week

TRAVELERS visiting America’s famed national parks are going to face an extra $100 entry fee this week.

It comes as the National Park Service announced a new initiative, called the “America-first entry fee policy”.

Under the policy from January 1 2026, citizens of the US will be prioritized for free entry, while international visitors will now face higher entry fees overall.

This will bring the cost of annual passes for non-residents to $250, while US residents will continue to pay $80.

The parks will no longer offer free admission at all on select days of celebration including Martin Luther King Jr. Day, which falls on the third Monday of January, or Juneteenth, celebrated on June 19.

Though Flag Day (June 14), the anniversary of the NPS (August 25), Constitution Day (September 17), and President Theodore Roosevelt’s birthday (October 27), will be acknowledged as fee-free days.

So if you’re planning a trip as a US citizen, these are the best days to aim for.

Eleven national parks will be affected, including the Grand Canyon, Yellowstone, and Yosemite, according to the U.S. Department of the Interior.

In total, there will be eight free-entry days in 2026, up from six in 2025, but only for American citizens and residents. 

Fees and increases will continue to vary by park, so it’s always best to check online before you book or travel.

The changes will make sure US taxpayers “continue to enjoy affordable access, while international visitors contribute their fair share to maintaining and improving our parks for future generations,” Interior Secretary Doug Burgum posted on X.

The increased fees come months after President Donald Trump signed an executive order to increase entry fees for foreign tourists.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

One of the bummer parts of any awards season is how it leads to a narrowing down of what movies are getting talked about and subsequently remembered from any given year. There are always way more than five or 10 titles from any given year that deserve the spotlight.

Which is why it was so exciting this week when Envelope editor Matt Brennan chose Mona Fastvold’s “The Testament of Ann Lee” and Angus MacLachlan’s “A Little Prayer” as his favorite movies of the year. “A Little Prayer” first premiered at Sundance in 2023, but didn’t get a theatrical release until this past summer. The delicate jewel of a film features warm, tender performances by David Strathairn and Jane Levy as a man and his daughter-in-law both reconciling themselves to the fallout of problems in her marriage. The movie is available now on digital platforms and is well worth seeking out.

David Straithairn and Jane Levy in the movie “A Little Prayer.”

(Music Box Films)

And we talked about “Ann Lee” here last week and will likely have more to say about it as awards season moves on. Matt’s list also included films such as “Sinners,” “One Battle After Another,” “Sentimental Value” and “Sirāt” along with “Sorry, Baby,” “Nouvelle Vague,” “Hedda,” and “The Alabama Solution.”

Meanwhile, with 2026 so fresh and new, it’s almost sacrilegious to start thinking about a future best-of-year list. But we’ve got one anyway: Here are the 14 movies we’re most excited to see in 2026. Christopher Nolan, Greta Gerwig, Steven Spielberg doing aliens again — at least on paper, there’s a lot of promise here.

4K premiere of Friedkin’s ‘Sorcerer’

An image from William Friedkin’s 1977 movie “Sorcerer.”

(Criterion Collection)

On Friday night, the American Cinematheque at the Egyptian Theatre will host the West Coast premiere of a new 4K restoration of William Friedkin’s 1977 thriller “Sorcerer” scanned from the original camera negative.

The film was a notorious flop when first released, in part because it had the misfortune of opening a week after the first “Star Wars.” An adaptation of the same novel that spawned Henri-George Clouzot’s 1953 adventure “Wages of Fear,” “Sorcerer” follows four desperate men tasked with transporting a truckload of volatile nitroglycerine through a South American jungle.

Friedkin, who died in 2023, spoke to The Times’ Kenneth Turan in 2013 before receiving a lifetime achievement award from the Venice Film Festival. The only movie shown as part of the tribute was “Sorcerer.” As Friedkin said at the time, “Every one of the films that I made, even the ones that haven’t worked, are films that I had to envision, that I had to see in my mind’s eye. And ‘Sorcerer’ is the film that came closest to my vision of what I wanted to make.”

In a January 1977 interview conducted when he had just completed filming, star Roy Scheider said that working with Friedkin “was not always to my liking as an actor. He is organized and meticulous but difficult, opiniated and tough. He can even be cruel at times. When Friedkin works on a film, nothing gets in his way, including the actors.”

Roy Scheider in the movie “Sorcerer.”

(Criterion Collection)

The film’s initial reception is perhaps well summarized by Charles Champlin’s originalLos Angeles Times review, in which he writes, “William Friedkin’s ‘Sorcerer’ is one of those movies that must make executives, no less than critics, shake their heads in stunned glum wonder. What the hell went wrong?

“A first-rate and proven piece of material. Executed with loving and meticulous care on a damn-the-cost basis by a prize-winning director with two large commercial successes behind him. But it all ends up a swollen, leaden and almost totally uninvolving disappointment that seems fairly unlikely to be saved commercially by its detonations, special effects and strenuous physical sequences.”

Champlin did seem to enjoy one element: the synthesizer score by Tangerine Dream (later of “Thief” and “Risky Business”), music that he calls “a new flavor, Latin Anxious, that works well.”

‘The Godfather Part II’

Al Pacino in the 1974 sequel “The Godfather Part II.”

(Paramount Pictures)

On Friday, Saturday and Sunday, an original I.B. Technicolor 35mm print of Francis Ford Coppola’s “The Godfather Part II” will screen at the New Beverly. It’s a rare and unusual way to see a great movie that can sometimes be flattened by overfamiliarity but remains as fresh and revealing as ever. The movie would go on to win six Oscars including best picture (the first sequel to ever do so).

The story cross-cuts between Al Pacino as Michael Corleone in the 1950s and Robert De Niro playing his father Vito Corleone in the early 1900s. The film shows the growth of the Corleone family empire and what it takes to keep it running.

In a January 1975 interview, Coppola talked about his motivations in approaching the sequel, saying, “The finished film makes what I consider a tough statement for a $13 million mass-audience picture. It says that this country is in danger of losing its soul, like Michael did. That power without humanity is destructive. … I didn’t want Michael to be destroyed by another gang or by a Senate investigation of organized crime. I wanted him to destroy himself. And to juxtapose his fall with flashbacks of his father’s rise a half-century earlier.”

Coppola, candid as ever, continued, “And, to be completely honest, there was the possibility of my making so much money I could bankroll some of my other projects.”

In his original Dec. 1974 review of the film, our Charles Champlin wrote, “In its way, ‘Godfather II’ is more daring than the original … The risks were worth taking, and the reward is that a single monumental segment of the American experience is neither glorified nor patronized, but made comprehensible and real, transmuted into drama of both scope and depth.”

Points of interest

‘The Birds’ in 35mm

Tippi Hedren and children are attacked by crows in a scene from Alfred Hitchcock’s “The Birds.”

(Screen Archives / Getty Images)

On Monday the Academy Museum will show Alfred Hitchcock’s 1963 “The Birds” in 35mm. The film is showing as part of a series about nature’s revenge on humans — a fun group of titles that also includes “Jaws” and “Orca” (both playing in 35mm), “Creature from the Black Lagoon” in 3D, “Alligator” with director Lewis Teague in person and “The Revenant” in 4K.

Transporting Daphne du Maurier’s original story to the setting of Bodega Bay in Northern California, “The Birds” presents a classic, apocalyptic what-if scenario when humans are suddenly attacked from above.

Star Tippi Hedren, who turns 96 later this month, made her movie debut in the film and over the years she has been open about how difficult the process of shooting was for her. In an April 1963 interview with Hedda Hopper, she said, “The Humane Society was there to protect the birds but there was no one to protect me.”

In a March 1963 review, The Times’ Philip K. Scheuer wrote, “Are actors people? No matter. Alfed Hitchcock, who filmed ‘The Birds’ at Universal, was once widely quoted as saying he hated actors. After his 1960 ‘Psycho’ and now ‘The Birds,’ it must be fairly obvious that he has extended his abhorrence to the whole human race.”

Oliver Lax’s ‘Fire Will Come’

Amador Arias, left, and Benedicta Sánchez in ‘Fire Will Come’

(KimStim)

Spanish filmmaker Oliver Laxe’s “Sirāt” has become one of the most celebrated films of the year, popping up on critics list and making a strong showing on the recent Oscars shortlists. On Tuesday, Acropolis Cinema will present the Los Angeles premiere of Laxe’s 2019 film “Fire Will Come” at 2220 Arts + Archives (its original release was curtailed by the pandemic). Laxe is scheduled to attend in person.

In the film, Amador (Amador Arias) has just been released from prison for arson, after having started a wildfire that ravaged the local mountains. Living with his mother, he has to overcome the suspicions and distrust of everyone in the community.

Reviewing the film in 2020 for a digital release, Carlos Aguilar called the film “quietly phenomenal,” adding, “Its discourse on forgiveness simmers in one’s mind inextinguishably.”

Joachim Trier tribute

Director Joachim Trier, photographed at the Los Angeles Times Studios at RGB House during the Toronto International Film Festival in September.

(Christina House / Los Angeles Times)

The American Cinematheque is launching a tribute to Norwegian filmmaker Joachim Trier this week. He will be appearing person with co-writer Eskil Vogt following screenings of “The Worst Person in the World” and his current movie “Sentimental Value.”

These are also rare opportunities to see two of Trier’s earlier films — his 2006 debut “Reprise” and 2011’s devastating “Oslo, August 31st” — in a theater.

“Sentimental Value” directly engages with the legacy of Scandinavian cinema, with Stellan Skarsgård playing an arthouse filmmaker trying to get a new project off the ground with his daughter (“Worst Person” star Renate Reinsve).

Going all the way back to “Reprise.” Trier has been making a case for a new kind of Scandinavian cinema: “I would hope young people would see this not as the old, dreary, dandruff-on-the-shoulders, slow European film,” he said in 2008. “I wanted to make something more sexy and relevant to people.”

It’s the second day of a brand new year, and I’d like to take a moment to look back at some of the towering talent we lost in 2025 through the appreciations and obituaries written by the arts staff.

A caveat: The Times strives to acknowledge significant figures in arts and culture when they die, but due to the fast-paced nature of daily news, we often miss people we wish we hadn’t, so this list is far from inclusive.

“Appreciation: Frank Gehry was the architect who changed music,” Times classical music critic Mark Swed on the unique way that Gehry’s designs interacted with — and elevated — sound.

“Diane Keaton, film legend, fashion trendsetter and champion of L.A.’s past, dead at 79,” Keaton, who appeared on Broadway in “Hair” and “Play It Again, Sam” before becoming a movie star, didn’t consider herself an artist, but she was a patron and published several books that captured her longtime interest in photography and collage-making.

“Appreciation: Richard Foreman, an auteur of consciousness, did things his way,” writes Times theater critic Charles McNulty of the experimental playwright.

“Playwright Richard Greenberg, the Mozart of verbal arias, brought an exquisite fluency to the American stage,” an appreciation by McNulty.

“Appreciation: Tom Stoppard reinvigorated the comedy of ideas,” McNulty on the genius of the playwright.

“Elizabeth Franz, Tony-winning ‘Death of a Salesman’ actor, dies at 84,” an obituary of the prolific stage actor whose career spanned more than five decades.

