News Desk

Russian Foreign Ministry spokesperson Maria Zakharova told a briefing held on August 20, 2026, that “a substantial package of intergovernmental documents and commercial contracts is planned to be signed during the Russia-Africa summit, scheduled for late October.” Given the “mutual interest in stepping up our trade and investment cooperation, we plan to focus the agenda of the upcoming summit meeting on economic matters,” she said.

There, the attendees can discuss in substance a wide range of matters, including boosting Russian-African ties in agriculture, healthcare, education, and scientific-technical and cultural cooperation. “We expect to sign a substantial package of interstate documents and commercial contracts during the event. Well, and we also note, of course, with satisfaction, our partners’ considerable interest in the forthcoming event. Many African capitals have already confirmed their attendance and declared their intention to send representative delegations to Moscow, including heads of state entities and businessmen, of course,” Zakharova explained.

“We have a huge potential in this sphere, which has not yet been fully realized, as everyone admits. Key priorities have also been determined: to cooperate on peaceful uses of nuclear power; to develop independent payment systems, food security, and digitalization, including the adoption of artificial intelligence,” Zakharova underlined.

It is time to face rising realities and the balance of investment power in this 21st century. Whether Russia colonized Africa or never colonized Africa, the most convincing and essential factor is Africa simply has to work with the world’s players. Africa should collaborate with potential foreign investors with adequate funds, in practical terms, ready to invest in its development as exemplified by China. And there is still a growing sense of analytical debates over Russia’s policy approach, though. Ultimately, at least three fundamental assumptions, or appropriately primary principles, can be described as follows:

*Russia’s forthcoming October 2026 The Russia-Africa summit is framed as a chance to consolidate dozens of prior agreements and shift toward concrete economic cooperation in trade, investment, nuclear energy, food security, digitalization, and independent payment systems, yet critics note that rhetoric and signed MoUs have so far produced limited tangible results on the ground.

*Despite historical Soviet-era goodwill and frequent high-level visits, Russia remains a marginal player in African infrastructure, industry, and agriculture compared with China, the EU, and the United States; many announced projects have stalled, financing instruments are weak, and younger Africans see little contemporary economic impact beyond anti-Western messaging.

*Experts and African partners urge Moscow to move beyond nostalgia for past assistance, deliver on existing pledges with real capital and project execution, leverage platforms such as the African Continental Free Trade Area (AfCFTA), and engage Africa’s large youth and middle-class markets if it wishes to convert political alignment into sustained, mutually beneficial economic partnership.

The African Continental Free Trade Area (AfCFTA) provides a unique and valuable platform for businesses to access an integrated African market of over 1.4 billion people. The growing middle class, estimated at 380 (twice the aggregate of Russia’s population), among other factors, constitutes huge market potential in Africa. The African continent, currently, has enormous potential as a huge market, which some experts often refer to as the last business market frontier. Nevertheless, Africa’s trade with the European Union stands at $400 billion, and with China, almost $300 billion. And based on military equipment and weapons and agricultural products such as ice cream, chicken meat, fertilizers, and grain exports, Russia quoted a bilateral trade figure as $27 billion in June 2026.

The world is, increasingly, becoming multipolar. Therefore, Africa’s strength has to be directed at continental development and entrepreneurship, not at building solidarity for geopolitical games. Many African countries are enacting economic reforms; demand is growing for high-quality, competitive products. Russian businesses are interested in this niche, but Russian operators are extremely slow. The ‘snail-pace approach’ reflects their inability to determine financial instruments for supporting trade with Africa and corporate investments in Africa.

There is some level of optimism for a change, though. Russia plans to hold the next Russia-Africa summit in late October 2026. And Sergey Lavrov, minister of foreign affairs of the Russian Federation, indicated in an explicit message mid-July that “in these difficult and crucial times, the strategic partnership with Africa has become a priority of Russia’s foreign policy. Russia highly appreciates the readiness of Africans to further step up economic cooperation.”

At a meeting of the ministry’s collegium, Lavrov strongly suggested the necessity of borrowing a chapter on policy approaches and methods adopted by China in Africa. In fact, Lavrov’s suggestion exposes the inability to play catch-up and, most significantly, Russia’s financial fragility. Lavrov also said, “It is in the interests of our peoples to work together to preserve and expand mutually beneficial trade and investment ties under these new conditions. It is important to facilitate the mutual access of Russian and African economic operators to each other’s markets and encourage their participation in large-scale infrastructure projects. The signed agreements and the results will be consolidated at the forthcoming Russia-Africa summit.”

During the past years, there have been several meetings of various bilateral intergovernmental commissions both in Moscow and in Africa. The first Sochi summit discussed broadly the priorities and further identified opportunities for collaboration. There were 92 agreements signed in Sochi, which totaled RUB 1.004 trillion (equivalent to $12.5 bn), and approximately 240 agreements during the African Leaders Summit held in St. Petersburg, according to official documents. It, however, requires understanding the specific tasks and emerging challenges. The current tasks should concretely focus on taking practical and collaborative actions leading to goal-driven results. Notwithstanding the lapses, Lavrov hopes “the signed agreements and the results will be consolidated at the forthcoming Russia-Africa summit.”

Accentuating the importance of multilateral cooperation between Russia and Africa, Advisor to the President of the Russian Federation Anton Kobyakov said, “The current situation in the world is such that we are witnesses to the formation of new centers of economic growth in Africa. Competition for African markets is growing, accordingly. There is no doubt that Russia’s non-commodity exporters will benefit from cooperating with Africa on manufacturing, technologies, finances, trade, and investment.”

Kobyakov pointed to modern Russia, which already has experience of successful cooperation with African countries under its belt, as ready to make an offer to the African continent that will secure a mutually beneficial partnership and the joint realization of decades of painstaking work carried out by several generations of Soviet and Russian people.

The Soviet Union was quite extensively engaged in Africa, comparatively. Historical documents show that after the Soviet collapse, there were approximately 380 mega-projects across Africa. In the early 1990s, Russia exited, closed a number of diplomatic offices, and abandoned all these, and now there are hardly any signs of Soviet-era infrastructure projects across Africa. And now post-Soviet relations are interestingly engulfed in extensive geopolitics; Russia has only engaged in trading anti-Western slogans on the continent, which also threatens the African Union’s steps to consolidate African unity. 

In addition, Russia has only been criticizing other foreign players during the past two decades without showing any of its own template model of building relationships directed at transforming Africa’s economy. Moreover, Russian officials have underestimated the fact that Russia’s overall economic engagement is largely staggering; various business agreements signed are still not fulfilled with many African countries. Its foreign policy goal is simply to sustain the passion for declarations, signing several MoUs and bilateral agreements with African countries. Grappling with reality, there are equally many investment challenges, including official bureaucracy and the governance system in Africa.

Despite this policy rhetoric and attractive summit outlines, Russia still plays very little role, particularly in Africa’s infrastructure, agriculture, and industry. Investing in agriculture to ensure food security and investing in industry to add value to raw materials in the continent. While, given its global status, it ought to be active in Africa with noticeable corporate investments, similar to policy models of Western Europe, the European Union, the United States, and China, it is all but absent, consistently engages in geopolitical symbolism and rhetoric, and plays a negligible role, according to Professor Gerrit Olivier at the Department of Political Sciences, University of Pretoria, and former South African Ambassador to the Russian Federation.

Now at the crossroads, it could be meandering and longer than expected to make the mark. If existing challenges, obstacles, and impediments are not addressed, Russia’s return journey could take another generation to reach its destination, Africa. If not at the crossroad, then possibly at the periphery of Africa. With the current rapidly changing geopolitical world, Russia has to redefine and reassess policy parameters and adopt a more strategic approach, working with absolute consistency within the principle of finding common solutions to Africa’s development expectations and consolidating its economic sovereignty.

*This is part of the forthcoming book: Putin’s African Dream: Emerging Challenges and Opportunities (Third e-handbook).

Daisy Chain Fields arrived on a sweltering summer Saturday, plopped in the middle of Irvine’s suede hills, inside Orange County lines. The festival, hosted by Olivia Rodrigo at the Great Park, was a spiritual successor to Sarah McLachlan’s Lilith Fair of the late ‘90s, born out of frustration with promoters and radio stations that refused to play two female artists in a row.

Like McLachlan’s event, Daisy Chain Fields boasted an all-female lineup, featuring some of the most coveted names in the contemporary music scene. The festival also gave a nod to some of the industry’s women pioneers, such as Bikini Kill and Garbage.

Anticipation for the festival was high after Rodrigo unveiled it in late June, with tickets selling out just 30 minutes after release. This translated directly onto the grounds, which were swarmed by 45,000 attendees, comprising teenage girls, moms, dads and everyone in between.

