SHOW BIZ

THEY scored a resounding victory for farmers everywhere when they won Britain’s Got Talent this year.

And now the Hawkstone ­Farmers Choir want to follow their success with a place on the Glastonbury main stage — and are calling for Emily Eavis to sign them up for next year.

In an exclusive interview with The Sun, one of the choir’s leaders, Katryna Shell, told how the group have their sights set on the famous festival, saying: “Our dream is to play the main stage at Worthy Farm. We’re farmers, so it’s kind of meant to be, isn’t it?

“But we haven’t had the call yet. So Emily, if you’re reading this, we’re open, we’re here, we’re listening.”

There’s no doubt that the 32-strong choir would be right at home in the Glastonbury mud and puddles.

The singers — all of whom are working farmers in their day jobs — were brought together by Sun ­columnist Jeremy Clarkson last year when he put out a casting call for a group to sing the expletive-heavy lyrics of a song for his ­Hawkstone beer advert.

READ MORE ON HAWKSTONE CHOIR

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Jeremy Clarkson-backed Hawkstone Choir announce debut album after BGT success

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Inside Clarkson & Hawkstone Farmers’ choir wild night to celebrate BGT win

But he could never have predicted the unlikely bunch of livestock and arable experts would go on to the final of the ITV talent show, where he cheered them on from the front row as they were declared winners.

James Florey, from Witney, Oxon, said: “Jeremy is always there supporting us — the same with Kaleb Cooper and all of the Clarkson’s Farm team.

“It’s really nice knowing they’ve got our backs.

“Last week, we performed at the British Farming Awards and Jeremy made the time to come along, even though he had to leave straight afterwards.

“And when we ­finished, I saw Kaleb standing on a chair going wild.

“The fact that Jeremy came all the way down for the final — and I don’t think Britain’s Got Talent is necessarily his thing — was great.

“But he came and met us outside before we went on stage, to encourage us.

“He said, ‘I can’t believe what you guys have done and how far you’ve moved this, and the difference you are making to people’s lives.’

“But by backing us, he is also helping to get our supportive message out there, so it’s a collaborative effort.”

And it turned out the ex-Top Gear host was no less enthusiastic when it came to helping the choir celebrate their BGT win, as they revealed he sank pints with them and show judge Amanda Holden in a pub until 3am.

Katryna, from Alnwick, Northumberland, said: “How did we celebrate? We went to the pub with ­Jeremy and Amanda.

“That was a really good night — we were all out till 3am.

“And we hadn’t eaten before the final because we were so nervous.

“Then we won and I was feeling a bit jittery — it was all the excitement.

And it got to about ­mid- night and I was starving. ­Someone came in with a kebab, and it was all I could smell.

“So we left the party in search of the kebab shop, which was about five miles away, got a kebab and then came back.”

Since their win in May, the choir have been inundated with messages of support from fans both inside and outside of the farming community.

After the release of their debut ­single Absolution last month, their new album, This Is Home, follows on November 20 — and they have a UK tour beginning in March next year.

There is also the small matter of performing in front of royalty, when they take to the stage at the Royal Variety Performance next month.

But the members confirmed they won’t be undergoing a glow-up ahead of the big night and are happy to tread the boards of the Royal Albert Hall in wellies and jeans.

They also insist there is no chance of them letting fame go to their heads — because hours after rehearsing for a performance they could be back drilling crops or mucking out livestock.

“This is our glow-up,” said Katryna, gesturing to the group’s clean jeans and shirts.

“I auditioned for BGT in boots that smelled of manure. A guy interviewing me for a video was like, ‘What’s that smell?’”

She continued: “Someone asked me, ‘Do you think the fame will go to your head?’ And I said, ‘No, because every time I come away from whatever we’re doing, I’m thrown right back into farm life, mucking out ­livestock and so on.

“I’ve got three young children as well, so I’ll be looking after them.

“It is challenging and we’re all leaning on friends and family to keep everything working and safe, but we love what we do.”

Fellow farmer Ben Brooke, from March, in Cambridgeshire, said: “It has been hectic, juggling the choir and our normal day jobs. I’m an arable farmer, and I’m lucky as I have my dad in the business too, so he can step in while I’m away.

“At the moment, we are drilling the crops that will be harvested next summer.

“And then there’s running the ­people who work for us — we used to have 50 and now we have four.

“I’m trying to get involved as much as I can without going off singing all the time. That’s the main job.

“But is also so important for us to keep doing what we are doing, because it is bigger than us.

“Farming is inherently super- isolating, and it’s also quite an old-school industry, so no one seems to open up.

“For other farmers to see us having conversations and supporting each other goes a long way.

“We’ve had lots of people opening up to us online, sending us messages, and it’s important they know they are not alone. We want to have these conversations because we want to make a difference.”

James, who says he has struggled with mental health problems in the past, adds that for him joining the choir has been “like therapy”.

And he said it is more important to support farmers’ mental health now than ever before.

He went on: “It is a difficult time for farmers, and there is huge pressure because it is not the sort of industry you can just step away from and say, ‘Actually, you know what, this isn’t profitable at the momen’.

“There’s so much legacy and so much family history behind it. And people will often feel the pressure of that weighing down on them as well as all the financial burdens.

“You don’t want to be that generation that fails or lets things slide.

“Coming together as part of this group has been like therapy because everyone here understands what you are going through.

“And sharing some of our own ­stories and challenges has made ­others aware they are not alone.

“For me, this is one of the best things we’ve ever done, and you never know where it might lead. But hopefully it will be to the top of the charts.”

•  The Hawkstone Choir’s debut album This Is Home is out on November 20 and their UK tour begins in March next year.

Raise your hand if your group chat is still talking about “You Can See Everything.”

For anyone who has watched Nathan Fielder and Lance Oppenheim’s documentary about former Theranos CEO (and convicted felon) Elizabeth Holmes and her partner Billy Evans in the past week, every new think piece, funny meme, discussion thread or video parody about the film has been something to revel in. I’ve personally spent several hours messaging or speaking to friends and colleagues over the phone about the documentary, and it seems like a lot of people similarly can’t stop obsessing about it.

The film has sparked renewed interest not only in Holmes, but also in works previously released about her, including “Bad Blood,” written by John Carreyrou, the journalist who exposed Holmes and Theranos’ fraudulent practices, and Alex Gibney’s 2019 documentary “The Inventor,” which senior writer Greg Braxton rewatched and analyzed in the context of the new documentary. Also notable has been the resurgence of Hulu’s “The Dropout,” the 2022 limited series created by Liz Meriwether (“Furious”) that stars Amanda Seyfried — Variety reported this week that the series has seen a jump in viewership over the past month. And of course, there’s been lots of interest in Fielder; we’ve put together a guide to his work if you’re looking to understand him and his style.

But with all the attention on Holmes, Times culture critic Mary McNamara raises an important question: Why are we still so fascinated by Holmes, despite her track record as a con artist and fraudster? There are many answers to the question, but there’s no denying the public’s renewed fascination with Holmes, and now Evans as well.

However, if you prefer to think about lighter relationships that are less perplexing, NBC’s latest sitcom will do the job and remind you of what it’s like to be immediately swept off your feet. “Newlyweds,” starring Téa Leoni, Tim Daly and Jamie Lee Curtis arrives on NBC today. Curtis, who co-created the series, stopped by Guest Spot to talk about what inspired it and the recent changes behind the scenes.

Also in this week’s Screen Gab, our writers recommend a documentary about a saga surrounding one of the greatest hip-hop groups of all time and a cult-classic horror film that’s perfect for spooky season. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Tarik Azzougarh, left, and the RZA in Netflix’s “The Disciple.”

(Netflix)

“The Disciple: A Wu-Tang Fable” (Netflix)

In 2015, the only copy of the Wu-Tang Clan’s “Once Upon a Time in Shaolin” sold at auction for $2 million. The buyer was revealed to be hedge fund and pharma dirtbag Martin Shkreli, who infamously raised the price of an antiparasitic drug by 5,000% overnight and later went to prison for securities fraud. Joanna Natasegara‘s enchanting documentary “The Disciple” explores the long run-up to this Guinness Book of World Records event, and its aftermath, through the surprising, touching, funny and sometimes sad story of the album’s co-producer, Tarik Azzougarh, a.k.a. Cilvaringz. A Dutch Moroccan superfan whose freestyling and persistence earned him a place in the group’s auxiliary, it was Cilvaringz who first proposed the idea and brought it to fruition with Wu-Tang main man RZA — both a culmination and the beginning of an end. The film raises questions of art and ownership, friendship and business, creativity and capitalism, asking the questions who is music for, and what is it for. — Robert Lloyd

‘Highway to Hell’ (Tubi, Prime Video)

This is the perfect spooky-season flick to pop on when you don’t mind interruptions from trick-or-treaters or your buddy who treats movie night like an audition for “Mystery Science Theater 3000.” Directed by Ate de Jong (“Drop Dead Fred”), this 1992 comedy-horror cult classic stars Chad Lowe and Kristy Swanson as an eloping couple who take the wrong shortcut and wind up in Hades — basically, an even worse version of the drive to Vegas — where a young Ben Stiller works the roadside diner and Gilbert Gottfried plays Hitler. Every shot has a snort-worthy gag: a stop-motion Cerberus, a casino-bar called Hoffa’s, a cop whose handcuffs are literally a pair of severed hands. A flop at the time, “Highway to Hell’s” breakneck mix of smart and stupid was applauded by former L.A. Times film critic Kevin Thomas as “the Greek legend of Orpheus, revved up ‘Mad Max’-style.” Screenwriter Brian Helgeland would eventually win an Oscar for “L.A. Confidential.” Somehow, I never hear him brag about this goofy delight. He should. — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Jamie Lee Curtis as Claudia in “Newlyweds,” a sitcom she co-created and executive produces.

