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California milk cartons may lose their coveted recycling symbol, the one with the chasing arrows, potentially threatening the existence of the ubiquitous beverage containers.

In a letter Dec. 15, Waste Management, one of the nation’s largest waste companies, told the state the company would no longer sort cartons out of the waste stream for recycling at its Sacramento facility. Instead, it will send the milk- and food-encrusted packaging to the landfill.

Marcus Nettz, Waste Management’s director of recycling for Northern California and Nevada, cited concerns from buyers and overseas regulators that cartons — even in small amounts — could contaminate valuable material, such as paper, leading them to reject the imports.

The company decision means the number of Californians with access to beverage carton recycling falls below the threshold in the state’s “Truth in Recycling” law, or Senate Bill 343.

And according to the law, that means the label has to come off.

The recycling label is critical for product and packaging companies to keep selling cartons in California as the state’s single-use packaging law goes fully into effect. That law, Senate Bill 54, calls for all single-use packaging to be recyclable or compostable by 2032. If it isn’t, it can’t be sold or distributed in the state.

The labels also provide a feel-good marketing symbol suggesting to consumers the cartons won’t end up in a landfill when they’re discarded, or find their way into the ocean where plastic debris is a large and growing problem.

On Tuesday, the state agency in charge of waste, CalRecycle, acknowledged Waste Management’s change.

In updated guidelines for the Truth in Recycling law, recycling rates for carton material have fallen below the state threshold.

It’s a setback for carton manufacturers and their customers, including soup- and juice-makers. Their trade group, the National Carton Council, has been lobbying the state, providing evidence that Waste Management’s Sacramento Recycling and Transfer Station successfully combines cartons with mixed paper and ships it to Malaysia and other Asian countries including Vietnam, proving that there is a market. The Carton Council persuaded CalRecycle to reverse a decision it made earlier this year that beverage cartons did not meet the recycling requirements of the Truth in Recycling law.

Brendon Holland, a spokesman for the trade group, said in an email that his organization is aware of Waste Management’s decision, but its understanding is that the company will now sort the cartons into their own dedicated waste stream “once a local end market is available.”

He added that even with “this temporary local adjustment,” food and beverage cartons are collected and sorted in most of California, and said this is just a “temporary end market adjustment — not a long-term shift away from historical momentum.”

In 2022, Malaysia and Vietnam banned imports of mixed paper bales — which include colored paper, newspapers, magazines and other paper products — from the U.S. because they were so often contaminated with non-paper products and plastic, such as beverage cartons. Waste Management told The Times on Dec. 5 that it has a “Certificate of Approval” by Malaysia’s customs agency to export “sorted paper material.” CalRecycle said it has no regulatory authority on “what materials may or may not be exported.”

Adding the Sacramento facility to the list of waste companies that were recycling cartons meant that the threshold required by the state had been met: More than 60% of the state’s counties had access to carton recycling.

At the time, CalRecycle’s decision to give the recycling stamp to beverage cartons was controversial. Many in the environmental, anti-plastic and no-waste sectors saw it as a sign that CalRecycle was doing the bidding of the plastic and packaging industry, as opposed to trying to rid the state of non-recyclable, polluting waste — which is not only required by law, but is something state Atty. Gen. Rob Bonta is investigating.

Others said it was a sign that the Truth in Recycling law was working: Markets were being discovered and in some cases, created, to provide recycling.

“Recyclability isn’t static, it depends on a complicated system of sorting, transportation, processing, and, ultimately, manufacturers buying the recycled material to make a new product,” said Nick Lapis, director of advocacy for Californians Against Waste.

He said this new information, which will likely remove the recycling label from the cartons, also underscores the effectiveness of the law.

“By prohibiting recyclability claims on products that don’t get recycled, SB 343 doesn’t just protect consumers. It forces manufacturers to either use recyclable materials or come to the table to work with recyclers, local governments and policymakers to develop widespread sustainable and resilient markets,” he said.

Beverage and food cartons — despite their papery appearance — are composed of layers of paper, plastic and sometimes aluminum. The sandwiched blend extends product shelf life, making it attractive to food and beverage companies.

But the companies and municipalities that receive cartons as waste say the packaging is problematic. They say recycling markets for the material are few and far between.

California, with its roughly 40 million residents, has some of the strictest waste laws in the nation. In 1989, the state passed legislation requiring cities, towns and municipalities to divert at least 50% of their residential waste away from landfills. The idea was to incentivize recycling and reuse. However an increasing number of products have since entered the commercial market and waste stream — such as single use plastics, polystyrene and beverage cartons — that have limited (if any) recycling potential, can’t be reused, and are growing in number every year.

Fines for municipalities that fail to achieve the required diversion rates can run $10,000 a day.

As a result, garbage haulers often look for creative ways to deal with the waste, including shipping trash products overseas or across the border. For years, China was the primary destination for California’s plastic, contaminated paper and other waste. But in 2018, China closed its doors to foreign garbage, so U.S. exporters began dumping their waste in smaller southeast Asian countries, including Malaysia and Vietnam.

They too have now tried to close the doors to foreign trash as reports of polluted waterways, chokingly toxic air, and illness grows — and as they struggle with inadequate infrastructure to deal with their own domestic waste.

Jan Dell, the founder and CEO of Last Beach Cleanup, released a report with the Basel Action Network, an anti-plastic organization, earlier this month showing that the Sacramento facility and other California waste companies were sending bales of carton-contaminated paper to Malaysia, Vietnam and other Asian nations.

According to export data, public records searches and photographic evidence collected by Dell and her co-authors at the Basel Action Network, more than 117,000 tons or 4,126 shipping containers worth of mixed paper bales were sent by California waste companies to Malaysia between January and July of this year.

Dell said these exports violate international law. A spokesman for Waste Management said the material they were sending was not illegal — and that they had received approval from Malaysia.

However, the Dec. 15 letter suggests they were receiving more pushback from their export markets than they’d previously disclosed.

“While certain end users maintain … that paper mills are able to process and recycle cartons,” some of them “have also shared concerns … that the inclusion of cartons … may result in rejection,” wrote Nettz.

Dell said she was “pleased” that Waste Management “stopped the illegal sortation of cartons into mixed paper bales. Now we ask them and other waste companies to stop illegally exporting mixed paper waste to countries that have banned it.”

WASHINGTON — President Trump has announced a bold plan for the Navy to build a new, large warship that he is calling a “battleship” as part of a larger vision to create a “Golden Fleet.”

“They’ll be the fastest, the biggest, and by far 100 times more powerful than any battleship ever built,” Trump claimed during the announcement at his Mar-a-Lago resort in Florida.

According to Trump, the ship, the first of which will be named the USS Defiant, will be longer and larger than the World War II-era Iowa-class battleships and will be armed with hypersonic missiles, nuclear cruise missiles, rail guns, and high-powered lasers — all technologies that are in various stages of development by the Navy.

The announcement comes just a month after the Navy scrapped its plans to build a new, small warship, citing growing delays and cost overruns, deciding instead to go with a modified version of a Coast Guard cutter that was being produced until recently. The sea service has also failed to build its other newly designed ships, like the new Ford-class aircraft carrier and Columbia-class submarines, on time and on budget.

Meanwhile, the Navy has struggled to field some of the technologies Trump says will be aboard the new ship.

The Navy spent hundreds of millions of dollars and more than 15 years trying to field a railgun aboard a ship before finally abandoning the effort in 2021.

Laser technology has seen more success in making its way onto Navy ships in recent years, but its employment is still limited. One system that is designed to blind or disable drone sensors is now aboard eight destroyers after spending eight years in development.

Developing nuclear cruise missile capabilities or deploying them on ships may also violate non-proliferation treaties that the U.S. has signed with Russia.

A U.S. official, who spoke on condition of anonymity to discuss ongoing plans, told the Associated Press that design efforts are now underway for the new ship and construction is planned to begin in the early 2030s.

Both Trump and Navy Secretary John Phelan spoke about the new Trump-class warship as a spiritual successor to the battleships of the 20th century, but historically that term has referred to a very specific type of ship — a large, heavily armored vessel armed with massive guns designed to bombard other ships or targets ashore.

This type of ship was at the height of prominence during World War II, and the largest of the U.S. battleships, the Iowa-class, were roughly 60,000 tons. But after World War II, the battleship’s role in modern fleets diminished rapidly in favor of aircraft carriers and long-range missiles. The U.S. Navy did modernize four Iowa-class battleships in the 1980s by adding cruise missiles and anti-ship missiles, along with modern radars, but by the 1990s all four were decommissioned.

According to a newly created website for the “Golden Fleet,” this new “guided missile battleship” is set to be roughly the same size as Iowa-class battleships but only weigh about half as much, around 35,000 tons, and have far smaller crews — between 650 and 850 sailors.

Its primary weapons will also be missiles, not large naval guns.

Trump has long held strong opinions on specific aspects of the Navy’s fleet, sometimes with a view toward keeping older technology instead of modernizing.

During his first term, he unsuccessfully called for the return to steam-powered catapults to launch jets from the Navy’s newest aircraft carriers instead of the more modern electromagnetic system.

He has also complained to Phelan about the look of the Navy’s destroyers and decried Navy ships being covered in rust.

Phelan told senators at his confirmation hearing that Trump “has texted me numerous times very late at night, sometimes after one (o’clock) in the morning” about “rusty ships or ships in a yard, asking me what am I doing about it.”

On a visit to a shipyard that was working on the now-canceled Constellation-class frigate in 2020, Trump said he personally changed the design of the ship.

“I looked at it, I said, ‘That’s a terrible-looking ship, let’s make it beautiful,’” Trump said at the time.

He said Monday he will have a direct role in designing this new warship as well.

“The U.S. Navy will lead the design of these ships along with me, because I’m a very aesthetic person,” Trump said.

Phelan said the new USS Defiant “will inspire awe and reverence for the American flag whenever it pulls into a foreign port.”

Toropin and Madhani write for the Associated Press.

NEW YORK — The Senate’s top Democrat urged his colleagues Monday to take legal action over the Justice Department’s incremental and heavily redacted release of records pertaining to the late sex offender Jeffrey Epstein.

Minority Leader Chuck Schumer introduced a resolution that, if passed, would direct the Senate to file or join lawsuits aimed at forcing the Justice Department to comply with the Epstein Files Transparency Act, the law enacted last month that required disclosure of records by last Friday.

“Instead of transparency, the Trump administration released a tiny fraction of the files and blacked out massive portions of what little they provided,” Schumer (D-N.Y.) said in a statement. “This is a blatant cover-up.”

In lieu of Republican support, Schumer’s resolution is largely symbolic. The Senate is off until Jan. 5, more than two weeks after the deadline. Even then, the resolution will likely face an uphill battle for passage. But it allows Democrats to continue a pressure campaign for disclosure that Republicans had hoped to put behind them.

The Justice Department said it plans to release records on a rolling basis by the end of the year. It blamed the delay on the time-consuming process of obscuring victims’ names and other identifying information. So far, the department hasn’t given any notice when new records arrive.

That approach angered some accusers and members of Congress who fought to pass the transparency act. Records that were released, including photographs, interview transcripts, call logs, court records and other documents, were either already public or heavily blacked out, and many lacked necessary context.

There were few revelations in the tens of thousands of pages of records that have been released so far. Some of the most eagerly awaited records, such as FBI victim interviews and internal memos shedding light on charging decisions, weren’t there.

Nor were there any mentions of some powerful figures who’ve been in Epstein’s orbit, like Britain’s former Prince Andrew.

Deputy Atty. Gen. Todd Blanche on Sunday defended the Justice Department’s decision to release just a fraction of the files by the deadline as necessary to protect survivors of sexual abuse by the disgraced financier.

Blanche pledged that the Trump administration would meet its obligation required by law. But he stressed that the department was obligated to act with caution as it goes about making public thousands of documents that can include sensitive information.

Blanche, the Justice Department’s second-in-command, also defended its decision to remove several files related to the case from its public webpage, including a photograph showing Donald Trump, less than a day after they were posted.

The missing files, which were available Friday but no longer accessible by Saturday, included images of paintings depicting nude women, and one of a series of photographs along a credenza and in drawers. In that image, inside a drawer among other photos, was a photograph of Trump, alongside Epstein, Melania Trump and Epstein’s longtime associate, Ghislaine Maxwell.

Blanche said the documents were removed because they also showed victims of Epstein. Blanche said the Trump photo and the other documents will be reposted once redactions are made to protect survivors.

“We are not redacting information around President Trump, around any other individual involved with Mr. Epstein, and that narrative, which is not based on fact at all, is completely false,” Blanche told NBC’s “Meet the Press.”

Blanche said Trump, a Republican, has labeled the Epstein matter “a hoax” because “there’s this narrative out there that the Department of Justice is hiding and protecting information about him, which is completely false.”

“The Epstein files existed for years and years and years and you did not hear a peep out of a single Democrat for the past four years and yet … lo and behold, all of a sudden, out of the blue, Senator Schumer suddenly cares about the Epstein files,” Blanche said. “That’s the hoax.”

Sisak and Neumeister write for the Associated Press. AP reporter Kevin Freking in Washington contributed to this report.

Theme parks have long had a checkered reputation when it comes to dining.

And theme park designer Eddie Sotto once wanted to put an end to such a reputation. “Why,” Sotto reflected to me in 2023, “are we not thinking more holistically as to what we’re putting inside the guest as to what we’re putting in front of the guest?”