“Appreciation: Playwright Athol Fugard proved the pen could be mightier than the sword,” McNulty on the 92-year-old dramatist’s career and its deep impact on South Africa.

“Appreciation: Joe Goode beautifully blurred the lines of the art world,” Times art critic Christopher Knight on how the artist helped establish the vibrant Los Angeles art scene of the 1960s.

“Appreciation: Robert Wilson, who changed everything he touched, was the most influential theater artist of our time,” Swed on the lasting importance of the avante-garde theater maker who collaborated closely with Philip Glass.

“The lasting legacy of L.A.-born ceramicist Michael Frimkess,” a look at the legacy of the Boyle Heights-born artist who died at 88.

I’m arts and culture writer Jessica Gelt inviting you to join me on a journey of remembrance. Here’s your arts and culture news for the week.

The year in pictures

Cynthia Erivo, April 14, 2025, in Los Angeles.

(Jason Armond / Los Angeles Times)

We recently shared The Times’ best entertainment photos of 2025 and the year in news photography. Here are some of the most interesting images we’ve captured this year in the arts world.

A preview of the Los Angeles County Museum of Art’s Geffen Galleries, June 26, 2025.

(Allen J. Schaben / Los Angeles Times)

Singer Angelique Kidjo performs with cellist Yo-Yo Ma, Aug. 28, 2025, at the Hollywood Bowl.

(Hon Wing Chiu / For The Times)

The cast of “Jaja’s African Hair Braiding”: Bisserat Tseggai, left, Jordan Rice, Victoire Charles and Claudia Logan, Oct. 1, 2025, in Los Angeles.

(Christina House / Los Angeles Times)

Edward V. Valentine’s “Jefferson Davis,” at the “MONUMENTS” exhibit at MOCA, Oct. 10, 2025, in Los Angeles.

(Carlin Stiehl / Los Angeles Times)

Gustavo Dudamel conducts Youth Orchestra Los Angeles, Oct. 11, 2025, in Inglewood.

(Etienne Laurent / For The Times)

June Squibb, Nov. 4, 2025, in New York City.

(Evelyn Freja / For The Times)

Ben Platt, Dec. 4, 2025, in Los Angeles.

(Christina House / Los Angeles Times)

The SoCal scene

The exhibition floor at the LA Art Show in 2022.

(LA Art Show)

Art for 2026
The first big art event of the new year kicks off Wednesday when the 31st edition of the LA Art Show opens downtown. Galleries and institutions from around the world will exhibit art across the vast spaces of the Los Angeles Convention Center. This year’s program includes the debut of an invitation-only Latin American Pavilion, curated by Marisa Caichiolo, who also curates the DIVERSEartLA program. Among the other featured presentations are works by Israeli artist Yigal Ozeri and South African artist Esther Mahlangu, plus a solo exhibition of abstract paintings by Sylvester Stallone. The show continues through Jan. 11.

Culture news

Idris Elba arriving at the 2004 Primetime Emmy Awards at the Peacock Theater.

(Myung J. Chun / Los Angeles Times)

That’s Sir Idris to you

Actors Idris Elba and Cynthia Erivo were among the more than 1,100 people on King Charles III’s annual New Year Honours List released this week. The British tradition recognizes people who have “made achievements in public life” and “committed themselves to serving and helping the UK.” Elba, known for television roles in “The Wire” and “Luther” and movies including “Beasts of No Nation” and “Thor,” was knighted for services to young people. “Wicked” star Erivo, a Tony and Grammy winner and three-time Oscar nominee, received a Member of the Order of the British Empire, or MBE, for services to music and drama.

Freedom from fascism
On a recent fall day, Catherine Rampell of the Bulwark was given a guided tour of the Norman Rockwell Museum in Stockbridge, Mass., by the artist’s granddaughter Daisy Rockwell. In an article published this week, “The MAGAfication of Norman Rockwell,” Daisy expressed her displeasure with the Trump administration’s misappropriation of her grandfather’s work to promote the U.S. Department of Homeland Security’s anti-immigrant operations. “Norman Rockwell was antifa,” Daisy told Rampell. “They used [the paintings] … as though his work aligned with their values, i.e., promoting this segregationist vision of America. And so of course we were upset by this, because Norman Rockwell was really very clearly anti-segregationist.” Through most of Rockwell’s career, he depicted American life largely through a white lens, but eventually came to a reckoning with some of his own views, chronicling some of the most significant moments of the civil rights movement. In November, the Rockwell family published a letter in USA Today detailing how the artist’s “efforts to eradicate prejudices both within himself and others led him to explore issues of racism, violence and segregation well into his 70s.”

Russia reopens Mariupol theater where hundreds died
In March 2022, a Russian air strike killed more than 600 civilians sheltering inside a historic theater in the Ukrainian city of Mariupol. This week, the Associated Press reported that Moscow-installed authorities in the now occupied region reopened the Donetsk Academic Regional Drama Theater with a gala concert on the building’s newly rebuilt main stage. Russian state media outlets shared images of the building’s marbled pillars and staircases as dancers, wearing kokoshniks, traditional Russian headdresses, performed. Mariupol’s Ukrainian city council, which left the city when it became occupied, denounced the “restoration,” calling it “a cynical attempt to conceal the traces of a war crime” in a statement on Telegram.

— Kevin Crust

And last but not least

“Twelfth Night,” with Moses Sumney, left, Kapil Talwalkar, Junior Nyong’o and Lupita Nyong’o at the Delacorte Theater in Central Park, which was broadcast on PBS’ “Great Performances” in November and is available to stream via PBS Passport.

(Joseph Sinnott)

Times television critic Robert Lloyd wrapped his year with an essay, “6 ways public broadcasting will improve your life. And that’s a promise.” One suggestion is to make a tax-deductible $5-a-month donation to PBS. That gifts gets you “PBS Passport,” public television’s all-access streaming platform, which offers an endless bounty of quality programming. Key among the offerings of interest to readers of this newsletter are programs such as “Great Performances,” “Austin City Limits” and “Artbound,” plus a rabbit hole of regional arts programming with something for every taste. As Lloyd wrote, “If you can’t find something to watch or listen to here, you are simply an incurious person.”

Will Bryson III of St. Paul stuck it out for his senior basketball season even though the team lost pretty much everybody to graduation except for him.

All he can do is his best, and that’s what he has been doing, including a 68-point performance two weeks ago in Las Vegas in a triple overtime game.

The 6-foot-4 guard is averaging 33.1 points a game for St. Paul (6-9) and showing dedication in that he stayed knowing the team might not be as good as last season’s 19-11 team, but he’d be the leader entrusted to help young players develop. On Friday, he faces the state’s leading scorer, Jason Crowe Jr. of Inglewood, in a noon game at Morningside. Bryson ranks as No. 3 in the state. Crowe is averaging 43.9 points and the two have been facing off since their youth days.

Coach Patrick Roy has been raving about Bryson’s contributions.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

LONDON City Airport will introduce drop-off fees for the very first time.

In just a matter of days, the airport will charge those dropping off passengers at its airport.

London City Airport will introduce a drop-off charge of £8 from January 6, 2026.

On its website, the airport said: “The charge will be £8.00 for 0-5 minutes, then £1 per minute for any additional minutes, with a maximum stay of 10 minutes.”

Blue Badge holders are exempt, as are licensed black cab drivers.

London City is the last of the London airports to allow free drop-offs.

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The airport explained: “The charge will help London City meet its wider sustainability goals by reducing the number of vehicles travelling to and from the airport, supporting efforts to lower congestion, reduce emissions and improve air quality in the surrounding area.”

The hope is that the fee will encourage travellers to use public transport rather than arrive by car.

Currently, around 10 per cent of passengers arrive by car, with another 14 per cent using taxis.

Planes from London City Airport fly to over 30 destinations across Europe including Amsterdam, Spain and Greece.

London City is the most recent airport to announce its new drop-off charges, but other major airports are doing the same in 2026.

As of January 1, 2026, London Heathrow has increased its drop-off fee from £6 to £7.

The last drop off increase at London Heathrow was in December 2024, from £5 to £6.

It is also introducing a strict 10-minute drop-off time, with drivers charged £80 if they go over the allocated time slot.

In just a matter of days, London Gatwick is also upping its drop-off fee.

From January 6, 2026, London Gatwick Airport will charge passengers being dropped off the new fee of £10.

Currently charging £7, the £3 increase (a 40 per cent jump) will apply to all drivers using the drop-off zone, excluding Blue Badge holders.

Major UK airport’s plans for millions more passengers ahead of £1.1bn expansion – with new flights to Europe this year.

My local airport was named the best in the UK – it beats London Heathrow and City by miles.

A historic theater in the Russian-occupied Ukrainian city of Mariupol has opened its doors more than three years after it was pummeled in a Russian airstrike that killed hundreds of civilians sheltering inside.

Moscow-installed authorities marked the rebuilding of the Donetsk Academic Regional Drama Theater with a gala concert on the building’s new main stage Sunday night. Images shared by Russian state media outlets showed the building’s marbled pillars and staircases, and dancers wearing traditional Russian headdresses known as kokoshniks performing.

The original theater was destroyed when it was targeted by a Russian airstrike on March 16, 2022, as Moscow’s forces besieged the city in the weeks after their invasion.

An Associated Press investigation later found evidence that the attack killed about 600 people inside and outside the building — almost double an early estimate from the government.

At the time of the strike, hundreds of civilians had sought refuge in the building after weeks of relentless shelling. The word “children” had been written with paint on the street outside the building, large enough to be seen by both pilots and satellites.

Moscow said that Ukrainian forces demolished the theater, a claim that the AP’s investigation refuted.

Russian forces took control of Mariupol’s city center shortly after the strike. The ruins were bulldozed and any remains were taken to the ever-growing mass graves in and around Mariupol.

Mariupol’s Ukrainian city council, which left the city when it was occupied for Ukrainian-controlled territory, called the rebuilding and the opening of the theater “singing and dancing on bones.”

“The ‘restoration’ of the theater is a cynical attempt to conceal the traces of a war crime and part of an aggressive policy of Russification of the city. The repertoire consists largely of works by Russian writers and playwrights,” the council said in a statement on Telegram.

Guests of honor at Sunday’s opening included Denis Pushilin, the Russian-installed head of the partially occupied Donetsk region, and St. Petersburg Gov. Alexander Beglov. Workers from St. Petersburg, which was twinned with Mariupol after Russia took full control of the city in May 2022, aided in the building’s reconstruction.

The Donetsk region, where Mariupol is located, has remained a key battleground throughout the war. Russia illegally annexed it in 2022, though Moscow still doesn’t control all of it. The region’s fate is one of the major sticking points in negotiations to end the war.

Sunday, 10 a.m. TV: NFL Ticket.

Line: Vikings by 5½. O/U: 36½.

The Packers are locked in as the No. 7 seed, and the Vikings are playing for pride. Have to believe with all the injuries his team has dealt with, Green Bay coach Matt LaFleur is going to make preserving health a priority. So no matter what happens at quarterback, I like the Vikings winning at home.

Pick: Vikings 21, Packers 16

Dec. 31 (UPI) — The nation’s new jobless claims exceeded expectations with fewer than 200,000 reported for the week ending on Saturday, marking the third straight week that new jobless claims fell.

