SHOW BIZ

A TV personality looked unrecognisable this week as he debuted a hilarious Halloween costume – but can you guess who it is?

This star got into character as Harry Potter’s Lord Voldemort for his costume and even used prosthetics to make it extra-realistic.

Dressed in a black cloak, the dad-of-one – who first rose to fame on a reality show – swapped his usual blonde hair for a bald head disguise.

While he used prosthetics to emulate Ralph Fiennes’ iconic character’s complexion and held a wand to complete the look.

This star could have been a kitten for Halloween, but opted for the Harry Potter character instead.

Have you guessed who it is yet?

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It’s Candy Kittens founder and former Made In Chelsea star Jamie Laing!

Sharing a video to Instagram in costume, Jamie hilariously danced around his home in the costume – moving from the bedroom to the kitchen and even on an exercise bike as he got into the spooky spirit.

“Lord Voldemort has come to play…,” Jamie captioned his video.

Fans and friends found the costume hilarious, with Jamie’s former MIC co-star Tiffany Watson writing: “This is too good”.

A fan wrote: “how do you look more like voldemort than voldemort did 😭😭😭”.

“This is the best thing I’ve seen on the internet in a while,” said a second.

Jamie dressed up to film a special episode of his podcast NewlyParents, which he fronts alongside wife Sophie Habboo.

Co-host Sophie didn’t go quite as all out as Jamie did for the fancy dress special, simply drawing a scar on her forehead and donning glasses in a bid to be Harry Potter.

As Netflix grapples with fallout from historic layoffs and upheaval in its senior executive ranks, the streaming giant is facing mounting scrutiny from investors about its growth strategy, diversification plans and response to rising competition from the likes of YouTube.

But the biggest challenge confronting the Los Gatos, Calif., company may be something more fundamental: a clash between the firm’s roots as a technology-driven upstart and its ambition to be a force in Hollywood.

Increasingly, tensions have flared between the L.A.-based executives dedicated to movies and TV shows and its engineers and technologists in Silicon Valley. Internal disputes have erupted over how best to expand the business and promote content on the platform to boost audience engagement, according to former Netflix employees and industry insiders who spoke to The Times.

The friction has deepened since co-founder Reed Hastings stepped away from management, handing the reins in January 2023 to Ted Sarandos and Greg Peters, who share the job of chief executive.

The dual-boss structure has at times hobbled the company and contributed to muddled messages and some costly misfires, such as its foray in the games business, said the sources, who were not authorized to speak publicly due to the sensitivity of the topic.

“With two CEOs, it’s hard to have a singular vision,” said a former Netflix executive who was not authorized to speak publicly.

Netflix declined to comment for this article.

But a person close to the company disputed the claim that there was a culture divide in Netflix.

“The idea that this is a power struggle between Hollywood and Silicon Valley misses how Netflix actually operates,” said the person, who was not authorized to speak publicly. “Ted and Greg bring different perspectives to the table, and that’s the point. They debate, make decisions together and recognize that neither great content nor great technology succeeds here without the other.”

Netflix, which laid off 6% of staff this month, has faced rising pressure after losing its status as a Wall Street darling and a Hollywood star.

(Allen J. Schaben/Los Angeles Times)

Only about 1% of the largest 3,000 publicly traded companies in the U.S. have co-CEOs, according to research firm Equilar. But there are high-profile examples of the arrangement, including software company Oracle, Comcast Corp., Spotify and private equity behemoth KKR.

The Larry Ellison family, which this month merged Paramount Skydance and Warner Bros. Discovery in a $111-billion transaction, installed scion David Ellison as CEO and the former leader of Mattel Corp., Ynon Kreiz, as co-CEO. Hollywood has had prosperous pairings, including longtime Warner Bros. studio chiefs Bob Daly and Terry Semel. Disney achieved tremendous success in the early 1990s when the late Frank Wells worked alongside former CEO Michael Eisner.

“The division of labor is just extremely powerful,” said Henning Piezunka, a management professor at the University of Pennsylvania’s Wharton School. “If there is a disagreement between the CEOs, you still have two very smart people that are battling it out, and I kind of prefer that over one single person making the decision.”

But Netflix’s top leaders now face mounting pressure as the company has lost its status as a Wall Street darling and a Hollywood star.

Netflix’s proposed $82.7-billion bid to buy Warner Bros. late last year failed dramatically, causing its stock price to plummet.

Investors have grown impatient; they want to see better growth metrics, which has become increasingly difficult as the service, which has more than 325 million subscribers, has neared saturation in the U.S.

This month, Netflix laid off 6% of its staff, including several key movie and TV executives. It bounced its chief content officer, Bela Bajaria, replacing her with former Fox and Disney executive Peter Rice, who starts on Monday. Several programming executives were also let go, including film chief Dan Lin and his top deputy, Doug Belgrad, and the director of original TV series, Carolina Garcia.

“They have got to have a plan to reignite revenue growth, and it can’t just be about making better TV content,” said Laura Martin, media analyst with Needham & Co. “Everybody’s trying to make hit content.”

Former Netflix Chief Executive Reed Hastings, left, and Ted Sarandos attend at 2011 launch party in Mexico City.

(Elizabeth Fuentes/Getty Images)

A dynamic leader

Former CEO Hastings, who co-founded the company in Scotts Valley just outside of Santa Cruz in 1997, was a dynamic leader. The mathematics and computer science graduate, who spent two years in the Peace Corps, launched Netflix by mailing DVDs in red envelopes to customers bothered by Blockbuster Video chain’s practices and late fees. In 2007, Netflix began offering streaming.

Hastings oversaw the creation of a pioneering technology that could offer helpful recommendations to users on what to watch next.

That recommendation algorithm has long been viewed as Netflix’s secret sauce. It quickly became the envy of rival entertainment firms that were late to recognize how disruptive the streaming business would become.

With Hastings, a Silicon Valley entrepreneur at the helm, power at the company was cleanly split between the tech teams who worked at its Bay Area headquarters and the executives who worked with talent and content on Sunset Boulevard in Hollywood.

Hastings established Netflix’s unique left-brain/right-brain culture, where people pitching projects were encouraged to openly debate and disagree.

To prepare for an eventual leadership transition, the company set up a dual CEO structure in 2020 by promoting Sarandos, its longtime content chief, to co-CEO.

Hastings, a 66-year-old billionaire, stepped down in 2023 as co-CEO, leaving his lieutenants in charge.

Hastings did not respond to a request for a comment.

Sarandos, 62, was known for making splashy bets on programming that paid off, including agreeing to pay $100 million for the first two seasons of a political drama, “House of Cards,” starring Kevin Spacey and Robin Wright that turned into one of Netflix’s first big TV hits.

Peters, 55, who was previously chief operating officer, has a tech background that complemented Sarandos’ entertainment industry insights. He holds a bachelor degree in physics and astronomy from Yale University and was taught code by his mother, a computer programmer.

Under Sarandos’ leadership, Netflix grew its presence in Hollywood and created content teams internationally. With Hastings no longer in the day-to-day mix, the power tilted toward Hollywood and Sarandos, who oversees the bulk of the company’s $20-billion programming budget.

“Over time, the center of gravity moved to L.A.,” one industry executive said.

The company expanded its business, including offering customers a cheaper subscription plan with ads. It also pushed into live sports, which Bajaria championed, and games.

The Dallas Cowboys’ Gene Jones, left, and Jerry Jones chat with Netflix executive Ted Sarandos during a 2025 premiere at the Egyptian Arena Theatre in Hollywood.

(Amy Sussman / Getty Images)

Escalating tensions

But as Netflix expanded and diversified, internal divisions intensified over operations and strategy.

In one instance, tech employees were surprised when Sarandos’ team signed a deal to release 2024 NFL Christmas Day games on Netflix without consulting tech and product executives, whose staffers would be responsible for providing the tech support for such a key event, two people familiar with the matter said. Those concerns were magnified after Netflix experienced widespread technical difficulties during the streaming of the Mike Tyson-Jake Paul fight that November, though the NFL broadcast was largely free of glitches.

Disputes also emerged over how best to promote and market shows and movies on the platform. Under Hastings, the trailers and thumbnails of programs were overseen by the product team, who analyze consumer behavior. But Sarandos has given the company’s marketing team more control over the promotional assets of programs, leading to disagreements with the product team over how to best to represent programs and engage viewers, two people familiar with the matter said.

Another source of internal friction has centered on Netflix’s aggressive venture into games that Peters championed, as part of a strategy to diversify its business and retain subscribers.

The streamer acquired several game studios beginning in 2021, investing billions into the space, sources said.

But the effort has badly misfired. In August, Netflix announced it was closing Hollywood-based gaming studio Night School and shuttering Finland-based gaming studio Moonloot. It previously shuttered Allen, Texas-based Boss Fight Entertainment.