The event raised $10 million to benefit 10 girl- and women-focused nonprofit organizations, all of which made an appearance on stage before each artist’s set. Each musician on the lineup performed for free.

Festivalgoers walk past the Great Park Balloon.

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1. Festival goers pose for pictures in front of a daisy backdrop. 2. Nara Brown from Costa Mesa ties together a flower headpiece.

As the sun went down and Rodrigo took the stage, she announced that proceeds had been 100% matched by billionaire and philanthropist Melinda French Gates, bringing total donations to $20 million.

The Times was on site to witness the festival in all its glory, amid astounding 94 degree heat and an unwavering, tangible electricity among fans. Here is our recap of the best moments from the festival. —Julius Miller

Livies get loud on the Metrolink
The 2 p.m. Metrolink train from Union Station in L.A. to Orange County was absolutely mobbed with Livies (a.k.a. Olivia Rodrigo fans) on Saturday. For such a car-brained region, it was sweet to see public transit packed with young fans in festival regalia, making the grind to Irvine more sane and green. Let’s have this vibe for every major SoCal festival (including the car-free Ocean Way next month). Yet, for new train fans, a gentle reminder: one spirited round of singing “Get Him Back!” as you’re climbing onboard? Endearing, a delight for all. Keeping it up for an hour, next to civilian commuters who looked ready to climb onto the tracks themselves by Buena Park? Maybe save that for the pit. —August Brown

Festivalgoers sing as Olivia Rodrigo performs during Daisy Chain Fields.

Devon Again performs during Daisy Chain Fields.

Devon Again felt so lucky that she gets to know you

25-year-old alt-pop princess Devon Again was a last-minute addition to the Daisy Chain Fields bill, replacing global girl group Katseye, who pulled out of the festival on Thursday due to a member’s ankle injury. Luckily, Devon Again, a personal friend of Rodrigo who will open for her tour starting in November, was there to answer Rodrigo’s call with a resounding “Duh, b—! Obviously I want to do it!” as she relayed to the Saturday afternoon crowd. Though Katseye’s presence was felt — members Lara Raj, Megan Skiendiel and Yoonchae Jeong took the stage to introduce nonprofit partner Baby2Baby before the set, and Devon Again’s drummer wore a Katseye shirt in tribute — Devon Again’s self-confessed impostor syndrome was misplaced. With a rollicking mix of high-energy country twang, twisty ballads and production-heavy pop hits bolstered by her crisp belt, she made the stage her own. —Eloise Rollins-Fife

Die Spitz dives into a great early set

The set began with a five-minute delay due to technical issues, during which bassist Kate Halter — impressively — performed several handstands to pass the time. By 1:45 p.m., the band was ready to go, with frontwoman Ellie Livingston kicking off the performance. Draped in a torn white skirt and black fishnet gloves to complement, she wailed “I hate when girls die.”

Die Spitz’s set felt like the epitome of what Daisy Chain was all about. The band members took turns strutting around stage and acknowledging, “I know it’s f— hot!” But that didn’t stop the crowd from forming mosh pits on the left and right side of the yellow Marigold stage. At one point, Livingston even jumped in herself, to the despair of security and the delight of fans. —JM

Eleanor “Ellie” Livingston of Die Spitz performs during Daisy Chain Fields.

Santigold’s set was worth fighting for

Santigold’s eclectic, genre-defying sound may be a hallmark of the “indie sleaze” era, but her standout midday Daisy Chain set proved she has plenty of staying power in 2026. Dressed in all white and flanked by a pair of straight-faced dancers in futuristic sunglasses, the 49-year-old artist performed back-to-back hits like “Run the Road” and “L.E.S. Artistes” to a crowd ready to dance the pain away. She even brought a handful of fans onstage — mostly, adorably, children — for a follow-along dance contest during “Unstoppable,” with a winner determined by cheers. Wrapping up the set with “Disparate Youth,” Santigold reminded the audience to keep believing in “a life worth fighting for.” –ERF

Santigold transports the crowd to the early aughts era of indie sleaze during Daisy Chain Fields.

Bikini Kill double dares Daisy Chain crowd to keep fighting the power

“This government hates us and wants us dead,” proclaimed punk icon and Bikini Kill frontwoman Kathleen Hanna: a critical guiding light for Olivia Rodrigo’s feminist consciousness, as well as that of thousands of Daisy Chain attendees on Saturday. Since the band’s inception in 1990, the OG riot grrrls of Bikini Kill made social justice the centripetal force of their furor — long before Daisy Chain Fields, and even its late ‘90s predecessor Lilith Fair. Powered by Tobi Vail on drums (and occasional vocals), Kathy Wilcox on bass and Sara Landeau on guitar, the electric Hanna buffered classic songs like “Double Dare Ya” and “Feels Blind” with parables from her own revolutionary life — much of which she spent fighting back against objectification from men. Dudes in Saturday’s crowd got a special directive: “You guys gotta talk to your friends [about misogyny],” said Hanna. “[Women] are not gonna stop this on our own!” Sealed with a kiss and delivered with a snarl, the band closed its rip-roaring set with the anthemic battle cry of “Rebel Girl,” and were flanked onstage by a few lucky young fans. —Suzy Exposito

Bikini Kill’s Kathleen Hanna preaches a message of anti-misogyny to the crowd during Daisy Chain Fields.

Mitski brought melodrama and musical magic

Whether you’ve been rocking with Mitski since the “Lush” days or discovered her music via pandemic-era Tik Tok, when industrial ballads like “Washing Machine Heart” unexpectedly popped off, there’s no denying her captivating stage presence — not to mention her stunning vocals. Longtime fans may have wished for a few more of the hits (no “Your Best American Girl” after the recent “Puberty 2” 10th anniversary re-release was a surprise), but indie music’s favorite sad-woman still brought her A-game to the Dandelion Stage, incorporating her signature “Butoh” performance style — a form of avant-garde Japanese dance-theatre — underscored by a backdrop of 1940s melodramas. During her set she implored Rodrigo to make the festival an annual tradition. “When do you get to be the first anything anymore?” she said. “For the rest of our lives, we could be like, ‘I’m OG DCF.” – ERF

Mitski performs during Daisy Chain Fields.

The Breeders deliver ‘Last Splash’ classics

Hand it to Kim Deal: As one of the OGs on the bill at Daisy Chain Fields, the Breeders frontwoman used her band’s performance to shout out an even earlier pathbreaker by wearing an old Shirley Chisholm campaign T-shirt featuring the first Black congresswoman’s slogan of “Unbought and unbossed.” Deal and her bandmates (including her twin sister Kelley) drew deeply from their classic 1993 “Last Splash” LP, loping through the country-ish “Drivin’ on 9,” chugging on a fuzzed-out “Saints” and pricking up Gen Z ears with the perennially TikTok’d “Cannonball.” — Mikael Wood

The Breeders play songs from their 1993 classic album “Last Splash” during Daisy Chain Fields.

Doechii does it for the girls

Under the hot afternoon sun, Grammy award-winning rapper Doechii celebrated all things girls in her typical over-the-top fashion. She and her dancers arrived onstage painted in hot pink, the swamp princess’ hair fashioned into high pigtails. A dance breakdown to a hardcore take on Beyoncé’s “Run the World (Girls)” introduced the set, and though she fed fans by performing some of her most popular singles — a version of “Anxiety” that morphed into a cover of the original sample “Somebody I Used to Know” by Goyte, “Alter Ego” and tracks like “Nissan Altima” and “Boiled Peanuts” from her 2024 album “Alligator Bites Never Heal” — she also reminded festivalgoers of the influential Black women artists who came before her — Lauryn Hill, Queen Latifah, Beyoncé — by mixing their iconic songs into hers. Glowing magenta, she twirled above what looked to be a rising river, a physical representation of the swirling, engulfing thoughts that anxiety can provoke as she performed the song by the same name. And just to ensure there was zero confusion, the Florida rapper ended her set by simply stating: “We do this for the girls, we do this for the gays and we do this for trans women.” —Danielle Dorsey

Doechii performs during Daisy Chain Fields.

Doechii

Garbage gives grunge power to Gen Z

With its blend of serrated alt-rock guitars and sleek machine rhythms, Garbage always sounded a little ahead of its time when the band broke out in the post-grunge mid-’90s. But as frontwoman Shirley Manson evoked an age of digital surveillance and pharmacological dependence in “I Think I’m Paranoid” — one of the era’s great snarling pop singles — what you realized is that history had finally caught up with the band. — MW

Shirley Manson, lead singer of Garbage, performs during Daisy Chain Fields.

Chappell Roan reigns with a hit-heavy set

It’s funny to think that Chappell Roan has only really been in the American music scene for the past six years, with just one studio album to her name.

