Last March, the L.A. Times had proclaimed that Nathy Peluso had found her musical language. Later that year, the Argentine singer decided to mix things up by releasing her 2025 EP, “Malportada.”
In a departure from her urbano and alternative leanings blended with notes of R&B, the six-song EP was a straightforward, traditional salsa offering that featured a collaboration with Venezuelan salsa hybrid band Rawayana on the title track.
“My experience being a woman and making music has always been to talk about my freedom [and] how I feel,” she told The Times in a recent interview inside the famous Amoeba Music record store in Hollywood. “Salsa seems to me like a stage that invites one to express themselves fully, speak loudly, dance freely and feel powerful.”
Peluso had previously dabbled in the salsa genre with tracks like 2020’s “Puro Veneno,” 2021’s “Mafiosa” and the 2025 salsa erótica tune “Erotika,” but had never dedicated an entire project to the Caribbean musical styling.
“It’s [my] function in society,” Peluso previously told The Times in a 2025 interview when asked about the criticism of her salsa jams. “I’m not the kind of artist who’s complacent or politically correct. I don’t do anything with the intention of pleasing others. I chose the mission of bringing salsa back to the present because I’m passionate about it. If a genre gives me so many wonderful sensations, I want everybody else to feel them as well. As long as people argue, they will have to listen to the songs — and as a result, they will listen to salsa.”
Peluso’s gamble paid off — as “Malportada” was so well-received by critics, fans and the wider salsa community that she managed to get herself booked as the co-headliner for the Hollywood Bowl’s upcoming Salsa Spectacular on Wednesday.
Over the last few years, salsa music has enjoyed a bit of a renaissance — thanks in part to the success of Bad Bunny’s universally acclaimed album “Debí Tirar Más Fotos” — which featured the salsa fusion hits “Baile Inolvidable” and “Nuevayol” — and Rauw Alejandro’s 2024 LP “Cosa Nuestra.”
But for Peluso, her integration into the salsa world was a long time coming.
“I grew up listening to Gloria Estefan, I fell in love with [the 2000 album] ‘Alma Caribeña,’ I fell in love with the richness of that music,” said Peluso. “I’ve had a strong relationship with salsa music since I was young, even though I didn’t grew up in a place that was a cradle for that genre.”
Peluso was born in the Argentine city of Luján and lived there until she was 9, when her family moved to Spain, eventually settling in the southeastern city of Alicante.
In addition to Estefan, she cited inspiration from Nuyorican percussionist Ray Barretto, Puerto Rican salsa orchestra El Gran Combo de Puerto Rico and genre icons Héctor Lavoe and Willie Colón.
(Ronaldo Bolanos / Los Angeles Times)
“Throughout my career, I’ve always flirted with the genre,” Peluso said. “After doing the press for [the 2024 album] ‘Grasa’ there reached a point where I realized I was ready to make my salsa record, and it just happened to coincide with the current salsa boom.”
While paying respect to the musical tradition, Peluso also imbued her spin on the genre with some of the swaggering feminine energy often found in urbano music — as is evidenced in the “Malportada” track “A Caballo.”
“I grew up listening to a lot of masculine salsa and I thought it would be interesting to approach that type of energy from a woman’s perspective,” she explained. “[To take] all these stories of danger and sex and desire that the genre is known for, but give them a feminine spin.”
Peluso further bolstered her salsa bona fides when she teamed up with a pair of Caribbean music legends over the last year.
In September, she collaborated with her idol Estefan for a remix of the 1993 track “Chirriqui Chirri.” The duo performed the explosive song at the 2025 Latin Grammy Awards show. In February, Peluso jumped in the studio with Puerto Rican salsero Marc Anthony to record the original track “Como en el Idilio.”
“It was so awesome to sing with [Anthony] because he is one of the all-time legends we have in salsa who expanded the genre worldwide,” Peluso said. “It was a blessing to sing with Marc and Gloria in this moment of my career in which I’ve decided to represent salsa from my point of view.”
For her Hollywood Bowl gig, Peluso will be accompanied by the Colombian salsa collective Grupo Niche, a Grammy- and Latin Grammy-winning group that has been around since the late ’70s.
“I’ve admired Grupo Niche for years,” Peluso said. “We met at the Latin Grammys a few years ago and really hit it off. A little while back, when I was offered to do the Hollywood Bowl show alongside them, it was a no-brainer.”
But the biggest honor that Peluso is looking forward to is playing the hallowed stage of the Hollywood Bowl.
“It’s like playing in a palace for me,” she said of the historic venue. “The last time I was in L.A. for the ‘Grasa’ tour, I left wanting more. I knew I’d have to waiting until my next tour to try it, but I didn’t expect my next tour to come so quickly. It’s such a mythical place, it’s such a luxury.”
Ever wondered what it’s like travelling from the UK to Spain without any flying involved? One woman recently embarked on the journey and it surprised quite a few people
Claire rode the Eurostar from London to Paris(Image: Getty Images)
Travelling to another country is exciting, but not when you have a nervous fear of flying. Whether it’s the stress of airport security or even missing your flight, it can become a huge anxiety for many travellers.
One woman recently showed how you can travel from London to Spain – without any flight involved. The great thing is, once you’re in France, travelling across mainland Europe can be quite straight-forward. Although it’s a given travelling via plane is a lot more quicker than car or train, but you don’t get the sense of adventure as much as you would by train where you take in the sights.
Spending two days on her trip, Claire decided to embark on the journey from London St Pancras where she rode the Eurostar to Paris. She said on TikTok under the name Claire’s Footsteps: “You can travel overland from London to Malaga in two days and this is how much it costs.
“First take the Eurostar from London to Paris and there are trains available for around £49. You can either stay in Paris for a night or take the 2:42pm train to Barcelona, this costs around £89 and arrives into Barcelona at 9:32pm.”
