News Desk

IT’S the story the whole nation is talking about – and The Sun’s Clemmie Moodie has the inside scoop after joining Katie Price in Dubai to find out the truth about husband Lee Andrews. 

Conman Lee, 43, is serving time in the notorious Al Awir prison in the United Arab Emirates city, where he is being held for fraud. (Not “spying” as he has apparently suggested).

Clemmie and Katie, 48, have embarked upon an extraordinary international trek looking for “the world’s most hated man” – and tonight, she bares her soul to The Sun in her only sit-down interview since the firestorm started. 

And Katie confesses that if she doesn’t get the answers she wants from her husband, she is prepared to turn the tables in explosive fashion.

In the hour-long interview, Katie shares her sensational side of the story after initially being led to believe that Lee had been kidnapped before – following three weeks of zero contact – learning of his incarceration. 

She’s someone who has lived every possible high and low, both personally and professionally, in the glare of the public eye. 

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But even she warns readers of her latest tell-all: “You don’t want to miss it. 

“This is where you’ll see the truth.” 

Katie flew out to Dubai last Monday and has visited Al Awir Central Prison several times, though her only contact with her Lee has been via the phone.

She opens up to Clemmie about Lee’s infamous flight ban – after he humiliated her by forcing her to do a live TV interview without him – and about the concerns from loved-ones and fans alike over her marriage.

And, in a shock turn of events, Katie will tell all after being confronted with some damning news about the man she loves.

You can read and watch Clemmie’s interview with Katie tonight at 7pm right here on The Sun.

The US defence department has reportedly raised its assessment of the espionage threat posed by Israel to the highest category of “critical”, according to media reports citing American intelligence and defence officials.

The assessment, first published by NBC News on Friday and followed by The New York Times, comes at a time when Washington is pursuing diplomatic engagement with Iran, while its ally Israel is opposed to the talks aimed at ending the conflict now 100 days long on Sunday.

US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu have publicly diverged in their approach to the war – Washington wants to extricate itself amid political pressure, while Israel is still pushing to topple the Iranian government.

This is not the first time Israel has been accused of espionage against the US – its closest ally and benefactor – with which it maintains extensive security and intelligence cooperation.

Here is what you need to know:

What did the Pentagon say?

According to NBC News and The New York Times (NYT), citing anonymous current and former US officials, the Pentagon’s Defense Intelligence Agency (DIA) arm recently upgraded Israel’s counterintelligence threat level from “high” to “critical”, the most serious designation in its internal assessment system.

The warning was based on Israeli intelligence agencies intensifying efforts to collect information on US military personnel, government officials and policy discussions.

The news reports said the concern was focused on American officials involved in shaping Washington’s approach towards Iran, as the two foes continue to negotiate an end to the war that has sent global energy prices soaring.

“An intensified Israeli effort to learn about US positions in talks with Iran has crossed a line, according to some American officials,” the NYT said.

According to the news outlet, intelligence assessments pointed to increased Israeli surveillance efforts in recent weeks targeting US military and government figures.

They include Trump envoy and key negotiator Steve Witkoff; the Pentagon’s top policy official, Elbridge A Colby; and one of his deputies, Michael P DiMino IV, the NYT reported.

Witkoff was chief negotiator in the nuclear talks before Israel and the US launched the attack on Iran on 28 February.

The reports also referenced incidents in which US defence personnel working in Israel allegedly discovered software on their phones “to tap their communications had been surreptitiously installed on their phones”, the NYT added.

The newspaper said the DIA reports found Israeli spying on the US, which has occurred before, surged from late 2024 onwards, coinciding with US President Joe Biden’s administration stepping up pressure on Israel over its genocide in Gaza.

The reported increase in spying continued after Trump was elected to a second term in November 2024 and began shaping his administration’s policy towards Iran.

Tensions between Trump and Netanyahu have come to the surface in the past week, amid reports the US president called the Israeli prime minister “f****ing crazy”, due to Israel’s escalation in Lebanon. At least 3,500 people have been killed in Israeli attacks in Lebanon.

Trump has been pressing Israel to halt its attacks on Lebanon, but the bombardment in the south has continued, undermining a potential deal with Iran which insists both issues are inseparable.

While intelligence gathering between friendly nations is not unusual, some US officials reportedly believe recent Israeli activities have gone beyond what Washington traditionally considers acceptable among allies.

According to officials cited in the reports, US intelligence agencies have become increasingly concerned that Israel is seeking greater insight into US policy discussions and negotiating positions, specifically with Iran.

What has been the response from the Israeli and US governments?

Israel has denied the allegations.

According to NBC, the Israeli embassy in Washington said it was “completely false” that the country spies on US government officials or American institutions.

“Israel does not gather intelligence on American entities, let alone US government officials,” NBC quoted the spokesperson as saying.

A White House official also reportedly dismissed the NBC report, saying the “entire story is false and sourced to someone who doesn’t have any knowledge of what’s going on”.

Al Jazeera could not independently verify the media reports and the US and Israeli responses.

Has Israel previously spied on the US?

Yes. Israel has previously been involved in espionage cases targeting the US, although such incidents have not been spoken about much given their close ties.

The most famous example is the Jonathan Pollard affair. The civilian intelligence analyst working for the US Navy was arrested in 1985 after passing large quantities of classified information to Israel. He later pleaded guilty to espionage and served 30 years in prison before being released on parole in 2015.

The Pollard case remains one of the most significant espionage scandals in the history of US-Israeli relations and continues to shape perceptions within parts of the American intelligence community.

However, espionage between close allies is not uncommon, says academic Andreas Kreig.

“Israel has a particularly long track record of conducting intelligence operations inside the United States,” the professor at the Department of Security at King’s College London told Al Jazeera.

“Over decades, Israel has sought to penetrate US policymaking circles through both formal and informal networks, including intelligence and lobbying channels, in order to gain insight into American strategic thinking and decision-making,” he added.

Nevertheless, Washington has for years provided billions in military aid and weapons sales to Israel, including throughout the ongoing Israeli genocide in Gaza.

The US Congress is also currently debating a section of a new defence bill, which would integrate the two countries’ research and development for weaponry to an unprecedented degree. The US has also provided diplomatic cover to Israel at the UN and other international bodies.

Why has Israel allegedly ramped up its espionage activities in the US?

According to academic Kreig, Israel is “deeply concerned” about the trajectory of US negotiations with Iran.

“From the Israeli perspective, the recent conflict with Iran was effectively a joint US-Israeli war, yet the United States is now in a position to shape the diplomatic endgame,” he told Al Jazeera.

“The principal Israeli concern is that Washington could agree to a deal that establishes an enduring diplomatic framework, potentially lasting years or even decades, which would constrain Israeli freedom of military manoeuvre against Iran in the future. Israeli policymakers therefore have a strong incentive to stay ahead of US deliberations and understand negotiations in real time.”

Moreover, Kreig said Israeli intelligence gathering also serves a “strategic purpose”, which is to identify “opportunities to influence, derail, or undermine negotiations if Israeli leaders judge the process to be contrary to their security interests”.

“While Israel sees the United States as its indispensable patron and closest strategic partner, it has simultaneously treated the US as a legitimate intelligence target whenever interests diverge,” he added.

“What surprises many observers is the extent to which Israel, despite being heavily dependent on American military, diplomatic and financial support, has developed the capacity to penetrate multiple layers of US policymaking and cultivate influence across key institutions involved in American statecraft.”

According to analyst and Iran expert Negar Mortazavi, Israel’s reported espionage in the current context is not new and has past precedent. Israel’s opposition to US-Iran negotiations goes back to the time of US President Barack Obama when he signed a nuclear deal with Iran in 2015, which the US under Trump withdrew from in 2018.

“The Israeli Prime Minister Netanyahu did not want any deals or serious negotiations or normalisation between Tehran and Washington, and he tried to stop it publicly and privately in any way he could,” she told Al Jazeera.

Moreover, Mortazavi said the ongoing war on Iran was “not going as planned or as promised”, and that Trump wants “to exit the war and he has to do it through diplomacy”.

“At this point it is very clear that US interests and Israeli interests are no longer overlapping, they’re divergent,” she added.

Videos show the aftermath of an Israeli attack on Beirut’s southern suburbs, with multiple explosions reported. Israel says it targeted Hezbollah headquarters, while Lebanese media says residential apartments were hit. The attack comes just days after US President Donald Trump told Benjamin Netanyahu that Beirut was off limits as Washington pursues a deal with Iran.

THE SIDEMEN’S Josh Bradley has revealed he’s set to become a dad for the first time as his wife is expecting a baby boy.

The streamer took to Instagram to share a series of sweet snaps and captioned them: “Mum and Dad for real this time.”

In the snaps, Josh and his wife Freya Nightingale brimmed with happiness as they shared their joyous news with their followers.

After smashing a pink and blue gender reveal cake, the delighted couple shared they were having a baby boy.

The happy pair also posted a sweet image of their baby scan to their family and fans.

Fans flocked to comment and one wrote: “Announcement & gender reveal in one. YUPPPPP love you both so muuuuchhhh. Coolest parents.”

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Truth behind KSI’s exit from The Sidemen as ‘blindsided’ crew’s next step revealed

KS-BYE

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Another said: “Yes!!! Congrats!!!”

A third added: “Amazing news.”

A fourth wrote: “Oh my god!!! Huge congratulations to you both. This is the most amazing news.”

While a fifth said: “KSI left and now Josh and Freya are having a baby, the good news can’t stop coming.”

The Sidemen appeared to take a sideswipe at KSI after he announced he was splitting from the YouTubers last week.

In bombshell news the Britain’s Got Talent judge revealed he had recorded his last video with his mates and was flying solo.

The Sidemen put up a long post on their social media which seemed to criticise the way in which KSI did it.

They wrote: “Ideally, we would have loved the opportunity to give JJ the send off he deserved, a proper farewell video, time for everyone to process it, and a chance to celebrate everything we’ve built together.

“Unfortunately JJ released the news before we had agreed on a mutual way of letting our audience know.”

In the video KSI posted he said: “This is honestly the hardest video I’ve ever had to make in my life.

“I’ve gone back and forth on this decision for a very long time. I’ve spent months trying to figure out what the right thing to do is.

“But after a lot of thought, I’ve decided that I’m no longer be doing sidemen videos. Today, 31st of May, will be my final Sidemen video.”

June 5 (Asia Today) — Samsung Electronics said Friday it will launch a monthlong customer appreciation campaign worth 400 billion won, or about $261 million, as part of a broader social contribution plan linked to strong performance in its semiconductor business.

The campaign, called “Together With the People, Samsung Electronics Appreciation Festival,” will begin Monday. Customers who buy Samsung Electronics products during the event will receive Onnuri gift certificates equal to 20% of the purchase price, the company said.

