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MILAN — Maxim Naumov typically trembles as he waits in his opening position before the music begins. But on Tuesday, the 24-year-old U.S. figure skater stood firm at center ice with the Olympic rings beneath his feet and his right fist raised. A white gold ring with a single diamond on his ring finger glittered in the light.

It was his father’s ring.

A year after his parents, Vadim Naumov and Evgenia Shishkova, were among 67 people killed in a Washingon, D.C. plane crash, Naumov carried their strength during his Olympic debut and delivered an emotional season’s best 85.65 in the men’s short program that qualified him for the free skate.

U.S. teammate Andrew Torgashev also scored a season’s best in his Olympic debut, qualifying for Thursday’s free skate with an 89.94. His coaching team, which includes Irvine-based Rafael Arutyunyan, fist-bumped after Torgashev hit the final combination jump of his program. Skating to “Maybe I Maybe You” by the Scorpions, Torgashev flashed the rock-and-roll symbol to the crowd as he saluted.

Instead of the raw emotion Naumov released after the U.S. championship that clinched his Olympic spot last month, he smiled purely and breathed deeply while the crowd at Milano Ice Skating Arena showered him with applause. He looked toward the rafters and spoke to his parents.

“Look what we just did,” Naumov said. “We did it.”

Maxim Naumov holds a photo of his parents after competing during the men’s free skate at the U.S. championships.

(Stephanie Scarbrough / Associated Press)

The elder Naumov and Shishkova were three-time world pairs skating medalists and two-time Olympians. The 1994 world champions coached at the Skating Club of Boston and remained at the 2025 U.S. championships in Wichita, Kan., after the competition to coach a development camp.

Maxim Naumov, who had finished fourth at the U.S. championships for the third time in a row, returned home immediately after the competition. In one of their last discussions as a family, Naumov’s father laid out the plan to ensure they could reach the Olympics in one year. The talk lasted about 45 minutes. After the first 30 minutes, Naumov said he was rolling his eyes the way children often do, but he understood the message: They were going to work together and revamp everything they do.

After the crash on Jan. 29, 2025, Naumov struggled to leave the house. He couldn’t bear to tie his skates. Going to the rink felt unimaginable.

At every moment, Naumov wanted to lay in bed and rot. He instead chose to find the thing that felt like the most difficult task and attack it. At first it was simply waking up. Then it was getting out of bed. Then it was going to work and coaching his parents’ former students. Now they’re his students.

“The only way out is through,” Naumov said. “Everyone has the ability to do that: to remain strong in your mind, have willpower and do things out of love instead of fear. I think if you’re able to do that, whatever it is that you’re going through, however big or small, you can have small wins every single day, and you can do things that you never thought that you could.”

Naumov earned his Olympic spot by finishing third at last month’s U.S. championships. The emotions of the national competition that would decide the family’s dream were so heavy that after he finished his free program, he found a secluded corner in the tunnel and sobbed.

Finally on the Olympic stage, Naumov felt nothing but stillness. Naumov said he felt his parents’ presence and the support of the entire figure skating community “like a hand on my back pushing me forward.”

Looking at old videos can still be painful for Naumov. But he mustered the strength to look through the family’s large photo album ahead of the U.S. championships and pick out several photos he brought to the competition. His parents had always been in the kiss-and-cry with him. With his spot on the Olympic team at stake, he wanted them there again.

Waiting for his score in Milan, Naumov flashed a photo he picked. He is flanked by his parents standing on the ice for the first time at about 3 years old.

Two decades later, he was stepping off Olympic ice.

“To be able to just have 2 minutes and 50 seconds to show what you’ve been working on for 19 years, and to be able to make it happen when it matters and when it counts, there’s no feeling like it at all ever,” Naumov said, still breathless from the emotional performance more than 30 minutes after he nailed the final note. “I just hope that I made everyone proud.”

U.S. flags waved on every side of the rink as he saluted the crowd. He knows his mother would have not been there watching in person because she was too nervous to attend. Refreshing the online score tracker to keep up with Naumov’s program, she would always find a way to send a message of support to her son.

Before his program, Naumov sent a message of his own.

“Mom and dad,” the videoboard in the arena read, “this is for you.”

The youngest brother of late NFL star and U.S. Army Ranger Pat Tillman pleaded guilty Monday in federal court to setting fire to a Northern California post office last summer.

Richard Tillman, a 44-year-old San Jose resident, was arrested July 20 in connection with a fire at the Almaden Valley post office and charged with malicious destruction of government property.

“In pleading guilty, Tillman admitted that he intentionally set the fire in order to ‘make a point to the United States government,’” the U.S. Attorney’s Office for the Northern District of California said in a statement.

It remains unclear what point Tillman was trying to make.

Tillman was accused of backing his vehicle through the front door of the post office during the early morning on July 20 and setting the vehicle ablaze after exiting it. Tillman had loaded the vehicle with fire logs and doused it with lighter fluid, the U.S. Attorney’s Office said. The fire quickly spread to the post office, completely destroying the lobby. No one was injured.

U.S. Postal Inspector Shannon Roark said in July that Tillman told officers at the scene that he had livestreamed the incident on YouTube.

Tillman is in federal custody and is scheduled to be sentenced at an April 27 hearing. He faces a minimum of five years in prison and a maximum of 20 years, as well as a $250,000 fine.

In the aftermath of the Sept. 11, 2001, terrorist attacks on the United States, Pat Tillman walked away from a three-year, $3.6-million contract offer from the Arizona Cardinals and enlisted in the Army, along with his younger brother, Kevin.

On April 22, 2004, Pat Tillman was killed by friendly fire in the province of Khost, Afghanistan. He was 27.

Following the post office fire last year, Kevin Tillman released a statement.

“Our family is aware that my brother Richard has been arrested. First and foremost, we are relieved that no one was physically harmed,” Kevin Tillman said. “ … To be clear, it’s no secret that Richard has been battling severe mental health issues for many years. He has been livestreaming, what I’ll call, his altered self on social media for anyone to witness.

“Unfortunately, securing the proper care and support for him has proven incredibly difficult — or rather, impossible. As a result, none of this is as shocking as it should be.”

To say the mood at Ryan Coogler’s production company Proximity Media has been euphoric would be an understatement.

You too would be more than euphoric if your film landed in the year’s box office top 10 and set the all-time record for most Oscar nominations.

But “Sinners” wasn’t built in a day. It’s been a slow and steady ascent — call it, well, one success after another — since Coogler founded the company in 2018 with his wife Zinzi (they married in 2016) and USC film school buddy Sev Ohanian. And the director is unstinting in his praise for his partners.

“Zinzi is meticulous and detail-oriented and the one that keeps it all together,” Coogler wrote in an email to The Envelope. “She is humble and observant but is the smartest person I know and knows me extremely well. Sev is exceptional at strategy, and the most experienced producer of the three of us, which is invaluable. … Together, they act as a bridge between the creative and the business, which allows me to stay focused on the film.”

The three have been working together since Coogler’s 2013 feature debut, “Fruitvale Station,” based on the true story of Oscar Grant, a young Black man shot to death by a transit police officer in an Oakland BART station.

Bringing audiences in close proximity to stories and subject matter often overlooked forged the name of the company, which now includes feature film, television, nonfiction, music and podcasting departments.

Past film projects include the Oscar-winning “Judas and the Black Messiah,” “Space Jam” and “Creed III.”

“They are on a fast rocket with an upward trajectory for almost any project they bring to the marketplace,” said Andrew Goldman, adjunct professor of film and television at New York University’s Tisch School of the Arts. ”Every company in town will want a Proximity/Ryan Coogler project. They have cracked a formula of both critical acclaim and box-office successes.”

A recent installment of the podcast “In Proximity” featured Michael B. Jordan and Ryan Coogler getting in the weeds about the production of “Sinners,” including how Jordan distinctly portrayed twins Smoke and Stack.

Moving forward, it looks like Proximity’s sights are set on stories based on another duo: “The X-Files’” Mulder and Scully, the iconic opposites-attract FBI agents who forged a deep personal partnership while investigating strange and paranormal cases over 11 seasons on Fox, beginning in 1993 and stretching until 2018.

Warmly displaying their camaraderie and creative interdependence, Zinzi Coogler and Ohanian spilled more about their company over Zoom, including their early days, people who inspired them and how they’re adapting to the shifting media landscape.

This interview has been edited for length and clarity.

Michael B. Jordan, left, and Miles Caton in “Sinners.”

(Warner Bros. Pictures)

What is the origin story of how Proximity Media formed?

Ohanian: It officially became a company on April 6, 2018, over lunch in San Francisco, but the roots go back to 2008 at USC film school, where I first met Ryan Coogler. We became friends working on student films and reconnected when Ryan and Zinzi were finishing “Black Panther.” Around that time, I had just produced “Searching,” and we started talking seriously about forming a company together.

Zinzi, what made you want to partner with Sev and Ryan formally?

Coogler: After years of working with Ryan unofficially, especially on “Fruitvale Station,” we knew we wanted to make it official. Sev had always impressed me with his creativity and relentless work ethic. When Ryan and I discussed founding a company, Sev was the only person we wanted to approach. Luckily, he said yes — and that’s how Proximity really began.

Did you ever imagine Proximity would grow as it has?

Ohanian: Honestly, no. Back when we were making “Fruitvale Station,” we were just trying to get the movie finished. But looking back, it feels inevitable because we’ve put in years of steady work and built strong relationships in the industry.

Coogler: We couldn’t have foreseen this success. But the foundation of our collaboration — our shared belief in storytelling and craftsmanship — has never changed since those early days.

What projects are you most excited about now?

Ohanian: Last year was a landmark one. We released “Sinners,” had streaming hits like “Ironheart” and “Eyes of Wakanda,” and launched Season 3 of our “In Proximity” podcast. We also have several documentaries and new TV shows in development, plus a long-rumored “X-Files” project that’s close to launching.

Tell us about the atmosphere within the company.

Coogler: There’s a lot of laughter between the three of us — Ryan, Sev, and me. In our early days, someone once asked, “Can I get the real name of your company?” We cracked up at that and recorded the moment. It keeps us humble and reminds us how far we’ve come.

How did you approach producing “Sinners?”

Coogler: It was our first time being sole producers on something Ryan wrote and directed. We saw it as a big moment for Proximity — a chance to support Ryan’s creative vision from start to finish.

Do you have defined roles within Proximity?

Ohanian: Roles shift depending on the project. We each bring different strengths — Ryan as director, me from the indie film side, and Zinzi with her broad experience and steady leadership. We’ve built a team of about 20 people who’ve grown with us, including some who started as assistants and are now producers.

Did other production companies serve as an inspiration?

Coogler: We’ve leaned on amazing mentors — Jim Morris at Pixar, Kevin Feige and Lou D’Esposito at Marvel, and Charles King at Macro. Their guidance shaped how we lead and structure our company.

Looking ahead, how is Proximity adapting to the changing media landscape?

Ohanian: Change has been constant since day one — recessions, strikes, streaming shifts. We stay adaptable through yearly retreats, often at Pixar, to reassess our strategy and think creatively about the future.

How do relationships like the one with Michael B. Jordan influence your work?

Coogler: Michael’s family to us. We’ve been through so much together — from “Fruitvale Station” to “Creed III” and “Sinners.” That trust and history make the work special every single time.

Across East and Southeast Asia, and throughout diaspora communities in Los Angeles, Lunar New Year marks a season of renewal. It’s a time of deep reflection and collective gathering, as homes are refreshed, elders are honored and streets fill with lion and dragon dances.

Food is central to the celebrations, with dishes chosen as much for what they represent — abundance, unity and good fortune in the year ahead — as for how they taste.

This year ushers in the Year of the Horse — and not just any Horse, but the Fire Horse, a particularly dynamic pairing in the lunar calendar. The timing couldn’t be better. The horse is traditionally associated with energy, momentum and reinvention, and when paired with the fire element, which amplifies passion and action, this year speaks to our desire to move, create and reclaim a sense of possibility — even in the wake of devastating wildfires, immigration raids and widespread uncertainty.

While Lunar New Year officially kicks off on Feb. 17, celebrations in Los Angeles will take place all month and into the next, with banquet-style feasts, limited-time collaborations and cultural performances. Whether you’re seeking a symbolic meal or a lively street celebration, here are 25 festive ways to ring in Lunar New Year across L.A.

MILAN — He raised up the Quad King. He refined the jump that defined the Quad God.

From a sprawling ice facility in Irvine, Rafael Arutyunyan could just be the “Quad Maker.”

The 68-year-old figure skating coach is renowned as one of the best technicians in the world. He trained Olympic champion Nathan Chen starting when the “Quad King” was 10 years old. Four years after Chen became the first U.S. man to win singles Olympic gold since 2010, Arutyunyan could have a second consecutive pupil on top of the Olympic podium.

Ilia Malinin, who has worked with Arutyunyan part time since 2021, is the only person in the world to land a quad axel and is the overwhelming favorite for men’s gold at the Milan-Cortina Olympic Games.

American Ilia Malinin celebrates with his coaches, including Rafael Arutyunyan to the right, during the world skating championship in March 2025.

(Maddie Meyer / Getty Images)

The walls in Arutyunyan’s office at Irvine’s Great Park Ice, where he is the head coach of the high performance team, are plastered with photos of stars including Chen, Michelle Kwan, Adam Rippon and Ashley Wagner. They each came to his door with dreams of perfecting their performances, making it to the Olympics or, in some cases, revolutionizing the sport. They scribbled messages over their pictures saying: “I couldn’t have done it without you.”

“Rafael is more like the dream maker,” said Rippon, the 2016 U.S. champion and 2018 Olympic team bronze medalist. “… Rafael is able to take each of his students’ individual goals on a case-by-case basis, and he’s able to help the athletes go after whatever that goal is they’re trying to achieve.”

Malinin came with a lofty goal. Even his father Roman Skornikov — an Olympian for Uzbekistan who coaches his son with his wife, Tatiana Malinina — thought the idea of doing four-and-a-half revolutions in one jump was crazy.

Arytyunyan assured him Malinin could do the quad axel.

The coach of nearly 50 years just looked at the 5-foot-9 Malinin and could tell. It was his slender body type, natural athleticism and strong technique that made Arutyunyan know the jump many thought was impossible could be done. They discussed small technical tweaks to Malinin’s entry. A short two to three months later, Malinin, who trains primarily with his parents in his native Virginia, sent a video of him landing the quad axel in practice.

“The way he explains is really good. And he explains in like, metaphors and analogies that you’re surprised to hear,” said Malinin, who debuted the quad axel in 2022 when he was 17. “They work really well because it helps you get a different perspective on a technique or how he explains.”

Arutyunyan instructed Malinin to think of himself as a slingshot while approaching his jumps. Skaters know to gain power from deep edges that carve circles into the ice, but Artutyunyan describes it like a person riding a motorcycle: The rider tilts side to side just like a skater’s blade glides over the ice. Over time as he gets more familiar with a skater, Arutyunyan communicates through hand signals to show how their blades are interacting with the ice. Learning to manipulate the blade with Arutyunyan made Rippon feel as if he truly learned how to skate.

“He is a genius,” said Mariah Bell, a 2022 Olympian and U.S. champion.

