year

YouTube TV customers are bracing for another frustrating weekend.

For the last week, YouTube TV’s 10 million subscribers have been denied access to ESPN, ABC and other Walt Disney Co. channels in a dispute that has swelled into one of the largest TV blackouts in a decade. Instead of turning on “College GameDay,” “Monday Night Football” or “Dancing With the Stars,” customers have been greeted with a grim message: “Disney channels are unavailable.”

The standoff began Oct. 30 when the two behemoths hit an impasse in their negotiations over a new distribution contract covering Disney’s channels and ABC stations.

Google, which owns YouTube, has rebuffed Disney’s demands for fee increases for ESPN, ABC and other channels. The Burbank entertainment giant has been seeking a revenue boost to support its content production and streaming ambitions, and help pay for ESPN’s gargantuan sports rights deals.

Talks are ongoing, but the two sides remain apart on major issues — prolonging the stalemate.

“Everyone is kind of sick of these big-time companies trying to get the best of one another,” said Nick Newton, 30, who lives near San Francisco and subscribes to YouTube TV. “The people who are suffering are the middle-class and lower-class people that just love sports … because it’s our escape from the real world.”

Both companies declined to comment for this article.

The skirmish is just the latest between YouTube and programming companies. Since August, Rupert Murdoch’s Fox Corp., Comcast’s NBCUniversal and Spanish-language broadcaster TelevisaUnivision have all complained that YouTube TV was trying to use its market muscle to squeeze them for concessions.

Here’s a look at what’s driving the escalating tensions:

Google’s growing clout in television

The struggle between Disney and YouTube reflects television’s fast-shifting dynamics.

Disney has long entered carriage negotiations with tremendous leverage, in large part because it owns ESPN, which is a must-have channel for legions of sports fans.

Programmers, including Disney, structured their distribution contracts to expire near a pivotal programming event, such as a new season of NFL football. The timing motivated both sides to quickly reach a deal rather than risk alienating customers.

But for Google’s parent, Alphabet, YouTube TV is just a sliver of their business. The tech company generated $350 billion in revenue last year, the vast majority coming from Google search and advertising. That gives YouTube a longer leash to hold out for contract terms it finds acceptable.

“This dispute is not that painful for Google,” said analyst Richard Greenfield of LightShed Partners, noting that YouTube TV could probably withstand “two weekends without college football, and two weeks without ‘Monday Night Football’ — as long as their consumers stay with them.”

Disney, however, depends on TV advertising and pay-TV distribution fees. The week-long blackout has already dampened TV ratings, which means less revenue for the company.

Consumers like YouTube TV

For decades, throngs of consumers loathed their cable company — a sentiment that Disney and other programmers were able to use in their favor in past battles. Customer defections prompted several pay-TV companies to find a compromise to restore the darkened TV channels and stanch the subscriber bleeding.

But YouTube is banking on a more loyal user base, including millions of customers who switched to the service from higher-priced legacy providers.

“I’ll stick this thing out with YouTube TV,” Newton said, adding that he hoped the dispute didn’t drag on for weeks.

“This is one of the problems facing Disney,” Greenfield said. “It’s been a noticeable change in tone from past carriage fee battles. If customer losses stay at a minimum, then Disney is going to be in a tough place.”

It boils down to power and money

YouTube TV is the fastest-growing television service in the U.S. Analysts expect that, within a couple of years, YouTube TV will have more pay-TV customers than industry leaders Spectrum and Comcast.

In the current negotiations, Google has asked Disney to agree to lower its rates when YouTube TV surpasses Comcast’s and Spectrum’s subscriber counts. Disney maintains that YouTube already pays preferred rates, in recognition of its competitive standing, and that Google is trying to drive down the value of Disney’s networks.

“YouTube TV and its owner, Google … want to use their power and extraordinary resources to eliminate competition and devalue the very content that helped them build their service,” top Disney executives wrote last Friday in an email to their staff.

People close to YouTube TV reject the characterization, saying the service has been a valuable partner by providing a strong service that brings Disney billions of dollars a year in distribution revenue.

“The bottom line is that our channels are extremely valuable, and we can only continue to program them with the sports and entertainment viewers love most if we stand our ground,” the Disney executives wrote in last week’s email. “We are asking nothing more of YouTube TV than what we have gotten from every other distributor — fair rates for our channels.”

Higher sports rights fees

A major reason Disney is asking for higher fees is because it’s grappling with a huge escalation in sports costs.

Disney is on the hook to pay $2.6 billion a year to the NBA, another $2.7 billion annually to the NFL, and $325 million a year for the rights to stream World Wrestling Entertainment. Such sports rights contracts have nearly doubled in the last decade, leading to the strain on TV broadcasters.

In addition, deep-pocketed streaming services, including Amazon, Apple and Netflix, have jumped into sports broadcasting, driving up the cost for the legacy broadcasters.

The crowded field also strains the wallets of sports fans, and appears to be adding to the fatigue over the YouTube TV-Disney fight.

Newton wrote in a recent Twitter post that he was spending $400 a month for his various internet, phone and TV services, including Disney+ and NFL Sunday Ticket, which is distributed by YouTube TV.

“I’m already on all the major subscriptions to watch football these days,” Newton, a third-generation San Francisco 49ers fan, said. “You need Netflix. You need Peacock, you need Amazon Prime and the list goes on and on. I’m at the point where I’m not paying for anything else.”

CHERYL Tweedy and Jade Thirlwall looked sensational at the Harper’s Bazaar Women of the Year Awards this week.

The iconic singers, 42 and 32, arrived at the glamorous event last night alongside an A-list lineup of women.

Girls Aloud icon Cheryl stole the spotlight in a chic black satin dress with a boxy neckline.

It flowed effortlessly to the floor, covering her shoes, and featured lace detailing on the chest.

She finished the look by simply tying her hair up out of her face and accessorised with a pair of small silver studs and a glossy natural pink lip.

The star posed for a series of snaps next to Little Mix‘s Jade in the “winner’s room”, as Jade smiled ear to ear holding up a glass trophy for the “Musician Award”.

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She wore an asymmetrical off the shoulder red dress with an embossed pattern and a draping on the right-hand side.

It fell to the floor in its formal beauty, hugging her waist and hips.

Jade finished off her outfit with dramatic winged eyeliner and a bold brown lip combo.

Her hair flowed down her back in natural loose waves.

Also in attendance on the night was England footballer Chloe Kelly, who wowed in a sheer chain-mail hooded gown.

The unique ensemble featured cut-outs at the side of the bust as well as silver floral detailing that scattered down the right-hand side of her body.

The sporty star enjoyed the night in a pair of silver heeled sandals, comfier on her feet than a higher heeled counterpart.

Melanie C, aka Sporty Spice, posed alongside Chloe in the winners room after she took home the award for Sportswoman of The Year.

In a sweet snap together the duo are throwing up peace signs as Chloe holds the award in her free hand.

Melanie’s smiling in an off the shoulder black dress featuring red piping and a floor-length ruffle detail.

Her red nail polish peeks out of her open-toed shoes, matching the piping to perfection.

Everyone appeared to be having an amazing night.

Cheryl made her first red carpet appearance since the funeral of her former flame, Liam Payne, just last month.

The Girls Aloud legend has since been gradually returning to the spotlight, teasing new TV appearances and brand collaborations on her social media.

Meanwhile Jade has been incredibly active promoting new music and working on her career.

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Earlier this year she took home a BRIT Award for Best Pop Act.

She also received the Trailblazer Award at the Rolling Stone UK 2024 awards.

More Mogwai mayhem is on the way.

A third “Gremlins” movie is officially in the works and eyeing a theatrical release ahead of the 2027 holiday season, Warner Bros. Discovery President and Chief Executive David Zaslav announced Thursday during the company’s third-quarter earnings call. The upcoming project is set to hit theaters Nov. 19, 2027, and will reunite original “Gremlins” scribe Chris Columbus with Steven Spielberg’s Amblin Entertainment, which produced the first two “Gremlins” films.

Columbus will direct and produce the film and Spielberg returns as an executive producer, Zaslav said. The new “Gremlins” film will be franchise’s first movie in more than 30 years. Columbus will write the script with “Final Destination Bloodlines” directing duo Zach Lipovsky and Adam B. Stein.

Oscar nominee Columbus introduced audiences to the mysterious and maniacal ways of the Mogwai — furry, wide-eyed bipeds with giant ears — with the release of “Gremlins” in 1984. The first film, directed by Joe Dante, established the three nonnegotiables of Mogwai care: Don’t get them wet, don’t feed them after midnight and don’t expose them to bright light. Both the 1984 release and its 1990 sequel, also directed by Dante but written by Charles S. Haas, tracks the havoc that arises when the first two rules are ignored, from unstoppable spawning to unruly mutation into Gremlins.

