News Desk

The United States has fallen to a “historic low” in the Reporters Sans Frontieres (RSF), or Reporters Without Borders, annual press freedom tracker, continuing a decade-long decline, the organisation has said.

The report on Thursday recorded a global drop in press freedom indicators in 2025, with, for the first time, more than half of the world’s countries labelled as “difficult” or “very serious”.

While the US, during the first year of US President Donald Trump’s second term, remained in the “problematic” category, it dropped seven spaces from 57th in the world to 64th. Norway led the list, with Eritrea ranked lowest among 180 countries.

In a statement, Clayton Weimers, executive director of RSF’s North America office, said the US was experiencing a “press freedom crisis”.

“Trump and his administration have carried out a coordinated war on press freedom since the day he took office, and we will live with the consequences for years to come,” he said in a statement.

“Our message is clear: Protect legal rights, ensure accountability for attacks on media professionals, and support independent media to restore American press freedom.”

The report pointed to both Trump administration policies and the wider consolidation of media companies in the US, which critics say opens the door to stifling certain points of view.

That has included Skydance Media’s acquisition of Paramount Global, which includes CBS News. Skydance is owned by David Ellison, whose father, Larry Ellison, is a confidant of Trump’s.

Paramount Skydance is also currently acquiring Warner Bros, which owns CNN.

All told, just six companies control most US media: Comcast, Walt Disney, Warner Bros Discovery, Paramount Skydance, Sony, and Amazon.

While Trump has long had an adversarial relationship with journalists, press freedom observers say the head of the Federal Communications Commission (FCC) has accelerated pressure on media figures and journalists during the president’s second term.

In March, FCC chair Brendan Carr said he would revoke the licences of broadcasters that are “running hoaxes and news distortions”, and that do not “operate in the public interest” in their reporting on the US-Israel war with Iran. Trump said he was “thrilled” by Carr’s statements.

Carr has also threatened to revoke the licenses of broadcasters for their coverage of Trump’s immigration policies, which critics say can have a chilling effect on local news organisations.

The effort has extended to television talk show hosts, who have been threatened by the FCC over jokes.

Most recently, Carr announced an investigation into several ABC channels.

That came days after the network’s flagship late-night host, Jimmy Kimmel, made a joke about the White House Correspondents Dinner (WHCD).

Kimmel had quipped that First Lady Melania Trump had the “glow of an expectant widow” before the event.

Days later, a gunman attempted to storm the WHCD in Washington, DC, which Trump was attending for the first time. The Trumps later connected Kimmel’s joke to the attack, calling for Kimmel’s firing.

Kimmel has said the joke was about the 79-year-old president and the 56-year-old first lady’s “age difference” and not a call for violence.

Critics of the FCC’s move included Republican Senator Ted Cruz, who said he does “not believe the FCC should operate as the speech police”.

The White House has repeatedly called Trump the most “transparent” president in US history, pointing to his regular news conferences.

HOLLYWOOD star Dame Joan Collins, 92, looked incredibly glamorous dressed in a pink getup as she posed alongside her husband Percy at a bougie wine launch.

The English actress officially declared rosé season open as she was spotted cutting a pink ribbon outside of an M&S food shop.

Dame Joan, known for her role as Alexis Carrington in Dynasty, could be seen posing for snaps with her favourite M&S rosé, La Balconne as she encouraged the nation to “begin sipping.”

The M&S Food ambassador wore a baby pink midi dress with a high neck and cut out over her chest.

She finished the look with a matching pink structured blazer and a pair of nude peep toe heels.

Dame Joan looked flawless with her glowy makeup and deep pink lipstick.

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Meanwhile, the star, who has been married five times, had her famous brunette locks styled in a blown out bob.

Dame Joan’s husband Percy Gibson, 60, was also spotted at the M&S event looking very smitten with the TV legend.

Percy, who is 32-years Dame Joan’s junior, smiled alongside his wife as he made an appearance in support of her.

The pair met in 2002 after meeting on the set of a play that he produced and she starred in.

Speaking at the launch of M&S’ 10 new rosés, Dame Joan said: “Rosé season has arrived, though I’ve never been one to need permission to pour a glass.

“Who needs the South of France when you can simply glide into your local M&S Foodhall and find the finest rosé right there? You don’t need a Riviera postcode, just impeccable taste… preferably chilled.”

The Golden Globe winner also shared her top tips for the perfect glass of rosé.

Dame Joan confessed the wine tastes better chilled, with a “lovely” view and should be drank whatever the weather because it’s “sunshine in a glass.”

Chris Weafer, the CEO of Micro-Advisory Partners, says the UAE’s OPEC exit frees one million barrels of spare capacity. He warns Kazakhstan and Venezuela may follow, leaving OPEC far less influential on global oil pricing.

OLIVIA Rodrigo is set to embark on a huge world tour later this year.

She is releasing a new album in the summer, and to mark it, the superstar singer will be performing across the globe.

What are Olivia Rodrigo’s UK tour dates?

To mark the release of her upcoming record, Rodrigo is going on a world tour that will span North America, Europe and the UK, with over 60 dates announced.

It is titled ‘The Unravelled Tour’ and will start in the US in September 2026.

The tour will start its UK leg in April 2027, with four nights at London’s O2 Arena the only dates announced so far in Britain. The dates announced for the London shows are:

• Monday April 5 2027 – The O2
• Tuesday April 6 2027– The O2
• Thursday April 8 2027 – The O2
• Friday April 9 2027 – The O2

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How can I get tickets for Olivia Rodrigo’s tour?

Tickets for the tour go on general sale on Friday, May 7 at 12pm, and will be available on Ticketmaster here – but there are ways to grab tickets ahead of that date.

There are various presales in which you can secure your place at one of the gigs:

• O2 presale – Tuesday May 5 at 10am. Only for O2 customers
• Album presale – Tuesday May 5 at 12pm. This is for fans who preorder Olivia’s new album.
• American Express presale – Tuesday May 5 at 12pm. For American Express card holders.

There will also be tickets available on secondary ticket websites, such as Viagogo here.

No prices have yet been confirmed for the tour, however for an idea of how much they could be, her 2024 GUTS tour ranged from around £65 to £200 for non-VIP tickets.

Cheaper “silver star” tickets will also be made available during the tour. In the US they’ll cost just $20, with the UK dates priced at ‘a local currency equivalent’. 

These tickets will be made available at a later date.

When is Olivia Rodrigo’s new album released?

Olivia’s new album “You Seem Pretty Sad for a Girl So in Love” comes out on June 12.

So far, she has only released one track from her new record, a song called “Drop Dead”.

April 30 (UPI) — The Union Pacific and Norfolk Southern corporations announced Thursday a new merger proposal after a federal regulator rejected their initial plan in January.

The two companies applied for a merger in July, seeking to create the United States’ first transcontinental freight railroad.

The Surface Transportation Board rejected the proposal saying the application was incomplete.

A statement from the two companies said they resubmitted the application with “additional analysis” indicating cost savings for customers and improvement to the U.S. supply chain. It said the deal would take 2 million truckloads off the nation’s roadways and save $3.5 billion each year.

“After completing the additional work requested by the STB, the facts remain clear: This merger enhances competition and delivers real public benefits that make America’s supply chain stronger, Union Pacific CEO Jim Vena said in a statement.

The new submission includes traffic data from each of the six North American Class I railroads instead of sample data provided by the STB, the companies said.

