year

WASHINGTON — FBI Deputy Director Dan Bongino said Wednesday that he will resign from the bureau next month, ending a brief and tumultuous tenure in which he clashed with the Justice Department over the handling of the Jeffrey Epstein files and was forced to reconcile the realities of his law enforcement job with provocative claims he made in his prior role as a popular podcast host.

The departure, which had been expected, would be among the highest-profile resignations of the Trump administration. It comes as FBI leadership has been buffeted by criticism over Director Kash Patel’s use of a government plane for personal purposes and social media posts about active investigations.

Bongino announced his planned departure in a post on X in which he said he was grateful for the “opportunity to serve with purpose.” He did not say precisely when in January he would leave or detail his future plans.

President Trump said earlier Wednesday, in response to a question about Bongino’s fate: “Dan did a great job. I think he wants to go back to his show.”

Bongino was always an unconventional pick for the No. 2 job at the FBI, a position that historically has entailed oversight of the bureau’s day-to-day operations and typically has been held by a career agent. Though he had previously worked as a New York City police officer and Secret Service agent, neither he nor Patel had any experience at the FBI before being picked for their jobs.

Nonetheless, Bongino was installed in the role in March by Trump after years as a conservative podcast host, where he used his platform to repeatedly rail against FBI leadership and to encourage conspiracy theories related to the Epstein sex-trafficking case and pipe bombs discovered in Washington on Jan. 6, 2021.

Once in the position, Bongino struggled to placate elements of Trump’s base who expected him to quickly deliver the reform he had claimed was needed at the FBI and to uncover the truths he had said had been hidden by the federal government.

On the Epstein case, for instance, he had previously challenged the official ruling that the wealthy financier had taken his own life in a New York jail soon after his 2019 arrest. But once in the FBI, he said in a Fox News interview: “I’ve seen the whole file. He killed himself.”

Bongino had separately speculated as recently as last year that the pipe bombs placed on the eve of the Jan. 6 Capitol riot were an “inside job” and part of a “massive cover-up.” But after the FBI earlier this month arrested a 30-year-old Virginia man with no evident connection to the federal government, Bongino was pressed about his prior comments.

“I was paid in the past for my opinions,” Bongino said in a Fox News interview. “One day I will be back in that space, but that’s not what I’m paid for now. I’m paid to be your deputy director, and we base investigations on facts.”

Tucker writes for the Associated Press.

A group of entertainment industry workers launched a new coalition that aims to advocate for the rights of creators amid the growing AI industry.

The group, called Creators Coalition on AI, was founded by 18 people, including writer-director Daniel Kwan, actors Joseph Gordon-Levitt and Natasha Lyonne and producer Janet Yang, former president of the Academy of Motion Picture Arts and Sciences.

Gordon-Levitt said the group is not limited to Hollywood luminaries and is open to all creators and the skilled workers around them, including podcasters, digital content creators and newsletter writers.

“We’re all frankly facing the same threat, not from generative AI as a technology, but from the unethical business practices a lot of the big AI companies are guilty of,” he said in a video posted on X on Tuesday. “The idea is that through public pressure, through collective action, through potentially litigation and eventually legislation, creators actually have a lot of power if we come together.

The coalition’s formation comes at a time when Hollywood has been grappling with the fast growth of artificial intelligence tools. Many artists have raised concerns about tools that have used their likenesses or work without their permission or compensation.

The tech industry has said that it should be able to train its AI models with content available online under the “fair use” doctrine, which allows for the limited reproduction of material without permission from the copyright holder.

Some studios have partnered with AI companies to use the tools in areas including marketing and visual effects. Last week, Walt Disney Co. signed a licensing deal with San Francisco-based ChatGPT maker OpenAI for its popular Disney characters such as Mickey Mouse and Yoda to be used in the startup’s text to video tool Sora.

Kwan told The Hollywood Reporter that when Disney and OpenAI’s deal was announced many people felt “completely blindsided.”

“On one hand, you can say that this is just a licensing deal for the characters and that’s not a big deal, and it won’t completely change the way our industry works,” Kwan told THR. “But for a lot of people, it symbolically shows a willingness to work with companies that have not been able to resolve or reconcile the problems.”

There has also been lawsuits filed against some AI companies. Earlier this year, Disney, Universal and Warner Bros. Discovery sued AI business Midjourney accusing it of copyright infringement.

The Creators Coalition on AI said it plans to convene an AI advisory committee “to establish shared standards, definitions, and best practices as well as ethical and artistic protections for if and when AI is used.” Some of the principles the group lists on its website include the importance of transparency, consent, control and compensation in the use of AI tools, sensitivity to potential job losses, guardrails against misuse and deepfakes and safeguarding humanity in the creative process.

“This is not a full rejection of AI,” the group said on its website. “The technology is here. This is a commitment to responsible, human-centered innovation.”

“This is not a dividing line between the tech industry and the entertainment industry, nor a line between labor and corporations,” the group said . “Instead, we are drawing a line between those who want to do this fast, and those who want to do this right.”

The idea for the coalition was sparked by Kwan, who produced a documentary about AI, which comes out next year, Gordon-Levitt said in his video. He said work on the group began in the middle of this year. Already the collective has many signatories, including actors Natalie Portman, Greta Lee, Kirsten Dunst and Orlando Bloom.

WASHINGTON — Four centrist Republicans broke with Speaker Mike Johnson on Wednesday and signed onto a Democratic-led petition that will force a House vote on extending for three years an enhanced pandemic-era subsidy that lowers health insurance costs for millions of Americans.

The stunning move comes after House Republican leaders pushed ahead with a health care bill that does not address the soaring monthly premiums that millions of people will soon endure when the tax credits for those who buy insurance through the Affordable Care Act expire at year’s end.

Democrats led by Minority Leader Hakeem Jeffries of New York needed 218 signatures to force a floor vote on their bill, which would extend the subsides for three years.

Republican Reps. Brian Fitzpatrick, Robert Bresnahan and Ryan Mackenzie, all from Pennsylvania, and Mike Lawler of New York signed on Wednesday morning, pushing it to the magic number of 218. A vote on the subsidy bill could come as soon as January under House rules.

“Unfortunately, it is House leadership themselves that have forced this outcome.” Fitzpatrick said in a statement.

Origins of a Republican revolt

The revolt against GOP leadership came after days of talks centered on the health care subsidies.

Johnson, R-La., had discussed allowing more politically vulnerable GOP lawmakers a chance to vote on bills that would temporarily extend the subsidies while also adding changes such as income caps for beneficiaries. But after days of discussions, the leadership sided with the more conservative wing of the party’s conference, which has assailed the subsidies as propping up a failed marketplace through the ACA, which is widely known as “Obamacare.”

House Republicans pushed ahead Wednesday a 100-plus-page health care package without the subsidies, instead focusing on long-sought GOP proposals designed to expand insurance coverage options for small businesses and the self-employed.

Fitzpatrick and Lawler tried to add a temporary extension of the subsidies to the bill, but were denied.

“Our only request was a floor vote on this compromise, so that the American People’s voice could be heard on this issue. That request was rejected. Then, at the request of House leadership I, along with my colleagues, filed multiple amendments, and testified at length to those amendments,” Fitzpatrick said. “House leadership then decided to reject every single one of these amendments.

“As I’ve stated many times before, the only policy that is worse than a clean three-year extension without any reforms, is a policy of complete expiration without any bridge,” Fitzpatrick said.

Lawler, in a social media post, similarly said that “the failure of leadership” to permit a vote had left him with “no choice” but to sign the petition. He urged Johnson to bring the plan up for an immediate floor vote.

Path ahead is uncertain

Even if the subsidy bill were to pass the House, which is far from assured, it would face an arduous climb in the Republican-led Senate.

Republicans last week voted down a three-year extension of the subsidies and proposed an alternative that also failed. But in an encouraging sign for Democrats, four Republican senators crossed party lines to support their proposal.

Senate Majority Leader John Thune, R-S.D., argued against the Democratic extension as “an attempt to disguise the real impact of Obamacare’s spiraling health care costs.”

Freking writes for the Associated Press.

WASHINGTON — President Trump intends to preview his agenda for next year and beyond in a live speech from the White House on Wednesday night. His remarks are coming at a crucial time as he tries to rebuild his steadily eroding popularity.

The White House offered few details about what the Republican president intends to emphasize in the 6 p.m. PST speech. Public polling shows most U.S. adults are frustrated with his handling of the economy as inflation picked up after his tariffs raised prices and hiring slowed.

Trump’s mass deportations of immigrants have also proved unpopular even as he is viewed favorably for halting crossings along the U.S. border with Mexico. The public has generally been nonplussed by his income tax cuts and globe-trotting efforts to end conflicts, attack suspected drug boats near Venezuela and attract investment dollars into the United States.

In 2026, Trump and his party face a referendum on their leadership as the nation heads into the midterm elections that will decide control of the House and the Senate.

Trump has said that he thinks more Americans would back him if they simply heard him describe his track record. Administration officials say investment commitments for new factories will reverse the recent decline in manufacturing jobs and that consumer activity will improve dramatically as people receive increased tax refunds next year.

“It has been a great year for our Country, and THE BEST IS YET TO COME!” Trump said in a Tuesday social media post announcing the speech.

White House press secretary Karoline Leavitt said that Trump would discuss his achievements this year and his plans for the remainder of his second term.

Trump has been omnipresent on social media and television this year with his impromptu news conferences and speeches. But addresses to the nation often can be relatively sober affairs, as was Trump’s June address describing the U.S. bombing of nuclear facilities in Iran.

The president has eschewed the messaging discipline that’s common among most politicians, an authenticity that appeals to some voters and repels others.

In a speech in Pennsylvania last week, he said his tariffs might mean that American children should have fewer dolls and pencils, while confirming a previously denied story from his first term in 2018 that he did not want immigrants from “shithole” countries.

On Monday, Trump on his social media site blamed Rob Reiner’s vocal objections to the president for the killing of the actor-director and his wife, Michele Singer Reiner.

A report released on Tuesday showed a jobs market that looks increasingly fragile, even if the overall economy still appears to be stable.

Employers were adding on average 122,750 jobs a month during the first four months of this year. But since Trump announced his broad tariffs in April, monthly job gains have averaged a paltry 17,000 as the unemployment rate has climbed from 4% in January to 4.6%.

Trump’s team has blamed Democratic lawmakers for shutting down the government for the job losses reported Tuesday during October. The president continues to blame his predecessor, Democrat Joe Biden, for any challenges the nation might face over inflation or ending Russia’s war in Ukraine.

Boak writes for the Associated Press.

HumAngle, the newsroom known for its in-depth coverage of conflict, displacement, and insecurity across West Africa, has announced a major overhaul of how our journalists work and rest.

From January 2026, an Anti-Burnout Work Policy that restructures the work year into nine active months and three mandatory rest months will be introduced, while maintaining a full 12-month salary for our journalists.

The move, an attempt at reimagining what sustainable journalism looks like, is designed to protect mental health, reduce burnout, and sustain the quality of reporting from some of the region’s most difficult environments.

Under the new system, editorial staff will work in three cycles each year:

• Work: January–March 
• Rest: April
• Work: May–July 
• Rest: August
• Work: September–November 
• Rest: December

Traditional annual leave will be embedded into these rest periods, which are intended to serve as structured breaks for recovery, reflection, and creative renewal. The in-house workweek for journalists will also be shortened to three days — Monday to Wednesday.

Support teams and staff of the advocacy arm, HumAngle Foundation, will have a different, flexible structure: they will be required to work two in-office days per week, with the remaining days remote, and will receive 28 days of paid annual leave. Accountability and performance expectations will remain in place, but alongside a clearer recognition of human limits.