The “Gremlins” films starred Zach Galligan, Phoebe Cates, Howie Mandel as the voice of two-toned Mogwai Gizmo and Frank Welker as the voices of the films’ antagonists.

Though it has been decades since the last “Gremlins” movie hit the big screen, the furballs got their own spotlight in the 2023 animated prequel TV series “Gremlins: Secrets of the Mogwai.”

The series, from showrunner and executive producer Tze Chun, took a deep look into its namesake creatures’ origins, briefly hinted at in the first film by shopkeeper Mr. Wing (played by the Chinese American actor Keye Luke). “Secrets of the Mogwai” zooms in on Mr. Wing’s relationship with Gizmo, who became a through line in the “Gremlins” movies.

Series executive producer Brendan Hay told The Times in 2023 that setting “Secrets of the Mogwai” in 1920s China was “a chance to own the somewhat throwaway origin that the Mogwai have in the films.”

“In the films, it’s clear that they’re of Chinese origin, but it’s not that developed,” Hay said. “This is our chance to tell that story and really embrace it [by] actually try[ing] to find a place for Mogwai that fits into Chinese mythology, or at least builds off of existing Chinese mythology, and have fun in that world.”

Galligan hinted this summer that a new “Gremlins” movie was in the works while appearing at Comic-Con Manchester. According to a TikTok, the actor said “they’ve come up with a script” and that Warner Bros. was “incredibly interested in doing it, apparently it’s waiting upon Mr. Spielberg to read it and approve it.”

“Gremlins” is the latest beloved title rebooted at Warner Bros. Discovery in recent years. Others include “The Lord of the Rings,” “Harry Potter” and “Practical Magic.”

Times staff writers Tracy Brown and Samantha Masunaga contributed to this report.

No one has won the City Section individual golf championship four times, but Layla Phillips has a chance to be the first.

The 14-year-old freshman from Harbor Teacher Prep carded a five-under-par 67 on Thursday at Balboa Golf Course in Encino, good enough for a six-stroke victory over Macy Lee of El Camino Real.

“She’s been playing since she was 2,” explained her father Kasey, who was there to watch his daughter’s round and could not have been more proud. “Our old house was right off of Maggie Hathaway Golf Course and balls were constantly flying onto our property. It was an annoying thing and my wife was afraid the kids might get hit playing in the backyard. So we complained about it and they offered us free lessons as kind of a peace offering.”

As fate would have it, Layla and her sister Roxanne, one year younger, both took to the sport like fish to water.

“We started taking lessons at Chester Washington Golf Course because they had a better driving range there,” said Layla, who started playing the Toyota Tour Cup series 18 months ago. “We get along great and we practice together everyday. She’s following in my footsteps. We’re opposites. I get really nervous but she just hits the ball and doesn’t care. At times, we have to take advice from each other.”

After bogeying the first hole, Phillips birdied the second, eagled the third and birdied the fourth to vault to the top of the leaderboard. She maintained at least a two-shot lead the rest of the way. A bogey on No. 6 was followed by two pars and three consecutive birdies that stretched the margin to six.

“I can’t be too mad with my performance today but there’s always room for improvement,” said Phillips, who got to six-under before bogeying 18 and who finished two strokes off the City finals record of 65 set last year by Palisades senior Anna Song, now a freshman at Stanford. “I’ve only played this course twice before and I’d never played the back nine.”

Phillips tries to get a round in once a week and plays a two-day tournament every month. She shot six-under (equaling her personal best) to win a Southern California PGA Junior Tour championship in Palm Springs in December. She has won around 50 SCPGA Junior events since she was 10. In March, Roxanne won the L.A. City Junior championship by 15 shots on the same course when she was only 12.

“School lets out at 3:30 so I’m practicing from 4 to 7:30 p.m. at Los Verdes [in Palos Verdes] or Victoria [in Carson],” said Phillips, who finished in the top 10 at the Junior World Golf Championship last year in San Diego.

Phillips longs to play college golf (maybe at USC, which is only a 30-minute drive from where she lives in Harbor City). When told she could potentially be the first four-time City champion, she said: Yeah, it’s a possibility. My best competition in City might be my sister. She’s beaten me a couple of times already.”

She will also have to contend with fellow ninth grader Lauren Song (Anna’s sister) who shot a 75 to finish alone in third Thursday to help Palisades (+55) win its fifth straight team title, one shy of the City record accomplished twice by Granada Hills. The Highlanders finished second by 64 shots Thursday but still advanced to next week’s SoCal Regionals.

The now two-time defending World Series champion Dodgers made their first move of the offseason on Thursday.

It will ensure a familiar face is back for their pursuit of a three-peat next year.

The team picked up its $10-million club option for third baseman Max Muncy, according to a person with knowledge of the situation not authorized to speak publicly, bringing the now longest-tenured member of the roster back for what will be his ninth season in Los Angeles.

The decision was not surprising. This year, Muncy had perhaps his best all-around season at the plate since a 2021 campaign in which he received MVP votes. He hit .243, his highest mark since that 2021 season, with 19 home runs, 67 RBIs and an .846 OPS in 100 games. He atoned for a relatively quiet postseason by hitting a crucial home run in the eighth inning of Game 7 of the World Series, setting the stage for the team’s ninth-inning comeback and eventual extra-innings, title-clinching victory.

Muncy was in the final season of a two-year, $24-million extension he signed in the 2023 offseason. And injuries have been a problem for the 35-year-old in recent years (he was limited this past season by a knee contusion in July and an oblique strain in August).

However, the $10-million option was a relative bargain for a player who, prior to second-half injuries, had shaken off a slow start to the year by being one of the hottest hitters in the majors in May and June.

His return will also help keep a key part of the club’s veteran core intact, bringing back a player who — in the wake of Clayton Kershaw’s retirement — has been with the Dodgers longer than anybody else.

Muncy’s 2025 season did not start well. After an offseason in which trade rumors involving Nolan Arenado swirled, and a spring training spent working through the lingering after-effects of an oblique and rib injury that limited him in 2024, Muncy hit .176 through his first 34 games, and had only one home run.

In early May, however, he started wearing glasses to address an astigmatism in his right eye. Around that same time, he also found a breakthrough with his swing, one that helped him begin punishing fastballs up the zone. From May 7 to the end of June, he hit .315 with 12 home runs and a 1.039 OPS, one of the best stretches of his 10-year, two-time All-Star career.

That streak was derailed on July 2, when Muncy suffered his knee injury after being slid into at third base. His return a month later was cut short, too, when his oblique began bothering him during a batting practice session in August.

Those IL stints preceded a September slump that carried into the postseason, when Muncy hit just .173 entering Game 7 of the World Series.

But that night, he collected three hits, had the pivotal eighth-inning home run off Trey Yesavage that got the Dodgers back within a run, and became one of six players to contribute to all three of the Dodgers’ recent World Series titles.

“It’s starting to get a little bit comfortable up here,” he joked from atop the stage at the Dodgers’ World Series celebration on Monday. “Let’s keep it going.”

On Thursday, the team ensured his run with the Dodgers will, for at least one more season.

Alex Vesia’s option also picked up

The Dodgers on Thursday also picked up their $3.55-million club option for reliever Alex Vesia in 2026, according to multiple people with knowledge of the situation not authorized to speak publicly. That was also not a surprise, though Vesia still would’ve been under team control and eligible for arbitration if they hadn’t.

Vesia was one of the few consistent performers in the Dodgers’ bullpen this year, posting a 3.02 ERA in a career-high 68 appearances. He was also one of their most trusted relief arms in the playoffs, bouncing back from a two-run outing in the wild-card series opener with 4 ⅓ scoreless innings the rest of the way.

Vesia was not available for the World Series as he and his wife dealt with what the team described as a “deeply personal family matter.” But he figures to be a key cog in their bullpen again next season, in what will be his last before reaching free agency.

British actor Pauline Collins, who earned an Oscar nomination for her turn as the stuck-in-a-rut housewife of “Shirley Valentine,” has died. She was 85.

Collins’ family said in a statement Thursday that the actor died peacefully this week at her care home in north London after living with Parkinson’s disease for several years. In the statement, her family said Collins “was so many things to so many people, playing a variety of roles in her life.”

“A bright, sparky, witty presence on stage and screen,” the family described the versatile actor, whose career began in the 1960s.

Collins was well into her 40s when she starred in “Shirley Valentine,” a witty but disgruntled homemaker who accepts a girlfriend’s offer to travel to Greece to bring much-needed spice back to her life. “Sex for breakfast, sex for dinner, sex for tea and sex for supper,” Shirley proudly declares in the 1989 film, directed by Lewis Gilbert.

For Collins, “Shirley Valentine” was more than just an ode to womanhood, self-love and self-discovery. It was also a chance to challenge the conventions of aging in entertainment, including by shooting a nude scene for the film.

“My only sorrow was that I wasn’t younger and thinner,” a 49-year-old Collins told The Times in 1989. “But if I were Jamie Lee Curtis, I wouldn’t have been right for the part.”

