Season

This article contains spoilers for the Season 1 finale of Apple TV’s “Pluribus.”

Fellow misanthropes, Season 1 of “Pluribus” is done. Now what do we do, other than lean into our usual harsh judgment and mistrust of others?

Our spirit series left us wondering who or what will put the final nail in humanity’s collective coffin: an alien virus or a malcontent with an atomic bomb. As for saving everyone? Cranky protagonist Carol Sturka (Rhea Seehorn) struggled to find ways to preserve the human race for much of the series, but by the finale, she was fairly convinced that the planet would be better off without us.

For those of you who haven’t kept up with the best show on television this year, Carol’s among 13 people left on Earth who are immune to an alien virus that’s otherwise fused all of humanity’s consciousness together into one blissful hive mind. Now everyone thinks alike and has the same knowledge base, which means TGI Fridays waiters can pilot passenger planes and children can perform surgeries. No one is an individual anymore. They simply occupy the body formerly known as Tom or Sally or whomever. “Us” is their chosen pronoun.

This army of smiling, empty vessels just wants to please Carol — until they can turn her into one of them. Joining them will make her happy, she’s told. It’s a beautiful thing, having your mind wiped. But the terminally dissatisfied Carol would rather stew in her own low-grade depression and angst that forfeit her free will. Plus, her ire and rage is kryptonite against those who’ve been “joined.” When confronted with her anger, they physically seize up and stop functioning. Their paralyzing fear of Carol’s ire is empowering, pathetic and hilarious. The world literally comes to a standstill when she snaps. No wonder she’s my hero.

“Pluribus” comes from Vince Gilligan, the same brilliant mind behind “Breaking Bad” and “Better Call Saul.” The Apple TV series is nothing like his previous successes except that it’s set in Albuquerque, stars Seehorn and is singularly brilliant. And like those other seminal dramas, it plumbs deeper questions about how we see ourselves, who we really are and who we strive to be.

To be fair, Carol was irritated by the human race long before the alien virus converted them into worker bees. She was convinced most people were sheep — including those who loved the flowery writing and cheesy romance plots of her novels. But the the total loss of a free-thinking community isn’t all that satisfying, either.

In the finale, she connects with Manousos Oviedo (Carlos-Manuel Vesga), a fellow survivor who’s also immune to the virus. He wants nothing to do with the afflicted, no matter how peace-loving they appear. In the before times, it appears he was a self-sufficient loner. Postapocalypse, he travels all the way from Paraguay to meet Carol after he receives a video message from her. He drives most of the way before arriving at the treacherous Darién Gap, where he’s sidelined after falling into a thorny tree — but “they” save him, much to his chagrin. He eventually continues the journey, via ambulance.

Now saving the human race is up to two people who never had much love for it in the first place. They converse through a language translation app, which makes their arduous task all the more complicated — and hilarious.

Multiple theories have sprung up around what “Pluribus” is really about. One prevailing thought is that “the joining” is a metaphor for AI creating a world where all individual thought and creativity are synthesized into a single, amenable voice. Surrender your critical thinking for easy answers, or in the case of “Pluribus,” an easy life where you’ll never have to make a decision on your own again. Most humans would rather be a doormat than a battering ram, regardless of the urgency or circumstance.

Optimists might say, “Why pick one extreme or the other? There’s surely a place in the middle, where we can all live in harmony while holding onto our opinions and sense of self.” That’s sweet. Carol and I heartily disagree given the arc of history and all.

Just how my favorite new antihero will deal with her disdain for the Others is yet to be seen. Save the world or destroy it? We’ll all have to wait until next season to find out. Until then, “Pluribus” just needs some space.

BBC thriller The Night Manager is set to return to screens after its successful debut back in 2016

BBC thriller The Night Manager is set to return to screens for its second season.

Based on the characters created by John le Carré, the series followed Jonathan Pine, a night manager of a luxury hotel in Cairo and a former British soldier, who was recruited by the manager of a Foreign Office task force to infiltrate the inner circle of a dangerous arms dealer.

The show won multiple BAFTAs, Emmy Awards, and Golden Globes, including Best Actor for Tom Hiddleston as Pine.

Almost ten years after its explosive finale captivated over ten million viewers, the hit BBC spy thriller is now back with a bang as Pine takes on an explosive new case.

The official synopsis teases: “Jonathan Pine thought he’d buried his past. Now living as Alex Goodwin – a low-level MI6 officer running a quiet surveillance unit in London – his life is comfortingly uneventful.

“Then one night, a chance sighting of an old Roper mercenary prompts a call to action and leads Pine to a violent encounter with a new player: Colombian businessman Teddy Dos Santos.

“On this perilous new journey, Pine meets Roxana Bolaños, a businesswoman who reluctantly helps him infiltrate Teddy’s Colombian arms operation. Once in Colombia, Pine is plunged deep into a deadly plot involving arms and training of a guerrilla army.”

The logline concludes: “As allegiances splinter, Pine races to expose a conspiracy designed to destabilise a nation. And with betrayal at every turn, he must decide whose trust he needs to earn and how far he’s willing to go before it’s too late.”

Here’s everything you need to know about the BBC thriller’s return, including release date, cast, and episode details.

When will The Night Manager be released?

The first episode of season two is set to premiere on BBC One on Thursday, January 1 at 9pm. The new series will then be available to stream on Prime Video from January 11.

Who is in the cast of The Night Manager?

Tom Hiddleston returns as former British intelligence operative, Jonathan Pine, with Diego Calva as Teddy, and Camila Morrone as Roxana. They are joined by Indira Varma as Mayra, Paul Chahidi as Basil, and Hayley Squires as Sally.

Olivia Colman reprises her role as Angela Burr, alongside returning cast members Alistair Petrie as Sandy Langbourne, Douglas Hodge as Rex Mayhew, Michael Nardone as Frisky, and Noah Jupe as Daniel Roper.

The cast and creatives have promised “danger, espionage, betrayal, love, heartbreak, drama, and suspense” in the next chapter of Pine’s story.

How many episodes are in The Night Manager?

The Night Manager season two consists of six hour-long episodes. After the first episode premieres on New Year’s Day, the drama will continue three days later on Sunday, January 4 at 9pm on BBC One.

The following four episodes will air every Sunday at 9pm, with the explosive finale expected to air on February 1.

For international viewers, the first three episodes will drop on Prime Video on Sunday, January 11, with subsequent instalments premiering every Sunday through to February 1.

The Night Manager season 2 premieres on BBC One and BBC iPlayer from 9pm on Thursday, January 1

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website

PHOENIX — Austin Reaves returned from a left calf strain that sidelined him for three games, but the Lakers’ second-leading scorer did nothing to fix the team’s most glaring weakness.

The Lakers’ defense collapsed in a 132-108 loss to the Suns on Tuesday at Mortgage Matchup Center, giving up a season-high field goal percentage (59%) and tying their mark for most points allowed in a loss this season. Led by a combined 17-for-29 shooting from star guard Devin Booker (21 points) and Dillon Brooks (25 points), the Suns easily eclipsed the 56.5% they shot against the Lakers on Dec. 1.

“The theme with our team again is like these young teams that move, we just can’t move,” said coach JJ Redick, whose team is 1-2 against the Suns (16-13). “So it’s like we’re stuck in mud.”

The Lakers (19-9) remain in the top half of the competitive Western Conference, but with blowout losses to Atlanta, Oklahoma City and San Antonio, L.A. is clinging to a plus-1.1 in point differential. They lost consecutive games for the first time Tuesday and limped into a marquee Christmas Day matchup against the Houston Rockets with a multitude of injuries.

Playing without Luka Doncic, who is day to day with a left leg contusion he sustained Saturday against the Clippers, LeBron James led the Lakers with 23 points on seven-for-14 shooting. Deandre Ayton had a 12-point, 10-rebound double-double while Reaves came off the bench for the first time in two seasons and scored 17 points with two assists and three turnovers.

Redick said Reaves was not on an official minutes restriction after his weeklong absence, but that the team would monitor his workload “in real time.”

“It’s hard for me to start, at the rotation that Bron has, for me to stay around that 20-25 minute mark,” said Reaves, who played 21 minutes and 46 seconds. “So [coming off the bench] got brought up in my shooting time. I said I was open to whatever. Definitely felt weird coming off the bench, but it’s basketball at the end of the day.”

Calf injuries, even the most minor, have been major concerns for the NBA since three stars suffered Achilles tendon tears during last season’s playoffs. Reaves, who carried the team during the early part of a season that has featured injury absences from James and Doncic, led the team in minutes per game. His 775 minutes entering Tuesday were second-most on the team behind Rui Hachimura. The Japanese forward missed his second consecutive game with right groin soreness.