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She said hotels close to Barcelona Sants, which is the city’s largest and most important railway station, cost around £65, although this varies on time of year.
The traveller added: “You could stay for two nights and see more of Barcelona or stop off at any of these nearby cities – Figueres, Girona, Zaragoza and many more options – and see them too.”
As for the next day, Claire boarded a direct train to Malaga at around 11am, arriving just before 6pm – a journey that set her back £58.
In the clip, she revealed the total cost of the trip, including one night’s accommodation, came to £265. People in the comments section appeared amazed by the total cost, although someone said it was time-consuming.
Someone else said: “I would,” while a second added: “Yes absolutely.”
It’s worth bearing in mind the overall cost of the trip can differ depending on when you book as this is just a guideline.
Claire, who provided a thorough breakdown of the journey in her caption, claimed: “The schedule shown allows travel across two calendar days: Day 1 London to Paris (and optionally Paris to Barcelona), overnight in/near Barcelona Day 2 Barcelona to Malaga.
“Staying two nights in Barcelona is an option if you prefer sightseeing or a more relaxed pace. What to consider before booking: Fares fluctuate with availability and sales; check Eurostar and rail operator sites for current prices.
“Connect times: allow buffer for delays between service if changing stations or transferring luggage. Accommodation near Barcelona Sants is convenient for the morning departure to Malaga.”
She also noted the overland journey from London to Malaga across two days is entirely doable and can amount to roughly £265 based on the example prices provided.
So will you be trying this trip? Let us know in the comments below…
Bestselling author Jessica Knoll’s protagonists mostly follow a specific pattern: They are women who have learned Not. To. Flinch.
On the Shelf
Helpless
By Jessica Knoll Scribner: 320 pages, $28
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And, apparently, neither does Knoll. Talking over Zoom about her fourth novel, the erotic thriller “Helpless,” which is out this month, the author is blunt about the challenges it took to complete the book. “It takes a lot of skill to write good sex,” Knoll says. “I relied a lot on feedback from my editor and from my book agents saying ‘this is hot; this is not.’”
Knoll has written romantic scenes before, but “Helpless” needed to be enthralling and economic enough not to get her kicked off of Target’s bookshelves. In the end, the author says, “I went by what felt good and natural for these characters and maybe a little bit of the really unfiltered talk you have with your girlfriends after a couple martinis or are on a girls trip.”
Knoll’s successful career as a novelist rests on her knack for creating provocative page-turners that depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads. Since her debut bestseller, 2015’s “Luckiest Girl Alive,” — a master class in braided narration between a Machiavellian magazine editor and her younger self who endured so much emotional and physical trauma that it’s no wonder she grew up to be extremely calculating — to 2018’s reality TV-set “The Favorite Sister” and 2023’s “Bright Young Women,” a response to the public’s obsession with immortalizing serial killers while also not knowing the name of a single one of their victims. Knoll’s books are not only stories about women who do not care if you like them but also ones where disastrous results await the women who do follow our cultural conditioning to be agreeable to men.
Her “Helpless” heroine is not so different from a lot of her previous main characters: Type A overachievers with cutting inner monologues that let the reader know they’re always one step ahead in the social Darwinism that is female relationships. This time, she’s named Faye Heron, an Emmy-winning Hollywood multi-hyph who found cachet while working on one of those edgy premium dramedies that probably aired on HBO. Faye, and her husband/producing partner, have parlayed this notoriety into indie, cool-kid projects that are just commercial enough that some of the target audiences’ boomer parents may also watch.
When Faye’s beloved college professor dies suddenly and she’s asked to speak at a memorial ceremony, nostalgia and flattery make her drop everything and hightail it back to the leafy northeastern college town. The place is a time capsule with sketchy internet service, drunken frat boys, and — most crucially — Faye’s college boyfriend Henry, who is now married with two kids and still lives in the area. The clothing references and song choices are popcorn for those old enough to remember the aughts but young enough to party during them. The Elsa Peretti-designed Tiffany & Co. heart necklace that was the it-girl accessory of the time, and now is one that Gen Zers are fishing out of the bottoms of their parents’ jewelry boxes, factors significantly into the plot.
Although the story eventually spirals into other tropes of the Knoll-niverse — kidnappings, cover-ups, affairs, the laissez-faire security that only old money affords — Faye stands out because she wants to be told what to do. In a secure and mutually consenting relationship, of course. And preferably after she’s told her partner what she wants.
“Helpless” was influenced by the 1995 Susanna Moore thriller “In the Cut” as well as Sarah J. Maas’ currently uber-popular romantasy series “A Court of Thorns and Roses,” both of which discuss power imbalances and smart women who become enamored with dangerous lovers.
Knoll has always been open about creating work that’s commercial. She famously wrote a 2018 New York Times opinion piece, titled “I Want to Be Rich and I’m Not Sorry,” that discussed her need to rank in money with an almost Scrooge McDuck fervor: “Success, for me, is synonymous with making money,” she writes. “I want to write books, but I really want to sell books. I want advances that make my husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights and I want the screenwriting comp to boot.”
(Evelyn Freja / For The Times)
During our Zoom, with the background carefully faded behind her wavy blond bob, she promises that she doesn’t just copy and paste her subjects and settings from what sells.
“I’m just always looking on what the spin is; like, what the timely take is on something that happens to capture my attention,” she continues, citing a habit she credits to her early career working in women’s magazines like Cosmopolitan and Self. She adds that “I just happen to be interested in, like, really dark s—.”
