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WIENER NEUSTADT, Austria — A man accused of pledging allegiance to the Islamic State group and plotting to attack one of superstar singer Taylor Swift’s concerts in Vienna nearly two years ago pleaded guilty as his trial began on Tuesday, his lawyer said.

The plot was thwarted, but Austrian authorities still canceled Swift’s three performances in August 2024. The singer’s fans, known as Swifties, who had flown to Austria from across the globe to attend a performance of her record-setting Eras Tour were devastated, but rallied to turn Vienna into a citywide trading post for friendship bracelets and singalongs.

The defendant, a 21-year-old Austrian citizen known only as Beran A. in line with Austrian privacy rules, faced charges including terrorist offenses and membership in a terrorist organization. He could be sentenced to up to 20 years in prison, and has been in custody since August 2024.

The Vienna plot drew comparisons to a 2017 attack by a suicide bomber at an Ariana Grande concert in Manchester, England, that killed 22 people. The bomb detonated at the end of Grande’s concert as thousands of young fans were leaving, becoming the deadliest extremist attack in the United Kingdom in recent years.

Defendant regrets his actions

Anna Mair, his defense attorney, said her client pleaded guilty to the charges related to the concert plot.

“Of course, he deeply regrets it all,” Mair said outside the court, adding that “he says it was the biggest mistake of his life.”

Austrian media reported that he also pleaded guilty to being a member of a terrorist organization.

Beran A. is facing trial alongside Arda K., whose full name also has not been made public. They, along with a third man, planned to carry out simultaneous attacks in Saudi Arabia, Turkey and the United Arab Emirates during Ramadan in 2024 in the name of the Islamic State group. Beran A. and Arda K. never carried out their attacks.

Only Beran A. was charged in connection with the concert plot. He pleaded not guilty to the charges related to the plot for simultaneous attacks.

He allegedly planned to target onlookers gathered outside Ernst Happel Stadium — up to 30,000 each night, with another 65,000 inside the venue — with knives or homemade explosives. The suspect hoped to “kill as many people as possible,” authorities said in 2024. The U.S. provided intelligence that fed into the decision to cancel the concerts.

Beran A. also allegedly networked with other members of the Islamic State group ahead of the planned attack. Prosecutors say they discussed purchasing weapons and making bombs, and that the defendant also sought to illegally buy weapons in the days ahead of the performance. In addition, he swore allegiance to the militant group.

Authorities searched his apartment on Aug. 7, 2024, and found bomb-making materials. The concerts were scheduled to begin the next day.

“Having our Vienna shows canceled was devastating,” Swift wrote in a statement posted to Instagram two weeks later. “The reason for the cancellations filled me with a new sense of fear, and a tremendous amount of guilt because so many people had planned on coming to those shows.”

A representative for Swift did not immediately return a request for comment Tuesday.

The trial is being held in Wiener Neustadt, about an hour south of Vienna. The proceedings are set to continue May 12.

Three attacks planned in Saudi Arabia, Turkey and UAE

Prosecutors have also filed terrorism-related charges against Arda K. in the trial in connection with the plan for simultaneous attacks in Saudi Arabia, Turkey and the United Arab Emirates.

The third man in that plot, Hasan E., allegedly stabbed a security guard with a knife at the Grand Mosque in Mecca, Saudi Arabia, on March 11, 2024. He was arrested and remains in pretrial detention in Saudi Arabia, Austrian prosecutors said.

Beran A. and Arda K. did not carry out their plans in Turkey and the UAE. Beran A. returned to Vienna and then allegedly began plotting to attack a Swift concert there.

Jenne, Schrader and Dazio write for the Associated Press. Dazio reported from Berlin. AP writer Daniel Niemann in Cologne, Germany, contributed to this report.

Allyson Felix is attempting a comeback at age 40 that could give her a chance to add to her Olympic-record medal haul two years from now in Los Angeles.

Felix, a mother of two, told Time magazine she thought about coming back some four years after calling it quits and decided: “Let’s go after the thing. Let’s be vulnerable.”

“You know, at this age, I should probably be staying home and taking care of my kids, doing all that. And just, why not? Let’s flip it on its head,” she said.

Felix has won 11 Olympic medals — the most by any woman in track — and has a record 20 medals from world championships.

She is a seven-time Olympic champion, with six in the relays and her lone individual gold coming in the 200 meters at the 2012 London Games.

Before retiring in 2022, she became an outspoken advocate for athletes who become mothers and want to keep their careers going.

Felix, who landed a spot on the IOC Athletes’ Commission in retirement, has two kids — 7-year-old Camryn and 2-year old Trey.

She said she expects to start full-time training with her coach, Bobby Kersee, in October with the goal of competing in 2027. The Olympics will be in her hometown a year later.

“I totally get the person who sticks around too long and you’re like, ‘What are they doing?’” Felix said. “I know, at 40, I am not at my peak. I have no illusions about that. I’m very clear in what it is and what I want to see. And so I hope it’s seen that way.”

In a treehouse nestled in redwoods north of San Francisco, Gov. Newsom stood cold and hungry as Sergey Brin, the world’s fourth-richest man, and his wellness-influencer girlfriend told him they were leaving the state.

It was late in the evening at a Christmas party hosted by crypto titan Chris Larsen — featuring singer Janelle Monáe and a towering abominable snowman with glowing red eyes — when Brin and his partner, Gerelyn Gilbert-Soto, confronted Newsom about a new proposal to tax billionaires in California, according to people who’ve spoken with the governor. Such a levy could hit Brin’s stake in Alphabet Inc. and his $272.6 billion fortune.

Newsom, who opposes the wealth tax, was still telling people about the lengthy exchange at the party months later, complaining of a lingering cold the pair had given him, according to the people, who asked not to be named discussing private conversations with the governor.

Brin, meanwhile, followed through. He left the state, bought a lakeside mansion in Nevada, and started bankrolling a billionaire political uprising in California.

Newsom, through a spokesperson, declined to comment on the interaction. “The governor has been very clear with everyone, no matter who they are, that this effort will do serious damage to the state, including for public safety workers and schools, at the expense of one special interest group,” Izzy Gardon, a spokesperson, said.

A representative for Brin didn’t respond to requests for comment.

Brin’s political push reflects a broader awakening among California’s ultrawealthy. Over the past six months, the proposed billionaire tax and a heated governor’s race have drawn tech titans and business leaders more directly into the state’s affairs — a space many of them have traditionally kept at arm’s length.

Prior to this year, Brin’s last contribution in a California election cycle was 2010 when Arnold Schwarzenegger was governor and the Google co-founder largely backed climate causes. He’s now spent more than $58 million in the last four months, including an extra $9 million disclosed late Friday, but more importantly has helped mobilize a network of fellow tech titans in a push to sway state issues.

“The wealth tax was a wake up call, it was a fire that just lit up Silicon Valley literally in a matter of weeks,” said Steven Maviglio, a veteran Democratic strategist. “I’ve never seen anything like it.”

Altogether, ultrawealthy donors have injected more than $270 million into California’s political scene in this election cycle. Outside of the wealth tax, billionaire Tom Steyer is emerging as a top Democratic candidate for governor after the downfall of former Representative Eric Swalwell following allegations of sexual assault. Steyer, a former hedge fund manager, has spent more than $140 million in his election bid, crowding TV airwaves with ads and labeling himself a “class traitor” with a campaign modeled after Vermont Senator Bernie Sanders.

Ballots for the June 2 primary election start going out next week. Brin and a cohort of the ultrawealthy including Coinbase CEO Brian Armstrong and venture capitalists Vinod Khosla and John Doerr have plowed millions into supporting Matt Mahan, a Silicon Valley mayor, with a back-to-basics agenda and a penchant for taking on the state’s Democratic establishment.

That money has helped Mahan buy airtime and attracted controversy, but his polling numbers remain stuck in the single digits while Steyer’s well-funded progressive campaign is gaining favor with voters. Brin has also backed Republican Steve Hilton, who’s currently leading polls.

“You have two polar opposites going on. You have a billionaire running who has actually fully adopted an agenda that the vast majority of voters agree with: Taxing billionaires, funding healthcare, fighting back against ICE,” said Lorena Gonzalez, head of the state’s largest union group, the California Federation of Labor Unions. “And then you have billionaires pushing a candidate whose talking points are apologetic to the tech industry.”

The billionaire political activism in California mirrors larger shifts in Silicon Valley and the nation. President Donald Trump has given tech billionaires broad access to the White House, inviting Brin and other industry captains over for dinner and to join advisory boards.

Back in September, Trump singled out Gilbert-Soto as Brin’s “really wonderful MAGA girlfriend” at a White House dinner also attended by Mark Zuckerberg, Tim Cook and Sam Altman. She has publicly supported Republican Steve Hilton for California governor, a candidate Trump endorsed and Brin has also donated to.

In California, Brin’s newfound political action was catalyzed by the wealth tax proposal, which would levy a one-time 5% tax on billionaires to help offset federal healthcare cuts. In a Signal group chat earlier this year with other Silicon Valley elite, Brin floated the idea of raising hundreds of millions of dollars to influence California politics, according to a person who saw the message.

Brin left California for Nevada ahead of a Jan. 1 residency deadline for the proposed wealth tax. He moved to a $42 million mansion on the Nevada side of Lake Tahoe, featuring two glass-walled funiculars.

Shortly after leaving California, Brin contributed $20 million to a new group dedicated to fighting the tax while also pushing pro-business and housing affordability policies, Building a Better California, making him the single largest contributor. He added $37 million over the spring, as the group quickly started supporting a trio of anti-wealth tax measures that could nullify a billionaire tax if it gets passed in an election. One of the measures, the so-called Transparency Act, has enough signatures to qualify for the November ballot, its backers claimed on Monday.

Building a Better California “remains fixed on long-term reforms supported by most Californians: housing affordability, stable funding for education, infrastructure investments, and government accountability,” a spokesperson said.

Joining Brin in the effort were other billionaires, including former Google CEO Eric Schmidt, Stripe CEO Patrick Collison and venture capitalist Michael Moritz. Peter Thiel, who also left California ahead of the New Year’s Day deadline, gave $3 million to a separate committee opposing the wealth tax.

“They don’t trust California anymore,” said David Lesperance, a tax attorney who specializes in relocations and has helped move five families out of the state because of the wealth tax threat.

Brin and his fellow billionaires helped push up the costs to gather the more than 870,000 signatures required to qualify a ballot measure. This forced the union behind the wealth tax, SEIU-UHW, to spend more on their efforts.

Now, the union says it has succeeded in getting the signatures it needed, which will likely force the business leaders opposing it into further spending.

“A very small group of the most controversial billionaires on the planet tried to stop Californians from being able to save their local emergency rooms and hospitals — but our current signature tally proves frontline healthcare workers will prevail in bringing this commonsense proposal to voters,” said Suzanne Jimenez, SEIU-UHW’s chief of staff. “When our growing coalition files these signatures, David will have won the first round against Goliath.”

Other billionaires have bankrolled their own political initiatives, including Larsen, who set up his own network of influence groups with names like Grow California and Golden State Promise.

Many in Sacramento are skeptical that Brin and his fellow ultra-rich will succeed in swaying California state politics. They point to the failed candidacy of former eBay executive Meg Whitman, who spent around $144 million of her own fortune to become governor, or even venture capitalist Tim Draper’s longshot initiative to split California into six separate states.

“They’re trying to extrapolate from their own industry, which might have been fabulously successful, that they know something about political advertising, when they don’t,” said Garry South, a veteran Democratic strategist. “They think, ‘Hey, I’ve got money I can throw it around,’ and they don’t really do their homework.”

Political consultants describe their frustration with some wealthy tech donors, who often view their political giving through an investment lens, promising big checks and not following through if they don’t see momentum. That’s led to questions about whether the California billionaire activism would continue if Mahan’s governor bid fails and the wealth tax passes.

Even Larsen, who’s worth around $13 billion, has expressed anxiety that not enough business leaders are stepping into politics. “It’s a lot of talk, and they’re happy, but we don’t see the firepower we need to take on the SEIUs,” he said, referring to the state’s largest union.

Newsom, for his part, acknowledges that many of the state’s wealthiest residents are willing to donate significant sums of money, but want to do it on their own terms and not through a tax.