Why rest is now part of the job

HumAngle’s reporters routinely work in and around conflict zones, camps for displaced people, and communities living with violence and trauma. This kind of journalism demands not just technical skill but emotional stamina and deep empathy, and the costs are often borne silently. We have a dedicated clinical psychologist who supports staff well-being and manages secondary trauma that results from our regular interaction with violence and victims of violence.

HumAngle sees burnout not simply as personal exhaustion, but as a direct threat to credible journalism, storytelling, creativity, and accuracy. Building rest into the structure of work itself is a step towards treating mental health as a core requirement for excellence, not an afterthought. Well-rested journalists are better able to think clearly, write powerfully, and engage more sensitively with vulnerable sources and communities.

The policy aims to ensure continuity in coverage while allowing staff to step back regularly, process the emotional weight of their work, and return with renewed focus.

A cultural shift in African newsroom practice

Care, structure, and humanity, especially in newsrooms that routinely deal with violence, loss, and injustice, are critical for the sustainability of newsrooms. By aligning productivity with well-being, HumAngle hopes to model an alternative to the long-standing culture of overwork that exists in many media spaces.

The policy is a commitment to our people and our mission: to demonstrate that rest and excellence can reinforce each other, and that protecting journalists’ minds is part of preserving the integrity of the stories they tell.

Southern California Edison did not spend hundreds of millions of dollars on maintenance of its aging transmission lines that it told regulators was necessary and began billing to customers in the four years before the Jan. 7 wildfires, according to a Times review of regulatory filings.

Edison told state regulators in its 2023 wildfire prevention plan that it believed its giant, high-voltage transmission lines, which carry bulk power across its territory, “generally have a lower risk of ignition” than its smaller distribution wires, which deliver power to neighborhoods.

After two of the most destructive fires in the state’s history, The Times takes a critical look at the past year and the steps taken — or not taken — to prevent this from happening again in all future fires.

While it spent heavily in recent years to reduce the risk that its smaller lines would ignite fires, Edison fell behind on work and inspections it told regulators it planned on its transmission system, where some structures were a century old, according to documents.

Edison’s transmission lines are now suspected of igniting two wildfires in Los Angeles County on the night of Jan. 7, including the devastating Eaton fire, which killed 19 people and destroyed more than 9,000 homes and other structures in Altadena.

Twenty miles away, in the San Fernando Valley, terrified Sylmar residents watched a fire that night burning under the same transmission tower where the deadly Saddleridge fire ignited six years before. Firefighters put out that Jan. 7 blaze, known as the Hurst fire, before it destroyed homes.

Roberto Delgado said the 2019 Saddleridge fire started at this powerline in the hillside behind his Sylmar house. He said the January 7 Hurst began with sparks at this and another nearby powerline. Photographed in Sylmar, CA on Wednesday, Aug. 20, 2025.

(Myung J. Chun/Los Angeles Times)

After the fires, Edison changed course, and began spending more on its transmission lines, according to executives’ recent comments and state regulatory documents.

The utility began installing more grounding devices on its old transmission lines no longer in service, like the one suspected of igniting the Eaton fire. The company says it believes the idle line, last used 50 years ago, may have momentarily reenergized from a surge in electricity on the live lines running parallel to it, sparking the blaze. The official investigation hasn’t been released.

The added devices give unexpected power on the old lines more places to dissipate into the earth.

A helicopter transports workers during the process of removing Southern California Edison’s tower 208, which is suspected of causing the Eaton Fire, on Monday, May 5, 2025, in Pasadena, Calif.

(William Liang/For The Times)

Edison also began replacing some aging equipment. Sylmar residents said they saw workers in trucks and helicopters replacing hardware on the transmission line where they had watched early flames of both the Hurst fire and the 2019 Saddleridge blaze.

“Not until this year did we see repairs,” said Roberto Delgado, a Sylmar resident who can see Edison’s transmission towers from his home. “Obviously the maintenance in the past was inadequate.”

Jill Anderson, the utility’s chief operating officer, told regulators at an August meeting that the company replaced components prone to failure on a certain transmission line after Jan. 7. Edison later confirmed she was referring to equipment on the line running through Sylmar.

In interviews, Edison executives disputed that maintenance on the company’s transmission lines suffered before Jan. 7.

A helicopter transports workers during the process of removing Southern California Edison’s tower 208, which is suspected of causing the Eaton Fire, on Monday, May 5, 2025, in Pasadena, Calif.

(William Liang/For The Times)

“I do not think that our inspections and maintenance in the years leading up to 2025 were at depressed levels,” said Russell Archer, a top Edison regulatory lawyer.

Scott Johnson, an Edison spokesman, said: “The 13,500 people at Southern California Edison show up every day committed to the safety of the communities where we live and work. There is no higher value than safety here.”

Johnson said the utility prioritized safety both before and after the fire. For example, he said, the company increased aerial and ground inspections of transmission lines in areas at high fire risk in 2022 — and kept them at that higher level in subsequent years.

Among the company’s increased spending this year was an expensive upgrade to a transmission line that the state’s grid operator said was required to more safely shut down five critical transmission lines in L.A. County including those running through Sylmar and Eaton Canyon. That work was expected to be finished by 2023 but was still in progress on Jan. 7.

Edison didn’t preventively shut down the lines in Eaton Canyon or Sylmar on Jan. 7, but said the delayed upgrade had nothing to do with that decision. The company said the wind that night combined with other factors didn’t meet its protocol at the time for the lines to be turned off.

Some proposed maintenance changes will take years.

Work crew dismantles a section of Southern California Edison’s tower 208 which will be removed for further examination on Wednesday, May 7, 2025. The idle transmission tower is suspected of sparking the Eaton fire.

(Myung J. Chun/Los Angeles Times)

For example, executives recently told regulators that next year they may begin determining whether some of its 355 miles of idle transmission lines in areas at high-risk of wildfire should be removed for safety reasons. The company said 305 miles of those dormant lines run parallel to energized lines, like the one in Eaton Canyon.

Regulators at the state Office of Energy Infrastructure Safety asked Edison this summer if any of those lines posed a risk of induction, where they become energized from nearby electrified lines. Edison told them it “has not done a line by line analysis.”

Pedro Pizarro, chief executive of Edison International, the utility’s parent company, acknowledged in a November interview that the company made changes after the fires, including by replacing a steel part called the y-clevis, which was found to have failed in the minutes before the 2019 Saddleridge fire.

“We saw some concerns with that so we accelerated a program to replace them,” he said.

Pizarro said he continued to back the company’s statements before Jan. 7 that it had decreased the risk that its lines would spark a wildfire by as much as 90% since 2018, including by spending billions of dollars for prevention work on its smaller distribution lines.

He called the Eaton fire “a black swan event” — one of “low probability, but high consequence.”

Aging equipment

About 13,000 miles of transmission lines carry bulk power through Edison’s territory. In comparison, it has nearly 70,000 miles of the smaller distribution lines, delivering power to homes.

Because the high-voltage transmission lines are interconnected, utilities must keep the system balanced, trying to prevent sudden increases or decreases in power. An abrupt jump in electricity flowing on one transmission line can cause surges and problems miles away.

In 2023, Edison said in a filing to the state Public Utilities Commission that the average age of its infrastructure was increasing as it replaced equipment less frequently than in previous times.

More than 90% of its transmission towers are at least 30 years old — the age when the first signs of corrosion appear, it said in a filing. Some transmission lines and pylons are nearing 100 years of service and have never had major overhauls, the company said.

Edison said it began looking for corroded transmission towers in 2020, but found so many that it temporarily stopped those evaluations in 2022 to focus on fixing those found unsafe.

In 2021, the commission’s Public Advocates Office warned that Edison wasn’t completing maintenance and upgrades that the utility said was “critical and necessary” and was authorized to bill to customers.

Edison had been under-spending on that work since 2018, staff at the Public Advocates Office wrote. They urged regulators to investigate, saying that “risks to the public are not addressed” and customers may be owed a refund.

That shortfall in spending continued through 2024.

According to a report Edison filed in April, the company did not spend hundreds of millions of dollars on transmission system work that regulators had authorized from 2021 to 2024.

Among the shortfalls was $270 million to fix thousands of deficiencies found more than a decade ago where its transmission lines hang too close to the ground, the report said. Also unspent was $38.5 million authorized for transmission operating maintenance and an additional $155 million for capital maintenance.

Edison planned to perform 57,440 detailed inspections of its transmission poles in those four years, the report said, but performed only 27,941, citing other priorities.

Edison said its inspection numbers still met state regulatory requirements.

A helicopter flies over the downtown Los Angeles skyline during a cloudy day on Monday, May 5, 2025, in Pasadena, Calif.

(William Liang/For The Times)

The utility also replaced 38% fewer substation transformers than it said it would. And while it was authorized to replace 14,280 transmission poles it restored just 10,031, the report stated.

Archer said some uncompleted work was for an inspection program using drones in areas at lower risk of fire. Instead the company focused those aerial inspections in high-risk areas, he said.

He said some shortfalls were for upgrade projects that were delayed for reasons beyond the company’s control.

Utilities are allowed to pass on the costs of approved maintenance projects to customers in the monthly rates they charge. State regulators also give them some flexibility to decide whether to spend the money on approved projects, or something else.

Archer said that most of the unspent money involved capital expenses like purchases of new transmission towers and upgrade projects. Once regulators authorize a capital project, he said, customers begin paying a small portion of the cost annually over the assets’ expected life, which is often decades. If the project is not completed, those annual payments stop, he said, adding that state regulations don’t allow Edison to issue refunds for most unspent funds.

Transmission lines known to spark deadly fires

Before Jan. 7, Edison told regulators in its wildfire mitigation plan that it had focused its prevention efforts on its smaller distribution system. It said transmission lines posed a lower threat because they were taller and had wires more widely spaced.

Yet the deadliest wildfire in state history was caused when equipment on a century-old Pacific Gas & Electric transmission tower failed. The 2018 Camp fire killed 85 people and destroyed most of the town of Paradise.

A year later, the Kincade fire in Sonoma County ignited when a steel part on a PG&E transmission line broke. Like Edison’s line in Eaton Canyon, that transmission cable was no longer serving customers.

Edison is now facing hundreds of lawsuits claiming it was negligent in maintaining its transmission lines in Eaton Canyon and for leaving the old unused line in place — allegations the company denies.

At 6:11 pm on Jan. 7, Edison recorded a fault — a sudden change in electricity flow — on a transmission line running from La Cañada Flintridge to Eagle Rock, according to its report to regulators.

Faults can be caused by lines slapping together, a piece of equipment breaking or other reasons. Edison said it did not know the cause.

The fault caused a momentary surge in current on the four live lines running through Eaton Canyon, the company said, which may have energized the idle line.

Investigators view the Edison electrical lines, transmission towers and surrounding area, which is a location that is being investigated as the possible origin of the Eaton fire in Eaton Canyon in Altadena Tuesday, Feb. 11, 2025.

(Allen J. Schaben/Los Angeles Times)

State regulations require utilities to remove old lines no longer in service. Edison says that even though it hasn’t used the line in decades it sees a need for it in the future.

Edison’s transmission manual dated December 20, 2024 states that it inspects idle lines every three years, while active ones are inspected annually.

Executives said they went beyond the manual’s requirements, inspecting the idle line in Eaton Canyon annually in the years before the fire.

Edison declined to provide records of those inspections.

Sylmar line suspected of two wildfires

Edison says it believes its transmission line running through the foothills above Sylmar was involved in the ignition of the Jan. 7 Hurst fire. But it denies the line ignited the 2019 Saddleridge fire.

The 2019 fire killed at least one and destroyed or damaged more than 100 homes and other structures.

