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U2 will be honored as the 2027 MusiCares Persons of the Year, the Recording Academy announced Thursday, half a century after the four members of the Irish rock band met as high school students in Dublin in 1976.

The award, which recognizes an act’s philanthropy and cultural impact and comes with an all-star tribute concert typically held two nights before the annual Grammy Awards, will be presented to the group’s Bono, the Edge, Adam Clayton and Larry Mullen Jr. at the Peacock Theater in downtown Los Angeles on Feb. 5.

In a statement, MusiCares Executive Director Theresa Wolters hailed the band’s work on issues “spanning global health, disaster response, addiction recovery, mental health and access to music education” and said that what “resonates so strongly” with the Recording Academy’s charitable arm is the members’ “belief that success in music comes with an opportunity to care for the people around you.”

Added Harvey Mason Jr., the academy’s CEO: “Not only has their music defined generations, but they’ve been equally exemplary in their dedication to humanitarian work and using their platform for good.”

The statement quoted the members of U2 as saying they’re “huge fans of MusiCares and the lifelines they provide across the incredible pool of talent that is the music industry. We’ve been recording and touring for 50 years because of that pool, from producers and engineers to carpenters and riggers.” The band said they are “very excited to be in the front row of our first ever U2 gig,” adding, “We know we’re gonna be outplayed.”

In late January, Mariah Carey received the MusiCares award at a gala that featured performances by Foo Fighters, Jennifer Hudson, Teddy Swims, Busta Rhymes, Laufey, Jon Batiste and Charlie Puth. Previous honorees include Joni Mitchell, Dolly Parton, Lionel Richie, Bob Dylan and Barbra Streisand; Bono was previously named Person of the Year on his own in 2003.

U2’s recognition comes in the wake of a much-discussed residency at Sphere in Las Vegas, where the band looked back at its 1991 album “Achtung Baby” in a high-tech multimedia presentation. In July, the group released “Street of Dreams,” the lead single from a studio album due out later this year.

OASIS have launched a countdown to a major announcement with a drone display above their beloved Manchester City’s home ground.

Over the past few weeks, Liam, 53 and Noel Gallagher, 59, have dropped a string of cryptic clues about their next world tour, and last night they continued to hype up the buzz.

Oasis reformed two years ago, after the long-feuding brothers caused the band to split-up in 2009.

Now after their successful run of gigs last year, they have appeared to confirm they will be making another tour announcement on Monday (September 14).

Oasis teased the news with a huge drone display flying above the Etihad Stadium last night.

The display saw the band’s iconic black and white logo light up the sky at 11pm.

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The incredible light show, which was 120m-long, then revealed a date which read “14.9.26”.

Onlookers got to watch the drone display in the sky for ten minutes before it disappeared.

Oasis have been dropping clues left, right and centre.

Yesterday, they appeared to confirm the tour locations with a new video which left viewers scrambling to decode where the gigs will take place.

And on Tuesday, Liam and Noel teased another upcoming tour location with a subtle nod to a moment around the time the group split.

Meanwhile, The Sun exclusively revealed that Oasis will be returning to the stage next year.

They will perform a record-breaking run of six concerts at Knebworth and a 12-date residency at the Etihad Stadium in Manchester.

Harry Styles isn’t ready to end his Together Together tour just quite yet.

The three-time Grammy winner and One Direction alum announced on Thursday that he will extend his tour well into 2027. The newest leg will include additional stops across several locations including Los Angeles, where he will take over the Rose Bowl in Pasadena on April 23 and 24 with some assistance from Kylie Minogue.

Styles begins his tour extension in April with Tinashe in Phoenix before later hitting the road with additional guests including LCD Soundsystem, the Womack Sisters and Caroline Polachek. His stateside shows include stops in Dallas, Atlanta and Chicago. The “As It Was” and “Watermelon Sugar” singer will also take his music back across the Atlantic for concerts in Berlin, Paris, Madrid and London, where he will close out the tour in late August.

