Despite her injury, Warda Abu Jarad has started baking cookies and bread to help provide for her family.
Published On 13 Nov 202513 Nov 2025
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A woman in Gaza blinded in an Israeli air strike has opened a bakery to make ends meet and keep her hopes for the future alive, she tells Al Jazeera.
Warda Abu Jarad, 51, is one of 170,698 Palestinians who have been wounded in Gaza since Israel began its genocidal war on the territory in October 2023.
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Abu Jarad explained that she lost her sight when her house was bombed by the Israeli military, causing debris to fall into her eyes.
“The smoke from the bombing blinded me completely,” she said.
Speaking from a tent in Deir el-Balah in central Gaza, the mother told Al Jazeera that she was still adjusting to being blind and needs someone to guide her whenever she wants to move from one place to another.
“Even when I want to move inside the tent, I wait for someone to help me cross,” she said. “I tried to enter the tent once, hit my head and fell, … so now I feel the ground with my feet to know what’s in front of me.”
Her daughter has been her biggest support, she said.
Warda Abu Jarad and others prepare baked goods [Screengrab/ Al Jazeera]
Her blindness has been hard for her to take. “The most precious thing in life is sight. Every time I struggle to reach something I need, I start crying,” Abu Jarad said.
Despite such challenges, Abu Jarad is, like other Palestinians in Gaza, trying to rebuild her life amid the ruins, ongoing Israeli bombardment, restricted aid and grief.
“I decided to open a business to provide for my family. I opened a bakery and started to grow it. I started baking ma’amoul [filled butter cookies] and bread,” she said one month into a fragile ceasefire between Israel and Hamas.
“I need to keep going because the situation here is so hard,” she added.
Since the ceasefire came into effect on October 10, there have been some small improvements in daily life in Gaza, but the United Nations and NGOs have warned that the amount of aid Israel is letting into Gaza remains wholly insufficient.
Israel claims it has adhered to the truce by permitting entry to 600 aid trucks each day while Hamas says the daily number is actually about 150.
On Wednesday, Israel said it had reopened the Zikim crossing to the northern Gaza Strip.
“The opening of direct crossings to the north is vital to ensure that sufficient aid reaches people as soon as possible,” the UN’s Office for the Coordination of Humanitarian Affairs said recently.
“All I want in life is to have my sight restored, and I want to see my daughter as a bride in her wedding dress. This is my greatest wish from God,” Abu Jarad said.
Warda Abu Jarad, 51, says she started her business to provide for her family [Screengrab/Al Jazeera]
LA28 released the detailed daily competition schedule for the biggest Olympics in history on Wednesday, laying out every event for the 19 days of competition that will feature more than 11,000 athletes across 51 sports.
Along with being the largest in Games history, the 2028 Summer Olympics will be the first to include more female athletes than men. The schedule honors the historic moment for women in sports by showcasing the women’s 100-meter final at the Coliseum as the primetime, marquee event on the first official day of competition on July 15, 2028.
“The reason we’re throwing out the women’s 100 meters on the first day is because we want to come on these Games with a bang,” Shana Ferguson, LA28’s chief of sport and head of Games delivery, said on a conference call. “And likely that race will be among the most watched of all the races in the Games. We just want to start that Day 1 with a massive, massive showcase of the fastest females in the world.”
The women’s 100-meter final will punctuate Day 1 competition that will feature eight women’s finals, the most for a single day at the Olympics. The men’s 100-meter final will follow on Day 2.
Scheduling the women’s final on Day 1 will require the top athletes to run up to three, 100-meter races in one day as opposed to putting qualifying on a separate day as the semifinals and finals. Olympic organizers presented the idea to athlete commissions within LA28 and through World Athletics. While some preferred to keep the status quo for the women’s 100 meter, Janet Evans, LA28’s chief athlete officer, said the majority of competitors simply wanted to know when their races would be so they could plan their training accordingly.
“I think a lot of athletes will be looking immediately at the schedule and planning their training around it,” said Evans, a four-time Olympic gold medalist in swimming. “That was certainly top of mind as we made this decision.”
Making the schedule came with extensive consultation with athletes and international sport federations. Organizers considered the sun position for diving, which will be held outdoors at the Rose Bowl Aquatics Center. They wanted to ensure that fans waiting to enter arenas wouldn’t be left in the sun during a mid-day competition. Weary of heat affecting horses in Santa Anita, they took care to schedule equestrian events for either early morning or evening sessions.
With track and field setting the stage in the first week, swimming competitions traditionally take place first were shifted to the second week to allow organizers to build an indoor swimming pool in SoFi Stadium after the venue helps host the opening ceremony on July 14.
But keeping with Olympic tradition, the marathon will still take place on the final weekend of the Games, with the women running at Venice Beach on Day 15 (July 29), and the men competing on Day 16 (July 30). As one of the final Olympic events, marathon medalists typically receive their medals during the closing ceremony, which will take place at the Coliseum on July 30, beginning at 6 p.m.
The 2028 Games are approaching major checkpoints with less than three years until the opening ceremony. The Paralympic competition schedule will be released later this year. The volunteer program has already opened for community opportunities while applications for Games time volunteers will open in summer of 2026. Olympics ticket registration will open in January 2026.
Fans can begin registering for the ticket lottery in January and purchasing windows for those who are selected in the lottery will begin in spring 2026. Prices start at $28. With concerns about sky-high ticket prices for sporting events such as the FIFA World Cup or the World Series, Ferguson said LA28 will not use dynamic pricing, but didn’t state any specifics about the prices.
Ferguson said the organizing committee has 14 million tickets for the Olympics and Paralympics, which would break the ticket record set by Paris 2024. The biggest Olympics, and the most jam-packed schedule, would warrant that kind of attendance.
“What a great responsibility that is for us,” Ferguson said of hosting the biggest Olympics in history. “The care and concern that went into building this competition schedule — I will tell you that the folks on the team who did it really, truly, had a lot of sleepless nights because they wanted to get this right for every single athlete, regardless of sport.”
LA28 competition dates
Opening Ceremony: July 14 3×3 Basketball: July 17-22, Archery: July 21-28 Artistic Gymnastics: July 15-25 Artistic Swimming: July 25-29 Athletics: July 15-30 Badminton: July 15-24 Baseball: July 13-19 Basketball: July 12-30 Beach Volleyball: July 15-29 BMX Freestyle: July 28-29 BMX Racing: July 15-16 Boxing: July 15-30 Canoe Slalom: July 14-22 Canoe Sprint: July 25-29 Cricket: July 12-29 Cycling Road: July 19-23 Cycling Track: July 25-30 Diving: July 25-30 Equestrian: July 15-29 Fencing: July 15-23 Flag Football: July 15-22 Football (Soccer): July 12-29 Golf: July 19-29 Handball: July 12-28 Hockey (Field): July 12-29 Judo: July 15-22 Lacrosse: July 24-29 Modern Pentathlon: July 15-18 Mountain Bike: July 15-18 Open Water Swimming: July 17-18 Rhythmic Gymnastics: July 27-29 Rowing: July 15-22 Rowing Coastal Beach Sprints: July 24-25 Rugby Sevens: July 12-18 Sailing: July 16-28 Shooting: July 15-25 Skateboarding: July 18-27 Softball: July 23-29 Sport Climbing: July 24-29 Squash: July 15-24 Surfing: July 15-23 Swimming: July 22-30 Table Tennis: July 22-30 Taekwondo: July 26-29 Tennis: July 19-28 Trampoline Gymnastics: July 21 Triathlon: July 15-20 Volleyball: July 15-30 Water Polo: July 12-23 Weightlifting: July 25-29 Wrestling: July 24-30 Closing Ceremony: July 30
About 20 women are lying blindfolded on yoga mats in an airy structure in the Joshua Tree desert. Some are partially dressed in loungewear or lingerie; others are fully nude. Sexy indie folk music blasts from the sound system and outside, through the open double doors, the wind kicks up, rustling the fragrant desert scrub brush, pomegranate trees and ponderosa pines.