“The old joke is that people don’t expect the food to be any good in an immersive environment,” Sotto said. “I don’t believe that. I believe it should all be good. You’re paying a lot. The opportunity is for it all to be transformative.”

Sotto, whose outspoken passion for theme park design made him a favorite among Disney’s vast fanbase, died on Dec. 17 in Orange County after a long battle with various heart-related issues, said his wife of 48 years, Deena. He was 67.

While Sotto’s best-known masterworks are overseas, be it the creation of Main Street, U.S.A., for Disneyland Paris or overseeing the development of the early trackless attraction Pooh’s Hunny Hunt for Tokyo Disneyland, he had a reputation for fighting tirelessly to enhance the theme park experience, pushing for improvements to everything including ride vehicles and the food on guests’ plates.

In the early ’90s while working for Walt Disney Imagineering, the company’s secretive arm devoted to theme park experiences, Sotto took it upon himself to hold a chef-led symposium for Imagineers.

“They taught us Imagineers a lot about the ritual of dining, and understanding what foods do to you,” he said, describing how theme park dining should go beyond developing a burger with a cute name.

He was also an early designer on Disneyland’s Indiana Jones Adventure, brought music to Space Mountain and elevated a Los Angeles landmark: He led an interior refresh of the now-shuttered Encounter restaurant at LAX.

Born in Hollywood on March 14, 1958, and raised in La Mirada and Fullerton, Sotto grew up obsessed with Knott’s Berry Farm and Disneyland. He married Deena, his high school sweetheart, when he was 19. Sotto initially followed in his late father’s early footsteps, working at Sears. His meteoric rise in theme park design would be unheard of today, as Sotto never attended college and was self taught, drafting theme park designs in his down time while selling appliances.

His hiring at Imagineering caused some debate, says Tony Baxter, the Disney legend who oversaw the creation of such attractions as Big Thunder Mountain, Indiana Jones Adventure, Star Tours and Splash Mountain. Outgoing and driven, Sotto began reaching out to Baxter for advice in the late ‘70s, says Baxter. It would take nearly a decade for Baxter to persuade his superiors to take a chance on Sotto, who was eventually hired by Imagineering in 1986 after stints at Knott’s Berry Farm and the Landmark Entertainment Group. It was at Landmark where he met one of his key mentors, Herb Ryman, a fine artist and longtime concept designer with Imagineering.

Eddie Sotto’s most famed Disney work is the design of Main Street, U.S.A., at Disneyland Paris.

(Michel Euler / Associated Press)

“For people in management, they kind of want to see a portfolio of something solid,” Baxter says. “But for me, it’s what’s going on in someone’s mind. And Eddie’s mind was sharp as a tack.”

So savvy, believed Baxter, that he was given the task of reimagining Main Street, U.S.A., for a French audience at Disneyland Paris. Sotto’s take on the introductory turn-of-the-century land is widely regarded as its finest, with its grand Victorian-inspired designs diving more deeply into factual American history than its predecessors. Enclosed archways line each side of the street behind the shops. The arcades serve as a shield from Parisian weather but also gave Sotto the opportunity to design installations that focus on the Statue of Liberty, American inventions and the bond between the United States and France.

The goal, says Baxter, was “to create shops in competition with European architecture.” Tom Morris, a retired Imagineer who worked closely with Sotto, says Sotto’s Main Street possesses “an extra layer of storytelling,” adding that Sotto gave the thoroughfare “more of an opportunity for exploration.”

“It’s excessive in the best way possible,” adds Christopher Merritt, a theme park designer and author who worked with Sotto on Pooh’s Hunny Hunt.

Morris recalled first meeting Sotto when they were teens in the 1970s. Morris jokes that he and Sotto both went to Disneyland “more than our parents thought was healthy, which was four or five times per year.” Their paths initially crossed at the Anaheim public library, where they went to peruse its Disneyland collection.

“There were files and files of photographs and employee newsletters — all sorts of weird and interesting things,” Morris says. “I always thought I must be the only weirdo who is interested in all of this, but one day there was another person in there and that person was Ed Sotto. That’s where we met, and I was really surprised, actually, that there was someone else afflicted with the same obsession for Disneyland.”

At Knott’s, Sotto was tasked with reimagining a motorcycle chase ride. Sotto, as recalled in the book “Knott’s Preserved” by Merritt and J. Eric Lynxwiler, took four buttons off a coat and created a mini soapbox car and ran it around a conference table as if it were a Matchbox toy. This would lead to the creation of the Wacky Soap Box Racers, in which the makeshift cars would careen through painted facades of cartoon-ish animals cheering on the guests. The attraction emphasized silliness, taking riders into “Catnip Junction” and through rat-infested sewers.

Eddie Sotto in 2015. In his 13-plus years at Imagineering, the designer touched multiple Disneyland attractions.

(Courtesy of Deena Sotto)

“He told me that everyone backed away from the project because he was the new kid,” says Merritt. “He got literally no budget. There was an end scene in a fireworks factory and they were making bombs out of rubber beach balls that they spray painted black. There were doing this by hand. And it’s a big hit.”

Sotto in his 13-plus years at Imagineering had an influence on Disneyland. As a concept designer on Indiana Jones Adventure, Sotto, says Baxter, conceived the idea in which the ride vehicles would appear to go through one of three different doors, an illusion accomplished by a rotating wall. Repeat visitors would sense as if the car was moving on an alternate track. Today, the walls no longer move and the effect is attempted via projection technology. “I felt my rolling ball [at the ride’s end] and Eddie’s choice room were the two things that really made the ride unique in terms of, ‘Wow, how did they do that?’” Baxter says.

Sotto ascended quickly while at Imagineering, rising to the position of senior vice president, concept design.

“Eddie just kept sketching and drawing,” Morris says. “He was inspired by Herb Ryman and that was Herb’s motto: ‘Just keep drawing.’ I just think when you have a lot of quick sketching acuity, word gets out. People know. This is someone you want on your team, especially in the early stages, to help concept, bring forth and pitch an idea.”

In the mid-’90s, Sotto realized a dream of many an Imagineer, particularly Morris, of bringing onboard audio onto a roller coaster, specifically Disneyland’s Space Mountain. Today, it’s commonplace for coasters to have synced music or sound effects, but Morris says there were technical hurdles that needed to be solved, most notably related to the engineering of the speaker sets on individual cars.

Sotto pushed it through, but not without some personal touches. An avid fan of rock ‘n’ roll, Sotto tapped surf rock guitar legend Dick Dale for a part of the composition, which heavily pulled from Camille Saint-Saëns’ “Aquarium” section of “The Carnival of the Animals.” The result was otherworldly, but also rooted in a sound associated with riding the Southern California waves. Dale’s riffs, wrote Sotto on his website, “were to be triggered to compliment each twist, turn and drop of your ‘rocket.’”

“He loved Orange County surf guitar music,” says Merritt. “So he hires Dick Dale for this intergalactic soundtrack for Space Mountain. They did some promotional thing where they put Dick Dale standing on Space Mountain playing his guitar. That’s just the audaciousness of Eddie.”

In fact, Sotto wrote on his site, it was the promise to play atop Space Mountain that sold Dale on the gig. Sotto would leave Imagineering in 1999 to soon after establish his own Laguna Beach-based SottoStudios, but not before getting an opportunity with Imagineering to remodel Encounter at LAX. Sotto’s vision was a space-age bachelor pad, a place, he said in 2023, “where George Jetson and Barbarella might meet for a drink,” with lava lamp-inspired pillars and soda fountains modeled in the shape of vintage sci-fi ray guns, complete with sound effects.

A remodel of the interior of LAX restaurant Encounter was one of Eddie Sotto’s career highlights.

(David McNew / Getty Images)

Sotto long spoke of the restaurant, which closed in 2013, as one of his favorite projects.

“Theme has to go deep,” Sotto said. “It has be something that’s relevant and exciting to people. I spent weeks putting together 11 hours of music for Encounter. What you were hearing could be a B-side from William Shatner’s space album. Theme has to reward your close inspection at a rich level. That’s why people return.”

SottoStudios over the years was heavily involved in the automobile industry, as Sotto led the design of many car showrooms. Sotto also had a passion for restaurants, and worked on numerous L.A. establishments including John Sedlar’s shuttered but acclaimed Rivera. Sotto’s career would also take him to Jeff Bezos’ Blue Origin offices, for which he designed a Jules Verne-inspired rocketship fireplace that doubles as a lobby meeting space.

And his passion for theme parks never wavered, says Baxter, even as his heart issues worsened. At their monthly lunches, Baxter notes that he and Sotto would continue to brainstorm new Disney attractions or alternative directions to what the company was announcing. Sotto, says Baxter, spent his final few days at Orange’s UCI Medical Center, but was given a room with a view of Disneyland’s fireworks, which he looked forward to watching each evening. Baxter recalled a picture of the two of them eating chili cheese dogs at Disneyland.

“He sent it to me, and said, ‘I’m dreaming of a day when we can do this again,’” Baxter says. “That was just two weeks ago.”

In addition to his wife, Deena, Sotto is survived by their son Brian, daughter Venice and her husband, Rocky.

WASHINGTON — As the dawn rose on President Trump’s second term, one key figure from his first administration stood back, content to focus on his personal business interests and not retake a formal government role.

Now, nearly a year into Trump 2.0, Trump’s son-in-law Jared Kushner has been drawn back into the foreign policy fold and is taking a greater role in delicate peace negotiations. Talks had initially been led almost solo by special envoy Steve Witkoff, a real estate mogul who had no government experience before this year.

The shift reflects a sense among Trump’s inner circle that Kushner, who has diplomatic experience, complements Witkoff’s negotiating style and can bridge seemingly intractable differences to close a deal, according to several current and former administration officials who, like others, spoke on condition of anonymity to discuss the internal deliberations.

That role was on display this weekend as Kushner and Witkoff took part in a blitz of diplomacy in Miami.

On Sunday, they concluded two days of talks with Russian negotiator Kirill Dmitriev in Miami on the latest proposals to end Russia’s war in Ukraine.

The talks with Dmitriev came after they met on Friday in Florida with the Ukrainian negotiating team, led by Rustem Umerov, as well as senior British, French and German national security officials. The Ukrainians and European officials stuck around Florida for more talks with U.S. government officials facilitated by Trump’s envoys.

Witkoff and Kushner also squeezed in meetings on Friday with Turkish and Qatari officials to discuss the fragile truce between Israel and Hamas in Gaza as they look to implement the second phase of Trump’s ceasefire plan.

Kushner and Witkoff employ contrasting styles

Witkoff, a longtime pal of Trump’s, is seen by some inside the administration as an oversize character who has traveled the world for diplomatic negotiations on his private jet and does not miss an opportunity to publicly praise the president for his foreign policy acumen, the officials say.

Kushner has his own complicated business interests in the Middle East and a sometimes transactional outlook to diplomacy that has distressed some officials in European capitals, a Western diplomat said.

Still, Kushner is seen as a more credible negotiator than Witkoff, who is viewed by many Ukrainian and European officials as overly deferential to Russian interests during the war that began with Moscow’s invasion in February 2022, the diplomat said.

“Kushner has a bit more of a track record from the first administration,” said Ian Kelly, a retired career diplomat and former U.S. ambassador to Georgia who now teaches diplomacy at Northwestern University. Kelly stressed, however, that the jury is still out on Kushner’s intervention.

Trump views Kushner as a “trusted family member and talented adviser” who has played a pivotal role in some of his biggest foreign policy successes, said White House deputy press secretary Anna Kelly.

Trump and Witkoff “often seek Mr. Kushner’s input given his experience with complex negotiations, and Mr. Kushner has been generous in lending his valuable expertise when asked,” Kelly added.

State Department spokesman Tommy Pigott called Kushner “a world-class negotiator.” Pigott noted that Secretary of State Marco Rubio is grateful for Kushner’s “willingness to serve our country and help President Trump solve some of the world’s most complex challenges.”

In an interview with CBS’ “60 Minutes” in October, Kushner spoke about his unconventional approach to diplomacy.

“I was trained in foreign policy really in President Trump’s first term by seeing an outsider president come into Washington with a different school of foreign policy than had been brought in place for the 20 or 30 years prior,” he said.

But some Democrats and government oversight groups have expressed skepticism about Kushner’s role in shaping the administration policies in the Middle East while he manages billions of dollars in investments, including from Saudi Arabia and Qatar’s sovereign wealth funds through his firm, Affinity Partners.

Similarly, Witkoff has faced scrutiny for his and his family’s deep business ties to Gulf nations. Witkoff last year partnered with members of Trump’s family to launch a cryptocurrency company, World Liberty Financial, which received a $2 billion investment from a United Arab Emirates-controlled wealth fund.

“What people call conflicts of interests, Steve and I call experience and trusted relationships that we have throughout the world,” said Kushner, who is not drawing a salary from the White House for his advisory role.

White House counsel David Warrington said in a statement that Kushner’s efforts for Trump “are undertaken in full compliance with the law.”

“Given that Jared Kushner was a critical part of the efforts leading to the historic Abraham Accords and other diplomatic successes in the first Trump Administration, the President asked Mr. Kushner to be available as the President engages in similar efforts to bring peace to the world,” Warrington said in a statement, referring to Trump’s first-term effort that normalized relations between Israel and several Arab nations. “Mr. Kushner has agreed to do so in his capacity as a private citizen.”