Onnuri gift certificates can be used like cash at traditional markets and small neighborhood businesses across South Korea. Samsung said it chose the certificates instead of direct discounts to help stimulate local economies and support small merchants.

The event is part of Samsung Electronics’ earlier pledge to expand social contributions by 5 trillion won, or about $3.26 billion, over the next five years. The company announced the plan after reaching a labor-management agreement last month, saying it would invest in “mutual growth and a healthy ecosystem” as well as “future talent development.”

Samsung said soldiers, police officers, firefighters and correctional officers, which the company refers to as “K-heroes,” will receive a 30% benefit when buying products through the Samsung Electronics Family Mall. More than 700,000 people are expected to be eligible.

Samsung Electronics has operated a separate “K-Hero Family Festa” since 2024 to provide price benefits to members of the military, police, fire services and correctional service.

“The dedication and sacrifice of K-heroes made South Korea one of the safest countries in the world, and Samsung Electronics was able to achieve strong performance and growth thanks to that,” the company said. “The program is intended to honor the devotion and hard work of the heroes around us and express our gratitude and support.”

Samsung is also reviewing additional social contribution measures, including support for partner companies, inclusive finance and artificial intelligence talent development.

The company said those plans may include strengthening the competitiveness of industrial ecosystems through supplier support, expanding financial access for vulnerable groups and small business owners and increasing university-industry cooperation to train talent in AI and other future industries.

“We will continue to think deeply about what role a company should play in our society while considering the expectations of the people,” Samsung Electronics said. “As a company that grows together with society, we will faithfully carry out our responsibilities and role.”

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260605010001833

The Palestinian Authority condemned Israel’s decision to build 2,162 illegal settlement units in the occupied West Bank, calling for US intervention to halt the Israeli “madness.”

“All settlement activity is illegal under international law and does not confer legitimacy to anyone,” the authority said in a statement carried by the official news agency Wafa.

It said the Israeli decision constitutes a “blatant challenge to international law and UN resolutions,” particularly UN Security Council Resolution 2334, which affirms the illegality of the Israeli settlements in all occupied Palestinian territories, including East Jerusalem.

It held the Israeli authorities responsible for the “serious consequences” of the settlement policies, warning that they would push the region toward “further cycles of violence and escalation.”

READ: Situation worsening in West Bank, warn Italy, UK, France, Germany

The authority called on the US administration to intervene immediately “to stop the Israeli madness if it genuinely seeks to promote security and stability in the region and globally.”

It stressed that the Palestinian people would remain “steadfast on their land and committed to their legitimate national rights,” saying the illegal settlement plans would not deter them from continuing their struggle to establish an independent Palestinian state on the June 4, 1967 borders with East Jerusalem as its capital.

The statement came after Israel’s Higher Planning Council approved the construction of 2,162 new settlement units across several illegal settlements in the occupied West Bank.

The plans include 1,006 units in the Gevaot settlement within the Gush Etzion bloc south of Bethlehem, 922 units in the Har Brakha settlement south of Nablus, and 234 units in Kiryat Arba settlement built on land belonging to the city of Hebron.

Palestinians view the new plans as part of an accelerated Israeli policy aimed at expanding illegal settlements, confiscating Palestinian land and creating new facts on the ground.

READ: Israeli authorities issue order to seize 74 acres East of Bethlehem

A BBC expert has warned more than 270,000 people in England, Wales and Northern Ireland

More than 270,000 people across England, Wales, and Northern Ireland have received letters through the post, according to a BBC expert – and those who ignore them could find themselves facing court action. Viewers of BBC Morning Live were recently warned about the thousands of letters connected to county court judgements that have been dispatched over the past 12 months.

Expert Laura Pomfret explained to viewers that a County Court Judgement (CCJ) is essentially a court order issued in England, Wales, and Northern Ireland when someone fails to repay a debt and the creditor pursues enforcement action. She noted it could come from a council, company, landlord or a private individual – and if left unpaid, it can appear on the person’s credit report.

She said: “I think that’s what a lot of people resonate with that they’ve heard of CCJs can be bad for your credit. They stay on your credit report for six years. It can impact you getting a mortgage, even getting um a rental property. Sometimes credit checks are done, even when getting a mobile phone contract.

“It’s definitely something to avoid if someone can avoid it, and worryingly, in the first quarter of this year, over 270,000 new CCJs were registered, and that’s 17.5% up on last year. So this is obviously showing that people are struggling and in the energy industry is something that you know it’s it’s getting bigger and bigger.” She explained that these are frequently issued to those falling behind on energy bills — with the latest Ofgem figures revealing debt standing at £4.5 billion — while Energy UK puts the figure even higher at £5.5 billion.

She added: “That’s like such a big bill that lots of people are pay and people pay every month clearly struggling with it. And interestingly as well, credit card transactions in February were up 6% versus last February whereas debit transactions were only up 1%. And that also shows, you know, that people are having to rely on credit for even the most basic of bills.”

Ms Pomfret noted that receiving a CCJ typically follows a series of threatening letters, meaning the householder will already be feeling anxious. She said: “Firstly, it is upsetting to receive a formal document like that. If you get that through the post, it’s got a court seal on it it’s very formal. It might have followed you, you know, debt demand letters with red writing all over, which is overwhelming.”

“Firstly don’t be overwhelmed is easy to say but don’t be alarmed like it’s just a formal process it’s essentially a document asking you asking you for money and so it if it comes through the post you it will tell you what you owe it’ll tell you how to pay it and it will also tell you the deadline by which to pay so you have a few options when you receive a CCJ.” She explained that the first option was to repay the debt – and if someone does so within a month, it could be removed from their credit file. She said: “After that, it stays on your report, but it says that you paid it. So, please make sure you prioritise paying it.”

It’s also possible to vary the terms of a CCJ, she noted, which involves approaching the court to attempt to alter the conditions of the judgement. “Another thing that you may be able to do is apply for what’s called breathing space. So this is formerly called in England and Wales the debt respite scheme. “What this does is it gives you space from creditors, including the CCJ, and maybe gives you time to make a plan to pay it back or speak to a debt advisor, which is super helpful. The last thing that you may be able to do is you may actually be able to get the judgment or CCJ set aside. or recalled if you believed um that it’s an error.””

She stressed that there would need to be a legitimate reason to apply for it to be set aside, including submitting evidence, primarily that the individual doesn’t owe the money or that it’s a mistake. She added: “Another reason is that you didn’t receive the original claim form. So before a CCJ is issued or a decree is issued, you will get a claim form put forward and there’s an opportunity to respond.

“So you could have, for example, the wrong address, it could have been sent somewhere else. You may not have received it. Now, the court’s not going to take kindly to just saying, ‘I didn’t receive it.’ It’s kind of like the dog ate my homework sometimes for some people, but you may genuinely not have done. So that could be an option. Ultimately, you’re going to need evidence, you’re going to have to fill in the correct forms. You may have to pay fees to get it set aside, but you know, in the long run, it may be worth doing tha if you don’t want it to damage your credit.”

To find the steps and court forms involved in asking a court to vary the terms of a CCJ or decree, such as requesting to pay in instalments, or even how to get a judgment cancelled, you can click on the links below.

For England, Wales and Northern Ireland you can click here.

For Scotland you can click here., external

There temporary protection from your creditors while you get debt advice and make a plan.

In England and Wales this is called Breathing Space, and you can find information on that by clicking here., external

In Scotland this is called a moratorium, and you can find more information on that here.

The pontiff praises Madrid as a beacon of inclusion as about 1.2 million people gather for Sunday mass.

An oceanic crowd has filled the streets of the Spanish capital Madrid with chants, cheers and applause to greet Pope Leo XIV on the second day of a weeklong apostolic journey to mainland Spain and the Canary Islands.

The Vatican and local organisers said about 1.2 million people braved the heat to be present in the landmark Cibeles Square on Sunday in what is expected to be the largest event during his visit to the country.

Throngs of people pressed along barriers near the square – best known as the rallying point for Real Madrid football fans celebrating the club’s titles – waving flags and shouting “Long live the pope”, as Leo arrived in his white popemobile for the event. Some tossed flower petals marking his arrival.

“May Madrid continue to be a welcoming and inclusive city, where social life is inspired by true human values,” the pontiff wrote in the guestbook as he was handed the key to the city by its mayor.

Leo began his trip on Saturday, ⁠meeting migrants and the homeless and attending a vigil with about 600,000 young people in Madrid. His June 6-12 visit also includes stops in Barcelona and the Canary Islands, where he will meet migrants and refugees who ⁠risked their lives crossing there from West Africa.

He said he hoped the visit, his first to a European Union country outside Italy, ⁠⁠would set an example to the world about respecting “every ⁠⁠human being” and urged leaders to stop dividing electorates.

“I am delighted that he is praying for us migrants and for our safety,” said Andrea Margarita, a 72-year-old Peruvian who arrived in Spain six months ago, as she ‌‌waited in the crowd in a wheelchair with her daughter.

After mass, Leo was scheduled to hold a private meeting with fellow members of his Augustinian religious order in ‌‌the afternoon ‌‌before meeting figures from the world of entertainment, sport and culture at a concert venue in central Madrid.

New York Mayor Mamdani was among those critical of FIFA’s decision to ban water bottles at World Cup stadiums.

FIFA has made changes to its stadium policy, allowing fans to bring disposable water bottles into match stadiums after a ban earlier this week drew backlash from supporters and tournament host city officials.

FIFA’s initial policy permitted fans to carry empty, transparent, reusable plastic bottles up to 1 litre (34oz). However, the governing body made a U-turn on that policy on Thursday and banned fans from carrying reusable water bottles into venues due to safety concerns.

The move essentially meant fans would have to buy water or soft drinks from concession stands in the stadium, where prices would “remain consistent with other events held at each stadium”, according to FIFA.

The backlash prompted FIFA to issue what it called a “clarification” on its stadium policy, saying: “All fans will be permitted to bring in one soft, plastic, 20-ounce (590ml), factory-sealed disposable water bottle into any FIFA World Cup 2026 match in the USA and Canada.

“Fans will not be permitted to bring in hard-sided, reusable water bottles due to safety and security reasons.”

The updated policy made no mention of the policy for stadiums in Mexico.

New York City Mayor Zohran Mamdani was pleased with FIFA’s decision to reverse the water bottle ban.

“No one should have to fear being priced out of being hydrated, especially fans who are often waiting for hours before a game in extreme heat,” said football fanatic Mamdani, who has championed equitable prices for this World Cup in his home city. Last month, he made 1,000 tickets costing $50 available to city residents as match tickets reached well into four figures.

Forecasters have warned that fans could face health risks from extreme heat at open-air venues during the World Cup, which is being cohosted by the United States, Canada and Mexico from June 11 to July 19.

A report published by the World Weather Attribution research group last month estimated that 26 of 104 games at the World Cup are likely to be played in conditions where the Wet Bulb Global Temperature (WBGT) exceeds 26 degrees Celsius (78.8 degrees Fahrenheit).

