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Snorkelling is an enjoyable underwater activity, but when you make a cool sighting, it’s even more exciting. One woman recently couldn’t believe her luck during a dive in the Maldives

A trip to the Maldives can be unforgettable but when you come across a rare sighting, it really can be the cherry on top of a fantastic holiday. There’s so much to do on the islands, from water sports to dolphin cruises and even luxury spa breaks.

Now one woman couldn’t believe her luck when a snorkelling trip turned into a truly memorable experience. Snorkelling is a great way to enjoy marine life and explore underwater world, while it’s suitable for most ages, you’ll need strong swimming skills for it.

The travel influencer, known as Tasha, was recently on a snorkelling trip in the Maldives when she came across a hammerhead shark. They can be quite rare to spot and are sometimes only seen on much further islands.

Tasha was just off Thulusdhoo when she made the sighting. On top of her video, she said: “Rich because I saw one of the most rare sightings in the Maldives with my own eyes.”

Her caption read: “Still not over that we saw a HAMMERHEAD SHARK on a snorkel trip off Thulusdhoo with @Say Yes! Adventures.

“These are super rare and only sometimes seen on much further islands!!!! And I didn’t even see them in the Galapagos!”

Since she posted the clip where she gasped at the sighting, her video scooped 169,100 likes and hundreds of comments.

One said: “I lived there for 2 years and snorkelled every day and never saw a hammerhead! This is insanely lucky.”

Another added: “Craziest moment ever, will never get over this.” A third chimed in: “I would cry for days on, that’s so beautiful.”

Someone else posted: “Omg at Thulusdhoo, that’s sooo lucky!” And a fifth wrote: “This would be the highlight of my year.”

Spotting a hammerhead shark can be quite exciting and these are not considered dangerous to humans.

While the large great hammerhead is a powerful exception and potentially dangerous, these encounters are rare.

Meanwhile, the few documented attacks are typically attributed to surprise or fear, and humans are not a natural prey for hammerheads, who have a diet which consists mainly of stingrays, crustaceans and bony fish.

Average flight prices to the Maldives from the UK vary greatly, but you can expect to pay around £500-£700 for a round-trip economy flight.

Also prices range from under £300 to over £1,800 depending on the season, airline and flexibility. The average flight time is around 10 hours and 18 minutes to 12 hours and 44 minutes, but this can be longer with layovers.

After last week’s worrisome Season 51 debut with Bad Bunny, it seemed like a 50/50 chance on whether the second episode of the season with guest host and beloved “Saturday Night Live” alum Amy Poehler would turn things around. Would the writing feel sharper and less obvious in the hands of a veteran sketch performer?

Poehler, host of the popular podcast “Good Hang,” made all the right moves and may have even overextended herself, appearing in almost every sketch, including the cold open and “Weekend Update” for a joke-off. You could (and should) give Poehler lots of credit for her boundless energy, which lifted weaker sketches, like one about a menopausal mom who goes goth and one where Poehler and Bowen Yang are the composers of the “Severance” opening theme (the joke is that their theme songs always start with a “Fresh Prince of Bel-Air”-like rap as their first draft).

But Poehler also benefited from much stronger sketch premises compared to last week’s, from a beautifully performed sketch about a TV psychic, Miss Lycus, who rushes everyone because she has a hard out at 7 p.m., to a spot-on parody of Netflix’s “The Hunting Wives,” with a guest appearance from Poehler’s “Parks & Recreation” co-star Aubrey Plaza. The writing afforded Poehler with big, broad characters, like a CEO giving birth during a meeting with her employees, the matriarch in a family of jerks called The Rudemans and an elderly lawyer who interrupts a TV commercial to one-up other lawyers on the basis of having the most experience.

Poehler also got a little help from some long-time friends and alums, including Tina Fey, appearing as Homeland Security Secretary Kristi Noem in the cold open, and Seth Meyers, returning to the “Weekend Update” desk with Poehler and Fey.

Maybe podcasting has allowed Poehler to store some stage energy to burst-fire on “SNL”; she put in a great performance for a solid episode overall.

Musical guests Role Model performed “Sally, When The Wine Runs Out,” with a surprise appearance from Charli XCX as Sally, and “Some Protector.” Before the close, “SNL” memorialized Diane Keaton, whose death was announced Saturday, in a title card. She never hosted “Saturday Night Live” but was portrayed on the show multiple times.

The cold open this week parodied Atty. Gen. Pam Bondi’s contentious meeting this week with the U.S. Senate Judiciary Committee. Poehler appeared as Bondi and responded to questions from Democratic senators with a series of withering insults she described as “roast-style burns I have on this piece of paper.” After mocking them and avoiding questions about the indictment of James Comey and the Jeffrey Epstein files, Bondi makes way for Noem (Fey, returning to “SNL” cold open politics), who joins in the mocking, telling one senator, “That makes me laugh more than the end of ‘Old Yeller.’ ” After being reminded that a dog gets shot at the end of that film, she responds, “Dogs don’t just get shot. Heroes shoot them.” While the first half of the cold open was shaky, with insults that weren’t landing despite Poehler’s forceful delivery, Fey’s appearance livened things up and ended strong with a call-and-response between Fey and Poehler that made fun of ICE recruitment ads. “Do you take supplements that you bought at a gas station?” Noem asked, “buckle up and slap on some Oakleys, big boy, and welcome to ICE!”

Poehler’s monologue was sweet, wistful and self-deprecating. “I found my first love here,” she said, “being famous.” She went on to describe her life now, saying, “I am a podcaster. If that’s not a recession indicator, I don’t know what is.” She also pointed out that this episode marked the actual 50-year anniversary of “SNL,” which first aired on Oct. 11, 1975. “Just like (host) George Carlin, I am extremely high,” she said. Poehler poked fun at AI actors who’ve been in the news and might want to take her job. “You’ll never be able to write a joke, and I am willing to do full frontal, but nobody’s asked me, OK?” she concluded defiantly.

Best sketch of the night: The thigh squeezes are bigger in Texas, too

It may be a little late to the party (the show came out in July), but this mock trailer for Netflix’s “The Hunting Wives” hits all the right notes with Poehler as frequently topless Margo and Chloe Fineman as Sophie (Malin Ackerman and Brittany Snow, respectively, on the series). The trailer promises that as the women get hornier and drunker, thighs will be squeezed and guns will be drawn. Aubrey Plaza appears as a new wife from California and soon she’s being caressed by all the other women in the cast as they make mimosas. A few great lines from this one: “It’s like ‘Call Me By Your Name’ for women who shop at Bass Pro Shop,” and “Don’t watch it on a plane.”

Also good: Don’t settle for just 100 years of legal experience

Pohler’s character in the Psychic Talk Show sketch was very funny, but the sketch about one-upping lawyers edges it out only because it goes to some extremely weird and dumb places for much longer than needed and incorporates what looked like the entire cast. What starts as a basic personal injury lawyer commercial explaining how the firm has 50 years of combined experience ends up including long-living turtles, Sarah Sherman as a vampire attorney named Dracu-Law, and an ageless tree, Yggdrasil (Yang), who once represented Zeus.

‘Weekend Update’ winner: Someday, that 13-pound baby is going to watch this

On a packed “Weekend Update,” Sherman debuted over-caffeinated Long Islander Rhonda LaCenzo, who rails against New York City mayoral candidate Zohran Mamdani. And Marcello Hernández and Jane Wickline returned as a seemingly mismatched couple discussing their Halloween plans. But it was an epic joke-off featuring past “Update” anchors Poehler, Fey and Meyers facing off against current ones Colin Jost and Michael Che to make fun of the birth of a nearly 13-pound baby born in Tennessee. “It was so big that he slapped the doctor on his ass!” Poehler began. Some of the better jokes: “The woman zipped around the room like a deflated balloon.” “Did she give birth or did it drive out?” “The baby’s name is AHHHHH!” Poehler rounded out the contest by declaring, “The record was for loosest vagina and the previous held… by me!”

MEXICO CITY — Jasmín Ordóñez looks out from a wooden boat at the water as she crosses a narrow channel that connects a labyrinth of chinampas, island farms that were built by the Aztecs thousands of years ago.

“Let’s close our eyes and ask our Mother Water for permission to sail in peace,” she said as the boat moves slowly, in contrast to the frenetic traffic of Mexico City just a few miles away.

Ordóñez owns one of these island farms, first created with mud from the bottom of the lakes that once covered this area. When the boat arrives at her island, she proudly shows the corn and leafy greens she grows. Her ancestors owned chinampas, but she had to buy this one because women traditionally haven’t inherited them.

“My grandmother didn’t get any land. Back then, most was left in the hands of men,” she said. At her side, Cassandra Garduño listens attentively. She also didn’t inherit the family chinampa.

Today both are part of a small but growing group of women who have bought chinampas to cultivate sustainably in an effort to preserve an ecosystem that is increasingly threatened by urban development, mass tourism and water pollution.

Making their way in an area still dominated by men hasn’t been easy. In the chinampas of the boroughs of Xochimilco and San Gregorio Atlapulco, hardly any women work the land.

“People believe that men are the [only] ones who have the physical abilities to work them,” said Garduño. The mud stains her pale pink shirt, matching her boots. She knows her outfit gets funny looks from longtime male chinampa workers, but instead of getting upset, she finds it amusing.

After years away, she returned to San Gregorio in 2021 to dedicate herself to chinampa farming. She had gone to college and then spent long periods in Ecuador working in conservation efforts to protect manta rays and sharks. Then one day she came back to San Gregorio and was struck by the degradation of her own land: the lower water levels of the canals, the increasing pollution, the abandoned chinampas.

“That’s where I started to realize: ‘You are part of this space. And part of your responsibility is to safeguard it,’” she said.

After saving up for a year, she bought a chinampa — and was shocked to find it in such a bad state. A cleanup found pieces of armchairs, televisions and beer bottles. She worked to reopen canals that had been crammed with garbage and began planting crops. The distrust among the neighbors was palpable.