“Helpless,” Knoll stresses, is a work of fiction; even though fans may be looking to draw comparisons to her life since “Luckiest Girl” was heavily influenced by her own career and childhood. Like the book’s Faye, Knoll went to a private liberal arts college. She’s spent time in the Adirondacks with the wealthy families who vacation in bare-basics cabins on the land they own. And she has dealt with her share of studio executives. Unlike Faye, Knoll is happily married to her husband, financial technology executive Greg Cortese. They share a young daughter. Last year, the family moved back to New York after some time in Los Angeles.
She does relate to Faye’s wealth dynamics. Her “Helpless” heroine grew up middle class but now has reached the “made it” level of nervous cockiness that happens when you combine new money and fame; the dream of so many who move to L.A. Henry, Faye’s ex, and his family are so comfortable in their generational wealth that he was raised to wear the same, now-bleach-stained, chambray button-down he had in college than buy a new one because clothes aren’t sound investments.
Knoll says she doesn’t want “things to feel didactic,” but concedes that class divides offer a treasure trove of stories.
“I just find myself going back to, again and again, this idea of someone who is the outsider because they don’t have the pedigree of their peers, but however many years later they’ve accomplished something and they think that they’re on more equal footing with these people from their past,” Knoll says. “Then something happens that brings them back into this environment where maybe they felt less-than years ago. They think that they’re going to go back and be like, ‘well, I’ll show you now because I’ve made it’ and those feelings of inferiority are still there.”
As she’s grown older and her career has become more stable, Knoll says she doesn’t think about success and fame the same way she did when she wrote her viral opinion piece or gave interviews where she talked about money and her own financial security. She says now that her priority is “the longevity of the career.”
Like her heroines, no one tells Knoll what to do. Unless she gives the OK.
Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.
The Sparks’ ownership made a major shift in direction on Sunday, firing general manager Raegan Pebley amid a lackluster season that has the team just below the WNBA playoff cutoff line and far from the title-contending form Pebley promised.
Assistant general managers Zach Knowlton and Nate Nielsen will split interim GM duties, the team announced.
“We are grateful to Raegan for her leadership and commitment to the Los Angeles Sparks and women’s basketball,” Sparks managing partner and governor Eric Holoman said in a statement. “Her work on the Sparks roster and player experience will have a lasting positive impact on our organization. We sincerely thank her for all she has invested in the Sparks and wish her success in her next chapter.”
The Sparks (10-11) sit in ninth place in the WNBA standings, one removed from the last playoff spot. The team is coming off back-to-back wins over the Chicago Sky and Indiana Fever, which followed a three-game losing streak.
“There is a united vision from ownership to leadership, and then I think it’s discipline,” Pebley told The Times in an interview before Friday’s game. “I think you can make a lot of mistakes if you use recency bias, and if you become really reactionary. We want to respond to the things that we’re seeing that we want to grow in, but we don’t want to just demonstrate a lack of discipline and quickly react that way.”
The Sparks have won three WNBA titles, the most recent in 2016, but the franchise has not made the playoffs since 2020.
Leading scorer Kelsey Plum has missed two long stretches because of injuries, but the biggest headache for the team for much of the season has been its poor defense.
Under Pebley’s direction, the Sparks hired coach Lynne Roberts and acquired Plum and Nneka Ogwumike, a former most valuable player with the team. Roberts, however, had been the coach at the University of Utah and had no WNBA experience. Despite the team’s struggles, Pebley gave Roberts a vote of confidence on Friday.
Sparks general manager Raegan Pebley, left, speaks during a news conference introducing new guard Kelsey Plum, center. They are joined by Sparks coach Lynne Roberts.
(Ringo Chiu/For The Los Angeles Times)
“She has been all we were looking for and more,” Pebley said. “We wanted someone who had that emotional regulation; she stays neutral. I think the days of a tyrant head coach are over.”
“Loved having her here … she’ll be successful wherever she goes,” Pebley said of Jackson shortly after the trade. “But we’re focused on winning a championship and finding that fit and balance and getting all those pieces locked in with each other.”
Pebley’s other moves included trading the No. 2 pick in the 2025 draft, which became Seattle center Dominique Malonga, for Plum, and trading the Sparks’ first-round pick this year, which became third overall selection Awa Fam, for Kia Nurse and the No. 4 pick in 2024, which the Sparks used to select Jackson.
Instead of demonstrating marked improvement, the Sparks have struggled with consistency, at times showing their potential, as in a win at Las Vegas, a dramatic come-from-behind win against New York on the league’s 30th anniversary and a defensive shutdown of Fever guard Caitlin Clark last week.
With the trade deadline less than a month away, Pebley had expressed excitement about the return of Plum and Cameron Brink.
“Knowing those two are going to be added into a group that’s continued to be able to get better in their absence,” she said, “I think we have a right to be optimistic.”
The franchise found itself in the middle of some controversy with reports that the Sparks were among more than half the players in the league who did not complete their All-Star starter ballots. The ballots were emailed to players, but they reportedly did not see them in time to vote. Plum was not named a starter despite leading the WNBA in scoring at the time votes were cast, although it’s unclear whether full player participation would have altered a decision calculated by combining player, fan and media votes.
“That’s something we take responsibility for as an organization, and we’ll have a more robust process going forward,” the Sparks said in a statement.
Soon afterward, the Sparks’ director of communications left the team.
The Sparks hired Pebley in January 2024 to help the former WNBA champions break out of their playoff drought.
A third-round pick by the Utah Starzz in the WNBA’s inaugural 1997 draft, Pebley was the coach at Utah State (2005 to 2012) and Fresno State (2012 to 2014) before a nine-year stint at Texas Christian, where she led the Horned Frogs to four WNIT appearances in her first five years before stepping down in 2023 as TCU finished 8-23. She was a TV analyst for the Dallas Wings from 2016 to 2023.
BAFTA-winning actor Micheal Ward has been found not guilty of raping a woman in the back of a car after a party.