The STB will have 30 days to review the new application.

The visit of King Charles III to the United States comes at a time of visible tension between Washington and London. His meetings with Donald Trump and symbolic engagements linked to the anniversary of the United States Declaration of Independence highlight Britain’s effort to preserve a relationship that has faced increasing political strain. Rather than seeking immediate policy breakthroughs, the visit underscores a broader diplomatic strategy focused on long term stability.

Worst tensions in decades
Relations between the US and the United Kingdom are being described by analysts as the most difficult since the Suez Crisis. Disagreements over global conflicts, defence commitments, and rhetoric from Washington have created friction not only with Britain but also with other European allies.

Political differences driving the strain
Tensions have been sharpened by clashes between President Trump and Keir Starmer, particularly over foreign policy decisions such as Britain’s stance on the Iran conflict. Criticism from Washington, alongside broader disagreements within alliances like NATO, has added to the sense of divergence.

Role of royal soft power
King Charles III’s visit is less about direct political negotiation and more about reinforcing deeper ties. Through speeches, public appearances, and outreach beyond government circles, the monarch is aiming to remind Americans of the longstanding cultural, security, and historical links between the two nations. His address to Congress and symbolic messaging emphasise shared values while subtly encouraging cooperation and openness.

Beyond politics to public diplomacy
The visit targets not just policymakers but the American public. By engaging across different states and institutions, the British monarchy is working to sustain goodwill that can outlast any single administration. This reflects a strategy of insulating the broader relationship from short term political tensions.

Questioning the special relationship
The idea of a “special relationship,” first popularised by Winston Churchill, is increasingly being reassessed. Some British officials argue the term feels outdated in a changing global order, where alliances are more transactional and expectations around defence and economic contributions are rising.

Analysis
The UK’s approach reveals a calculated reliance on continuity rather than confrontation. With limited leverage over US policy decisions, London is using soft power to maintain influence and access. The monarchy provides a unique diplomatic channel that operates above partisan politics, allowing Britain to keep communication lines open even during periods of disagreement.

However, this strategy has limits. Symbolism cannot fully offset structural tensions such as defence spending gaps, diverging foreign policy priorities, or shifting global power dynamics. While royal diplomacy can ease atmospherics, it cannot substitute for alignment at the governmental level.

In the longer term, the visit illustrates Britain’s recognition that its global role depends heavily on sustaining strong ties with Washington, even in less favourable political conditions. By playing a long game, the UK is attempting to ensure that current strains do not permanently weaken one of its most important strategic partnerships.

With information from Reuters.

It will be more than a “Star Wars” bonanza when the Lucas Museum of Narrative Art opens to the public Sept. 22. The highly anticipated $1-billion museum on Thursday announced about 20 inaugural exhibitions curated by George Lucas across more than 30 galleries — and only one is related to cinema, with a focus on “Star Wars” memorabilia, including large-scale vehicle installations, production designs, props and costumes.

The full scope of the 1,200-plus objects will only be revealed when guests step through the museum doors into more than 100,000 square feet of gallery space on the first day of fall.

The futuristic-looking 300,000-square-foot museum in L.A.’s Exposition Park was designed by Ma Yansong of Mad Architects with executive architect Stantec and includes 11 acres of park space that extend to the museum’s roof, designed by Mia Lehrer of Studio-MLA. Co-founded by Lucas and his wife, Mellody Hobson, the museum will rotate the famous filmmaker’s vast collection of narrative art, which contains objects not found in more traditional museums, including manga, comics and children’s tales. The idea is to present the myriad ways images are used to tell an endless variety of stories. Lucas has called his collection “the people’s art.”

Dorothea Lange, “Migrant Mother,” Nipomo, Calif., 1936. Gelatin silver print, 18 3/4 x 14 1/2 in.

(Lucas Museum of Narrative Art, PKY.1062)

Exhibitions currently on deck include a variety of themed shows such as one on the architecture of the building; one titled “Everyday Life,” dedicated to visual stories about “childhood, community, family, love, motherhood, play, school, sports and work”; another titled “Civic Life” featuring “artists’ portrayals of experience in the courthouse, the polling place, the political headquarters”; an exhibit titled “Narrative Forms” highlighting “narrative art across genres of adventure, fantasy, romance and science fiction” by artists including Julie Bell, Boris Vallejo, Ken Kelly, Georges Méliès, John C. Berkey and Jeffrey Catherine Jones; and children’s literature illustrations by Beatrix Potter, Leo Politi, E.H. Shepard and Jacob Lawrence.

George Hughes, “Home at Last,” cover for the Saturday Evening Post, Sept. 1, 1951. Oil on board, 30 x 24 in.

(Lucas Museum of Narrative Art, PKY.993. © SEPS by Curtis Licensing)

There will also be exhibitions devoted to the work of individual artists and genres such as comics and graphic stories from illustrators Mœbius, Marie Severin, Jack Kirby, Alison Bechdel, Jim Lee, Frank Miller and Rafael Navarro; illustrations and book covers by Frank Frazetta; the work of fairy tale and children’s illustrator Jessie Willcox Smith; the lush art of Maxfield Parrish; a selection of work by iconic American artist Norman Rockwell; selected works of Thomas Hart Benton; and early 20th century book illustrations by N.C. Wyeth.

A news release about the inaugural exhibitions noted that they are drawn from the museum’s founding collection of more than 40,000 works.

“The exhibitions trace the evolution of human culture through storytelling, from ancient sculptures of gods and goddesses to Renaissance paintings to photographs, comics and modern cinema,” the release says. “Many exhibitions are organized by theme, focusing on myths about love, family, community and adventure that connect every generation. These shared stories, told over and over in many forms, bind us together and define our human experience.”

Ernie Barnes, “The Critic’s Corner,” 2007. Acrylic on canvas, 23 1/2 x 35 3/8 in.

(Matt Kroening / Lucas Museum of Narrative Art)

The road to the opening of the Lucas Museum has been winding. In 2017, Lucas first announced his decision to build his museum in L.A., with construction beginning the following year. The building was initially scheduled to open in 2021 — a goal that was pushed to 2023 due to COVID-19 pandemic-induced delays. From there, the debut was pushed to 2025, and finally 2026. The museum announced its final opening date last November.

Lucas’ role at his namesake museum has also not always been clear, and the museum’s development has been marked by a series of high-profile staff shakeups. The museum’s original director and chief executive, Sandra Jackson-Dumont, stepped down from her role in early 2025 after less than five years. She didn’t speak publicly about her departure but the museum issued a statement that her decision was based on a “new organizational design” that would split her job into two positions, with Lucas responsible for content direction.

Three months later, the museum laid off 15 full-time employees, a number of whom were from the education and public programming team. Seven part-time, on-call employees were also eliminated. The layoffs were described to The Times in harrowing terms by two employees who asked to remain anonymous.

In December — soon after the museum announced its opening date — news broke that chief curator Pilar Tompkins Rivas had stepped down from her role.

To date, no new chief curator has been named, but a rep for the museum wrote in an email that Lucas “is responsible for curatorial and content direction for the museum and continues to work closely with the curatorial team on his decades-long vision to celebrate storytelling and narrative art.”

World leaders condemn the interception of the boats bound for Gaza as violating international law.

Israel has intercepted 22 out of the 58 aid ships travelling through international waters and bound for the besieged Gaza Strip.