Their bodies are layered with a collage of fresh fruit, feathers, cucumber slices, smooth stones and velvety flower petals, among other things. Facilitators quietly tiptoe around the room, gently placing more and more items onto their chests, arms and legs until their skin is barely visible. One woman lies with lemon slices on her nipples, a large strawberry in her open mouth and a bouquet of long-stem pink roses, in full bloom, on her pelvis.
Facilitators adorn women’s bodies with colorful objects during an exercise about receiving pleasure and feeling beautiful.
(Joyce Lee / For The Times)
The exercise is meant to help the women connect with their bodies by stimulating them with a spectrum of sensations: the cool slickness of a polished river stone or the prick of a pineapple rind. It’s about receiving pleasure and feeling beautiful — no matter your age, body shape or perceived limitations.
“The biological clock may be finite, but your sexuality — arousal — is infinite,” says the event’s host, Pamela Madsen, scattering rose petals on one attendee’s thighs.
Pamela Madsen, Back to the Body’s founder.
(Joyce Lee / For The Times)
Welcome to Back to the Body, a sexual wellness retreat helping participants — all women — access their erotic selves. In this group, attendees are straight or bisexual and range in age from mid-30s to mid-70s. They’re mostly from around California, but some have traveled from North Carolina, Florida and Connecticut. They’ve come to overcome intimacy issues or body shame, to process trauma, to learn how to better orgasm or otherwise improve their sex lives. Some are therapists themselves looking to expand their knowledge of “sexological bodywork,” a form of body-based sex therapy that Madsen practices. Others simply want to be in community with like-minded women who are also exploring their sexual selves.
The two-night retreat, which costs $550 to $2,000 depending on accommodations on the sprawling multi-villa property, includes mindfulness exercises, journaling, expert-led seminars, group discussions and meals by a private chef. It also features a preview of a “bodywork session” that one might experience at Back to the Body’s longer, weeklong retreat: a live “pleasure demonstration” at the event’s, um, climax — but more on that later.
Madsen guides participants in a “Lotus Lift Meditation,” meant to help them clarify their intentions for their lives.
(Joyce Lee / For The Times)
An unlikely high desert sex educator, Madsen, “60-something,” is a brash, outspoken New York transplant who oscillates between frank asides (“I like to say ‘f—’ — get used to it”) and welling up with tears (“I’m sorry, I’m just getting emotional, this is important stuff”) as she proselytizes about the power of erotic energy. She believes that “when a woman reclaims her arousal, she reclaims her aliveness.” Put another way: Pleasure isn’t just a component of your life — it’s a tool for transformation.
“I’ve seen women changing, improving their lives,” Madsen says of past participants, her voice cracking with emotion. “They start taking control of their finances, they start to care about how they’re spending their time.”
Sitting on the porch of the “big house,” a midcentury modern ranch home where the retreat meals are served, attendee Mandy Manuel, 39, a sex therapist from Connecticut, says that she found love — for herself and with a partner — after attending several Back to the Body retreats.
Back to the Body’s midcentury modern ranch home.
(Joyce Lee / For The Times)
“I’ve been in a large body my whole life. And the world will tell you ‘you’re not good enough, you’re not pretty enough, you’re not deserving of sex and romance,’” she says. “I totally bought into that story. And I wanted to challenge that. So I came and it was life-changing. Just recognizing ‘Oh, wow, I can receive.’”
Manuel eventually started dating online and met her current partner a year and a half ago (and is now facilitating a Back to the Body retreat in 2026). “My standard for dating shot way up. Previously it was: ‘I’m just going to accept whoever wants me’ and now it’s ‘who do I want?’”
Sexual wellness is a long-established sector of the medical establishment that, today, encompasses everything from contraception and safe sex practices to organic lube, tantric breathwork, couples counseling and the latest Magic Wand Rechargeable vibrator. It adds up to big business: the global sexual wellness market is projected to reach $48.2 billion by 2030, according to Global Industry Analysts Inc.
A participant in the “art of adoration” exercise.
(Joyce Lee / For The Times)
Somatic (or body-based) sex therapy, a subset of sexual wellness, is also not new in the medical field. Individuals struggling with sexual issues have for decades turned to sexual surrogates, or trained professionals who specialize in “experiential learning” and who work in tandem with a client’s sex therapist when talk therapy isn’t enough.
Whereas sexual surrogacy is interactive, mimicking partnership, sexological bodywork employs “one-way touch.” In Back to the Body’s private, one-on-one bodywork sessions that means certified sexological bodyworkers, trained in Madsen’s approach, are always clothed and focus attention on the consenting client without reciprocity. A session may involve breathwork, intimacy coaching, sensual touch, sound and movement, including dance. It’s a “body first” approach to healing, in which physical sensations inform thoughts, as opposed to talk therapy.
But hands-on sex education is controversial.
“I don’t endorse it with my clients,” says UCLA emeritus professor Dr. Gail E. Wyatt, a licensed clinical psychologist and board-certified sex therapist, “because I don’t trust [that] the individuals who are assigned [to touch clients] have the boundaries to see this as a professional act and not as an opportunity. Vulnerable individuals may end up in a situation where they’re being taken advantage of.”
Madsen acknowledges that sexological bodywork is edgy but stands by the modality.
“We cannot heal, expand or awaken our sexuality through words alone,” she says. “We must touch the body to hear it speak — and that terrifies people.”
The retreat includes journaling exercises as well as mindfullness activities and group discussions.
(Joyce Lee / For The Times)
Sexological bodyworkers are not doctors and there’s no national certification for the profession. Practitioners do, however, adhere to a code of ethics upheld by the Los Angeles-based Assn. of Certified Sexological Bodyworkers. While sexological bodywork falls into a legal gray area, the state of California first recognized it as a profession involving sex education in 2003 when it approved training at San Francisco’s the Institute for Advanced Study of Human Sexuality (the school closed in 2018 and no additional state-approved schools have emerged). Nonetheless, somatic sex education appears to be growing: two Back to the Body practitioners offer sexual wellness retreats through their own companies: Court Vox leads one for queer men through his the BodyVox and Cosmo Meens leads one for straight men through his Himeros Project.
“There’s a great need for education about sensuality and the body that we don’t get in school or at home, typically speaking,” says Regena Thomashauer, author of “Pussy: A Reclamation,” which explains that we live in a culture that teaches women to turn off their power.
To be clear, Madsen stresses, arousal is not just about orgasming, or even physical pleasure, but about agency. Erotic energy — desire — is a powerful, “life-changing tool” every woman has access to, she says — it connects you to your passion and creativity, to your intuition and voice.
“When women are in touch with their arousal, they start being able to see themselves, they start being able to express themselves, Madsen says. “They find their voice, they’re able to speak their desires.”
Addressing the group in the living room, Madesn elaborates on the empowering, if political, nature of Back to the Body’s work.
Madsen believes that “when a woman reclaims her arousal, she reclaims her aliveness.”
(Joyce Lee / For The Times)
“Women have only had the right to vote for just over 100 years,” she says. “You [often] couldn’t have a checking account or credit card until 1974 without a man. Why is this work important? Because we’ve been taught not to trust ourselves, not to trust our bodies. That we are vehicles for birth, that we are vehicles for sex, vehicles for entertainment, vehicles for service — we are not sovereign. What does this work do? It creates sovereign women.”
What’s more, Madsen says, it takes time for women to reach a state of arousal — and many women experience premature penetration during sex.
She breaks into song: “I want a man with a slow hand …” she croons, belting out the Pointer Sisters’ early ‘80s pop hit. Laughter erupts around the room.
A private chef, pictured in the background, prepares farm-to-table meals for participants.