“Some will never give a penny away,” he said at a Bloomberg News event in January, not long after his encounter with Brin in the treehouse. “Some I respect. Some I don’t.”

Kamisher and Carson write for Bloomberg.

The sports-themed panel show, A League of Their Own, is set to make a new comeback just one year after it was axed from TV after 20 seasons on Sky.

A year after the show was axed, A League of Their Own has announced that it will return in the form of a live arena tour, set to take place later in 2026 in the autumn.

It was announced that many of the famous faces from the show will be making an appearance again, with Jamie Redknapp and Jill Scott returning to the show. Jill will be the team captain for the blue team, while Tony will lead the red team.

Tom Davis, Patrice Evra, and Maisie Adam will also make guest appearances, with more A-listers set to be announced. The tour is set to hit major cities including Liverpool, Manchester, London, Newcastle, Birmingham and Glasgow, giving fans the chance to experience the action up close like never before.

As in the TV show, the live tour will include challenges in the studio, but this time performed live on stage in front of audiences.

Speaking about the tour announcement, Jamie Redknapp said: ‘‘I can’t wait to take A League Of Their Own on tour to some of the biggest and best venues in the UK. We’ve put together a top team of League legends, some very special guests, and every night promises to be different.

“It’s gonna be loud it’s gonna be chaotic and it’s probably gonna be full of Leatherman jokes at my expense. Hosting A League Of Their Own Live is a dream job, so come and join in the fun. See you there!”

The announcement that the series was coming to an end came in April 2025, with Sky revealing the series would be ending after the 20th season.

Phil Edgar-Jones, Executive Director of Original Unscripted at Sky, said: “Series 20 is the perfect opportunity to celebrate everything A League of Their Own has achieved and to give it the send-off it truly deserves.

“We’re incredibly proud of the show — it’s been a cornerstone of Sky’s entertainment line-up for fifteen years and has delivered endless laughter, heart, and unforgettable moments. Huge thanks to the brilliant team at CPL Productions and to our fantastic on-screen line-up — Romesh, Jamie, Jill and Micah — who continue to bring such energy and chemistry to the show.”

Tickets for A League of Their Own go on sale on Friday, May 1 on Ticketmaster.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Rhetoric dehumanizing immigrant and Latino communities may appear more open and in-your-face in the current political climate. But that has not been a barrier for Latinos seeking elective office or high-level roles in government.

Voters are choosing an increasing number of nonwhite Hispanic leaders to local elective office — and many of the leaders are the first Latinos to hold their seats. Some political science experts attribute the rise of Latino leadership to years of grassroots organizing, coupled with ongoing demonization of their communities by Trump administration officials and conservative activists.

“That’s the difference now, is that there’s this extra incentive of an unrelenting attack on Latinos across the country,” said Anna Sampaio, an ethnic studies professor at Santa Clara University who specializes in race and gender politics.

There are currently an estimated 7,700 Latino elected officials nationwide, according to data from the National Association of Latino Elected and Appointed Officials. That’s up from 6,883 officials in 2020.

Estimated to number as many as 55 million people — 16% of the U.S. population — Latinos are the largest ethnic minority in the country, with politics, interests and priorities as diverse as the national origins represented within their population. But Latinos also are underrepresented as a demographic across elective offices.

Since the beginning of President Trump’s second term, Latino communities have been a target of his hard-line immigration tactics. The feeling of attack doesn’t stop there. From memes shared from the official White House page perpetuating Hispanic stereotypes, a federally led English-only initiative and an anti-diversity, equity and inclusion push have painted a target on Latinos across the country.

It’s all led to more Latinos seeking office to defend their communities and give voice to those who may be afraid to speak out in the current political climate. As a result, legislators have proposed measures that include providing community members with protections against the U.S. Immigration and Customs Enforcement, halting the approval of ICE detention centers in their cities, and calling for a stop to ICE funding, among other actions.

Pennsylvania Latino mayor makes history

Lancaster, Pennsylvania, with a roughly 40% Hispanic population, recently elected Jaime Arroyo their first Latino mayor. Arroyo took office in January, after being elected with 85% of the vote.

“I think being the first Latino to be in this role and the first person of color to be mayor of Lancaster City has been exciting,” Arroyo told The Associated Press, adding that he finds it “extremely exciting to lead and represent our community in this role.”

With rhetoric and national policies — such as heightened immigration enforcement — hurting the Latino communities, Arroyo said, diverse representation in government is more important than ever. He also believes that the rise of elected Latino officials over the last couple of years is the result of generations of Latinos being politically active fighting for civil rights.

“We’re starting to see a lot of the fruits of that labor come to fruition,” Arroyo said. “There’s never a perfect time to serve your community, there’s the right time. And I think right now is the right time for a lot of Latinos to step up into these roles, especially with everything that is going on.”

Latino representation expanding in city councils

Many more Latinos made history when they took office in earlier this year.

In Iowa, Rob Barron was sworn in Jan. 12 as the first Latino representative on the Des Moines City Council. Antonio Pacheco was sworn on Jan. 7 to be the first Latino member of the city council in Conyers, Georgia. In Ohio, Eileen Torres became the first Mexican American women to win a city council seat in Lorain. Sabrina Gonzalez also took office there as the first Puerto Rican women to serve.

And in Michigan, Clara Martinez and Deyanira Nevarez Martinez were sworn in Jan. 1 to the Lansing City Council, making the city the first in the U.S. to have a council with majority Latino representation.

Martinez said her election, and that of Nevarez Martinez, makes a bit statement about “what people are truly open to despite the national rhetoric.”

“I think because of the rhetoric that we are having to face and some of the backlash on the national stage, I think that’s just fueled the fire for so many people,” she said.

The Salt Lake City Council also has a Latino majority, with four of seven seats, after Erika Carlsen, the granddaughter of Mexican immigrants, was sworn in on Jan. 5. Carlsen said her success is possible because of current and previous generations that put in the work to create spaces where Latinas were encouraged to take leadership positions.

“I feel like I’m building on early generations of leadership,” Carlsen said. “That’s both an honor and responsibility to improve Salt Lake City for the people who live here.”

Carlsen said even if representation at the federal level is not high or visible she said having representation at the local level can have a huge impact.

“I think that it’s critically important that we continue to build on this momentum,” Carlsen said. “The majority of change that can happen starts locally, it doesn’t start in Washington but in City Hall, school boards and neighborhoods conversations. That’s the kind of momentum I’d love to see all across the United States.”

Carolina Welles, executive director of The First Ask, an organization that supports first-time female candidates at the state level, said the reason why Latino representation is more visible at the local level is because those leaders are able to built trust with their community much easier given their proximity.

“They actually know what people care about,” Welles said. “They have a stake because they are facing similar things.”

Local level Latino leadership builds on state and federal representation

It’s not just at the local level. Latinos are making inroads at the federal level too.

The 119th Congress has 56 Hispanic or Latino members. That shakes out to 10.35% of total membership, according to the Congressional Research Service.

For comparison, there were only 14 Hispanic or Latino members and all were male in the 99th Congress, 40 years ago.

At the start of 2025, there were seven Hispanic U.S. senators. That number decreased to six when then Sen. Marco Rubio resigned to become the Secretary of State, the first Latino to hold the position.

Last year also marked a record for Latinas at the state level. Latinas held 214, or 2.9%, of seats in state legislatures, according to the Center for American Women and Politics. That was up from 192 seats in 2024.

Currently, New Mexico Gov. Michelle Lujan Grisham is the only active Latina governor in the U.S. Only two Latinas have been elected governor in U.S. history, and both were in New Mexico.

In March, Gina Hinojosa won the Democratic nomination for governor, making her the second Latina to win a major party gubernatorial nomination in Texas.

Latinos saw the biggest rise in elected officials during the Trump administration in response to attacks on their fundamental rights, said Sampaio, the Santa Clara University professor. She said that trend is likely to continue as the administration continues its attacks on immigrant communities.

“We’re likely to see more Latinos run for office at the local level, at the state level and even at the national level in response to the attack on simply their existence,” Sampaio said. “It is unwittingly both terrorizing the Latino community as well as mobilizing communities.”

Figueroa writes for the Associated Press.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and how amazing is it that the Dodgers are 19-9, on pace to win 110 games, and are still just barely in first place?

So the Dodgers’ bullpen imploded for a couple of days, costing the team. Most recently was Friday against the Cubs, when Alex Vesia, Blake Treinen and Tanner Scott coughed up a four-run lead in a game the Dodgers lost, 6-4.

This brought renewed pleas from fans on social media and some readers of this newsletter to move Roki Sasaki to the bullpen. After all, he has been no great shakes as a starter this season, while he was “lights out” as a closer at the end of last season. But was he, or are we remembering it a bit more fondly than it deserves, After all, the Dodgers were in no hurry to bring him in during Game 7 against the Blue Jays.

Let’s take a look at each of Sasaki’s relief outings at the end of last season and in the postseason.

Sept. 24 at Arizona
Score when entering game: Dodgers, 3-1
Seventh inning
James McCann grounds to third
Tim Tawa strikes out
Ildemaro Vargas strikes out

Sept. 26 at Seattle
Score when entering game: Dodgers, 3-1
Seventh inning
J.P Crawford grounds to third
Cole Young strikes out
Randy Arozarena doubles to left
Cal Raleigh strikes out

Postseason

NL wild card Game 2
vs. Cincinnati
Score when entering game: Dodgers, 8-4
Ninth inning
Spencer Steer strikes out
Gavin Lux strikes out
Austin Hays lines to short

The game against the Reds was when fans got excited, because he looked dominant.

NLDS Game 1
at Philadelphia
Score when entering game: Dodgers, 5-3
Ninth inning
J.T. Realmuto strikes out
Max Kepler doubles to right
Nick Castellanos grounds to second
Bryson Stott pops to third
Sasaki gets the save

NLDS Game 2
at Philadelphia
Score when entering game: Dodgers, 4-3
Ninth inning, two out, runners on first and third
Trea Turner grounds to second
Sasaki gets the save

NLDS Game 4
vs. Philadelphia
Score when entering game: Tied, 1-1
Eighth inning
Kyle Schwarber flies to right
Bryce Harper pops to third
Alec Bohm grounds to second
Ninth inning
Brandon Marsh grounds to second
J.T. Realmuto strikes out
Max Kepler pops to third
10th inning
Nick Castellanos grounds to third
Bryson Stott strikes out
Trea Turner lines to right
Dodgers win game, and series, in 11th inning

NLCS Game 1
at Milwaukee
Score when entering game: Dodgers, 2-0
Ninth inning
Caleb Durbin pops to third
Isaac Collins walks
Jake Bauers doubles to right
Jackson Chourio sacrifice fly to center
Christian Yelich walks
Blake Treinen replaces Sasaki, gets final out, Dodgers win. First bad relief outing by Sasaki

NLCS Game 3
vs. Milwaukee
Score when entering game: Dodgers, 3-1
Ninth inning
Andrew Vaughn grounds to short
Sal Frelich pops to short
Caleb Durbin strikes out
Sasaki gets the save

NLCS Game 4
vs. Milwaukee
Score when entering game: Dodgers, 5-1
Ninth inning
William Contreras singles to center
Andrew Vaughn flies to deep right
Sal Frelick grounds to second
Caleb Durbin flies to deep right
Dodgers win game and sweep NLCS

World Series Game 3
vs. Toronto
Score when entering game: Tied 5-5
Eighth inning, men on first and second, one out
Ty France grounds to third
Nathan Lukes grounds to the pitcher

Ninth inning
Vladimir Guerrero Jr. flies to right
Isiah Kiner-Falefa walks
Daulton Varsho singles off Freeman’s glove, Kiner-Falefa out trying to advance to third
Alejando Kirk walks
Myles Straw grounds to second
Dodgers win game in 18th inning

World Series Game 6
at Toronto
Score when entering game: Dodgers, 3-1
Eighth inning
George Springer singles to right
Nathan Lukes flies to center
Vladimir Guerrero Jr. walks
Bo Bichette pops to short
Daulton Varsho grounds to second

Ninth inning
Alejando Kirk hit by a pitch
Addison Barger ground-rule double
Sasaki replaced by Tyler Glasnow, who gets the final three outs

Sasaki wasn’t fooling anyone against Toronto

In the postseason, Sasaki pitched 10 2/3 innings, gave up six hits and walked five while striking out six. His ERA was 0.84. However, his big success came in the first two rounds. In the NLCS and World Series, his numbers were: 5 1/3 IP, five hits, five walks, one hit batter, one strikeouts, one run.