(Nicole Weingart / NBC)

Jaime Lee Curtis has been in showbiz for a very long time. And when she sets her mind to something, like returning to a sitcom, she’s going to make it happen.

“It’ll be 50 years next January that I have been a professional actress,” she says over a video call earlier this week. “It’ll be 50 years that I’ve been driving on the lot at Universal.”

Over the course of her long career, Curtis, 67, has developed a lengthy résumé in film and television, winning numerous accolades along the way, including an Oscar and an Emmy (she’s been nominated for a Grammy too — there’s still time for an EGOT). But she longed to return to a sitcom ever since wrapping her lead role on ABC’s “Anything but Love,” a series that premiered in 1989 and ran for four seasons.

While she’s had guest appearances and some recurring roles on sitcoms over the years, including on shows like “New Girl” and “The Drew Carey Show,” NBC’s “Newlyweds” was an idea she had gestated for years, and now it’s set to arrive as part of the network’s Friday prime-time lineup. The actor, who executive produces “Newlyweds” and has a recurring role, took some time to discuss how she came up with the idea for the show, her co-creator’s firing and the political thriller series she’s watching with her spouse, filmmaker Christopher Guest. — M.G.

Jamie, you co-created this series and it’s loosely based on your relationship with your husband, Christoper Guest. Tell me how it came about and how you wanted to tell that story in this show.

It was April 25, 2019. I was in New York City … I was in a car being driven by a man in his 60s in a suit with gray hair on his temples. We were chatting, as one does in the back of a car, and I asked him if he was married, and he said he was divorced. I said, “Do you have kids?” And he said, “No.” And I said, “Well, that’s the blessing that you know you’re not dealing with divorce and children, which I’ve dealt with a lot.” And he then said, “But my new wife.” In that second, I went, “Oh, my new wife.” That’s a sitcom about people in their 60s hooking up, similar to the way my husband and I met, which was we met and married very quickly. And in fact, we would have gotten married had we gone out on our first date. We have said we would have gone and gotten married that night. So the idea popped in my head: What happens if two people in their 60s get married on a whim, and decide to just throw caution to the wind and go for it? What happens to the families and the friends and their own lives and the very routinized lives that they had led leading up to that moment? I knew it was a sitcom.

It wasn’t until years later I was put together with Gail Lerner, and we — during COVID actually — started working on the idea. But much of what’s in that script was kind of what happened to me and my husband … it’s something that’s been around for a while, and I’m just really excited finally that it has turned into this version, “Newlyweds” starring Tim and Téa.

Let’s talk about Tim and Téa. They’re the newlyweds, but they’re also married in real life. What was it like playing off their dynamic and vice versa?

When the pilot got picked up, … it was what they call “cast-contingent,” which means they like the idea, but they want to make sure that the right person gets in … so they wanted us to find Jeanie first, and it was a very short list of actresses they would bank a show on. Téa, luckily, was one of those actresses and had been looking for something on the lighter side. … and it so happens she’s married to a guy IRL who happens to have a lot of experience in the comedy space on TV shows, and all of a sudden we were like, oh, wouldn’t that make a kind of fantastic bit of pairing.

What do you think we’re going to learn about Claudia? She seems so liberated, but we’ve only seen the surface. She’s got a soft spot for Jeanie and even James.

I think you’re gonna see, in fact, that she becomes not just a foil but a friend. I feel like her acceptance of Jeanie … we’re going to mine it for its comedy. I mean, I think at the end of the day, she will always shake things up because that’s just her nature. We get to meet Claudia’s mother. I can’t tell you because we haven’t announced it yet, who plays my mother. I can tell you that she’s over 90.

You’re going to have me Googling.

We get to see a little bit of the oak tree and the acorn. We definitely get the snarky oak tree and the snarky acorn.

I want to come back to your co-creator Gail Lerner, who was recently dismissed from her role as showrunner, and has been replaced with Bruce Helford. Regardless of the news, she has called it “the most joyous TV experience of her life.” How are you and the cast moving forward after these changes?

Well, you can imagine it was a bummer. You know, network television has a whole series of requirements, way beyond … my little creative ideas. It has to do with management of scripts and the amount of early drafts of things, and it’s required within a network structure. And to run a show on television, and to consistently run a show, is a different animal than just the creativity that it takes to think of a show or to develop a show. That’s why Bruce has stepped in very quickly because Bruce has proven over and over again that he’s a guy who can make 100 episodes of a show with a much bigger worldview.

It was beautiful that Gail said the very things she said because we all felt that way too. It was joyous, fun, but there were a lot of things that were way beyond my understanding. What I’ve come to learn, I’m 67, is that creativity is a continuum. That it is not rigid and binary. That I had an idea that then Gail took and built on that idea, and now Bruce has come in and taken Gail’s idea … and is building out another version of the show.

Bruce Helford was the second in charge at the TV show “Anything but Love” when I did it back in the day, so I’ve known him.

So y’all are back together.

The only other time I was ever on a sitcom was “The Drew Carey Show” when Bruce Helford wrote me a part of this crazy hairdresser who … goes on a date with Drew Carey and ends up doing bungee jumping with him on the date. It’s a funny continuum for me to be back with Bruce, who weirdly enough was the actual first person I called when I had the idea [for “Newlyweds”]. I called Bruce because I knew him as a showrunner for sitcoms. We talked about it very briefly, and then he went off to something else. I went off to something else, and it kind of fell apart. So it’s slightly weird to me, and beautiful in that way that the person I actually called when I had the idea is now the one running the show.

It’s a full–circle moment.

Completely full-circle moment.

Has Christopher seen the show? What does he think?

I will say this: Christopher Guest is not a sitcom fan. You know, my husband is a very specific person and makes very specific, very funny movies and television shows. [Sitcoms are] not the thing that he is drawn to. But he genuinely understands that I’ve wanted to do a sitcom for a long time.

Because it’s spooky season right now, and you’re one of the OG scream queens, I have to ask you: Do you watch anything in that vein?

So I’m boring because the truth is, I don’t like scary things. I don’t like scary movies. I have zero interest in scary movies, and I think if someone ended up doing some analysis of me as a human once I’m dead, they would understand that actually my natural fear of scary things is what, in fact, made me such a good actress in them, and I don’t pretend to like them. I like the fans of [scary movies] because there’s a passionate group of people that love them. But I don’t have to love the movies, I just have to love what I do.

Is there anything else you’re watching right now?

My husband and I just started watching the [fourth] season of “The Diplomat” [Netflix], which the writing is so great. Last night we watched an episode written … by Peter Noah, who was the guy who took over “Anything but Love” … and was the showrunner. This episode last night [Episode 4, “Pagliacci”] was what Chris and I watched, and I wrote to Peter last night to say, “Bravo, bravo! Oh, the writing is so gripping.” Of course the writing leads the performances, which lead the filmmaker. It’s always the writing.

ICYMI

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RAZORLIGHT are keen to show they’ve still got the golden touch as they prepare for their 28-date tour across the UK and Europe.

The new shows will see Johnny Borrell and Andy Burrows celebrating the 20th anniversary of their self-titled second record, which spawned hits including America, In The Morning and Before I Fall To Pieces.

Speaking at the Ovo Arena Wembley, where the band plays on December 4, frontman Johnny recalls: “The first time we played here was supporting the Manic Street Preachers, it was a great show.”

Buzzing to be back, drummer Andy adds: “We feel very lucky, but at the same time we also feel like we did something really cool.”

The tour starts in Europe and reaches the UK with Glasgow on November 26, before cities including Nottingham, Bristol and Leeds.

And time on the road means more time to make new music.

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“I’m hoping we do some writing on the road because we used to do that a lot,” Johnny says.

“Now we’re going out on the tour bus again, I think we’ll have a good chance of doing that.

“We’ve got a couple of really good songs at the moment and the next step is bringing it to the band and we’ll see how it sounds.

“I like where we’re at with Razorlight at the minute, we’ve got the bit between our teeth.”

Andy says: “These shows and playing together will fuel that. It would be easy to play some gigs, earn some money and be like, ‘See you in two years.’

“But we have that drive to say, ‘F**k, we need to do this again and do it better’.”

Johnny adds: “Everyone has to bring their A-game, then we need to meld together because then it creates something incredible.”

Johnny thinks the group — which first formed in 2002 — have some exciting years ahead.

He explains: “I think a band needs that hunger. And I think we have that right now.

“We’re writing new material and we’ve got that drive.

“I always feel most comfortable in that kind of position where I’m fighting and trying to prove something. I like being the underdog and I like taking it on. When we play live, we’re not playing along to a backing track or anything pre- recorded or a click track or something like that, which 90 per cent of bands are doing now.

“It’s depressing. People do it because it’s easier and it’s cheaper to do. Anyone can go off and do 364 days of something else, then turn up and get a haircut and look like they’re in a band, you know?

“But we’re doing it the real way.