“Shirley Valentine,” which also starred Tom Conti as her on-screen Greek lover and Alison Steadman as her friend, led Collins to receive her sole Academy Award nomination, a nod in the leading actress category. The film also received an original song Oscar nomination for Patti Austin’s “The Girl Who Used to Be Me,” written by Marvin Hamlisch and husband-wife lyricist duo Alan and Marilyn Bergman.

Two years before the film’s premiere, Collins originated the role of Shirley Valentine in London for Willy Russell’s one-woman play of the same name. That led to her Broadway debut in 1989 and a Tony Award for best actress in a play the same year. She also won accolades for the play at the Laurence Olivier Awards and a BAFTA for her work in the film adaptation.

Beyond “Shirley Valentine,” Collins was also known for appearing in dozens of TV series including “Upstairs, Downstairs,” “Forever Green,” “The Ambassador,” “Mount Pleasant” and “Dickensian.” She also appeared in films including “City of Joy,” “Paradise Road” and “You Will Meet a Tall Dark Stranger,” counting Patrick Swayze, Glenn Close, Frances McDormand, Antonio Banderas, Josh Brolin and Anthony Hopkins among her co-stars.

Throughout her decades-long screen career, Collins also continued her work in theater, including productions of “The Importance of Being Earnest,” “Woman in Mind” and “Cinderella.”

Collins, born in 1940, was raised near Liverpool by a schoolteacher mother and a headmaster father. She told The Times in 1989 that her dad “was one of the early feminists.”

“He had three daughters and always offered us everything that a boy would have — education and stuff,” she said. “[My parents] had a completely shared domestic situation, they both worked, cooked, did the washing. He even washed nappies [diapers] by hand.”

Her marriage to “Upstairs, Downstairs” co-star John Alderton — they married in 1969 — was not too different. “He just spent five months holding down the fort at home while I was on Broadway,” she recalled.

Alderton, 84, said Thursday that Collins’ “greatest performance was as my wife and mother to our beautiful children.”

While Collins was known for her scenic and romantic on-screen vacation to the Greek coast, she preferred a different kind of destination off-screen: St. Petersburg, Fla.

“It’s amazing, people think when you’re on your own you’re going off to have wonderful sexual adventures. Here I am, on my own, going off to Disney World,” she told The Times. “What does that say about me?”

The Associated Press contributed to this report.

Los Angeles County Museum of Art management on Wednesday declined to voluntarily recognize the union its employees announced they were forming last week. This means LACMA United cannot move forward with collective bargaining efforts until it is formalized by a National Labor Relations Board election. Complicating matters further, NLRB activities — including elections — are on hold amid the federal government shutdown.

The disconnect between staff — a clear majority of whom signed union authorization cards — and management comes at a significant moment in the museum’s history as LACMA works tirelessly to open its $720-million David Geffen Galleries. The new home for its encyclopedic permanent collection, designed by Pritzker Prize-winning architect Peter Zumthor, contains 110,000 square feet of gallery space and is scheduled to open to the public in April after more than a decade of planning, fundraising and building.

In a news release, the union noted that organizing efforts — in the works for more than two years — have taken on added urgency as workloads have increased in the face of opening the new building.

“Staff across departments — many performing demanding physical labor — are stretched thin as deadlines accelerate,” LACMA United wrote. “Without adequate protections, this pace is unsustainable and has already contributed to burnout and turnover among dedicated employees who deserve better from an institution they’ve helped build.”

The union’s organizing committee added in a statement, “We are disappointed that LACMA leadership has chosen to delay rather than embrace the democratic will of its workers. While the museum reimagines itself as a more collaborative, less hierarchical institution in its new David Geffen Galleries, it has declined to extend that same vision to its relationship with the very people who bring LACMA’s mission to life every day.”

“LACMA’s leadership has great respect for our team and for everyone’s right to make their own choice on this important issue,” Michael Govan, the museum’s director and chief executive, said in an email. “No matter the outcome, my commitment to our employees — to listen, to support them, and to continue building a strong and respectful workplace — remains unchanged.”

Management’s decision stands counter to those made by other cultural institutions across the city, including the Museum of Contemporary Art, the Academy Museum and the Natural History Museum, all of which voluntarily recognized their unions over the last six years.

LACMA United represents more than 300 workers from across all departments, including curators, educators, art installers, conservators, registrars, visitor services staff, facilities workers, researchers and designers. The union is asking for improved wages, benefits and working conditions in what has proved to be a challenging climate for museum workers across the county.

The union did not demonstrate at last week’s celebrity-packed LACMA Art + Film Gala, which was co-hosted by Leonardo DiCaprio and fashion designer Eva Chow, and raised more than $6.5 million in support of the museum and its programs.

Warner Bros. Discovery reported a $148 million loss in the third quarter, hitting a sour note as the company began fielding interest from would-be buyers as Hollywood braces for a transforming deal.

Earnings for the entertainment company that includes HBO, CNN and the Warner Bros. film and TV studios fell short of analyst expectations. A year ago, the company reported profit of $135 million for the third quarter.

Revenue of $9.05 billion declined 6% from the year-ago period. The company swung to a loss of 6 cents a share, compared to last year’s earnings of 5 cents a share.

Still, Chief Executive David Zaslav spent much of Thursday’s call with analysts touting his company’s underlying strengths — while avoided giving details about the company’s sale.

“It’s fair to say that we have an active process underway,” Zaslav said.

Warner Bros. Discovery on Thursday reiterated it is forging ahead with previously announced plans to split into two separate entities by next spring. However, the Warner board acknowledged last month that it was also entertaining offers for the entire company — or its parts — after David Ellison’s Paramount expressed its interest with formal bids.

Paramount has made three offers, including a $58 billion in cash and stock for all of Warner Bros. Discovery. That bid would pay Warner stockholders $23.50 a share.

The Ellison family appears determined to win one of Hollywood’s most storied entertainment companies to pair with Paramount, which the Ellisons and RedBird Capital Partners acquired in August.

But Warner Bros. Discovery’s board, including Zaslav, voted unanimously to reject Paramount’s offers and instead opened the auction to other bidders, which is expected to lead to the firm changing hands for the third time in a decade.

Board members are betting the company, which has shown flickers of a turnaround, is worth more than the offers on the table. Despite its rocky third-quarter results, Warner’s stock held its ground in early morning trading at around $22.60 a share.

“Overall we are very bullish,” Zaslav said of the company’s business prospects.

“When you look at our films like ‘Superman,’ ‘Weapons’ and ‘One Battle After Another,’ the global reach of HBO Max and the diversity of our network’s offerings, we’ve managed to bring the best, most treasured traditions of Warner Bros. forward into a new era of entertainment and [a] new media landscape,” he said.

But the company’s results underscored its business challenges.

The studio witnessed a major decline in advertising revenue in the third quarter, reporting $1.41 billion, down 16% from the previous year, which executives attributed to declines in the audience for its domestic linear channels, including CNN, TNT and TLC.

Distribution revenue also took a hit, as the company reported sales of $4.7 billion, a decrease of 4% compared to last year.

Studio revenue increased 24% to $3.3 billion, powered by the success of DC Studios’ “Superman,” horror flick “Weapons” and the latest installment of “The Conjuring.” But even those box office wins couldn’t totally offset shortfalls in other areas of its content business.

Last year, the company was able to sub-license its rights to broadcast the Olympics in Europe, which pushed content revenue to $2.72 billion. But this year, revenue was down 3% to $2.65 billion.

Burbank-based Warner Bros. has had a string of success in theaters, with nine films opening at the top spot globally at the box office. The studio recently surpassed $4 billion in worldwide box office revenue, making it the first studio to do so this year. Warner Bros. last achieved that milestone in 2019.

Zaslav would like to continue with Warner’s break-up plans, which were announced last June.

The move would allow him to stay on to manage a smaller Hollywood-focused entity made up of the Warner Bros. studios, HBO, streaming service HBO Max and the company’s vast library, which includes Harry Potter movies and award-winning television shows such as “The Pitt.”

The company’s large portfolio of cable channels, including HGTV, Food Network and Cartoon Network, would become Discovery Global and operate independently.

Beyond Paramount, Philadelphia-based Comcast, Netflix and Amazon have expressed interest in considering buying parts of the company.

The company said its third quarter loss of $148 million was the result of a $1.3 billion expense, including restructuring costs.

On Tuesday, I voted for the first time. Not for a president, not in a midterm, but in the California special election to counter Texas Republicans’ gerrymandering efforts. What makes this dynamic particularly fascinating is that both parties are betting on the same demographic — Latino voters.

For years, pundits assumed Latinos were a lock for Democrats. President Obama’s 44-point lead with these voters in 2012 cemented the narrative: “Shifting demographics” (shorthand for more nonwhite voters) would doom Republicans.

