SHOW BIZ

The thrilling ITV drama starring Richard Armitage returned for another episode, leaving fans asking the same question

The new ITV series has left viewers hooked.

ITV’s latest crime drama offering, Winter, aired another chilling episode on Wednesday (October 21), marking the fourth of the six-part series. Actor Richard Armitage portrays unconventional forensic pathologist Dr Ethan Winter, alongside Annabel Scholey as DI Lauren Bell and Jamie Kenna as DS Ellis Daldry, as they uncover and solve complex crimes.

Each episode presents its own gripping, standalone crime narrative, while a personal storyline for Winter threads throughout the entire series.

The latest instalment followed the discovery of human remains, which sparked a chilling investigation for Winter, Bell and Daldry. Winter suspects the body parts have been in the water for around 36 hours and notes the victim has been dismembered.

He also believes the male victim went to the gym frequently based on the development of his arms, but one part has signs of arthritis signalling that the remains belong to two different people.

Previous episodes have followed a brutal double murder that sparked a twisting investigation and the discovery of a faceless body at a Bristol demolition site. Meanwhile, Winter is constantly tasked with uncovering the truth behind Simone’s death after her dead body was found frozen during the first episode.

In the next episode, airing on ITV on Wednesday 28 October, viewers will see Winter race to save a stab victim after a cinema date turns to horror. The final episode airs on November 4 and follows a woodland car crash that hides a darker crime.

Following a string of gripping crime plots, Winter viewers have been left wondering if there will be a second series of the ITV drama after falling in “love” with the debut season.

Turning to X, one viewer wrote: “I loved Winter, better than The Party, can’t wait for the next series.” A second added: “It’s different, and I like that, all wrapped up in an hour too”, while a third asked: “We getting S2?”

“Nothing confirmed for season 2”, noting one fan as another added: “Great show, would love to see another series.”

Praising the ITV show, one person confessed: “Binged watched this in one day. Great series”, with another commenting: “Great series hope there will be series 2.”

Winter continues next Wednesday at 9pm on ITV and ITVX, with the whole series available now on ITVX

Actor Julie Hesmondhalgh was a Celebrity Traitors superfan and made some surprising friendships before being the third person out of the show this year

Actor Julie Hesmondhalgh has described her time on Celebrity Traitors as “extraordinary” and revealed a quirk of the show means people become friends faster than usual.

The former star of Coronation Street, 56, admitted she was “obsessed” with the show before signing up to star in the 2026 version.

She says she has made some friends for life and explained to Good Housekeeping UK: “The extraordinary thing is that you’re all on the same footing. There’s no status at all. You have these accelerated friendships because there’s a lot of time off-camera when you’re travelling in cars together and aren’t allowed to discuss the game. People tell you about their lives; I found out so much about people and I was really touched that they trusted me.”

Asked who she became closest to, she added: “Romesh [Ranganathan] is one of the greatest human beings. We were in there right at the start, alongside Ross Kemp. The three of us were a very unlikely little threesome. I adored Ross, too.”

Julie was banished as a Faithful from BBC show early on after being voted out in a round table. She was the third celebrity to leave.

The acclaimed actress is best known for starring as Hayley Cropper in Corrie between 1998 and 2014.

She said: “The short storyline was supposed to be Roy Cropper [David Neilson] falling for Hayley, then running for the hills when she comes out as trans. But everybody loved the relationship. It became a key storyline almost by accident, which was the best way, because it wasn’t an issue that was shoehorned in.”

On her exit, she added: “There’s a photo of me on the floor, foetal. I was like, ‘What have I done?’ I have no regrets about leaving, but when I watch the credits and see that so many of the cast and crew names are the same, it feels a bit strange.

“Had I stayed, it would have become embarrassing. Anachronistic. But I maintain that Hayley and Roy’s love story was important. It got people talking. It’s so upsetting that trans rights have now gone backwards.”

In real life she is married to writer Ian Kershaw and they have two grown up daughters Martha and Lyss.

Julie reflected: “I found a lot of motherhood a struggle. Balancing my own life and work with motherhood was tricky at times. I have a lot of regrets about losing my rag with my kids. I took things too personally; I felt like they were almost trying to make my life difficult, which obviously they weren’t. They were just children.”

Asked by the magazine who she’d invite to a fantasy Christmas lunch, she said: “Patti Smith, because I adore her. Rebecca Lucy Taylor [who performs as Self Esteem]. James Baldwin. Naomi Klein – I loved Doppelgänger and realised she’s funny as well as formidable. Tony Benn. Oh, and AOC [American politician Alexandria Ocasio-Cortez]. Who else? Emma Thompson – I’ve never met her, but I think she’s a good person.”

* The full interview can be read now in the December issue of Good Housekeeping UK.

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TWO of Britain’s best-known comedians’ on-off romance appears to have come to an end — despite previously insisting they were together for good.

Shaparak Khorsandi, formerly known professionally as Shappi, has set tongues wagging after revealing she’s been trying her luck on dating apps, suggesting her relationship with fellow comic Mark Steel is over.

But it seems the world of online romance has been anything but a barrel of laughs for the stand-up star, who admitted she’d already thrown in the towel.

Sharing a candid Instagram video about her dating disasters, she wrote: “I have come off the site because I really didn’t like who I was on it. I never thought I would hate someone for wanting ‘travel tips for Japan’”

She added the hashtags #midlifedating, #onlinedatingfail and #datingapps — but it wasn’t long before eagle-eyed followers noticed something rather surprising.

One asked: “I thought you were already in a relationship, Shappi……” Another questioned: “I thought you were with Mark Steel?”

A-HEAD OF THE GAME

BBC star goes viral for heading ball during Brentford vs Liverpool

‘STILL NOT LOADS…’

Katherine Ryan says she’s ‘lazy’ in bed after surprise sex confession

The apparent split is particularly surprising given Mark’s declaration last year that the couple had finally cracked the secret to lasting love after years of breaking up and making up.

The former I’m A Celeb star, who was diagnosed with throat cancer in 2023, previously revealed his devastating health battle had brought them back together after a period apart.

Speaking to The Guardian in February 2025, Mark said: “We were no good not being together,” before insisting things were going “great” between them.

