News Desk

Dr Xand van Tulleken told viewers ‘it can be like a heart attack for your legs’

A BBC doctor has given a worrying update for anyone who has woken up in the morning with a pain in the leg. Appearing on BBC Morning Live, Dr Xand van Tulleken told viewers they should ‘never’ just write symptoms off as what happens due to ageing.

Many people get aches and pains, but specific discomfort in the legs should be investigated, he said. Host Helen Skelton said: “We’re looking at protecting our health now, though. And if you started this morning with a pain in your leg, you’re not alone.

“It’s thought that one in five people over the age of 60 is living with a blood vessel disorder.“ Dr Xand said “It’s really important that no one should ever regard any symptoms they have as just part of getting older. If you have a symptom and you don’t know why you have it, you need to get an explanation.

“Whether it’s shortness of breath or pain in your legs. There are lots of different causes for pain in your legs, but this morning we’re talking about peripheral arterial disease, which is a sort of intimidating medical term, but really we mean just peripheral, meaning it’s at the outside of your body. It’s in your legs rather than being in your heart or your brain.”

Arterial disease might be the cause – and that’s a condition which can mean there are serious health issues at stake beyond just aching legs. Dr Xand said “Arterial disease is the same problems that gives us heart attacks and strokes. Your blood vessels narrow over time. They can calcify, they harden, they clog up with cholesterol, and you are left with a narrower space for blood to flow through and that means that you’re not getting a sufficient blood supply to your legs and that can give you leg pain.

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“And you can think of it a little bit like in the same way that some people get angina, they get heart pain when they exercise, when they move around. This is a bit like angina for your legs. And sometimes if those blood vessels completely clog off, it can be like a heart attack for your legs.”

The NHS says many people with PAD have no symptoms. However, some develop a painful ache in their legs when they walk, which usually disappears after a few minutes’ rest. The medical term for this is “intermittent claudication”.

The pain can affect 1 or both legs, range from mild to severe, and usually goes away after a few minutes when the person rests their legs.

Other symptoms of PAD can include:

• hair loss on your legs and feet
• numbness or weakness in the legs
• brittle, slow-growing toenails
• ulcers (open sores) on your feet and legs, which do not heal
• changing skin colour on your legs, such as turning paler than usual or blue – this may be harder to see on brown and black skin
• shiny skin
• in men, erectile dysfunction
• the muscles in your legs shrinking (wasting)

The NHS adds: “The symptoms of PAD often develop slowly, over time. If your symptoms develop quickly, or get suddenly worse, it could be a sign of a serious problem requiring immediate treatment.”

Dr Xand added: “The quality of the pain is quite specific. I mean, the way that people describe it and it typically wouldn’t be a pain that you’d get when you’re just sitting still, much like angina. It’s the pain that comes from not getting enough oxygen to your muscles. Those blood vessels aren’t working. And so, people tend to describe a kind of deep, heavy ache, like they’re just not, and you can almost feel that thing of just not getting enough.

“It’s a bit like if you’re lifting weights at the gym, if you go beyond your limits, you know, your muscles really start to hurt. It’s a similar thing. The pain is called claudication, but it’s that kind of pain. And typically, if you rest, it’ll go away again. So, that’s the that’s the kind of pain, but there are other changes that you can look for as well.”

He said people might see changes in their legs which could indicate the problem. Dr Xand said: “If you do look at your legs, you may see some changes if you don’t have a good enough blood supply. So, things like loss of hair on your legs would be an examples. The hair the hair can’t grow anymore because you’re not getting enough nutrients to your leg.

“Cold feet, the warm blood from the middle of your body is no longer reaching your feet. Ulcers or cuts are not healing because your immune system carried in your bloodstream is not reaching those and so you’re getting skin breakdown. You’re not getting antibodies and white blood cells and things like that. Changes in skin tone. So, your skin may look kind of mottled and gray as if it’s not getting enough blood. And then your toenails, you may think, I haven’t cut my toenails in a while. Well, are they just simply growing because they’re not getting the nutrients from the bloodstream that they need. So, those are things that might be a clue.”

Tackling the problem

A main cause is smoking, Dr Xand said, and also making sure people get cholesterol, blood pressure measured and check if you have diabetes. He said exercise is a good way of trying to improve the situation: “This may sound a bit a bit paradoxical, may sound like it’s hard to exercise, you’re getting pain when you exercise, but doing some exercise can stimulate the growth of new blood vessels. It can help those blood vessels open up.

“It will lower your cholesterol. It will lower your blood pressure. It will lower your stress. It will improve your blood sugar. You get so many wins from doing a bit of exercise.”

More information from the NHS here.

The proposed 76-metre arch would tower over other iconic landmarks in Washington, DC, and has attracted scrutiny.

United States President Donald Trump’s goal of erecting a colossal arch in Washington, DC, has taken another step forward, with a key agency approving his proposed design for the monument.

The US Commission of Fine Arts, whose members were appointed by Trump, gave its go-ahead to the president’s design for a lofty 76-metre-high (250-foot) arch.

If given final approval, the arch would be built on Memorial Circle, between the Arlington National Cemetery and the Lincoln Memorial. It would tower above other landmarks in the national capital.

White House spokesperson Davis Ingle hailed the commission’s approval as a “step in accomplishing President Trump’s promise to the American people from the campaign trail — to Make America Safe and Beautiful Again”.

But the arch has faced criticism, including for potentially obscuring views of the national cemetery, a resting place for war veterans.

Public Citizen Litigation Group is representing some Vietnam War veterans in a lawsuit against the proposed construction, which they argue needs congressional approval.

Even the vice chair of the Commission of Fine Arts, James McCrery II, suggested that Trump’s proposed “Triumphal Arch” ditch the winged statue and eagles on its top. He also opposed the lions at its base, pointing out that African animals are “not a beast natural to the North American continent”.

The enormous arch is another effort by the US president to leave his mark on the physical landscape of Washington, DC.

In January, he told reporters he wants the arch to be the “biggest one of all”. The commission still needs to vote on final approval for the proposal after reviewing updated designs.

Current plans show the arch would be significantly larger than the Lincoln Memorial, which is 99 feet (30 metres) tall, and about twice as tall as the famous Arc de Triomphe in Paris, which the design resembles.

The phrases “One Nation Under God” and “Liberty and Justice for All” would be written in gold lettering atop either side of the monument.

About three out of every four people who delivered public comments about the project expressed opposition, many of them citing its enormous size.

But the arch is one of several Trump projects that have received public pushback.

Trump has sought to paint the granite of the Eisenhower Executive Office Building white, and his allies plan to close the Kennedy Center for the Performing Arts, a national theatre complex, for two years of renovations, after adding Trump’s name to the exterior.