The number of new jobless claims fell by about 16,000 and posted a seasonally adjusted 199,000, the Labor Department announced on Wednesday.

The term “seasonally adjusted” refers to a statistical method in which seasonal effects, such as weather and holidays, are factored to better show the direction in which the nation’s job market is moving.

Last week’s decline was the third straight week and the seventh of the past eight in which seasonally adjusted new jobless claims declined across the country, MarketWatch reported.

Economists responding to a Wall Street Journal poll had estimated 220,000 new jobless claims for the week.

The prior week’s new jobless claims were revised up by 1,000, from an initial estimated of 214,000 to the adjusted total of 215,000.

The Labor Department reported 269,953 unadjusted new jobless claims last week, which was up by 5,333 and 25 from the prior week ending on Dec. 20. Economists had predicted an increase of 26,612 for a 10.1% increase last week.

The unadjusted new jobless claims for last week were down from 283,488 during the same period in 2024.

Meanwhile, the number of people with previously established unemployment claims fell by 47,000 to 1.87 million for the week that ended on Dec. 20.

The number of continuing claims had risen since the pandemic due to a slowdown in hiring, but they have not grown in number in recent months, according to MarketWatch.

While new and existing jobless claims are down, some economists cautioned that the slow hiring pace since the summer might herald an economic slowdown.

The nation’s total unemployment rate rose to 4.6% in November, which was its highest rate since September 2021.

The states with the five highest unemployment rates for the week ending on Dec. 13 were Washington state at 2.5%, followed by New Jersey, 2.4%; Massachusetts and Minnesota, 2.2%, each; and California, Illinois and Rhode Island at 2.1%, each.

It was the last story I wrote before everything changed.

It was Jan. 5, 2025, and I was marveling at the Rams gumption in their short-handed loss to the Seattle Seahawks.

“It was weird,” I wrote. “It was wild.”

I was so witty. I was so wrong.

Two days later, I was fleeing for my life, steering my car down narrow Altadena streets with a fireball at my back and a nightmarish future sprawled across the smoke-filled streets ahead.

Now that was weird and wild.

The year 2025 was more tumultuous than any silly football game and its accompanying overwrought metaphors. It was a year that knocked me flat, tearing me apart from so many things that once anchored me, setting me afloat in a sea of guilt and despair and ultimate uncertainty.

Today, I have a home but no home. My days are filled with the beeps and growls of bulldozers. My nights are draped in the silence of emptiness. What was once one of the coolest secrets in Los Angeles has become a veritable ghost town, the vast empty spaces populated by howling coyotes and scrounging bears.

And I’m one of the lucky ones.

A lot has changed in the 12 months since the Eaton Fire spared my house but destroyed my Altadena neighborhood. I say a daily prayer of thanks that I did not endure the horror of the 19 people who lost their lives and thousands more who lost their homes. I am beyond fortunate to live in what was left behind.

But virtually nothing was left behind. Venerable manicured homes have been replaced by weed-choked vacant lots. Familiar local businesses are now empty parking lots. There is the occasional sighting of new construction, but far more prevalent is “For Sale” signs that have seemingly been there for months.

After living in the limbo of hotels and Airbnbs for two months while my home was remediated, I was blessed to return to four walls and running water, but beset with the guilt of having a front-row seat to the pain of so many who lost everything. I was spared, but nobody in Los Angeles was spared, and it wasn’t until halfway through the year that I noticed a consistent light from the strangest source.

Dodgers two-way star Shohei Ohtani points as he rounds the bases after hitting a solo home run during Game 3 of the World Series.

(Gina Ferazzi/Los Angeles Times)

Every night, I would watch the Dodgers. At least once every couple of weeks, I would attend a Sparks game with my daughter, MC. Soon, there would be Saturdays with one of our college football teams, then Sundays with the NFL then, the baseball playoffs, leading to the insane Game 7 and morphing into the annual Lakers winter drama.

By the final weeks of December, I realized that one thing has consistently kept my spirits strong, perhaps the same thing that has helped keep our city upright through trials much tougher than mine.

Sports.

The highs, the lows, the dramatics, the desperation, it was all there when nothing was there, it was the feeling that even with everything gone, you still belonged to something.

UCLA women’s basketball players celebrate as confetti falls after they beat USC to win the Big Ten tournament title.

(Michael Conroy/AP)

From Dodgers exhilaration to Laker despair, from USC football frustration to UCLA women’s basketball greatness, sports has been the bright wallpaper on a year of Southland darkness.

It is sports that kept me grounded, kept me steady and somehow kept me believing.

In the worst year of my life, it was sports that saved me.

The path back to normalcy began two weeks after the Eaton fire, when I left my temporary hotel room to attend a press conference for the Dodgers’ latest Japanese import, Roki Sasaki.

“Invincible,” I wrote about the team’s rebuilt roster, a word that was so comforting during such a time when everything in life felt tenuous.

I came back to the hotel after the press conference, wrote my story then, like thousands of others in my situation, packed up and moved to another hotel.

Lakers guard Luka Doncic claps hands with forward LeBron James during a game against the Clippers on March 2.

(Mark J. Terrill / Associated Press)

Soon thereafter I was awakened late one night with the news of the Lakers stunning acquisition of Luka Doncic. I wrote this column from a rental house while preparing to move to yet another new place. My clothes were in a plastic grocery bag. My house was still in shambles. In Doncic, as least, there was hope.

Several days later I attended the Doncic press conference, asked a question, and Doncic asked me to repeat it. Turns out, it wasn’t a language barrier, it was a sound barrier. I was speaking too softly. It was then I noticed that the trauma from the fire had exacerbated my Parkinson’s Disease, which affected my voice, one of the many symptoms which later led me to acknowledging my condition in a difficult mid-summer column.

Yeah, it was a helluva year.

Good news returned in early March when it was announced that the Dodgers had made Dave Roberts the richest manager in baseball, giving him a new four-year, $32.4 million contract. In a bit of dumb luck that hasn’t stopped me from bragging about it since, 10 years ago I was the first one to publicly push for Roberts’ hiring. In such unstable times in our city, Roberts had become the new Tommy Lasorda, and his presence became a needed jolt of smile.

Dodgers manager Dave Roberts salutes fans during the team’s World Series celebration at Dodger Stadium on Nov. 3.

(Carlin Stiehl/For The Times)

In early April, I wrote a column I never thought I’d write — that Bronny James had been transformed from circus to contributor. I also wrote a column that I maybe wish I hadn’t written so soon, that JJ Redick was a Laker success.

By then, writing stories about Laker conflicts was a refreshing respite from dealing with fire hassles. We were back in the house, but were we safe? Did we test enough for toxins? And how can we look our next-door neighbor in the eye when she comes to examine the giant empty scar where her house once stood?

In late May I sadly said goodbye to my second family when I wrote about the end of my 22-year run on ESPN’s popular “Around the Horn” game show. It wasn’t the first time in 2025 that a column brought me to tears, witness the video immediately after the fire. Agreed, I spent the year showing so much emotion for someone who had gotten so lucky. But I’m guessing I wasn’t alone.

Two weeks later I wrote about my new family, the group of boxers I have joined in my fight against Parkinson’s. That was the toughest column I have ever written, as I was acknowledging something I refused to admit for five years. But the fire had seemingly set the disease ablaze, and I could hide it no longer.

The year continued with columns about the soon-to-be-retiring Clayton Kershaw, the greatest Dodger pitcher with the greatest entrance song. Hearing “We Are Young” when he took the mound consistently gave me hope that, through the treacheries of a summer that marked the escalation of those insane ICE raids, we can continue to strive for rebirth.

That’s what sports consistently provided in 2025, the hope that from beneath the rubble, we could all fly again.

I voiced this hope in a Rams preview column that predicted they would go to the Super Bowl. I later wrote a Rams column predicting they would actually win the Super Bowl. I stand by my stories.

All of which led to a series of Dodger playoff columns that hopefully reflected the building energy of a town enthralled. After their Game 7 victory against the Toronto Blue Jays, I was so spent that I hyperventilated for what felt like an hour.

Dodgers pitcher Yoshinobu Yamamoto holds up the MVP trophy after beating the Blue Jays and winning the World Series.

(Robert Gauthier/Los Angeles Times)

“In the end, they not only ran it back, they sprinted it back, they slugged it back, and then, finally, they literally Will-ed it back,” I wrote.

In hindsight those words could have been written not only about a team, but a city, fighting back, staying strong, the results of its struggle mirroring the Dodgers’ consecutive championships, punching through desperation, from struggle to strength.

In 2025, sports showed me that life can get better, life will be better, that if we hang in there long enough we can all hit that Miggy Ro homer, make that Andy Pages catch, stay forever young.

And thus I offer a heartiest and hopeful welcome to 2026.

Bring it on.

THE Government is launching a week long sale on train tickets that could save you up to 70 per cent on transport.

Running from 6-12 January millions of train tickets will be discounted to help make half term activities, weekend getaways and commuting more affordable.

The reduced fares can be used to travel on thousands of popular routes between 13 January and 25 March 2026.

The routes span the length and breadth of Britain as nearly all train operators are taking part.

Make the most of the £10 fares from south coast destinations such as Portsmouth to London Waterloo by booking a big day out or catch up with a city friend.

If you’re planning a holiday abroad you could maximise your savings by booking it between January and March as journeys from Manchester Piccadilly to Manchester Airport will cost just £1.20, down from £2.90. 

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This is the fourth year of the Rail Sale and last year over 1 million tickets were sold, bringing in over £9 million in ticket sale revenue for the industry. 

Passengers last time saved an average of £8 per journey.

The sale marks another of the Government’s attempts to ease the cost of living by freezing rail fares for the first time in 30 years. 

Transport Secretary, Heidi Alexander, said: “The Rail Sale is back – and it means further discounts for passengers as we freeze rail fares for the first time in three decades to help ease the cost of living.

“We all want to see cheaper rail travel, so whether you’re planning a half term getaway, or visiting friends or family, this sale offers huge reductions. 

“It’s all part of our plans to build a railway owned by the public, that works for the public.” 

Welcome to Screen Gab, the newsletter for everyone who is mindlessly scrolling on their phones before the futile New Year’s resolution to curb the habit begins.

In our annual year-end edition, we expand our usual “ICYMI” feature, highlighting 2025’s most-read stories about film and television. It’s a hearty mix of celebrity profiles, insightful criticism and deep dives into the most talked-about pop culture that defined the year.

And we couldn’t do it without the support of our subscribers. We know there’s an endless stream of TikToks, Reels, articles and, ahem, other newsletters competing for your attention in any given minute — not to mention, TV and movies! — so we’re incredibly thankful for the time you choose to give this newsletter each week. We hope to continue guiding you through all the exciting film and television that greets us in 2026.

Until then, happy reading and happy watching! See you in the new year!

Take care,

Yvonne Villarreal

(The writer who tries to pull this whole thing together each week, with the help of my tag-team partner Maira Garcia.)

P.S.: Shout out to my amazing colleagues who never make me grovel for contributions, even with their demanding work loads. And to the copy editors who remain the true heroes of this place.

Diane Morgan as Philomena Cunk in “Cunk on Life.”