“They said: ‘Let’s see, this girl has never been down to this place, nobody knows her. And she’s already doing what she wants,’” she recalled.

But she knew much more than they thought. Garduño had learned a lot as a little girl who ran around her grandfather’s chinampa — “a paradise” of flowers. She learned that the mud from the bottom of the canals is the best fertilizer because it contains the mineral-rich ashes from the volcanoes surrounding Mexico City. She learned that planting a variety of crops keeps frost from destroying one entire crop and that the flowers attract insects, so they don’t eat the cabbage or kale.

Sharing the knowledge

“Chinampas can have up to eight rotations per year, whereas in other systems you might have two or three,” Garduño explained.

That’s why the Food and Agriculture Organization of the United Nations recognized chinampas as one of the most productive agricultural systems on the planet. Today, her field is a melting pot of colors: the pale green of broccoli to the vivid yellow of marigolds.

Since 2016, she has been collaborating with Mexico’s National Autonomous University, advising other farmers who want to stop using agricultural chemicals and recover these traditional practices which also help preserve the ecosystem. Kneeling next to a planting bed, Garduño suggests elevating it so it won’t flood when it rains. Ordóñez takes note.

She bought this chinampa three years ago and is now seeking to obtain the “Etiqueta Chinampera,” the sustainability tag granted by the university to producers who, among other things, use mud as fertilizer instead of chemicals. With this label, their products can fetch higher prices.

Sixteen farmers have obtained the label so far, four of them women, said Diana Laura Vázquez Mendoza, of the university’s Institute of Biology, adding that the project encourages women to “take back their chinampas and produce.”

Cleaning the canals

In the chinampas supported by the university, filters made from aquatic plants are installed to clean the water and prevent the passage of carp and tilapia. Introduced in Xochimilco in the 1980s, these invasive species became predators of the most distinguished inhabitants of this ecosystem: Mexico’s salamander-like axolotl. Today, this amphibian is on the verge of extinction because of these invasive species and a combination of factors polluting the canals: the discharge of sewage from urban growth, mass tourism and agricultural chemicals in many chinampas.

“Chinampas are an artificial agro-ecosystem that was created to supply food in pre-Hispanic times to the entire population. And that endures to this day,” Mendoza said. “So the way to conserve Xochimilco is to also conserve the chinampa.”

But a walk through the area on any given Sunday makes it clear that fewer chinampas are dedicated to agriculture. Every weekend, hundreds of people come here to play soccer on chinampas converted into fields or to drink aboard the brightly painted boats known as “trajineras.” The impact of this transformation to the wetland is evident: contaminants have been found there, from heavy metals such as iron, cadmium and lead to oils, detergents and pesticides, according to a study by biologist Luis Bojórquez Castro, of the Autonomous Metropolitan University.

Most come from the treatment plants that discharge their water in Xochimilco and from the chinampas that use agrochemicals, according to Castro’s study.

Preserving what’s left of the past

“Look at the clarity of the water,” said Ordóñez as she reaches into the canal where she has installed her biofilter. She knows that taking care of the water is essential to preserving this ecosystem. This wetland is the last remnant of what was once the great Tenochtitlan, the capital of the Aztec Empire built on the lakes that once filled the Valley of Mexico. Although today what remains of Xochimilco represents only 3% of the original extent of those lakes, it’s still key to the stability of the city. If it were to disappear, the average temperature of the capital could rise by up to 3.6 degrees, according to biologist Luis Zambrano.

Xochimilco and San Gregorio also reduce flooding during the rainy season, provide a natural carbon dioxide reservoir and are home to hundreds of species, such as herons and the Tlaloc frog. “Look at the red-headed birds in the lagoon!” exclaimed Garduño, driving home at dusk along a dirt road after a long day at her chinampa.

For her, this is still the paradise she roamed with her grandfather. She’s convinced that women are needed to preserve chinampas and hopes that within 10 years, many more will own and take care of them.

“From the shared labor of women and men, we can do what we all want, which is conserve what we have left for as long as possible,” she said.

De Miguel writes for the Associated Press. This article is a collaboration between AP and Mongabay.

Diane Keaton, who died Saturday at 79, is one of cinema’s most legendary actors. She played some of the most recognizable roles of the late 20th century, and blazed a trail for generations of women to come. Here’s a list of Keaton’s 10 most important films, presented in alphabetical order. We’ll leave the ranking to her devoted fans.

‘Annie Hall’

Woody Allen and Diane Keaton in a scene from the movie “Annie Hall” from MGM / UA Home Video.

(MGM / UA Home Video)

Keaton’s role in Woody Allen’s 1977 romantic comedy was written just for her. Her portrayal of the feisty, eccentric, charming title character would define Keaton as an actor for the rest of her career. Her signature bowler hat and ties became a fashion staple, and fans still can’t think of the song “Seems Like Old Times” without sobbing. The film about the bittersweet nature of lost love was a critical success, and Keaton won her only Academy Award for her work in it.

‘Crimes of the Heart’

Keaton plays Lenny McGrath — the oldest of three sisters — in this 1986 black comedy also starring Diane Lange and Sissy Spacek. The actresses are at the height of their powers in the film, which finds a trio of siblings reuniting at their family home in Mississippi after Babe (Spacek) shoots, and seriously injures, her abusive husband. Spacek won a Golden Globe for her work, and was nominated for an Oscar, but Keaton shines as the less ostentatious of the sisters — an unassuming, terminally single woman who believes a shrunken ovary is the reason for her failure to launch.

‘The Godfather’ parts I and II

Keaton plays Kay Adams Corleone in Francis Ford Coppola’s epic crime family trilogy. As Michael Corleone’s second wife, and the mother of his children, Kay is one of the few fully realized women in the films. Many fans love Keaton’s performance in the second film best because Kay is the only one to stand up to Michael. When the ruthless mafia boss confronts her about an abortion she has had, Kay lets loose and confronts him about his vicious nature and many lies, vowing to never bring another Corleone into the world.

‘Looking for Mr. Goodbar’

Richard Gere, left, and Diane Keaton in a scene from the 1977 movie, “Looking For Mr. Goodbar.”

(Paramount / Getty Images)

This 1977 crime drama written and directed by Richard Brooks is perhaps Keaton’s most tragic film. She plays a lonely schoolteacher named Theresa Dunn who engages in increasingly risky behavior with strangers in pursuit of love. The film also stars Richard Gere as a controlling, abusive, drug-addicted boyfriend in his first major role. Keaton’s sorrow and desperation in this dark, gritty movie is palpable, making this a defining and heartbreaking part of her ouvré.

‘Manhattan’

Mary Wilke (Diane Keaton) and Isaac Davis (Woody Allen) in the shadow of the Queensborough Bridge in the movie “Manhattan.”

(United Artists)

This 1979 Woody Allen film is now one of the director’s most controversial due to its subject matter. Allen stars as a 42-year-old comedy writer who dates a 17-year-old girl, but ends up falling in love with his best friend’s mistress. Keaton plays that mistress, Mary Wilkie, and her depiction of the witty, wry, journalist with a robust social calendar and strong opinions that she never hesitates to express, is among her most seminal performances.

‘Marvin’s Room’

Keaton stars alongside Meryl Streep, Robert De Niro and a young Leonardo DiCaprio in this 1996 family drama. Keaton was nominated for an Academy Award for her portrayal of Bessie Lee, a woman who has been caring for years for her bedridden father when she is diagnosed with leukemia. She turns to her estranged sister, Lee, for help finding a bone marrow transplant match — an endeavor that finds the family once again under the same roof. The tender story of loss and redemption showed that Keaton had staying power decades into her career.

‘Radio Days’

This nostalgic, charmer of a dramedy written and directed by Woody Allen takes place in Rockaway Beach in the 1930s and ‘40s during the golden age of radio. Keaton is part of an ensemble cast in a film filled with vignettes, and she appears in what is essentially a cameo as a New Year’s Eve singer. Wearing a a long-sleeved white dress with her hair pulled back in a bow, she sings a lovely rendition of Cole Porter’s “You’d Be So Nice to Come Home To,” proving that when you’re a star of her caliber, you can shine no matter how small the role.

‘Reds’

Warren Beatty co-wrote, produced and directed this historical drama about John Reed, a journalist who chronicled Russia’s 1917 October Revolution. Keaton plays Louise Bryant, a married journalist and suffragist who leaves her husband to move to Greenwich Village with Reed where she becomes part of a robust group of artists and activists, including playwright Eugene O’Neil (Jack Nicholson). The 195-minute film opened to critical acclaim and was nominated for 12 Academy Awards, including best picture. Keaton received her second nomination for best actress but ultimately did not win.

‘Sleeper’

Keaton plays Luna Schlosser, a poet from the 22nd century, in Woody Allen’s 1973 madcap science fiction comedy about a jazz musician named Miles Monroe who owns the Happy Carrot health-food store before being cryogenically frozen for 200 years. Miles wakes in 2173 after being clandestinely revived by a group of rebels and is later delivered — disguised as a robot — into Luna’s home. Hilarious bickering ensues when Luna discovers Miles’ true identity, but she ultimately comes around to his cause. Keaton’s fabulous feathery silver outfits, her ability to utter lines like, “it’s pure keen,” with a straight face, and her substantial use of the “orgasmatron” made the role an instant classic.

‘Something’s Gotta Give’

Diane Keaton and Jack Nicholson in the Columbia Pictures romantic comedy movie, “Something’s Gotta Give.”

(Bob Marshak/Columbia Pictures)

Keaton again paired with Jack Nicholson in this 2003 romantic comedy about a pair of mismatched professionals who fall in love in late middle age despite their best efforts to the contrary. The stars have the undeniable chemistry of two acting legends whose work appears absolutely effortless at this stage in their careers. The film was not a critical home run, but Keaton fans think of it as one of her best later roles.

Diane Keaton, the actress who starred in some of the biggest movies of the last half-century, including the “Godfather” and “Annie Hall,” while serving as a style trend-setter and a champion of Los Angeles’ past, has died. She was 79.