The ships make up part of a second Global Sumud Flotilla to try in recent months to break an Israeli blockade by carrying humanitarian aid to Palestinians in Gaza. They sailed from the Spanish port of Barcelona on April 12.

The vessels were seized by Israel late on Wednesday in international waters off Greece’s Peloponnese peninsula, hundreds of miles from Gaza, the flotilla’s organisers said on Thursday.

Israel “kidnapped” 211 of the 400 activists taking part in the flotilla, including a Paris city councillor, according to the flotilla’s organisers. Israel’s Foreign Ministry had earlier put the number of those detained at 175.

Here’s how world leaders have reacted to the news:

Italy

Italy called for the immediate release of Italian nationals on board the flotilla.

Italy “condemns the seizure of the Global Sumud Flotilla vessels… and calls on Israel to immediately release all the unlawfully detained Italians”, the government said in a statement.

Italy’s ANSA news agency cited sources among the organisers saying 24 Italians had been detained.

In its statement, the government also called for the “full respect of international law and guarantees on the physical safety of the people on board”.

It said it was “committed to continue supplying humanitarian aid to Gaza in the framework of our cooperation and in respect of international law”.

Germany

In a joint statement with Italy, Germany said it was following developments regarding the flotilla with “great concern” and called for international law to be respected and for “restraint from irresponsible actions.”

Spain

Spain’s Foreign Ministry said it “energetically condemns” Israel’s seizure of the flotilla, which is carrying Spanish nationals.

Madrid has summoned Israel’s charge d’affaires to convey its protest over the detention of the vessels, the ministry added in a statement.

Turkiye

Turkiye’s Foreign Ministry condemned Israel’s seizure of the boats in the flotilla as “an act of piracy.”

“By targeting the Global Sumud Flotilla, whose mission is to draw attention to the humanitarian catastrophe faced by the innocent people of Gaza, Israel has also violated humanitarian principles and international law,” the ministry said in a statement.

Hamas

In a post on Telegram, the Palestinian group Hamas condemned the interception, accusing Israel of committing a crime without accountability and calling for the release of those detained.

Global Sumud Flotilla organisers

The flotilla’s organisers condemned Israel’s seizure of its vessels.

“This is piracy,” they said in a statement. “This is the unlawful seizure of human beings on the open sea near Crete, an assertion that Israel can operate with total impunity, far beyond its own borders, with no consequences.”

“No state has the right to claim, police, or occupy international waters, but Israel has done that, extending its control outward to occupy the Mediterranean Sea off the coast of Europe,” the statement said.

Israel

Israel’s Foreign Ministry called the flotilla organisers “professional provocateurs” and said that its forces acted lawfully.

“Due to the large numbers of vessels participating in the flotilla and the risk of escalation, and the need to prevent the breach of a lawful blockade, an early action was required in accordance with international law,” the ministry said in a statement.

The conflict involving Iran and the disruption of the Strait of Hormuz have shaken global energy markets. Supply constraints and extreme volatility have driven oil prices sharply higher, exposing a growing structural divide in how major oil companies operate across the Atlantic.

European majors profit from trading strength
Companies such as BP, Shell, and TotalEnergies have benefited from strong oil trading performance. Their global trading networks allow them to move crude and refined products across regions, taking advantage of price differences created by supply disruptions.

These firms trade volumes far exceeding their own production, turning volatility into profit. In the current crisis, trading has significantly boosted earnings, offsetting weaker performance in other segments.

Volatility creates both gains and exposure
The sharp rise in Brent crude prices and market instability has created lucrative arbitrage opportunities. Companies have rerouted fuel shipments across longer and unusual routes to capture higher margins.

However, these strategies come with risks. Trading at such scale requires large amounts of capital, and holding cargoes for extended periods increases financial exposure if market conditions shift.

Trading as a shock absorber
For European majors, trading divisions have acted as a buffer during the crisis. Losses from disrupted production or regional exposure have been partially offset by gains in trading, highlighting the strategic importance of these operations in volatile markets.

US majors rely on production strength
In contrast, Exxon Mobil and Chevron focus primarily on large scale oil and gas production. Their output significantly exceeds that of European rivals, giving them a strong advantage when prices rise.

While they have more limited trading operations, their upstream strength allows them to generate substantial cash flow in high price environments without relying heavily on market arbitrage.

Structural differences in strategy
The divergence reflects long term strategic choices. European companies invested more heavily in renewables and diversified energy portfolios, which limited growth in their upstream production. US firms, by contrast, maintained a strong focus on expanding oil and gas output.

As a result, European majors depend more on trading to drive returns, while US majors depend on production scale.

Analysis
The Iran war has highlighted a clear split in the global energy industry between trading focused and production focused business models. European majors have shown that strong trading capabilities can generate significant profits during periods of disruption, effectively turning volatility into an advantage.

However, this model is inherently unpredictable. Trading gains depend on market conditions and may not be sustainable if volatility declines. In contrast, the US model offers more stable returns tied directly to production levels and commodity prices.

In the long term, this divide could shape investor perceptions and valuations. If European companies continue to rely heavily on trading while lagging in production, the gap between them and US rivals may widen. The industry is increasingly defined by a fundamental question: whether it is more profitable to move oil around the world or to produce it at scale.

With information from Reuters.

Some believe it was ignored when the Oscar awards were handed out that year

A favourite of an Oscar winning filmmaker can now be streamed on Netflix.

In the latest update of the streaming platform’s library, a 2024 horror fantasy title said to become a generation’s favourite cult movie. I Saw The TV Glow is now available to users of the platform.

The film stars Justice Smith and Jack Haven as Owen and Maddy, two dispirited teenagers who bond over a late night Buffy The Vampire style show called The Pink Opaque, which offers up a vision of a supernatural world beneath their own. However, following traumatic events, the lines between the show and reality soon begin to crack.

It boasts an impressive 85% on website Rotten Tomatoes and earned many rave reviews although it was overlooked on the awards circuit. Something which lead to one critic claiming that “the Oscars and Golden Globes criminally overlooked” the film. However it did manage to receive praise from Hollywood royalty.

Acclaimed director Martin Scorsese singled it out as one of his favourite films of that year. In an interview with AP in late 2024, the maker of Goodfellas and The Wolf of Wall Street, said: “There was one film I liked a great deal I saw two weeks ago called I Saw the TV Glow.

“It really was emotionally and psychologically powerful and very moving. It builds on you, in a way. I didn’t know who made it. It’s this Jane Schoenbrun.”

Scorsese was not alone in his praise as Rolling Stone magazine declared it is ‘Gen Z’s new favourite cult movie.’ Many fans also joined in with their recommendation.

Most admitted to feeling deeply affected by the film, as one said: “This movie hit me hard. Resonated with me so deeply I had to cry through the credits, ruminating on my own life. I think anyone who grew up as an outcast/weird kid, especially in a suburb will relate to the film and characters struggles.”

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Another added: “This film reminded me of the first time I saw Donnie Darko. It left me thinking and needing to watch it again. This film is entirely metaphorical and does not follow an obvious straight forward plot line. It will make you think and try to discern what every scene means and I enjoy that style of filmmaking.”

While another predicted its future status: “A future cult classic that deserves to be seen on the big screen, but it was fitting I saw this with a smattering of others in a matinee. It’s a movie that can change your life if you let it, and is somehow also about the danger of letting media change your life. It walks a delicate balance and is a wholly original work of pastiche filmmaking.”