But 2016, and especially the 2024 elections, shattered that idea. A year ago, Trump lost the Latino vote by just 3 points, down from 25 in 2020, according to Pew. Trump carried 14 of the 18 Texas counties within 20 miles of the border, a majority-Latino region. The shift was so significant that Texas Republicans, under Trump’s direction, are redrawing congressional districts to suppress Democratic representation, betting big that Republican gains made with Latinos can clinch the midterms in November 2026.

To counter Republican gerrymanders in Texas, Gov. Gavin Newsom and California Democrats pushed their own redistricting plans, hoping to send more Democrats to the House. They too are banking on Latino support — but that’s not a sure bet.

Imperial County offers a cautionary tale. This border district is 86% Latino, among the poorest in California, and has long been politically overlooked. It was considered reliably blue for decades; since 1994, it had backed every Democratic presidential candidate until 2024, when Trump narrowly won the district.

Determined to understand the recent shift, during summer break I traveled in Imperial County, interviewing local officials in El Centro, Calexico and other towns. Their insights revealed that the 2024 results weren’t just about immigration or ideology; they were about leadership, values and, above all, economics.

“It was crazy. It was a surprise,” Imperial County Registrar of Voters Linsey Dale told me. She pointed out that the assembly seat that represents much of Imperial County and part of Riverside County flipped to Republican.

Several interviewees cited voters’ frustration with President Biden’s age and Kamala Harris’ lack of visibility. In a climate of nostalgia politics, many Latino voters apparently longed for what they saw as the relative stability of the pre-pandemic Trump years.

Older Latinos, in particular, were attracted to the GOP’s rhetoric around family and tradition. But when asked about the top driver of votes, the deputy county executive officer, Rebecca Terrazas-Baxter, told me: “It wasn’t immigration. It was the economic hardship and inflation.”

Republicans winning over voters on issues such as cost of living, particularly coming out of pandemic-era recession, makes sense, but I am skeptical of the notion that Latino voters are fully realigning themselves into a slate of conservative positions.

Imperial voters consistently back progressive economic policies at the ballot box and hold a favorable view of local government programs that deliver tangible help such as homebuyer assistance, housing rehabilitation and expanded healthcare access. In the past, even when they have supported Democratic presidential candidates, they have voted for conservative ballot measures and Republican candidates down the ticket. Imperial voters backed Obama by a wide margin but also supported California’s Proposition 8, banning same-sex marriage. This mix of progressive economics and conservative values is why Republican political consultant Mike Madrid describes Latino partisanship as a “weak anchor.”

The same fluidity explains why many Latinos who rallied behind Sen. Bernie Sanders in 2020 later voted for Trump in 2024. Both men ran as populists, promising to challenge the establishment and deliver economic revival. For Latinos, it wasn’t about left or right; it was about surviving.

The lesson for both parties in California, Texas and everywhere is that no matter how lines are drawn, no district should be considered “safe” without serious engagement.

It should go without saying, Latino voters are not a monolith. They split tickets and vote pragmatically based on lived economic realities. Latinos are the youngest and fastest-growing demographic in the U.S., with a median age of 30. Twenty-five percent of Gen Z Americans are Latino, myself among them. We are the most consequential swing voters of the next generation.

As I assume many other young Latino voters do, I approached my first time at the ballot box with ambivalence. I’ve long awaited my turn to participate in the American democratic process, but I could never have expected that my first time would be to stop a plot to undermine it. And yet, I feel hope.

The 2024 election made it clear to both parties that Latinos are not to be taken for granted. Latino voters are American democracy’s wild card — young, dynamic and fiercely pragmatic. They embody what democracy should be: fluid, responsive and rooted in lived experience. They don’t swear loyalty to red or blue; they back whoever they think will deliver. The fastest-growing voting bloc in America is up for grabs.

Francesca Moreno is a high school senior at Marlborough School in Los Angeles, researching Latino voting behavior under the guidance of political strategist Mike Madrid.

Southern California Edison has cut power to hundreds of thousands of its customers this year, more than ever before, as it attempts to stop its electric lines from sparking wildfires.

The utility has told communities in fire-prone areas in recent weeks that they should expect more of the power shutoffs than in prior years and that the outages could last for longer periods of time.

The Rosemead-based company said it had lowered the wind speed that triggers the blackouts, and added tens of thousands of customers to the areas subject to them, after the devastating Jan. 7 Eaton fire. The inferno, which killed 19 people in Altadena, ignited in high winds under an Edison transmission line.

“You should be ready for the power to cut off at any moment,” Ian Anderson, a government relations manager for Edison, told the Moorpark City Council at an October meeting. He urged residents to buy generators and said the utility doesn’t reimburse customers for spoiled food and other losses if it believes the blackouts were required by “an act of God.”

“But PSPS is not an act of God,” responded Moorpark Councilmember Renee Delgado, using the acronym for public safety power shutoffs. “It’s a choice SCE is making.”

For more than a decade, California utilities have used the shutoffs to stop their equipment from sparking fires. The intentional outages have become so established in California’s wildfire prevention plans that Edison now faces lawsuits saying that it failed to shut off some of its lines before the Eaton fire.

Yet in recent months, the utility has heard a chorus of complaints from communities including Moorpark and Malibu that it is blacking out customers even when the winds are calm. And the utility often has failed to warn people of the coming outages, making it impossible for them to prepare, according to filings at the state Public Utilities Commission.

“You guys have put us into a Third World situation,” Scott Dittrich, a resident of Malibu, said at a Sept. 30 meeting that the city had with Edison to address the shutoffs.

Kathleen Dunleavy, an Edison spokeswoman, said the company recognizes that “any power outage is a hardship.”

But the outages are needed because they have prevented fires in dangerous weather, she said. “Our commitment is to keeping our communities safe,” she added.

This year, Edison has cut off 534,000 customers to prevent fires, according to data it filed with state regulators. That’s almost four times the 137,000 customers subject to the blackouts in 2024.

Under state rules, utilities can use the outages only as a measure of last resort — when the risk of electrical equipment igniting a fire is greater than the dangerous hazards the blackouts cause.

Disconnecting a neighborhood or city can cause far more than just inconvenience.

Traffic lights no longer work, causing perilous intersections. During a Dec. 10 outage in Moorpark, a utility truck failed to stop at a nonworking light on State Route 118, crashing into a sedan. The driver was injured and had to be extracted from the truck by emergency responders, according to the city’s report to state regulators.

The shutoffs also leave residents who have medical problems without the use of needed devices and refrigerators to store medications.

And they can cut off communication, stopping residents from getting evacuation warnings and other emergency messages.

During the Eaton and Palisades fires, the power shutoffs, as well as outages caused by wind and fire damage, “significantly disrupted the effectiveness of evacuation messaging,” according to a recent review of Los Angeles County’s emergency performance.

In the last three months of last year, Edison received 230 reports of traffic accidents, people failing to get needed medical care and other safety problems tied to the shutoffs, according to the company’s reports.

Dunleavy said Edison turned off the power only when staff believed the risk of fire exceeded the outages’ consequences.

Nonetheless, Alice Reynolds, president of the Public Utilities Commission, told Edison last month that she had “serious concern” about how the utility was leaving more customers in the dark.

Reynolds wrote in a letter to Steve Powell, the utility’s chief executive, that records showed that the company de-energized not just a record number of residential customers in January, but also more than 10,000 crucial facilities such as hospitals. The longest blackout lasted for 15 days, she said.

“There is no question that power outages — particularly those that are large scale and extended over many days — can cause significant hardship to customers, jeopardizing the safety of customers with medical needs who rely on electricity and disrupting businesses, critical facilities, and schools,” she wrote.

Reynolds said she would require Edison executives to hold biweekly meetings with state regulators where they must show how they planned to limit the scope and duration of the blackouts and improve their notifications to customers of coming shutoffs.

Powell wrote back to her, acknowledging “that our execution of PSPS events has not always met expectations.”

“SCE remains committed to improving its PSPS program to help customers prepare for potential de-energizations and reduce the impacts,” he wrote.

Since 2019, Edison has charged billions of dollars to customers for wildfire prevention work, including increased equipment inspections and the installation of insulated wires, which it said would reduce the need for the shutoffs.

Just four months before the Eaton fire, at an annual safety meeting, Edison executives told state regulators that the utility’s fire mitigation work had been so successful that it had sharply reduced the number of shutoffs, while also decreasing the risk of a catastrophic wildfire by as much as 90%.

A year later, at this year’s annual safety meeting in August, those risk reduction estimates were gone from the company’s presentation. Instead, Edison executives said they expected the number of shutoffs to increase this year by 20% to 40%. They added that the average size of the areas subject to the outages could be twice as large as last year.

The executives blamed “below average rainfall and extended periods of high winds” for increasing the risk that the company’s equipment could start a fire.

“The weather is getting more difficult for us,” Jill Anderson, Edison’s chief operating officer, said at the meeting.

