with a laugh. “No, but it’s a time and place for everything. I don’t know what made me relevant now.”

British singer-songwriter Lola Young is opening up about the “breaking point” that steered her toward recovery.

The “Messy” hitmaker told Rolling Stone in a recent interview that she was grateful that she fainted onstage late last year, and framed the scary ordeal as a wake-up call. “What do you call that? Like, a breaking point which allowed me to then be able to be here today, allowed me to be better for my fans, better for the future, and better for myself,” she told the outlet.

In September, the Grammy winner collapsed onstage during a performance at the All Things Go Music Festival in New York City. Following the health scare — which drew speculation and worry from fans who’d watched the viral video of Young stumbling and dropping her microphone before falling backward — Young canceled the remainder of her tour, which included a 21-stop North American run.

The tour, in support of her third album, “I’m Only F— Myself,” was expected to conclude with two dates at the Hollywood Palladium in December. Instead, she spent two months seeking holistic addiction treatment in a facility that prioritizes psychotherapy. She’s now attending 12-step meetings and working with a sponsor.

When announcing that she would have to nix forthcoming performances to prioritize her health, Young told fans on social media that she was “going away for a while” and apologized, writing, “I love this job and I never take my commitments and audience for granted so I’m sorry to those who will be disappointed by this. … I really hope you’ll give me a second chance … once I’ve had some time to work on myself and come back stronger.”

Young told Rolling Stone that, naturally, some folks were really angry that she’d canceled her tour. “[I]t was a decision that I had to make, and it was sad that I had to do that. What else was I going to do, die? That was the reality of where my addiction was heading.”

This wasn’t the first health incident for Young, who is known for her chart-topping breakout hit, “Messy.” The budding megastar performed at the Coachella Valley Music & Arts Festival in 2025, and during her Weekend 1 performance, she struggled to get through. The heat lingered around 100 degrees, and while Young danced and sang, she began to visibly gag and retch before running off the stage and asking for a bucket.

The acclaimed artist has been candid about her struggles with cocaine and alcohol addiction and often explores those struggles in her lyrics. In the song “d£aler,” a bouncy goodbye letter to her drug dealer, she sings about spending the day trying to be sober but feeling miserable nonetheless: “I wanna get away, far from here / Pack my bags, my drugs, and disappear.” … “Pack my bags and tell my dealer I’ll miss him.”

Young also sat down with the Times UK and said that she didn’t want to say too much but confirmed that she was in recovery for drug addiction. “But what I would say is that recovery is an ongoing process. I’m not the finished article, but I’m doing a hell of a lot better.”

BBC bosses were tonight urged to say why they kept Scott Mills on air while he was probed for sex offences with a boy under 16, only to fire him seven years later.

The Beeb also remain tight-lipped over what changed since their original decision not to act — knowing the star, 53, had been quizzed under caution between 2018 and 2019.

The allegations are reported to relate to events between 1997 and 2000, when Mills was in his 20s.

At the weekend, he was sacked as the £360,000-a-year host of Radio 2’s Breakfast Show following a second probe.

Broadcasters and MPs demanded answers over the latest of multiple scandals to rock the corporation in recent years.

TV presenter Piers Morgan said: “I don’t understand. He was investigated by police 10yrs ago over alleged offences 25+ years ago, but no action was taken and case was closed.

all change

Scott Mills Bridge at M3 service station ‘set to be renamed’ after BBC sacking

JANE MOORE

Scott Mills was dropped like a hot cake – but what evidence does Beeb have?

“Now he gets instantly fired over same thing? The BBC needs to explain why, surely?”

Insiders have claimed the BBC moved swiftly over Mills following criticism they were slow to act over shamed newsreader Huw Edwards.

Discussing the cases yesterday Radio 2 host Jeremy Vine said: “There is a thought here they decided to treat Scott how they wish they’d treated Huw. Which would be a bit unfair would it not?

“Regarding the inconsistency here, we were told Huw Edwards couldn’t be sacked because he was in a fragile mental state, everything I have read about Scott’s history today goes back to his own anxiety and depression and everything else but there doesn’t seem to be the same break cut for him.”

Tory Shadow Crime Minister Matt Vickers told The Sun: “This pattern of failure by the BBC is letting the public down whilst the institution continues to protect its own ­reputation over addressing serious internal concerns.

“Time and again, the public are asked to place their trust in an institution that too often seems unwilling to come clean when it matters most.

“For a broadcaster funded by the public and serving audiences of all ages, any failure to act on safeguarding concerns is unacceptable.”

Mills joined Radio 1 in 1998. Allegations about him were first reported to Hampshire Police by a third party in 2012.

The force logged the details and later passed on information to the Met’s Operation Winter Key.

In December 2016 Winter Key cops launched an investigation.