Someone else stated: “The first time I watched this movie, I couldn’t take my eyes off of the screen. I was mesmerised. while it may not be a movie for everyone, I Saw the TV Glow really touched me in a deep personal space. I Saw the TV Glow is, for me, truly a masterpiece.”

While some disagreed the film should not be considered pure horror, others claimed it was in the right territory. As one person said: “Some REALLY like REALLY good plot twists. It was actually disturbing, I have not gotten creeped out or disturbed at a movie for a while until I saw this. This movie by far has to be THE BEST horror movie of 2024. One more thing this is my opinion but the plot twist was WAY better than The Sixth Sense.”

I Saw The TV Glow is streaming on Netflix.

April 30 (UPI) — Oil prices briefly topped $126 a barrel in Asian trade overnight as markets reacted to news the United States might resume its military offensive against Iran and fears the Hormuz Strait might remain closed for much longer than anticipated.

Brent crude, the global benchmark, surged to $126.31, its highest level since Russia invaded Ukraine in 2022, after a report that U.S. military commanders were pitching a campaign of “short and powerful” strikes to U.S. President Donald Trump, to force Iran back to the negotiating table.

The price retreated to around $120 by the time markets in Europe opened on Thursday and continued to fall through the morning. The Brent contract for June delivery was trading at $113.91 a barrel in mid-afternoon trade in London, while American crude for June delivery was changing hands at $104.82.

Oil prices have already elevated since the war began on Feb. 28 and began climbing further on Wednesday after Trump met with executives of U.S. oil companies the previous day about how to deal with supply disruption from the closure of the Strait of Hormuz by Iran, which has vowed it will continue until the United States’ blockade of its ports is lifted.

The group discussed “steps we could take to continue the current blockade for months if needed and minimize impact on American consumers,” a White House official said.

Around 25% of the world’s oil supply passes through the strait and the prospect of it remaining effectively closed for months has set alarm bells ringing in markets as traders’ faith in an early resolution fades and “the reality of the supply situation” sets in.

“The breakdown of talks between the U.S. and Iran, along with President Trump reportedly rejecting Iran’s proposal for a reopening of the Strait of Hormuz, has the market losing hope for any quick resumption in oil flows,” said William Patterson, ING’s Singapore-based head of commodities strategy.

Trump has said he believes the regime in Tehran will blink first, saying they were less afraid of the bombing than the blockade, with U.S. officials banking it will force Iran to shutter oil production because the oil has nowhere to go and the country lacks sufficient storage facilities.

Driven by a race to get ahead of quickly evolving enemy capabilities, the U.S. Navy is now aiming to enter the next step of contracting for its 6th-generation crewed fighter – known as F/A-XX – by August. Despite intervention from Congress, the next-generation carrier-based fighter has remained in limbo since the Pentagon moved to effectively shelve the program last year.

That’s according to Chief of Naval Operations (CNO) Adm. Daryl Caudle, who spoke with reporters Monday at the Sea-Air-Space 2026 exposition near Washington, D.C. In response to a question from TWZ, Caudle acknowledged the uncertainty that has kept F/A-XX in a holding pattern, even as the Air Force’s future fighter, dubbed the F-47, has forged ahead. The current competitors for the F/A-XX are Boeing, which is also the F-47’s prime contractor, and Northrop Grumman.

“One of the challenges we’re seeing is, not only [are] our peer competitors improving their capability for anti-air, either air-to-air or surface-to-air, but the lower cost of entry of very capable weapons is also making more players on the field in which that level of stealth and technology is required,” Caudle, the Navy’s top officer, said. “So this is not about the need for a peer adversary. This is just having an aircraft that can operate with a level of uncertainty and with the acceptable level of risk.”

This is in line with arguments Caudle made in favor of moving ahead of F/A-XX in January, where he cited growing threats posed by smaller nation-state adversaries, including Iran, as well as non-state actors.

Today, Caudle again emphasized that he nevertheless had been “very vocal” on the need for a carrier-based next-generation fighter, and had expressed “many times” to Deputy Secretary of War Steve Feinberg that the service had to secure the aircraft. It’s important, Caudle said, for both the future carrier air wing and collaboration and planning with the MQ-25 Stingray, the Boeing-made carrier refueling drone set to reach initial operational capability later this year.

“It ties to our MQ-25 for stealth refueling. It ties to our reach. It ties to the work we’re doing for making the carrier air wing something that remains very effective into the future based on the range in which you can operate safely,” Caudle said. “So the need’s clearly there.”

MQ-25A Stingray first taxi test

While it was recently reported that the Navy, bolstered by funding from Congress for the new F/A-XX, planned to award a contract for the program by year end, Caudle said August was now the likely timeframe.

As noted, the Pentagon had moved to essentially shelve F/A-XX in its Fiscal Year 2026 budget request, with the Navy only requesting a relatively meager $74 million for the program. U.S. officials said at the time this decision had been driven largely by concerns about the ability of the U.S. industrial base to support work on two sixth-generation fighters, the other being the F-47, simultaneously.

Congress subsequently interceded, appropriating $1.69 billion for F/A-XX through a combination of regular spending bills and the One Big Beautiful Bill Act. From a budgetary perspective, the Navy’s next-generation fighter program remains well behind the F-47, which has already received billions in funding and could be in line to get approximately $5 billion more in Fiscal Year 2027. The Navy only appears to be requesting an additional $140 million for its new carrier-based combat jet in the $1.5 trillion proposed defense budget for the next fiscal cycle.

“We’ve got a lot of airframes out there. We’ve got an F-35 program. We’ve got a F-47 program. You know, we’re still building the [F/A-18 Super Hornet] … there’s a lot of airplanes being built,” Adm. Caudle said today. “The Air Force has got a lot of demand on the system. The Navy’s got a lot of demand … One of the contractors who would make this plane for us is in a place where they really can’t deliver in the timeframe we need it. So there was, you know, a check twice, cut once, kind of mentality here on this decision. And now there, I think we’re all on the same page on the reason why the hard look needed to be done. I’m good with it.”

As noted, Boeing and Northrop Grumman are in competition to produce the F/A-XX, a program that first took shape as a Navy request for information in 2012. An earlier down-select reportedly eliminated Lockheed Martin in March 2025. Last August, Northrop Grumman released a rendering of its concept for the aircraft, showing a streamlined nose and landing gear on the front of a carrier with the tagline, “Project Power Anywhere.” Boeing’s concept, released the same month, drew visual comparisons to its F-47 Next-Generation Air Dominance fighter for the Air Force.

Citing classification, Adm. Caudle said today he couldn’t provide any information on design or payload details that give the Navy confidence in pursuing F/A-XX despite the adversary threats he mentioned. However, he suggested speed was increasingly essential to having a chance at maintaining overmatch.

“We monitor very closely, red-team that very hard, and assess that threat with a predicted trajectory of whether or not the existing designs we’ve seen will still overmatch that,” he said. “So I think we’re okay there, but we do know that our existing airframes could become vulnerable to some of those threats by the time [it’s fielded] … because it takes time to deliver that, that our existing airframes could be vulnerable to some of those threats, and we want to make sure the air wing of the future can still participate.”

Despite Caudle’s comments today, it should be remembered that this is not the first time that major progress on the Navy’s next-gen fighter has supposedly been imminent. Last October, Reuters reported the program had been greenlighted by Secretary of War Pete Hegseth, with a contract expected to follow in short order. 