Roan appeared from the back of stage, revealing her leather, periwinkle stewardess outfit and red mod bob — an apparent nod to Luc Besson’s 1997 film “The Fifth Element.” Naturally, the crowd roared as she dove bob-first into “Super Graphic Ultra Modern Girl.” She’d occasionally crouch down to take a sip from her water bottle, which matched her ensemble.

Roan looked especially happy to be there, happily performing for free and her set did not disappoint.

“Only the hits today,” she said, smiling. “Only the hits.” —JM

Festivalgoers dance in the “MicroRave.”

Not for Radio crank up the volume

Just after sundown, the Marías’ enigmatic leading lady, María Zardoya, emerged to perform songs from her nocturne solo project, Not for Radio. Circled by a verdant reproduction of an enchanted forest, and dressed in a black swan-like two-piece by Ann Demeulemeester, Zardoya held the audience captive with her purring soprano and vampy stare. But make no mistake: by dialing up their otherwise elegant chamber pop with a little extra crunch and distortion, the players of Not for Radio came ready to rock out with the Daisy Chain crowd. It was during a performance of the new track “Comet,” which has only been recorded live thus far, that Zardoya bewitched fans into head-banging along with her. —SE

Olivia Rodrigo does duets with her idols

Sarah McLachlan, left, and Olivia Rodrigo perform during Daisy Chain Fields.

Rodrigo’s enduring virtue as a pop star is being a great fan first. The job requires commanding attention and devotion for yourself, but she’s never been shy about situating herself in the long arc of women who came before (and after) her, or just being moon-eyed to live inside her favorite songs with her heroes onstage. For her Daisy Chain Fields closing set, she dueted with generations of women that shaped her sense of what’s possible in music — Stevie Nicks for a gorgeous “Landslide,” and a surprise Alanis Morissette cameo for “Ironic” that felt like girl-gang karaoke night at its finest. She joined Lilith Fair founder Sarah McLachlan — a specific inspiration for this festival — for “Building a Mystery” and a deeply tender “Angel.” Even Rodrigo’s backing band, full of absolutely shredding women instrumentalists, played beside her on equal footing for exquisitely tasteful, post-punky revisions of songs across her three albums. The boys in the crowd got a brief chance to growl in the lead on “Expectations,” but here they were just allies — the headline act was Rodrigo’s talent framed as a gift received from other women, and given again to the young fans on the field. —AB

Aug. 30 (UPI) — U.S. President Donald Trump on Sunday said the crude oil from Venezuela will be used to “fill up” the U.S. Strategic Petroleum Reserve.

“One of the things I am going to do with the Venezuelan Oil is fill up the Strategic National Reserves which, because of Sleepy Joe Biden, has been virtually emptied,” Trump wrote. The “topping out” process will begin very shortly, and is a Gift from Venezuela to the People of the United States.”

Trump’s remarks came after he announced late Friday on social media that the South American country’s oil reserves will fall under “majority U.S. control” under a deal negotiated by Secretary of State Marco Rubio, Defense Secretary Pete Hegseth, and acting Venezuelan President Delcy Rodriguez.

“The United States of America has just entered into an Agreement with the Country of Venezuela on, THE BIGGEST OIL DEAL IN WORLD HISTORY!” Trump wrote.

In a televised address Saturday, Rodriguez said the “historic” deal with the U.S. to deliver 65 billion barrels of oil over 25 years will allow Venezuela to develop its oil industry. She added that the country’s “ownership and sovereignty” of its resources will be preserved.

The SPR held 289.7 million barrels as of Aug. 21, nearly a 44-year law, according to government data. The Biden and Trump administrations each drew down from the reserves after supply disruptions, such as Russia’s invasion of Ukraine and the US-Israel war with Iran. The SPR level stood at nearly 395 million barrels at the end of the Biden administration in January 2025.

Ten months after a coup, military leaders say the referendum is designed to stabilise future civilian governments.

Ballot counting is under way in a referendum in Guinea-Bissau that could significantly boost the presidency’s power.

Citizens of the West African nation took to the polls on Sunday to vote on a new constitution that would reform the country’s political system ahead of elections later this year.

Turnout “exceeded” 55 percent and the poll took place “without any incidents that would call into question the credibility of the vote”, Idrissa Djalo, executive secretary of the National Electoral Commission, told a news briefing on Sunday.

Results are expected on Tuesday.

The referendum comes less than 10 months after the military seized power in a coup.

The military government says it seeks to stabilise institutions before presidential and parliamentary elections, scheduled for December 6, designed to hand power back to a civilian government.

The new constitution, which citizens were asked to approve on Sunday, would switch Guinea-Bissau’s political system from a parliamentary to a presidential one.

It would abandon the system by which prime ministers came from the parliamentary majority, an approach that has led to uncomfortable power-sharing.

The new system would also allow the head of state to appoint and dismiss the prime minister and members of the government, and to dissolve parliament.

On Sunday, voters answered “yes” or “no” to the question: “Do you agree with the entry into force of the new constitution approved by the National Transitional Council?”

“What we want after this referendum is to allow whoever wins the elections to see out their mandate without hindrance,” military leader and transitional President General Horta Inta-A Na Man said.

Under the transitional charter he upholds, Inta-A Na Man is barred from running in elections.

The referendum follows years of political instability. In the November 2025 presidential election, both candidates declared victory and accused each other of electoral interference. The coup happened one day after.

The X Factor is reportedly set for a comeback and bosses are said to be looking to trademark some of the show’s biggest catchphrases

A number of The X Factor’s most famous phrases have reportedly been trademarked as the show reportedly gets ready for a comeback.

The singing contest is set for a shock return and several sayings from the top man Simon Cowell are said to have been put forward for trademarking, including the music guru’s one liner – “I didn’t like it, I loved it”.

The reboot of the show is claimed to have been secretly bubbling away in the background for almost a year, with those on board sworn to secrecy. And it’s said the show will be returning int a “whole new arena”.

Due to the intensity of social media and viral clips, a source has claimed bosses are acting to try to secure their most popular phrases. “Trademarking key phrases is part of that — and Simon’s known for his critiques,” a source said about the new business mode.

The source continued to tell The Sun: “Bosses lodged, ‘It’s a yes from me’, ‘It’s a no from me’ and ‘I didn’t like it, I loved it’ in December.”

It remains to be seen which judges will be called upon for the reboot. Previous have included Nicole Scherzinger and Louis Walsh, with hosts including as Dermot O’Leary. Simon is thought to be making a comeback in some capacity too.

A source told the publication: “They can explore a younger, fresher panel, with new faces and have Cowell behind the scenes. The plan is for the show’s return to take on a new life and be updated to envelop social media generation.”

The long-running singing competition originally aired from 2004 until 2019. It thrust a number of unknown acts into the international spotlight while also helping to boost the profiles of the roster of judges. At it’s peak, The X Factor pulled in huge audiences just shy of 20 million viewers.

By 2019, interest in the series had waned. Eventually, the show was axed following a celebrity version of the series that struggled to attract more than three million viewers.

Speaking about the potential return of the show previously, Simon told the Tales from the Celebrity Trenches podcast: “Yeah, we talk about it a lot. Do you bring it back as X Factor or do you bring it back as the Z Factor?

“There’s still no question, the power of TV in terms of getting people to know an artist. It’s so important if you’re not writing your own material. The truth is there’s something about being on a big screen. You hear about these artists who break online, but so rarely.

“Truth is, I guess, thank God, people like being on TV.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Aug. 30 (UPI) — U.S. forces struck a pair of rocket launchers on an island in the Strait of Hormuz on Sunday in the first military action taken against Iran in weeks, military officials said.

The strikes on Larak Island were carried out to prevent Islamic Revolutionary Guard Corps forces from deploying new sea mines into the strait, a spokesman for the U.S. Central Command said in a statement issued to media outlets.

The strike comes after two days after CENTCOM announced it had completed clearing sea mines from the main shipping lane in the strategic waterway.

Sunday’s military action represents the first publicly announced attack against Iranian forces since Aug. 1 when President Donald Trump began a pause in the hostilities after saying the “perimeters of a deal” to end the U.S. war against Tehran had been reached.

The Strait of Hormuz is a seen as a key factor in the conflict. Iran has been restricting maritime traffic at the chokepoint through the use of mines, missiles and military drones since the conflict began in February.

Despite Trump’s frequent assertions that the strait is open, only three vessels were transiting the waterway on Sunday — just 5% of the normal daily volume — while 383 vessels were waiting to pass through, according to the Hormuz Strait Monitor.

Iran and Oman reached a revenue-sharing arrangement and agreed to temporary shipping lane coordinates last week but the IRGC is maintaining its closure until the United States meets its conditions.

Trump earlier this month threatened to bomb Oman if it “gets in the way” with a deal to reopen the waterway. However, direct talks between Washington and Tehran talks expired on Aug. 17 with no deal reached and no new negotiations have been announced.