Nathen Chen celebrates with coach Rafael Arutyunyan after competingin the 2020 U.S. Figure Skating Championships Greensboro, N.C.

(Matthew Stockman / Getty Images)

With the exception of Chen, many of Arutyunyan’s students came to him later in their careers. It takes a special eye and tenacity for a coach to rewire decades of bad habits, Bell said.

Arutyunyan loves it.

“I am emergency room for skaters,” he said. “Many people comes to me as emergency and I start to fix it.”

Arutyunyan is equipped to solve the most dire skating situations because after nearly 50 years as a coach, he’s seen it all already. Arutyunyan, who began coaching in his native Armenia, was first trained in the Soviet style that relied on biomechanics and physiology to unlock efficient jumping techniques. European and American teachings focused more on compulsory figures, the basic patterns skaters would trace across the ice that give the sport its name.

Arutyunyan, who came to the United States in 2000 from Russia, blended both into a signature style that has top skaters traveling from all corners of the globe seeking his help.

“Why I think he’s one of the best coaches in the world,” Rippon said, “is that he’s never not learning.”

After a promising juniors career in which he was named junior national champion in 2015 and competed at the 2020 world junior championships, Andrew Torgashev knew he had competitive ability and presentation. But wanting to step up his senior career, Torgashev, 24, knew he needed to tame his wild technique. Performing his programs felt like “going to the casino,” Torgashev said.

“Red or black,” Torgashev said with a smile, “who knows what’s going to happen?”

Since relocating to California from Colorado in 2019, Torgashev, a Florida native whose parents were both elite international figure skaters, reworked every aspect of his skating with Arutyunyan. He was always skating on his toes when he should have been on his heels. They changed his three-turn — one of the first things skaters learn when skating on one foot — to find more power. They tinkered with his crossovers and his camel spin.

It took years. Much of it was disheartening.

“I felt like, ‘what’s the point of this? I’m losing jumps, he’s ruining me,’” Torgashev said. “But he always has a method to his madness.”

The method finally yielded results after two years. Injuries kept Torgashev out of competition for two seasons. But he finished second at the 2023 Eastern Sectional Championships and ahead of the 2023 U.S. championships, he was performing his programs more consistently than ever in practice.

After finishing on the podium at U.S. championships in three of the last four years, including two consecutive silver medals, Torgashev will make his Olympic debut in Milan.

“He’s forced me to be very resilient and independent and trust myself, trust what I’ve learned from him, and try to take that with me to competition,” Torgashev said. “I think it’s the best move I made in my life.”

Arutyunyan’s ability to take established, struggling skaters and put them into the podium conversation is how he believes he first started getting respect in the United States. When he emigrated from Russia, he was searching simply for freedom, he said.

He never thought it would turn into a hall of fame career.

Arutyunyan was inducted into the U.S. Figure Skating Hall of Fame in January at the U.S. Championships. At the induction ceremony in St. Louis, Arutyunyan waved toward a packed crowd and bowed his head. He looked forward to the ceremony because it was a chance to see his students again. What thrilled him most was getting to rub elbows with other Hall of Famers such as Brian Boitano, Dorothy Hamill and Scott Hamilton. The Olympic and world champions were Arutyunyan’s idols, he said giddily.

After 50 years of helping skaters achieve their dreams, the man who was always behind the scenes got to live his.

On the last day of January, hundreds of people filled the pews of Immanuel Presbyterian Church in Koreatown to hear not the word of God but the gospel of the Democratic Socialists of America.

It was the local chapter’s bimonthly meeting and also a kickoff event for a year during which they planned to build on an already impressive foothold in L.A. politics. Four of their own are council members and the two up for reelection — Eunisses Hernandez and Hugo Soto-Martínez — received standing ovations after their impassioned speeches. They implored the faithful to believe that anything is politically possible in a year when President Trump is waging war on Los Angeles and one of their own, Zohran Mamdani, is the mayor of New York.

Among the true believers was someone who arrived late that day: L.A.’s original democratic socialist insurgent, Nithya Raman.

She shocked the city’s political class in 2020 by beating Councilmember David Ryu — the first time in 17 years that an incumbent lost their seat. Her upset blazed the way for Hernandez and Soto-Martínez in 2022 and fellow DSAer Ysabel Jurado in 2024. They’ve created a progressive bloc that has helped Mayor Karen Bass implement her agenda, offering Her Honor cover from critics on the left while also pushing for democratic socialist principles such as less police spending and more intervention programs.

Raman kept a low profile at the DSA-LA event, according to attendees. The 44-year-old listened to her colleagues’ speeches and those of other hopefuls, made small talk with fellow members and then left.

There was no hint that afternoon of the political earthquake she uncorked this Saturday, when Raman announced a mayoral run against longtime ally Bass. The council member described the mayor to The Times as an “icon” who nevertheless needs to be replaced because “Los Angeles is at a breaking point.”

I can only imagine Bass — whom Raman publicly endorsed just a month ago — was surprised.

The mayor seems vulnerable, for sure. From her handling of the Palisades fire to crumbling infrastructure to the economy and so much more, critics maintain Bass spent all of last year living up to the old Johnny Mathis and Deniece Williams duet: She did things too much, too little and too late. This was all before sources told The Times last week that Bass ordered an after-action report on the Palisades fire be — no pun intended — watered down to limit legal liability against the city.

Her supporters point to a drop in homelessness and homicides over the last four years as reason enough for Bass to return — but their hosannas haven’t gotten as much traction as an incumbent should be seeing at this point in a reelection campaign. That’s why the proverbial smart money had someone on the right side of L.A.’s Democratic spectrum mounting a strong challenge this year — Councilmembers Monica Rodriguez or Traci Park, L.A. County Supervisor Lindsey Horvath or even 2022 challenger Rick Caruso.

While Mamdani’s fall win got local progressives dreaming about one day doing the same in Los Angeles, the prospect of a strong challenger from the left in this mayoral cycle was considered so unlikely that DSA-LA didn’t have candidate Rae Huang — a dues-paying member and Presbyterian minister — speak at the Immanuel gathering since she couldn’t gather enough signatures to make her case for an endorsement in the fall.

Raman has proved effective enough as a council member to win her reelection outright two years ago during the primaries despite a well-funded effort to paint her as a limousine leftist. I admire her brio to take on Bass and respect her place in L.A. political history. I’m glad someone is going to make the mayor work hard to get reelected because no incumbent should ever have an automatic reelection.

But Nithya Raman?

Los Angeles City Councilmember Nithya Raman, left, talks with Mayor Karen Bass at Hazeltine Park in Sherman Oaks during a 2024 rally for Raman’s ultimately successful reelection bid. She’s now challenging Bass in the 2026 mayoral election.

(Mel Melcon/Los Angeles Times)

Presbyterians, such as those who pray at the Koreatown church, have historically believed in predestination, the idea that God has determined everyone’s fate and we can’t do a thing about it. Raman doesn’t belong to the denomination, but perhaps its tenets moved her at Immanuel into believing that another unlikely political revival is in her stars. Because that’s the only way to make sense of Raman’s turn and belief that she can pull off the victory.

Raman’s 4th District is one of the wealthier in the city, a mishmash of Encino rich, Silver Lake hipster and the San Fernando Valley lower middle class — relatively sheltered from the day-to-day struggles of many working class and working poor Angelenos living in L.A. While Soto-Martínez and Hernandez draw their perspective and base from the union and activist left, Raman’s loudest supporters have struck me as folks who might have the passion and money to win over her district but don’t have the street-level knowledge and experience to sell their candidate to all corners of the city.

Raman has walked the progressive walk during her two council terms by getting arrested at sit-ins, showing up to protests and through her City Hall work. But the coalition she needs to topple Bass seems exceedingly hard to build.

She’d have to run under the assumption that enough people on the left think the current mayor is a sellout — or at minimum, just not progressive enough. That conservative and centrist voters so loathe Bass that they’ll hold their nose and vote for a democratic socialist. She’d have to win over Latino voters, who went with Caruso four years ago but who represent only 19% of Raman’s district in a city that’s nearly majority Latino.

Raman would have to peel off labor from Bass, who has counted on and rewarded their support from Sacramento to Washington to City Hall for over two decades. Needs to paint Bass as soft on Trump’s deportation deluge despite her consistently calling him out. Appeal to homeowners who won’t like Raman’s ties to YIMBY-minded folks seeking to shove multistory units anywhere and everywhere. Convince Black voters — who already must reckon with the likely reality that the city will not have three Black council members for the first time since 1963 because the leading candidates to replace outgoing Curren Price are Latinos — that dethroning the city’s first Black female mayor is somehow good for the community’s political future.

And then there’s Raman’s fellow DSA members. The rank-and-file are currently furious at her for recently, unsuccessfully trying to tweak L.A.’s so-called mansion tax. Raman can’t run in the primary with DSA’s endorsement because that process ended last fall. Supporters can petition for a vote on the matter, but that opens her anew to critics who engineered a censure of her during her 2024 reelection campaign for accepting an endorsement by a pro-Israel group while the country was bombing Gaza.

Raman — who can keep her council seat if she doesn’t beat Bass — is about to find out that L.A. isn’t as progressive as people make it out to be.

Los Angeles Councilmember Nithya Raman speaks to a crowd as she hosts an election night event in Edendale in March 2024 in Los Angeles.

(Myung Chun/Los Angeles Times)

She might have visions of a populist movement a la what happened in New York ushering her into City Hall — but she’s no Mamdani and Bass is no Eric Adams. Even fans of Raman I talked to over the weekend are upset that the progressive march that DSA-LA has successfully launched in city and county politics this decade now must deal with a curveball from within. It threatens to distract from efforts for other campaigns in a year when the left needs to concentrate on defeating true opponents — not a fellow traveler like Bass.

Raman must figure this disruption is worth the risk for her legacy and will further strengthen L.A.’s left. Let’s see what voters decide.

When Casey Wasserman boarded Jeffrey Epstein’s private jet for a two-week tour of Africa in 2002, he had little inkling he was embarking on a journey that could imperil his fortune.

The 28-year-old scion of Hollywood mogul Lew Wasserman was already the heir of a multimillion-dollar philanthropic foundation, the owner of a professional football team and the founder of a growing sports marketing firm. But many saw this as just the beginning for Wasserman, who seemed destined to follow his legendary grandfather as a business, political and culture titan.

He found an opportunity to step onto the world stage when former President Clinton invited him on a humanitarian trip to five African countries to promote AIDS/HIV prevention and economic development in nations racked by disease and war.

Wasserman, a prolific Clinton fundraiser whose grandfather helped him win the 1992 presidential election, was joined by others including his then-wife, Laura, actor Kevin Spacey, Epstein and his longtime companion Ghislaine Maxwell.

Casey Wasserman, then a 28-year-old owner of the LA Avengers, is photographed at his office in Beverly Hills in January 2003.

(Gary Friedman / Los Angeles Times via Getty Images)

Revelations around that trip and Wasserman’s risque emails with Maxwell now threaten his legacy.

A trove of documents recently released by the U.S. Department of Justice offer new details about the journey to Africa and Wasserman’s intimate relationship with Maxwell — an entanglement that has jeopardized his leadership of the 2028 Los Angeles Olympic Games.

From left, former U.S. President Bill Clinton, then-AEG CEO of Timothy J. Leiweke and Casey Wasserman attend the Clinton Global Initiative (CGI) annual meeting in 2011 in New York City.

(Daniel Berehulak / Getty Images for AEG)

Wasserman boarded Epstein’s jet three years before the family of a 14-year-old girl in Palm Beach, Fla., reported she was molested by Epstein, triggering a decades-long investigation that resulted in Epstein’s 2008 conviction for procuring a child for prostitution and 2019 arrest for sex trafficking underage girls. Wasserman has not been linked to any of Epstein’s wrongdoings.

Wasserman has previously apologized for his correspondence with Maxwell and expressed regret for having any association with both her and Epstein.

In a statement to The Times on Sunday, he said the Africa trip was the only time he met Epstein. “Following that trip, where I never witnessed anything inappropriate, I did not speak to, see him or communicate with him ever again,” he said.

This undated photo released by the U.S. Department of Justice shows Ghislaine Maxwell, a longtime confidant of Jeffrey Epstein and convicted sex offender.

(U.S. Department of Justice via Associated Press)

For Wasserman, now 51, the most damaging of the files highlight his relationship with Maxwell, the Oxford University-educated daughter of British newspaper magnate Robert Maxwell. She was sentenced to 20 years in prison in 2022 for conspiring with Epstein to sexually abuse minors.

“I think of you all the time,” Wasserman wrote to Maxwell about five months after he and his wife left Africa. “So, what do I have to do to see you in a tight leather outfit?”

Maxwell, in turn, offered Wasserman a massage that can “drive a man wild.”

The scandal has roiled Los Angeles, where Wasserman serves as the face of the Olympics. Since the emails were released Jan. 30 by the federal government, some L.A. officials have demanded that he step down from the organizing committee of the LA28 Olympic and Paralympic Games. But he appears to still have the support of Olympic leaders and the LA28 board, at least for now.

Wasserman is one of L.A.’s most influential figures, presiding over a sports marketing and talent agency that represents professional athletes, including star Dodgers pitcher Yoshinobu Yamamoto, and scores of top musicians, such as Kendrick Lamar, Kacey Musgraves, Chappell Roan and Coldplay.

“Wasserman is in trouble,” longtime Los Angeles political observer Sherry Bebitch Jeffe said. “These Games are so important to Los Angeles — economically and politically. This will not be helpful to the city if this drumbeat continues and gets louder.”

Movie studio titan Lew Wasserman’s only grandson entered the world in 1974 as Casey Myers.

His parents, Lynne Wasserman and stockbroker Jack Myers, separated when he was 7. His father wasn’t much of a figure in his life and was later charged with money-laundering. Lew and his wife, Edie, filled the gap.

Lew R. Wasserman, chairman of MCA’s board of directors since 1973, is shown in December 1976 at an unknown location. Wasserman became president and chief executive officer of MCA Inc., later known as Universal Studios Inc., the major entertainment and communications company.

(Associated Press)

“Lew was disappointed he never had a son,” Lew Wasserman’s biographer Dennis McDougal told The Times in 2002. “In his typical fashion, by dint of his power and his money and his overbearing personality, he took what he wanted. He essentially stole Jack Myers’ son. By the time Casey was a teenager, the die was cast. He was Lew’s little boy.”

Like his famous grandfather, Casey was drawn to politics and one figure in particular: Bill Clinton.

In 1992, the then-governor of Arkansas was struggling for traction in his presidential bid and his campaign was heavily in debt when a stately door opened for him in Los Angeles.

Lew Wasserman, the godfather of modern-day Hollywood, was willing to help propel Clinton to the White House.

A larger-than-life figure, Wasserman was a onetime talent agent who clawed his way to the pinnacle of power by building an entertainment colossus with movie production, television, music and theme parks. His MCA Inc., which owned Universal, gave a young Steven Spielberg his break that became “Jaws.”

Lew and Edie Wasserman held a splashy fundraiser for Clinton in August 1992 at their Beverly Hills mansion adorned with Matisse and Degas paintings. Tom Cruise, Nicole Kidman and Kirk Douglas were among the stars who attended the $5,000-per-plate dinner.