Kelly and other veterans of U.S. diplomatic encounters with the Russians over many years are also skeptical about Kushner’s ability to secure a Russia-Ukraine deal because Witkoff technically remains in the lead.

“I don’t see that the Witkoff approach is going to work,” Kelly said. “He doesn’t really read the Russians well. He misunderstands what they say and reports the misunderstandings back to Washington and the Europeans.”

“They seem to have this idea that the magic key is money: investment and development,” Kelly said. “But these guys don’t care about that, they are not real estate guys except in the sense that they want the land, period.”

Kushner was out of the spotlight until he wasn’t

For the first half of the year, Kushner stayed out of the spotlight, even as he pushed, unsuccessfully in some cases, to install some former associates — those with whom he worked on negotiating the Abraham Accords — into powerful roles in the new administration, according to the current and former administration officials.

Kushner had told Trump and others that while he would not be joining the second-term White House, he stood ready to offer his counsel if it was desired. That is a role he also played on a few occasions during the Biden years as the Democratic administration tried, without success, to expand the Abraham Accords.

Although Kushner remained an informal sounding board for Trump and top advisers, he resisted getting directly involved, even as the president expanded his peacemaking pursuits, until it became clear to him and others that the job might be too much for Witkoff to seal on his own, the officials said.

As Trump’s efforts to forge an agreement to end the Israel-Hamas war in Gaza faltered over the summer, Kushner came in, trading on his experience and contacts in negotiating the Abraham Accords to help Witkoff push Trump’s plan over the finish line.

Agreed to in late September after frantic talks surrounding the annual U.N. General Assembly, the 20-point plan is still a work in progress, but its implementation is being coordinated by Kushner and numerous members of his Abraham Accords team.

“We always bring Jared when we want to get that deal closed,” Trump told Israel’s parliament, the Knesset, shortly after the agreement. “We need that brain on occasion.”

As soon as the Gaza plan was finalized, Kushner said he was returning to his family and day job in Miami, where he heads a multibillion-dollar private equity firm. His involvement in high-stakes peacemaking was only temporary, Kushner said, joking that his wife, Ivanka, might change the locks if he did not get home soon.

“I’m gonna try to help set it up, and then I’m gonna hopefully go back to my normal life,” Kushner said in October.

But within weeks of shepherding the Gaza ceasefire, Trump turned again to his fixer-in-law to dive into the Russia-Ukraine negotiations. They had been deadlocked for months despite persistent efforts by the White House to lure both Russian President Vladimir Putin and Ukraine’s Volodymyr Zelensky into an agreement.

Trump hinted then that he would continue to lean on Kushner when the stakes are highest, just as he has done.

Lee and Madhani write for the Associated Press.

Nothing but dirt and dry, brown chaparral rolled beneath skis and snowboards dangling from a chairlift at Big Bear Mountain Resort on Friday, as forlorn adventure seekers joked they should rename the place “Big Bare.”

Unseasonably high temperatures even left the impressive array of high-tech artificial-snow makers below mostly useless, their fans spinning idly in the warm breeze.

“The word I’ve been using is “abysmal,” said Cameron Miniutti, 29, who was riding the lift in a light cotton shirt, with the hot sun glinting off his ski goggles. “This is, for sure, the toughest start [to a season] I’ve seen.”

Similarly bleak panoramas can be found at ski areas across the American West so far this year, but especially in California, where a wet November gave way to one of the driest Decembers in recent memory.

People visit Big Bear Village on Sunday, with no snow in sight.

As of Friday, the state had only 12% of the snow that’s normal for this time of year, and only 3% of what water managers hope for in an average year, according to the California Department of Water Resources.

Which is why water managers — and skiers — are hoping for a Christmas miracle as an enormous atmospheric river takes aim at California this week. The soaking rains may threaten coastal cities with flash floods and nightmarish traffic, but they promise sweet relief for snow-starved thrill seekers from Lake Tahoe to the San Bernardino Mountains in Southern California.

Mammoth Mountain, the tallest commercial ski resort in California, could get up to 7 feet of snow this week, according to On the Snow, a website that tracks conditions at ski areas.

Resorts on the north end of Lake Tahoe could see up to 5 feet, and even Big Bear could get 3 feet, assuming the temperature stays below freezing, according to the website.

That’s important to everyone, even nonskiers, because roughly a third of the water California relies on each year for drinking, farming and fighting wildfires accumulates as snow in the mountains during the winter and then gradually melts through the spring and summer, when the state can otherwise be bone dry.

Many California ski areas were forced to delay opening this year, and even those that got the lifts spinning have had to confine skiers to only a handful of runs, often on man-made snow.

That has been this case at Big Bear, where a thin strip of artificial snow snakes from the 8,440 top of the Bear Mountain Express chairlift to the base at just over 7,000 feet. While crews worked diligently to rake the fake snow over exposed rocks and patches of bare dirt on Friday, skiers and boarders scraped by like traffic on the 405 Freeway.

“It’s crazy,” Miniutti said, “I mean, I can’t even imagine what this is like on a weekend.”

And the range of abilities of people crammed onto the same run creates its own, unique kind of “obstacle course,” Miniutti said.

You have to concentrate on not crashing into people in front of you — many of whom are absolute beginners, tumbling to the snow for no apparent reason — while praying the very good skiers and snowboarders you can hear racing up behind you will somehow avoid mowing you down.

People ski and snowboard at Big Bear Mountain Resort on man-made snow on Sunday.

“There’s, like, the best snowboarders in the world and people on their first day right next to each other,” Miniutti said.

But under the circumstances, Miniutti had nothing but admiration for the mountain staff for keeping the run open despite the seemingly impossible weather.

“I’m still having a blast,” he said, “it’s absolutely worth coming up.”

Devon James, 24, from Pasadena, felt the same way. He was warm in long sleeves, which he took to wearing after wiping out in short sleeves a week ago and “getting cut up.”

One day lift tickets at Big Bear cost more than $150 this season. At fancier resorts, like Mammoth Mountain, they can easily climb to more than $200 per day. So most serious skiers buy season passes for just under $1,000 that are good at many mountains across the country and around the world.

But that means they feel compelled to get their days in, no matter the conditions.

“I mean, that’s kind of the whole game, right,” James laughed. “I’ve got to get at least eight or nine days to get back to even.”

Skiers and snowboarders navigate bare areas at Big Bear Mountain Resort.

Miniutti, who is originally from Massachusetts, and learned to snowboard on the freezing, icy hills of New England, still prefers the alpine experience on the West Coast.

Even when there are legitimate winter conditions at Big Bear, he loves hopping in his car at the end of the day and driving home to Los Angeles, where it’s seemingly always 70 degrees and sunny.

“I can’t really beat that,” he said, “I’m not complaining.”

BRUMMIES will soon be able to step onto the historic Flying Scotsman train from their home town.

The famous train will launch five services a day from Birmingham Moor Street Station in February half term.

Famous for showing British engineering at its best, the Flying Scotsman first launched as a train route between Edinburgh and London in 1923 and ran until 1963.

And in 2026, Brits will have the chance to travel on the first train that reached speeds of up to 100mph on the British Railway.

Running during school half term, there will be five services a day on February 18, 19 and 20.

The first service will set off in the morning at 10:30am and other services will follow at 12:30pm, 2:30pm, 4:30pm and 6:30pm.

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Each journey will last around an hour, with passengers able to see views of the West Midlands countryside.

The train will also head over the Ribblehead Viaduct in Yorkshire, which is a large Victorian railway bridge with 24 giant arches and views of the Yorkshire Dales National Park.

The experience costs from £48.76 per person, but for a more luxury experience there is a First Class offering costing from £80.56 per person on a table of four or £177.02 per person, for a table for two.

First Class passengers can experience the original 1960s First Class carriage and included in the ticket price they will also get a glass of prosecco (or soft drink, if they prefer) and a snack bag.

Can’t make the February half-term dates or don’t want to be surrounded by families? Well, there are special Valentine’s Day services as well.

There are three different Valentine’s Day services in total, each of which cost from £83.74 per person.

The first service is a Valentine’s Brunch, then in the afternoon there is an Afternoon Tea service and finally in the evening, you could board the train for a three-course dinner.

Prices for this experience start from £83.74, but a First Class table for two will set you back over £280.

The Flying Scotsman is often considered the world’s most famous steam train and operated for 40 years between 1923 and 1963 before British Rail decided to focus on diesel-engine trains.

The train was designed by Sir Nigel Gresley and in total, measures over 21 metres long.

The name of the service came after passengers nicknamed the London to Edinburgh service the ‘Flying Scotsman’ due to its speed and limited stops.

And then the London and North Eastern Railway (LNER) officially adopted the name in 1924.

Before this, it was only known by its route number ‘1472’.

Currently, the National Railway Museum is running a display on the Flying Scotsman, including an exhibition that “explores the stories of the owners, admirers, passengers and crew behind the icon”.

Also at the museum is an immersive, multi-sensory Flying Scotsman VR experience where visitors can get a taste of what it was like to travel on the train all those decades ago.

The experience also shows visitors some of the most significant moments in the train’s history.

Each year, there are a number of special events where members of the public can journey on the Flying Scotsman.

These events are often themed or on heritage lines across the UK.

Information about the different events running are posted on the National Railway Museum website.

In other rail news, a traditional English seaside town, named one of the best in the UK, is getting new direct London trains.

Plus, first look at the new Great British Railways trains being rolled out across the UK.

As a design writer, I feel lucky to get to peek inside some of Los Angeles’ most iconic homes.

This year, I visited many places, from Midcentury Modern landmarks by Edward Fickett and Raphael Soriano to humble apartments filled with Facebook Marketplace finds.

The rooms that stayed with me long after I left were not always the most luxurious or expensively furnished. Instead, they were the ones that made me smile and left a lasting impression of the person who lives there.

Here are the 14 rooms that resonated with me this year and the people who live in them who inspired me even more.

A colorful, sun-drenched kitchen in Mount Washington that connects to nature

(Mariah Tauger / For The Times)

Priced out of much of Los Angeles, architect Lindsay Sheron and her husband Daniel bought a vacant hillside lot in Mount Washington and proceeded to design and build their own home. Working over a three-year period, the couple served as general contractors and did much of the work themselves. The kitchen is a standout, featuring bright green custom kitchen cabinets painted Raw Tomatillo by Farrow & Ball, which add vitality to the single-wall layout. A custom metal hood by Practice Fabrication, powder-coated the color of a Pixie tangerine, adds a sense of fun.

“I wanted our house to feel really warm and bring nature inside,” says Lindsay, referring to the Western hemlock tongue and groove planks that she and Daniel installed on the walls and ceilings. “Wood does the heavy lifting in accomplishing that.”

Tour the custom built home here.

In Hollywood, a stunning living room that’s filled with second-hand furnishings

(Christina House / Los Angeles Times)

Caitlin Villarreal felt giddy the first time she stepped inside the Whitley Heights rental, a storied 1926 Mediterranean-style penthouse with towering ceilings, hand-carved wooden beams and a pair of arched bookcases alongside an oversize fireplace.

“It had good energy,” Villarreal said of the 1,500-square-foot apartment she rents in a historic neighborhood where Rudolph Valentino, Charlie Chaplin and Bette Davis once lived. “It’s iconic just by standing tall year after year. It has floor-to-ceiling Old Hollywood windows that blow open unexpectedly just like in the movies. It doesn’t feel like a rental. It feels like a forever home.”

Tour the Hollywood penthouse here.

A Midcentury Modern dining room in Studio City that Raphael Soriano would approve of

(Jason Armond / Los Angeles Times)

Architect Linda Brettler’s list of things she loves about her Raphael Soriano-designed home is long, even though the all-aluminum structure, which was designated a Los Angeles Historic-Cultural Monument in 1997, was in desperate need of updating when she purchased it in 2021. “I like doing projects like this where I get to have my own hand and feel, but I’m still honoring what was here,” Brettler says. “I’m trying to create an idealized version of what the house would look like now.” In the dining room, a reproduction of a Millard Sheets painting, rendered by Cal Poly Pomona students on Tyvek, is mounted on a cork-lined wall. Above the painting, she has mounted a projector screen for movie nights and video games.

Tour the historic all-aluminum home here.

A modern West Hollywood living room decorated with pets in mind

(Kit Karzen / For The Times)

“My original inspiration was to match the furniture to the kitties so I don’t see their cat hair,” anesthesiologist Jeffrey Hamilton says of the West Hollywood condo he shares with his boyfriend David Poli, his cats Romulus and Remus and Poli’s Husky mix, Janeway. “The cats very much informed the color scheme. I find them so handsome; it felt like having matching furniture was practical.”

In the living room, Hamilton chose a camel-colored Curvo sofa in velvet by Goop for CB2, which he found on Facebook Marketplace. Similarly, the accompanying swivel chairs from HD Buttercup and the barstool seats in the kitchen are upholstered in Bengal and Husky-durable textiles that camouflage their rescues pet hair.

“Jeffrey likes to say that everything in his apartment is a rescue, including me,” says Poli jokingly.

Tour the West Hollywood condo here.

A surprising Silver Lake kitchen that doubles as a retro video store

(Juliana Yamada / Los Angeles Times)

Chris Rose fondly remembers the days when he worked at the independent video store I Luv Video in Austin, Texas.

Now an L.A.-based writer, director and producer, Rose, 41, recalls the Austin store’s eclectic assortment of cult oddities and world cinema.