He added: “It’s lovely. You can never say with these things, but… I think it’s permanent now.”

Their rollercoaster romance also featured in his 2025 memoir, The Leopard in My House: One Man’s Adventures in Cancerland, which documented his gruelling cancer treatment and their reconciliation.

And things certainly appeared rosy in October 2024, when Shaparak shared an Instagram video showing Mark waiting at home as she returned from touring, giving fans a glimpse into their domestic bliss.

The pair had been romantically linked since at least 2022, with Shaparak previously referring to Mark as her boyfriend, but her latest dating-app confession suggests their happy ending may have been short-lived.

The Sun has approached representatives for both stars for comment.

NORTH West trolled her mom, Kim Kardashian, in a hilarious post of the reality star sleeping on her birthday.

The 13-year-old gave her famous mom a shoutout for her 46th birthday, but it most likely wasn’t what Kim expected.

In the post, shared to North’s Instagram Stories on Wednesday, the teenager captured a selfie of the mother-daughter pair in what looked like a conference room.

North smiled widely alongside Kim, who had fallen asleep in her chair.

The up-close shot showed Kim with her head tilted back as she slept in full glam.

“Happy birthday @kimkardashian ily,” North wrote above the unflattering photo of the Skims founder.

NECKS LEVEL

North West, 13, sparks uproar as she debuts NECK piercing in new TikTok

The post comes just hours after Kim shared numerous photos of her dramatic Halloween makeover, in which she transformed herself to look like her eldest daughter.

Kim looked identical to her first-born child, whom she shares with her ex, Kanye West, matching North’s style from head to toe.

The model was a carbon copy of North, wearing a vibrant blue wig, heavy eye makeup, long black nails, and multiple face and hand piercings.

She even copied the youngster’s signature gothic style of all-black attire and a massive skull necklace.

Fans have repeatedly raised concerns over North’s mature style, especially with her numerous body piercings.

Recently, North debuted her neck, cheek, and thigh piercings, which sparked an uproar on social media, with critics saying she is too young to have them.

However, North and Kim clarified on a livestream earlier this month that the teen’s body piercings were, in fact, fake.

Kim also assured that she’s fine with North expressing herself with piercings, as long as they are fake.

When North teased that she’s considering getting a real bridge piercing one day, Kim made it clear she isn’t on board.

“We can glue on for now,” the actress compromised.

Kim and Kanye are also parents of a daughter, Chicago, 8, and sons Saint, 10, and Psalm, 7.

While they split their time between both parents, who divorced in 2022 after nearly seven years of marriage, Kim has a team of nannies to help when she needs them.

According to her profile in The Times, published earlier this month, Kim employs five nannies, with one on duty at a time while the others rotate.

The magazine also notes that Kim describes herself as an “intermediate-strict parent,” as she does school drop-offs and pick-ups each day, and has dinner with them, despite a nanny always being nearby.

“I’m extremely patient and loving. I still have a kid sleep in my bed when they want. I read books with the kids every night,” she added.

The Repair Shop expert Kirsten Ramsey was on hand to help restore a prized Pride of Birmingham Award, which was accidentally smashed

A mum was left feeling terribly guilty after accidentally breaking her son’s most prized possession while doing the housework.

During Wednesday’s (October 21) episode of The Repair Shop: Beyond the Barn, BBC viewers saw ceramics expert Kirsten Ramsey tasked with fixing an award statuette belonging to Mikey Akers from Coventry. In a cutaway scene, viewers saw Mikey alongside his mum Louisa share more about the incredible story behind the award.

In 2018, Mikey was 16 years old when he won a Pride of Birmingham Award for his tireless campaigning to raise awareness about verbal dyspraxia, after being diagnosed with the rare neurological speech disorder when he was two.

Mikey struggled to learn to speak and, throughout his childhood, needed intensive speech therapy to find his voice.

When he was 13, he wrote a poem called I Am The Boy about his struggles and set up campaign organisation, Mikey’s Wish, to raise awareness and support other young people with the condition.

Louisa explained: “It affects the messages from the brain to the mouth, and they struggle to move the muscles and the nerves in order to form the sounds needed for speech.”

Speaking about his diagnosis, Mikey added: “Growing up with verbal dyspraxia was quite lonely. People outside of my family struggled to understand what I was saying. It was quite common that people thought I weren’t as intelligent because of my speech. It was very frustrating.”

Mike was ecstatic with the Pride of Birmingham award and called it his “proudest achievement”; however, the angel-like trophy was damaged when Louisa knocked it off a shelf while doing housework, shattering it. “When it shattered, I was mortified. I felt so guilty”, Louisa told the camera.

Back at the Repair Shop, Kirsten was determined to make the award look brand-new again and said, “You don’t get this unless you’ve done something quite extraordinary.”

The expert explained that it would be tricky to recreate the award’s shiny surface because of all the broken pieces that would need to be reattached.

As Mikey and Louisa visited the barn to collect the award from Kirsten, Louisa said she “just wanted to see it back in one piece again.”

Miraculously, Kirsten had managed to make the award statuette look brand new, leaving Mikey elated. “Oh wow, Thank you”, he told Kirsten while Louisa joked: “The guilt has gone”, as the mother and son giggled.

“I am proud of him”, Louisa added as Mikey confirmed: “It brings me back to when I first got it, it’s a nice feeling.”

Kirsten commented: “You’re clearly an inspiration to many, many people, which really spurred me on to try and do the best job that I possibly could, and It’s ready to go back to whatever safe spot you’ve got for it. “

The Repair Shop Beyond the Barn is available to stream on BBC iPlayer

IN the last six months of her short life, there was one person Amy Jade Winehouse could turn to unreservedly.

Dale Davis, her band leader and confidante, provided her with a shoulder to cry on and a reason for her to break into the infectious laughter that came with her wicked sense of humour.

He was there to give Amy “a cuddle” during her final public outing, and three days later — on the night before she died aged 27 in 2011 — he spent 15 minutes on the phone to her, telling her she was “the best”.

“We were always chatting in those final months,” he says today to mark the 20th anniversary of Amy’s stellar Back To Black album.