This year, lawyers for victims of the 2019 fire argued in court the two fires started in the same way: steel equipment holding up the transmission lines broke, causing a sudden, massive surge in energy that triggered sparks and flames at two or more towers located miles away.

The lawyers say the line, constructed in 1970, is not properly grounded so that sudden increases in energy don’t disperse into the soil — a problem they say the company failed to fix.

Edison denies the claims, calling their description of the fire’s start an “exotic ignition theory…contrary to accepted scientific principles.”

A judge recently denied Edison’s request to dismiss the case.

It was supposed to be a speech with a clear message of hope for survivors of the Palisades fire.

In her State of the City address in April, Los Angeles Mayor Karen Bass called for a law exempting fire victims from construction permit fees — potentially saving them tens of thousands of dollars as they rebuild their homes.

Eight months later, the City Council is still debating how much permit relief the city can afford. Palisades residents have been left hanging, with some blaming Bass for failing to finalize a deal.

“This should have been pushed, and it wasn’t pushed,” said electrician Tom Doran, who has submitted plans to rebuild his three-bedroom home. “There was no motor on that boat. It was allowed to drift downstream.”

Since the Jan. 7 fire destroyed thousands of homes, Bass has been announcing recovery strategies with great fanfare, only for them to get bogged down in the details or abandoned altogether.

After two of the most destructive fires in the state’s history, The Times takes a critical look at the past year and the steps taken — or not taken — to prevent this from happening again in all future fires.

At one point, she called for the removal of traffic checkpoints around Pacific Palisades, only to reverse course after an outcry over public safety. She pushed tax relief for wildfire victims in Sacramento, only to abruptly pull the plug on her bill. Her relationship with Steve Soboroff, her first and only chief recovery officer, quickly unraveled over pay and other issues. He left after a 90-day stint.

Critics in and outside the Palisades say the mayor’s missteps have undermined public confidence in the rebuilding process. They have also made her more politically vulnerable as she ramps up her campaign for a second term.

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1. Tom Doran poses for a portrait in the remains of his home in the Pacific Palisades. Doran, who has submitted plans to rebuild the home he lived in for decades, has said that Los Angeles Mayor Karen Bass should have done more to secure passage of a law giving residents relief from city rebuilding permits after the wildfires. (Kayla Bartkowski / Los Angeles Times) 2. Statues are seen in an aerial of the remnants of Doran’s home. (Kayla Bartkowski / Los Angeles Times) 3. An aerial of the remains of Doran’s home. (Kayla Bartkowski / Los Angeles Times)

Bass, seated in her spacious City Hall office earlier this month, said the recovery is happening at “lightning speed” compared to other devastating wildfires, in part because of her emergency orders dramatically cutting the time it takes to obtain building permits.

By mid-December, more than 2,600 permit applications had been filed for more than 1,200 addresses — about a fifth of the properties damaged or destroyed in the fire. Permits had been issued at about 600 addresses, with construction underway at nearly 400, according to city figures.

Still, Bass acknowledged that fire victims are feeling angry and frustrated as they enter the holiday season.

“I think people have a right to all of those emotions, and I wouldn’t argue with any of them,” she said.

Rebuilding a community after a natural disaster is a monumental task, one with no clear playbook. Many of the obstacles — insurance claims, mortgage relief — reach beyond the purview of a mayor.

Still, Bass has plenty of power. City agencies crucial to the rebuilding effort report to her. She works closely with the council, whose members have sharply questioned some of her recovery initiatives.

Palisades residents had reason to be skeptical of the rebuilding process, given the problems that played out on Jan. 7: the failure to pre-deploy firefighters, the chaotic evacuation and the fact that Bass was out of the country on a diplomatic mission to Ghana.

In the weeks that followed, Bass was unsteady in her public appearances and at odds with her fire chief, whom she ultimately dismissed. She struggled to give residents a sense that the recovery was in capable hands.

Perhaps the most disastrous narrative revolved around Soboroff, a longtime civic leader known for his blunt, outspoken style.

Mayor Karen Bass, right, and her disaster recovery chief, Steve Soboroff, during a news conference at Palisades Recreation Center on Jan. 27.

(Brian van der Brug / Los Angeles Times)

To many, the assignment made sense on paper. Soboroff had a background in home building, roots in the Palisades and extensive knowledge of City Hall.

Soboroff initially expected to receive a salary of $500,000 for three months of work as chief recovery officer, with the funds coming from philanthropy. After that figure triggered an outcry, Bass changed course, persuading him to work for free. Soon afterward, Soboroff told an audience that he had been “lied to” about whether he would be compensated. (He later apologized.)

Soboroff also voiced frustration with the job itself, saying he had been excluded from key decisions. At one point, Bass appeared to narrow his duties, telling reporters he would focus primarily on rebuilding the community’s historic business district and nearby public areas.

Bass told The Times that she does not view her selection of Soboroff as a mistake. But she acknowledged there were “challenges along the way” — and decisions where Soboroff was not included.

“In those first few months when everything was happening, I’m sure there were decisions he wanted to be in that he wasn’t in,” she said.

In April, amid Soboroff’s departure, Bass said she was searching for a new chief recovery officer. She repeated that assertion in July. Yet she never publicly announced a replacement for Soboroff, baffling some in the Palisades and providing fresh ammunition to her critics.

Real estate developer Rick Caruso, who ran against Bass in 2022 and founded the nonprofit SteadfastLA to speed the rebuilding process, said the recovery czar position is still desperately needed, given the size of the task ahead.

“You’ve got infrastructure that has to be rebuilt, undergrounding of power lines, upgrading of water mains. At the same time, you want to get people back in their homes,” said Caruso, who is weighing another run for mayor.

A Samara XL modular house is lowered into place at a project site in Culver City on March 21. Developer and former mayoral candidate Rick Caruso’s Steadfast L.A. nonprofit wants to raise $30 million in the hopes of providing between 80 and 100 Samara XL homes for fire victims.

(Myung J. Chun / Los Angeles Times)

Behind the scenes, Bass opted not to select a single person to replace Soboroff, going instead with a trio of consultants. By then, she had confronted a spate of other crises — federal immigration raids, a $1-billion budget shortfall, a split with county officials over the region’s approach to homelessness.

Soboroff declined to comment on Bass’ handling of the recovery. Early on, he pushed the mayor’s team to hire the global engineering giant AECOM to oversee the recovery. Bass went initially with Hagerty, an Illinois-based consulting firm that specializes in emergency management.

At the time, the mayor pointed out that Hagerty was already working with county officials on the Eaton fire recovery in Altadena and Palisades fire recovery in other unincorporated areas.

The city gave Hagerty a one-year contract worth up to $10 million to provide “full project management” of the recovery, Bass said at the time.

Hagerty quickly ran into trouble. At community events, the firm’s consultants struggled to explain their role in the rebuilding.

Two months after Soboroff stepped down, Bass announced she was hiring AECOM after all to develop a plan for rebuilding city infrastructure. Hagerty ended up focusing heavily on the logistics around debris removal, helping the city coordinate with the federal Army Corps of Engineers, which spearheaded the cleanup.

Hagerty quietly finished its work earlier this month, billing the city $3.5 million — far less than the maximum spelled out in the firm’s contract.

The confusion over Hagerty’s role created a major opening for Bass’ best-known challenger in the June 2 primary election: former L.A. schools Supt. Austin Beutner, a onetime high-level deputy mayor.

Beutner, whose home was severely damaged in the Palisades fire, called the selection of Hagerty a “fiasco,” saying it’s still not clear what the firm delivered.

“The hiring of Hagerty proved to be a waste of time and money while creating a false sense of hope in a community that’s dealing with a terrible tragedy,” he said.

Executives with Hagerty did not respond to multiple inquiries from The Times.

An aerial image of some homes being reconstructed and lots that remain empty in Pacific Palisades.

(Allen J. Schaben / Los Angeles Times)

AECOM joined the city in June, working to prepare reports on the rebuilding effort that dealt with infrastructure repairs, fire protection and traffic management. Those reports are now expected by the one-year anniversary of the fire.

Matt Talley, who spent part of the year as AECOM’s point person in the Palisades, praised Bass for her focus on the recovery, saying he watched as she took lengthy meetings with Palisades community members, then made sure her staff worked to address their concerns.

“I think the mayor gets a bad rap,” said Talley, who left AECOM in mid-November. “She takes a lot of incoming, but in her heart, she really does want to drive the recovery and do the right thing, and that’s evidenced by the meetings she’s having with the community.”

Bass, in an interview, said she eventually decided to have three AECOM staffers form a “recovery team,” instead of a single replacement for Soboroff.

“It didn’t make sense to go in the other direction,” she said. “We evaluated that for quite a while, met with a number of people, consulted many experts.”

By the time Bass announced AECOM’s hiring, she had also begun pursuing another initiative: relief from Measure ULA, the city’s so-called mansion tax, which applies to most property sales above $5.3 million.

Proponents argued that Palisades residents should not have to pay the tax if they sell their burned-out properties. For those who can’t afford to rebuild — either because they are on fixed incomes or have little insurance — selling may be the only option, they argued.

In June, Caruso sent Bass a proposal showing how Measure ULA could be legally suspended. By then, Bass had tapped former state Assembly Speaker Bob Hertzberg to work on a bill overhauling Measure ULA, not only to aid fire victims but to spur housing construction citywide.

Three months later, near the end of the legislative session in Sacramento, Bass persuaded some L.A.-based lawmakers to carry the bill, infuriating affordable housing advocates who accused her of attempting an end run around voters.

But right before a key hearing, Bass announced she was withdrawing the bill, which had been submitted so late that it missed the deadline for lawmakers to make changes.

Bass said city leaders are now working to identify other pathways for suspending ULA in the Palisades.

Meanwhile, her push for permit relief is also a work in progress.

Alice Gould, who lost her home in the Palisades fire, is rebuilding her home on Akron Street in Pacific Palisades. Gould, who has lived on the property for 28 years, is upset that Mayor Karen Bass has not yet secured passage of a law to exempt fire victims from city permit fees for rebuilding.

(Genaro Molina / Los Angeles Times)

In April, a few days after her State of the City speech, Bass issued an emergency order suspending the collection of permit fees while the council drafted the law she requested. If the law isn’t enacted, fire victims will have to pay the fees that are currently suspended.

Councilmember Bob Blumenfield, who sits on the council’s powerful budget committee, said Bass’ team did not contact him before she issued her order.

“When I read that, my first thought was: ‘That’s great. How are we gonna pay for that?’” he said.

Bass issued a second emergency order in May, expanding the fee waivers to include every structure that burned. By October, some council members were voicing alarms over the cost, warning it could reach hundreds of millions of dollars, depending on the details.

Palisades residents called that estimate grossly inflated. On Dec. 2, dozens of them showed up at City Hall to urge the council to pass legislation covering every residential building that burned — not just single-family homes and duplexes, a concept favored by some on the council.

Council members, still struggling to identify the cost, sent the proposal back to the budget committee for more deliberations, which will spill into next year because of the holiday break.

Bass defended her handling of the issue, saying she used her “political heft” to move it forward. At the same time, she declined to say how far-reaching the relief should be.

Asked whether the Palisades should be spared from permit fees for grading, pools or retaining walls, she responded: “I can’t say that,” calling such details “minutiae.”

“What I wanted to see happen was, all fees that were possible to be waived should be waived,” she said.

Hank Wright, against a backdrop of his neighbor’s home being built, walks on the property where he lost his four-bedroom home in the Palisades fire.

(Genaro Molina / Los Angeles Times)

Hank Wright, whose four-bedroom home on Lachman Lane burned to the ground, remains frustrated with the city, saying he doesn’t understand why Bass was unable to lock down the votes.

“She has not been the point person that I wanted her to be,” he said. “I don’t think she has been able to corral that bureaucracy.”