“It doesn’t matter if you’re the biggest band in the world. It doesn’t matter if you’re like the newest, youngest band starting out.

“If you’re doing it properly and you’re doing it for the love of the music, it’s a long road and you just have to keep fighting.

“And that’s our vibe right now.”

FLUFF LUCK FOR RAYE

RAYE was the big winner at the Mercury Prize do after taking home the coveted gong.

She received the award for her incredible second record, This Album May Contain Hope.

After the bash at Newcastle’s Utilita Arena, the star was snapped leaving in a faux fur coat and fluffy slippers while holding her trophy out for the waiting photographers.

Raye, who turns 29 today, said: “I just poured so much heart into this album, I really did. This accolade is serious and something that I always dreamed to one day receive. I just feel really grateful.

“It’s the best birthday present I could have asked for.”

Olivia Dean left the night empty-handed but made up for her loss by partying until 3am with her pals in Newcastle.

One of my mates spotted the Man I Need singer heading off with her friends to cool DIY music venue The Lubber Fiend.

They told me: “Olivia might have lost to Raye but she was in great spirits. She went dancing with her mates and was having the time of her life. She’s a great girl and a proper good laugh.”

WIGHT MOVE BY ROBBIE AND CO

ROBBIE WILLIAMS, Kings of Leon and Fatboy Slim have been announced as the headliners for the 25th Sky Presents Isle Of Wight Festival.

They will be joined by a slew of stars including Becky Hill, Kaiser Chiefs, Myles Smith, Cruz Beckham& The Breakers, Courteeners, Rudimental and Scouting for Girls.

The event, which takes place across four days from June 17 next year, still has some more acts to be announced.

Tickets go on sale at 8am on Monday,

Festival director Caroline Giddings said: “There’s a real mix of artists for different generations and tastes, and there’s still more to come.

“We put a lot of thought into what happens beyond the main stages, too.”

JoJo in a good lace

SINGER Jojo Siwa wows in lace as she attends the 2026 Dancers Against Cancer Gala in Beverly Hills.

The former child star looked worlds away from her wild pop star persona as she walked the red carpet in a stunning white dress.

The singer was in good company at the glitzy bash, with actress Carmen Electra and singer Janet Jackson also in attendance.

JoJo is currently enjoying some downtime in America after releasing a series of singles following her stint in the Celebrity Big Brother house last year.

GEORGE MICHAEL’s estate is hosting a free screening for NHS staff of his film, The Faith Tour, at London’s Roundhouse .

The show comes 20 years after his gig at the same venue for nurses, to thank them for caring for his mum who died of cancer in 1997.

Tickets will be distributed by NHS England.

STRIP away his rock star status and Noel Gallagher is just like us.

In the new episode of Chicken Shop Date, he tells host Amelia Dimoldenberg: “I’m pretty low-key. My children live with me. We played a gig in São Paulo to 90,000 and I got home and came downstairs to find my two lads arguing over what was left in a box of Coco Pops. I thought to myself: ‘48 hours ago I was on stage – now I am arguing with two bellends about Coco Pops.’”

Andy Burnham’s first Gogglebox appearance!

A sentence we never expected to say. Tonight, PM Andy Burnham and Steve Rotherham will make their debut on the show, sitting at 10 Downing Street. 
The programme airs in aid of Stand Up To Cancer, and Andy is no stranger to charitable causes. Throughout his tenure as Mayor of Greater Manchester, Andy often threw himself into work, helping those around him.

IT was the end of a perfect summer in the South of France, but within days of returning to the UK, Chloe Khan’s world came crashing down.

Almost all of her incredible designer collection of bags and shoes was stolen, in what she believes could have been a targeted attack.

And now two weeks on, the 35-year-old, who first rose to fame on X Factor, is no closer to finding any of her items – despite offering a £10k reward for information.

But Chloe, who believes she lost £400k of designer clothes in the robbery, has vowed to continue shopping and sharing her glam life online.

“I am a materialistic person and I do love beautiful stuff, but at the same time my family’s all healthy and happy,” she said.

“They’ve already taken all my physical items off me, they’re not going to take my personality off me as well.

“That’s what I enjoy posting, that’s my lifestyle post, I’m not going to wear an average outfit.”

Speaking for the first time about the devastating blow, Chloe, who lives in Belgravia with her private businessman boyfriend, said: “I was completely wiped out.

“It was around £400k worth of stuff – it was like my lifelong collection of stuff. I took everything over so that my closet was nice over there.”

The items included a pink Birkin bag, worth £30k, another orange Birkin, a Christian Dior Himalayan Lady Dior worth £26k, as well as numerous luxury items and one- off pieces that have never been worn.

Chloe travelled back to England via train so her beloved pomeranian pooch could be with her  – while her driver was tasked with bringing her belongings back via car.

She loaded up the car with five cases full to the brim with her expensive wardrobe, but three days after she arrived home there was no sign of her items. 

“I presumed it was still in transit. But it turns out after arriving back in the UK our driver parked the vehicle near to where he lives instead of my home. 

“Without me knowing that my items were already back in the UK, he left the car there, the vehicle there for three days in a car park that says ‘do not leave valuable items’ and the car was smashed into and everything was taken.”

Her valuables were later found in a field a mile away from the car park by a dog walker, who managed to track Chloe down.

The police were contacted and CCTV showed a car entering the carpark around the time the robbery was expected to have taken place. No arrests have been made. 

It’s been incredibly difficult for Chloe to deal with and has left her questioning her driver.

She said: “I’ve been really suspicious of the driver, but he’s worked for my boyfriend for 23 years, they’ve got a really close relationship.

“The whole family all really trusted him, but the day after it happened, the driver resigned the same day. There was no apology, not even an ‘oh my God, are you okay?’  

“So obviously at the time I thought I had clearly been set up here.

“But now after speaking with my boyfriend and his family – we think he’s mentioned to someone he’s bringing all this stuff over and I think they’ve targeted it.

“The information has got to the wrong person. So I think it’s more of a loose lips, stupid situation. Regardless, it’s just such a neglectful thing to do and it was so avoidable by him.”

Chloe has been dating her boyfriend for the past year but is yet to reveal his identity. 

She decided to share news of her robbery on social media in the hope she could retrieve some of the items.

But Chloe came under fire from trolls who told her “you deserve it for sharing all your stuff online”.

It didn’t deter the star though and the next day she headed to Harrods to try and build up her collection once again. 

Unfortunately she didn’t have the right insurance, which means she’s been unable to claim any money back.

Speaking to me as they holidayed in the Serengeti – in the same villa Jeff Bezos stayed in the week before – she said: “I don’t think this has happened because of what I share online although I do know obviously it can make you a big target to share stuff like that online.

“What it has done is give me a trauma about suitcases to be honest because just a few days before this my daughter was in France travelling with my Louis Vuitton suitcase and it was stolen. 

“I just never want to see a suitcase again and I also don’t want to transport my stuff from place to place.”

Despite everything she has been through, Chloe isn’t letting it put a damper on her incredible life. 

“I’ve actually surprised myself how I’ve dealt with it because I’ve not cried once, I’ve not actually let it get me down,” she said.

Chloe has come a long way from when she first appeared on TV back in 2009 on the BBC Three show Snog, Marry, Avoid. 

But it was the following year that the star – who went by the name Chloe Mafia – really became a household name.

In 2010, she auditioned for the X Factor and warbled her way through Summertime and a Shakira song – and got through to boot camp.

But she was kicked off the show after admitting she’d stayed up all night partying.

A few other reality TV shows followed and Chloe – who had her daughter Destiny when she was just 16 – went on to earn millions through a webcam business.

During lockdown she was earning $700k a month on OnlyFans, which she gave up last year when she met her man.

Reflecting on her success, she said: “It just feels like a completely different life.

“It doesn’t feel like two chapters of one book, it feels like two separate books.”

Now Chloe and her daughter, who is now 18, spend their days travelling the world in luxury.

She describes her little girl as a ‘stay at home daughter’, while she is a ‘spoilt girlfriend’ and is enjoying every second of it.

It’s also meant she has been able to move on from the robbery – with a very positive outlook.

“I thought to myself the other day – there are people in life that have struggles, some people might struggle with mental health or some people with actual physical health conditions or some people might have financial difficulties,” she said.

“For me, for some reason, mine is that I always get robbed. And I think if that’s my worst thing in life then my life’s actually quite good then, because it could be so much worse.

“When I got the news that all my stuff had been robbed I thought, do you know what, at this exact same minute someone’s got the news that they’ve got a month to live. Being robbed is not the worst thing in the world yet, it’s s**t. But it’s happened before and I’ll start again.”

DRAKE is throwing himself a $1 million 40th birthday party in New York City, and he’s sparing no expensive, The U.S. Sun has learned.

The rapper – whose OVO record label and clothing line are a nod to his birthday month – has pulled out all the stops for his big day on Friday.

“Drake is having a massive birthday weekend in the city for his 40th,” a source told The U.S. Sun.

“He has rented out Cipriani 42nd St., which in itself is a fortune.”

It sounds like Drake is going all-out for the guests inside the iconic venuel, too.

“He has a massive, concert-level stage set up in there for special guest performances throughout the night,” the insider claimed.

And it’s not just a one-night event either.

Another insider claimed the party will continue at not-yet-open Chelsea hot spot, Lady Delilah.