In the book, Madsen documents her search for “sexual, personal and spiritual wholeness.” As part of that journey, she became certified as a sexological bodyworker in 2007 through the Institute for Advanced Study of Human Sexuality. She founded Back to the Body in 2011, adding her own spin on sexological bodywork. While most practitioners offered one-off sessions, she says, she launched multi-day immersive retreats, stressing the importance of being “away from the noise of the world.”
Back to the Body had no physical home initially and held retreats virtually or around the U.S. and internationally.
Several Back to the Body participants have gifted the retreat with artworks, now scattered around the property.
(Joyce Lee / For The Times)
“But then we found this place,” Madsen says while touring the Joshua Tree property, onto which she moved in July 2024. She strides across the land, more of a swagger, wearing a white flowy dress, white cowboy hat and cowboy boots, her long black hair cascading down her back and her curvaceous bosom occasionally spilling out of her dress.
“This is the house that women built,” she says, sweeping one hand across the horizon and tucking a runaway boob back into her dress with her other. “I couldn’t have afforded this place without help — investments and donations — from participants. This work changed their lives, and they wanted to give back.”
Previous attendees also gifted artworks or ephemera now scattered around the property: large crystals around the pool or a granite statue, outside the main house, of a woman bracing against the wind.
Late in the afternoon, the women settle into the community room for a 45-minute demonstration of what a bodywork session might look like. Madsen, dressed in aqua lingerie, is the client in this scenario; practitioner Cosmo Meens, a buff and barefoot 45-year-old with thigh tattoos and a salt-and-pepper beard, is her certified sexological bodyworker. There is sexy music; there is playful slow dancing; there is laughter. “Louder!” Madsen says of the music, laying down on what looks like a massage table. There is also a shelf of accouterments nearby — coconut oil, a vibrator, a feather — to stimulate pleasure or bring her to orgasm.
The women sit in a circle around the demonstration table, rapt.
Afterward, Madsen sits up, hair mussed and cheeks flushed. There’s a short question-and-answer session. Then Madsen hard-sells the weeklong retreat, which runs from $8,000 to $18,000, depending on programming, accommodations and location (some retreats are international). There are just 30 spots left for 2026, she tells the crowd; and for those who register today, there’s a $1,000 discount.
15 of the 20 women sign up.
Participants during the “Lotus Lift Meditation.”
(Joyce Lee / For The Times)
To some, the marketing pitch might have a transactional feel: Is this cutting-edge somatic sex education or the commodification of the orgasm, of pleasure?
“It’s inaccessible,” says Betsy Crane, a retired professor of human sexuality at Widener University, who sees value in the retreat’s work but balks at the pricetag. “I understand why they have to charge as much as they do — it’s staff intensive, they include food, nice venues — but it’s not affordable for most women, that’s the inequality of the world that we live in. If it were more accepted, it could become less expensive because it could be available locally.”
Madsen says the price is in line with today’s economy.
“Travel is expensive, experiences are expensive,” she says. “What I know is: that I’m not getting wealthy, that it’s hard to keep the ship running. That women get done in a week here what costs them 15 years in talk therapy.”
The end goal? Madsen hopes her retreat will change the world “one vulva at a time.”
Sitting on the porch, Deb Morris, 63, a retired business owner who lives outside of Denver, says she’s been on more than a dozen Back to the Body retreats over the past decade. (Do the math.) But the investment of time and money has been “life changing.”
Attendees enjoy downtime between retreat activities.
(Joyce Lee / For The Times)
“How I show up at 63 is so much more vibrant and committed to life,” she says. “I stay in, sexually — my beingness, how I dress, staying healthy in the gym, having a more vibrant friend group. All of those things definitely have been affected by doing this work from my mid-50s to my mid-60s.”
She looks out at the view, a vast desert landscape. Then adds: “I feel alive.”
FORGET the Oscars, the Met Gala or a Royal wedding.
This weekend saw the VIP event to rule them all, in the form of Kris Jenner’s 70th star-studded black-tie birthday party.
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Kris Jenner’s 70th star-studded black-tie birthday party was the VIP event to rule them allCredit: InstagramKim Kardashian stole the spotlight as she arrived at her mother’s birthday bashCredit: BackGridPrince Harry and Meghan Markle are seen leaving the party at Jeff Bezos’ homeCredit: BackGrid
Make no mistake, every celebrity worth their diamonds can gather a gaggle of A-listers, but this event was something different.
The 007-themed bash collected some of the world’s biggest names in business and tech, movies and music for a night of total luxury and couture-costumed backslapping.
And getting on her guestlist is the equivalent of getting a glowing write-up in the Who’s Who of modern-day heavyweights.
Essentially, Kris can make or break you — but if she likes you, you’re really winning.
It’s a truth that was etched proudly across Meghan Markle’s face as she smiled her way into Kris’s exclusive birthday bash.
Flanked by her less enthusiastic husband Prince Harry, Meghan looked like the cat who had got the cream — which, for her, has been a long time coming.
Meghan may have rejected royal life before hightailing it to the US in 2020, but Buckingham Palace is a long way from Beverly Hills — and across the pond, Kris has more influence, cachet and showbiz know-how than any British monarch.
Since stepping down as senior royals, Meghan and Harry have done their best to ingratiate themselves in the upper echelons of LA, mingling with the likes of Gwyneth Paltrow, Cameron Diaz, Beyonce and actress Kerry Washington.
Meanhwile, Meghan apparently pursued her own goal: An actual friendship with Kris, who, as well as holding influence, knows better than most about the art of rebranding.
Let’s remember, her family were once jokingly labelled “the Kartrashians”, known for flogging slimming teas on Instagram and attending the opening of an envelope.
But the joke’s now firmly on all their critics, since they turned themselves into the one of the most lucrative family brands the world has ever seen — one to rival a royal fold.
And it’s Kris who has masterminded the whole thing — a fact immortalised the day she was filmed cooing at Kim, “You’re doing amazing, sweetie!” while her daughter posed nude for a Playboy magazine shoot in 2007.
And though the family’s fame in the early days was easily mocked, they’ve since each cemented themselves as aspirational power players in their own right.
Kim and her sister Kylie Jenner are billionaire business moguls with their respective fashion and beauty lines SKIMS and Kylie Cosmetics, while Kendall Jenner is one of the biggest fashion models in the world.
As for Kourtney and Khloe, everything they touch also turns to gold.
Momager Kris still takes ten per cent of her family’s earnings and is well worth the levy, because having a steer and a nod from her is worth its weight in Hollywood opportunities.
Meghan’s long known this, but her efforts so far have mostly been met with muted interest.
Last year, she sent a batch of her home-made jam to Kris, and before that she and her own mum Doria Ragland previously rubbed shoulders with Kris and Kim at various charity dos.
Kylie Jenner poses for her fansCredit: instagramKendall Jenner and Hailey Bieber pose for a selfie at the eventCredit: instagramJustin Bieber was seen at the event in HollywoodCredit: BackGrid
But getting an invite to THE party of the year is the ultimate seal of approval for Meghan, and a sign that her and Harry’s luck might now be changing after all.
So far, they have been slammed by insiders for not following through on lucrative brand deals and mocked for constantly going back on grandiose pitches and promises.
In 2023, Spotify pulled the plug on their $20million audio deal after Meghan produced just 12 episodes of content for her podcast Archetypes, with one exec at the audio streamer labelling them “f***ing grifters”.
And even though Netflix has now produced two series of the universally mocked cookery and lifestyle series With Love, Meghan, it’s been reported that she and Harry are no longer the streaming giant’s golden couple.
Their $100million deal with the streamer has now been downgraded to a “first-look deal” with a reportedly massive pay cut.
In the past week, we revealed how Meghan is returning to acting with a role in the upcoming movie comedy Close Personal Friends.
Having shunned the showier side of showbiz post-royal life, it’s clear she now needs Hollywood’s endorsement more than ever — so getting through the door of Kris’s VIP-packed party is a pretty momentous achievement.