The focus on games also sparked disagreements between Peters and Sarandos, who believed the tech and product teams were giving too much attention to games, creating confusion among teams over how they should operate, said a source with knowledge of the matter.

The leaders also disagreed in other areas as well, including over a 2025 deal with French broadcaster TF1 to bring its free channels into Netflix in France as a way to draw more viewers to both services.

Peters pushed for the deal, which Sarandos initially opposed, and the debate delayed an effort that could have helped the business sooner, according to three people familiar with the deal who were not authorized to comment. The TF1 partnership was a success that Netflix wants to replicate with other partners.

Sarandos and Peters also raised eyebrows when they appeared to send conflicting signals on the company’s interest in buying Warner Bros. During an Oct. 8, 2025, conference appearance, Peters said Netflix had a deep heritage of being a builder rather than a buyer.

“One should have a reasonable amount of skepticism around big media mergers,” Peters said. “They don’t have an amazing track record over the history of time.”

Netflix executives Greg Peters, left, and Ted Sarandos, right, visit a studio lot with Warner Bros. Discover chief David Zaslav.

(Joe Pugliese and John Nowak / For Warner Bros. Discovery)

A week later, Sarandos called Warner Bros. Discovery CEO David Zaslav to express interest in acquiring Warner’s streaming and studios business, according to regulatory filings. Netflix in December unveiled its $82.7-billion proposal, which Peters also supported, according to knowledgeable sources.

But, after spending months touting the benefits that Warner assets would bring, Netflix abruptly pulled out of the auction in late February when Paramount’s Ellison upped his company’s offer. Warner executives expected Netflix to go the distance, but they soon recognized deep anxiety within Netflix’s board, according to an executive who was not authorized to speak publicly.

Netflix’s stock hasn’t recovered. Its shares traded for $109 before the Warner bid. On Friday, the stock closed at $65.85.

Netflix is profitable, with net income increasing 44% to $3.7 billion in the third quarter and revenue up 12% to $12.87 billion from the third quarter a year ago, but the company remains under scrutiny by Wall Street.

Sarandos in an earnings call last week there is “no need for a fundamental shift in the strategy” but said the company needs to develop more hit shows in the U.S. that can “travel around the world.”

Netflix projected its revenue would come in the lower range of its estimate for the year, citing a lower ad revenue forecast.

“Their advertising growth has been very slow … and the video game business has been disappointing,” Martin, the analyst, said. “The problem is that the market is maturing and they need a Plan B, and they don’t really have a Plan B right now.”

After much change on Strictly Come Dancing, could we be about to see more? Judging panel conversations are yet to be had and there’s speculation two aren’t sure

BBC bosses are said to be growing concerned that Strictly’s popular judging panel could be about to be split up.

Following a huge revamp this series that saw Emma Willis, Josh Widdicombe, and Johannes Radebe replace departuring long-term co-hosts Tess Daly and Claudia Winkleman, more big changes could be around the corner.

Producers are starting to fear Shirley Ballas and Motsi Mabuse may not be back, it has been claimed, with other big names already dropping hints that they will return in 2027. Despite contract talks officially not yet starting, it has been suggested that Anton Du Beke and Craig Revel Horwood have suggested they will be back.

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There is doubt over head coach Shirley’s future after she quickstepping over the Atlantic after landing a gig on the US counterpart Dancing With The Stars.

There is little doubt Craig wants to carry on. The star has served on the judging panel since the inaugural series of the beloved show in 2004, while Anton assumed his position at the table in 2021.

Now Strictly fans are facing an anxious wait to see if long-serving Shirley – who would be celebraing a decade on the show if she stayed – and Motsi, who has been on the panel since 2019, will remain.

“Strictly love the current judging panel and are really keen to try and persuade everyone to come back next year,” a source told The Sun, “Contract negotiations won’t start until the current series is wrapped, but already Craig and Anton have made it clear they intend to return.

“Motsi and Shirley are yet to make up their minds. Shirley in particular could be a flight risk for bosses, especially if her guest appearance on Dancing With The Stars goes well.”

The Mirror has approached reps for Shirley and Motsi as well as Strictly for comment.

But another insider told us: “This is likely based on the fact that Craig and Anton are both performing in theatre tours next autumn, with the websites for both productions advising that Anton and Craig won’t appear at the Saturday dates of these shows – making it clear that they’re expected to be in Elstree recording Strictly on Saturdays. Shirley and Motsi don’t have theatre tours taking place.”

The BBC has meanwhile responded to claims it has already decided to change its new presenting line-up after just a few weeks.

Presenting pro Emma has predictably been a safe pair of hands since the new series kicked off in September. However, while some viewers are enjoying the camaraderie between the new trio, others have expressed concerns about the chemistry between comedian Josh.

Professional dancer, Johannes, has been accused of being out of his depth by some in the former Clauditorium.

Claiming bosses at the Beeb are aware the new format doesn’t work and are concerned the jewel in the broadcaster’s crown has become something of a “laughing stock”, a source said to be close to Strictly allegedly told the Daily Mail: “It doesn’t work. Not only have many of the traditional viewers stopped watching, the show has become the butt of jokes, a laughing stock.

“It’s like those choosing were trying to be kooky and cool, and they saw something that might appeal to young people.”

It’s thought that mum-of-three, Emma, 50, will stay on Strictly, but Josh’s future could be in doubt. “It isn’t working,” says the source said to be close to the show.

Meanwhile, dancer, Johannes, has also come under fire, with one new theory suggesting that the South African star may become one of the Strictly judges next year

However, responding to the comments, the BBC told the Mirror that the anonymous source comments were “pure and utter speculation”.

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BBC Breakfast returned on Monday with Jon Kay and Sally Nugent and there was a sad update following Storm Boelo

BBC Breakfast host Jon Kay revealed two people have died as a result of Storm Boelo.

The presenter returned to our TV screens on Monday, October 26 alongside Sally Nugent when he shared that both men were fatally struck by falling trees while the storm persists in delivering dangerous conditions across the UK.

He said: “A man in his 20s was pronounced dead in North London after the car he was driving was hit by a falling tree, and hours earlier, a 60-year-old man died in Dumfries in Galloway.”

Chief Inspector Guy Ellwood, from the North West Command Unit, said: “This is a deeply tragic incident and our thoughts are with the loved ones of the young man who lost his life.”

Jon disclosed that Storm Boelo has plunged 90,000 households into darkness. Providing additional information, Thomas Magill described how Storm Boelo was “sweeping people off their feet” in Blackpool, reports the Express. He continued: “Emergency services worked tirelessly as it battled the North West, toppling trees and flooding parts of Cumbria.”

Thomas explained that a pub in Bouth, a Lake District village, has transformed into a community centre, providing meals and refuge to vulnerable residents cut off from electricity. These locals found themselves without power and hot water, prompting them to seek assistance at the pub.

Thomas went on: “As the storm moved in across the Irish sea, coastal areas off the Isle of Man were battled by high tides and strong winds. In Scotland, it was a similar story.”

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Footage captured the high street in Largs entirely submerged, with properties and shops left devastated. “Everything is absolutely swimming in sea water, sludge, leaves, debris, just mashed up confectionery. It’s awful,” a local said.

Travel has been severely disrupted across the region, with ScotRail urging passengers to check before setting off on their journeys. Thomas added: “Storm Boelo was also felt as far south as Kent, where emergency services worked continuously to clear blocked roads and secure areas. Today, thousands of homes still remain without power.”

Lawrence Slade, chief executive of the Emergency Networks Association, said: “The difficult thing is, we can’t actually get people out there to replace poles and wires until the worst effects of the storm have gone through.

“The clear message is that the teams will be working as hard as they possibly can to get people back on power soon as they possibly can in the safest possible way.”

Thomas remarked: “The worst of the storms may be over, but it’s unclear when power will return to the thousands of homes affected, and how long the clean up will take.”

BBC Breakfast is on BBC One and BBC iPlayer

DAISY Edgar-Jones left fans stunned after she revealed it was her dad that created iconic TV show Big Brother.

The Where The Crawdads Sing and Normal People actress even told how she’d perched on the spy house’s Diary Room chair during her youth as she accompanied father Philip, 60, to work.

The Brit, 28, who has now been dubbed a “nepo-baby”, opened up on her famous parent on the Open Book with Jenna podcast – and even let slip his words of wisdom.

Daisy, whose mother is a drama teacher, said: “My dad used to run this TV show Big Brother.

“Which, you know it, it was obviously a massive TV show when I was younger.

“And there’s loads of pictures from me aged probably like six or seven up until a little older, sitting on the Diary Room chair.

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“Obviously I was too young to watch the show, I wasn’t allowed to.