No, our Women in Film issue doesn’t exclusively feature women — Noah Baumbach and Brendan Fraser feature in our Dec. 16 edition as well — but it does shine a particular spotlight on their extraordinary contribution to the year in film.

As performers and production designers, writers, directors and more, the women included here helped fashion deeply felt stories of parenthood, friendship, grief and betrayal, and that’s just for starters. Read on for more highlights from this week’s Envelope.

The Envelope Actresses Roundtable

(Jason Armond / Los Angeles Times)

This year’s Oscar Actresses Roundtable was full of laughter, sparked by everything from Gwyneth Paltrow’s impression of mother Blythe Danner to Sydney Sweeney’s tales from inside the ring on “Christy.” But when it comes to self-determination, this year’s participants — who also included Emily Blunt, Elle Fanning, Jennifer Lopez and Tessa Thompson — are dead serious.

As performers, producers and businesswomen, the sextet told moderator Lorraine Ali, the boxes that Hollywood and the broader culture seek to put them in need not apply. And realizing that is its own liberation. As Lopez put it, “I don’t ever feel like there’s somebody who can say to me, ‘No, you can’t.’”

‘Hamnet’s’ last-minute miracle

(Evelyn Freja / For The Times))

Since the moment I first saw “Hamnet,” I’ve been raving to everyone I know about its climactic sequence, set inside the Globe Theatre during a performance of Shakespeare’s “Hamlet.” (Well, if you can call it “raving” when you preface your recommendation with the sentence, “I sobbed through the last 45 minutes.”) As it turns out, though, the process of making the film’s final act was as miraculous as the finished product.

“There were only four days left of shooting on ‘Hamnet’ when Chloé Zhao realized she didn’t have an ending,” Emily Zemler begins this week’s digital cover story, which features Zhao, actors Jessie Buckley, Paul Mescal and Joe Alwyn and production designer Fiona Crombie. What they created from that point, combining kismet, creative inspiration and grueling preparation, will buoy your belief in the power of art. “It was like a tsunami,” Buckley tells Zemler. “I’ll never forget it.”

A Is for Animal Wrangler

When I first read Helen Macdonald’s transporting “H Is for Hawk,” which combines memoir, nature writing and literary criticism, I can’t say I closed the book wondering when we’d get a film adaptation. Little did I know that director Philippa Lowthorpe, star Claire Foy and a pair of married bird handlers would provide such a thorough answer to my skepticism.

As Lisa Rosen writes in her story on the marriage of art and goshawk in “H Is For Hawk,” that meant shaping the production around the notoriously wary birds of prey, including its lead performance. “It wasn’t like having another actor who had another agenda or actions or a perspective that they wanted to get across in the scene,” Foy told Rosen of her extensive screen time alone with the five goshawks who stood in for Helen’s. “I was along for the ride with these animals.”

More stories from our Dec. 16 issue

As the Palisades fire raged, then-Los Angeles Fire Department Chief Kristin Crowley went on a television blitz, calling out city leadership for systematically underfunding her agency.

The LAFD, she said, didn’t have enough firefighters, based at enough fire stations, to quench the wind-driven flames that were tearing through the hills.

“We need more. This is no longer sustainable,” she said in one interview Jan. 10.

Nearly a year after the fire destroyed much of the Palisades, LAFD officials continue to highlight financial concerns, with Crowley’s successor requesting a 15% budget increase and the firefighters union proposing a sales tax that could bring in an extra $300 million per year.

A Jan. 9 aerial view of neighborhoods destroyed by the Palisades fire.

(Robert Gauthier / Los Angeles Times)

But the LAFD’s hyper-focus on money obscures its leaders’ failures in managing the resources they had, beginning with a decision to leave the scene of a New Year’s Day fire despite signs it hadn’t been fully extinguished.

Days later, that fire reignited into the Palisades fire, which killed 12 people and destroyed thousands of homes. Despite forecasts of catastrophically high winds, LAFD officials didn’t pre-deploy engines in the area or increase manpower by ordering a previous shift of firefighters to stay on duty.

As the flames spread, the firefighting response was disorganized and chaotic, with the LAFD’s own after-action report describing major failures by high-ranking commanders in communication, staffing and basic wildland firefighting knowledge.

City leaders have highlighted changes they have made since the fire, including appointing 30-year LAFD veteran Jaime Moore as chief and drafting new protocols for staffing on high hazard weather days.

But the question remains: Is Los Angeles prepared for the next major wildfire? Some city officials and fire experts don’t think so, pointing to an LAFD that hasn’t evolved with the times and an incomplete review of how the Palisades fire started.

Moore, who was appointed chief last month, declined to comment.

Mayor Karen Bass said in an interview earlier this month that the city is “on the path to be completely ready” for a major wildfire, with the LAFD now taking a more proactive approach to weather warnings.

“The Fire Department has been way more aggressive, has done pre-deployment, has been very visible, alerts going out early, trying to be very, very aggressive,” she said.

But Genethia Hudley Hayes, president of the Board of Fire Commissioners, said that the LAFD is still unprepared and that there hasn’t been enough time to make the necessary changes. She cited the LAFD’s technology, which she said is about two decades behind.

“I am not confident there would be a different result” if a similar disaster strikes, she said.

City Councilmember Traci Park, whose district includes Pacific Palisades and who has advocated for more Fire Department funding, agreed with Hudley Hayes.

Some essential changes have been made, such as requiring firefighters to stay for an additional shift during red flag warnings, Park said. But she said that too many fire engines are out of service, there are not enough mechanics, and most important, questions about the origin of the Palisades fire remain unanswered.

In October, after federal prosecutors charged a former Palisades resident with deliberately setting the Jan. 1 Lachman fire, The Times reported that a battalion chief ordered firefighters to roll up their hoses and leave the burn area on Jan. 2, even though they had complained that the ground was still smoldering and rocks remained hot to the touch. The Times reviewed text messages among firefighters and a third party, sent in the weeks and months after the fire, describing the crew’s concerns.

The LAFD’s after-action report, released in October, only briefly mentioned the Lachman fire. Critics have flagged this as a crucial lapse in the report, which prevents the department from figuring out what went wrong and avoiding the same mistakes.

After the Times report, Bass ordered an investigation into the LAFD’s handling of the Lachman fire.

Mayor Karen Bass, right, and then-Fire Chief Kristin Crowley speak during a news conference in January. Bass ousted Crowley less than two months after the Palisades fire.

(Allen J. Schaben / Los Angeles Times)

Bass had ousted Crowley less than two months after the Palisades fire, citing the LAFD’s failure to properly deploy resources ahead of the winds and potentially have a chance to extinguish the fire before it exploded out of control, an issue that was exposed by a series of reports in The Times.

Bass also countered Crowley’s financial complaints, saying that the budget did not affect the department’s ability to fight the fire. The LAFD’s 2024-25 budget had actually increased 7% from the previous year, due in part to generous firefighter raises.

More money won’t solve bad decision-making by top officials, said Marc Eckstein, an emergency physician who served as LAFD’s medical director and commander of its emergency medical services bureau until he retired in 2021.

He said that without transparency and accountability, “the fallback is always going to be what it has been: We need more of everything — more people, more money, more fire trucks, more fire stations.”

A modern fire agency needs the flexibility to surge its staff during a disaster, he said, while also addressing day-to-day needs. Most 911 calls are for medical problems, he said, yet the LAFD functions more or less the same as it did decades ago, when structure fires were more common.

He said a panel of outside experts should have been given access to the LAFD’s records to offer an unbiased look at how the department performed leading up to and during the Palisades fire.

“And it’s a playbook. OK, how do we prevent this from happening again?” he said. “And the fact that didn’t happen is a disgrace.”

How much the department transforms after the Palisades disaster will depend, in large part, on its new chief. Moore, who joined the LAFD in 1995 and most recently was deputy chief of the Operations Valley Bureau, was chosen by Bass to lead the department over a fire chief from a major city outside California.

At stations around L.A., firefighters told Bass that they wanted an insider for the job, which she said factored into her decision.

“Given that the Fire Department was under such scrutiny, such a difficult time, morale is in the toilet, infighting that’s going on, the last thing in the world they needed, in my opinion, was somebody from the outside,” Bass told The Times.

Moore had signaled before his appointment was confirmed last month that he was troubled by the LAFD’s missteps with the Lachman fire and was going to bring in an outside organization to investigate.

But the following week, he appeared to change course, alleging that the media was trying to “smear” firefighters while saying he still planned to investigate the Lachman fire.

Moore will be in charge of implementing the 42 recommendations in the after-action report, which range from establishing better communication channels to how to defend homes where hidden embers could ignite.

The report drew the conclusion that top LAFD commanders had startlingly little knowledge about combating wildfires, including “basic suppression techniques.” It suggested that all LAFD members undergo training on key skills such as structure defense and how to draw water from swimming pools when hydrants don’t work.

In an interview with ABC7, Moore said that the LAFD has adopted about three-quarters of the recommendations and is considering creating a division specializing in wildland fires.

Members of Crew 4, the department’s new full-time wildland hand crew, practice cutting fire lines near Green Verdugo Fire Road in Sunland.

(Myung J. Chun / Los Angeles Times)

Since the Palisades fire, the LAFD has hired a 26-member wildland hand crew that uses chainsaws and other tools to chop paths through brush to stop a fire from spreading. When they aren’t battling fires, they do brush clearance throughout the city.

Earlier this month, as hand crew members practiced cutting fire lines through the brush in Sunland, the crew’s leader, Supt. Travis Humpherys, declined to say whether they would have changed the outcome of the Palisades fire.

Travis Humpherys is the Crew 4 superintendent.

(Myung J. Chun / Los Angeles Times)

But they have already “made a dramatic impact” with brush clearance and fighting wildfires, including a 20-acre fire in Burbank in June, Humpherys said.

Moore’s requested budget of more than $1 billion for the coming year — a 15% increase over this year’s budget — includes money for a second wildland hand crew, as well as nearly 200 additional firefighter recruits and helitanker services to attack fires from the air. That amount could be pared down during the months-long city budgeting process, as the City Council and the mayor find ways to balance the overall budget amid financial headwinds.

Meanwhile, United Firefighters of Los Angeles City Local 112 is charting an ambitious course to reduce the department’s dependency on the city budget, pushing for a ballot measure that, if approved by voters in November 2026, would raise nearly $10 billion by 2050 through a half-cent sales tax. But after the LAFD’s failures in the Palisades fire, some voters may be reluctant to entrust its leaders with more money.

“It’s hard to believe that we are fully prepared for the next major emergency,” Doug Coates, the union’s acting president, said in a statement. “We desperately need more firefighters and paramedics, more trucks, engines, and ambulances and more wildfire resources and neighborhood fire stations.”

E. Randol Schoenberg, whose family lost four homes in the fire, including his in Malibu — along with documents that belonged to his grandfather, the composer Arnold Schoenberg — said he would be happy to pay more taxes for more services.

But Schoenberg, an attorney who is representing Palisades fire victims in a lawsuit against the city and the state, said he expects the LAFD to honestly examine its mistakes.

“If they don’t really grapple with the issues of how this happened, then no matter how much money we throw at it, it’s going to happen again,” he said.

Times staff writer David Zahniser contributed to this report.

UNIVERSAL has finally been given the green light to open a theme park in the UK.

The famous film studios has been given planning permission to start building the theme park.

A Special Development Order (SDO) has been granted by the Secretary of State for Housing, Communities and Local Government, which allows the theme park to skip local planning procedures.

This means it will allow it to be built in the suggested location near Bedford.

Expected to start works in January 2026, the park could open as soon as 2031.

It will be the first Universal theme park for both the UK and Europe, with current resorts only across the US and Asia.