Devotedly loyal
Jeff Bezos’s role as host attests to Kris’ social standing. Not content with putting on their lavish three-day wedding in Venice which was attended by the Kardashian clan, the Amazon boss and his wife Lauren proved there’s nothing they wouldn’t do for their dear friend Kris.
So it only stands to reason that Jeff would be all-ears to any film or TV ideas Meghan might have for his Prime streaming service — provided she has Kris’s seal of approval.
Other heavyweights who donned their gladrags for Kris included Facebook CEO Mark Zuckerberg and Microsoft founder Bill Gates, who arrived carrying a perfectly wrapped, rectangular gift (prompting the internet to wonder just what a billionaire brings as a birthday present).
Bill has a lot to thank Kris for, as she recently invested in Phia, an AI shopping start-up co-launched by his daughter Phoebe.
Kris knows what The Godfather taught us long ago: Make sure people owe you enough to remain committed and devotedly loyal.
Bill Gates arrives with a huge gift-wrapped present for the birthday girlCredit: BackGridwill.i.am was dressed in style for the lavish gatheringCredit: BackGridOprah Winfrey made a stylish entrance at Kris Jenner’s milestone 70th celebrationCredit: BackGrid
But the night wasn’t all about business deals, and it’s safe to say that every star who attended the function — many of them dressed in red — had a night to remember.
Maintaining the party’s James Bond theme, Kris brandished a tiny pistol — stressing the point that she’s the one who wields the power.
Dressed in a frilled, hot-red ballgown and dramatic black gloves, the mum-of-six proudly displayed her most expensive purchase — a new facelift, which reportedly cost between $150,000 and $230,000.
She unveiled the results earlier this year, saying, “This is ageing gracefully, my version.”
And she certainly looked delighted with herself on the night, as did her younger actor boyfriend, Corey Gamble, 45, who lovingly followed 70-year-old Kris around all night.
The night was so eventful that police were called to the premises several times after neighbours complained about loud music.
Cameras were strictly forbidden, but the birthday girl did later post a carousel of photos on Instagram which showed red roses, sweeping scarlet drapery, flowing champagne, 007-themed lighters and poker chips.
It was all accounted for, and Kris was royally venerated like the modern-day monarch she has risen to be.
The rise itself is pretty spectacular, considering her modest beginnings.
Born in San Diego in 1955 to an aircraft manager dad and children’s clothing store owner mum, Kris briefly worked as an air hostess for American Airlines.
Her only “proper” job, she said it made her “see what hard work and great service looked like”.
While married to Hollywood lawyer Robert Kardashian, who represented OJ Simpson during his 1995 murder trial, she became the standard LA wife who knows all the right people and places, but still stands behind her more successful husband.
But after she divorced Robert and married Bruce Jenner, now Caitlyn, she became the former athlete’s manager and turned his faded Olympic career into lucrative brand deals.
Yet it wasn’t until she pitched her family to E! for reality TV glory that she really proved her mettle.
Coining the term momager, she has now leveraged a C-list family to Hollywood royalty.
The Kardashians now run some of the most exclusive rooms in the world — and for Meghan Markle, getting access to them is crucial.
Attending Kris’s party might just be the start of a beautiful friendship.
Allison Mack is addressing “the bad things she’s done” as a high-profile member of the “sex cult” NXIVM in a new podcast.
Released Monday, “Allison After NXIVM” is a seven-episode series that features the former “Smallville” star detailing her time as a young actor and how she became involved in the purported self-improvement group, as well as her role in manipulating women into becoming sex slaves for NXIVM leader Keith Raniere and the eventual criminal fallout.
“I don’t see myself as innocent,” Mack says in an early episode as she acknowledges using her success as an actor as “a power tool … to get people to do what I wanted” and that she was “very effective in moving Keith’s vision forward.”
In a later episode, she accepts claims that she was a “harsh monster” during her time at NXIVM.
“I was not kind and I was aggressive and I was abusive,” Mack says. “I was harsh and I was callous and I was aggressive and forceful in ways that were painful for people. [I] did make people feel like they had no choice and was incredibly abusive to people, traumatic for people.”
In 2019, Mack pleaded guilty to racketeering charges related to her role in NXIVM and its subgroup DOS, a so-called “secret society” of women who were branded with Raniere’s initials and forced to have sex with him. Mack was among one of the “masters” in the group, a lieutenant tasked by Raniere with recruiting and coercing other women. She was sentenced to three years in federal prison in 2021 and was released in 2023. (Raniere is currently serving a 120-year sentence after being convicted of sex-trafficking and other charges.)
But while she acknowledges that “100% all those allegations are true,” she also contends that she is “someone who cares deeply and wanted very much to grow and wanted very much for everybody that I was involved with to grow. … [B]oth of those things are true about me.
“I definitely recognize and admit that I was abusing my power,” Mack says. “But I also can’t negate the fact that there was a part of me that was altruistic and was desperate to help people. [I] wanted to be better, and I was willing to do anything to be better in myself and to help other people be better.”
The podcast series also touches on what Mack has been up to since being released from prison. She is pursuing a master’s in social work and looking into PhD programs in expressive arts therapy. She is also working at a nonprofit to help bring creative arts such as music, theater and poetry to prisons.
Over the summer, Mack got married to Frank Meeink, a prominent former neo-Nazi who now speaks out in support of racial diversity and acceptance. The couple met in a dog park not long after Mack’s release from prison in 2023. According to the podcast’s host, Natalie Robehmed, Mack now goes by Allison Meeink.
Robehmed also mentions that “Allison After NXIVM,” which is the latest installment of the true crime podcast “Uncover,” came to be after Mack reached out to journalist Vanessa Grigoriadis following her release from prison, hoping to tell her own story for the first time. Grigoriadis, who serves as an executive producer on the series, had interviewed Mack before her arrest.
The International Olympic Committee pumped the brakes on a report Monday that the body was poised to ban athletes born male from competing in women’s Olympic events, saying that “no decisions have been taken yet.”
A report in The Times of London stated that the ban on transgender women in female competition would be implemented early in 2026 “after a science-based review of evidence about permanent physical advantages of being born male.”
The IOC insisted the report was premature but did not refute that a new policy was forthcoming.
A spokesperson confirmed that medical and scientific director Dr. Jane Thornton updated IOC members last week at a meeting in Lausanne, Switzerland, on the initial findings of a working group studying the issue. However, the spokesperson said in a statement that “the working group is continuing its discussions on this topic and no decisions have been taken yet. Further information will be provided in due course.”
New IOC president Kirsty Coventry succeeded Thomas Bach in June and three months later formed the Protection of the Female Category working group made up of experts as well as representatives of international federation to study the issue.
The findings and a new policy could be announced as soon as the IOC session, scheduled in February ahead of the Milan-Cortina Winter Olympics.
Under Bach, the IOC declined to apply a universal rule on transgender participation in the Olympics, and transgender athletes remain eligible to participate. Each sport’s international federation is allowed to set its own rules.
However, Coventry said in her first news conference after becoming IOC president that she believes Olympic sports should do away with the current piecemeal approach to setting rules on transgender inclusion and instead implement a policy that applies to most or all sports.
“We understand that there will be differences depending on the sport,” she said. “But it was very clear from the members that we have to protect the female category, first and foremost to ensure fairness.
“We have to do it with a scientific approach and with the inclusion of the international federations who have done a lot of work in that area.”
President Trump signed an executive order early this year banning transgender athletes from competing in women’s sports in U.S. schools and said he intends to apply the policy at the Los Angeles Olympics in 2028. The order directs the Secretary of State to attempt to change IOC rules on transgender participation and also directs immigration officials to refuse admission to transgender women from other countries for the purposes of sports participation.