The 32-year-old musician launched his Together Together tour in May and is currently in the second month of his marathon 30-night residency at Madison Square Garden. He obviously knows a thing or two about going the distance.

Styles announced his Together Together tour in January, with some help from NBC’s Steve Kornacki, ahead of the release of his latest album “Kiss All The Time. Disco, Occasionally.” This year’s album marked Styles’ fourth solo release, following 2022’s “Harry’s House,” which earned the singer two Grammy awards including album of the year in 2023.

ANT McPartlin and Declan Donnelly have taken a surprise swipe at former This Morning presenters Holly Willoughby and Phillip Schofield – four years after the infamous “queue gate.”

Phillip and Holly received a slew of backlash back in September 2022 over claims they “skipped the queue” to pay their respects to the late Queen Elizabeth, who was lying-in-state at Westminster Hall.

The pair broke their silence on the scandal on This Morning and viewers were left furious by their “pathetic excuses.”

Now, four years on from the controversy, Ant and Dec have made a very cheeky comment about their conduct.

The telly duo were chatting about going to see the Bayeux tapestry – which depicts the events leading up to the Battle of Hastings and the Norman Conquest of England in 1066 – at the British museum.

Dec said on their podcast Hanging Out: “It’s the first time in nearly 1,000 years, it’s been in the UK. You’ve got to go and see it.”

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They both agreed to visit the museum together but believed it was going to be very busy.

Ant asked listeners: “If anyone from the British Museum is watching this podcast in their downtime… I’d like to jump the queue.”

Appearing to take aim at Holly and Phillip, Dec laughed: “I’m not sure about TV presenters skipping queues.

“I don’t think that’s going to end well.”

Ant continued: “What could possibly go wrong? It’s just scuttle down the side, pop in the front.”

Dec added sarcastically: “Do you think that’s the end? Nobody’s gonna say anything about it.”

TV star Ant then asked Dec if he wanted to skip the queue with him but the latter was adamant that’s something he’d have to do alone.

In 2023, Phillip told The Sun of the impact “queue gate” had on him and Holly.

He said: “I don’t ever throw anyone under the bus, but I have a very good instinct for these things and I knew it was a bad thing to do.

“We were texting each other backwards and forwards afterwards. I said to Holly ‘I knew I should have gone with my gut,’ and she said ‘I know.’

“But we were shell-shocked, the both of us, completely shell-shocked by the reaction.

“What are the two things you don’t screw up? The Queen and a queue.”

Phillip continued: “So we are forever now [associated]… it doesn’t matter now because I’m not going to go out any more … but forever now, you go to the butchers and someone says, ‘Oh do you want to [skip ahead]…?’ ‘No, no, I’ll stand here.’ I’m serious.”

Many celebs including David Beckham, Susanna Reid and Sharon Osbourne were seen standing in the long queue to see the Queen.

At the time, This Morning shared a statement on their official Instagram account, it read: “Hello everyone, we would like to clarify something. We asked Phillip and Holly to be part of a film for this Tuesday’s programme.

“They did not jump the queue, have VIP access or file past the Queen lying in state – but instead were there in a professional capacity as part of the world’s media to report on the event.”

A man from London was determined to find his sister, following the death of their mother

A brother and sister have finally been reunited after they both applied to appear on the ITV show.

The latest episode of Long Lost Family, which aired on Thursday (September 10), followed Michael, 56, who was trying to find his older sister, whom he had never met. The retail worker from South East London was determined to fulfill his mother’s dying wish to track down his sister, who had been given up for adoption as a baby.

Mary had been in a Catholic mother and baby home when she took care of her daughter, Angela, for three months before she was placed for adoption. But Michael explained that his mother didn’t think she had a choice.

Their mother, Mary, died of cancer eight years ago at the age of 74, and she had asked Michael to find his sister, Angela, for her. “She said, could you please try and find Angela for me please?” Michael shared. Ever since then, he has been desperate to find her.

Two years ago, in an attempt to find his sister, Michael took a DNA test and got a match with a woman named Gemma. The DNA report suggested that she was his half-sister. He assumed that Gemma was Angela’s new adoptive name and messaged her, however, he never received a reply.