BUILDING BLOCKS

The unofficial ‘eighth Wonder of the World’ could get a new theme park

RIDE ON

I went to the European theme park named the best in the world with 100 attractions

Local Labour MP Mohammad Yasin praised the “landmark moment,” adding: “The confirmation of planning permission for the Universal Destinations & Experiences Entertainment Resort Complex is transformational and will be felt for decades to come.”

Estimated to cost £6.6billion to build, it could attract as many as eight million visitors a year.

Little is currently known about what kind of themed lands and rides would open at the UK Universal.

Rumours suggest James Bond, Paddington and Lord of the Rings, Minions, Jurassic World, and Back to the Future.

It is unlikely to include Harry Potter due to licensing rules and the nearby Wizarding World of Harry Potter attraction in the nearby Leavesden.

Set across 662 acres, there will be four ‘zones’; the Core Zone, Lake Zone, West Gateway Zone and the East Gateway Zone.

The Core Zone is likely to be the entrance area, as well as where the theme park and waterpark will be.

Plans also include a 500-room hotel.

More accommodation and business hotels will be at the Lake Zone, as well as an entertainment complex ans convention centre.

Then both the West Gateway Zone and the East Gateway Zone will be where guests arrive by train and car, with restaurants and hotels.

This is also like to be where the Entry Plaza area will be, as well as the parking and a 500-room hotel.

The park is expected to stay open all year round, unlike other UK theme parks like Alton Towers and Thorpe Park which only open on select dates like Christmas and New Year.

Not only that but it would have much longer opening hours, suggested to be 7am to 11pm.

It will also have a free-to-visit area where guests won’t need a ticket to enter.

Also included in the theme park plans are a new train station to cope with demand.

The new station would be part of the East West Rail (EWR) line, with train links to Oxford to Cambridge via Milton Keynes and Bedford.

In the mean time The Sun’s  Assistant Travel Editor Sophie Swietochowski visited Universal’s huge new £7bn theme park this summer.

Melissa Barrera is no stranger to a certain type of espionage. Dangerous missions. Sometimes starting in the dark of night. One particular covert operation she regularly took part in is one many daughters have had to take with their resolute mothers — Black Friday shopping.

She recalls crossing the border from her hometown in Monterrey, Nuevo León, in the wee hours of the morning to McAllen or Brownsville in Texas to score primo deals at the big-box stores.

“It felt like a treasure hunt for me,” she recalled. “In my mind, it was like a mission, getting the things that we had to get. I like challenges and being given instructions. That was very satisfying for my personality type.”

That experience prepared the Mexican actor for her role as a spy juggling secret identities in Peacock’s “The Copenhagen Test,” premiering Dec. 27. The espionage thriller stars Simu Liu as an intelligence analyst whose brain has been hacked, putting his thoughts and memories in the hands of unknown perpetrators. Barrera co-stars as Michelle, a spy tangled in the web of deceit.

“It was a challenge. I’d never done anything like this before, in the sense that you really don’t know who Michelle is,” said the actor, who chatted over Zoom from Barcelona where she’s filming another thriller, “Black Tides.”

“It was also confusing for me as an actor, because we didn’t have all the scripts at the beginning, so I had made up who I thought Michelle was — and then I would get more scripts and I was like, ‘Well, that goes out the window.’ It was a constant construction.”

Those Black Friday missions weren’t the only ways in which Barrera was innately prepared for the role. Growing up, she devoured the Jennifer Garner spy series “Alias.” She spent hours as a teen watching and rewatching episodes on DVD. It was Garner’s ass-kicking turn as Sydney Bristow, and her many stealthy alter egos, that planted a seed in Barrera.

“I was obsessed with that show,” she says. “As a young teenager, I was like, ‘I want to be a spy.’ I would research online: ‘How do you get recruited as a spy?’ That’s how obsessed I was.”

She longed for intrigue, for covert operations, for wigs. Not just the kind of spy business that equates to elbowing señoras at Best Buy for a deeply discounted TV. And then came “The Copenhagen Test.”

“I just thought that it was so fun, the role playing within the role playing that happens,” she said. “I read the scripts, and they were really good. And I got to be a spy. I was like, this is a no-brainer for me. I’ve been asking for this since I was 12, so it was a dream come true for young me.”

From “Episode 101” of “The Copenhagen Test”: Melissa Barrera as Michelle and Simu Liu as Alexander.

A spy series is just the latest in a long wishlist of roles for Barrera, who got to flex her dramatic side in “Vida,” her vocal and dance prowess in the musical “In the Heights,” and dive into scream queen territory in “Scream V” and “Scream VI.”

“I think it’s valuable for Latinos onscreen to bring in some of their background when it fits, and when it doesn’t, there’s no need to push it — I’m representing Latinos just by being there,” said Barrera, with a nod to ongoing discussions surrounding Latino inclusion in Hollywood. “[Yet] I’ve always wanted to explore all parts of myself. I’ve always wanted to try different things. I think it’s been happening, because I do believe that whatever you put out into the universe comes to you.”

It’s not just dream acting roles that Barrera puts out into the universe, hoping it produces something good. The 35-year-old is an outspoken advocate for Palestinian rights, wearing her beliefs quite literally on her chest — during our call she sports a hoodie with the phrase “words not actions” in the shape of a watermelon, a symbol of perseverance and resistance for Palestinian people. She’s never shied away from using her voice, in particular for this specific human rights issue, and it’s come with its consequences.

Two years ago, Barrera was fired from the forthcoming installment of the Scream franchise, “Scream VII,” as well as dropped from her agency for posts she shared and wrote on social media calling Israel’s attacks on Gaza acts of genocide and ethnic cleansing.

“Gaza is currently being treated like a concentration camp,” read one of her Instagram stories in following the events of Oct. 7. “Cornering everyone together, with no where to go, no electricity no water … People have learnt [sic] nothing from our histories. And just like our histories, people are still silently watching it all happen. THIS IS GENOCIDE & ETHNIC CLEANSING.”

Her firing drew widespread attention and critical discussion over what was viewed by many as the latest form of Hollywood blacklisting. Last year, Barrera spoke to De Los about the backlash, saying, “It wasn’t easy to be labeled as something so horrible when I knew that wasn’t the case. But I was always at peace because I knew I had done nothing wrong. I was aligned with human rights organizations globally, and so many experts and scholars and historians and, most importantly, Indigenous peoples around the world.”

Over a year later, her stance hasn’t changed. In fact, that period changed everything for Barrera.

“I’ve always had that inner inquietude, that kind of yearning for equality and for justice and for eliminating any kind of prejudices and racism and colorism, which is very prevalent in Mexico,” she explained. “But I honestly think it was Palestine that did it for me, that crumbled everything for me. After that, it’s been a before and after in my way of thinking and my way of viewing the world; in my way of viewing the industry and the way that I want to move forward.”

As Barrera moves forward, using her platform to speak up for injustice is inextricable from her sense of self and her place in Hollywood. What she brings to the screen is her full self, regardless of the role; to play a spy, or a scream queen, or any other character takes knowing who you are and what you stand for. Now, more than ever, Barrera is firmly grounded and ready for action.

Another physician who played a role in providing ketamine to Matthew Perry weeks before the actor’s overdose death was sentenced to eight months of house arrest by a federal judge Friday.

Mark Chavez, a former doctor, pleaded guilty to one count of conspiracy to distribute ketamine last October. In his plea agreement, Chavez acknowledged that he and Salvador Plasencia — an ex-doctor sentenced to nearly three years in prison earlier this month — colluded to deceive medical ketamine suppliers and illegally distribute the drug to Perry for profit.

Chavez, 54, was also sentenced to three years of supervised release following his house arrest and must perform 300 hours of community service.

Chavez was one of five individuals charged last year for their alleged roles in Perry’s October 2023 death. The others include Perry’s acquaintance Erik Fleming, personal assistant Kenneth Iwamasa, and Jasveen Sangha, a North Hollywood woman allegedly known as the “Ketamine Queen.” All have pleaded guilty to federal charges and await sentencing in the coming months.

During the sentencing, U.S. District Judge Sherilyn Peace Garnett brought up concerns about sentencing disparities between Chavez and Plasencia. Assistant U.S. Attorney Ian Yanniello argued that the government’s recommended sentence of six months of house arrest was due to Chavez’s cooperation with investigators.

“As doctors, their conduct was egregious,” Yanniello said. “The difference was what they did when they got caught.”

Before charges were brought against the five alleged distributors, Chavez surrendered his medical license and sought a plea deal with the government.

According to an indictment, Plasencia contacted Chavez to purchase ketamine after learning Perry was interested in depression-related treatments in September 2023. Chavez then supplied Plasencia with ketamine vials and orally transmitted “lozenges” that were fraudulently obtained under another patient’s prescription, his plea agreement said.

“If today goes well we may have repeat business,” Plasencia texted Chavez less than a month before Perry’s death.

“Let’s do everything we can to make it happen,” Chavez responded, court records show.

Chavez had faced a potential maximum of 10 years in prison, prosecutors said.

Prosecutors argued that Chavez improperly obtained authorization from the Drug Enforcement Administration to prescribe and administer medical ketamine.

Chavez purchased 22 vials of liquid ketamine, ketamine lozenges and other medical supplies from wholesale distributors to provide to Plasencia, who would personally deliver them to Perry, the judge said before her ruling.

During his Dec. 3 sentencing hearing, a federal judge castigated Plasencia for his medical malpractice and for teaching Perry’s personal assistant to administer the drug at the actor’s Pacific Palisades home. Chavez never met with Perry in person, but allowed Plasencia to continue the treatments despite knowing that Plasencia had “little” experience with ketamine treatments, according to his plea agreement.

According to the plea agreement, Chavez called Plasencia on the day of Perry’s death to inquire whether he believed they distributed drugs that may have killed him. Prosecutors said that ketamine was not supplied by the physicians.

Chavez offered a brief apology immediately before his sentencing.

“As a doctor, I’ve had a wonderful opportunity to help people’s lives, but I’ve also had to deal with the tragedies,” Chavez said. “My heart goes out to the Perry family.”

Chavez’s attorney said that he would reside in Mexico with his father after serving his sentence.

Throughout 2025, De Los has championed the rise of the Latino artists from their respective musical silos and into the broader global pop stratosphere. The 2026 Super Bowl halftime show headliner Bad Bunny and Inland Empire corrido kings Fuerza Regida scaled new commercial and cultural heights this year, as emerging acts like Silvana Estrada, Ela Minus and Netón Vega took exciting new detours in their sounds.

De Los recently did a team huddle to determine our personal best releases of 2025 — this is no garden variety Latin genre list, but a highlight reel of our favorite works by artists from Latin America and the diaspora.