Her death was first reported by People and confirmed by The New York Times.

In an extraordinary run during the 1970s when she was dominant, her career spanned the high points of American cinema: Francis Ford Coppola’s mafia saga and several of Woody Allen’s urbane comedies, climaxing in an Oscar win for her culture-changing turn as the title character in 1977’s “Annie Hall.” Keaton’s catchphrase, “Well, la-di-dah,” became iconic.

Over her career, she received four Oscar nominations for lead actress, winning for “Annie Hall.”

Born in Southern California, Keaton achieved fame in the 1970s through her frequent collaborations with Woody Allen and Francis Ford Coppola. She appeared in three “Godfather” movies as well as eight Allen films. Her star turn as Annie Hall earned her critical raves and made her a fashion icon of the era with Annie’s fedora hats, vests, ties and baggy pants. The Times once called her look “fluttery, vulnerable, almost unbearably adorable.”

“Annie’s style was Diane’s style — very eclectic,” designer Ralph Lauren said in a 1978 story in Vogue, soon after the movie came out. “She had a style that was all her own. Annie Hall was pure Diane Keaton.”

She was often asked if she got tired of the notoriety “Annie Hall” brought her, including the magazine covers, think pieces and fashion homages.

“No, I’m not. Everything is because of ‘Annie Hall’ with Woody. He has a great ear for women’s voices. I’m so grateful to him; he really gave me an opportunity that changed my life,” she told The Times in 2012. “I’m never disappointed about people talking to me about ‘Annie Hall.’ But I will say, a lot of people don’t know ‘Annie Hall’ exists, and that’s just the way it goes — goodbye! It’s bittersweet.”

She managed to capture the cultural zeitgeist in later films. In 1987, she played a successful businesswoman who upends her life to care for a relative’s baby in “Baby Boom.” In 2003, she won acclaim in “Something’s Gotta Give” for playing a successful writer navigating with romance in her 50s.

Keaton also got Oscar nominations for “Reds” (1982), “Marvin’s Room” (1996) and “Something’s Gotta Give.”

Keaton was a patron of the L.A. arts scene and also gained note as a champion of architecture preservation, remaking grand homes across the region. In collaboration with the Los Angeles Public Library, she edited a book of tabloid photos called “Local News” that ran in the Los Angeles Herald-Express.

In a 2018 interview with The Times, she said she felt privileged to still be working.

“I know what I am by now,” she said. “I know how old I am. I know what my limitations are and what I can and can’t do. So if something appeals to me, I’m definitely going to go for it.”

Later in life, Keaton became a major voice in architecture preservation.

She grew up Santa Ana during the post World War II housing boom in the 1950s and told The Times in an interviews she loved going to open houses with her father

“My father took me to see model homes, which I thought were palaces,” Keaton said.

She began buying and fixing up landmark homes around L.A., especially those of the Spanish colonial style.

“You have to get to know a house and try to keep its integrity. I try to honor the architect,” she said. “I love to go into an empty house. You look at the house and start to feel what it might need.”

“There are so many house treasures, unsung gems, all over Los Angeles,” she said.

Explaining how she came to edit the book of L.A. tabloid photos, Keaton told The Times the L.A. city library came up to her at a swap meet.

The librarian said, ‘There’s these files in the basement of the Central Library’ — the most beautiful building. I took a look. There are books and books to be made out of those images. This is a brilliant archive.”

In recent years, Keaton had become a hit on Instagram, posting photos of architecture, fashion and more. In an interview in 2019, she said she was still very active, eager to work and try new things but was also thinking more about her mortality.

“Of course, you think about it. How can you not?” she said. “I mean, I’m 73. How long do you live? It’s really important what those years are like.”

Keaton death brought tribute across Hollywood and beyond.

“She was a very special person and an incredibly gifted actor, who made each of her roles unforgettable. Her light will continue to shine through the art she leaves behind. Godspeed,” said Nancy Sinatra.

“Kiss of the Spider Woman,” a sexual and scatological dazzler about an inmate‘s obsession with a favorite musical, sounds like the kind of thing some folks won’t watch even if they, too, were locked in a prison for years. Their loss. In the spirit of the film, I’ll try to change their mind.

It’s 1983 Argentina, the last days of a militarized dictatorship under which 30,000 people have been disappeared. Scraggly, severe Valentin (Diego Luna) is a political prisoner with ties to the revolutionary underground. His new cellmate is a brazen chatterbox named Molina (Tonatiuh), a gay window dresser serving an eight-year sentence for indecency in a public bathroom. They have zero shared interests. But to pass the time — and, more importantly, to get Valentin to put down his biography of Lenin and talk a little — Molina recounts the plot of a Golden Age spectacular starring the fictional movie star Ingrid Luna (Jennifer Lopez), a red-lipped, pineapple-blond beauty whose vintage posters brighten their wretched gray walls.

“I hate musicals,” Valentin complains.

“Then I pity you,” Molina says breezily, charging into the first scene.

Through beatings and starvation, poisonings and betrayals, all under the gaze of the oppressive warden (Bruno Bichir), Valentin and Molina escape into Technicolor in a desperate need for distraction. The writer-director Bill Condon (“Chicago,” “Dreamgirls”) has savvily, unabashedly reworked the 1993 Broadway extravaganza (already a bold adaptation of the 1976 experimental novel and 1985 Academy Award-winning drama). He’s double-cast Luna and Tonatiuh as the film-within-a-film’s leads and changed the imaginary tale from a Nazi propaganda flick to a melodramatic but moving South American romance between a glamour queen and a noble photographer. Its themes of love and sacrifice come to mirror Valentin and Molina’s own relationship.

The songs themselves are the same rather-forgettable numbers by John Kander and Fred Ebb who did a zingier job mixing fascism with feathers in “Cabaret.” “Live inside me on a movie screen,” Lopez’s Ingrid sings, luring Molina to get lost in daydreams. Behind her, dancers gyrate like victims being electrocuted. (I wouldn’t have minded more jolts of morbid humor.) Unhummable as the music is, its message has a spark: In the war for liberation, it’s OK to take mental breaks.

In fact, pleasure is necessary, especially for the regularly tortured Valentin who seems to have been numb for a long time. (Communist memoirs don’t stir the soul.) A hardline ascetic, Valentin won’t even alert the medics when he’s sick, in case they give him morphine.

The two roommates comically bicker about what scant pop culture Valentin knows, taking shots at “Raging Bull,” Meryl Streep and his own crass insistence that Ingrid’s character, Aurora, is frigid due to some kind of childhood trauma. (“Oh, God, let her be,” Molina sighs.) Yet, their conversation always pirouettes back to the gap between the real world and the movies.

“I hate to break it to you,” Valentine says, “but nobody sings in real life.”

“Well, maybe they should,” Molina huffs.

Maybe in confinement they can’t.

Condon smartly limits who sings and why and when. In the 1985 drama, which starred Raul Julia and William Hurt (who won the Oscar for Molina), both men remained trapped in this horrible dungeon and never sang a song. On Broadway, all of the characters — even cranky Valentin — crooned numbers the whole way through. But Condon draws a thick line between reality and fiction to highlight how much his leads need the freedom for radical self-expression.

“Kiss of the Spider Woman” is about a lot of things: Valentin reconnecting with his emotions, Luis discovering that he’s more than a self-described trivial sissy. (“I cringe every time you make fun of yourself,” Valentin growls.) But it’s fundamentally about those scenes in which the palette and polish of the film shifts and cinematographer Tobias A. Schliessler switches from handheld to Steadicam. The putrid chamber drama becomes a fantasia, befouled rags turn into tuxedo pants and it’s finally safe to belt how they feel.

Earlier incarnations of this story had activism as the end goal, Valentin for his principles and Molina for his new friend. Condon is more focused on their humanity. Caring for each other makes this bleak world worth fighting for. Without joy, we’re already in chains.

People will come out of “Kiss of the Spider Woman” gushing about Tonatiuh and with good reason. Striding confidently into his first starring role, the L.A.-born breakout talent is a bright new discovery with shining eyes and brash exuberance. He needs to be excellent for the movie to succeed and he’s pretty darned close, even pulling off a glib beat where Molina recoils from a battered man and quips, “If I looked like that, I’d want a bag over my head too.” There are scenes where he comes off arch and a little telegraphed, although in fairness, that’s also just who Molina is — performance is protection. And when Tonatiuh cowers from the guards, we get a hint of what Molina has suffered without Condon ever having to show the abuse.

To keep things faithful to 1983, Tonatiuh’s Molina doesn’t identify as transgender — the character sticks to the limited vocabulary of the time. But you see Molina’s subtle disappointment when Valentin, trying to be supportive, insists, “You’re not a monster, you’re a man.” And Condon has tweaked a climactic refrain, changing the pronoun to “Her name was Molina.”

Playing Ingrid-as-Aurora — the heroine of a film that, even its biggest fan admits, is “no ‘Citizen Kane’” — Lopez is shellacked under two layers of diva artifice. But at this point in her career, she’s suited to being an icon. She’s long since given up pretending she’s still Jenny from the Block, and Condon has shaped the role of Ingrid to her like a corset. You hear it in the line, “No matter how hard Hollywood tried to make her all-American, she never stopped being Latin” and more than that, you see it in Lopez’s delight as she flashes her legs and tosses her hair. She knows she can nail this role and she really hoofs it. There’s a wide-angle shot of a nightclub where Condon gives her and a dozen background performers a full, uncut minute to twirl. Most impressively, Lopez grabs a martini, slowly does a one-legged spin to the ground and then uncoils herself to stand back up and cheer.

She has a harder time commanding the screen in a third role, when Ingrid also acts the part of the sinister Spider Woman, a spiky-haired, taloned jungle goddess who smooches her prey to death. The movie’s stiff Spider Woman set pieces are a relic of the ’90s musical that put Chita Rivera in a massive web. Trapped in them, Lopez can’t do much more than a predatory grin. But it’s still better than how Condon’s “Chicago” chopped up its choreography into close-ups (and here, there’s still a few gratingly askew camera angles). The new film is the director’s penance: an apologia to musical lovers who want to see the star do every inch of the dancing.