The star, 28, was accused of repeatedly assaulting a woman in his friend’s car after meeting her at his New Year’s fancy dress event.
Micheal Ward, seen at a previous court appearance, allegedly raped the woman in a carCredit: PAThe actor starred in the third season of Top BoyCredit: Alamy
He has been found not guilty by jurors at Snaresbrook Crown Court.
Ward denied two counts of rape, two counts of assault by penetration and one count of sexual assault after the east London party in 2023.
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The Jamaican-born actor made his name as one of the stars of cult hit Blue Story in 2019 and won the Rising Star prize at the BaftaFilmAwards the following year.
Judge Rosa Dean, in her jury directions, said: “This is a case where two young people had sex in the back of a car and your job is to decide if there was consent.”
The prosecution suggested he thought only about “his own pleasure come what may” and the alleged victim felt “pressured”.
In contrast, Ward stressed they had consensual sex and she was a willing and “active participant” in everything they did.
Ward told the court he and the woman flirted, had foreplay, enjoyed “passionate” kisses, and that an intimate act between them would not have happened if she did not want it.
Ward, from Cheshunt, Hertfordshire, met the woman for the first time at an “all-white party” at Infinity Lounge nightclub in Gants Hill, East London, in January 2023.
Ward starred alongside Olivia Coleman in Empire of LightHe has also worked as a modelCredit: Getty
The court heard the pair kissed and hugged in a Mercedes outside the party, and later had an intimate encounter in another Mercedes outside an after-party event.
The judge said: “The prosecution case is that she did not consent to any sexual activity beyond kissing. Things moved out of control. She felt pressured.”
The prosecution suggested Ward “did not care less”.
Tracy Ayling, KC, prosecuting, said: “Micheal Ward was unknown personally to her at the time. She knew him to be an actor and had seen him on TV and in films. She knew it was his party.
“They met for the first time outside the party and he asked for her snapchat handle which she gave to him. She accepts in her interview that she was flattered that he had asked for her details.
“During the course of the evening, she said that she had seen him intermittently; at one point he touched her bottom as he walked past her.
“He asked her if the three friends were doing anything after the event and invited her to an afterparty.”
She and her friends then went to an afterparty in Stratford but got a “weird vibe” so decided not to stay long.
Ward poses with his Bafta award for Rising Star Award in 2020Credit: ReutersThe actor denied all of the alleged offencesCredit: Getty
Jurors heard she then bumped into Ward, who asked her where she was going.
The woman told him they were leaving as they had a long drive home but he suggested that she walked up to the Mercedes that was parked further up the road so that he could talk to her again, the court heard.
Ms Ayling said: “She said she was given specific instructions to walk behind him, and not to talk to anyone en route.
“Mr Ward then invited her to climb into the back seat with him claiming that he just wanted to kiss her a bit more.”
The woman said they could do that in the front seat but Ward allegedly became “quite impatient” and told her to “stop wasting time” and get into the back.
Ms Ayling continued: “She said that she felt a bit pressured, but she did what he asked.”
Snaresbrook Crown Court heard the woman “didn’t really feel like I had a choice”. She told police: “He said: ‘If I tell you to do it, you do it’.”
The court was told Ward then allegedly pulled down her trousers and knickers before raping her.
Jurors heard the actor then orally raped her then started talking “as though nothing had happened”.
Of the defence case, the judge said: “At the time she actively consented.
“This was not submission. Her friends were nearby, available and in telephone contact.
“She made a conscious decision to step into the car and was in control of her actions.
“All of her actions suggest she was consenting.”
Ward was arrested on January 18, 2023 and told police in a prepared statement: “I deny the allegation of rape. I want to put on record that we had consensual foreplay and consensual sex.”
Ward’s first on-screen appearance came in 2016 in movie Brotherhood.
His breakout role was in 2019 when he starred as Jamie in Netflix’s third series of Top Boy.
He also appeared in the Sam Mendes drama Empire of Light alongside Olivia Colman.
The star was nominated for the Bafta Award for Best Actor in a Supporting Role for the film.
He also won a Bafta Rising Star Award for his performance in British musical crime drama Blue Story.
Everyone knew going in that Lionel Messi would be the narrative centerpiece of the 2026 World Cup. Easily the most recognized name in the competition, Messi is considered by many to be the greatest soccer player of all time and, as the captain of 2022 winner Argentina, he is the reigning World Cup champ. At 18, he scored his first World Cup goal in 2006 and has competed in every World Cup since. He celebrated his 39th birthday before this year’s knockout rounds began, so it’s not unreasonable to assume that this will be his last.
No matter what Messi did, or failed to do, it would be News. Everyone with even a passing interest in the event knew this. Including me.
But I didn’t expect to completely fall for the guy. He’s a professional male athlete, for heaven’s sake, and I don’t emotionally invest in professional male athletes. Admire some of them, sure; watch with bated breath and then scream in astonishment when they pull off some amazing feat or another, absolutely. But the only athletes that have ever touched my heart have been women — Nadia Comăneci; Billie Jean King and the Title IX-sparking stars of women’s tennis; Dorothy Hamill; Brandi Chastain and 1999 Women’s World Cup winners; Venus and Serena Williams; Simone Biles; Caitlin Clark.
But here I am, at age 62, truly, madly, deeply in love with Lionel Messi.
I know, I know, me and half the world. Which normally would serve as an effective prophylactic. I am habitually wary of super-intense fandoms and the men who inspire them; stadiums filled with people chanting a single name inevitably set off internal alarm bells. As I have asked several times in columns throughout the years, how many “heroes” must we watch falter under pressure or be exposed for decidedly unheroic acts before we wise up and get out of the pedestal-placement business?