Lew Wasserman and Edie Wasserman attend a party at the Beverly Wilshire Hotel in Beverly Hills on April 20, 1984.

(WWD / Penske Media via Getty Images)

“Lew figuratively — and literally — put his arm around Clinton, and that was very helpful,” said a former Clinton aide who was not authorized to speak publicly.

Clinton mingled with guests and gave a short speech, according to one former MCA agent who was there. Casey later told the Hollywood Reporter it was his first meeting with Clinton. He was just 18.

The event raised $1 million, according to a 1992 Times article. It also marked the beginning of a lasting friendship between the Wassermans and the Clintons — one that remains to this day, according to people close to the family.

As Wasserman aged, he was determined that his grandson would have the same high-level political access. “Lew loved Casey and he wanted him to meet a lot of the powerful people,” the former Clinton aide said.

At 21, Casey received his multimillion-dollar inheritance and changed his name to Wasserman. Two years later, he played golf with President Clinton at the Hillcrest Country Club.

After Clinton left the White House, the former president asked Lew Wasserman whether he would host a fundraising luncheon to promote the launch of his foundation.

“My grandfather said yes, ‘but only one thing: I will be there, but Casey is going to host at his house,’” Casey later said. “I was 26 at the time, and thankfully my wife — who wasn’t my wife yet — was around to help with the combined pressure of having the just ex-president and my grandparents there.

“We’ve since built an incredible friendship,” Casey said of Clinton. “I’ve been terribly lucky.”

Laura Ziffren and Wasserman Media Group CEO Casey Wasserman attend a luncheon honoring Casey at UCLA’s Pauley Pavilion on Nov. 18, 2015, in Westwood.

(Jesse Grant / Getty Images for National Football Foundation)

Casey Wasserman and his then-wife, Laura, set off for Africa on Epstein’s jet — an aircraft that would one day gain notoriety as the “Lolita Express” — the same year his family’s foundation donated $3 million to the Clinton Library Foundation.

Joining them was an eclectic crew: Clinton and his aides, Secret Service agents, actors Spacey and Chris Tucker, businessman Ronald Burkle, and former Secretary of Transportation Rodney Slater, along with Epstein and Maxwell.

Several unidentified young women were also on the plane.

Kevin Spacey poses for photographers on the red carpet for the film “Father Mother Sister Brother” at the Venice Film Festival in Venice, Italy, in August.

(Alessandra Tarantino / Invision / Associated Press)

According to newly released FBI notes based on a telephone interview with an emergency physician who traveled with the group, about four women ages 20 to 22 were on board. Their names were redacted from the file, but according to the physician, one young woman was a masseuse, another a model and a third described herself as a ballerina.

The physician, the report said, “thought it weird that Epstein flew with his former girlfriend, Maxwell, and four other women that no one knew why they were there as everyone else had a purpose.”

According to the FBI, the physician described the jet layout as a cockpit up front, then a seating area where Clinton and his staff sat, a kitchenette, another seating area with couches and a bedroom in the back with a sliding wooden door.

At one point, the physician told the FBI, one of the unidentified passengers shut Epstein’s bedroom door abruptly, as if they “did not want him to see or hear what was going on in that bedroom.” He also said he witnessed Epstein “grab and rub” an unidentified passenger’s buttocks.

There was no evidence that Wasserman or any other passengers — who largely stayed in the front of the cabin — witnessed any inappropriate behavior.

The group’s first stop was Ghana, where they launched a program with a Peruvian economist that would establish a legal property system for the poor. Next was Nigeria, and then Rwanda and Mozambique, where they visited AIDS clinics. In South Africa, they met Nelson Mandela to recognize a project to cut the country’s youth HIV/AIDS infection rate by half in five years.

Spacey told The Times he joined Clinton on the Africa trip to raise awareness and funds for HIV/AIDS, visit clinics and communities, and spend “an unforgettable day with Nelson Mandela.”

Financier (and future convicted sex offender) Jeffrey Epstein and his longtime confidant Ghislaine Maxwell at Mar-a-Lago in February 2000.

(Davidoff Studios Photography/Getty Images)

“The work — particularly helping ensure HIV-positive pregnant women received life-saving medication — remains one of the most meaningful experiences of my life,” he said in a statement. “It’s unfortunate that such important work has been overshadowed by the fact that the plane was provided by someone I did not know, had no association with, and never saw again.”

The Clinton Foundation did not respond to a request for comment. Clinton is scheduled to testify this month before a congressional committee — a historic appearance by a former president — to detail his dealings with Epstein.

“I have called for the full release of the Epstein files,” Clinton said Friday in a statement. “I have provided a sworn statement of what I know. And just this week, I’ve agreed to appear in person before the committee.”

After the trip, Wasserman and Maxwell kept in touch, sending each other salacious emails from various cities.

“Where are you, I miss you,” Wasserman wrote on April 1, 2003. “I will be in nyc for 4 days starting april 22 … can we book that massage now?”

“Umm — all that rubbing — are you sure you can take it?” Maxwell wrote on April 2. “The thought frankly is leaving me a little breathless. There are a few spots that apparently drive a man wild — I suppose I could practise them on you and you could let me know if they work or not?”

The pair also traded jokes. On April 6, Maxwell told him she was headed to London and could bring him back British staples: KitKat, cheddar cheese or baked beans. He passed.

“Ok, so that combo did not do it for you, what combo would then? she asked.

“You, me and not much else,” Wasserman replied.

In another exchange April 12, Maxwell told him that she was coming to L.A. and planned to stay at the Peninsula hotel in Beverly Hills. Wasserman replied with a smiley face.

A month after the racy exchanges, Laura Wasserman — daughter of Hollywood legal power broker Ken Ziffren, a close friend of Lew Wasserman — gave birth to the couple’s first child, a son.

Casey Wasserman launched his eponymous talent and marketing firm in 2002, a time when sports media were soaring and athletes increasingly were celebrities. He made a calculated decision to bypass the movie business, recognizing that he would always be measured against his grandfather’s success.

Over the next few decades, the Wasserman agency expanded into a major force in entertainment. Through strategic acquisitions, Wasserman now has about 4,000 employees and has branched out into television and music representation, acquiring a diverse portfolio of clients, including the Barenaked Ladies and the Dave Matthews Band.

His influence stretched further in 2014 when then-Los Angeles Mayor Eric Garcetti, a close friend, insisted that Wasserman’s fundraising skills and access to movers and shakers made him the perfect figure to lead L.A.’s effort to land the Summer Olympics. Three years later, L.A. secured the role as host of the 2028 Games.

Today, Wasserman is under extraordinary pressure to deliver a spectacular event to uphold the city’s tradition of excellence. The 1984 Games surpassed expectations and even turned a profit, projecting a unified and gleaming image of Los Angeles to the world.

Wasserman takes no salary as chairman of LA28, but he has received benefits, including travel and other expenses. The Games also will showcase, and perhaps boost the fortunes of, his agency’s numerous Olympic athlete clients.

His ties to corporate sponsors, politicians and sports figures have been viewed by civic leaders as crucial to the success of the Games.

Peter Chernin, former president of News Corp., left, and Casey Wasserman, chief executive officer of Wasserman Media Group, walk the grounds after a morning session during the Allen & Co. Media and Technology Conference in Sun Valley, Idaho, in 2015.

(David Paul Morris / Bloomberg via Getty Images)

Even before the latest scandal, there were tensions between Wasserman and some Los Angeles politicians who are concerned that financial shortfalls in staging the $7-billion Summer Games will need to be covered by local taxpayers. Other host cities have been left with yawning deficits, prompting local political blowback. LA28 organizers have expressed confidence that the Games will be a success.

The relationship between the city and LA28 was further strained when the Daily Mail, a British tabloid, published allegations in 2024 that Wasserman was a “serial cheater” who’d carried on affairs with young female staff members. Wasserman, who separated from Laura in 2021, denied the allegations.

Wasserman, at the time, was in Paris for the 2024 Games.

The sports mogul — who had helped carry the torch at the 1984 Summer Olympics in L.A. when he was 10 — had been scheduled to join Mayor Karen Bass on the Paris stage during the flag handoff at the glitzy closing ceremony televised around the world.

But Bass, who does not have the personal relationship with Wasserman that her predecessors Garcetti and Antonio Villaraigosa did, instead stepped up to the stage alone. Then she was joined by gold-medal-winning gymnast Simone Biles, and they handed the flag to Tom Cruise.

Wasserman does not appear ready to bow to pressure from politicians, including Los Angeles County Supervisor Janice Hahn, who have called for him to step down as head of LA28.

Casey Wasserman, chair of the 2028 LA Olympics organizing committee, and President Trump look at Olympic medals during a signing ceremony at the White House in August.

(Kent Nishimura / Bloomberg via Getty Images)

“This is not about shaming him for his past indiscretions,” Hahn said. “This is about the message we are sending to Epstein survivors and to the world about our values — especially as we work to combat any sex trafficking associated with the Games.”

After the release of the latest Epstein documents, lawyers, art museum executives, a former U.K. ambassador and Slovakia’s national security advisor have resigned, apologized or stepped back from high positions. Britain’s King Charles III stripped his brother Andrew of his prince title and position in the royal family after earlier revelations of his involvement.

“The Epstein files have been so powerful in moving people off the stage,” Bebitch Jeffe said.

But Wasserman appears to still enjoy the support of LA28’s nearly three-dozen-member board, which includes actor Jessica Alba, former movie mogul Jeffrey Katzenberg, Lakers minority owner Jeanie Buss, former House Speaker Kevin McCarthy and former Trump White House aide Reince Priebus.

Ultimately, he could weather the Maxwell controversy, hoisting the Olympic flame in 2028 — just like he did as a boy.

Were you ready for some non-football consumerism? Ready or not, the Super Bowl’s annual blitz of commercials landed before and during the Seattle Seahawks and New England Patriots defense-first matchup, with some ads served up in advance while others were unveiled for the first time during the game. As in previous years, there were serious clunkers (looking at you Bud Light rolling keg ad), but also a few that transcended their buy-more mission (may you live forever, Melissa McCarthy). Other trends we noticed: celebrities double dipping to appear in more than one Super Bowl commercial (three if you’re Sofía Vergara), lots of borderline-gross humor (exploding heads, singing clumps of shaved body hair, singing toilets and plenty of ads trying to convince America that artificial intelligence tools aren’t a waste of time and energy).

While many of this year’s ads promoted AI and the usual rah-rah-America nods to patriotism, one trend we noticed was that the longer versions for some of the best Super Bowl ads, found online, were even better than the condensed cuts that made it to broadcast. What if next year, we make the Super Bowl three quarters and the commercial breaks 15 minutes long? Any takers?

While we wait for that brilliant idea to make it to the NFL’s offices, here are the big game ads we loved the most and a few that fumbled the ball — big time.

Bob Dylan was honored by MusiCares, the charity organization that aids musicians in need, at the Los Angeles Convention Center on Friday night. After performances by artists including Tom Jones, Sheryl Crow, Neil Young, Beck, Jackson Browne and others, Dylan himself took a rare opportunity in the spotlight to deliver a 30-plus-minute acceptance speech.

Expansive, funny and insightful, Dylan didn’t pull any punches, calling out songwriters who had criticized his work while indicting Nashville and commercial country music.

He was introduced by former President Jimmy Carter, and walked out to a standing ovation. After thanking the organizers, Dylan referred to his notes and began by saying, “I’m going to read some of this.”

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Because of moments of applause, and some echoey acoustics, a few of Dylan’s words were inaudible on the recording I’ve consulted, and I’ve noted as such. Though it upsets him to hear it (see below), Dylan does sometimes mumble and slur his words.

Bob Dylan’s MusiCares person of the year acceptance speech:

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I’m glad for my songs to be honored like this. But you know, they didn’t get here by themselves. It’s been a long road and it’s taken a lot of doing. These songs of mine, they’re like mystery stories, the kind that Shakespeare saw when he was growing up. I think you could trace what I do back that far. They were on the fringes then, and I think they’re on the fringes now. And they sound like they’ve been on the hard ground.

I should mention a few people along the way who brought this about. I know I should mention John Hammond, great talent scout for Columbia Records. He signed me to that label when I was nobody. It took a lot of faith to do that, and he took a lot of ridicule, but he was his own man and he was courageous. And for that, I’m eternally grateful. The last person he discovered before me was Aretha Franklin, and before that Count Basie, Billie Holiday and a whole lot of other artists. All noncommercial artists.

Trends did not interest John, and I was very noncommercial but he stayed with me. He believed in my talent and that’s all that mattered. I can’t thank him enough for that.

Lou Levy runs Leeds Music, and they published my earliest songs, but I didn’t stay there too long. Levy himself, he went back a long ways. He signed me to that company and recorded my songs and I sang them into a tape recorder. He told me outright, there was no precedent for what I was doing, that I was either before my time or behind it. And if I brought him a song like “Stardust,” he’d turn it down because it would be too late.

He told me that if I was before my time — and he didn’t really know that for sure — but if it was happening and if it was true, the public would usually take three to five years to catch up — so be prepared. And that did happen. The trouble was, when the public did catch up I was already three to five years beyond that, so it kind of complicated it. But he was encouraging, and he didn’t judge me, and I’ll always remember him for that.

Artie Mogull at Witmark Music signed me next to his company, and he told me to just keep writing songs no matter what, that I might be on to something. Well, he too stood behind me, and he could never wait to see what I’d give him next. I didn’t even think of myself as a songwriter before then. I’ll always be grateful for him also for that attitude.

I also have to mention some of the early artists who recorded my songs very, very early, without having to be asked. Just something they felt about them that was right for them. I’ve got to say thank you to Peter, Paul and Mary, who I knew all separately before they ever became a group. I didn’t even think of myself as writing songs for others to sing but it was starting to happen and it couldn’t have happened to, or with, a better group.

They took a song of mine that had been recorded before that was buried on one of my records and turned it into a hit song. Not the way I would have done it — they straightened it out. But since then hundreds of people have recorded it and I don’t think that would have happened if it wasn’t for them. They definitely started something for me.

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The Byrds, the Turtles, Sonny & Cher — they made some of my songs Top 10 hits but I wasn’t a pop songwriter and I really didn’t want to be that, but it was good that it happened. Their versions of songs were like commercials, but I didn’t really mind that because 50 years later my songs were being used in the commercials. So that was good too. I was glad it happened, and I was glad they’d done it.

Pervis Staples and the Staple Singers — long before they were on Stax they were on Epic and they were one of my favorite groups of all time. I met them all in ’62 or ’63. They heard my songs live and Pervis wanted to record three or four of them and he did with the Staples Singers. They were the type of artists that I wanted recording my songs.

Nina Simone. I used to cross paths with her in New York City in the Village Gate nightclub. These were the artists I looked up to. She recorded some of my songs that she [inaudible] to me. She was an overwhelming artist, piano player and singer. Very strong woman, very outspoken. That she was recording my songs validated everything that I was about.