Still, my favorite performance has to be Luna’s, whose Valentin is at once strong and vulnerable, like a mutt attempting to fend off a bear. He’s the only one who doesn’t need to prove he’s a great actor, yet he feels like a revelation. Watching him gradually turn tender sends tingles through your heartstrings. For his second role as Ingrid’s onscreen boyfriend, Condon resurrects a discarded number from the original musical where Luna croons about being “An Everyday Man,” his warm voice perfectly imperfect. Even when he’s grouchy and filthy, you get why Molina would imagine Valentin as the ideal romantic lead.

I don’t want to spoil the ending other than to say that Condon adds an exclamation point to his insistence on music as emancipation with a new scene set after the fall of the junta and its right-wing abduction squads. The camera looks down at the jail as the inmates spill into the courtyard. Then it pulls up for an aerial shot of the entire block. We see citizens flood the streets. We hear honking horns and spontaneous street music. The whole country is free to sing.

WASHINGTON — The State Department said Wednesday that it has fired a U.S. diplomat over a romantic relationship he admitted having with a Chinese woman alleged to have ties to the Chinese Communist Party.

The dismissal is believed to be the first of its kind for violating a ban on such relationships that was introduced late last year under the Biden administration.

The Associated Press reported earlier this year that in the waning days of President Biden’s presidency, the State Department imposed a ban on all American government personnel in China, as well as family members and contractors with security clearances, from any romantic or sexual relationships with Chinese citizens.

Tommy Pigott, a State Department spokesman, said in a statement that the diplomat in question was dismissed from the foreign service after President Trump and Secretary of State Marco Rubio reviewed the case and determined that he had “admitted concealing a romantic relationship with a Chinese national with known ties to the Chinese Communist Party.”

“Under Secretary Rubio’s leadership, we will maintain a zero-tolerance policy for any employee who is caught undermining our country’s national security,” Pigott said.

The statement did not identify the diplomat, but he and his girlfriend had been featured in a surreptitiously filmed video posted online by conservative firebrand James O’Keefe.

In Beijing, a Chinese government spokesperson declined to comment on what he said is a domestic U.S. issue. “But I would like to stress that we oppose drawing lines based on ideological difference and maliciously smearing China,” the Foreign Ministry’s Guo Jiakun said at a daily briefing.

Lee writes for the Associated Press. AP writer Ken Moritsugu in Beijing contributed to this report.

THIS is the viral moment a woman douses her ex-lover’s car and apartment in heaps of colourful glitter – after catching him cheating.

Rafaela Justina, 28, staged her sparkly revenge in response to her boyfriend asking out another woman while they were still going out.

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The defiant act played out nearly three weeks after the couple, from Cuiaba, Brazil, split up over the outrage.

Rafaela told local media that when she confronted him about the betrayal, he encouraged her to take revenge.

She said: “Being with someone else didn’t make sense anymore, as we were no longer together.

“The only thing I could think of was glitter.”

She added: “I’d seen something similar online and laughed a lot.”

In the jawdropping footage recorded in late September, Rafaela’s ex-partner’s home is seen flooded with the tiny shards of sparkles.

With Joan Jett’s “Bad Reputation” playing over the viral clip, Rafaela tours the apartment while showing off her proud work.

Piles of glitter are seen scattered across the furniture and floors.

And the unlucky lad’s car was also left coated in a layer of shimmering dust.

The video caption read: “POV: your boyfriend cheated on you and told you to get revenge.”

The video of the glitter-filled payback has since amassed more than 12 million views on TikTok.

Emboldened social media users flooded the comments with jokes and more suggestions for their own glitter-based pranks.

Plotting viewers suggested adding the sparkles to air-conditioning vents so they would return even after cleaning.

Rafaela, who works as a body-piercer, said she usually used TikTok to promote her business.

But after discussing the matter with pals, she was persuaded to show her act of retribution to the world.

She said her relationship had lasted a year, but added that she had actually known him since they were both 13.

After a recent divorce, career change, and move to a new city, she said she had been emotionally vulnerable when the latest relationship began.

Reflecting on the viral success, Rafaela later wrote: “Glitter is eternal.”

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One of the first things Sarah Paulson’s character does in the new trailer for “All’s Fair” is call Kim Kardashian’s character a vulgar slang term for female genitalia. One of the last things she does is call her a “whore lawyer.”

Hulu released the latest look at its upcoming legal drama Tuesday and it appears that, much like contentious divorces, the show will get vicious and personal.

Created by Ryan Murphy, “All’s Fair” will follow a group of female divorce attorneys who leave a male-dominated law firm to start their own practice. According to the synopsis, these “fierce, brilliant, and emotionally complicated” women will “navigate high-stakes breakups, scandalous secrets, and shifting allegiances.”

The trailer shows several women — including those portrayed by Brooke Shields, Elizabeth Berkley and Judith Light — seeking the services of “the best divorce lawyers in town.” Most of the men in the clip, meanwhile, seem to represent the most unsavory examples of their gender.

In addition to Paulson and Kardashian, the show’s all-star cast also includes Naomi Watts, Niecy Nash-Betts, Teyana Taylor, Matthew Noszka and Glenn Close.

“All’s Fair” will mark Kardashian’s second scripted television project since her role in “American Horror Story: Delicate.” While the reality TV star and businesswoman will be playing a fictional attorney in the show, she has also studied to be one in real life. Earlier this year, Kardashian celebrated completing her legal studies with a single-student graduation party.

Instead of attending a traditional law school, Kardashian apprenticed with attorneys for six years under California’s Law Office Study Program. She passed the Multistate Professional Responsibility Exam, commonly known as the “baby bar,” in 2021. That doesn’t mean you can retain Kardashian as an attorney, however. She has yet to pass the state bar.

Kardashian’s most recent real-life legal tangos includes filing a lawsuit with her mother, Kris Jenner, against ex-boyfriend Ray J for defamation and false-light publicity.

“All’s Fair” will premiere Nov. 4.

THIS is the chilling moment a woman was dragged down a river between the jaws of a crocodile.

Footage of the sinister creature was caught by witnesses after 57-year-old Soudamini Mahala was snapped up as she bathed in the Kharastrota River in India.

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The huge reptile can be seen swimming through the water with Mahala’s lifeless body in its mouth.

The shouts of shocked villagers were shouting in surprise in the background audio of the video.

Despite cries for help, nobody was able to reach her in time.

Witnesses said the crocodile lunged at the unsuspecting woman and pulled her into the water before anyone could react.

Locals rushed to the river, too late to save the victim from the crocodile’s death grip.

The ordeal took place in Kantia village, in the Jajpur district Odisha, in eastern India.

“The woman was taking a bath in the Kharasrota river around 4pm on Monday,” a police spokesperson said.

“A crocodile dragged her into the high stream of the river.

“Villagers present on the riverbank tried to chase the reptile but failed to rescue her,” they added.

Emergency services rushed to the river after being alerted to the attack and have since launched a search operation to recover Mahala’s body.

Eyewitness Naba Kidhore Mahala said villagers had jumped in to try and save Mahala.

“As we noticed that the crocodile was dragging the woman into the river, we jumped to rescue her,” he said.

“All our efforts went in vain.”

The tragic crocodile attack comes just days after a camper was found dead after sending his family photos of a bear.

The man’s body was discovered with extensive wounds two days after snapping pics of the forest giant.

Family of the unidentified camper raised the alarm after he went radio silent from Sam’s Throne Campground in Arkansas.

The 60-year-old from Missouri was found several yards from the campsite on October 2 after his son requested a welfare check as he had not heard from him “for a couple of days”.

The Newton County Sheriff’s Office said in a press release that he had been dragged from the campsite which has been “disturbed” and where officers found “evidence of a struggle and injury”.

“There were also drag marks leading from the campground into the woods,” the release added.

While officials await autopsy results to confirm the cause of death, they said his body had “extensive injuries consistent with those expected from a large carnivore attack”.

This is in line with pictures he sent his family just days before his body was found showing a “young male bear” near his campsite on September 30.

“Until the Arkansas Crime Lab completes the autopsy, we can’t 100% say it was a bear, but everything strongly indicates it,” Sheriff Glenn Wheeler said.

“We are attempting to find the bear and dispose of it so the Game and Fish Commission can test it for anything that may have led to the encounter.

“We know without a doubt that a bear was in camp with our victim and the injuries absolutely are consistent with a bear attack.

“This is a highly unusual case. We are very early in the investigation and search and will update as we can.

“If you are in the area, just be aware and use caution, especially with children,” he added.

“History tells us that once a bear becomes predatory, it often continues those behaviors.”

As the hunt for the bear continues, the Sam’s Throne Campground has been shutdown to the public.

The camper’s death, if confirmed to be caused by a bear, will be the state’s second fatal bear attack in one month, which is highly unusual.

Rugby star Ilona Maher is a two-time Olympian, a “Dancing With the Stars” alum, a social media favorite and now a Barbie doll.

Mattel announced Monday that it had assembled a team of four international rugby athletes to help encourage girls to embrace their confidence and stay in sports. The new “Team Barbie” campaign is to celebrate International Day of the Girl, which is Oct. 11.

“We all doubt ourselves at times, myself included,” Maher said in a statement. “If sharing my story can inspire other young girls to believe in themselves the way I have, then I’ll have truly made an impact. Being part of Team Barbie is about showing girls that confidence isn’t something to shy away from, but something to own.”

Also part of Team Barbie are Ellie Kildunne from the U.K., New Zealand’s Portia Woodman-Wickliffe and Nassira Konde from France.