Pricing for a full house at Cipriani’s 42nd St, with its capacity of 1,800 people and a cocktail-style buy-out runs approximately $1.1 million for the night.

The U.S. Sun reached out to a rep for Drake for comment.

The Canadian rapper is known for going all out for his parties.

As The U.S. Sun exclusively reported last year, a source said, “He hired out Mr Porter in Mayfair and was seen arriving around midnight,” for a monster bash after a set of London shows.

“There were loads of celebs there like Casey Affleck and Sacha Baron Cohen. Weirdly, Lily Phillips — the X-rated adult performer — was also on the guest list.

“The party went on all through the early hours of Sunday morning, with Drake finally heading home not long before 6am.

“It was a great bash and everyone who came out looked like they’d had a really good time,” the source said of the party after his set of July shows.

When he’s not throwing a rager, he’s putting out albums and digging up his ongoing beef with fellow rapper Kendrick Lamar.

Earlier this year, Drake dropped three albums, and fans believe some of the tracks were taking aim at his longtime enemy Kendrick.

On the song Make Them Pay from his album Iceman, he delivered lines that listeners quickly connected to his rival.

“Damn, who is this guy for real/ I guess a magician/ 100 million streams vanished; no one got questions,” Drake rapped.

Catapult Books, an indie publisher that has supported authors across Southern California and beyond, has been sold.

Launched by Elizabeth Koch and Andy Hunter more than a decade ago, the independent publisher will shutter operations in just over a week, per Publisher’s Weekly, which spoke with members of the publisher’s union. The Catapult Workers Collective said the company’s sale included the assets only and that the union was notified their employment would not be rolled over to the new buyer.

According to union reps, the publisher announced plans to sell the business while staff were in the midst of a union vote. The union, which includes roughly 20 staff members across various publishing departments, told the outlet that they had filed for an election earlier in the year seeking better pay, job stability, and clearer communication from executives.

The union is now hashing out a severance package, according to Publisher’s Weekly, and it’s unclear what will happen to the 16 upcoming book titles scheduled through spring 2027.

“Catapult is intrinsic to L.A. culture and L.A. literature. So many of their writers are in this area,” Gina Frangello told The Times on Thursday. The author penned “Blow Your House Down,” published by Counterpoint Press, an imprint of Catapult.

“It’s a huge loss for L.A.,” she said. “It’s a huge loss for the West Coast.”

Frangello has been publishing books for more than 20 years, and she said she’d never had the intimate publishing experience she had with Counterpoint, specifically with Dan Smetanka. The editorial director and senior vice president of Catapult is widely known in literary circles for his meticulous and thoughtful approach to editing and for his support of the authors he works with.

“As someone who has been in indie publishing culture since the ’90s, Catapult was a holdout of an old world,” Frangello said. “Dan ran things the way they used to, in the storied, fabled days of publishing before everything went corporate.”

Susan Straight, author of “Sacrament” and winner of the L.A. Times Book Prizes’ Robert Kirsch Award for lifetime achievement, emailed The Times a missive on the Catapult news. She wrote that on Wednesday she attended the grand opening of Barnes & Noble’s new location in Ontario, “where more than a hundred readers were lined up outside, some having brought chairs to wait.”

“We keep hearing that Americans aren’t reading — for two hours I saw people of all ages browsing, buying books, and talking to each other,” she continued. “About fifty people came and talked to me, and bought copies ‘In the Country of Women,’ my memoir published by Catapult, and ‘Sacrament,’ my latest novel, published by Counterpoint. Both are indelibly So Cal Books, filled with Fontana, East Hollywood, Santa Ana, Los Feliz, and San Bernardino, and the readers were from all these places. …

“I lit a veladora last night, the Virgen de Guadalupe, set it next to a bouquet of California sage from my yard, because I’m a So Cal native, and whatever happens, I wanted to thank the universe for the editors like Dan Smetanka who’ve brought our stories to the rest of the world.

“Wednesday morning, I spent time talking about narrative with nurses, teachers, students, mothers, and nascent writers from all over So Cal. Americans are still reading — I see it every day in my community, which needs books by presses like Counterpoint and Catapult.”

Since Catapult’s debut in 2015, the indie outfit and its authors have been a force on the awards circuit, landing the American Academy of Arts and Letters’ E. M. Forster Award in Literature, a PEN/Faulkner Award, National Book Critics Circle Award, the Maine Literary Award, the Costa Novel Award, and a Guggenheim Fellowship.

Meredith Maran, the author of more than a dozen books including a novel published by Counterpoint in 2012, “A Theory of Small Earthquakes,” also mourned the publisher in a note to The Times, writing, “Counterpoint, its imprints, and its beating heart, Dan Smetanka, have been (I cannot bring myself to say ‘were’) the stuff of legends. True legends. I’ve published books with all of the big 5 houses and comparing those experiences to the Counterpoint experience, the Dan experience, is like comparing an AI-generated metaphor, to, well, this one. Counterpoint humanized publishing, revered its authors, honored and will live on in its books.”

Over the last decade, Catapult included a publishing imprint, digital magazine, and courses for budding and established writers. (The latter two were nixed in 2023.) In 2016, it merged with Counterpoint Press, which brought into the fold its own imprint, Soft Skull Press. Last fall, Catapult also acquired Hawthorne Books. In 2023, Catapult Chief Executive Koch — the daughter of billionaire industrialist and businessman Charles Koch — launched another pet project in 2021, Unlikely Collaborators, a nonprofit storytelling and experiential organization.

Bestselling author Tod Goldberg, a finalist for the Los Angeles Times Book Prize for fiction this year for his novel “Only Way Out,” posted a tribute to the publisher on social media Wednesday night, crediting Smetanka and Counterpoint with taking a chance on “a book others wouldn’t touch” and with that book’s subsequent success, which changed Goldberg’s life.

“Since their founding, Counterpoint has published books that matter, has taken chances on authors and topics that others wouldn’t, and have been celebrated for this strident independence with wide critical acclaim and commercial success. From their roots in the Bay Area — where they published the likes of Wendell Berry, Gary Snyder, Anne Lamott, Mary Robison early on — to their move south into Los Angeles, where they took on writers like myself, Natashia Deon, Karen Bender, Gina Frangello, Elizabeth Crane, Ben Ehrenreich, Dana Johnson, Vanessa Hua, Joan Silber, to name just a few, plus the late Eve Babitz.”

“Counterpoint took big risks and found big rewards. I’m confident that whomever the buyer is (and I’ve not been told, so y’all can stop texting me…) will keep these great writers in print while also continuing to publish new work from them, but what’s lost here is not merely a publishing house, but a culture of excellence, of risk taking, plus a dash of punk rock.”

CAMILA Cabello accidentally poured water over her dancer before throwing the bottle in her FACE live on stage during a performance.

The awkward moment happened as the Havana songstress, 29, was doing her thing while singing her 2024 tune June Gloom.

Camila looked incredible as she performed the song, which is from her fourth studio album, C,XOXO, while sitting on a rotating carousel.

The star wowed in an all-white outfit and matching knee high boots.

Half way through she started to pour water over herself.

While she showed off her sexy dance moves, one of her dancers was on the floor pushing the carousel around with her arms.

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After Camila had finished with all the water in her bottle, she accidentally threw it into her dancer’s face.

But like a true professional, the dancer carried on as if nothing had happened.

Shortly after the tune ended, the pair pointed at each other and smiled as the dancer walked off stage.

The fan captioned the post: “The poor dancer taking a bottle accidentally from Camila lol.”

The superstar has had a pretty successful career since shooting to fame as part of Fifth Harmony on The X Factor USA in 2012.

The girl group, which consisted of Ally Brooke, Dinah Jane, Lauren Jaurengui and Normani, ended up placing third on the second series of the singing competition.

Fifth Harmony released songs such as Worth It, Work from Home and That’s My Girl, and have won various awards.

The band were together until 2018 and reunited last year.

But Camila decided to go solo and left the group in 2016.

Her most popular songs include Havana, Senorita, Band Things, Never Ben The Same and My Oh My.

She dated singer Shawn Mendes between 2019 and 2021, and for a few months in 2023.

THE race to find Daniel Craig’s James Bond successor has been whittled down to four actors – with final screen tests set to to take place over the coming week.

The coveted role has been up for grabs following the release of 007 blockbuster No Time To Die in 2021, Craig’s fifth and final outing as the Martini-swilling secret agent.

Since then, an array of high-profile Hollywood stars have been linked with the franchise, notably Australian heartthrob Jacob Elordi and Brits Theo James, Idris Elba, and James Norton.

But Jeff Bezos and Amazon MGM Studios, who paid $20million for full creative control of the 64-year old franchise in 2025, are said to be keen on four alternative actors.

According to The Wrap, Callum Turner, Josh O’Connor and Jack Lowden have made it to the final round of screen tests, alongside a fourth, currently unnamed actor – thought to be Heartthrob star Jack Barton.

Apart from a handful of other minor TV roles, little else is known about the young actor, but he has reportedly impressed producers enough to earn critical screen tests alongside his three Bond rivals.

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Fans are already convinced that Lowden has landed the role after spotting a clue in the series finale of AppleTV show Slow Horses, in which he plays MI5 agent River Cartwright.

With Cartwright’s life seemingly hanging in the balance, viewers suggested the Scottish actor might be taking time off to film the next Bond movie. 