WBGT is a measure of heat stress on the human body, which combines temperature, humidity, wind and sunlight.

At last year’s FIFA Club World Cup in the US, where fans complained of searing temperatures, supporters were also barred from bringing water bottles into venues.

FIFA has noted that misting stations, fans, hydration stations and cooling tents would be available in “the stadium footprint”.

Fans at the 2022 Qatar World Cup were also not permitted to bring reusable water bottles into stadiums.

DUA Lipa partied with friends until 6am at the finale of her three-day Sicilian wedding after Elton John sang and played piano for her ceremony.

The Be The One singer, 30, downed Negronis, drank champagne, smoked cigarettes and snogged new husband Callum Turner, 36, through the night, insiders said.

But The Sun can reveal security downed two drones by jamming their signals after they flew over the party, causing a huge security scare for the A-Lister guests.

We can also reveal she wore two dresses over the course of the night, both believed to have been designed by Donatella Versace.

Both dresses were white and floor length, and described by onlookers as “glittering”.

Dua, who wore her hair down, had a long train for her wedding ceremony, but slipped into a more comfortable one so she could dance at the afterparty.

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Guests wept earlier in a hugely emotional moment as Sir Elton John serenaded Dua by playing piano and singing Your Song.

But a source told The Sun there were concerns for the Rocket Man legend, who was visibly struggling with his eyesight and appeared frail as he had to be supported by two men holding him.

A source told The Sun: “He had a person on each arm to guide him because he couldn’t see but he played the piano so well.”

They were then treated to a wedding feast which included a catalan lobster salad, tuna, and pasta with lobster.

Guests also had cannoli – Sicilian sweet pastry treats.

Sir Elton John left after the dinner, around the same time as Versace left too.

An Albanian community group based in Palermo also danced at the reception for Dua as bands played live music to guests whose cheers could be heard from the neighbouring streets.

Kosovo-Albanian singer Besnik Qaka and his band performed inside the venue in the evening.

A spectacular ten-minute firework display wowed guests at 11.30pm, before they moved inside the Villa Valguarnera for the afterparty. DJs played music including discotech.

A huge security presence threw a ring of steel around the event, and staff all signed NDAs and had to hand their phones in at 11am and did not get it back again until they left in the early hours.

Dua and Callum Said I Do in the Garden before the reception began.

Guests sat on wicker chairs adorned with white ribbon and gifted hand-embroidered white handkerchiefs with ‘Stay Mad with Me Forever’ on them in red.

They also got a white cotton bag with a red ‘D and C’ on the chair, which was filled with biodegradable confetti.

Elton, 79, who flew in by private jet for the ceremony, and Dua are close friends after they collaborated on the track Cold Heart in 2021.

Italian fashion designer Donatella Versace, 71, was also at the wedding, held in the grounds of the 18th-century Villa Valguarnera in Bagheria, and is believed to have designed Dua’s dress.

Yesterday’s service followed an official one at Old Marylebone Town Hall in central London last week.

A-list guests in Sicily included Brit actor Joe Alwyn, American actress Grace Gummer and her husband DJ Mark Ronson, and pop star Charli XCX and her husband George Daniel, the drummer with The 1975.

Some guests were understood to have signed non-disclosure agreements to protect the privacy of the star-studded three-day celebrations, which kicked off on Friday.

A ring of steel surrounded the venue with metal barriers erected along the roads leading to it.

The villa, which featured in the opening credits of HBO drama The White Lotus 2, is widely considered one of the most historically and culturally significant villas in Sicily.

One Kiss singer Dua, who has an estimated net worth of £150million, and Callum hired the venue for a reported £86,000.

It was once a Mafia hideout but has since been taken on by 76-year-old Italian author and translator Vittoria Alliata di Villafranca, the Princess of Valguarnera, who still lives in the estate.

A huge floral installation of white peonies, hyacinth and lily of the valley from a local florist served as the backdrop for the couple’s vows in the striking courtyard.

Meanwhile the grand entrance to the villa was adorned with purple bougainvillea flowers — a defining feature of Sicily.

Dua is understood to have walked down the aisle with her dad and manager Dukagjin through the courtyard. Pale wooden chairs draped with a cream ribbon were arranged for 200 guests in a semicircle for the ceremony.

Wedding favours included white hankerchiefs embroidered in red with “Stay mad with me forever” and there was also a photo booth.

Guests arrived in chauffer-driven cars and were served wine and popcorn while waiting for the ceremony to commence.

The ceremony was followed by a traditional Sicilian menu from chef Tony Lo Coco’s Michelin-starred Bagheria restaurant I Pupi.

Guests then partied into the night with an outdoor DJ set.

Dua and Callum — who is among the favourites to be the next James Bond — are staying in a £6,000-anight suite at the five-star 19th Century Palazzo Villa Igiea in nearby Palermo.

They are reported to have reserved two floors of the hotel and are staying in the Donna Franca Suite with the private terrace offering panoramic views of the Tyrrhenian Sea.

They also shut down two city centre squares in Palermo for the first of three days of parties.

Last week The Sun revealed that Dua paid £5,000 to residents who live around the area to thank them.

But she was criticised by locals who stuck up posters accusing the singer of making their public space a “living room for the rich”. Others said: “Palermo is not for rent.”

Sir Elton John left Palermo in a private jet just after 12.30pm local time today.

The music legend, 79, was accompanied by husband David Furnish, 63, who took a photo of the singer with ground staff.

The £24,000 private jet headed towards Farnborough, near his home in Windsor. Elton was a blue tracksuit while David wore a yellow suit.

Israeli police said they killed two suspects allegedly involved in the shooting.

At least one man has been killed and five wounded in central Israel, Israeli medics have said, in what police called a suspected “terror attack”.

Israeli rescue service Magen David Adom said a 35-year-old man died of gunshot wounds in the attack on Sunday, while the other casualties have been transferred to two hospitals. Two of those injured are in serious condition, it added.

Israeli police said they killed a suspect allegedly involved in the shooting following a manhunt. The suspected gunman was a Palestinian with Israeli citizenship from the nearby ⁠Israeli city Tayibe, they said, adding that police forces, border guard soldiers and special units were conducting searches for additional suspects. The weapon used by the attacker has been located, the police said.

“The public is asked to be vigilant, obey the instructions of the police and report any suspicious incident or person to the police,” it added.

In an earlier statement, the police said Israeli forces intervened after a report of shooting towards passersby at a gas station at the entrance to the Kochav Yair area, close to the ⁠occupied West Bank city ⁠of Qalqilya. The Israeli Broadcasting Authority said the attacker began a shooting spree at Kochav Yair and continued at the entrance to the nearby towns of Tzur Yitzhak and Tzur Natan.

A source told the Army Radio that the Israeli internal security agency and police have launched a raid campaign in Tayibe. A security cordoning has also been imposed on several neighbouring Arab villages.

Hamas commended the attack, calling it a “heroic” operation, but did not claim responsibility.

Israeli Prime Minister Benjamin Netanyahu’s office said it was holding a situational assessment on the shooting attack.

Lior Zilberberg, from the Israeli ambulance service Magen David Adom, has described the response after the shooting began in central Israel.

“We were in a large training exercise in a nearby community when we received reports … about gunshot casualties at several scenes close to us. We immediately stopped the exercise and set out with intensive care units and ambulances to the gas station in Kochav Yair, Tzur Yitzhak, and Tzur Natan,” said Zilberberg in a statement.

“During the drive, civilians signalled me to stop and called me to provide medical treatment to an unconscious casualty inside a vehicle. He was pulseless and not breathing, with gunshot wounds to his body, and after medical assessments we were forced to pronounce him dead.

“Near the vehicle, another injured person was lying conscious, suffering gunshot wounds to the upper body. After initial medical treatment at the scene, he was evacuated.”

A mushroom farm in Jericho, an heirloom seed library, a project to introduce Kale to the Palestinian market and a local farmers’ cooperative – these small agricultural projects are the latest weapon in the fight against the Israeli occupation. They aim to tackle the policies that make Palestine dependent on the Israeli market and offer alternatives for Palestinians who find themselves forced to buy Israeli products.

After returning to Palestine for the first time in five years, Vivien Sansour noticed changes in her homeland. “All the things I had missed, like the delicious tomatoes and cheese, the things old ladies would come and sell at the front of our house, they were gone,” says Sansour. “I thought I was coming home and I found myself coming back to a place that was foreign to me where I was buying Israeli broccoli in the supermarket and that was what was available.”

In June, she officially launched Palestine’s first heirloom seed library as a way to preserve the knowledge of generations of farmers who have cultivated varieties of organic vegetables, fruits and herbs adapted for the region’s climate and soil. Due to Israeli policies and neo-liberal farming techniques, these varieties, and traditional Palestinian farming as a whole, are facing extinction. These tiny seeds, she says, have the power to stop this from happening. Anyone can borrow a packet of the library’s seeds and grow the local varieties of produce, returning seeds from the next harvest.

“The heirloom seed gives us power to resist our dominance, though our heirlooms seeds we can truly eat what we grow and stop having to be slaves to our master,” she says.

Under the Oslo Accords, around 63 per cent of agricultural land in the West Bank was designated as “Area C”, which means it fell under the control of the Israeli military. As a result, farmers whose land fell in that 63 per cent were unable to farm their land freely, as is still the case. Meanwhile, Israeli settlements in the West Bank have mushroomed, and settlement farms are able to produce a large quantity of crops at low cost using pesticides, leaving traditional farmers unable to compete. Unequal water resources allocated to Palestinians and Jewish settlers living in the same territory makes keeping up almost impossible.

According to the Israeli occupation authorities, the value of goods produced in settlements and exported to Europe amounts to approximately $300 million a year. Israel is flooding the Palestinian market with cheap Israeli products whilst simultaneously controlling the Palestinian exports and imports. Restrictions on the importation of fertilizers has cut agricultural output in the OPT by an estimated 20-33 per cent. This pressure is forcing Palestinian farmers to leave their land, with many having to work on the settlement farms that displaced them on as little as half the Israeli minimum wage, in unsafe working conditions, and without holiday or sick pay.

“Oslo has been a disaster for agriculture in Palestine,” says Sansour. Aside from the restrictions placed on farmers as a result of the agreement, it also brought foreign donations to the agricultural section, she explains. “The aid was designed in a very neo-liberal way on the production of certain items and the elimination of people – that’s the idea of agribusiness.” This sort of funding pushed farmers away from sustainable agriculture to mono-cropping (the production of one type of crop) designed for consumer export or selling to the Israeli market, using methods relying on chemicals, she says.

Sansour highlights the Paris Protocol, an annex of the Oslo Accords, which tied the Palestinian economy with the Israeli economy. This has led to a situation, she says, where the tobacco industry is renting Palestinian land for prices small-scale producers cannot compete with. “We went from producing food to producing poison,” she poignantly adds.

