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THE Office star Lucy Davis has tackled a terrifying zip-wire challenge amid her terminal cancer fight.

The 53-year-old announced last month that she’s been diagnosed with incurable stage four breast cancer.

She admitted “I don’t know how long I have left” as she revealed the tragic news with her followers in a video on social media.

However, Lucy said she was determined to have as much fun as she can during the time she has left and she’s doing exactly that.

The daredevil shared her pride on Wednesday after completing a gruelling hike followed by a scary zip line through a California canyon.

She took to Instagram to share pictures of herself on the hike as well as video of the moment she bravely took on the zip line.

STRONG SPEECH

Lucy Davis shares emotional message after revealing terminal cancer diagnosis

FAN FAVE

The Office’s Lucy Davis greets fans days after revealing she has incurable cancer

Lucy penned: “I loved this #zipline and I was a bit proud of myself for doing it because they said to be prepared for a 25 minute walk, so I took my pain meds an hour before in preparation.

“In previous zip lines, I’ve always been driven up to the first line, and the walking is in between the lines.

“But no. This was a legit hike up to the first zip. It took me one hour and 15 minutes.

“I was so grateful for the support of the guides and my friend @jharris1231 who helped me up, and the other people on the hike that never judged me or made me feel stupid. Thank you.”

Her fans flocked to the comments section as one expressed: “Still living to the fullest and experiencing life. Good on you!”

Another person commented: “Oh wow, you’re fabulous Lucy. Still chokes me up though.”

Somebody else gushed: “You are such an inspiration. Also, whenever I see you I remember Aunt Hilda, she was so comforting as a character.

“You really played her so well, you’re truly amazing. So talented and inspiring.”

Yet another added: “My gosh Lucy, so much courage! You are such an inspiration.”

Lucy took to Instagram last month to share her heartbreaking news.

She wrote: “Hi friends:) I wanted to share something with you all that I’ve kept to myself for a while but for various reasons would like to share now.

“A year and a half ago I was diagnosed with Stage 4 Breast Cancer, which has metastasized to my bones. Specifically to my spine, right hip, and my ribs. The cancer is incurable, and too late for chemo.

“The initial lump that I felt, wasn’t a ‘lump’ as such; rather a kind of hard spot. Really tiny.

“I almost didn’t bother getting it checked. So I guess I’m saying don’t ignore anything – get everything checked out.”

Lucy told her fans that she’s at peace with “whatever comes next,” as she shared the clip of her ringing the cancer treatment bell.

While she rang the bell, Lucy confessed she has been told by doctors it’s “too late” for her to receive Chemotherapy.

Lucy is best known for playing Dawn Tinsley in Ricky Gervais’ comedy The Office.

Dawn was a receptionist at Wernham Hogg’s Slough branch in the original UK version of The Office.

Her character battled an unfulfilling engagement, failed dreams of becoming an artist and a will-they-won’t they relationship with her colleague Tim.

Baby Reindeer star Jessica Gunning has reportedly taken on a new role in a “darkly comedic” thriller.

Fans of disturbing thrillers like Baby Reindeer are urged to keep their eyes on an upcoming Netflix project starring one of its leads. For the first time since her big breakout moment with Baby Reindeer, Jessica Gunning is reportedly returning to the streamer for a new series.

The actress has reportedly been cast as one of the four leads in Netflix’s Feral, a “darkly comedic thriller series based on a 1987 novel by Shirley Conran”, Deadline shared. The news outlet teased: “In the series, four very different women learn to survive on a lethal tropical island after their mining exec husbands are kidnapped. The question is, can they put aside their differences, their self-doubts, and their vanities to stay alive?”

The Mirror has contacted Netflix for confirmation, but Deadline said Gunning plays Annie, a “quietly dutiful wife who has sacrificed her ambitions to raise four sons under her domineering husband, Duncan”. Gunning previously earned an Emmy, a Golden Globe, a BAFTA TV Award, an Actor Award, a Critics’ Choice Award, and an Independent Spirit Award for her work in Baby Reindeer, which aired on Netflix in April 2024.

Her latest reported project is based on Shirley Conran’s novel, Savages, which “deals with five women, transformed from wives of the powerful rich executives to widows in the jungle, coming face to face with the savage inside themselves”. The story has been described by readers as a “female Lord of the Flies” and has recently been adapted into a TV series.

Fans took to Goodreads to share their thoughts on the original source material, with one saying: “I keep going back to this book; I’ve probably read it 7 or 8 times. I like the way she shows the relationships and how they change. The suspense is great.

“I like how you see the strengths come out, and the frailties, and how they cope with them. I find this book inspiring. It seems like just another fluffy beach read, but these women are tested to the limit and overcome overwhelming difficulty.”

Another added: “Oh my gosh. This book was so good. Engrossing. I had trouble putting it down to do anything else. It’s going on my list of favourite books. And, it was educational. I learned a lot about wilderness living. Just wow, really.”

A third commented, “I have never forgotten this female Lord of the Flies type book. Women get stuck on a deserted island, and what issues ensue. I loved this book and especially how the power struggle shook out. One of my favourite books!”

In March 2026, Gunning opened up about how her award-winning role in Baby Reindeer changed her life and catapulted her to global fame, telling Variety Australia: “The whole of the Baby Reindeer journey was just so surreal. What an amazing thing to be part of. I don’t feel like I’ve changed as a person, but I feel like I’ve had some amazing opportunities since.

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“I was over in America loads, and haven’t been before. And also the people I’ve met and the jobs I’ve had a chance to do since have just been so lovely.” She caught the eye of directors who have offered huge opportunities, adding: ” [There have been] a few things coming in which has been lovely.

“And I’ve just had, I suppose, more and more people have got to know who I am really, which is always nice. So yeah, hopefully more interesting [projects] will come my way.”

Feral is expected to air on Netflix

COMEDIAN Jim Davidson has called off his sixth wedding to his fiancée Natasha after secretly separating – and exclusively revealed to The Sun the reasons behind the split.

The Celebrity Big Brother star, 72, was set to wed at Hampton Court Palace last year – and ending it all has come at quite a cost.

The palatial venue, where all six of King Henry VIII’s wives lived during their marriages, was an amusing nod to Jim’s string of failed marriages – but Davidson and Natasha, 49, have now lost their £10k deposit.

Despite plans to marry six times like the former King of England, funnyman Jim confirmed the engagement is off.

He told The Sun: “There’s no bad blood. Natasha is the most caring and dutiful person. 

“It’s not like we’re splitting up because we don’t love each other anymore.

“It’s a sort of a grown-up separation. The timing’s not right because she has so much time for everybody and how can you knock that?”

Dad-of-five Jim met Natasha, who is 23 years his junior, at the Southampton Boat Show in 2023 soon after the breakdown of his fifth marriage.

The smitten comic later introduced her to pals at Reform leader Nigel Farage’s birthday party saying he was going to make her his sixth wife – despite previously admitting his divorces had cost him around £60million.

He even renamed his £350,000 yacht – previously called Princess Mitchie after his ex-wife Michelle Cotton – Lady Natasha in honour of his new love.

However, the former Big Break and Generation Game host says the couple are no longer in a relationship ahead of their third anniversary.

He told us: “We still speak every other day, but whether we’ll ever find room to see one another again, I don’t know.

“She is very dutiful. She puts family first. And of course she has three children and now a grandson as well. 

“She is just so busy and so I’m very busy as well. I’ve just finished a tour and my a*** is shaped like my car seat after travelling around the country. I get out of the car and I walk like I’m still in it. 

“Our busy lives mean we’ve not been seeing one another. I previously fitted into her life because I’m hardly ever around myself.

“But there’s no bad feelings. I do love her. She’s fantastic.

“She’s the best friend you could ever have. She’s the best mother you could ever have.

“She’s the best daughter you could ever have. And I’m so proud that she was my girlfriend up until now.”

Jim – who was awarded an OBE in the 2001 New Year Honours – launched the Ustreme streaming channel after a successful stint recording short videos during Covid when he was unable to perform live and had no idea how audiences would respond.

The content includes exclusive stand-up shows and in-depth interviews with the aim of “making people laugh like they used to”.