“Ok so we officially have our James Bond, right???” wrote one fan on Reddit. 

Posting on X, a second added: “Does the final scene mean Jack Lowden got the Bond gig?”

“The Slow Horses season 6 finale and season 7 trailer prove that Jack Lowden will be the new James Bond,” wrote another.

Elsewhere, a fourth commented: “We will know if there is a James Bond announcement in the next couple of weeks. That is the only reason I could think that they would kill him off.”

Sadly for fans, the timing doesn’t quite add up – the seventh series of Slow Horses has already wrapped and shooting for the eighth season is currently underway, with all of the cast spotted on location in London.

Jack’s Slow Horses co-star Gary Oldman, 68, appeared to confirm he’d been cast as the next James Bond during an appearance on Canada’s The Morning Show.

“It’s been rumoured that [Jack Lowden is] on the shortlist,” he said.

“We’re going to find out pretty soon, aren’t we? Because they have picked him.

“They have made their choice, but they have not announced it yet. So my fingers are crossed for Jack.”

Prime Video’s Last One Laughing is back for its very first Halloween special

Last One Laughing fans risk missing a key episode of the Halloween special.

The Prime Video show is finally back on our screens with an exciting line-up of comedians taking on the side-splitting challenge. After its hugely successful second series, the competition was confirmed for a new season coming out in 2027. But viewers still have four fresh episodes to devour in the meantime.

We are, of course, referring to the spooky Halloween special which slightly changes the show’s beloved format. As always, a group of famous comics put their comedic talent to the test as they try to break their opponents – laugh and you’re out. But there’s an additional spooky-themed rule this time around: scream and you’re out.

The final comedian standing will take home the crown and join season one winner Bob Mortimer and season two champion David Mitchell in the hall of fame. So when can viewers tune in to the special episodes?

When is the Last One Laughing Halloween special released?

The first three episodes of Last One Laughing: Halloween are available to stream on Prime Video from Friday, October 23. Fans will be forced to wait another week before the final episode, which drops on Friday, October 30.

A synopsis for the seasonal special teases: “Over the course of the first Halloween Special, the famous faces will use every ounce of their comedic talent to break their opponents without laughing or screaming.

“And it’s not just their rivals they need to watch out for. Cursed props, ghostly interruptions and spine-tingling surprises are all designed to catch even the bravest comic off guard. The rules are simple: laugh and you’re out, scream and you’re out. Who will survive last One Laughing: Halloween?”

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Jimmy Carr returns as the show’s host, with the likes of Jack Dee, Daisy May Cooper, Phil Wang, Lou Sanders, Reece Shearsmith, Harriet Dyer and Tom Allen on the cast.

A 30-second teaser for the upcoming episodes has been generating buzz on social media, where one fan raved: “Looking forward to it!” Someone else said: “Looking forward to seeing Jack Dee on this!!”.

A third fan chimed in with: “Oh this is going to be funny for Halloween,” with a fourth adding: “THE BEST SHOW OF ALL TIME. YESSSSSSSSSSSSSSSS.” And another enthusiastic viewer commented: “Oh great… Now you want to make me laugh to death on Halloween. Good grief!”

The first three episodes of Last One Laughing: Halloween are available to stream now on Prime Video

A bittersweet homecoming — emphasis on the bitter — propels Polish filmmaker Paweł Pawlikowski’s spare, precise drama “Fatherland,” which takes an episode from the life of Nobel Prize-winning German author Thomas Mann and, with the help of some poetic license, creates a story full of simmering anger and sorrow. Only rarely do the dignified characters allow their emotions to come storming out. When they do, though, the sound seems to reverberate, the tumult of the past ringing in our ears.

Like Pawlikowski’s previous two features, “Ida” and “Cold War,” “Fatherland” is a period piece shot in black and white in a boxy 4:3 aspect ratio so that the frame resembles an old photograph, although his images contain no hint of nostalgia. It’s 1949, and the 70-something Mann (Hanns Zischler) has returned to Germany for the first time since fleeing to America 16 years prior. Accompanying him is Erika (Sandra Hüller), his daughter and fellow writer, who begrudgingly serves as interpreter, personal assistant and driver. In addition, she’ll offer her brutally honest thoughts on the flowery speeches he will deliver while being honored for his artistry.

Quickly, they discover that while the war may be over, the bombed-out buildings remain, as do the lingering resentments within Germany, which is controlled by the United States in the west and the Soviets in the east. Thomas, an outspoken critic of Nazism, leading to his exile, believes that his public appearances can unite the country he loves. The cynical Erika knows better, convinced he’s a PR tool for a nation hoping to refurbish its tarnished reputation.

Drawing inspiration from “The Magician,” Colm Tóibín’s fictionalized 2021 Mann biography, Pawlikowski uses this trip as a jumping-off point, introducing real-life individuals who were not present and inventing a new central dynamic. (In truth, Thomas traveled with his wife, not his daughter.) But those creative liberties merely accentuate Pawlikowski’s narrative and thematic aims, which, as in “Ida” and “Cold War” include pairing an intimate story with the larger rumblings of postwar Europe. Thomas and Erika arrive in a Germany torn apart and the ruptures within their family are nearly as tumultuous.

The film is haunted by the specter of Klaus (August Diehl), Erika’s brother, who is actually the first person we see onscreen. In a masterful unbroken shot, Klaus is on the phone from France with his sister, expressing his bottomless anguish. “I don’t believe in anything anymore,” Klaus, who is also a writer, declares. “I can’t remember the last time I felt something.” He’s talking about the fractured Germany, but his depression speaks to something closer to home too. Concerned, Erika encourages Klaus to join them. He declines, but his absence — and a shocking later revelation — informs so much of their journey, personalizing the sense of disrepair Thomas and Erika experience.

Working with his usual cinematographer Łukasz Żal, Pawlikowski prefers a static camera, leaving plenty of headroom above the characters so that they feel entombed by their surroundings. The effect is especially disconcerting as this father and daughter navigate glad-handers and former Nazi collaborators in West Germany who are anxious to bury the past. But Thomas and Erika are no fools, coolly telling off smiling Hitler sympathizers during a tony reception. There has been no more satisfying slap in cinema this year than the one Erika lands on a smug German actor, leading to a wicked punchline that shouldn’t be spoiled.

Such moments of barbed humor are infrequent in “Fatherland,” but Pawlikowski wields them like grenades, shattering the stifling niceties enveloping Thomas and Erika. The Germany of “Fatherland” is one of contradictions, with Erika uncovering letters sent to Thomas’ hotel that savagely accuse him of betraying his country, despite state officials eager to embrace him as a symbol of the nation’s creative and cultural excellence. In contrast to the gorgeous monochrome visuals, this is a land that stinks of complicity and delusion — of opportunists desperate to scramble onto the right side of history. Pawlikowski has said that he keeps returning to the past in his films because addressing our modern ills directly would be too daunting. But whether in Frankfurt or, later, Weimar — where Soviet officials are as keen to canonize Thomas — this father and daughter aren’t simply driving through Germany but taking a tour across fascism’s long shadow, which still darkens the world.

Both leads are exceptional, with Zischler articulating the great writer’s arrogance and willful denial of the inconvenient truths he wants to ignore. As for Hüller, this is another superb performance in a series of them in recent years. Where Thomas is aloof and proud, Erika is prickly and sardonic, excellent tools for protecting a surprisingly fragile heart. Their journey to Germany will heal neither the nation nor the divisions within this family. You can’t go home again and in the case of the characters in “Fatherland,” maybe you shouldn’t try.

TOMMY Fury hinted he’s ready to grant Molly-Mae Hague’s wish for more children after purchasing a £150,000 Range Rover on Thursday.

The boxer showed off his sleek new vehicle, a black seven-seater shortly after collecting it from a local dealer in Knutsford, Cheshire.

Taking to Instagram, Tommy, 27, gave his followers a first glimpse at the family friendly four-wheel drive and its luxury interiors – but admitted he still has some way to go before he can fill every seat.

Captioning the post, he wrote: “A treat to myself today. 7 seats… just need to fill them now.”

The update comes after Molly-Mae, 27, revealed she is open to the possibility of having more children – just four months after welcoming her second child with Tommy.

The influencer, who has spoken of juggling mum guilt and her career, previously told how she was happily content with two kids following the birth of her son, Midas, in June.

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But in her latest vlog Molly-Mae, who is also mum to three-year-old Bambi, shared with her YouTube fans that she is having a change of heart – and “wants to have more babies”.

She said: “This baby right here and his cuteness makes me want to have more babies. And I was so adamant that I factually didn’t want any more babies.

“I have a lot to talk to you guys about really, because I am having a lot of thoughts …

“Do you know what I mean? I am sorry but looking at him makes me want to have another baby, which is deeply concerning”.

Molly-Mae then told how she struggled to keep her “head above water” with both one and two children and quizzed how she would managed with a third.

She added: “Maybe I am just having a weird month where I am thinking ‘maybe I do want another one’”.

In June, Molly-Mae said she was “ready to stop at two”.

She said: “I’m 99.99 per cent sure I only want to have two children. So, as much as I want to give Bambi a sister… I also feel like I’m ready to stop at two.

“So the fact we were blessed with a boy and we have a son is just genuinely… we couldn’t be luckier and I couldn’t be happier and I just can’t process that we have a boy.