“It’s made me happy, but in another way, it’s made me sad because obviously she’s been looking. It makes me think, why is she not on here, she’s given up. I’m so close now,” he said.

Michael went on: “I’m so close. And it’s like just a brick wall is just there. But I want to knock this brick wall down, but it’s very difficult.” In a twist, the Long Lost Family team discovered that Gemma, who had been named Angela at birth, had also contacted the show in the past to find her biological family.

Gemma was told about her mother’s death off-screen before host Nicky Campbell informed her that she had a brother, and passed on an emotional message. “Your brother, Michael, wanted to tell you that she didn’t want to give you up for adoption. She thought about you every day. She always, always loved you, and she wanted to tell you that. She wanted to see you and tell you that”, Nicky told Gemma.

Later in the episode, Davina McCall informed Michael of the wonderful news that Gemma had been found. This left him feeling incredibly emotional to hear that his sister wanted to have contact with him.

Davina explained: “She has been looking for 30 years. She was really sad to hear that your mum had died, but she was so grateful that someone was looking for her. She applied for Long Lost Family, so it’s incredible.”

Michael couldn’t wait to meet her but wistfully said, “I just wish my mum was here. 30 years? Oh god, if only I had knew.” Gemma traveled from Manchester to London to meet her brother, and when they came face-to-face, they could not stop crying. “This has been the best day of my life. It’s like a dream come true, I finally met my sister,” Michael added.

Long Lost Family is available to stream on ITVX

Hollywood’s film and TV post-production workers took their case directly to Gov. Gavin Newsom on Thursday, urging him to sign a bill that would create the state’s first standalone post-production tax incentive.

Workers such as editors, singers and sound supervisors joined bill author Assemblymember Nick Schultz (D-Burbank) and Mayor Karen Bass at a news conference Thursday morning in front of the Television Academy’s headquarters in North Hollywood.

The bill, AB 2319, is aimed at supporting the industry’s editors, sound mixers, composers and visual effects artists. It passed the state Senate 33 to 5 on Aug. 30, and the Assembly approved the final version 72 to 2 the same day. Newsom, who has not taken a public position on the measure, has until Sept. 30 to sign or veto it.

Bass urged supporters not to let up before then.

“We need our industry in full force,” Bass said. “It’s all a part of making our city more affordable. We know that this is one of the biggest issues in our city, and so having a strong, robust industry helps Angelenos across the board.”

The incentive would allow a 35% to 50% credit on qualified expenses relating specifically to post-production in California. The state’s existing film and TV tax credit program already covers post-production, but only if 75% of filming or the overall budget is spent in the state. The new credit doesn’t require productions to shoot in California.

Even if Newsom signs the bill, the program would start small. Schultz initially proposed $100 million to fund the effort, but the Legislature’s end-of-session budget sets aside $10 million to launch it.

“When you think about production, it’s easy to think about the actors, the directors and the writers; you don’t think about all that happens when the camera stops rolling,” Schultz said. “What’s changed is that they’re now telling their story about the struggles they’re facing.”

For industry veteran Karen Baker Landers, the decline in local post-production work is impossible to overlook. A two-time Oscar-winning supervising sound editor, Baker Landers is vice president of California Post Alliance, the group sponsoring the bill.

“It’s affecting people in huge ways, like losing their health insurance. I get people calling me asking to get just two weeks of work to qualify for coverage,” said Baker Landers. “It’s really difficult.”

Last year, California expanded its film and TV tax credit program, more than doubling the old $330-million cap to $750 million through June 30, 2030. But a state budget measure Newsom signed in June capped how much in tax credits a business can claim each year, a limit industry groups warned would undercut the expanded program. Lawmakers passed a fix on the final day of the legislative session and it is also awaiting the governor’s signature.

Despite the state’s bigger bet on the industry — and this summer’s fight over the cap — L.A. City Councilmember Adrin Nazarian, whose district includes North Hollywood, argued at the press conference that this is the right moment to keep asking for more.