Yet here I am, stalking him on Instagram, up all hours flicking through interviews and career highlight clips. (I even watched the Apple TV docuseries “Messi Meets America”!) Here I am, literally praying to God, who clearly has more important things to do, for Argentina to advance and screaming Messi’s name every time he scores, assists or pretty much does anything at all.
In a matter of weeks, I have become addicted not just to watching the man play but seeing how he reacts when a shot is made or a game won.
Every World Cup player is happy when they or their team scores, but Messi is delighted. Like a kid seeing a puppy under the tree on Christmas morning. Like he cannot believe this wonderful thing that has just happened even if he was the one who sweat and ran and defied physics to make it happen.
His smile is infectious and even when he is running toward the stands, arms spread wide, after making some impossible shot or other, it never seems self-congratulatory. He is simply filled with joy and wants to spread it around. The field, the stadium, the world.
And his hugs. Long, deep, radiating emotion, utterly unself-conscious. Everyone needs to find someone who hugs them like Messi hugs people — teammates, coaches, opposing players, young fans. I could watch videos of him hugging his mentor and former teammate Ronaldinho or Argentina coach Lionel Scaloni all day long. (I’m not saying I have, nor am I saying I haven’t.)
Sometimes the hype gets a bit nauseating — former teammates who claim he never makes a mistake, commentators who refer to him as superhuman (despite the fact that he has missed as many penalty kicks as he has made in this World Cup). Whether Messi himself agrees that he is the GOAT is none of my business, but he doesn’t act like many sports stars who have received similar adulation. He doesn’t peacock, he doesn’t preen; he is visibly angry with himself when he doesn’t produce. He isn’t perfect — in various past games, he has gotten into heated disputes and shoving matches and famously (and many believe deservedly) taunted Netherlands coach Louis van Gaal during World Cup 2022. But for a man who has been such a star for so long, he presents himself as simply a player among players. The captain, certainly, but not the most important person on the field.
That is the most lovable, and superhuman, thing about him.
It feels pretty basic, not to mention embarrassing, to have a sudden summer crush on Messi, but I don’t care. He’s married to his childhood sweetheart, has three adorable sons and a picture of his mother tattooed on his back. He lets his teammates hoist him in the air and allows sports commentators to regularly (and lovingly) refer to him as “Little Messi.” He gets angry sometimes, but in this tournament he has yet to noticeably hector the refs or rumble with his opponents. He wants to win, obviously, but his joy comes from playing the game well rather than defeating another team.
That’s why, despite my newfound addiction to Messi delight, the moment I loved him best was when he didn’t celebrate at all. In the round of 32, Argentina (No. 2 in FIFA rankings) seemed guaranteed a win over Cape Verde (67). But even with Messi’s early goal, the game was a nail-biter, with Cape Verde scoring two brilliant goals while their goalie Vozinha made eight saves, including four shots (one of them a free kick) from Messi. After Argentina won in additional playing time, there was none of the usual jubilation. Instead, a subdued Messi walked to the midfield to shake hands with his opponents, a sign of exhaustion, no doubt, but also of respect. He hugged Vozinha and told him that his country should be proud of him.
The exuberance was back Tuesday, however, when, after trailing Egypt for most of the round of 16 game, Argentina managed to pull off the comeback of the tournament, going from a 0-2 deficit to a 3-2 win after the 79th minute, with Messi scoring the tying goal.
This time, the smiles, the hugs, the radiant joy filling Atlanta Stadium could have powered the entire state of Georgia. This time, Messi was so happy, he wept.
So did I. The World Cup is over in less than two weeks, and France and Spain are currently the 1-2 favorites to win the thing. My love for Messi is, after all, just a summer romance.
And as with any summer romance, I want it to last forever.
WASHINGTON — The campaign of U.S. Senate nominee Graham Platner was buckling in Maine on Tuesday after he was accused of rape, injecting uncertainty into a contest that is central to determining which party wins Senate control in November’s midterms.
The situation set off swift debate about how state Democrats would choose Platner’s replacement if he were to withdraw, and which Maine figures might be best positioned to play off the progressive messaging he used to win over voters.
With Maine viewed by Democrats as a key seat to win in their long-shot bid for a Senate majority, the decision would be high stakes, analysts said. In the meantime, with uncertainty clouding the race, the shake-up could put additional pressure on the party to win Senate races in states seen as more difficult to flip.
Platner has denied the rape allegation, which came in a Politico report Monday from a woman who said Platner forced her to have sex with him when he was intoxicated. Platner said Monday that he would “reflect” on his candidacy but has not withdrawn.
“The calculation that almost everyone on the Democratic side is making is that with Platner in it, it is an unwinnable race,” said John Cluverius, director of survey research for the Center for Public Opinion at UMass Lowell, “and without Platner in it, they have a much better chance.”
An oyster farmer and Marine veteran, Platner had entered the race to challenge Republican Sen. Susan Collins as an outsider and was seen as riding an anti-establishment wave of support.
His candidacy highlighted the split within his party between progressives and establishment Democrats and represented a matchup between an older incumbent and a younger outsider candidate.
By Tuesday afternoon, Platner’s financial backing was disintegrating and prominent Democrats had withdrawn their support — including Sen. Bernie Sanders (I-Vt.), a key endorser of Platner’s, who said Tuesday afternoon that he had told Platner to withdraw.
A spokesperson for Platner’s campaign did not immediately respond to a request for comment Tuesday.
Rep. Ro Khanna (D-Fremont), who had been one of Platner’s most visible backers, quickly withdrew his endorsement Monday.
“I’ve been very clear that sexual assault or violence against women is a red line. These allegations are very serious and credible,” Khanna, who has been a prominent supporter of victims of the late sex offender Jeffrey Epstein, wrote on X.