A breakout star at the 2024 Paris Olympics even before the rugby sevens team’s historic bronze medal, Maher became known for her social media videos that offered a humorous glimpse into the day-to-day life of an Olympic athlete. She has also used her platform to empower women, champion body positivity and help raise the profile of rugby in the U.S.

The Barbie doll versions of international rugby stars Ellie Kildunne, left, Ilona Maher, Nassira Konde and Portia Woodman-Wickliffe.

(Mattel)

“As women, a lot of times our body has been this object to be looked at and to be objectified, and I hate that there’s girls out there that feel like they don’t have a purpose for their body, and so they want to change it constantly,” Maher told The Times last year. “To get into sports and a sport like rugby, a sport like canoe, and track and field gives your body a purpose, shows what it can do and what it’s capable of. It’s not just something that is for others to judge.”

As part of its campaign, Mattel conducted a study to try to better understand why girls tend to stop participating in sports. The research found that only 53% of girls ages 6 to 14 feel confident while playing sports and that 1 in 3 girls stops playing sports by age 14 “primarily due to body confidence concerns, self-doubt, and a lack of visible female role models.”

“At Barbie … [w]e’re committed to breaking down the barriers — from gender stereotypes to self-doubt — that hold girls back from realizing their limitless potential,” Krista Berger, the senior vice president of Barbie, said in a news release for the new campaign. “By showcasing the stories of incredible role models whose confidence has fueled groundbreaking success, we’re showing girls that the future of sports — or wherever their passion takes them — is theirs to claim, with Team Barbie cheering them on.”

The Team Barbie campaign is not the first time the company has put the spotlight on athletes. Last year, Barbie teamed up with WNBA icon Sue Bird as part of its 65th anniversary celebration. Barbie has also teamed with the Chicago Sky for Barbie-themed game days in the last two WNBA seasons.

Other female athletes Barbie highlighted last year included tennis player Venus Williams, soccer stars Christine Sinclair and Mary Fowler, boxer Estelle Mossely, gymnasts Alexa Moreno and Rebeca Andrade, paratriathlete Susana Rodriguez, swimmer Federica Pellegrini and track and field sprinter Ewa Swoboda.

A SHAKESPEAREAN twist of fate brought two lovers together again, more than a decade after they first crossed paths.

A Tennessee woman who ran away as a teenager fell in love with one of the police officers tasked with finding her.

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Roshin Ali was just 13 years old when she fled her family’s home in Jackson, fearing her father would kill her.

Police had just begun their search for the missing teen when she returned home the following day.

Roshin landed a job at the same sheriff’s department 12 years later, where she met Tyler Schrupp.

Unbeknownst to the pair, Tyler had been in the unit of police searching for Roshin all those years ago.

He later said he didn’t recognise her when she started working at the sheriff’s department, but he was immediately drawn to her.

“He wouldn’t stop staring at me, but literally wouldn’t say a word at all,” Roshin said.

Tyler said he had been “kind of nervous” to talk to Roshin, because he “thought she was very beautiful”.

Eventually, Tyler mustered up the courage to say hello, and the two felt an immediate connection.

As their bond grew, Roshin started opening up about the trauma of her youth.

“We started putting the dates together and then she described the area,” Tyler said.

“That’s when I started to be like ‘Ok I was a part of that’. It’s crazy that back then I was looking for you, and now we’re sitting here talking.”

The pair are now engaged and share a five-month-old son.

Roshin shared the couple’s story to her TikTok account in July.

The story-time went viral, accumulating more than five million views.

Using a trending audio, she is shaking hands with Tyler, describing him as an “officer who went searching for me while missing”.

The video opened the floodgates to thousands of concerned comments asking if he had groomed her.

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In a follow up four-part series, Roshin, known as Roro Nicole on social media, set the record straight.

“Some of the comments were that he’s grooming me, he kidnapped me and I’ve been with him this whole time, [he] kept me in his basement,” she said.

In harrowing detail, Roshin told her story, beginning in 2010 when she was 13 years old.

Her father was a gambling addict who didn’t allow his children to leave the house.

He arrived home one day after losing all his money, threatening to kill Roshin and her siblings if he caught them outside.

“We immediately … ran into our bedroom because we were afraid that he was going to start beating on us like he normally does whenever he comes home upset,” she said in the video.

Her sister stood with her back against the closed bedroom door, with her feet jammed against the wall, keeping their father out of the room.

“He told my mom to go get a knife and then he began to try stab her through the door,” Roshin said.

Her father eventually got into the room, grabbed her sister by the hair and dragged her into their parent’s bedroom, where he began to beat her with a cable wire.

“We can literally hear her begging him not to kill her,” Roshin recounted.

“He duct taped her hands together, her legs together and then placed duct tape on her mouth so nobody could hear her screaming.

“The my mom walks into our room and she looks at us, and she goes ‘y’all are next'”.

Roshin and her brother fled the home, climbing out of their bedroom window to escape.

The pair ran to the nearest park, before their father called the police and reported them missing.

When police attended the family home, Roshin’s sister reported the savage assault.

Their parents were arrested, but only spent “a couple of days” behind bars.

Roshin and her brother, who was 12 at the time, were found the following day and placed into foster care with their two older siblings.

“I truly believe if it was not [for] me running away from the house that day and officers being involved, I don’t think that we’d still be here alive,” she said.

Tyler and Roshin – who plan to exchange vows in 2026 – said people are touched by their story.

“Somebody said he’s my hero,” Roshin said.

“And he is.”

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After the mess, the mop-up.

That’s one way to understand Taylor Swift’s new album, “The Life of a Showgirl,” on which music’s biggest star offers up a dozen precision-cut pop songs just 18 months removed from last year’s sprawling and emotionally unstable “The Tortured Poets Department.”

That earlier LP, which contained 16 tracks before Swift expanded it with 15 more, was perhaps the most divisive of the singer’s two-decade-long career; it racked up bonkers sales and streaming numbers, of course — at this point, she’s truly too big to fail — but its mixed reception among tastemakers and even some fans seemed to rattle Swift, who for all her alertness to the brutality of being a woman in the public eye has become accustomed to a certain level of idolatry.

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So here’s “Showgirl,” her 12th studio LP, for which she stepped away from her longtime creative partner Jack Antonoff to reteam with Max Martin and Shellback, the two hit-making Swedish producer-songwriters who helped her transition cleanly from country to pop in the mid-2010s with blockbuster albums like “Red” and “1989.” Swift has said she made the new album while roaming around Europe in the summer of 2024 on her record-obliterating Eras tour, which explains the title even as it begs all sorts of questions about her psychotic work ethic.

And let’s be clear: These three can craft a hook as neatly and as skillfully — as deviously, really — as anyone in the business. In contrast with the bleary “Tortured Poets,” which yielded only one pop-radio monster in the Hot 100-topping “Fortnight,” “Showgirl” is likely to spin off several, not least the album’s lead single, “The Fate of Ophelia,” which rides an irresistible new wave groove that evokes the veteran hookmeisters of Eurythmics. (Look ’em up, kids.)

As a piece of psychological portraiture, though — the framework, for better or for worse, by which Swift has trained us to interpret her music — this collection of expertly tailored bops falls well short of its predecessor; “Showgirl” feels like a retreat from the vivid bloodletting of “Tortured Poets,” which captured a woman whose one-of-one success had emboldened her to speak certain toxic truths.

Is that because she’s ended up in a healthy romantic relationship with Travis Kelce, the NFL star whom she’s engaged to marry? One hates to indulge hoary ideas about happiness being bad for songwriters. Yet there’s no denying that Swift’s lyrics about love here lack the kind of depth she’s mined in tunes thought to have been inspired by the dastardly likes of John Mayer and Matty Healy.

“Please, God, bring me a best friend who I think is hot,” she sings, somehow, in the electro-trappy “Wish List,” which recounts all the hoping and dreaming she did before she finally met Mr. Right; “Wood,” a kind of kiddie-disco number that sounds like Martin was aiming it for the “Trolls” movie franchise, exults in the erotic thrill of a guy brandishing “new heights of manhood.” (In case you missed it, I’m sorry to say that’s a reference to Kelce’s podcast, on which Swift recently appeared and dropped a bar about her fiancé — “He may not have read ‘Hamlet,’ but I explained it to him” — that she really should have saved for “The Fate of Ophelia.”)

Elsewhere, she makes familiar complaints about the punishing experience of celebrity, as in “Elizabeth Taylor” — “Oftentimes, it doesn’t feel so glamorous to be me” — and “Cancelled!,” which feels like a goth-Nirvana redo of “Look What You Made Me Do,” from 2017’s genuinely startling “Reputation.”

And then there’s the acidic “Actually Romantic,” which seems to be a response to Charli XCX’s “Sympathy Is a Knife,” in which Charli expressed her anxieties about being compared to Taylor in a zero-sum pop scene; Swift gets off some funny lines about chihuahuas and cocaine but totally forgoes the sense of empathy that made her such an icon to every pop songwriter who’s come up behind her.

What’s good on “Showgirl”? “Opalite” is a gorgeous soft-rock tune about overcoming old instincts — “I had a bad habit of missing lovers past / My brother used to call it ‘eating out of the trash’” — while “Ruin the Friendship” looks back at a shoulda-woulda high-school dalliance with the pin-prick precision that Swift has always mustered when writing about her adolescence. Both songs ride coolly laidback Fleetwood Mac-style grooves that feel new for Martin and Shellback, who throughout the album rely more than you’d expect on live instrumentation. (Hang with “Wish List,” if you can, for a killer bass line that shows up in the second verse.)

Swift sings more than once about legacy and inheritance on this album: “Father Figure,” which interpolates George Michael’s late-’80s classic of the same name, is narrated by a mentor who’s betrayed by his protégé; the Broadway-ish title track, which closes the album with a feature from Sabrina Carpenter, tracks the aspirations of a showbiz hopeful from fresh-faced naivete to all-knowing cynicism.

Maybe those songs are Swift’s way of telling us that she knows “The Life of a Showgirl” isn’t as sharp as it could’ve been. We’ll see if it’s as tidy as it needed to be.