Natasha’s new series is set to air on Jim’s website, where she jokingly refers to herself as the ‘future ex Mrs Davidson’.

Jim continued: “We planned to get married last year and even booked Hampton Court Palace, which we thought was great because Natasha would be the sixth wife and she thought that was hysterical.

“But these days we just don’t have the time to see each other and split up every month.

“So going forward, we might end up seeing each other again, or we might draw a line under it because it’s not practical for the pair of us.

“I said to her, ‘Are you going to give me my jewellery back? and she told me, ‘If you want it back, I’ll just get it from someone else’,” Jim laughed.

“She’s a beautiful girl. How she found time for me, I’ve no idea. She does everything for everybody and asks nothing for herself.”

Ruling out there being another potential wife-to-be on the cards, Jim joked: “The only thing that’s in my life now is a Hyundai Santa Fe and a dressing room.”

Natasha’s new eight-part series launches in October, interviewing an array of celebrity guests.

Meanwhile Jim Davidson – The Christmas Cracker Tour – launches on December 2. 

EXCLUSIVE: A contestant on The Jury has revealed just how difficult it was for the group to reach a verdict in the latest episode

A man who appeared on The Jury has opened up on ‘most difficult’ deliberation yet.

The contestant took part in the Channel 4 hit show and explained the extraordinary difficulty of reaching a verdict as the gripping series heads towards its final episode.

James, one of the members of the specially assembled jury, admitted the group faced an incredibly challenging time when they retired to deliberate over the case.

Speaking to The Daily Mirror about the experience, he said it was “probably one of the most challenging deliberations and claimed it was the most difficult the jurors had faced across the series so far.

James added, “I know for a fact out of 2 seasons previously, it was probably the most difficult of deliberations so far, and I suppose we really, really struggled to come to a decision.”

His comments come as The Jury reached the crucial stage of its four-part run, with the final episode airing on Channel 4 tonight (September 9).

The series has placed ordinary members of the public in the extraordinary position of having to decide the fate of two brothers accused of killing their stepfather.

Unlike a conventional documentary, the programme recreates a real-life murder trial using actors, with the jurors watching the evidence and arguments before being asked to reach their own verdict.

In the real case, the brothers were accused of killing their stepfather after years of alleged abuse and violence within the family home.

The Channel 4 series changed the defendants’ names, with the teenage brothers referred to as Daniel and his older brother as Luke.

The case presented the jurors with a particularly difficult question: could the brothers’ age, background, and claims of abuse alter how responsibility for the killing should be judged?

Reaching a conclusion was far from straightforward, and for James, it was even more difficult as he was voted as the jury’s foreperson.

He recalled the moment he was left feeling “really disrespected” when he was called out by a fellow juror. He said, “There was a moment where I went around all the jury members.

“I went around individually, and I asked people for their final decision, and when it came to be, quite literally, the last person to go, I was really thinking about what I was saying. And then another member of the jury, Phil, called me out, basically said, ‘Come on mate, we’ve not got all day, get a move on’”.

James added: “I just felt really disrespected because I had been voted in as the foreperson, so I had a responsibility to moderate a conversation, a really serious one of that, but also have my say at the same time.”

You can stream the new season of The Jury on Channel 4

JOJO Siwa has addressed whether she’d date women again – as she lifted the lid on her relationship with Chris Hughes.

The US singer and dancer, 23, struck up a romance with Love Island alum Chris, 33, on last year’s edition of Celebrity Big Brother.

Prior to entering the House, JoJo had been in a relationship with Kath Ebbs and identified as a lesbian.

Although during her time on the show, the star later said she wanted to identify as queer.

Speaking more recently on the Wildmen podcast, JoJo refused to rule out dating women again.

She told hosts Dylan Sprouse and Brendan Columbus about her relationship with Chris: “I thought it was just another friend adding to the thing, right?

together again

JoJo Siwa strips to bikini for loved-up reunion with boyfriend Chris Hughes

HUGHE JOB

Chris Hughes lined up for huge new Big Brother job – and JoJo could join him

“Once realised I wasn’t grossed out by the thought of him being a boy, I was like “whoa.”

JoJo continued: “It was definitely… it was weird, because I’d never thought that before.”

The star explained while she had attractive male friends, she never thought of them romantically – joking her bridal party would be “all dudes.”

JoJo went on: “With Chris… it actually was fascinating because I physically thought I would never be with a dude, ever. I just never thought it was possible.

“And people always go, “What if something happened with Chris, who would you date? – boys or would you go for girls?

“At this point, I have no right to say. You can find interviews on me where I’ve sworn how gross dudes are and I’ll never be with one.

“And now I’m head over heels in love with one.

“People always ask that and it’s always just like, “I have no right to say”, but I really do think that Chris is very much so a special dude.”

SPICE GIRLS, Girls Aloud and Little Mix are just some of the huge girl groups who have ruled the charts over the years.

Now the next generation is ready to get in on the action.

Step forward Manifest — Turkey’s picture-perfect group, who are taking the world by storm.

Despite being yet to release a single English-language track, the girls already have 7.3million monthly listeners on Spotify alone.

The group is made up of six amazing women: Sueda Uluca, Hilal Yelekci, Lidya Pinar, Mina Solak, Esin Bahat and Zeynep Sude Oktay.

And they have the backing of Dua Lipa, who personally invited them to perform as part of her Sunny Hill music festival in Kosovo earlier this summer, and has tipped them for greatness.

DUA LEAPER

Dua Lipa jumps for joy as she marks 31st birthday in Ibiza on 8th trip of year

TAUT & TANNED

Dua Lipa shows off bronzed body in a bikini as she sunbathes on girls’ trip

They said: “Dua was amazing. We really love her, and meeting with her was like a dream come true. We saw meeting Dua and playing her festival as a step to becoming global stars.

“She gave us some great advice and was keen for us to just remember to enjoy the show.

“She encouraged us to enjoy our time on stage and not worry too much. If we have fun, the fans have fun.”

Each member has their own distinct personality and style, and since being put together on a TV talent contest in Turkey last year, their popularity has skyrocketed.

Keen to take on the world, the girls invited Bizarre’s Jack to Izmir, on Turkey’s Aegean coast, to see them in action at their three-day festival, Manifestival.

He was blown away — not only by the vocals and the sharp choreography but by just how lovely the girls were backstage.

In their first UK interview, the group explained: “We have been manifesting ourselves to be a successful band for years. We have always believed we can do it and make it global.

“We believe people can manifest anything, so when it came to picking a name for us, as soon as someone mentioned Manifest, it stuck.

“We loved it. We didn’t want a name that was too cheesy.”

The group are putting in some serious hours to make themselves stars.

They explained: “We don’t have days off, we have hours. We are so busy, but that’s good. We are constantly in rehearsals.

“It only takes us one day to learn a dance but then we practise it over and over again.

“We want the show to be perfect. Sometimes we will practise a single routine for five days until it’s ready.”

Next month, Manifest will jet to the UK for their first ever headline show on British soil and, boy, are they starting big.

Leapfrogging smaller venues due to demand, they will headline London’s Wembley Arena on October 16.

As well as the gig, the girls are set to take part in a number of promo activities across the capital to show there’s a new band in town.

Admitting they still battle with nerves even though they have “made it” in their home country, the group said: “When we first started to perform, we were really nervous — it almost felt like you were having a heart attack from the nerves.

“But now it’s just excitement. Every time we perform, it’s still so exciting for us. It’s what we love to do.

“We have rituals to calm us down, and we pray to God before we take to the stage.”

In another sign Manifest are attracting all the right attention, they have also landed themselves a Netflix series which will show them on the road and take each member back to their home town.

Setting their sights as high as possible, the girls now hope they can emulate their Girl Power idols.

They added: “We would love to be as big as the Spice Girls; they are our inspiration.

“We have just recorded our first English song, which should be out soon, and we are coming to London.”

Take it from us, there are big things to come from Manifest.

Sam’s on £400m sales

SAM SMITH looked pleased as punch receiving this plaque celebrating the sale of 400million singles worldwide.

The Lay Me Down singer, whose latest album Hazel Eyes came out last month, beamed backstage at the London Coliseum.