Oh, and can’t forget Jimi Hendrix. I actually saw Jimi Hendrix perform when he was in a band called Jimmy James and the Blue Flames — something like that. And Jimi didn’t even sing. He was just the guitar player. He took some small songs of mine that nobody paid any attention to and pumped them up into the outer limits of the stratosphere and turned them all into classics. I have to thank Jimi, too. I wish he was here.

Johnny Cash recorded some of my songs early on, too, up in about ‘63, when he was all skin and bones. He traveled long, he traveled hard, but he was a hero of mine. I heard many of his songs growing up. I knew them better than I knew my own. “Big River,” “I Walk the Line.”

“How high’s the water, Mama?” I wrote “It’s Alright Ma (I’m Only Bleeding)” with that song reverberating inside my head. I still ask, “How high is the water, mama?” Johnny was an intense character. And he saw that people were putting me down playing electric music, and he posted letters to magazines scolding people, telling them to shut up and let him sing.

In Johnny Cash’s world — hardcore Southern drama — that kind of thing didn’t exist. Nobody told anybody what to sing or what not to sing. They just didn’t do that kind of thing. I’m always going to thank him for that. Johnny Cash was a giant of a man, the man in black. And I’ll always cherish the friendship we had until the day there is no more days.

Oh, and I’d be remiss if I didn’t mention Joan Baez. She was the queen of folk music then and now. She took a liking to my songs and brought me with her to play concerts, where she had crowds of thousands of people enthralled with her beauty and voice.

People would say, “What are you doing with that ragtag scrubby little waif?” And she’d tell everybody in no uncertain terms, “Now you better be quiet and listen to the songs.” We even played a few of them together. Joan Baez is as tough-minded as they come. Love. And she’s a free, independent spirit. Nobody can tell her what to do if she doesn’t want to do it. I learned a lot of things from her. A woman with devastating honesty. And for her kind of love and devotion, I could never pay that back.

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These songs didn’t come out of thin air. I didn’t just make them up out of whole cloth. Contrary to what Lou Levy said, there was a precedent. It all came out of traditional music: traditional folk music, traditional rock ‘n’ roll and traditional big-band swing orchestra music.

I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that’s fair game, that everything belongs to everyone.

For three or four years all I listened to were folk standards. I went to sleep singing folk songs. I sang them everywhere, clubs, parties, bars, coffeehouses, fields, festivals. And I met other singers along the way who did the same thing and we just learned songs from each other. I could learn one song and sing it next in an hour if I’d heard it just once.

If you sang “John Henry” as many times as me — “John Henry was a steel-driving man / Died with a hammer in his hand / John Henry said a man ain’t nothin’ but a man / Before I let that steam drill drive me down / I’ll die with that hammer in my hand.”

If you had sung that song as many times as I did, you’d have written “How many roads must a man walk down?” too.

Big Bill Broonzy had a song called “Key to the Highway.” “I’ve got a key to the highway / I’m booked and I’m bound to go / Gonna leave here runnin’ because walking is most too slow.” I sang that a lot. If you sing that a lot, you just might write,

Georgia Sam he had a bloody nose

Welfare Department they wouldn’t give him no clothes

He asked poor Howard where can I go

Howard said there’s only one place I know

Sam said tell me quick man I got to run

Howard just pointed with his gun

And said that way down on Highway 61

You’d have written that too if you’d sang “Key to the Highway” as much as me.

“Ain’t no use sit ‘n cry / You’ll be an angel by and by / Sail away, ladies, sail away.” “I’m sailing away my own true love.” “Boots of Spanish Leather” — Sheryl Crow just sung that.

“Roll the cotton down, aw, yeah, roll the cotton down / Ten dollars a day is a white man’s pay / A dollar a day is the black man’s pay / Roll the cotton down.” If you sang that song as many times as me, you’d be writing “I ain’t gonna work on Maggie’s farm no more,” too.

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I sang a lot of “come all you” songs. There’s plenty of them. There’s way too many to be counted. “Come along boys and listen to my tale / Tell you of my trouble on the old Chisholm Trail.” Or, “Come all ye good people, listen while I tell / the fate of Floyd Collins a lad we all know well / The fate of Floyd Collins, a lad we all know well.”

“Come all ye fair and tender ladies / Take warning how you court your men / They’re like a star on a summer morning / They first appear and then they’re gone again.” “If you’ll gather ‘round, people / A story I will tell / ‘Bout Pretty Boy Floyd, an outlaw / Oklahoma knew him well.”

If you sung all these “come all ye” songs all the time, you’d be writing, “Come gather ‘round people where ever you roam, admit that the waters around you have grown / Accept that soon you’ll be drenched to the bone / If your time to you is worth saving / And you better start swimming or you’ll sink like a stone / The times they are a-changing.”

You’d have written them too. There’s nothing secret about it. You just do it subliminally and unconsciously, because that’s all enough, and that’s all I sang. That was all that was dear to me. They were the only kinds of songs that made sense.

“When you go down to Deep Ellum keep your money in your socks / Women in Deep Ellum put you on the rocks.” Sing that song for a while and you just might come up with, “When you’re lost in the rain in Juarez and it’s Easter time too / And your gravity fails and negativity don’t pull you through / Don’t put on any airs / When you’re down on Rue Morgue Avenue / They got some hungry women there / And they really make a mess outta you.”

All these songs are connected. Don’t be fooled. I just opened up a different door in a different kind of way. It’s just different, saying the same thing. I didn’t think it was anything out of the ordinary.

Well you know, I just thought I was doing something natural, but right from the start, my songs were divisive for some reason. They divided people. I never knew why. Some got angered, others loved them. Didn’t know why my songs had detractors and supporters. A strange environment to have to throw your songs into, but I did it anyway.

Last thing I thought of was who cared about what song I was writing. I was just writing them. I didn’t think I was doing anything different. I thought I was just extending the line. Maybe a little bit unruly, but I was just elaborating on situations. Maybe hard to pin down, but so what? A lot of people are hard to pin down. You’ve just got to bear it. I didn’t really care what Lieber and Stoller thought of my songs.

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They didn’t like ‘em, but Doc Pomus did. That was all right that they didn’t like ‘em, because I never liked their songs either. “Yakety yak, don’t talk back.” “Charlie Brown is a clown,” “Baby I’m a hog for you.” Novelty songs. They weren’t saying anything serious. Doc’s songs, they were better. “This Magic Moment.” “Lonely Avenue.” Save the Last Dance for Me.

Those songs broke my heart. I figured I’d rather have his blessings any day than theirs.

Ahmet Ertegun didn’t think much of my songs, but Sam Phillips did. Ahmet founded Atlantic Records. He produced some great records: Ray Charles, Ray Brown, just to name a few.

There were some great records in there, no question about it. But Sam Phillips, he recorded Elvis and Jerry Lee, Carl Perkins and Johnny Cash. Radical eyes that shook the very essence of humanity. Revolution in style and scope. Heavy shape and color. Radical to the bone. Songs that cut you to the bone. Renegades in all degrees, doing songs that would never decay, and still resound to this day. Oh, yeah, I’d rather have Sam Phillips’ blessing any day.

Merle Haggard didn’t even think much of my songs. I know he didn’t. He didn’t say that to me, but I know [inaudible]. Buck Owens did, and he recorded some of my early songs. Merle Haggard — “Mama Tried,” “The Bottle Let Me Down,” “I’m a Lonesome Fugitive.” I can’t imagine Waylon Jennings singing “The Bottle Let Me Down.”

“Together Again”? That’s Buck Owens, and that trumps anything coming out of Bakersfield. Buck Owens and Merle Haggard? If you have to have somebody’s blessing — you figure it out.

Oh, yeah. Critics have been giving me a hard time since Day One. Critics say I can’t sing. I croak. Sound like a frog. Why don’t critics say that same thing about Tom Waits? Critics say my voice is shot. That I have no voice. What don’t they say those things about Leonard Cohen? Why do I get special treatment? Critics say I can’t carry a tune and I talk my way through a song. Really? I’ve never heard that said about Lou Reed. Why does he get to go scot-free?

What have I done to deserve this special attention? No vocal range? When’s the last time you heard Dr. John? Why don’t you say that about him? Slur my words, got no diction. Have you people ever listened to Charley Patton or Robert Johnson, Muddy Waters. Talk about slurred words and no diction. [Inaudible] doesn’t even matter.

“Why me, Lord?” I would say that to myself.

Critics say I mangle my melodies, render my songs unrecognizable. Oh, really? Let me tell you something. I was at a boxing match a few years ago seeing Floyd Mayweather fight a Puerto Rican guy. And the Puerto Rican national anthem, somebody sang it and it was beautiful. It was heartfelt and it was moving.

After that it was time for our national anthem. And a very popular soul-singing sister was chosen to sing. She sang every note — that exists, and some that don’t exist. Talk about mangling a melody. You take a one-syllable word and make it last for 15 minutes? She was doing vocal gymnastics like she was on a trapeze act. But to me it was not funny.

Where were the critics? Mangling lyrics? Mangling a melody? Mangling a treasured song? No, I get the blame. But I don’t really think I do that. I just think critics say I do.

Sam Cooke said this when told he had a beautiful voice: He said, “Well that’s very kind of you, but voices ought not to be measured by how pretty they are. Instead they matter only if they convince you that they are telling the truth.” Think about that the next time you [inaudible].

Times always change. They really do. And you have to always be ready for something that’s coming along and you never expected it. Way back when, I was in Nashville making some records and I read this article, a Tom T. Hall interview. Tom T. Hall, he was bitching about some kind of new song, and he couldn’t understand what these new kinds of songs that were coming in were about.

Now Tom, he was one of the most preeminent songwriters of the time in Nashville. A lot of people were recording his songs and he himself even did it. But he was all in a fuss about James Taylor, a song James had called “Country Road.” Tom was going off in this interview — “But James don’t say nothing about a country road. He’s just says how you can feel it on the country road. I don’t understand that.”

Now some might say Tom is a great songwriter. I’m not going to doubt that. At the time he was doing this interview I was actually listening to a song of his on the radio.

It was called “I Love.” I was listening to it in a recording studio, and he was talking about all the things he loves, an everyman kind of song, trying to connect with people. Trying to make you think that he’s just like you and you’re just like him. We all love the same things, and we’re all in this together. Tom loves little baby ducks, slow-moving trains and rain. He loves old pickup trucks and little country streams. Sleeping without dreams. Bourbon in a glass. Coffee in a cup. Tomatoes on the vine, and onions.

Now listen, I’m not ever going to disparage another songwriter. I’m not going to do that. I’m not saying it’s a bad song. I’m just saying it might be a little overcooked. But, you know, it was in the top 10 anyway. Tom and a few other writers had the whole Nashville scene sewed up in a box. If you wanted to record a song and get it in the top 10 you had to go to them, and Tom was one of the top guys. They were all very comfortable, doing their thing.

This was about the time that Willie Nelson picked up and moved to Texas. About the same time. He’s still in Texas. Everything was very copacetic. Everything was all right until — until — Kristofferson came to town. Oh, they ain’t seen anybody like him. He came into town like a wildcat, flew his helicopter into Johnny Cash’s backyard like a typical songwriter. And he went for the throat. “Sunday Morning Coming Down.”

Well, I woke up Sunday morning

With no way to hold my head that didn’t hurt.

And the beer I had for breakfast wasn’t bad

So I had one more for dessert

Then I fumbled through my closet

Found my cleanest dirty shirt

Then I washed my face and combed my hair

And stumbled down the stairs to meet the day.

You can look at Nashville pre-Kris and post-Kris, because he changed everything. That one song ruined Tom T. Hall’s poker parties. It might have sent him to the crazy house. God forbid he ever heard any of my songs.

You walk into the room

With your pencil in your hand

You see somebody naked

You say, “Who is that man?”

You try so hard

But you don’t understand

Just what you’re gonna say

When you get home

You know something is happening here

But you don’t know what it is

Do you, Mister Jones?

If “Sunday Morning Coming Down” rattled Tom’s cage, sent him into the looney bin, my song surely would have made him blow his brains out, right there in the minivan. Hopefully he didn’t hear it.

I just released an album of standards, all the songs usually done by Michael Buble, Harry Connick Jr., maybe Brian Wilson’s done a couple, Linda Ronstadt done ‘em. But the reviews of their records are different than the reviews of my record.

In their reviews no one says anything. In my reviews, [inaudible] they’ve got to look under every stone when it comes to me. They’ve got to mention all the songwriters’ names. Well that’s OK with me. After all, they’re great songwriters and these are standards. I’ve seen the reviews come in, and they’ll mention all the songwriters in half the review, as if everybody knows them. Nobody’s heard of them, not in this time, anyway. Buddy Kaye, Cy Coleman, Carolyn Leigh, to name a few.

But, you know, I’m glad they mention their names, and you know what? I’m glad they got their names in the press. It might have taken some time to do it, but they’re finally there. I can only wonder why it took so long. My only regret is that they’re not here to see it.

Traditional rock ‘n’ roll, we’re talking about that. It’s all about rhythm. Johnny Cash said it best: “Get rhythm. Get rhythm when you get the blues.” Very few rock ‘n’ roll bands today play with rhythm. They don’t know what it is. Rock ‘n’ roll is a combination of blues, and it’s a strange thing made up of two parts. A lot of people don’t know this, but the blues, which is an American music, is not what you think it is. It’s a combination of Arabic violins and Strauss waltzes working it out. But it’s true.

The other half of rock ‘n’ roll has got to be hillbilly. And that’s a derogatory term, but it ought not to be. That’s a term that includes the Delmore Bros., Stanley Bros., Roscoe Holcomb, Clarence Ashley … groups like that. Moonshiners gone berserk. Fast cars on dirt roads. That’s the kind of combination that makes up rock ‘n’ roll, and it can’t be cooked up in a science laboratory or a studio.

You have to have the right kind of rhythm to play this kind of music. If you can’t hardly play the blues, how do you [inaudible] those other two kinds of music in there? You can fake it, but you can’t really do it.

Critics have made a career out of accusing me of having a career of confounding expectations. Really? Because that’s all I do. That’s how I think about it. Confounding expectations.

“What do you do for a living, man?”

“Oh, I confound expectations.”

You’re going to get a job, the man says, “What do you do?” “Oh, confound expectations.: And the man says, “Well, we already have that spot filled. Call us back. Or don’t call us, we’ll call you.” Confounding expectations. What does that mean? ‘Why me, Lord? I’d confound them, but I don’t know how to do it.’

The Blackwood Bros. have been talking to me about making a record together. That might confound expectations, but it shouldn’t. Of course it would be a gospel album. I don’t think it would be anything out of the ordinary for me. Not a bit. One of the songs I’m thinking about singing is “Stand By Me” by the Blackwood Brothers. Not “Stand By Me” the pop song. No. The real “Stand By Me.”

The real one goes like this:

When the storm of life is raging / Stand by me / When the storm of life is raging / Stand by me / When the world is tossing me / Like a ship upon the sea / Thou who rulest wind and water / Stand by me

In the midst of tribulation / Stand by me / In the midst of tribulation / Stand by me / When the hosts of hell assail / And my strength begins to fail / Thou who never lost a battle / Stand by me

In the midst of faults and failures / Stand by me / In the midst of faults and failures / Stand by me / When I do the best I can / And my friends don’t understand / Thou who knowest all about me / Stand by me

That’s the song. I like it better than the pop song. If I record one by that name, that’s going to be the one. I’m also thinking of recording a song, not on that album, though: “Oh Lord, Please Don’t Let Me Be Misunderstood.”