“But in that show, individuals would come in anonymous and leave very very famous, so I suppose when Normal People came out he [her dad] sat me down and he was like – he couldn’t because it was Covid – but he told me on the phone and essentially said ‘there might be some things that shift for you’.

“And here’s just some words of wisdom that I learned which is that you might not change but the world around you might and the way people interact with you might”.

Daisy continued: “And so remembering that you haven’t changed, you are what you are and you are the same person – and who you were pre all of this – is very important.

“To keep your feet on the floor and know that you’re an individual amongst lots of people with their own stuff going on and inner lives.

“It’s really important to keep your, I suppose, feet really planted on the floor.

“And I’m really grateful for that because, yeah, he just gave me loads of words of wisdom.

She has previously admitted her dad Philip, who is the director of Sky Arts, gave her the same talk of “doom” which he gave Big Brother contestants.

One fan was quick to comment: “Oh my god not another Nepo. Jesus Christ and I really loved her for years”.

A second put: “I definitely think it does make her a nepo as her father clearly would have had industry connections and was able to give her starting opportunities in film and TV, and I assume he was also able to afford to provide her with financial support to get her where she is now.

“Although I must say I do still love her acting and I think she is talented, it just is disappointing to find out as it’s so clear that working class actors without industry connections are just increasingly missing out on work/opportunities because of these nepos”.

Another defended Daisy and put: “It doesn’t make her a nepo baby not like her dad gave her work throughout her life to get where she is now”.

Back in 2024, Daisy was hailed as “the next Julia Roberts” due to the “striking” way she bagged film roles.

Her BBC show Normal People was one of the biggest global hits of 2020, attracting 62.7 million views on iPlayer alone.

It was a role that would also net Daisy her first Golden Globe nomination.

She had an open audition for a part in Cold Feet and the TV series first put her on the map and also got her an agent.

“Cold Feet was a good place to start, because I had a small part so I could learn the scary things like walking in and not being self-conscious,” she said.

Bagging more roles in productions, including a special of BBC’s Outnumbered and two episodes of Silent Witness, prompted her to take a year off before university.

She worked in a cafe near her home before rocketing back into the spotlight.

LOONEY Tunes actor Eric Bauza, who voiced iconic cartoon characters such as Bugs Bunny and Daffy Duck, has died aged 46.

The award-winning star’s family posted on Instagram that he had died “suddenly” and there would be “more details to come”.

The Canadian voiced dozens of beloved characters over more than 25 years in the industry, winning three Emmys for his Looney Tunes roles.

He died as a result of heart disease, according to Los Angeles County Medical Examiner records.

Bauza had multiple characters in this summer‘s hit animated comedy Coyote vs. Acme.

These included Bugs Bunny, Daffy Duck, Foghorn Leghorn, Pepé Le Pew, Porky Pig, Elmer Fudd and The Road Runner.

The actor told NBC News in 2021 that he was a huge fan of Looney Tunes growing up and used to copy the voices.

He said: “Looney Tunes transcends all languages and all cultures.

“It doesn’t matter what part of the planet you’re from. You get the comedy.”

Bauza was also known for playing Toad General in 2023’s The Super Mario Bros. Movie and its sequel The Super Mario Galaxy Movie, this year’s fifth highest-grossing film internationally.

He won three Emmy Awards for outstanding voice performance in 2022, 2023 and 2025 for different animated shows.

Channing Dungey, the chairman of Warner Bros. Television Group and US Networks, said in a statement: “Eric Bauza was a unique voice talent who brought joy and laughter to millions around the world.

“He followed in the footsteps of giants like Mel Blanc. Eric said that carrying on the legendary legacy of the Looney Tunes was among the greatest honors of his life.”

Born in the Toronto suburb of Scarborough in Ontario, Bauza made his voice acting debut in the Canadian animated series The Ripping Friends.

Before stepping behind the microphone, he began his journey in animation as a character designer for Hollywood production studios.

He would go on to have more 421 voice acting credits in film, television and video games listed on his IMDb profile.

Bauza’s extraordinary vocal range allowed him to become the definitive modern successor to legendary voice actor Mel Blanc, and he first took on the iconic Bugs Bunny role in 2018.

He was hired by showrunner Peter Browngardt to audition during breaks in recording sessions for Uncle Grandpa.

His official debut episodes eventually premiered with the launch of the HBO streaming series Looney Tunes Cartoons in 2020.

Film producer and screenwriter Christopher DeFaria, who worked with Bauza on Coyote vs. Acme, told Variety the voice actor would be remembered for his “incredible impact”.

DeFaria said: “He’s a voiceover artist for animated characters that have historic precedents and roles, and somehow out of that, he carved out a place in this business.

“This past year, he had such an incredible impact, both on our movie, of course, but also on bringing attention to this amazing art form.”

Bauza is survived by his son and his family.

Big Brother fans were floored by what one housemate said as they gave their honest opinion

Some Big Brother viewers were left stunned over one star’s comments.

Fans of ITV’s reality series are furious after one housemate was asked for their honest opinion of a fellow contestant. Their comment has been branded as ‘insane’.

Tonight’s episode (October 25) saw the aftermath of Harry’s eviction on Friday. It also saw the house be rattled not just by the result but by what they believe they heard shouted and cheered by the crowd who attended the live show.

The next day, the group were gathered on the sofas for the latest task. Big Brother told them: “Housemates, after six weeks together, you could say you’ve become family. A big, dysfunctional family. To help put the ‘fun’ back in dysfunctional, today, Big Brother will be running family therapy sessions. If you complete the therapy sessions to Big Brother’s satisfaction, you will receive a special reward.”

Later, the housemates were called once again for the final part of the challenge, which was called Honesty Therapy. Each housemate was forced to pick two others. Their first pick must then give their brutally honest opinion about the other.

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While previous scenes during the episode saw some housemates rebuild their relationships, including Rochelle and Twinks, Twinks and Omar, Omar and Rhianna and Yasmin and Sam, the task threatened to ruin it all.

Sam went first and said: I think one person here is very right to the point and that would be Philip. So Philip, I’d like to hear your honest opinion about Yasmin.”

Twinks commented: “This is savage, isn’t it.” Philip then stood up and partially tongue in cheek commented: “Well Yasmin, you get on my nerves sometimes, girl…I’m up to here with you. You’re always trying to fix people’s problems, fix your f****** own before anyone else’s and stop getting in people’s business, bone collecting.”

However, Rochelle was asked to give her view on Catrin. Rochelle quipped: “You’re a pig.” Even some housemates were taken aback as Philip muttered: “You can’t say that.”

Rochelle tried to expand on her comments and explained: “Sometimes you’re greedy with the chocolates. Just the sweets.”

Catrin did not seem sure how to respond but she was then asked to share her view on Rochelle in turn. She said: “Sometimes I can’t finish my sentence. Maybe don’t cut across people. Sometimes it’d be nice to compliment people rather than say the worst things.”

Fans watching along at home were taken aback by Rochelle’s comments. They were furious that she would say such a thing and one person posted on social media: “Rochelle calling Cat a pig was out of order especially in front of everybody.”

Another added: “How can Rochelle actually look Catrin in the face & say ‘You’re a pig’? So rude. Doesn’t she steal all the salt and vinegar crisps every week and stash them in her drawer.”

Someone else commented: “Rochelle just went on Cat and called her a pig. Those tears can stay where they were.”

While one person replied: “Calling someone a pig is so outrageous!” One fan put forward: “You’re a pig is actually insane actually but am I shocked, no! It’s Rochelle we are talking about.”

Big Brother continues tomorrow at 9pm on ITV2 and ITVX.

NICKI Chapman has revealed she’s had a FOURTH operation on her foot as she shared a snap from her hospital bed.

The TV host, 59, best known for presenting Escape to The Countryside, Pop Idol and Wanted Down Under, took to Instagram to post a health update with her 160k followers.

In one picture she put her thumb up as she pointed at her boot while in hospital, followed by another of her out and about in London with a walking stick for support.

She captioned the post: “Every little step.

“Slowly getting there & managed to walk to the end of the road. Result! Note snazzy stick mainly to keep people away from my foot!

“Fourth op over the years – never gonna make Strictly Come Dancing nor run a marathon but grateful for each tweak keeping me mobile & pain free.

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“Thanks for your lovely get well messages. N x.”

Her fans rushed to the comments section to share the love.

One said: “Hope you recover quickly and back on your feet very soon xx.”

Another wrote: “Wishing you a speedy recovery.”

“Get well soon Nicki,” a third chimed in.

A fourth added: Slowly, slowly… You’ll be there in no time xx.”

Nicki has gone through a number of health battles over the years, including a brain tumour diagnosis in 2019.

She’s also had problems with her ankle since she was 15 and was diagnosed with ankle spurs.

The NHS website describes it as: “Osteophytes (bone spurs) are bony lumps that grow on the bones in the spine or around joints. They form when a joint or bone has been damaged by arthritis, but do not always cause problems.”