One of the most permanent changes so far has been the abrupt demolition of the White House’s East Wing, in order to make room for an enormous ballroom, long one of Trump’s priorities.

But that project is likewise entangled in legal battles, with critics arguing that congressional approval is required.

On Wednesday, Judge Richard Leon clarified that construction on underground structures at the ballroom site could continue, as part of an exemption he previously allowed for national security concerns.

But he maintained his short-term injunction against construction on the ballroom itself, batting down Trump’s position that the whole project should proceed.

“Defendants argue that the entire ballroom construction project, from tip to tail, falls within the safety-and-security exception and therefore may proceed unabated,” Leon wrote in Thursday’s ruling.

“That is neither a reasonable nor a correct reading of my Order!”

The president responded on social media by calling Leon an “out of control Trump hating” judge. Leon was appointed in 2002 under Republican President George W Bush.

Death toll from Israeli attacks on Lebanon reached 2,196 on Thursday as 10-day ceasefire announced, according to Lebanon’s National News Agency.

80’S ICON Sinitta has shared rare pictures of her two children on social media to celebrate her son Zac’s 20th birthday.

The 62-year-old, who is currently on screens in I’m A Celebrity… South Africa, shared a sweet photo montage on Instagram of her eldest to mark the milestone.

Looking all grown-up, the proud mum uploaded snaps of Zac attending a variety of fancy black-tie evenings, red-carpets, and luxury dinners over the years.

Alongside it, the singer wrote; “Happy Birthday My Beautiful Boy @zac_willner. 20 years old does not seem real. You are the gentle giant, affectionate, kind, smart and funny and so so big now!!!”

‘I Love being your Mom, you are everything I wanted and I love you so much I want you to have everything good that this world has to offer and that you want”

Sinitta married Andy Wilner in 2002, and in 2007, the couple adopted two children – Zac and Magdalena Wilner.

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The couple decided to adopt following several miscarriages and failed IVF attempts during their marriage. 

Her post comes after she recently opened up on her struggle with mental health and how her adopted children gave her ‘a reason to live’ through some of the darkest moments she’s ever had. 

Talking to The Mirror, Sinitta explained how she “wanted to curl up in a ball and shut the world out”.

She recalled the day she took her two children home as ‘surreal’ and ‘scary’. 

Sinitta and Andy Wilner later divorced in 2010 after eight years of marriage/

The singer has since opened up on their early relationship together – calling it a ‘revenge move’ at her previous romance with TV personality Simon Cowell. 

In a recent I’m A Celeb episode, Sinitta revealed that she met Simon in a London nightclub when she was a teenager, and their on-off romance continued to last for 40 years. 

When speaking to fellow campmates, Sinitta explained that Simon “wasn’t a faithful boyfriend” but that she believed they would get married one day. 

Simon isn’t the only high-profile romance the star has enjoyed with Sinitta also dishing in the camp about her relationship with actor and producer Brad Pitt.

The singer, 62, dated A-lister Brad, also 62, back in the late 80s for around two years, long before he went on to marry Jennifer Aniston and, later, Angelina Jolie.

Talking about Brad, Scarlett asked Sinitta during the episode: “You were with Brad Pitt, weren’t you?”

“Yeah, years ago. Before he was actually famous,” replies Sinitta.

Scarlett continued: “That’s unbelievable that. Did you, like, kiss and tha?” with Sinitta confirming: “Yeah, everything”.

In a solo piece to camera in the Bush Telegraph, Sinitta confessed: “Even I do think, wow, it was nice while it lasted.”

The pop star originally burst on to the music scene back in 1986, with her hit single So Macho reaching number two in the UK charts and spending several weeks in the top 10.

After a series of successful songs for Simon Cowell’s record label, she appeared as a judge on The X Factor alongside him for it’s 2004 season during the Judges’ Houses stage.

Lebanon’s residents say they are wary of trusting that Israel will abide by the ceasefire agreement announced by US President Donald Trump. Al Jazeera’s Justin Salhani reports from Beirut where residents tell him they are not celebrating.

Calling for the PM to stand down earlier, Conservative leader Kemi Badenoch said: “It is either, he knew that Mandelson failed the security vetting and lied to us in Parliament, on TV repeatedly, or he didn’t know, didn’t ask and said he had passed the security vetting – which means he is hopelessly incompetent.”

History textbooks often include the story of the Underground Railroad, an organized network of secret routes, places and people that guided enslaved populations from the South to abolitionist Northern states.

However, less is known about the underground railroad that ran southbound to Mexico. But one live-looped musical is unearthing that hidden history, one beat at a time.

Co-created and performed by Brian Quijada and Nygel D. Robinson, “Mexodus” tells the fictional story of Henry, who evades his capture by fleeing Texas across the Rio Grande. After a near fatality, he is saved by Carlos, a farmer and former combat medic battling his own trauma from the Mexican-American War. Together they form solidarity, despite social, racial and political strains plaguing both sides of the border.

Following its off-Broadway run at the Daryl Roth Theatre in New York City, the hip-hop and bolero-infused musical directed by David Mendizábal will open at the Pasadena Playhouse stage July 8 and run until Aug. 2. But for history buffs and musical enthusiasts alike, a sonically richer version filled with sound effects of the musical airs exclusively on Audible today, April 16.

The idea for “Mexodus” first came to Brian Quijada — playwright, actor and composer behind “Where Did We Sit on the Bus?,” “Kid Prince and Pablo” and “Somewhere Over the Border” — when reading a 2018 article on History.com about the estimated 5,000 to 10,000 enslaved individuals that escaped the American South for freedom in Mexico, though some researchers estimate that number to be higher.

“My parents crossed the border undocumented in the late 1970s, so I think I’ve always been fascinated with writing immigration stories,” Quijada said. “The reason that this story attracted me was because it’s like a reverse border story, but I also knew that it wasn’t my story to tell so I sat on it for a long time.”

Quijada bookmarked the article until he met Robinson — a performer at Berkeley Rep, Baltimore Center Stage, Shakespeare Theater Company, Mosaic Theater and writer and composer of “Santa Claus Is Comin’: A Motown Christmas Revue” and “R&J: Fire on the Bayou” — at an actor-musician conference weeks before the start of the COVID-19 pandemic. They were the only actors-musicians of color in the room, listening in on conversations about how one should audition for musicals like “Once,” “Million Dollar Quartet,” which typically center white storylines.

“We kind of looked at each other and we’re like, ‘we don’t really belong here,’” said Quijada, who invited Robinson to take part in “Mexodus” during the pandemic shutdown. The first iteration of the project was as a mixtape.