(Netflix / BBC / Broke & Bones)

How far will Philomena Cunk go to get a laugh? ‘If he breaks my nose, it’ll heal’: Diane Morgan, the actor who plays know-nothing TV pundit Philomena Cunk, explains how series like ‘Cunk on Life’ come together. (Jan. 2)

Billy Bob Thornton unpacks ‘Landman’ finale, details his hopes for Season 2: The actor, who stars as the fixer for a Texas oil company in the hit Taylor Sheridan drama, breaks down the season finale and discusses the prospects for Season 2. (Jan. 12)

Laura Dern’s letter to David Lynch: You wove L.A. into our dreams: The Oscar-winning actor reflects on a lifetime of work with the filmmaker, with whom she collaborated on ‘Blue Velvet,’ ‘Wild at Heart’ and ‘Inland Empire.’ (Jan. 22)

In deathbed audio, Paul Reubens recalled pain of being falsely labeled a pedophile: The recording is featured in HBO Documentary Films’ ‘Pee-wee as Himself,’ which premiered Thursday at the Sundance Film Festival. (Jan. 23)

Sundance is moving to one of 3 cities. Here’s what we know about their bids: Boulder, Cincinnati and a combined Salt Lake City and Park City are competing to become the new home of the Sundance Film Festival. (Jan. 24)

How Karla Sofía Gascón turned a historic Oscars first into a historic Oscars nightmare: With a series of resurfaced tweets, the lead actress nominee for ‘Emilia Pérez’ has caused an awards season uproar — and plenty of culture war confusion. (Feb. 4)

(Stephanie Jones / Los Angeles Times; Getty / JB Lacroix)

Justin Baldoni’s tumultuous road to the center of a Hollywood scandal: The actor-director built a career blending his Bahai values and storytelling. Now allegations involving Blake Lively and ‘It Ends With Us’ threaten his image. (March 5)

‘Severance’ stars explain Season 2’s harrowing finale and the ‘love hexagon’: Actors Adam Scott, Britt Lower and Dichen Lachman, director Ben Stiller and series creator Dan Erickson discuss “Cold Harbor,” the mind-blowing Season 2 finale. (March 21)

What happened on the shocking ‘White Lotus’ Season 3 finale: Who died? Did Gaitok shoot? What happened to the lorazepam? As Mike White’s HBO anthology wraps up it’s third season, we’re here to explain it all. (April 7)

Two new mysteries show the tariff-proof resilience of Arthur Conan Doyle and Agatha Christie: “Sherlock and Daughter,” a paternal twist on the Holmes legend and a new adaptation of Agatha Christie’s “Towards Zero” debut on the CW and BritBox, respectively. (April 16)

Natasha Lyonne portrays Charlie Cale in Peacock’s “Poker Face.”

(Christina House / Los Angeles Times)

Natasha Lyonne remains unconventional as a sleuth in ‘Poker Face’ and in her career: The actor is back as Charlie Cale in ‘Poker Face,’ Peacock’s murder mystery series, and for Season 2, Lyonne is adding director to her list of duties on the show. (May 8)

‘Good Night, and Good Luck’ CNN live broadcast brings George Clooney’s play to the masses: The actor’s Broadway play, based on his 2005 film, allowed viewers at home to see the actor’s much-hyped turn as Edward R. Murrow through CNN’s live television event. (June 7)

‘And Just Like That…’ seems determined to insult women over 50. And under 50: The reboot of HBO’s groundbreaking series ‘Sex and the City’ has failed to mature the women at the center of the show, or their relationships, much to this viewer’s dismay. (July 3)

Up, up and … eh? A rebooted ‘Superman’ gives the Man of Steel a mind of marshmallow: Director James Gunn launches his DC Extended Universe with a high-energy Superman played by David Corenswet, joined by co-stars Nicholas Hoult and Rachel Brosnahan. (July 8)

Stephen Colbert’s ‘Late Show’ is canceled, but he won’t go quietly into that goodnight: CBS announced that ‘The Late Show With Stephen Colbert’ would end in 2026. (July 18)

How ‘The Fantastic Four’ post-credits scene brings us one step closer to ‘Doomsday’: Yes, ‘The Fantastic Four: First Steps’ includes two post-credits scenes. Here’s how that big reveal sets up what’s coming in Phase 6 of the MCU. (July 24)

“The Wizard of Oz,” as presented in the Las Vegas venue Sphere.

(Rich Fury / Sphere Entertainment)

‘Wizard of Oz’ at Las Vegas’ Sphere feels more like a ride than a movie (with Disneyland-level pricing): The cherished 1939 fantasy has been expanded by generative AI to fit the giant parameters of the Las Vegas immersive venue. Has too much creative license been taken? (Sept. 3)

After 15 years of ‘Downton Abbey,’ Hugh Bonneville and Michelle Dockery can’t quite say goodbye: The actors reflect on their father-daughter roles in ‘Downton Abbey,’ the end of an era and honoring Maggie Smith’s legacy in ‘The Grand Finale.’ (Sept. 5)

How an O.C. teen joined Kanye West’s inner circle and filmed him unfiltered for six years: Director Nico Ballesteros followed Ye at close range, capturing the artist’s rawest highs and lowest lows in the new documentary “In Whose Name?” (Sept. 10)

Shutdown of Corp. for Public Broadcasting, recipient of Governors Award, elicits boos at Emmys: The Corp. for Public Broadcasting, which last month announced it would be shutting down after federal funding cuts, received the 2025 Governors Award at an earlier ceremony. (Sept. 14)

Jenny Han on ‘The Summer I Turned Pretty’ series finale and why Belly had to go to Paris: The author, producer and showrunner knows fans are restless about how her hit Prime Video series might end, but she says she “loves surprising people.” (Sept. 15)

A look at the scene outside the El Capitan Entertainment Centre, where the late-night show “Jimmy Kimmel Live!” is staged, in the wake of the show getting pulled from ABC.

(Jae C. Hong / Associated Press)

ABC’s decision to pull Jimmy Kimmel’s show has echoes and contrasts of Roseanne Barr firing: The news that ABC would be pulling ‘Jimmy Kimmel Live!’ indefinitely was reminiscent of the cancellation of Roseanne Barr’s eponymous sitcom, which had been rebooted in 2018, but had significant differences. (Sept. 18)

What Jon Stewart, Stephen Colbert, Jimmy Fallon and Seth Meyers said about Jimmy Kimmel’s suspension: The four late-night hosts weighed in on ABC’s decision to suspend Jimmy Kimmel’s show indefinitely in their monologues and in other segments. (Sept. 18)

Jimmy Kimmel returns to ABC with emotional monologue defending free speech: ‘We have to stand up’: The host returned Tuesday to his late-night show on ABC, where he addressed his comments on Charlie Kirk’s death and thanked those who have supported him in the past week. (Sept. 23)

‘South Park’ quietly ended Season 27, jumping into Season 28 with new episode roasting Peter Thiel: The adult animated comedy series returns Wednesday to Comedy Central with a new episode that also marks a new season. (Oct. 15)

Welcome back to this week’s Lakers newsletter, where we’re recalibrating for 2026.

The Lakers were forced to do some end-of-year soul-searching after a three-game losing streak. A productive meeting helped the team refocus on its vision board. The board featuring the Lakers’ three main resolutions reappeared in the practice gym this week: “championship habits, championship communication, championship shape.”

See, we all promise to hit the gym harder “next year.”

Two-headed monster

LeBron James and Luka Doncic pose for photos during Lakers media day on Sept. 29 in El Segundo.

(Ronald Martinez / Getty Images)

This is the pairing we’ve all been waiting for. But we haven’t seen Luka Doncic and LeBron James together all that often.

Since Doncic joined the Lakers in that blockbuster trade, he and James have played together without Austin Reaves only six times in the regular season. With Reaves now sidelined for a month with a calf injury, the two Lakers superstars are going to have to get familiar with each other again.

In lineups with Doncic and Reaves, the Lakers have a net rating of 7.3, one of the team’s highest ratings for a two-man lineup that’s played at least 100 minutes. Playing together for 452 minutes, it’s the most efficient rating for any pair of regular starters.

But lineups with Doncic and James have a -10.3 net rating in 279 minutes and the James-Reaves pairing is -6.1 in 245 minutes.

Coach JJ Redick acknowledged after the team’s three-game losing streak that the offense since James returned has felt disorganized at times. While Reaves’ injury strips the Lakers of their second-leading scorer and an important ball handler, Redick agreed that just having Doncic and James for now can make the offense easier to untangle.

Redick presented a potential solution by restructuring the substitution pattern during a win over the Kings on Sunday. He subbed Doncic out of the first quarter with about three minutes remaining instead of having him play the entire first frame. He re-entered the game with about nine minutes left in the second instead of waiting until the six- or seven-minute mark.

The plan was to let Doncic and James have more time operating the offense individually, Redick said, while not diminishing either player’s total minutes. The team still used both of them in actions together and it’s not an overarching plan to “keep them apart,” Redick stressed.

“We’re going to do this for the foreseeable future,” Redick said, “and just see how it goes.”

The Lakers were plus-12 in the 18 minutes with Doncic and James on the court against the Kings compared to -5.8 in 23.7 minutes in previous games this year. The projected starting lineup now that Reaves it out would typically feature Doncic, James, Marcus Smart, Rui Hachimura and Deandre Ayton, and that group has a -26.0 net ranking in 37 minutes together this season.

“I don’t want to create the narrative of ‘me and Luka,’” James said. “It’s five guys on the floor and seven guys that come off the bench. It needs to be all of us. It’s important that we set the tone.”

More than just the production on the court, the Lakers will look to their superstars for leadership during this next stretch. Redick acknowledged that Doncic and James have a responsibility to set the tone for the Lakers, especially at the beginning of games.

The Lakers were minus-28 in first quarters during their three-game losing streak. Doncic said after the Christmas Day debacle that everybody had to give “better effort, starting with me.”

Then he backed up his words with his play, scoring nine points with two assists and three rebounds in the first quarter. He had two steals and a block in the first half.

“He’s the head of the snake,” forward Maxi Kleber said of Doncic before the game. “We all follow him, so it’s good for us to see him also step up in that sense, and take ownership, because it will help everybody else do the same and focus especially with that effort on every possession.”

LeBron vs. Father Time (OT)

Lakers forward Lebron James drives in front of Kings guard Demar Derozan (10) as center Maxime Raynaud (42) watches Sunday at Crypto.com Arena.

(Jessie Alcheh / Associated Press)

When James released his LeBron XX sneakers, he battled Father Time in a series of commercials that pitted actor Jason Momoa, dressed in purple robes with gray hair and a long beard, against James in a plank contest, karaoke and ultimately one-on-one basketball.

Three years after James blocked Father Time’s shot in the commerical series’ “final round,” James is still competing against the opponent everyone says is undefeated.

“I’m in a battle with him,” James said Sunday, two days before his 41st birthday. “And I would like to say that I’m kicking his ass on the back nine.”

James then walked out of his postgame interview with a smile on his face after his final game as a 40-year-old.

James, who celebrates his 41st birthday Tuesday, is not the same force that he was in his late 20s or even 30s, but he is still accomplishing feats never seen in the NBA. James is averaging 20.5 points, 4.9 rebounds and 6.7 assists in his record 23rd NBA season. Only five players have ever averaged double-digit scoring during or after their Year 40 season. None averaged better than Kareem Abdul-Jabbar’s 14.6 points per game in 1987-88.