“It’s that exact momentum that we need. When you double down on something, you’re giving more than hope, and you’re saying welcome back. Please come and do your work. Don’t stop doing this,” Nazarian said.

Alanis Morissette is getting candid about the terror she experienced with what she calls “postpartum activity.”

Although terms like postpartum depression and postpartum psychosis may not have dominated trending topics in the 2010s when the singer-songwriter was having her three babies, Ever Imre, now 15; Onyx Solace, 10; and Winter Mercy, 7, it’s an especially hot-button issue today. And Morissette knows a thing or two about grappling with the condition.

On Wednesday, Morissette appeared on the “Call Her Daddy” podcast and told host Alex Cooper that she experienced postpartum depression after giving birth to each of children, and that the condition worsened each time.

“Basically, I became another person,” she said, adding that her hormones felt out of whack. “There’s some version of menopausal flux combined with … invasive thoughts that are so harrowing — terrible, ceaseless, invasive thoughts, anxiety, depression, rage, off the charts. I felt completely out of control, and yet I was touring … and being a boss and being someone taking care of money and finances and everything, and that is the part where, when I’m quiet and alone, I might weep a little bit.”

In recent months, attitudes around postpartum depression have shifted, and the condition has been discussed more urgently than perhaps ever before. Hayden Panettiere’s death sparked renewed scrutiny of society’s treatment of women suffering from the condition. And the polarizing trial of Lindsay Clancy, a labor-and-delivery nurse who pleaded not guilty by reason of insanity after killing her three children in 2023, has captivated the country since July.

Back in 2019, Morissette discussed her experience with the illness, but the topic hadn’t yet garnered the public’s attention like it has today. Morissette told Cooper that when she first experienced symptoms, she reached out to multiple therapists, who didn’t seem to know how to treat the issue, no matter how well-meaning they were.

The “You Learn” singer said that the “invisible load” that mothers often carry — which the Institute of Child Psychology describes as the mental and emotional weight involved in running a home and tending to children — should no longer be invisible.

“We’re making it visible,” she said. “I’m going to tell you the 37 things that we do an hour … let’s name it. Even us calling it ‘invisible load’ keeps it invisible.”

The Grammy winner told Cooper that she went on tour while suffering from postpartum depression during the pandemic and that it became so severe, she “dipped into psychosis.”

“The depression piece inside PPD, unfortunately, I was familiar with it,” she said. “It was all the other stuff. It was the invasive thoughts and the terror. All I could picture was death and terrible things. … The bummer for me inside PPD was that I was losing people’s trust in my sanity. That’s a bummer. When I have spent my whole life attempting to establish to people I love that I’m safe, and that I’m predictable, and then all of a sudden I wasn’t. That was a loss, because people looked at me differently. They looked at me like I maybe couldn’t be trusted.”

The singer said she’d recovered since the struggle. “I feel so happy that I’m back.”

Monty Don recently quit Gardener’s World after more than two decades but has now landed something new, teaming up with one of the most famous footwear brands in the country

Monty Don has landed a new job just days after quitting Gardener’s World. The TV star,71, is best known for having fronted the BBC agricultural programme, and on air for more than two decades.

But he stepped down from the position earlier this week, and is already onto pastures new as he is the new face of New Balance shoes, following the launch of the launch of the footwear company’s Flimby Garden in Cumbria.

A spokesperson said: “A permanent garden curated by Bleue Burnham for the people behind the New Balance Made In UK at its factory in Flimby, Cumbria.

“Created as a dedicated space for rest, reflection and connection, the garden brought New Balance’s manufacturing heritage with Burnham’s distinctive creative language and longstanding relationship with the natural world.”

Just days ago, the presenter said the time had come for change and he was ready for his next adventure, but promised his fans that the move does not signal the end of his TV career.

Monty said: “I have decided that the current series of Gardeners’ World is to be my last. I began hosting the programme 23 years ago, first at Berryfields and for the past 16 years here in my own garden, Longmeadow.