All of this is to say: Don’t expect Eric Gagne 2.0 if they move Sasaki to the bullpen. He won’t be a miracle cure.

Let’s look at where they rank in ERA in the NL:

Starting pitching
1. Dodgers, 2.79
2. Atlanta, 3.12
3. Pittsburgh, 3.47
4. Milwaukee, 3.59
5. Chicago, 3.98
15. Philadelphia, 5.80

Relief pitching
1. Cincinnati, 2.91
2. San Francisco, 2.93
3. Atlanta, 3.14
4. Pittsburgh, 3.17
5. Miami, 3.60
11. Dodgers, 4.26
15. Washington, 5.27

Inherited runners that scored %

1. Colorado, 13.6% (six of 44)
2. Cincinnati, 20% (nine of 45)
3. Dodgers, 26.7% (eight of 30)
4. San Francisco, 27.8% (10 of 36)
5. Atlanta, 28% (seven of 25)
15. Washington, 48.9% (23 of 47)

It looks like 2025 all over again.

Colleague Bill Plaschke wrote about this a couple of weeks ago. You can read that here.

Injury Updates

Will Smith is day to day (aren’t we all?) with tightness in his lower back. He is not expected to go on the IL. Luckily, Dalton Rushing is hitting like he is.

Mookie Betts, sidelined by an oblique injury, is swinging the bat now. He could go on a rehab assignment in the next couple of weeks and be back soon after that.

Tommy Edman still has some soreness in his ankle and isn’t running the bases fully yet. Dave Roberts said he probably won’t return until the end of May or the beginning of June.

Reliever Brock Stewart is in a rehab assignment with Class-A Ontario, so he could be back in a couple of weeks.

When Betts returns, the Dodgers will have to decide what to do. It seems unlikely they send Hyeseong Kim down as long as he is playing this well, so that leaves either Alex Freeland or Santiago Espinal as the most likely candidates to be removed from the roster.

More complaints about Ohtani

It seems more people are getting on board the “Why do the Dodgers get to have an extra pitcher just because they have Shohei Ohtani” bandwagon. Teams can carry up to 13 pitchers on the roster. The Ohtani two-way player rule basically allows the Dodgers to carry 14 pitchers, since as a two-way player Ohtani only counts once on the roster.

And I respond with what I always say: Why didn’t these people complain when he was on the Angels and they did the same thing? Why is it now suddenly a problem?

The other complaint: Umpires allow extra time for Ohtani to get ready to pitch when he makes the last out of an inning, or is on base when the last out was made.

Response: Did these people never watch the NL before the DH rule was added? Umpires always gave the pitcher extra time to get ready when they made the last out or were on the bases when the last out was made. Quite often a pitcher would make the last out, walk over to the dugout, sit for a moment, towel off, grab their glove then make a leisurely stroll to the mound. This is nothing new. And I have a feeling if the Dodgers hadn’t won the last two World Series, no one would be complaining about either of these things.

Obscure stat of the week

All the recent talk about Davey Lopes had me wondering who were the best at stealing bases in Dodgers history. A look at the top 10 in stolen base %, minimum 50 stolen bases:

1. Eric Davis, 89.7% (52 for 58)
2. Shohei Ohtani, 89% (81 for 91)
3. Kirk Gibson, 88.5% (69 for 78)
4. Freddie Freeman, 86.4% (51 for 59)
5. Davey Lopes, 83.1% (418 for 503)
6. Dave Roberts, 82.5% (118 for 143)
7. Cody Bellinger, 81.6% (62 for 76)
8. Mookie Betts, 81.4% (70 for 86)
9. Chris Taylor, 81% (81 for 100)
10. Mariano Duncan, 80% (100 for 125)
21. Maury Wills, 74.1% (490 for 661)

The 10 worst:

Babe Herman, 54.3%, (69 for 127)
John Roseboro, 55.7% (59 for 106)
Steve Garvey, 57.5% (77 for 134)
Duke Snider, 57.9% (99 for 171)
Harvey Hendrick, 59.8% (61 for 102)
Gil Hodges, 60% (63 for 105)
José Offerman, 61% (61 for 100)
César Izturis, 61.4% (51 for 85)
Dusty Baker, 61.9% (73 for 118)
Wes Parker, 63.8% (60 for 94)

Up next

Monday: Miami (Chris Paddack, 0-4, 6.38 ERA) at Dodgers (Yoshinobu Yamamoto, 2-2, 2.48 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Tuesday: Miami (Janson Junk, 1-2, 3.67 ERA) at Dodgers (Shohei Ohtani, 2-0, 0.38 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Wednesday: Miami (Sandy Alcantara, 3-2, 3.05 ERA) at Dodgers (Tyler Glasnow, 3-0, 2.45 ERA), 12:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

In case you missed it

‘They started it:’ Pete Crow-Armstrong won’t apologize for mocking Dodgers fans

Dave Roberts has a sharp reply to Cubs manager Craig Counsell’s criticism of ‘Ohtani roster exception’

Shohei Ohtani homers, Justin Wrobleski shines as Dodgers shut out Cubs for series win

Dodgers rediscover their offense, scoring 12 runs to end Cubs’ 10-game win streak

Bullpen meltdown squanders Emmet Sheehan’s strong start in Dodgers’ loss to Cubs

And finally

Vin Scully recalls a story about Pearl Harbor. Watch and listen here.

Until next time….

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”

For years, the NFL has playfully scoffed at conspiracy theories its drama is scripted.

Now, the league has hired some of the best writers in the entertainment industry to do just that.

The NFL is going Hollywood, looking to expand its audience with theatrical motion pictures and its first scripted streaming series. This isn’t just about using the names and logos of real NFL teams, but diving headlong into storytelling about the league in the form of upcoming movies — one about John Madden, another a Christmas Day release about an unlikely hero for the New York Giants — and “The Land,” a dramatic Hulu series centered on fictional characters and the Cleveland Browns starring Christopher Meloni, Mandy Moore and William H. Macy.

It’s the next step in the partnership between the NFL and Skydance Sports, the forming of a premier content studio aimed at creating must-watch storytelling and attracting everyone from hardcore football fans to people who otherwise have no real interest in the game.

The NFL has long contended it’s the world’s greatest reality show and the numbers support that. According to Sportico, NFL games were 84 of the top 100 most-watched television shows last year. And the year before, it was 93 of 100.

“When you have an audience as big as the NFL’s, there are a lot of different demographics to service and engage even more deeply,” said Jason Reed, who heads Skydance Sports. “Those movies work as a fan service. They service towns, fans of those franchises, and they really connect. What they also do is pick up this other group of people who maybe wouldn’t watch a football game.”

Pulling back the curtain on the league is a challenge. The NFL isn’t likely to sanction unflattering content, at least not much of it, yet the goal is to make the stories as realistic as possible. How will the writers handle issues such as concussions, drug use or domestic violence? That was addressed in a presentation at last month’s owners meetings by JW Johnson of the Haslam Sports Group, who oversees the business strategy of the Browns.

“We don’t want this to be — no offense to our friends at ESPN — a ‘Playmakers’ situation,” said Johnson, referring to the popular but short-lived series on the Cougars, a fictional football team, that explored mature themes and was canceled after one season after pressure from the NFL. “We want this to be a really fan-friendly show that also has the authenticity of what happens in a locker room and on the field. We’re very comfortable with it.”

David Corenswet as “John Tuggle” and Isabel May as as “Katie” in Mr. Irrelevant: The John Tuggle Story,” from Paramount Pictures.

(Sarah Enticknap / Paramount Pictures)

Dan Fogelman, creator of “This is Us,” and a lifelong football fan, had long envisioned writing a dramatic series based on his favorite sport. That led to “The Land,” which began production last fall and does not have an official premiere date.

“We’re not making this stuff up out of thin air,” said Fogelman, who also created the Hulu series “Paradise,” a post-apocalyptic political thriller. “The characters are flawed and they do bad things, but the NFL has been great about that. I was worried up top, and it just hasn’t been an issue because we’re not out there looking to be salacious. We’re not trying to do ripped-from-the-headlines, crazy, exaggerated versions of reality. We want things that really happen, done accurately and in a cinematic way.”

To that end, he brought in actual NFL players as consultants to help with the storylines and make sure the details make sense.

“We had a bunch of NFL players come and visit us in our little office, and we’re on the second floor,” he said. “Some of my heroes were in that room. I was genuinely concerned the floor was going to fall through.”

Enter NFL Films, which for more than six decades has turned a violent sport into an art form, filling the frame with meticulous focus on a Matthew Stafford spiral — and without the benefit of a second take. Those camera operators are heavily involved in the production of both the upcoming movies and the streaming series.

“That’s our whole thing,” Reed said. “How do we support great filmmakers and make sure they know how to access the resources and expertise that NFL Films has developed over 60 years, and combine those two together? That, to me, is the secret sauce of the venture.”

What’s more, what the father-and-son combination of Ed and Steve Sabol created in NFL Films provides an incredible library for future projects.

“The well is infinite,” said Jessica Boddy, vice president of commercial operations and business affairs for NFL Films. “We’ve only scratched the surface.”

For Fogelman, “The Land” is scratching a creative itch he’s felt since childhood.

“I’ve wanted to do this show for 20 years,” he said. “I’m a failed athlete myself. My connection with my father growing up — he worked a lot — was I grew up in Pittsburgh as a Steelers fan and also migrated to New Jersey, where we became Giants fans. My dad would let me watch games with him if I was quiet and didn’t act goofy. We would also throw the football back and forth.

“Now, many decades later, my father is 83, and our connection is that we talk every Monday after Giants games. He now talks with my son and me. For me, football has been very much in the fabric of my life and my relationship with my friends. This has been something I’ve been chasing for a very long time.”

It’s 7:50 p.m. on a Tuesday as I enter the dimly lighted metaphysical supply store the Crooked Path. Even inside, it almost looks closed; I barely see the crystal-necklace-studded walls, the bowls of runes and bins of long, black candles around me. Half-filled glass jars (perhaps potions?) sit beyond the store’s elongated bar — the apothecary — where a silent man in black points me past Egyptian deity figurines and a large python named Drakina to … my yoga class.

The backroom that Goth Yoga LA calls home is all black paint, purple lights and sage-y smells; music growls ominously from the speaker system above. Devotees gather for the intimate, pay-what-you-can classes, held at 6:30 and 8 p.m. on Tuesday and Thursday nights. It feels like an open mic night in the Upside Down — and yes, everyone is wearing all black. Everyone but Goth Yoga LA’s leader, Brynna Beatnix. Tonight, Beatnix is giving more Y2K occult-glam. She chats with one heavily-tattooed man stretching in the corner, and welcomes in an older woman in heavy eyeliner who tentatively peeks inside. Is she in the right place? Of course she is.

Students take part in a Goth Yoga LA class, complete with burning incense.

Goth Yoga LA’s masterminds are Beatnix and her partner, James David (who DJs each class). The couple has been active in L.A.’s goth/alternative music and event scene for years, co-creating the popular outdoor roller disco event Skate Oddity during the pandemic. This “goth club on wheels,” brought an inspiring blend of physicality, niche goth music and connection to alt-Angelenos at their most isolated.

As Skate Oddity (and athletically-forward goth events like it) became more popular, so did some pretty gnarly injuries. As a response, Beatnix began hosting communal stretching sessions before the event, complete with vibey dark ‘80s, goth and post-punk soundtrack. “It started as a gathering,” Beatnix said. “And with James and my background in nightlife and music, it gained momentum and grew.”

Soon, Beatnix got her yoga certification and a couple of her goth friends, Sal Santoro and Popi Mavros, offered the backroom of their Burbank-based occult store, the Crooked Path. And from the shadowy, crystal-studded darkness Goth Yoga LA was born.

Brynna Beatnix’s classes are defined by deep stretches and dark sounds.

DJ James David provides the music for Goth Yoga LA classes.

Beatnix and David created and practice Goth Yoga LA much like yoga itself — slowly, with intentionality. It took them years to fuse music and movement to “get the space right,” and they hope that the result helps participants’ mental health. “The music and the alternative world can already be a coping mechanism. Well, yoga is also a great coping mechanism. So let’s combine the two.”