Sam played the first show of an eight-night To Be Free residency there on Tuesday, and I’m sure this boost was most welcome before taking to the stage.

An ABBA Fab tribute

IN what I can only describe as the maddest musical mash-up I’ve heard of in a long time, Una Healy, Samantha Mumba, Duncan James and Antony Costa are teaming up for an ABBA extravaganza.

All Stars: The Music Of Abba is a new stage show ­celebrating the Swedish group’s biggest hits.

Across a 21-date tour, The Saturdays star Una, Samantha and the Blue bandmates will form a pop supergroup paying homage to the works of the chart legends, backed by a live band.

Further dates are expected down the line, but they will kick off in Croydon on February 26, before ­taking in shows in cities nationwide including Aberdeen and Edinburgh, Cardiff, Birmingham, Southend, Nottingham and Hull.

Tickets go on pre-sale from 10am today online at allstarsonstage.com.

SHAKIRA’S World Cup anthem Dai Dai with Burna Boy has surpassed one billion views on YouTube and made her the most-viewed female artist on the platform.

The achievement comes ahead of the launch next week of her sold-out 12-night residency at a purpose-built stadium in Madrid.

THE WEEKND has wrapped his 42-date After Hours Til Dawn 2026 tour, grossing £255million after performing in front of more than two million fans.

The gigs gave a massive boost to local economies and raised more than £1.6million in charitable donations for both the United Nations World Food Programme and the Global Citizen project.

Strike a pose Julia

JULIA GARNER is the spitting image of a young Madonna as she vows that the superstar’s biopic will be made.

The Ozark actress sported cropped blonde hair and a feathery gown in the October issue of Elle magazine after being cast in the film, which was canned amid budget rows.

Julia insisted: “I think the movie has to get made. But we’ll see . . .”

She and Vogue singer Madge filmed for Apple TV show The Studio together earlier this year. Their spoof storyline is inspired by the Queen of Pop’s axed film.

Julia said: “She’s one of the funniest people I’ve ever met. Like actually. And people don’t know that.”

Peter’s spaced out in new film role

WHATEVER you think about Peter Andre, it’s safe to say he likes to keep his career varied.

Last year he played a gangster trying to secure his nan’s £35,000 care home fee in comedy film Jafaican.

Now, I’m told the Mysterious Girl singer is about to start work on his next ­production.

Insiders tell me his latest foray into the movie world will be Love In Space, which has a similarly hilarious plot.

It will tell the story of a young man who falls in love with a charming female ­scientist after being abducted by UFOs.

A source said: “Pete just loves acting and if the project feels right and he likes the script, he goes for it.

“This film is really futuristic and Pete will be filming at the end of this month in a ready-made spaceship.”

Popcorn at the ready . . . 

A Biggie break for Swayvo

ANOTHER nepo baby has bagged a major role in Hollywood.

The son of neo-soul pioneers D’Angelo and Angie Stone has been cast as Biggie in the upcoming Snoop Dogg biopic.

Swayvo Twain, whose real name is Michael D’Angelo Archer II, will star in the Universal Pictures movie called Snoop, which is being produced by the rapper himself.

Biggie, also known as Notorious B.I.G., was one of the biggest names in hip-hop in the Nineties and had a mutual appreciation with Snoop, despite the fact they were on either side of the East Coast-West Coast rap rivalry.

Jonathan Daviss will play the main man himself in the flick, which is due to hit cinemas next August.

Nirvana go for a gong

NIRVANA will be honoured with the prestigious Video Vanguard Award at the MTV VMAs on September 27.

The gong is akin to a lifetime achievement award and has been won by Mariah Carey and Rihanna in recent years, with Nirvana being the first band to do so since Duran Duran in 2003.

They only released three albums before frontman Kurt Cobain died, but surviving members Dave Grohl, Krist Novoselic and Pat Smear are being tipped to attend, 34 years after winning the Best New Artist and Best Alternative Video prizes for Smells Like Teen Spirit.

The 2026 ceremony will take place at the Peacock Theater in Los Angeles, with Madonna leading the nominations with 11.

In reach for Adela

WITH just one day of sales left, the battle for No1 is almost over but breakout star Adela is fighting for the top spot.

And it’s not just chart success she is hoping for but world domination, following the release of her brilliant debut album Prima on Friday.

More than a million videos have been made on TikTok using the audio for her single Ain’t In LA.

Now that single is set to enter the Top 20 tomorrow, plus A-lister Nicole Kidman has praised Adela after the Slovak singer named her next track after the actress.

Meanwhile, Adela has revealed her drive to become a pop star in the first place.

Speaking about her favourite Disney Channel show as a youngster, she told Bizarre’s Howell: “Hannah Montana’s where I first saw like, ‘Oh, you can sing and dance for a living and you can be a pop star. This is what that is like’.

“That’s literally where this all first began. For me, it was seeing that show and becoming obsessed with it.”

Of the show’s star Miley Cyrus, she added: “She’s like a mythical creature to me. I don’t think I can actually meet her.”

If Prima manages to clinch the No1 spot from competitors Kasabian, who she is just 332 copies behind, she will be the first solo female to go straight to No1 with her debut album since Olivia Rodrigo’s Sour in 2021.

And judging by Adela’s drive, talent and creativeness on this record, the world is her oyster.

Once upon a time in Hollywood, Quentin Tarantino’s mansion was nearly burgled.

Police are looking into the report of an alleged prowler who, “clad in black,” was spotted trespassing at the Oscar-winning director’s Hollywood Hills mansion Wednesday afternoon.

According to law enforcement sources, a call was received about a prowler lurking around the 7400 block of Woodrow Wilson Drive around 12:20 p.m. Responding officers were on the hunt for a 35-year-old man with a thin build wearing a long-sleeved black shirt and black pants (in 100-degree heat).

According to sources familiar with the investigation but not authorized to speak publicly, there were people inside the home when the alleged cat burglar tried to enter a second-story window of the three-story home.

Police told The Times that the suspect had fled by the time officers arrived, but a trespass report was completed.

It is unclear whether Tarantino was home at the time of the incident, and police could not confirm whether the trespasser was successful in their burglary attempt.

This isn’t the first time the “Pulp Fiction” filmmaker has had trouble with home intruders.

Back in 2018, Tarantino reportedly awoke in the middle of the night to find two burglars inside his home. According to TMZ, he confronted the men and they booked it out of the same Hollywood Hills mansion. Although no one was injured, they apparently made off with jewelry and other valuables.

A BREAKFAST TV legend has been spotted going wild at a Kasabian gig, punching the air and “loving every second.”

Would you have recognised him?

The 60-year-old was seen hanging over a railing, desperate to get closer to the front as he sang along.

He then bopped his head up and down to the tune while he punching the air.

The former Big Breakfast presenter looked like Kasabian’s biggest fan as he jumped up and down to their hit Come on Back To Me Good.

In the video uploaded to TikTok, the radio star can then be seen taking a break from groovin’ as he filming the British rock band.

Read more on Breakfast TV

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He donned a smart blue shirt and beige trousers for the occasion.

The breakfast TV icon in question is of course, Jonny Vaughan.

Jonny got his telly breakthrough in 1993, hosting Channel 4’s film review show Moviewatch.

By 1997 Jonny was the host of The Big Breakfast with his co-star Denise Van Outen.

He took over from Chris Tarrant as the main host of the Capital Breakfast show in 2004 before later hosting a horde of other Channel 4 show’s including Space Cadets.

Jonny now hosts the drivetime show weekdays from 4:00pm till 7:00pm on Radio X.

HOLLY Willoughby has given fans a rare glimpse inside her marriage to Dan Baldwin as they packed on the PDA in the trailer for her next YouTube show episode.

The couple shared a sweet kiss during his cameo on Holly Willoughby Together while she got glammed up for the National Television Awards.

In the video, Holly could be seen fresh out of the shower in her robe, ready for her hair and makeup team.

“I could fall asleep sitting here, literally that’s what I was thinking” admitted Holly as her crew set to work.

Later, Dan walked onto the set suited and booted and Holly gushed: “Hi, you look very handsome.”

Dapper Dan then leaned in and gave Holly a sweet kiss on the lips.