Anyway, why me, Lord. What did I do?

Anyway, I’m proud to be here tonight for MusiCares. I’m honored to have all these artists singing my songs. There’s nothing like that. Great artists. [applause, inaudible]. They’re all singing the truth, and you can hear it in their voices.

I’m proud to be here tonight for MusiCares. I think a lot of this organization. They’ve helped many people. Many musicians who have contributed a lot to our culture. I’d like to personally thank them for what they did for a friend of mine, Billy Lee Riley. A friend of mine who they helped for six years when he was down and couldn’t work. Billy was a son of rock ‘n’ roll, obviously.

He was a true original. He did it all: He played, he sang, he wrote. He would have been a bigger star but Jerry Lee came along. And you know what happens when someone like that comes along. You just don’t stand a chance.

So Billy became what is known in the industry — a condescending term, by the way — as a one-hit wonder. But sometimes, just sometimes, once in a while, a one-hit wonder can make a more powerful impact than a recording star who’s got 20 or 30 hits behind him. And Billy’s hit song was called “Red Hot,” and it was red hot. It could blast you out of your skull and make you feel happy about it. Change your life.

He did it with style and grace. You won’t find him in the Rock and Roll Hall of Fame. He’s not there. Metallica is. Abba is. Mamas and the Papas — I know they’re in there. Jefferson Airplane, Alice Cooper, Steely Dan — I’ve got nothing against them. Soft rock, hard rock, psychedelic pop. I got nothing against any of that stuff, but after all, it is called the Rock and Roll Hall of Fame. Billy Lee Riley is not there. Yet.

I’d see him a couple times a year and we’d always spent time together and he was on a rockabilly festival nostalgia circuit, and we’d cross paths now and again. We’d always spend time together. He was a hero of mine. I’d heard “Red Hot.” I must have been only 15 or 16 when I did and it’s impressed me to this day.

I never grow tired of listening to it. Never got tired of watching Billy Lee perform, either. We spent time together just talking and playing into the night. He was a deep, truthful man. He wasn’t bitter or nostalgic. He just accepted it. He knew where he had come from and he was content with who he was.

And then one day he got sick. And like my friend John Mellencamp would sing — because John sang some truth today — one day you get sick and you don’t get better. That’s from a song of his called “Life is Short Even on Its Longest Days.” It’s one of the better songs of the last few years, actually. I ain’t lying.

And I ain’t lying when I tell you that MusiCares paid for my friend’s doctor bills, and helped him to get spending money. They were able to at least make his life comfortable, tolerable to the end. That is something that can’t be repaid. Any organization that would do that would have to have my blessing.

I’m going to get out of here now. I’m going to put an egg in my shoe and beat it. I probably left out a lot of people and said too much about some. But that’s OK. Like the spiritual song, ‘I’m still just crossing over Jordan too.’ Let’s hope we meet again. Sometime. And we will, if, like Hank Williams said, “the good Lord willing and the creek don’t rise.”

FULL COVERAGE 2015 GRAMMYS:

Grammys 2015: Complete list of winners and nominees

Quiz: How much music history do you know?

Follow Randall Roberts on Twitter: @liledit

CORTINA D’AMPEZZO — CORTINA D’AMPEZZO, Italy — The mountainside packed with fans and competitors was eerily silent after disaster struck.

Lindsey Vonn, attempting to win a gold medal despite sustaining a torn anterior cruciate ligament in her final race before the Games, clipped her pole on a gate early in her first Olympic downhill skiing run and crashed Sunday.

Vonn, 41, could be heard screaming after the crash. She received medical attention on the snow and was airlifted off the mountain.

The race was halted while Vonn was treated. Her teammate, Breezy Johnson, held the early lead and went on to win the race after the competition resumed. Johnson won the Americans’ first gold medal of the Games.

The U.S. downhill team celebrated with Johnson but continued to think of Vonn.

American Lindsey Vonn crashes into a gate during an alpine ski downhill race at the Winter Olympics in Cortina d’Ampezzo, Italy, Sunday.

(Handout / Getty Images)

“It’s heartbreaking,” said American Isabella Wright, who finished 22nd in the competition. “Jackie [Wiles] and myself, we were up there. We watched it live and things just happen so quick in this sport. It looked like Lindsey had incredible speed out of that turn and she hooked her arm [on a gate on the course] and it’s just over. Just like that. After all the preparation, after years of hard work and rehabilitation and all the things, it’s the last thing you want to see somebody go through.”

Vonn retired after a series of injuries seemed to be too much to overcome. Nearly six years later, she announced she missed racing and was confident she had fully recovered her form after a right knee replacement.

She shocked many by immediately winning races needed to qualify for the Games and entered the Olympics as the leader in the World Cup downhill standings. Nine days ago, she suffered a torn ACL, a bone bruise and meniscus damage.

Amid great scrutiny, Vonn was determined to keep racing with the support of her medical team and a large knee brace. She was optimistic about her ability to compete after practice runs and pushed back at critics on the social media platform X.

Fans react after watching American Lindsey Vonn crash during the women’s downhill skiing race at the Winter Olympics Sunday.

(Robert Gauthier/Los Angeles Times)

“It’s the last thing you want to see for Lindsey, but she should be really proud of everything she has gone through to get back here,” Wright said. “And regardless, if got last today, if she won — she obviously crashed. Whatever happened today, she’s an inspiration to all of us and she should be really proud. I know it probably doesn’t feel like that right now, but I hope one day she can recognize that.”

YOU COULD listen to music, dance and watch planes take off at the same time for one day a year at a major European airport.

Each year, Zurich Airport in Switzerland hosts a huge daytime rave – just metres from the planes.

Sauvage Off is a music event that takes place on Observation Deck B in Terminal 2 at Zurich Airport.

For one day a year, a crowd of revellers dance the day away to live DJs as planes take off next to them.

Just a week ago, Sauvage Musique posted on their Instagram stating: “In five months from now, Switzerland will bring back the most iconic Airport Dayparty.

“The event will once again take place in 2026 on Observation Deck B at Zurich Airport.”

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Future Events show that this year’s party will take place at Observation Deck B in Terminal 2 of the airport on June 20 between 2pm and 10pm.

Visitors must be over the age of 20 and the line up is yet to be announced.

According to the website, Sauvage is a “Zurich-based label, known for its high-end events at venues like Halle 622, Kunsthaus, Gessnerallee, and Werft Wollishofen”.

In the case of bad weather, if the event has to be cancelled, the back-up date is July 7.

Attendees will also be able to get food and drink on site.

Tickets to the event cost 89 CHF (£83.73); however, they are already sold out for this year, and an event for next year is yet to be announced.

If you can’t make the event but enjoy plane spotting, then you can still head to Observation Deck B – which is a tourist attraction in its own right.

The observation platform is open to the public and is one of Switzerland‘s most popular destinations for a day out, according to Zurich Airport.

There is an observation walkway where visitors can watch pilots sitting in the cockpits of planes, and inside there are also flight information pillars, which share information about all the different aircraft you can see and their destinations.

For little ones, there is even a mini airport play area with a model plane with a slide at the end, trampolines in the ground, a control tower climbing frame, and swings.

There’s a shop too that sells miniature plane models in case you want to grab a souvenir.

And if you get a little hungry, there is a small cafe selling sandwiches and drinks.

You don’t need to have a flight booked or show your passport to enter the observation deck.

Though passengers who do have a valid boarding pass on the day of departure or arrival can access the observation deck for free.

Otherwise, it is 5 CHF (£4.71) per adult and 2 CHF (£1.88) per child between 10 and 15 years old – those under 10 years old can visit for free.

One recent visitor said: “A great and fancy modern observation deck with huge space, basically on an entire terminal roof!

“There is much interesting information [boards] and many interactions for the visitors, such as live radio transmission from the tower, flight info of the aircraft in front of you, different seating options, and a huge children’s playground.”

In other aviation news, the UK gets a new flight route to world’s best airport – under four hours from the UK.

Plus, all of the new flight routes launching from the UK in 2026 – including up-and-coming cities and quieter islands.

It’s always special for Bob Baffert to win the Robert B. Lewis Stakes, since the race is named after the late owner of Silver Charm, one of the trainer’s six Kentucky Derby champions.

Winning the Lewis also is as familiar to Baffert as looking in the mirror and seeing white hair. Saturday’s victory by Plutarch was the eighth straight for Baffert in the $100,000 race for 3-year-olds, and his 14th in the race known until 2007 as the Santa Catalina Stakes.

What made Baffert a little emotional Saturday was his other victory, with Splendora in a $200,000 Grade 2 race that used to be known as the Santa Monica Stakes. The name was changed this year in honor of a friend and fellow Hall of Fame trainer who died last summer.

“When I saw that this race was renamed for D. Wayne Lukas, I wanted to win this one,” Baffert told reporters at Santa Anita. “I miss him. I miss talking to him. He would have loved this.”

It would be easy for anyone to love training or just watching Splendora, a 5-year-old daughter of Audible who won her fourth straight start and her first since last fall’s Breeders’ Cup Filly & Mare Sprint. The 2-5 favorite cruised to a 2¾-length victory over Me and Molly McGee in 1:22.09 for seven furlongs.

“She is such a good filly. She just gives me chills,” Baffert said. “She missed the break and got behind, but Juan [Hernandez] rode her with a lot of confidence.”

It was the eighth win in the race for Baffert, who now leads Lukas by two. Lukas’ last victory in the race came in 1996 with the Hall of Famer Serena’s Song, owned by Lewis and his wife, Beverly. It was the next year that Baffert and the Lewises combined to win their first Derby with Silver Charm.

Whether Baffert has another Derby winner in Plutarch won’t be known for 12 weeks, but the colt certainly has the bloodlines. Into Mischief has been the leading sire in North America (by earnings) for the last seven years, including Derby winners Authentic (for Baffert), Mandaloun and Sovereignty, while Plutarch’s dam, Stellar Wind, was the 3-year-old champion filly in 2015.

Plutarch, with Florent Geroux aboard, outruns Intrepid, with Hector I. Berrios aboard, to win the Grade 3 $100,000 Robert B. Lewis Stakes at Santa Anita Park on Saturday.

(Benoit Photo via Associated Press)

“This horse reminds me of Authentic,” Baffert said. “He keeps getting better every week. I don’t think distance will be a problem with him. This is very exciting. He’s legit.”

Plutarch lost his first four starts, including three in stakes races, before winning a maiden race on the final day of Del Mar’s fall meeting. That race and two others were on grass; Baffert said he did that because he wanted to get the colt in some races.

The surprise Saturday was how close Plutarch was to the lead, tracking the equally surprising pacesetter Intrepido through solid fractions of 47.65 for a half-mile and 1:11.35 for six furlongs. Baffert expected his 6-5 favorite, Desert Gate, to be on the lead, but the horse broke slowly and had to settle about a length and a half off the lead in the bunched field of seven.

Plutarch pushed ahead of Intrepido entering the stretch and the two dueled for most of the last quarter-mile, with Plutarch winning by three-quarters of a length in 1:37.02. He paid $10.20 as the co-third choice with the runner-up. Secured Freedom (3-1) edged Desert Gate for third.

“The longer the better,” said winning rider Florent Geroux, who just this week relocated to California from the Louisiana and Kentucky circuit. “He is a colt who has finally put it together this year. I watched some of his replays from last year and from what Bob told me, it looked like the horse was still a little bit green, trying to figure out what was going on during the race. But today, I felt he broke very alertly for me and put me in a great spot. When I asked him to move along the lane he responded really well.”

Intrepido defeated Desert Gate and Plutarch last October at Santa Anita in the Grade 1 American Pharoah, but finished a disappointing fifth later that month in the Breeders’ Cup Juvenile. Trainer Jeff Mullins said he was pleased with the bounce-back.

“I really didn’t expect him to be on the lead … but he breaks [fast] like that, you’ve got to go with it,” Mullins said. “To be off that long, I’m happy with his race.”

Plutarch earned 20 Kentucky Derby points, giving him 23, tied with Intrepido for third in the standings. Silent Tactic, who won Friday’s Southwest Stakes at Oaklawn in Arkansas, and Renegade, winner of the Sam F. Davis Stakes on Saturday at Tampa Bay Downs, lead with 25. It usually takes about 40 points to get into the Derby.

One of Baffert’s recent Lewis winners captured the Derby, though Medina Spirit (2021) later was disqualified. Newgate (2023) went on to win the Santa Anita Handicap as a 4-year-old, while Nysos (2024) and Citizen Bull (2025) ran one-two in last year’s Breeders’ Cup Dirt Mile.

The next race for 3-year-olds at Santa Anita is the San Felipe Stakes on March 7, followed by the Santa Anita Derby on April 4.

Notable

Three of the top four finishers from the Breeders’ Cup Juvenile Fillies make up three-quarters of the short field in Sunday’s featured Las Virgenes Stakes. Super Corredora, trained by John Sadler, won the Oct. 31 race at Del Mar and was named champion 2-year-old filly, with Baffert’s Explora second and Michael McCarthy’s Meaning fourth. Explora is the only one of the trio to race since; she won the Santa Ynez Stakes on Jan. 10. First post on Super Bowl Sunday is earlier than normal at 11 a.m.

Oscar nominations landed Thursday morning and you’d really have to be a curmudgeon to complain, what with the year’s two best films, “One Battle After Another” and “Sinners,” hauling in the most nods. One of these movies is going to win best picture (probably “One Battle”), continuing a nice little streak of top-shelf winners. “Oppenheimer” to “Anora” to “One Battle After Another”? That’s the best run since the early ’90s when “The Silence of the Lambs,” “Unforgiven” and “Schindler’s List” prevailed.

Of course, not everyone is celebrating this morning. “Wicked: For Good”? The complete disrespectation! The latest “Avatar” sequel? More ash than fire.

The Oscars cap their nominees at five per category (with the exception of best picture), leading, invariably, to some surprises and omissions — some egregious, some understandable. For alliteration and search engine optimization, we’ll call these “snubs,” though you’d have to be a true narcissist, say somebody who’d threaten to invade a country because he felt scorned over not winning a prize, to really take it personally.

Fortunately, Hollywood is free of ego, leaving us just to rationally contemplate the academy’s choices and examine the snubs and surprises of the nominations for the 98th Academy Awards, which will be presented on March 15.

Cynthia Erivo, left, and Ariana Grande in “Wicked: For Good.”

(Giles Keyte/Universal Pictures/Giles Keyte / Universal Pictures)

SNUB: “Wicked: For Good” (picture)
The first “Wicked” earned 10 nominations last year, going on to win two Oscars. Surely, the sequel would be popular too. But the box office was down (more than $200 million globally), the reviews were mostly meh, and academy members took note. Duplicating the first movie’s Oscar haul was going to be a challenge, as some voters would naturally resist rewarding something they had just honored a year ago. And the material posed its own challenges, as the musical’s second act isn’t as fun or focused. But to go from 10 nominations to being completely shut out? What a difference a year makes.