What resulted is an intimate, therapeutic yoga class shrouded in darkness (literally), where goths, alts, punks — anyone feeling outside of the norm — can work through “heavy feelings” via moody vinyasas. “It just feels really nice to be in a room of people who are kinda literally leaning into the discomfort of being in the chaos of the world right now,” says Heather Hanford, a regular at Goth Yoga LA.

For many, it’s not just about mental health but simply a more welcoming alternative to the Lululemon-coded homogeny of L.A.’s wellness culture. “Some people feel scared of going to traditional yoga studios. One, the prices are really high. Or they don’t really feel accepted there,” Beatnix says. “I’ve even had guys be like, I’m scared to go, because people are going to look at my tattoos and think that I’m a satanist and stare at me.”

The intimate Goth Yoga LA classes are distinctive because they are mostly shrouded in darkness.

And, of course, it’s not just for goths. Class participant Hanford, who identifies as a neurodivergent non-goth, experiences Goth Yoga LA as much more regulating than a mainstream yoga class. “The lighting and mood music makes it easier to focus on the internal experience than other classes I’ve taken,” she said. “Either intentionally or not, really helps minimize sensory overload.”

As we cat-cow to the Cure, the irony that goth yoga is more approachable, more calming and far less expensive than most traditional classes isn’t lost on me. With its donation-based entry, alternative clientele and bespoke DJ experience, Goth Yoga LA is like the anti-yoga of L.A’.s yoga scene. “I didn’t particularly want to rebel against the yoga studios, I just … am,” Beatnix tells me later. “We just saw something that didn’t exist, and wanted to create it.”

I know the class is coming to an end as ambient noiserock leads us into corpse pose. I inhale, letting new smells — something minty and palo santo-y, maybe? — waft over me. Now back into our original sitting positions, I’m not expecting a namaste. No, I have been warned this class concludes … differently than most.

Class participants Ellie Albertson and Jenn Rivera recline in corpse pose.

In Sanskrit, namaste translates to mean “I bow to you,” or, ”the light in me honors the light in you.” It is meant to be an invitation: a means of being deeply and profoundly seen.

“But that’s just ignoring the dark,” Beatnix says. In her opinion, to truly be seen we must acknowledge our alternative natures, our shadow sides, the otherness of our beings. “My ending is — and it ranges class to class — but generally I say, ‘the darkness in me honors and acknowledges the darkness in each and every one of you.’ We have both light and dark. We are both.”

WASHINGTON — President Trump was preparing to take the stage at the White House Correspondents’ Assn. dinner Saturday night, eager — by his own account — to “let it rip” before a room of Washington’s elite and reporters he has spent years calling the enemy of the people.

Then shots were heard. Secret Service agents rushed him off the stage. And within hours, the president was at the White House calling for unity, offering overtures to a press corps that he had long clashed with.

“I just want to say you did a fantastic job, what a beautiful evening and we are going to reschedule,” Trump told Weijia Jiang, the president of the White House Correspondents’ Assn., at a news briefing after the shooting at the dinner.

His magnanimity did not last long. On Sunday night, sitting down for an interview with Norah O’Donnell of CBS’ “60 Minutes,” Trump reacted with fury to her reading of the suspected shooter’s manifesto, calling her a “disgrace.”

The manifesto characterized his targets as rapists and pedophiles.

“You’re horrible people. Horrible people,” Trump said. “He did write that. I’m not a rapist. I didn’t rape anybody.

“I’m not a pedophile. You read that crap from some sick person? I got associated with all — stuff that has nothing to do with me,” he added. “You should be ashamed of yourself reading that because I’m not any of those things.”

It marked a return to the familiar dynamic between the president and the press after a night of shared crisis and purpose — raising doubts about how long the goodwill would last.

Just hours before, at the briefing, Trump expressed dismay at the violent outburst at the Washington Hilton, where the black-tie event has been held for more than 50 years.

“I will tell you, I fought like hell to stay, but it was protocol,” the president said. On Sunday he repeated his desire to reschedule the event, telling Fox News that he is committed to attending it in the near future, even proposing to do it within 30 days.

Trump appeared to be enjoying himself moments before Cole Tomas Allen, a 31-year-old tutor from Torrance, allegedly ran past a security checkpoint at the hotel and fired off two shots. Oz Pearlman, a mentalist and the entertainer for the night, seemed to be doing a trick for the president and the first lady when the shots were fired, videos show.

Trump was preparing to deliver remarks at the end of the night. His team was excited about it, and the president had been making tweaks to his speech on Air Force One up until Saturday morning.

“It will be funny. It will be entertaining,” White House Press Secretary Karoline Leavitt said at a red carpet event ahead of the dinner.

The speech was going to mark Trump’s first at the White House correspondents’ dinner. He told Fox News on Sunday that he was “really going to let it rip,” and that he had considered the moment an “important event” until it came to a halt.

Trump said he would like to reschedule the event within the next month, adding that he will make an “entirely different speech” — one that he said will be focused on “love.”

It is unclear how long Trump’s media-friendly tone will last, but some Republicans continued to blame reporters for the violent act. Kari Lake, the senior advisor to the U.S. Agency for Global Media, said some reporters attending the event “have spent a decade spreading absolute lies” about Trump.

Trump, for his part, used the security breach at the event to make the case for his White House ballroom project, claiming that the Washington Hilton is “not a particularly secure building” and is a prime example of why legal challenges holding up its construction need to be dismissed.

“We need the ballroom,” Trump told reporters. “Today, we need levels of security that probably nobody’s ever seen before.”

However, the annual dinner’s venue is picked not by the White House, but by the White House Correspondents’ Assn., an independent organization of journalists who cover the president.

Trump has vowed to return to the event in the near future, and has called for it to take place within the next month to show that “bad people” cannot “change the course of the country.” But the ballroom project could not be ready that quickly.

It remains under construction and “ahead of schedule,” Trump has said. Earlier this month, a federal appeals court allowed construction on the project to continue through early June, as legal challenges remain ongoing.

The construction of the $400-million ballroom on the White House grounds has come under searing scrutiny. The National Trust for Historic Preservation, which sued last year to stop the project, has argued that Trump lacked authority to make architectural changes to the White House grounds.

Carol Quillen, president and chief executive of the National Trust for Historic Preservation, has argued the White House is “the most evocative building in our country” and any changes should go through a review process, including a public comment period. Trump on Sunday described the lawsuit as one brought by a “woman walking a dog.”

The attempted attack, which marks the third time in less than two years that Trump has faced the threat of a gunman, has reignited questions about the tense political environment besetting the United States.

Trump, for his part, called his job a “dangerous profession” and said he believed he has become the target of attacks because of his presidency’s own consequence.

“The people that do the most, the people that make the biggest impact, they are the people that they go after,” Trump told reporters at the White House after being rushed out of the hotel.

In an interview with Fox News on Sunday, he added: “If you’re a consequential president, you’re in much more danger than if you’re not a consequential president.”

As an example, Trump pointed to his war in Iran, a conflict that recent polling shows has contributed to his approval rating falling to around 40%. The president said the war “should’ve been done by previous presidents … but nobody did anything about it.”

At Saturday night’s dinner, people infiltrated the hotel to protest the Iran war and Defense Secretary Pete Hegseth.

Two demonstrators, wearing suits, crashed a red carpet photo shoot in the hotel lobby and called for Hegseth to be arrested for war crimes, underscoring how the foreign conflict is fueling the political rhetoric at home.

In the hours after the shooting, Trump remained defiant. In an interview, he said he was determined to show a unified front and not let “one nut” derail his agenda or events.

“I hate it when a sick, bad person,” he told Fox News on Sunday. “I hate someone like that changing the course of our country.”

When the late and great Times sports columnist Mike Downey decided years ago to write about jockey Billy Shoemaker, he did so perfectly. His lead sentence:

“Billy Shoemaker was born 2 pounds 6 ounces and it was the only edge he ever needed in life.”

That remains noteworthy now, because when they run this year’s thoroughbred classic at Churchill Downs on May 2, it will mark 40 years since “Billy The Shoe,” still the third-winningest rider in the sport’s North American history and perhaps its most memorable, won his fourth and last Derby aboard a 17-1 longshot named Ferdinand.

In 1986, Snow Chief was the 3-1 Derby favorite. He was trained by colorful and often grumpy Mel Stute, who was, like Shoemaker, a fixture at Santa Anita. His jockey was a young Alex Solis, who came from Panama, was still struggling with the English language then and had quickly dazzled the Southern California racing world with his talent.

Jockey Bill Shoemaker smiles as he holds a large plaque presented to him at Santa Anita on Jan. 1, 1953, in recognition of winning 484 races. He promptly added to the total by winning the first race of the day.

(David F. Smith / Associated Press)

It was an era in sports somewhat less contentious, more inclined to celebrate its history and its moments and less inclined to look for more. A few weeks earlier, Jack Nicklaus had won the Masters, at age 46. It was a hugely popular outcome, just as Shoemaker’s would be. It was quite the time for legend building, those few months in 1986.

The Derby network telecast brought the comfort of an easy chair. Jim McKay, who had done it for years, took viewers through the likely race scenarios. Al Michaels, whose racing chops were notable well before he asked the world if it believed in miracles and well before the NFL hustled him away to greater fame and fortune, pitched in on the telecast with thoughts on the pageantry and some race angles. A young Michaels, with thick black curly hair and the same distinctive voice, broadcast from the track and touched on the interesting elements of Shoemaker’s presence.

“Ferdinand is at 17-1,” Michaels told the audience. “A few years back, you couldn’t get 17-1 with Shoemaker if he was riding Mr. Ed.”

Shoemaker was already a legend and had already won the Derby three times by then. But any mention of his Derby expertise was, and always would be, sprinkled with a disclaimer about his 1975 ride on Gallant Man, when he misjudged the finish line while leading on the home stretch, pulled up his horse and lost a race he had pretty much won.

In ‘86, that was all soft peddled by the media, which mentioned it more out of duty than reportorial necessity. Ferdinand was, after all, a 17-1 longshot, easier to downplay or ignore. Also, Shoemaker was 54, not exactly an age to be looked upon as a contender. No jockey that age had ever won the Derby — and still hasn’t. There was respect for his seniority, but mostly an assumption that he was the past, not likely the present. He had led North American racing in victories for 29 years, finally totaling 8,833. But much of that happened prior to 1986.

Worst for Shoemaker, he had drawn the No. 1 hole, the starting spot closest to the infield that is usually a death knell for Derby horses. The gate opens and the entire field dashes for the rail, all coming down on top of the 1-hole starter. Shoemaker and Ferdinand held ground for a while, but by the time they got to the back stretch, they were dead last. They were still there as the field got to the top of the home stretch.

Then the cavalry charge to the finish began and Shoemaker went with the crowd, to the outside. At one point in the home stretch run, he was six horses wide.

Then, he made one of those moves that made William Lee Shoemaker “Billy The Shoe.” He saw an opening to his left, squeezed through it and soon had Ferdinand almost to the rail — and in full gallop. Before anybody could analyze what had happened, Ferdinand, carrying a jockey who probably never weighed 100 pounds in his career — thanks to the birth advantage Downey so aptly pointed out years later — was cruising past the leaders and sailing home a winner.

Ferdinand, ridden by Billy Shoemaker, heads down the homestretch to win the Kentucky Derby on May 5, 1986, in Louisville, Ky.

(John Swart / Associated Press)

The victory made legendary trainer Charlie Whittingham a Kentucky Derby winner for the first time. He was 73 and had disliked running young horses in a pressure race such as the Derby. The Triple Crown races are only for three-year-old thoroughbreds. Whittingham won another Derby three years later with Sunday Silence. He trained into his 80s.

Shoemaker’s career rightfully was topped off by that Derby victory, as well as his win in the Breeders’ Cup Classic in 1987.

The aftermath of that 1986 race was less kind, although nobody could take away what Shoemaker had accomplished. The jockey who finished last in the ’86 Derby was Laffit Pincay Jr., who later passed Shoemaker’s North American victory total with 9,530 wins. Pincay’s total was topped by Russell Baze, who took 12,842 wins, but in a riding career that featured wins at lesser tracks against lesser competition. When Baze broke his record, however, Pincay was there to offer his congratulations.