Nicki previously recalled: “I started getting pains that felt like I’d twisted it – I couldn’t work out what I’d done.

“It was so sore I went to my doctor and was referred to a consultant who diagnosed ankle spurs. Bone spurs are tiny pointed outgrowths of bone which occur where the normal bone keeps growing.

“They were causing a restriction within my ankle, which became inflamed and excruciatingly painful.

“I had an operation to remove them, and remember my consultant warning me against pursuing any career involving standing up – otherwise I’d have serious problems by the time I was 30.

“I’d always wanted to be a theatrical make-up artist, which involves lots of standing, so my career dreams were shattered. But I followed his advice because looking after my wellbeing was paramount.”

20 years later Nicki had to have a second operation, and underwent surgery for a third time in 2015.

DENISE Van Outen, 52, has flaunted her endless pins in tiny hotpants and fishnet tights for a sizzling snap.

The broadcaster, looked stunning as she paired the look with a cream faux‑fur jacket and chunky black boots – in her latest Instagram story.

Mum of one Denise styled her blonde shoulder-length hair poker straight as she appeared at HOUSE V INDIE with her old friend Johnny Vaughan.

Earlier this month, the screen star – who recently told how she feels sexier in a bikini in her Fifties than she did when she was younger – sizzled in a daring bondage style dress.

Denise uploaded a mirror selfie showing her black attire – complete with a studded cut-out panel top and a ruffle skirt.

Meanwhile, Denise recently told The Sun how she oozes confidence in sexy outfits – including her bikinis.

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She said: “When I was younger, I’d have thought by the time I’m in my fifties I wouldn’t wear a bikini any more, and would opt for a one-piece.

“But actually, I love seeing women in mid-life rocking bikinis — because why shouldn’t we?

“I’m 52 and when I put my bikini on I feel really good. I’m surprised because I always thought that as I got older, I’d want to cover up more, but actually I’ve grown in confidence.

“We care less what people think, and just want to look and feel good”.

Denise recently released her new single, Just Another Day, which came after a summer of her DJ gigs.

She is also booked to DJ at the upcoming wedding reception of Towie’s Joe Blackman and Junaid Ahmed.

GEORGE EZRA has been quiet since dropping his third album, Gold Rush Kid, four years ago.

But it turns out he’s busy behind the scenes helping other artists make music.

I’m told that after disappearing from public life following his last gig in 2023, the Green Green Grass singer is in no rush to jump back into the spotlight just yet.

Instead, he has started renting out his own recording studio so that it is not sitting empty.

I can reveal George, who has also stopped posting on social media, has set up a business at Hotel Quebec studios in Hertford.

He is advertising for artists and writers to come and work on their own music at the facility.

GEORGE’S JOY

George Ezra becomes a dad for first time as he’s spotted carrying new arrival

headline act

George Ezra returns to the stage for ‘electric’ gig after acute vertigo battle

In an advert, he says: “Hello, my name is George Ezra and I would like to introduce you to my personal recording studio, Hotel Quebec, a state-of-the-art recording facility in Hertford, just outside of London, that was designed and built for me — my musical projects, my writing and my recording.

“It gives me great pleasure to tell you that the studio is now available for you to book and for you to record in, whether it’s for a day, a week, a month: if you are looking for a uniquely beautiful and creatively safe environment to work in, please don’t hesitate to get in touch.

“On behalf of myself and the small but dedicated team here at Hotel Quebec, we hope you are well and we look forward to hearing from you.”

Those close to George said he had been quietly beavering away on his own projects in the studio, but added: “He wants to share what he’s created and it’s a clever side hustle.

“George has no confirmed plans or dates for a return yet, but he has been using the studio for his own projects.

“By renting the studio out, George can help other artists — and he’d much rather have that than the place being empty when he’s not using it.”

I told at the end of 2024 how George had quietly become a father for the first time, so I’m sure a few extra quid from the venture will be welcome.

The Brit Award winner has had three No1 albums and topped the singles chart in 2018 with Shotgun.

However, on his 2023 tour, he was forced to cancel some live ­performances due to acute vertigo, and he has always made it clear he’s not particularly keen on fame.

With that in mind, I can’t blame him for wanting some time away from the spotlight.

But I’ll be gutted if we don’t get any more music from George soon.

So I’m keeping my fingers crossed he doesn’t wait too much longer before treating us again.

MADGE IS CRAZY FUR ROCCO’S ART

ROCCO RITCHIE has found his biggest fan – in his mum Madonna.

She has shared a load of snaps from the budding artist’s most recent exhibition, which includes a self-portrait in which Rocco is cos-playing the Incredible Hulk.

Madge slipped into a fur coat and silky shorts for the event and told her Instagram followers: “Everyone knows I love art.

“Can you imagine how much more I love it when it’s my son, Rocco’s?

“It’s been so exciting watching him grow as an artist, finding his groove, his style, struggling with the loneliness of being a painter, locking himself in his studio. Watching him turn nothing into something.

“I love that he is moving into sculpture now.”

LEDS NIGHT FOR PAUL

THERE was a meeting of legendary musical minds over the weekend as Sir Paul McCartney headed out on a double date with Led Zeppelin guitarist Jimmy Page.

Beatles maestro Paul was spotted arriving at the trendy West London restaurant Dorian with his wife Nancy Shevell, before being joined by Jimmy and his missus, poet Scarlett Sabet.

The foursome were snapped during the course of their dinner, with one onlooker telling me: “They talked music non-stop. People were doing double takes when they saw Paul and Jimmy together.”

As Paul was heading home he was overheard telling the waiting photographers to make sure they took pictures of his “good side”.

It all looks good from where I’m sitting.

A RAYE OF HOPE

RAYE is considering legal action against an unnamed artist after they seemingly released a song written by her grandad without any credit or money for him.

The Where Is My Husband! singer, who clearly has music in her veins, revealed grandpa Michael wrote and recorded a track when he was younger and sent it to a record label who, without his knowledge, gave it to an artist, who she hasn’t named.

Raye, who won the Mercury Prize on Thursday, said: “He [Michael] was burnt by the industry. He wanted to make it as a songwriter, so he would write songs on the piano, score them and record it.

“Then he’d put them in boxes and post them to record labels in London, hoping that someone would play his tapes, like it, contact him and bring him down to London to live his dream. Unfortunately – and it was the case back in the day – so many songwriters were just absolutely done so dirty.

“He sent one song, and it was released two years later with no credit, no contact, and it completely broke his heart.

“There was nothing he could do about it – he had no money.

“He couldn’t afford a lawyer so no one cared.”

On whether she might pursue the case now she is a big star herself, Raye told the And The Writer Is… podcast: “I have looked into it.

“It’s just, financially, I just don’t know if the evidence is substantial enough because the evidence was sent off.

“All he has is a songwriting book with things jotted down, and yeah, it would be a giant thing.”

I’d love to see justice done.

DRAKE’S BOYBAND BIRTHDAY

DRAKE got a huge 40th birthday surprise when Backstreet Boys helped him celebrate the milestone.

The Hotline Bling rapper got up on stage in New York to sing with the group at Casa Cipriani, where they performed I Want It That Way.

I revealed last month that the American lads were poised to announce a run of shows at London’s O2 Arena in the coming weeks, with the concerts scheduled to take place next year.

Backstreet Boys will return to the Sphere in Las Vegas in December and January as part of their Into The Millennium residency.

After a nice break in the early new year, coming back to the UK will be the perfect way to kick-start 2027.

KASABIAN front- man Serge Pizzorno was the secret guest at the 20th anniversary celebrations of This Feeling in London.

The club, which has helped launch some of the biggest names in indie, put on a huge night of performances on Saturday.

Little Bit Of Love singer Tom Grennan was also on hand to perform a set as revellers partied until 2am.

HIGH SCHOOL MUSICAL

@ Troubadour Wembley Park Theatre

★★★★☆

YOU’D be foolish to walk into a stage ­musical based on a Disney kids’ movie and expect an edgy take on youth culture.

But that’s exactly why the new stage ­version of High School Musical delivers – it doesn’t try to be anything it’s not.

Having opened in Manchester, clever staging at its new home in London takes you courtside as the East High gang juggle basketball, science class and drama club.

And you’re immediately made one of them as the cheer squad lead you in ­routines ahead of the Wildcats’ big game.

McFly’s Harry Judd stars as Coach Bolton while Tobias Turley and ­Leonor Correia play young lovers Troy and Gabriella, who meet on holiday then find themselves at the same school. But it’s Luke Bayer and Caitlin TIpping, as siblings Ryan and Sharpay, who steal the show.

The writers wisely reprise the banger, Bop To The Top, and the show ends with a frenetic all-cast montage. It’s unlikely to win any awards or challenge minds, but this extra helping of cheese went down a treat.