The musical edge of “Mexodus” hinges on live looping, a recording and playback technique where a sound is repeated and then layered (think Justin Bieber’s solo performance of “Yukon” at the 2026 Grammy Awards). Physically, both Quijada and Robinson’s characters have to pick up a guitar, record it, then play the drum set and run to the bass. “ It’s pretty labor-intensive,” Quijada said.

“I think Brian and I are artists in this way, like various people of color, where it’s like, no one else is gonna do it for me, so I can do it all by myself,” Robinson said.

There’s also a more dramaturgical, meta reason for the loop, which follows a four chord structure throughout the piece, set in both 1851 and present day.

“The looping shows you that there’s not much difference between 1851 and 2026,” Robinson said. “We just keep finding ourselves in a loop and like maybe a sound is in that wasn’t there before. Maybe another sound is added, but it’s still the same four chord structure that has been happening in this country for all existence.”

In 2010, the U.S. National Park Service outlined a possible runaway route stretching on the Camino Real de la Tejas between Natchitoches, La., to Monclova, Mexico. Still, it is unclear how organized the underground railroad heading to Mexico truly was, the Associated Press reported in 2020, with archives destroyed in a fire and sites along the path abandoned.

In 2024 the Jackson Ranch Church and Martin Jackson Cemetery in San Juan, Texas — which are part of a ranch owned by interracial couple Nathaniel Jackson and Matilda Hicks — were recognized by the U.S. National Park Service for serving as a gateway to freedom in Mexico.

Other Texas couples alongside the border— including interracial abolitionist couple Ferdinand Webber and Silvia Hector — aided enslaved people in their pursuits to reach Mexico, which had abolished slavery in 1829, while Texas was still part of the country.

Fears surrounding the Mexican government’s attempts to abolish slavery led to the formation of the Republic of Texas in 1836 and its eventual annexation to the United States by 1845; records also show that American slave owners would head down to Mexico to kidnap formerly enslaved individuals, according to USC historian Alice Baumgartner, who wrote about it in her 2020 book “South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War.”

A database by the Texas Runaway Slave Project, which found listings for 2,500 runaways across various Texas newspapers from the 1840s through the 1860s, also documents the frequented journey to Mexico.

Slavery in the U.S. wouldn’t be officially abolished until 1865 with the ratification of the 13th Amendment to the Constitution.

“I was also really intimidated by the amount of research that I would have to do to write this piece because at the time back [between 2017 and 2020], [researchers] were just beginning to uncover a lot of this,” Quijada said.

Themes of racism — including anti-Blackness in the Latino community — oppression and resistance are woven throughout “Mexodus,” which since its debut in 2023 at the Baltimore Center Stage/Mosaic Theater Company in Washington, D.C., has been making viewers aware of the little-known history.

Robinson recalled how one Black woman came up to him after the show to let him know she believed in Trump’s border wall.

“I got nervous, but she was like, ‘after seeing this, I’m realizing that there’s something trying to convince me of that.’ And I’m like, yes!” said Robinson. “I’m like, this is good. This is good. We started you somewhere. Wow.”

The pair hope that amid all the dark news circulating around the world — and the traumatic, historical themes interlaced in “Mexodus” — the existence of this piece of art can be a glimmer of hope and joy for the future of both Black and brown communities.

“ I need you all to see the truth, but we’re gonna try and dance anyway,” Robinson said.

The company’s stock plunged about 8 percent on the news of Hastings’s departure.

Netflix Chairman Reed Hastings is leaving the streaming service he cofounded 29 years ago as the company regains its footing after it lost its $72bn deal for Warner Bros Discovery to Paramount Skydance.

In a letter to investors released on Thursday, Netflix said Hastings will not stand for re-election at its annual meeting in June and plans to focus on philanthropy and other pursuits.

The company’s stock plunged about 8 percent on the news of Hastings’s departure. The cofounder is credited with helping to revolutionise how movies and television shows are delivered in homes, upending Hollywood’s business model.

“Netflix is growing revenues double-digits, expanding margins in 2026 and gushing free cash flow,” said LightShed Partners media analyst Richard Greenfield. “While the Q1 was uneventful financially, the departure of Reed Hastings has spooked investors.”

Netflix reaffirmed in a 14-page shareholder letter that its mission remains “ambitious and unchanged” – to entertain the world, providing movies and series for many tastes, cultures and languages. The company’s full-year outlook remained unchanged.

The company did not say how it plans to spend the $2.8bn termination fee it received after losing the Warner Bros movie studio and HBO, and lifted its earnings per share to $1.23 in the first quarter compared with 66 cents per share in the same quarter last year.

Revenue rose to $12.25bn, an increase of 16 percent from the year-ago period, modestly exceeding analyst forecasts of $12.18bn.

Netflix, which long told investors that a Warner Bros acquisition was a “nice to have, not need to have” proposition, highlighted areas of future growth.

The company said its investment in expanding its entertainment offerings, with video podcasts and live entertainment – such as the World Baseball Classic in Japan – is driving engagement.

It plans to use technology to improve the user experience and improve monetisation, as advertising revenue remains on track to reach $3bn in 2026 – a twofold increase from a year ago.

The State Department in the United States has announced it is restricting visas for “individuals from countries in our hemisphere who support our adversaries in undermining America’s interests in our region”.

Thursday’s statement underlined that 26 individuals had already seen their visas stripped as part of the policy.

The State Department’s stance comes as President Donald Trump seeks to expand US influence across the Western Hemisphere, as part of a platform he calls the “Donroe Doctrine”, a riff on the 19th-century Monroe Doctrine.

Since taking office for a second term, Trump has taken an aggressive stance towards stopping drug trafficking across the Americas, threatening economic penalties and military action for noncompliance.

He has also sought to check China’s growing sway over the region, as an increasing number of Latin American countries tighten their bonds with the Asian superpower.

The State Department explained that the expanded visa restrictions would penalise those who “knowingly direct, authorise, fund, or provide significant support to” US adversaries in the Western Hemisphere.

“Activities include but are not limited to: enabling adversarial powers to acquire or control key assets and strategic resources in our hemisphere; destabilising regional security efforts; undermining American economic interests; and conducting influence operations designed to undermine the sovereignty and stability of nations in our region,” the statement added.

The language was vague, never mentioning China or the campaign against drug-trafficking cartels.

But it continues a trend under the Trump administration to revoke visas from foreign critics and political opponents.

Last year, for instance, the administration sought to revoke visas for pro-Palestine protesters, claiming their presence could have foreign policy consequences for the US.

More recently, the administration has terminated the immigration visas for at least seven individuals with familial ties to the Iranian government or individuals connected to the 1979 Iranian revolution.