Read more on Holly Willoughby

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“Awwww,” said her crew before Holly’s makeup artist made it clear Dan wasn’t allowed to kiss her cheeks as it could ruin her glam.

Taking the stern warning in his stride, Dan replied: “Alright Patsy.”

He told a beaming Holly: “I’ll see you later.”

She said: “I’ll see you later, when I’m on stage.”

“Bye everyone,” waved TV producer Dan as he disappeared out the door following his very short cameo.

In another scene, Holly was seen telling her crew that she had to be strict with pre-drinking before appearing on telly.

She said: “I can’t have a Buzz Ball and go on stage at the NTAs… I’ll stick two down my top for emergencies.”

The next episode of Holly’s show is a ‘Get Ready With Me,’ which sees the legendary presenter chat everything getting glam.

Holly said: “So last night when I got the dress sorted from Danielle, I messaged the girls the picture.

Showing the camera a picture of her makeup inspiration, Holly continued: “And so I was looking and I thought with that dress being black, I wanted to do a tiny flick but a smudgy one [for her makeup].

“It’s almost like it’s been wiped… wide winged.”

One of Holly’s team questioned: “Aren’t they sanitary products, wide wings?”

At the end of the trailer, Holly revealed her bedazzled black dress, Hollywood-style bouncy curls and flawless makeup look.

Holly launched her YouTube series Together on July 28 2026, following her previous role presenting Netflix’s Celebrity Bear Hunt in 2025.

Her new show is produced by Hungry Bear Media, which was co-founded by her husband, Dan.

Strictly Come Dancing’s new hosts were summoned to a shock zoom call at short notice which meant Emma Willis was sat on the loo when she was told she was told she had a new job.

Comedian Josh Widdecombe was in grave danger of giving away the news he was a new Strictly Come Dancing host whilst it was top secret – after finding out the news whilst walking around a cemetery.

Stand up star Josh, 43, revealed the bizarre moment as he and co-hosts Emma Willis and Johannes Radebe were quizzed in a new podcast. And he wasn’t the only one being given the life changing news in a weird place, with Emma flushed with the success of a new job whilst in the toilet at her hairdressers.

The trio said after their final audition they had to wait around two weeks before they were summoned to a zoom call at short notice by BBC execs.

Emma said: “We were all in very random places. But we also didn’t know the call was happening did we? It was a very weird situation.

“The reason it kept getting put back was because I was at the hairdressers.

“I was like this could be an either way Zoom so I’m not going to get excited. And I said ‘I can’ [go on a call] but literally I’m just I’m having my hair washed. And she said okay okay.

“And then they took ages washing my hair. And they’re like ‘do you want a massage?’ I’m like ‘no no just crack on’.

“She[show boss] said can you go somewhere private? And I said the only place I can go is outside in the street or in the loo.

“So I was sat on a toilet at the hairdressers.”

Johannes was at his home when he was on the same call waiting to head out to do a stage show, and then there was also Josh who was desperately trying to find a quiet spot.

Josh explained: “I was in Birmingham because I was on tour. So I was sat in a graveyard in Birmingham because I wanted somewhere quiet.”

Looking back on the moment he knew he had the job, he added: “I didn’t like stand up and go ‘yes’ because obviously it wasn’t public then either.

“Not that anyone would have gone ‘wait a minute, he got the Strictly gig – that guy punching the air by the grave’.”

Speaking on The Rest Is Entertainment podcast, the trio also explained the role of Johannes on the show, and denied previous reports he would act as a ‘roving reporter’ with the other two as main hosts.

The trio, who start fronting the show later this month, are replacing Tess Daly and Claudia Winkleman who previously hosted the BBC hit series together for 11 years.

Emma said: “There’s no like for like, so no one’s kind of replacing anybody and at the minute it’s all very kind of open. We’re having lots of production days where we go in and we play around and we’re kind of feeling each other out – well, they’re feeling us out really.”

Josh Widdicombe: “It’s going to be like total football. We’re going to be moving everywhere.”

And Emma added: “There’s definitely no backstage roving reporter, which is what has been reported quite a bit. That’s not a thing.”

* The full interview is on The Rest Is Entertainment Podcast out today.

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Fox Corp.’s $22-billion acquisition of San José-based Roku, operator of streaming services and seller of hardware devices, seemed like a straightforward deal when it was announced in June: A growing media company was looking to bolster its presence in the fast-growing streaming industry.

But, on Wednesday, the Trump administration weighed in.

Fox Corp. and Roku said that the companies received requests from the Justice Department on Tuesday for additional information in connection with its review of the merger.

While Fox and Roku downplayed the requests, saying that they had expected the outreach, the timing of the move raised eyebrows among some analysts, who said it could signal further scrutiny of the transaction by the Justice Department.

“The president has been outspoken on the fact that he will take retaliatory action against networks that say things that he doesn’t agree with, or they do things that he doesn’t agree with,” said Rob Enderle, principal analyst at advisory services firm Enderle Group.

The action follows President Trump’s surprise over Fox’s ouster of anchor Maria Bartiromo. She was pushed out after she had shared internal company texts with the White House, which sources told The Times may have been the breaking point.

Trump said on social media that he couldn’t believe that Bartiromo will no longer have her shows on Fox. “Her fans, of which there are many, will not be happy,” he wrote on Truth Social on Sept. 3.

Associate Atty. Gen. Stanley Woodward said the Justice Department could not comment on pending matters but said in a statement: “We can affirm that this DOJ under President Trump’s leadership will continue to prioritize affordability for all Americans across our economy.”

Fox announced in June its plans to acquire Roku for $22 billion, which would give the company access to Roku’s 100 million households that use its platform to connect to different streaming services. The deal would benefit Fox’s advertising business, as well as make it less reliant on traditional pay TV platforms.

Fox and Roku said they expect the merger to be done by the first half of 2027, subject to regulatory and shareholder approval, according to a Sept 9 filings with the U.S. Securities and Exchange Commission.

“FOX and Roku will continue to work cooperatively with the DOJ in its review of the Mergers,” Fox said in its filing.

Some legal experts said it is fairly standard for the Justice Department to make an additional request for information.

“It doesn’t mean that their review is going to be more extensive than usual,” said Ray Seilie, an entertainment attorney at law firm Kinsella Holley Iser Kump Steinsapir.

For example, the Justice Department made a second request for information when it reviewed Paramount Skydance’s deal to buy Warner Bros. Discovery, he said. The merging companies typically send information that helps the government figure out what the market impact will be of a merger, he added.

The Justice Department ultimately approved Paramount’s planned acquisition, despite opposition from some industry stakeholders. State attorneys general and the Writers Guild of America have sued Paramount over the deal, raising antitrust concerns. Others have pointed out close ties between Trump and Larry Ellison, a financial backer of the deal, who has also donated money to a group that supports Trump. Ellison’s son, David, is chief executive of Paramount Skydance.

Legal experts and analysts said they don’t think the combination of Fox and Roku raises antitrust issues because they are not dominant players in streaming and have businesses that complement each other.

But one wild card is Trump.

“You never know what Trump is going to seize on and decide he wants to do,” said Bryan Sullivan, a partner with law firm Early Sullivan Wright Gizer & McRae on whether Trump will take retaliatory action through the Justice Department in the Fox-Roku deal. “It’s chaos in the federal government and it could very well happen because of that reason, but it could also just be a blip and not a big deal.”

Times staff writer Stephen Battaglio contributed to this report.

Workers at “World of Warcraft” video game developer Blizzard Entertainment have ratified union contracts after two years of bargaining.

The ratification vote means all union-represented Blizzard employees — nearly 1,900 people across all units in the company’s games teams and shared services — will have the same contract language in their respective departments, the union said Wednesday.

Blizzard quality assurance workers in Albany and Austin were the first to unionize in 2022, followed by “World of Warcraft” employees in 2024. Last year, workers on the “Overwatch,” “Diablo,” “Hearthstone” and Warcraft Rumble” games teams, as well as the story and franchise development and platform technology units unionized.

“This contract marks the beginning of a new era at Blizzard Entertainment, but it doesn’t stop with us,” “Overwatch” bargaining committee member and quality analyst Simon Hedrick said in a statement. “I believe that the positive change we have won will ripple out and help make the games industry as a whole a better place for workers and players alike.”