By Felicity Cross

Dani Harmer has reunited with her Tracy Beaker co-star Nisha Nayer more than 20 years after the hit CBBC show came to an end and fans were quick to react to the surprise social media post

Dani Harmer has reunited with her Tracy Beaker co-star Nisha Nayer more than 20 years after the hit CBBC show ended.

The actress, 37, was just 12 years old when she was cast in the title role of The Story of Tracy Beaker and, over the course of five series, played the tough care home kid who fantasised that her mum was a Hollywood star. Nisha played Elaine ‘The Pain’ Boyak, an incompetent social worker who was often at odds with Tracy.

The series, which is based on the books by Dame Jacqueline Wilson, aired from 2002 until 2005. The two former co-stars reunited on social media ahead of their debut at Swansea Comic Con on Sunday and urged fans to come along.

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Fans of the hit TV series rushed to the comments section to see two beloved characters reunited, with one writing: “Way too surreal seeing Elaine the Paine and Cheeky Beaker getting along like BFFs. I reckon Dani is hiding a butcher knife behind, LOL,” to which Dani responded: “Nah, she’s my bestie in real life!”

Another fan joked: “Was not expecting these two to be so happy to be in the same room,” whilst a third said: “Ahhhhh! The most iconic duo everrrrrr.”

After Tracy Beaker ended, a spin-off, Tracy Beaker Returns, followed, in which the titular character returned to work in care. When Dani opted to leave the series, it was retooled into The Dumping Ground, which is still being produced for CBBC after more than a decade on air.

Outside of Tracy Beaker, Dani has competed on Strictly Come Dancing, starred in the sitcoms Dani’s House and Dani’s Castle and ultimately returned to her signature role in 2021 for My Mum Tracy Beaker and The Beaker Girls. Prior to landing the part of Tracy, Dani had starred in West End productions of The Who’s Tommy and Annie, and is a regular in pantomime.

Meanwhile, prior to being cast as Elaine on Tracy Beaker, Nisha became known as Debra Kumar in the film Out of Hours and went on to appear in Doctor Who, Holby City and The Bay.

Other cast members of the original Tracy Beaker included former Casualty actress Lisa Coleman, who played Tracy’s foster mum Cam Lawson, and Clive Rowe, who has more recently appeared in sitcom So Awkward and the BBC’s The Hairdresser Mysteries, starred as care home chef Duke.

Just weeks ago, actress Montanna Thompson, who played Tracy’s rival Justine Littlewood, revealed that she initially landed the role of Tracy before Dame Jacqueline Wilson stepped in. “I didn’t actually audition for Justine,” Montanna said.

Speaking on the Embarrassing For No Reason podcast, the actress, 37, went on to add: “I auditioned for Tracy, and I got the phone call, and they said, ‘Oh, you’ve got the part as Tracy.’ So me and my mum was jumping around…

“We was all jumping around and celebrating and then an hour later, I get a call from the BBC. Jacqueline Wilson said she wanted to keep the illustration of Tracy original. So I was like ‘Ok’, and they was like ‘Would you like to be Justine?’ so I was like ‘Yeah, ok, great’.”

Montanna went on to tell hosts Sam Darlaston and Tatum McGreal that her mother was asked if she would “cut her hair off” as Dame Jacqueline wanted Justine to have a bob. “My mum said, ‘Well, no, not really,'” she explained. I think that’s why Justine has got the plaits, and they made that character like that.”

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Shaun dealt red card! 

DAVID Beckham has showed off his ripped torso in a shirtless snap from New York City – and made a subtle nod to his estranged son Brooklyn.

Brooklyn let loose on his family in a scathing social media post in January, with things remaining tense ever since.

David shared the stunning snap on Instagram, which showed him standing topless on a NYC balcony with his morning coffee.

In later posts, he revealed he was having dinner in Brooklyn — the place his son was named after.

This appeared to be a subtle nod to Brooklyn as his mum Victoria discovered she was pregnant there with him.

Brooklyn said at the start of the year that he did “not want to reconcile” with his family, and accused his parents of “controlling” the narrative.

IT’S ALPHA ROMEO

How Romeo has OVERTAKEN Brooklyn to become most successful Beckham brother

BECK & CALL

Brooklyn branded ‘accessory’ after Nicola no-shows & public ‘tense moments’

His initial statement read: “I have been silent for years and made every effort to keep these matters private.

“Unfortunately my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

He then went on to recall the night of his wedding and how his mother danced in an “inappropriate way”.

Brooklyn also sent his parents David and Victoria a legal notice warning they can now contact him only via lawyers.

The extraordinary “desist” letter also instructed them not to “tag” him on social media.

Things then led to Brooklyn snubbing his father’s Hollywood star unveiling in June.

Just this month, Brooklyn let his shirt do the talking as he ramped up his family feud once more.

The telling ­message on Brooklyn’s top read: “It’s not clocking to you.” 

It refers to pop star Justin Bieber’s 2025 paparazzi meltdown, when he complained: “It’s not clocking to you I’m standing on business.” 

The singer meant photographers were not understanding he was busy and wanted to be left alone. 

CHRISTINE McGuinness left little to the imagination as she stripped off for a bath.

The model, 38, took to her Instagram account to share a video of her enjoying some downtime during a recent hotel stay.

Christine filmed herself in a robe as she walked towards the mirror in her room at the Meliá White House in London.

She then filled her bathtub with hot water, dropped her robe to the ground and stepped into the bath with her back facing the camera.

Christine captioned the post: “Solo System Season is going extremely well.

“Enjoying my body, bank and bath on an unapologetic, unavailable and uncompromising level because my solo system needs this on prescription!

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“Especially at ‘The Level’ suites @themeliawhitehouse. No sharing and no caring.

“DND for the foreseeable.”

Fans rushed to the comments section to share how incredible she looked.

One said: “You look amazing Christine

“Gorgeous as always,” a second chimed in.

A third added: “Sensational.”

A fourth simply wrote: “Wowzers.”

Louis Walsh has revealed that before he was diagnosed with a rare form of cancer, his doctors were unable to identify the disease in his body

Louis Walsh has revealed that doctors initially ‘couldn’t find anything’ before he was diagnosed with a rare form of cancer. The TV star and music manager was diagnosed with Waldenström macroglobulinemia in 2024.

The former X Factor star. 74, publicly shared his diagnosis during an appearance on Celebrity Big Brother, telling Love Island star Ekin-Su and Levi Roots that during lockdown, he was “sick” and nobody knew he had been secretly battling cancer. He later underwent treatment in Dublin.

Waldenström macroglobulinemia is a rare, slow-growing type of non-Hodgkin lymphoma that affects white blood cells in the bone marrow and lymphatic tissues. During an appearance on The Big Interview, Louis shared that medics initially couldn’t find the disease in his body.

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“I had a cancer called Waldenström,” he said. Louis went on to add: “And I didn’t know I had it. And at the end of the X Factor series, I was just feeling very weak, and I went to the doctors.

“They couldn’t find anything. And then, one of the doctors called me back, and he said, ‘I think it’s this rare one’ — it would be rare for me — ‘called Waldenström.’ But I’m told, if you’re going to get a cancer, this is the one to get!”

When asked if he underwent any treatment, he disclosed: “I had chemo for a week. It wasn’t bad. It wasn’t bad at all – but I couldn’t sleep at night time, so the nurses gave me loads of tea. They were so nice, and I was smiling.”

Louis was later asked whether he was in remission and “100 per cent clear of cancer,” to which he responded: “I think so, oh totally, yeah.” Reflecting on his private health battle, he said in the Big Brother house: “I didn’t even know I had it until I went to the hospital. They checked me, and then they found it.”

He said that his diagnosis affected him mentally, saying: “It’s just up here; even when I go past a hospital, I almost get sick. It’s all gone, I’m fine. It was just the shock of being sick, and that word – nobody wants that word.

“I have it blocked out, a reality check. You see so many people sick, and it’s terrible. In my world, it was all about pop music and all that. I didn’t think of anybody getting sick or anything like that. And that was like, wow, reality check – you’re in the real world.”

During his time on the show, Louis was often seen sleeping. A source said at the time: “Louis is in remission currently but you can see how frail he is and that he has lost a lot of weight. It’s also the reason why he’s sleeping so much; it all took a lot out of him.

“The whole experience was the main driver behind signing up for the show. He’d been really ill and just wanted to enjoy life again and thought, ‘What the hell!'”

The Big Interview: Louis Walsh airs Tuesday, October 27, at 9pm on Virgin Media PLAY and Virgin Media One.

PRINCESS Andre has been left in stitches of laughter as she pulled a hilarious prank on her mum Katie Price.

The daughter of Peter Andre and Katie has been cropping up on red carpets and celeb-filled events over recent years as she carves out a career for herself in showbiz.