Although he can no longer visit the video store, Rose doesn’t have to go far to rent these days, as he has brought a similar yet distinctive collection to the kitchen of his one-bedroom bungalow in Silver Lake.

Tour the Silver Lake apartment here.

Two college friends transform a Glassell Park living room (and garage) into an art-filled escape

(Juliana Yamada / Los Angeles Times)

Antonio Adriano Puleo didn’t intend to renovate his traditional 1946 bungalow, but after consulting with architectural designer Ben Warwas, who told him he could transform the house into a “forever home,” the artist changed his plans.

“The living room wasn’t big enough, and it featured a huge red brick fireplace that had doors on either side of it, leading to the backyard,” said Warwas.

The living room of the main house is now open and airy, with custom cabinets and millwork by James Melinat that showcase the artwork Puleo made himself and the pieces he has collected for more than 30 years. The living room’s fireplace is gone, but the wooden mantle remains atop a console behind the sofa, graced with a series of colorful ceramic planters by Ashley Campbell and Brian Porray of Happy Hour Ceramics.

“Little tweaks totally transformed the house,” Warwas said.

Tour the house and ADU here.

A fabulous wet bar in a West Hollywood apartment that’s perfect for parties

(Jason Armond / Los Angeles Times)

Growing up in a small town outside of Cleveland, Tyler Piña was fascinated by Los Angeles and the glamour of Hollywood.

“My dad grew up out here, and it’s where my parents met,” says the 33-year-old screenwriter. “I remember looking at old Polaroids of them in the ‘80s and seeing how much fun they had.”

His attraction to Los Angeles, however, was more than just nostalgia. “I was mesmerized by the landscapes and architecture,” he says.

Looking back, he can’t believe he realized his dream of moving to Los Angeles from San Francisco in 2018 and eventually renting a Midcentury Modern penthouse by Edward Fickett steps from the Sunset Strip.

“A Midcentury Modern penthouse on Sunset Boulevard in the heart of West Hollywood, with a bar in the living room? I mean, does it get more iconic? I am, in no way, cool enough to live here,” says Piña.

Tour the Midcentury apartment here.

A bedroom in Beachwood Canyon is transformed into an art-filled office (and occasional guest room)

(Myung J. Chun / Los Angeles Times)

When Natalie Babcock and Samuel Gibson found a listing for a sunny apartment in Beachwood Canyon five years ago, they immediately fell for the two bedroom’s charming built-in bookshelves, faux fireplace, hardwood floors and formal dining room. Practical amenities such as an in-unit laundry and a garage, which are often elusive in Los Angeles rentals, didn’t hurt.

Today, however, the couple says they are most impressed by the sense of belonging they have found in the community just outside their 1928 Spanish fourplex. Here, where tourists and brides in wedding gowns often pose for photographs in the middle of the street in an effort to capture the Hollywood sign in the background, Babcock and Gibson have become part of a larger family. “Everyone knows our dogs’ names,” says Babcock.

The couple’s taste is vibrant, and the colorful interiors reflect their sense of fun and love of design. They painted one wall in Gibson’s office a dramatic Kelly green, which makes the white-trimmed windows and his extensive art collection pop.

“Art is one thing that I am always happy to spend money on,” Gibson says.

Tour the Beachwood Canyon apartment here.

A treasures-filled living room in Eagle Rock that’s a colorful showstopper

(Jason Armond / Los Angeles Times)

Isa Beniston and Scotty Zaletel are romantics. Not just in their love for each other, which they are as vocal about three years in as budding high school crushes, but also in the way they describe the contents of their 412-square-foot one-bedroom apartment. They can recall the season they discovered each treasure — from fruit-shaped throw pillows to more than 30 animal portraits — and the cross streets of the flea markets from which they bought them. They gush about the time they’ve spent together in fabric stores and flooring supply shops as if they were dimly lighted restaurants primed for date night.

“We both just love stuff,” the two said in near-unison.

— Lina Abascal

Tour the 412-square foot apartment here.

A tricked-out garage/ADU in Venice that serves as an office, gym and family hub

(Luke Johnson / Los Angeles Times)

“They’re fun,” architect Aejie Rhyu says of the creative couple Will Burroughs and Frith Dabkowski, as she walked by the undulating two-story ADU she helped them realize.

Rhyu’s assessment helps to explain the joy that permeates the family compound, from the pink Los Angeles Toile wallpaper in the bedroom (humorously adorned with illustrations of L.A.’s beloved mountain lion P-22, the La Brea Tar Pits and Grauman’s Chinese Theatre) to the tricked-out garage on the first floor, which includes overhead bike storage, an espresso maker, a mini-fridge and a large flat-screen TV that allows Sydney-born Burroughs to watch Formula One car races and cricket games at 4 a.m. when his family is asleep.

Burroughs even installed a subwoofer speaker beneath the sofa to give the garage the feel of a movie theater during family movie nights. “Jack went flying off the couch when we watched ‘Top Gun,’ ” he said of their son, laughing.

Tour the two-story ADU with a rooftop deck here.

A serene guest room in Mid-Wilshire that’s a light-filled studio for a textile artist

(Christina House / Los Angeles Times)

After living in her two-bedroom apartment in Los Feliz for more than a decade, Debra Weiss encountered a problem experienced by many renters in Los Angeles: She was evicted.

When her son-in-law spotted a charming two-bedroom apartment near the Los Angeles County Museum of Art on Zillow, her initial reaction was, “I want this,” Weiss said of the fourplex.

The rental had high ceilings, oak floors, ample sunlight, an appealing fireplace, a garage and a washer and dryer.

In the guest room, a wall hanging composed of three separate weavings in a gingham check pattern is embroidered with a series of characters she based on her 5-year-old granddaughter’s drawings. “It’s about people coming together in chaos and supporting each other,” Weiss said.

Even though the process of having to move was stressful, Weiss is happy with her new home and neighborhood. “I take the Metro bus everywhere and hardly ever drive,” she said. “Everything worked out perfectly.”

Tour the sunny Mid-Wilshire fourplex here.

A ’70s-inspired speakeasy/lounge in Highland Park that’s hidden behind a bookcase

(Carianne Older / For The Times)

Standing beneath a glittering tiered chandelier in her pink “cloffice,” designer Dani Dazey shares the essence of her colorful style: “From the wallpaper to the artwork, my home is a reflection of me right now,” she explains. “It’s a personal and hip twist on traditional design.”

Rather than embrace rustic farmhouse style or minimalist Midcentury Modern design as is often the case in Los Angeles, Dazey has taken the Highland Park home she shares with husband Phillip Butler and given it an over-the-top maximalist spin.

The speakeasy lounge, accessible through a hidden door sliding bookcase, is a ‘70s-inspired sanctuary with a modular sofa, curtains and wallpaper in the same floral pattern.

Their home is proof, that our homes should make us happy by reflecting who we are. In Dazey’s case, that translates to bold color, lush textures and retro vibes.

Tour the Highland Park home here.

A memento-filled living room in Long Beach is an ode to ‘the people we love’

(Genaro Molina / Los Angeles Times)

A sense of fun permeates the rooms of Cecilia and Abraham Beltran’s colorful one-bedroom Midcentury apartment in Long Beach.

“We both have a deep passion for Midcentury design and color,” Cecilia shares.

The Beltrans’ apartment encapsulates their design sensibility and “above all, the people we love,” Cecilia says. There’s bold, Midcentury Modern-inspired furniture the couple found on Craigslist, tongue-in-cheek smiling pillows and the “Hole to Another Universe” wall decal by Blik, which can be removed when they move. Peppered throughout the space are mementos from their travels, such as the limited-edition art print “La Famille” purchased on a trip to London in 2023.

Ultimately, Cecilia says, she wants the apartment “to feel like us. I think we pulled it off.”

Tour the Long Beach apartment here.

In Reseda, an apartment where every antique tells a story

(Stephen Ross Goldstein / For The Times)

When Evelyn Bauer, 97, downsized from her four-bedroom home in Sherman Oaks to an apartment in Reseda in 2014, the longtime collector and antiques dealer was forced to relinquish many of her personal belongings.

“Collecting is my passion, my addiction, and I’m so happy to be afflicted with it,” says Bauer, whose two-bedroom, two-bathroom apartment at an independent living facility for seniors is filled with furnishings and decorative arts from her 65 years as a collector.

Step inside her living room, and the vast collection of antiques feels like entering the former Encino Antique Center, where she was once the proprietor during the 1990s. Each item has a story, a memory and a unique charm that she cherishes.

“There’s always room for one more gem,” she says.

Tour the Reseda apartment here.

The fact quarterback Luke Fahey of Mission Viejo High signed with Ohio State is impressive enough. Then look at his 2025 statistics and you begin to realize he’s going to be next in line to continue Southern California’s success in developing top quarterbacks.

Over 11 games, he only had three passes intercepted while completing 71% of his passes. He threw for 3,199 yards and 25 touchdowns. He ran for six touchdowns. He had a school-record 569 yards passing against Los Alamitos. He made a clutch touchdown pass in the second half to beat eventual Southern Section Division 1 champion Santa Margarita 7-6 in the season opener.

He clearly performed at his best when the pressure was on and Mission Viejo needed him to lift up his teammates.

“He’s the best leader I’ve had in 25 years of coaching. He’s the total package,” coach Chad Johnson said.

Fahey has been selected The Times’ back of the year.

Before this season, he was sharing time at quarterback, showing incredible unselfishness while putting his trust in the process that everything would work out when it was his time to be the full-time starter. And it did.

“He’s always been real good,” Johnson said. “He was sharing reps and didn’t allow everyone to see his greatness and what he could be. Ohio State saw it. It’s going to be crazy what he can do at the next level.”

There’s one memory Johnson won’t soon forget. It was in the visiting locker room after a game at St. Paul. Fahey stayed behind as the last person to pick up trash to leave the locker room clean. Then he headed to the bus. Only the head coach saw it. The best player on the team doing work others ignored.

“Remarkable,” Johnson said.

PLUS-SIZED passengers will have to pay for two seats when flying with a one of the world’s largest low-cost airlines, from January.

A new rule will come into play in next month requiring customers who cannot fit within the armrests of their seat to buy an extra ticket in advance.

Southwest Airlines flies across the US to 100 destinations in 42 states.

And from January 27, 2026, travellers will need to be aware of its seat changes.

It will require larger passengers who ‘encroach upon the neighbouring seat’ to buy an additional ticket for their journey.

Currently, Southwest Airlines offers plus-size passengers the chance to pay for an extra seat up front and then request a refund on the ticket later, or they can request a free extra seat at the airport.

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But that policy is now changing, with passengers who need two seats required to pay for both of them when booking, with less chance of a refund.

The only situation when the second seat might be approved for a refund is if the flight departs with at least one seat still available, and if both seats have been purchased in the same fare class.

If a passenger in need of an extra seat does not buy one before the flight, they will be required to do so at the airport.

If their flight is already full when they are at the airport, the airline will book them onto a new flight.

Southwest Airlines: “To ensure space, we are communicating to Customers who have previously used the extra seat policy that they should purchase it at booking.”

“Customers who encroach upon the neighboring seat(s) should proactively purchase the needed number of seats prior to travel to ensure the additional, adjacent seat is available.

“The armrest is considered to be the definitive boundary between seats; you may review information about the width of Passenger seats.”

These aren’t the only changes coming on January 27 as on this date, the airline will begin its policy of assigning seats.

Previously, the open seating meant passengers could pick any available seat after boarding.

It worked on a first-come, first-served basis to speed up turnarounds, lower costs, and simplify travel with one cabin class.

Southwest Airlines also recently revealed its new cabin interior with seats that have been made extra comfy.

The airline showed images of its new design in October stating it has listened to travellers and improved facilities like adding USB chargers and entertainment holders.

Now, it has revealed the new design onboard its Boeing 737 MAX 8 – the airline even took passenger feedback into account when creating the new cabin.

It has covered “employee perceptions of color, comfort, and aspirations for the overall onboard experience, and it’s meant to create a cabin environment that feels modern, welcoming, and uniquely Southwest.”

The airline added that its seats “are intuitively designed for ultimate comfort, while maximizing seat width and overall support”.

For more on airlines, Jet2 has made a major change on flights and it’s great news for families.

And new EU rules that could soon make your long-haul flight more expensive.

It has been a year. And for many of us, not a great one. Fires, political chaos, rising unemployment, the loss of beloved cultural icons — it’s understandable if you want to toss 2025 in the trash heap where it belongs.

And you should, at least symbolically. Ending a collective or personal era with a closing ritual can be therapeutic and allow you to make room for something new. The goal is not to work abracadabra-type magic, but to “enact a symbolic shift,” as University of British Columbia anthropologist Sabina Magliocco puts it.

“When you do a New Year’s ritual, you are symbolically shifting to a new beginning,” she said. “That might involve rituals to usher in good luck or health, more prosperity, more creativity, or just out with the old, in with the new.”

Humanity has been enacting rituals to transition from one year to the next for millennia, and they are part of our lives today — drinking sparkling beverages, watching the ball drop in Times Square, cheering as the clock strikes midnight — these are all ways of celebrating the completion of one cycle and welcoming the start of the next one with joy and the hope that this time may be better.

We’ve collected and created 25 practices to help you say goodbye to 2025. Some of our rituals are serious, others more lighthearted, yet all should be done with intention for maximum effect. We’ve included some places around L.A. that would be ideal for these activities — for instance, Downtown’s Rage Ground where you can (safely) smash a car, or San Pedro’s Cabrillo Beach, where you can plunge into water that’s freezing by L.A. standards (it’s about 59 degrees).