The Blizzard contracts include wage increases and a hybrid work week of three days in the office, among other provisions, the union said. The contracts also require Blizzard to discuss and bargain over the use of artificial intelligence in the workplace.

“We appreciate the dedication and engagement of our represented employees and the bargaining committees throughout this process, as well as every Blizzard employee whose work continued alongside it,” Johanna Faries, Blizzard’s president, said in a statement. “The ratification of these agreements marks a significant milestone and reflects our shared commitment to continuing to work together in support of our teams and our players.”

Blizzard is a subsidiary of Santa Monica-based Activision Blizzard. The company was acquired by tech giant Microsoft Corp. in 2023.

In July, Microsoft said it would cut 3,200 jobs in its video game division, or about 20% of that staff, over the next year as the gaming industry continues to face a flagging landscape. The layoffs were part of a larger cost-cutting effort at Microsoft, which is laying off about 2% of its workforce in total.

Blizzard’s union said the planned layoffs, as well as job cuts throughout the video game industry, were a major issue during contract negotiations.

One of the provisions in the Blizzard contracts gives laid-off workers the right to be “recalled” into open jobs across Blizzard’s bargaining units for 14 months after the announcement of their layoff.

“This contract secures a lot of what people already love about working here while adding strong protections around layoffs, job security and remote work,” Daniel Weltz, platform and technology bargaining committee member and principal software engineer, said in a statement. “Blizzard helped shape the gaming industry, and I’m proud that this contract allows us to continue setting new standards for this work.”

SYDNEY Sweeney bounced in a little white bralette and underwear – while launching the latest Syrn campaign.

The Euphoria and White Lotus actress, 28, launched lingerie brand Syrn in January 2026.

On Instagram, Syrn’s account posted a clip of Sydney showing off her incredible physique as she modelled some of its clothing range.

The caption read: “Comfy, cozy and layered for extra support.

“Syd’s look: Top: Tit for Tat Triangle Bralette layered with the Lowdown Cami.

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One person commented: “I want this outfit.”

Another penned: “So adorable but I know I won’t look like this.”

It comes as Sydney previously spilled out of an incredibly sexy Syrn bra while licking cake off her fingers – ahead of her 29th birthday.

The star, who is turning 29 on September 12, showcased a black bra, thong and garters that she designed for her lingerie brand.

One person commented: “I LOVE YOU I LOVE YOU.”

Another added: “Prettiest girl and most beautiful lingerie.”

Coronation Street’s Jodie Ramsey discovered that Bethany and Kit had slept together on Wednesday night’s episode and now fans are wondering what the mysterious character will do next

Coronation Street’s Jodie Ramsey discovered that Bethany and Kit had slept together on Wednesday night’s episode. The cafe waitress, played by Olivia Frances-Brown, turned up as the long-lost sister of Shona Platt during the programme’s crossover with Emmerdale.

Since then, the mysterious character has managed to get herself intertwined in just about everyone’s problems and caused trouble in one way or another but viewers are none the wiser as to what her game is.

As ever, a lot is going on in the Platt family, and with Sarah Platt (Tina O’Brien) in prison having been charged with murder, her daughter Bethany recently had a one-night stand with DC Kit Green.

The police officer almost became Bethany’s stepdad until Sarah broke things off with him while she was behind bars. However, Kit is still very much part of the family unit having agreed to take care of Sarah’s son Harry whilst she is imprisoned.

Bethany was trying to brush their one night stand off as a ” a moment of madness”, as Kit lamented: “It should never have happened at all! You know, of all the women I could have slept with. Leave it, eh?”

Unbeknownst to them both, Jodie, whose sister is Bethany’s aunt, was listening to their conversation and looked delighted to make such a discovery.

It wasn’t until the very end of the episode, however, that Jodie poured a glass of wine, pulled her phone from her pocket and played the conversation back on her phone, having recorded every word.

Reacting to the twist, one fan wrote on X: “Wow so Jodie recorded the convo! she’s so wicked,” and another said: “Hate and love Jodie, she makes me mad at times! just shows the actress is doing a good job when they make you mad.”

A third wrote: “Jodie is seriously twisted,” and fourth said: “So someone overhears Kit and Bethany talking about sleeping together AND OF COURSE IT’S F****** JODIE!!! OF COURSE IT IS.”

Actress Lucy Fallon, who plays Bethany Platt, recently spoke of the ramifications that will come with her decision to sleep with the man who was almost her stepdad.

She said: “I think it was definitely a major mistake and she is feeling incredibly guilty. That guilt is going to weigh on her for quite a while.

“”There has been a lot going on recently. Bethany has been holding everything together for everyone and trying to look after Harry, while Kit has his own separate issues.

“They were in the flat together and one thing led to another. It clearly causes many problems between them moving forward. For both of them, it was a massive mistake.”

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and is available to stream from 7am on ITV X.

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ROCKERS Liam and Noel Gallagher have teased yet another tour location in a cryptic new video – and fans are convinced they’ve guessed it.

But, can you guess where too?

The legendary band, Oasis, reformed in 2024 after the long-feuding brothers split up in 2009.

Over the past few weeks, Liam and Noel, 59, have dropped a string of cryptic videos, leaving fans scratching their heads.

The clips have confirmed another tour is coming in 2027 and left viewers scrambling to decode the gig locations after their reunion success last year.

Taking to X, the brothers shared a short clip of a European-looking side street.

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Two girls on a red Vespa then come zooming down the alley and it’s once again left silent.

Of course, fans immediately began dissecting the video in the comments and most came to the same conclusion – Rome.

One fan wrote: ” Rome. The area looks like Trastevere. Other clues: Red scooter and yellow headlight = AS Roma colours.

“Rider 1 in light blue & blue helmet = Lazio colours. Rider 2 in the Italian flag helmet.”

Sharing a snap that looked very similar to the video location, another fan said: “Stayed in Trastevere in Rome last week and it looks like the same area.”

A third fan added: “Pretty sure I’ve walked down that exact street in Rome.”

Just yesterday, Liam, 53 and Noel, teased another upcoming tour location with a subtle nod to a moment that happened around the group’s original split.

In the clip, a man wearing a leather jacket took out a plum from a paper bag and began eating it.

Soon after this, he lobbed the plum away somewhere off camera, into the distance.

It cheekily references Noel previously telling how – during a heated 2009 argument at the Rock en Seine Festival in Paris the time of his Oasis departure – Liam threw a plum at him.

Fans were convinced the clip hinted at a France tour date – with references to “Rock en Seine” and “Au Marché” visible.

Back in June, The Sun exclusively revealed that Oasis will returning to the stage next year with a record-breaking run of six concerts at Knebworth and a 12-date residency at the Etihad Stadium in Manchester.

Bruce Davis spent more than two decades as the motion picture academy’s chief executive. Even when he retired in 2011, it was not because he didn’t still love the work. In fact, he kept at it in retirement, retaining an office at the Pickford Center for Motion Picture Study where he focused on writing a definitive history of the early days of the Oscars.

“I don’t think I’ve been bored for a minute in 30 years here,” Davis told the Associated Press upon leaving the academy. “I feel like such a rube sometimes. To this day, when I get out of the car on Oscar night and step up there onto that carpet, you get that rush of energy. The lights are popping — not that anybody’s aiming at me — but still I think it’s one of the great rushes, emotionally speaking, that a person can have.”

Following a battle with leukemia, Davis died Saturday. He was 83.

Davis’ career at the academy was, according to wife Joann, partly a matter of being in the right place at the right time.

“Not that he wasn’t really good at what he did,” she says by phone. “But he was also a lucky man.”

Davis was working as chair of the theater department at Juniata College in Pennsylvania when he and Joann loaded all of their belongings atop their Mazda GLC and headed to Los Angles in pursuit of Hollywood dreams. Davis had been working on a few screenplays while teaching, and his agent told him needed to move closer to the action to network and take meetings.

“Neither of us had jobs when we left Pennsylvania,” Joann says. “We just bit the bullet and drove out. It was a leap of faith.”

Shortly after arriving, Davis met someone at a party whose wife worked at the motion picture academy. That soon led to Davis taking a job arranging lectures and seminars and, later, overseeing the organization’s public programming.