“Throughout that time – and around seven hundred programmes – I have had the privilege of sharing my own abiding passion for gardens and gardening with an equally passionate, and often equally knowledgeable audience.

“That connection with millions, not just in Britain but across the world, who share a love of gardens, plants and the natural world is something I have always treasured and which I increasingly believe to be at the heart of a life well lived.

“I have also always relished the craft of programme making and to do so, week in week out, as part of a superlative BBC team has been a deeply rewarding experience. But now is the right time for a change.

“I look forward to continuing to work with and for the BBC on other projects, as well as following new avenues. There are more books to write, more programmes to make. And of course, I will still be gardening, dog by side, here at Longmeadow.”

Born in Germany and raised in England, Monty made his television debut on This Morning in 1989 after his home garden was featured in several publications. After repeat appearances, he got additional TV work on BBC shows Holiday and Tomorrow’s World.

He also began putting his ideas and tips into words, and has published over 25 books since 1990. In 2002, he was recommended by Alan Titchmarsh to replace him as the lead presenter of Gardeners’ World. Monty then became the first self-taught horticulturist presenter in the show’s history.

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A man was arrested this week near Kris Jenner’s home in Calabasas on suspicion of stalking. It wasn’t the reality TV star’s first brush with the alleged stalker.

Officers with the Los Angeles County Sheriff’s Department on Monday arrested the man, identified as 25-year-old Zenwilliam Robson, after he was detained by Jenner’s security in her neighborhood, The Times confirmed.

It was not clear whether Jenner was at home at the time of Robson’s arrest.

Robson was booked Monday evening and charged with one misdemeanor count of trespassing and refusing to leave private property, according to court records.

He is currently jailed at the Twin Towers Correctional Facility in downtown Los Angeles and is set to appear in court on Sept. 22. A representative for Robson could not immediately be reached for comment.

A representative for the “Keeping Up With the Kardashians” star declined to comment. But according to a source familiar with the case who was not authorized to speak publicly, Jenner’s team is aware of Robson and that he tried to contact the 70-year-old reality TV personality and businesswoman in the past.

KATIE Piper has called out cruel abuse from online trolls over her National Television Awards look – as celebs rallied with their support.

Taking to Instagram, the writer and presenter shared a video addressing upsetting online comments she’d received.

In 2008, Katie, 42, was left with severe facial burns and blindness in one eye following an acid attack.

The star explained she hadn’t originally planned to make a video and had woken up feeling positive after the NTAs.

She continued: “I went to the NTAs the other night, I felt really good.

“I thought I looked really nice, I felt really pretty. I think I was even singing to myself, driving along.

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Katie noticed notifications popping up on her phone after Woman & Home posted a red carpet interview featuring her.

She continued: “The comments are going mad. I thought, “Oh why?” and it’s just endless.

“Oh, look at her. What happened to her face? Oh, she’s overdone it on the filler.

“Oh my God, why are we talking about the hair, the hair’s not the problem. The face, blah blah.”

“And you’re just like, “I am a normal person, I am a real person”. I’m just out here trying to do my best, trying to live my life.

Katie added she had replied to these commenters, but later felt it wasn’t the right move.

She said: “I started replying to them all saying, “What’s it got to do with you how I look? Why are you policing women’s appearance?

“What if this was even a choice? Why does it matter to you how I look?”

Celebrities soon offered support, as Lisa Snowdon wrote: “You are the most beautiful inside and out Katie- never forget that.”

Morning Live‘s Rav Wilding penned: “Pipes, as your husband knows as your kids know and how all your friends know, you ARE beautiful.”

Strictly Come Dancing‘s Dianne Buswell commented: “You are a super woman and yes you are beautiful.”

Matt Goss shared: “This breaks my heart you’re amazing and you have every right to let people know how you feel.

“You are genuinely an inspiration. sending so much love.”

Myleene Klass posted: “Katie. I was with you that night and I was over the moon to be with you.

“Your company, your energy, your funny one liners….and you also happened to look incredibly BEAUTIFUL. They don’t matter. They’re trying to. They just don’t x.”