So sweat it out, sweep it out, dance it out or melt it away. Whichever way you choose to say good riddance, we hope it brings you a bit of peace and helps you slide purposely into the new year (which surely, hopefully, God-willing has to be better than the one we just finished, right?).

— Deborah Netburn

1. Scream into the void

“Scream therapy,” or “primal scream therapy,” dates back to the early ‘70s and is an underrated — and free — way to release bottled-up tension and anger (or a relentlessly stressful year). Find an open expanse with a dramatic view — check out our guide to shout-worthy spots in L.A. — take a few deep breaths, engage your core and let out an unbridled scream. Not ready to howl in a place where other people may be in the vicinity? A primal scream into a pillow at home can offer a similar sense of release. — Deborah Vankin

2. Sweat 2025 out of your system

Koreatown’s Wi Spa, open 24/7, has five progressively hot saunas in a coed community space. But its single hottest sauna — one of the toastiest in all of L.A. — is the Bulgama sauna. It looks like an igloo from the outside, though the interior is made mostly of oak wood. The sauna is set at an intense 231-degrees (by contrast, my gym’s dry sauna is 160-180 degrees). There are no benches to sit on; guests lie on the floor or sit upright against the wall, their faces flushing scarlet and sweat dripping down their cheeks and limbs. Tough it out for as long as you possibly can, perhaps while meditating on all you want to let go of, and sweat out every bit of this difficult year. Just be sure to hydrate afterward. — D.V.

3. Roll down a hill

If the heaviness of 2025 has you feeling stuck, shake up your perspective by making like a 5-year-old and rolling down a grassy hill. Luckily, L.A. is filled with hills perfect for rolling, including the popular Hancock Park near the La Brea Tar Pits and Museum. I guarantee that you’ll feel different at the end of your roll than you did at the start. (And if I’m wrong, try climbing the hill and rolling down again!) — Deborah Netburn

4. Jump into the ocean

The “polar bear plunge” is a popular tradition in many places, including San Pedro’s Cabrillo Beach, where people have been jumping into the water on New Year’s Day for at least 73 years. The Cabrillo Beach Polar Bears name a king and queen and hand out polar bear certificates — in fact, so many people joined in last year that the club ran out of certificates. The water in San Pedro is typically about 59 degrees. But this tradition persists in places much colder — for instance, Scheveningen, the Netherlands. There, as many as 10,000 brave bathers show up each New Year’s Eve to dip into the North Sea, which is usually between 37 and 48 degrees Fahrenheit. — Christopher Reynolds

5. Rage … and smash a car!

When I’m angry — like fuming, stomping, raging mad (which is a lot, lately, considering the state of, well, everything) — I often think of Swiss artist Pipilotti Rist’s video, “Ever Is Over All.” In it, Rist saunters down an urban sidewalk in a light blue sundress smashing car windows as she goes. The crinkly, cacophonous sound of shattering glass is amplified each time she bashes a car. Sounds awesome, right? You can do the same at L.A. Rage Rooms such as Rage Ground and Break Room Los Angeles. Visitors don protective gear while wrecking an entire automobile — windows, doors, headlights and all — to the angry playlist of their choice. Unleashing rage can be cathartic and healing — not a bad way to put 2025 behind you for f— good! — D.V.

6. Burn some incense — or join a safe, fire department-sanctioned communal blaze

Maybe you’ll spark some sage, as people do when hoping to rid a room of bad vibes. You could also burn a little incense, cedar, yerba santa, palo santo, rosemary, mugwort, juniper or sandalwood. Or, if you crave a bigger blaze, you could head up to Solvang, where on Friday, Jan. 9, the Santa Barbara County Fire Department will supervise a community Christmas Tree Burn. Local authorities bill the event as “a powerful safety demonstration” in the empty lot next to the Mission Santa Ines (1760 Mission Drive). But you’ll know that it’s really about purging the vile remnants of the last year. — C.R.

7. Walk a labyrinth

Labyrinths can be a great tool for release. To make a labyrinth walk extra meaningful, find a trinket or stone that represents 2025 to you and then walk slowly toward the labyrinth’s center, infusing the stone with whatever you want to leave behind in 2025. When you get to the center of the labyrinth, drop the stone, and breathe out the year. As you leave the center, imagine filling yourself up with your hopes for the new year. Looking for a labyrinth to walk? Check out our list of great labyrinths in the L.A. area, including the one at Peace Awareness that uses the same pattern design as the labyrinth at the Chartres Cathedral in France — D.N.

8. Travel through time

If you visit the Time Travel Mart in Echo Park or Mar Vista, you’ll come to understand that its true mission is to promote literacy and writing skills among kids. But the goofball retail goods in both shops — alleged supplies for chrononauts — are a comfort to anyone seeking maximum distance from 2025. Buy candles honoring patron saints of time travel (including theoretical physicists Stephen Hawking, Albert Einstein and Ronald Mallett). Pick up some robot milk or canned mammoth. Or, perhaps best of all, grab a copy of “The Time Traveler’s Almanac,” a 2013 collection of 72 literary “journeys through time” by writers including Douglas Adams, Isaac Asimov, Ursula K. Le Guin, George R.R. Martin and H.G. Wells. As the largest collection of time-travel stories ever assembled, it won’t just take you to 2026, but far beyond. — C.R.

9. Dance it out

Shake your booty, swing your limbs, wriggle your hips. Literally shake off the year while working up a sweat at any number of dance events. I do it at Zumba class; others at nightclubs and dance parties. LA Dance Project offers weekly, community dance classes for all levels; Wiggle Room holds improvisational movement workshops; Pony Sweat, a “fiercely noncompetitive dance aerobics celebration,” holds $10 classes on Monday nights; and Ecstatic Dance LA is a “substance-free, all ages community celebration” of dance. Even the Los Angeles Public Library holds free ‘80s-era dance classes. Or travel to another part of the world for the night at ¡BAILE!, a recurring world music dance party — one of many in L.A. You’ll forget all about 2025, if just momentarily. — D.V.

10. Challenge yourself with one of L.A.’s hardest hikes

You made it through a hard year. Celebrate by making it through a hard hike. For a serious challenge, try the Vital Link Trail at Wildwood Canyon Park in Burbank where you’ll do an elevation gain of 1,700 feet in just two miles. Because the trail is sandy and has some erosion, it’s best to navigate it with trekking poles. Also, remember that “challenging” is a relative term. If Vital Link Trail is not for you, check out other options on our list of local hikes for all skill levels. — D.N.

11. Write a year-end letter

This could be a pep talk, a condemnation of the last 12 months, a breakup letter to your past self or a hopeful letter to your future self. Or take control of your life by starting a diary, as the main character does in the Helen Fielding novel and subsequent Renée Zellweger movie “Bridget Jones’s Diary.” Maybe with less smoking, drinking and mixing it up with Hugh Grant. — C.R.

12. Visit a cemetery to reflect on the past

L.A.’s legendary Hollywood Forever Cemetery just held an end-of-year event with a cord-cutting meditation meant to help participants “dispel the shadows” of their lives and let go of what no longer serves them. You could create a similar ritual. Visit one of the city’s many cemeteries and as you stroll through the space, think about laying to rest what’s been weighing on you most this past year. — Michelle Woo

13. Be your own Death Bear

More than a decade ago, New York performance artist Nate Hill created a Death Bear character. He would appear at people’s homes in a strange black PVC costume, then remove items that triggered bad memories and take them away forever to his Death Bear Cave, location unspecified. Hill seems to have retired Death Bear, but you could always create your character to vanquish bad memories. — C.R.

14. Bury the year

You could throw 2025 in the trash, but consider composting it instead. Write down “2025” on a small scrap of paper along with an few aspects of the year you would like to leave behind. Bury the paper in a garden or a flower pot along with some seeds of your choice. Over the next few weeks, watch with satisfaction as a budding seedling transmutes 2025 into something beautiful and fresh. — D.N.

15. Shed 2025 along with your dead skin with an intense body scrub

Vigorous, bracing, borderline painful, there is nothing like a no-frills full-body scrub at one of L.A.’s many Korean spas. For as little as $50 you will feel like you’ve removed the hard crust of the bygone year from your body, emerging shiny, soft and new. Let the shedding begin! — D.N.

16. Cut your hair

Or change it. Various cultures have ideas about this and exactly when you should do it. I say the sooner we turn the page, the better. Along with shedding skin, getting a trim is one of the most literal ways you can change your body to signal a new era. — C.R.

17. Purge your closet — and donate

This summer, the fluff and fold I bring my laundry to burned down — with three enormous bags of my clothing and linens inside. At first I was upset: beyond its practical function, our clothing is an extension of our identity and often beloved items house emotional memories from the places they’ve traveled to. It felt like a loss, not to mention a financial burden. But surprisingly quickly, silver linings surfaced. My closet was roomier and more navigable — it was easier to put outfits together. Friends and family offered blankets, sheets and sweaters, and I felt supported. I somehow also felt lighter? A purposeful, DIY closet purging can feel cathartic at the end of year. And in hauling off a bag or two of your clothing to Goodwill or the Salvation Army, you’ll not only be releasing a little bit of 2025, but helping others, who need your recycled goods, in the process. — D.V.

18. Cry in the shower

I get my best creative ideas in the shower. And I indulge my fiercest sobbing sessions there as well. The act of crying — anywhere — lowers stress hormones such as cortisol and releases feel-good hormones like oxytocin. But there’s something about being in a cozy, private space, ensconced by rushing water and plumes of steam, that allows me to fully release and opens the floodgates. Try it. Bonus: no tear-stained face afterward. — D.V.

19. Rearrange your house

Switch up the energy in your home by switching up the placement of your furniture. It will help you see your space, and perhaps your life, in a fresh light. The bed in that corner? That was so 2025. The dresser on that wall? Last year’s news! Try working with the items you have before going out to buy something new. — D.N.

20. Sweep the worst of 2025 out the door

Deep cleaning followed by ritually sweeping misfortune and bad energy out of your home before the start of the Lunar New Year is a tradition in Chinese culture. I’ve also seen ritual sweeping practiced by modern witches and other spiritual questers. The ritual itself is simple but deeply symbolic: For a fresh start to the new year, fully clean your house top to bottom and then finish by holding a broom just a bit off the floor and use a sweeping motion to push the bad energy out of your house. — D.N.

21. Make a physical threshold and cross it

New Year’s Eve party idea: Just before midnight create a physical threshold on the ground using a stick, a piece of string, or draw an actual line in the sand if you happen to be at the beach (this is L.A. after all). As the clock strikes midnight, invite guests to cross the threshold one by one and cheer as you step into 2026 and leave 2025 behind. — D.N.

22. Watch 2025 melt away

Find a small candle and carve “2025” onto the side of it using a small knife. Light the candle and let it burn until 2025 has melted away. — D.N.

23. Watch the sunset

Is there a more symbolic way to say farewell to 2025 than watching the sun literally dip below the horizon for the final time on this god-awful year? Consider this nature’s ball drop. — D.N.

24. Toss 2025 into the waves

Tashlich is a Jewish new year ritual of symbolically releasing your sins by throwing them into a natural body of water. When I was a kid, my family used bread crumbs to represent our sins. Now I use small stones or torn-up bits of leaves to keep from polluting the environment. Whatever you use, hold it in your hand and imagine what it is that you want to release. Then toss it into the water and imagine yourself letting it go. The Jewish new year holiday, Rosh Hashanah, is celebrated in early fall, but there’s no reason you can’t give this ritual a whirl on the Gregorian calendar’s new year too. — D.N.

25. Take a final photo

2025 may not have looked like how you hoped it would look, but now you are in control. As the year draws to a close, set yourself a task of taking one final photo of the year that is meaningful to you. Sad or hopeful, lush or desolate: you decide. Perhaps it is someone or something you love. Or a representation of the loss you experienced. We take photos all the time without thinking. Choose to make this one count. — D.N.

When Fernando Mendoza won the Heisman Trophy this weekend with another Latino finalist looking on from the crowd, the Cuban-American quarterback did more than just become the first Indiana Hoosier to win college football’s top prize, and only the third Latino to do so. He also subtly offered a radical statement: Latinos don’t just belong in this country, they’re essential.

At a time when questions swirl around this country‘s largest minority group that cast us in a demeaning, tokenized light — how could so many of us vote for Trump in 2024? Why don’t we assimilate faster? Why does Supreme Court justice Brett Kavanaugh think it’s OK for immigration agents to racially profile us? — the fact that two of the best college football players in the country this year were Latino quarterbacks didn’t draw the headlines they would’ve a generation ago. That’s because we now live in an era where Latinos are part of the fabric of sports in the United States like never before.

That’s the untold thesis of four great books I read this year. Each is anchored in Latino pride but treat their subjects not just as sport curios and pioneers but great athletes who were and are fundamental not just to their professions and community but society at large.

Shea Serrano writing about anything is like a really great big burrito — you know it’s going to be great and it exceeds your expectations when you finally bite into it, you swear you’re not going to gorge the thing all at once but don’t regret anything when you inevitably do. He could write about concrete and this would be true, but his latest New York Times bestseller (four in total, which probably makes him the only Mexican American author with that distinction) thankfully is instead about his favorite sport.