Lakers star Lebron James puts up a shot against the Suns on Tuesday night. James finished with 23 points.

(Rick Scuteri / Associated Press)

When asked whether Reaves needed a physical reset after carrying such a large load, Redick acknowledged a break may have been necessary.

Reaves looked out of sorts when he entered with 5:23 remaining in the first quarter. He fumbled the handoff on his first touch coming off a screen. When he tried to thread bounce passes through tiny windows, the ball was kicked away or deflected. He got attacked on defense and gave up consecutive driving layups to Suns guard Jamaree Bouyea.

Bouyea had 14 points off the bench, including a layup over Marcus Smart, who failed to draw a charge call, in the third quarter. While Smart laid in the key appealing to officials, Bouyea didn’t hesitate to leap over the Lakers’ guard and score. The Lakers fell behind by as many as 29 in the third quarter, and Redick quietly waved the white flag with 5:22 remaining in the third when he put reserve forward Maxi Kleber and rookie Adou Thiero onto the floor.

The Phoenix crowd started to file out in bunches with seven minutes remaining when the lead reached 30.

Even courtside seats were empty in the final minutes. Brooks took advantage, sitting in a courtside seat on the baseline as Thiero stepped to the free throw line with 1:16 remaining. Brooks waved his arms as a distraction. Thiero split his two shots.

Etc.

Center Jaxson Hayes left the game with left ankle soreness in the second quarter and didn’t return.. Redick said it was an aggravation of a previous injury suffered last week.

January has traditionally been the harshest time of the year for the Kings, who haven’t had a winning record in that month the last three seasons. But winter grew dark and gloomy a little earlier than usual because December has hardly been a walk in the park.

With Tuesday’s 3-2 loss to the Seattle Kraken, the Kings head into the NHL’s three-day Christmas break having lost six of their last seven. And things aren’t getting easier any time soon: when the team returns to the ice Saturday, it will play host to the Ducks, who lead the Pacific Division in wins, before closing out 2025 Monday on the road against the Colorado Avalanche, who lead the NHL in wins.

“It’s not going the way we all want to,” forward Kevin Fiala said. “But you know, that’s going to happen for everybody. So it’s us who have to do something about it. Who can pull us out of it? Nobody else.

“I’m not worried. Like, I’m sure we’re gonna get out of this. But it’s not acceptable right now.”

And if it doesn’t change right now, the rest of the season will be as cold as a winter frost for the Kings.

It’s not just that the team is losing, but how it’s losing that is most concerning. The Kings (15-12-9) are 31st in the 32-team NHL in scoring, 31st on the power play and have scored more than two goals just twice in 11 games this month. That’s negated a defense that is second in the league in goals allowed.

“Sometimes it’s difficult to make sense of things,” coach Jim Hiller said when asked to explain a slide that has dropped the Kings into the middle of the division standings. “We just feel like we haven’t had a good run of games where we felt like, win or lose, we really like how we’re playing.

“That’s something that we’ll keep driving towards. We just haven’t had it yet.”

Last season, Hiller’s Kings tied franchise records for wins and points in the regular season and had the best home mark in team history. This season, they’re 4-8-4 at Crypto.com Arena, the second-worst home record in the Western Conference. And that has general manager Ken Holland answering questions about Hiller’s future behind the bench.

“I expect him to be here the rest of the season,” said Holland last week, not exactly a full-throated vote of confidence.

Yet for all their struggles, December has just been a continuation of the things that have plagued the Kings all season.

“We all have high expectations for ourselves,” Hiller said. “We just haven’t hit our stride yet. That’s the part that we’re chasing. That’s what we have to focus on. We have to hit that stride.

“It’s a difficult time right now, for sure.”

On Tuesday, Hiller tried to shake things up by mixing up his lines, most significantly pairing Fiala and Andrei Kuzmenko with center Alex Turcotte. And while Fiala and Kuzmenko responded with goals, they didn’t come until the Kraken had taken a 3-0 lead.

The first goal came from Jordan Eberle, who was left alone in front of the Kings’ net, giving him plenty of space to settle a pass from Matty Beniers before lifting the puck around goaltender Pheonix Copley and under the crossbar for his 13th goal of the season. It was the fourth power-play goal the Kings had given up in the last two nights and the sixth in four games.

The Kraken doubled their lead on a quirky goal less than eight minutes later, with Copley misjudging a deflected shot from Seattle’s Frederick Gaudreau, allowing the puck to knuckle off his glove then trickle through his legs for the goal.

Ben Meyers extended Seattle’s lead to 3-0 with less than four minutes left in the second before the Kings finally got on the board with an unassisted goal from Fiala, his 13th of the season, 11 seconds later.

Kings coach Jim Hiller watches from the bench during the second period of a 3-2 loss to the Seattle Kraken on Tuesday night at Crypto.com Arena.

(Luke Hales / Getty Images)

Now the Kings will have three days to think about that, although Fiala said he’d gotten over the game by the time he finished showering.

“If you win five in a row or lose five in a row or whatever, it’s forgotten. It’s in the past,” he said. “I think we take the good things with us and the bad things we hopefully analyze and get better at.”

For Hiller, the break couldn’t come at a better time. Or a worse time since the team’s current seven-game slump is its deepest since the winter of 2023-24. That one cost coach Todd McLellan his job.

“I hope the players are able to relax and refresh themselves,” Hiller said. “It’s been from September till now, with the schedule and how busy it is. And 85% of our games, we’ve been playing within one goal.

“It’s taxing physically and mentally. So I’m sure those guys need a break.”

KANSAS CITY, Mo. — Travis Kelce has played 96 regular-season home games for the Kansas City Chiefs.

The next one might be the last.

The 36-year-old Kelce, who was chosen for the Pro Bowl for the 11th time on Tuesday, will be inside Arrowhead Stadium on Thursday night for a Christmas showdown with the Denver Broncos.

And with the Chiefs eliminated from playoff contention for the first time in a decade, and a trip to Las Vegas for their finale, it could be the last time that Kelce walks off his beloved field.

“What Travis has done to this organization, to his teammates, his coaches, this city — it’s special,” Chiefs offensive coordinator Matt Nagy said. “I hope like hell that’s not true. I just have so much respect for him.”

Kelce has not yet announced whether he will retire after a superlative 13-year career in which he won three Super Bowl rings and was an All-Pro on four occasions. But he has said that his decision will be made quickly after the season ends, giving the Chiefs ample time to not only prepare for free agency and the draft but their future without him.

“I’d rather just keep the focus on this team right now,” Kelce said last week, “and all the conversations I have with the team and everything moving forward will be with them. And I think it’s a unique time in my life, and unfortunately I know when the season ends this year. Typically we go into it and we don’t know when it will end.”

He’s had a heck of a final season, if that turns out to be the case.

After doubling down on fitness after the Chiefs were waylaid by the Eagles in the Super Bowl last February, Kelce has played in every game during a difficult season for the team. He has 68 catches for 803 yards, allowing him to join Jerry Rice as the only players in NFL history to eclipse the 800-yards receiving mark in 12 consecutive seasons.

Kelce also has five touchdown receptions, matching the most he’s had in the past three seasons.

And while Kelce could have shut it down after the Chiefs were eliminated from postseason contention for the first time since his first full season in the NFL, he has continued to take the field every day. He had one catch for six yards in last week’s 26-9 loss to the Titans, but it pushed his streak — the longest active one in the league — to 189 games with at least one reception.

It didn’t help that backup quarterback Gardner Minshew joined Kelce’s good friend, Patrick Mahomes, by suffering a bone bruise one week after the two-time MVP tore knee ligaments. Chris Oladokun finished the game at quarterback and will start on Thursday night against Denver.

“I will say this: What [Kelce] is going through even these last couple games — we’re out of the playoffs, we’re out, and he’s out there every day, practicing, leading, helping people out,” Nagy said. “That should show a lot of these younger guys why he’s playing this game, and why he is so special.”

Etc.

Cornerbacks Trent McDuffie (knee), Jaylen Watson (groin) and receivers Nikko Remigio (knee), Rashee Rice (concussion) and Tyquan Thornton (concussion) did not practice Tuesday. … The Chiefs have signed quarterback Shane Buechele as Oladokun’s backup for the rest of the season. TE Noah Gray would serve as the emergency quarterback.

Skretta writes for the Associated Press.

Chargers quarterback Justin Herbert runs with the ball against the Dallas Cowboys on Dec. 21.

(Julio Cortez / Associated Press)

Saturday, 1:30 p.m. TV: CBS, NFL Network.

Line: Chargers by 1½. O/U: 39½.