Dannii Minogue wrote: “Katie – you, your words, your kindness and your digital footprint, you can be proud of. By all means take time for you, but do not let them take your light.”

SHE’S in her eighth decade but Chaka Khan has no intention of slowing down. 

In fact, the legendary singer, 73, is about to release her 13th studio album, a record she describes as “ageless music”. 

Called Chakzilla, she believes it can connect with “everybody, every age”. 

And after 50-plus years of making music, when asked about her proudest achievements, the Grammy-winning star says: “My legacy is that I stayed alive and that I’m still here. That’s a big deal.” 

She is chatting from her home in Georgia where she is resting on her 80-acre farm before she heads back to the UK.  

Tomorrow she headlines Radio 2 In The Park in Stirling, a week before the release of her new album, her first in seven years. 

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“I didn’t plan it, or anything like that,” she says. “It just happened. I was just working — you know, working hard with my band. 

“We were doing a lot of gigs, and that’s always fun. Everybody’s happy because they’re getting paid. And in that time, it just so happened that I met Sia.” 

Sia is the Australian singer-songwriter behind huge hits such as Titanium and Unstoppable, who Khan met through her sister and manager Tammy McCrary. McCrary is a huge fan of Sia, who became central to the album’s creation. 

“I didn’t have to work hard at all,” says Khan. “It was just easy for me and for her. She loves to write poetry and she’s a brilliant lyricist. 

“I haven’t met anyone like her ever. I’m just happy that she’s my goddaughter now.” 

The pair clicked so well creatively, they became family after Sia asked her to be her godmother and Khan agreed. 

“I’m just happy that we’re together and that we’re part of each other’s life,” says Khan. “I’m really, really blessed.” 

And it was this close relationship that started Chakzilla, with Sia bringing in celebrated producer Greg Kurstin to shape the album’s sound. 

Khan says: “Greg did some writing with Sia and when she played these songs to me, it was just the most beautiful thing. I mean, she gets me. She knows me. 

“And Tammy and I listened to the album a lot in the car. We keep playing it over and over again. We don’t get tired of it. 

“When I am not tired of listening to my own music, that says a great deal because I often get tired quickly. That’s deep. That’s a beautiful thing.  

“It’s fun for me to sing. All the songs are so good. My background singers and my band feel the same way. Everybody loves it. We’re feeling really special about this. 

“So, I think people are going to feel the same way and they’re going to discover songs they like. 

“They’re very sincere songs and very true about me. Heart Of Gold is the sweetest song and Dreamy Stuff is really true about me too. Curious Subject is another good one — because I am. That’s what my family is always saying about me.” 

That sense of fun also runs through the album’s title, Chakzilla, inspired by Khan’s lifelong love of monster movies.  

“I’ve loved horror and monster films my whole life,” she says. “I’ve been watching Godzilla and Mothra (the giant moth-like creature from the Japanese Godzilla films) since I was a little girl and I never got tired of them.  

“I loved the fact there were good monsters and bad ones — the ones that tore things up and the ones that fixed things. 

“So, I thought, ‘OK, I could be the Zilla that comes and fixes everything up. A positive monster, because I’m not a curlicue, I’m not a sweetie pie, so it works for me. 

“Chakzilla is something I really love.” 

The new record is packed with collaborations. The sultry Cool U Down sees Sia guest, while the joyous Boogie’s In My Soul has Snoop Dogg. The funky Bring The Party features Lenny Kravitz on guitars and vocals. 

“Sia told me she wanted to write a song called Boogie’s In My Soul and I thought, ‘Oh that sounds horrible’,” Khan says honestly.  

“Then I heard what she had in mind and thought, ‘This is brilliant’. She said, ‘All we need is a good rapper’. And I thought, ‘Oh yeah, I know just the guy’.  

“I really admire Snoop. He’s so smart and such a great guy, so it was perfect. And the words are brilliant. She says, ‘Show the world your light. Show the world of joy’. 