By the time Shoemaker won the 1986 Derby, he had little left to achieve. He not only won 11 Triple Crown races, but he also had won, to mention a few prestigious races, the Hollywood Derby, the Hollywood Gold Cup, the Oak Tree Stakes, the San Luis Obispo and the Santa Anita Derby.

Jockey Billy Shoemaker smiles as he rides Ferdinand, the 1986 Kentucky Derby winner, at Hollywood Park after winning the Breeder’s Cup.

(Bettmann Archive via Getty Images)

Each one eight times.

Shoemaker moved into thoroughbred training after he stopped riding. He was a fixture around Santa Anita, as he had been as a jockey. His success was mixed, certainly less than he had as a jockey.

On April 8, 1991, after a day of golf in the Inland Empire, Shoemaker was headed west on the 210 freeway in San Dimas. The road at that point includes an exit to the right for the 57 freeway south and under the 210. Shoemaker swerved right off the 210 and rolled his Ford Bronco down the embankment, about three stories high, and onto the 57 freeway. Police confirmed he was intoxicated during the crash. Shoemaker suffered a broken neck and spent the rest of his life in a wheelchair, from which he continued as a trainer for several years.

Billly Shoemaker is in the winner’s circle at Santa Anita in March 1976 after winning his 7,000th race.

(Associated Press)

Shoemaker eventually sued the state of California because there was no guard rail at the site, the Ford Motor Co., to whom he alleged that the Bronco was a rollover risk, and Glendora Community Hospital for alleged incorrect treatment when he was bought in. Ford paid him at least $1 million, after agreeing to do so if he received no money from the hospital. There is no record of him getting any money from the state of California.

Shoemaker died in October 2013. He remains third on the North American jockey career win list with his 8,833.

Ferdinand was sent to stud in 1989 and sold to a breeding farm in Japan in 1994. In 2002, reports surfaced that Ferdinand had been sent to a slaughter house in Japan, where he became food for either humans or pets, or both. Racing’s indignation over that, as well as that of anger in the general public, prompted the formation by Congress of a bill that would ban the slaughter of horses in the United States.

It never passed.

If Ty Simpson develops into a top NFL quarterback who leads the Rams to a Super Bowl title, the club will look back at the 2026 draft as one of the best and shrewdest in its history.

Until then, it will be remembered for a news conference.

Yeah, that one.

The post-Day 1 session on Thursday night when coach Sean McVay and general manager Les Snead — the personable and ebullient duo that playfully channeled Top Gun’s “Maverick” and “Goose” in 2025 — appeared dour and subdued after selecting Simpson with the 13th overall pick.

The choice brought a collective groan from much of the fan base. And who could blame it?

They were eager to see their favorite team add a final piece — hello, USC receiver Makai Lemon? — to a roster perhaps one playmaker away from making the Rams the favorite to win Super Bowl LXI at SoFi Stadium next February.

That’s no knock on Simpson, a charming and mature Tennessee native who started 15 games for Alabama before the Rams made him the heir apparent to Matthew Stafford.

The next day, Snead and McVay gave Simpson his flowers and repeated the same talking point: They are in “lockstep” as decision-makers. And McVay explained that his “grumpy” demeanor the night before was related to personal issues and his desire to delicately handle Stafford’s reaction to the pick.

On Saturday, the Rams did not make Snead or McVay available to reporters to summarize their draft, which included Simpson, Ohio State tight end Max Klare, Missouri offensive lineman Keagen Trost, Miami receiver CJ Daniels and Alabama defensive lineman Tim Keenan III. It is the smallest draft class in Rams history, which befits a team with no glaring roster holes.

Ostensibly, Snead and McVay stepped aside to give assistant general manager John McKay and Nicole Blake, the director of scouting, strategy and analytics, experience dealing with questions from reporters, which they handled with aplomb.

But the braintrust’s absence only magnified that this draft was unlike any other it has overseen during 10 years of working as a team.

Alabama quarterback Ty Simpson laughs while standing on the draft stage with NFL Commissioner Roger Goodell on Thursday.

(Vera Nieuwenhuis / Associated Press)

It would have been difficult to top 2025.

The Rams won last year’s draft when they traded out of the first round in exchange for the Atlanta Falcons’ first-round pick this year. That gave the Rams the Falcons’ pick at No. 13 and their own at No. 29.

In March, the Rams traded the No. 29 pick to the Kansas City Chiefs in a package for All-Pro cornerback Trent McDuffie. The masterful move addressed the Rams’ most pressing need and gave them a Super Bowl-ready roster. Classic Snead.

The Rams, set up for a boom-or-bust season akin to 2021, were primed for another typical big swing with the 13th pick. But instead of giving Stafford another weapon, they gave him… his eventual replacement.

Choosing Simpson might prove a savvy move. Especially if Stafford is injured this season or retires in the next year or two. But the pick stunned many. And gauging his public reaction afterward, it appeared to unnerve McVay.

During their time together, Snead and McVay built teams that have played in two Super Bowls, winning one, and made eight playoff appearances. Some interpreted McVay’s demeanor on Thursday night as evidence of a splinter in one of the league’s most successful partnerships.

But that does not appear to be the case.

Recall that after the Rams lost in the NFC championship last January, team president Kevin Demoff’s first order of business was signing Snead and McVay to extensions that had been on the table all season.

Several days before the draft, McVay and Snead described their connection. And they did it with heartfelt comments.

“I truly love Les and I have such respect for the job that he does,” McVay said, adding, “There is nobody I’d rather be partnered up with.”

Said Snead: “From a life perspective, you hear it when players retire, they miss the locker room. Whenever that time comes for me, I’ll miss showing up and doing hard things with Sean just because that’s a relationship that probably makes life worth a living.’”

McVay probably feels that way about Stafford. During the 2021 season, Stafford led the Rams to a Super Bowl title. At 38, he is the reigning NFL most valuable player. He also is in negotiations for a contract adjustment.

But McVay’s desire to not hurt Stafford’s feelings by not publicly giving Simpson a trademark, positive-infused welcome-to-L.A. moment seemed misguided. Stafford is one of the toughest and most resilient players in the NFL. He is bound for the Hall of Fame. The guy seems pretty secure in who he is and where he stands with the team and in NFL history.

So the Rams broke from script. They abandoned an all-in pick for an investment in the future.

“You’re never one player away,” McVay said Saturday during a television interview with NFL Network. “We know that we have a chance to be a good football team but you earn it every single year.

“And if you could tell me that taking somebody would ensure us, I think we would do that. But it doesn’t quite work like that.”

No, it doesn’t.

And if Simpson lives up to the potential that the Rams see in him, it will be another in a string of genius decisions by Snead and McVay.

But if Lemon makes a big catch for the Philadelphia Eagles against the Rams in the NFC playoffs, the Rams might look back at it as the swing they should have taken.

Michael Tilson Thomas came onto the scene as a great hope for classical music, American music, Los Angeles music, modern music, multifaceted pop music, maverick music, Russian music, Broadway music and just plain music, whatever it might be and from wherever it might be found. He lived his 81 years as conductor, pianist, composer, educator and media personality promoting that hope, and died Wednesday having shown how hope is done. He looked ahead. He looked back. Yet he lived for the now.

It wasn’t always easy. He wasn’t, to say the least, always easy. But MTT made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.

I first encountered MTT as a kid clarinetist and he, Michael Thomas back then, a student conductor at USC and already, at 19, music director of the Young Musicians Foundation Debut Orchestra. He was soon everywhere. A piano prodigy, he regularly performed (and hobnobbed) with the likes of Stravinsky, Copland, Boulez and Cage at Monday Evening Concerts programs when the Los Angeles County Museum of Art opened in 1965. That summer, he appeared at the Ojai Music Festival, which he would go on to lead as music director seven times.

MTT liked to describe his L.A. youth as driving from Jascha Heifetz’s house in the Hollywood Hills (where he accompanied the famed Russian violinist in classes) to LACMA to rehearse Ives and Renaissance music, to composition and conducting classes at USC. Then it was home to the San Fernando Valley to practice Beethoven.

All the while, he listened to the hip L.A. 1960s pop music stations on his car radio. He was particularly keen on, and became friends with, Chuck Berry. Home was where he would also encounter screen legends. Tilson Thomas’ father worked in films and television as a screenwriter, producer and dialogue coach. Theodor Thomas was, as well, a painter with a visionary sensibility and a pianist, self-taught other than a handful of lessons from Gershwin.

But it was Tilson Thomas’ mother and grandmother who may have had the biggest influence. His mother was a public school teacher. She instilled what became a key trait in her only child, who treated conducting as an exercise in learning both for the musicians and the audience (if not for him, because he basically knew it all). His grandmother, Bessie Thomashefsky and her husband, Boris, were stars of Yiddish theater on New York’s Lower East Side.

Boris died in 1939, five years before MTT was born. But Bessie and young Michael were close. She recognized that, like her, he was born for the stage, and regaled him with stage lore that put the stardust in his eyes. As a young kid, MTT played Beethoven piano sonatas so impressively that he wowed his babysitter, an architecture student at USC named Frank Owen Goldberg, who needed extra cash.

Frank Gehry, as he became, told me that MTT was already an entrancing showman. The two remained lifelong friends.

While MTT did not actually reside in L.A. for most of his life, he never really left it. It prepared him for all that was to follow. In high school, he met Joshua Robison, who became his lifelong partner and ultimately husband. Whether in New York, Miami, London or San Francisco, wherever they lived, they always talked about L.A. His father’s paintings were on the walls, as were Boris’ Yiddish theater posters, one proclaiming “King Lear,” translated and improved.

The Tilson Thomas package that emerged from L.A. was unlike any conductor the world had seen. He doted on the music of Rachmaninoff when Rachmaninoff was unfashionable and on Steve Reich when Reich was found unfathomable. He adopted classical music’s neglected outsiders and especially such key West Coast “mavericks” as Lou Harrison and Henry Cowell. He convinced Meredith Monk to write for orchestra and enticed everyone from Sarah Vaughan to the Mahavishnu Orchestra onto the symphony stage.

Studying at Tanglewood, the Boston Symphony’s summer home, MTT won the Koussevitzky Prize in 1969 and, with the encouragement of Leonard Bernstein, was appointed assistant conductor to music director William Steinberg. Before long, MTT became principal guest conductor, filling in frequently for Steinberg, who was in poor health.

MTT in his early 20s was vibrant, arrogant, fearless, full of ideas, a chance taker. Ever the Angeleno, he tooled around town in a Porsche. He talked to staid symphony musicians and audiences who didn’t want to be talked to and often played music they didn’t want to play or hear. And he dazzled them. He got a contract with the distinguished German record label Deutsche Grammophon and made exciting records with the orchestra of Tchaikovsky, Stravinsky, Ives and modern Americans. They remain a thrill to hear.

By 1974, it was Tchaikovsky one moment and a wonderfully crazy avant-garde opera the next. Stanley Silverman’s “Elephant Steps,” which MTT recorded in 1974, was for pop singers, opera singers, orchestra, rock band, electronic tape, raga group, gypsy ensemble and, of course, elephants. Richard Foreman wrote the libretto. There had been nothing like it then or since. A revival could prove a sensation. The Olympic arts festival, anyone?

At the same time, Tilson Thomas, who proved a born educator, succeeded Bernstein in delivering the New York Philharmonic’s Young People’s Concerts. When Steinberg left, the Boston Symphony Orchestra passed over MTT as too young (24) and not ready (he wasn’t, nor was Boston). He was just right, though, for the Buffalo Philharmonic, which he led from 1971 to 1979. It was a wild ride, with lots of exciting new music and no small amount of controversy — arresting performances of arresting new works (Morton Feldman in particular) and an actual arrest at Kennedy International Airport when small quantities of cocaine, marijuana and amphetamines were found in his luggage.

He may have seemed ready for a homecoming in 1981, but MTT’s appointment as principal guest conductor of the Los Angeles Philharmonic did not prove to be the return of the prodigal son. These were the years of Carlo Maria Giulini’s music directorship, and MTT brought currency — new music, Gershwin, flashy showstoppers. Much of it was a breath of freshest air, but he was also remembered for his brash youth, which was now a brash 30s. He ran afoul of some in the orchestra and of its imperious head, Ernest Fleischmann.

Having been branded the next Bernstein, MTT floundered. What he needed was not L.A., but a far distant remove to find himself. That happened in two parts.