The California congressman had been among progressives, including Sanders and Sen. Elizabeth Warren (D-Mass.), who previously stood by Platner. Khanna had rallied for Platner at a pre-primary event in June after a set of allegations about the candidate’s “unsettling” conduct from his exes reported by the New York Times and the revelation that he had sent sexually explicit messages to women outside his marriage.
Platner’s collapse comes after the fall of former California Rep. Eric Swalwell, whose ascendant campaign for governor was ended in April after he was accused of sexual assault.
As in Swalwell’s case, Platner’s support has unraveled quickly, leaving him with little path forward.
The Democrats’ formal Senate campaign arm and the Senate Majority PAC, which is aligned with Senate Minority Leader Chuck Schumer, both pulled investment from the race, their leaders said in statements. Swing Left, an organization working to flip seats for Democrats, removed Maine from its target Senate races for now.
“We continue to believe this seat is winnable if Platner is not on the ballot,” said Senate Majority PAC spokesperson Lauren French.
Understate law, Platner has until Monday to withdraw in order for the Maine Democratic Party to be able to nominate a replacement. The committee would have until July 27 to do so.
For Collins, facing a new candidate could make for a harder race than going up against Platner, analysts said.
The fifth-term senator has survived reelection repeatedly, including in 2020, when the state went blue in the presidential election, but drawn ire from some moderate and left-leaning voters who want her to push back more forcefully against President Trump.
Without Maine, Democrats would have to pick up an additional race in a state that went for Trump in 2024 in order to flip the four seats required to win a majority.
To get to four, the party needs to win some mix of Maine, North Carolina, Ohio, Texas and Iowa and must also retain its seats in Michigan, Georgia and New Hampshire.
That scenario could be within reach for Democrats but they face a steep climb, a New York Times/Siena poll released last week found.
“This does put enormous pressure on Democrats across the country with every viable race,” said David Niven, who teaches American politics at the University of Cincinnati. “The margin of error was already slim, and it’s approaching none.”
In Texas, a heated and expensive race has shaped up between Democrat James Talarico, a state representative who is facing Republican Ken Paxton, the state attorney general.
“I would suspect that Democrats are going to be relatively all-in on Texas simply because they can no longer rely on Maine in the way they thought they were going to be able to,” said Mark Jones, a political science professor at Rice University.
The Politico report came after a string of other controversies for Platner, who had successfully batted them away ahead of the state’s June primary.
His quick rise in the campaign excited Democrats looking for younger, non-establishment leaders. His primary opponent, Maine Gov. Janet Mills, suspended her campaign in late April, clearing his path.
He faced scrutiny over a tattoo on his chest that was widely recognized as a Nazi symbol, which he then said he had covered up, and a tranche of deleted Reddit posts that he said were “stupid” comments from a time when he had post-traumatic stress disorder.
Ahead of the primary, the report of his extramarital texts and theallegations by exes about volatile behavior revived questions about his candidacy; Platner described them as politically motivated and privately assured Democratic leaders that nothing else was coming.
The situation “reinforce[s] the need for more careful vetting [of] first-time outsider candidates,” said Dan Schnur, who teaches political communications at USC, UC Berkeley and Pepperdine.
“Every political professional knows that the most important type of candidate research is not opposition research — it’s research on your own candidate,” Schnur said.
Progressive leaders on Monday sought to validate the success of Platner’s campaign in energizing Maine voters while disavowing Platner. They urged Democratic leaders to stick with a candidate who shares Platner’s working-class image if he withdraws — something Platner may hope to influence, the New York Times reported.
“To the Democratic establishment: this is not your opening,” Joseph Geevarghese, executive director of the progressive organization Our Revolution,said in a statement. “Whoever leads this movement forward must be someone who has actually lived the fight Graham Platner ran on.”
Some Democrats were already looking to the party’s gubernatorial primary candidates as possible replacements, including Maine Secretary of State Shenna Bellows, former state Sen. Troy Jackson and former state health official Nirav D. Shah.
The July deadlines would leave enough time before November for Democrats to persuade voters of a new candidate, said Mark Brewer, a political science professor at the University of Maine, but how the party chose to select a replacement would probably be as important as whom it chose.
“Having a 100-person executive committee select it on their own would probably not sit well with Platner’s supporters,” Brewer said. “A caucus they could pull off; if they want to be as open and inclusive as possible, that’s probably their best option.”
McDaniel reported from Washington and Kwok from Los Angeles.
She was standing behind her husband, California Gov. Gavin Newsom, at a February press conference to celebrate a new bill that would give Planned Parenthood emergency funds. A throng of women’s advocates, including herself, had spoken about how the law would help women access healthcare. But now reporters were asking a barrage of off-topic questions, from the California High Speed Rail to the 2028 Olympics.
She paced, she swayed, she laughed with displeasure. Finally, she stepped closer to her husband and gently nudged him aside. She found it “incredulous,” she said, that they had assembled all these allies only for the reporters to ask about other issues.
“This happens over and over and over and over again,” she said as Newsom smiled awkwardly. “You wonder why we have such a horrific war on women in this country and that these guys are getting away with it. Because you don’t seem to care. So I just offer that with love.”
The scene underscores Siebel Newsom’s predicament as her husband positions himself as Trump’s chief antagonist and prepares for a possible 2028 White House run.
Jennifer Siebel Newsom with California Surgeon General Diana Ramos.
(Gary Coronado / Los Angeles Times)
She came to Sacramento with a mission to speak up for women, calling herself “first partner” to signal she would carry on the theme of her work as a documentary filmmaker and nonprofit leader: dismantling gender norms. But as her husband raises his national profile with a podcast, a memoir and daily trolling of President Trump, she finds herself under mounting scrutiny.
In June, Newsom accused Trump of weaponizing the Department of Justice to launch a politicallymotivated attack on his spouse after federal agents knocked on the doors of the Newsoms’ friends and former employees, asking about Siebel Newsom’s taxes and nonprofit businesses.