Houston has been a hard matchup for the Chargers, and can turn up the heat on Justin Herbert. But Jim Harbaugh’s team has found new ways to win, and is capable of outscoring the Texans, who are really struggling in the red zone. Low-scoring and physical.

Pick: Chargers 20, Texans 17

It’s been one surprise after another lately from Lindsey Vonn. And the announcement that the 41-year-old slopes queen has qualified for the Milano Cortina Olympics in February isn’t the last of it.

It might have been her post on Instagram that stated unequivocally that this will be the end.

“I am honored to be able to represent my country one more time, in my 5th and final Olympics!” Vonn said.

Vonn’s remarkable and inspiring comeback from injuries and a seven-year hiatus from top-level competitive skiing has injected the U.S. team narrative with an irresistible story line. That her quest will culminate in the mountains of northern Italy just two months from now will make it must-watch television and social media video.

The last two weeks have thrust Vonn back onto the international stage as well as the podium, which she climbed in four of her first five races this season. That includes a spectacular win in the downhill in St. Moritz, Switzerland, on Dec. 12.

That marked her first World Cup victory since 2018. And now it’s official that Vonn will compete in her fifth Olympics where she won gold in the downhill and bronze in the super-G at the 2010 Games in Vancouver and bronze in the downhill in the 2018 Games in PyeongChang.

Much of the astonishment circles back to her age. Vonn’s win in St. Moritz made her the oldest woman to win a World Cup race — by seven years. Federica Brignone of Italy set a record a year ago when she won 10 races at age 34.

She also is the first World Cup winner with titanium implants in her right knee. And she’ll become the first quadragenerian to lead the U.S. Alpine skiiing squad seven years after she had all but retired.

In a moving column on Feb. 10, 2019, at the World Championships, The Times’ Helene Elliott wrote what essentially was a sendoff for Vonn: “She went all out to the very end, because that’s the only way Lindsey Vonn knew how to ski. She was bruised and battered as she went to the start gate on Sunday for the final race of her career, sore all over and her right eye blackened by the impact of a crash she suffered during a super-giant slalom race earlier in the week at the World Championships. Her ligaments tore and her bones sometimes broke but her competitiveness was never dimmed, never dented, never compromised.”

Well, 2026 is around the bend and Vonn is back and intact, her competitiveness never compromised still. She has not officially qualified for the Olympics in the super-G, but she’s the fastest American and No. 3 in the world, so count on that as her next headline.

“Lindsey qualifying for the 2026 Olympic team is a testament to her resilience and dedication, and the remarkable results she’s delivered on the World Cup this season,” Sophie Goldschmidt, U.S. Ski & Snowboard’s president and CEO, said in a statement. “She’s proven once again that elite performance isn’t just about past success, it’s about rising to the moment, race after race.

“We’re thrilled to cheer her on at the Olympics.”

The world of college football may be awash in uncertainty, but the last several weeks have proven one thing beyond a shadow of a doubt.

Nobody runs like Notre Dame.

When the Irish got jobbed by the College Football Playoff committee and insanely were left out of the CFP, they refused to play another game this season.

Notre Dame ran from the Pop Tarts Bowl.

Then came Monday’s announcement that Notre Dame no longer will regularly play USC, essentially ending a 100-year-old rivalry because the Irish didn’t want to change the dates of the game.

Notre Dame ran from the Trojans.

Call them the Fightin’ Chickens, a once-proud Irish program that demands acquiescence or it will take its ball and go home.

The Irish could have played USC at the beginning of the season, but refused. The Irish could have kept the rivalry alive with a scheduling tweak that would have helped both teams, but refused.

Lots of folks are going to blame USC and coach Lincoln Riley for butchering a Knute Rockne-born tradition that accounted for 78 straight games, not counting 2020, the COVID-19 year. That’s wrong. Nobody has been more critical of Riley than this space, but he’s not the bad guy here.

Anybody who felt the buzz around the CFP first-round games last weekend would attest, this is where USC needs to be playing. If the Trojans truly want to return to greatness, being selected for the CFP is the goal. Not beating Notre Dame. Not even beating UCLA. It’s all about the tournament.

USC needs to put itself in the best possible position to be playing on a mid-December weekend, and that means no longer being the only Big Ten school to play a major nonconference game in the middle of the season or later.

The schedule has become tough enough. The Trojans don’t need to make it tougher with the kind of game nobody else in their conference is playing.

They need Notre Dame in August, not in late October or mid-November.

But, as it turns out, Notre Dame believes it doesn’t need USC at all.

The Irish signed a deal with the CFP that stipulates, beginning next year, if they are ranked in the top 12, they are guaranteed a playoff berth. They can get in the playoffs without risking a loss to the Trojans. They can play it safe and schedule easy and back right in.

USC doesn’t have that luxury. USC isn’t guaranteed squat. USC has a 2026 schedule that even without Notre Dame is a nightmare.

USC and Notre Dame prepare to play in a packed Notre Dame Stadium in October 2023.

(Michael Caterina / Associated Press)

Home games against Ohio State and Oregon. Road games at Indiana and Penn State.

USC doesn’t need a midseason game against Notre Dame making that road even harder.

Jennifer Cohen, the USC athletic director, said as much in a recently posted open letter to the Trojans community.

“USC is the only team in the Big Ten to play a nonconference road game after Week 4 in either of the past two seasons,” she wrote. “USC is also the only team to play a nonconference game after Week 4 in both seasons.”

Trojans fans love the rivalry. The college football world loves the rivalry. It’s Anthony Davis, it’s Carson Palmer, it’s the Bush Push, it has won Heismans and cemented championships.

But times have changed. The landscape is evolving. Everything that college football once represented is up for debate. Even the most venerable of traditions is subject to adjustments.

That’s what the Trojans wanted to do. Not eliminate, but adjust. But Notre Dame football adjusts for no one.

It was indeed a travesty that the two-loss Irish, winners of their last 10 games by double digits, did not get a spot in the national tournament. By the end of the season they were arguably one of the four best teams in the country. They easily could have captured the crown.

Tulane? James Madison? Are you kidding me? As the opening games revealed — the two AAA teams were outscored 92-44 — there is no place for Cinderellas in the CFP.

But that was no reason for Notre Dame to back out of the bowls completely, sacrificing the final game in the careers of the Irish players who will not be going to the NFL just to make a whining point that resonated with nobody.

And, besides, there’s another way Notre Dame could have been a lock for the playoffs.

Join a conference, fool!

By keeping the football team out of the otherwise Irish-infected Atlantic Coast Conference, Notre Dame is raking in big TV bucks that it doesn’t have to share. But this means the Irish are subject to the whims of a committee that could, and did, unconscionably leave them out.

Notre Dame always wants it both ways. It wants its independence, but also wants to dictate a schedule filled with conference-affiliated teams.

In demanding that their game be played in August or not at all, USC finally called Notre Dame’s bluff.

And the Irish did what they recently have done best.

They ran.

The team that initially will replace USC on the Notre Dame schedule?

It’s Brigham Young, the same team that Notre Dame snubbed in the Pop Tarts Bowl.

Put that in your toaster and cook it.

Bob Chesney didn’t have to go far to secure his most important player.

He was already on campus.

Nico Iamaleava has agreed to return to UCLA for next season, giving the Bruins a top-level quarterback as part of their new coach’s bid for a quick turnaround from a 3-9 season under his predecessor and an interim coach.

Iamaleava announced his intentions on Instagram, posting a highlight video alongside a caption reading, “NO PLACE LIKE HOME. Back with my brothers. Same vision. Same goals. Same grind. Locked in. Time to work!”

The possible benefits go beyond improving Iamaleava’s NFL draft stock with a strong season. Another important plus could be the reputational boost associated with staying put after Iamaleava left Tennessee during spring practice in 2025 as part of an emotionally charged falling out with the Volunteers that sparked widespread criticism.

Remaining a Bruin will also allow the redshirt junior to spend at least one more season on the same team as his brother Madden, who will be a redshirt freshman quarterback after appearing at the end of one game last season.

None of UCLA’s struggles in 2025 could be blamed on its starting quarterback. Constantly under duress from a pass rush that met little resistance from his offensive line, Iamaleava was his team’s leading passer and rusher despite being sacked 27 times.

Iamaleava accounted for 17 of his team’s 24 touchdowns and led the Bruins with 10 plays of 20 yards or more, all coming on the ground. Although he wasn’t a prolific passer — his 255 yards through the air as part of a furious comeback against Nevada Las Vegas were a season high — Iamaleava’s ability to produce big plays with his arm and his legs presented a huge problem for opposing defenses.

Iamaleava’s passing accuracy enjoyed a slight uptick from his final season at Tennessee, where he helped the Volunteers reach the College Football Playoff. In his first season as a Bruin after returning home in part to be closer to his family in Long Beach, Iamaleava completed 64.4% of his passes for 1,928 yards and 13 touchdowns with seven interceptions.