At that time, Mills was the Drivetime DJ for Radio 1 and hosted the Official Chart Show, which has a target age range of 15-plus.

Mills was interviewed under caution in July 2018 and denied the claims against him.

In March that year The Sun on Sunday revealed how an investigation was being carried out into an unnamed radio presenter.

A file was submitted to the Crown Prosecution Service, which ruled there was insufficient evidence to charge. The investigation was then closed in May 2019.

BBC bosses, including Ben Cooper, the then-controller of Radio 1 and 1Xtra, chose not to take Mills off air despite the investigation.

A source said: “The BBC knew Scott had been questioned by police, he told them.

“Scott said he denied the allegations that had been made against him. Ben stood by Scott and allowed him to continue working while the police investigated.

“Given how serious the complaint was, it raises questions about why the BBC decided to keep him on air on Radio 1 — whose target audience is teenagers — rather than removing him while the police continued the investigation.”

Mr Cooper left his position as the controller of Radio 1 in 2020 after nine years.

Yesterday the Met issued a new statement and confirmed: “In December 2016, the Met began an investigation following a referral from another police force.

“The investigation related to allegations of serious sexual offences against a teenage boy. These were reported to have taken place between 1997 and 2000.

“As part of these enquiries, a man who was in his 40s at the time of the interview, was questioned by police under caution in July 2018.

“A full file of evidence was submitted to the Crown Prosecution Service, who determined the evidential threshold had not been met to bring charges.

“Following this advice, the investigation was closed in May 2019.”

The Sun understands the BBC launched its latest probe after the complaint was raised with the corporation again.

A source said: “The BBC’s second probe into this saw them speaking to Scott, as well as individuals with knowledge of Scott’s dealings with the police in 2018.

“Whatever they discovered this time around clearly was treated more seriously, or given more credence than when it was first discussed with Scott in 2018, as this time they decided to sack him.”

Insiders at the BBC also pointed to Channel 5’s documentary, Power: The Downfall of Huw Edwards, as a possible reason for the complainant to contact the BBC.

The 90-minute film, screened last week, saw Martin Clunes take on the role of convicted paedophile Edwards, who pleaded guilty in 2024 to three counts of making indecent images of children.

It came after The Sun revealed Edwards paid a teenager thousands of pounds for explicit images.

The source added: “With the timing of the Huw film it makes sense why the person at the centre of the original (Mills) complaint may have decided to speak to the BBC again.

“Many in the BBC are saying the timing doesn’t feel like a coincidence.

“The drama showed actions do have consequences.” Separately, The Telegraph reported former BBC presenter Anna Brees contacted the Beeb in May 2025 to say she had received information about alleged “inappropriate communications” involving Mills.

She also asked whether the BBC had ever received any “formal or informal complaints” about Mills “relating to safeguarding, inappropriate conduct or harassment” and whether it had ever conducted an internal investigation into him.

She did not receive a response. The BBC admitted her information “should have been followed up and we should have asked further questions”.

There is no suggestion the inquiries by Ms Brees related to the same alleged victim whose complaint to the police led to Mills being questioned in 2018.

BBC bosses were left with “no choice” but to sack Mills after being passed compelling new information, it was claimed last night.

The Mirror reported the fresh details are different to the claims probed by police in 2016 but relate to the same complainant.

Mills, who is married to Sam Vaughan and lives in London, is understood not to have spoken to colleagues or pals since being axed.

The BBC have removed him from a Race Across The World podcast and pulled scenes he filmed for EastEnders.

Yesterday charity Neuroblastoma UK dropped him as a patron. Dermot O’Leary who hosts the Saturday morning Breakfast Show, said yesterday: “This was a shock to everyone. It came from nowhere.”

Gary Davies is sitting in for Mills today and tomorrow before OJ Borg takes on the Breakfast Show on Bank Holiday Friday and Monday.

Insiders said the BBC were now discussing who would take over the Breakfast Show – which in the latest round of Rajar figures in February revealed Mills had 6.5million listeners.

Amanda Batula and West Wilson weren’t being coy — not “purposely” anyway.

The stars of the Bravo reality series “Summer House” — where a group of friends spend their summer weekends in the Hamptons and drama ensues — were just letting the romance percolate. And now they’re making it official.

The pair shared statements on their Instagram stories that they “wanted to provide some clarity” as rumors swirled about their status.

“It was never our intention to purposely hide anything. Given the complicated relationship dynamics involved and the scrutiny that comes with being on a reality show, we need a little space to process things privately before speaking on it,” the couple wrote. “We’ve shown up for each other as friends over the years, through all the highs and lows, and what’s developed recently was the last thing either of us expected.”

Over the course of the series, which debuted in 2017, relationships have become intertwined.