The same factors motivated Lamya Hussain to implement The Kale Project – Palestine, a joint venture by organisations MAAN Development Center and Refutrees to introduce kale to the Palestinian market. Two years on and two solid harvests of three types of kale and the project is looking to expand. “There are many ways Israel controls what is produced and why and how, and we want to challenge this,” says Hussain. “We are challenging the occupation through cross diversity because one of the things the Israeli occupation has done to the agricultural sector is that it’s reduced it to a few basic crops.”

“One key issue facing small-scale Palestinian producers is the challenge to work around previously negotiated economic agreements via which Israeli goods are dumped in the local market,” she explains. “To this end, there is always the risk that Israeli producers can take advantage of the rising demand for kale and flood the market with larger quantities and cheaper prices.” Hussain continues, “It’s very difficult for people like myself or for the project, and even more difficult for smaller scale farmers who are competing against not only consumer market prices and local competition, they’re actually competing with an occupied-led system in the market.”

Fareed Taamallah was one of these small scale farmers struggling to sell his produce in this system. Tired of selling his olives and olive oil in bulk to a trader who then sells it to the consumer while taking most of the profit, he co-founded Sharaka. The organisation links Palestinian farmers and consumers directly, promoting Baladi food, a word for local, seasonal and Palestinian produce.

“In Occupied Palestine, the matter of keeping the farmer in his land cultivating and producing is more important than any other place because it is not only a matter of producing, but also a matter of food sovereignty,” says Taamallah. “Sharaka is trying to tackle part of these problems and help small-scale farmers to stay in their land by helping them to market their product at good prices, and in this way support them to remain steadfast in their groves. On the other hand, we try to help the consumer to have access to the good, healthy food and not depend on the Israeli products that are found in the local market.”

For the Palestinian farming industry, the Israeli occupation has been deadly. But these agricultural efforts are seeking to change the status quo by offering Palestinians alternatives to the Israeli products that fill up their local supermarkets. As Sansour puts it, buying the produce of the occupation is like smoking; “you pay for your own poisoning”.

Images courtesy of The Kale Project – Palestine.

The views expressed in this article belong to the author and do not necessarily reflect the editorial policy of Middle East Monitor.

Call the Midwife favourite Judy Parfitt appeared on ITV’s Love Your Weekend with Alan Titchmarsh

A Call the Midwife legend has opened up about their emotional exit from the BBC drama.

Judy Parfitt is best known for playing Sister Monica Joan in the long-running series. Viewers were therefore left heartbroken when the cherished nun passed away peacefully in her bed at Nonnatus House in the season 15 finale.

During her final moments, Sister Monica Joan was emotionally reunited with Sister Evangelina (played by Pam Ferris), who unexpectedly died during the season five finale from a suspected stroke.

Actress Judy Parfitt appeared on ITV’s Love Your Weekend with Alan Titchmarsh on Sunday (June 7), where she was joined by Brian Conley, Freddie Fox, Julian Ovenden and Honeysuckle Weeks.

After being shown an “enormously sad” clip of Sister Monica Joan being reunited with Sister Evangelina, Alan said: “I can’t watch that,” with Judy admitting: “Neither can I!”

She added: “Showing me at my best, I see. Also, [I] had a cap and it had the thing [go] round, so all the wrinkles were pushed up. So, [you think], ‘God, do I look as bad as that?’ And the top lighting, it looked like the Grand Canyon!”

On being reunited with Pam Ferris, Judy went on: “It was absolutely wonderful, because, I think, Pam left after four years, and we used to sit together quite a lot during the time she was there, swapping recipes and everything – it was wonderful.

“I hadn’t seen her, we only phoned a couple of times after she left, and it was so wonderful to do that scene with her, because it’s like you’ve found your teammate, sort of [like] tennis or something, and she was throwing the ball back.

“It was just a lovely atmosphere, and we’ve kept in touch ever since then – it was lovely.”

Judy then looked back on being part of the drama for so many years, sharing: “It was like a family, and that’s what I miss terribly. We’d seen each other through marriages, births, deaths, divorce – everything. And we helped each other.

“It was lovely because it was mostly women. Sorry guys, but it was wonderful to be in a show where instead [of there being] 13 men and two women – one young one and one old one – you have a show with all these women. There was no jealousy, no rivalry or anything. It was wonderful.”

BBC viewers will be pleased to learn that they haven’t seen the last of Sister Monica Joan.

Following the latest season of Call the Midwife, the show will rewind the clock to World War II with a prequel series, titled Sisters in Arms, which will be set in Poplar during the London Blitz.

Creator and writer Heidi Thomas revealed that it will include younger incarnations of Sister Monica Joan, as well as Sister Evangelina and Sister Julienne (Jenny Agutter).

The returning Sisters will also be joined by three new young midwifes, who are new to the East End.

Call the Midwife is available to watch on BBC iPlayer, while Love Your Weekend with Alan Titchmarsh is streaming on ITVX

June 5 (Asia Today) — South Korea’s presidential office said Friday there has been no major change in the plan to build nuclear-powered submarines in South Korea as Seoul and Washington resume talks on nuclear cooperation and wartime operational control.

A senior Cheong Wa Dae official told reporters that recent security talks between South Korea and the United States were “very productive and useful.”

“There has been no major change in the position that nuclear-powered submarines will be built in South Korea,” the official said.

The official said the two sides discussed uranium enrichment, spent fuel reprocessing and nuclear-powered submarines. The talks also included what the official described as an “umbrella” consultation framework.

“We have not set a target deadline, but we will move quickly and try to produce concrete results by the end of the year,” the official said.

South Korea and the United States held formal talks in Seoul this week on follow-up discussions related to Seoul’s push for nuclear-powered submarines and expanded rights for uranium enrichment and spent fuel reprocessing. The talks followed earlier bilateral agreements on nuclear cooperation and submarine development.

On enrichment and reprocessing, the senior official said Seoul and Washington need “several new frameworks of agreement.”

“We intend to make progress, including by revising what needs to be revised,” the official said.

The official said talks on enrichment and reprocessing are now moving into a full-fledged phase.

“These discussions are based on trust in South Korea’s denuclearization, so there are no additional denuclearization conditions,” the official said.

Asked about coordination between Seoul and Washington on the timing of South Korea’s recovery of wartime operational control, the official said the two allies do not have a significant difference of opinion.

“Efforts to meet the conditions have continued for more than 10 years, and several years ago there was even an assessment that the conditions had been more than 90% met,” the official said. “Because there is little difference in views on the conditions, we can coordinate and align them.”

The official said the two sides also do not differ sharply on the timing of the transfer.

“There is a gap of a little over a year, about one year-plus,” the official said. “We do not see that gap as something that cannot be adjusted.”

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260605010001877

Ever since leading pro-Israel lobby financier Sheldon Adelson intervened in the 2016 election heavily in favour of Donald Trump, the now-president’s Middle East policies (if you can even call them that) have become more and more openly in favour of the Zionist state.

To call casino tycoon Adelson an “Israel first” financier is misleading, as it implies that he has second, third and fourth priorities. With a net worth of almost $34 billion at his disposal, though, his one and only cause is Israel, so “Israel only” financier would be a more accurate description.

Adelson has ploughed hundreds of millions of dollars into funding anti-Palestinian groups. He has, for example, donated a reported $410 million to Birthright Israel, a pro-Israel propaganda organisation which takes young Jews on brainwashing tours to occupied Palestine, inculcating in them the idea that the country forms part of their “birthright”.

Although nobody should delude themselves that such a huge amount of money does not have the intended effect on many impressionable young people, money isn’t everything and, thankfully, largely left-wing and liberal Jews are increasingly rejecting Israel. Last year, media outlets reported a number of walk-outs from Birthright tours, with participants reacting against the heavy-handed propaganda that always forms the basis of such trips.

READ: US comedian Roseanne, shunned since racist tweet, visits Israel

Left-wing and anti-Zionist Jews have for many years now been organising against Birthright, even putting on a “Birthwrong” tour celebrating diasporic Jewish life in ancestral Jewish homelands, such as Spain, France, Brazil, Germany, the USA and Britain.

Such efforts are now paying off. Birthright walk-outs are part of a broader trend in which Israel is haemorrhaging support from the base of the Democratic Party in the US. Once upon a time, Sheldon Adelson funded the Democrats. However, in a 2012 op-ed for the Wall Street Journal (the in-house organ of America’s billionaire business class), Adelson explained: “I didn’t leave the Democrats. They left me.” In that article it emerged that the main, if not the only, reason he switched his substantial financial support from the Democrats to the Republicans was that the Democrats’ base is now largely hostile to Israeli war crimes and apartheid.

Since then, Adelson has apparently made it his mission in life to fund the worst of the worst right-wing Republicans. As the late, lamented website Gawker reported, “In 2012 he spent $20 million supporting Newt Gingrich, nearly derailing [Mitt] Romney’s primary run.”

President Donald Trump answers questions during a meeting with military leaders in the Cabinet Room on 23 October, 2018 in Washington [Win McNamee/Getty Images]

During the course of the race for the 2016 White House, every Republican candidate did their best to net Adelson’s support and, of course, his money. Marco Rubio was reportedly calling Adelson every other week at one stage, and “when Jeb Bush hired a foreign policy advisor who was critical of Israel’s diplomatic actions, Adelson forced Bush to issue an apology.”

With President Donald Trump now leading the most anti-Palestinian White House of all time, it’s easy to forget that at one stage, his non-interventionist instincts in matters of foreign policy seemed, for a brief moment, to extend even to Palestine. That’s when Adelson started to plough cash onto the Trump bandwagon and ended up being Trump’s number-one backer. The White House is now more pro-Israel than ever, with each new advisor seemingly more fanatically Zionist than the last.

READ: Media hypocrisy puts pressure on Arabs but not Israeli activists

The Trump-appointed US Ambassador to Israel not only tolerates illegal Israeli settlements in the West Bank, for example, but also actively funds them out of his own money. Trump has also followed through on a promise to Adelson to move the US Embassy from Tel Aviv to Jerusalem in the face of international law, which still considers the latter to be an occupied city, the annexation of which by Israel is illegal.

While the pro-Israel lobby seems to have the White House sewn up for now, its propagandists look at the new crop of progressive and left-wing Democrats in Congress with some trepidation, for Israel no longer has the universal, bipartisan support in the House and Senate that it once had. This week, news emerged that its lobby has even had to establish a new group, aiming to shore up its floundering support among Democrats.

“Democratic Majority for Israel” is supposedly set to make the “progressive case for Israel”. The fact that such a move has had to be made now is a serious indication of how much US support for Israel has slipped. Indeed, in the secretly filmed words of Eric Gallagher, a leading “liberal” pro-Israel lobbyist when he referred to the lobby’s flagship organisation, the American Israel Public Affairs Committee: “The foundation that AIPAC sat on is rotting… There used to be actual widespread public support for Israel in the United States. So I don’t think that AIPAC is going to remain as influential as it is.”