How LeBron James and Kareem Abdul-Jabbar compare in their 40s.

(Thuc Nhi Nguyen / Los Angeles Times)

“Unbelievable,” 21-year-old guard Nick Smith Jr. said of James’ performance at this stage of his career. “Him and my dad [are] the same age, and my dad hasn’t played in like 10 years. So the stuff he do is incredible. Yeah, he’s not normal.”

James knows his clock is ticking. He has recognized multiple times this season that he is cherishing what could be the final moments of his career. He acknowledged great road crowd receptions in Philadelphia and Toronto and spoke wistfully about how he’ll never be able to recapture the feeling of entering a packed arena.

It’s why moments like his three dunks against the Kings that fired up the home crowd Sunday are still meaningful, even if he’s not jumping as high as he once did.

“It is remarkable,” said Redick, who turned 41 in June this year and last played in 2021. “I have trouble getting out of bed in the morning and got to get an injection on my knee. My body is old and broken.”

A day after James rocked the rim with a reverse dunk against the Kings, Redick was happy to report he can “still barely touch the rim.”

On tap

Dec. 30 vs. Pistons (24-8), 7:30 p.m. PST

Detroit is one of the biggest surprises of the NBA season, emerging from a first-round playoff exit last year to now lead the wide-open Eastern Conference. But the Pistons have lost two in a row, including a stunning loss to the Clippers and Kawhi Leonard, who dropped 55 points on Sunday.

Jan. 2 vs. Grizzlies (15-17), 7:30 p.m. PST

Grizzlies star guard Ja Morant is back from a sprained ankle that cost him four games, but the team is still missing center Zach Edey, who has been sidelined with an ankle injury since Dec. 11. Memphis is 4-4 without Edey (13.6 points, 11.1 rebounds) after going 7-4 with him. He missed the beginning of the season after surgery on the same left ankle.

Jan. 4 vs. Grizzlies (15-17), 6:30 p.m. PST

This game wraps up a four-game homestand for the Lakers, who have 10 of their 16 games in January on the road.

Status report

Jaxson Hayes: Left ankle soreness

Hayes missed two games after reaggravating an ankle injury against Phoenix on Dec. 23 but is expected to return on Tuesday against Detroit.

Rui Hachimura: Left calf soreness

Hachimura missed practice Monday, but Redick doesn’t expect Hachimura to be out for long as the forward is “just a little banged up.” Hachimura is out for Tuesday’s game against Detroit.

Austin Reaves: left calf strain

Reaves will be out for at least a month. He is not scheduled to be reevaluated until around Jan. 26.

Gabe Vincent: Lumbar back strain

Vincent has missed four games and had no status change after his initial reevaluation date of Dec. 25.

Favorite thing I ate this week

Bun mang, Vietnamese bamboo shoot noodle soup.

(Thuc Nhi Nguyen/Los Angeles Times)

I spent Christmas Day with my Lakers beat family at Crypto.com Arena then Boxing Day with my extended family in Orange County. My aunt made bun mang — Vietnamese bamboo shoot noodle soup — for the holiday and saved me a bowl.

It’s more traditionally served with duck, but my aunt prefers chicken. I told her I’d never had this dish before because I don’t think my mom ever made it. She explained that it takes three days of soaking, rinsing and boiling the bamboo shoots, so now I understand why my mom never made it. But it was worth my aunt’s effort.

In case you missed it

Lakers takeaways: Nick Smith Jr. shines in win over Kings with Austin Reaves sidelined

After talking through problems, Lakers find unexpected third scorer to end losing streak

Lakers ‘recalibrate’ after Austin Reaves injury, three-game losing streak

Lakers guard Austin Reaves out for at least a month because of calf injury

‘We don’t have it right now.’ Takeaways from the Lakers’ third straight loss

Lakers lose Austin Reaves, then get called out by JJ Redick after loss to Rockets

‘A million choices’: Lakers’ defense will get a Christmas Day test vs. Rockets

Austin Reaves’ return can’t save Lakers from dismal defensive effort in loss to Suns

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

IT’S TWIXMAS, you probably have no clue what day it is and returning to work still feels far away – so here’s some free things to do across the UK this week to fill your time.

From museums to New Year celebrations, we’ve found plenty of activities that don’t cost a penny.

It might be worth bearing in mind though that a lot of places will be closed on Thursday, which is New Year’s day – so just make sure to check out websites of attractions and events before you head out for the day.

New Year’s Eve Lantern Parade, Ramsgate

In Ramsgate, you can head to the New Year’s Eve Lantern Parade on December 31 at St George’s Church from 4:15pm.

This year’s theme is Love, Peace and Joy to the World.

The parade will begin at 4:45pm and finish at the Ramsgate Tunnels where there will be drinks.

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Families can even head to an artist-led workshop before the parade to make lanterns.

Whales, St Albans Cathedral

At St Albans Cathedral, you will find an installation called ‘Whales’.

The installation features three large sperm whale sculptures – that are above the Nave – created by artist Tessa Campbell Fraser.

The installation is open from New Year’s Eve and there will also be a number of other events taking place at the Cathedral whilst the Whales are on show including a silent disco.

Helios, St Albans Museum + Gallery

Head to the St Albans Museum + Gallery for a new immersive experience that opened on December 27.

Inside the museum, visitors will find a six-metre sculpture of the Sun by artist Luke Jerram.

There will also be a number of events for all ages.

It is free to visit, but there is a booking system in place.

Hyakkō – 100+ Makers from Japan, Japan House, London

Hyakkō is the current craft exhibition at Japan House in Kensington, London.

Across the exhibition visitors can see around 2,000 handcrafted items from more than 120 artists.

Items include ceramic matcha bowls and metal teapots.

Walton Hall and Gardens, Cheshire

There are lots of things to do at Walton Hall and Gardens in Cheshire and much of the attraction is also open on New Year’s Day.

There’s a children’s playground, glasshouses and even a cycle museum to explore.

Four-legged friends don’t need to be left out either as the attraction (except the children’s zoo) is dog-friendly.

There’s also a small children’s zoo with farm animals, including rescued donkeys.

And if you get hungry there is also a cafe.

The Isle of Wight Donkey Sanctuary

The Donkey Sanctuary on the Isle of Wight has over 100 donkeys, mules, and Shetland ponies that have been rescued.

And visitors can interact with them across a number of barns and paddocks.

There is a cafe too and also a gift shop to explore.

A Guiding Light by Louisa Smurthwaite & Douglas Green, Wembley Park

Located at Wembley Park, ‘A Guiding Light’ is a large public art installation that features 36 banners lining Olympic Way, depicting the 12 hours of the moon rising and the 12 hours of the sun setting.

The artwork has been created by light artists Douglas Green and Louisa Smurthwaite.

There are also a number of other installations around Wembley Park that are free to visit, including The Wishing Tree which is a 30ft installation on the Spanish Steps.

New Year’s Day Parade, London

One of the biggest New Year’s events on the planet, takes place in London on New Year’s Day.

The 2026 parade will be the 40th one held in the capital and will feature music, 8,000 performers, giant balloons, heritage vehicles and more.

The route stretches 2.2 miles in total and will travel through Piccadilly, Regents Street, St James’s, Pall Mall, Trafalgar Square and Whitehall.

The parade will begin at 1pm and finish at 4:30pm.

Seven Stories – the UK’s National Centre for Children’s Books, Newcastle

Inside Seven Stories, The National Centre for Children’s Books, visitors will find seven floors dedicated to children’s books.

There are original manuscripts, illustrations and treasures from famous writers including Enid Blyton.

There are currently a few exhibitions on at the centre, including Where Stories Come From, which showcases original art and writing.

There is also a Mog, the Forgetful Cat exhibition, which celebrates the 100th anniversary of Judith Kerr.

Through the exhibition, visitors are taken on a journey through all 17 books that are dedicated to Mog’s life and adventures.

Kids’ Countdown with Just Vibez, Southbank Centre, London

On December 31, from 10:30am, you can celebrate the New Year with the kids at the Southbank Centre.

Just Vibez collective will be taking visitors to the Caribbean for dance competitions, music and games for all the family.

Instead of counting down to midnight, families will countdown to 12 midday.

New Year’s Day Ceilidh, Southbank Centre, London

Also at the Southbank Centre, but this time on New Year’s Day, there will be a Ceilidh – a traditional Gaelic social gathering with folk music.

It will feature music, dance and theatre and no tickets are required.

The Bay of Lights Illumination Trail, Torquay, Devon

Until January 2, you can still catch The Bay of Lights Illumination Trail in Torquay, Devon.

The 1.5 mile trail features 19 installations, including ones in iconic spots across the Bay such as Torre Abbey and the scenic harbour.

The trail is lit up each day from 4:30pm to 11pm.

Big Fat Quiz of the Year – New Year’s Day Special, Edinburgh

What better way to look to the year ahead than quizzing yourself on the year just gone?

At Edinburgh Street Food on January 1 between 5pm and 7pm you can participate in Edinburgh’s Big Fat Quiz of the Year.

It is free to play, and there are even prizes for the teams in first, second and third place.

Twelfth Night celebrations 2026, London

On Sunday, January 4, head to Borough Yards in London to celebrate the Twelfth Night celebrations from 4pm.

There will be the Green Man who is decked out in leaves and foliage, a fiddler, live music and even cakes.

Guests will be invited to ‘dance’ along the Thames Path, with more music, singing and storytelling.

For more inspiration on things to do across the UK, here are the top 15 UK attractions for 2025.

Plus, the exciting new hotels, attractions and festivals coming to the UK’s seaside towns and cities next year.

President Lee Jae Myung will make a state visit to China early next week for summit talks with Chinese President Xi Jinping, Cheong Wa Dae said Tuesday, with the leaders expected to discuss ways to strengthen strategic cooperation and bilateral economic ties.

Lee is scheduled to depart for Beijing on Sunday for summit talks with Xi. On next Tuesday, Lee will travel to Shanghai before returning home on Wednesday, presidential spokesperson Kang Yu-jung said in a briefing.

The meeting will be the leaders’ second since their first summit talks on Nov. 1 on the sidelines of the Asia-Pacific Economic Cooperation summit in Gyeongju, South Korea.

It marks Lee’s first visit to China since taking office in June and the first state visit to China by a South Korean president since 2017.

Their first meeting in two months is expected to build on the momentum toward fully restoring “strategic cooperative partnership” between the two nations, according to the spokesperson.

“They are expected to discuss ways to produce tangible results that directly benefit people in both countries, including cooperation in supply chain investments, the digital economy and responses to transnational crime,” Kang said.

The planned visit comes as Lee has pledged to manage relations with China — South Korea’s largest trading partner and a key economic backer of North Korea — in a stable manner, amid Seoul’s efforts to bring Pyongyang back to the dialogue table.

Seoul has urged Beijing to play a constructive role in fostering conditions for the resumption of dialogue with North Korea, with China reaffirming its commitment to stability on the Korean Peninsula.

While in Shanghai, Lee will mark the 150th anniversary of the birth of Korean independence hero Kim Gu (1876-1949) and the centennial anniversary of the establishment of the Provisional Government of the Republic of Korea in the city.