Aside from funding moves from Congress to ensure the survival of the F/A-XX program, no public steps have been taken to advance the program since.

Contact the editor: Tyler@twz.com

The unique crime drama is perfect for Agatha Christie fans, and is now available to watch for free.

A “must-watch” murder mystery perfect for Agatha Christie fans is now available to watch for free.

This Is Not A Murder Mystery follows a group of young Surrealist artists in the 1930s.

The Belgian English-language crime drama is now available to watch on Channel 4, after first airing last year.

Set in England in a lavish country estate, it sees a collection of famous artists finding themselves trapped with a serial killer.

The cast features Pierre Gervais as Rene Magritte, Inaki Mur as Salvador Dali, Florence Hall as Lee Miller, Frank Rourke as Man Ray and Mike Hoffman as Max Ernst.

The synopsis for This Is Not A Murder Mystery, taken from Magritte’s The Treachery of Images painting, reads: “Crime drama set in the flamboyant 1930s, following a group of young Surrealist artists, including Dali and Magritte, who are trapped in a lavish mansion with a serial killer on the loose.”

Viewers were left gripped by the unique period drama, with one person writing: “This series is a delightful and stylish twist on the classic whodunit. Set in the opulent 1930s with a gathering of legendary surrealist artists, it plays masterfully with suspense and visual flair.” They added: “For anyone looking for an intelligent drama wrapped in atmosphere and intrigue, this series is a must-watch.”

Another person branded it “worth watching” while someone else called it “charming”. When the trailer dropped, fans rushed to share their excitement, with one writing: “This looks *rilly* good, as another said: “This looks fun!”

Someone else said: “I’m so glad Agatha Christie-ish stories has taken ahold of media for now. It’s such a fun genre.”

Another added: “I’ve been itching for another story like this ever since Knives Out came out years ago! And I’m also really excited to see a cast where I don’t recognize anyone I’m sick of Hollywood only casting the same “trendy” actors in roles they’re ill-suited for so this is a nice chance to see other talent shine!”

Producer Kristoffel Mertens and Elly Vervloet previously spoke to Variety about turning their surrealist idea into this drama, with Mertens saying: “It started as the typical cliché idea that goes around in production companies.

“Everyone is very enthusiastic about it, but at the same time we would never be able to make it. Yet for this one, it remained with us and we kept going back to it, so in the end, we thought we could try to at least get it into development. And it turns out that “This is Not a Murder Mystery’ became one of the biggest shows ever made in Flanders.”

It’s definitely the biggest series we have ever done”, Vervloet added.

“We usually commission Flemish series for our local audience, creating a mix of domestic series and high-end TV shows as well.

“But at that level, it becomes a matter of dreaming big, being bold, and daring to make this choice as a public broadcaster to bring this English-spoken series to our audience and beyond.”

This Is Not A Murder Mystery is available to watch on Channel 4.

April 30 (UPI) — U.S. President Donald Trump announced plans that could see cuts to the tens of thousands of U.S. forces stationed across 20 bases in Germany.

Writing on his Truth Social platform Wednesday night, Trump said the process of scaling back the United States’ eight-decade-long military presence was already underway.

“The United States is studying and reviewing the possible reduction of troops in Germany, with a determination to be made over the next short period of time,” Trump wrote.

The announcement came two days after German Chancellor Friedrich Merz said Iran was running circles around the United States in ongoing peace negotiations to end the military conflict, saying “the Americans clearly have no strategy.”

Lack of support for the war from European NATO allies has seen Trump and other senior U.S. officials repeatedly threaten to pull out of the 32-country defensive alliance, complaining that Europe was “freeriding” and never there for the United States when it needed it.

On Friday, a Pentagon leak suggested that Spain could face being suspended from NATO in retaliation for not supporting the United States in its war with Iran.

U.S. troop strength in Germany stood at 36,436, mainly army and air force personnel, stationed at 20 bases across the country in December, the latest month for which U.S. Department of Defense data is available.

That compares with around 28,000 across the rest of Europe, with the bulk of those deployed in Italy, Britain and Spain.

Active-duty personnel numbers in Germany were cut from more than 50,000 from 2013 to 2017 during President Barack Obama‘s second term, in line with a strategic shift in the United States’ defense priorities involving pivoting to the Asia-Pacific and reducing the focus on Europe.

Before that, numbers had fallen to 94,000 in the first half of the 1990s following the collapse of the Soviet Union in 1991, and then down to 71,000.

The United States currently has more than 54,000 troops in Japan, another 23,500 in South Korea and 7,000 in Guam.

There has been a continuous significant U.S. military presence in Germany since the end of World War II, initially as an army of occupation and then as the front-line of NATO deterrence during the Cold War and more recently as a bulwark against a resurgent threat to Europe from Russia.

MAYA Jama has shared a health update after being told by doctors she had to receive more tests following a smear test.

The Love Island presenter sent a warning out to fans to get checked, as she admitting to feeling “very nervous” over the trip.

Taking to her Instagram Stories on Thursday, Maya shared a snap of her feet as she sat in the waiting room at the doctors.

She explained: “At the drs now as a follow up from my smear test the other day.

“I have to get those cells burned off, feeling nervous but this is why smears are so important!”

In the next picture, she explained that the cells actually didn’t have to be burned off in the end, but she did have to undergo more tests.

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Sharing a mirror selfie from the bathroom following the appointment, Maya said: “So turns out I didn’t need the cells burned off but a mini biopsy to monitor the cells further.

“Again reminder to go in if you are putting it off.”

Cells are removed or “burned off” to stop them from developing into cervical cancer in the future.

Smear tests can determine whether any abnormal cells are present and whether this needs to be done.

The medical trip came as Maya had just touched down back home after a quick trip to Ibiza, with the star sharing that it was a “fun 24h” before returning home.

Before that, she spent a romantic few days in Italy with boyfriend Ruben Dias.

Maya shared an Instagram photo dump of the break to Rome, which included visits to the Sistine Chapel and the classical Vatican Gardens with with her Man City star boyfriend.

And she gushed about the trip to her three million fans, writing: “Can you tell I love it here?”

On March 11, the Thai cargo ship Mayuree Naree was struck by two projectiles while crossing the Strait of Hormuz, one of the world’s most important waterways located between Iran and Oman. A fire broke out in the engine room, and while 20 sailors were rescued, three remained trapped inside the stricken vessel. Their remains were found weeks later when a specialised rescue team boarded the vessel, which had run aground on the shores of Iran’s Qeshm island.

At about the same time, a “shadow fleet” of tankers continued to navigate the very same waters safely. Operating with fake flags, disabled signals and unspecified destinations, this covert armada survived because it operates outside the traditional rules of maritime trade.

Iran threatened to block “enemy” ships passing through the Strait of Hormuz – a crucial chokepoint for a fifth of the world’s oil – in the wake of the United States-Israeli war launched on February 28. Soon, navigation through the strait was disrupted amid fears of attacks.

Following a temporary ceasefire on April 8, the United States imposed a full naval blockade on Iranian ports on April 13. Theoretically, traffic through the strait should have come to a complete halt.

However, tracking data reveals a remarkably different reality.

An exclusive Al Jazeera open-source investigation tracked 202 voyages made by 185 vessels through the strait between March 1 and April 15, navigating both under fire and across blockade lines.