SURPRISE: “F1” (picture)
There’s a demographic in the motion picture academy affectionately known as “steak-eaters,” men in the autumn of their years who appreciate a good Dad Movie centered on old(ish) guys who most definitely know best. With membership broadening, this demo has lost a bit of its influence over the years. But the dudes can take a victory lap today, celebrating the nomination of Joseph Kosinski’s swaggering, vroom-vroom sports movie.

SNUB: “Avatar: Fire and Ash” (picture)
The third “Avatar” movie has grossed $1.3 billion worldwide, which is impressive, though still about $1 billion behind 2022’s “Avatar: The Way of Water.” That movie, like the first one, was nominated for best picture. But “Fire and Ash” couldn’t even manage a nod from the Producers Guild, a group that operates from a bigger-the-better mentality. There’s a feeling of fatigue about the franchise, with even creator James Cameron giving the distinct impression that he’s ready to move on. Here’s another signal that it’s time.

SNUB: “It Was Just an Accident” (picture)
The warning signs were there. Jafar Panahi’s searing (and often funny) social critique of authoritarianism did not fare well on the Oscar or BAFTA early lists. But with the current political climate and the alarming events transpiring in Panahi’s native Iran, it still felt like it’d make the best picture cut. Its absence feels like a big miss or, less charitably, a dereliction of duty.

Stellan Skarsgård, left, and Elle Fanning in a scene from director Joachim Trier’s “Sentimental Value.”

(Kasper Tuxen/Neon)

SURPRISE: Joachim Trier, “Sentimental Value” (director)
Trier seemed to be slipping down the ranks of contenders, but voters no doubt appreciated his film’s salty view of Hollywood as well as the way “Sentimental Value” subtly shifted between past and present, hope and hurt. Trier also earned an original screenplay nomination, repeating the success he enjoyed with his last movie, “The Worst Person in the World,” also starring Renate Reinsve.

SNUB: Guillermo del Toro, “Frankenstein” (director)
Scorsese stumped for him, as did David Fincher, George Lucas and Jason Reitman. “It’s a remarkable work,” Scorsese said during a Q&A with Del Toro. “It stays with you. I dreamed of it.” The affable, movie-loving Del Toro has won many fans inside and outside the industry over the years, along with Oscars for directing and producing the 2017 best picture winner “The Shape of Water” and for “Pinocchio,” the enchanting 2022 movie that snagged animated feature. “Frankenstein” isn’t his best work, but Del Toro did snag a Directors Guild nod. And “Frankenstein” itself earned 9 Oscar nominations. The directors branch, though, went with Trier.

SNUB: Jafar Panahi, “It Was Just an Accident” (director)
Panahi has had quite the year: He won the Palme d’Or at Cannes in May and was sentenced in December to one year in prison for “propaganda activities” related to his work. Both speak to the effectiveness of “It Was Just an Accident,” a withering critique of the cruelty and corruption of an authoritarian regime. Panahi did receive his first Oscar nomination, an original screenplay nod.

SURPRISE: Kate Hudson, “Song Sung Blue” (lead actress)
Hudson’s winning turn in this sincere heart-warmer about a husband-wife Neil Diamond tribute act gave the actor her first nomination since her spectacular arrival a quarter-century ago in “Almost Famous.” “Song Sung Blue” had its own lane in this race, appealing to voters starved for the kind of sincere adult drama that studios once routinely made. And Hudson had a number of famous friends — Demi Moore, Reba McEntire and, of course, her mom, Goldie Hawn — hosting screenings and singing her praises. Maybe even singing some Neil Diamond songs. Who can resist? Not voters.

Chase Infiniti in “One Battle After Another.”

(Warner Bros. Pictures)

SNUB: Chase Infiniti, “One Battle After Another” (lead actress)
Infiniti’s placement in the lead category, clearing the decks in supporting for co-star Teyana Taylor, raised a few eyebrows. She’s only in the movie for about half an hour, and though her character drives the action and ends the movie in spectacular fashion, that wasn’t enough in a category flush with weightier work.

SNUB: Amanda Seyfried, “The Testament of Ann Lee” (lead actress)
For true believers in Seyfried’s frenzied work in Mona Fastvold’s story of devotion and delusion, it’s hard to shake this one off.

SNUB: Cynthia Erivo, “Wicked: For Good” (lead actress)
Here’s the rub: The second half of “Wicked” no longer centers Erivo’s Elphaba. When she’s on the screen — and not wearing that sex cardigan — she’s still great, masterfully conveying Elphaba’s vulnerability and sadness. But in a competitive lead actress category, Erivo simply didn’t have the screen time to convince voters to give her an encore nomination.

SURPRISE: Delroy Lindo, “Sinners” (supporting actor) Lindo finally earned his first Oscar nomination, riding the wave of “Sinners’” record haul. His portrayal of the world-weary Mississippi bluesman Delta Slim was central to the movie’s exploration of life in the Jim Crow South and included a powerful monologue that told the story of the lynching of a fellow musician. The movie wouldn’t have been as special without it.

Paul Mescal in “Hamnet.”

(Agata Grzybowska / Focus Features)

SNUB: Paul Mescal, “Hamnet” (supporting actor) He played Shakespeare, but voters weren’t in love. How sharper than a serpent’s tooth it is to have a thankless audience.

SNUB: Ariana Grande, “Wicked: For Good” (supporting actress)
Grande functioned as a co-lead in the first “Wicked,” winning a supporting actress nomination last year, and took center stage in the sequel. But her Oscar fortunes waned as “Wicked: For Good” couldn’t replicate the spell the original cast on audiences. It’s possible too that, good as she is at light comedy, some voters didn’t buy Glinda’s transformation after spending nearly the entire movie betraying Elphaba at every turn. With friends like her, who needs enemies?

SURPRISE: Elle Fanning, “Sentimental Value” (supporting actress)
SAG-AFTRA voters ignored the cast of “Sentimental Value” for the Actor Awards, but the ensemble came back in a big way with the academy. Fanning, playing an A-list American actress navigating the strained family dynamics of the auteur who hired her for his comeback, joined Reinsve, Inga Ibsdotter Lilleaas and Stellan Skarsgård among the nominees.

SNUB: Odessa A’zion, “Marty Supreme” (supporting actress)
A’zion’s chances at a nomination seemed to rise along with the success of “Marty Supreme.” She picked up an Actor Award nomination earlier this month for playing Rachel, the film’s chaos-creating schemer. Oh well. Maybe we’ll see her at the Emmys later this year for her tumultuous turn as a Gen Z influencer in “I Love LA.”

SNUB: “No Other Choice” (international feature)
Oscar voters have been resistant to Park Chan-wook in the past, ignoring the likes of “Decision to Leave” and “The Handmaiden.” But “No Other Choice,” a humane — and darkly comic — look at ugly things people can do when desperate felt like a potential breakthrough. Park will have to wait … again.

Brad Arnold, the 47-year-old cofounder and lead singer of the Mississippi rock band 3 Doors Down, died Saturday, nine months after revealing a diagnosis of kidney cancer.

The band announced Arnold’s death in a social media post, which said he had “helped redefine mainstream rock music, blending post-grunge accessibility with emotionally direct songwriting.”

In May 2025, Arnold announced that the band would be canceling its summer tour because he had advanced-stage kidney cancer that has spread to his lungs.

“That’s not real good,” he said of his diagnosis. “But you know what? We serve a mighty God, and He can overcome anything. So I have no fear. I really sincerely am not scared of it at all.” He added, “I’d love for you to lift me up in prayer every chance you get.”

He was public about his battle with alcoholism. He said he started drinking in his teens, an addiction fueled by the pressure of stepping on a tour bus at 20 years old.

“It’s just a lot to hand a 20 year old,” he told a Christian podcaster. He thanked religion for his sobriety and took to proclaiming his faith on stage.

Born in Escatawpa, Mississippi in Sept. 1978, Arnold formed the band with friends Todd Harrell and Matt Roberts in the mid-1990s.

As a 15-year-old in algebra class, he wrote the song “Kryptonite,” drumming out the beat on his desk.

“I used to be our drummer,” he told the lead vocalist of the band Candlebox in an interview. “I only became the singer because we didn’t have a singer. That beat just came from just sitting on a desk. I probably wrote that song in the length of time that it took to me to just to write it down. It really was just one of those that kind of fell out of the sky.”

It became the band’s breakout hit in 2000 and earned a Grammy nomination.

“The Better Life,” the first of the band’s six albums, sold more than 6 million copies, and the 2005 album “Seventeen Days” entered the national charts at No. 1. That year, reviewing a Los Angeles performance, a critic noted Arnold’s “heartland drawl” and sleeveless denim shirt, calling him “less punk than Springsteen.”

The band released its final album, “Us And The Night,” in 2016. The following year, the band played at the inauguration of President Donald Trump. Arnold is survived by his wife, Jennifer.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, giving you the latest on city and county government.

For six days this week, anybody could dream at the L.A. city clerk’s office.

Angelenos seeking elected office had to file their declarations of intent between Monday and Saturday to be eligible for the June 2 primary.

All week, the third floor courtyard of the C. Erwin Piper Technical Center was abuzz with candidates milling about, filling out paperwork, signing ethics forms and writing down their job histories.

Some will win elected office, which, naturally, means others will lose.

And some may not get on the ballot — each candidate must gather 500 legitimate voter signatures by March 4, which is relatively easy in citywide races but harder in council districts.

A candidate arrives to file to run for office in the the 2026 Municipal elections at the city clerk’s office in downtown Los Angeles on Wednesday.

(Jason Armond / Los Angeles Times)

“I know I won’t win,” said Joseph Garcia, a gardener, former screenwriter and member of the Venice Neighborhood Council who filed Tuesday to run for mayor.

During an interview, Garcia removed his shoe to show an injury to his foot. City clerk staffers politely asked him to put his shoe back on.

One candidate showed up on colorful roller skates wearing a wreath of flowers on her head. Another came in scrubs.

Other aspiring politicians were ready to get down to brass tacks.

Tim Gaspar, a business owner who is running to represent Council District 3, purchased a strawberry Pop-Tart from a vending machine and spoke about his fundraising numbers.

In the race to replace Councilmember Bob Blumenfield, who is terming out, Gaspar has raised more than $300,000, which is $100,000 more than the two other candidates who have raised any cash at all.

Gaspar, who was wearing a blue suit, said the money came from more than 900 donors.

“It’s been a grassroots campaign,” he said.

Minutes earlier, former reality television star Spencer Pratt stepped out of his Ford F150 and changed from flip-flops into sneakers before walking into the building to file his declaration to run for mayor.

Pratt wore shorts, a hat that said “Heidiwood” — for his wife, Heidi Pratt — and a shirt for Heidi’s “Superficial” album tour. He was flanked by two private security guards and two aides.

As Pratt was walking in, Jose Ugarte, a top aide to Councilmember Curren Price who is running to replace his boss in Council District 9, was walking out.

“F— that guy,” Ugarte said about Pratt, a registered Republican who has received endorsements from many in the MAGA world. Ugarte has been explicit in his anti-Trump sentiment, specifically over the summer’s immigration raids.

Henry Mantel files to run for City Council District 5 at the city clerk’s office on Wednesday.

(Jason Armond / Los Angeles Times)

In the elevator, Pratt edited a social media video in which he railed against Los Angeles Fire Department Chief Jaime Moore for not looking into who watered down the after-action report into the Palisades fire.

About 30 minutes later, after he finished filing, Pratt took questions from a gaggle of reporters huddled beyond a barrier that said “No media beyond this point.”

“It’s me or Karen Bass. We have no other choice,” said Pratt, one of more than 30 candidates who have filed to run against Bass, who is seeking a second term as mayor.

Watching from under a white tent as she filled out her declaration was Dylan Kendall, who is trying to oust Councilmember Hugo Soto-Martínez in District 13.

“I think Spencer Pratt kind of sucked the air out of the room,” Kendall said.

The former bartender said it took her about an hour to fill out her forms. She feels that Soto-Martínez has “neglected and ignored” residents in her district, which spans Echo Park and Hollywood, all the way to Atwater Village.

In the parking lot, Keeldar Hamilton, who sported a long ponytail, had just finished filing.

Asked what he was running for as he got into his Tesla Cybertruck, Hamilton said, “Governor … I mean mayor.”

State of play

— MAY-OR MAY NOT: The filing deadline to run for mayor is Saturday at 12 p.m., and some candidates have really taken it down to the wire. L.A. County Supervisor Lindsey Horvath is still weighing a run. Former schools Supt. Austin Beutner dropped out on Thursday, following the death of his 22-year-old daughter. Billionaire developer Rick Caruso, meanwhile, decided not to run — for the second time in less than a month.

— FIRE WATER: Two sources told The Times that two people close to Bass informed them that Bass wanted key findings in the LAFD after-action report on the Palisades fire softened. Bass denied The Times’ report, calling it “dangerous and irresponsible” for the newspaper to rely on third-hand information.

— SOTC PART 1: Bass delivered the first of two States of the City Monday, urging Angelenos to come together ahead of the 2028 Olympics while announcing a push to clean up Los Angeles’ busiest streets in the run-up to the Games. The second speech will take place in April.

— WASSERMANIA: LA28 Olympics committee Chair Casey Wasserman faced calls from L.A. officials to resign following revelations about racy emails he exchanged with convicted sex offender Ghislaine Maxwell, Jeffrey Epstein’s former romantic partner. Bass did not take a stance, saying it was up to the LA28 board.

— FREE OF FEE: Palisades fire victims rebuilding homes, duplexes, condominium units, apartment complexes and commercial buildings will not have to pay permit fees, the City Council decided Tuesday. Forfeiting those fees is expected to cost as much as $90 million over three years, according to Matt Szabo, the city’s top budget analyst.

— PRICE FAINT: Councilmember Curren Price, 75, was taken to the hospital Wednesday after fainting during a Black History Month event at City Hall. Price was “in stable condition, is in recovery and doing well,” said Council President Marqueece Harris-Dawson.

— HALL PASS: Former State Assemblymember Isadore Hall dropped out of the race for L.A. city controller, saying in a statement to The Times that a death in his family had prompted his decision.

— SHERIFF SUITS: L.A. County spent $229 million on legal payouts and lawyer bills last fiscal year. Nearly half of that — $112 million — went to defend the Sheriff’s Department against lawsuits, a 12% uptick in the department’s payouts from the year before.

— COUNTY CUTS: The county approved nearly $200 million in cuts to homeless services, despite 2024 voter support for a sales tax to combat the crisis.

QUICK HITS

• Where is Inside Safe? The mayor’s signature homelessness program went to Lincoln Heights, bringing 17 unhoused Angelenos indoors from an encampment.
• On the docket next week: A plan to build 1,000 units of housing at the Row DTLA goes before the Planning Commission on Thursday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

SAN FRANCISCO — Neither team began the season among the favorites to reach the Super Bowl.

The Seattle Seahawks and the New England Patriots both were regarded as long shots.

But not by their coaches and players.

On Sunday, the Seahawks and Patriots will play in Super Bowl LX at Levi’s Stadium.