Revoking visas

The statement on Thursday did not identify the 26 individuals facing visa restrictions as part of the expanded policy.

But it cited the same authority under the Immigration and Nationality Act that the Trump administration has used to attempt to deport pro-Palestine student protesters last year.

Under the law, the entry of foreign nationals can be restricted when the secretary of state has reason to believe they pose “potentially serious adverse foreign policy consequences for the United States”.

While the administration has abandoned deportation efforts against some of the targeted individuals, at least two, Mahmoud Khalil and Badar Khan Suri, continue to face expulsion.

More recently, the administration has terminated the immigration visas for at least seven individuals with familial ties to the Iranian government or individuals connected to the 1979 Iranian revolution.

Already, some figures in Latin America have seen their visas revoked over political disagreements with the US.

In July, Brazilian officials involved in the prosecution of former right-wing President Jair Bolsonaro saw their US visas withdrawn. They included Brazilian Supreme Court Justice Alexandre de Moraes, a frequent target of right-wing ire.

Then, in September, the Trump administration stripped Colombian President Gustavo Petro of his visa after he made an appearance at the UN General Assembly that was critical of US policy.

The State Department, at the time, denounced Petro for “reckless and incendiary actions”. He was later invited to visit the White House in February, as part of a detente with Trump.

Visa restrictions have been part of Trump’s larger policy to exert pressure on foreign groups and limit immigration into the US.

Earlier this year, the administration enacted immigrant visa bans on dozens of countries, citing both national security and alleged stresses on social services.

Trump has also sought to take a more militaristic approach towards Latin American governments it deems as adversarial, referring to the whole of the Western Hemisphere as the US’s “neighbourhood”.

In January, the US launched an attack on Venezuela that culminated in the abduction and imprisonment of Venezuelan leader Nicolas Maduro, and it has also initiated an ongoing fuel blockade against Cuba.

Some of Trump’s actions in the region have been deadly. The Venezuela attack left dozens of Cubans and Venezuelans killed. And since September, the Trump administration has conducted at least 51 lethal strikes on alleged drug-smuggling boats in the eastern Pacific Ocean and Caribbean Sea.

The death toll in that campaign has reached at least 177 people. Rights groups have decried the attacks as extrajudicial killings.

But the Trump administration has labelled multiple drug cartels as “foreign terrorist organisations” and has argued they are seeking to destabilise the US through the drug trade.

Victoria Beckham is speaking out about her rift with son Brooklyn Peltz Beckham.

In an interview with WSJ Magazine, the former Spice Girl shared insight into her relationship with her son, although she did not refer to him by name.

“I think that we’ve always — we love our children so much,” Beckham said. “We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children. And you know, that’s all I really want to say about it.”

The response comes after Peltz Beckham took to his Instagram Story in January to accuse his parents of “endlessly trying to run” his relationship with his wife, Nicola Peltz Beckham. The 27-year-old claimed his parents “repeatedly pressured and attempted to bribe” him into signing away the rights to his name, that his mother “hijacked” the first dance during his wedding and that his family “values public promotion and endorsements above all else.”

“My wife has been consistently disrespected by my family, no matter how hard we’ve tried to come together as one,” Peltz Beckham wrote. “Family ‘love’ is decided by how much you post on social media, or how quickly you drop everything to show up and pose for a family photo opp, even if it’s at the expense of our professional obligations.”

Peltz Beckham ended the post writing, “I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

After the Instagram bombshell, fans believe David Beckham broke his silence while speaking about the power of social media during an interview in January on CNBC’s “Squawk Box.”

“They make mistakes, but children are allowed to make mistakes. That is how they learn. That is what I try to teach my kids,” David Beckham said. “You sometimes have to let them make those mistakes as well.”

During Peltz Beckham’s birthday in March, his parents wished him happy birthday and shared that they love him on their Instagram Stories.

April 16 (UPI) — President Donald Trump announced that Israel and Lebanon agreed to a 10-day cease-fire starting at 5:00 p.m., pausing Israel’s six-week war on Hezbollah in that country.

Trump spoke with Lebanese President Joseph Aoun and Israeli Prime Minister Benjamin Netanyahu on Thursday, both leaders confirmed, and agreed to the cease-fire and to work toward a more permanent peace between their countries.

Aoun and Netanyahu spoke to each other separately because Aoun declined to participate in a call with the Israeli leader because Israel was still bombing Lebanon, CNN reported.

“These two Leaders have agreed that in order to achieve PEACE between their Countries, they will formally begin a 10 Day CEASEFIRE,” he said in a post on Truth Social.

Vice President J.D. Vance, Secretary of State Marco Rubio and Joint Chiefs of Staff Chairman Dan Caine have been directed to work with officials of both countries to achieve a more lasting peace.

Lebanese Prime Minister Nawaf Salam in a statement thanked the United States, France, the European Union, Saudi Arabia, Egypt, Qatar and Jordan for helping to accomplish the cease-fire he had pursued “since the first day of the way,” NBC News reported.

After the United States and Israel launched the Iran war, Israel also launched offensives against the Iran-backed militia Hezbollah in Lebanon, from which it often launches attacks at Israel.

This week, delegates from the neighboring countries conducted diplomatic talks for the first time since 1993, meeting in Washington, D.C., to discuss a cease-fire and the larger issue of Hezbollah’s hijacking of Lebanese lands in order to target Israel.

Netanayhu said Thursday in a video statement that Israeli forces would “remain in a 10-kilometer security zone, which will allow us to prevent infiltration into communities and anti-tank missile fire.”

Calling the negotiations potentially historic, Netanyahu said that Israel’s chief goal is to disarm Hezbollah and its ability to invade or launch weapons across the Lebanese border into Israel.

“That is where we will remain,” he said. “We are not leaving.”

After the diplomatic talks on Wednesday, Rubio reinforced that a key part of the meeting and now peace talks between the two nations is to end Hezbollah’s destabilizing influence in Lebanon and the wider Middle East.

“We have to remember the Lebanese people are victims of Hezbollah,” Rubio said, also noting that accomplishing a lasting peace “will take time.”

Israel and Lebanon have held their first direct talks in more than 30 years, and on Thursday, US President Donald Trump announced that they had reached a 10-day ceasefire. But months of fighting have reshaped parts of southern Lebanon. As people begin to return, what will they find? And can diplomacy hold while the reality on the ground remains fragile?

In this episode: 

Justin Salhani (@JustinSalhani), Al Jazeera Journalist

Episode credits:

This episode was produced by Noor Wazwaz and Chloe K. Li with Spencer Cline, Tuleen Barakat, Catherine Nouhan, David Enders, and our host, Malika Bilal. It was edited by Tamara Khandaker and Sarí el-Khalili. 