Tour Championship, final leaderboard

-16 S Scheffler (US); -13 V Hovland (Nor); -12 R Gerard (US); -11 A Fitzpatrick (Eng), C Gotterup (US), R McIlroy (NI), R Henley (US), MW Lee (Aus), J Bridgeman (US), L Aberg (Swe)

Selected others: -10 T Fleetwood (Eng), C Young (US), A Scott (Aus); -9 C Morikawa (US); -7 J Rose (Eng); -5 M Fitzpatrick (Eng), W Clark (US); E R MacIntyre (Sco)

Full leaderboard

At times it felt like there was a certain inevitability about Scottie Scheffler collecting his second Fedex Cup title on Sunday.

As those around him began to falter, the world number one, who started the day three strokes adrift of overnight leader Viktor Hovland, produced a typically metronomic performance with the winning cheque in sight.

And what a prize. Scheffler’s reward for his 22nd career victory at the PGA Tour’s season-ending Tour Championship in Atlanta will see his bank account credited to the tune of $10m (£7.4m).

The 2024 champion also joins Tiger Woods (2007 and 2009) and Rory McIlroy (2016, 2019 and 2022) to have won the event on multiple occasions.

“To come from behind and be able to win tournament is a really cool feeling,” Scheffler said.

“There were a lot of talented guys in front of me on the leaderboard. I was fortunate to get off to a good start and put myself in the mix. It’s a gift to be out here on tour. Each and every day I’m going to try to give it my best.”

Across the final three pairings, Scheffler’s four-under 66 was the only round to break par with his superb ability to find green after green giving him a substantial edge over his rivals.

Hovland, whose driving became more erratic, also found that his putter had gone cold when he most needed it, and the Norwegian signed for a two-over 72 as he finished three back in second place.

American debutant Ryan Gerard, who started one behind Hovland, ended the day in the same position and third overall on 12 under par after also taking 72 shots.

McIlroy was unable to rediscover the rhythm that rocketed him into contention on Saturday, with his topsy-turvy round of 69 containing four birdies and an eagle mixed with five bogeys.

Aside from the Northern Irishman there were few moments of sparkle on show elsewhere among the potential contenders, albeit Justin Rose’s hole-in-one on the ninth was an obvious exception.

While Rose was unable to gather any momentum from that to seriously challenge, ending the day at seven under overall, another Englishman Alex Fitzpatrick matched Scheffler’s 66, the lowest round of the day, to catapult himself up the leaderboard to conclude the tournament alongside six-time major winner McIlroy at 11 under.

It earned the 27-year-old a tie for fourth on his debut to cap a remarkable season in which he won his first DP World Tour event at the Indian Open before teaming up with his elder brother, the 2022 US Open champion Matt, to win the Zurich Classic of New Orleans pairs event.

The glowing bar is decorated like a DJ lives there with shelves of classic records, ghetto blasters, plush couches, upscale food and craft cocktails. It feels like seeing a comedy show in the living room of a friend with taste. Comics who’ve come to the stage include Donnell Rawlings, Iliza Shlesinger, Morgan Jay, Josh Johnson and Kam Patterson. Unlike most club shows that are quick to kick you out, the promoters encourage people to hang out for what feels like an after-party worth sticking around for. Though the show is seasonal and runs until Sept. 22, the promoters plan to come back in December.

When: 8 p.m. Tuesdays
Tickets: Varies

Aug. 30 (UPI) — More than 20 people are missing after “significant” flash flooding struck areas around the Grand Canyon, officials said Sunday.

The National Park Service asked for those who know of hikers or backpackers who were in the Grand Canyon National Park areas of Bright Angel Canyon and Phantom Ranch when the flooding hit to contact park officials.

“Grand Canyon National Park staff, in coordination with the Arizona Department of Public Safety, are continuing evacuation and response efforts and working to account for individuals who may have been in the affected area,” NPS said in a statement.

The NPS said it is also searching for anyone who may have been on the North Kaibab Trail from the North Kaibab Trailhead to Phantom Ranch, staying at Bright Angel Campground, or traveling or staying in the area known as “the Box” north of Phantom Ranch.

Officials said at least 62 people had been evacuated after significant damage was caused by the flooding.

Phantom Ranch, Bright Angel Campground, Phantom Ranch Canteen, the North Kaibab Trail, the Black and Silver bridges and traffic to the Colorado River in the area are closed “until further notice,” officials said.

A reopening date has not been announced.

Officials warned thunderstorms and heavy rainfall were possible Sunday and Monday that could “result in additional flash flooding, debris flows, rockfall and rapidly changing trail and river conditions.”

People were encouraged to stay away from the closed areas.

Grand Canyon National Park is the country’s fourth-most visited national park, with 4.4 million visits last year.

Teenager struggled in Barca’s La Liga start at Elche but improves against Athletic Bilbao, according to Hansi Flick.

Barcelona coach Hansi Flick has indicated that teenage star Lamine Yamal is finding his way back to his “top level” before Monday’s La Liga clash against Rayo Vallecano.

The 19-year-old struggled in Barca’s first match of the season at Elche but improved against Athletic Bilbao in the second, Flick said, although he did not find the net.

“I know everyone is worried about how is Lamine, how is he doing. And of course, look at his situation – he played a World Cup after a huge injury,” Flick told reporters on Sunday.

Flick said the Spanish World Cup winner is returning to his best, which Yamal has not hit since suffering a hamstring injury in April.

The winger returned at the World Cup but, despite Spain’s success, had limited individual impact at the tournament.

“Now he’s coming back after three weeks holiday, and also the first game maybe was not his best game.

“But I said this, I was very happy that he starts the game and he worked for the team.”

Yamal disappointed in the first half against Athletic on Thursday but stepped up a gear after the break.

“He played 90 minutes against Bilbao. And for him at the moment, it’s also good to [have] 90 minutes on the pitch,” Flick continued.

“We saw him in some situations really on this top level. And now, you couldn’t see this in the training today, but I saw it, and it was excellent.

“Everyone loves Lamine, and he’s in a good way. And we have to support him, and we do that.”

Yamal seemed in a bad mood after the game against Elche but happier in training before the Rayo clash.

“Of course, it’s always good when the players are smiling, but it’s not every day the same way,” Flick added.

“I’m also not smiling every day. It’s like that.”

Barca won both of their opening fixtures with Raphinha playing as a makeshift number nine after the champions were unable to land top target Julian Alvarez from Atletico Madrid.

“Of course, I’m happy with my team. [Sporting director] Deco is working on that to strengthen the team. We don’t have pressure,” Flick said, reiterating he is content with the players available to him if Barca don’t sign a new striker.

Suranne Jones and Rose Leslie returned for the third Vigil adventure that brings about death and drama from a remote Arctic research station

The third series of all action BBC drama Vigil has arrived and co-leads Suranne Jones and Rose Leslie are understandably proud of what they have achieved.

The adventures and investigations of DCI Amy Silva (Suranne) and DI Kirsten Longacre (Rose) which began on a submarine in 2021 attracted over 13 million viewers and despite TV audiences splitting across streaming platforms and huge choice, more than nine million viewers saw series two in December 2023 on BBC1.

Now they are back again for a new case that takes them to a remote Arctic research station, where a member of a covert British special forces mission has been murdered.

“This is kick-ass,” Suranne said of the project. “I’m always saying this is why I wanted to take this job on. This is a big, ballsy, prime time BBC show that’s like fronted by not just one, two women. And not just one, two women in a same-sex relationship. I mean, it’s great. It’s big. It’s brilliant. And then the drama that comes with it. I am proud that people still love it.

“We’re proudly representing two women that are now together, they’re married, they have two children. Rose and I have always taken the personal scenes and made sure that there is some weight to them so that we can really play, even if it’s one or two scenes, we try and make those count because it’s about our connection and always has been.

“I think fans can relate to Amy and Kirsten because they hope for the best in every situation and they try to see the good in everything. They keep fighting, which is hard these days, but they feel quite hopeful as a duo to change the world. It is the systems around them that let them down.”

Turning to her character and filming in Svalbard, she added: “We’ve seen Amy underwater, we’ve seen her fighting drones, and now series three is set in the Arctic.

“We had the opportunity to go to Svalbard, which was such an experience. It was so beautiful and we filmed those scenes at the beginning of the shoot, which allowed us to get a real feel of the world that we were inhabiting.

“Rose and I felt like we were just on top of the world because we went to places that tourists don’t normally visit since we were filming in such remote locations. There were reindeer outside the breakfast room every morning, we got to drive the snow buggies, and we really had to layer up – the problem was when we got back to Glasgow we were too hot because we still had to film with all our layers on!”

The two actors clearly enjoy working together and on screen their characters now have two children, something Rose has replicated in real life.