Davis became the academy’s seventh executive director in 1989, leading it through a sizable expansion of staff, relocating the academy’s Margaret Herrick Library to the Beverly Hills Waterworks building in 1991 and setting up its film archive at the Pickford Center for Motion Picture Study in 2002.

“Bruce would drive back and forth to work and see that Waterworks building at the time that they were looking for places for the library to expand,” Joann says. “And one day, it just occurred to him that maybe that would be a building, and so initiated conversation with Beverly Hills. It was kismet.”

Davis had hoped to build an academy museum next to the Pickford, convincing the group’s board of governors to purchase a nearby 3.5-acre site in 2006 for a reported $50 million, but the 2008 recession derailed those plans. His successor, Dawn Hudson, led the push to partner with the Los Angeles County Museum of Art, eventually building the museum at the former May Co. building at Wilshire and Fairfax. It opened in 2021.

Davis was also instrumental in doubling the Oscars’ best picture category from five nominees to 10 in 2009, establishing the preferential ballot system that determines the academy’s top prize.

“That way, best picture reflects the choice of the greatest number of people,” Davis told The Times.

Davis’ Oscar book, “The Academy and the Award,” was first published in 2022, long after he originally anticipated it would hit stores.

“He thought a couple months of research, a couple more months to write it, and voila, in two years, he’d have it done,” Joann says. “But he kept finding new things he wanted to explore.”

Shortly before it published, Davis told The Times that he hoped the book would dispel myths surrounding the Oscars, including Susan Orlean’s assertion in her Rin Tin Tin biography that the dog received more votes than any male actor at the first Academy Awards and that Bette Davis gave the golden statue its nickname because its backside mirrored that of her then-husband Harmon Oscar Nelson.

“There’s a lot of nonsense out there,” Davis said, “and the real story is almost always more interesting.”

“He was deeply committed to preserving the academy’s history, establishing dedicated homes for our library and film archive, and relaunching the concept of creating a museum,” current academy CEO Bill Kramer and President Lynette Howell Taylor said in a statement. “He had a profound love for the academy.”

Davis loved to read and collect books, devouring anything from John Updike and Margaret Atwood, among other authors, a passion that necessitated having bookshelves in every room of his home. Language itself was an obsession, with many family dinners ending with Davis pulling out his unabridged Oxford English Dictionary to share the derivation of a word.

“He was a really fascinating guy,” Joann says.

Perhaps the only thing Davis didn’t like about the Oscars was the ceremony’s annual in memoriam segment, which pays tribute to those who died in the previous year.

“It is the single most troubling element of the Oscar show every year,” Davis told the Associated Press, “because more people die each year than can possibly be included in that segment.”

Next year’s ceremony now has one certain addition.

In addition to Joann, Davis is survived by four daughters: Brangien Davis, Alexandra Davis, Archer Davis and Roxanne Davis.

When Strictly foxtrots back on to our screens later this month, it will be the first time in 14 years without longest serving female pro dancer Karen Hauer, who shimmied her way through more than 100 numbers on the show. But she’s not ready to kick off her dancing shoes just yet – revealing her ambition to cha-cha her way into the role of fiery Puerto Rican, Anita, in West Side Story. She says: “My dream role would be Anita in West Side Story. The world is my oyster.”

When Strictly’s new season launches on Saturday 19 September, it will also be the first time Karen has watched it live. She says: “I’ve never watched it live – I was always in it.”

And Karen – who announced her departure in a statement on social media in March – is not the only high profile departure. Longtime hosts Claudia Winkleman and Tess Daly have also left, as have pro dancers Gorka Márquez, Nadiya Bychkova, Luba Mushtuk and Michelle Tsiakkas. Karen says: “Things have to evolve. Whether people like it or not.”

But Karen will be rooting for the new hosts, Emma Willis, Josh Widdicombe and Johannes Rabede. She says: “The new series is so exciting. I’ll definitely be watching my friends and I’m really looking forward to seeing Johannes, Emma and especially Josh. I danced with him on the Christmas Special dressed as penguins.”

Karen, who was in the show from 2012 to 2025, has already started her new chapter – playing teacher Mavis in Devonshire Park Theatre’s production of the Richard Harris comedy, Stepping Out in Eastbourne until the end of April, before taking it on tour until the end of September. She will then be playing the Wicked Queen in Snow White at The Princess Theatre, Torquay, in December and January.

She says: “I’d been preparing myself mentally for a long time to leave [Strictly]. I’m doing great, I’m really happy. I’m going to miss Strictly, but I’m definitely enjoying my new chapter.”

But the dancer was shocked by the outpouring of love she felt from fans when she announced her departure. She says: “I’ve never felt so much love. I made such an impact without even actually knowing. I was shocked. I was like, ‘how come you guys didn’t vote for me to win?’ Goddamn it.”

Giving no dramatic reason for going, she simply says it was “the right time” to go, adding: “There’s a time when you just have to go, ‘okay, well, that’s a wrap.’ Now I have free time. I don’t know what’s going to happen in five years. So, I’m literally living the best life that I can right now, and not overthinking about the future.”

The first to admit to being a romantic, Karen has had three husbands. She was married to dancer Matthew Hauer from 2000 to 2009, to fellow Strictly pro dancer Kevin Clifton from 2015 to 2018 and then to fitness professional Jordan Wyn-Jones from 2022 to 2023.

But she now shares her rural home near Preston, Greater Manchester, with her boyfriend of three years, rugby player Simon Davidson and four rescue dogs, Betty, Phoebe, Marley and Joe. After her hectic Strictly schedule, she says of Simon: “It’s probably really weird for him to have me home.”

Positive she has now found ‘The One,’ she continues: “I love love. I think love is incredible, and I found it in Simon. I love being in a partnership, and in a partnership that’s healthy. “Knowing what a healthy relationship looks like and being in it … I think that’s what I love is, and that’s what I’ve been searching for. Joy for me is being at home with Simon and the dogs.”

Honouring her love of dogs, in November, Karen is hosting the The Burns Bravery Awards, in which the pet nutrition brand is calling on people to nominate Britain’s Bravest Dogs. Research from Burns Pet Nutrition reveals that three-quarters of owners say they turn to their dog when they’ve had a bad day.

And Karen can see why, saying: “My rescue dogs are the best thing to ever happen to me. Mentally, physically, my dogs get me out of bed, they get me out for a walk. My dogs have been through all my ups and downs. I think my dogs need therapy now.”

The dancer also turns to her mum Mirian when she needs comfort or inspiration. She says: “She inspires me every day. ‘It’s not going to be easy, kid, but you got this’ – that’s what I’ve always known since I was a kid. I’ve always fought and I’ve seen my mum struggle. I’ve seen what it takes to make it – not just as a person on television, but to make it in life.

“My mum raised three kids in New York City, in the Bronx, on her own. She always says, ‘don’t let your head get to the clouds.’ And that’s why I’ve always been very grounded, no matter what kind of job or who I’ve met. We’re all the same. On Strictly, I was never the flashy one, I was always grateful that first of all I had a job – and one that I loved and which entertained the entire nation.”

Karen made it to the Strictly final twice, with partners Jamie Laing and Mark Wright, but never lifted the glitterball. She says: “I was winning every year just being there. It’s great getting a 10, it’s fantastic, but it’s the moments that bring a smile to people’s faces and make them go, ‘That was really funny’, that I’ll remember the most.”

One such moment was when Anton Du Beke and Ann Widdecombe danced together at the Blackpool Tower Ballroom in 2010. This hilarious moment was how she likes to remember the long serving former Conservative MP, who died on July 9, aged 78, and whose death is now the subject of a murder inquiry.

Speaking fondly of Ann and Anton, Karen says: “He took her by the hand and the foot and was just swinging her around in a yellow dress. I was on the floor, peeing myself. It’s those moments, that’s what Strictly’s about.” Meanwhile, Karen gave her many famous Strictly partners – who included Westlife’s Nicky Byrne, actor Greg Wise and comedian Jayde Adams – the same advice.