Our sound designer is Alex Roldan. Rick Rush mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer.

Connect with us:

@AJEPodcasts on X, Instagram, Facebook, and YouTube

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

SEOUL, April 16 (UPI) — South Korea’s Penetrium Bioscience unveiled a novel approach to cancer treatment that targets the environments surrounding tumors. That announcement came during a press conference in Seoul on Thursday.

The company said that its drug candidate, Penetrium, developed by its major shareholder CNPharm, is designed to overcome a key problem of traditional cancer treatments — drug resistance caused by “sublethal” dosing.

Thus far, such resistance has been attributed to genetic mutations within cancer cells. However, Penetrium Bioscience shifted its focus to the tumor microenvironment, which it identified as a critical factor behind inadequate dosing.

Its rationale is that cancer cells can undergo adaptive changes, which reinforce the physical and metabolic barriers of the tumor microenvironment, enabling them to withstand further treatment.

Based on this concept, the company said that it has targeted the “soil,” which means the environment surrounding cancerous cells, rather than the “seed,” or the tumors themselves.

Penetrium aims to disrupt this process, and the company noted that its mechanism has been checked by three independent institutes, including Seoul National University Hospital and KAIST, one of Korea’s leading science and engineering universities.

“Penetrium is the ideal strategic partner capable of restoring drug efficacy by overcoming the sub-lethal dose limitations faced by targeted anticancer therapies from global big pharmaceutical firms,” Penetrium Bioscience CEO Cho Won-dong told the press meeting.

“This research will usher in a new era for targeted cancer treatments,” he added.

Penetrium Bioscience plans to present its research findings at the upcoming AACR Annual Meeting 2026, one of the world’s most prominent scientific conferences on cancer research.

Hosted by the American Association for Cancer Research, the yearly event is scheduled to begin Friday and run through Wednesday in San Diego.

The share price of Penetrium Bioscience dipped 9.55% on the Seoul bourse on Thursday.

Miguel Diaz-Canel marks anniversary of socialist revolutionary declaration under threat of US attacks.

Cuban President Miguel Diaz-Canel has said that his country does not seek conflict with the United States but is prepared to fight if necessary, as Cuba marks the anniversary of its socialist revolutionary character amid the threat of US attacks.

Diaz-Canel struck a defiant tone on Thursday in remarks before a crowd marking the 65th anniversary of Fidel Castro’s declaration of the socialist nature of the Cuban Revolution and the failed invasion at the Bay of Pigs by forces aligned with the US the day after.

“The moment is extremely challenging and calls upon us once again, as on April 16, 1961, to be ready to confront serious threats, including military aggression,” Diaz-Canel said. “We do not want it, but it is our duty to prepare to avoid it and, if it becomes inevitable, to defeat it.”

President Donald Trump has threatened that the US could overthrow the Cuban government, a longtime source of ire for Washington, and has ratcheted up energy restrictions meant to squeeze the island’s economy.

“We may stop by Cuba after we finish with this,” Trump said earlier this week, stating that his attention could turn to Cuba after the end of the US-Israel war on Iran.

A US energy blockade and an end to oil shipments from Venezuela after the US abducted former Venezuelan President Nicolas Maduro in January have caused deteriorating conditions on the island. Fuel shortages and energy blackouts have roiled the island for weeks, heaping strain on workers and businesses.

Even before those increased restrictions, Cuba’s economy had suffered from decades of economic embargo from the US, along with economic mismanagement and political repression that prompted many Cubans to leave the country.

A vote at the United Nations in 2025 demanding an end to the US embargo passed with 165 votes in favour and seven against, including the US, Israel, Argentina, and Hungary. The resolution has been passed annually for more than 30 years.

“Cuba is not a failed state. Cuba is a besieged state,” Diaz-Canel said on Thursday. “Cuba is a state facing multidimensional aggression: economic warfare, an intensified blockade and an energy blockade.”

Paramount Skydance Chief Executive David Ellison made his case directly to theater owners Thursday, pledging to release a minimum of 30 films a year from the combined Paramount and Warner Bros. Discovery company during a speech at the CinemaCon trade convention in Las Vegas.

“I wanted to look every single one of you in the eye and give you my word,” Ellison said in a brief on-stage speech, adding that Paramount has already nearly doubled its film lineup for this year with 15 planned releases, up from 8 in 2025.

He also said all films will remain in theaters exclusively for 45 days, starting Thursday. Films will then go to streaming platforms in 90 days. The amount of time that films stay in theaters — known as windowing — has been a controversial topic for theater owners, as some studios reduced that period during the pandemic. Theater operators have said the shortened window has trained audiences to wait to watch films at home and cuts into theater revenues.

“I have dedicated the last 20 years of my life to elevating and preserving film,” said Ellison, clad in a dark jacket and shirt with blue jeans. “And at Paramount, we want to tell even more great stories on the big screen — stories that make people think, laugh, dream, wonder and feel — and we want to share them with as broad an audience as possible.”

Ellison’s CinemaCon appearance comes as more than 1,000 Hollywood actors and creatives have signed a letter opposing Paramount’s proposed acquisition of Warner. Supporters of the letter have said the deal would reduce competition in the industry and “further consolidate an already concentrated media landscape.”

Some theater operators have also questioned whether the combined company could achieve its goal of releasing 30 films a year, particularly after the cost cuts that are expected after the merger closes.

“People can speculate all they want — but I am standing here today telling you personally that you can count on our complete commitment,” Ellison said. “And we’ll show you we mean it.”

The speech came after a star-studded video directed by “Wicked: For Good” director Jon M. Chu that was shot on the Paramount lot on Melrose Avenue and showcased directors and actors including Issa Rae, Will Smith, Chris Pratt, James Cameron and Timothée Chalamet that are working with the company.

The video closed with “Top Gun” actor Tom Cruise perched atop the Paramount water tower.

“As you saw, the Paramount lot is alive again,” Ellison said after the video. “And we could not be more excited.”

European football’s governing body has already rejected one appeal by Barca about their quarterfinals against Atletico.

Barcelona have lodged another complaint with UEFA, after their protest about a handball incident in the first leg of their Champions League quarterfinal defeat to Atletico Madrid was rejected this week.

The Spanish club said in a statement on Thursday that several refereeing decisions across both legs of the tie, which Atletico won 3-2 on aggregate, “did not comply with the Laws of the Game, resulting from an incorrect application of the regulations and a lack of appropriate intervention by the VAR system in incidents of clear significance”.

The Catalan club, which finished both matches with 10 men after the dismissals of Pau Cubarsi and then Eric Garcia, believe they were on the wrong end of several contentious decisions, including two potential penalty situations that did not trigger VAR intervention.