“I thought, ‘Yes, right on, sis’. It’s beautiful. It’s like old school.” 

Snoop opens the track with a playful nod to Khan’s 1984 Prince-penned hit I Feel For You, echoing Grandmaster Melle Mel’s famous “Chaka Khan” chant. 

Khan says: “Yeah, it sounds great, even though I’m so sick of that song. But it fits. It fits.  

“I’m just glad he’s not saying ‘Chaka, Chaka, Chaka, Chaka Khan, Chaka Khan’, like the start of that record.” 

Straight-talking with a larger-than-life personality, Khan is refreshingly honest when asked whether it was fun making the video with the rapper. 

“No, I worked my ass off. Let me tell you that thing went on until the night.” 

Working with old friend Lenny Kravitz on Bring The Party was long overdue, she says, as he is someone who shares much of her outlook on life.  

“I’ve known Lenny for many years,” says Khan. “I have friends, but I don’t really have friendships in the way I’d like to because of the life I lead. 

“He pulled up some songs from an album he did over 20 years ago. It was some old rock and it was brilliant, and I sang on some of that old stuff with him. I guess he’s going to bring some of it into the future now. 

“So, he then played guitar and sang with me on this cut. It was great to bring in some friends that I love and do good work. 

“And Lenny lives a lot like I do. If I wanted to go and hang out with him, it would be easy and vice versa. We live in similar ways. 

“He’s living on an island (Kravitz, lives part of the year on the Bahamian island of Eleuthera), growing beautiful plants and food, with a great studio in the middle of it all. 

“He’s moved, like I am, by being in the real world and loving what God has put here for us.” Around four years ago, Khan left California for Georgia, where her grandma was from and where she lives a very different life. 

She says: “I came back to Earth, to the trees and lakes and plants, to real living, with no sirens and craziness around me. It’s brilliant. 

“I can look at the sky every morning when I wake up. I look at my lake every day, my animals, and I’m eating right. 

“My sister and I are in the middle of opening a plant-based restaurant, and I’m growing my own food. I’ve got greenhouses and I’m learning how to live on the planet and from the planet, rather than having to go to stores and buy crap.” 

Georgia has given Khan space, peace and proper time with her family.  

“I really am enjoying it,” she tells me. “I’ve never felt so happy to come home off the road before. 

“Touring is hard work. It always has been. But now I come home, close the gate and it’s really nice. My family can come and stay for a week or two and we get proper quality time together. 

“I just spent a whole month with all my grandchildren and great-grands. They wore me the hell out but I had the best time ever.” 

Last year Khan joined soul legends Patti LaBelle, Gladys Knight and Stephanie Mills for the historic Queens tour, which had extra dates in May this year. 

“It was an amazing feat that we finished it,” says Khan. “I took it on because I thought, ‘This is a one-time thing — Gladys, Patti, Stephanie and myself. A one-off. 

“It was an amazing show. It was tough because we were working like back in the day.  

“Stevie Wonder came to the opening night and sang with me, which was lovely. 

“We were really cool. Nobody was tripping, there was no drama. It was beautiful. And between the four of us, you could imagine how diverse the audience was. I saw families, I saw men bringing their sons. It was really special.”  

Earlier this year, I’m Every Woman — The Chaka Khan Musical opened in London starring Alexandra Burke as Khan.  

Did Burke nail the role? 

“What could Alexandra do wrong? She’s amazing. She’s really something. I didn’t realise she was already such a big star. She’s no joke. 

“I was amazed by her staying power. She and the whole cast had stamina like you’ve never seen.  

“Nia Hill, who wrote the book for the show, is an old friend. She knows me inside out. We’ve had very deep conversations, and she’s been there for me through some really hard knocks.  

“She would ask me which songs we should use, and I suggested songs that people don’t often get to hear. 

“That’s what I’m trying to do now, bring back songs I did years and years ago that I still love. 

“I’m going to do a show with that old stuff. Young kids today are so savvy, they know a good song when they hear one.” 

Khan’s admiration for younger generations also connects back to her own political awakening. 