READ: How AIPAC-Israel agenda became US priority

One establishment policy wonk conceded this week that the passage of a bill through the Senate targeting the Boycott, Divestment and Sanctions (BDS) campaign, while seemingly a victory for Israel, was “actually a pretty significant loss. Because only one serious presidential candidate voted for it.”

Kamala Harris and Cory Booker, two corporate Democrats who have thrown their hats into the presidential ring for 2020, both failed to show up for the vote, despite speaking at previous AIPAC policy conferences. Even they don’t want to enrage their support base, much of which is likely to opt for Bernie Sanders should he decide to run again.

With the situation in Congress changing rapidly, the pro-Israel lobby is going for broke to take advantage of its position in the White House while it lasts.

The views expressed in this article belong to the author and do not necessarily reflect the editorial policy of Middle East Monitor.

In this week’s episode of The Envelope podcast, “Love Story” stars Paul Anthony Kelly and Sarah Pidgeon open up about inhabiting John F. Kennedy Jr. and Carolyn Bessette — and creating a cultural moment of their own.

Kelvin Washington: Welcome to the next episode of The Envelope, Kelvin Washington alongside Yvonne Villarreal; we got Mark Olsen as usual. And so you, my friend, had a chance to speak with stars of “Love Story” — Ryan Murphy, of course, tackling love with this. So it got me thinking, give me some real-life love stories that you’d like to see portrayed, maybe next season. Some love stories you always found interesting.

Villarreal: This one doesn’t have a tragic ending, and that’s why I want it. And that is Ina and Jeffrey Garten. “Barefoot Contessa”!

Olsen: I didn’t know that there was a great romance in her life.

Villarreal: Mark. You’ve never heard of Jeffrey? You don’t know Ina and Jeffrey. OK, this is why we need it. That man adores Ina and anything that she makes. Chicken, anything. This is a love story I need to see get the full display. I’ve read it in her book, but I need —

Olsen: So like “Julie & Julia.” Julia Child and her husband.

Villarreal: But cuter, sweeter, more adoring.

Washington: Loving the food theme here.

Villarreal: She’ll make anything and he thinks it’s delicious, and she laughs at everything he says, and I just want more of it, and I’m very curious what a Ryan Murphy take on Ina and Jeffrey would be.

Olsen: But see, that’s the thing. A Ryan Murphy take on that would ruin it for you.

Washington: That would be dramatic and spicy. Salacious.

Villarreal: Nothing could ruin it for me.

Washington: You got one?

Villarreal: Yeah, what’s yours?

Olsen: Well, I have two. One is because the sort of the ’90s vibes of “Love Story.” So you would obviously do Kurt Cobain and Courtney Love. And that one would be very exciting and dramatic and very ’90s-ish. But I think for more of a torn-from-the-headlines [version], Taylor Swift and Travis Kelce.

Villarreal: It’s too current.

Olsen: That’s why though.

Villarreal: How about you?

Washington: So I’m gonna stay with your ’90s. Instead of the pop grunge. I’m going to go R&B pop. I’m going to go Bobby and Whitney.

Olsen: I mean, that’s gold right there.

Washington: I’m just saying. You got love, you got fame, you got tragedy. You’ve got stuff that we didn’t know about behind the scenes.

Villarreal: Maybe he could hire us as head writers for each of these seasons and we can all have our say.

Washington: We can all have our own season. So as I mentioned, Yvonne, you had a chance to sit down with Paul Anthony Kelly and Sarah Pidgeon of “Love Story.” How’d that chat go?

Villarreal: They play John F. Kennedy Jr. and Carolyn Bessette, respectively, and it sort of looks at this seven-year tumultuous relationship and what they both endured navigating the spotlight and what that did to them, how they each felt about it. So it was interesting to get the take from Paul and Sarah about how they’re also navigating the spotlight, because I feel like social media fame is quite different than what John and Carolyn were navigating back then. And I was curious to see what it was like for them. So yeah, it was an interesting conversation.

Washington: All right, let’s get into that conversation now.

Sarah Pidgeon and Paul Anthony Kelly, the breakout stars of FX’s “Love Story.”

(Jason Armond / Los Angeles Times)

Villarreal: I imagine doing this series has been a sort of singular experience. What do you want to remember about this moment that you’re in?

Kelly: All of it’s so fun, it’s exciting. It’s definitely, for me, a new muscle that I’m learning to use and explore and stretch and flex. And I get to hang out with her a little bit more. It was wonderful.

Pidgeon: I think it’s just really hard to contextualize what this [is] — [to Kelly] I don’t know if you feel this way too — because there hasn’t been a ton of space from even the show having all the episodes come out. I don’t think I totally understand how this fits into the story of my life. I recognize that we’re experiencing something very exciting. And I think I speak for both of us that we feel really grateful and so honored to have taken on these roles and that it’s resonated and has excited people. But being out and about in New York and someone stops you and says, like, “Are you that girl from that show?” … When you’re making something, it can feel so insular. I remember when I started, I had a freak out sort of midway through like, “Oh, this is actually going to come out. It’s not just about the making of it. People will see it.” I had a huge heat rash. [To Kelly] Remember when we were in Hyannis Port? I just haven’t totally had that perspective. It’s just been very full-on in the most exciting, lovely, happy way.

Kelly: It’s all unfolded in succession. There’s been no period of time to really process. I can’t believe I did it, still. It’s out and it’s exactly the same thing … people are like, “Hey, you’re the guy in that thing, right?” I’m like, “Yeah.”

Villarreal: Has it happened in an awkward way?

Kelly: No, no, it’s all been overwhelmingly positive. I guess that’s best-case scenario, but I still try to walk around with a mustache and glasses and a hat and they’re still like, “Hey …!”

Villarreal: You didn’t try to go to the [JFK Jr.] look-alike contest in New York?

Kelly: Oh, my gosh, no.

Pidgeon: He would have won. That wouldn’t have been fair.

Kelly: It’s too many people. I got the show, so I think I already won.

Villarreal: A big theme of the series is exploring the heavy ramifications of fame on privacy. And aside from the great opportunities that come with doing the press or other things that come along with this, what has it been like adjusting your life to this experience?

Pidgeon: That idea was on both of our minds when we were filming. And we were filming in New York, so apart from the scenes and subject material we were exploring, we actually experienced it in real life as well. You have even more characters in a scene when you’re shooting on the streets of Tribeca and people stop and watch. And there was a lot of interest from the public while we were filming. I’ve been marinating on that idea. Maybe not marinating, but meditating. [Or] a little bit of both. Through our characterization of Carolyn and John, I think we felt those extremes. I haven’t felt anywhere close to that. But I don’t know about you [Kelly], but I feel like I’ve been quite busy going different places, coming on podcasts and things like that where my downtime hasn’t really been spent walking the streets so much. It’s been kind of going home and taking a shower and going to sleep.

Kelly: Same. I haven’t really had much time to go out and just be in the public, which I think has been kind of a gift. I recently had a child, so I have no time between the show and being dad. It’s been really great to live within that little privacy bubble I have at the moment. I’m going to New York for the first time in a little while tomorrow.

Villarreal: Has living in their story made you more conscious of what types of boundaries you do want to set?

Kelly: Absolutely. That was a really great gift of the show. And exploring the exponential setting of what privacy means to people, certainly those two individuals. But now I’ve adopted that within my own life, and it’s like, “OK, yeah, I like to be a private person.”

Villarreal: What about you, Sarah?

Pidgeon: So much, at least for Carolyn, was she was constantly battling this sense of how she was being perceived. And I really admire her ability, whether or not she felt the pressure [to do so] — she never spoke on the record and never had to correct the record despite, in my mind, a lot of those allegations being false in the stories about her. That sense of sort of self-possession is quite admirable and, again, this is so new for the both of us. Being able to embody her, that approach and attitude towards it, is something that’s quite interesting to me. And I mean, it definitely has a lot of self-restraint attached to it, so who knows if I possess that as well.

Villarreal: The love story between John and Carolyn, as well as their fateful flight, generated a lot of media attention. And I know you, Sarah, were a toddler, at the time of their deaths; and you, Paul, were a young boy — and you’re a Canadian. What was your image of them in terms of the lore that surrounded them before making the series?

Kelly: Growing up in Canada, I was familiar with who he was. I became even more familiar with them after living in the States for a while. I was a model before, and I had been told I looked like him, so after being told that, you kind of do a little bit of research. Who is this guy? And I was like, “I don’t look anything like JFK.” But then I realized [they meant] JFK Jr. “OK, maybe; yeah, I do look like him a little bit.” So I became more aware of them after that. But growing up, it definitely wasn’t in my cultural zeitgeist, whatever you want to call it.

Pidgeon: I knew that Carolyn worked at Calvin Klein. I knew they were married. I knew their story. I was such a young child when they passed, but they remained so in the cultural conversation because, especially in 1999, they represented such hope in politics. And they’re such a modern couple, sort of breaking the rules of what those norms are, especially coming from such a storied family that has such legacy in the States.

Villarreal: There’s an overwhelming amount of source material from the Kennedy side, but less so on Carolyn. What proved to be most useful to you? What were the things that you turned to to study or figure out who she was?

Pidgeon: That was such a mystery. [I was] taking these still photographs, mainly paparazzi images — and now that I’ve had a few photos taken of myself, you hold yourself differently when you know someone’s taking a photo of you that you also don’t know. That plus videos of her, very few in which she was speaking. And some of the candid photos, mainly from when she was younger. I sort of laid those on top of each other and then used as many books that I could find and interviews that people would give who knew her. But there’s scarcity in terms of that information. That at times felt arresting, but at other times … there’s a lot of freedom in that. And I think that’s what was so interesting about playing this character that is so well known and yet very enigmatic. Finding her walk and thinking about how that changes over the course of nine episodes and six-and-a-half, seven years. How this woman with so much freedom and anonymity — 26 years old, living in New York City, barreling down these streets in the East Village — then changes when she’s the most photographed woman in America. How that perception changes you physically.

Villarreal: Her walk was very striking for me, because I’m like, I can’t move that way.

Pidgeon: Yes you can. You can get a pair of Manolos.

Villarreal: It won’t look as elegant as you, Sarah, but talk to me about finding that walk because, like you said, it shifts from when the onslaught happens. Did you work with a movement coach? Was that all you?