Some customers have questioned whether the utility’s increasingly unreliable electricity lines should be solely blamed on the weather. They say the shutoffs have seemed more and more random.

The Acton Town Council told the utilities commission in January that Edison was blacking out residents when dangerous conditions “do not exist.”

At the same time, the council wrote, Edison had cut power to neighborhoods served by wires that had been undergrounded, an expensive upgrade that Edison has said would prevent the need for the shutoffs.

Edison’s Dunleavy said that although the Acton homes in those neighborhoods were served by underground lines, they were connected to a circuit that had overhead lines, requiring them to be turned off.

“We try to reroute as much as possible to minimize disruptions,” she said.

At the Moorpark City Council meeting, residents spoke of how the repeated outages, some lasting for days, had caused children to miss school and businesses to close their doors and lose revenue.

The residents also spoke of how their electric bills continued to rise as they had spent more days in the dark.

Joanne Carnes, a Moorpark resident, told Anderson, Edison’s government relations manager, that her last monthly bill was $421.

“Why are we paying more than a car payment,” she asked, “for a service that is not able to provide power?”

“Death By Lightning,” premiering Thursday on Netflix, introduces itself as “a story about two men the world forgot,” and while it is undoubtedly true that few in 2025 will recognize the name Charles Guiteau, many will know James A. Garfield, given that he was one of only four assassinated American presidents. There are less well remembered presidents, for sure — does the name John Tyler ring a bell? — and assassins better known than Guiteau, but if you’re going to make a docudrama, it does help to choose a story that might be more surprising to viewers and comes with a murder built in. It is also, I would guess intentionally, a tale made for our times, with its themes of civil rights, income inequality, cronyism and corruption.

Indeed, most everything about the Garfield story is dramatic — a tragedy, not merely for the family, but for the nation. For the sense one gets from “Death by Lightning” and from the historical record it fairly represents, is that Garfield, killed after only 200 days in office, might have made a very good chief executive. (The stated source for the series is Candice Millard’s 2011 book “Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President”; Millard is also a voice in the more briefly titled, illuminating “American Experience” documentary “Murder of a President.”)

That the longtime Ohio congressman did not seek but was drafted for the job — a compromise chosen, against his protests, on the 36th ballot at the 1880 Republican National Convention, where he’d given a stirring speech to nominate a fellow Ohioan, Treasury Secretary John Sherman — made him, one might say, especially qualified for the job; unlike some politicians one might name, he was self-effacing and humble and not out for personal gain. But he saw, finally, that he had a chance to “fix all the things that terrify me about this republic,” most especially the ongoing oppression of Black citizens, a major theme of his inauguration speech (with remarks transferred here to a campaign address delivered to a crowd of 50,000 from a balcony overlooking New York’s Madison Square Park). “I would rather be with you and defeated than against you and victorious,” he tells a group of Black veterans gathered on his front porch, from which he conducted his campaign. (Some 20,000 people were said to have visited there during its course.)

Political machinations and complications aside, the narrative, which stretches two years across four episodes, is really fairly simple, even schematic, cutting back and forth between Garfield (Michael Shannon, between tours covering early R.E.M. albums) and Guiteau (Matthew Macfadyen), a drifter with delusions of grandeur, as they approach their historically sealed date with destiny. Garfield is goodness personified; we meet him on his farm, cooking breakfast for the family, planing wood to make a picnic table. (A table we will meet again.) Guiteau goes from one failed project to another, living it up on money stolen from his sister, running out on restaurant checks and rooming house bills, telling lies about himself he might well have thought were true, until he decides that politics is the place to make his mark. Under the impression that he was responsible for Garfield’s election, he believed the new president owed him a job — ambassador to France would be nice — and when none was coming, turned sour. A message from God, and the belief that he would save the republic, set him on a path to murder.

Matthew Macfadyen plays Garfield’s assassin, Charles Guiteau, in the miniseries.

(Larry Horricks / Netflix)

The series largely belongs to them — both actors are terrific, Shannon imbuing Garfield with a gravity leavened with kindness and humor, Macfadyen’s Guiteau, optimistically dedicated to his delusions yet always about to pop. But it’s a loaded cast. The ever-invaluable Betty Gilpin, in her fourth big series this year after “American Primeval,” “The Terminal List: Dark Wolf” and “Hal & Harper,” plays Garfield’s wife, Crete, fully up on the political scene and free with her opinions. Shea Whigham is New York senator and power broker Roscoe Conkling, Garfield’s moral opposite, and the series’ villain, if you excuse Guiteau as mentally ill. (The jury didn’t.). As wise Maine Sen. James Blaine, Bradley Whitford exudes a convincing, quiet authority, honed over those years working in the pretend White House on “The West Wing.” All the men have been whiskered to resemble their historical models.

Where most of them, even Guiteau, remain consistent from beginning to end, it’s Nick Offerman’s Chester A. Arthur who goes on a journey. Conkling’s right hand, in charge of the New York Customs House — which generated a third of the country’s revenues through import fees — he’s offered the position of vice president to appease Conkling, New York being key to winning the election. Arthur begins as a thuggish, cigar-smoking, sausage-eating, drunken clown, until he’s forced, by events, and the possibility of inheriting the presidency, to reckon with himself.

When First Lady Crete Garfield wonders whether there should be a little extra security (or, really, any security at all) around her husband, he responds, “Assassination can no more be guarded against than death by lightning — it’s best not to worry too much about either one,” giving the series its title and clearing up any confusion you may have had about its meaning. Indeed, Guiteau moves in and out of what today would be well guarded rooms with surprising ease, managing encounters (some certainly invented) with Crete, Blaine, a drunken Arthur and Garfield, whom he implores, “Tell me how I can be great, too.”

Created by Mike Makowsky, it isn’t free from theatrical effects, dramatic overreach or obvious statements, but as period pieces go, it’s unusually persuasive, in big and little ways. Only occasionally does one feel taken out of a 19th century reality into a 21st century television series. The effects budget has been spent where it matters, with some detailed evocations of late 19th century Chicago and Washington that don’t scream CGI. The first episode, which recreates the 1880 convention, held at the Interstate Exposition Building in Chicago, aligns perfectly with engravings of the scene and brings it to life, supporting the wheeling and dealing and speechifying in a way that one imagines is close to being there.

Because we know what’s coming, the series can be emotionally taxing, especially as a wounded Garfield lingers through much of the final episode, while being mistreated by his doctor, Willard Bliss (Zeljko Ivanek), who ignores the advice of the younger, better informed Dr. Charles Purvis (Shaun Parkes), the first Black physician to attend to a sitting president; many, including Millard, believe it was the doctor who killed him through a lack of sanitary precautions, and that Garfield might have recovered if he’d just been left alone, an idea the series supports.

But you can’t change history, as much as “Death By Lightning” makes you wish you could.

VATICAN CITY — Pope Leo XIV has called for “deep reflection” in the United States about the treatment of migrants held in detention, saying that “many people who have lived for years and years and years, never causing problems, have been deeply affected by what is going on right now.”

The Chicago-born pope was responding Tuesday to a variety of geopolitical questions from reporters outside the papal retreat at Castel Gandolfo, including what kind of spiritual rights migrants in U.S. custody should have, U.S. military attacks on suspected drug traffickers off Venezuela and the fragile ceasefire in the Middle East.

Leo underlined that scripture emphasizes the question that will be posed at the end of the world: “How did you receive the foreigner, did you receive him and welcome him, or not? I think there is a deep reflection that needs to be made about what is happening.”

He said “the spiritual rights of people who have been detained should also be considered,’’ and he called on authorities to allow pastoral workers access to the detained migrants. “Many times they’ve been separated from their families. No one knows what’s happening, but their own spiritual needs should be attended to,’’ Leo said.

Leo last month urged labor union leaders visiting from Chicago to advocate for immigrants and welcome minorities into their ranks.

Asked about the lethal attacks on suspected drug traffickers off Venezuela, the pontiff said the military action was “increasing tension,’’ noting that they were coming even closer to the coastline.

“The thing is to seek dialogue,’’ the pope said.

On the Middle East, Leo acknowledged that the first phase of the peace accord between Israel and Hamas remains “very fragile,’’ and said that the parties need to find a way forward on future governance “and how you can guarantee the rights of all peoples.’’

Asked about Israeli settler attacks on Palestinians in the West Bank, the pope described the settlement issue as “complex,’’ adding: “Israel has said one thing, then it’s done another sometimes. We need to try to work together for justice for all peoples.’’

Pope Leo will receive Palestinian Authority President Mahmoud Abbas at the Vatican on Thursday. At the end of November he will make his first trip as Pope to Turkey and Lebanon.

Consumer group Which? has ranked hotels based on customer feedback – with pub chain Wetherspoons given a ‘great value’ gong and Premier Inn losing Recommended Provider status as it slips down the list

The Britannia Hotels chain has been ranked the worst place to stay for the 12th year running in a poll, as Wetherspoons beat Premier Inn and took home the ‘top value’ prize.