WASHINGTON — Historically, the U.S. military has been an engine for cultural and social change in America. Defense Secretary Pete Hegseth’s vision for the armed forces he leads runs counter to that.

In comments Tuesday to hundreds of military leaders and their chief enlisted advisers, Hegseth made clear he was not interested in a diverse or inclusive force. His address at the Marine Corps base in Quantico, Virginia, verbalized what Hegseth has been doing as he takes on any program that can be labeled diversity, equity or inclusion, as well as targeting transgender personnel. Separately, the focus on immigration also is sweeping up veterans.

For too long, “the military has been forced by foolish and reckless politicians to focus on the wrong things. In many ways, this speech is about fixing decades of decay, some of it obvious, some of it hidden,” Hegseth said. “Foolish and reckless political leaders set the wrong compass heading, and we lost our way. We became the woke department, but not anymore.”

Hegseth’s actions — and plans for more — are a reversal of the role the military has often played.

“The military has often been ahead of at least some broader social, cultural, political movements,” said Ronit Stahl, associate professor of history at the University of California, Berkeley. ”The desegregation of the armed forces is perhaps the most classic example.”

President Harry S. Truman’s desegregation order in 1948 came six years before the Supreme Court ordered school desegregation in the Brown vs. Board of Education case — and, Stahl said, “that obviously takes a long time to implement, if it ever fully is implemented.”

It has been a circuitous path

Truman’s order was not a short progression through American society. Although the military was one of the few places where there was organizational diversity, the races did not mix in their actual service. Units like the Tuskegee Airmen, the Navajo Code Talkers and the Buffalo Soldiers, formed in 1866, were segregated until the order opened the door to integrated units.

Women were given full status to serve in 1948 with the Women’s Armed Services Integration Act. There were restrictions on how many could serve and they were generally not allowed to command men or serve in combat. Before then, they had wartime roles and they did not serve in combat, although hundreds of nurses died and women were pilots, including Women Airforce Service Pilots, or WASPs.

The WASPs and Tuskegee Airmen were among the first groups this year to be affected when Hegseth issued his DEI order. The Air Force removed training videos of the airmen along with ones showing the World War II contributions of the WASPs at the basic training base in San Antonio. The videos were restored after widespread bipartisan outcry over their removal.

Other issues over time have included “don’t ask, don’t tell,” the policy that allowed gay and lesbian service members to serve as long as their sexual orientation was not public. That was repealed during the Obama administration. Women were allowed to serve on combat aircraft and combat ships in the early 1990s — then all combat positions after a ban was lifted in 2015.

“The military has always had to confront the question of social change and the question of who would serve, how they would serve and in what capacity they would serve. These are questions that have been long-standing back to the founding in some ways, but certainly in the 20th century,” said David Kieran, distinguished chair in Military History at Columbus State University in Columbus, Georgia. “These are not new questions.”

Generally the answer has come down to what “the military writ large” has concluded. “‘How do we achieve our mission best?’” Kieran said. “And a lot of these things have been really hotly debated.”

Part of a larger, longer debate

Kieran offered one example: changes the Army made in the 1960s when it was dealing with a climate of racism and racial tensions. Without that, he said, “the military can’t fight the war in Vietnam effectively.”

The same considerations were given to how to address the problem of sexual harassment. Part of the answer involved what was morally right, but “the larger issue is: If soldiers are being harassed, can the Army carry out its mission effectively?”

While “it is important to see these actions as part of a longer history and a larger debate,” Kieran said, “it’s certainly also true that the current administration is moving at a far more aggressive and faster pace than we’ve seen in earlier administrations.”

Michael O’Hanlon, director of research in the foreign policy program at the Brookings Institution, questioned some of the actions that Trump’s Defense Department has taken, including replacing the chairman of the joint chiefs, Air Force Gen. CQ Brown Jr.

“He was a fine Air Force officer,” O’Hanlon said. Even if he got the job in part because of his race, “it wouldn’t be disqualifying in my book, unless he was unqualified — and he wasn’t.”

Matthew Delmont, a professor of history at Dartmouth College, said the current attitudes he is seeing toward the military suggest a misunderstanding of the armed forces and why the changes have been made.

“The military, for more than seven decades now, has been more on the leading edge in terms of figuring out how to put together an organization that tries to take advantage of the talents and capacities of all Americans,” Delmont said. Since Truman signed his executive order, “the military has moved faster and farther than almost any other organization in thinking about issues of racial equality, and then later thinking about the issues related to gender and sexuality.”

Delmont said bias, prejudice and racism remain in the military, but the armed services have done more “than a lot of corporations, universities, other organizations to try to address those head-on.”

“I wouldn’t say it was because they were particularly interested in trying to advance the social agenda,” he said. “I think they did it because they recognized you can’t have a unified fighting force if the troops are fighting each other, or if you’re actively turning away people who desire to serve their country.”

Fields writes for the Associated Press.

PORTLAND, Ore. — There is a rhetorical battle raging here in this heavily Democratic city, known for its delicious coffee, plethora of fancy restaurants, bespoke doughnuts and also for its small faction of black-clad activists.

It started Saturday when President Trump suddenly announced that he was sending the National Guard to “war-ravaged” Portland — where a small group of demonstrators have been staging a monthslong protest at an Immigration and Customs Enforcement building south of downtown.

Oregon officials have pushed back forcefully, flooding their own social media with images of colorful cafe tables, sun-drenched farmers markets, rose gardens in full bloom and parks bursting with children, families and frolicking dogs. Officials would prefer the city be known for its Portlandia vibe, and are begging residents to stay peaceful and not give the Trump administration a protest spectacle.

A protester waves to Department of Homeland Security officials as they walk to the gates of the U.S. Immigration and Customs Enforcement facility after inspecting an area outside in Portland, Ore.

(Jenny Kane / Associated Press)

“There is no need or legal justification for military troops,” Oregon Gov. Tina Kotek has said, over and over again, on her Instagram and in texts to President Trump that have been released publicly. Officials have gone to court seeking an order to stop the deployment, with a hearing set for Friday.

But the president seems resolute. In a Tuesday speech before a gathering of generals and admirals, he sketched out a controversial vision of dispatching troops to Democratic cities “as training grounds for our military” to combat an “invasion from within.” He described Portland as “a nightmare” that “looks like a warzone … like World War II.”

“The Radical Left’s reign of terror in Portland ends now,” a White House press release read, “with President Donald J. Trump mobilizing federal resources to stop Antifa-led hellfire in its tracks.”

Trump’s targeting of Portland comes after he deployed troops to Washington, D.C., and Los Angeles, and threatened to do so elsewhere. The president says he is delivering on campaign pledges to restore public safety, but detractors say he’s attempting to intimidate and provoke Democratic strongholds, while distracting the nation from his various controversies.

As they wait to see whether and when the National Guard will arrive, city residents this week reacted with a mixture of rage, bafflement and sorrow.

A man rests under a public art sculpture in downtown Portland, Ore.

(Richard Darbonne / For The Times)

Many acknowledged that Portland has problems: Homelessness and open drug abuse are endemic, and encampments crowd some sidewalks. The city’s downtown has never recovered from pandemic closures and rioting that took place during George Floyd protests in 2020.

More recently, Intel — one of Oregon’s largest private employers — announced it was laying off 2,400 employees in a county just west of Portland. Like Los Angeles and many other cities, Portland has seen a big drop in tourism this year, a trend that city leaders say is not helped by Trump’s military interventions.

“We need federal help to renew our infrastructure, and build affordable housing, to help clean our rivers and plant trees,” said Portland Mayor Keith Wilson on his social media. “Instead of help, they’re sending armored vehicles and masked men.”

All across the city this week, residents echoed similar themes.

“Nothing is happening here. This is a gorgeous, peaceful city,” said Hannah O’Malley, who was snacking on french fries at a table with a view of the Willamette River outside the Portland Sports Bar and Grill.

Patrons are reflected in the window at Honey Pearl Cafe PDX in downtown Portland.

(Richard Darbonne / For The Times)

The restaurant was just a few blocks from an Immigration and Customs Enforcement building where the ongoing demonstration has become the latest focus of the president’s ire against the city.

A small group of people — a number of them women in their 60s and 70s with gray braids and top-of-the-line rain jackets — have been congregating here for months to protest the federal immigration crackdown.

In June, there were several clashes with law enforcement at the site. Police declared a riot one night, and on another night made several arrests outside the facility, including one person accused of choking a police officer. On Tuesday, the Department of Homeland Security announced that they had arrested “four criminal illegal aliens” who allegedly conducted laser strikes on a Border Patrol helicopter “in an attempt to temporarily blind the pilot.”

But day in and day out, the protests have been largely peaceful and fairly small and nothing the city’s police force can’t handle, according to city officials and the protesters themselves.

On Monday afternoon, a group of about 40 people including grandmothers, parents and their children, and a man in a chicken costume, held flowers and signs. A few yelled abuse through a metal gate at ICE officers standing in the driveway.

People protest outside a U.S. Immigration and Customs Enforcement facility on Sept. 28 in Portland, Ore.

(Jenny Kane / Associated Press)

“We’re so scary,” joked Kat Barnard, 67, a retired accountant for nonprofits who said she began protesting a few months ago, fitting it in between caring for her grandson. She added that she has found a sense of community while standing against the Trump administration’s immigration crackdown. “I’ve met so many people,” she said. “It’s just beautiful. It makes me happy.”

A few miles away, in the cafe at the city’s famed bookstore, Powell’s Books, a trio of retired friends bemoaned their beloved city’s negative image.

“This is the most peaceful, kind community I’ve ever lived in” said Lynne Avril, 74, who moved to Portland from Phoenix a few years ago. Avril, a retired illustrator who penned the artwork for the young Amelia Bedelia books, said she routinely walks home alone late at night through the city’s darkened streets, and feels perfectly safe doing so.

The president “wants another spectacle,” added Avril’s friend, Signa Schuster, 73, a retired estate manager.