After the Seahawks defeated the Rams in the NFC championship game, Seahawks coach Mike Macdonald was asked during a postgame broadcast about being an “afterthought” behind the Rams and San Francisco 49ers in the NFC West.

“We did not care,” Macdonald proclaimed, making public an attitude players adopted throughout Macdonald’s two seasons.

The Seahawks reflect their second-year coach, safety Julian Love said, by keeping an intense but “matter-of-fact” approach.

“He tries to keep the main thing, the main thing,” Love said. “He doesn’t like to make … grandeur out of everything.

“Like, he’ll say, ‘Who do we play next, and what time do we play?” And then we’ll all say in a team meeting, constantly, just like every meeting, ‘We don’t care!’ That mindset and his quote … that’s just how he’s been all year, all the past two years and that shows who we are as a team now.”

The Seahawks won their last seven regular-season games and finished 14-3 to capture the top seed in the NFC. After a first-round bye, they routed the 49ers and beat the Rams to advance to the Super Bowl for the first time since 2015, when they lost to the Patriots and fell short of repeating as champions.

Quarterback Sam Darnold, cast aside by the Minnesota Vikings after he led them to a 14-win season in 2024, played well throughout the season and spectacularly in the playoffs.

Running back Kenneth Walker III leads the rushing attack, and George Holani has stepped into a complementary role that Zach Charbonnet filled before suffering a knee injury in the divisional round against the 49ers.

Seattle Seahawks wide receiver Jaxon Smith-Njigba runs with the ball during a win over the Rams in the NFC championship on Jan. 25.

(Ben VanHouten / Associated Press)

Receiver Jaxon Smith-Njigba was voted the NFL offensive player of the year after catching 119 passes, 10 for touchdowns. Darnold also relies on receiver Cooper Kupp, the 2021 NFL offensive player of the year and Super Bowl LVI most valuable player when he played for the Rams, and the electric Rashid Shaheed, along with tight end A.J. Barner.

Linebacker Ernest Jones, linemen Leonard Williams, Byron Murphy and DeMarcus Lawrence, cornerback Devon Witherspoon and safety Nick Emmanwori are among the standouts for the Seahawks “Dark Side” defense that gave up a league-best 17.2 points per game in the regular season.

Jason Myers is the kicker, All-Pro Michael Dickson the punter and Shaheed the dynamic kick returner.

Like the Seahawks, the Patriots and their fans were similarly inspired by a speech receiver Stefon Diggs made before a preseason game, when he proclaimed “We all we got. We all we need.”

After finishing 4-13 last season, Patriots owner Robert Kraft fired first-year coach Jerod Mayo and hired Mike Vrabel, a former Patriots linebacker and three-time Super Bowl champion who coached the Tennessee Titans for six seasons.

“We were intentional about making sure that when the players returned there was a program in place that they could look at, that they could believe in, that they wanted to be a part of and that they wanted to protect,” Vrabel said. “That’s what we set out to do.”

Vrabel, the NFL coach of the year, led the Patriots to a 14-3 record and their first AFC East title since 2019. The Patriots then defeated the Chargers and the Houston Texans before beating the Denver Broncos in the AFC championship game to advance to the Super Bowl for the first time since the 2018 season, when they defeated the Rams in Super Bowl LIII.

Quarterback Drake Maye is a dual threat who became an MVP finalist while leading an offense that averaged 28.8 points a game.

Diggs is Maye’s top target — he eclipsed 1,000 yards receiving for the seventh time — and tight end Hunter Henry plays a prominent role. Receivers Kayshon Boutte, Mack Hollins and Demario Douglas and tight end Austin Hooper also have made plays.

New England Patriots wide receiver Stefon Diggs runs with the ball against the New York Jets on Dec. 28.

(Adam Hunger / Associated Press)

Running backs Rhamondre Stevenson and TreVeyon Henderson combined for 13 rushing touchdowns during the regular season.

Defensive lineman Milton Williams, linebackers K’Lavon Chaisson and Robert Spillane, cornerback Christian Gonzalez and safety Jaylinn Hawkins are among the key players for a defense that gave up 18.8 points a game during the regular season — the league’s fourth-best mark. Sack leader Harold Landry III is questionable because of a knee issue.

Andy Borregales is the kicker, Bryce Baringer the punter, and Marcus Jones is a second-team All-Pro punt returner.

Newquay in Cornwall offers dog-friendly beaches year-round, with the best time to visit being January to March when beach restrictions are lifted and quieter beaches mean dogs can play without the stress of busy crowds

In an emerging trend, increasing numbers of dog owners are opting for pet-friendly breaks, ensuring their cherished canine companions can share in the holiday fun.

Coastal getaways remain a favourite among British holidaymakers and their dogs, with figures from dog-friendly holiday specialists Canine Cottages showing 80% of dog owners brought their pets along on holiday in 2025.

The statistics also revealed that 62% of their 2024 bookings consisted of seaside retreats.

Whilst the sunny summer months might appear to be the perfect opportunity for a pet-friendly coastal adventure, this is also when holiday prices peak. Millions of Brits look to capitalise on the fine weather and warm temperatures during this period.

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Famous for its rugged coastline, golden beaches, picture-perfect villages and rich maritime heritage, Cornwall is one of the most-visited corner of the UK. Sykes Cottages has a large number of holiday homes to choose from, with prices from £36 per night.

However, the off-peak season or “secret season” could prove the most suitable and budget-friendly time to travel with your four-legged friends, according to dog-travel specialists, as quieter destinations and relaxed restrictions for dogs are crucial elements in enhancing holidays for both pets and their humans.

Embarking on a seaside break with your dog during the off-peak months – November to April – guarantees quieter locations and lifted restrictions, particularly on beaches, which consequently provides greater freedom for dogs and their owners to fully embrace and enjoy their coastal escape.

Canine Cottages‘ Digital PR Manager Sarah Pring shares: “For pet owners, the best time to take a seaside break is actually at the start of the year, around January to March, once beach restrictions have been lifted.

“The quieter beaches mean dogs can play without the stress of a busy environment, which can be distressing for reactive and anxious pets. The benefits extend to pet owners, with seaside properties being cheaper to rent in the winter months.”

Perfect destination for your next pooch-friendly getaway

A coastal retreat in England is being championed as the ultimate dog-friendly haven, particularly during quieter seasons.

The North Cornwall seaside town of Newquay consistently ranks amongst Britain’s most beautiful locations and is often dubbed the ‘nation’s favourite seaside holiday’, reports Cornwall Live.

Newquay offers a wealth of family entertainment, with multiple beaches in this lively coastal resort accommodating four-legged guests.

The shores are noticeably more peaceful at this time of year, ideal for lengthy walks, unrestricted play, and a well-deserved break without worrying about your beloved pets disappearing into throngs of people.

Outside the peak summer season, restrictions on dogs at popular beaches like Fistral Beach and Watergate Bay – half a mile and two miles from Newquay town centre respectively – are relaxed, before returning to the usual 10am to 6pm ban typically in place from May to September when tourists flock to the area.

During these busier months, dogs must be kept on leads.

Throughout the year, dog-friendly beaches in Newquay include Crantock Beach, Little Fistral, Harbour Beach, Towan Beach, Lusty Glaze, and Whipsiderry Beach.

Pet owners can take a leisurely walk along the River Gannel while their four-legged companions paddle in the shallow waters of the tidal estuary.

The town offers plenty of scenic walks, as well as dog-welcoming pubs, bars and eateries, so your furry family members can join you for meals rather than being left at home.

Notable pet-friendly venues include the Fistral Boardmasters Beach Bar and The Fistral Stable, both conveniently located directly on Fistral Beach.

Cornwall has the longest coastline in the UK, surrounded by sea on three sides, and is rich in Arthurian legend and Celtic folklore, making it a perfect destination for history buffs and lovers of ancient mythology.

Sarah explains: “Arthurian legend is one of the fascinating parts of British folklore, and with so many of the locations in the tales being outdoors, there’s no shortage of dog-friendly walks that allow dog owners to immerse themselves in the legends.”

Penn State hockey star Gavin McKenna will not face a felony assault charge after allegedly striking another man in the face twice during an altercation last weekend.

A criminal complaint filed Wednesday by the State College Police Department charged McKenna with first-degree felony aggravated assault — which in Pennsylvania is punishable by up to 20 years in prison and $25,000 in fines — as well as misdemeanor simple assault, summary harassment and summary disorderly conduct.

The District’s Attorney’s Office of Centre County, Pa., said Friday that it is withdrawing the felony assault charge against the 18-year-old Canadian, who is expected to be one of the top picks in this year’s NHL draft,

“In order to establish probable cause for the crime of Aggravated Assault, the Commonwealth must establish that a person acted with the intent to cause serious bodily injury or acted recklessly under circumstances showing an extreme indifference to the value of human life,” the DA’s office said in a news release.

“Both the District Attorney’s Office and the State College Police Department have reviewed video evidence of this incident and do not believe that a charge of Aggravated Assault is supported by the evidence.”

The office added that “prosecution will go forward with the misdemeanor Simple Assault and other summary charges as they relate to the serious injuries suffered by the victim.”

The alleged incident took place around 8:45 p.m. Saturday near the Penn State campus, hours after McKenna had a goal and two assists during the Nittany Lions’ 5-4 overtime loss to Michigan State in an outdoor game played at Beaver Stadium.

“The complaint alleges that the victim was punched twice on the right side of his face by the defendant following an exchange of words between the alleged victim’s group and the group of people with Gavin McKenna,” prosecutors wrote. “The complaint further alleges that the victim sustained fractures to both sides of his jaw which would require surgery and that he was missing a tooth.

“Follow-up by State College Police has confirmed that the victim suffered two fractures to one side of his jaw, as opposed to both sides of his jaw, and that he is not missing a tooth. The victim has had surgery and is recovering.”

A jury found former Dodgers outfielder Yasiel Puig guilty of obstruction of justice and making false statements to investigators Friday in Los Angeles federal court.

The two-week trial concluded with the jury deliberating for nearly two days. Puig, 35, could face up to 20 years in prison. Sentencing is scheduled for May 26.

Puig faces a statutory maximum sentence of 10 years in federal prison on the obstruction of justice charge and up to five years in prison for the two false statement charges. He remains free on his own recognizance.

The charges stemmed from a January 2022 videoconference interview with federal investigators during which Puig was alleged to have lied about his sports betting. The investigators — led by Assistant U.S. Atty. Jeff Mitchell — were gathering information at the time about an illegal gambling ring headed by Wayne Nix of Newport Coast.

Investigators alleged that Puig denied he had placed bets with Nix despite evidence establishing that he made 899 wagers with the former minor league pitcher on football and basketball games and tennis matches from July to September 2019.

Puig — who was not accused of betting on baseball — lost more than $1.5 million in sports bets, Internal Revenue Service Special Agent Christen Seymour testified, and owed Nix $282,900.

Nix pleaded guilty in 2022 to one count of conspiracy to operate an illegal gambling business and one count of subscribing to a false tax return. He is awaiting sentencing.

Mitchell would soon be best known for overseeing the investigation and conviction of Shohei Ohtani’s former interpreter Ippei Mizuhara, who was sentenced a year ago to 57 months in federal prison for bank fraud and filing a false tax return after stealing $17 million from Ohtani to pay off his own illegal gambling debts.

But Mitchell’s interest in Puig centered around what he knew about Nix, the target of the federal probe in 2022. According to a court declaration reviewed by The Times, Mitchell told Puig’s attorney that he didn’t believe it was a federal crime to make payments to an illegal bookmaker. Investigators were after “an unlawful sports gambling organization,” Mitchell said.

Yet when Mitchell concluded Puig lied about placing bets through Nix intermediary Donny Kadokawa, he swiftly charged the outfielder with making false statements and obstruction of justice.

Puig agreed in August 2022 to plead guilty to one count of lying to federal authorities and would have served no jail time while paying a $55,000 fine. Weeks later, however, he backed out of the agreement, and a judge ruled he could do so because he had not yet entered his guilty plea in court.

“I want to clear my name,” Puig said in a statement at the time. “I never should have agreed to plead guilty to a crime I did not commit.”

It took three more years of pretrial legal wrangling, but Puig finally got his day in court in January. Assistant U.S. Attys. Juan Rodriguez and Michael Morse served as prosecutors after Mitchell resigned from the U.S. Attorney’s Office in May.

Puig’s defense centered around issues with the 2022 interview with Mitchell and investigators who represented the Department of Homeland Security and the IRS.

Defense lawyers Keri Curtis Axel and Brian Klein contended in court filings that Puig, who is from Cuba, was confused because of his language barrier and a dual diagnosis of ADHD and post-traumatic stress disorder. The investigators misinterpreted his answers, the attorneys said.

Steven Gebelin, who represented Puig in 2021 and 2022, testified at trial that his then-client tried to be helpful during the interview but, because the interpreter’s Spanish dialect differed from Puig’s, his answers were translated poorly. Puig did not testify at trial.

Axel contended during her closing statement that Puig did not lie about his interactions with Nix and his associates, which occurred two years before the interview with investigators.

The investigators assumed Puig was lying when he became confused by the questioning and felt pressured to accurately recollect the details of his gambling activity, Axel argued, telling the jury that “assumptions and speculation are not evidence, and you shouldn’t rely on it.”

Prosecutors also alleged Puig said during the interview that he had lost $200,000 in 2019 betting on a website he couldn’t identify and that a person whose name he couldn’t recall instructed him to purchase $200,000 in cashier’s checks made out to another client of Nix’s to settle his gambling debt. Investigators considered Puig’s inability to remember the name a lie.

Kadokawa testified that he was the person giving Puig instructions. Axel argued that Puig told the investigators later in the interview that he had placed bets through Kadokawa, according to court documents.

Prosecutors said Puig also lied when he went through the naturalization process to become a U.S. citizen in 2019, producing evidence that he said on an application and in an interview that he never gambled illegally.

After growing up in Cuba, Puig came to the United States in 2012 and signed with the Dodgers. His attorneys called an expert who testified that Puig’s arduous journey from his home country caused post-traumatic stress disorder.

UCLA psychology professor Marcel Pontón, a neuropsychology expert witness for the prosecution, disputed that diagnosis. And Morse rebutted the contention that Puig couldn’t understand English by playing audio of Puig reflecting in English about his interview.

The power-hitting outfielder quickly became a Dodgers fan favorite, finishing second in National League Rookie of the Year voting in 2013. Nicknamed the “Wild Horse,” Puig remained a fearsome presence in the lineup for six years and helped the Dodgers to the World Series in 2018 when he hit a three-run homer in Game 7 of the NL Championship Series against the Milwaukee Brewers.

President Trump told the New York Post that music artist Bad Bunny was a “terrible choice” to headline the 2026 Super Bowl halftime show and that the NFL’s selection of the Puerto Rican singer and rapper sows “hatred.”

Department of Homeland Security adviser Corey Lewandowski suggested that Bad Bunny loathes the U.S. “It’s so shameful that they’ve decided to pick somebody who just seems to hate America so much to represent them at the halftime game,” he told conservative podcaster Benny Johnson.

Sen. Tommy Tuberville (R-Ala.) said on Monday that Bad Bunny disseminates “anti-American propaganda.”