“I just can’t believe it guys, like we literally have a son, that will never feel real.”

Molly-Mae previously disclosed a ‘terrifying’ health scare involving her baby son Midas.

The former Love Island star said her four-month-old boy has become so poorly that she recently took him to be checked by a doctor after initially thinking he had caught his first cold.

Molly-Mae, who shares Midas and three-year-old daughter Bambi with boxer Tommy, said: “The doctor actually thinks he’s got… she wasn’t really sure, but she was like, ‘It does sound a bit like RSV, which can be really serious in babies.”

Respiratory syncytial virus (RSV) usually causes cold-like symptoms but can be dangerous for young babies. It can lead to bronchiolitis, a chest infection that can cause breathing difficulties and sometimes requires hospital treatment.

Liev Schreiber appeared to be scolding an interviewer Tuesday during the red-carpet premiere for his new Apple TV series, “Nocturne.”

A bystander captured a behind-the-scenes snippet of the 59-year-old, who was seen speaking to a female reporter, likely part of the Apple TV team.

“Talk to people like they value what they do,” Schreiber said in the clip. “It’s not a f— sound bite, especially when we’re doing it in-house for our own people.”

The Tony Award winner added, “We’re trying to make the show compelling” and suggested that the reporter “engage” with the individuals involved in the project.

It is unclear what question was asked in the lead-up to the awkward interaction, although the “Ray Donovan” actor followed up with: “Three words isn’t gonna do anything for anybody and the monkey who f— thought of that is shooting themselves in the foot.”

The woman, who was holding an Apple TV microphone, continued to smile, telling someone in the background, “I hope you’re rolling on this.”

“What I’m trying to say is,” Schreiber continued, “if you wanna give them something that they can use, talk to people like they’re humans, not like they’re social media.”

The woman then appeared to reframe her question, to which the “Spotlight” actor agreed to respond on camera, adding, “That’s a real question; let’s talk about that.”

The Times reached out to Schreiber’s representatives and Apple TV but did not hear back.

Schreiber is both executive producer and star of “Nocturne,” which is set to premiere Oct. 30.

The drama is based on the Lars Kepler crime novels, including “The Sandman” and “Lazarus.” The series follows Jonah Lynn (played by Schreiber), an ex-soldier turned homicide detective who moves from Philadelphia to western Pennsylvania for a quieter life. But the town is shaken up by an imprisoned serial killer, Jurek Walter (“Adolescence” actor Stephen Graham), which prompts FBI agent Saga Bauer (“Atlanta’s” Zazie Beetz) to go undercover.

Good Morning Britain’s Ranvir Singh and Richard Madeley were on hand to detail the latest headlines to ITV viewers but one news segment sparked backlash

A Good Morning Britain star sparked concerns from viewers after reporting live from Cornwall during Storm Austen.

Fans of the ITV show have been left less than impressed with coverage of the first named storm of the season. During the programme, Good Morning Britain’s Ranvir Singh and Richard Madeley handed over to Jonathan Swain to share more information about the storm.

However, it wasn’t long before people commented on Jonathan being sent outside in the strong conditions, with many saying the same thing. On X, one person said: “Tiz the season for TV reporters to be out in the wind and rain shouting at the camera. Every autumn it’s the same.”

Someone else wrote: “I think most of us have experienced rough weather before. I don’t think we need a ‘roving reporter’ sent to Cornwall to show us what it’s like. Stop the fear mongering!” Another added: “FFS, why does GMB send reporters to storm spots? Absolutely pathetic.”

One person commented: “It’s windy and raining ffs. Scaremongering #storm.” As another added: “What is the point of having poor old Jonathan Swain out in horrible weather just to tell us it’s windy and raining? Your viewers aren’t so thick that they need to see a man struggling to broadcast to understand what wind and rain is. Get him back into the studio!” ITV has been contacted by The Mirror for comment.

When the camera showed Jonathan, he was seen outside battling the strong gusts while it was raining. He told viewers: “It’s certainly not peaceful down here in Newquay this morning. There have been gusts reported of 82mph here in Jersey.

“We’ve just been speaking to some locals in the area who have woken up to window rattling, fences falling over, people posting messages saying they’re feeling quite scared.”

The ITV star told viewers that it’s been reported that 5,000 homes have no power in Cornwall and parts of Devon. He continued: “We understand some schools are likely to have staggered starts later on today.

“It is pretty dangerous just being out here on the roads this morning, so that’s quite a sensible option to ensure people can get to schools safely.”

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Speaking to one of the locals, he called the weather “horrendous” before revealing it’s the worst he’s ever seen in the county. Wrapping up his segment, Jonathan added: “This is the amber weather warning that’s down here in Cornwall. This is what it looks like, this is what it feels like. It’s going to be like this for certainly, most of the morning.”

According to Met weather, Storm Austen will move from west to east through Friday, with winds generally diminishing later in the day. However, on Saturday, Storm Boelo is expected to hit, as wet and windy weather is expected across the whole of the UK.

Good Morning Britain continues weekdays on ITV from 6am

Tribute specials are always a bit macabre. They exist, and are sometimes quickly thrown together, to honor and celebrate an artist who impacted so many. They are also ratings and advertising cash grabs that air on major TV and streaming platforms.

“CMA Presents I Will Always Love You: A Celebration of Dolly Parton,” which aired Wednesday on ABC and Disney+, was a lovely tribute to the music and cultural icon who died from cancer in August. It also was a missed opportunity. As music superstar Vince Gill said toward the end of the two-hour program, “this is not a memorial; but a celebration of an undeniable force of nature. Dolly was somebody that everyone loved: City, country, young, old.”

But most likely because the event was put on by the Country Music Assn. — which naturally wanted to showcase its own talent — it lacked a chance to really celebrate that she and her music could not be contained by one genre.

This isn’t just ironic because Parton’s most-known song — a song that was both the title of the special and the end performance of it — was made all the more famous by Whitney Houston, another iconic performer and also one who happens to have been a woman a color and who did not have any other direct ties to the Nashville scene. Dolly herself, famously, appreciated so many other kinds of music. After her passing, Eminem shared on social media a letter she’d written to him to congratulate him on his 2022 induction to the Rock & Roll Hall of Fame.

“She definitely didn’t have to take the time to do it,” he said as part of the post. “Even for a kid who mostly listened to rap music, she was an icon. A superstar in every sense.”

That said, from Reba McEntire opening the show with stories of just how kind her friend was in real life to a pre-recorded tribute from Bono where his Irish accent briefly attempts to slip into a Southern one while emulating her conversations with him, there were some touching and memorable moments. We’ve rounded up five of them here:

Reba McEntire, “He’s Alive”

Technically, the song is meant to be the apostle Peter singing about Jesus Christ’s resurrection. But McEntire’s take on Parton’s take of the Don Francisco gospel brought in the very modern-day sense of fear that so many parents and partners feel when their loved ones go out to dangerous jobs or even just leave the house for school or concerts.

Carrie Underwood, “I Will Always Love You”

There’s no denying that this is a perfect song and that Underwood is a once-in-a-lifetime voice. And credit must be due to Underwood for pulling off an undertaking where any little slip would be pounced on by critics. But staging her to stand in front of one of the many animatronic butterflies that lined the stage in such a way that it looked like she had angel wings was … a choice.

Carly Pearce and Kristin Chenoweth, “9 to 5”

Both of these women, especially Tony winner Chenoweth, are masters of stage presence. Their banter with each other before singing, not to mention their duet itself, embraced the liveliness and feminine feminist-ness of that song.

Ella Langley, “Jolene”

This was not the most powerful performance of the night, as Langley seemed happier to dance on the stage than belt out the music. And it didn’t boil with the grief and seething rage of a scorned woman the way that Beyonce’s 2024 cover did. But it was nice to see a symbolic baton be passed to the “Choosin’ Texas” singer.

Zac Brown, “Butterfly”

Brown’s backstory of writing, and then recording, what would become his 2025 duet with Parton came off as sweet and genuine. It also helped it not feel awkward or gratuitous when he and the producers opted not to recast the Parton half of the song and instead let her voice carry through the speakers.

Amid all the turmoil of 2026, some may yearn to dial the culture back to 2016 — in all its rainbow-saturated, Rio de Janeiro Instagram-filtered glory.

Neoperreo, the Latin American genre born of that internet era, turns 10 this year. Artists built it as a reimagining of reggaeton music, by and for femmes and freaks: cis and trans women, as well as the frikis from Latin America’s punk and alt scenes, who never fit the mold. For them, this cutting-edge sound and the internet community around it offered a lifeline.

A decade after the term first circulated, neoperreo (as in, the new perreo) has exapanded from SoundCloud and DIY parties into a global network of artists, DJs and festivals.

The genre takes a distinctly techno-infused approach to the dembow rhythm, stripping reggaeton of any acoustic elements and assembling them anew on a laptop to sound colder and faster. With the bass hollowed out and Auto-Tune cranked up, the vocals take on a metallic sheen — as women spit risqué verses claiming their rightful place as subjects, as opposed to the sex objects that men would relegate them to.

Both released in 2016, two of the songs that defined the genre early on — Tomasa del Real’s “Bien y Mal” and Ms Nina’s “Tu Sicaria” — pair hooks you can perrear to with beats that sound like they were built in a bedroom, because they actually were.