Now, fans have loved the prank she pulled on her mum — and how clearly it showed the closeness between them.

Taking to TikTok, Princess said: “I’m going to call my mum and ask her if she was in the delivery room when she gave birth to me.”

When she rang, Katie asked why she wasn’t on video but Princess explained: “I’m at the doctors, and they’re asking if you were in the delivery room when I was born.”

“Was I?” exclaimed Katie as Princess giggled quietly in the background.

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Katie continued: “Well, of course, because you came out of me. Are you taking the p***?”

Princess replied: “No, they just wanna know were you definitely in the delivery room?

“Well I’m your mother, so of course I was in the delivery room. I had a caesarian. Then they put you on me and I didn’t leave your side,” said Katie.

Princess then broke down in fits of laughter as Katie asked again: “Are you actually taking the p*** Princess?”

“I’m joking honestly,” she replied.

Katie then asked if she was really at the Doctors and Princess said: “No, I just wanted to play a prank on you.”

“You’re such a b***,” joked Katie.

A smiling Princess then told her she’d FaceTime her now, as Katie giggled a loving goodbye.

Fans flocked to comment and one wrote: “Why aren’t you on video’ shows how close you both are coz there’s clearly never a voice call.”

A second said: “Go on Katie!! that woman is an absolute legend.”

A third added: “Katie is just f***ing class.”

A fourth wrote: “Katie’s laugh at the end.”

While a fifth said: “This has really tickled me lol.”

This comes after Katie issued a word of thanks to her ‘biggest supporters’ while her mother has been incredibly unwell.

The star’s mum Amy, 74, is terminally ill with a lung condition called Idiopathic Pulmonary Fibrosis (IPF).

Taking to Instagram, Katie posted a series of snaps smiling with her daughter Princess and her sister Sophie.

She also included a number of photos with her mother on trips with her as well as on the red carpet.

JESSIE J has opened up about ‘healing’ as she shared a selection of snaps following on from her recent surgery and cancer battle.

The Price Tag singer, 38 – who revealed she had been diagnosed with breast cancer in June 2025 – told fans that she was having second reconstruction surgery last month.

Jessie announced that she was free of breast cancer in May after having a mastectomy and breast reconstruction in June 2025.

In a recent Instagram post, Jessie shared a mirror selfie of her in a hospital gown with her thumb up, while in another she posed for a picture in her hospital bed.

She also posted some sweet pictures with her son, as well as her signing her Who You Are record, which was released 15 years ago.

In the caption she described each picture, and for one description she wrote: “[thumbs up emoji] to healing.”

jessie’s journey

Jessie J gives health update after second reconstruction surgery

TIME OUT

Jessie J takes social media break to have second cancer reconstruction surgery

She added: “[thumbs up emoji] to healing (again).”

Late last month Jessie gave a health update after her second reconstruction surgery.

The Domino songstress took to her Instagram story to share an update after her second reconstruction.

“So I just got home from my second surgery,” Jessie told her 13.9m followers.

“And it all went well. I just wanted to tell you that it all went okay.”

She added: “Yeah man, life is good. Sending love. Good energy. See you soon.”

The NHS website states reconstruction is “where a new breast is made using a breast implant, or sometimes skin, fat or muscle from another part of your body”.

At the start of the month, Jessie said that the last couple of years had taken their toll and said she was taking a digital cleanse to focus on herself and life off-stage.

She wrote on Instagram: “I want to start this post off by saying I am ok. I am not at my best but very far from my worst. I know people can twist these kinds of posts.

“It’s no secret that the last 2 years have been magical, successful, life changing and extremely busy.

“I have loved the last 2 years mostly, hated it in moments and learnt the most I have ever learnt about myself and what I want from my life and mostly what I want it to FEEL like.”

She outlined all of the major life events she’d been through including moving from the US back to the UK and acting as her own social media manager and stylist.

“The past 2 years has taken a toll on parts of me that I haven’t had time to give space and grace to,” continued Jessie.“Now’s the time. Work has slowed down. So healing speeds up please.

“So I’m tapping out of this [world] for a while and into my real one. To give my mind, body and heart a well needed hug.

“To finally have my second cancer reconstruction surgery, to recharge, heal, to rest, to process, to love on myself and my boy, to water the next chapter of my life and most importantly be present and really live.”

Jessie went on to thank her fans for “holding me up” and said she might check in from time to time with work commitments.

The brilliant Korean filmmaker Lee Chang-dong is a suffering protagonist’s best friend, exploring the buried pain in people like no other filmmaker. But he’s never been so delicately novelistic, and so accessibly human, as with his latest movie, “Possible Love,” even when Lee is spinning the enigmatic vibes he’s known for.

A marriage story weighty enough to bear two fascinatingly complex couples, it explores a web of isolation and desire knotted with the divisions and woes of society today: class, labor, media. The film fairly vibrates with ominous tension even in scenes in which seemingly nothing happens. (Which, admittedly, is a Lee staple if you remember his last film, 2018’s eerie psychological thriller “Burning.”) Astonishingly acted, intricately written, with nary a shot out of place and never insulting to its audience, “Possible Love” is a masterpiece of everyday struggle — essentially, who bears it and who doesn’t — and easily among the year’s best films.

At the funeral for a colleague who committed suicide in the wake of a disastrous labor strike, out-of-work Ho-seok (Sul Kyung-gu, of Lee’s “Peppermint Candy”) would rather brood in the car alone and let his patient, grasping-for-connection wife Mi-ok (Jeon Do-yeon, a Cannes prize-winner for her turn in Lee’s “Secret Sunshine”) be around others. With these blue collar parents’ grade-school-age son a tangibly quiet presence, a seemingly impassable unhappiness oozes from the opening scenes. The appearance inside the funeral home, however, of a documentary crew interviewing laid-off workers spurs Mi-ok to engage with the outgoing director, Ye-ji (Cho Yeo-jeong), whose reserved, well-to-do husband Sang-woo (Zo In-sung) is in tow. When Mi-ok agrees to participate in Ye-ji’s film, a friendship forms.

Is it friendship, though, or a mutually useful rapport? The women couldn’t be more unalike in terms of background and status. Mi-ok has to tell Ye-ji that her expensive clothes don’t jibe with someone championing labor issues. But they have a breezy, even jokey openness, fed by the stories Mi-ok tells on camera as well as soju-fueled double dates with their spouses. They also have in common husbands who are remote, albeit for vastly different reasons. Hedge-fund-rich Sang-woo has an air of cool privilege, while the gloomy, taciturn Ho-seok harbors unprocessed trauma about what happened during the strike, the details of which are judiciously doled out to us in flashbacks. (Lee drew the background for his scenario from a real-life labor protest met by a government crackdown that shocked the country.)

But underneath what seems promising, the beginnings of empathy and maybe healing, there’s something performative and calculated in this fast bond. There are Ye-ji’s filmic needs — “I’m trying to love these people,” she says privately to Sang-woo after he calls her behavior with them “Method acting” — and Mi-ok’s swirl of intentions, hoping to save her husband with not ignoring the allure of her new pal’s quietly confident and wealthy man. Right at the moment when more cracks materialize, Ye-ji invites this broken family for a shared weekend at Sang-woo’s vacation mansion.

You may be forgiven for anticipating a potboiler climax when a lush hideaway with a private beach is concerned, and what occurs there is indeed juicy. But that’s only because Lee, in his finest screenplay to date, has laid out precisely where his vectors of hardship, exploitation, pent-up anguish and hidden desire are going to converge. Just add more alcohol and more reminders of these couples’ experiential chasm, and Lee’s command of irony in a simmering atmosphere is in a league all its own.

The documentary angle, of course, is this great director probing the ethics in his own vocation as an intrusive force, one that shapes lives, emotions and, in this case, the weight of a genuine tragedy. In much the way he finessed a truth about art facing evil in “Poetry,” the camera here is both predatory and a tool for catharsis. In one scene, the confluence is literally breathtaking.

Best-of lists were made for performances like Jeon’s. With tear-swollen eyes and an anxious intelligence that imbues Mi-ok’s mission of repair with heartbreaking energy, she is this movie’s restless soul of want: a wife, lover, worker and mother trapped between the balm of recollecting better times and worry for the future. Alongside Sul’s deftly handled, physical characterization of a proud man swallowed by hurt he could never imagine, “Possible Love” stands as one of the more sensitively wrought depictions of a wounded marriage you’ll ever see.

And when it’s over, it somehow doesn’t feel over. Maybe no scene better embodies Lee’s exquisite communion with his characters than his last one, which supplies them with a hint of grace. “Possible Love” hovers over the moment’s sublimity like the moonlight and I haven’t stopped thinking about its elemental beauty since.