Kim was a key leader of the independence movement during Japan’s 1910-45 colonial rule and served as president of the provisional government in Shanghai.

Lee is also scheduled to attend business events aimed at boosting partnerships between venture and startup companies from the two countries, Kang said.

The two countries plan to sign several memorandums of understanding covering a range of cooperation areas during the visit, she added, noting that further details will be released later.

According to industry sources, a large-scale business delegation led by SK Group Chairman Chey Tae-won is expected to accompany Lee on the trip.

Samsung Electronics Chairman Lee Jae-yong, Hyundai Motor Group Executive Chair Euisun Chung and LG Group Chairman Koo Kwang-mo are also likely to join the delegation organized by the Korea Chamber of Commerce and Industry, the sources said.

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ATLANTA — The Rams wanted to make the playoffs in the worst way.

Mission accomplished. They’re headed to the playoffs in the worst way imaginable.

Monday night’s 27-24 loss to the Atlanta Falcons was an abomination — you could feel that vibe in the postgame locker room — but the Rams need to study it, even if it requires contraptions to pry open their eyes.

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Gary Klein breaks down what went wrong for the Rams in their 27-24 loss to the Atlanta Falcons on Monday night.

“I think if we play the way that we did in the first half … we’re going to be at home watching everything go down in two weeks,” defensive tackle Kobie Turner said. “We’ve got to get our stuff together.”

This was one of only three times in Sean McVay’s nine seasons that his team was held scoreless in the first half, which is bad enough. But that the going-nowhere Falcons built a three-touchdown halftime lead is absurd. Not so long ago, Atlanta lost seven of eight.

The Rams looked nothing like the team that just about everyone had at the top of their power rankings for most of the season. Matthew Stafford had three interceptions. Fill-in left tackle D.J. Humphries had a pair of penalties that wiped out two huge receptions. And Atlanta’s Bijan Robinson would still be running now but decided to stop once he reached the end zone (after a 93-yard touchdown, mind you.)

Those Rams who started 9-2 (and should have won those games against Philadelphia and San Francisco) are a fading memory. Since, they have lost three of five.

Now, all the other NFC contenders are getting hot — Seattle, San Francisco, Philadelphia, Chicago — and the Rams are shuddering in an emotional ice bath.

Suddenly, their erstwhile insignificant finale against Arizona on Sunday is vitally important. They need to rediscover their rhythm rather than hoping to do so in the first round of the playoffs. They can’t change their swing in the middle of this golf tournament. They need to work out the kinks on the practice range.

Getting receiver Davante Adams back is key, and he looked good in warmups, running as if his hamstring problems are behind him. But he’s desperately needed in the red zone, and that will lift some weight off the shoulders of Puka Nacua.

Just as important, the team needs left tackle Alaric Jackson and right guard Kevin Dotson back from injuries. The Rams are getting a taste of what the Chargers have been through all season, their offensive line going through a reshuffle every week.

And the defense should benefit greatly from the return of Quentin Lake, a quarterback on that side of the ball.

Regardless, good teams overcome the loss of key players and find ways to win with backups. Every team would love to be at full strength.

Rams wide receiver Puka Nacua pulls in a long pass over Atlanta Falcons cornerback C.J. Henderson in the first half Monday.

(Brynn Anderson / Associated Press)

And while the Rams should have been in position to kick the tying field goal down the stretch — there was an unflagged pass interference against Tutu Atwell, who made a good attempt to catch a deep ball with his hand that wasn’t being grabbed — they shouldn’t have been in that predicament in the first place.

As they watched their lead evaporate, the Falcons had to be having flashbacks to their catastrophic 25-point collapse to New England in the Super Bowl. After all, the Rams outscored them in the second half, 21-6.

But all of that was cold consolation to the visitors, who couldn’t close the deal.

The Rams have lost back-to-back games, and were looking for a boost after blowing a 16-point fourth-quarter lead in Seattle. Instead, they got a slap in the face.

Rams quarterback Matthew Stafford speaks to reporters after a 27-24 loss to the Atlanta Falcons on Monday.

(Brynn Anderson / Associated Press)

It’s ultra-rare for a team to head into the playoffs on a down note yet still reach the mountaintop. The last franchise to do that was Baltimore in 2012, a club that lost four of its last five games — albeit missing a slew of injured stars — then beat in succession teams quarterbacked by Andrew Luck, Peyton Manning, Tom Brady and an in-his-prime Colin Kaepernick.

So it can be done. A bumbling team can find its way. And it looked for a moment Monday night as if the Rams had turned a corner.

Jared Verse blocked a Falcons field-goal attempt, recovered the bouncing ball and returned it for a 76-yard touchdown. As he tore past the Atlanta sideline, he glanced over and playfully raised his hand to form a G-rated gesture.

Unless a dramatic change is coming, it’s a message the rest of the playoff teams could be saying to the Rams.

Peace out.

The century-old rivalry series between USC and Notre Dame is taking a few years off, and as far as Lincoln Riley is concerned, that’s the fault of the Irish.

In his first public comments since the series was officially put on hiatus, the USC coach put the blame squarely on Notre Dame for not accepting USC’s most recent offer to continue the rivalry, which would have moved the 2026 game, usually scheduled in November, to the very beginning of the season.

“It’s pretty simple,” Riley said Monday, ahead of USC’s bowl matchup with Texas Christian. “We both worked for months to try to find a solution. Notre Dame was very vocal about the fact that they would play us anytime, anywhere.

“Jen Cohen, our AD, went back to Notre Dame roughly a couple of weeks ago with a scenario and a proposal that would extend the series for the next two years. We took Notre Dame at their word that they would play us anytime, anywhere. That proposal was rejected.

“Not only was it rejected, but five minutes after we got the call, it was announced they scheduled another opponent, which I’ll give them credit, that might be the fastest scheduling act in college football history.”

The Times reported last week that the Playoff selection earlier this month proved to be a turning point for USC’s administration in talks with Notre Dame. The realization that the Irish — by virtue of a side agreement with the College Football Playoff committee that hands them a bid if ranked in the top 12 — would have gotten into the field over Miami especially gave USC pause.

That’s when Cohen returned to Notre Dame athletic director Pete Bevacqua with an offer for the rivals to face off in the season opener. Notre Dame instead scheduled Brigham Young to fill that vacancy over the next two seasons.

Riley has been roundly criticized for his part in the rivalry’s potential demise after he suggested in August 2024 that the annual series could be in danger, if USC proved too much of a hurdle in the Trojans’ path to the College Football Playoff.

In the spring, as negotiations between the two schools stalled and the public pointed fingers at Riley and USC, Notre Dame coach Marcus Freeman said that continuing the rivalry was “pretty black and white for me.”

“I want to play them every single year,” Freeman said. “You want my opinion? I want to play them every single year. When? I don’t care. I don’t care when we play them: Start of the season, middle of the season, end of the season. I don’t care. I want to play USC every year because I think it’s great for college football.”

After initially holding firm on its intent to renegotiate terms of the rivalry year-to-year, so as to wait on changes to the College Football Playoff format, USC sent an amended offer to Notre Dame before the season that would have extended the series for two seasons. But Notre Dame wanted a longer deal.

The two schools nearly came to an agreement in October, around their final meeting in South Bend. USC had made clear that it wanted to play the game earlier in the season, but was warming up to the idea of continuing the series as is through 2027.

USC decided to dig its heels in after Selection Sunday, returning to USC with a final offer to play early in the 2026 season. Notre Dame declined.

“The fact is very, very clear, this can all be settled very quickly,” Riley said. “Had Notre Dame lived up to their word and played us anytime, anywhere, we would be playing in the next two years, and looking ahead after that, hopefully continuing the series.

“They did not follow through on it, thus we are not playing them the next couple years. We’re hopeful something can be worked out in the future. That would be fantastic. We at SC would love for the game to continue. We have no problem following through on our promises in the future.”

It’ll be a while before those negotiations start up again. The next window in which USC could play Notre Dame is during the 2030 season.

Dec. 28 (Asia Today) — South Korea’s won strengthened sharply last week after market-stabilization steps by authorities and currency-hedging moves by the National Pension Service, but the currency’s annual average exchange rate still posted its highest level since the financial crisis, keeping investors on edge.

In Seoul trading, the won closed at 1,440.3 per U.S. dollar at 3:30 p.m. Friday, its lowest level in about six weeks since Nov. 4, when it ended at 1,437.9.

The exchange rate had neared this year’s peak earlier last week, briefly moving past the 1,480 level. It then fell more than 30 won (about 2 cents) per dollar on Wednesday after foreign exchange authorities announced supply-and-demand measures along with an unusually pointed verbal warning to the market. On Friday, reports that the National Pension Service had carried out strategic currency hedging pushed the exchange rate into the 1,420 range during the session.

After the drop, the year-end closing rate set to be finalized Tuesday is now likely to end below last year’s 1,472.5 per dollar, a benchmark used by companies and financial institutions to value foreign-currency liabilities on financial statements.

Seo Jeong-hoon, a senior research fellow at Hana Bank, said a high year-end exchange rate could hurt the credit profile of firms and financial institutions with large foreign-currency debts, potentially weighing on corporate lending and investment next year.

Even so, volatility concerns are expected to persist as the exchange rate remains elevated by historical standards. Through Friday, the average exchange rate this year based on weekly closing prices was 1,421.9 per dollar, above the 1998 average during the foreign exchange crisis of 1,394.9, data from the Seoul foreign exchange market showed.

Market talk has increasingly described the weak won as a “new normal.” Major global investment banks have forecast the won-dollar exchange rate will average between 1,420 and 1,440 next year. Three-month forecasts from 12 investment banks, including Standard Chartered and Nomura, averaged 1,440, while six-month forecasts averaged 1,426, the report said.

The International Monetary Fund last year estimated the appropriate won-dollar exchange rate at around 1,330, suggesting those forecasts imply the won would remain weaker than its estimated fair value next year.

Moon Jeong-hee, chief economist at KB Kookmin Bank, said an annual average exchange rate in the 1,420 range is “excessively high” relative to South Korea’s economic fundamentals. If it becomes entrenched, she said, expectations of a structurally weak won could take hold and further dampen domestic investment.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

A look at The Times’ top 25 boys’ basketball rankings for the Southland after Week 6.