“I remember her saying to me, ‘Dale, I’ve just realised that I’ve spent my whole adult life with you’.

“I was with her from when she was 19 to 27. The things I miss about her most are her big grin and that glint in her eyes.”

Dale joined Amy’s band in 2003 as bassist because the original choice was “too expensive” and, as he self-deprecatingly admits, he was “the uglier, cheaper” alternative.

A year later, he became her musical director and remains the keeper of her flame by leading The Amy Winehouse Band on its regular tours of the UK and abroad.

Though he was 17 years her senior, they bonded over a shared love of “hip-hop, soul and Nineties R&B”.

He adds: “We were also the only members of the band who drank Jack Daniel’s — so there was a lot of affinity there. If Amy loved you, no matter who it was, she loved you hard. She always had my back and I always had hers.”

Reaching the 20th anniversary of Back To Black, released on October 27, 2006, is a milestone Dale finds “surreal”.

Amy’s second album, the follow-up to her debut Frank, catapulted the vivacious, naturally talented singer on to the world stage and has sold more than 20million copies (and counting).

It contained raw, personal songs loaded with pathos and humour, such as Rehab, Me & Mr Jones, Tears Dry On Their Own and Love Is A Losing Game, all delivered in deliciously smoky, jazzy tones.

It charted in graphic detail Amy’s turbulent relationship with the love of her life, Blake Fielder-Civil, as well as her battles with drug and alcohol addiction.

“I believe she was the first star of this millennium, of the broadband generation,” maintains Dale.

“She was a most courageous performer and human being. Amy had a massive heart, but it left her open to the highs and the lows.”

To give an example of her inner conflict, Dale vividly recalls being with her on February 10, 2008, when she scooped five Grammy awards in the wake of Back To Black.

“Life was never dull and that night I saw an indication of what she was going through,” he says.

Amy could not attend the ceremony in Los Angeles because she’d been denied a visa amid drug and legal issues, but she was hooked up remotely to perform from London’s Riverside Studios.

“When she won her third Grammy, it was just me and her on stage,” continues Dale.

“Everyone else had walked off. I said, ‘Well done, Amy’. And she just said, ‘No, this is s*** because Blake’s not here’.

“While she was winning all those awards, her heart was going through the extreme pain of not being with him. There was no middle ground with Amy, and things like that are so destabilising to your mental health.”

When he considers the Back To Black songs, he says Wake Up Alone was Amy’s favourite, but he singles out a sad track, Love Is A Losing Game, and a funny one, Me & Mr Jones.

There’s an exquisite demo rendition of Love Is A Losing Game on the new, expanded anniversary editions, just Amy’s sublime, soulful voice and the strums of an acoustic guitar.

Dale says: “She was equally comfortable with an orchestra or on her own.

“The great thing about that version is that she delivers the most beautiful performance and then, at the end, she goes, ‘Is that all right?’. That really sums her up.

“Amy was so bright and so intelligent, but because she spoke so normally, it fooled people.”

Of Me & Mr Jones, with its old-school jazz vibe and jaw-dropping line, ‘What kind of f***ery is this?’, Dale says: “That’s my favourite song on the album. It’s right up my street. It’s got doo-wop. It’s got swing.

“I can imagine the mischievous grin as she’s thinking, ‘Right, I’m going to turn this into a funny old song’.

Also, you can’t play it on the radio. That’s the great thing about Amy — she knew no boundaries.”

Yet Dale senses that the star who burned bright for a fleeting moment “sold herself short in the end”.

“Amy was the most rebellious person I’ve ever come across,” he decides.

In 2004, the year Frank came out, Dale remembers “having breakfast with Nick (Shymansky, her first manager), who said, ‘We’ve got some issues with Amy’. I said, ‘Just leave her be, she’s a punk’.

“She had that spirit which could be destructive. However, the only harm she ever did was to herself.

“At the same time, she was so funny — her observational humour was ridiculous.

“I could always tell something funny was coming when I saw that glint in her eyes.

“Had she lived, Amy would have been like Barbra Streisand or Bette Midler — an all-round entertainer.

“I can imagine her having her own TV programme or being a great actress. She even talked about wanting to do some acting.”

When I caught up with Dale this week, he was preparing for last night’s Back To Black 20 show, directed by the album’s producers, Mark Ronson and Salaam Remi, at The Roundhouse in Amy’s London stomping ground of Camden.

Among the singers due to step into her ballet flats at the gig were Baby Rose, Corinne Bailey Rae, FLO, Jessie Reyez, Jorja Smith and Lianne La Havas.

Mention of the venue prompts Dale to cast his mind back to Amy’s final public outing, which took place there on July 20, 2011 — three days before she left us too soon.

Dale was by her side for a showcase by her goddaughter, the singer Dionne Bromfield.

Amy bravely appeared on stage — “dancing and being a good sport” — to support Dionne, but declined to take the mic.

“She was wearing a vest and jacket and looking as well as when I first met her,” says Dale.

“After the show, Amy said, ‘Let’s hang out’. So I spent two hours with her and we chatted so much. Before we left, we went outside and she said, ‘Cuddle me because I’m cold’.

“I spent the last ten minutes holding her. When I look back on that moment, I’m thinking it wasn’t like her because she was never cold.”

Dale believes Amy’s “eating disorder got her in the end”, a subject of great sadness to him.

He says: “She was never ever big — curvy at most. But I know a comment was made one year and then suddenly all the weight came off. I felt sorry for her.

“It has taken me a long time to realise what eating disorders are.

“I wish I’d had more knowledge so I could have helped.

“Towards the end, her nervous system was getting more and more shocked with the lack of eating.

“And when Blake went to prison, she also stopped sleeping. That had a massive impact on her physical state.”

This brings us to Dale’s phone call with Amy, which started at 11.15pm on July 22, 2011, hours before she died.

He says: “Purely by chance, I had the longest conversation with her that night.

“Even at her funeral service, I ended up right next to the coffin because there was no room for me elsewhere. All those weird things draw me in to make sure that I protect her legacy.”

Dale describes their final conversation: “Amy said, ‘Dale, I’ve had a little bit to drink’. And I said, ‘Well, you don’t sound at all drunk’.