“Expensive Basketball” finds Serrano at his best, a mix of humblebrag, rambles and hilarity (of Rasheed Wallace, the lifelong San Antonio Spurs fan wrote the all-star forward “would collect technical fouls with the same enthusiasm and determination little kids collect Pokémon cards with.”) The proud Tejano’s mix of styles — straight essays, listicles, repeated phrases or words trotted out like incantations, copious footnotes — ensures he always keeps the reader guessing.

But his genius is in noting things no one else possibly can. Who else would’ve crowned journeyman power forward Gordon Hayward the fall guy in Kobe Bryant’s final game, the one where he scored 60 points and led the Lakers to a thrilling fourth-quarter comeback? Tied a Carlos Williams poem that a friend mistakenly texted to him to WNBA Hall of Famer Sue Bird? Reminded us that the hapless Charlotte Hornets — who haven’t made it into the playoffs in nearly a decade — were once considered so cool that two of their stars were featured in the original “Space Jam?” “Essential Basketball” is so good that you’ll swear you’ll only read a couple of Serrano’s essays and not regret the afternoon that will pass as quickly as a Nikola Jokic assist.

“Mexican American Baseball in the South Bay”

(Gustavo Arellano/Los Angeles Times)

I recommended “Mexican American Baseball in the South Bay” in my regular columna three years ago, so why am I plugging its second edition? For one, the audacity of its existence — how on earth can anyone justify turning a 450-page book on an unheralded section of Southern California into an 800-page one? But in an age when telling your story because no one else will or will do a terrible job at it is more important than ever, the contributors to this tome prove how true that is.

“Mexican American Baseball in the South Bay” is part of a long-running series about the history of Mexican American baseball in Southern California Latino communities. What’s so brilliant about this one is that it boldly asserts the history and stories of a community that too often get overlooked in Southern California Latino literature in favor of the Eastsides and Santa Anas of the region.

As series editor Richard A. Santillan noted, the reaction to the original South Bay book was so overwhelmingly positive that he and others in the Latino History Baseball Project decided to expand it. Well-written essays introduce each chapter; long captions for family and team photos function as yearbook entries. Especially valuable are newspaper clippings from La Opinión that showed the vibrancy of Southern Californians that never made it into the pages of the English-language press.

Maybe only people with ties to the South Bay will read this book cover to cover, and that’s understandable. But it’s also a challenge to all other Latino communities: if folks from Wilmington to Hermosa Beach to Compton can cover their sports history so thoroughly, why can’t the rest of us?

(University of Colorado Press)

One of the most surprising books I read this year was Jorge Iber’s “The Sanchez Family: Mexican American High School and Collegiate Wrestlers from Cheyenne, Wyoming,” a short read that addresses two topics rarely written about: Mexican American freestyle wrestlers and Mexican Americans in the Equality State. Despite its novelty, it’s the most imperfect of my four recommendations. Since it’s ostensibly an academic book, Iber loads the pages with citations and references to other academics to the point where it sometimes reads like a bibliography and one wonders why the author doesn’t focus more on his own work. And in one chapter, Iber refers to his own work in the first person — profe, you’re cool but you’re not Rickey Henderson.

“The Sanchez Family” overcomes these limitations by the force of its subject, whose protagonists descend from Guanajuato-born ancestors that arrived to Wyoming a century ago and established a multi-generational wrestling dynasty worthy of the far-more famous Guerrero clan. Iber documents how the success of multiple Sanchez men on the wrestling mat led to success in civic life and urges other scholars to examine how prep sports have long served as a springboard for Latinos to enter mainstream society — because nothing creates acceptance like winning.

“In our family, we have educators, engineers and other professions,” Iber quotes Gil Sanchez Sr. a member of the first generation of grapplers. “All because a 15-year-old boy [him]…decided to become a wrestler.”

Heard that boxing is a dying sport? The editors of “Rings of Dissent: Boxing and Performances of Rebellion” won’t have it. Rudy Mondragón, Gaye Theresa Johnson and David J. Leonard not only refuse to entertain that idea, they call such critiques “rooted in racist and classist mythology.”

(University of Illinois Press)

They then go on to offer an electric, eclectic collection of essays on the sweet science that showcases the sport as a metaphor for the struggles and triumphs of those that have practiced it for over 150 years in the United States. Unsurprisingly, California Latinos earn a starring role. Cal State Channel Islands professor José M. Alamillo digs up the case of two Mexican boxers denied entry in the United States during the 1930s, because of the racism of the times, digging up a letter to the Department of Labor that reads like a Stephen Miller rant: “California right now has a surplus of cheap boxers from Mexico, and something should be done to prevent the entry of others.”

Roberto José Andrade Franco retells the saga of Oscar De La Hoya versus Julio Cesar Chávez, landing less on the side of the former than pointing out the assimilationist façade of the Golden Boy. Mondragón talks about the political activism of Central Valley light welterweight José Carlos Ramírez both inside and outside the ring. Despite the verve and love each “Rings of Dissent” contributors have in their essays, they don’t romanticize it. No one is more clear-eyed about its beauty and sadness than Mondragón’s fellow Loyola Marymount Latino studies profe, Priscilla Leiva. She examines the role of boxing gyms in Los Angeles, focusing on three — Broadway Boxing Gym and City of Angels Boxing in South L.A, and the since-shuttered Barrio Boxing in El Sereno.

“Efforts to envision a different future for oneself, for one’s community, and for the city are not guaranteed unequivocal success,” she writes. “Rather, like the sport of boxing, dissent requires struggle.”

If those aren’t the wisest words for Latinos to embrace for the coming year, I’m not sure what is.

Imax is having a moment. More than 50 years after debuting at the 1970 Osaka world’s fair with the 17-minute experimental film “Tiger Child,” the format has become the ascendant king of spectacle. Today, Imax counts 1,829 screens in 89 countries — just 1% of theaters — yet makes up an increasingly vital part of the theatrical box office, with 50% market share growth since 2018 and an estimated $1.2-billion take in 2025. And the company shows no signs of slowing down.

“As long as there are filmmakers who are fans as well as studios who are fans, we’re going to make a difference,” says Chief Executive Richard Gelfond, who acquired the company in 1994 with business partner Bradley Wechsler.

Breaking into mainstream Hollywood didn’t come easy. For decades Imax films were largely documentaries, often about space exploration, nature or discoveries, with systems installed in museums and science centers. The flash point came in 2008 with Christopher Nolan’s “The Dark Knight,” which featured 28 minutes filmed with Imax 70mm cameras. Film buff and industry content creator Lizzy Gonzalez vividly remembers when the Joker (Heath Ledger) unmasks himself during the chaotic bank heist. “It was my earliest Imax experience, and my jaw dropped in awe,” she says. Ever since, she’s been hooked, admitting the premium format is “the only legit movie experience that immerses you in the story.”

Directors are now leaning in, with the “Filmed for Imax” (FFI) lineup expanding to 14 titles in 2025 — doubling last year’s total. The program lets filmmakers shoot with Imax cameras or other approved cameras and provides additional production support, such as a longer window with the equipment and more publicity during release. “In previous years, Imax used to do about 10% of the box office in North America, but [with] FFI movies we’ve averaged about 15%. It means more dollars to whoever makes them and more profit to the studio,” says Gelfond.

Regina Hall in “One Battle After Another.”

(Warner Bros. Pictures)

Not all movies exhibited in Imax formats are shot under the FFI banner — indeed, from James Cameron’s original “Avatar” to Paul Thomas Anderson’s “One Battle After Another,” the majority of Imax releases are instead enhanced using digital media remastering. But movies that take advantage of FFI, including “Sinners,” “Superman” and “F1,” are seeing box-office benefits and a palpable moviegoing experience.

“Today’s audiences are searching for an emotional connection; they want to feel something, to step inside the filmmaker’s vision. That’s exactly what we wanted to give them by shooting in 65mm Imax,” says “Sinners” cinematographer Autumn Durald Arkapaw, who was the first woman to shoot in the format. “When you sit in a dark theater and take in a full 1.43:1, 15-perf Imax image, it fills your field of view, and you finally understand what cinema can be.”

Claudio Miranda, the cinematographer behind Joseph Kosinski’s “Top Gun: Maverick” and “F1,” agrees. “For me, Imax is all about immersion. It brings audiences more into the movie than any other format, surrounding them from the north, south, east and west with the film, which is needed for a story of the size and scope of ‘F1.’ Joe and I operate under the shared understanding that audiences react more viscerally to a film that’s been shot authentically, and they can feel it in their bones if it’s not. So we gravitate towards telling immersive, human stories.”

Imax is improving technical capabilities too, including a new Imax 70mm film camera system nicknamed “The Keighley” in honor of late Chief Quality Officer David Keighley, who oversaw hundreds of Imax projects. Its most significant improvement is reduced noise. The previous model was bulky, heavy and notoriously loud. Thanks to the quieter design, Nolan’s “The Odyssey” will become the first theatrical movie shot entirely on Imax film cameras, something he couldn’t achieve on “Oppenheimer” due to sound issues.

“Brad Pitt” in “F1.”

(Warner Bros. Pictures)

Nolan’s adaptation of Homer’s epic has already caused a stir, as most Imax tickets sold out a year before its release next July. Imax superfan Shane Short, who saw “Oppenheimer” 132 times and once sat next to Arkapaw during a screening of “Sinners,” says it’s a good thing. “What really pulls me into movies is the emotional aspect when connecting with something. For me, it’s hard to get that in a normal theater. Imax is truly the ultimate immersive experience that draws me in.”

Of course, Imax is not the only big-screen game in town. There’s AMC Prime, Cinemark XD, Regal RPX, Dolby Cinema, Real3D and 4DX, to name a few. All share one thing in common: an extra premium for a ticket. “The upcharges for a lot of people are worth it,” says Comscore senior media analyst Paul Dergarabedian. “When you go into Imax or other premium formats, it’s really about the sound and vision coming together. And for the right movie, the right screen, fans who don’t go to the movies every day are going to splurge.”

How much that will cost audiences going forward is left up to theaters. “By way of our agreement, it’s not our place to get involved,” says Gelfond about pricing. “We believe there could be more elasticity if it’s a big release, but again, it’s up to the exhibitor.” Any indication of a price squeeze on consumers will likely surface in the next two years with the forthcoming “Project Hail Mary,” “Supergirl,” “The Batman: Part Two” and “Dune: Part Three,” for which director Denis Villeneuve shot scenes using the new Imax 70mm cameras.

Our guess? Start saving now.

DENVER — Colorado Gov. Jared Polis accused President Trump of playing “political games” Sunday after the federal government denied disaster declaration requests after wildfires and flooding in the state earlier this year.

Polis’ office said he received two denial letters from the Federal Emergency Management Agency late Saturday. The letters are in response to requests for major disaster declarations following wildfires and mudslides in August and what Polis had described as “historic flooding” across southwestern Colorado in October.

Polis and Colorado’s U.S. senators, fellow Democrats Michael Bennet and John Hickenlooper, decried the denials. Polis said the state would appeal.

“Coloradans impacted by the Elk and Lee fires and the flooding in Southwestern Colorado deserve better than the political games President Trump is playing,” he said in a statement.

Abigail Jackson, a White House spokesperson, said Trump responds to each request for federal disaster assistance “with great care and consideration, ensuring American tax dollars are used appropriately and efficiently by the states to supplement — not substitute — their obligation to respond to and recover from disasters.”

Jackson said there is “no politicization” in Trump’s decisions on disaster aid.

The Trump administration has also yet to act on California’s request for $33.9 million in long-term disaster assistance nearly a year after the Palisades and Eaton fires in Los Angeles. Gov. Gavin Newsom said FEMA officials refused his request for a meeting when he visited Washington a few weeks ago.

Trump has raised the idea of “phasing out” FEMA, saying he wants states to take more responsibility. States already take the lead in disasters, but federal assistance comes into play when the needs exceed what they can manage on their own.

After days of deliberation and faced with a forecast getting soggier by the day, Santa Anita officials have decided to postpone opening day of the 2025-26 race meeting from Friday until Sunday, Dec. 28.

It’s just the second time since 1976 that Santa Anita will not open on the day after Christmas. The other time was in 2019 for the same reason: wet weather. More than eight inches of rain are projected to fall between Tuesday night and Friday at Santa Anita.

“With the amount of rain being forecast, it’s important to make this call as early as possible to give everyone advance notice,” Santa Anita general manager Nate Newby said in a statement. “Everyone looks forward to opening day as it’s traditionally one of our biggest days of the year, so it’s not a decision we make lightly. But after speaking with our stakeholders, adjusting the racing schedule at this time provides the best opportunity to have a great opening to kick off the season.”

There is no state rule against running in the mud or on a softer turf course, but protocols put in place after the 2018-19 winter-spring meeting, when 30 horses died during racing or training at Santa Anita, often result in the track postponing or canceling race days.

Opening day usually draws the largest crowd of the year at Santa Anita. Last year’s announced on-track attendance was 41,562, the highest total on a non-weekend or holiday on opening day since 1990. Total mutuel handle was more than $21.4 million, the third-highest ever on the first day.

The 11 races scheduled for Friday now will be run two days later, with first post at 11 a.m. There are six stakes races set for opening day, three on turf, with Santa Anita officials hoping that waiting until Sunday will allow the grass course to dry enough to allow racing.

Tickets purchased for opening day will be honored Dec. 28, with full refunds available on request. The revised schedule for the opening two weeks will feature racing Dec. 28 and 29, then every day from Wednesday, Dec. 31, through Sunday, Jan. 4.