Rk. School (Rec.); Comment; ranking last week

1. SIERRA CANYON (10-1): Trailblazers getting close to full strength; 1

2. REDONDO UNION (13-2): Sea Hawks looking like Sierra Canyon’s major challenger; 3

3. SANTA MARGARITA (15-2): Drew Anderson is a big man rising in performance; 2

4. ST. JOHN BOSCO (9-3): Overtime loss to Phoenix (Ariz.) Sunnyslope; 4

5. CREAN LUTHERAN (12-3): Semifinalist for Classic at Damien; 8

6. HARVARD-WESTLAKE (15-2): Face JSerra on Friday; 5

7. SHERMAN OAKS NOTRE DAME (10-4): Josiah Nance is back from injury; 6

8. ARCADIA (11-1): Win over San Gabriel Academy makes Apaches the real deal; 16

9. CORONA DEL MAR (14-0): Fourteen straight wins for Sea Kings; 11

10. CRESPI (11-4): Celts advance to Classic at Damien semifinals; 13

11. CORONA CENTENNIAL (14-3): Stanford commit Isaiah Rogers is delivering; 9

12. ETIWANDA (15-1): Lost in overtime for first defeat; 10

13. SAN GABRIEL ACADEMY (6-5): Freshman Zach Arnold continues to perform well; 7

14. DAMIEN (14-3): Came within one point of upsetting Redondo Union; 14

15. VILLAGE CHRISTIAN (11-5): A 41-point performance from freshman Will Conroy; 12

16. JSERRA (12-5): Lions starting to make improvement; 17

17. LA MIRADA (8-5): Matadores keep challenging themselves; 15

18. THOUSAND OAKS (13-0): Dylan McCord is firing in threes; 18

19. BRENTWOOD (15-1): Thirty-point performance from AJ Okoh; 22

20. EASTVALE ROOSEVELT (10-5): Big performance from Sloane Harris; 21

21. MIRA COSTA (15-1): Made it to Torrey Pines semifinals; 23

22. ELSINORE (18-0): Undefeated season still going strong; 24

23. MAYFAIR (6-3): Next up is Crossroads on Monday; 20

24. INGLEWOOD (11-4): Jason Crowe Jr. is averaging 44.0 points per game; 25

25. CYPRESS (12-5): In divisional semifinals at Torrey Pines; NR

From displaced Palestinian families struggling in the cold winter in makeshift tents in Gaza, Christmas celebrations in Ukraine amid the ongoing Russia-Ukraine war, to the historic gathering of more than one million people in Dhaka welcoming home Bangladesh’s opposition leader Tarique Rahman after his 17-year self-imposed exile, here is a look at the week in photos.

Rams players enjoyed the day off they got for Christmas, perhaps no one more than Puka Nacua.

The previous week, the star receiver was fined $25,000 by the NFL after he made critical comments about officials during a livestream and then again in a social media post immediately after the Rams’ crushing 38-37 overtime defeat by the Seattle Seahawks.

The fine capped a week during which Nacua also apologized for making an antisemitic gesture during the livestream — an incident that caused the Rams and the NFL also to issue statements.

So Nacua said Friday that he was happy to enjoy Christmas before continuing to prepare for Monday night’s game against the Atlanta Falcons.

“It’s been nice to celebrate and rejoice and get ready for what’s ahead of us,” he said after practice at SoFi Stadium.

Nacua said the fine “definitely hurt” but was not unexpected.

“An experience to learn from and, man, never let it happen again,” he said. “There’s going to be moments of frustration later on in the career … so just being able to manage those emotions and be able to send that energy in the right direction.”

Nacua understands that he has opportunities to convey positive messages, quarterback Matthew Stafford said.

“He’s obviously never going to be perfect, nobody is,” said Stafford, a 17th-year pro. “We’ve all had things that we wish we had maybe handled a little bit differently, but he’s still our brother.

“We love him and we’ll continue to support him and try to help him out as best we can.”

Nacua, a third-year pro, was voted to the Pro Bowl for the second time while producing another stellar season that could put him in the conversation for NFL offensive player of the year.

He leads the NFL with 114 catches. His 1,592 yards receiving ranks second, and he has caught eight touchdown passes.

Former Rams receiver Cooper Kupp was the 2021 offensive player of the year when he claimed the so-called triple crown of receiving by leading the league with 145 receptions, 1,947 yards and 16 touchdown catches.

Nacua and Stafford, who also was voted to the Pro Bowl, have been especially in sync the last three games.

In a Dec. 7 rout of the Cardinals, Nacua caught seven passes for 167 yards and two touchdowns. The next week, he caught nine passes for 181 yards in a victory over the Detroit Lions.

Four days later, with fellow star receiver Davante Adams sidelined because of a hamstring injury, he caught 12 passes for 225 yards and two touchdowns in the defeat by the Seahawks.

Nacua has been notably effective on critical third- and fourth-down plays.

“It’s been fun to have those pressure moments, because that’s what you play sports for,” he said. “You live for the third-down the fourth-down conversions, and you’re finding whatever way to convert.

“It makes it fun when those opportunities come up.”

During the three-game stretch, Nacua did “the same thing he’s done all season,” Stafford said, noting that the Rams have had more snaps the last few games.

“He runs great routes,” Stafford said, “and plays really tough with and without the football.”

The Rams (11-4) have clinched a playoff spot and are currently seeded sixth in the NFC. They play the Falcons (6-9), and then finish the season at home against the Arizona Cardinals.

Nacua aims to continue the recent streak of amplified success, which stems from the connection he has with Stafford and the “excitement” that permeates the Rams’ locker room.

“There’s just an excitement to continue to go out there and prove ourselves,” he said, “and so it makes it fun when you get the reward you want.”

Etc.

After practicing at SoFi Stadium on Wednesday and Friday, the Rams will return to their Woodland Hills facility for practice on Saturday. … Adams, left tackle Alaric Jackson (knee), right guard Kevin Dotson (ankle) and defensive back Josh Wallace (ankle) did not practice, according to the Rams’ injury report.

Christmas is behind us, and the New Year is bearing down on us with alarming speed. It’s hard to believe that it has been almost a full year since the devastating fires erupted in Altadena and the Pacific Palisades, sending many of us, our neighbors and friends fleeing to far corners of the state to escape the flames and smoke.

That tragic week marked the beginning of 2025 and the dawn of the second Trump term, ushering in a year that would challenge us in more ways than could have been imagined at the end of 2024.

As I look back on all the stories that The Times’ arts team covered over the last 12 months, it’s notable that the fires and Trump’s effect on the arts dominated the top of the most-read list. But there were also joyful stories about the people, shows and trends that shaped the cultural narrative of the endlessly surprising mid-2020s.

Without further ado, here are the top 10 most-read arts stories of 2025.

1. “Inside the dash to save the Getty Villa from the Palisades fire” chronicled a timeline of how Getty staff worked to face down the flames as they came perilously close to the beloved museum and its priceless treasures.

2. “The architecturally significant houses destroyed in L.A.’s fires” cataloged the irreplaceable loss of treasured historic structures including Will Rogers’ home in the Palisades and the Zane Grey estate in Altadena.

3. “Eames House, arboretum and other L.A. cultural gems threatened by fire: updates,” a running list of architectural landmarks endangered by the encroaching flames but not destroyed.

4. “What Netflix’s ‘Maria’ gets so wrong about Maria Callas,” Times classical music critic Mark Swed’s column about how the streaming giant’s biopic failed to grasp the fabled genius of the opera star.

5. “Ken Burns’ absorbing new Leonardo da Vinci doc on PBS sidesteps one important question,” former Times art critic Christopher Knight’s column about how the critically lauded doc danced around the question of the Renaissance genius’ homosexuality.

6. “Bruce Springsteen speaks out on Trump again: ‘They’re persecuting people for their right to free speech’,” a news story featuring a video of the Boss tearing into the president during a May concert in Manchester.

7. “New Kennedy Center board makes Trump chairman, prompting Shonda Rhimes and others to resign,” a follow-up story to the shocking news that Trump had fired the board and had his eye on becoming chairman. It soon happened and an exodus of top talent commenced.

8. “In first Kennedy Center visit, Trump slams ‘Hamilton’ and lauds other ‘Broadway hits’” :The headline says it all.

9. “CNN will broadcast a Broadway performance of George Clooney in ‘Good Night, and Good Luck.’ Don’t miss it,” Times theater critic Charles McNulty extolling the Broadway production and urging readers to catch it on television.

10. “Why ‘Jesus Christ Superstar’ at the Hollywood Bowl is ‘the musical theater version of the Avengers’,” a preview of the now legendary show starring Cynthia Erivo as Jesus and Adam Lambert as Judas, which played for three nights in early August.

I’m arts and culture writer Jessica Gelt wishing you a happy, safe and healthy new year. Here’s your arts news for the week.

Our critics

Art critic Christopher Knight’s recent retirement reminded us how fortunate we are to have the finest critics covering the arts in Southern California. Here are a few of our most read pieces of criticism from 2025.

The new David Geffen Galleries, opening in 2026, are composed entirely of Brutalist concrete.

(Christopher Knight / Los Angeles Times)

Art, Christopher Knight
The new LACMA is sleek, splotchy, powerful, jarring, monotonous, appealing and absurd

The most significant American art museum show right now topples white supremacy

How a tiny stone from a warrior’s tomb is shaking up ancient Greek art at Getty Villa

Dudamel launches his final season at Walt Disney Concert Hall on Sept. 25, 2025, in Los Angeles.

(Timothy Norris / Los Angeles Philharmonic)

Music, Mark Swed
Empty seats, no Dudamel: L.A. Phil opens its Hollywood Bowl season on somber notes

For beloved conductor Michael Tilson Thomas, a final bow from the podium

Dr. Gustavo Dudamel leads the New York Philharmonic, with L.A. style

Raul Esparza as Pontius and Cynthia Erivo as Jesus in the Hollywood Bowl’s production of “Jesus Christ Superstar.”

(Farah Sosa)

Theater, Charles McNulty
‘Jesus Christ Superstar’ transcends in starry Hollywood Bowl celebration led by divine Cynthia Erivo

Robert O’Hara’s incoherent ‘Hamlet’ is even more of a mystery than the original

In Broadway’s latest ‘Gypsy,’ Audra McDonald takes our critic from doubt to spiritual epiphany

Good riddance, 2025 … er, Happy New Year!

Countdown NYE
The giant intergalactic rave, promising alien contact, four stages and all-night debauchery, moves to the L.A. Convention Center for its 11th edition with headliners including John Summit, Above & Beyond, Pryda, Madeon, Slander, Sub Focus, Crankdat and Wuki.
7 p.m.-5 a.m. Los Angeles Convention Center, 1201 S. Figueroa St., downtown L.A.. countdownnye.com

A preview of last year’s New Year’s Eve LA Midnight Countdown at Gloria Molina Grand Park.

(Jason Armond / Los Angeles Times)

Countdown to 2026
Gloria Molina Grand Park’s free, all-ages New Year’s Eve celebration, reportedly the largest on the West Coast, rings in the holiday with live music and performances on the Get Down Stage (hosted by Shaun Ross, featuring Ashley Younniä, Clax10 and DJ Wayne Williams) and the Countdown Stage, hosted by DJ Gingee featuring Ceci Bastida, Bardo and Ruby Ibarra.
8 a.m.-1 p.m. Wednesday. 200 N. Grand Ave., downtown L.A. grandparkla.org

New Year’s Eve with El DeBarge
The R&B crooner of such hits “All This Love,” “I Like it,” “Stay With Me” and “Rhythm of the Night” helps the new live jazz venue inaugurate a new tradition.
8 and 11 p.m. Wednesday. Blue Note LA, 6372 W. Sunset Blvd. bluenotejazz.com

The Roots ring in the New Year at Walt Disney Concert Hall.

(Los Angeles Philharmonic Assn.)