“Then she said, ‘I’ve been watching some old clips of me on YouTube. I CAN sing, can’t I?’. And I just said, ‘Of course you can. You’re the best’.

“I’m so glad that, on her last evening, she could turn round and say that because she was the least arrogant person about her abilities.”

In the wake of Amy’s tragic death, there have been blame games involving various parties — Blake, management, the music industry, the media, her parents.

Mention of this prompts Dale to launch a staunch defence of Amy’s divorced mum and dad, Janis and Mitch.

He says: “I feel so sorry for Janis because when Amy started to get famous, Janis had her own health problems.

“Amy always said her mother was so serene — and then she had to go through her struggles and watch the demise of her daughter.”

Turning to her London cabbie dad, who left the family home when Amy was about ten but became more involved in her life as her career took off, Dale says: “People point the finger at Mitch.

“Me and my dad don’t really get on, but we love each other and are there for each other.

“It was very difficult for someone like Mitch coming back into Amy’s life when she’d become a self-made multimillionaire. It must have been quite hard to try to direct someone when they’ve made it themselves.”

On a more general note, Dale adds: “The industry and everyone else can take steps to do everything they can — but there’s always going to be someone who slips through the net.”

Next up for him is a UK tour with his Amy Winehouse Band, a chance to hear some of that beautiful, rebellious spirit.

“They tried to make me go to rehab but I said no, no, no.”

• UK tour details at theamywinehouseband.com. The Back To Black 20 ­Concert is on BBC Two on Saturday, 9.35pm, and Radio 2, Monday, 7pm. Expanded editions of Back To Black, with unheard demos and a 2007 live show, are out on Friday.

Los Angeles is still struggling to bring filming back to the region, though projects that receive a state tax credit are making up a growing share of local shoot days, according to a new report.

For the three-month period that ended Sept. 30, there were 4,171 shoot days in the greater L.A. area, down 4.8% compared with the same period last year, according to FilmLA Research, a program of FilmLA which tracks on-location production. That’s also down about 11.5% from the second quarter, and nearly 29% below the five-year average.

“Where the tax credit applies, it’s working to bring productions back to Los Angeles and put local crews to work,” FilmLA Chief Executive Denise Gutches said in a statement. “Still, overall production remains far below where Los Angeles needs it to be, and crews and businesses across the region are feeling it.”

The report counts only on-location filming. Productions shot on certified soundstages aren’t included.

Television shoot days totaled 1,400, a 2.8% slide from the third quarter of 2025 and a drop of nearly 53% compared with the five-year average. About 23% of the TV shoot days were for incentivized projects, up from about 9% a year earlier. Among them was the CBS drama “Tracker,” which relocated to L.A. from Vancouver for the show’s fourth season after receiving a state tax credit.

“California’s incentive is what made it possible to bring ‘Tracker’ here,” Elwood Reid, showrunner and executive producer of “Tracker,” said in a statement. “Los Angeles is the big leagues, and after more than a decade away, I’d forgotten what I was missing.”

Within television, comedy made the biggest gains, with 192 days of filming, up 143% from the 79 days in the third quarter of 2025. More than 60% of the comedy shoot days were for projects that received a production incentive, FilmLA said. The organization said this figure could be even higher, as many comedies shoot on soundstages, which are not included in this report. Promisingly, the third-quarter comedy numbers were a 16% improvement on the five-year average.

Other TV genres lost ground, including drama (494 days, down 9.4%), reality programming (630 days, down 2.9%) and pilots (9 days, down 52.6%).

Feature film production was a bright spot, with 533 shoot days, up 2.1% from a year earlier and about 20% from the second quarter. About 24% of that filming came from incentivized projects, up from about 22% a year earlier, including Netflix’s “13 Going on 30” reboot and Jonah Hill’s comedy “Cut Off” from Warner Bros., according to FilmLA. However, the third-quarter numbers are still a 19.3% decline when compared to the five-year average.

Production for commercials, which are not eligible for a state tax credit, continued to struggle, with 562 shoot days, down nearly 16% from the same time period in 2025, though it improved 3.5% from the second quarter.

FilmLA’s “other” category, which includes student productions, still photo shoots, documentaries and online content, totaled 1,676 shoot days, a 4.2% drop from the same period in 2025. Within that category, however, online content accounted for 556 days of filming, up 16.3% from last year.

Omar’s actions towards Rhianna in the Big Brother house drew over 7,000 Ofcom complaints, with Refuge joining Women’s Aid in releasing a statement.

The fallout from Monday evening’s Big Brother continues after fans were left disgusted with Omar’s behaviour towards Rhianna.

The pair, who have became an item in the famous ITV house, had an altercation and viewers were fuming with the way he spoke to her. He was filmed sternly telling her not to talk about him and saying: “Your feelings aren’t fact unfortunately.”

They appeared to have made up on Tuesday. Nonetheless, more than 7,000 people sent in their complaints to Ofcom and now the charity Refuge has also shared concerns about the show.

A statement for the charity, which supports sufferers of domestic abuse, said: “Refuge is deeply concerned by the behaviours witnessed during the current series of Big Brother. Media outlets have a responsibility to prioritise participant welfare and to ensure that harmful behaviour is identified and addressed appropriately.

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“Broadcasters must also actively choose not to amplify individuals displaying abusive behaviour. At a time when one in four women will experience domestic abuse in their lifetime, it is vital that public platforms do not contribute to the normalisation of abusive attitudes or behaviours.

“Every survivor deserves to be heard, believed, and protected – both on television and in their everyday lives. Refuge stands in solidarity with all survivors of domestic abuse and calls for media companies to be held accountable for the safety and wellbeing of contestants.”

The charity concluded: “We call on all broadcasters, producers and media organisations to use their platforms responsibly, placing safety, dignity and accountability at the heart of their decision-making.”

ITV issued a statement of their own following the uneasy scenes. They said: “All Housemates receive Respect and Inclusion training and an extensive briefing from the Big Brother Senior team to prepare them for living in the House and to set out Big Brother’s expectations for appropriate behaviour and language.

“Housemates are monitored 24 hours a day and any instances of inappropriate behaviour are responded to appropriately. Welfare and safeguarding are prioritised throughout the production, with a dedicated welfare team available to support Housemates before, during and after their time in the House.”