The numbers behind the shadows

To understand how the strait operated under extreme pressure, Al Jazeera’s Digital Investigative Unit monitored the waterway daily, cross-referencing vessel International Maritime Organization (IMO) numbers with international sanction lists from the US Office of Foreign Assets Control (OFAC), the European Union, the United Kingdom and the United Nations. An IMO number is a unique seven-digit figure assigned to commercial ships.

Of the tracked voyages, 77 (38.5 percent) were directly or indirectly linked to Iran. Notably, 61 of the ships transiting the strait were explicitly listed on international sanctions lists.

The investigation divided the conflict into three distinct phases to map the fleet’s behaviour:

• Phase 1: Open War (March 1 – April 6): 126 ships crossed the strait, peaking at 30 vessels on March 1. Among these, 46 were linked to Iran.
• Phase 2: The Truce (April 7 – 13): 49 ships crossed during this fragile pause. More than 40 percent of these vessels were tied to Iran, including the US-sanctioned, Iranian-flagged Roshak, which successfully exited the Gulf.
• Phase 3: The US Blockade (April 13 – 15): Despite the explicit naval blockade, 25 ships crossed the strait.

Breaking the blockade

When the US blockade took effect, the shadow fleet adapted immediately.

The Iranian cargo ship “13448” successfully broke the blockade. Because it is a smaller vessel operating in coastal waters, it lacks an official IMO number, allowing it to evade traditional sanction-monitoring tools. The vessel departed Iran’s Al Hamriya port and reached Karachi, Pakistan.

Similarly, the Panama-flagged Manali broke the blockade, crossing on April 14 and penetrating the cordon again on April 17 en route to Mumbai, India.

The investigation uncovered widespread manipulation of Automatic Identification System (AIS) trackers. Vessels such as the US-sanctioned Flora, Genoa and Skywave deliberately disabled or jammed their signals to hide their identities and destinations.

Fake flags and shell companies

To obscure ultimate ownership, the shadow fleet heavily relies on a complex web of “false flags” and shell companies. The investigation identified 16 ships operating under fake flags, including registries from landlocked nations like Botswana and San Marino, as well as others from Madagascar, Guinea, Haiti and Comoros.

The operational network managing these ships spans the globe. Operating firms were primarily based in Iran (15.7 percent), China (13 percent), Greece (more than 11 percent) and the United Arab Emirates (9.7 percent). Notably, the operators of nearly 19 percent of the observed vessels remain unknown.

The toll of a parallel system

Despite the intense military pressure, energy carriers dominated the traffic, with 68 ships (36.2 percent) transporting crude oil, petroleum products and gas. Ten of these tankers were directly linked to Iran. Non-oil trade also persisted, with 57 bulk and general cargo ships crossing during the open war phase, 41 of which were tied to Tehran.

Before the war, at least 100 ships crossed the Strait of Hormuz daily. Today, a staggering 20,000 sailors are trapped on 2,000 ships across the Gulf – a crisis the International Maritime Organization described as unprecedented since World War II.

A shadow Iranian fleet, meanwhile, has been navigating seamlessly as part of a parallel maritime system born from 47 years of US sanctions on Tehran. Washington slapped sanctions on Tehran following the 1979 Islamic revolution that toppled the pro-Washington ruler Shah Mohammad Reza Pahlavi. The two countries have had no diplomatic ties since 1980.

The U.S. Marine Corps wants to field its first conventional takeoff and landing Collaborative Combat Aircraft (CCA) drones in 2029, and is also looking at the possibility of fielding similar drones with short takeoff and landing capabilities. The news comes soon after the service outlined its plans for Kratos’ XQ-58 Valkyrie, and potentially other CCAs, to be paired with its F-35s as a “bridge” to an entire family of next-generation air combat capabilities, which could include a sixth-generation crewed fighter. You can read more about the implications of that in our previous coverage.

Updates on the latest developments within the Marine Corps’ CCA program were provided by Col. Scott Shadforth, a program manager for the Expeditionary and Maritime Aviation Advanced Development Team (XMA-ADT), at the annual Modern Day Marine conference in Washington, D.C., at which TWZ is in attendance.

The Corps’ CCA efforts currently fall under a program called Marine Air-Ground Task Force (MAGTF) Uncrewed Expeditionary Tactical Aircraft (MUX TACAIR). The MAGTF is the primary organizing concept around which the service deploys air and ground forces.

Shadforth defines the CCA program as “how the Marine Corps is going after increasing the lethality of existing and future tactical aircraft in a high-threat environment.”

The MUX TACAIR effort emerged out of a previous effort that the Marine Corps War Fighting Lab sponsored as part of a Rapid Defense Experimentation Reserve (RDER) with the Office of the Secretary of Defense (OSD). This earlier program was known as the Penetrating Affordable Autonomous Collaborative Killer — Portfolio (PAACK-P).

The Marine Corps is kicking off its CCA efforts with a landing gear-equipped version of the XQ-58. In contrast, the previous PAACK-P program involved the rocket-assisted takeoff (RATO) variant of the XQ-58. Meanwhile, the MQ-58 designation refers to Marine-specific variants of Kratos’ Valkyrie now in development, although it remains unclear how official this is. 

As Shadforth explained, under MUX TACAIR, the Marine Corps is attempting to answer the question: “How do we take that essential [XQ-58] airframe itself and turn it into a conventional takeoff and landing [CTOL] platform so that it’s reusable at a higher rate?”

The OSD effort involved four flights of the XQ-58, culminating in the fall of 2024. At the beginning of this month, the Marine Corps completed a risk-reduction flight involving XQ-58 payloads and integration at China Lake.

Up to this point, the tests have all involved RATO variants of the XQ-58, but the Marines are targeting a first flight using conventional takeoff and landing sometime in the mid- to late summer of this year.

Shadforth confirmed that the “ultimate goal” for the MQ-58 effort is to get its hands on “deliverable prototypes” in the summer of 2029. In an ideal case, he added, these would be delivered to VMX-1 in Yuma, “so the Marine Corps can actually get their hands on the aircraft and fly the aircraft in a tactical environment and develop the CONOPS for how they’re actually going to employ those.”

VMX-1, or Marine Operational Test and Evaluation Squadron One, has multiple aircraft types in its inventory and is responsible for tests and evaluations of all types of Marine aircraft and associated systems, while assisting in the creation of tactics, techniques, and procedures (TTPs). You can read more about its work here.

MUX TACAIR doesn’t start and end with the MQ-58, however.

Shadforth said that the Marine Corps is currently exploring further MUX TACAIR options with “several vendors,” including General Atomics and Anduril. Meanwhile, the branch is also working with Northrop Grumman as part of the MQ-58 effort.

As to how the CTOL MQ-58 will be best integrated with the fleet of Marine Corps F-35Bs, which feature short takeoff and landing (STOVL) at the heart of their capabilities, this is something the service is still weighing up.

According to Shadforth, the Marine Corps “is always going to be interested” in finding ways for fixed-wing aircraft to operate from shorter runways, suggesting that a STOVL-type CCA could well be part of its future plans. Of course, a return to the RATO-capable MQ-58 could be one way of achieving this.

For now, the Marine CCA effort is squarely focused on the CTOL variant of the Valkyrie, but Shadforth said that it’s also looking toward the future, including “other vendor offerings, whether they exist in reality or not, that remove the need for landing gear.” CCAs that offer either runway independence or that are able to operate from shorter or improvised airstrips represent a capability “the Marine Corps will be interested in exploring,” Shadforth added. One obvious candidate here would be the X-BAT, the jet-powered autonomous stealth ‘fighter’ drone designed to take off vertically and land the same way, tail first, after completing its mission. 