Consumer group Which? gave Britannia, with more than 60 sites, a lowly customer score of just 44%. It managed just one star out of a possible five for the quality of its bedrooms and bathrooms.

One Britannia customer at the Grand Burstin Hotel in Folkestone, Kent, described witheringly as a “total dive”. Another said they had three nights booked but left after one because of the poor service, room and food.

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Britannia’s chain include a number of historic and landmark hotels. They include Liverpool’s famous Adelphi, which scores just 2.6 out of possible five on Tripadvisor as the website says guests “frequently cite noise issues due to thin walls”. Britannia’s Grand Hotel in Scarborough gets an even lower 2.4 on Tripadvisor, which says rooms are “basic and dated, with mixed reports on cleanliness.”

The firm’s hotel in London’s Docklands has been the scene of protests amid reports it was being used to house asylum seekers. It has been given a score of 2.8 on Tripadvisor. The Britannia group is controlled by tycoon Alex Langsam, who also owns holiday camp Pontins and was criticised after its Southport’s site sudden closure in early 2024.

The Mirror confronted Mr Langsam at the time at his 10-bedroom mansion in Cheshire. But when asked if he had anything to say to the workers who left in tears, he claimed: “It’s nothing to do with me, I am nothing to do with Pontins.”

Top in the Which? large hotel category was a pub chain with 35 inns. The Coaching Inn Group received a customer score of 81%, with “often historic buildings located in beauty spots or market towns where they aim to be ‘the best venue in town’.”

Pub giant JD Wetherspoon, which has over 50 hotels across the country, was also praised. It came fifth and was the only chain to be awarded a Which? Great Value badge. At just £70 for an average night’s stay, Wetherspoons got four stars for value for money and the majority of other categories, including customer service. One guest commented that the hotel was “clean, comfortable and good value”.

It came above Premier Inn, which slipped to seventh in the large chain table, and lost the Which? Recommended Provider status. While customers still ranked Premier Inn’s beds as some of the most comfortable in the survey, some guests told Which? their stay wasn’t good value and suggested that standards were slipping.

One guest said that “Premier Inn has lost its way. Prices no longer budget levels and service is no longer a priority”. An average night’s stay is £94. Rory Boland, Editor of Which? Travel, said: “A night away should be a real treat but with hotel prices climbing, finding a hotel chain that consistently offers comfort, good customer service and a charming location at a fair price has become harder. “

A spokesperson for Premier Inn said: “At Premier Inn we help millions of people have a great night’s sleep and sell over 20 million room nights every year to families, leisure and business guests. We’re pleased that the 2,746 Which? members who answered for Premier Inn as part of this summer survey awarded us five stars for bed comfort and that they also rated our customer service and cleanliness highly.

“Whether it’s our estate-wide roll-out of brand new, high-quality beds all with a choice of soft or firm pillows, providing relaxing shower products in every room or keeping our food and drink menus updated with new offers to tempt and excite customers, we’re continually investing in our guest experience. We are always looking to improve and welcome comments and feedback– indeed we actively seek them through our own customer surveys. We will certainly pay special attention to address anything that feedback suggests we need to.”

Britannia Hotels was contacted for comment.

Former USC and NFL linebacker Keith Browner died Tuesday morning in San Leandro, the Alameda County Sheriff’s Office Coroner’s Bureau confirmed Wednesday. He was 63.

Keith Browner Jr. told TMZ that he talked to his father Monday night when the elder Browning was having stomach problems, vomiting and feeling tired. Browner Jr. said his father told him he would go to the hospital the next morning.

Browner was getting ready to go to the hospital Tuesday morning, according to TMZ, “when he curled over the side of a chair and collapsed to the floor next to his girlfriend.” TMZ also reported that “it appears” Browner suffered a heart attack and that his death was “unexpected and sudden.”

Alameda County authorities provided no cause of death Wednesday.

Born in Warren, Ohio, Browner was the fifth of six brothers, all of whom played college football and four of whom went on to play in the NFL. A second-round pick (30th overall) for the Tampa Bay Buccaneers in 1984, Browner also played for the San Francisco 49ers, Los Angeles Raiders and San Diego Chargers during a five-year NFL career.

Oldest brother Ross Browner spent 10 years in the NFL, playing for the Cincinnati Bengals and Green Bay Packers. Jimmie Browner Jr. played two years with the Bengals. Joey Browner was a six-time Pro Bowl player who spent nine seasons with the Minnesota Vikings and one with the Buccaneers.

Browner Jr. followed in his father’s footsteps as a college and pro football player. A standout defensive end at Dorsey High, Browner Jr. played three seasons at California and one season with the Houston Texans.

A nephew, Ross Browner’s son Max Starks, played nine years for the Pittsburgh Steelers and one for the St. Louis Rams.

Browner — who was 14 when his father, Jimmie, died of cancer at age 49 — said his mother Julia was the driving force behind her sons’ passion for the sport.

“She’s the one who always urged us to play,” he told the Dayton Daily News in 2023, “and sometimes she’d be right out there with us in the yard when we were having pick-up games.”

A three-sport standout at Warren Harding High, Browner spent four seasons at USC (1980-83), overlapping with brother Joey for the first three. He was named a captain for his final season and finished his college career with six interceptions in 34 games played.

Browner made the NFL’s all-rookie team in 1984. After three years with the Buccaneers, he split the 1987 season between the 49ers and Raiders before spending his final NFL season with the Chargers.

He finished his NFL career with 10.5 sacks, four interceptions (including one returned 55 yards for the Chargers against the Seattle Seahawks in 1988) and five fumble recoveries, then played two seasons in the Canadian Football League and six in the Arena Football League.

Browner is survived by his son and four daughters.

WASHINGTON — Dick Cheney was the public face of the George W. Bush administration’s boundary-pushing approach to surveillance and intelligence collection in the years after the Sept. 11, 2001, attacks.

An unabashed proponent of broad executive power in the name of national security, Cheney placed himself at the center of a polarizing public debate over detention, interrogation and spying that endures two decades later.

“I do think the security state that we have today is very much a product of our reactions to Sept. 11, and obviously Vice President Cheney was right smack-dab in the middle of how that reaction was operationalized from the White House,” said Stephen Vladeck, a Georgetown University law professor.

Prominent booster of the Patriot Act

Cheney was arguably the administration’s most prominent booster of the Patriot Act, the law enacted nearly unanimously after 9/11 that granted the U.S. government sweeping surveillance powers.

He also championed a National Security Agency warrantless wiretapping program aimed at intercepting international communications of suspected terrorists in the U.S., despite concerns over its legality from some administration figures.

If such an authority had been in place before Sept. 11, Cheney once asserted, it could have led the U.S. “to pick up on two of the hijackers who flew a jet into the Pentagon.”

Law enforcement and intelligence agencies still retain key tools to confront potential terrorists and spies that came into prominence after the attacks, including national security letters that permit the FBI to order companies to turn over information about customers.

But courts also have questioned the legal justification of the government’s surveillance apparatus, and a Republican Party that once solidly stood behind Cheney’s national security worldview has grown significantly more fractured.

The bipartisan consensus on expanded surveillance powers after Sept. 11 has given way to increased skepticism, especially among some Republicans who believe spy agencies used those powers to undermine President Trump while investigating ties between Russia and his 2016 campaign.

Congress in 2020 let expire three provisions of the Patriot Act that the FBI and Justice Department had said were essential for national security, including one that permits investigators to surveil subjects without establishing that they’re acting on behalf of an international terror organization.

A program known as Section 702 of the Foreign Intelligence Surveillance Act, which permits the U.S. government to collect without a warrant the communications of non-Americans located outside the country for the purpose of gathering foreign intelligence, was reauthorized last year — but only after significant negotiations.

“I think for someone like Vice President Cheney, expanding those authorities wasn’t an incidental objective — it was a core objective,” Vladeck said. “And I think the Republican Party today does not view those kinds of issues — counterterrorism policy, government surveillance authorities — as anywhere near the kind of political issues that the Bush administration did.”

As an architect of the U.S. invasions of Afghanistan and Iraq, Cheney pushed spy agencies to find evidence to justify military action.

Along with others in the administration, Cheney claimed Iraqi President Saddam Hussein was developing weapons of mass destruction and had ties to al-Qaida. They used that to sell the war to members of Congress and the American people, though it was later debunked.

The faulty intelligence used to justify the invasion of Iraq is held up as a significant failure by America’s spy services and a demonstration of what can happen when leaders use intelligence for political ends.

The government’s arguments for war fueled a distrust among many Americans that still resonates with some in Trump’s administration.

“For decades, our foreign policy has been trapped in a counterproductive and endless cycle of regime change or nation building,” Tulsi Gabbard, the director of the Office of National Intelligence, said in the Middle East last week.