Everyone seemed to know in the first quarter of the Southern Section Division 1 final at the Rose Bowl what Santa Margarita High was going to do again and again — get the ball into the hands of Trent Mosley.

Every offensive play in the opening 12 minutes by Santa Margarita involved a pass or a run by Mosley.

“Why not?” quarterback Trace Johnson said.

In the end, Santa Margarita defeated Corona Centennial 42-7 with Mosley scoring four touchdowns and catching 10 passes for a stunning 292 yards. Two weeks later, he made 11 catches for 183 yards and scored three touchdowns in a 47-13 win over De La Salle in the CIF Open Division state championship bowl win.

It was the culmination of a return to greatness for Mosley, who was the Trinity League player of the year as a sophomore, then was slowed by injuries last season. He finally got healthy this season after an injury in the opening game, and every opponent knew the challenge he presented.

Mosley has been selected The Times’ football player of the year in the Southland.

Trent Mosley raises the Southern Section Division 1 championship trophy won by Santa Margarita at the Rose Bowl.

(Craig Weston)

There’s little doubt where his talent comes from — it’s in his genes. His mother, Cindy, was the Heisman Trophy winner for soccer at Notre Dame. His father, Emmett, played football at Notre Dame. His sister, Jalyn, played soccer at Iowa. His brother, Emmett, is a receiver at Texas. Younger brother Grant is another top receiver at Santa Margarita. The three brothers used to see who was most competitive.

“Usually my basketball games with my brothers would end up in fights. Video games, fights,” Trent said. “Blessed to have the experience and their guidance.”

There’s not a sport or position Mosley can’t master. He used to love playing lacrosse, and his versatility is his super power. When he shows up to USC, his college choice, the Trojans will have plenty of plans on how to use him, whether it’s receiver, wildcat quarterback, returning punts or kickoffs.

Centennial coach Matt Logan called him “phenomenal.” De La Salle coach Justin Alumbaugh said, “Good lord.”

Mosley added additional speed this season that led to even more big plays and showed what he can do when healthy.

“The gifts I’ve been given by God, working out with offseason speed training and also playing lacrosse two years ago — all that coming together produces what I can do now,” he said.

ALLENTOWN, Pa. — When Idalia Bisbal moved to this Pennsylvania city synonymous with America’s working class, she hoped for a cheaper, easier life than the one she was leaving behind in her hometown of New York City.

About three years later, she is deeply disappointed.

“It’s worse than ever,” said the 67-year-old retiree, who relies on Social Security, when asked about the economy. “The prices are high. Everything is going up. You can’t afford food because you can’t afford rent. Utilities are too high. Gas is too expensive. Everything is too expensive.”

Bisbal was sipping an afternoon coffee at the Hamilton Family Restaurant not long after Vice President JD Vance rallied Republicans in a nearby suburb. In the Trump administration’s second high-profile trip to Pennsylvania in a week, Vance acknowledged the affordability crisis, blamed it on the Biden administration and insisted better times were ahead. He later served food to men experiencing homelessness in Allentown.

The visit, on top of several recent speeches from President Trump, reflects an increasingly urgent White House effort to respond to the economic anxiety voiced by people across the country. Those worries are a vulnerability for Republicans in competitive congressional districts like the one that includes Allentown, which could decide control of the U.S. House in next year’s midterms.

But in confronting the challenge, there are risks of appearing out of touch.

Only 31% of U.S. adults now approve of how Trump is handling the economy, down from 40% in March, according to a poll from the Associated Press-NORC Center for Public Affairs Research. Yet Trump has called affordability concerns a “hoax” and gave the economy under his administration a grade of “A+++++.” Vance reiterated that assessment during his rally, prompting Bisbal to scoff.

“In his world,” Bisbal, a self-described “straight-up Democrat,” responded. “In the rich man’s world. In our world, trust me, it’s not an ‘A.’ To me, it’s an ‘F,’ ‘F,’ ‘F,’ ‘F,’ ‘F,’ ‘F.’”

Agreement that prices are too high

With a population of roughly 125,000 people, Allentown anchors the Lehigh Valley, which is Pennsylvania’s third-largest metro area. In a dozen interviews last week with local officials, business leaders and residents of both parties, there was agreement on one thing: Prices are too high. Some pointed to gas prices while others said they felt the shock more at the grocery store or in their cost of healthcare or housing.

Few shared Trump’s unbridled boosterism about the economy.

Tony Iannelli, the president and CEO of the Greater Lehigh Valley Chamber of Commerce, called Trump’s grade a “stretch,” saying that “we have a strong economy but I think it’s not yet gone to the next stage of what I would call robust.”

Tom Groves, who started a health and benefits consulting firm more than two decades ago, said the economy was at a “B+,” as he blamed the Affordable Care Act, widely known as Obamacare, for contributing to higher health costs, and he noted stock and labor market volatility.

Joe Vichot, the chairman of the Lehigh County Republican Committee, referred to Trump’s grade as a “colloquialism.”

Far removed from Washington’s political theater, there was little consensus on who was responsible for the high prices or what should be done about it. There was, however, an acute sense of exhaustion at the seemingly endless political combat.

Pat Gallagher was finishing lunch a few booths down from Bisbal as she recalled meeting her late husband when they both worked at Bethlehem Steel, the manufacturing giant that closed in 2003.

Now retired, Gallagher too relies on Social Security benefits, and she lives with her daughter, which helps keep costs down. She said she noticed the rising price of groceries and was becoming exasperated with the political climate.

“I get so frustrated with hearing about the politics,” she said.

A front-row seat to politics

That feeling is understandable in a place that often gets a front-row seat to the national debate, whether it wants the view or not. Singer Billy Joel’s 1982 song “Allentown” helped elevate the city into the national consciousness, articulating simultaneous feelings of disillusionment and hope as factories closed.

In the decades since, Pennsylvania has become a must-win state in presidential politics and the backdrop for innumerable visits from candidates and the media. Trump and his Democratic rival in 2024, Kamala Harris, made several campaign swings through Allentown, with the then-vice president visiting the city on the eve of the election.

“Every race here, all the time,” Allentown’s mayor, Democrat Matt Tuerk, recalled of the frenzied race last year.

The pace of those visits — and the attention they garnered — has not faded from many minds. Some businesses and residents declined to talk last week when approached with questions about the economy or politics, recalling blowback from speaking in the past.

But as attention shifts to next year’s midterms, Allentown cannot escape its place as a political battleground.

Trump’s win last year helped lift other Republicans, such U.S. Rep. Ryan Mackenzie, to victory. Mackenzie, who unseated a three-term Democrat, is now one of the most vulnerable Republicans in Congress. To win again, he must turn out the Republicans who voted in 2024 — many of whom were likely more energized by Trump’s candidacy — while appealing to independents.

Mackenzie’s balancing act was on display when he spoke to the party faithful Tuesday, bemoaning the “failures of Bidenomics” before Vance took the stage at the rally. A day later, the congressman was back in Washington, where he joined three other House Republicans to rebel against the party’s leadership and force a vote on extending Obamacare subsidies that expire at the end of the year.

Vichot, the local GOP chairman, called Mackenzie an “underdog” in his reelection bid and said the healthcare move was a signal to voters that he is “compassionate for the people who need those services.”

A swing to Trump in 2024

Lehigh County, home to Allentown and the most populous county in the congressional district, swung toward Trump last year. Harris’ nearly 2.7-percentage-point win in the county was the tightest margin for a Democratic presidential candidate since 2004. But Democrats are feeling confident after a strong performance in this fall’s elections, when they handily won a race for county executive.

Retaking the congressional seat is now a top priority for Democrats. Gov. Josh Shapiro, a Democrat who faces reelection next year and is a potential presidential contender in 2028, endorsed firefighter union head Bob Brooks last week in the May primary.

Democrats are just a few seats shy of regaining the House majority, and the first midterm after a presidential election historically favors the party that’s out of power. If the focus remains on the economy, Democrats are happy.

The Uline supplies distribution factory where Vance spoke, owned by a family that has made large donations to GOP causes, is a few miles from the Mack Trucks facility where staff was cut by about 200 employees this year. The company said that decision was driven in part by tariffs imposed by Trump. Shapiro eagerly pointed that out in responding to Vance’s visit.

But the image of Allentown as a purely manufacturing town is outdated. The downtown core is dotted by row homes, trendy hotels and a modern arena that is home to the Lehigh Valley Phantoms hockey team and hosts concerts by major artists. In recent years, Latinos have become a majority of the city’s population, driven by gains in the Puerto Rican, Mexican and Dominican communities.

“This is a place of rapid change,” said Tuerk, the city’s first Latino mayor. “It’s constantly changing ,and I think over the next three years until that next presidential election, we’re going to see a lot more change. It’s going to be an interesting ride.”

Sloan writes for the Associated Press.

Journalist and author Lou Cannon, who was widely considered the nation’s leading authority on the life and career of President Reagan, died Friday in a Santa Barbara hospice. He was 92.

His death was caused by complications from a stroke, his son Carl M. Cannon told the Washington Post, where his father served for years as a White House correspondent.

The elder Cannon covered Reagan’s two-term presidency in the 1980s, but his relationship with the enigmatic Republican leader went back to the 1960s, when Reagan moved from acting to politics.

Cannon interviewed Reagan more than 50 times and wrote five books about him, but still struggled to understand what made Reagan who he was.

“The more I wrote,” Cannon told the Reno Gazette-Journal in 2001, “the more I felt I didn’t know.”

Cannon was born in New York City and raised in Reno, Nev., where he attended the University of Nevada in Reno and later San Francisco State College.

After service in the U.S. Army, he became a reporter covering Reagan’s first years as governor of California for the San Jose Mercury News. In 1972, Cannon began working for the Washington Post as a political reporter.

Cannon recalled first encountering Reagan in 1965 while assigned to cover a lunch event for reporters and lobbyists and being surprised by Reagan’s command of the room when he spoke.

Reagan was beginning his campaign for governor by proving he could answer questions and “was not just an actor reading a script.” At the time, the word actor was “a synonym for airhead. Well, Reagan was no airhead,” Cannon said in a 2008 interview at the Richard Nixon Presidential Library & Museum.

To Cannon’s surprise, the reporters and lobbyists mobbed Reagan after the event was over to get his autograph. Cannon introduced himself.

“I remember those steely eyes of his. I thought he had this great face, but his eyes are tough,” Cannon said. “His eyes are really something.”

On the phone later, Cannon’s editor asked him what he thought of Reagan. He replied, “I don’t know anything, but if I were running this thing, why would anybody want to run against somebody that everybody knows and everybody likes? Why would you want him to be your opponent?

“I predicted that Reagan was going to be president, but I didn’t have any idea he was going to be governor,” Cannon said. “I was just so struck by the fact that he impacted on people as, not like he was a politician, but like he was this celebrity, force of nature that people wanted to rub up against. It was like seeing Kennedy again. They wanted the aura, the sun.”

In 1966, Reagan was elected governor by a margin of nearly 1 million votes and Cannon found himself “writing about Ronald Reagan every day.”

Reagan’s political opponents in California and Washington consistently underestimated him, assuming the former actor could be easily beaten at the ballot box, Cannon said. Reagan ran for president unsuccessfully twice, but had the will to keep trying until he won — twice.

“Reagan was tough, and he was determined, and you couldn’t talk him out of doing what he wanted to do,” Cannon said. “Nancy couldn’t talk him out of what he wanted to do, for god’s sakes. And certainly no advisor could or no other candidate. Ronald Reagan wanted to be president of the United States.”

Cannon’s first book on the president, “Reagan,” was published in 1982. In 1991 he published “President Reagan: The Role of a Lifetime,” which is regarded as a comprehensive biography of the 40th president.

Cannon also authored a book about the LAPD and the 1992 Rodney King riots in Los Angeles, in addition to chronicling a range of tales over the years, including the federal bust of a 1970s heroin kingpin in Las Vegas.

Mr. Cannon’s first marriage, to Virginia Oprian, who helped him research his early books, ended in divorce. In 1985, he wed Mary Shinkwin, the Washington Post said. In addition to his wife, he is survived by three children.

Bowen Yang, a fan-favorite cast member of “Saturday Night Live,” is leaving the series after this week’s episode.

Representatives for Yang and “Saturday Night Live” did not comment on the move Friday. However, on Saturday, he confirmed his upcoming departure via a post on his Instagram account. “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwile,” he wrote. “i’m grateful for every minute of my time there.”

Yang also thanked Ariana Grande, this week’s host and his “Wicked” co-star,” for “sending me off in the dreamiest way I could imagine.” The pair, alongside musical guest Cher, were seen in promos for Saturday’s episode.

There has been recent speculation about whether Yang would finish the current season of the show. He has appeared on “SNL” since Season 45 after a year of working on the writing staff.

Yang took on a variety of roles in the NBC sketch comedy series, including impersonating Vice President J.D. Vance, Fran Lebowitz and pygmy hippopotamus Moo Deng. Yang received his fifth Emmy nomination for his work on “SNL’s” historic 50th season.

Outside of “SNL,” Yang has appeared in several other projects recently. He co-hosts the popular podcast “Las Culturistas,” with fellow comedian Matt Rogers, and their seminal Las Culturistas Culture Awards was televised for the first time this year, airing on Bravo and streaming on Peacock. Yang also appeared in the “Wicked” film and its recent sequel, “Wicked: For Good,” and has starred in several other feature films, including “The Wedding Banquet,” “Fire Island” and “Dicks the Musical.”