“That’s what we’re afraid of,” answered Avril.

“There’s no problem here,” added Annie Olsen, 72, a retired federal worker. “It’s all performative and stupid.”

Still, the women said, they are keenly aware that their beloved city has a negative reputation nationally. Avril said that when she told friends in Phoenix that she had decided to move to Portland, “People were like: ‘Why would you move here [with] all the violence?’”

Olsen sighed and nodded. “So much misinformation,” she said.

In the front lobby of the famed bookstore, the local bestseller lists provided a window into many residents’ concerns. Two books on authoritarianism and censorship — George Orwell’s “1984” and Ray Bradbury’s “Fahrenheit 451” — were on the shelves. Over in nonfiction, it was the same story, with “How Fascism Works” and “On Tyranny” both making appearances.

The Willamette River runs through downtown Portland, Ore.

(Richard Darbonne / For The Times)

But outside, the sky was blue and bright despite the rain in the forecast and many residents were doing what Portlanders do with an unexpected gift from the weather gods: They were jogging and biking along the Willamette River, and sitting in outdoor cafes sipping their city’s famous coffee and nibbling on buttery pastries.

“Trump is unhinged,” said Shannon O’Connor, 57. She said that Portland has problems for sure — “homelessness, fentanyl, a huge drug problem” — but unrest is not among them.

Sprawled on a sidewalk near a freeway on-ramp, a man calling himself “Rabbit” was panhandling for money accompanied by his two beagle-pit bull mixes, Pooh Bear and Piglet.

Rabbit, 48, said he hadn’t heard of the president’s plan to send in the National Guard, but didn’t think it was necessary. He had come to Portland two years ago “to get away from all the craziness,” he said, and found it to be safe. “I haven’t been threatened yet,” he said, then knocked on wood.

Many residents said they think the president may be confusing what is happening in Portland now with a period in 2020 in which the city was briefly convulsed over Black Live Matter protests.

“We had a lot of trouble then,” said a woman who asked to be referred to only as “Sue” for fear of being doxed. “Nothing like that now.” A lifelong Portlander, she is retired and among those who have been demonstrating at the ICE facility south of downtown.

She and other residents said they have noticed that clips of the riots and other violence from 2020 have recently been recirculating on social media and even some cable news shows.

“Either he is mistaken or it is part of his propaganda,” she said of the president’s portrayal of Portland, adding that it makes her “very sad. I’ve never protested until this go-around. But we have to do something.”

As afternoon turned to evening Tuesday, the blue skies over the city gave way to clouds and drizzle. The parks and outdoor cafes emptied out.

As night fell, the retired women and children who had been protesting outside the ICE facility went home, and more and more younger people began to take their places.

By 10 p.m., law enforcement was massed on the roof of the ICE building in tactical gear. Black-clad protesters — watched over by local television reporters and some independent media — played cat and mouse with the officers, stepping toward the building only to be repelled by rounds of pepper balls.

A 39-year-old man, who asked to be called “Mushu” and who had only his eyes visible amid his black garb, stood on the corner across the street, gesturing to the independent media livestreaming the protests. “They are showing that hell that is Portland,” he said, his voice dripping with irony.

About the same time, Katie Daviscourt, a reporter with the Post Millennial, posted on X that she had been “assaulted by an Antifa agitator.” She also tweeted that “the suspect escaped into the Antifa safe house.”

A few minutes later, a group of officers burst out of a van and appeared to detain one of the protesters. Then the officers dispersed, and the standoff resumed.

Around the corner, a couple with gray hair sporting sleek rain jackets walked their little dog along the street. If they were concerned about the made-for-video drama that was playing out a few yards away, they didn’t show it. They just continued to walk their dog.

On Wednesday morning, the president weighed in again, writing on Truth Social, “Conditions continue to deteriorate into lawless mayhem.”

A 32-YEAR-OLD man who was breastfed by a 60-year-old woman has been jailed.

Michael Jones, of Caernarfon, Wales, was sentenced to 15 months behind bars after he reportedly became “obsessed” with the woman and locked onto her as a way of “getting back at his mother”.

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Yesterday, Caernarfon Crown Court heard that Jones was handed a restraining order after assaulting the woman but breached the order three times.

On one of these occasions, he “breastfed” from her for 10 minutes, the court heard.

Another time, prosecutor Amy Edwards said the woman saw Jones looking “tired” on a cycle path so left him a bottle of water.

She said the pair spoke online that evening and arranged to meet up in a park in Caernarfon later that summer.

The court heard the woman told Jones she wanted to end the relationship, insisting it was a “mother and son” dynamic.

Edwards said Jones then became emotional, reportedly telling the 60-year-old he had a “hatred towards women” and an “odd fascination” with women’s breasts.

She said they met again a few days later and kissed “consensually”.

The woman then allowed Jones to “breast feed for 10 minutes”.

Jones told the 60-year-old he engaged with women her age as a way of “getting back” at his mum, the court heard.

Matters escalated, however, when Jones later called the woman up claiming he was “starving”.

When she arrived at his flat, he initially didn’t let her leave.

She said the experience left her so scared, her health deteriorated as a result.

She told the court: “I know he’s obsessed with me. I know from experience that the obsession is dangerous.”

Defence lawyer Dafydd Roberts, said the woman was “more prepared to have contact than she admits” though conceded Jones does have “attachment problems”.

Roberts said: “He knows he should not have been having contact with her but he could not stop himself.”

Judge Nicola Jones concluded the woman had been “very complicit” in the course of events.

She told the defendant that while he had mental health problems, he had breached his restraining order three time and would therefore face time behind bars.

When my father was crossing the U.S.-Mexico border like an undocumented Road Runner back in the 1970s, la migra caught him more than a few times.

They chased him and his friends through factories in Los Angeles and across the hills that separate Tijuana and San Diego. He was tackled and handcuffed and hauled off in cars, trucks and vans. Sometimes, Papi and his pals were dropped off at the border checkpoint in San Ysidro and ordered to walk back into Mexico. Other times, he was packed into grimy cells with other men.

But there was no anger or terror in his voice when I asked him recently how la migra treated him whenever they’d catch him.

“Like humans,” he said. “They had a job to do, and they knew why we mojados were coming here, so they knew they would see us again. So why make it difficult for both of us?”

His most vivid memory was the time a guard in El Centro gave him extra food because he thought my dad was a bit too skinny.

There’s never a pretty way to deport someone. But there’s always a less indecent, a less callous, a less ugly way.

The Trump presidency has amply proven he has no interest in skirting meanness and cruelty.

“The way they treat immigrants now is a disgrace,” Papi said. “Like animals. It’s sad. It’s ugly. It needs to stop.”

I talked to him a few days after a gunman fired on a Dallas ICE facility, killing a detainee and striking two others before killing himself. One of the other wounded detainees, an immigrant from Mexico, died days later. Instead of expressing sympathy for the deceased, the Trump administration initially offered one giant shrug. What passed for empathy was Vice President JD Vance telling reporters, “Look, just because we don’t support illegal aliens, we don’t want them to be executed by violent assassins engaged in political violence” while blaming the attack on Democrats.

It was up to Homeland Security secretary Kristi Noem to try and show that the federal government has a heart. Her statement on the Dallas attack offered “prayers” to the victims and their families but quickly pivoted to what she felt was the real tragedy.

How ungrateful critics are of la migra.

“For months, we’ve been warning politicians and the media to tone down their rhetoric about ICE law enforcement before someone was killed,” Noem said. “This shooting must serve as a wake-up call to the far-left that their rhetoric about ICE has consequences…The violence and dehumanization of these men and women who are simply enforcing the law must stop.”

You might have been forgiven for not realizing from such a statement that the three people punctured by a gunman’s bullets were immigrants.

This administration is never going to roll out the welcome mat for illegal immigrants. But the least they can do it deal with them as if … well, as if they are human.

Under Noem’s leadership, DHS’ social media campaign has instead produced videos that call undocumented immigrants “the worst of the worst” and depict immigration agents as heroes called by God to confront invading hordes. A recent one even used the theme song to the cartoon version of the Pokémon trading card game — tagline “Gotta catch them all” — to imply going after the mango guy and tamale lady is no different than capturing fictional monsters.

That’s one step away from “The Eternal Jew,” the infamous Nazi propaganda movie that compared Jews to rats and argued they needed to be eradicated.

U.S. Secretary of Homeland Security Kristi Noem speaks during a tour of the Terrorism Confinement Center (CECOT) as prisoners stand, looking out from a cell, in Tecoluca, El Salvador, in March.

(Alex Brandon/Pool/AFP via Getty Images)

Noem is correct when she said that words have consequences — but the “violence and dehumanization” she decries against ICE workers is nothing compared to the cascade of hate spewing from Trump and his goons against immigrants. That rot in the top has infested all parts of American government, leading to officials trying to outdo themselves over who can show the most fealty to Trump by being nastiest to people.

If there were a Cruelty Olympics, Trump’s sycophants would all be elbowing each other for the gold.

Politicians in red states propose repulsive names for their immigration detention facility — “Alligator Alcatraz” in Florida, for instance, or “Speedway Slammer” in Indiana. U.S. Atty. Bill Essayli, Trump’s top prosecutor in Southern California, has trumpeted the arrests of activists he claimed attacked federal agents even as video uploaded by civilians offers a different story. In a recent case, a federal jury acquitted Brayan Ramos-Brito of misdemeanor assault charges after evidence shown in court contradicted what Border Patrol agents had reported to justify his prosecution.

La migra regularly harass U.S. citizens even after they’ve offered proof of residency and have ignored court-ordered restraining orders banning them from targeting people because of their ethnicity. Border Patrol sector chief Gregory Bovino continually squanders taxpayer dollars on photo ops, like the Border Patrol’s July occupation of a nearly empty MacArthur Park or a recent deployment of boats on the Chicago River complete with agents bearing rifles as if they were safari hunters cruising the Congo.