California Department of Education officials refused to comply with the order. However, Trump’s announcement prompted the U.S Olympic and Paralympic Committee to change their rules and ban transgender athletes from taking part in women’s sports.
The most recent Olympics controversy over gender eligibility occurred at the Paris Games last summer when boxer Imane Khelif of Algeria won the women’s welterweight gold medal a year after being disqualified from the World Championships for reportedly failing a gender eligibility test.
The IOC allowed Khelif and Taiwan’s Lin Yu-ting to compete in the women’s division because their passports identified them as female. Yu-ting had been banned by the suspended International Boxing Assn. (IBA).
In an attempt to identify athletes raised as female but who sometimes carry physical advantages of males — called Differences of Sexual Development (DSD) — international boxing this year introduced mandatory tests for athletes in the female category to detect a gene on the Y chromosome that triggers the development of male characteristics.
Other sports have created a range of thresholds to ban or allow transgender athletes to compete as women. World Athletics, the international governing body for track and field, bans transgender athletes who have undergone male puberty. World Rugby forbids transgender athletes from competing at the highest level. And World Aquatics allows transgender athletes who transitioned before the age of 12 to compete as women.
Very few transgender athletes have taken part in the Games. New Zealand weightlifter Laurel Hubbard became the first openly transgender athlete to compete in a different gender category in the 2021 Tokyo Olympics.
“I don’t think we need to redo all the work that’s been done — we can learn from the international federations and set up a task force that will look at this constantly and consistently,” Coventry said. “The overarching principle must be to protect the female category.”
USC and Baylor jumped into the top 10 of the Associated Press Top 25 women’s basketball poll after big opening week victories.
The Bears began the season with a victory in Paris over then-No. 7 Duke to replace the Blue Devils in that spot Monday, climbing nine places. The Trojans edged then-No. 9 North Carolina State by a point Sunday to move up 10 spots to eighth overall.
While USC will be missing star JuJu Watkins all season as she recovers from an anterior cruciate ligament tear suffered last March, coach Lindsay Gottlieb’s team has a new young star in Jazzy Davidson, who hit the go-ahead shot with 8.2 seconds left.
Connecticut, South, Carolina, UCLA and Texas remained the top four teams in the poll after relatively easy opening week wins. The defending champion Huskies received 30 first-place votes from a national media panel while the Gamecocks got the other two.
Louisiana State and Oklahoma stayed at fifth and six, respectively. The Sooners faced UCLA on Monday night in Sacramento, a site of one of the NCAA regionals next spring.
Maryland moved up one place to ninth. N.C. State, which besides falling to USC beat Tennessee by three points in the opener, dropped to 10th. The Lady Vols fell to 12th and the Blue Devils 15th.
In and out
No. 25 Washington entered the top 25 for the first time in two years. The Huskies were hosting Montana on Monday night before heading to Utah on Saturday. Richmond dropped out of the poll after losing at Texas.
Banner raising
UConn unveiled its 12th championship banner on Sunday when the Huskies beat Florida State. The team took to the court before the game wearing custom white-and-gold tracksuits that read “National Champions XII” on the back.
Happy anniversary
The women’s basketball poll celebrates its 50th anniversary this month with the first rankings coming out in late November 1976. Founded by Mel Greenberg, the poll was a coaches’ poll until 1994-95 when it became one voted on by national media.
Games of the week
No. 2 South Carolina at No. 9 USC, Saturday. The Gamecocks will head west to face the Trojans in a home-and-home series dubbed “The Real SC”. Saturday’s game will be played at Crypto.com Arena and next year’s game will be played in Greenville, S.C.
No. 17 Texas Christian at No. 10 N.C. State, Sunday. The Wolfpack continue their difficult non-conference schedule facing the Horned Frogs, who added transfer Olivia Miles from Notre Dame this offseason.
Sarah Paulson appears to be having a blast in Ryan Murphy’s new Hulu “legal” drama “All’s Fair,” and that’s about the only good thing about the show.
The New York Times recently ran a piece extolling it’s reimagining of the power suit (down to at least one visible thong) and I suppose that’s one way of avoiding the obvious. Still, I’m going to stick with Paulson’s obvious glee in playing a villain. Her Carrington Lane was left behind to fester in the comic-book sexism of a male-dominated divorce law firm when two of her colleagues stalked away to form an all-female team and Carrington is not one to surrender a grudge.
It’s impossible not to like Paulson and she is clearly enjoying the opportunity to glare and hiss and indulge in the kind of gross but creative profanity Melissa McCarthy likes to unleash when her characters hit the brink.
As for the rest … well, let’s just say with “All’s Fair,” American culture is getting exactly what it deserves: A series that wallows in the shiny, knockoff-ready trappings of new money (immaculate and soulless homes, private jets, diamonds the size of a Rubik’s Cube), defines “sisterhood” as the belief that any personal crisis can be alleviated by vaginal rejuvenation combined with a girls’ trip to a jewelry auction and gauges power by the ability to plot and take revenge. Preferably in the form of huge amounts of money.
“All’s Fair” may or may not be, as some have said, the worst show of the year (or possibly of all time), but with its celebration of the 1%, personal feuds and financial vengeance, it is certainly the first to truly embody the culture of the Trump presidency.
Down to the reality star at its center. “All’s Fair” gives top billing not to any of the fine and seasoned actors that star — Paulson, Niecy Nash, Naomi Watts, Glenn Close — but to Kim Kardashian, who plays Allura Grant, head of the law firm Grant, Ronson and Greene.
Niecy Nash, from left, Glenn Close and Kim Kardashian are among the stars of Ryan Murphy’s new Hulu drama “All’s Fair.”
(Ser Baffo / Disney)
That Kardashian (and Kris Jenner, who serves as a producer) were able to summon such forces of the galaxy to showcase her, shall we say, limited thespian abilities could be justifiably viewed as yet another “you go girl” testament to her seemingly limitless business acumen.
On the other hand, “All’s Fair” makes the dismal final season of “And Just Like That” look like Chekhov.
Murphy, and the forces at Disney, which owns Hulu, the home of “The Kardashians,” understand Kardashian’s cult-like following and are operating under the assumption that viewers will be so entranced by her and the fashions (which include an alarming amount of hats, capes and gloves) that they won’t notice that the main player is relying on her eyelash extensions to do her acting for her.
To be fair to Kardashian, few nonprofessional actors would shine beside scene partners like Close, Watts and Nash, and the writing of the series, which flirts with camp but never fully commits, does no one any favors.
Not since “Charlie’s Angels” has there been a “feminist fantasy” with such a male gaze. (Apologies to “Charlie’s Angels,” which was in many ways a groundbreaking show.)
After suffering on the sidelines of a mostly male law firm, Allura and Liberty Ronson (Watts) decide to branch out on their own. They do so with the blessing of Dina Standish (Close), that firm’s only female partner, and take with them ace investigator Emerald Greene (Nash). When we meet them again, 10 years later, Allura also has an assistant/mentee in Milan (Teyana Taylor), who later provides a predictable plot twist.
The names alone suggest a level of parody, and, in the first episode, a send-up quality flits in and out of the proceedings, but the show chooses cynicism over satire every time.
Instead of sexist jokes, the partners of Grant, Ronson and Greene spend much of their time discussing how awful men are, with the possible exception of Liberty’s beau, Reggie (“The Handmaid’s Tale’s” O-T Fagbenle), and Standish’s ailing husband, Doug (Ed O’Neill).
That is, after all, the raison d’etre of the firm: Grant, Ronson and Greene are intent on protecting rich women from the perils of the prenup and generally making the bastards pay, sometimes through their “superior” knowledge of the law (in one storyline, this involves explaining that gifts are the sole property of the recipient, which even I knew), but more often blackmail (if you have chosen to live your life without ever seeing a butt plug the size of a traffic cone, keep your eyes shut when Emerald starts her slideshow).