“To get me, he’s coming after my wife,” Newsom said.
A federal source said the investigation began not with Trump, but after federal officials spoke to whistleblowers in Sacramento. Whatever the origin or merits of the probe, Siebel Newsom has long faced questions about her finances — specifically her nonprofits’ partial reliance on donations from companies that lobby the governor, a strategy that does not violate California law but raises concerns about the influence of large corporations in Sacramento.
Her decision to use the title “first partner” and her work “deconstructing” gender are also attracting criticism from the right in the post-#MeToo era as many Americans chafe against what they perceive as radical attempts to undermine traditional values and policing of what they say and do.
California Gov. Gavin Newsom looks on at his wife, Jennifer Siebel Newsom.
(Mario Tama / Getty Images)
To Siebel Newsom, the critiques of her work and the federal probe are part of a broader hounding of women who enter the public sphere. When federal agents targeted her associates, she was promoting “Miss Representation: Rise Up,” her new film examining the role technology plays in fueling what she describes as “the rising backlash against women’s progress.”
“We are seeing young women hold themselves back from wanting to pursue careers … not just political leadership, and it’s extremely disturbing,” Siebel Newsom told CNN in June. “It is a backlash, a backslide, and it is happening at an unprecedented scale, where ultimately we are silencing women’s voices.”
She disagreed with those who say scrutiny is the price of admission for being in public life. “Women and girls deserve to be protected,” she said. “Anyone aspiring to a public service career deserves to be safe. It should be fundamental.”
Untangling legitimate political criticism from deeply ingrained gender bias is not easy. Women in the public eye are frequently held to a different standard than men. But some political experts question whether a woman who refuses to stand on the sidelines — raising her voice on radioactive culture war issues and benefiting in part from her marital status to fund her nonprofits — can reasonably expect to be excluded from the rough and tumble of her husband’s political life.
Jessica Levinson, a Loyola Marymount University law professor and political commentator, said Siebel Newsom had been subjected to heightened public scrutiny for years. “That I think is likely fair,” she said, “in the sense that she has said that she’s very much a partner of the governor, and she has used this platform to advocate for causes that she cares about.”
Still, Levinson said, Siebel Newsom’s availing herself of the public forum did not mean she had violated the law.
“Does the fact that she has created and run nonprofits that receive behested contributions from Gov. Newsom put her and her actions in a different spotlight?” she said. “Absolutely, but that doesn’t mean that she’s doing anything nefarious. It just means that their life and their finances and their jobs are a little bit more complicated than other first families.”
Raised in an affluent suburb in Marin County, Siebel Newsom, 52, grew up in privilege. Her father was an investment manager and prominent GOP donor, her mother a co-founder of the Bay Area Discovery Museum.
After studying Latin American studies at Stanford and volunteering in Ecuador and Africa, she returned to Stanford to earn an MBA. Then she moved to L.A. to try to break into Hollywood. She got small parts in “Mad Men” and “Rent,” but has said she “was typecast as a trophy wife and kind of put into this box.”
That sparked her interest in getting behind the camera.
Around the time she married Newsom in 2008 and got pregnant with her first child, she began work on “Miss Representation,” her debut 2011 film that examines how mainstream culture limits female potential and power by focusing on youth, beauty and sexuality.
When Newsom was elected governor, she announced she would eschew the traditional title of “first lady.”
The “first partner” title, she has said, is not just gender inclusive and gender expansive. “It disrupts some of the male-coded language we associate with leadership, versus a ‘lady’ who sits on the sidelines.”
“She walks the walk,” said Amy Ziering, a documentary filmmaker whose films Siebel Newsom helped produce. She did not take the role lightly, Ziering said, noting she watched cuts and took notes, made introductions and brought people to screenings. The fact that Siebel Newsom kept pressing women’s issues as her husband became governor, Ziering said, reflected her integrity.
“She’s not diminishing her beliefs, her values, her principles or any other kind of long-term goals” Ziering said. “She shows up, ‘This is what I believe,’ and maybe it’s not politically efficacious to believe this right now, or to say ‘I believe it’ … but she does.”
“She did not have to do that, she could have been Jane Doe,” Ziering said. “That’s about showing up for other women and for all sexual assault survivors.”
Cristina Garcia, a former assemblywoman who represented southeast L.A. and worked with Siebel Newsom on women’s legislation, said she thought Siebel Newsom would be a target no matter what.
“But I think she sees the power that she has, and it’s like, why should she just sit in the background?” Garcia said. “Why shouldn’t she use her power to uplift women and children … these things she’s been really passionate about?”
In Sacramento and across liberal California, Siebel Newsom’s ideas on women and gender are relatively mainstream.
But as the 2028 election looms, conservatives have dredged up old clips, highlighting Siebel Newsom’s comments about parenting and deconstructing gender roles to portray her as “radical” and “woke.”
In one video, Siebel Newsom said that when she reads to her children she changes the protagonist’s gender from “he” to “she” to show women matter and can center a story.
In another, she raised concerns about boys being exposed to “alt-right socialization online that we know is very, very dangerous.” She and her husband, she noted, were alarmed to find their son had encountered misogynist influencer Andrew Tate while watching sports online.
Some conservatives have noted, with glee, that Siebel Newsom could be a liability for her husband as he seeks national office.
“Jennifer Siebel Newsom is the very avatar of Democrat Woman,” a New York Post columnist wrote. “Haughty, hectoring and pleased with herself, she is single-handedly wrecking her hen-pecked husband Gavin’s lofty political ambitions.”