Whether he was scrambling out of the pocket or sprinting on designed quarterback runs, Iamaleava might have been hardest to stop when he planted his feet and took off. He led the team with 505 rushing yards and four touchdowns in 112 carries, including 128 yards and three touchdowns during a victory over then-No. 7 Penn State.

Equally important was the leadership of a player who unflinchingly met with the media after losses and challenged others. Amid the team’s 0-4 start, Iamaleava told teammates they could leave if they didn’t want to stay and help spark a turnaround. No one did, and the team went on to win its next three games.

Now Iamaleava is staying put, giving his coach a huge building block as part of his efforts to forge a sturdy foundation.

New York City, United States – Since the recent termination of the nearly decade-old trade rule called “de minimis,” United States consumers and businesses have been exposed to slower shipping, destroyed packages and steep tariff fees on international goods – foreshadowing what could make for a chaotic holiday shopping season.

For major international carrier UPS, navigating the latest regulatory changes has proved more fraught than for its competitors FedEx and DHL.

Matthew Wasserbach, brokerage manager for Express Customs Clearance in New York, a firm that assists importers with documentation, tariff classifications, valuation, and other federal requirements, has witnessed the fallout as UPS customers seek his firm’s assistance to clear packages entering the US.

“Over the last few months, we’ve been seeing a lot of UPS shipments, in particular, becoming stuck and being lost or disposed of … This all stems from the ending of the de minimis,” said Wasserbach. “Their [UPS’s] whole business model changed once the de minimis was ended. And they just didn’t have the capacity to do the clearance … a lot of people are expecting to receive international packages, and they’re just never gonna get them.”

UPS did not respond to Al Jazeera’s request for comment.

Suspending tariff exemptions

Since 2016, the de minimis trade exemption determined that packages worth $800 or less were not subject to taxes and tariffs. According to US Customs and Border Protection (CBP), the number of shipments entering the US claiming the exemption increased by more than 600 percent from 139 million shipments in 2015 to more than one billion in 2023.

In August, this all changed. President Donald Trump signed an executive order suspending de minimis treatment for all countries, spiralling US imports into a new landscape of paperwork and processes, subject to duties and tariffs based on their place of origin.

Just a month after de minimis ended, while shipping products with UPS, Tezumi Tea, an online Japanese tea and teaware company that sells its products online and through meetups in New York City, fell victim to the tariff backlog at US customs. Tezumi lost roughly 150kg (330lbs) of matcha, totalling about $13,000.

“We responded by increasing buffers in our supply planning across the dozen farms that we partner with,” said Ryan Snowden, a cofounder of Tezumi. “Even with those adjustments, the loss had a severe effect on a number of our cafe customers who suddenly needed to switch to another matcha blend.”

Now, UPS is no longer accepting shipments from Japan, and Tezumi has switched to shipping supplies through alternate carriers such as DHL and FedEx.

Disposing shipments

Wasserbach has witnessed similar instances of UPS losing imports.

“When a UPS package goes uncleared, it’s just basically sitting in a UPS facility, uncleared for a certain period of time,” said Wasserbach. “Then UPS indicates in their tracking that they’re disposing of the shipments without making, really, any effort, from what I’ve seen, to contact either the sender or the receiver, to get information they need to do to get the clearance.”

Wasserbach shared email chains with Al Jazeera from UPS customers who looped in his firm to their customs clearance UPS debacles.

In one exchange, UPS customer Stephan Niznik responded to a notice from the UPS Alternate Broker Team that their packages had been “destroyed”.

“The tracking says on multiple instances that UPS attempted to contact the sender (me), but this is false; aside from a request for more information on September 5 (which I responded to immediately), UPS never attempted to contact me,” wrote Niznik. “It is absolutely disgraceful that my package was mishandled – clothes and children’s toys were destroyed at the hands of UPS.”

In another email chain, UPS told customer Chenying Li that their package was released following an email from Express Customs Clearance stating that the shipment was cleared.

A week later, Li’s package was still showing as “Pending Release”, and when they asked for an update on the shipment, UPS responded, “At this time we are unable to provide an ETA,  as volume is currently backed up and awaiting delivery due to the De Minimis impact.”

‘Impose additional pressure’

In addition to the customs backlog, Virginia Tech associate professor David Bieri says cost prevention may provide one explanation for UPS choosing to dispose of packages rejected by US customs rather than return the shipments to senders.

“All these additional rules and regulations impose additional pressure on already relatively tight margins for these companies – UPS, FedEx, DHL and so forth,” said Bieri. “They need to make money, and sometimes it’s easier not to fulfil a service than to take on the additional cost of customs clearance and making sure that it gets to its final destination.”

Bieri added that UPS resorting to package disposal may indicate that they believe themselves to be in “a sufficiently strong monopolistic position that they can do such horrible practice – unilateral nonfulfillment of contract”.

Wasserbach told Al Jazeera that “with FedEx and DHL shipments, we aren’t seeing these problems”.

When asked whether FedEx has disposed of packages stuck in customs, a spokesperson wrote, “If paperwork is not complete and/or rejected by US Customs and Border Protection, FedEx actively works with senders to update paperwork to resubmit to CBP or return shipments to senders. In some cases, shippers can request that packages be disposed of if they would prefer not to pay to return to sender. In those rare cases, recipients are notified at the direction of the shipper. This is not a common practice. We remain business as usual.”

Final cost of delivery at your doorstep

But FedEx and DHL are encountering some of the same challenges as UPS. Since August, when de minimis ended and small packages were suddenly subject to taxes and tariffs, anyone who ordered from abroad was susceptible to unexpected fees on imported goods.

Without de minimis protecting packages worth $800 and less from import fees, the consumer essentially becomes the importer.

“You might order something you find a bargain abroad, and you don’t pay attention to where things are shipped from … and it might be shipped from China, and you might be in for a rude awakening once that thing arrives at your door,” said Beiri. “You paid the price and thought that this was it. But your deliverer is saying, no, actually, we’re passing that cost on to you. Because you’re acting as the importer.”

These fees could cost equal to or more than the item you ordered itself. “You’ve got to pay extra attention to small prints,” said Beiri.

With looming costs and lost packages on the horizon, Beiri says shoppers will likely make “substitution questions” – are you renovating or are you going on vacation? Are you splashing on Christmas gifts, or are you treating yourself to dining out?

“I think these are interesting times of having to make choices and asking yourself what can we do given that we have an affordability crisis, rent, insurance, making ends meet,” said Beiri. “That’s what’s currently going on.”

In order to better handle evolving trade policy, Wasserbach says that UPS will likely aim to hire a massive number of entry writers to assist with necessary documentation for legal transportation of goods across international borders. However, now that it is the busiest time of year in terms of delivering people their Christmas shopping, Wasserbach doubts an influx of hiring could make much of a difference, given the amount of training required.

The company’s revenue has already taken a hit on account of Trump’s policies. Tariffs on China and the elimination of the de minimis rule saw imports from China, UPS’s most profitable route, drop reportedly 35 percent earlier this year.

“I would assume it’s gonna get better next year,” said Wasserbach. “But as for solving this problem before Christmas, I don’t think that that’s gonna happen.”

Nothing but dirt and dry, brown chaparral rolled beneath skis and snowboards dangling from a chairlift at Big Bear Mountain Resort on Friday, as forlorn adventure seekers joked they should rename the place “Big Bare.”

Unseasonably high temperatures even left the impressive array of high-tech artificial-snow makers below mostly useless, their fans spinning idly in the warm breeze.

“The word I’ve been using is “abysmal,” said Cameron Miniutti, 29, who was riding the lift in a light cotton shirt, with the hot sun glinting off his ski goggles. “This is, for sure, the toughest start [to a season] I’ve seen.”

Similarly bleak panoramas can be found at ski areas across the American West so far this year, but especially in California, where a wet November gave way to one of the driest Decembers in recent memory.

People visit Big Bear Village on Sunday, with no snow in sight.

As of Friday, the state had only 12% of the snow that’s normal for this time of year, and only 3% of what water managers hope for in an average year, according to the California Department of Water Resources.

Which is why water managers — and skiers — are hoping for a Christmas miracle as an enormous atmospheric river takes aim at California this week. The soaking rains may threaten coastal cities with flash floods and nightmarish traffic, but they promise sweet relief for snow-starved thrill seekers from Lake Tahoe to the San Bernardino Mountains in Southern California.

Mammoth Mountain, the tallest commercial ski resort in California, could get up to 7 feet of snow this week, according to On the Snow, a website that tracks conditions at ski areas.