10. Cazzu, “Latinaje”
Reeling from a romantic disappointment of mythological proportions and the lackluster reception of her previous album, Argentine trap queen Cazzu fired back with a maximalist travelogue that draws from salsa and cumbia, Argentine folk and electro-pop. Cazzu hails from the province of Jujuy, miles away from the musical snobbery that plagues much of Buenos Aires, and her genuine investment in a pan-Latino idiom is contagious. A sumptuous corrido tumbado about a red dress that went viral (“Dolce”) and an Andean-flavored ode to her daughter (“Inti”) are the emotional cornerstones of an album that refuses to harbor resentment and instead chooses to embrace plurality. Her absence from the main categories in this year’s Latin Grammys was nothing short of criminal. —Ernesto Lechner

9. Netón Vega, “Mi Vida Mi Muerte”
As one of música mexicana’s most in-demand songwriters, Netón Vega has crafted hits for every big crossover artist, from Xavi to Peso Pluma. Naturally, it’s about time that he delivered a full-length project of his own. Vega’s debut album, “Mi Vida Mi Muerte,” takes stock of the current sound of corridos tumbados and pushes it to its limits alongside the very collaborators that he helped top the charts. Vega’s chameleonic qualities as a songwriter allow him to bend the rules of what counts as “Mexican” music, and over 21 songs, he establishes that his vision includes Californian G-funk, blissed-out boom bap and even Caribbean reggaeton. Vega sounds equally as comfortable on the radio smash “Loco” as he does wailing over a bajo sexto, proving that the future of corridos, with him at the helm, can be more expansive than ever before. —Reanna Cruz

8. Juana Aguirre, “Anónimo”
If the music business thing doesn’t quite pan out for Juana Aguirre, Argentina’s newly anointed resident genius could find success as a film director — such is the palpable cinematic gravity of “Anónimo,” a stark masterpiece of digital mood conjuring. Aguirre builds her tracks slowly, armed with an unerring instinct for beauty and a ruthless, try-and-discard methodology. The results are childlike at times — parts of “La Noche” and “Lo_Divino” sound like nursery rhymes — while the nakedness of “Volvieron” brims with a solemn, ageless kind of grace. Her sonic spectrum is panoramic, from esoteric folktronica murmurs and camouflaged industrial noise to the cosmic stillness of “Un Nombre Propio” and the ritualistic piano of “Las Ramas.” Until “Anónimo,” the Argentine avant-garde had never sounded so intoxicatingly sensuous. —E.L.

7. Adrian Quesada, “Boleros Psicodélicos II”
At the height of the COVID-19 pandemic, multi-instrumentalist and producer Adrian Quesada enlisted some of the most enthralling vocalists in Latin music to record “Boleros Psicodélicos,” a love letter to Latin American psychedelic ballads from the ’60s and ’70s. The album, which featured original compositions alongside kaleidoscopic covers of the genre, was hailed as an instant classic after its 2022 release. Three years later, Quesada improved upon the winning formula by actually being in the same room as his collaborators — the first album was made in isolation. “There’s a little bit more life, energy to some of the songs,” Quesada told De Los of “Boleros Psicodélicos II.” That vibrancy is certainly felt in tracks like “Bravo” — Puerto Rican singer iLe’s voice is laced with plenty of venom to do justice to Luis Demetrio’s spiteful lyrics (“Te odio tanto / Que yo misma me espanto / De mi forma de odiar”) — and “Primos,” which has Quesada pair up with guitar vibemasters Hermanos Gutiérrez for the album’s only instrumental track. Here’s hoping that we get another installment of this brilliant series three years from now. —Fidel Martinez

6. Nick León, “A Tropical Entropy”
Hailing from Fort Lauderdale, Fla., just a hop, skip and a jump north of Miami, the electronic mixmaster Nick León broke through a busy pop music landscape this year as a producer with a distinctly Floridian point of view. In his latest album, “A Tropical Entropy” — the title harks back to a phrase from Joan Didion’s 1987 book, “Miami” — León crafted his moody “beach noir” sound by blanketing his dynamic assemblages of dembow, dancehall and other Afro-Caribbean rhythms with a foamy, oceanic ambience that flows and hisses throughout the record. Featuring the vocal talents of Ela Minus (“Ghost Orchid”), Erika De Casier (“Bikini”) and Esty (“Millennium Freak” with Mediopicky), it’s an audible feast for club kids whose afters entail collapsing on the sand and watching dolphins traverse the horizon at sunrise. —Suzy Exposito

5. Not For Radio, “Melt”
Released in October, “Melt” is the frosty solo album by María Zardoya, lead singer of Grammy-nominated L.A. band the Marías, who wrote and recorded 10 of her most soul-baring songs yet during a haunted winter sabbatical in the Catskills. Imbued with brooding elements of chamber pop à la Beach House, Broadcast and the Carpenters, there is much enchantment to be found in the details of Zardoya’s electric drama; like how the warm fuzz of an organ meets frosty chimes on opening track “Puddles,” or in the restless, skittish pulse of “Swan.” Zardoya’s yearning for a love lost crescendoes, and is most devastating, in the piano ballad “Back to You”; but it seems as though even her darkest, most melancholic moments are touched by the fae. —S.E.

4. Isabella Lovestory, “Vanity”
With 2022’s “Amor Hardcore,” Isabella Lovestory established herself as a neoperreo princess — the Ivy Queen for the Instagram era. The Honduran pop star’s follow-up album “Vanity” takes a different approach, trading sleazy sexcapades for campy vulnerability. As in her name, Lovestory is inherently a storyteller. Her lyrics are pulled from half-remembered dreams, speaking of herself in immersive, surreal contradiction. She’s a perfume bottle made of foam, or a strawberry made of metal. It’s a deceptively saccharine world, one that she sees as, in her words, a “poisonous lollipop.” And when the production falls somewhere between RedOne productions and Plan B deep cuts, that world becomes a post-cultural, hazy pop dystopia of both the past and a far-off, distant future. —R.C.

3. Fuerza Regida “111XPantia”
In summer 2024, while promoting the band’s previous album, “Pero No Te Enamores,” Fuerza Regida frontman Jesús Ortiz Paz assured me that the San Bernardino quintet was not abandoning the sound that made it one of the biggest acts in the música mexicana space. Simply put, JOP was scratching a creative itch by flirting with Jersey club, drill and house music. True to his word, the charchetas and tololoche are now back and on full display in “111xPantia.” Yet the band’s 9th studio album is by no means a rehash of their past work; Fuerza Regida is as experimental as ever, whether by incorporating a banjo on “Peliculeando” (what’s next, a collab with Mumford & Sons?) or sampling Nino Rota’s iconic theme song on “GodFather” (given the focus on excess, the lyrics are more Tony Montana than Michael Corleone). This year, JOP & Co. set a new benchmark for the ever-evolving genre, all while becoming the biggest band in the world; Fuerza Regida was notably the only non-solo act to crack Spotify’s end-of-year top global artist list. —F.M.

2. Silvana Estrada, “Vendrán Suaves Lluvias”
Estrada’s second full-length album is a musical masterclass in maintaining serenity through loss. With her head held high, the Latin Grammy-winning Mexican singer-songwriter soldiered through an extended period of grief to write “Vendrán Suaves Lluvias,” including a harrowing heartbreak and the shocking murder of a friend. The bones of songs like “Como Un Pájaro” and “Un Rayo de Luz” are folk ballads, which she initially wrote using her trusty cuatro; but with the mighty backing of an orchestra, Estrada’s compositions swell with a symphonic grandeur that bolster the songbird’s more empowered and optimistic stance in the face of disappointment. “¿Cuál еra la idea de aventartе sin dejarte caer? Qué manera tan desoladora de querer,” she sings with an arid, jazzy inflection on “Dime” — a plea to a half-hearted lover who cowers at the force of her integrity. —S.E.

1. Bad Bunny, “Debí Tirar Mas Fotós”
“Debí Tirar Mas Fotós” has managed to dominate conversation all year — from its No. 1 debut in January to this summer’s blockbuster residency and subsequent world tour. Much has been said already about Bad Bunny’s magnum opus; the album is a generation-spanning, full-throated celebration of boricua resilience, and simultaneously a pointed warning about the ongoing neocolonization of La Isla del Encanto. But perhaps, in the spirit of its title, its best function is as a series of timeless musical snapshots: There’s the sweeping voice of the jíbaro calling down from the mountains on “Lo Que Le Pasó A Hawaii.” Sweat from rum-soaked nights in Brickell and La Placita lingers on “Voy a LLevarte Pa PR” and “Eoo.” Hands fold together on “Weltita” as waves ebb and flow, and the warmth of a grandparent’s final forehead kiss lingers on “DTMF.” It’s a record that is designed to be intimately understood by Latinos, with Bad Bunny’s personal ethos of Puerto Rican independence managing to build a bridge between the island and those displaced from it. And with Benito’s Super Bowl victory lap right around the corner, “Debí Tirar Mas Fotós” is poised to dominate not just 2025, but the coming months as well, cementing him as — to paraphrase “Nuevayol” — el rey de pop, reggaetón y dembow.

Honorable mentions:

Reanna’s pick: Corridos Ketamina, “Corridos Ketamina”
There’s one night at the start of every Los Angeles autumn when you can begin to feel the chill of loneliness in the air. When I heard “V-Neno,” the opening track on Corridos Ketamina’s self-titled debut EP, I was taken back to the first time I felt it: walking around at 3 AM alone and moody as hell. The 14-minute EP is like if Lil Peep and Lil Tracy went down to Sinaloa for the weekend. Triple-tracked vocals drenched in reverb drift over sluggish guitar loops, all struggling to claw out of the K-hole. Yes, technically Corridos Ketamina are making narcocorridos (what you see is what you get: in an interview with the Fader, they put it simply, “Let’s make the first corrido about doing K”), but there’s something still warm and inviting at the core of these seven songs. Maybe it’s the familiar blend of emo, rap, shoegaze and corridos — or it’s the fact that this is a record that could only come out of Los Angeles, born out of late nights on empty freeways and in seedy apartments. —R.C.

Ernesto’s pick: Amor Elefante, “Amigas”
I dare you not to smile when you listen to “Hipnótico,” the synth-pop fantasia that kicks off “Amigas,” a welcome return to action for Buenos Aires quartet Amor Elefante. The band moves in the fertile periphery where sunshine pop meets dream rock, channeling the Police on the reggae vibe of “Universal Hit” and diving into Cocteau Twins ether on “La Vuelta.” If anything, “Amigas” illustrates the band’s bloom as composers of potential singles: drummer Rocío Fernández goes funky on the folk-driven “La Vuelta,” while keyboardist Inés Copertino flexes her disco diva status on the outro line to “Foto de una Coreografía.” In lead singer Rocío Bernardiner, Amor boasts one of South America’s most radiant voices. —E.L.

Suzy’s pick: Ela Minus, “Día”
Born in Bogotá, Colombia, and now based in Brooklyn, electronic artist-producer Gabriela Jimeno, or Ela Minus, first bonded with beats as a tween drummer in a hardcore band. That rugged punk rock intensity would later unify the vast, synth-laden sprawl that is her second album, “Día”: a chronicle of her displacement during the COVID-19 pandemic and subsequent ego death. She lets her listeners in with the vulnerable yet galvanizing dance track “I Want to Be Better,” which she has described as her “only love song” — but icily calls for the world’s end on the Latin Grammy-nominated club cut “QQQQ,” and rejects the parasocial worship of pop stars in “Idols,” chanting: “Chasing after phantoms / Bowing down to someone else’s idols.” Indeed — how embarrassing! —S.E.

Fidel’s pick: Cuco, “Ridin’”
Hawthorne’s own Cuco (real name Omar Banos) tapped into the soundtrack of Southern California’s lowrider culture — soul and R&B — to make “Ridin’” one of the best neo-Chicano soul albums in recent years. Tracks like “My 45” and “ICNBYH” (“I Could Never Break Your Heart”) are perfect accompaniments for slow drives down Whittier Boulevard. “Para Ti,” the only Spanish song on the LP, sounds like it could come out of one of your abuelo’s bolero albums. —F.M.

SACRAMENTO — Gov. Gavin Newsom unveiled a new state-run website Tuesday that tracks what his office calls the “criminal cronies” around President Trump — just the latest trolling tactic by the California governor that directly mirrors Trump’s own use of public resources for political score settling.

Newsom pegged the website’s rollout to recent crime statistics, which were released in early November showing falling rates of homicide and assault in California. The governor’s website catalogs what it calls the top 10 criminal convictions that were followed by pardons offered thus far by Trump — from Jan. 6 rioters to former politicians and business figures convicted of fraud, drug trafficking and financial crimes. The website calls Trump the “criminal in chief.”