In 1987, the educator in him led to his greatest project, the creation of the New World Symphony in Miami Beach, Florida. The training orchestra guides young musicians with conservatory backgrounds into the world of professional orchestras.

Around the same time, Bernstein talked the London Symphony Orchestra into hiring Tilson Thomas as music director. Far from L.A., Boston and New York, a newly mature MTT found his bearings, no longer the next Leonard Bernstein but the first and only Michael Tilson Thomas.

Miami gave MTT meaning, and he commissioned Frank Gehry to design a revolutionary concert hall and teaching facility. In London, his conducting took on depth without losing its surface glamour. What MTT still lacked, however, was a creative outlook. He had always thought himself a composer and could, at a party, make up a clever song at the piano on the spot. He had drawers full of sketches but little finished work.

It took a return to the West Coast for MTT, having turned 50, to put all of his musical, emotional, personal and spiritual parts together and achieve greatness. For 25 years as music director of the San Francisco Symphony, MTT conducted Mahler and Tchaikovsky with a depth of soul that integrated his Russian roots and Bernsteinian character. He advocated for mavericks in summer festivals. He found his voice as a composer. He and Robison were embraced as a beloved San Francisco couple. He alchemized the San Francisco Symphony into a Bay Area beacon.

In the challenging last chapter of his life, MTT turned tragedy into triumph to became a universal inspiration. The lockdown in June 2020 meant cancellation of his farewell concerts as music director, including a production of Wagner’s “The Flying Dutchman” with a set by Gehry. The following summer, MTT fell on stage while conducting the London Symphony in Santa Barbara. He was diagnosed with late-stage glioblastoma. He likely had less than a year to live.

Remarkably, MTT continued to conduct until last April. His appearances with the L.A. Phil and the San Francisco Symphony were transformative. He guest conducted in New York, London, Prague and elsewhere. In L.A., a dying MTT led a profound performance of Mahler’s death-obsessed Ninth Symphony, not as a farewell but as a shamanistic savoring of every moment of life. He asked not for sympathy but for joy.

For MTT, the music never stopped. In his later years, he advanced the theory that what you took away from hearing a performance mattered as much, if not more, than what you experienced. That may explain why this creature of the theater who was so graceful leading an orchestra and so enjoyed talking to the audience turned stiff and awkward when bowing to acknowledged applause. Was it his reluctance to leave? Insecurity? Attempt to remove his ego from the experience, as if he was now handing the music over to you?

It was probably all of those things. During his illness, when his movement became more difficult, he let go. He was simply happy to be there, happy to share music, happy to be alive, very happy to be loved. His final bows were a celebration of life.

Sadly, Robison died Feb. 22, exactly two months before MTT, who died four days short of a year since his final concert with the San Francisco Symphony. But he lives on through about 150 recordings and his website.

He and Robison worked as tirelessly throughout his illness to archive his life. His website provides a treasure trove of compelling radio and television programs, his copious Thomashefsky Yiddish theater archive, a vast legacy of searching and believing. And hope.

Lyle Lovett performed Friday evening in Stagecoach’s Palomino tent with the group of killers he calls his Large Band. After the show, I sat with the singer and actor in the front seats of what I’ll call his Large SUV. “It’s a rental,” he said.

We’re in here because you want to protect your voice?
You know, I don’t smoke marijuana.

Anymore, or period?
Period. I have no moral judgment for other people, but I don’t think it’s good for me. When I smell it, I get concerned that it’s going into my body, and so I just try to stay away from it. In the artist tent, there were plumes everywhere. In fact, at our set, two songs in, I called over our assistant tour manager and I said, “Can you put some fans blowing back out into the audience?”

To send the weed back from whence it came.
Well, I don’t want people to waste it either — they paid good money for it. Jackson Browne asked me once in the parking lot of Conway [Recording Studios] — we were doing “The Road to Ensenada,” and he said, “Is it true you’re not cool with weed?” I said, “You know, I’m not.”

Where do you live these days?
In a couple of places, but in Austin, mainly.

People from Texas have strong opinions about the hierarchy of its cities. What’s the best city in Texas?
I can’t answer that.

You wouldn’t deign to.
It’s your thought, not my thought. The cities in Texas are distinct — wildly different from one another. Houston is one of the most international cities in the world. Austin is the most liberal city in Texas but it’s also being transformed by tech money. What’s going on there is analogous to what the oil business did in Houston and Dallas. San Antonio is the gateway to South Texas — it’s like 85% Hispanic. You feel the difference in culture there, and that’s wonderful. That’s my answer.

Did you ever have a move-to-L.A. moment?
I leased houses three different times. The first album I made in Los Angeles was “Joshua Judges Ruth,” in 1991, and the house belonged to a college professor who took a job at New Mexico State. It was on a street called Multiview, one switchback down from Mulholland — between Laurel and Nichols Canyon on the Valley side. I had a beautiful view of Universal City and the 101 as it came in. I remember this professor, when he was showing me the house, he called it “the river of lights.” So I lived there and then later rented the same house two different times, years apart, on a street called Torreyson, right below the Lautner [Chemosphere].

You’re set to get a star this year on the Hollywood Walk of Fame.
I don’t know if that’s true. I think I’m eligible.

It’s true — I checked.
We’ll see.

Let’s say it happens, which it will. How’s that strike you?
I think it’s always an honor to be recognized by any official organization. But that sort of stuff seems completely separate from the work I’m concerned with. What’s important is the work and how you get to do it.

Which of your albums would you say is your best?
It’s impossible to say. I’m proud of the Nashville records — the budgets were smaller and I had to record those records more quickly. But when I went to Los Angeles and spent too much money recording “Joshua Judges Ruth,” that was one of the most expansive creative experiences I ever had.

Define “too much,” right?
It was too much. Instead of recording three or four songs a day, we recorded two songs. Two weeks later, you didn’t love the take, let’s record it again. There was time to search for ideas, not just document ideas — that was the biggest difference for me. The natural way of doing things — just knocking it out — is absolutely valid. But from my point of view, I was more comfortable spending more money [laughs].

Where’d you like to eat when you were working in L.A.?
When we worked at Conway, we’d have lunch every day at Lucy’s El Adobe to the point that I gave them a credit on the albums.

Bailey Zimmerman performed Friday night at Stagecoach, where his set mixed post-grunge country hits like “Religiously” and “Where It Ends” with a cover of Miley Cyrus’ “The Climb” and an appearance by BigXthaPlug on their duet “All the Way.” Before Zimmerman’s set, I met with the 26-year-old singer inside a denim-bedecked pop-up presented by American Eagle, for whom Zimmerman serves as an official spokesbro.

Did you only agree to become an American Eagle ambassador because you thought you might be able to meet Sydney Sweeney?
I would understand why you would think that. But honestly, no — it was a full circle moment in my life. Before my American Eagle deal, I had all the American Eagle underwear. They couldn’t send me new ones — I had ’em all.

Do you get free jeans?
They give me everything for free.

Could you get me some free jeans?
Maybe? I could do one of those things where I’m like, “Oh, it’s for me,” but it’s really for you.

By my count, this is your fourth Stagecoach in a row.
Yep.

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You never miss this, bro.
It’s my favorite time of the year — it’s sick. I come out here the whole weekend. The first year, I brought my best friends, and we’ve done it every year since — all my friends and their fiancees now because we’re getting older and they’re getting married. So it’s just a big party all weekend. It’s something I look forward to.

Speaking of getting married, last year you you told me you were looking for a wife. Any progress?
Well, you know, honestly, I’m still just kind of doing my thing. I’m on God’s timing, truly —I’m just letting it roll.

You’re a Justin Bieber guy.
Beliebe it.

“Swag” or “Swag II”?
I was hesitant to want to listen to “Swag II” because I love “Swag I” so much. But then once you get into “Swag II,” it’s like, Dude, this is so fire, bro. Both albums are so fire — I’ll listen to either one.

Did you watch Bieberchella?
Yes!

What did you think of the YouTube of it all?
I thought it was really cool. I loved it — it was just something way different. I’ve never seen that done like that. Iconic — I would call it iconic. That’ll go down in history.

Bailey Zimmerman on Stagecoach’s main stage.

(Allen J. Schaben / Los Angeles Times)

You have a current radio hit, “Chevy Silverado.” What was your first truck?
A 2005 white Chevy Silverado. That’s what the song’s about.

Yes, of course. But I didn’t know it was true to life — I thought you were using writerly inspiration.
No, true to life, man. My grandpa had a 2005 crew-cab short-bed Chevy Silverado, and I bought it off of him. I had to borrow money from my bank in my hometown, and I bought it of him because times weren’t good at the time. When the used car dealership was going good, maybe he would’ve given it to me, but at that time, it wasn’t going good, so I had to borrow money and have a payment at the bank. Adult things.

You know where that truck is now?
I still have it. Honestly, I didn’t think anybody would resonate with the song — I didn’t think anybody would listen to it just because it was so personal to me. Every single line is a real life story from my life, so to see it resonating with everybody and seeing it do what it’s doing — it’s so cool, man.

A much-anticipated debate featuring leading candidates in the Los Angeles mayor’s race is set for Cinco de Mayo before the Sherman Oaks Homeowners Assn. But it won’t include all the leading candidates.

The influential homeowners group has invited just incumbent Karen Bass and City Councilmember Nithya Raman, and not the three other top contenders Spencer Pratt, Adam Miller and Rae Huang.

The group explained its decision by saying that big, crowded debates can often feel chaotic.

“Rather than hosting a stage filled with a long list of candidates, we have chosen to invite these two leaders specifically because they represent Sherman Oaks on two critical — and complementary — levels of government. This format allows for a deeper, more meaningful discussion about the issues that directly impact our neighborhood and our city,” the group wrote in its description of the debate.

Some of the other top candidates took issue with being excluded.

“If the SOHA wanted a real debate on topics like public housing, a public bank, free and fast transit, and the things that matter to Angelenos all over the city, they should call off their gate-keeping process that keeps the system and the establishment protected,” Huang spokesman Emel Shaikh said in a statement.

From the Miller camp, spokesperson Jaime Sarachit called it “a missed opportunity for these voters not to hear directly from a candidate offering a different approach to solving L.A.’s biggest issues, especially on housing, homelessness and public safety.”

Pratt didn’t respond to a request for comment.

Angelenos could have a chance to see more of the major candidates the next day, May 6, for a televised debate featuring Colleen Williams and Conan Nolan of NBC4 and Enrique Chiabra of Telemundo 52. KNBC hasn’t yet confirmed the lineup, but the station said to participate candidates must have received at least 5% support in two reliable 2026 polls.

Homeless camp skirmish

Raman scouted out a Harbor Freeway overpass in South L.A. last month after parents at nearby 61st Street Elementary voiced concerns about a homeless camp that students had to pass on their way to school. Raman documented her visit with a post on Instagram, saying “these parents have tried again and again to get someone to listen to their needs — and again and again their concerns have fallen on deaf ears.”

But when City Councilmember Curren Price on Tuesday proposed making the area an anti-encampment zone under the city’s municipal code 41.18, Raman voted against the motion, which passed anyway.

Raman routinely votes against 41.18 zones, saying that reducing homelessness requires connecting people to housing.

“This provision at best shifts encampments around a neighborhood.” Raman said in a statement. “Our working protocols are dependent on that. However, enforcement alone does not drive reductions in homelessness. What works is connecting people to shelter and housing.”

That explanation didn’t stop Bass and Curren, who represents the area in question, from throwing shade Raman’s way.

“It is frustrating when efforts to move forward are met with opposition from those who are not fielding these calls, not hearing from parents, and not seeing these conditions firsthand,” said Price spokesperson Angelina Valencia-Dumarot.

Bass campaign spokesman Alex Stack chimed in: “Raman went to this very school to make an Instagram post about how nobody was helping them, and then turned around three weeks later and voted to allow the encampments to return.”

It’s Miller Time!

Adam Miller has scooped up a couple of names from Bass’ past.

Bill Burton, Miller’s senior advisor, who was a deputy press secretary under then-President Barack Obama — also moonlighted for Bass’ 2022 mayoral campaign as a stand-in for Rick Caruso during Bass’ debate prep, though he didn’t work for the campaign in a formal role.

Burton said during that campaign that the race between Bass and Caruso was “essentially a Democrat versus a Republican.”