Resorts on the north end of Lake Tahoe could see up to 5 feet, and even Big Bear could get 3 feet, assuming the temperature stays below freezing, according to the website.

That’s important to everyone, even nonskiers, because roughly a third of the water California relies on each year for drinking, farming and fighting wildfires accumulates as snow in the mountains during the winter and then gradually melts through the spring and summer, when the state can otherwise be bone dry.

Many California ski areas were forced to delay opening this year, and even those that got the lifts spinning have had to confine skiers to only a handful of runs, often on man-made snow.

That has been this case at Big Bear, where a thin strip of artificial snow snakes from the 8,440 top of the Bear Mountain Express chairlift to the base at just over 7,000 feet. While crews worked diligently to rake the fake snow over exposed rocks and patches of bare dirt on Friday, skiers and boarders scraped by like traffic on the 405 Freeway.

“It’s crazy,” Miniutti said, “I mean, I can’t even imagine what this is like on a weekend.”

And the range of abilities of people crammed onto the same run creates its own, unique kind of “obstacle course,” Miniutti said.

You have to concentrate on not crashing into people in front of you — many of whom are absolute beginners, tumbling to the snow for no apparent reason — while praying the very good skiers and snowboarders you can hear racing up behind you will somehow avoid mowing you down.

People ski and snowboard at Big Bear Mountain Resort on man-made snow on Sunday.

“There’s, like, the best snowboarders in the world and people on their first day right next to each other,” Miniutti said.

But under the circumstances, Miniutti had nothing but admiration for the mountain staff for keeping the run open despite the seemingly impossible weather.

“I’m still having a blast,” he said, “it’s absolutely worth coming up.”

Devon James, 24, from Pasadena, felt the same way. He was warm in long sleeves, which he took to wearing after wiping out in short sleeves a week ago and “getting cut up.”

One day lift tickets at Big Bear cost more than $150 this season. At fancier resorts, like Mammoth Mountain, they can easily climb to more than $200 per day. So most serious skiers buy season passes for just under $1,000 that are good at many mountains across the country and around the world.

But that means they feel compelled to get their days in, no matter the conditions.

“I mean, that’s kind of the whole game, right,” James laughed. “I’ve got to get at least eight or nine days to get back to even.”

Skiers and snowboarders navigate bare areas at Big Bear Mountain Resort.

Miniutti, who is originally from Massachusetts, and learned to snowboard on the freezing, icy hills of New England, still prefers the alpine experience on the West Coast.

Even when there are legitimate winter conditions at Big Bear, he loves hopping in his car at the end of the day and driving home to Los Angeles, where it’s seemingly always 70 degrees and sunny.

“I can’t really beat that,” he said, “I’m not complaining.”

ARLINGTON, Texas — The Chargers won Sunday, and now they wait.

After their 34-17 victory over the Dallas Cowboys on Sunday, the Chargers can secure a spot in the postseason with a loss or tie by Houston or Indianapolis.

The Texans play host to Las Vegas in an afternoon game, and the Colts play host to San Francisco on Monday night.

It was the seventh win in eight games for the Chargers, who are on a season-long, four-game winning streak. Sunday marked the third time they have topped 30 points this season.

Chargers quarterback Justin Herbert turned in another gritty performance, throwing for two touchdowns and plunging over the goal line for a third.

A pivotal play by Herbert came on third-and-seven early in the fourth quarter, he kept the ball and scrambled for 34 yards. At the end of that run, his surgically repaired left hand collided with the helmet of his Cowboys tackler. The quarterback briefly writhed on the turf, but didn’t come out of the game.

Late in the game, as rookie Omarion Hampton ran for a touchdown, Herbert joined him in the end zone and exchanged high-fives with teammates, careful to protect his casted left hand.

Although the Cowboys came into Sunday’s game eliminated from postseason contention, they still had the NFL’s No. 1 offense and a potent passing attack led by Dak Prescott. He effectively neutralized the Chargers defense in the first half, with touchdown passes in the first and second quarters.

The Chargers close the regular season with a home game Saturday against Houston and a finale at Denver.

A worried mother working miles away from her family frantically tries to get her three children out of harm’s way as an out of control fire ravages their community. Firefighters do everything they can, but strong winds are working against them to make the destruction go from bad to worse.

This scenario is reminiscent of the heroics that are portrayed weekly on the CBS firefighter television drama “Fire Country,” which follows the dedicated Cal Fire station in Northern California where an abundance of wooded areas make fire a common hazard. However, this particular story is very real and comes from actor Diane Farr, who plays Cal Fire Division Chief Sharon Leone and mother to firefighter Bode Leone (Max Thieriot, also a co-creator and executive producer) on the series. Farr remembers how in January she was on the show’s set in Vancouver while the wildfires were wreaking havoc in Los Angeles.

“My house was inside the evacuation order and I had to start flying my children out as fast as I could from L.A.,” she says of her La Cañada Flintridge home, which survived. “We were evacuated for eight days and the wind just went toward Altadena as opposed to coming toward our house. It was terrifying and was very eye opening for us.”

The horrific Los Angeles fires were eventually contained after catastrophic damage to the city, with some heroic firefighters leaving with jarring stories they were able to share with the “Fire Country” cast and crew. “Two of our consultants are L.A. firefighters, Matty and Marty Mullen, who had shown me a lot of videos of real firefighting of what was going on in L.A. that we were able to infuse into our [Season 3] finale,” says executive producer Tia Napolitano. “It felt important that we could show real authenticity inspired by the L.A. fires that we all lived through. I can’t believe it’s only been a year.”

Diane Farr as Sharon Leone in “Fire Country.” The actor’s home was in the evacuation zone during the L.A. wildfires in January.

(Sergei Bachlakov / CBS)

That dedication to authenticity has helped “Fire Country” become one of the sturdiest series on CBS’ prime-time schedule since premiering October 2022. Currently in its fourth season, “Fire Country” has won its time slot every week this season except when it aired against Game 6 of the World Series. It is now the veteran drama on Friday nights sandwiched between two new successful procedurals, “Sheriff Country” starring Morena Baccarin at 8 p.m. and “Boston Blue” starring Donnie Wahlberg at 10 p.m. Pacific, both spinoffs that have quickly caught the attention of audiences since their October debuts.

Farr believes the success of these shows is akin to the huge popularity of genres like true crime and their basic storytelling structure. “There is a good guy and a bad guy that’s very clear and very binary,” she says. “If you can create a situation that feels a little bit unsafe, if you can show me how people would make me safe in it, how they would solve the problem, it’s slightly relieving on a nervous system level.”

“Fire Country” delivers on all those components with the Station 42 crew performing regular acts of heroism as they keep their community safe, a reflection of real-life firefighters, says Thieriot. “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” he says. “It’s television, so obviously there are more moments when we’re trying to find the drama, but at the end of the day, it’s really important that we focus on the real and we find the real in there.”

Eve (Jules Latimer) and Bode (Max Thieriot) in “Fire Country.” “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” Thieriot says. (Sergei Bachlakov/CBS)

Part of the real comes in knowing that where there are heroes, there are also villains and, as its midseason finale is set to air on Friday, “Fire Country” currently has a frightening one in the form of Landon (Josh McDermitt). Initially seen as meek and even-tempered, the layers have been pulled back to show something different.

“Landon is a threat to our people and that’ll go forward for a few episodes,” teases Napolitano. “You feel like this guy is out there and he has nothing to lose.”

That’s because Landon has already lost the trust of his girlfriend Chloe (Alona Tal) and her teenage son Tyler (Conor Sherry), who recently revealed to Bode that Landon set the tragic Zabel Ridge Fire. That’s the L.A.-inspired blaze from the third-season finale that not only destroyed homes and land but also took the life of Cal Fire battalion chief Vince Leone (Billy Burke), Sharon’s husband and Bode’s father.

In Friday’s episode, a vengeful Landon isn’t happy about being investigated or the fact that Bode and Sharon have made sure that Chloe and Tyler are staying away from him. “Landon’s a small man with a very big ego and a big victim complex and that’s going to manifest in a scary way,” Napolitano says.

It also may not help matters that Chloe and Bode were once romantically involved and a spark may still exist, especially since Bode has been mentoring the troubled Tyler. Is the single Bode’s heart open to a second chance at love? “He’s getting there,” says Thieriot. “Leading up to this season, Bode had so many obstacles and I think this journey with Tyler [as mentor] is a big part of that.”

Bode (Max Thieriot) and Chloe (Alona Tal) were once romantically involved. (Sergei Bachlakov/CBS)

Hearts are also healing on the show in the aftermath of Vince’s shocking death, an event that was never in the show’s plan to quickly sweep under the rug. “We really want to be the show that everyone knows and loves, which is a comfort to a lot of our viewers,” says Napolitano. “It’s a show of joy and levity but also honors the fact that we are missing a core character who did die a hero’s death and honoring him by keeping his memory alive.”