A mother herself, 48-year-old Suranne is now a TV veteran with hits including Doctor Foster, Gentleman Jack and Scott & Bailey since moving on from Coronation Street in 2004.

On her co-star Suranne said: “Rose has been through two pregnancies in the seasons, so you know that we bonded over because they’re big life experiences. I shared the hormones! I’m on the other end of the perimenopause. But yeah, I think it’s great.

“It’s been so lovely to develop and you’ll see when we actually get screen time together. It’s an interesting relationship.”

For 39-year-old Rose, a former star of Game Of Thrones, the job of working on dramas has changed and is now combined with bringing up a young family. She married her Game Of Thrones co-star Kit Harrington in 2018 and they have a son born in 2021 and a daughter born in 2023.

Rose continued: “I feel incredibly grateful that I had jobs to go back to post giving birth. That was incredible, and that was a kind of mental safety net to be like, oh my gosh, okay, there can still be money coming in despite the fact that I’m now growing a family. That was amazing.

“I think what it shows about working mums is that we’re f***ing lionesses. You’re juggling it all. Like you’re grappling with who you were prior to that. You’re also wanting to raise a little human who feels that they are worthy and loved, without you always going off to work. But you’re coming home. You’re trying to instil a sense of peace and calm within them, But yeah spinning many plates.”

Despite it being very cold in between takes, the two leads enjoyed the time chatting and catching up after several years between the series. Suranne said: “Rose is always my standout of filming Vigil because it’s always gorgeous to see her and work with her. We didn’t stop talking the whole time. We got to spend a lot more time together in this series in comparison to the previous ones, because Amy joins Kirsten in Svalbard midway through and they work on the case together.

“What’s also lovely is having a new cast for every series of Vigil because we’re in a different world every series, so the entire cast changes except for a few of us. The new characters for this series are brilliant and such fun. Eric Godon (plays Mayor Korotayev) used to bring his own coffee onto set and he’s from Belgium, so he’d sometimes bring Belgian chocolates in.

“We’re just like a band of brothers and we’re all in it together so we’re a real team – that involves the crew too. I loved going into make-up first thing in the morning, it’s my favourite place as they’re so great and they really get you going at the start of the day.”

Grinning Rose added: “I think it comes down for me certainly to the fact that Suranne is utterly divine. Being opposite her and also working alongside of her, and the kind of the energy that she brings and the joy that she brings.

“It’s interesting, particularly with series three the fact that we get to share more screen time has been awesome, so I feel really for series three that our relationship has developed more than in one and two.”

The pair don’t want to give too much of the plot away, but it is fair to say the series continues where the previous two left off with explosions, death and devious characters involved.

Amy and Kristen – fresh back from maternity leave – will need to catch the killer and defuse a potential international confrontation, as different nations compete for control of the Arctic and its resources in the changing polar climate. It is a challenging and dangerous situation with both their careers and relationship seemingly on the line.

Suranne concluded: “Each series also brings new challenges with Amy not knowing her surroundings – she’s constantly put into these new worlds, with new rules and new characters and so she’s always trying to figure out where her authority is in that. I also think Amy and Kirsten are kept in the dark with what they’re being told and it’s their job to find the gaps and piece it together.

“I think fans can relate to Amy and Kirsten because they hope for the best in every situation and they try to see the good in everything. They keep fighting, which is hard these days, but they feel quite hopeful as a duo to change the world.”

Vigil Series 3 returned on August 30 on BBC1 with episodes one and two on BBC iPlayer.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Aug. 30 (UPI) — Icelandic voters rejected restarting talks about the Nordic island nation joining the European Union.

Referendum results announced Sunday showed that 53% of people voted against the talks while 47% said yes. Overall, 68,135 were cast with 82.4% voter turnout.

Iceland had discussed joining the bloc in 2013 shortly after a banking collapse in the country and the global economic crisis. Talks ended because Icelanders were concerned about keeping sovereign control over fisheries, the country’s top export.

Iceland would not have become an EU member automatically if voters had approved the talks. The country’s representatives would have had to negotiate with Brussels, and Icelandic voters would have had to approve EU membership in a second referendum.

“This is a good day,” Prime Minister Kristrún Frostadóttir said Saturday. “We have now reached the point where this is in the hands of the nation. Either we enter these negotiations, seek a good agreement and then see what happens, or we put the discussion about the European Union aside, at least for the time being.”

Frostadóttir last month said on the British podcast, The Rest is Politics, that Iceland currently follows 75% of EU rules.

“Joining it is not going to sink the country and joining it is also not fundamentally going to change every aspect of Icelandic, you know, economy,” she said at the time.

However, there was concern that the other 27 countries in the EU would drown out Iceland and the country would have to change its currency to the euro from the króna.

Searches have been carried out for a second day for two crew members after a French fishing boat sank in the English Channel, the Maritime and Coastguard Agency said.

A coastguard rescue helicopter, fixed-wing plane and RNLI lifeboats began searching an area south-west of Eddystone Lighthouse off Plymouth, Devon, after the crew of the trawler the Maranello made a distress call at 18:00 BST on Saturday.

The intensive multi-agency search continued on Sunday before it was “suspended pending further information”, coastguards said at 20:20 on Sunday.

HM Coastguard said three people rescued from the boat and taken to hospital were “currently travelling back to France”.

The French authorities said the stricken fishing vessel had contacted another trawler, the Stradale, to say it had a problem with its fishing gear.

The Stradale managed to recover three of the five crew members before the Maranello sank, the French naval prefecture for the Atlantic added.

One of the rescued sailors was evacuated by helicopter and treated in hospital in Truro, Cornwall, while the other two were taken to Plymouth for medical attention.

RNLI lifeboat crews from Falmouth and Newlyn in Cornwall, as well as from Plymouth and Salcombe in Devon, have been involved in the operation.

A large number of civilian vessels had also assisted in the “intensive search” for the two remaining crew members, a UK coastguard spokesperson added.

They said a coastguard aircraft “equipped with the latest technology including a multi-function search radar and high resolution cameras” was also involved, and that mayday relay broadcasts had been sent out, “requesting vessels in the area to keep a sharp lookout.”

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IT has been branded “offensive” and its host was once pelted with rotten fruit, but the Miss World contest will be watched by two billion when the 75th anniversary final takes place this week.

And representing England at the 2026 showpiece in Vietnam will be Grace Richardson, who has already won the contest’s talent round and has sailed through to the final event.

One woman who knows what it takes to triumph at the Miss World is former title holder Ann Sidney, who won the 1964 contest representing the United Kingdom.

Now 82, and one of only five Brits to have held the title, she defends the contest against the usual criticisms that it is sexist and out of date.

Ann, who was a 20-year-old hairdresser from Poole in Dorset before entering the competition, tells The Sun: “Miss World was a soft target for protesters. I think people working in TV are more anti-Miss World than the general public.

“When I won, I was in the swimsuit. Now there is an evening gown.

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“I didn’t think twice about wearing a swimsuit. I never felt embarrassed by being in a swimsuit.”

When Ann was named Miss World in 1964, the show’s British TV audience was an extraordinary 27million, which was around half the population at the time.

It catapulted Ann on to the international stage, and she starred in a movie with Mick Jagger, appeared in TV secret agent series The Avengers, entertained US troops in Vietnam with Bob Hope, auditioned for a James Bond film, had a lead role in The Sound Of Music stage show in the West End and met Elvis Presley in Las Vegas.

Miss World, which began as a bikini contest at the Festival of Britain in 1951, provided a jet-set life of five-star hotels, limousines and having the likes of Frank Sinatra fix Ann a drink.

But holding on to that crown required sacrifices and hard work.

The Miss World organisation signed a lucrative deal with a trade body for the wool industry, which meant Ann would be the Ambassadress for Wool for a year.

Her contract had a “morality clause”, which meant she could not have boyfriends and had to be Miss Perfect in terms of her behaviour.

And that was a strain for Ann, as she was in an on-off relationship with a married Bruce Forsyth.

The presenter, who died in 2017 aged 89, was a household name, compering the Sunday Night At The London Palladium variety show, decades before he became known for hosting Strictly Come Dancing.

Ann says: “The situation with Bruce kind of broke my heart. I couldn’t get any bad publicity, I would lose the contract basically and certainly lose any money. They paid me very well.

“It was a very difficult thing for me because I had this man in the background that was wanting to go out with me and to see me, and I knew I had to focus on what I was doing.

“You have to be that perfect woman. I had to be completely single and above and beyond suspicion. No dating whatsoever.”

And that is tricky when lots of men want to boast they have slept with Miss World. Once a footballer even pretended to be from room service just so he could tell his team-mates he had been in Ann’s bedroom.

When other men were too persistent, Ann put them firmly in their place.

She says: “I’m not knocking men, but you’re always going to be a trophy, something a man can boast about.