Women’s Aid also said on Instagram: “We’re seeing coercive and controlling behaviours being given a platform in popular media like Big Brother. We’ve been contacted by many viewers who have expressed concern. Not only does Big Brother risk minimising survivors’ experiences, it also risks presenting abuse as a form of entertainment.

“Producers should understand their responsibility to keep contestants emotionally and physically safe. The women in these programmes are real people and need real support. We continue to urge television companies such as ITV to engage with experts like Women’s Aid to understand the nature of abuse and how they can do better to protect contestants.”

The issue arose as viewers watched on as an upset Rhianna looked to end the duo’s relationship. She questioned his maturity in conversation and was later called to the Diary Room.

She was asked by Big Brother if she was okay and she told them: “I’m not that good but I’ll be fine. Obviously me and Omar have not been good over the last few days and sometimes I don’t like the way he speaks to me.”

She added: “I wouldn’t let a boy speak to me like that outside of here so why am I letting him speak to me like that… If it keeps going in circles, we can just be friends.”

I’m A Celeb star Dean McCulloch, a regular guest on Big Brother companion shows, said: “Omar needs to be removed from the house with immediate effect.”

For confidential support, call the 24-hour National Domestic Abuse Freephone Helpline on 0808 2000 247 or visit womensaid.co.uk

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SYDNEY Sweeney has stunned in a sexy ad for her Syrn holiday line, wearing sultry lingerie and wrapping her boobs in a bow.

The actress is gearing up for the holiday season with several fresh pieces from her lingerie brand, and she modeled them all in her new campaign.

Sydney, 29, shared the video ad on Wednesday via Instagram, which captured the Euphoria star curled up on a cozy chair, dressed in a loose-fitting white sweater, no pants, and matching knee-high socks.

She wore her blonde hair in loose waves as she tucked a bright red napkin into her sweater neckline while digging into a giant bowl of vanilla ice cream with chocolate syrup.

The model then pointed a remote at a retro TV box screen as she settled into the chair – a recreation of an iconic scene from the Christmas classic, Home Alone – to watch footage of herself dressed in various holiday-themed outfits inspired by other holiday films.

It started with a clip of Sydney seemingly playing Cindy Lou Who from Dr. Seuss’s How the Grinch Stole Christmas, as she mimicked the character’s wild, sky-high, braided hairstyle.

Sydney struggled to carry a stack of wrapped presents in front of a brightly decorated Christmas tree, donning a plunging ensemble and a furry pink coverup draped over her shoulders.

She also sported a red-and-white-checkered pajama set while screwing in light bulbs for her outside decorations.

The clip then transitions to Sydney rocking a darker look: sultry black lingerie, leather gloves, pin-straight hair, and heavy makeup, resembling Sally from The Nightmare Before Christmas.

The footage continued with Sydney in other provocative attire, including a tight red lingerie set that looked like she’d wrapped herself in a bow, paired with a white veil.

Sydney also modeled a baby blue lace lingerie set while waving a massive white feathered fan, and another all-white set while lounging on a bed.

“Welcome to the @syrn holiday shop officially open on october 27th,” The Housemaid star wrote in her caption.

This is the first holiday line for Syrn, which Sydney launched in January.

Sydney regularly models in the brand’s ad campaigns, showcasing her curvy figure in the revealing pieces.

The Handmaid’s Tale star sparked controversy last month when she posed completely naked in an ad for the sports betting app, Novig.

Photos showed Sydney wearing no clothes and concealing her breasts and private parts with various sports equipment.

The pics ignited massive discourse online, especially from female athletes, who accused Sydney of sexualizing women’s sports.

However, Sydney was unbothered by the backlash and is focused on leveling up in her career, a source told The U.S. Sun exclusively.

“Sydney’s goal is to become a billionaire mogul and ‘boss lady’ as soon as possible.

“She wants to do things entirely on her own terms, confident that her unique talent and beauty give her an edge, and she doesn’t care if people dislike her,” the insider said.

“Sydney is on the fast track to becoming an icon and an elite businesswoman, like Madonna, who she sees as the benchmark for combining sex appeal with massive entrepreneurial success.”

Big Brother fans have been unimpressed with one star who just days ago was favourite to win

The Big Brother star was in the running to win the show.

ITV Big Brother fans have admitted that one star has “fumbled” their potential win in a matter of minutes. Tensions continue to run high in the iconic house as the housemates live in this week’s House of Time.

Just last night (October 20), a game changing nominations twist saw four housemates up for eviction. This week will see Catrin, Twinks, Harry and Sam facing the public vote as viewers are being asked to choose who they wish to evict.

It comes after the housemates each took a turn in the Time Zone where they nominated as usual. But with four names in the zone, each housemate afterwards had the opportunity to swap two of those names – with the last person ultimately having the final say.

But amongst the drama, it was Yasmin who came under fire with fans after her nomination choices. As a result, she is now no longer favourite to win, according to latest betting odds.

According to Coral’s John Hill, despite being up for eviction, Twinks is actually the new favourite to win, with odds sitting at 5/4. Yasmin has drifted from 4/5 odds to now 7/4.

John Hill said: “Twinks is the safest of the four housemates, according to our odds. She is also the new favourite to win the show, with Yasmin’s odds drifting over the last couple of days.”

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Viewers have shared their disappointment with the star as one person wrote on X: “Yasmin is fumbling this win those cheers got to her head.” Another said: “Yasmin literally took away the win in one episode last night”, as a third fumed that the star had gone “from the people’s princess”, adding: “That is crazy.”

A fourth added: “Even since Yasmin heard the cheers on Friday night she now thinks she is untouchable. Get rid of her.” A fifth raged: “Yasmin really plummeted her own stock, how embarrassing.”

However, one person defended: “Yasmin has one bad episode and people are acting like she murdered someone oh ok.”

Another said: “Yasmin does one thing you deem as wrong and you all turn on her and insult everything about her.”

Of course, betting odds are not guaranteed to happen, the power is still in the public’s hand as they have the power of the vote. But with hours to go until the next live eviction on Friday, one star has been dealt a brutal blow.