On the same week that a court filing showed that construction on President Trump’s hotly contested triumphal arch could begin as soon as Nov. 5, another less reported development pointed to the possibility that the government might be misrepresenting its plans for Trump’s National Garden of American Heroes in West Potomac Park.

On Monday, the National Park Service held a meeting about a proposed redesign to the park, which is part of the National Mall and also where Trump wants to put his Garden of Heroes featuring more than 250 statues ranging from Humphrey Bogart to Kobe Bryant to Benjamin Franklin. Trump first proposed the idea in 2020, but it wasn’t until his second term — when he began a crusade to remake much of Washington, D.C.’s historic core according to his own predilections — that the plan looked as if it might manifest. The One Big Beautiful Bill Act even appropriated $40 million for the project.

The Garden of Heroes has remained largely in the background while preservationists focused on the demolition of the White House East Wing and the construction of a massive ballroom in its place, as well as the botched painting of the Reflecting Pool, and, of course, the gigantic triumphal arch.

But Monday’s NPS meeting about plans for West Potomac Park rang alarm bells for some when Judy Chesser, chair of the nonprofit conservation and preservation group the Committee of 100 on the Federal City, asked, “How does this relate to the Garden of Heroes that is being discussed in West Potomac?” to which the NPS spokesperson replied, “This is just an update to the tidal basin master plan we started before. This is not the Garden of Heroes.”

However, the Washington, D.C.-based education and advocacy organization Cultural Landscape Foundation noted that the rendering in NPS’ presentation and the illustrated “Pledge Agreement” from the National Garden of American Heroes Foundation contain similarities that “go way beyond coincidental.”

“Each includes a great lawn, a giant oval/circle, an amphitheater, a fountain, and a staircase to the Potomac River,” Charles A. Birnbaum, founding president and chief executive of the foundation, wrote in an email.

“In addition, the new design shown Monday amputates part of the FDR Memorial to accommodate the Oval. This is intentional. Clearly the Oval is meant to host something else or it would be re-scaled so as not to interfere with the FDR Memorial,” the email continued.

If this is the case, the strategy of downplaying or downright denying an intention to work on a Trump-backed project is eerily reminiscent of the strategy government lawyers used in a recent, highly publicized court battle over the removal of dozens of trees from a golf course that Trump is trying to transform into a premiere golfing destination.

In that instance lawyers repeatedly said there were no plans to renovate the golf course (thus preventing U.S. District Judge Ana Reyes from issuing an injunction against said renovations), only to chop down hundreds of trees on the course with no notice over a holiday weekend. Reyes was irate and sources familiar with the feud say that the judge expects the case to go all the way to the Supreme Court.

Meanwhile, as of 2 p.m. PDT, Thursday, opponents of Trump’s arch have filed a motion for an injunction on the possible Nov. 5 construction, arguing that Congress needs to approve any plan moving forward. This head-snapping whirlwind of motions and counter motions is expected by critics to continue to be the norm as Trump tries to push through as many of his D.C.-based renovations as possible before a new Congress is seated in January.

“What better way to celebrate the nation’s 250th anniversary than to shut down the legally required review process, ignore some 100,000 negative public comments, and fast track the construction of a bloated and deeply unpopular monument that the president claims is for him,” wrote the Landscape Foundation’s Birnbaum in a statement about the arch.

I’m Arts editor Jessica Gelt pitching preservationists for my personal garden of heroes. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

American Sound Takes Flight
MUSE/IQUE explores the nation’s music from Aaron Copland to Paul Simon in a concert setting infused with storytelling and cultural context. Featuring Brandon Victor Dixon, Liv Redpath and the MUSE/IQUE Orchestra, led by Artistic and Music Director Rachael Worby.
7:30 p.m. Friday, 2:30 and 7:30 p.m. Saturday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Bach to Broadway
The 31st annual concert, featuring Pueri Cantores SGV, the St. Andrew School Choir, Los Angeles Children’s Chorus and members of the L.A. Opera and L.A. Master Chorale benefits the restoration of historic St. Andrew Church.
7:30 p.m. St. Andrew Church, 311 N. Raymond Ave., Pasadena. saintandrewpasadena.org

Ballet Festival: Jerome Robbins at the Ahmanson Theatre

(Steven Pisano / The Joyce Theater Foundation)

Ballet Festival: Jerome Robbins
Three programs of the choreographer’s masterworks, curated by New York City Ballet principal dancer Tiler Peck, with dancers from New York City Ballet, Paris Opera Ballet and other major companies performing to live chamber music
7:30 p.m. Friday, 7:30 p.m. Saturday, 2 p.m. Sunday. Ahmanson Theatre, 135 N. Grand Ave., downtown L.A. musiccenter.org

Andrew Bird
The acclaimed multi-instrumentalist and songwriter joins with the Los Angeles Philharmonic to mark the 20th anniversary of his album, “The Mysterious Production of Eggs,” with orchestral arrangements, plus popular songs from his catalog.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Aymeric Hainaux and François Chaignaud
The musician and choreographer team up for “Mirlitons,” a marathon vocal and dance duet.
8 p.m. Friday and Saturday. The Nimoy, 1262 Westwood Blvd. cap.ucla.edu

Museum on Haunted Hill: A Celebration of Vincent Price
The institution pays homage to its original patron, the noted actor, art collector, advocate and historian, with an evening of after-hours access to exhibitions, casual screenings of classic Price films, drinks and snacks, music, a photo booth and haunted decor.
5-8 p.m. Vincent Price Art Museum, East Los Angeles College, 1301 Avenida Cesar Chavez, Monterey Park. vpam.org

PLAY: A Play
EmIly Mast’s unscripted conceptual performance features six players, guided by a coach, working against a clock and an evolving set of rules to examine “the invisible systems that govern power, behavior and care.” With Hugo Armstrong, Gregory Barnett, Chu-Hsuan Chang, Jessica Emmanuel, Jessica Hemingway, Aramazd Stepanian and Maxwell Transue.
7:30 p.m. Friday-Saturday, 4:30 p.m. Sunday. The Geffen Contemporary at MOCA, 152 N. Central Ave., Little Tokyo. moca.org

Sinners: Sounds That Summon
This exhibition examines the standout Club Juke scene in Ryan Coogler’s Oscar-winning 2025 film focusing on the guitar played by the character Sammie Moore (Miles Caton), costumes, objects and archival material.
Through March 14, 2027. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

SATURDAY

Grand Ave Arts: All Access
Tenth annual celebration of L.A. downtown cultural corridor with free exhibitions, tours, performances, family-friendly activities and more from participating organizations including the Broad, Center Theatre Group, Colburn School, Classical California, Dataland, Gloria Molina Grand Park, Grand Performances, L.A. Opera, L.A. Phil, Los Angeles Central Library, Metro Art, MOCA, the Music Center and REDCAT.
11 a.m.-4 p.m. Grand Ave., between Temple and 6th Streets, downtown L.A. grandavearts.org

Kabuki in Motion: The Lion Returns
U.S. Kabuki Ken Kyu Kai presents this program of kabuki dance, Nihon buyō (Japanese classical dance), and live koto and shamisen music featuring artists from Japan and California.
4:30 p.m. The Huntington, Rothenberg Hall, 1151 Oxford Road, San Marino. huntington.org

Picasso Ceramics From the Rosenbaum Collection
The exhibition presents 63 original prints and limited-edition ceramics, including vessels, plates, pitchers and sculptural forms created by the artist after 1947.
Through Feb. 28, 2027. Bowers Museum, 2002 N. Main St., Santa Ana. bowers.org

SUNDAY

Lucile Dollat
The French organist performs music from the 16th century to the present.
7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

TUESDAY

Jason Moran Presents Duke Ellington: My Heart Sings
The pianist and composer performs with members of the Pacific Symphony to engage with Ellington’s work through a contemporary frame.
8 p.m. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

The Music Man
Meredith Willson’s Tony Award-winning musical comedy brings smooth-talking con man Harold Hill to River City, where his schemes are curtailed when he falls for Marian, the local librarian.
Through Nov. 8. Ahmanson Theatre, 135 N. Grand Ave., downtown L.A. centertheatregroup.org

Orchestre Symphonique de Montréal with Rafael Payare
The Canadian ensemble and its charismatic Venezuelan conductor (who also leads the San Diego Symphony) perform Dmitri Shostakovich’s “Symphony No. 10 in E minor, Op. 93,” plus Felix Mendelssohn’s “Violin Concerto in E minor, Op. 64” with Leonidas Kavakos.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

The 39 Steps
Patrick Barlow’s adaptation of Alfred Hitchcock’s 1935 spy thriller (itself an adaptation of a novel by John Buchan) about an ordinary man entangled in international intrigue. Directed by Hunter Foster.
Through Nov. 22. Laguna Playhouse, 606 Laguna Canyon Road, Laguna Beach. lagunaplayhouse.com

The Who’s Tommy
The band’s 1969 rock opera featuring “I’m Free,” “See Me, Feel Me,” “Sensation” and, of course, “Pinball Wizard,” is transformed into a Broadway musical by composer Pete Townshend and original director Des McAnuff.
Through Nov. 15. Hollywood Pantages Theatre, 6233 Hollywood Blvd. broadwayinhollywood.com

WEDNESDAY

Nedra Ryan Taylor and Sarah Scott Davis in the play “Confederates.”