“You can’t take it seriously. Back then, if somebody got naughty, you said, ‘Stop it, you dirty old man’, you know, ‘Give me a break’. Usually men will go, ‘I’m sorry’. You dealt with those things yourself. I think today we’ve become very offended.”

There were other potential pitfalls. Playboy tycoon Hugh Hefner offered Ann $10,000 — around £140,000 in today’s money — to pose naked in his magazine.

Even though he plied her with drink, she turned him down, knowing she would be stripped of her Miss World title if she accepted his offer.

Once her year was up, Ann pursued an acting career, going into repertory theatre to learn the trade in the traditional manner.

She recalls having to overcome the widespread idea that beauty contest winners were “bubble-headed”, with people asking questions about her such as, “Can she learn lines?”.

But she went on to secure a broad range of roles, from the cult 1970 crime film Performance, starring Mick Jagger, to the cosy Seventies sitcom Are You Being Served?.

Since the death in 2019 of her fifth husband, theatre producer Duncan Weldon, she has continued living and working in California.

For other queens over the years, the price of fame was too much.

Britain’s first Miss World, Rosemarie Frankland, had a tragic end. An 18-year-old Marks & Spencer shop worker when she won in 1961, Rosemarie died aged just 57 from a drug overdose in 2000 in a shabby Los Angeles flat.

A 20-year affair with Bob Hope, two broken marriages and a short-lived acting career, which included appearing in The Beatles’ 1964 movie A Hard Day’s Night, is said to have left her depressed.

Our third winner, Leslie Langley in 1965, appeared in Bond film Goldfinger and Doctor Who, then quit showbusiness to be a dental nurse.

Welsh beauty queen Helen Morgan held the title for just four days in 1974, stepping down when it was revealed she was an unmarried mother with an 18-month-old son — somewhat more scandalous in the 1970s — and that a woman intended to name her in a divorce case.

The previous year’s winner, American Marjorie Wallace, was stripped of her title after a fling with singer Tom Jones.

In 1980, German Gabriella Brum quit after 18 hours when adult images emerged.

The last Brit to win was Sarah-Jane Hutt in 1983. Since then attitudes have softened over the years. Miss UK Nicola Willoughby was allowed to stay in the competition in 1999, even though topless photos were published.

Last year Miss England, Milla Magee, quit the show because she felt it treated her “like a prostitute”.

Now this year’s Miss England, 21-year-old Grace — a performing arts graduate from Leicestershire — is in a strong position to take the crown and sash in Vietnam.

The first openly gay Miss England, who has revealed that she was cruelly bullied over her appearance at school, was set to perform a ballet dance in the talent round, but broke her foot just a week after entering the event.

Luckily she had a back-up talent and secured her place among the Top 40 quarter-finalists by wowing judges with her rendition of the song Never Enough, from the 2017 film The Greatest Showman.

These days, it seems, talent and brains are as important as looks in the Miss World contest, and you will find biochemists and world-class dancers among the women strutting their stuff at the finals.

Since contest founder Eric Morley died in 2000 it has been run by his widow Julia, 86, who has introduced the concept of Beauty With A Purpose — an ideal which means the pageant has raised more than a billion pounds for charity.

It could be seen as a response to critics, who have blasted the pageant on feminist grounds.

One such protest against it came in 1970 when Women’s Liberation activists threw flour bombs at host Bob Hope. BBC One controller Michael Grade removed Miss World from the channel in 1984, claiming it was “verging on the offensive”. It is now available on YouTube.

But former winner Ann thinks it is time to bring back the show, which is still broadcast in more than 180 countries, to British terrestrial television.

Ann, who is still working in Hollywood, says: “Miss World has its critics, but I would do it again tomorrow.

“It was a great stepping stone for me. I travelled the world five times in a year. I met incredible people.”

WINNING WAS JUST THE BEST

By Jamie Pyatt, The Sun’s former Miss World Correspondent

FROM judges storming out of press conferences to the countries who have won it back-to-back, here are ten facts about Miss World . . . 

• Soccer legend George Best was said to have bedded seven Miss World winners, including the US’s Marjorie Wallace in 1973 and Swede Mary Stavin in 1977. But he said in his autobiography: “It was only four. I didn’t turn up for the other three!”
• More than a million women apply every year to take part in the hope of becoming one of the 108 contestants and winning the $1million first prize.
• Miss World is the most watched annual TV event, with more than two billion viewers in 180 countries. In the UK it fell out of favour in the 1980s as feminists claimed it degraded women. Indeed, guests arriving for the 2002 event at London’s Alexandra Palace, including this correspondent, were pelted with human poo.
• The 11 Miss World finalists who have appeared in James Bond movies include the US’s Halle Berry (Die Another Day), Malaysia’s Michelle Yeoh (Tomorrow Never Dies) and the UK’s Carolyn Seaward (Octopussy).
• The UK is one of only three countries to have won Miss World back-to-back – with Sweden in 1951 and 1952, English roses Ann Sidney and Lesley Langley in 1964 and 1965 and India in 1999 and 2000. The last UK contestant to win was Sarah-Jane Hutt in 1983.
• Judges for Miss World have included Sir Bruce Forsyth, Sir Richard Branson, Shirley Bassey, Piers Morgan and Jerry Hall, who famously stormed out of a press conference at Sun City resort in South Africa in 1992. It happened when I asked if she had any comment on her then husband Mick Jagger allegedly being caught cheating on her, after she had warned such a question was “out of bounds”. But it gave me a front-page story and Miss World a great publicity boost!
•  The Miss World crown is the fourth since the contest began and is worth £100,000. It belongs to the Miss World Organisation but each winner gets a replica when she passes her crown to the following year’s winner.
• In 2002 The Sun helped to evacuate more than 80 beauty queens from Nigeria to the UK as riots over the “offensive” contest led to more than 250 deaths. The contest was rescheduled for London.
• The current Miss World is Miss Thailand, Suchata Chuangsri, 22, who is the first Thai to win the contest.
• Final word to George Best, who famously said: “If you’d given me the choice of beating four men and smashing a goal in from 30 yards or going to bed with Miss World, it would have been a difficult choice. Luckily, I had both!”

BERKELEY — Twelve hours after walking offstage at the Greek Theatre on Tuesday night, David Byrne sits down with a cup of coffee on the patio of a tony hillside hotel and admits that he’s starting to get a little misty.

Last night’s concert on the campus of UC Berkeley was one of the remaining few on Byrne’s yearlong world tour after 2025’s “Who Is The Sky?” album. About an hour from now, a bus will pull up to ferry the 74-year-old musician and the dozen or so members of his touring company to the airport for a quick flight to Los Angeles, where they’re set to perform Friday and Saturday nights at the Hollywood Bowl.

“There’s a firepit over there,” Byrne says, pointing across the patio, “so after the show we all sat around and told stories. Everyone’s such a joy to work with — we’re all having a really good time.” He sighs. “That’s kind of rare, actually.”

“Who Is The Sky?,” which Byrne made with the producer Kid Harpoon, contrasts deep lyrics about art, home and enlightenment with bright pop arrangements filled with crisp grooves and singalong melodies. (Kid Harpoon, whose real name is Tom Hull, is known for the hits he’s created with Harry Styles and Miley Cyrus.) In the show, Byrne blends whimsical new tunes like “My Apartment Is My Friend” and “I Met the Buddha at a Downtown Party” with jittery oldies by Talking Heads, the hugely influential art-rock band he formed in 1975 with Jerry Harrison, Chris Frantz and Tina Weymouth.

Yet even when the songs get dark — as in “Life During Wartime,” which comes with images of police violence on the enormous digital screens behind the players — the mood is euphoric: Like Byrne’s previous tour behind 2018’s “American Utopia,” this one has the musicians holding their instruments as they execute choreographed moves on a bare stage; the result is more or less a nonstop dance party. (Also like “American Utopia,” which Spike Lee adapted into an acclaimed concert film, this tour will make its way to movie screens courtesy of “The Brutalist” director Brady Corbet.)

So you can see why Byrne would be sad to see it come to an end, not least because he’s been using his days off to tool around a given town and take pictures of cool local color. At the top of the gig in Berkeley, he showed photos from a hike he’d taken and of a car he’d come across with a tricked-out sound system.

“Any ideas of things to see in L.A.?” he asks me, dressed in a violet-colored chore jacket only a few shades removed from the blue one he wore onstage. “That hike was a workout. Even some of the dancers said those hills were steep.”

“Life During Wartime” was maybe 15% faster last night than the original record.
Could’ve been, yes. You’ll have to ask the drummers — they set the tempo, and they get excited and it kind of ramps up. It’s sometimes hard for me to keep up — I’ve got a lot of words to get out.

I was fortunate to be at Van Halen’s next-to-last show at the Hollywood Bowl, and I remember every song felt insanely fast.
Wonder if that was drugs?