As a teenager in Chicago, she was involved with the Black Panther Party and says the battles facing young people today feel both familiar and far broader.  

She says: “It was crazy then too, but in a different way. With the Panthers, the focus was mostly on fundamental racism. Today, it’s that and so much more that these kids are dealing with. My heart goes out to them because they’re not afraid. They’re fearless, beautiful beings and they get it. They understand what’s right and what’s wrong.  

“I’m really happy about young people today. I love that they’re not afraid, because fear will tear it all down.” 

With our time up, Khan says how much she is ready to return to the UK this weekend. 

“I love Scotland and love the big shows, I can’t wait. I’m going to play the favourites. Absolutely.  

“It’s important to keep the music going. I’m still here. Yeah, in every way.  

“We lost Prince, and the big stars like Aretha and Whitney. 

“There are not a lot of those musicians and artists like that any more. So, I’m enjoying that I’m still making new music and playing shows. 

“I’m up for the challenge. Absolutely, that’s how I live. That’s me. 

“I love that line, ‘I may be small, but I’ve got this’. 

“It doesn’t matter what size you are, it’s what you’ve got.” 

•  Chaka Khan headlines Radio 2 In The Park on Saturday night and the set will be broadcast on BBC iPlayer and Radio 2, and at 10pm on BBC Two. The album Chakzilla is released on September 18. 

CHAKA KHAN 

Chakzilla 

★★★★☆

EastEnders have announced that Amy Mitchell will become the victim of grooming as part of a harrowing new storyline and bosses have teamed up with various charities to highlight the important issue

EastEnders have announced that Amy Mitchell will become the victim of grooming as part of a harrowing new storyline.

The long-running BBC soap, which began in 1985, has never shied away from tackling tough topics and the latest in a long line of issue-based storylines will feature Amy, who is just weeks away from her 18th birthday, fall into an unhealthy relationship with corrupt police officer Craig Ingram.

With Amy (Ellie Dadd) having admitted responsibility for Joel’s attack, Craig gains Amy’s trust by agreeing to keep her confession a secret from the police. Unbeknownst to Amy, Craig has been suspended from public police duty following a series of complaints at work, and he uses his position of power to elicit control.

Believing Craig to be the only thing that stands between her and serious consequence for the attack on Joel, Amy is incrementally manipulated and groomed by Craig over a series of months and will eventually find herself in danger when Craig.

In upcoming scenes, Craig will create an environment where Amy believes he is the only person she can trust. Bosses of the soap have teamed up with Barnardo’s and End Violence Against Women Coalition to bring the storyline to the screen in the way they see fit.

Ben Wadey, EastEnders Executive Producer said: “When telling a storyline like Amy’s, we have a huge responsibility to highlight and raise awareness of the warning signs of grooming. We’re grateful to be working with Barnardo’s and End Violence Against Women to help us tell this story.”

Lynn Perry, Barnardo’s Chief Executive added: “We welcomed the opportunity to provide expert advice on this storyline – which is a powerful reminder that there is no stereotypical victim or perpetrator of grooming.

“Young people from all walks of life can be targeted and fall victim to controlling behaviour – and many are often unaware that they are being groomed. We hope this important storyline can highlight how subtle the signs of grooming can be and how it builds over time.

“To any viewers who recognise themselves in this story – who may be currently experiencing abuse or might have in the past – we hope this storyline shows you that the abuse was not your fault and we encourage you to seek support. We appreciate the writing team’s professional curiosity and determination to get this story right.”

Janaya Walker, Interim Director at End Violence Against Women Coalition added: “We’re proud to have worked with the EastEnders team on this storyline about grooming and police-perpetrated abuse, which has been delivered with sensitivity and care. On-screen portrayals like this have the power to shift attitudes and increase understanding of abuse across society.

“This storyline will help raise awareness about how those in a position of trust can abuse their power to target women and girls. We hope it can play an important role in making these experiences visible and help victims watching at home to understand that what happened to them was abuse, and to seek support.”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer.

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