At this point, it should be recalled that Kratos said earlier this year that the CTOL version of the Valkyrie being developed for the Marines will still be able to make rocket-assisted takeoffs from static launchers. This means the drone will retain a valuable degree of runway independence, though it will have to touch down on a runway at the end of its sortie.

Before that, Kratos also unveiled a special launch trolley that allows variants of the XQ-58 without landing gear to take off from traditional runways, though not land back on them, as seen in the video below.

Kratos Valkyrie Trolley Launch System

An aircraft with some kind of STOVL capabilities “just kind of opens up the world to us, where we don’t need 7,000-, 8,000-, 9,000-, or 10,000-foot paved runways. Those are always capabilities that we’re interested in,” Shadforth said.

Overall, this is a somewhat surprising route, considering that the XQ-58 in its basic form is already runway independent. This would suggest the Marines, in the future, are looking specifically for something that combines STOVL performance with faster sortie rates. After all, the XQ-58 also requires some infrastructure for that and requires a reset time. A STOVL or VTOL type of CCA would also be able to deploy and operate alongside the F-35B more seamlessly.

“As far as how CCA is envisioned integrating with existing STOVL-type platforms, the Marine Corps is kind of on the front end right now of getting CCA out to the operational forces. A lot of that’s going to come through experimentation and evaluation. As we target the 2029 timeframe to get prototypes out to VMX-1, part of their mission set is going to be: now we’ve physically got these things, how are we actually going to employ them with the various tactical aircraft we have available?” he continued.

As well as the STOVL F-35Bs, these tactical aircraft include CTOL/carrier-capable F-35Cs and potentially legacy F/A-18 Hornets, as well as other Joint Force capabilities.

Shadforth continued: “Those are issues that are going to have to be explored and experimented with for how we’re going to see how those CCAs are going to operate. The point being there’s no set solution at the moment.”

In terms of missions, the Marine Corps is initially focusing MUX TACAIR on an “electronic warfare type platform,” Shadforth said. “Those are the payloads we’re interested in looking at at the moment.”

XQ-58A Valkyrie Demonstrator Inaugural Flight

But Shadforth confirmed that other efforts with different vendors are exploring how to use the space within the Valkyrie air vehicle to see what other payloads and capabilities are available to the Marine Corps. Not only usefulness but timeliness are important factors here, Shadforth added.

Kratos is known to be working on a miniature cruise missile called Ragnarok, which the XQ-58 can carry in its internal bay and externally under its wings, and you can read more about it here. Renderings have also shown Valkyries with AIM-120 Advanced Medium Range Air-to-Air Missiles (AMRAAM) under their wings. The drone can carry Small Diameter Bombs (SDB) internally, and has demonstrated drone launch — launched effects are therefore almost certain to be included for the electronic warfare mission.

Within all this, it is important to remember that, at this point, the Marine CCA effort is still very much in the prototyping phase, led by the MQ-58. As Shadforth noted, the service has “not entered into a specific acquisition-type construct yet,” beyond developing these prototypes. Nevertheless, with a timeline now in place to get the first MQ-58s to Yuma, and with conventional takeoff and landing trials expected in the next few months, MUX TACAIR reflects the overall acceleration of the Corps’ CCA program.

Contact the author: thomas@thewarzone.com

WHEN pop superstar Justin Timberlake started dating actress Jessica Biel, they quickly became Hollywood’s hottest couple. 

But now, after 14 years of marriage, their relationship is going through a positively chilly phase. For long-suffering Jessica, 44, has drawn a line in the sand following a relentless string of public embarrassments, serving her husband with a brutal ultimatum to clean up his act, or she is out.

From the humiliating release of bodycam footage showing Justin’s June 2024 drink-driving arrest to fresh whispers of intoxicated antics at a Las Vegas golf tournament just weeks ago, the Cry Me A River singer’s fall from grace has pushed his wife to the edge, according to reports.

But the drama doesn’t stop there. Insiders tell The Sun that Justin pulled the plug on a $100 million NSYNC reunion, in a last stand bid to save his marriage. 

Behind closed doors, those who work closely with the couple say Jessica has been the “glue” holding the family together. 

A well-placed Los Angeles producer, who has worked closely with Jessica, tells The Sun that the actress’s marriage can sometimes be a far cry from the fairytale Justin sold the world in the 2010s.

The insider says: “Jessica is a superwoman. For the last decade, she has run the home, carried and raised two boys, continued acting and enjoyed success with a production company in Hollywood. Where she has found the time and energy to balance is staggering. She has been the glue.”

The couple’s permanent relocation to the luxury Yellowstone Club in Montana was Jessica’s way to shield their sons, Silas, 11, and Phineas, 5, from the downsides of fame.

“She took huge pride in being a hands-on mother, ensuring that her kids would be raised in the most normal way and not be impacted by LA life or Hollywood temptations and dramas,” the insider explains. 

“Her boys are the most important thing in her life, and she will do her utmost to protect them. That would have absolutely been made clear to Justin.”

But while Jessica thrives in the tranquillity of the mountains, Justin remains obsessed with the spotlight. 

His gruelling Forget Tomorrow world tour, which finally wrapped last summer after more than 100 gigs, kept him away from home for massive chunks of time and put a strain on their marriage.

Our source adds: “When the lights go out, Jessica is still a devoted, hard-working mum wanting to do the best for her kids.

“Justin is committed, but is also balancing this battle to remain a pop star and entertainer. In today’s world, if you disappear for too long, you become forgotten or irrelevant. That is something Justin would never let happen.”

This desperate need for validation, however, has come at a steep personal cost.

Jessica’s own career has been flying high. She poured her heart into her production company, Iron Ocean Productions, and her acclaimed 2025 series The Better Sister earned her a prestigious 2026 Critics’ Choice Award nomination for Best Actress. 

Yet, when her big moment arrived in January, her husband was absent from the red carpet.

“Many industry figures were shocked that Justin didn’t walk the carpet to support her,” the producer notes. 

“She had been there for him over the previous seven months. Regardless of his recent scandals, it would have been a great public display of unity.”

Justin’s erratic decision making hasn’t just alienated his wife; he has also managed to infuriate his oldest friends.

The Sun can reveal that the singer recently blew a chance to catapult himself back centre stage by walking away from an epic NSYNC 30th anniversary reunion.

The highly lucrative comeback – which included proposals for a live comeback show, a lucrative Las Vegas residency, and a documentary – could have netted the five bandmates a staggering $100 million.

A top music executive, who was intimately involved in the proposals, claimed Justin’s refusal to commit has caused bitter “disdain and disappointment” among his former bandmates.

They said: “Justin let the boys down, and really killed the chance for a special 30th anniversary adventure. The other boys were the driving forces with everyone on board initially… well, that is what they believed.”

“Pinning down Justin just could not be done. It wasn’t so much that he was saying outright no, but more just not committing. There was a real hope for something momentous and exciting to play out, which could have really put them back to the top of the music world again.”

The insider notes that the bond between the five men, who were once like brothers, has been severely damaged.

“Those five men have been friends through many highs and lows. But this took something away from that bond. Publicly, of course, they will always support Justin, but this was really seen as a wasted chance to make magic happen.”

But those close to Justin say that walking away from the NSYNC reunion was an attempt to rebalance his work with his family life and repair his relationship with his wife.