You ever see Van Halen?
Never saw them live. David Lee Roth was a Talking Heads fan — came to visit our rehearsal loft once. I was kind of surprised: “How did you…?”

David Byrne performs at the Coachella festival in April.

(Christina House / Los Angeles Times)

Would you say things turned out better or worse than the future you predicted in “Life During Wartime”?
Well, we’re not having a total civil war. There’s maybe still a chance that could happen, but it seems there’s more resistance now than there was before — a sense that we don’t have to just roll over and take all the stuff that’s going on. The footage we got kind of hits home.

You show the video of the guy on the bike pedaling away from ICE agents in Chicago.
That often gets a cheer.

I wondered if it ever doesn’t.
In the United States, no. Seeing the underdog get away — that’s a pretty timeworn story. We didn’t have that video at the beginning of the tour — it didn’t exist. I saw it on some news service, and I thought, oh, this has to lead the whole sequence. When we were first putting the show together, we had more video stuff. But screens are really seductive, so you start looking at that. We said, no, you have to connect with real live people, then you can put it up.

Have you been to the Sphere in Las Vegas?
A bunch of the band and I went to see “Wizard of Oz.” I haven’t seen a band in there. But it was really a lot of fun — quite a spectacle with the video all around you.

Don Henley compares the Eagles’ role there to the organist at a silent movie.
The pit band, yeah. That’s a thing to do — works especially well, I would imagine, for bands like the Eagles and other groups that don’t do a whole lot of song and dance.

At 74, can your body do all the dancing you want to do?
Oh, no. With more physical training, I’d probably be able to do a little more than I can now. But I’m never gonna be able to do what some of the dancers can do.

How about what you used to be able to do?
Like in “Stop Making Sense”? There’s some stuff in there where I go, nope, can’t do that. But I can do other things. I don’t have a feeling that I’m barely getting by.

Are you an exerciser?
I have a person I see in New York. It hasn’t happened so much lately because we’ve been moving around so much. But Sasha [Rivero, from the touring company] leads us through these warm-up exercises before shows — kind of a cross between strength training and yoga.

Beyond the value of staying agile, how do you think about maintaining your looks?
I’m aware it’s a thing. If I came across as old and decrepit, it might be less exciting for some of the audience. Not great for business.

When did your hair go gray?
In the ’90s, I want to say. I dyed it for a while when I started seeing a fair amount of gray coming in. Then at one point I was on holiday with my then-wife and just said, “Let’s cut it off and see what’s under there.” By that point it was pretty much all gray. I was OK with it.

Who’s a performer you admire who’s still out there doing it late in life?
Caetano Veloso — he’s served as a role model for me. He’s someone who’s reinvented himself over and over and over again — done records that are very different than the record before. Even on the same record, he can be really experimental and then do something incredibly romantic.

Can you envision a time when you’d stop performing?
I don’t think so. I can see there might be a point where I don’t do as much dancing around.

I’ve seen Willie Nelson probably half a dozen times in the last 10 years. He sits there and plays, and it’s great.
“My Apartment Is My Friend,” that was inspired by a Willie Nelson song: “Hello Walls.” There’s also a George Jones song, “The Grand Tour,” where he takes you into his place: “This is where she sat, that’s where she put out her cigarette,” all this kind of stuff. I loved that you can make an apartment into a character. So I started putting down ideas, and I realized: Should I reveal that it’s about an apartment right off the bat, or should I wait till the last line of the chorus? Before that, you don’t know — it sounds like a love song. The title gives it away. But Tom, when I said “should I change the title?” he said, “The title’s what got me to listen to the demo.”

If I say that the songs from the new album didn’t come alive for me until the show, how does that strike you?
Good and bad. I wish the record had the same impact that the songs have live. But then I also think to myself: Well, the reason you go to see a live show is because you’re getting something more than you get by just putting a record on.

(Josh Edelson / For The Times)

You’ve been playing for years now with this mobile handheld setup.
I wasn’t sure an audience was gonna go for it. I don’t know why, but I thought it was kind of a big step for an audience to take in.

To not have the traditional rock band stage set.
“Here’s the drummer — we know what he does.” There were people on the last tour who would say, “It’s got to be playback — you’re not really playing it.” So I added an introduction to a song where one by one we introduced the musicians at the beginning of the song, and you could hear how we put it together. An unexpected consequence is that it democratized the whole stage experience for the band members. There’s parts where the drummers come to the front and I go to the back, which you would never have in a regular kind of show where the drummer’s stuck on a riser. Everyone gets to be a star — everyone gets to be recognized as an individual.

Would you say your eagerness to share the spotlight could only have come after years of being the focal point?
I have no idea.

Most of the musicians are pretty young.
Younger than me, anyway.

Why is that important to you?
I learn from them — musically but also personally. I learn about what music they’re listening to, what their experiences have been, what their take on things is. They’re not living in the past — they don’t have nostalgia for the good old days.

In 2023, you spent a fair chunk of time looking back with the rest of Talking Heads for a rerelease of “Stop Making Sense.” Did you enjoy that or grit your teeth through it?
It was fine — it was really nice. As we said over and over, we’re very proud of that show and the music that we did and the film that Jonathan [Demme] made. And that it was going to connect with a completely new generation. Jerry came to the show last night. He lives in Marin.

You guys hang out?
Afterwards, yeah. I mean, he had to drive back. He said he enjoyed it — said it was a good show. I connected him with our keyboard player because the keyboard player came up with these interesting technical things I thought Jerry might be interested in. He has an accelerometer attached to his arm — you don’t see it because his sleeve covers it — where he raises his arm and it increases the volume like a foot pedal on a keyboard.

Tell me about Brady Corbet’s concert movie. He shot it in 70mm.
To be honest, I wasn’t sure why. But Brady made the case, and it wasn’t about bringing people into the theater. He said when you go to 70mm it’s a little bit closer to what your eye experiences.

Talking Heads in Italy in 1982: Tina Weymouth, from left, Jerry Harrison, Chris Frantz and David Byrne.

(Luciano Viti / Getty Images)

This is kind of a cutesy formulation, but I wonder if it’s pushing back on the dominance of vertical video.
Biologically and evolutionary-wise, we experience the world horizontally. We don’t go walking around looking up at the sky — the stuff that’s gonna come get us is somewhere on our eye level.

Jimmy Iovine gave an interview to the New York Times the other day where he said one of the last things he asked AI was about your set list.
He could’ve just asked me.

Iovine was extremely pro-AI in this interview. What’s your vibe?
My vibe is positive and negative. On the positive side, we’ve all heard the hype from Silicon Valley that we’re gonna have medical breakthroughs. The negatives — how could there not be massive job loss? What concerns me is the environmental stuff. The last thing the planet needs is a massive increase in energy usage. We’re talking about the survival of species — of everything that lives on Earth. To ramp up that part of what humans do just seems like the worst possible thing you could do.

The other thing that worries me is that machines aren’t really thinking — they’re probabilistic. This stuff has been designed intentionally to mimic human beings, and we are very, very easily fooled. I think that’s dangerous because we give it agency. We assume all these things about it — we trust it. I mean, people will listen to a political argument from a chatbot more than they will from another person.

Seems bad.
Right?

Any worthwhile creative application you can identify?
I used it a little bit to animate my drawings in one of the sequences from the show. They’re my drawings — I wasn’t taking from anybody else. In that case I feel like it’s a tool that’s very efficient. Might put some animators out of work, but if I had to pay the rate for animators on something like that, it would take a year to do and cost me a fortune.

What if the producer on your next record says, “Hey, here’s a little shortcut we can use”?
We already use little shortcuts — Auto-Tune is one. That’s not AI, but we’ve been using those kinds of tools, and there’s always the danger of overusing them. When people use Auto-Tune a tiny bit, it’s pretty much invisible. But on a lot of records — I’m not talking about the Cher record — it’s a little too perfect, and you start to lose the human connection. So it’s not a clear-cut choice of: Do I use this or not? It’s: Do I get seduced and use it too much?

Aug. 30 (UPI) — At least seven people have died following a ferry capsized off northern Cyprus on Sunday, according to media reports.

Northern Cyprus Prime Minister Unal Ustel said 237 out of the 267 on the Filo Jet had been.rescue. He added the 23 people were missing.

None of the rescued were in critical condition, Ustel said.

According to Ustel, the ferry began taking on water 15 minutes amid bad weather after leaving port. The ship put out a call for help soon after, he added.

Turkey’s Interior Ministry said the ship was traveling from Kyrenia in northern Cyprus to Tasucu in Turkey.

Four coastguard ships and four helicopters and a civilian passenger ship were involved in rescue operations, according to the ministry.

It said search and rescue efforts were continuing.

Turkish parliament speaker Numan Kurtulmus in a post on X offered condolences to those who died in “this exceedingly tragic incident.”