Currently, Sam is favourite to go with odds sitting at 4/5 compared to Frankie’s odds at 3/1. Twinks’ odds sit at 8/1. Coral’s John Hill added: “This is the toughest eviction to call so far in the series. Sam is the favourite to go, but Frankie and Catrin are both in danger, especially if Big Brother decides to throw in a double eviction.”

Big Brother continues tonight at 9pm on ITV2 and ITVX

Eric Dangerfield is surrounded by senior citizens.

After a packed set at Riot Fest the previous weekend, the 25-year-old lead singer and rhythm guitarist of the Paradox welcomed the quiet of his boomer-dominated neighborhood.

“I’m a suburban dude,” he said, smiling from his home in metro Atlanta, his cropped two-toned dreads bobbing as he spoke.

The Paradox spent much of the summer on the festival circuit, powering through a growing discography of pop-punk gems, so Dangerfield and the three other band members are taking a brief breather before their Proceed With Caution Tour starts this month — their first as headliners.

It’s peaceful. That is, “Except when the boys come over,” he adds.

On a late morning in September, the boys are here and accounted for: patching in to a video call, minutes apart, from their homes, also in suburban ATL. Dangerfield, born with the perfect stage name, has ideas that flow faster than he can seem to get them out. Then there’s Donald Bryant on bass. Yin to Dangerfield’s yang, with a quiet, commanding presence.

Percy “PC3” Crews has been playing drums since he was 3, and his vicious skills on the drum kit contrast with a cheery, relaxed demeanor. Finally, there’s Christopher Bernard, a.k.a. Xelan — the lead guitarist and Dangerfield’s vocal complement.

Dangerfield likens the four to musical superheroes from a Marvel series. But not so much the “Earth’s mightiest heroes” variety.

On their first headlining tour, the band brings its new EP, “Proceed With Caution,” to Los Angeles while claiming space in a historically white genre and weaving social commentary into its pop-punk sound.

(Shorefire Media)

“I’m like Mister Fantastic and Donald’s my Invisible Woman. Xelan’s the Thing, and Percy is John Storm,” he says of his partners in musical mischief. “If I’m ugly, just say that,” quips Xelan, the band’s oldest member at 30. “Yeah. Because you’re strong, bro,” reassures Eric.

By this time, the interview has devolved into fun-loving chaos.

They finish each other’s sentences and switch up their Google Meet backgrounds, cracking up as an awkward graduation portrait pops up. At some point, Bernard decides to give a bedroom tour, showing off his collection of Blink-182 and Fall Out Boy posters.

A photo of him with Travis Barker hangs next to a framed Billboard plaque on a nightstand. Barker was featured on the Paradox’s 2025 single “Bender” and performed with the group at Vans Warped Tour the same year.

The Billboard plaque commemorates the band’s song “Get the Message” from its debut EP, “NSFW,” reaching No. 1 on the Alternative Airplay chart in January — a great achievement for any rock artist — but the Paradox also happens to be the first all-Black band to do so.

The success, although rapid, didn’t come from nowhere. All of the members have been working toward music in some form for years.

Dangerfield had a deal with a small label where he was originally making a go of it as a pop and R&B soloist. He also put out his music online. Looking for something different, he remembered his passing interest in pop-punk from his days growing up in Palm Coast, Fla. It was the “Fat Lip” video by Sum 41 that sealed the deal.

Yearning to be in a band, he started working with Bernard, whom he met online and shared his passion for the genre. Bryant was Dangerfield’s childhood friend from Palm Coast who had also moved to Atlanta, while Crews had been a fixture on the local music scene. And the name? It came from Dangerfield’s love of quantum physics.

Shortly after the group officially formed in June 2024, Dangerfield’s then-girlfriend — now wife and band “momager” Lexi Dangerfield — opened Instagram and TikTok accounts filming and posting their homey videos. The band’s song “Kaitlyn” and some covers blew up. The artists’ perspective, filtered through a Gen Z lens, struck a multigenerational nerve.

Attention came so quickly that Dangerfield felt the need to defend against online detractors who were convinced the group was an industry plant.

From there, the fairy-tale plot thickened. Billie Joe Armstrong followed Dangerfield on Instagram, and the two struck up a friendship that led to the Paradox opening for Green Day on the Atlanta stop of its Saviors Tour. But this was, of course, after Jack White’s people called — who the group ended up opening for at Basement East in Nashville.

Things haven’t slowed down in the two years since, with opportunities coming fast and furious. In the spring of last year, the band signed a deal with Hundred Days Records, a subsidiary of Virgin Music Group, and teamed up with producers Mike Pepe and Robopop to work on “NSFW.”

“Bender,” the group’s collaboration with Barker, and “Do Me Like That” are featured on Madden NFL 27 and NBA 2K26 video game soundtracks. Last month, the musicians streamed a concert from Twitch superstar Kai Cenat’s house. And now, instead of opening for their idols, they are inviting them up on stage as guests. For their second Warped Tour in Long Beach, that meant Deryck Whibley of Sum 41 and Logan Henderson from Big Time Rush.

The embrace from established musicians has definitely helped the band navigate its rise. In a moment of doubt, Crews said Good Charlotte’s Joel Madden, in particular, came through with sage advice.

“He asked me a question: ‘How does it feel being where we were?’ And I was like, ‘It feels like a dream.’ It felt like I was gonna wake up on my desk sophomore year with drool on my f— table. And I was telling him that, and he was like, ‘You know, it may feel that way, but it is real … It’s real, and it’s you … you belong in these rooms.’”

The irony of being embraced in a mostly white subgenre of punk rock while Black American culture formed its foundation is not lost on the group. Had the band come about during one of Dangerfield’s favorite eras of music, the ’50s and ’60s — there would likely have been rooms in which they weren’t welcomed.

While the band members understand the impact their visibility has — especially for non-white kids who grew up in the suburbs as they did: skating, riding BMX, building Legos, watching anime, dreaming of a life onstage — it does require some balance. “They’re not asking Taking Back Sunday this stuff,” Dangerfield acknowledged when asked if they might tire of the representation mantle. “Or Blink, but … We are a minority in this space and in this country, and I think that you know the stuff that comes with being Black should definitely be talked about. I think those conversations are important.”