She says: “I told all of my celebrities, ‘you have to enjoy it. We’re going to work hard, but I want to have a laugh. If you’re not having a laugh, then this is not going to work.’ A lot of people find it really hard to enjoy it, because there’s so much panic.”

Another of Karen’s favourite moments came in 2019, during Halloween week, when her wig came clean off her head on live TV.

“It was hilarious,” says Karen. “But so what if your wig comes off? People are going to remember that you made them smile. That’s what I’ll remember when I’m 85 … or dancing with Jeremy Vine coming out of a bath, or with the late Dave Myers, who I absolutely adored. Wow, I was living the dream, wasn’t I?”

*Following a public voting period, winners will be announced at the Burns Bravery Awards in November. For more information, and to nominate your dog, enter at burnspet.co.uk/pages/burns-bravery-awards

It’s pronounced “human.” Yet writer-director Siân Heder acknowledges that the unusual spelling of the title of her new movie, “Being Heumann,” is something people might give a puzzled second look, unsure of how to say it and possibly dismissing it altogether.

Which, the more she sat with it, made it perfect as the title for a portrait of real-life disability rights activist Judy Heumann, who, while being in a wheelchair, made herself undismissable.

More specifically, the film looks at the pivotal 1977 protest in which Heumann led a group in a 26-day sit-in at a federal office building in San Francisco until the government began enforcing Section 504 of the Rehabilitation Act of 1973 — the first federal law that recognized disability as a civil rights category.

“The fact that her last name was ‘human’ has so many beautiful layers of meaning,” says Heder, 49, during a recent interview in Los Angeles. “I think Judy was asking for the world to see disabled people as human beings who were worthy of rights and being looked at and being included.”

A world premiere and the opening-night selection of this year’s Toronto International Film Festival, which begins on Thursday, “Being Heumann” will hit theaters Nov. 6 and begin streaming on Apple TV Nov. 13. It is also, crucially, Heder’s first film since 2021’s “CODA,” the bittersweet drama about a young woman in a Deaf family (the title is an acronym for “child of Deaf adults”) that won three Academy Awards including adapted screenplay for Heder and best picture.

Actor Ruth Madeley and filmmaker Siân Heder during production on “Being Heumann.”

(Apple TV)

In Heumann, a wheelchair user after contracting polio as a child, Heder found a subject who was in the process of discovering herself as a leader: learning when to hold firm and when to cede ground and empower other people. And for someone who was grappling with the aftermath of unexpected success, that felt familiar.

“I think I was making a movie about myself, honestly,” Heder says. “When you’re moving forward on a massive project or a movement or anything, there’s a necessary drive and ambition and focus that is needed. And if you look at any major change that’s happened in human history, it takes a certain kind of person to push that through. I’m not identifying myself with great leaders of the civil rights movement, but directing a movie is a similar thing.”

Heder is tucked into a quiet corner of a busy coffee shop in L.A.’s Eagle Rock neighborhood, where she has long lived. She is in the process of moving from one historic house to an even older one a few blocks away. Heder didn’t want to disrupt the schooling of her two young children, ages 10 and 12, and has become too enmeshed in the area to want to leave it.

“There’s definitely an element of: ‘She manipulated everyone with that movie. She made us all cry and that’s why she won,’” Heder says of “CODA,” her Oscar-winning best picture. “I was an indie filmmaker that was compelled to tell that story.”

(Jason Armond / Los Angeles Times)

Community is a word that comes up often over the course of a conversation with Heder, who has a warm manner and a quiet self-possession. Though “CODA” may have brought her wider attention, she was far from a novice by the time she made that film. She won a Peabody Award as a writer on the series “Men of a Certain Age” and was a writer, director and producer on the acclaimed “Orange Is the New Black.” She expanded her 2006 short film “Mother” into her first feature “Tallulah,” about a young woman who takes a baby from a reckless mother and tries to pass it off as her own. It premiered at Sundance in 2016.

Winning the Oscar created changes in her life both big and small. Heder at first kept it on her desk at home, but had to move it because she began to feel the statuette’s crossed arms quietly judging her as she worked. When she drove herself to the Spirit Awards the year after “CODA’s” triumph and spontaneously gave a ride to an afterparty to Maggie Gyllenhaal and Ebon Moss-Bachrach, Heder suddenly realized her 10-year-old Subaru wasn’t going to cut it anymore.

“I have a nicer car now,” she says, laughing at the memory. “It’s baby steps.”

The day after the Oscars, Heder recalls that she couldn’t stop crying, all the pressure built up from months of campaigning events and Q&As finally letting itself out.

She says two things changed almost immediately after winning the Oscar. One was a sense of expectation, wanting to make the most of whatever the moment might allow.

“This was not a part of my plans,” she says. “I didn’t ever intend to have so many eyeballs turn to me and go, ’What are you doing now?’”

The second was simply the volume of material and opportunities incoming. Heder says she met with Marvel “so many times” about different projects but none of them felt right. As an independent filmmaker “you’re always pushing against the no,” she puts it, moving projects forward against all odds. But now she felt she had to be the resistance, the one to ask whether something was worthwhile.

“Suddenly there are a lot of voices chiming in too because your reps have an idea of what you should do next and the industry has an idea of what you should do next,” Heder says. “And it was really important for me to center myself back in a feeling of: I’ve always been drawn to stories because they move me. And that hasn’t changed.”

Her Oscars triumph was also the night of the notorious Will Smith-Chris Rock on-stage slap, which overshadowed coverage. Heder is online enough that she knows that some film fans would want an asterisk next to the Oscar wins for “CODA,” as if to note some sort of COVID-era exception for the first film from a streaming service to win Hollywood’s top award.

“There’s definitely an element of: ‘She manipulated everyone with that movie. She made us all cry and that’s why she won,’” Heder says with a edge of defiance. “I was an indie filmmaker that was compelled to tell that story. And then audiences embraced that story and that story took off in a way that was unexpected and surprising even for me.”

Siân Heder holds her Oscar for best adapted screenplay for “CODA” backstage during the Oscars in 2022.

(Robert Gauthier / Los Angeles Times)

Heder had been developing “Being Heumann” before “CODA” was released. A friend encouraged Heder to see the 2020 documentary “Crip Camp,” which includes Heumann as a subject, and the filmmaker was so struck by that story, she followed up by reading Heumann’s 2020 memoir.

She sent Heumann a cold email expressing interest in the book. As it turned out, Heumann was deciding that very day who should direct a movie of her life. Heumann gave the filmmaker a last-minute chance to pitch herself. After saying she’d cast authentically disabled performers as she did on “CODA,” Heder got the job.

Heder would work for two years on researching and developing the project with Heumann, interviewing dozens of people involved in the actual Carter-era protest. When Heumann died unexpectedly in 2023, Heder did not think she could continue, but it was “Crip Camp” co-director James Lebrecht who convinced her otherwise.

“I think Judy’s death, which was sudden — it made me feel like she had left her legacy in my hands,” remembers Heder.

After developing other scripts post-Oscars that never quite became her next film, Heder eventually found herself in the enviable position of having two projects greenlit at once: “Being Heumann” at Apple and an adaptation of Gabrielle Zevin’s popular novel “Tomorrow and Tomorrow and Tomorrow” at Paramount.

As she was trying to make a decision, she went to a meeting with several other directors about the relaunching of the Village Theater in Westwood. She found herself having coffee with Guillermo del Toro and asked him how he decided between potential projects.

“And he said, ‘Make the movie that can’t get made without you,’” she recalls. “And that was very clarifying for me. When you are the element that gets that story told, it takes on an importance and urgency.”

As can often be the case, Del Toro’s advice confirmed what she already felt and she began to move forward with “Being Heumann.” (She is currently prepping “Tomorrow and Tomorrow and Tomorrow” so there will not be another five-year gap between releasing films.)

“I was having a rare moment of power in the industry to push something forward,” Heder says, “and it felt like there was a path to go make a big paycheck and have that kind of jump up, or I could use that moment of power and success to try to push through the hardest project I could think of. It was in that moment, after ‘CODA,’ where I really realized: I could make this incredibly difficult movie that no one might make.”

Andrew Pilkington, from left, Siena Rafter, Charlie Rush-Reese, Dylan O’Brien, Roberta Colindrez, Ruth Madeley and Madeline Delp in the movie “Being Heumann.”