In early December, Yang confirmed he and Rogers would be co-writing and starring in an untitled comedy for Searchlight Pictures. The movie will reportedly follow two Americans who fly across the world to try to get into the exclusive Berghain nightclub in Berlin.

Yang is not the first “Saturday Night Live” cast member to leave midseason — he joins the company of past “SNL” greats like Cecily Strong, Molly Shannon, Amy Poehler and a handful of others who exited the show outside of the traditional period for departures while the show is on summer hiatus.

Prior to the start of Season 51, NBC and executive producer Lorne Michaels made some major cast changes, adding five featured players after a series of departures. Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker and Emil Wakim exited the series before the season premiere in October.

Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska joined the cast for the current season. Marshall was previously on the “SNL” writing staff and is known for his on-camera appearances as a part of the Please Don’t Destroy comedy trio.

The 51st season of “Saturday Night Live” will continue in early 2026 and run through the end of the television season in May.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg giving you the latest on city and county government.

At her official campaign launch Dec. 13, Mayor Karen Bass told Angelenos that they face a simple decision.

After speaking about the Palisades fire, federal immigration raids and the homelessness and affordability crises, she turned to the primary election next June.

“This election will be a choice between working people and the billionaire class who treat public office as their next vanity project,” Bass told a crowd of a few hundred people at Los Angeles Trade Technical-College.

Attendees take their picture against a “photo booth” wall at Mayor Karen Bass’ reelection campaign kickoff rally.

(Myung J. Chun/Los Angeles Times)

In one sentence, without uttering a single name, the mayor appeared to be taking a shot at three different men. Was she talking about President Trump? Mayoral hopeful Austin Beutner? Her previous opponent, the billionaire developer Rick Caruso?

Or how about all of the above, suggested Bass’ campaign spokesperson, Doug Herman.

The billionaire class certainly includes Caruso, who self-funded his 2022 campaign to the tune of more than $100 million. It also includes Trump, who the New York Times estimated could be worth more than $10 billion. Though the mayor is not running against Trump, she likes to cast herself in opposition him. And Beutner, a former Los Angeles schools superintendent, was once an investment banker, Herman pointed out.

Beutner confirmed to The Times that he is not a billionaire. To the contrary, Beutner said, he drives a 10-year-old Volkswagen Golf.

Herman said Angelenos don’t care if Beutner has billions or just a lot of millions.

“Whether you’re a billionaire or multimillionaire is not really important to someone having trouble getting by and playing by the rules,” Herman told The Times.

“I’m trying to find the polite words,” Beutner said when asked about Bass’ comments. “Frankly, I think it’s an attempt to distract people from her record or lack thereof.”

Caruso declined to comment.

In a speech at Bass’ campaign launch, City Councilmember Hugo Soto-Martínez hammered the same point as the mayor.

City Councilmember Hugo Soto-Martínez shows his support during Mayor Karen Bass’ reelection campaign kickoff rally at Los Angeles Trade-Technical College.

(Myung J. Chun/Los Angeles Times)

“We’re always going to have rich old white men, the millionaires and billionaires — they think they can do it better,” he said. “They didn’t get it last time, and they’re not going to get it this time.”

Then, Soto-Martínez seemed to reference Beutner.

“Do you want a healthcare worker over a hedge fund manager?” he asked the crowd, to roaring applause (Bass used to work as a physician’s assistant, while Beutner founded the investment banking advisory group Evercore Partners).

With Bass’ reelection campaign underway, Beutner challenging her as a moderate and community organizer Rae Huang running to her left, Caruso could be the last major domino left to fall.

The Grove and Americana at Brand developer, who has been mulling a run for either governor or mayor (or neither), still has not revealed his plans for 2026.

Karen Bass supporters created signs for her reelection campaign kickoff rally.

(Myung J. Chun/Los Angeles Times)

Stuart Waldman, president of the Valley Industry & Commerce Assn., was among the diverse array of Bass supporters gathered on stage at Trade-Tech to voice their endorsements.

Waldman told The Times that he is supporting the mayor in his personal capacity, though VICA has not yet endorsed.

In 2022, Waldman and VICA supported Caruso, and Waldman spoke at some Caruso events.

He said he switched to Bass this time partly because of his unhappiness with the $30-minimum wage for airport and hotel workers passed by the City Council earlier this year. Businesses cannot move quickly enough to raise worker wages without laying off other workers, he said.

Waldman said that Bass arranged for him to meet with Council President Marqueece Harris-Dawson, who then introduced a motion that would phase in the minimum wage increase over a longer period. The current law brings the wage up to $30 by 2028, while Harris-Dawson wants the $30 minimum to start in 2030.

“Bass was instrumental in making that happen, and we appreciate that,” Waldman said.

Harris-Dawson, a Bass ally, was at the campaign kickoff but did not make a speech.

Some were not pleased with his minimum wage proposal. Yvonne Wheeler, who is president of the Los Angeles County Federal of Labor and was at the Bass event, called it “shameful.” Soto-Martínez, who co-sponsored the minimum wage ordinance, also opposes Harris-Dawson’s proposal.

Waldman said that Soto-Martínez refused to take a meeting with him during the minimum wage fight.

“Hugo and I come from two different worlds and see the world differently,” Waldman said. “Unfortunately, I am willing to talk to everybody, and he is not.”

But at the Bass campaign launch, the two men delivered speeches one right after the other. Waldman said the diversity of opinion among the mayor’s supporters is a good sign for her.

“It’s a broad coalition,” he said.

State of play

— AFTER THE FIRES: The Times posted a project called “After the Fires” online Wednesday, nearly a year after the Palisades and Eaton fires. The stories, which document mayoral missteps, changes at the LAFD, failed emergency alerts and more, will be published as a special section in Sunday’s print edition.

— VEGAS, BABY: Councilmember John Lee is facing a steep fine for his notorious 2017 trip to Las Vegas, with the city’s Ethics Commission saying he must pay $138,424 in a case involving pricey meals, casino chips and expensive nightclub “bottle service.” The commission doled out a punishment much harsher than that recommended by an administrative law judge. Lee vowed to keep fighting, calling the case “wasteful and political.”

— EX-MAYOR FOR GOVERNOR: Four Los Angeles City Council members — Harris-Dawson, Heather Hutt, Bob Blumenfield and Curren Price — threw their support behind former L.A. Mayor Antonio Villaraigosa to be the next California governor.

— POOLS OUT FOR WINTER: City swimming pools will be closed on Fridays “until further notice,” the Department of Recreation and Parks announced Monday. “These adjustments were necessary to continue operating within our available resources,” the department said on Instagram.

— HOT MIC: Bass was caught on a hot mic ripping into the city and county responses to the January wildfires. “Both sides botched it,” she said on “The Fifth Column” podcast, after she shook hands with the host and they continued chatting. The final minutes of the podcast were later deleted from YouTube, with Bass’ team confirming that her office had asked for the segment to be removed.

— HOMELESSNESS FUNDING: The Los Angeles County Affordable Housing Solutions Agency on Wednesday approved nearly $11.5 million in homeless prevention funds, the largest single allocation yet for the new agency.

— A YEAR OF JIM: After more than a year as the LAPD’s top cop, Chief Jim McDonnell is receiving mixed reviews. While violent crime is at historic lows, some say the LAPD is sliding back into its defiant culture of years past.

— “CALM AMIDST CHAOS”: LAFD spokesperson Erik Scott announced this week that he has written a “frontline memoir” about the January wildfires. The book is set to be released on the one-year anniversary of the Palisades fire.

— “THE GIRLS ARE FIGHTING”: Mayor Karen Bass and L.A. County Supervisor Lindsey Horvath got into a tiff on X over homelessness. After Bass published an op-ed in the Daily News saying that the county’s new Department of Homelessness is a bad idea, the supervisor shot back, calling the mayor’s track record on homelessness “indefensible.” Following the spat, City Councilmember Ysabel Jurado posted on X, “I fear the girls are fighting.” And Austin Beutner, who is running against Bass, responded with a nearly six-minute video criticizing the mayor’s record on homelessness.

— OVERSIGHT OVER?: Experts worry that effective civilian oversight of the L.A. County Sheriff’s Department could be in jeopardy following a recent leadership exodus. A succession of legal challenges and funding cuts, coupled with what some say is resistance from county officials, raised concerns that long-fought gains in transparency are slipping away.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program did not conduct any new operations this week. The team “returned to previous Inside Safe operation locations, building relationships with unhoused Angelenos in the area to offer resources when available,” the mayor’s office said.
• On the docket next week: Mayoral candidate Rae Huang will host a text bank and volunteer meetup at Lawless Brewing on Monday, Dec. 22. The City Council remains in recess until Jan. 7.

Stay in touch

That’s it for now! We’ll be dark next week for the holidays. Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

I visited Disneyland last weekend expecting huge crowds, busy restaurants and monster ride wait times. But the day was quite enjoyable thanks in part to Disneyland’s Lightning Lane Pass.

I commented to some employees throughout the day, “I thought this would be worse.”

Almost unanimously, each had the same answer: The real rush was yet to come.

Yes, Disneyland’s busiest time is upon us, from Saturday until Jan. 3.

That’s when the cost of a single-day adult park-hopper pass, which allows a patron to visit Disneyland and adjacent California Adventure Park, soars to $314 (buy a week later, prices will drop by $50.)

Many Disney experts and influencers advise you to avoid the resort during this time.

But what if you’ve already bought tickets? What if out-of-town family is desperate to visit? What if this is the only free time to take the kids?

Fortunately, Traver, known as the SoCal Disney Dad to his 74,000 YouTube subscribers, spoke with me Friday morning and offered tips on how to enjoy a magical time at the busiest place on Earth.

Wake up early

Traver explained to me that preparing for the holiday rush is not all too dissimilar from spring break.

One essential tip is to arrive at Disneyland before the park’s opening at 8 a.m.

Security checks begin as early as 7 a.m. and the gate, which opens around 7:20 to 7:30, allowing patrons to line up for the rope drop.

“For people interested in getting on the most popular rides, this is how you cut down on wait times,” Traver said.

He noted rope drop, the insider term for the moment a literal rope around attractions, restaurants and shops drops when the park opens at 8 a.m. is the best time to head to the “Star Wars”-themed “Rise of the Resistance,” which can easily draw two-hour lines later in the day.

Traver added this tidbit: Disney hotel guests receive early entry on Tuesdays, Thursdays and Saturdays, so the other days are best for early arrivers.

Consider eating at the bigger restaurants

He said patrons looking to maximize time and find a seat should search for larger capacity places.

Those include Rancho del Zocalo in Frontierland, the Red Rose Taverne in Fantasyland, the Hungry Bear Barbecue Jamboree in Bayou Country, Galactic Grill and Alien Pizza Planet in Tomorrowland.

“The larger the crowd, the bigger the fight for seats,” Traver said. “Go to places with more seats.”

Next week, there might be one more consideration: Forecasters predict rain on Tuesday and Thursday.

Traver said restaurants like Alien Pizza Planet, which is 90% covered, or the Golden Horseshoe Restaurant in Frontierland, which is completely indoors, will be in high demand.

Take advantage of single rider

Both Disneyland and California Adventure offer a handful of single-rider lines.

If family members don’t mind riding alone, they can cut long waits at Tiana’s Bayou Adventure, the Matterhorn Bobsleds, Space Mountain and Millennium Falcon: Smugglers Run in Disneyland, the lone single-rider attractions at the park.

Traver’s favorite single rider attraction is California Adventure’s Radiator Springs Racer, where wait times are notorious.

“It will cut the wait time by a third,” Traver said.

Be realistic, but bring a good attitude

Maybe the biggest secret: Set proper expectations, Traver said.

“If you expect things to go smoothly and they don’t, now you’re disappointed,” he said. “But, if you arrive with lower expectations and an understanding that lines are going to be long and you’re just going to have to wait, you may be pleasantly surprised.”

The week’s biggest stories

(Jim Cooke / Los Angeles Times; Photos via Getty Images)

A chance for justice. A strain on today’s classrooms

• California school districts have paid nearly a half-billion dollars to settle past sexual abuse claims, Times reporters discovered.
• Starting in 2020, Assembly Bill 218 offered survivors of childhood sex abuse in California a three-year window to sue over past molestation and sexual assault.
• The wave of litigation has caused financial strain across the state’s schools and programs.
• Also, several California school districts have used confidentiality agreements to settle sex abuse claims and conceal them from the public.

Tyler Skaggs’ family reaches settlement with Angels

• Friday’s settlement in the wrongful death case brings an end to several days of juror deliberations and a four year legal battle.
• Terms of the agreement, which follows previous unsuccessful settlement efforts from the former Angels pitcher’s family, were not immediately available.

Reiner slayings

After the fires…

What else is going on

Must reads

Other gripping reads

• Nearly a year after the L.A. fires, the television drama “Fire Country” drew inspiration from those who fought it.
• Six directors on “wasting” (and saving) money, the future of movie theaters and more.

For your downtime

Lively video projections behind a 1965 Ford Mustang make guests feel like they’re on a ride through Southern California at “American Icon: A Mustang Immersive Experience.”

(Ronaldo Bolanos/Los Angeles Times)

Going out

Staying in

L.A. Timeless

A selection of the very best reads from The Times’ 143-year archive.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, Fast Break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
June Hsu, editorial fellow
Karim Doumar, head of newsletters

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