Pidgeon: Julia Crockett is so incredible. There’s not enough hours in the day to sing her praises. We started with a lot of what I just mentioned, the quotes that people said of how she moved. She spoke with her hands. She could be a fast walker — most people who live in New York are. If there was a video of what I was doing in these hotel rooms, they’d think I was absolutely crazy. Rolling around on the floor, isolating different parts of my body, making it as dramatic as possible, and working it into a circle of attention that felt real. And understanding we were both 5-10, which helps. I think tall women carry themselves in a certain way. But understanding that my body is still my body, and our production I don’t think was particularly interested in doing huge physical transformations in terms of prosthetics or things like that. But getting the shoes, walking around in my spare time in New York in heels, which Carolyn does in the show and Sarah Pidgeon does not. That really changes you and it changes how you feel. And just always having that through line of, “What were the touchstones of Carolyn as a young woman, and where did I want her to end up physically?” You can see it through so many different versions in these different photographs — her hair changes, how she dresses changes, the red lip. I [was] always remembering that there was a journey that I was going on: “How can the world close in on her? What does that feel like?” Also, not only putting it into my body first, but feeling it in my body, imagining that. And what are the images that come up? We thought about [her as a] mossy ball; very tactile, just rolling down these hallways in the Roosevelt Hotel in Hollywood.

Villarreal: Paul, you had about three weeks from when you got cast and when production started. And there’s ample stuff to sift through. How did you figure your way out through the noise? What was the thing that really helped you lock in to who he was?

Kelly: He narrates his father’s book, “Profiles in Courage,” and that for me was a great asset. I had to learn how to use my tongue in a different way than I’ve ever spoken before. His speech patterns are different. I worked with a dialect coach. I would listen to that all day, every day — amongst ’90s alt music, some Nine Inch Nails and stuff because that’s what John would do.

Villarreal: Was that what he was into?

Kelly: I think so. One of my favorite photos of him is a candid photo, and he’s wearing a Nine Inch Nails shirt. I’m like, “My guy! Here we go. I can relate.” I watched a lot of his interviews just to see how he kept his cool and composure. He was a very relaxed individual under extreme stress situations. The Larry King interview was a great one; I relied on [it] a lot. I also looked at a lot of images and saw how he moved through the world. I was a model before so I’m pretty good at understanding how my body moves and how to move it; I also worked with Julia pretty briefly, but she gave me some really great tips and I took those throughout the entire duration of filming and just ran with it.

Villarreal: Are you someone that takes bike as your transportation often?

Kelly: Oh yeah. Four wheels moves the body, two wheels moves the soul.

Villarreal: How is it doing it with the suit on?

Kelly: It’s hot.

Pidgeon: Yeah, you did a lot of that in July during a heat wave.

Kelly: Oh, my gosh, when we started filming, the first scene where John is introduced on the bicycle, we shot that on a Sunday and it was like 103 degrees outside and I’m in a ’90s wool suit. It was great … And a hat. And a backpack. There’s a photo where there’s several hands coming at me with fans and spritzer.

Villarreal: How about finding John and Carolyn together? What did that look like for the two of you, figuring out who they were as a couple?

Kelly: I feel like it happened organically. We had like this unspoken bond and trust with each other from the moment we met and it was just like, “OK, we both understand the assignment.” Then we get to step into these shoes and we understand what that was like, I guess, but just going through it together [helped]. It’s also so well written and it is easy to fall into that. It’s very easy to fall in love with this one every day and then fight.

Pidgeon: Oh, you flatter me.

Villarreal: Because you both were so young at the time that they were a couple, were there modern-day couples of your generation that you looked to in terms of how they dealt with the spotlight? Was there someone you were looking to, to help you understand it?

Pidgeon: I think they were pretty singular, especially considering so much of how we view them as a couple was the time in which they existed. I don’t think I can really point to a couple … obviously there’s a comparison with [Princess] Diana, but I can’t really I put my finger on a couple that had the same essence of John and Carolyn, or the same challenges and obstacles of being a couple in public life. [To Kelly] Can you think of anyone?

Kelly: Not really, no.

Pidgeon: It was also that we were coming in on this advent of paparazzi. Obviously coming from such an important family, there was — and I want to speak for you [Kelly] in terms of how you felt about your characterization of JFK Jr. — but there was so much investment in them as a couple because America, and really the world, had watched him grow up. So of course there is this heightened interest in who America’s son marries. And again, that hope that they were this modern couple, one that we’ve never seen before, and what will they become in this new millennium? In terms of finding them together, what was so wonderful about the writing of the show was they were — granted, it happened in about three or four episodes [for the show’s purposes] — but as we were getting to know each other, so were Carolyn and John. They were falling in love with each other and figuring out what that dynamic was and having those misfirings and miscommunications and moments of intensity and questioning. The amount of times I’ve used the word “meta” while talking about the experience of making this show, that sort of mirrored life in a way. I was able to just absolutely give over to Paul and trust him and be excited working with him every single day and be so curious about who John and Carolyn were that day on set. No one better than Paul Anthony Kelly.

Kelly: Oh, you flatter me.

Villarreal: There are a lot of scenes that are stuff that we’ll never know whether they actually happened. But then there are the moments that were played out in tabloids — one of them is the Bryant Park episode. What can you tell me about what that was like shooting on the streets of New York? What do you remember about that experience?

Kelly: What was it, the Nextdoor app called?

Pidgeon: Citizen.

Kelly: The Citizen app. They called it [a] “domestic dispute” … so we were obviously doing our job correctly. It was interesting. Shooting in New York is a very interesting experience because you have all these outliers just watching and gawking. Everyone’s got phones and cameras and what have you. And we’re so in it and doing it and then to have like this blowup argument over and over and again, take after take, angle after angle.

Pidgeon: I wonder if someone reported us just to be like, “Make it stop!”

Kelly: Yeah, exactly. Nobody tried to save you in the moment. Maybe that was them trying to save you [by posting it in the app].

Pidgeon: That was always something to contend with or accept, really, at a certain point. This is an expectation of working in the city. And what I really liked about that scene was that — considering there was such little videography of her, especially because that was a private moment that was unfortunately caught on tape — they both had less inhibitions. I found it [to be] a really amazing exercise as an actor to finally be able to really take something and mimic it exactly and find how the words that Connor [Hines] had written [aligned with it]; it felt like such a great sign when it felt the writing really matched what I physically knew to be true. Because our interest in the story is what happens behind closed doors, as you said. But in those few moments that we did re-create, the real-life [moments], it felt very reassuring as an actor to feel like the words that we were speaking matched the physical footage. I just found it such an exciting way to go about it, to have it really be this outside-in approach. You take this physicality and vocal pattern that I had developed as Carolyn, but then really have some proof for that to be the jumping-off point. I love that we had that scene; we had when they take their first photo after their wedding; we had, in Episode 9, the [Newman’s Own/George Awards] event. Remember that clip that we watched? We’re in the exact same outfits, and I think it’s the Newman’s Own event. I always appreciated those moments. It felt like a different way in to a character that I had really started to get to know at that point.

Villarreal: Whenever I watch something based on a true story or people that were like historical figures, I can’t help but Google to see if something really happened. Is there something you Googled in the process of making the show where you were like, “Did this really happen?”

Pidgeon: There’s a bit of speculation as to how they met. There’s a couple of different stories. Considering this couple was so well known, the fact that there’s still a mystery into how they even met for the first time I think is quite interesting.

Villarreal: I Googled — and I will say I clearly am not the only one that thought this because there was a whole story of it — “Did they really eat KFC chicken?”

Pidgeon: They did.

Kelly: Fine dining.

Pidgeon: You didn’t eat any chicken.

Kelly: Noooo. I got secondhand chicken. That chicken, oh my gosh.

Pidgeon: They did warm it up a bit, but it was pretty cold, you know.

Villarreal: We can’t talk about this show without talking about the wardrobe, the costumes. It’s such a key piece to the storytelling here. Tell me about that collaboration and what the clothes said to you about who Carolyn is and then who John is.

Pidgeon: Yes, clothes are incredibly important to the story and to how most of the public knows and remembers Carolyn. Working with Rudy Mance was so incredible. What he was able to source, while we’re not necessarily sure if they were pieces that Carolyn herself wore, they were the exact pieces of the exact same collection. The very few pieces we weren’t able to source, they were impeccably re-created. Just the attention to detail, I had never really experienced something like that. It was just really watching a master at work, and the rest of our crew as well; not a detail was ever overlooked. The mystery that we really tried to solve in the beginning was: Wow, there’s so many photos of her [from] ’95, ’96 and beyond; there are far fewer photos of what she looked like when she was working at Calvin Klein. And we’re in that space and that time for quite a while. From the photos that we do have of her living in this time in her life, and then how we know she will dress, what are the through lines? What are the pieces she repeats? I don’t think I wore much Prada in the first two, three episodes, which makes sense, because she was just starting out at Calvin Klein. We [had her wear] a lot of Calvin pieces. What was so insightful to playing her was her sartorial choices and her understanding of how, especially since she never spoke on the record, [and] what she can communicate through fashion and how in those initial fittings, even before I really spoke the words of those episodes, how it immediately changed how I held myself as Carolyn was growing and getting older. I keep referencing this quote about Yohji Yamamoto, a designer whom she wore frequently. He liked making the association with his clothing to armor. I just thought that was such a great way into her sort of mental state and how she approached clothing. It was very her, she wore the clothes. That was something that I had to remember, that if I was going to try and embody her, I had [to] feel like I was wearing the clothes because that’s what really stuck out. You always saw her first, despite her wearing some incredibly beautiful clothing. Carolyn was No. 1.

Kelly: John had such great style. Sometimes it was pretty kooky. I also loved that too because it just is such a sense of him. Working with Rudy was a dream. He and his team were incredible. They were able to source so many things. And if they couldn’t find it, it was a direct re-creation, like exact copy of what it was. I remember even just like those shorts with the Knicks logo that he wears playing football. I remember seeing a comment, “John would never wear those.” [Sighs.] “OK, sure.” There’s something about getting into those outfits that it just was this whole other transporting layer of becoming. You hold yourself differently in these things and it just made it feel more real and you’re like, “OK, cool,” and you just live in it and it feels good and you get slouchy and whatever. It was really nice.

Villarreal: How does your style compare? Did they influence your style now?

Kelly: Honestly, it’s a little different, but it’s not that far off. I feel pretty good in a suit. I like to wear suits a lot. I’m the suited heavy metal guy.

Pidgeon: You also have that cool factor about you too. I think there’s something in that with John. He looked great in a suit, he looked great in a tux, but then there was a bit of an edge to him. There was bit of a realness, I think, that you guys share.

Villarreal: Everyone’s trying to emulate it. So many TikToks of people trying to re-create it. Sarah, do you feel like you can never go back to brunette now? Like this is your thing now? You have to stick with it?