(Apple TV)

Following what Heder describes as “the casting Olympics,’ she arrived at BAFTA-nominated actor Ruth Madeley, a wheelchair user, to play the lead role. “Being Heumann” was shot in Toronto, largely on a soundstage built to stand in for the San Francisco federal office building where the sit-in took place.

“Hollywood might be the least accessible industry out there,” Heder notes while beginning to explain the accommodations that needed to be made for a cast that included performers with a wide range of disabilities. Custom-built trailers were created and the set had to be made accessible in ways that a filming location typically is not. An accessibility team oversaw everything, from large-scale logistics to the personal needs of individual background actors.

Rather than a more conventional biopic, Heder wanted to tell the more specific story of the 504 sit-in, building out an ensemble of characters around Heumann.

“I said, “It’s almost like ‘Bad News Bears’ and ‘Dog Day Afternoon’ together,” says Heder. “There’s an underdog-sports-team feeling and bank-heist-gone-wrong.”

But a filmmaker friend asked her: Is making movies about disability now her “thing”? It is a question Heder had already considered.

“Of course it was on my mind if it starts to feel like: Oh, is Siân Heder a social justice warrior who’s just out to try to make these movies that have some kind of message behind them,” she says preemptively. “But I think this is just a great story. Outside of disability, outside of anything else, it is a great story.”

Heder remains interested in stories about outsiders, about class and people generally ignored by or on the fringes of society. And it remains important that she herself feel a part of a larger community in her life and her work.

“My daughter said to me the other day, ‘Mom, I think you’re the right kind of famous because you are important to people who know who you are, but you can still just be in the world and be anonymous.” And I think there’s something true about that.”

Her daughter has obviously inherited Heder’s deep well of empathy, one that is more concerned with bringing new, unseen stories to the screen than with the pursuit of cool points or pure fame.

“‘Earnest’ has become a dirty word,” says Heder. “And what earnest actually means is direct and truthful.”

The Channel 4 star has continued to bag huge television and film roles

The Inbetweeners star Henry Lloyd-Hughes looks almost unrecognisable almost 20 years after he found fame on the hit comedy.

Fans will remember the British actor, 41, for playing school bully Mark Donovan in the now-iconic series. For those who missed it, the E4 drama aired for three seasons between 2008 and 2010.

It followed the wild adventures of pupil Will (played by Simon Bird) and his group of friends: Simon (Joe Thomas), Jay (James Buckley) and Neil (Blake Harrison). Donovan was known for picking on the main characters, and infamously snapped a picture of Will in the toilet on his first day of school.

We watched the schoolmates’ last adventure together over a decade ago, and Netflix is bringing them back for a third feature-length film. But whatever happened to villain Donovan?

Lloyd-Hughes, the actor behind the teenager, is almost unrecognisable these days. He has remained in the industry, just like most of his co-stars.

The London-born performer recently appeared in Netflix’s The Thursday Murder Club, opposite the likes of Helen Mirren and Pierce Brosnan. He has also enjoyed roles in Killing Eve and Steven Spielberg’s new thriller, Disclosure Day.

Although casual viewers may not instantly recognise the actor as a “grown up,” devoted fans can pick him out of a crowd even after all these years.

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Lloyd-Hughes shared the story of a sweet run-in with a fan back in 2021. “This is not a humblebrag but I was giving blood this morning. Obviously you’ve got to wear a mask,” he told Square Mile.

He went on to reveal that a nurse came over to him and said: “Excuse me, I’d like to ask a question. Have you ever done any acting?” To which he replied: “Yeah, sometimes.”

The healthcare worker then asked: “Are you The Inbetweeners?” Lloyd-Hughes went on to explain: “It was a middle-aged to elderly Indian man who recognised me.

“I was not expecting, when I was wearing a school uniform, filming for like £5 a week, that ten years later or whatever I’d be getting recognised. Even behind a mask!”

The Inbetweeners series is available to stream on Channel 4’s on-demand service. The Inbetweeners 3 will stream on Netflix.

A TOP screenwriter working on the new James Bond film has let slip that the role may already have been cast and the audition process completed.

The identity of the next 007 remains shrouded in mystery, but Steven Knight appeared to suggest a decision had been made.

Speaking on BBC Radio 4’s Today show, the Peaky Blinders creator was asked whether he had written the film with the chosen actor in mind or based on what he already knew about the character.

He replied that it was “a bit of both”, seemingly confirming that an actor had been picked.

Steven added: “It does make life a little bit easier if you know who that person is, but also you have to write the character, not the actor.”

He went on to discuss the honour of writing for such an iconic franchise.

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Steven said: “The thing with Bond is that it’s its own universe and its own franchise, so there are certain rules.

“Obviously, you have to move it along, but I love where it sits.

“I love that it’s British and it’s not DC or Marvel. The only thing I can say is I feel like I’m doing my duty for King and country.

“It’s something that, if you’re a British writer, you have to do.”

The next Bond will fill the shoes of Daniel Craig, who last played the secret agent in 2021’s No Time to Die.

Slow Horses actor Jack Lowden remains one of the frontrunners for the coveted role, while a host of other stars have been linked to the part since Craig’s departure.

Jack’s co-star Gary Oldman also appeared to fuel speculation during a recent TV appearance on Canada’s The Morning Show.

Discussing rumours that Lowden was on the shortlist, he told the host: “We’re going to find out pretty soon, aren’t we? Because they have picked him.”

The Oscar winner then doubled down, saying: “They have made their choice, but they have not announced it yet.”

BBC fans saw a new face join The Great British Sewing Bee as Sophie Willan became the host of the competition alongside judges Patrick Grant and Esme Young.

Great British Sewing Bee fans have been thrilled with the latest addition to the BBC show.

The competition is nearing its end, as BBC viewers will see one contestant crowned Britain’s Best Amateur Sewer, along with a golden mannequin trophy. After weeks of challenges, tasks, and plenty of tears, Anna, Emma, or Beth will win this year’s Great British Sewing Bee.

Ahead of the highly anticipated final, judge Patrick Young appeared on Morning Live to speak about what viewers can expect to see. However, the conversation soon turned to the latest host to front the show, comedian and actress Sophie Willan.

Highlighting that the show is kept ‘fresh’ by bringing in new presenters, the Morning Live star asked what it’s been like with Sophie as part of the cast. Patrick replied: “We’ve had some alright presenters over the years.

“Sophie is amazing. I was a massive Alma’s Not Normal fan. Quite often, we get told who is going to be coming on, and I had to pinch myself. I was like, ‘Oh my god, I loved Alma’s Not Normal’. She’s brilliant, she’s so fun.

“Esme loves her. She just helps create the most amazing atmosphere on set. We’ve been making the show for a long time. A lot of the crew and everybody behind the scenes are the same, but it’s lovely having somebody come in and give it a little zhuzh.”

Despite the show often shaking up who fronts the programme, Patrick confirmed Sophie’s future, and it’s good news for fans. He continued: “She’s amazing, we’re filming next year already, and I love going into work with her every day.”

Elsewhere in their conversation, he spoke about the upcoming final and the pressure he feels comes with it as a judge. He told the BBC presenters it’s mainly because he wants the contestants to excel.

Patrick commented: “We’ve seen it so many times when brilliant people have got to the final, and things just haven’t quite clicked for them. You do feel a certain amount of disappointment, but luckily, this year we didn’t have that.

“We got three brilliant people, and they all brought something really special to it. So actually there is a relief when it’s done, and you’re like, ‘They really have nailed this’.”

Sadly, BBC viewers bid farewell to Heather this week as the contestant narrowly missed out on a place in the final. Although she was teary-eyed over the exit, she was proud of all she achieved.

She commented, “All the stress and sleepless nights have been beyond worth it.” Meanwhile, Beth was awarded garment of the week for her little black dress.

During the show, Patrick told her, “We absolutely loved it. It was so elevated, such beautiful use of the fabrics, and such a lovely story of you know, personalising the LBD. Well done.”

Morning Live is available to watch weekdays on BBC One from 9:30am. The Great British Sewing Bee final airs Tuesday, September 15, on BBC One at 8pm .