That memory exists for Farr in several rings she regularly wears representing Sharon’s marriage and family with Vince, but she added another piece this season based on a suggestion from director Sarah Wayne Callies.

“Vince’s bracelet is heavy and regularly bumps the smaller bones in my hand,” Farr says. “Just like my former scene partner Billy, who would debate any word or line or blocking or intention with me to get to the truest take on anything we did together. Losing him is always going to be loss.” Farr said she doesn’t want to play grief forever but upcoming episodes will continue to show Sharon “trying to figure out who she is as a ‘one’ instead of a ‘two.’”

Though everyone hopes Los Angeles won’t see more fires like the ones from nearly a year ago, “Fire Country’s” creators and cast will continue to shine a light on firefighters and all the life-and-death work they do on a daily basis and, above all else, entertain.

“It’s not always easy to continue to surprise the audience and come up with this stuff that’s just really captivating and fresh and new but I believe that we can,” Thieriot says. “I’m really eager to accomplish that.”

Clipper Kris Dunn grabs Laker Maxi Kleber ‘s jersey in front of a ref Saturday at the Intuit Dome.

(Ronald Martinez / Getty Images)

The Lakers have been assessed five technical fouls in the last two games because of conduct with officials as frustration over inconsistent calls is starting to boil over. After Doncic, Jaxson Hayes and Marcus Smart were all given technical fouls in the third quarter of Thursday’s win over Utah, Doncic and Smart were T’ed up again Saturday in the first and third quarters, respectively.

“I think if any coach, any player, what we ask for is consistency,” Redick said. “And that’s not to single any official out or any crew out, it’s not about that. We need to know what it is night to night.”

Smart also drew a technical foul against Utah after attempting to talk to an official at halftime. When Smart walked away frustrated, he raised his middle finger toward the official, a gesture that got him fined $35,000 Saturday, the NBA announced.

“Sometimes you got to take the hit to get your point across,” Smart said Saturday.

Redick expressed additional frustration with the lack of transparency in the replay system and murky communication with officials. He said he has not received any feedback when he requests it and the distinction between plays that can and can’t be challenged appears to change every night.

The lack of communication has been frustrating for players as well, Smart said, who met with referees before the Utah game as a team captain, but still had his questions dismissed.

“The captain should be able to come talk to them,” Smart said. “They still don’t want to hear it. So control what you can control. They don’t want to talk, you know, you try and you move on. But it definitely is frustrating when you pour your heart out to this game and the feedback is literally waving you off, telling you to get out your face, and then giving you a tech because you’re asking a simple question.”

It’s odd the moments you remember after someone’s gone.

Scrolling through a seemingly infinite number of clips featuring Rob Reiner being compassionate and kind, scenes from his movies that feature a bone-deep empathy for the ways human beings struggle and strive to be better, I kept thinking back to a little wink in “This Is Spinal Tap,” the 1984 mockumentary Reiner directed and co-starred in, playing filmmaker Marty DiBergi.

I’ve seen this movie so many times that I could probably act out the whole thing upon request. It provided a soundtrack to a family trip to Stonehenge several years ago. But thinking about Reiner in the wake of the horrible news that he and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, their son Nick subsequently charged with their murders, I randomly landed on the scene where DiBergi talks with Spinal Tap lead singer David St. Hubbins (Michael McKean) after guitarist Nigel Tufnel (Christopher Guest) leaves the band.

St. Hubbins blithely insists he won’t miss Nigel any more than insignificant band members who played briefly in the group. DiBergi is stunned. He loves Spinal Tap and fears for its future. Reiner plays the moment with such sincere heartbreak, partly in character, but mostly I think because that’s who he was. Reiner couldn’t help it. He felt things deeply and spent much of his life working to make things better for those on society’s margins. He will be missed in so many ways.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. How to describe this week? None more black will do. But Christmas is coming, and that Vince Guaraldi song never fails to make me smile. Let’s look at some good news for those who made the Oscar shortlists this week.

Voters, consider these

The film academy announced shortlists for 12 categories at the 98th Oscars, whittling down the list of contenders and offering a few indications about what films are scoring early points with voters.

Ryan Coogler’s critically acclaimed, genre-defying blockbuster “Sinners” picked up eight mentions, as did “Wicked: For Good.” Both movies placed two songs on the original song shortlist and both were cited in the newly created casting category.

Guillermo del Toro’s “Frankenstein” followed with six mentions, and “One Battle After Another,” “F1” and “Sirât” each scored five.

The bounty for “Sirât,” the Oliver Laxe thriller that is unquestionably one of the most memorable movies of the year, offered an indication that the word of mouth on this movie is strong enough to land it a spot among the nominees for international feature.

Can it do better than that? It should. Here are five suggestions for voters, including “Sirât,” as the lists are narrowed ahead of Oscar nominations on Jan. 22.

Cinematography: ‘Sirât’

“Sirât” contains so many surprising twists and turns that when asked to describe the plot, I simply tell people that it’s about a father who shows up at a rave in southern Morocco with his young son looking for his missing daughter. The long desert journey they end up taking is astonishing, and cinematographer Mauro Herce, shooting on 16mm film, captures every treacherous mile in dramatic detail.

Original score: ‘Marty Supreme’

Voting with the Los Angeles Film Critics Assn., I cast my ballot for Kangding Ray’s hypnotic score for (you guessed it) “Sirât.” But that was just one of many soundtracks that found its way into my life this year. Hans Zimmer’s synth-heavy “F1” score makes for propulsive listening while pedaling on an exercise bike and ranks among the celebrated composer’s best work. And I share Times film editor Josh Rothkopf’s enthusiasm for Daniel Lopatin’s throwback electronic beats in “Marty Supreme,” a delight for anyone who grew up listening to the ethereal soundscapes created by Tangerine Dream.

Casting: ‘Weapons’

I’m highlighting Zach Cregger’s horror-mystery “Weapons” here partially because of its inexplicable absence in the makeup and hairstyling category. I guess voters knew it was Amy Madigan in that bright red wig all along. That omission aside, “Weapons” is a prime example of what a great casting director can do, making use of familiar faces (Josh Brolin, Julia Garner, Madigan) in unexpected ways, finding the right child actor (Cary Christopher) to deliver big emotional moments and elevating emerging talent (Austin Abrams) to unexpected heights. Allison Jones, one of the greats, belongs among the casting category’s inaugural set of nominees.

Original song: ‘I Lied to You’

I mean, you saw that scene in “Sinners,” right?

Documentary: ‘My Undesirable Friends: Part 1 — Last Air in Moscow’

Julia Loktev’s five-hour chronicle of the chilling Russian crackdown on independent journalists has won documentary honors from both the Los Angeles and New York film critics. The doc begins in 2021, when the journalists, mostly women, are forced to label themselves as “foreign agents” simply for doing their jobs, covering Putin’s regime in a factual manner. Things intensify after Russia’s invasion of Ukraine, turning “My Undesirable Friends” into a cautionary tale about the perils of bending to an autocrat. It goes without saying, but this is essential viewing.

The Rams have lost four games this season, three resulting in part from special teams breakdowns.

In the aftermath of their defeat by the Seattle Seahawks, coach Sean McVay made a significant move.

Chase Blackburn, the Rams’ special teams coordinator for the last three seasons, has been fired, a team official said Saturday.

Assistant Ben Kotwica remains on the staff.

Earlier this month, Blackburn said, “The job of a special teams coach is to be able to adapt and overcome on all things.”

That proved a challenge for a team that features a high-powered offense, and an at-times dominating defense.

On Thursday night in Seattle, the Rams led by 16 points in the fourth quarter when they allowed Rashid Shaheed to return a punt 58 yards for a touchdown. The play sparked the Seahawks’ comeback that sent the Rams to a 38-37 overtime defeat.

The loss dropped the Rams’ record to 11-4, and knocked them out of the No. 1 seed in the NFC and first place in the NFC West.

The breakdown was the latest in a series of special teams issues that have plagued the Rams.

In September at Philadelphia, the Eagles blocked two field-goal attempts by Joshua Karty, returning the second for a winning touchdown on the final play of regulation.

Two weeks later, in a 26-23 overtime defeat by the San Francisco 49ers, Karty missed a long field-goal attempt and had an extra-point attempt blocked. Karty’s kickoff in overtime did not reach the landing zone, giving the 49ers the ball at the 40-yard line.

Before their Week 10 game against the 49ers, the Rams signed kicker Harrison Mevis to replace Karty and signed veteran snapper Jake McQuaide to replace Alex Ward.