New Year’s Eve with the Roots
Philly’s finest take a break from “Tonight Show” duties to bring their eclectic blend of hip-hop to L.A. for two shows to close out the year.
7 and 10:30 p.m. Wednesday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Queen Mary New Year’s Eve
Party in timeless elegance aboard the iconic ocean liner (safely moored in Long Beach to ensure there’s a morning after) with its Masquerade Soirée, live music, performances, casino games and fireworks.
8 p.m. Wednesday. 1126 Queens Highway, Long Beach. queenmary.com

Culture news and the SoCal scene

Eugène Grasset, “Vitrioleuse (The acid thrower)” (detail), 1894, from the periodical L’Estampe Originale, album 6, April–June 1894. Printed by Auguste Delâtre. Lithograph, hand stenciled in five colors. 22 7/8 x 18 in.

(UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Bequest of Elisabeth Dean.)

A great gift
The UCLA Grunwald Center for the Graphic Arts marks its 70th anniversary in 2026 and the Hammer Museum is presenting a two-part exhibition drawn from the center’s more than 45,000 prints, drawings, photographs, and artist’s books. Part one of “Five Centuries of Works on Paper: The Grunwald Center at 70” features nearly 100 works ranging from the Renaissance to contemporary art and includes pieces by Albrecht Dürer, Rembrandt van Rijn, Vassily Kandinsky, Käthe Kollwitz, Ansel Adams, Elizabeth Catlett, Corita Kent, Bridget Riley, Ed Ruscha and Vija Celmins. The exhibit opened Dec. 20 and runs through May 17. Part two is scheduled from June 7-Oct. 25.

Fred Grunwald, a shirt factory owner, began collecting art in Germany in the 1920s with a focus on German Expressionism. After the Nazis seized most of the original collection, he and his family immigrated to the U.S. in 1939. Grunwald started a new shirt factory and resumed his collecting in Los Angeles, expanding his interests to include prints from 19th and 20th century Europe, 19th century Japan and contemporary America. In 1956, Grunwald donated his extensive collection to UCLA so it would be accessible to students. His wife and children continued making gifts to the Grunwald Center after his death in 1964.

Back to Cambodia
The Art Newspaper reported Wednesday that the Smithsonian’s National Museum of Asian Art in Washington, D.C. has voluntarily returned three statues to the Cambodian government. An internal investigation by the NMAA determined that the objects were removed during the country’s civil war more than 50 years ago.

“There is very strong evidence that all three pieces came out of Cambodia, out of a context of war and violence and the dissolution of order,” said Chase F. Robinson, the NMAA’s director. “All three can be connected with problematic dealers, and no evidence emerged that gave us any confidence that the pieces came out in anything other than those circumstances. So after a lot of internal research and several visits to Cambodia, we worked closely with both the Ministry of Culture and Fine Arts as well its legal representative Edenbridge, shared the information we had, and came to the conclusion that all three pieces should be returned.”

The three returned artifacts are a 10th century sandstone head whose ornate carved designs match others at the temple of Pre Rup; a four-foot-tall sandstone sculpture of the goddess Uma, also from the 10th century, whose detailing ties it to the temple of Phnom Bakheng; and a bronze statue of Prajnaparamita, the goddess of transcendental wisdom, from around 1200.

— Kevin Crust

And last but not least

Once you’ve slept off the New Year’s Eve festivities and had your fill of football, settle in Thursday at 8 p.m. for PBS SoCal’s broadcast of the Vienna Philharmonic’s annual concert from the city’s historic Musikverein. The ensemble will be conducted for the first time by Yannick Nézet-Séguin and feature performances by the Vienna State Ballet and location segments hosted by “Downton Abbey’s” Hugh Bonneville.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even as the year winds down, there are still some exciting new releases hitting theaters.

Few films this year are arriving on quite the wave of expectation behind Josh Safdie’s “Marty Supreme,” in part because of the unhinged, go-for-broke promo push from its star Timothée Chalamet. The film tells the story of Marty Mauser, a shoe salesman in 1950s New York who dreams of becoming a champion table tennis player and will stop at nothing to make it happen.

As Amy Nicholson put it in her review, “Like Marty, Chalamet was raised in New York City, and since he arrived on the scene, there’s never been a doubt he’ll win an Oscar. The only question is, when? To Chalamet’s credit, he’s doing it the hard way, avoiding sentimental pictures for pricklier roles about his own naked ambitions. … The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

The surprise winner of the Golden Lion at this year’s Venice Film Festival, Jim Jarmusch’s “Father Mother Sister Brother” is a gently enigmatic film revolving around, as the title suggests, parents and siblings. Told in three separate stories — set in New Jersey, Dublin and Paris — the film stars Adam Driver, Tom Waits, Mayim Bialik, Cate Blanchett, Vicky Krieps, Charlotte Rampling, Luka Sabbat and Indya Moore.

Tom Waits in Jim Jarmusch’s movie “Father Mother Sister Brother.”

(Atsushi Nishijima / Mubi)

In his review, Tim Grierson wrote, “The film’s persistent brittleness may make some viewers antsy. That’s partly the point, but hopefully, they’ll soon be swept away by the movie’s melancholy undertow. … Eventually, we learn to look past Jarmusch’s deceptively mundane surfaces to see the fraught, unresolved issues within these guarded families. The characters occasionally expose their true selves, then just as quickly retreat, fearful of touching on real conflict.”

Tim Grieving spoke to composer Daniel Blumberg, who won an Oscar earlier this year for “The Brutalist,” about his work on “The Testament of Ann Lee,” director Mona Fastvold’s portrait of the founder of the Shaker religious movement. Singing and dance were an integral part of the Shakers’ spiritual practice, so the music for the film was of special importance.

“Ann Lee was very radical and extreme,” said Blumberg, “and Mona is as well.”

De Los also recently published a list of the 25 best Latino films of 2025 as picked by Carlos Aguilar. His favorites include Amalia Ulman’s “Magic Farm,” Pasqual Gutierrez and Ben Mullinkosson’s “Serious People,” Diego Céspedes’ “The Mysterious Gaze of the Flamingo,” Petra Costa’s “Apocalypse in the Tropics” and Kleber Mendonça Filho’s “The Secret Agent.”

All three of this year’s Envelope roundtables are now available to watch: actors, actresses and directors.

New Year’s Eve at the movies

Daniel Day-Lewis and Vicky Krieps in the movie “Phantom Thread.”

(Laurie Sparham / Focus Features)

When people talk about holiday films, they typically mean Christmas. But what if the movies that featured a New Year’s Eve scene were sneakily better? To judge by the titles playing around town this week, an argument could be made.

Take for example Kathryn Bigelow’s “Strange Days.” An exciting techno-thriller set during the last two days of then-future 1999, it’s about a hustler (Ralph Feinnes) who finds himself in way over his head. The film builds to a huge millennial New Year’s Eve street party filmed in downtown Los Angeles. Still something of a rarity on streaming, “Strange Days” will be showing in 35mm at the New Beverly on Friday afternoon and then at the Aero on Wednesday 31, early enough in the evening to leave time for more fun after.

Then there is Paul Thomas Anderson’s achingly romantic and bitingly funny “Phantom Thread,” in which the controlling fashion designer Reynolds Woodcock (Daniel Day-Lewis) initially refuses to leave the house on New Year’s Eve, but then races to be with his muse and lover Alma Elson (Vicky Krieps) after she goes out without him. The movie will be showing on New Year’s Day in 70mm at the Aero.

Anderson’s 1997 “Boogie Nights,” which will show in 35mm at Vidiots on the afternoon of Dec. 31, features a very different take on New Year’s Eve. In a pivotal sequence, many of the film’s characters converge on a NYE party to ring in the transition form 1979 to 1980. It does not go well.

jack Lemmon and Shirley MacLaine in 1960’s “The Apartment.”

(Bettmann Archive / Getty Images)

Billy Wilder’s “The Apartment” will play in 35mm at the New Beverly on Saturday and Sunday and also at the American Cinematheque’s Los Feliz Theater on Dec. 30. In the film Jack Lemmon is a lonely office drone who finds his complex relationship with a co-worker (Shirley MacLaine) ultimately coming to a head on a fateful New Year’s Eve.

Rob Reiner’s 1989 “When Harry Met Sally…” will likely be playing several times over the next weeks in tribute to the filmmaker. Starring Meg Ryan and Billy Crystal as two friends trying to figure out if their relationship can (or should) be something more, the film features not one but two memorable New Year’s Eve scenes. It will be playing at the New Beverly on Tuesday, Wednesday and Thursday.

Katie Holmes, left, and Sarah Polley in the movie “Go.”

(Tracy Bennett / Columbia Pictures)

Doug Liman’s “Go,” from a screenplay by John August, is not strictly speaking a New Year’s Eve movie, but it does take place in the sort of liminal zone of ongoing partying that occurs during holiday time. With a cast that includes Sarah Polley, Katie Holmes, Timothy Olyphant and many more, the film revolves around a few grocery store co-workers, some low-stakes drug dealing, questionable choices and a lot of miscommunication. The movie shows at Vidiots on Tuesday.

In a review of the film, Kevin Thomas wrote, “When all is said and done, ‘Go’ is a film about people going too far, which works precisely because its makers know when to hold back. ‘Go’ keeps us guessing … but it never forgets it’s a comedy; if it was too serious it would burst like a bubble. So uniformly skilled and talented is the film’s cast, which has 15 featured players, that it is impossible to single out any one. ‘Go’ is perfectly titled: Exhilarating and sharp, it never stops for a second.”

Points of interest

The Marx Brothers’ eternal comic mayhem

Chico Marx, left, Groucho Marx, Harpo Marx and Margaret Dumont in the movie “Animal Crackers.”

(Universal)

It has become a tradition around town for theaters to show Marx Brothers movies at the holidays, and who are we to argue with that? For pure whimsy and comedy that hits somewhere deep in the unconscious, the Marx Brothers are still pretty much unbeatable.

The New Beverly played some Marx Brothers movies on Christmas Day. For those who still want more, Vidiots will be showing 1935’s “A Night at the Opera,” directed by Sam Wood and including the famous stateroom scene in which more and more people cram into a single room on an ocean liner.

On New Year’s Day, the Aero will show 1933’s “Duck Soup,” directed by Leo McCarey, in which the brothers take over the fictional nation of Freedonia. That will be followed by 1930’s “Animal Crackers,” directed by Victor Heerman, in which Groucho Marx plays African explorer Rufus T. Firefly.

Eric Rohmer’s ‘The Green Ray’

A scene from Eric Rohmer’s “The Green Ray.”

(Janus Films)

Initially released as “Summer” in the U.S., Eric Rohmer’s “The Green Ray” won Venice’s Golden Lion in 1986. The film follows Delphine (Marie Rivière, who co-wrote the script with Rohmer), a single woman in Paris, as she struggles to find someone to go on a holiday trip with her, leading to a series of serio-comic misadventures. The film will show Thursday in 35mm at the American Cinematheque’s Los Feliz Theater.

Reviewing the film in 1986, Michael Wilmington asked if watching a Rohmer film is really, to quote Gene Hackman on Rohmer movies in “Night Moves,” like watching paint peel? “Not at all,” Wilmington wrote. “‘Summer’ is one of the masterpieces of 1986. It’s one of the most finely wrought, stimulating films of an erratic year. It’s intellectual in the best sense: engaging you emotionally and mentally. It moves faster, wastes less time, and has more to offer than most movies now on view — and those who are skipping it are missing one of the year’s real treats.”