A brief, and seemingly contractually required, mention of the firm raising money to help the underprivileged is laughable — “All’s Fair” is 100% après-moi television, in which extreme wealth is presented as too normal to even be aspirational, and any work not done by Emerald consists of sashaying in super slick shades from one successful throwdown to the next. With brief interludes in sumptuous cars and, as previously mentioned, overbidding on hideous brooches at a high-end jewelry auction (held by a firm client, which honestly seems potentially unethical, but whatevs).
If the dialogue were sharp, funny or even self-aware, Murphy and his team might get away with it, but it’s not — “It’s a shame your mother didn’t swallow,” Dina tells Carrington in what passes as proof that women can be as tough as men. Or that older women can talk trash. Or that Close will do her best to give a decent reading of any line. Or something.
There are brief nods to the women’s personal lives — as a divorce lawyer, Liberty is reluctant to marry Reggie, Dina is struggling with Doug’s decline, Emerald is a super-single mom — but it all feels very box-ticky. Including Allura’s disintegrating marriage, which becomes a major plot point as the gals gather round to make that bastard pay as well, and her realization that if she wants to become a mother, she’s running out of time.
Reading the zeitgeist, the creators of “All’s Fair” were clearly not looking for raves or awards, just viewers.
(Disney)
In many ways, “All’s Fair” is an American version of the excellent British series “The Split,” which follows a matriarchal family of female divorce lawyers. Early on, one of the daughters (played by Nicola Walker) leaves the family firm and, in her own way, attempts to right the wrongs often done to women facing divorce from rich and powerful men while dealing with her own marital breakdown and a family with actual children.
But “American version” doesn’t really cut it. This is Trump’s-America version, in which ethics, morals and virtually all human feeling are secondary to winning, and winning is defined by who ends up making their opponent pay.
Between Kardashian’s conspicuous nonacting and dialogue that often seems lifted from the all-caps regions of X, “All’s Fair” has, not surprisingly, received a critical drubbing. Which seems almost intentional.
Critics, after all, have long been routinely, and often viciously, disparaged (after the reviews were in, Close felt moved to post a sketch of the cast gathered around a “Fatal Attraction”-like “critic bunny stew”). More important, reviews, bad or good, do not (nor should they) predict audience reaction (see early theater reviews of “Wicked”). As Trump has proved again and again, bad press is still press and the worse it is, the more easily it can be cast as proof that the cultural elites (i.e. critics) are out to get … somebody.
So it shouldn’t surprise anyone that, despite a 5% score on Rotten Tomatoes, “All’s Fair” was Hulu’s most successful scripted series premiere in three years.
Reading the zeitgeist, the creators of “All’s Fair” were clearly not looking for raves or awards, just viewers. In this American moment, bad is good and shrewd operators know that if you throw in enough high-profile ingredients — Kardashian, Murphy, a bevy of fine actors — you needn’t take the trouble to ensure the mix will rise to the occasion.
As the president builds a ballroom while food banks are overrun, why wouldn’t TV audiences want to feast on fallen cake?
Police were called just before 21:00 GMT on Friday
A woman is in a critical condition after being stabbed in the neck in an “unprovoked attack” in Birmingham city centre.
A man in his 20s has been arrested on suspicion of attempted murder after the attack on Friday night.
West Midlands Police said officers were called to Smallbrook Queensway shortly before 21:00 GMT.
A woman in her 30s suffered a serious neck injury and is in hospital in a critical condition, the force said.
It said a man was arrested close to the scene and remained in custody.
Officers remain in the area, where a cordon is in place
Officers are currently carrying out inquiries near the scene, which is in an extremely busy part of the city centre near to the Bullring shopping centre.
A police tent remains on the pavement, just outside the Bullring and opposite the main entrance to New Street railway station.
“We believe this was an unprovoked attack and are working to understand why it happened,” said Det Insp James Nix.
“We will have officers in the area today to continue our investigation and provide reassurance.
“We are not currently looking for anyone else in connection with this incident.”
Police said they believed the attack was unprovoked
The force has appealed for witnesses, and urged anyone who knows more to contact 101.
St Martin’s Queensway westbound has been closed from Moor Street Queensway to Smallbrook Queensway.
Buses are being diverted onto Moor Street.
The cordon is expected to be in place all day, the BBC has been told.
Opera has housed a long and curious fetish for the convent. Around a century ago, composers couldn’t get enough of lustful, visionary nuns. Although relatively tame next to what was to follow, Puccini’s 1918 “Suor Angelica” revealed a convent where worldly and spiritual desires collide.
But Hindemith’s “Sancta Susanna,” with its startling love affair between a nun and her maid servant, titillated German audiences at the start of the roaring twenties, and still can. A sexually and violently explicit production in Stuttgart last year led to 18 freaked-out audience members requiring medical attention — and sold-out houses.
Los Angeles Opera got in the act early on. A daring production of Prokofiev’s 1927 “The Fiery Angel,” one of the operas that opened the company’s second season in 1967, saw, wrote Times music critic Martin Bernheimer, “hysterical nuns tear off their sacred habits as they writhe climactically in topless demonic frenzy.”
Now we have, as a counterbalance to a lurid male gaze as the season’s new opera for L.A. Opera’s 40th anniversary season, Sarah Kirkland Snider’s sincere and compelling “Hildegard,” based on a real-life 12th century abbess and present-day cult figure, St. Hildegard von Bingen. The opera, which had its premiere at the Wallis on Wednesday night, is the latest in L.A. Opera’s ongoing collaboration with Beth Morrison Projects, which commissioned the work.
Elkhanah Pulitzer’s production is decorous and spare. Snider’s slow, elegantly understated and, within bounds, reverential opera operates as much as a passion play as an opera. Its concerns and desires are our 21st century concerns and desires, with Hildegard beheld as a proto-feminist icon. Its characters and music so easily traverse a millennium’s distance that the High Middle Ages might be the day before yesterday.
Hildegard is best known for the music she produced in her Rhineland German monastery and for the transcriptions of her luminous visions. But she has also attracted a cult-like following as healer with an extensive knowledge of herbal remedies some still apply as alternative medicine to this day, as she has for her remarkable success challenging the patriarchy of the Roman Catholic Church.
She has further reached broad audiences through Oliver Sacks’ book, “Migraine,” in which the widely read neurologist proposed that Hildegard’s visions were a result of her headaches. Those visions, themselves, have attained classic status. Recordings of her music are plentiful. “Lux Vivens,” produced by David Lynch and featuring Scottish fiddle player Jocelyn Montgomery, must be the first to put a saint’s songs on the popular culture map.
Margarethe von Trotta made an effective biopic of Hildegard, staring the intense singer Barbara Sukowa. An essential biography, “The Woman of Her Age” by Fiona Maddocks, followed Hildegard’s canonization by Pope Benedict XVI in 2012.
Snider, who also wrote the libretto, focuses her two-and-a-half-hour opera, however, on but a crucial year in Hildegard’s long life (she is thought to have lived to 82 or 83). A mother superior in her 40s, she has found a young acolyte, Richardis, deeply devoted to her and who paints representations of Hildegard’s visions. Those visions, as unheard-of divine communion with a woman, draw her into conflict with priests who find them false. But she goes over the head of her adversarial abbot, Cuno, and convinces the Pope that her visions are the voice of God.
Mikaela Bennett, left, as Richardis von Stade and Nola Richardson as Hildegard von Bingen during a dress rehearsal of “Hildegard.”
(Carlin Stiehl / For The Times)
Hildegard, as some musicologists have proposed, may have developed a romantic attachment to the young Richardis, and Kirkland turns this into a spiritual crisis for both women. A co-crisis presents itself in Hildegard’s battles with Cuno, who punishes her by forbidding her to make music, which she ignores.