Pidgeon: The blond seems to be working. I like being a different hair color. I don’t think I’ll be blond forever. Simply too much time [involved]. It’s so much work. My colorist is amazing — Kari Hill. Cannot sing her praises enough. And Alex Pardoe, who does extensions. It’s been really interesting to find how I [am as a blond] — so much of my time being blond was embodying Carolyn. [Paul and I] would both sleep on the weekends. We wouldn’t do anything while we were shooting. So I didn’t really get a chance to take a walk in this new hair. And when I started dressing again, to go out, I would put on my favorite clothes from when I was brunette. It’s like, “Oh, it just doesn’t hit.” It’s been cool to see how I present and how color theory is crazy. But we’ll see, I guess it depends on how much time I have on my hands.

Villarreal: The series really grapples with the media invasion that swirled around them. What do you say to the critics that feel that a show like this either reignites that craze or contributes to it? What do you want the takeaway of a show like this to be?

Pidgeon: Thinking about one of the first questions you asked — how are we now dealing with with being potentially recognized — I think the intensity of interest in famous people, famous couples, celebrity, actors, musicians, you name it, artists, it’s changed shape, but it has never gone away. Our intention in making this show was, again, what we know about their lived reality, but what can we infer might have happened behind those closed doors. To the general public, [they were] sort of two-dimensional … I knew very little about Carolyn, but I ingested so many photos of her far before this project was ever on my radar. While I recognize this may have contributed to reigniting interest in them, I hope that that interest feels like there’s a more intimate understanding of these people; that they weren’t just figures, that they were people with very full lives, feelings, a profound sense of privacy, intense relation to each other, very, very human. I guess that would be my answer to that. I hope that this is also a bit of a lens or a mirror that, again, if that intensity hasn’t changed, how might we [change it] in the future?

June 6 (UPI) — Pope Leo XIV landed in Madrid Saturday to begin his one-week papal visit to the country, the first in 15 years.

Leo was greeted at the airport by King Felipe VI and his wife Queen Letizia, then addressed them at the Royal Palace along with politicians and diplomats.

He acknowledged political polarization and called for an end to it in Spain and elsewhere in the West.

“I come among you to affirm, encourage and instill a renewed fidelity to the Gospel among believers, as well as a deeper reconciliation and collaboration among the various elements of this nation,” the first American pope said.

“In reality, the message of peace, which at present unfortunately strikes some as naive and others as confrontational, is welcomed by those who do not shut themselves off in preconceived ideologies, but are rather open to the truth,” Leo said.

Spanish Deputy Prime Minister Yolanda Díaz told the Washington Post that the left in Spain embraces the pope.

“The [left’s] alignment with Pope Francis was immediate: He defended Spain’s labor reform and the Episcopal Conference also supported it, something that would have seemed unthinkable 20 years ago,” she said. “With Leo XIV, that alignment deepens.”

The Spanish far-right are battling the Church, which they believed an ally. They are particularly upset over the church’s advocacy for migrants, The Washington Post reported. The left once saw the Church as complicit in the Franco dictatorship.

“The far right in Spain wants to copy the far right in the United States,” Bishop José Mazuelos Pérez, who heads a Canary Islands diocese providing shelter, food, blankets and medical care for arriving migrants, told The Post. “To go to war with the bishops over the issue of migration.”

On Monday, Leo will address the Spanish parliament, which is gridlocked. He’s expected to discuss that type of polarization, and his other visits around the country highlight differing segments of the Church.

He will have a prayer vigil with young people Saturday, then march Sunday in a traditional Spanish street procession.

On Thursday, Leo plans to visit the Canary Islands, a landing for Latin American migrants and for those arriving by sea from the African coast. He is planning to visit Lampedusa on July 4, an Italian island where migrants from Africa and beyond land.

On his flight to Spain, Leo acknowledged that he would be competing popular with Puerto Rican singer Bad Bunny, who played the Super Bowl halftime show this year, for Spanish attention. Bad Bunny is scheduled to perform in Madrid Saturday night.

Leo said that more young people are turning to the Church, looking for something more.

“If they are confronted with the question: do they want to see Bad Bunny or do they want to see the pope, I think many will see Bad Bunny,” Leo said. “But I think there will also be a few here to see the pope. And that says something.”

On Sunday, the pope will celebrate mass on the feast of Corpus Christi in the Plaza de Cibeles. There will be a Corpus Christi procession, the Vatican said. He will also meet privately with members of the Order of St. Augustine to which he belongs.

Later, he will go to a gathering of representatives of culture, arts, business and sports at Madrid’s Movistar Arena.

The Vatican spokesperson Matteo Bruni said, “Leo XIV’s trip to Spain is a sign that, despite the secularization of society, the pope still has something to say in many areas, in Spain and in Europe, where he can play a constructive role in public debate,” Euro News reported.

What was the moment from the season finale of “The Pitt” that finally broke you?

Was it the shot of the day-shift staff watching the Fourth of July fireworks from the hospital roof, the sound of “America the Beautiful” playing in the distance? Maybe it was Dr. Al-Hashimi (Sepideh Moafi) crying in her car, realizing she can’t work around the seizure disorder that makes her a liability in the ER. Or perhaps it came when Noah Wyle’s Dr. Robinavitch (a.k.a. Dr. Robby) swaddled Baby Jane Doe, telling her that “everything’s gonna be just fine,” because she has “so many wonderful things to see and so many people to love.”

But what opened the floodgates for me, after the last half-hour of the episode left me completely dazed and dumbfounded, was Drs. Santos (Isa Briones) and King (Taylor Dearden) exorcising the day’s demons by belting out Alanis Morissette’s “You Oughta Know” at a karaoke bar and demonstrating that primal scream therapy is alive and well three decades into the 21st century.

Which is all to say: “The Pitt” is the only television show I’ve watched that gives me the same feeling I have when I read a great, immersive novel. When the end is near, I’m bereft. I’m Al-Hashimi in her car, wanting to pound the dashboard. I do not want to let these characters go. They’ve given me 15 hours and I still crave more. I would devour a series of short films about odd couple Santos and Whitaker (Gerran Howell) sharing an apartment or a summer spinoff showing Dr. Abbot (Shawn Hatosy) working off-hours as a SWAT medic. Anything to fill the long, “Pitt”-less weeks between seasons.

Instead, I’ll just have to content myself with scrolling through social media, watching fan-made videos of Dr. King self-soothing her way through the day, (this one, set to Vince Guaraldi’s score from “A Charlie Brown Christmas,” is the absolute best) and taking in the compilation of the show’s cast asking, “What’s the status on Baby Jane Doe?” in their best Katherine LaNasa Pittsburgh accent.

“The Pitt” won five Emmys from 13 nominations, including best drama series, for its celebrated first season, a 15-episode run that began with Dr. Robby up on the hospital roof talking down Dr. Abbot after an intense shift. The season ended with Dr. Abbot returning the favor after Robby and his staff ground their way through a day that included a mass shooting, a child drowning and a patient assaulting LaNasa’s no-nonsense charge nurse.

How do you follow that?

For a few episodes this new season, it looked like “The Pitt” wasn’t up to the task. We watched the ER staff dealing with a series of bloody, messy (the disimpaction!) medical maladies, an avert-your-eyes spectacle that felt like the writers were trying to one-up themselves and find the worst possible affliction to make viewers double over. Worse, the thrill of discovery that kept us invested throughout the first season, the slow drip of information about the characters, wasn’t quite there. Something was missing, and it wasn’t just Dr. Robby’s motorcycle helmet.

But the luxury of having 15 episodes is that the writers can take their time laying the groundwork for the story they want to tell.

And what a story it was.

Over the course of the season, we watched Dr. Robby disintegrate, his mental health more precarious than ever because he has done nothing to address his apparent PTSD. “You need help,” Dr. Langdon (Patrick Ball) tells Robby, confronting him in the finale. “Be honest with yourself.”

Robby isn’t the only one struggling, as Dr. Abbot puts it, to “dance through the darkness.” Langdon is back, managing his sobriety. Dr. Mohan (Supriya Ganesh) is having panic attacks. Santos is still dealing with self-harm. Dana remains haunted by that Season 1 patient assault and now carries a syringe containing a heavy sedative just in case somebody emerging from that overcrowded waiting room crosses the line again.

“I’ve seen so many people die that I feel like it’s leaching something from my soul,” Robby says. “I’m tired of feeling like I’m drowning every day.”

And there you have it, the subject of Season 2 of “The Pitt.” Medical professionals are gasping for air, and the American healthcare system, with its focus on profit above all else, is failing them and the patients they treat.

Remember Orlando, the patient with severe diabetic ketoacidosis who arrives at the ER after fainting? Orlando had to ration his insulin because he lacked insurance and felt he had to cut corners. He ends up leaving the hospital early, fearing the cost of treatment. Later he returns, having fallen (jumped) from a catwalk at his construction job, fracturing his skull. But good news: He now qualifies for Medicare and Medicaid due to long-term disability.

It’s a tragedy, one of many reasons the season finale shot of the ER staff holding back tears as they watched the Fourth of July fireworks felt like a body blow. “America the Beautiful”? How can that be true when the current administration is seeking $1.5 trillion for defense spending — nearly 50% more than this year — while cutting healthcare and social safety nets? How can that be true when an act known as the “Big, Beautiful Bill” removed funding from an already frayed healthcare system and exacerbated the shortage of care in rural areas of the country?

That one scene, the culmination of hours of careful, patient storytelling, said more about the disconnect between American ideals and America’s reality than anything else I’ve read or watched this year.

Give “The Pitt” all the Emmys. It has more than earned them.

June 6 (UPI) — A second case of New World screwworm was confirmed in Texas this week in a one-month old calf nearly six miles from where the first case was detected.

The U.S. Department of Agriculture announced the second confirmed case on Friday, which was detected in Zavala County, Texas, but 5.6 miles away from the first one.

The second case was confirmed just 24 hours after the first, which had been detected in a three-week old calf, and has spurred the USDA to step up surveillance, as well as take other actions to prevent the infestation from spreading.

New World screwworm is spread by flies that lay their eggs in the exposed flesh of living animals — livestock, pets, wildlife and humans are all susceptible — and when the fly larvae, or maggots, emerge from the eggs they burrow through muscle as they grow.

Although screwworm was eradicated from the United States in the 1960s, severe infestations in recent years in Central America slowly moved toward the southern border and was detected here in 2025, according to the USDA.

“With our partners in Texas, we are responding with speed and strength,” the USDA said in a statement about the second case that was posted on X.

“We have defeated this pest before, and we will do it again,” the agency said. “America’s livestock producers have USDA’s FULL support.”

The primary way of controlling the spread of New World screwworm is a combination of trapping flies for testing, implementing detection and quarantine zones where it confirmed, and releasing sterile flies into the area it has been detected to prevent infected insects from reproducing, the agency said.

The USDA has encouraged people in the area of the two cases to check their pets and livestock for draining or enlarging wounds, if not maggots or eggs around bodily opening such as the nose, ears or genitals, or around the navel of newborn animals.

Although screwworm infection in humans is relatively rare, the infestations can happen in ways similar to animals and require immediate medical attention.