“The accumulation of these errors had a direct impact on the course of the matches and on the final outcome of the tie, causing significant sporting and financial harm to the club,” the reigning Spanish champions added.

Barcelona said the club “reiterates the requests previously made to UEFA” and offer to “collaborate with the organisation with the aim of improving the refereeing system to ensure a more rigorous, fair and transparent application” of the regulations.

On Tuesday, UEFA had rejected as “inadmissible” the five-time Champions League winners’ initial complaint regarding a handball on a goal kick by Atletico defender Marc Pubill in the first leg, which his side won 2-0.

Alex Manninger played for Arsenal, Liverpool and Juventus at peak of his career while winning 33 Austria caps.

Former Austria goalkeeper Alex Manninger, who played for Arsenal and a string of Italian clubs, has died at ⁠the age of 48 when the car he was driving was hit by a train at a crossing near Salzburg.

The Austrian Football Association (OEFB) and clubs associated with ⁠the player, who retired as a professional in 2017, mourned his passing on Thursday.

Manninger made 33 appearances for Austria and played for Arsenal from 1997 to 2001 with the club winning the league title and FA Cup in the 1997-1998 season. He ‌ended his career at Liverpool in 2017.

In Italy, the Austrian played for Fiorentina, Torino, Bologna, Siena, Udinese and Juventus.

“Alexander Manninger was an outstanding ambassador of Austrian football on and off the pitch,” OEFB Sporting Director Peter Schoettel said in a statement.

“With his international career, he has set standards and inspired and shaped many young goalkeepers. His professionalism, his calmness and his reliability made him an ⁠important part of his teams and also of the national ⁠team.”

Salzburg police said in a statement that the accident happened about 8:20am (06:20 GMT). First responders freed the driver from the vehicle, but resuscitation was unsuccessful.

“According to initial investigations, the car was ⁠hit by a railcar of the Salzburger Lokalbahn while crossing the railway crossing and dragged along. The driver was alone ⁠in the vehicle. The train driver was uninjured,” ⁠the police said.

Fiorentina said they will observe a minute’s silence and wear black armbands for Thursday’s home Conference League game with Crystal Palace while league leaders Arsenal conveyed their shock on social media.

Other clubs, including ‌Liverpool, issued statements of condolence.

“Today is a very sad day. We have lost not only a great athlete, but a man of rare values: humility, dedication, and ‌an ‌exceptional sense of professionalism,” Juventus said

“Alex Manninger will be remembered for the example he set, on and off the pitch.”

It turns out the “Spaceballs” sequel won’t be called “Spaceballs 2: The Search for More Money” after all.

Mel Brooks beamed into Amazon MGM Studios’ CinemaCon presentation to set the record straight via a pre-taped video Wednesday. The follow-up to his 1987 film set in a galaxy very, very, very, very far away is actually titled “Spaceballs: The New One.”

“After all these years, I found the money,” the comedy icon explains as he waves toward a duffel bag overflowing with “Spaceballs” money. “But everywhere I go people say, ‘Mel, Mel, where’s the new “Spaceballs”? When are you going to make the new “Spaceballs”? When are you going to make the new one?’”

“Well, we did it, and the title is ‘Spaceballs: The New One,’” Brooks continues. “It’s just like the old one, but it’s newer.”

While details about “The New One’s” story remain under wraps, the studio did offer attendees a glimpse of the film with a new trailer that pokes fun at the current state of the industry. A voice-over declares Hollywood studios are “merging willy-nilly” as images of the Paramount and Warner Bros. signs appeared on screen — before noting that the merger between Amazon and MGM Studios is what led to “Spaceballs 2.”

Dark Helmet’s look appears to be updated for the times, as his mask resembles that worn by the “Star Wars” sequel trilogy’s Dark Side warrior Kylo Ren. The trailer also included footage of lightsaber (or Schwartz ring) fights as well a nod to the “Avatar” franchise, with Dark Helmet crossing paths with a Na’vi in the restroom.

“Spaceballs: The New One” is slated to hit theaters April 23, 2027. Here’s everything we know about the sequel so far.

What is “Spaceballs: The New One” about?

According to Amazon MGM’s press release, the film’s story details “are being kept under lock, key and an industrial-strength Schwartz shield.”

Who is in the movie?

Original “Spaceballs” cast members Rick Moranis (Lord Dark Helmet), George Wyner (Colonel Sandurz), Daphne Zuniga (formerly Princess, now Queen Vespa), Bill Pullman (Lone Starr) and Mel Brooks (Yogurt) are confirmed to return for “The New One.” This marks Moranis’ first onscreen film role since taking a hiatus in 1997.

Newcomers include Josh Gad, Keke Palmer, Lewis Pullman and Anthony Carrigan playing new characters who’ve yet to be revealed.

Who are the filmmakers?

“The New One” is directed by Josh Greenbaum (“Barb and Star Go to Vista Del Mar,” “Will & Harper”) from a script written by Josh Gad, Dan Hernandez and Benji Samit (based on characters created by Brooks, Thomas Meehan and Ronny Graham).

Brooks is among the producers of “The New One,” which also includes Brian Grazer and Jeb Brody as well as Gad, Greenbaum and Kevin Salter. Executive producers include Adam Merims, Samit and Hernandez.

Time staff writer Samantha Masunaga contributed to this report.

April 16 (UPI) — Venezuelan interim President Delcy Rodríguez has hired U.S. attorney and lobbyist Jihad M. Smaili to represent her interests in Washington and support groundwork for a possible presidential campaign, according to filings with the U.S. Department of Justice.

Records filed under the Foreign Agents Registration Act show Smaili will act as a foreign agent for Rodríguez, including assisting with her “future political campaign” ahead of Venezuela’s next presidential election, though no date has been set for the vote.

According to the filing, Smaili will represent Rodríguez in pending and future litigation involving Petróleos de Venezuela, S.A., Citgo and creditor claims. He will also provide daily advice on matters involving the U.S. State Department and the White House, independent news organization Efecto Cocuyo reported.

The contract said Smaili will “provide daily advice and counsel to the foreign principal on matters involving the Department of State and the president of the United States, including advice on how to strengthen and advance the current relationship for the benefit of the Venezuelan people.”

The agreement also describes Rodríguez as a candidate in Venezuela’s upcoming presidential elections and includes support for her “future political campaign.”

The move comes shortly after the United States lifted personal sanctions on Rodríguez and recognized her as a legitimate authority in Venezuela’s political transition.

According to Infobae, Smaili also will advise on retaining law firms involved in litigation tied to oil companies, as well as creditor claims related to cases involving the Revolutionary Armed Forces of Colombia, or FARC.