What of music? Along with being convent opera, “Hildegard” joins a lesser-known peculiar genre of operas about composers that include Todd Machover’s “Schoenberg in Hollywood,” given by UCLA earlier this year, and Louis Andriessen’s perverse masterpiece about a fictional composer, “Rosa.” In these, one composer’s music somehow conveys the presence and character of another composer.
Snider follows that intriguing path. “Hildegard” is scored for a nine-member chamber ensemble — string quartet, bass, harp, flute, clarinet and bassoon — which are members of the L.A. Opera Orchestra. Gabriel Crouch, who serves as music director, is a longtime member of the early music community as singer and conductor. But the allusions to Hildegard’s music remain modest.
Instead, each short scene (there are nine in the first act and five — along with entr’acte and epilogue — in the second), is set with a short instrumental opening. That may be a rhythmic, Steve Reich-like rhythmic pattern or a short melodic motif that is varied throughout the scene. Each creates a sense of movement.
Hildegard’s vocal writing was characterized by effusive melodic lines, a style out-of-character with the more restrained chant of the time. Snider’s vocal lines can feel, however, more conversational and more suited to narrative outline. Characters are introduced and only gradually given personality (we don’t get much of a sense of Richardis until the second act). Even Hildegard’s visions are more implied than revealed.
Under it all, though, is an alluring intricacy in the instrumental ensemble. Still with the help of a couple angels in short choral passages, a lushness creeps in.
The second act is where the relationship between Hildegard and Richardis blossoms and with it, musically, the arrival of rapture and onset of an ecstasy more overpowering than Godly visions. In the end, the opera, like the saint, requires patience. The arresting arrival of spiritual transformation arrives in the epilogue.
Snider has assembled a fine cast. Outwardly, soprano Nola Richardson can seem a coolly proficient Hildegard, the efficient manager of a convent and her sisters. Yet once divulged, her radiant inner life colors every utterance. Mikaela Bennett’s Richardis contrasts with her darker, powerful, dramatic soprano. Their duets are spine-tingling.
Tenor Roy Hage is the amiable Volmar, Hildegard’s confidant in the monastery and baritone David Adam Moore her tormentor abbot. The small roles of monks, angels and the like are thrilling voices all.
Set design (Marsha Ginsberg), light-show projection design (Deborah Johnson), scenic design, which includes small churchly models (Marsha Ginsberg), and various other designers all function to create a concentrated space for music and movement.
All but one. Beth Morrison Projects, L.A. Opera’s invaluable source for progressive and unexpected new work, tends to go in for blatant amplification. The Herculean task of singing five performances and a dress rehearsal of this demanding opera over six days could easily result in mass vocal destruction without the aid of microphones.
But the intensity of the sound adds a crudeness to the instrumental ensemble, which can be all harp or ear-shatter clarinet, and reduces the individuality of singers’ voices. There is little quiet in what is supposed to be a quiet place, where silence is practiced.
Maybe that’s the point. We amplify 21st century worldly and spiritual conflict, not going gentle into that, or any, good night.
‘Hildegard’
Where: The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills
When: Through Nov. 9
Tickets: Performances sold out, but check for returns
South Asians have played a prominent role in President Trump’s universe, especially in his second term.
Second Lady Usha Vance is the daughter of Indian immigrants who came to California to study and never went back. Harmeet Dhillon, born in India and a devout Sikh, is currently his U.S. assistant attorney general for the Civil Rights Division. And the head of the FBI, Kash Patel, is (like potential New York City Mayor Zohran Mamdani,) of Indian descent by way of Uganda.
Some Republicans have taken pride in this kind of diversity, citing it for the gains Trump made in 2024 with Black and Latino voters.
But these days, the MAGA big tent seems to be collapsing fast.
Last week, MAGA had a total anti-Indian meltdown on social media, revealing a deep, ugly racism toward South Asians.
It comes amid the first real rebellion about rampant and increasingly open antisemitism within the MAGAverse, creating a massive rift between traditional conservatives and a younger, rabidly anti-Jewish contingent called groypers whose leader, Nick Fuentes, recently posted that he is “team Hitler.”
Turns out, when you cultivate a political movement based on hate, at some point the hate is uncontrollable. In fact, that hate needs to be fed to maintain power — even if it means feasting on its own.
This monster of white-might ugliness is going to dominate policy and politics for the next election, and these now-public fights within the Republican party represent a new dynamic that will either force it to do some sort of soul searching, or purge it of anything but white Christian nationalism. My bet is on the latter. But if conservatives ever truly believed in their inclusive talk, then it’s time for Republicans to stand up and demand the big Trump tent they were hailing just a few months ago.
Ultra-conservative commentator Ben Shapiro, who opposes much of Fuentes’ worldview, summed up this Republican split succinctly.
Fuentes’ followers “are white supremacists, hate women, Jews, Hindus, many types of Christians, brown people of a wide variety of backgrounds, Blacks, America’s foreign policy and America’s constitution,” Shapiro explained. “They admire Hitler and Stalin and that splinter faction is now being facilitated and normalized within the mainstream Republican Party.”
MAGA’s anti-Indian sentiment had an explosive moment a few days ago when a South Asian woman asked Vice President JD Vance a series of questions during a Turning Point USA event in Mississippi. The young immigrant wanted to know how Vance could preach for the removal of nearly 18 million immigrants? And how could he claim that the United States was a Christian nation, rather than one that valued pluralism?
“How can you stop us and tell us we don’t belong here anymore?” the woman asked. “Why do I have to be a Christian?”
Vance’s answer went viral, in part because he claimed his wife, although from a Hindu family, was “agnostic or atheist,” and that he hoped she would convert to Christianity.
“Do I hope eventually that she is somehow moved by the same thing that I was moved in by church? Yeah, I honestly do wish that,” he said.
Vance later tried to do some damage control on social media, calling Usha Vance a “blessing” and promising to continue to “support her and talk to her about faith and life and everything else, because she’s my wife.”
But many South Asians felt Vance was dissing his wife’s heritage and attempting to downplay her non-whiteness. They vented on social media, and got a lot of MAGA feelings back.
“How can you pretend to be a white nativist politician who will ‘bring america back to it’s golden age’ … when your wife is an indian immigrant?” wrote one poster.
Dhillon received similar feedback recently for urging calm and fairness after a Sikh truck driver allegedly caused a fatal crash.
“[N]o ma’am, it is CRYSTAL CLEAR that sihks and hindus need to get the hell out of my country,” one reply stated. “You and your kind are no longer welcome here. Go the [expletive] home.”
Patel too, got it, after posting a message on Diwali, a religious holiday that celebrates the victory of light over darkness. He was dubbed a demon worshipper, a favorite anti-Indian trope.
Perhaps you’re thinking, “Duh, of course MAGA is racist.” But here’s the thing. The military has been scrubbed of many Black officers. The federal workforce, long a bastion for middle-class people of color, has been decimated. Minority cabinet members or top officials are few. Aside from another South Asian, Tulsi Gabbard, there’s Secretary of State Marco Rubio, Labor Secretary Lori Chavez‑DeRemer and HUD head Scott Turner.
South Asians are largely the last visible sign of pluralism in Republican power, an erstwhile proof that the charges of racism from the left are unfair. But now, like Latinos, they are increasingly targets of the base.
At the same time anti-Indian hate was surfacing last week, a whole load of MAGA antisemitism hit the fan. It started when Tucker Carlson, who in his post-network life has re-created himself as a hugely popular podcaster with more than 16 million followers on X, invited Fuentes on his show.
In addition to calling for the death of American Jews, Fuentes has also said women want him to rape them and should be burned alive, Black people belong in prison and LGBTQ+ people are an abomination.
Anyone who is not his kind of Christian “must be absolutely annihilated when we take power,” he said.
Turns out far-right Charlie Kirk was a bulwark against this straight-up American Nazi. Kirk’s popularity kept Fuentes — who often trolled Kirk — from achieving dominance as the spirit guide of young MAGA. Now, with Kirk slain, nothing appears to be stopping Fuentes from taking up that mantle.