The kicking game solidified. Mevis made all eight of his field-goal attempts, including three against the Seahawks, before he missed a 48-yard attempt with just over two minutes left in regulation.

The Rams, who clinched a playoff spot, play the Atlanta Falcons on Nov. 29 in Atlanta and then conclude the regular season at home against the Arizona Cardinals.

ARLINGTON, Texas — The NFL regular season is turning down the stretch and the playoff picture is coming into focus, and that means not just the teams but the league’s scheduling crew is hard at work.

The Chargers, who play at Dallas on Sunday, can secure a postseason berth with a victory and some help from a team or two. Coupled with a win over the Cowboys, the Chargers need Las Vegas to win at Houston (unlikely) or San Francisco to win at Indianapolis (more likely) so they can rest easy knowing they’re at least in the playoffs for the second consecutive season under Jim Harbaugh.

Although the Rams have already qualified for the playoffs, they need to regain their balance after a spirit-snapping loss at Seattle on Thursday that likely cost them a chance at the NFC’s No. 1 seed.

Here’s a look at the upcoming schedule for the end of this season and beginning of next, along with decisions that need to be made:

— Why did the league schedule Houston at the Chargers for Saturday of Week 17?

The game was always a candidate for that 1:30 p.m. slot on NFL Network, and Seattle at Carolina was also under consideration.

The league liked Texans-Chargers on Saturday because both of those clubs likely will be playing in January — maybe against each other again — and if that game were moved to Sunday afternoon, it would be going head-to-head against Fox’s national game, Philadelphia at Buffalo, a potential Super Bowl preview.

So the NFL wanted to do the Texans and Chargers a solid and give them the national stage to themselves.

— Rams at Atlanta in Week 17 isn’t a fantastic Monday night game for Week 17, especially with the Falcons currently at 5-9. But with all the games spread throughout the week of Christmas, there weren’t a lot of great replacement options.

The league didn’t move Texans-Chargers into that slot for good reason. Because whoever plays in that “Monday Night Football” slot — it’s staying Rams-Falcons — won’t be a candidate for a Saturday game in the final weekend.

So by moving Texans-Chargers to Saturday, both those teams are in play for the two Saturday spots in Week 18. The Chargers finish at Denver, and the Texans play host to Indianapolis. Either or both of those games could wind up on ESPN for those finishing Saturday games.

— The NFL originally slated Cincinnati at Miami for this week’s Sunday night game but last week decided to move New England at Baltimore into that time slot. That’s notable because it’s the first flex of the season, which is an unusually low number. Typically, there have been three or four flexes to this point.

Why only one? There are multiple reasons. First, the league’s scheduling crew had a pretty clear crystal ball in May, a good idea for which teams would still be in the mix. Credit to those folks.

But the bar for flexing games is also a little higher than it used to be. The NFL is cautious about inconveniencing 75,000 fans for a relatively small bump in viewership. What’s more, with all the new windows and partners — Netflix, Amazon Prime, Peacock, Paramount+ — there are fewer games to go around. Even if the league wanted to flex, there are fewer options. The traditional Sunday inventory is a lot thinner than it used to be.

— It’s worth noting that the league’s philosophy on moving games around is it flexes out of a game that’s falling apart, it doesn’t flex into a better game because the network or streaming service doesn’t happen to like the game it has.

Cincinnati-Miami was a no-brainer flex candidate back in October when both teams were reeling. But then Joe Burrow came back for the Bengals, and the Dolphins started winning, and it got interesting for a while. But then Cincinnati got shut out last week by Baltimore, and Miami just benched its quarterback. Flex was back on.

So what to flex into? The thought was, yes, the NFL can move Patriots-Ravens into that Sunday window for NBC, and at least it can leave behind Kansas City-Tennessee for CBS. Everybody figured the Chiefs would be fighting for their postseason lives. That wasn’t the case. Kansas City was eliminated last week and lost Patrick Mahomes to a season-ending knee injury. Chiefs-Titans isn’t nearly as interesting as anticipated.

It could have been an ugly Sunday for CBS, but the network wound up with Pittsburgh-Detroit for its national game. That very easily could have been the far-less-tantalizing Buffalo at Cleveland.

— We’re heading into a postseason with no Kansas City, no Dallas, maybe no Baltimore or Pittsburgh — one of them is going to miss out — and with the rise of Chicago, possibly no Green Bay or Detroit.

A lot of those traditional anchor teams could be watching from their couches.

That means the NFL will have to make some new decisions about who to prioritize in postseason scheduling, perhaps looking with fresh eyes at clubs such as Seattle, Tampa Bay, Carolina, Jacksonville and others. Who are the ones with the most national appeal?

And that rolls into next season. How does the league dole out those big national windows. With Kansas City missing the playoffs, and Mahomes recovering from a major knee injury, do the Chiefs recede into the background after a decade of division titles and deep playoff runs?

Have the Bears broken through? They’re 10-4. At 12-2, Denver looks to be back and set up to keep it going. Heading into Thursday night’s game, the Rams were as hot as any team in the league, and the Chargers could finally get Justin Herbert that inaugural playoff victory.

The Steelers have won two in a row, and could wind up making a postseason run. If so, what does Aaron Rodgers do next season, and how will the club move forward?

The NFL leaned heavily into Washington after one outstanding season, giving them eight nationally televised games this season. That bet didn’t pay off; the Commanders are 4-10.

It’s the game behind the games, and those decisions are taking shape.

Bowen Yang, a fan-favorite cast member of “Saturday Night Live,” is leaving the series after this week’s episode.

Representatives for Yang and “Saturday Night Live” did not comment on the move Friday. However, on Saturday, he confirmed his upcoming departure via a post on his Instagram account. “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwile,” he wrote. “i’m grateful for every minute of my time there.”

Yang also thanked Ariana Grande, this week’s host and his “Wicked” co-star,” for “sending me off in the dreamiest way I could imagine.” The pair, alongside musical guest Cher, were seen in promos for Saturday’s episode.

There has been recent speculation about whether Yang would finish the current season of the show. He has appeared on “SNL” since Season 45 after a year of working on the writing staff.

Yang took on a variety of roles in the NBC sketch comedy series, including impersonating Vice President J.D. Vance, Fran Lebowitz and pygmy hippopotamus Moo Deng. Yang received his fifth Emmy nomination for his work on “SNL’s” historic 50th season.

Outside of “SNL,” Yang has appeared in several other projects recently. He co-hosts the popular podcast “Las Culturistas,” with fellow comedian Matt Rogers, and their seminal Las Culturistas Culture Awards was televised for the first time this year, airing on Bravo and streaming on Peacock. Yang also appeared in the “Wicked” film and its recent sequel, “Wicked: For Good,” and has starred in several other feature films, including “The Wedding Banquet,” “Fire Island” and “Dicks the Musical.”

In early December, Yang confirmed he and Rogers would be co-writing and starring in an untitled comedy for Searchlight Pictures. The movie will reportedly follow two Americans who fly across the world to try to get into the exclusive Berghain nightclub in Berlin.

Yang is not the first “Saturday Night Live” cast member to leave midseason — he joins the company of past “SNL” greats like Cecily Strong, Molly Shannon, Amy Poehler and a handful of others who exited the show outside of the traditional period for departures while the show is on summer hiatus.

Prior to the start of Season 51, NBC and executive producer Lorne Michaels made some major cast changes, adding five featured players after a series of departures. Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker and Emil Wakim exited the series before the season premiere in October.

Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska joined the cast for the current season. Marshall was previously on the “SNL” writing staff and is known for his on-camera appearances as a part of the Please Don’t Destroy comedy trio.

The 51st season of “Saturday Night Live” will continue in early 2026 and run through the end of the television season in May.

It’s a testament to the coaching of Jim Harbaugh that the Chargers have been decidedly un-Charger-like this season, continuing to win games despite a slew of pivotal injuries. They’re coming off back-to-back victories over the two teams in last season’s Super Bowl, Philadelphia and Kansas City.

Their challenge Sunday is beating the Cowboys, who went 3-1 in November but began this month with consecutive losses.

The Cowboys lead the league in offense, rolling up nearly 400 yards per game, but they’re 29th in total defense and last against the pass. Facing Justin Herbert is not a favorable matchup for them.

Dallas was eliminated from postseason contention with a Week 15 loss to Minnesota.

The Chargers can clinch a playoff berth with a win and a loss or tie by Indianapolis (versus San Francisco) or Houston (vs. Las Vegas).

How the Chargers can win: If Herbert has time, he should be able to dissect a suspect Cowboys secondary and relies heavily on zone coverage. That has led to a bunch of explosive plays. The Cowboys are vulnerable to the run, as well, and a balanced attack by the Chargers will take them a long way. Get another strong performance from the defense.