Justin’s reluctance to embark on a massive boyband tour was also undoubtedly influenced by his latest health battle. 

Last summer, the singer revealed he had been diagnosed with Lyme disease, a debilitating bacterial infection that wreaked havoc on him both mentally and physically. 

Jessica, ever the dutiful wife, stepped up to the plate.

Our source says: “Last summer Jessica really urged her husband to slow down, recover fully and seek the best medical advice. There was a huge sense that Justin really had a tough time on the road doing the dance moves and powering through so many shows with his medical issues.”

“Jessica was really kind, caring, and sympathetic. Justin’s mood and outlook was hit quite hard at the diagnosis. The reality is that his entire future as a performer is potentially on the line given how debilitating Lyme disease can be.”

Even the music executive admitted that the health crisis “must have played a key factor in him stepping back” from the NSYNC tour, though they noted that “there were projects like a doc film which would not have needed him to dance or perform”.

Despite her immense sympathy for his health struggles, Jessica’s patience with Justin’s headline-grabbing antics is running dry.

It’s not the first time he has embarrassed his wife. In 2019, The Sun revealed pictures of him drinking and holding hands with his Palmer co-star Alisha Wainwright.

Justin was forced to admit he had been drinking alcohol during the encounter, describing it as a “strong lapse of judgement” but insisted “nothing happened”.

He also added a grovelling apology to his family, writing: “I drank way too much that night and regret my behaviour. I should have known better. This is not the example I want to set for my son.”

“I apologise to my amazing wife and family for putting them through such an embarrassing situation, and I am focused on being the best husband and father I can be.”

Then in 2024, Justin was arrested for drink-driving. The police bodycam footage was released earlier this year, and shows the slurring singer complaining to cops that they were ruining his “world tour”.

Jessica distracted from the embarrassing footage and posted a loved-up snap with her husband on February 1st, captioning it: “Happy 45th to a true original. I love you baby.”

But then last week on April 18 eyewitness reports say that Justin once-again appeared intoxicated at a golf tournament in Las Vegas.

Since then, Page Six reported Jessica was ready to “pull the trigger” on the marriages, with an insider adding: “There’s not much more she can take.”

Now with an ultimatum on the table it appears Jessica is officially done playing the doting wife.

Our source said: “Knowing what a straight shooter she is, there is no way she would hold back on telling her husband exactly how she feels.”

If Justin doesn’t clean up his act, it could be Jessica saying “Bye Bye Bye” to their marriage once and for all.

Jessica and Justin’s representatives were contacted for comment. 

Japan Airlines says it will trial humanoid robots as workers at Tokyo’s Haneda Airport, with tasks including baggage handling and cabin cleaning.

In international politics, the platforms a country sits on often matter as much as what it says. For decades, Somalia was largely the subject of global security discussions, rarely a decisive participant in them. Today, that reality is changing in ways that carry symbolic weight and practical consequences.

Somalia’s recent election to the African Union Peace and Security Council (AU PSC), alongside its membership in the United Nations Security Council (UNSC), marks a turning point in its diplomatic trajectory. For quite some time, Somalia was merely being discussed in the world’s most influential security forums. It is now shaping the agenda on the table.

This shift reflects more than a procedural achievement. It signals the maturity of Somalia’s diplomatic and security institutions, and the steady rebuilding of its international credibility after decades of conflict and state fragility.

For much of the past three decades, decisions affecting Somalia’s security were often made in rooms where Somali voices were either absent or marginal. External actors debated intervention strategies, sanctions regimes, peacekeeping mandates, and humanitarian responses, while Somalia struggled with internal instability.

This membership in the UNSC and AU PSC changes that dynamic fundamentally. These bodies are not symbolic; they make binding decisions, adopt resolutions, authorise peacekeeping operations, and shape international legal frameworks. For Somalia, this may seem something simple, but its impact is profound. Somalia is now part of the process that determines policies affecting its own security and development.

That participation strengthens state-building in several ways. It reinforces institutional capacity within Somalia’s foreign policy apparatus, promotes transparency and accountability through engagement with multilateral norms, and aligns Somalia more closely with international legal and diplomatic standards.

Somalia is transitioning from being a recipient of international decisions to becoming a contributor to them. Somalia’s role on these councils also carries representational significance beyond its own borders.

As a member of the UNSC and AU PSC, Somalia now occupies a rare diplomatic position. It simultaneously represents the interests of the African continent, the Arab and Muslim world, and the least developed countries (LDCs). The concerns of these categories of states have often been overshadowed by the priorities of more powerful nations. Somalia now stands for them.

Somalia’s own first experience in rebuilding institutions after conflict, managing complex security transitions, and balancing sovereignty with international cooperation enables it to advocate not only for itself, but also for broader principles: Inclusive peace processes, sustainable development approaches to security, and equitable participation in global decision-making.

Peace in the world, peace at home

President Hassan Sheikh Mohamud’s 2022 political manifesto, “Somalia at peace with itself, and at peace with the world”, is increasingly reflected in these recent memberships. This vision is proving effective, as Somalia’s participation in global peace decision-making demonstrates a growing alignment between its external engagements and internal stabilisation efforts.

The seats at the UNSC and AU PSC will directly reinforce Somalia’s state-building process. Active involvement in shaping international peace also reflects and supports the way peace and security agendas are being handled domestically.

A defining moment in 2026

The year 2026 represents a rare convergence of opportunity. Somalia’s simultaneous presence at the AU PSC and UNSC provides a diplomatic platform unmatched in its recent history. This dual role should enable it to act as a bridge between regional and global security frameworks. It can ensure that Somalia’s security priorities are reflected in the AU decision, and forwardly, that African priorities are reflected in global resolutions. It can also translate international commitments into regional actions that qualify for alignment with local contexts.

This not only affects diplomacy and policy discussions but offers an opportunity to advocate for real change that directly affects the daily lives of Somalis. Such issues may include counterterrorism, stabilisation support, humanitarian access, development financing, climate security, and mechanisms for inclusive politics. By shaping the content and direction of relevant resolutions, Somalia can help align international commitments more closely with national priorities.

A future shaped by participation

With greater influence comes greater responsibility. Membership in these councils demands consistency and adherence to international norms. Somalia is now ready to navigate these complex diplomatic landscapes, balancing national interests with collective global security obligations. And it is now capable of maintaining credibility through constructive engagement, principled positions, and reliable partnerships.

With Somalia now seemingly committed to momentum on these fronts, its growing international stance will become self-reinforcing. Each diplomatic success will strengthen national institutions, which in turn will enhance future influence.

Somalia’s presence at the highest levels of global and regional security governance marks a significant milestone in its long journey towards recovery and stability. It reflects years of diplomatic effort, institutional rebuilding, and gradual restoration of international trust. It also signals a future in which Somalia is increasingly defined not by crisis, but by stability.

For a country that once stood on the margins of global decision-making, this transformation is both historic and hopeful. It signals a shift from isolation to engagement, from being acted upon to helping shape outcomes.

For young Somali generations who grew up hearing that Somalia could not advance, these diplomatic achievements offer a different narrative. They inspire pride, restore confidence, and help rebuild trust in the nation’s future.

That challenge lies ahead. But after a period of turmoil, Somalia is well positioned to meet it, not as a passive observer, but as an active shaper of its own destiny. This is also part of the broader Somalia policy on defence diplomacy, founded on global collaboration and mutual interdependency.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.