Wilson dated fellow “Summer House” co-star Ciara Miller, a close friend of Batula, in 2023.

And Batula was married to series co-star Kyle Cooke. In January, she announced their split, writing on an Instagram story that the couple had decided to “mutually and amicably” end their relationship. They married in 2021 and documented their struggles on “Summer House,” including when Cooke cheated on Batula in 2019, and spent the night at a fan’s apartment in 2025.

The pair explained that they chose to wait to publicly announce their relationship “to take time to understand” what they felt.

“Our connection grew out of a genuine, long-standing friendship, which made it especially important for us to approach this with care,” they wrote. “We also recognize that this has had an impact beyond just us and never wanted our actions to cause any hurt or be perceived as careless.”

Wilson previously insisted that Batula was just his “home girl” on an episode of “Watch What Happens Live With Andy Cohen.”

“We were just hanging out in New York. She’s single, I gotta show her the streets a little bit,” Wilson said on Friday. “But if it’s not clear, that’s a very important person to me, and I care about her a lot.”

While on “Watch What Happens” in early March, Cooke said he found the rumors about Batula and Wilson “ outrageous,” and that he didn’t think “there’s any merit to it.” Although he denied the rumors, he still voiced his support for Batula.

“It would certainly catch me by surprise and feel a little reckless. And I think I’d probably be the last person people would be worried about,” Cooke said. “But if it made Amanda happy, I think I just would have to vote ‘yay.’”

HOLLYWOOD actress Vanessa Hudgens’ sister was keen to make a bold impression with her latest selfie.

The influencer sister of Vanessa, Stella, left little to the imagination as she showed off her very full bust in a lacy bodysuit.

Stella’s plunging number featured a translucent design that made sure all eyes were on her.

The glam star’s hips were also on show thanks to the bodysuit number which showed off her snatched waistline.

Stella struck a variety of poses for her Instagram upload which included her appearing to playfully writhe around her seat as she enjoyed a few cocktails at a bar.

In one shot, she manovered her arms to squeeze her chest as well as flashing a model-like post with her hand behind her head in another.

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Stella’s fans were quick to react to the jaw-dropping selfies.

One fan wrote: “Baddest ever.”

Another added: “My heart just stopped.”

A third went on to state: “Hot as hell.”

Before a fourth wrote: “Them hips don’t lieeeee babyyyy.”

Stella is best known for her online career as a social media influencer as well as being a regular live-streamer.

She has broadcast her life on Twitch since 2022 as well as hosting her own podcast, That’s Crazy, as she aims to follow in her sister’s famous footsteps.

Stella has also attempted to carve out an acting career with minor appearances in a number of films since 2016.

Vanessa is best known for her roles in the High School Musical franchise.

She has since held a number of high-profile acting roles as well as a successful music career.

Long Covid is when the symptoms of Covid-19 – extreme fatigue, shortness of breath, joint pain, aching muscles and brain fog – last longer than 12 weeks

Hermione Norris has revealed she has suffered from long Covid, which left her concerned about her ability to take on physical challenges. The Cold Feet star, 59, said she is now much better but the change to her body has been a “shock”.

Norris is one of seven celebrities who embarked on a pilgrimage through north-east England to one of Britain’s most important pilgrimage sites, Lindisfarne, for new BBC series Pilgrimage: The Road To Holy Island.

She was joined by stars including Ashley Banjo, Patsy Kensit and Tasha Ghouri for the programme but said she had concerns about her health before setting off.

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She told Prima magazine : “I’m not great at extreme discomfort. I had long Covid a few years ago, so I was worried about my physical fitness and the demands of walking so much every day, plus carrying the backpack. But we did a couple of massive walks and I was fine. I was pleasantly surprised.”

She added: “Having been ill [with long Covid], my focus is on being well and healthy. It’s about exercising, not to make me look good but to keep me strong. I stretch a lot, and I’ve really got to start lifting weights.

“I also use an infrared sauna for my autoimmune condition. I get really stiff joints. I’m so much better after the long Covid, but I feel different, physiologically. It gave me a shock, as I’ve always been quite fit and strong.”

Long Covid is when the symptoms of Covid-19 last longer than 12 weeks, according to the NHS website. Symptoms include extreme fatigue, shortness of breath, joint pain, aching muscles and brain fog.

Norris, best known for her role as Karen Marsden in cult 90s drama Cold Feet, said she has also noticed significant changes since going through the menopause, telling the magazine: “Menopause talk is everywhere now. But the alchemy that happens is unquestionable. The masks drop.

“I feel like a different person from who I was in my 40s – mentally and physically – in a good way. Now I enjoy simple things. My morning coffee, a walk, my doggies, beautiful skies. The joy is in the day-to-day of living, not the big things.”

Read the full interview in the May issue of Prima , on sale now