Beyond its sound, the genre created worlds: digital networks where outsiders across the Americas and Europe found each other, and parties where queer, trans and friki Latines could show up exactly as they were.

As trans and Latine communities face mounting attacks on their rights and safety, those spaces, alongside the new ones they’ve inspired, keep carrying weight.

“It didn’t have a name yet, but it was born from this desire to experiment and create something new at its core,” says Elisa Espinoza, the 34-year-old Swiss Army knife of an artist known as DJ Lizz. Raised in the southern Chilean town of Hualpén, she traces that initial spark to her country’s history.

“Chile is a country [that experienced] a dictatorship, a country that always sought a kind of homogeneity — a sickness that hopefully we’d all think the same, look the same, act the same,” she says. “At that moment, everyone was trying to create something, to identify with [who] we really are. Out of that constant search comes experimentation, which goes hand in hand with sexual liberation, liberation from social class. That spoke to a revolutionary spirit.”

For Espinoza, that liberation meant reclaiming a femininity she had once feared, by drawing from drag culture and the ’80s vogue tradition. “I hypersexualized myself, I hyperfeminized myself, just like a drag queen — and that somehow empowered me even more,” she says, recalling men who yelled obscenities at her on the street or tried to grab her ass when she wore shorts.

“Men were the owners of women’s sexuality, and now we’re the owners of our sexuality,” she says.

From the other end of the country, artist Tomasa del Real, born Valeria Cisternas, began to approach music with a similar ethos in her hometown of Iquique, which sits on Chile’s northern coast. When both eventually moved to, and met in, Santiago, they realized that other artists from around the world were chasing the same idea.

“On the internet, people found freedom they didn’t find in their own country or city,” says Espinoza. “We were all united by the same search.”

From this virtual community came neoperreo’s signature sound: a hedonistic mix of reggaeton and Latin rhythms with industrial, electronic, funk and trap elements. “What came out was, for some people, a work of art; for other people, a monster,” says Espinoza.

As cisgender, straight women, the community they describe both includes and extends beyond their own identities. “It was the first time someone said, ‘No, this music I make, at least in Latin America, isn’t for men.’ It’s for women, and it’s for gays,” Espinoza says.

The term “neoperreo” came about almost by accident. On an episode of Red Bull Radio in 2016, Cisternas, now 39, says she tried to explain in her “basic English” that she wasn’t really sure the music she made should be called reggaeton at all. Reggaeton came from Puerto Rico, by way of reggae en español; her lyrics and rhythms were different, and the people collaborating with her came from electronica, not the island.

She didn’t want to appropriate a culture that wasn’t hers, so she reached for another way to describe it: not as the new reggaeton, but the new music you can perreo to. Twerking, she wanted to explain, a woman can do alone; but perreo takes two. “So I meant to say el nuevo perreo, but in English, I said neo — neoperreo,” she says.

And the name just stuck.

That same year, Cisternas and Espinoza started throwing parties in Santiago under the hashtag #NeoPerreo. They called in a crowd from society’s margins: a community “of DJs, dancers, strippers, tattoo artists, of the alternative world, the more gothic world, the misfits themselves,” says Cisternas.

At their first event, the line wrapped around the block.

“It was a really important moment for the history of reggaeton, because there were no spaces where someone gay could show up with [both] their metalhead friend and their crazy girlfriend to dance reggaeton. Those spaces didn’t exist; reggaeton was very marginal, completely removed from society. This brought us closer,” says Cisternas.

The scene also became a way to make money. “It gave work to a lot of us who didn’t have access to money that immediately; we created a lot of work for ourselves,” she says. “A lot of people built their careers at that moment too.”

Jorgelina Andrea del Valle Torres, the Argentine neoperreo artist known as Ms Nina, also remembers those first parties affectionately. “It widened the audience,” she says. “In the end, we created a community where everyone feels seen and safe.”

But neoperreo wasn’t always received so warmly. “People didn’t understand it because they weren’t used to it. They were used to basic reggaeton,” Torres says. “There was a scene in Spain too, with trap and reggaeton built on SoundCloud and turned-up Auto-Tune. [But it was] a new kind of music nobody else was making. Everybody kind of hated it. And now everybody’s doing it.”

Growing up in central Argentina, Torres always felt judged and bullied for being different; she’s spent the last 20 years in Alicante, Spain, where she says she finally feels free to explore her bisexuality. Still, the cumbia villera of her childhood — a heavily synthesized subgenre born in the outskirts of Buenos Aires in the late 1990s — runs through everything she makes.

Argentina, like Chile, was barely a generation out from a military dictatorship when it had partnered with Augusto Pinochet’s regime to hunt down dissidents. Music of the margins — which before neoperreo was punk rock and hip-hop — had been framed in opposition to polite society.

Although reggaeton originated in the streets, the genre hit its zenith in the mainstream this year, thanks to Bad Bunny’s historic Super Bowl halftime show and Karol G’s headlining set at Coachella. Yet Cisternas, despite having performed at Coachella herself in 2019, argues that neoperreo will never be mainstream in the same way.

“It’s too weird — and that’s fine,” she says. “The weirder, the better.”

For the often overlapping worlds of sex work and queer nightlife, the underground movement provided a natural shelter for those unsafe to be themselves in the mainstream, from the leading artists who candidly promote their music alongside erotic content on OnlyFans, to trans artists like Sasha Sathya, who discuss gendered violence and labor in their lyrics. And as governments in Argentina and the U.S. roll back protections for queer and trans people, the freedoms cultivated on the dance floor remain far from assured outside it.

“Above all, because of the trans laws, that’s where there’s still a long way to go,” she says. “It’s important that we keep going.”

Yet now, 10 years in, the movement’s heirs may not call themselves neoperreo at all.

On another late summer night in New York, under the red glow of the DJ booth and a canopy of globe string lights, the rooftop’s wooden floorboards dip beneath scores of platform heels. An outdoor thermometer clocks a temperature of 100 degrees as the sounds of Y2K-era reggaeton reverberate. There’s no shortage of snapbacks, piercings, baby bangs and baggy jorts.

For queer people who never had the canonical experience of grinding in their high school gym, a party called Trakata fills that primal need — and operates on the same queer, rebellious frequency as neoperreo.

At these incandescent parties, Trakata founder Tani Shimizu, a 26-year-old trans man, can be found entrenched on the dance floor, often perreando with one or more beautiful, curly-haired femmes. At a local Caribbean cafe, complete with pastel floral tiles, plastic-covered couches, and the trills of guitar from “Pa’ Que Retozen” echoing through maxed-out speakers, he explains how it all began.

When looking to fundraise for his top surgery last winter, the 26-year-old joined together with some friends from the trans collective Body Hack to throw a queer-friendly perreo party. Hosted at the Bush, a Brooklyn lesbian bar Shimizu had been infamously bartending at, the first event drew close to 600 attendees. “People were like, ‘Oh, my God, we’ve been dying for this,’” he says.

The turnout convinced Shimizu there was a market for the party, along with the chance to create paid work for himself and others. “I cared a lot about how this could be an opportunity for people to make money, myself included,” he says. “I believe in compensating people fairly, even my friends.”

Shimizu, a first-generation Peruvian from Los Angeles, admits he isn’t too familiar with the specifics of neoperreo. Though Ms Nina’s “Tu Sicaria” makes its way onto the playlist some nights, his resident DJs mostly stick to the classics at their parties, and that’s intentional.

Whereas artists back home innovate to push against the status quo, in predominantly white U.S. spaces — especially for queer Latines — the older reggaeton tracks feel more alt.

“Trans and queer people are often pigeonholed to this idea of being really alternative in sound,” he says. “There’s something arguably subversive about going, ‘No, it’s actually OK to honor culturally what we have always held onto’ — and what was principal in our identities, regardless of these other subversive or subaltern identities that we embody.”

While the sonic identity of the space roots itself in nostalgia and reconnection, Shimizu strives to balance novelty in the construction of the space, while reaffirming the desire for Trakata to reflect what has been historically true of queer gatherings.

“There’s this deeper desire and this deeper politic. It just so happens to take place in the context of a club on a Friday, or Saturday night, at these hours.”

Nearly a year into his transition, he reflects on a newfound enlightenment. “Transness has given me the liberty to not be so consumed with what I look like,” Shimizu says. “I’m not dwelling any longer, which is really freeing. [It] gives you a lot of mental space to focus on things that are more important.”

That freedom from the mirror is core to neoperreo’s mission: The pursuit of a dance floor where your body, and everyone else’s, are besides the point. Shimizu has built that into Trakata’s foundation. “I want people of all body types and existences,” he says.

Shimizu also wants to make it clear that Trakata isn’t for people who just want to look hot online. “It’s anyone who is interested in engaging with the cultural experience that we’re co-creating, and if you want to come to dance, and you want to stay off your damn phone.”

Trakata wasn’t created with neoperreo in mind; but with the same sweaty dance moves and the same people finding each other, it’s hard to tell where one stops and the other begins. Since Cisternas and Espinoza threw their first neoperreo party 10 years ago, their legacy has carried over to popular Boiler Room sets and underground queer sanctuaries in equal measure.

“[For] anyone who felt like a bit of a misfit, unwelcome in reggaeton,” says Cistnernas, “neoperreo is their home.”

This story was produced in partnership with the Trans Journalists Assn.