The upshot: Bad Bunny (aka Benito Antonio Martínez Ocasio) is an enemy of the state. An outsider who doesn’t possess American values. A Super Bowl wrecker.

Bad Bunny took home multiple trophies from the 68th Grammy Awards last weekend in Los Angeles, including for album of the year. Very American, sir.

(Matt Winkelmeyer / Getty Images for the Recording Academy)

Heated debate around who is worthy to perform the halftime show is an American tradition (Prince, yes. The Red Hot Chili Peppers, no). But now, unsurprisingly, politics are part of that debate, so the mere fact that Bad Bunny is brown and Latino and sings in Spanish is seen by some as an affront to the right. Clearly the “Woke Bowl” is disrespecting the tough-on-immigration president, and in Español, no less.

But Bad Bunny is an American citizen, as are most people born in Puerto Rico after 1898, thanks to the Jones-Shafroth Act of 1917. Bad Bunny, born in 1994, made the deadline with 96 years to spare. If the fear is that foreigners are coming here to take our jobs and ruin beloved American traditions, there are plenty of nonnative artists to grouse about.

For decades, outsiders have foisted their foreign music upon us at the Super Bowl between commercials for Doritos and Budweiser.

The United Kingdom’s Phil Collins played the 2000 Super Bowl XXXIV Halftime Show, as did Enrique Iglesias, who is from Spain. The Irishmen of U2 stole jobs away from Americans when they played the 2002 Super Bowl. The following year it was sneaky Canadian Shania Twain and a sus character from England referred to only as Sting.

Then came bad hombre after bad hombre from the UK: Paul McCartney, the Rolling Stones, the Who, Coldplay. And don’t even get me started on Shakira, gyrating her Colombian self into 2020’s Super Bowl LIV Halftime Show, or the following year, the Weeknd using his sweet voice to distract from the fact he’s Canadian.

Remember all the anti-immigrant furor around those aforementioned performances? Of course not — because there was none. And this year, if the delicately reunited U.K. duo Oasis was to pull things together for 2026 and play the Super Bowl, it most certainly wouldn’t inspire the same kind of vitriol.

The right remembers that Bad Bunny criticized the Trump administration for its handling of Puerto Rico’s hurricane recovery, and that that he has spoken out against ICE’s inhumane treatment of immigrants. But calling Bad Bunny a dissenter is too direct, too Stalinist. It’s better to cast doubt upon the singer’s loyalty to America via thinly veiled racist rhetoric.

Turning Point USA, the right-wing group founded by Charlie Kirk and helmed by his wife, Erika Kirk, following his assassination, has organized its own counter-concert called the “All-American Halftime Show”. It will star rap-rocker Kid Rock and country artists Brantley Gilbert, Lee Brice and Gabby Barrett. The show is counter-programmed to compete with the Super Bowl halftime show, airing on X and conservative networks such as TBN and OAN around the same time as Bad Bunny’s set.

When the “alternative” show’s lineup was announced this week, Kid Rock took a jab at Bad Bunny in a statement: “He’s said he’s having a dance party, wearing a dress, and singing in Spanish? Cool. We plan to play great songs for folks who love America.”

Kid Rock isn’t known to wear dresses on stage, as Bad Bunny has done, but it’s unclear which songs of his he’ll play in the name of “loving America.”

Turning Point spokesman Andrew Kolvet said the show will reflect conservative values such as “faith, family, and freedom,” so Kid Rock likely won’t perform his 2001 track “Cool, Daddy Cool,” where he sings “Young ladies, young ladies, I like ‘em underage see / Some say that’s statutory, but I say it’s mandatory.” It’s also unlikely he’ll bust out his 2007 song “Lowlife (Living the Highlife)”: “I make Black music for the white man / Keep cocaine upon my nightstand.”

One thing is certain: He’ll continue to sing Trump’s praises, in English.

For Mikayla Tencer, being self-employed already meant juggling higher taxes, irregular income and the constant pressure of finding her own health insurance. This year, it also meant rethinking how often she could afford to see a doctor.

The 29-year-old content creator in San Francisco paid $168 a month last year for a Blue Shield health plan through Covered California. This year — without enhanced federal subsidies that expired at the end of December — that same plan would have cost $299 a month, with higher copays.

“People assume that because I’m young, I can just pick the cheapest plan and not worry about it,” Tencer said. “But I do need regular care, especially for mental health.”

Tencer is among tens of thousands of middle-class Californians facing steep increases in health insurance costs after Congress allowed enhanced federal subsidies for Affordable Care Act plans to expire Dec. 31.

Those extra subsidies were enacted in 2021 as part of temporary, pandemic-era relief, boosting financial help for people buying coverage on state-run insurance marketplaces such as Covered California. The law also expanded eligibility to people earning more than 400% of the federal poverty level, about $62,600 for a single person and $128,600 for a family of four.

Mikayla Tencer records a TikTok video featuring eyeliners. Her blog showcases Bay Area attractions and local businesses.

(Paul Kuroda/For The Times)

With the expiration of the enhanced subsidies, people above that income threshold no longer receive federal assistance, and many who still qualify are seeing sharply higher premiums and out-of-pocket costs. On top of the loss of the extra federal benefits, the average Covered California premium this year rose by 10.3% because of fast-rising medical costs.

To lower her monthly bill, Tencer switched to the cheapest Covered California option, bringing her premium down to about $161 a month. But the savings came with new costs. Primary care and mental health visits now carry $60 copays, up from $35.

When she showed up for a psychiatric appointment to manage her ADHD and generalized anxiety disorder, she said, she learned her doctor was out of network.

“That visit would have been $35 before,” she said. “Now it’s $180 out of pocket.”

Because of the higher costs, Tencer said she has cut therapy from weekly to biweekly sessions.

“The subsidies made it possible for me to be self-employed in the first place,” Tencer said. “Without them, I’m seriously thinking about applying for full-time jobs, even though the market is terrible.”

For another self-employed Californian, the increase was even more dramatic.

Krista, a 42-year-old photographer and videographer in Santa Cruz County, relies on costly monthly intravenous treatments for a rare blood disorder. She asked that her full name not be used but shared her insurance and medical documents with The Times.

Last year, she paid about $285 a month for a Covered California plan. In late December, she received a notice showing her premium would rise to more than $1,200 a month. The rise was due to her loss of federal subsidies, as well as a 23% increase in the premium charged by Blue Shield.

“It terrified me. I thought, how am I ever going to retire?” she asked. “What’s the point?”

Krista ultimately enrolled in a plan costing about $522 a month, still nearly double what she had been paying, with a $5,000 deductible. She said she cannot downgrade to a cheaper plan because her clinic bills her treatment to insurance at roughly $30,000 a month, according to medical statements.

To cut costs and preserve the ability to save for retirement and eventually afford a place of her own, Krista decided to move into an RV on private land. The decision came the same week she received notices showing a rent increase and a steep jump in her health insurance premiums.

Mikayla Tencer, a marketing influencer, with her elder dog, “Lucky” at Alamo Square Park.

(Paul Kuroda/For The Times)

Krista said she had been planning for more than a year to find a long-term living situation that would enable her to live independently, rather than continue paying more for an apartment.

“Nobody asks to be sick,” Krista said. “No one should have their life ruined because they get diagnosed with a disease or break a leg.”

Jessica Altman, executive director of Covered California, said that about 160,000 Californians lost their subsidies when the enhanced federal assistance expired because their incomes were higher than 400% of the federal poverty level.

Although overall enrollment in Covered California this year has held steady, Altman said, she worries that more people will drop coverage as bills with the higher premiums arrive in the mail.

Those fears are already playing out.

Jayme Wernicke, a 34-year-old receptionist and single mother in Chico who earns about $49,000 a year, said she was transferred from Medi-Cal to a Covered California Anthem Blue Cross plan at the end of 2023. Her premium rose from about $30 a month to $60, then jumped to roughly $230 after the subsidies expired.

“For them to raise my health insurance almost 400% is just insane to me,” Wernicke said.

Her employer, a small family-owned business, does not offer health insurance. Her plan does not include dental or vision care and, she said, barely covers medical costs.

“At a certain point, it just feels completely counterintuitive,” she said. “Either way, I’m losing.”

Wernicke dropped her own coverage and plans to pay for care with cash, calculating that the state tax penalty is less than the cost of premiums. Her daughter remains insured.

Two other Californian residents told The Times that they also decided to go without coverage because they could no longer afford it. They declined to provide their full names, citing concerns about financial and professional consequences.

Under California law, residents without coverage face an annual penalty of at least $900 per adult and $450 per child.

One, a 29-year-old self-employed publicist in Los Angeles requires medication for epilepsy. Last year, she paid about $535 a month for a silver plan through Covered California. This year, the same plan would have cost $823.

After earning about $55,000 last year, she calculated that paying for care out of pocket would cost far less. Her epilepsy medication costs about $175 every three months without insurance, and her annual doctor visits total roughly $250.

“All of that combined is still far less than paying hundreds of dollars every month,” she said.

Another, April, a 58-year-old small-business owner in San Francisco, canceled her insurance in December after her quoted premium rose to $1,151 a month for a bronze plan and $1,723 for a silver plan, just for herself. Last year, April said she paid $566 for both her and her daughter. This year, her daughter’s premium alone jumped from $155 to $424.

The bronze plan also carried a $3,500 deductible for lab work and specialist visits, meaning she would have had to pay thousands of dollars out of pocket before coverage kicked in, on top of the higher monthly premium.

“The subsidies were absolutely what allowed me to sustain my business,” April said. “They were helping me sustain my financial world and have affordable care.”

She rushed to complete medical tests before dropping coverage and hopes to go a year uninsured.

“The scariest part is not having catastrophic coverage,” she said. “If something happens, it can be millions of dollars.”

Tencer, the content creator in San Francisco, believes that in order to make the nation healthier, affordable healthcare should be universal.

“Our government should be providing it.” she said. “People can’t go to the doctor for routine checkups, they can’t get things checked out early, and they can’t access the resources they need.”

A few months back, a discussion broke out in the De Los chat about whether or not Bad Bunny would win album of the year at the 68th Grammy Awards for his LP “Debí Tirar Más Fotos.”

I was firmly in the “yes” camp from the day the nominations were announced and I was right!

But if I’m being honest, I had my doubts that it would happen until the second that presenter Harry Styles called out the Puerto Rican singer’s name Sunday night.

Those in the “no” camp — who were still rooting for him to win — had history in their favor. It’s so rare for any major awards show, but especially the Grammys, to recognize artists at the peak of their powers. It’s almost as if these voting bodies feel that some (usually Black) artists must go through a weird humiliation ritual before being deemed worthy.

In 2015, Beyoncé’s self-titled LP lost album of the year in favor of Beck’s “Morning Phase.” She was overlooked again when Adele won album of the year for “25” over her seminal album “Lemonade” at the 59th Grammy Awards. Her club classic “Renaissance” also missed out on the top prize in 2023, with Styles’ “Harry’s House” taking home the award.

Rapper Macklemore won the rap album Grammy over Kendrick Lamar’s “good kid, m.A.A.d. City” at the 56th iteration of the award ceremony. At the 2016 Grammys, Lamar’s deeply layered LP “To Pimp a Butterfly” lost album of the year to Taylor Swift’s “1989.” Mumford & Sons’ “Babel” won album of the year in 2013 over Frank Ocean’s “Channel Orange.”

The anti-Blackness in the Recording Academy — the voting body that chooses Grammy winners — cannot be understated.

But in a rare move the voters, which included the Latin Grammy Awards’ voting body for the first time this year, chose the album that actually reflected the cultural zeitgeist.

Really it was less so that I believed Bad Bunny would win as much as I felt that he needed to win.

The past year has been exceedingly trying for the Latinx community as Immigration and Customs Enforcement raids have been conducted throughout the country. It has oftentimes felt as though being Latinx — looking a certain way, speaking Spanish, having certain names — is a crime. I don’t know how many times I’ve seen videos of or heard heartbreaking stories of Latinx people being separated from their families, harassed or even killed due to activities of federal agents.

So even if it was just a moment of recognition for Bad Bunny, I had a lot riding on one win for Latinx people. A win for an album that is unapologetically in Spanish, explored ideas of resistance toward colonization and dared to be joyful, would mean something to me.

When he won, I had the same reaction as him. I couldn’t believe it and I cried — genuine tears in my Latina eyes.

It felt like an acknowledgment that Latinx people exist and matter. I was also moved when he explicitly shouted out immigrant and Latinx communities. There was just something that felt radical, too, in him giving the majority of his acceptance speech in Spanish.

De Los writer Andrea Flores also had faith in Bad Bunny’s Grammys viability from the very beginning.

“I knew Bad Bunny was going to win big at the Grammy Awards the moment he released this album,” she told me. “Bad Bunny made music for Puerto Rico, and the world listened.”

“I cried when I saw that Bad Bunny won album of the year. For me, it felt like sweet vindication for Latinx artists — reggaetoneros, more specifically — who have long been ignored, and at times vilified, by mainstream media for so many years. But what made me even more emotional was seeing posts on X showing Bad Bunny in 2016 as a bag boy at a local Puerto Rican supermarket. He looks familiar in that picture, like a cousin, brother or childhood friend. That was only 10 years ago. It’s proof to me that so much can change if you believe in your art and in yourself.”

It’s weird that a Latinx artist from an American colony is the most powerful cultural figure in the country at the same time that Latinx people face the most tenuous situation in the U.S. that I’ve seen in my life.

When Bad Bunny takes the stage for the Super Bowl halftime show on Sunday, I wish he’d get up there and call out ICE again on an even-bigger stage or do some kind of spectacular act of protest against the vile political class that has always and continues to push through discriminatory policies against non-white communities.

It’d be awesome if that happens, but even if it doesn’t, there will still be something profoundly radical about him simply being there and performing exclusively in Spanish.

(Jackie Rivera / For The Times; Martina Ibáñez-Baldor / Los Angeles Times)

The latest on Trump’s immigration enforcement

(Joel Angel Juarez / Getty Images)

After killing two U.S. citizens, forcibly extracting immigrants and using force against protestors, some 700 federal agents are being pulled out of Minnesota. About 2,000 officers will remain in the state, White House border czar Tom Homan said early this week.

On Tuesday, immigration officers in Minneapolis pulled their guns on and arrested protestors who were trailing their vehicles, the AP reported.

Meanwhile, my colleague Gavin J. Quinton reported that the Senate isn’t “anywhere close” to reaching an agreement on ICE funding, as Democrats demand “nonnegotiable” ICE reforms.

In some good news, Liam Conejo Ramos — the 5-year-old from Minnesota who was famously photographed wearing a bunny hat and Spider-Man backpack while detained by ICE agents — and his father, Adrian Conejo Arias, were released from a detention facility in Dilley, Texas and are back home in Minnesota.

The duo was released thanks to a ruling from the U.S. District Judge Fred Biery.

“[T]he case has its genesis in the ill-conceived and incompetently-implemented government pursuit of daily deportation quotas, apparently even if it requires traumatizing children,” the judge wrote in his ruling.

Stories we read this week that we think you should read

Unless otherwise noted, stories below were published by the Los Angeles Times.

Politics and Immigration

Arts, culture and entertainment

Latin America