He said as much in August, when the group made its Tiny Desk debut in celebration of NPR’s Black Music Month. “Now, like they said, we made history,” he said, leaning into the mic after the first song. “And the Paradox is in the business of bringing rock ’n’ roll back to the originators.”

A glance at the comment section under the video makes clear the group’s authenticity resonates with those who haven’t felt seen or heard in certain spaces.

“I’m a black girl from the suburbs of Metro ATL,” wrote @rainjojo. “And I’m glad to see representation of people who are like me indulging in punk rock. I got into this genre from childhood shows like “16,” “Stoked”, and other early 2000 to 2010 shows, and I remember being bullied for being whitewashed. Please keep making more music like this.”

The tour is named after “Proceed With Caution,” the band’s sophomore EP released on Oct. 2. Across six tracks, it continues in the same vein as “NSFW,” with sharp melodies and a dash of humor thrown in. But on “That’s Not Fair,” the group wades deeper into social commentary. It was also the most difficult to record, cut raw with no click track.

“We were just trying to think of things that were not fair, [from] small and trivial like losing your keys to, I don’t know, using it as a bridge to talk about larger issues and things like that,” Dangerfield says of the song. “I think a big thing for me personally, it’s not political … is kind of the fact that everything is getting so expensive. The price of everything is rising so rapidly, and the salaries that people are being paid are not really growing to match that.”

The Paradox perform at The Moroccan Lounge on Thursday, Oct. 22.

(Hunter Lyon)

“And it’s like, we got very lucky, but the thing is, most people don’t,” he continued. “If you’re gonna sacrifice all your time, slaving away working for big corporations and stuff like that, you should at least be able to, you know, buy a candy bar or something.”

So far, the musicians aren’t taking anything for granted and are trying to enjoy the in-between moments.

Dangerfield and his wife took their daughter on a Disney cruise for her second birthday — she’s spent much of her young life traveling with the band.

With some of his publishing money, Bernard indulged his love of vintage Japanese fashion and has a 2000s-era Tuscan house on his vision board. Crews stays healthy, listens to lots of Snarky Puppy, and looks forward to the relaxed cannabis laws of L.A. when the tour stops at the Moroccan Lounge on Oct. 22 and 23. If time allows, he might even have time to surf in Malibu.

Bryant, who counts Mike Dirnt, Mark Hoppus and James Jamerson among his biggest influences, balances a dream of seeing his band play for thousands with looking forward to a life lived like his older brother: a chiropractor with a nice family.

But some dreams will have to wait as the band goes back to making music, hopefully with lasting impact. The members want to become household names, “like Nirvana,” with music people will play for hundreds of years. Why not?

Anything is possible when you are a fantastic foursome.

It’s the third afternoon in another string of sweltering days in Los Angeles. A recent Friday offers no salvation for the weekend ahead besides sitting in front of a fan or turning up the air conditioning.

Thankfully, standing inside the climate-controlled walls of the Line hotel’s lobby and behind a cup of joe from its Alfred Coffee, there’s a smidgen of comfort.

The bell to the ground floor elevator rings and out steps a tall figure, wearing an all-black ensemble. His shorts hang just below his knees, his hair is a bit messy and his boots climb up his calf.

Grian Chatten looks remarkably cool for someone who’s just rolled out of bed, even more so for someone who has a performance at Hollywood Forever Cemetery later that night. He’s the leading man behind Fontaines D.C., a Dublin-born rock quintet that’s become one of the most exciting acts to grace a stage today.

And how couldn’t they be?

Their 2019 debut, “Dogrel,” was met with critical acclaim, a masterful album with references to James Joyce and a teeming garage-style production. Fast-forward five years later and their fourth effort, “Romance,” became their first to chart in the United States, reaching No. 97 on the Billboard 200.

Nowadays, they’re kicking up dust again with the release of “Dopamine Chamber,” which came out last Friday via XL Recordings. Its a continuation of the precedent they’ve set in terms of lyrical and sonic quality, but simultaneously is far more melancholic and synthesized than their previous work.

“Dopamine Chamber” is the band’s fifth release, following the success of “Romance” back in 2024.

(Ewen Spencer)

However, its rollout was rocky as the debut music video “Marianne” was criticized for its use of artificial intelligence. When the psychedelic, entrancing recording first hit YouTube, it listed a credit for AI “artists” in its description, sounding alarms among the band’s loyal fan base.

After all, it was widely viewed as contradictory of the group, which has been vehemently outspoken on various contemporary issues, including what the U.N. Human Rights Council has officially concluded to be genocide in Gaza.

We sat down with Chatten to discuss the new album, as well as some of the backlash the band has recently faced.

Tell me about this album title. Is it a literal happiness chamber?

It was me [who came up with it] because it originated as a line in a song, and the song never made it onto the album. We kept the pairing of words “dopamine chamber.”

I wanted to make it a bit more literary. Turns out that the dopamine chamber … it’s where they put rats to test different chemicals or in order to check their dopamine levels. We found that out after.

So it’s fake happiness.

It’s almost like nonconsensual happiness. I mean, if that exists.

Do you ever feel like that in life? Like you’re like forced to be happy with everything bleak that’s going on?

I think we force ourselves to feel a certain happiness every now and then, just so we can compartmentalize things and go about our day. I think that’s a survival mechanism, anyway. But to lose that is dangerous.

This album is a lot more synthesized than your previous work. “Six Short Morning” and “Mimesis” definitely stand out there.

It made sense, thematically. I felt that those textures signaled … I hate using the word “dystopian,” but the dystopian future. I wanted the album to feel more like an advanced version of “Romance,” where the body of the record had become more bionic. There’s a reason that there are so many strings and cinematic stuff, that’s the organic world that I wanted to draw on — people like Mina, the ‘60s singer from Italy.

The acoustic sounds are, of course, still present.

They’re supposed to be kind of like fighting for space, a little bit.

One track that stuck out to me was “Happy for You,” because of it’s insincere flattery. Who or what do you have in mind when you write songs like that?

It’s a bit like [R.E.M.’s] “Shiny Happy People,” it’s a similar function. That song is a jealousy of other people’s happiness or well-adjustedness.