“Heated Rivalry” will soon steam up a movie theater near you. Special Season 1 marathon screenings will celebrate the one-year anniversary of the smash sports romance series that set HBO Max ablaze last November.

Three sets of paired episodes will screen Nov. 6-30 in more than 650 theaters around the world (in the U.S., Canada, the U.K., Australia and New Zealand): over 275 Regal theaters and 375 others, including AMC and Cinemark locations, distributor Sphere Abacus announced Thursday.

Tickets will cost $9.99 per screening, and Regal showings will include filmed greetings from the cast and show creator-writer-director Jacob Tierney. (The show is based on the novel of the same name by Rachel Reid.) Advanced tickets are available now at Regal (showtimes: Episodes 1 and 2, 3 and 4, and 5 and 6).

”Heated Rivalry” is a global phenomenon creating a rush of social media and press activity wherever it lands. We’re very excited to give audiences the opportunity to watch the drama unfold on big screens,” Hana Palmer, Sphere Abacus’ executive director of global distribution and partnerships, said in a statement.

For a limited time, participating locations will offer themed cocktails, including “Summer in Montreal” and “Russians Don’t Blush.” Shane (Hudson Williams) plays for the fictional Montreal Metros hockey team; although Shane’s cottage, where Ilya (Connor Storrie) agrees to spend the summer, is technically in Lanaudière, Québec, two hours outside of Ottawa.

Ilya, a gruff Russian from Moscow, is a fellow professional hockey player for the fictional Boston Raiders. The latter cocktail references a scene in the Raiders’ locker room: One of Ilya’s teammates sees him secretly texting Shane. “You’re straight up blushing,” he tells him. “Never in life have I blushed,” Ilya snaps back. “Russians do not do this.”

“Heated Rivalry” stars Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov.

(Sabrina Lantos / HBO)

“When a series connects with audiences the way ‘Heated Rivalry’ has, we look for ways to bring it to the big screen and give fans a reason to experience it together,” Regal’s SVP of U.S. content Brooks LeBoeuf said. “Nearly a year after its premiere, we’re proud to work with our partners to turn a season fans have watched again and again into a true theatrical event. It’s a chance to celebrate the story, its creators, and its performances before Season 2 arrives in 2027.”

Filming and production are still underway on Season 2, which is slated for release in spring 2027 on Crave and HBO Max.

CLAYFACE

(18) 108mins

★★★★☆

YOU don’t need to be a DC Universe superfan to have heard of many of Batman’s nemeses.

The Joker, The Penguin and Catwoman have each been cultural references for decades.

But even the most ardent Detective Comics devotee may not have heard of Clayface, who first popped up in 1940 drawings.

In 1992, a two-part Batman TV series introduced Matt Hagen, a disfigured actor dependent on an experimental cream that restored his appearance — but this turned him into a shape-shifting monster.

Now, 34 years later, this brilliantly terrifying origin story shows us exactly why Clayface is who he is.

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Handsome actor Matt Hagen (Tom Rhys Harries) has risen from Gotham’s streets to become one of the world’s most sought-after stars.

We meet him at the height of his career — working non-stop, featured on the cover of every glossy magazine, and even nominated for an Oscar.

On top of that, he seems like a decent bloke who looks out for his mates and treats everyone with respect.

But soon, a sexy run-in at a nightclub leads to him having his face horrifically disfigured by a Gotham gangland boss, who puts out a smear campaign on his character.

With his career collapsing and his reputation in tatters, Matt turns to experimental scientist Dr Caitlyn Corr (Naomi Ackie), who is practising with various AI treatments to put right such disfigurements.

While she explains her research is in its early, undeveloped stages, Matt feels he has nothing to lose — and so they give it a try, naturally.

It restores said good looks, but it also begins to affect Matt other ways, giving him mind and face-altering abilities. Quite the combination for someone hell-bent on revenge for those who betrayed him.

This thrilling horror has experience at the helm, with Speak No Evil’s James Watkins directing and The Haunting Of Hill House’s Mike Flanagan writing the screenplay, along with Hossein Amini.

With a bevy of British talent playing Americans in the supporting cast — including Eddie Marsan as a dodgy lawyer and Max Minghella as a good cop trying his best in a corrupt city — this is a high-quality psychological thriller that often feels grittier than anything DC has done before.

Not to mention it’s also a superb introduction to a new DC character, who makes a great nemesis.

GHOSTS: THE POSSESSION OF BUTTON HOUSE

(PG) 97mins  

★★★★☆

IT’S three years since BBC sitcom Ghosts shut the dusty doors on Button House and its crazy residents after five series of the show, which originated with the comedy troupe that created Horrible Histories.

This film sees series director Simon Hynd bringing back the spirited company of characters including disgraced Tory MP Julian (Simon Farnaby), Edwardian matriarch Fanny (Martha Howe-Douglas) and World War Two captain James (Ben Willbond).

The gang bicker and reminisce about the former living residents, Alison (Charlotte Ritchie) and Mike (Kiell Smith-Bynoe), who they miss dreadfully. So bored are the friendly ghosts that they learned a takeaway menu that was pushed through the door.

But soon a new crew enters their home – kids who want to play Ouija.

This kicks off an outer-and-inner-body adventure for the ghosts, who seek out Alison and Mike to help them keep their abode.

There’s gentle thrills and some rubbish local-cop car chases. Watch for funny cameos from great British comedians and nods to coming-of-age shows like Stranger Things.

Fun for the whole family.

ALI G: WHO IZ I?

(15) 89mins

★★★☆☆

ON hearing that Ali G creator Sacha Baron Cohen was revisiting the character to make a film, I did a sharp intake of breath.

It feels like a dangerous climate for a white actor to play a character who claims to be black.

But the film addresses this early, with Slough-born Ali discussing cultural appropriation in the only way he can.

He reflects that many of his haters claimed he wasn’t black, and decides to head to America with his eight-months pregnant girlfriend, Julie (Morgana Robinson), to get back in the spotlight.

This brings together a fascinating, hilarious cast of characters who, like the successful original comedy show, are not in on the gag.

Having given them a good kicking in his Borat films, Baron Cohen again makes the endlessly ridiculous and terrifying right-wing Americans his targets, as well as the ultra-woke liberals.

And while I laughed out loud many times, some jokes felt tired. But the stunt at the end works brilliantly, and this formerly much-loved character just about gets away with it.

It’s in cinemas this weekend only.

The Mirror’s Pride of Britain Awards has become a huge event in the calendar with the country’s unsung heroes being honoured for their bravery

The 2026 Mirror Pride of Britain Awards ceremony is being screened on ITV tonight (Thursday, October 22) as the nation’s unsung heroes are recognised for their inspiring contributions to society and acts of bravery.

The awards were presented inside at London’s Grosvenor House Hotel on Monday infront of a star-studded line up including King Charles, England legend Jude Belllingham, presenter Davina McCall and comedian Alan Carr.

Hosted by Carol Vorderman and Ashley Banjo, viewers will witness plenty of emotion and surprises along with inspirational stories of bravery, achievement and selflessness as well as a special performance from boyband Blue.

And just minutes into the broadcast of the awards – which have been a firm fixture since their launch in 1999 – ITV viewers could not hold back their emotion as they shared how important they think the awards are.

READ MORE: Tears and triumph as Pride of Britain Awards honour our greatest quiet heroes

One said: “Get the hankies ready (two crying emojis).” A second posted: “It’s that time of the year again…spend all night crying.” A third shared: “#PrideOfBritain never fails to put life into perspective The reminder that real heroes walk among us.”

Another said: “Pride of Britain shows that while the world can be cruel, it also shows there are some truly brilliant human beings around. It never fails to put a smile on my face just knowing there are still plenty of good folk about.” A fifth commented: “The #PrideOfBritain Awards shows how Beautiful, British #Heroes really are.”

One viewer expressed: “#Prideofbritain. Restores your faith in humanity. There are still the most wonderful people out there. We should be praising them all (clapping emojis).”

This year’s awards include the Child of Courage accolade which was won by quick-thinking Zac Howells who was just 12 years old when his mum Nicola Crump suddenly passed out while driving them at 60mph on a dual carriageway.

The mum and son, from Ebbw Vale, Wales, were on their way to a Christmas market last December when Nicola fainted, remaining unconscious for around seven minutes.

With her foot pressed on the accelerator, Zac steered the car to safety, bumping it into the central reservation to slow it down, preventing a potentially devastating high speed crash. He then called 999 and gave their location. Nicola says: “It must have been really frightening for him but he knew he had to do something.”

The mum and son appeared on Good Morning Britain on Tuesday, hours after the ceremony, when host Susanna Reid listened in to the 999 call Zac made. She admitted: “I’m in tears listening to it, oh my goodness.”

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Other recipients included Elaine Oakey (P&O Cruises Inspiration Award) who has spent more than a decade transforming the lives of young amputees through football. Elaine’s mission was inspired by her son Jamie, 23, who was born without a foot and missing the lower part of his right leg.

Elaine Roberts received the Special Recognition award. Her son Andrew took his own life ten years ago, aged just 23, and she and her son-in-law Luke Ambler set up a male suicide prevention charity that has saved thousands of lives.

Andrew Franks from Manchester was handed the Outstanding Bravery award after tackling a knife-wielding terrorist during an attack on his synagogue last year, buying vital time for the congregation to barricade themselves behind the doors.

The Pride of Britain Awards 2026 are available to watch on ITVX