Citgo, PDVSA’s U.S.-based refining and marketing subsidiary, is at the center of multiple creditor disputes as international claimants seek to seize the asset to satisfy unpaid Venezuelan debts. A federal court in Delaware has authorized the sale of shares in the company to help cover claims totaling about $20 billion.

U.S. victims of FARC-related violence are also seeking to participate in the auction and recover about $318 million in damages.

Death toll rises to 10 after shooting by 14-year-old student at the Ayser Calik School in Kahramanmaras.

Mourners have gathered in Turkiye’s southern province of Kahramanmaras for the funerals of victims killed in the second of two school shootings that rocked the nation this week.

Funerals were held on Thursday for eight students and maths teacher Ayla Kara, 55, who were killed in Wednesday’s shooting, The Associated Press news agency reported.

A 10th victim died while being treated in hospital on Thursday, authorities said. Six of those wounded in the attack were in critical condition, officials said.

Isa Aras Mersinli, 14, opened fire on two classrooms in the Ayser Calik School in Kahramanmaras city on Wednesday. The attacker was later found dead.

Interior Minister Mustafa Ciftci said the attacker is believed to have used guns that belonged to his father, a former police officer.

At a funeral for four of the victims held near Kahramanmaras city’s main mosque on Thursday, one father sat motionless beside the coffin of his daughter, 10‑year‑old Zeynep, the AFP news agency reported.

“Our grief is endless. These children were like our own. They were all innocent,” said Vezir Yucel, father of a student named Yusuf, who lost his close friend, 10-year-old Bayram, in the shooting.

Nilgun Ruci, a 55‑year‑old homemaker, told AFP that she rushed to Ayser Calik School after hearing gunshots. When she arrived, she saw the daughter of a neighbour lying gravely wounded.

“She had been shot in the leg and the shoulder,” Ruci said. “At first, I thought she had fainted. Today I learned that she died.”

Second attack in two days

The attack was the country’s second school shooting in two days, coming after Tuesday’s attack at a high school in Sanliurfa province in the southeast, which was carried out by a former student who wounded 16 people.

As of Thursday, 20 people had been detained in connection with Tuesday’s shooting in Sanliurfa.

The interior and education ministries held a joint school security meeting in the capital, Ankara, on Thursday, which was attended by both ministers and all 81 of Turkiye’s provincial governors, as well as police chiefs and provincial education directors.

Until this week, school shootings were rare in Turkiye. But dozens of students were arrested Thursday over alleged social media posts implying they might stage similar attacks.

Justice Minister Akin Gurlek announced that 67 social media users were detained over posts targeting 54 different schools.

In the weeks before Justin Bieber’s headlining performance at this month’s Coachella festival — the 32-year-old teen-pop survivor’s first major concert after a lengthy stretch in the celebrity wilderness — speculation began to mount that he planned to play only songs from his recent “Swag” and “Swag II” albums.

And indeed, for 45 minutes or so last Saturday, it seemed like that was what he’d come to do as he sang new song after new song on Coachella’s giant main stage. But then he pulled out a laptop, fired up YouTube and started singing along with some of his old hits — a thrilling subversion of our expectations for a big festival set and a poignant act of self-examination by an artist who’s lived more than half of his life on our screens.

For the singer, Bieberchella was clearly a trip down memory lane. But it also offered the audience a chance to look back on a career that’s encompassed virtually every major shift in pop music over the last two decades.

Ahead of Coachella’s second weekend, then, here’s a list, ranked from worst to best, of every hit that Bieber has put inside the Top 10 of Billboard’s flagship singles chart, the Hot 100. Pop, of course, is an art as much as a science, meaning statistics get you only so far: Some important Bieber songs aren’t here, not least among them “Lonely,” which may be his finest vocal performance but stalled out at No. 12 on the chart. Other throwaways made it on the list thanks to Bieber’s gamesmanship or Billboard’s methodological quirks.

Yet these 27 songs tell a fascinating story about a boy, about a man, about a talent possibly more vital today than ever before.

27. ‘Never Say Never’ (peaked at No. 8 in March 2011)

Co-written and co-produced by the guy who would later top the Hot 100 with “Rude” by the band Magic, this booming kiddie-rap track was introduced as the theme song for Jaden Smith’s 2010 remake of “The Karate Kid” before Bieber used it in a 2011 concert film of the same title. The voice is high; the beat is blah.

26. ‘Monster’ (peaked at No. 8 in Dec. 2020)

Just a month after he dropped “Lonely,” Bieber returned to his teen-idol woes — far less movingly, alas — in this dreary duet with Shawn Mendes.

25. ‘Stuck With U’ (peaked at No. 1 in May 2020)

The nicest thing you can say about the doo-woppy “Stuck With U” is that Bieber and Ariana Grande donated the song’s proceeds to first responders navigating the early months of the COVID pandemic. Do not rewatch the video unless you want to be reminded of the smiley horrors of Zoom life.

24. ‘No Brainer’ (peaked at No. 5 in Aug. 2018)

We’ll get to Bieber’s convivial 2017 hook-up with DJ Khaled and friends. As for this shameless sequel, Khaled’s “another one” tag has never been less necessary.

23. ‘Cold Water’ (peaked at No. 2 in Aug. 2016)

Sleek. Pretty. Forgettable.

22. ‘As Long as You Love Me’ (peaked at No. 6 in Sept. 2012)

How high was Bieber riding as he prepared to release 2012’s “Believe” LP? High enough to swipe the title of the Backstreet Boys’ classic teen-pop ballad for this junior-dubstep jam. Stick around (or don’t) for Big Sean’s guest verse about needing “you” to spell both “us” and “trust.”

21. ‘Holy’ (peaked at No. 3 in Oct. 2020)

In which Bieber and Chance the Rapper preach about marriage like two horny youth pastors.

20. ‘Anyone’ (peaked at No. 6 in Jan. 2021)

What if Phil Collins had recorded “In Your Eyes” instead of Peter Gabriel?

19. ‘10,000 Hours’ (peaked at No. 4 in Oct. 2019)

Timed to commemorate his and Hailey Baldwin’s wedding among the salt marshes of South Carolina, Bieber’s crack at high-gloss country music was warmly welcomed by the Nashville establishment; it even spent two weeks atop Billboard’s Country Airplay chart. No surprise, really: To listen to earlier stuff by Dan + Shay, Bieber’s collaborators on “10,000 Hours,” is to hear how extensively white-soul singing had reshaped country by the early 2010s.