Foreign, defence ministers and military chiefs from three countries to meet for first time since signing Mecca pact.

Top officials from Turkiye, Saudi Arabia, and Pakistan will gather in Istanbul on Monday for their first meeting since signing the Mecca Joint Defence Agreement earlier this month.

Turkish officials said on Sunday that the meeting will be attended by foreign ministers, defence ministers, and chiefs of staff from the three nations.

According to AFP, the Istanbul meeting will formally establish a “political and defence strategic committee” comprised of such national representatives.

Turkish Foreign Ministry sources, quoted by Reuters news agency, said the agenda will cover international security issues, as well as discussions on improving military cooperation and capabilities.

The Mecca agreement forms a collective security pact similar to NATO, under which an attack on one member could be considered an attack on all. The alliance was established following the United States-Israel war on Iran.

Turkiye possesses the second-largest military in NATO, Pakistan is the only nuclear-armed Muslim country, and Saudi Arabia is the world’s leading oil exporter.

In an August interview with Al Jazeera, Turkish President Recep Tayyip Erdogan said Egypt could potentially join the pact.

Bangladesh has also stated it is actively considering joining the agreement. The potential expansion is being closely monitored by India, whose Foreign Ministry spokesperson, Randhir Jaiswal, told reporters that New Delhi would take all necessary steps to safeguard its national security.

BBC Vigil is back and a lot has happened since fans last saw DCI Amy Silva and DI Kirsten Longacre.

BBC Vigil fans have been quick to point out an indication of Amy and Kirsten’s relationship status.

WARNING: This article contains spoilers from BBC Vigil season three.

As well as the intense international murder investigations, Vigil fans have loved watching the blossoming romance between DCI Amy Silva (played by Suranne Jones) and DI Kirsten Longacre (Rose Leslie).

The couple have come a long way since they met in series one of the BBC crime thriller, overcoming both personal and professional struggles.

But it didn’t take long before viewers got the update they were waiting for in the debut episode of BBC’s Vigil, which is now ready to stream on BBC iPlayer.

When Amy and Kirsten first appear onscreen, they are in their bedroom with their young son Fergal, Kirsten folding clothes and Amy lying in bed with him.

They lovingly muck about and in a later scene after Kirsten is told she is flying out to Svalbard, she hugs her adopted daughter Poppy.

Before they part ways, Amy and Kirsten share a long embrace and reciprocate their “I love you”.

Fans flocked to X to share their love for this insight into the couple’s home life, with one person writing: “Seeing our #Silvacre ladies being a family with Poppy & Ferg is super lush.”

Another said: “This mutual I love you and hug were perfect”, as fellow fans commented they are “super cute” and have an “amazing bond”.

But these scenes are particularly eye-opening as eagle-eyed viewers have noticed that Amy and Kirsten are wearing rings, indicating that they got married during the three-year hiatus.

A viewer jokingly shared: “Me everytime their rings came on screen trying to get a closer look.”

Quoting Amy who tells the chief of Svalbard’s police to “look after my officer”, a fan said: “One Amy Silva please. That’s the WIFE.”

As someone else commented: “The worry, Poppy, the rings, the little one, the foundations for future arguments…Silvacre is back.”

But it’s not all good news for the happy family as they are now separated as Kirsten ventures to Svalbard to investigate the murder of a British soldier.

So how will Kirsten fare up on the frontline following her maternity leave and when will Amy join her in Norway?

Vigil is available to watch on BBC One and BBC iPlayer.

The Federal Communications Commission under Trump has tried to target news outlets for spreading ‘fake’ news.

United States President Donald Trump says he will report a prominent NBC television journalist to the federal agency in charge of regulating broadcast news outlets for “rebuke or punishment”.

In a post on Truth Social on Sunday, Trump took issue with Kristen Welker’s characterisation of his endorsements of electoral candidates as having “mixed results” in the primaries leading up to November’s elections.

“How can anyone be allowed to say this, working for freely given public airwaves?” Trump wrote. He also posted, without any attribution of where he got the data, a chart showing 98 percent of the candidates he endorsed had won their elections.

“Because of this purposeful inaccuracy, she will be reported to the FCC,” the Federal Communications Commission, he said.

Welker hosted the 2020 presidential election debate between Trump and former President Joe Biden and currently hosts NBC’s weekly news programme Meet the Press.

‘Crooked networks’

In June, Welker had a one-on-one interview with Trump that ended in a heated exchange as she pressed the Republican president on continuing to claim the Democratic Party had cheated in the 2020 presidential election, in which Biden defeated Trump.

“Your elections are crooked, and you’re crooked, and Meet the Press is crooked and so is ABC and CBS and CNN. You’re one-sided crooked networks,” Trump said shortly before pulling off his microphone and leaving the interview.

Trump, who has long had a tumultuous relationship with those US television news networks, has increasingly threatened to use the FCC to target what he says is false news.

This month, ABC News’s owner, Disney, sued the FCC, saying the agency was conducting an early licence review of eight of the network’s stations, a move that it said was “retaliation” against it. ABC said the FCC was seeking “a media industry too fearful of official reprisal to report the news freely”.

The review followed a row between the network and the FCC after Trump and his wife Melania called on it to fire late-night TV host Jimmy Kimmel over a joke he had made about her.

President Trump has also filed several multibillion-dollar civil lawsuits against news outlets alleging defamation. Last year, he filed a $10bn lawsuit against the BBC, which he said unfairly edited a clip of him speaking just before his supporters stormed the US Capitol on January 6, 2021, to make it seem like he had called for violence.

Trump sued The New York Times for $15bn and The Wall Street Journal for $10bn, alleging defamation over reporting on issues such as how he amassed his wealth and his relationship to convicted sex offender Jeffrey Epstein. A judge threw out the case against The Wall Street Journal. Trump refiled the case against The New York Times after a judge dismissed the first complaint against the newspaper last year.

Attempts to compel reporters to reveal sources

The warning from Trump also comes as his administration has taken the rare step of using the courts to try to pressure journalists into giving up confidential sources for stories that have pointed out wrongdoing.

This month, The New York Times said agents from the FBI showed up at the home of one of its reporters in February to deliver a subpoena seeking cooperation for an investigation into a story that revealed how a secret US Navy SEALs mission in North Korea had ended up with them opening fire on a North Korean boat.

In July, the US Department of Justice also tried to subpoena three other journalists from the newspaper after they reported on security concerns with the president’s new Air Force One jet. Investigators were seeking phone records of the journalists but withdrew the requests after a federal judge upbraided the tactic in court, saying they were violating the First Amendment, a provision in the US Constitution that protects freedom of the press.

Reporters at The Wall Street Journal and The Washington Post have also been subpoenaed in recent months for national security coverage, including for reporting on internal Pentagon warnings about the US-Israel war on Iran.

News media freedom groups like the Committee to Protect Journalists have criticised the Trump administration for targeting critical media. In April, the group Reporters Sans Frontieres, or Reporters Without Borders, said the US has fallen to a “historic low” in its annual global press freedom rankings, dropping from 57th in the world to 64th.

Specialised search-and-rescue teams join recovery operations in Nepal and China as floodwaters and severe weather hamper search efforts.

At least 797 people have been killed and 3,048 others remain missing after a glacier collapsed in the Himalayas, sending water and debris tearing through several villages.

Nepal announced an updated death toll of 781 on Sunday, with 2,502 people missing, including 592 foreign nationals. In China, state broadcaster CCTV reported 16 deaths and 546 people missing, including 261 foreigners.

The disaster occurred on Wednesday when part of a glacier at an altitude of roughly 5,200 metres (17,000 feet) collapsed, plunging around 1,200m (3,900ft) and gathering rock and debris before slamming into the Lende River.

Rescue operations have been suspended repeatedly since Friday due to poor weather and fears of fresh flooding. The disaster created a lake across the border between Nepal and China that has begun overflowing into Nepal’s Lhende and Trishuli Rivers.

More than 100 workers are also believed to be trapped inside several hydropower tunnels.

Burials start

Authorities in Nepal began burying some of the victims on Sunday after taking DNA samples to allow for future identification. Many bodies were carried away by the floodwaters, leaving families unable to locate and identify their relatives. Mass burials for hundreds of unidentified victims are taking place in Nepal’s scenic Chitwan district, known for its forests and rivers.

According to the Red Cross, about 90,000 people in Nepal are likely affected by the disaster.

Specialised teams from India, China, and South Korea have joined the search-and-rescue efforts. Malaysia is also deploying its Special Malaysia Disaster Assistance Search and Rescue Team (SMART) and contributing $1m in recovery assistance.

International funding has begun to arrive, with the European Union promising $2.3m on Friday. The International Federation of Red Cross and Red Crescent Societies (IFRC) has allocated more than $1m and launched an emergency appeal for $31m.