Now, Burton is running the campaign for Miller, who voted for Caruso in 2022, though he describes himself as a lifelong Democrat.

Separately, Sarah Sheehan, who worked as Bass’ communications director on her 2022 campaign, is working as a consultant for the Miller campaign.

Sheehan said in a statement that the city needs an outsider.

“That is why I decided to work with Adam Miller,” she said.

Lauren Perez-Rangel, who also worked on Bass’ 2022 campaign as a spokesperson, is also working for Miller.

State of play

— BUDGET: Mayor Bass released her $14.9-billion spending plan Monday, which included a proposal to hire 510 police officers — roughly enough to cover retirements and resignations. The budget must be approved by the City Council, and will be the subject of weeks of hearings.

— COVER UP: The Department of Water & Power has drained the Santa Ynez Reservoir in Pacific Palisades to replace the damaged floating cover, frustrating residents who fear there won’t be water to fight potential wildfires.

— EYE OF THE STORMWATER: Los Angeles officials announced a $40-million project at MacArthur Park this week that’s aimed at turning rainstorm runoff into lake water — and maybe improving the park’s tarnished reputation as well. The project will also include new landscaping, walking paths and other features to enhance the location’s appeal as a park.

— LAHSA LAYOFFS: The Los Angeles Homeless Services Authority announced Monday it plans to lay off nearly 300 employees, citing the county’s decision to withdraw funding and set up its own homeless services department.

— INTO THE BREACH: After the massive leak of LAPD files due to a data breach in the L.A. city attorney’s office, officials are seeking explanations from the city’s top lawyer. City Councilmember Ysabel Jurado said she expected City Atty. Hydee Feldstein Soto to appear before a council committee this week about the data leak. “When did the city attorney’s office become aware, what actions were taken, and why were city officials not notified promptly?” Jurado said. “Right now, we’re still left to question and trying to assemble the information.”

— CULTURE OF FEAR: In the LAFD, firefighters rarely question orders because doing so could invite retribution from bosses. That culture was evident in firefighters’ testimony about the Lachman fire, which reignited into the Palisades fire days later.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program was in Echo Park and Venice this week, bringing inside more than 40 Angelenos and clearing eight RVs and trailers off the streets.
• On the docket next week: The City Council will continue to meet to speak about Bass’ proposed budget.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Today I watched as Shohei Ohtani, the day after pitching seven innings, go 0 for 5 with two strikeouts while grounding into a double play. The sample size, at this point, has to be large enough for Dave Roberts and the Dodgers’ management to discuss the elephant in the room with their lead-off batter. He should not bat when he pitches, and he should have a day off after he pitches.

It could also be argued that he should not be the lead-off batter — his average and on-base percentage are lower than, say, Hyeseong Kim, who is also faster and would be a distraction for an opposing pitcher as a threat to steal. It would also give someone for Shohei to drive in if he dropped down the order a spot or two. If baseball is a numbers exercise, then the Dodgers need to do the math.

Peter Maradudin
Burlingame

I have seen enough of Kyle Tucker to know the Dodgers lineup of Shohei Ohtani, Mookie Betts, Freddie Freeman, Will Smith, Tucker, Teo Hernández, Max Muncy, Andy Pages and Hyeseong Kim needs to be changed. Kim has better defense and is a base-stealer. Freeman is not a switch hitter since he can’t hit from the right side. Also, no lefty in the bullpen knows how to throw a screwball?

Ed Villanueva
Chino Hills

An acclaimed ITV thriller is returning to screens this weekend, and fans will be delighted

ITV is set to air repeat episodes of a popular thriller this weekend, more than a year after it finished.

Four-part miniseries Playing Nice centres on two couples who learn that their now three-year-old sons were switched at birth.

Pete (James Norton) and Maddie Riley (Niamh Algar) must decide whether to keep the child they’ve brought up or swap to reclaim their biological son. The narrative quickly spirals from a custody battle into a perilous fight for control and survival, packed with numerous secrets and twists.

“Set against a sweeping Cornish landscape, two couples discover that their toddlers were switched at birth in a hospital mix-up, and face a horrifying dilemma: do they keep the sons they raised and loved, or reclaim their biological child? Living a waking nightmare, Pete and Maddie are jettisoned into the world of the other couple; Miles and Lucy,” reads the official synopsis, reports the Express.

It continues: “At first it seems all four are agreed on a solution, but it soon becomes clear that hidden motives are at play. How far can each couple trust the real parents of their child – or even each other? As Pete and Maddie are stretched to breaking point, they realise they will stop at nothing to keep their family together.”

The series, adapted from the bestselling book of the same name by J.P. Delaney, also features Andor’s James McArdle and Downton Abbey’s Jessica Brown Findlay as the other couple, Miles and Lucy Lambert. World on Fire star Posy Sterling also appears.

Filming commenced in Cornwall in November 2023, with key locations including St Ives and Padstow, as well as Mawgan Porth beach and Park Head.

Playing Nice aired on ITV and streaming service ITVX in January 2025, swiftly becoming ITVX’s best-ever drama launch at the time of broadcast, as well as ITV1’s highest-rated new drama of 2025. Now the series is making a welcome return to screens, with the first two episodes airing on ITV3 from 11.50pm on Sunday (April 26) night. The final two instalments are then available to enjoy over on ITVX.

The series proved a resounding hit with both audiences and critics shortly after its release. It currently holds a 63% rating on review aggregator Rotten Tomatoes, with Digital Spy describing the drama as “the kind of show that will plague your mind in an infuriating, all-consuming, perfecting addictive way”.

Viewers have continued to heap praise on the series online, with one person writing on IMDb: “The acting and scenery are all round amazing. James Norton delivers another outstanding performance as a great actor. The storyline is strong and keeps you on the edge of your seat.”

Another enthusiast added: “A must watch, I loved this! Had me hooked from the start and it had me up till the wee small hours. Devoured it in three nights!! A brilliant 4 episode series. We watched the whole set in one viewing. We were on the edge of our seats.”

A third remarked: “Superb acting, gripping story – loved it,” while another fan similarly enthused: “This is compelling, uncomfortable viewing that pulls you in and gets you involved. This got my Spidey senses tingling from the beginning, and slowly ratcheted up the fear factor as the plot and the characters were revealed.”

A fifth viewer shared the same sentiment, adding: “Every episode had me on the egde of my seat and wanting to scream… I was completely captivated. This story really gripped me from start to finish.”

Playing Nice will air on ITV3 on Sunday, April 26, at 11.50pm

ST. PAUL, Minn. — Nearly a year after the assassination of a Minnesota legislative leader, lawmakers across the U.S. have worked to fortify security in state capitols and improve safeguards when officials are in their communities.

The changes have followed a rise in political violence nationwide that included the stunning assassination last June of Rep. Melissa Hortman, the top Democratic leader in the Minnesota House, and the September killing of conservative activist Charlie Kirk, who was speaking at a college in Utah.

In Minnesota, most doors at the state Capitol are now locked, and people entering must go through weapons detectors. People entering the visitors’ galleries to watch floor debates must go through a second set of detectors.

“It’s important for us to be able to not have our government fall apart if our legislators are under threat,” said Minnesota Rep. Julie Green, a Democrat who sits directly across the aisle from Hortman’s old desk, which remains empty except for fresh roses, her portrait and a speaker’s gavel. “It’s a complicated, complex, very emotional issue, as you can imagine.”

High-profile attacks have stoked lawmakers’ fears

In addition to the killings of Hortman and Kirk, violence targeting political figures in the U.S. in the last few years has included an arson attack last year at the home of Democratic Pennsylvania Gov. Josh Shapiro; an assassination attempt on then-candidate Donald Trump at a Pennsylvania rally in 2024; and a hammer attack on the husband of Democratic then-House Speaker Nancy Pelosi at their California home in 2022.

Twenty-five states, including Minnesota, now formally allow candidates to use campaign funds for personal security. Most made the change after the killings of Kirk and Hortman. Eleven states have laws permitting it, while others have approved it through rules or other mechanisms, according to the National Conference of State Legislatures and the VoteMama Foundation.

This year alone, Alabama, Oregon, Nebraska and Utah enacted laws allowing campaign funds for security. Bills to legalize it are pending in about a dozen other states.

It’s not just happening at the state level. Security spending for congressional and presidential campaigns has jumped fivefold over the past decade. Federal political committees spent more than $40 million on expenses labeled as security during the 2023-24 campaign cycle, according to an April report from the nonpartisan Public Service Alliance.

Weapons detectors are just one response

Metal detectors — one of the most visible signs of concerns about political violence — were installed at Alaska’s Capitol last year. Democratic Rep. Sara Hannan said the change was due to “increased risk of violence in our public institutions.” Lawmakers approved them before Hortman was killed.

But some states have balked at making it harder to access the halls of power. Wisconsin Assembly Speaker Robin Vos, a Republican who knew Hortman, resisted efforts to install metal detectors in his state, saying he didn’t want to “fortify” the Capitol. Wisconsin’s is one of 11 state capitols that don’t have metal detectors, a state audit found.

Minnesota lawmakers are also considering creating a special unit within the State Patrol, which oversees Capitol security, that would provide protection for legislators, the state attorney general, secretary of state, state auditor, and Supreme Court justices.

One lead author is Democratic Sen. John Hoffman, who survived being shot nine times the night Hortman was killed. Prosecutors say the gunman, disguised as a police officer, began his rampage by shooting Hoffman and his wife, then stopped at the residences of two other lawmakers who weren’t home. He then went to Hortman’s home, where he killed the representative and her husband, and wounded their dog so severely that he had to be euthanized.

At a hearing Tuesday, Hoffman called his measure “a necessary response” that would “keep elected officials and Supreme Court justices safe and dedicate the resources necessary and hopefully stop future tragedies from happening.”

Numerous states have also taken action to protect lawmakers’ personal information. North Dakota lawmakers on Wednesday discussed a bill draft for next year that would make confidential the home addresses of candidates and public officials upon request.

The NCSL in February created a $1.5-million fund to reimburse legislatures for expenses related to lawmakers’ personal safety and security while they’re away from their statehouses. More than 30 states have applied or are preparing to, NCSL spokesperson Katie Ziegler said.

Karnowski and Bauer write for the Associated Press. Bauer reported from Madison, Wis. AP writers Becky Bohrer in Juneau, Alaska, and Jack Dura in Bismarck, N.D., contributed to this report.

PITTSBURGH — Daniel Jeremiah traces his rise as an NFL draft analyst to two seemingly unrelated events: a prominent football reporter showing up in his living room to visit a televangelist, and randomly bumping into a college roommate of his brother in a press box.

First, understand that Jeremiah is not just one in a sea of people evaluating pro prospects. He’s highly respected in the industry and, in addition to his radio work as a color analyst for Chargers games, has been the NFL Network’s go-to expert when it comes to breaking down the strengths and weaknesses of players and how they fit with a given franchise.

The former college quarterback is glib, quick on his feet and meticulously organized. Reporters turn to him — his pre-draft conference calls with NFL writers from coast to coast have sometimes lasted more than two hours — and super-secretive team scouts trust “DJ” as a peer, an extra set of eyes.

“I like to joke that I can kind of be a cross-checker for these teams,” said Jeremiah, 48, who lives in El Cajon, where he once set San Diego records for passing yards and touchdowns at Christian High. “So they’ll call and say, ‘Hey, where do you have this guy? What do you think of this player?’”

Jeremiah was once part of that world. He was a college scout with the Baltimore Ravens, Cleveland Browns and Philadelphia Eagles. But his path from quarterback at Northeastern Louisiana and Appalachian State to where he is now was anything but a straight line. It was a more unpredictable and roundabout route than any offensive coordinator would dare draw.

Roll back the clock 40 years, when his father, David Jeremiah, was the senior pastor at a Baptist church in El Cajon. Every Sunday, he would go from pew to pew greeting parishioners. Young Daniel was at his side and doing the same, perfecting a firm handshake, practicing looking people in the eye.

The elder Jeremiah would go on to launch an international radio and television ministry. His son, who remains devout, would eventually carve out a career preaching the gospel of the NFL to an audience of millions. Daniel’s description of player traits are digestible and entertaining, whether it’s his own phraseology or the language he learned after more than two decades in the business.