(Davis Northern)

Confederates
Institutional racism, as experienced in two different eras by Black women, is the subject of Dominique Morisseau’s 2022 dramatic comedy. Best known for her three-play cycle “The Detroit Project” as well as the book for the musical about the Temptations “Ain’t Too Proud,” Morisseau juxtaposes the plight of an enslaved rebel and Union spy during the Civil War with that of a contemporary political science professor facing a threatening work environment. Fountain Artistic Director Raymond O. Caldwell directs this sharp-eyed satire examining an unbroken thread of racial and gender bias in American history. (Charles McNulty)
Previews, 8 p.m. Wednesday-Thursday, play runs through Dec. 13. Fountain Theatre, 5060 Fountain Ave. fountaintheatre.com

THURSDAY

Seasons of America With Teddy Abrams & Ray Chen
The world premiere of Abrams’ L.A. Phil commission, written especially for violinist Chen, along with Julia Perry’s “A Short Piece for Orchestra.” Charles Ives’ “Three Places in New England, S. 7” and George Gershwin’s “An American in Paris.”
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Sasha Velour: Travesty
The Season 9 winner of “RuPaul’s Drag Race” performs a new solo work that spans queer history through lip-sync performances embodying various personas including a witch burned in a field, a clown who builds a theater and patrons of an underground gay bar.
7:30 p.m. Thursday-Oct. 30. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

The SoCal scene

Katie Folger gets ready at her home before her performance of “Getting in Bed With the Pizza Man” at the Elysian Theater.

(Carlin Stiehl / For The Times)

ICYMI, the best of this week’s L.A. Times arts coverage:

Katie Folger moved to L.A. hoping to make it for the third time in nine years. She created a one-woman show and sold it out. Will the TV pilot sell next?

Former Times arts columnist Carolina A. Miranda wrote a fantastic profile of Todd Gray as he opens a new solo show at the Brick.

The Broad announced that it’s shipping 164 works to Fondation Louis Vuitton in Paris for its most extensive exhibition ever mounted outside Los Angeles, timed to coincide with the most extensive phase of construction on its expansion.

Reggie Burrows Hodges, “Blackness in the Looking Glass and the Images of Currency: Carriage,” 2022.

(Reggie Burrows Hodges / Karma)

Artist Reggie Burrows Hodges has three concurrent shows in L.A. at the Getty, Art + Practice and California African American Museum. He prefers a low profile, but contributor Tara Anne Dalbow penned this lovely profile.

Latino Theater Company’s production of “Yamel Cucuy” is the story of a 13-year-old girl, ICE and Mexican folkloric monsters.

Times theater critic Charles McNulty headed to New York to review Billy Crystal’s “tremendously moving new Broadway show” “860.”

Culture News

Ahmanson Theatre.

(Ryan Miller / Capture Imaging)

Center Theatre Group and the YMCA of Los Angeles this week announced a new partnership called “Every Age. Every Stage,” with the aim of making live theater more accessible to a larger swath of city residents. The program includes free ticket offers for Y members as well as theater workshops and career mentorship.

A marble torso sculpted during the early Roman Empire set a new world record for ancient classical sculpture at auction earlier this week when it sold at Sotheby’s New York for $34.3 million. That was almost three times more than its pre-sale estimate of between $8 million and $12 million.

— Jessica Gelt

And last but not least

California has an adults-only train car featuring stiff drinks and great views of the redwoods.

MOLLY-MAE Hague shared an emotional video about ‘blocking out’ the first months after daughter Bambi’s birth.

The former Love Islander, 27, became a mum for the first time when she gave birth to her baby girl on January 23 2023.

Molly-Mae and fiance Tommy, also 27, welcomed their second child, son Midas, into the world back in June.

The new mum has been very honest with fans and shared the ups and downs of motherhood on social media over the years.

The Maebe owner has previously admitted she felt like her ‘life was over’ after giving birth to Bambi and opened up about the ‘really low lows’.

Molly-Mae recently took to her TikTok account to open up about different her two postpartum experiences have been.

MONEY MAE

Molly-Mae reveals new Adidas collab after backlash over ‘boring’ first drop

UNITED FRONT

Molly-Mae & Tommy enjoy family day after ‘boozy’ boxer is kicked out of event

The video started with star giving Midas a kiss on the cheek, followed by a clip of a younger Molly-Mae bottle feeding Bambi on the sofa in her pyjamas.

Molly-Mae told fans: “For the mums who need to know that no two postpartums have to look the same.

“I didn’t realised how much of my first postpartum I’d blocked out until having Midas and realising I could barely answer questions about it.”

Fans rushed to the comments section to share the love.

One said: “You’re doing absolutely amazing.”

Another wrote: “The best mummy.”

“This makes me cry, well done mama,” a third chimed in.

A fourth added: “The difference is unbelievable, you should be so proud of yourself Molly. You’re a true inspiration.”

A fifth said: “I love that you’re showing the raw and real side of becoming a mummy.”

Molly and fiance Tommy shot to fame on Love Island in 2019.

The pair placed second on the series and moved in together after returning to the UK.

Then in September 2022, they announced that they were expecting their first child together and she gave birth the following January.

The happy couple got engaged in June 2023.

Then in August 2024, they announced that they had split, but in May 2025, they were back together.

Molly-Mae and Tommy later revealed that they were expecting their second child, and gave birth to Midas in June this year.

RHIAN Sugden looked utterly sensational in her latest Instagram snaps, combining sexiness and sequins.

The former glamour model, 40, stripped down to a barely-there set of purple lingerie and posed up a storm for the camera.

Rhian looked over her shoulder in the set, which featured hot pink straps and a thong-style panty.

Her brunette hair fell beautifully down her back in soft waves, with her face framing pieces drawing attention to her pink pout.

The star finished the look off with a sparkly silver sequin bolero shrugged off down to her elbows.

Fans of Rhian’s gushed all about her beauty in the post’s comments section.

‘IT’S HARD’

Rhian Sugden admits marriage is under strain and she sleeps apart from husband

RED HOT

Rhian Sugden looks hotter than hell in sexy red lingerie after celebrating her 40th

One user said in utter awe: “Just wow”.

A second shared: “Absolutely gorgeous.”

Meanwhile a third added: “What a stunner.”

The post comes shortly after Rhian opened up about her marriage being under strain, admitting that she sleeps in a separate bed to her husband.

Speaking on the Private Parts podcast, Rhian explained: “The thing that’s changed our marriage is having [a] child.

“Like, we’re like strangers at the minute. It’s hard. Even when we go on holiday, we’re not really getting much time alone.

“George just didn’t sleep as a baby, and I was like, I can’t do this. Just get him in bed.

“So we’ve just bought him a double bed and now I’m in George’s bedroom.”

Rhian and Oliver began dating in 2013 and tied the knot in Turkey in 2018.

They welcomed their son George together back in 2024 after a five-year long journey with IVF.

SCARLETTE Douglas has revealed she’s expecting her first child with her fitness instructor fiancé Kyle Murray.

The A Place In The Sun host, 39, took to Instagram on Sunday afternoon to share the sweet news – alongside a picture of her blossoming bump.

The TV personality – who froze her eggs back in 2024 – shared a snap of herself and Kyle in front of a balloon arch and teddy bear display which read: ‘We can Bearly wait’.

In the snap, Scarlette donned a crop top to show off her bump, which Kyle cradled from behind.

Scarlette wrote underneath the post: “The exciting news is finally here!

“We’re over the moon to announce… We’re having a baby!!!!!!”

HEY BABY!

Gaz Beadle’s ex Emma shows off her growing baby bump after announcing pregnancy

FLOG IT

Helen Flanagan stuns in corset dress as she flogs her old clothes on Vinted

The star’s celeb pals flocked to the comments to share their congratulations – with Frankie Essex writing: “Yayyyyyyuuu love it!! Congratulations ❤️❤️❤️❤️”.

Scarlette did not share in the post how far along in the pregnancy she is, or whether the couple know the gender of their little one.

The TV star met her boyfriend in May last year, with Scarlette attending one of his fitness classes.

In March this year, Kyle popped the question and the pair are now engaged.

The expectant parents attended The Baby Show – a parenting exhibition – in London on Friday.

Snaps show the duo testing out prams and cots as they got their practice in ahead of the baby’s arrival.