Many lawmakers who voted to support using force in 2003 say they have come to regret it.

“It was a mistake to rely upon the Bush administration for telling the truth,” Sen. Ed Markey, D-Mass., said on the invasion’s 20th anniversary.

Expanded war powers

Trump has long criticized Cheney, but he’s relying on a legal doctrine popularized during Cheney’s time in office to justify deadly strikes on alleged drug-running boats in Latin America.

The Trump administration says the U.S. is engaged in “armed conflict” with drug cartels and has declared them unlawful combatants.

“These narco-terrorists have killed more Americans than Al-Qaeda, and they will be treated the same,” Defense Secretary Pete Hegseth said Oct. 28 on social media. ”We will track them, we will network them, and then, we will hunt and kill them.”

After 9/11, the Bush-Cheney administration authorized the U.S. military to attack enemy combatants acting on behalf of terror organizations. That prompted questions about the legality of killing or detaining people without prosecution.

Cheney’s involvement in boosting executive power and surveillance and “cooking the books of the raw intelligence” has echoes in today’s strikes, said Jim Ludes, a former national security analyst who directs the Pell Center for International Relations and Public Policy at Salve Regina University.

“You think about his legacy and some of it is very troubling. Some of it is maybe what the moment demanded,” Ludes said. “But it’s a complicated legacy.“

Vladeck noted an enduring legacy of the Bush-Cheney administration was “to blur if not entirely collapse lines between civilian reactions to threats and military ones.”

He pointed to designating foreign terrorist organizations, a tool that predated the Sept. 11 attacks but became more prevalent in the years that followed. Trump has used the label for several drug cartels.

Contemporary conflicts inside the government

Protecting the homeland from espionage, terrorism and other threats is a complicated endeavor spread across the government. When Cheney was vice president, for instance, agencies like the Department of Homeland Security and the Office of the Director of National Intelligence, or ODNI, were established.

As was the case then, the division of labor can still be disputed, with a recent crack surfacing between Director Kash Patel’s FBI and the intelligence community led by Gabbard.

The FBI said in a letter to lawmakers that it “vigorously disagrees” with a legislative proposal that it said would remove the bureau as the government’s lead counterintelligence agency and replace it with a counterintelligence center under ODNI.

“The cumulative effect,” the FBI warned in the letter obtained by The Associated Press, “would be putting decision-making with employees who aren’t actively involved in CI operations, knowledgeable of the intricacies of CI threats, or positioned to develop coherent and tailored mitigation strategies.”

That would be to the detriment of national security, the FBI said.

Spokespeople for the agencies later issued a statement saying they are working together with Congress to strengthen counterintelligence efforts.

Tucker and Klepper write for the Associated Press.

The Chicago Cubs’ Kyle Tucker runs the bases after hitting a solo home run during the seventh inning of Game 4 of their NLDS against the Milwaukee Brewers.

(Nam Y. Huh / Associated Press)

The most obvious area of need for next year’s Dodgers will be in the outfield.

Andy Pages will be back, trying to build upon his 27-homer campaign in 2025. Teoscar Hernández will enter the second of his three-year contract, trying to rebound from his injury-plagued struggles this past summer.

But the third spot remains wide open, with Michael Conforto hitting free agency after his dismal performance on a one-year, $17 million deal this past year, and Alex Call having been used in more of a depth role after his arrival of this year’s trade deadline.

Internally, the Dodgers don’t have an immediate plug-and-play option, as top prospects Josue De Paula, Zyhir Hope, Eduardo Quintero and Mike Sirota remain a ways away from the majors.

Thus, don’t be surprised to see the Dodgers linked with big names on either the free-agent or trade market this winter, starting with top free-agent prize Kyle Tucker.

Since the summer, industry speculation has swirled about the Dodgers’ expected pursuit of Tucker this offseason. The four-time All-Star did not finish 2025 well while nursing a couple injuries, but remains one of the premier left-handed bats in the sport, and could command upward of $400-$500 million on a long-term deal — a hefty price tag, but certainly not one beyond the Dodgers’ capabilities.

Free agency will include other notable outfield options. Cody Bellinger is hitting the open market, though a reunion with the Dodgers has always seemed like a long shot. Harrison Bader and Trent Grisham could provide more glove-first alternatives, and have been linked with the Dodgers in the past.

Then there are potential trade candidates, from left fielder Steven Kwan of the Cleveland Guardians to utilityman Brendan Donovan of the St. Louis Cardinals, also players the Dodgers have inquired about in the past.

The Dodgers could construct their 2026 roster in other ways, thanks to the versatility Tommy Edman provides in center field. But another outfield addition remains their most logical priority this winter. And there will be no shortage of possibilities.

A UK SEASIDE resort’s only Christmas market has been axed after just one year.

No one has come forward to run the event after the organisers decided to “take a break” this year.

Business owners Anne-Marie Chebib, Becky Stevens and Lisa Norman brought the first Winter Fayre to Brighton’s Valley Gardens last year.

However, they have now decided to take a break from running the event after only one year.

The website Brightonwinter states: “The team have decided to take a break from the Brighton Winter Fayre this year.

“We’re so grateful for all the support the event has had, and we hope to bring it back in the future.”

END OF AN ERA

Popular Christmas market cancelled in seaside village after 30 years

ho ho no

True cost of Christmas activities revealed – from Santa’s grotto to panto trips

Brighton and Hove City Council has confirmed no one suitable has come forward to take on a similar event in time for Christmas reports The Argus.

The popular Winter Fayre included food and drink stalls as well as a Santa’s grotto, plus children’s workshops and carol singers.

There were also winter night events for adults and live music which were deemed popular.

But, last year’s event was hit with a series of unfortunate events when it was forced to close due to the arrival of Storm Darragh.

Sadly, on opening day, the fair had to be evacuated due to high winds and a tent poll collapsing in a marquee.

Luckily it was reported that no-one was badly injured due to the incident and the team were quick to respond and make sure the marquee was cleared.

However, the fair’s final weekend also had to be cancelled due to more bad weather.

The Winter Fayre came after Brighton was left without a Christmas market back in 2023 when it was run under different organisers.

E3 Events who organised the 2022 event was forced to end their deal earlier due to Covid, rising costs and supply chain problems.

Brighton and Hove City Council then faced a race against time to find a commercial partner able to chip in around £70,000.

Sadly, they were unable to find anyone in 2023 and the fair didn’t go ahead then either.

Speaking of this year’s event, Councillor Birgit Miller, cabinet member for culture, heritage and tourism at Brighton and Hove City Council, said: “As always there will be plenty of festive events taking place across the city but, unfortunately, following the decision by the private operators of the Brighton Winter Fayre to take a break this year, there is unlikely to be a market-style event.

“This was a privately venture, not a council event, and the reality is nobody suitable has come forward offering to run a similar event in its place.”

For a historian who writes about war, Rick Atkinson is surprisingly optimistic. The Pulitzer Prize-winning author and former journalist — who recently released the second volume in a trilogy of books about the American Revolution — believes that the bedrock of American democracy is solid enough to withstand any assaults on its founding principles.

As the guest of honor at a Sunday night dinner sponsored by the Library Foundation of Los Angeles as part of its biennial Literary Feasts fundraiser, Atkinson was the most upbeat person at the event, which took place just before Election Day. Speaking to about 18 guests gathered around two circular tables carefully laid out on the back patio at the home of fellow writers and hosts Meenakshi and Liaquat Ahamed, Atkinson buoyed the flagging spirits of those certain that the country was currently dangling on the precipice of disaster at the hands of the Trump administration.

Book lovers attend a Literary Feast dinner featuring Pulitzer Prize-winning historian Rick Atkinson at the home of writers Meenakshi and Liaquat Ahamed.

(Jason Armond / Los Angeles Times)

“We’re the beneficiaries of an enlightened political heritage handed down to us from that founding generation, and it includes strictures on how to divide power and keep it from concentrating in the hands of authoritarians who think primarily of themselves,” Atkinson said with the cheery aplomb of a man who has spent the bulk of his time burrowing deep inside archives filled with harrowing stories of the darkest days the world has ever seen. “We can’t let that slip away. We can’t allow it to be taken away, and we can’t allow ourselves to forget the hundreds of thousands who’ve given their lives to affirm and sustain it over the past 250 years.”

The questions and conversation that followed Atkinson’s rousing speech about the history of the Revolution — including riveting details about key players like George Washington who Atkinson noted had “remarkably dead eyes” in order to not give away a scintilla of his inner life to curious onlookers — was what the evening’s book-loving guests had come for.

“We’re the beneficiaries of an enlightened political heritage handed down to us from that founding generation,” said Rick Atkinson.