Funerals will be held for Lebanese officers killed in an Israeli attack in southern Lebanon, as Beirut’s army chief headed to Pakistan on a surprise visit amid ongoing mediation efforts in the wider United States-Israel war on Iran.

The Lebanese soldiers will be laid to rest on Sunday, a day after the brigadier general, captain and soldier were killed in an Israeli strike on a military vehicle on the Khardali-Nabatieh road, in an incident the Israeli army said it was investigating.

A ceasefire agreed on April 17 was meant to halt the fighting between Israel and Hezbollah, but Israel has continued to carry out near-daily attacks, prompting retaliatory ones from the Lebanese group. The violence has taken a disproportionate toll on civilians in Lebanon, where more than 3,500 people have been killed since hostilities resumed on March 2.

A further conditional ceasefire was announced by Lebanese and Israeli envoys last week in Washington, but was rejected by Hezbollah as it did not include the group or provide for Israel’s withdrawal from southern Lebanon.

Lebanese army chief Rodolphe Haykal left on Saturday for Pakistan, which has emerged as a central mediator between the US and Iran.

The visit is notable given the insistence by Washington – and by Lebanese leaders, including the president – that ceasefire talks for Lebanon remain separate from the US-Iran negotiations ‌mediated by Pakistan.

Fighting continues in southern Lebanon

Meanwhile, Israeli attacks hit several towns across southern Lebanon and the western Bekaa overnight, while Hezbollah said it launched rockets, artillery fire, and drone attacks against Israeli forces, including near the Beaufort Castle in Yohmor al-Shaqif.

Lebanon’s Ministry of Public Health said on Sunday that an Israeli raid on the town of Saksakiyeh a day earlier killed at least two people. The ministry added that 22 people were wounded in the attack, including three children and a woman.

Two others were wounded following an Israeli drone attack on the town of Shahabiyeh, Lebanon’s National News Agency (NNA) reported.

Israeli air attacks also hit the town of Qalawiya at dawn, and the towns of al-Qatrani, Byblos and Rihan in the Jezzine district overnight. The town of Deir Kifa in the Tyre district was also bombed, while Barashit and Chaqra in the same district were subjected to intermittent artillery shelling overnight.

NNA also reported artillery shelling in the towns of al-Mansouri and Bayt al-Sayyad in the Tyre district.

Israeli warplanes launched an attack on the town of Srifa. Local media also reported that Israeli fighter jets attacked Dweir, near Nabatieh, north of the Litani River.

Paramedics, meanwhile, continue to look for survivors under the rubble following Israeli attacks.

“The pattern is part of what is being called the Gazafication of Lebanon, or Israel using actions normalised by the Gaza genocide,” said Al Jazeera’s Nour Odeh, reporting from Ramallah in the occupied West Bank.

“The targeting of schools in southern Lebanon, just like Gaza. Bombing Lebanese hospitals and clinics, also like Gaza. And the murder of journalists. Then there’s these so-called double-tap attacks against paramedics and rescue workers. Hundreds of Palestinian and Lebanese paramedics have been killed with this unlawful practice.”

Gazafication extends to the ceasefire, too, she added.

“The ‘Yellow Line’, first introduced in Gaza, has now swallowed 60 percent of the territory. In Lebanon, the ‘Yellow Line’ now includes nearly a fifth of the country. Both invisible lines keep expanding,” said Odeh.

No choice but negotiations, says Lebanese lawmaker

Najat Aoun Saliba, an independent member of Lebanon’s parliament, meanwhile, condemned Israel’s killing of the Lebanese soldiers and said President Joseph Aoun has no choice but to enter into negotiations with Israel.

“If we don’t have negotiations, what is the alternative? Is the alternative going to war? The war is not going to give us peace,” she told Al Jazeera.

Saliba said dialogue was the only viable path given the imbalance of power between Israel and Lebanon’s armies.

“The balance of power between the armies is not to be compared. Israel has a very strong army backed up by the United States. The Lebanese Armed Forces have been sidelined by a political will for 30 years, because they wanted to strengthen the presence of Hezbollah,” she said.

The lawmaker added that Hezbollah has not been able to stop Israeli aggression.

“Hezbollah is not able to stop any of these war crimes, and it’s not able to stop any of the invasions that Israel is doing. I think with … all these massacres and destruction, I don’t think we have a choice.”

The killing of Brigadier General Wissam Sabra, Captain Elie Khoury and soldier Hussein Ghozal came at a tense moment amid broader efforts to strike a deal between the US, Iran, Hezbollah, the Lebanese government and Israel.

Lebanese President Joseph Aoun said the attack was “aimed at thwarting all efforts to reach a solution”, while Prime Minister Nawaf Salam described it as “a heinous crime and an attack on Lebanon and all Lebanese people”.

Lebanon was drawn into the Middle East war when Iran-backed Hezbollah attacked Israel on March 2, following joint US-Israeli attacks on Iran.

Tehran has made a ceasefire in Lebanon between Israel and Hezbollah a condition for any peace deal with Washington.

Ben Gibbard remembers late 2023 as a time of competing realities.

Onstage, the frontman of Death Cab for Cutie and the Postal Service was thriving as his two bands toured together to mark the 20th anniversaries of Death Cab’s “Transatlanticism” and the Postal Service’s “Give Up.”

Behind the scenes, Gibbard’s personal life was in shambles.

“I was getting off phone calls — very difficult phone calls — 20 minutes before going on in an arena,” he says. The singer and his wife, photographer Rachel Demy, were in the middle of an agonizing breakup that would eventually lead to divorce. Yet audiences in the thousands were turning up nightly to see Gibbard reanimate the peak-millennial classics that made him one of indie rock’s defining stars.

“I’d just tell myself, You’re a professional — you’re gonna go out there and do it, and no one’s gonna know,” he recalls. “It was all waiting for me when I got offstage, of course. But for two hours I was able to disconnect and be a performer, which was incredibly …” Gibbard, 49, trails off into a laugh.

“I don’t know if it was healthy,” he says. “But it was helpful.”

Two and a half years later, that split-screen experience — “this idea of how we compartmentalize our pain or our grief or our trauma,” as Gibbard puts it now — forms a through line of Death Cab’s ruminative new album, “I Built You a Tower.” Due Friday from Anti Records, where the group landed after leaving its longtime home of Atlantic amid a corporate shake-up, the LP sets thoughts of broken fences and never-ending storms against tuneful arrangements that can churn, shimmer or chime.

“I pledge myself to your misery / I kneel at its throne,” Gibbard sings in his still-boyish tenor over the sleek new wave groove of “Trap Door,” “Respecting your proclivity / To languish on your own.” In the fuzzed-out “Envy the Birds,” the frontman recounts an argument between two lovers “spraying bullets of grievances”; the driving “Riptides” is narrated by a guy “too tired to end the war.”

“This record is definitely the result of a divorce,” Gibbard says plainly during a recent visit to Los Angeles from his home in Seattle. “But I didn’t want to make a score-settling record or an angry record. This wasn’t an opportunity to defame someone or make this about how I’d been wronged. People drift apart — relationships don’t work. And I think how that’s affected me at almost 50 is a very different mindset than I found myself in when I was 33 or whatever the last time it happened.”

Gibbard means his first divorce, in 2012, from the actor and singer Zooey Deschanel — a split that inspired Death Cab’s 2015 album “Kintsugi,” on which one song asks, “Was I in your way when the cameras turned to face you?” and another chides an unnamed celebrity: “You’ll never have to hear the word ‘no’ if you keep all your friends on the payroll.”

“There’s some gnarly stuff on that record,” says Gibbard, who’d moved to L.A. to be with Deschanel then promptly left as soon as their marriage collapsed. “It’s not exactly a kind album.”

Bassist Nick Harmer, who formed Death Cab with Gibbard in the late ’90s after the two met as students at Western Washington University, agrees that “I Built You a Tower” represents a shift in perspective. “There’s so much more self-examination — and so much more self-indictment,” he says. (Death Cab’s other members are drummer Jason McGerr, guitarist Dave Depper and keyboardist Zac Rae.)

Which isn’t to say that Gibbard entirely resists placing blame. In “Trap Door” he sings about “a trap door in your heart and a button on your desk well-worn from being pressed.”

The frontman says that in recent years he’d “tried to get away from using the word ‘heart’ because that had been a touchstone for so many of our early records.” Yet this line seemed worth holding onto when it came to him.

“I Googled it to see: Did I already write this?” he says, laughing. “Or is there a very popular song called ‘There’s a Trap Door in Your Heart,’ and now I’m just rewriting it? We’ve made a lot of songs at this point — you gotta check your work.”

Indeed, “I Built You a Tower” is Death Cab’s 11th studio LP. After the band’s previous album, 2022’s “Asphalt Meadows,” fulfilled its deal with Atlantic, Death Cab reupped with the major label for one more record, Gibbard says, based on its strong relationship with the company’s then-CEO, Julie Greenwald.

“Julie was our shepherd and our protector the whole time we were there,” the singer says of Death Cab’s nearly two-decade run at Atlantic, which began with 2005’s Grammy-nominated “Plans.” Yet just days after they reached an agreement for “Tower,” Greenwald was fired and replaced by a new leader, Elliot Grainge, about whom the band felt less than optimistic.

Ben Gibbard

(Cielito Mercado Vivas / For The Times)

“We weren’t given the impression that Elliot had spent a lot of time with ‘Transatlanticism’ in college,” Gibbard says of the 32-year-old exec, who made his name signing rappers like Ice Spice and Trippie Redd. With Greenwald’s help, Gibbard says, Death Cab negotiated an exit from Atlantic with ownership of the new album.

Did Grainge try to persuade the band to stay?

“Never heard a word,” Gibbard says.

In an email, Grainge (whose father is Universal Music Group Chairman and Chief Executive Lucian Grange) said that Death Cab’s music “has meant a great deal” to him.

“Working together may not have been in the cards for us; however, that does not lessen my enthusiasm for the band,” he wrote. “They have delivered an impressive body of work over their decades-long career, and I am looking forward to their new music.”

Death Cab’s Harmer says he and his bandmates “talked for half a beat” about putting out “Tower” on their own before thinking better of the idea.

“We’re not businesspeople,” Gibbard says. “Music is the only thing we know how to do.”

At a friend’s wedding in 2024, the frontman had been seated next to the musician Allison Crutchfield, who was then heading up Anti’s A&R department; early this year, Death Cab announced that it had signed to the indie label, whose other acts include Fleet Foxes and Madi Diaz.

This summer, the band will tour behind “I Built You a Tower,” including two shows in August at L.A.’s Greek Theatre. After the “Transatlanticism”/”Give Up” anniversary outing — not to mention a subsequent tour on which the group looked back at “Plans” — Gibbard is “very ready to play some new material,” he says.

Doing the hits was fun. “But at a certain point,” he adds, “it’s really about moving ahead.”