Our nation’s deportation Leviathan is so imperious that an ICE agent, face contorted with anger, outside a New York immigration court recently shoved an Ecuadorian woman pleading for her husband down to the ground, stood over her and wagged his finger in front of her bawling children even as cameras recorded the terrible scene. The move was so egregious that Homeland Security spokesperson Tricia McLaughin quickly put out a statement claiming the incident was “unacceptable and beneath the men and women of ICE.”

The act was so outrageous and it was all caught on camera, so what choice did she have? Nevertheless, CBS News reported that the agent is back on duty.

Noem and her crew are so high on their holy war that they don’t realize they’re their own worst enemy. La migra didn’t face the same public acrimony during Barack Obama’s first term, when deportation rates were so high immigration activists dubbed him the “deporter-in-chief.” They didn’t need local law enforcement to fend off angry crowds every time they conducted a raid in Trump’s first term.

The difference now is that cruelty seems like an absolute mandate, so forgive those of us who aren’t throwing roses at ICE when they march into our neighborhoods and haul off our loved ones. And it seems more folks are souring on Trump’s deportation plans. A June Gallup poll found that 79% of Americans said immigration was “a good thing” — a 15% increase since last year and the highest mark recorded by Gallup since it started asking the question in 2001. Meanwhile, a Washington Post/Ipsos September poll showed 44% of adults surveyed approved of Trump’s performance on immigration — a six-point drop since February.

I asked my dad how he thought the government should treat deportees. Our family has personally known Border Patrol agents.

“Well, most of them shouldn’t be deported in the first place,” he said. “If they want to work or already have families here, let them stay but say they need to behave well or they have to leave.”

That’s probably not going to happen, so what should the government do?

“Don’t yell at people,” my dad said. “Talk with patience. Feed immigrants well, give them clean clothes and give them privacy when they have to use the bathroom. Say, ‘sorry we have to do all this, but it’s what Trump wants.’

“And then they should apologize,” Papi concluded. “ They should tell everyone, ’We’re sorry we’ve been so mean. We can do better.’”

Well, that ain’t happening, dad.

A PENSIONER has died after reportedly falling from a window at a care home.

Emergency crews were scrambled to Berrycroft Manor care home in Romiley, Stockport, on Monday morning.

Greater Manchester Police confirmed a 78-year-old woman was taken to hospital following a fall and died the following day.

It is understood the woman fell from a window, according to the Manchester Evening News.

The care facility’s manager described the incident as a “tragic accident” and said an investigation is underway.

The Care Quality Commission (CQC), the care home and medical provider regulator, is aware of the incident.

Michael Blissett, home manager at Berrycroft Manor, said: “This was a tragic accident, and our thoughts and prayers are very much with the family. We extend our heartfelt condolences to them.

“Everyone here is shocked and saddened by the accident. Investigations are still continuing as to exactly how this has happened.

“Safety here is paramount and we are working with HSE [Health and Safety Executive] and CQC to ensure this never happens again.”

A GMP spokesperson added: “Shortly after 7.30am yesterday (September 29), officers responded to reports of a concern for the welfare of a woman following a fall at a care home on Berrycroft Lane, Stockport.

“Emergency services attended but sadly, a 78-year-old woman died from her injuries in hospital later that day.

“Her family are currently being supported. Enquiries are ongoing to establish the full circumstances of her death.”

A CQC spokesperson said: “CQC has been made aware of the death of a resident at Berrycroft Manor in Stockport, and our condolences are with the family at this sad time.

“We are in close contact with the home and police as they look into the circumstances around this incident, so we can understand if there is any regulatory action that needs taken to ensure people are receiving safe care.

“CQC’s priority, at all times, is the health and wellbeing of people using health and social care services, and all information we receive informs our monitoring of services and future inspections.

“We’d encourage anyone who has concerns about a health and social care service to let us know. This can be done by emailing [email protected] or via our customer service centre on 03000 616161.”

Do you know more? Email [email protected]

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A California woman is suing Dignity Health, alleging two hospitals denied her emergency abortion services due to their Catholic directives, violating state law and putting her life in danger.

During two separate pregnancies, Rachel Harrison’s water broke at just 17 weeks — a condition that can cause deadly complications. An abortion is typically the course of action recommended by doctors, but on both occasions staff members at Dignity Health hospitals refused to act because they detected a fetal heartbeat, the lawsuit alleges.

The second time it happened, Harrison experienced life-threatening sepsis and had to travel to a hospital outside her insurance network to receive a blood transfusion, the complaint states.

Harrison, 30, and her partner Marcell Johnson filed a lawsuit against Dignity Health in San Francisco Superior Court on Friday. The claim, first reported by Courthouse News Service, alleges that subsidiaries Mercy San Juan Medical Center and Mercy General Hospital refused to provide her emergency abortion care for religious reasons.

The 24 Catholic hospitals within the Dignity Health network follow a set of “Ethical and Religious Directives for Catholic Health Services,” which caused Harrison to be turned away from an emergency room during the loss of a high-risk pregnancy, the complaint alleges.

“While publicly touting their hospitals’ qualifications as reliable emergency services centers, Dignity Health prioritized its own religious directives over the best interests of Rachel’s health and well-being,” the lawsuit alleges.

Last September the state filed a similar lawsuit against a Catholic hospital in Eureka after a woman whose water broke at 15 weeks was denied an emergency abortion. That hospital then agreed to provide emergency abortions in cases where a woman’s health is at risk.

A spokesperson for Dignity Health did not comment on the specific allegations contained in Harrison’s lawsuit.

“When a pregnant woman’s health is at risk, appropriate emergency care is provided,” the spokesperson said in a statement. “The well-being of our patients is the central mission for our dedicated caregivers.”

On Sept. 13, 2024, according to Harrison‘s lawsuit, she experienced a condition called previable preterm premature rupture of the membranes, or previable PPROM, when her water broke at just 17 weeks of pregnancy.

This condition is fatal for the fetus and dangerous for the mother.

According to the American College of Obstetricians and Gynecologists, the standard of care is to inform the patient that the pregnancy is not viable and recommend termination as the safest option to reduce maternal risk. Miscarrying the fetus naturally comes with higher risk of infection and blood loss, both of which can lead to permanent loss of reproductive function or even death.

Last September, Harrison traveled to Mercy San Juan Medical Center in Carmichael for emergency care, but doctors did not recommend an abortion, the complaint alleges.

“Instead, Rachel was told that because of the hospital’s Catholic affiliation, there was nothing more the hospital could do for her,” the complaint states. “Confused and distressed, Rachel was discharged and left to complete a high-risk miscarriage of a fetus ‘the size of an avocado’ — as she was told by the physician’s assistant — at home, on her own, and without medical supervision.”

She went to a Kaiser hospital the following morning and received emergency care, the lawsuit says.

Last December, Harrison was thrilled to learn that she was pregnant again, but then “her worst nightmare” repeated itself. At 17 weeks pregnant, she once again experienced previable PPROM, the complaint states.

Her insurance only covers OB/GYN care within the Dignity Health network, so she went to Mercy General Hospital in Sacramento.

In a repeat of her past experience, her lawsuit alleges, staff members told her they could not provide the care she sought due to the fetal heartbeat. She was able to access care at another hospital, her complaint says, but experienced sepsis and heavy blood loss in the process.

The lawsuit alleges that the denials violated California’s Emergency Services Law, which requires hospitals operating a licensed emergency room to treat patients suffering from emergency medical conditions, including previable PPROM.

Harrison also alleges that Dignity Health violated the Unruh Civil Rights Act, California Unlawful Competition Law and her right to privacy under the California Constitution.

Harrison and her partner are seeking an order requiring Dignity Health hospitals to provide emergency abortions in a manner compliant with state law, as well as compensatory and punitive damages.

Sept. 30 (UPI) — A 47-year-old Chinese national has pleaded guilty in Britain to a multi-billion-dollar Bitcoin scheme, according to Metropolitan Police, which said it has made what is possibly the “world’s largest” cryptocurrency seizure, worth more than $7.3 billion

Metropolitan Police said Zhimin Qian of no fixed address pleaded guilty Monday to charges of acquiring criminal property and possessing criminal property, with the property in both offenses being cryptocurrency.

The charges stem from allegations that Qian, also known as Yadi Zhang, orchestrated a massive fraud scheme in her native China, defrauding more than 128,000 victims between 2014 and 2017.

Authorities said she stored the illegally obtained funds in Bitcoin assets. She fled to Britain in September 2018 with the use of false documents and attempted to launder the proceeds by purchasing property.

wHer guilty plea on Monday follows seven years of investigation by the Metropolitan Police, authorities said.

“Today’s guilty plea marks the culmination of years of dedicated investigation by the Met’s Economic Crime teams and our partners,” Will Lyne, Metropolitan Police’s head of Economic and Cybercrime Command, said in a statement.

“This is one of the largest money laundering cases in U.K. history and among the highest-value cryptocurrency cases globally.

“I am extremely proud of the team.”

Authorities said that Qian had worked with Jian Wen, who was sentenced to more than 6 1/2 years in prison for her role in the scheme in January.

Wen, a 44-year-old former restaurant worker, had purchased two properties worth more than $672,000 in Dubai for Qian in 2019.

Authorities said that Wen was in possession of a cryptocurrency wallet with more than $403.3 million. She told police that she had worked for a Chinese national who had asked her to buy the Dubai properties and that she was unaware that the Bitcoins in her possession were the product of crime.

Metropolitan Police said it had seized more than 61,000 Bitcoin from Qian.

Specifics of how Qian defrauded victims of so much money in China were not initially clear.

“Bitcoin and other cryptocurrencies are increasingly being used by organized criminals to disguise and transfer assets, so that fraudsters may enjoy the benefits of their criminal conduct,” Robin Weyell, deputy chief crown prosecutor for the Crown Prosecution Service, said.

“This case, involving the largest cryptocurrency seizure in the U.K., illustrates the scale of criminal proceeds available to those fraudsters.”