(Jason Armond / Los Angeles Times)

A total of 40 authors are hosted at salon-style events at 40 houses with more than 750 guests over the course of a single evening, raising more than $2 million for the Library Foundation, which is a separate entity from the public library. Founded in 1992 in the wake of the devastating 1986 fire at downtown’s Central Library, which destroyed more than 400,000 books, the foundation seeks to continue the community-driven mission of the library when funding runs short, including supporting adult education, early literacy programs for children, and services for immigrants and the unhoused.

“I often describe it as the dream-fueling work, the life-changing work,” said Stacy Lieberman, the Library Foundation’s president and chief executive. “Because it’s a lot of the one-on-one support that people will get.”

The Foundation typically raises about $7 million to $8 million a year, with an operating budget of nearly $11 million, so money raised through the Literary Feasts is a significant slice of the funding pie. The feasts began in 1997 and have continued apace every other year since then, featuring a who’s who of literary accomplishment across every genre. Writers past and present include Sue Grafton, Jane Fonda, Ann Patchett, Viet Thanh Nguyen, Abraham Verghese, Scott Turow and Michael Connelly.

Dinner hosts fund the events themselves — no small outlay considering the lavish offerings.

Guests were served steak with roasted carrots, turnips and potatoes.

(Jason Armond / Los Angeles Times)

The Ahameds delighted guests with a tangy grapefruit and greens salad, followed by tender steak with roasted carrots, turnips and potatoes; a dessert of hot apple tart à la mode drizzled with caramel sauce; and plenty of crisp red and white wine. Both hosts are literary luminaries in their own right: Liaquat, a former investment manager, won the 2010 Pulitzer Prize for history for his book “Lords of Finance: The Bankers Who Broke the World” and Meenakshi recently published “Indian Genius: The Meteoric Rise of Indians in America.”

The couple travels in bookish circles and enjoys hosting salons at their home, including one earlier this year in support of New Yorker political columnist Susan Glasser and her husband, New York Times chief White House correspondent Peter Baker. As friends of Atkinson, the Ahameds did their part to introduce him, and later tried their best to entice him to stop taking questions and eat his dinner.

The guest of honor could not be persuaded. There was too much to say. “The Fate of the Day,” which explores the bloody middle years of the Revolution from 1777 to 1780, was released in April, and Atkinson has spent the past eight months touring and speaking on panels with documentarian Ken Burns to promote Burns’ six-part documentary series “The American Revolution,” which premieres Nov. 16 on PBS.

Atkinson is a featured speaker in the series and has been involved with it for about four years.

The dinner featuring Rick Atkinson was one of 40 taking place across town that evening. The events raised $2 million for the Library Foundation of Los Angeles.

(Jason Armond / Los Angeles Times)

The week before the Literary Feast, Atkinson and Burns spoke to members of Congress in Washington, D.C., and also screened a 40-minute clip at Mount Vernon where Atkinson discussed Washington’s unique talents as a general.

“I’ve seen the whole thing several times and it’s fantastic,” Atkinson said of the 12-hour film. “It’s as you would expect: beautifully filmed, wonderfully told, great narrative.”

The country is now more than four months into its semiquincentennial, which Atkinson joked “sounds like a medical procedure,” but is actually the 250th anniversary of the founding of the United States. It’s well known that Trump is planning a splashy party, with festivities and commemorations intensifying over the next eight months, culminating in a grand celebration in Washington, D.C., on July 4, 2026.

Rick Atkinson’s book “The Fate of the Day,” which explores the bloody middle years of the Revolution from 1777 to 1780, was released in April.

(Jason Armond / Los Angeles Times)

“My hope is that as a country, we use the opportunity to reflect on those basic questions of who we are, where we came from, what our forebears believed and what they were willing to die for,” said Atkinson. “I’m optimistic because I’m a historian, because I know our history. No matter how grim things seem in 2025, we have faced grimmer times in the past, existential threats of the first order, starting with the Revolution.”

The politically deflated might also consider World War II — the subject of Atkinson’s Liberation Trilogy — the second volume of which won the 2003 Pulitzer Prize for history. The writer knows his stuff. Guests — and readers — take heart.

The Latin Recording Academy has added even more names to its already star-studded lineup of artists slated to perform at the 26th Latin Grammy Awards, which will be held Nov. 13.

Among the acts announced are album of the year nominee Bad Bunny, breakout Argentine duo Ca7riel & Paco Amoroso, song of the year nominee Karol G and San Bernardino-based música mexicana powerhouse group Fuerza Regida

Also added to the performers list was Mexican musical icon Marco Antonio Solís and Puerto Rican band Chuwi, who was featured on Bad Bunny’s latest album, “Debí Tirar Más Fotos.”

Next week’s show will mark the first time Bad Bunny has performed on the Latin Grammy stage since 2021, when he sang “Maldita Pobreza” from his 2020 album “El Último Tour Del Mundo.” It also will be the first time that Fuerza Regida and Ca7riel & Paco Amoroso perform on the Latin Grammy stage.

Album of the year nominee Rauw Alejandro, legendary rocker Carlos Santana, ranchero/mariachi album nominee Christian Nodal and country darling Kacey Musgraves were among the acts previously announced as performers at the Las Vegas awards show.

Other artists slated to take the stage at the show’s 26th iteration include 22-time Latin Grammy winner Alejandro Sanz; the Argentine singer Nathy Peluso; Tejano band Grupo Frontera; former best new artist winner Joaquina and Venezuelan singer-songwriter Elena Rose.

Additional artists set to perform at the MGM Grand Garden Arena are música Mexicana acts Carín León, Pepe Aguilar and Los Tigres del Norte; sad sierreño singer-songwriters Iván Cornejo and DannyLux; Latin pop icon Gloria Estefan and Colombian rock band Morat.

This year’s list of top nominees include Bad Bunny (12), Edgar Barrera (10), Ca7riel & Paco Amoroso (10), Rafa Arcaute (eight), Natalia Lafourcade (eight) and Federico Vindver (eight).

Bad Bunny’s 12 nominations this year will bring his total career nods to 52. With her eight nominations this year, Lafourcade looks to bolster her collection of 18 trophies from the awards show — the most wins for any female artist.

Nabbing eight more nominations, Edgar Barrera continues to pad his stats as the awards show’s most nominated person of all time with 72 nods, along with 24 wins. Spanish artist Alejandro Sanz received four nods this year, which brings his career total to 51.

This month’s show will be the debut of the new Visual Media field and its new category, Music For Visual Media, which will honor scores for film and television. Also added to this year’s awards is the category for best roots song.

Tori Spelling and Dean McDermott are putting their married days behind them. The estranged pair settled their divorce Monday, two years after going their separate ways.

The “Beverly Hills, 90210” star and McDermott have entered a “written agreement regarding their property and their marriage,” according to a declaration filed Monday in Los Angeles County Superior Court. Details about that agreement, including custody and visitation, were not disclosed but court documents confirm the parents of five consider their divorce as an “uncontested” matter.

Court documents reveal that Spelling, 52, checked boxes requesting child support and spousal support “should be ordered” pending the judge’s approval. She also requested her legal fees to be covered.

Spelling and Canadian actor McDermott, 58, separated in June 2023 after 17 years of marriage. The TV star, born Victoria D. Spelling, filed her petition for divorce in March 2024, citing irreconcilable differences. The exes married in May 2006 and share children Liam, Stella, Hattie, Finn and Beau, who range in age from 8 to 18. When she filed her petition, Spelling requested sole physical custody of the children and joint legal custody and visitation rights for McDermott.

The “True Tori” star got candid about her decision to file for divorce during an episode of her “misSPELLING” podcast, telling listeners she was cautious about her split with McDermott taking an acrimonious turn and reflecting on how their relationship went the distance, despite outside skepticism early on. Before tying the knot, Spelling and McDermott were previously married to actor Charlie Shanian and actor-singer Mary Jo Eustace, respectively.

“And we got together and people were like, ‘Oh, I give it six months,’ and we always say, ‘Oh, we made it 18 years.’ It shouldn’t have made it 18 years and I think he would say the same thing,” she said last year. “If he and I had a real heart-to-heart, it would’ve been over a lot sooner.”

During the podcast episode, she spoke about their rocky relationship, recalling “red flags” and moving on with the marriage despite them.

McDermott had also spoken candidly about his marriage to Spelling months after news of their separation broke.

“All Tori’s ever done to this day is want me to be happy and healthy and I inflicted a lot of damage and pain on that woman,” he told the Daily Mail in November 2023. “It’s going to be living the rest of my life making amends because I took something that was really beautiful and I just tore it down year after year, day after day.”

Amid their divorce, the former spouses seemingly remained friendly. Spelling told People last year she and McDermott are “good friends” and that he remains “one of my biggest supporters.” Earlier this year, she honored McDermott with a Father’s Day post.

“Happy Father’s Day to my baby daddy and rad co- parent,” she captioned a pair of family photos.

Times editorial library director Cary Schneider and former staff writer Nardine Saad contributed to this report.