Daniel Jeremiah speaks with a reporter ahead of the NFL draft in Pittsburgh on Wednesday.

(Ed Rieker / Associated Press)

An unflinching running back might “choose violence,” a team that builds the line before adding skill-position talent is “putting the hardware store before the toy store,” and an edge rusher who passes the “wet paint” test can get around the corner with such lean that “If he played on a field of wet paint, he did not have a drop of paint on him at the end of the game.”

Said Charlie Yook, executive producer of content for NFL Network: “Daniel is hilarious, a funny guy. It’s a different type of humor. He doesn’t swear. He kind of has that schoolish, boyish, sarcastic type of humor, but it’s still something that everyone can relate to.”

Now, for that renown football reporter who showed up in his living room. It was the late Chris Mortensen, who covered the NFL for ESPN and regularly listened on Sunday mornings to the preachings of Dr. David Jeremiah. In 1998, when San Diego played host to the Super Bowl between Denver and Green Bay, Mortensen used the opportunity to meet his favorite radio minister. The elder Jeremiah invited him over to the house for lunch. Daniel was a college freshman home on winter break. He and Mortensen instantly bonded, and the reporter asked if he’d like to attend Super Bowl media day. Later, he invited the young man to join him at the draft in New York, giving him an assignment to work the phones.

Mortensen would give his landline number at the draft to all the team general managers, reporters and other contacts around the league. Jeremiah manned the phone “like a secretary,” took notes and relayed them during commercial breaks. Already showing a knack for organization, Jeremiah kept index cards sorted by division and by tracked receiver and cornerback needs, keeping tabs on which of those players went there.

“That draft was bigger than this draft for me personally,” Jeremiah said, sitting in the stands at an NFL event in Pittsburgh before a cluster of reporters would surround him for final observations on how the first round would unfold.

So a straight line from there to a Mortensen-like role with NFL Network? Hardly. Jeremiah’s next job was with ESPN’s “Sunday Night Football” and a gig that was football-adjacent. He traveled with that crew as a production assistant, but his role was lining up the scenic footage in every city. Say it was a Rams game in St. Louis, he was the one setting up a shoot at a root beer factory so the network had something local to show coming in and out of commercials.

He did that for two years, but eventually his knowledge of the game as a onetime quarterback made him too valuable to waste. The crew put a headset on him and he would be another set of eyes for camera operators and people in the production truck. What cornerback got beat on that play? He knew. Who’s warming up on the sideline? He was watching. How many times has the defense blitzed? He was keeping track. It was a dream job.

“I was a pig in slop,” Jeremiah said.

But it was but one slop stop in his budding career. While walking through a press box at a game, he bumped into his brother’s old college roommate, T.J. McCreight, who was scouting for the Ravens.

“He goes, ‘Hey, do you think you’d ever have any interest in scouting,’” Jeremiah recalled. “I said, ‘I’ve never … I mean, I love the draft and all that stuff. But I’ve never even thought about scouting, but yeah, absolutely I’d have interest in that.’”

Daniel Jeremiah speaks during a news conference at the NFL scouting combine in Indianapolis on Feb. 25.

(Gregory Payan / Associated Press)

Soon enough, he was meeting with Ravens executives who gave him a volunteer assignment at the combine, very high-level stuff.

“I filled the candy jar every day,” he said. “I helped get the players into the interview rooms and all that.”

But he was on his way to eventually spending four years with Baltimore, then following player-personnel director Phil Savage to his GM job with Cleveland, scouting the entire country out of Southern California. When the Browns went 4-12 in 2008, Savage and his hires, Jeremiah among them, were shown the door.

Jeremiah spent two more years with Philadelphia as a West Coast scout before taking an analyst job with NFL Network. He could do the same type of player evaluation without the zig-zagging travel, much better for a father of four.

“I left scouting,” he said. “Scouting didn’t leave me.”

The draft is his Super Bowl, and he’s aware that it’s usually the biggest day in the lives of NFL hopefuls. He keeps that in mind, especially when he’s delivering an honest critique of a player.

“I’m very cognizant of that,” he said. “I don’t know that there’s a right way to do this job or a wrong way. I just know the way that I’ve approached it, and I feel like you could really eviscerate someone on what’s literally the best day of his life. Yeah, I will never do that.”

It’s a delicate balance, though, because he wants to remain true to his scouting beliefs.

“I might not necessarily have a player going to a team,” he said. “But I can try to explain to you why I think that team did what they did. That keeps me from saying a bunch of negative things about a player. I’m not trying to kill the kid, right?”

Said Yook: “There are 200-something guys getting drafted over these three days. You don’t suck if you get drafted in the NFL. Doesn’t matter if you’re pick No. 1 or the last pick. He understands that there’s a very small percentage of people who actually get to touch grass in the National Football League.”

What’s more, people can follow all sorts of twisting paths to success. Jeremiah needs no reminder. Preaching to the choir.

Chinese startup says DeepSeek-V4-Pro beats all rival open models for maths and coding.

China’s DeepSeek has unveiled the latest versions of its signature artificial intelligence-powered chatbot, a year after its flagship model sent shockwaves through the global tech scene.

The Chinese startup launched preview versions of DeepSeek-V4-Pro and DeepSeek-V4-Flash on Friday as it touted its ability to go toe-to-toe with US rivals such as OpenAI and Google.

Like DeepSeek’s previous chatbots, V4-Pro and V4-Flash follow an open-source model, meaning developers are free to use and modify the source code at will.

DeepSeek-V4-Pro beats all rival open models for maths and coding, and trails only Google’s Gemini 3.1-Pro, a closed model, for world knowledge, DeepSeek said in an announcement on social media.

The “pro” version’s performance falls only “marginally short” of OpenAI’s GPT‑5.4 and Gemini 3.1-Pro, “suggesting a developmental trajectory that trails state-of-the-art frontier models by approximately 3 to 6 months,” the Hangzhou-based startup said.

The “flash” model has similar reasoning abilities to the “pro” version, while offering faster response times and “highly cost-effective” usage pricing, the firm said.

The release comes after DeepSeek-R1 stunned the tech sector upon its launch in January last year with capabilities broadly comparable with those of ChatGPT and Gemini.

Marc Andreessen, a prominent Silicon Valley venture capitalist with close ties to United States President Donald Trump, hailed the model’s release at the time as “AI’s Sputnik moment”.

The performance of the Chinese-developed model attracted particular attention as its developers claimed to have spent less than $6m on computing costs – a fraction of the multibillion-dollar budgets that are usual in Silicon Valley.

Some tech analysts challenged DeepSeek’s account of working with such scant resources, arguing that the startup most likely had access to greater funding and more advanced chips than acknowledged.

DeepSeek’s arrival on the scene prompted blowback in some countries amid concerns about data protection and Chinese government censorship.

Multiple US states, Australia, Taiwan, South Korea, Denmark and Italy introduced bans or other restrictions on DeepSeek-R1 shortly after its release, citing privacy and national security concerns.

With more than 60 song credits, Armenta’s songwriting prowess can be heard across some of the most popular música mexicana albums to date, whether by Fuerza Regida, Tito Double P, Peso Pluma or Dareyes de la Sierra.

“I consider myself a tailor,” said Armenta, 25. “[I’ll create] a sound that will be good with your vocal timbre, with your tones, with the vocal intention you need.”

The singer-songwriter wrote Fuerza Regida’s gritty hit “Marlboro Rojo” in 45 minutes, ensuring that the song’s aggressive, battle-ready lyrics also captured a romantic spirit. (“The devil’s bullets and I only think of your eyes,” sang Jesús Ortiz Paz, a.k.a. JOP.) And he wrote “Dos Días” for Tito Double P and Peso Pluma one early morning after a wild night out with friends; you can hear the emotional hangover in the way the vocalists’ rugged voices flail in desperation.

“The most important thing is always to convey something where people can immerse themselves in a feeling,” said Armenta, whose full name is Miguel Armenta.

He dialed into our interview from a tour bus departing from Austin, Texas, en route to the next concert venue on the Dinastía Tour by Peso Pluma, Tito Double P and friends. Armenta was instrumental in writing and producing Tito Double P’s 2024 debut “Incómodo,” a 21-track project that helped distinguish the Mexican corrido singer from his already famous cousin, Peso Pluma.

“I feel that it’s a project that has solidified the responsibility we have as composers and as artists, [it’s] an album full of hits,” said Armenta, who later wrote tracks on Tito Double P and Peso Pluma’s joint 2025 LP “Dinastía.”

Since the beginning of March, Armenta has joined the pair of cousins on stage for their acoustic- and brass-powered song “London,” a track on the deluxe edition of “Dinastía” that indulges in fantasies of living like kings. The song was cut from Armenta’s own 2025 debut, “Portate Bien,” a blend of corridos tumbados with melodic touches of reggaeton and pop.

“I had just bought my own house and I wrote [‘London’] feeling like king of the world in my own studio,” Armenta said. “I thought that song was dead, but I got a call from Double P [Records] asking if I was interested in releasing it with them.”

Armenta’s entry into the música mexicana realm was not as calculated as his lyricism; at least not at first. Coming from a family full of industrial engineers, the Sinaloa-born, Tijuana-raised composer initially set his sights on a degree in biomedical engineering. “I liked the idea of being able to use technology to create advancements that benefit humanity,” he explained.

His passion for music, however, lingered persistently in the background. Starting from when he was 11 years old, Armenta would write lyrics in journals and strum along to the guitar his brother bought him. “He didn’t like that I used his guitar, so he bought me one,” he recalled.

He also gravitated toward independent YouTube artists who uploaded their raw compositions online. By age 18, he would compose one of his first R&B songs, titled “Dame” — though the tenderly sung track wouldn’t be published until two years later.

“It was the first song that I bet on as an artist, and I spent the very little money that I had on it,” Armenta said. “A literal sacrifice. I knew that the song had something, but I didn’t know what until later.”

In about 2020, Armenta helped compose some songs for Angel Ureta, a friend who signed with Street Mob Records, founded by Fuerza Regida’s JOP. Armenta eventually developed a working partnership with the indie label, which continued sign popular música mexicana acts like Calle 24, Chino Pacas and Clave Especial.

One of Armenta’s earliest hits with Fuerza Regida came in late 2022 as “Bebe Dame.” The band recorded the song alongside Grupo Frontera, who earlier that year had reached TikTok popularity for the cumbia nortena spin on “No Se Va,” a 2018 pop song by the Colombian band Morat.

Armenta proposed the adoption of his own track from the vault, “Dame,” which by that point had fewer than 1,000 views online. With some lyrical tweaking by Edgar Barrera — a 29-time Latin Grammy-winning songwriter, who Armenta later befriended — the revamped version, “Bebe Dame,” became an immediate sensation.

It helped score Fuerza Regida their first career entry into the Billboard Hot 100 at the start of 2023, later peaking at No. 25. By 2024, Fuerza Regida became one of the biggest streaming Latin acts in the U.S., alongside Junior H, Peso Pluma and Bad Bunny.

In 2024, Armenta and Barrera reunited again in secret to hash out what would be Grupo Frontera and Fuerza Regida’s joint EP, “Mala Mía” — “without either group knowing,” Armenta said. Their viral corrido-cumbia single, titled “Me Jalo,” secured Fuerza Regida’s first Latin Grammy nomination, and Grupo Frontera’s fourth, under the category of regional song at the 26th Annual Latin Grammy Awards.

“Edgar and I focus a lot on how to evolve sounds,” Armenta said. “We are in the process of recognizing [the value of] música mexicana, that we can’t let this die.”

Between 2024 and 2026, 12 of Armenta’s songs have been recognized by the BMI Latin Awards — which honors songwriters, composers and publishers — including Fuerza Regida and Grupo Frontera’s joint collaborations “Bebe Dame” and “Me Jalo,” as well as Fuerza Regida’s “TQM,” “Nel” and “Por Esos Ojos.” Tito Double P’s “Dos Dias” and “Escapate” (feat. Chino Pacas) also received accolades.

For now, the songwriter shows no signs of stopping his lyrical magic, though he figures he might part ways with the music world 10 years from now — but not before winning a couple of Grammy Awards, he said, or even starting his own publishing label for songwriters and composers. (“My mom says I’m going to get gray hairs,” he added.)

“I think that life put me here to have fun,” Armenta said. “I had another destiny, but life accommodated itself to place me in this valuable situation.”