18. ‘I Don’t Care’ (peaked at No. 2 in May 2019)

Has any would-be song of the summer ever song-of-the-summered harder? Bieber and Ed Sheeran’s breezy dancehall bro-down was clearly modeled on the sound — and the success — of Sheeran’s “Shape of You.” (Call it “Shape of II.”) Yet the duo’s chemistry feels real enough to believe that all of these hooks — hey, they just happened.

17. ‘I’m the One’ (peaked at No. 1 in May 2017)

Bieber’s first Khaled collab has a merry bounce that softens the braggadocio from him, Quavo, Chance the Rapper and Lil Wayne, whose verse opens pricelessly like so: “Looking for the one?/ Well, b—, you looking at the one.” Fun chart fact per Billboard: The week after “I’m the One” bowed atop the Hot 100, Bieber became the first artist ever to score new No. 1s back to back when his remix of “Despacito” replaced “I’m the One.”

16. ‘Boyfriend’ (peaked at No. 2 in April 2012)

A decade after Justin Timberlake stepped out from NSYNC, JB blatantly ripped JT’s “Like I Love You” for this heavy-breathing flirtation. “Baby, take a chance or you’ll never, ever know/ I got money in my hands that I’d really like to blow,” Bieber pants over a spacey, Neptunes-style beat. (Later, he suggests fondue.) In an ironic twist, given the song’s all-grown-up-at-18 energy, “Boyfriend” was blocked from No. 1 by “We Are Young” from Jack Antonoff’s old band, Fun.

15. ‘Ghost’ (peaked at No. 5 in April 2022)

A hurtling lost-love lament that doubles as a farewell to a departed grandparent (as in the song’s music video, which stars the late Diane Keaton).

14. ‘Let Me Love You’ (peaked at No. 4 in Oct. 2016)

In the final Top 10 hit of Bieber’s EDM era, a pleading tenderness in the singer’s vocals cuts appealingly against DJ Snake’s strobing Sahara Tent beat.

13. ‘Baby’ (peaked at No. 5 in Feb. 2010)

New puppy, old love.

12. ‘Yummy’ (peaked at No. 2 in Jan. 2020)

“Hop in the Lambo, I’m on my way/ Drew House slippers on with a smile on my face,” Bieber sings — not the last time he’d plug one of his or his wife’s brands in a lyric. A country remix with Florida Georgia Line adds shout-outs to Waffle House and Chick-fil-A.

11. ‘What Do You Mean?’ (peaked at No. 1 in Sept. 2015)

The path to Bieber’s first No. 1 on the Hot 100 was cleared by a better, more interesting song that reframed him as a dreamboat experimentalist. (More on that one in a minute.) But if “What Do You Mean?” deploys a more conventional tropical-house production, it’s still built around one of the singer’s loveliest vocals. And the fake pan flute still hits.

10. ‘Despacito’ (peaked at No. 1 in May 2017)

Luis Fonsi and Daddy Yankee’s pop-reggaeton seduction had already found an enormous audience among Latin music fans when Bieber jumped on a remix after hearing the song in a Colombian nightclub. Yet the star’s presence — in a Spanish-language chorus whose lyrics Bieber learned phonetically over the course of a four-hour recording session — turned “Despacito” into a global juggernaut. In the U.S., the song became the first Spanish-language chart-topper since “Macarena” two decades earlier; it also became something of a protest tune amid the anti-immigrant rhetoric of President Trump’s first term in office. Said Scooter Braun, Bieber’s then-manager, in a 2017 interview with The Times: “A song in Spanish is all over pop radio in an America where young Latino Americans should feel proud of themselves and their families’ native tongue.”

9. ‘Essence’ (peaked at No. 9 in Oct. 2021)

Like “Despacito,” this slinky Afrobeats track was a hit before Bieber got involved. (Among its fans: President Obama, who put it on his best of 2020 list.) What distinguishes the version with Bieber is how gently he slides between the Nigerian singers Wizkid and Tems, who both joined him for a rendition of “Essence” at Coachella.

8. ‘Stay’ (peaked at No. 1 in August 2021)

At a mere 2 minutes and 22 seconds, this breakneck electro-pop duet with Australia’s the Kid Laroi (who also put in a cameo at Coachella) is the shortest of Bieber’s 27 Top 10 singles. Yet with 63 weeks on the Hot 100, it’s also his longest-lived chart hit — and his most-streamed song on Spotify.

7. ‘Intentions’ (peaked at No. 5 in June 2020)

“Stay in the kitchen cooking up, got your own bread/ Heart full of equity, you’re an asset.”

6. ‘Beauty and a Beat’ (peaked at No. 5 in Jan. 2013)

The most fondly remembered of Bieber’s teen-idol hits anticipates the EDM makeover to come even as it stays rooted in his squeaky-clean persona: “We’re gonna party like it’s 3012 tonight” is truly something only a kid would say. Seven months after “Beauty and a Beat” peaked on the Hot 100, Bieber was infamously caught on video urinating in a mop bucket in a New York City restaurant kitchen; this song would be his last Top 10 single for more than two years.

5. ‘Peaches’ (peaked at No. 1 in April 2021)

A sumptuous R&B jam about procuring one’s peaches from Georgia and one’s weed from California, this three-way joint with Daniel Caesar and Giveon was nominated for record and song of the year at the 2022 Grammys. (It lost both prizes to another sumptuous R&B jam in Silk Sonic’s “Leave the Door Open.”) Extra props here for the vivid contrast among the singers’ voices and for the Kool & the Gang-ish synth solo at the end.

4. ‘Love Yourself’ (peaked at No. 1 in Feb. 2016)

A sick burn delivered oh so sweetly.

3. ‘Where Are Ü Now’ (peaked at No. 8 in July 2015)

Behold the dreamboat experimentalist. In search of a fresh sound after Bucketgate, Bieber found it with Skrillex and Diplo, veteran dance-music producers who took a morose piano ballad that Bieber and his frequent accomplice Poo Bear had demoed and turned it into a glimmering boudoir-rave fantasia. “I was like, ‘Diplo, Skrillex — I don’t really know if that’s, like, where I wanna go,’” Bieber later told the New York Times. “They did it, I was like, ‘Oh my gosh, this is blowing my mind.’”

2. ‘Daisies’ (peaked at No. 2 in July 2025)

Is putting a nine-month-old song at No. 2 on this list an act of recency bias? Maybe. But what a song! Against a bracingly lo-fi guitar lick played by his pal Mk.gee, Bieber sings with beautifully understated soul about coming into an emotional maturity he admits he avoided for too long.

1. ‘Sorry’ (peaked at No. 1 in Jan. 2016)

A plea, a flex, a come-on — this delirious pop masterpiece contains multitudes. “Is it too late now to say sorry?” Bieber asks, and the trick of a song born from a branding problem is that it summons the sensation of endless ascent.