After the Fuentes interview, sane conservatives (there are some left) were apoplectic that Carlson would support someone who so openly admits to being anti-Israel and seemingly pro-Nazi. They demanded the Heritage Foundation, historical backbone of the conservative movement, creators of Project 2025 and close allies of Tucker, do something. The head of Heritage, Kevin Roberts, offered what many considered a sorry-not-sorry. He condemned Fuentes, saying he was “fomenting Jew hatred, and his incitements are not only immoral and un-Christian, they risk violence.”
But also counseled that Fuentes shouldn’t be banished from the party.
“Join us — not to cancel — but to guide, challenge, and strengthen the conversation,” Roberts said.
Are Nazis really all bad? Discuss!
The response from ethical conservatives — Jewish and non-Jewish alike — has been that you don’t politely hear Nazis out, and if the Republican Party can’t clearly say that Nazis aren’t welcome, it’s got a problem.
Yes, the Republican Party has a problem.
The right rode to power by attacking what it denigrates at “wokeism” on the left. MAGA declared that to confront fascism or racism or misogyny — to tell its purveyors to sit down and shut up — was wrong. That “canceling,” or banishment from common discourse for spewing hate, was somehow an infringement on 1st Amendment rights or even terrorism.
They screamed loud and clear that speaking out against intolerance was the worst, most unacceptable form of intolerance itself — and would not be tolerated.
You know who heard them loud and clear? Fuentes. He has checkmated establishment Republicans with their own cowardice and hypocrisy.
So now his young Christian white supremacists are empowered, and intent on taking over as the leaders of the party. Fuentes is saying what old guard Republicans don’t want to hear, but secretly fear: He already is dangerously close to being the mainstream; just read the comments.
Roberts, the Heritage president, said it himself: “Diversity will never be our strength. Unity is our strength, and a lack of unity is a sign of weakness.”
Trying to shut Fuentes up or kick him out will likely anger that vocal and powerful part of the base that enjoys the freedom to be openly hateful, and really wouldn’t mind a male-dominated white Christian autocracy.
So now this remaining vestige of traditional conservatives — including senators such as Ted Cruz and Mitch McConnell — is faced with a painful reckoning. Many mainstream Republicans for years ignored the racism and antisemitism creeping into the party. They can’t anymore. It has grown into a beast ready to consume its maker.
Will they let this takeover happen, call for conversation over condemnation to the glee of Fuentes and his followers?
Or will they find the courage to be not just true Republicans, but true Americans, and declare non-negotiable for their party that most basic of American ideals: We do not tolerate hate?
Despite her criminality, Stephanie St Clair liked to be seen as a ‘lady’ and her story is told in a new Sky History series, Original Gangsters, which is narrated by Sean Bean
Stephanie St Claire accumulated $30K and launched her own lottery.(Image: SKY HISTORY)
Roaring Twenties New York was a hotbed of crime, where mobsters like Lucky Luciano ruled the roost – cashing in on prohibition with bootleg booze. Then there was the numbers game … and there was Stephanie St. Clair.
Like a people’s lottery, players of the numbers game – which was illegal – would write a lucky three digit number on slips of paper and runners would run these slips and the bets between the gamblers and their ‘bankers.’
The winning numbers were chosen from the last three digits of the daily trading totals of the New York Stock Exchange which, crucially, made the game impossible to tamper with or fix.
At a time when Black people weren’t even allowed bank accounts, St Clair – a Black woman born in Guadalupe who fled to the US from the French West Indies where she was raised at 13 – wanted a piece of the pie.
Anyone with the cash to pay winners, or the front to chance their arm until they built up a big enough pot, could be a numbers banker. And it was a way for Black people to enter the banking system. In 1922, St Clair – until then a cleaner – managed to accumulate $30K and launched her own numbers operation – stepping out of the boundaries of both her sex and her race.
Interestingly, she also used other people – particularly men – to keep her hands clean while masterminding the racket. One such enforcer was Bumpy Johnson, who became known as the Godfather of Harlem where they were based. Bumpy would punish people with beatings – or by taking lives.
Featured in a new Sky History series, Original Gangsters, which starts on Tuesday and is narrated by Sean Bean, despite her criminality, St Clair liked to be seen as a ‘lady.’ Sean Bean says:”Although very few photos of her survived, we can see that that image was incredibly important to Stephanie. She never allowed herself to be photographed without her hair, her makeup, her clothes all perfectly styled.”
Alongside being a ruthless gangster, St Clair was a committed activist for the Black community. And when she was arrested, she testified about the participation of the NYPD in vice rackets – leading to more than a dozen police officers being suspended from the force. But when another formidable gangster, Dutch Shultz, tried to muscle in on her numbers, her resistance led to Harlem becoming a warzone – with him using bombings, beatings and murders to muscle in on her turf.
When Shultz was eventually gunned down by a group known as Murder IN, she sent him a message on his death bed saying, ‘As you sew, so shall you reap.’ The same could be said of her, when she is jailed in the 1930s after gunning down her ex and being imprisoned for two to 10 years. Released in the early 1940s, little is known of her after that.
But Serena Simmons says of the little known crime boss, who died in 1969 aged around 72: “She was an outlier. She was someone who may have been able to go down a different path – a good path – if circumstances had been different. She was a very strong character. Underneath it all she was thoughtful, sensitive and a deep thinker. She was intelligent, self educated and widely read. Her clothes were her costume – she needed to be taken seriously – and she was functioning in a man’s world.
“Don’t get me wrong, she did do bad things, but she had a strong moral code; she was aware of injustice because she herself had experienced so much. I think her intention was bizarrely a good one. She had to be self-serving to help others. She had a lot of trauma when she was younger – so this is someone for me who was in survival mode and psychologically could compartmentalise her actions.
“She was motivated to achieve something and constructed her own path outside of any institutional support. I’m not sure we have any understanding about how hard that would have been. Is there a little bit of me that admires her? Yes, there is.”
Original Gangsters starts on Tuesday 4th November at 9pm on Sky History and History Play. The series will also be available to stream on NOW.
The marriage between Arcade Fire’s indie-rocker spouses Win Butler and Régine Chassagne has flamed out.
The longtime collaborators and romantic partners split “after a long and loving marriage,” the Canadian “Reflektor” group announced Thursday in a statement shared on social media. Butler, 45, and Chassagne, 49, married in 2003 and will “continue to love, admire and support each other as they co-parent their son,” the band said.
Four people came forward about their alleged experiences with Butler in a report published by Pitchfork in August 2022. Three women alleged they were subjected to sexual misconduct between 2016 and 2022 when they were between the ages of 18 and 23. The fourth, gender-fluid accuser alleged Butler sexually assaulted them in 2015 when they were 21 and he was 34.
Amid Pitchfork’s report, Butler denied the misconduct allegations in a statement and said he “had consensual relationships outside my marriage.” Chassagne, who gave birth to her son with Butler in 2013, remained firm in her support for her now-estranged husband in 2022. The “Sprawl II” singer said, “I know what is in his heart, and I know he has never, and would never, touch a woman without her consent and I am certain he never did.”
She added at the time: “He has lost his way and he has found his way back. I love him and love the life we have created together.”
Arcade Fire rose to prominence in the 2000s for its anthemic rock, cementing its place in the Montreal indie scene with its Grammy-winning 2010 album “The Suburbs.” The group has been nominated for 10 Grammy Awards and has played some of music’s biggest stages including the Coachella and Lollapalooza music festivals. The group released its seventh album, “Pink Elephant,” in May.
Thursday’s statement clarified that Butler and Chassagne’s “bond as creative soulmates will endure, as will Arcade Fire.” The estranged spouses will also continue their charity work in addition to caring for their child.
“The band send their love and look forward to seeing you all on tour soon,” the statement said.
Times staff writer Stacy Perman contributed to this report.