I noticed those internal struggles show up a lot on this album. On “One Man,” are you singing about feeling the weight of many?

I think that’s more about the general existential feeling of helplessness in the face of things that are happening in the world. I’ve got a really good friend called Nikolaj Schultz, do you know him?

No idea.

He’s a sociologist and philosopher, and he writes mostly about the environment, the Anthropocene, and he’s written a couple of books with the French philosopher Bruno Latour, who passed away [in 2022]. He’s someone who’s strapped to their bed and feels away the world from morning to night.

That was a profound influence on “Romance” and on this album. So I think “One Man” pertains to that, maybe even to him.

It seems like you are heavily inspired by literature, more so than other artists would be by just general music and listening.

I think in literature, I can understand sometimes what the point is in what they’re writing. For example, this Schultz book “Land Sickness,” the style of it is to render the audience sensitive to this issue just by the osmosis of showing how much it affects you. Like, my mom got me into music by showing me how much it affected her.

How did the feature with Rosalía come about for “Where Is Gone?”

Well, this is our first feature. Carlos [O’Connell], our guitarist, grew up in Spain and had been listening to her first couple of records. Then we got into “Motomami” together and it became a fixture to listen to it backstage before our shows. When “Lux” came out, we were all quite obsessed with it.

We were four days out from mixing or from mastering the album, and Carlos rang me. He was like, “I think we’d be mistaken to not just send Rosalía something and see if she’d be interested.”

We sent her four tracks. We sent her “Where Is Gone?,” “One Man,” “Tongue,” and I can’t remember what the other one was. She got back within 48 hours with a full vocal of “Where Is Gone?”

You weren’t in the studio together?

She was on tour. She was in Miami at the time.

What happened with “Marianne?” There was a moment where it was credited to AI “artists.” Then it was corrected to be effects artists.

I woke up at like 5:30 a.m. the day after the video came out, and I saw an article that said there was AI used in the video, and I called our management, and I was like, “What the f—, is this true?” and it turned out that there was some AI used in like the workflow or the postproduction.

So all those main scenes and main effects and stuff were VFX and prosthetics, like the cheeks and everything. Over 110 people worked on the thing. It was a real huge human effort. But then somewhere in the process, someone from the VFX team I guess used some kind of AI in the workflow. And none of us were told about it. Apparently, not even our label or our management were told about it and it was a real shock.

Yeah, it seemed like you guys didn’t know.

Of course. I mean, we’re gonna have it written into our contracts going forward that like it can’t be in our music videos. You know what I mean? I don’t condone it.

I think a lot of people were shocked just because you guys are so active in contemporary issues, which AI certainly is.

It’s so f— ironic. No, very contradictory. The themes of the f— album as well. I was hoping to talk about how I felt about AI in interviews at some point anyway, and then this kind of pulled the rug from under that conversation a little bit.

It just f— sucked.

Well, how do you feel about AI?

I think it’s f— terrifying. I was watching a Robin Williams scene from “Dead Poets Society” when he talks about poetry, literature. These are the things that we stay alive for, and well, that’s exactly what AI threatens to rob from the human race.

I’ve seen those articles about those guys who are leaving AI companies because they said that the human race is going to be dead within 10 years. AI is literally rendering our souls obsolete and I think that is true death.

A lot of people say, “It’s here, we have to deal with it.”

We should just shut it off.

It always ends here. Every conversation [about AI] just ends grim. This is like every conversation with my dad over the last three years about it. It makes it tough to be alive, doesn’t it?

Hollyoaks villains Gemma Bissix and Tamara Wall are taking part in a spooktacular on-set experience titled HorrorOaks for one day only,

Hollyoaks fans are in for a spooky treat this Halloween.

Fans of the Channel 4 soap will be able to take part in a special edition of the popular Hollyoaks set tour as production company Lime Pictures opens the doors to the eponymous village once again on Saturday, October 31.

The synopsis for the event reads: “For one night only, fans and thrill-seekers are invited to step directly into HorrorOaks, an immersive, one-hour walkthrough horror attraction and guided storytelling event taking place on Saturday, October 31.

“The iconic set and surrounding grounds will be transformed into a nightmare village, featuring haunting thematic dressing, ambient low-light effects, heavy fog, and chilling soundscapes.

“Led by expert tour guides who will navigate structured groups safely through the darkened sets, guests will experience the famous locations like never before. But beware—roving live scare actors will be lurking in the shadows, delivering heart-pounding jump scares throughout the route.

“Word around Chester is that the supernatural activity won’t stop there… eagle-eyed fans might even spot a few familiar faces along the way, as legendary ex-cast members may rise from the dead for a surprise appearance you won’t forget.

“The event is designed for an audience of 16 years and up. Young people aged 14 and over are permitted as long as they are accompanied by an adult (over 18). Nobody under the age of 14 will be permitted.

Proof of age may be requested and event staff reserve the right to refuse entry if this is not provided. We strongly recommend those planning to bring along anyone aged 14 to 16 look through all of the information and visual material on our website, in order to make an informed decision. This is a one-off event for Halloween 2026, tickets are extremely limited and will sell out fast.”

It has been confirmed that Hollyoaks sisters Grace Black and Clare Devine aka actresses Tamara Wall and Gemma Bissix will join the fun as the set will be transformed into a grim and spooky village, featuring low-light effects, fog, and chilling soundscapes.

Tamara, whose on-screen alter-ego Grace met a tragic end last year, will be back on set for the unmissable event alongside Gemma who viewers kno made a historic return from the dead as Clare last year, despite having seemingly met her demise over a decade earlier.

Being revealed as the leader behind the exploitation of the local teens, Clare wasted little time in causing trouble, claiming she had cancer and teaming up with serial killer Jez Blake (Jeremy Sheffield), who drove a plane into the village as part of the show’s 40th anniversary.

Teaser videos have been shared on Hollyoaks’ official social media pages with fans rushing to share their excitement. Taking to the comment section, one fan penned: “YAAASSSS! I been waiting for this @gbissix #claresback.” Another added: “This is so cool.” A third person wrote: “Wish I was brave enough.”

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am and Horroraks tickets are available here