The website features AI-generated portraits of such figues as Rod Blagojevich, the only Illinois governor to be impeached and removed from office; former Honduran President Juan Orlando Hernández, who was convicted of drug trafficking; and Ross Ulbricht, the founder of a dark-web drug marketplace who had been serving a life sentence without the possibility of parole. The images show the men standing in a lineup with the word “felon” stamped in red ink.

“With crime dropping — again — California is proving what real public safety leadership looks like,” read a statement from Newsom. “Meanwhile in D.C., Trump is a felon who surrounds himself with scammers and drug traffickers. We’re providing the public with a resource putting the facts in one place so Californians, and all Americans, can see who he elevates and who he protects.”

The launch is the latest escalation in Newsom’s increasingly aggressive digital campaign against Trump.

In recent months, the governor and his press office have turned social media into a near-daily forum for mocking and trolling the president by firing off all-caps posts, meme-style graphics and sharply worded rebukes aimed at Trump’s brash rhetoric, criminal record, policy proposals and political allies.

The crime data , which was released Nov. 3 by the Major Cities Chiefs Assn., found homicides across California’s major cities fell 18% year over year, robberies dropped 18% and aggravated assaults declined 9%. The association also found that violent crime decreased in every California city reporting data, with the steepest declines in Oakland, where violent crime fell 25%, and San Francisco, where it fell 21%.

Newsom’s new website highlights Trump’s sweeping use of presidential pardons to grant clemency to roughly 1,500 people charged or convicted for their roles in the Jan. 6, 2021, attack on the U.S. Capitol. The governor’s office said some of those individuals had prior criminal records and that others went on to be convicted of new crimes after receiving pardons.

The move mirrors tactics Trump and his administration have embraced. Most recently, Trump unveiled a website of “media offenders,” naming journalists and outlets he accuses of bias. Separately, the U.S. Department of Homeland Security under Secretary Kristi Noem has maintained a website highlighting what it calls the “worst of the worst” criminal immigrants arrested by U.S. Immigration and Customs Enforcement, framing the page as evidence that the administration is carrying out Trump’s promise of mass deportations.

The state’s website launch comes as Newsom seeks to cast California as a national leader in responsible governance of artificial intelligence.

Earlier Tuesday, the governor announced a slate of initiatives aimed at promoting ethical AI use in state government, including a new advisory council, partnerships with academic and nonprofit groups, and a generative AI assistant for state employees. Among the priorities outlined are strengthening safeguards for children online, countering image-based abuse and improving government operations.

“California is at the forefront of AI technology — and is home to some of the most successful and innovative companies and academic leaders in the world,” Newsom said in a statement. “We’re not going to sit on the sidelines and let others define the future for us. But we’re going to do it responsibly — making sure we capture the benefits, mitigate the harms, and continue to lead with the values that define this state.”

Scientists say up to 4,000 glaciers could melt annually if global warming is not curbed.

The world could lose thousands of glaciers each year over the coming decades unless global warming is curbed, leaving only a fraction remaining by the end of the century, scientists warn.

A scientific study published on Monday in Nature Climate Change warned that unless governments take action now, the planet could reach a stage of “peak glacier extinction” by midcentury with up to 4,000 melting each year.

About 200,000 glaciers remain in the world, and about 750 disappear each year. That rate could rise more than fivefold if global temperatures soar by 4 degrees Celsius (7.2 degrees Fahrenheit) from pre-industrial levels and accelerate global warming, according to the report, which predicted only 18,288 glaciers would remain by the end of the century.

Even if governments meet their pledges to limit warming to 1.5C (2.7F) under the Paris Agreement, the world could still end up losing 2,000 glaciers a year by 2041. At that pace, a little more than half of the planet’s glaciers would be gone by 2100.

That best case scenario appears unlikely. The United Nations Environment Programme already warned last month that warming is on track to exceed 1.5C in the next few years. It predicted that even if countries meet promises they have made in their climate action plans, the planet will warm 2.3C to 2.5C (4.1F to 4.5F) by the end of the century.

Monday’s study was published at the close of the UN’s International Year of Glacier Preservation with the findings intended to “underscore the urgency of ambitious climate policy”.

“The difference between losing 2,000 and 4,000 glaciers per year by the middle of the century is determined by near-term policies and societal decisions taken today,” the study said.

Coauthor Matthias Huss, a glacier expert at ETH Zurich university, took part in 2019 in a symbolic funeral for the Pizol glacier in the Swiss Alps.

“The loss of glaciers that we are speaking about here is more than just a scientific concern. It really touches our hearts,” he said.

WHEN it comes to A Place in the Sun most house hunters are on the lookout for a bargain along the Spanish coast.

But actually, there are plenty of affordable spots to be found outside of Europe – from beautiful Caribbean islands to cities less than an hour to huge theme parks.

Sun Travel got the inside scoop from A Place in the Sun presenters Laura Hamilton, Jean Johansson and Craig Rowe on where Brits should look in 2026 for cheap property outside of Europe.

Jean told us: “If you can stretch to the Caribbean, St Lucia has blown me away – and it’s quite cheap compared to Europe to eat out.

“If you want a paradise lifestyle, you can fly out this time of year and get beautiful weather. It’s so laidback too and everyone slows right down.

“The last time I was there for A Place in the Sun, one couple had a budget of £200,000 and they bought an amazing two-bedroom apartment on a little island that you have to get to via a water taxi – it was just absolutely idyllic.

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“If you’re willing to have that Caribbean way of life and something a bit different, your money can go far.”

Another destination that is becoming more popular with Brits as being an affordable holiday spot is Thailand.

Craig said: “I’ve not done any shows in Thailand yet – I think the show may have gone there a long time ago, but that’s somewhere else I think has great value property.

“It might be far, around 14 hours on a plane, but in terms of investment, and perhaps if you’re retiring and can stay there for months at a time, it’s a great option.”

Property prices can vary in Thailand depending on the destination with Chiang Mai being more affordable than the beachside property in Phuket.

Once you get there, the likes of food are so much cheaper – you can pick up a meal from as cheap as 150baht (£3.55).

But out of all destinations, there was one that every presenter mentioned as being one of the best places to invest – and for a good price next year.

Laura told us: “Florida is a place offering exciting opportunities and it’s always been a place we’ve visited on A Place in the Sun.

“I filmed there just before Christmas and it’s quite interesting. In Florida there are lots of properties that 20 years ago were prime luxury houses along the 192 route which is within 30 minutes to the Disney Parks.

“The location is still amazing, but the houses are a bit tired, so the rental opportunities are incredible. In terms of being able to make properties over and add value to them, I think that’s an exciting market.”

Jean added that she did some Florida shows last year where she headed to Fort Lauderdale.

“I think Florida’s always been popular and it’s nice for us to get away from Orlando and away from the Disney parks.

“Fort Lauderdale is a dream with the classic American lifestyle up there – locals start their day with a coffee on the beautiful promenades and there’s a lovely community feel.”

According to Palm Paradise Realty Group, some of the most affordable areas in Fort Lauderdale include Lake Aire Palm View and Flagler Village where the average property price is $343,000 (£255,543).

New episodes of A Place in the Sun will return from Sunday 21 December, and you can catch up on previous episodes on Channel4.com.

A Place in the Sun experts reveal coastline worth buying on NOW where you can ‘still get bargains’ – and flights are £15…

When we asked Laura Hamilton, Craig Rowe and Jean Johansson where exactly Brits looking for a holiday home should buy right now in Europe – they all had the same answer.

Laura Hamilton, who has been working on the show since 2012, explained: “There are still places in Spain which are great places to invest, especially around Costa Tropical.

“The area has increased in value and is still going up. It’s the opposite side of Málaga to Marbella and Puerto Banús, and it’s much cheaper.

“If you go out to a bar or a restaurant, the prices will be significantly cheaper but still great quality.”

Laura revealed that the Costa Tropical has accessibility to both the mountains and the beach.

She added that it’s marketed so that “you can be on the slopes in the morning and beach in the afternoon”.

To get from the beaches to the base of the Sierra Nevada mountains takes just an hour and a half in the car.

Laura continued: “I love that part of Spain and the scenery around Granada is spectacular. If you love the beach, skiing and hiking then it’s a stunning part of Spain – but prices are on the rise.”

Also in southern Spain is the region that presenter Craig Rowe recommended and like Costa Tropical, the region sits between the coast and Sierra Nevada mountains.

Craig told us: “Costa Almería in Spain is really good, especially for anyone on a lower budget.”

Jean Johansson, who has been working on the show for seven years, the same question, she agreed with her colleagues.

Jean said: “It’s got to be Murcia and the south of Spain because you can still get bargains there.”

“When I started on the show seven years ago the area wasn’t as popular at all, but now people are really understanding the value for money.”

For those jumping in to buy a property abroad, one woman who was on A Place In The Sun and bought her dream Spanish home for £45k – I have one regret and need to warn others of pitfalls.

And another presenter from A Place in the Sun took on her own renovation project on the Costa del Sol.

Even though Visalia holds the title of being the oldest city in the San Joaquin Valley, it’s more likely a place you’ve passed through on your way to visit General Sherman or the infamous carved Tunnel Log. Many Angelenos don’t even know how to properly pronounce its name.

But Visalia (say it: vai-SAY-lee-uh) — a place long known as “the gateway to the Sequoias” for its proximity to Sequoia and Kings Canyon national parks — is becoming a destination in its own right.

The 151-year-old Central Valley city has been working hard to shed its bucolic stereotypes and reinvent itself as a cosmopolitan oasis with hip boutiques, craft breweries and a revamped downtown. Changes started happening about five years ago when the Darling Hotel opened in the bones of the former 1930s Tulare County Courthouse annex. The Art Deco boutique hotel offers chic accommodations, catering to design-savvy travelers. Nowadays, downtown’s East Main Street, which plays host to tchotke-laden antique stores and patio dining, is a vibrant, walkable hub. At First Friday Downtown Art Walks, people can groove to a steady playlist of popular tunes thanks to a speaker system the city installed along the sidewalks. And although its Chinatown has been dismantled for years, many Chinese restaurants and a sizable Asian population remain, along with some of the community’s original Asian-inspired architecture along Main Street.

With farmlands nearby, farmers markets are held not once, but twice a week in Visalia’s downtown area, while local farms offer pick-your-own visits and plenty of restaurants make use of the local and seasonal produce at their disposal (seek out the honey glazed shrimp made with locally grown walnuts at Canton Restaurant as well as the berry pies and fruit preserves at the Vintage Press Restaurante).

Counterculture types will find respite at music and vintage store Velouria Records, cult film fans can catch free and low-cost screenings at the historic Visalia Fox Theater and paranormal-enthusiasts can chase spirits on ghost tours or late-night jaunts to the notoriously haunted Visalia Public Cemetery. There is even an extensive underground tunnel system — once used to operate gambling joints and opium dens — that still exists below downtown. Some people still find their way into them — those who aren’t deterred by massive spiders or trespassing charges, that is.

The city comes together for annual events, such as the twice-yearly downtown Wine Walk, the culinary extravaganza Taste of Visalia or the wintertime tradition Candy Cane Lane Parade, which celebrates its 79th anniversary this month. Also notable: Visalia became the first city in the United States to be designated a Certified Autism Destination in 2022, training at least 80% of its guest and public-facing staff in autism and sensory disorders.

As the city continues shucking its former reputation as a drive-by dot on the map, SoCal residents seeking a weekend escape only a few hours away would do well to take note. There is plenty of natural beauty to be found in the area, and one doesn’t have to drive into the higher elevations of the Southern Sierra Nevada Mountains to get some adventure time in. Rent a boat or a kayak at nearby Lake Kaweah, strap on a helmet and do some whitewater rafting in Three Rivers or wander through preserved wetlands that have been untouched for centuries.