How the Cowboys can win: Be aggressive and play to win, not to protect leads. That means outscoring the Chargers, not settling for field goals because Brandon Aubrey is such a weapon. It would help the Cowboys to take some risks and go for it on fourth down more frequently. They can put points on the board, but more often they move the ball well between the 20s. Even a small improvement on defense would help.

Emily in Paris is back for even more drama, this time around though, one of its key stars was missing.

Emily in Paris season five has dropped but subscribers have been left scratching their heads over the whereabouts of Emily’s friend and rival, Camille deLalisse.

From the get-go of the Netflix rom-com drama, Camille deLalalisse (portrayed by Camille Razat) played a pivotal role, forming part of the love triangle with Emily ( Lily Collins ) and Gabriel (Lucas Bravo).

So when fans noticed that Camille was absent from all 10 new episodes, it sparked speculation about her fate and potential return.

Camille’s journey in Emily in Paris seemed to reach a natural end in season four after she called off her wedding to Gabriel, but her story wasn’t quite finished.

She soon found out she was pregnant, only to later discover it was a false positive. However, Camille kept this secret for a while, hoping to keep Gabriel in her life.

At the same time, Camille was navigating a budding relationship with artist Sofia, but due to lingering feelings for her ex-fiancé, things didn’t pan out.

Eventually, she revealed the truth, and the entire ordeal made Camille realise her desire for a family, leading her to announce plans to adopt a baby on her own.

Season four concluded with Camille moving into a new flat, complete with nursery space, leaving behind her tumultuous past with Emily and Gabriel.

While Camille was noticeably missing from season five, this doesn’t necessarily rule out her return in future series.

Taking to Instagram to discuss her departure from the programme, Razat revealed: “After an incredible journey, I’ve made the decision to step away from Emily in Paris.

“It has been a truly wonderful experience, one filled with growth, creativity, and unforgettable memories.

“I’m deeply grateful to @starmandarren and the entire team at @netflix and @paramountpics for their trust and for giving me the opportunity to bring Camille to life and leaving the door open for her return, as she will always be a part of Emily In Paris world.”

However, Razat has numerous other ventures lined up, revealing she’s wrapped filming on Nero The Assassin for Netflix and The Lost Station Girls for Disney+.

The 31-year-old also disclosed that she’s launched her own production company Tazar Production, which will concentrate on developing music videos and short films, though has already begun work on a feature film.

Wrapping up her Instagram message, Razat noted: “This character has meant a lot to me, and I feel that her storyline has naturally come to an end. It felt like the right moment to explore new horizons.

“I leave the show with nothing but love and admiration for the cast, crew, and fans who have supported us along the way. Thank you for the beautiful ride.”

Emily in Paris is available to stream on Netflix.

After Friday afternoon’s practice, USC football coach Lincoln Riley said he had no update on D’Anton Lynn, who has been the target of Penn State’s defensive coordinator search.

Penn State showed interest in Lynn last year before he received a contract extension from USC. Lynn was hired by the Trojans after a successful season as the defensive coordinator at UCLA.

“This is what happens this time of year, especially when you have a really good staff and are doing a lot of positive things,” Riley said. “We’re excited about having the opportunity to keep continuity but if there is turnover, not just with that position but any position, these are coveted jobs. It’s just part of the world we live in.

“Obviously, D’Anton has done a really good job here and we’ll see how it turns out.”

Being prepared for change is a must in the current college football climate, Riley said.

“Contingency plans for coaches, players, staff, everyone because so much can and does change,” Riley said. “Our job is to be prepared and have flexibility. You can’t always predict everything that’s going to happen but you have to be ready to adjust. Yeah, every team goes through it on some level and you try to handle it as well as you can.”

Riley has liked what he has seen in practice as USC (9-3) prepares for its Alamo Bowl matchup against Texas Christian on Dec. 30.

“We’ve done a really good job the last couple of years of going to work and we’re not thinking about what players or coaches are here or aren’t here,” Riley said. “It’s all about trying to maximize this time and build for the future.”

USC announced Tuesday that redshirt junior quarterback Jayden Maiava had re-signed for the upcoming season and is not joining Makai Lemon and Ja’Kobi Lane — USC’s two best receivers — in declaring for the 2026 NFL draft.

“It’s great. Anytime you can get a returning guy like that who has played a good amount of football, it’s important,” Riley said of Maiava. “He’s also become a good leader in this program and I’d expect that to continue to improve. The majority of this team has already re-signed, we know those guys are going to be here and it’s cool for those guys to show how much they believe in this place and what we’re doing.

“The exciting thing is you look ahead and you start to imagine pairing what we have coming back with what’s going to be walking through the door here in three weeks or so, but it starts with your veterans who have been through the fire and we have a lot of them back.”

Maiava, one of the last players to leave the practice field Friday, made it clear why he chose to stay.

“Coach Riley,” Maiava said. “Of course, the staff too and my brothers. I’m super grateful to be back out here. I’m focused on a day at a time, staying level-headed, making the right decisions and just taking care of the ball.”

Maiava is happy for Lemon, who won the Biletnikoff Award as college football’s top receiver after catching 79 passes for 1,156 yards and 11 touchdowns as a junior this season.

“It was awesome, everybody was there in the lobby when we found out … it’s well-deserved,” Maiava said. “He and Ja’Kobi set the standard for everyone. He won the award, so I’d say we had pretty good chemistry even off the field going out to eat and places. I had to do my job, but he did his job, too, as best he could.”

Defensive end Braylan Shelby also is grateful to be back with the Trojans for another season.

“I always knew I wanted to be here, he said. “Bowl games mean a lot and it’s a time for the team to put it all together and play together one last time.”

Regarding the new NFL model for announcing re-signings, Shelby said: “Some people love it, some hate it. … USC is a step ahead of the game and I think it’s the right step. In this NIL era, it helps fans know who’s returning.”

Having re-signed, junior safety Christian Pierce is excited about being a potential starter next fall.

“The bowl game is a huge start going into next season in terms of building the culture,” Pierce said. “My focus is on trying to understand the defense even more and the skills and techniques I’ll need to get better at. The talk after re-signing was more on the coaching staff and the program.”

Riley praised offensive lineman Tobias Raymond on his willingness and ability to play multiple positions on the front line.

“He was one of the most important players on the entire team,” Riley said. “His toughness was off the charts, his versatility with all the different lineups we played, being able to physically and mentally handle that. He was just a steadying presence. He’ll be a huge key coming back as a captain, a leader and a player. As many of those guys as you can have in a locker room — you’ll be a lot closer to winning.”

Much to his coach’s liking, Raymond has embraced his leadership role.

“I’ve just tried to be more vocal, set an example and hold other people to the standard our coaches have put out for us,” said the 6–foot-6, 315-pound redshirt sophomore out of Ventura. “Pick people up when things are low and when things are high making sure we’re keeping level-headed.”

Regarding the transfer portal, Riley said he plans to be less reliant on it than in previous years.

“The number we’re talking about is so much less than before, so moving forward we’ll be able to zero in on what we’re going to go after. So the picture is starting to become clearer on what we’ll be targeting.”

Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.

For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).

But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.

Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.

ICYMI

Must-read stories you might have missed

Julianne Hough near the Dolby Theatre at the 97th Academy Awards earlier this year. The Oscars are moving to YouTube, sending shock waves through Hollywood.

(Robert Gauthier / Los Angeles Times)

What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.

How do Lifetime and Hallmark keep Christmas movies fresh? Pickleball and the NFL: For the two cable networks, tapping into niches, hobbies and sports teams allows them to invite new audiences in, while keeping loyal viewers satisfied with a break in formula.

Diversity and representation of women on streaming TV series in sharp decline, UCLA study shows: The latest edition of the Hollywood Diversity Report released Tuesday determined that the top shows in 2024 were less culturally diverse than the previous year.

Hollywood was built on movie stardom. AI is changing the rules: Synthetic performers are forcing Hollywood to rethink how fame works and who gets to claim it. Even as the technology races ahead, legal concerns are mounting.

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Recommendations from the film and TV experts at The Times

Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”

(Andi Crown Photography / PBS)

“Happiness” (PBS app, pbs.org)

What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd

Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”

(Matt Towers / Apple TV)

“Down Cemetery Road” (Apple TV)

Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.

Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.

Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Samuel Arnold as Julien in Season 5 of “Emily in Paris.”

(Netflix)

Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal

The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?

Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.

The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?

If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.

Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?

I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.

With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?

I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.

What have you watched recently that you’re recommending to everyone you know?

I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.

What’s your go-to comfort watch — the movie or TV show you always come back to?

“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.