It might not be the first place on your California vacation bucket list, but Visalia is worthy of a visit — and with its rapidly changing cityscape, will likely have more to offer with each passing year.

BBC Sports Personality of the Year is back for 2025, celebrating a phenomenal 12 months of sporting drama and triumph.

It has been a year to remember in sport, including England winning the Women’s Euros and Women’s Rugby World Cup, Team Europe winning the Ryder Cup, Liverpool’s Premier League title, Arsenal’s Women’s Champions League success, and the Lions’ series win in Australia.

There were also record-breaking moments in cricket, athletics, golf, tennis, rugby league and many more.

BERKELEY, Calif. — Mike White, who had a successful career as a college coach with California and Illinois and later coached the NFL’s Oakland Raiders, has died. He was 89.

Cal said White’s family confirmed that he died Sunday in Newport Beach.

White helped the Golden Bears win a share of the Pac-8 title in 1975, led the Illini to their first Rose Bowl in 20 years in the 1983 season and coached the Raiders in their first two seasons back in Oakland in 1995-96 after leaving Los Angeles.

He also worked as an assistant for the San Francisco 49ers and was on Dick Vermeil’s staff with the St. Louis Rams when they won the Super Bowl following the 1999 season.

“Mike was special,” said Burl Toler Jr., a linebacker who played at Cal under White from 1974-77. “He treated us like men and with a lot of respect. Mike was a very gifted and smart coach who loved Cal and loved being a coach, and he surrounded himself with a lot of like minds who instilled in us a will to succeed.”

White was a four-sport student-athlete at Cal in the 1950s and spent time as an assistant with the Bears and at rival Stanford before getting the head coaching job at his alma mater in 1972.

White had a 35-30-1 record in six seasons at Cal, with his biggest success coming in 1975 when he was named coach of the year after the Bears finished tied with UCLA for first place in the conference. Cal finished 14th in the nation with an offense that featured Chuck Muncie and quarterback Joe Roth.

White also coached quarterback Steve Bartkowski earlier at Cal and helped develop him into the No. 1 overall pick in the 1975 NFL draft.

He then left for the NFL, spending two seasons as an offensive line coach for the 49ers, before returning to college in 1980 with Illinois. He led the Illini to a 47-41-3 record with three bowl trips, including a loss in the 1984 Rose Bowl to UCLA.

That 1983 Illinois team went 9-0 in the Big Ten and is the only team in conference history to beat every other conference opponent in the same season.

White then returned to the NFL in 1990, spending five seasons as an assistant with the Raiders before taking over as head coach. He had a 15-17 record before getting fired after the 1996 season.

Dubow writes for the Associated Press.

Anthony Geary, the Daytime Emmy winner who played half of “General Hospital’s” supercouple Luke Spencer and Laura Baldwin, died Sunday. He was 78.

“The entire #GeneralHospital family is heartbroken over the news of Tony Geary’s passing. Tony was a brilliant actor and set the bar that we continue to strive for,” “GH” executive producer Frank Valentini wrote on Monday in two posts on X. “His legacy, and that of Luke Spencer’s, will live on through the generations of #GH cast members who have followed in his footsteps. We send our sincerest sympathies to his husband, Claudio, family, and friends. May he rest in peace.”

The actor died of complications a few days after having planned surgery in Amsterdam, the city he and spouse Claudio Gama called home, Soap Opera Digest reported.

“It was a shock for me and our families and our friends,” Gama told TV Insider exclusively Monday, saying that for more than three decades Geary had been his friend, companion and — for the past six years — his husband.

Geary notched almost 2,000 episodes on “General Hospital,” where he started as a cast member in 1978. Along the way he took a number of breaks from the show before wrapping up his “GH” career in 2015.

Even with those breaks, Daytime Emmys voters nominated Geary 17 times in the lead actor category. He took home the trophy eight times, in 1982, 1999, 2000, 2004, 2006, 2008, 2012 and 2015.

Despite their plot line beginning with Luke drunkenly raping Laura — played by Genie Francis — only to have her fall in love with her rapist, their love story became insanely popular in the early 1980s, appealing to a younger audience and saving the series from cancellation. The characters got married in November 1981. The audience for the wedding, which aired over two days, was around 30 million viewers and remains the highest-rated soap opera event in history.

Tony Dean Geary was born on May 29, 1947, in the town of Coalville, Utah, and raised in the Church of Jesus Christ of Latter-day Saints. After studying theater at the University of Utah, he began his acting career with roles on shows including “Room 222,” “All in the Family,” “The Partridge Family” and “Mod Squad” in the early 1970s. “General Hospital” cast him in 1978, but not before he added shows including “Barnaby Jones,” “The Streets of San Francisco” and “Marcus Welby, M.D.” to his resume. He racked up dozens more credits in his career, but nothing that brought him the fame that “GH” did.

When Geary left “GH” for good in 2015, some former colleagues talked to The Times about working with him.

Jane Elliot, who played another Spencer love interest, Tracy Quartermaine, recalled in 2015 that she acted with Geary when he first screen-tested for the role that was supposed to be only a 13-week arc.

“It’s always awkward with an actor you don’t know,” she told The Times. “I was walking down this flight of stars, and I pass Tony, who is doodling on a piece of paper. He’s doing tic-tac-toe. I immediately know what kind of actor he is, doing something real in an unreal setting. I went up to him, put an O next to his X, and our relationship was established.”

“Tony’s friendship and guidance has meant the world to me,” said actor Jonathan Jackson, who was only 11 when he started on the soap as Lucky Spencer, Luke’s son. “He was always extremely warm and very present, there was nothing condescending in him. He never treated me like a kid. We clicked right away.”

The “Nashville” actor returned to the show after many years away to help Geary wrap up the Spencers’ story.

”When I found out he was leaving, I knew I had to come back,” Jackson said at the time. “He was great. Having those last scenes with me were everything I hoped it would be.”

Meanwhile, on Monday, co-star Genie Francis, who is still on “GH,” remembered her former on-screen love on social media.

“This morning I woke up and went into my husband’s arms. In my sleep, my life was flashing before me and I was afraid of death.” An hour later, she wrote on Facebook, producer Valentini called to tell her that Geary had died.

“I immediately felt remorse, I hadn’t spoken to him in years, but I felt his life end in my sleep last night, and with it a big part of me, and mine,” Francis continued. “He was a powerhouse as an actor. Shoulder to shoulder with the greats. No star burned brighter than Tony Geary. He was one of a kind. As an artist, he was filled with a passion for the truth, no matter how blunt, or even a little rude it might be, but always hilariously funny. He was the anti-hero, always so irreverent, but even the most conservative had to smile. Working with him was always exciting. You never knew what might happen.

“He spoiled me for leading men for the rest of my life. I am crushed, I will miss him terribly, but I was so lucky to be his partner. Somehow, somewhere, we are connected to each other because I felt him leave last night. Good night sweet prince, good night.”

THE Rolling Stones have called off plans for a UK and European tour next summer.

It would have been their first string of live dates since their huge Hackney Diamonds tour in the US in 2024 – which sold almost one million tickets.

It’s understood the band – who’ve sold over 250 million records worldwide – were looking at plans to play huge stadiums across Europe and the UK after pulling the plug on dates in 2025.

An American music critic said Keith Richards, who turns 82 on Thursday, told his bandmates Mick Jagger, 82, and Ronnie Wood, 78, he couldn’t commit to the trek at this time.

They added: “The Rolling Stones had all the big promoters throwing loads of ideas and dates at them for next summer.

“But when they properly sat down to discuss the tour, Keith said he didn’t think he could commit and wasn’t keen on a big stadium tour for over four months.”

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A spokesperson said at the time: “The band were looking to tour earlier this year but couldn’t make it work either.

“It’s hard for their fans but The Stones will get back onstage when they’re good and ready.”

In September, Ronnie confirmed to The Sun that he was waiting on the nod on the 2026 tour dates.

He also confirmed they had been working on their next album, which was recorded at Metropolis Studios in Chiswick, west London.

Ronnie said: “You will be getting new music from the Rolling Stones with an album next year. It is almost done. ”

Their last album, Hackney Diamonds, came out in 2023 and was their first record of original material in 18 years.

The album went straight to No1 in the album charts and spawned hits including Angry, which had Sydney Sweeney in the official music video.

Michele Singer Reiner, who was killed along with her husband, filmmaker Rob Reiner, on Sunday at their home in Los Angeles, was a photographer who moved from still images into filmmaking and later into producing, with work that blended performance, politics and persuasion. She was 70.

Singer Reiner was gigging as a photographer in the late 1980s, visiting film sets as part of her income. One of those sets was “When Harry Met Sally …,” the romantic comedy Rob Reiner was directing in New York, a film that would go on to become one of the era’s defining hits. Having divorced actor and director Penny Marshall eight years earlier, Reiner said he noticed his future wife across the set and was immediately drawn to her.

Scripted by Nora Ephron, the film was originally written to leave its central couple, played by Meg Ryan and Billy Crystal, separate, crossing paths over the years without ending up together. But after meeting Singer Reiner, Reiner reconsidered. He rewrote the final scene so the characters reunite and marry, an ending that helped make the film a beloved classic.

The two married in 1989, months after the film’s release. They went on to have three children: Jake, born in 1991; Nick, born in 1993; and Romy, born in 1997.

Hours after the couple were found dead at their Brentwood home, Nick Reiner — who had struggled for years with substance-abuse issues — was taken into custody and booked into Los Angeles County jail on suspicion of murder, according to jail records. He had spoken publicly about getting sober by 2015, when he worked with his father on “Being Charlie,” a semi-autobiographical film about addiction and recovery that Rob Reiner directed and Nick co-wrote.

After their marriage, Singer Reiner worked on several of Reiner’s films, as a special photographer on “Misery,” his 1990 adaptation of the Stephen King novel, among others. Their marriage also became a working partnership. As Reiner’s career expanded beyond studio films into documentaries and political projects, Singer Reiner — who earlier in her career had photographed the cover of Donald Trump on the photo of his 1987 bestseller “The Art of the Deal” — was closely associated with those efforts, collaborating on films and advocacy campaigns that increasingly overlapped.

Their civic strand emerged early. In the 1990s, she and Reiner started the I Am Your Child project, an effort aimed at raising awareness about early childhood development and expanding access to support services for parents.

The initiative coincided with Reiner’s emergence as one of Hollywood’s most prominent political voices. He was a founding board member of the American Foundation for Equal Rights, which led the legal fight to overturn Proposition 8, the California ballot measure that banned same-sex marriage. He was also a central figure behind Proposition 10, the California Children and Families Initiative, a landmark policy that created an ambitious statewide early childhood development program.

In the last decade, Singer Reiner moved more fully into producing. Her credits included such Reiner-directed projects as “Shock and Awe” (2017), “Albert Brooks: Defending My Life” (2023) and this year’s “Spinal Tap II: The End Continues,” as well as “God & Country,” a 2024 documentary examining Christian nationalism in the United States.

As news of their deaths spread, tributes emphasized the Reiners’ shared public life. Laurie David, an environmental activist and documentary filmmaker who was a close friend of the couple, wrote on Threads that “Rob & Michele — always referred to as Rob & Michele — were an extraordinary couple who worked side by side to make the world a safer, fairer and more just society.”

Former President Bill Clinton and former Secretary of State Hillary Clinton also issued a joint statement calling the couple’s deaths “heartbreaking” and pointing to what they described as the Reiners’ “active citizenship” in defense of “inclusive” democracy. “They were good, generous people who made everyone who knew them better,” the statement said.

Former House Speaker Nancy Pelosi called the loss “devastating,” writing that while Reiner was creative, funny and beloved, Singer Reiner was his “indispensable partner, intellectual resource and loving wife” in all of their endeavors.