But former state Sen. Hannah-Beth Jackson (D-Oxnard) pushed back on the idea that Siebel Newsom was some kind of strident activist or woke scold. After working with Siebel Newsom on equal pay and bringing more women onto corporate boards, she said Siebel Newsom was adept at working with corporations to find common ground and recognize what businesses need to be successful.
The scrutiny of Siebel Newsom comes as her husband tries to stake out a more centrist stance on some issues.
Last year, Newsom inspired the ire of some Democrats by launching a podcast in which he chatted with right-wing figures, such as Turning Point USA founder Charlie Kirk and Trump’s former chief strategist Steve Bannon. On its debut episode, Newsom distanced himself from his party’s left flank, calling the dismantling of police departments “lunacy.” Allowing transgender athletes to participate in women’s sports, he said, was “deeply unfair.”
Asked why, Newsom told The Times his party had become out of touch with ordinary Americans. “They think we’re elite,” he said. “We talk down to people. We talk past people. They think we just think we’re smarter than other people, that we’re so judgmental and full of ourselves.”
On this point, it’s not clear whether the Newsoms are in sync.
For all her talk of women as allies, Siebel Newsom portrays conservative women who criticize other women as dupes manipulated by MAGA leaders.
“What’s interesting is that the far right really is using women to go after other women,” she said in June on the “Hysteria” podcast. “So I find it very intentional on their part that they have essentially sent the women out to humiliate, demean, ridicule, mock, silence another women. But that’s just the patriarchy, right? … And that’s what we have to fight.”
Still, she has voiced doubt about whether she would continue to go by “first partner” if her husband were elected president.
Asked in 2023, Siebel Newsom said she didn’t know if Americans were ready for a “first partner.”
“Sadly,” she said, “I don’t know if they are.”
But even as conservatives mock Siebel Newsom’s patrician “girl power” message and activist jargon, she shows few signs of backing down.
As she has taken “Miss Representation: Rise Up” to film festivals in New York and Washington, D.C., she has upped her call for more Big Tech regulation.
An advisor from the first partner’s office said Siebel Newsom had been an advocate for women and girls before she met Newsom. That was unlikely to change, they said, as she faced growing right-wing scrutiny or a federal investigation.
A woman died in a brutal plane crash that killed over 100 people after “missing her original plane”. After a sudden flight change, everything altered in an instant
09:29, 07 Jul 2026Updated 09:29, 07 Jul 2026
The woman plunged to her death in a plane crash (stock image)(Image: Getty)
A woman missed her flight and, due to a drastic turn of events, ended up dying with dozens of people in a brutal plane crash. It’s reported the simple act of being late dramatically changed the course of her life, and she ended up plummeting to her death.
The woman’s story was recently highlighted on Reddit when a family member shared the travel tragedy in a heartfelt post, and people can’t believe what happened. A simple change in her schedule led to altering her path completely, and the devastating story has left so many people in total sadness and shock.
The story emerged after someone asked: “We’ve heard stories of people escaping death by being late. What are some tragic examples of people dying because they were late?”
To this, one person replied: “My aunt missed her flight out of Denver on July, 19 1989. She took United flight 232 instead, dying in a fiery crash in Sioux City, IA.”
To this, one person replied: “I am so sorry for your loss. That is a brutal way for things to happen.”
Another added: “I actually had a ticket on that flight when I was a kid, but I had gotten pretty sick the day before we had to leave, and my parents decided to cancel the tickets to Chicago. What is crazy is that we did an analysis of the emergency response to this crash when I was in college.
“It is a small world. I am sorry for the loss of your aunt.”
A third also replied: “My dad was on that flight. He fortunately survived and flew home to Chicago later that night and was at work first thing the next day.”
One more also noted: “I was supposed to be on that plane! Travel plans changed but, had they not, I would have been flying home on this flight.”
For those unaware, the United Airlines Flight 232 was a regularly scheduled flight from Stapleton International Airport in Denver to O’Hare International Airport in Chicago, going on to Philadelphia International Airport in Philadelphia, United States.
However, on July 19, 1989, the McDonnell Douglas DC-10 serving the flight crash-landed at Sioux Gateway Airport in Sioux City, Iowa. This was due to suffering what has been described as a catastrophic failure of its tail-mounted engine.
It’s reported this led to the loss of all flight controls. Over 100 people died in the crash but the majority are reported to have survived.
The incident was said to be deemed “unprecedented” at the time and, though many people sadly lost their lives, the team onboard worked with professional calmness and extreme skill to pull off something some would have believed “impossible” to land the aircraft.
In fact, it has since been termed “The Impossible Landing“, as it’s often considered one of the most impressive landings carried out in the history of aviation.
Former NFL defensive end and Los Angeles sports radio personality Marcellus Wiley was arrested Saturday in Florida after allegedly threatening to kill his wife and poking her in the face with his finger.
Wiley faces a possible charge of misdemeanor domestic battery. According to the Orange County (Fla.) Corrections Department, he was released on a $1,000 cash bond Sunday at 8:43 p.m. An arraignment hearing has been scheduled for Aug. 4.
“I completely and unequivocally deny these allegations, and I’m certain the truth will prevail,” Wiley wrote Monday on X. “As you know, I’m usually the first to break down the truth and separate facts from fiction. But because this is now a legal matter — and because my greatest responsibility is protecting my babies, who have already been impacted — I have to handle this differently.
“When I can speak freely, I absolutely will. Until then, thank you for your patience, your prayers, and for continuing to stand with me.”
The former Pro Bowl player is married to Annemarie Wiley, a former cast member of “The Real Housewives of Beverly Hills” and the mother of three of his children. The name of the alleged victim is redacted from the arrest affidavit viewed by The Times, but she is identified as a woman who said she has been married to Wiley “for approximately 14 years” and shares three children with him.
A sheriff’s deputy responded to a call at the World Marriott in Orlando around 4:47 p.m., according to the arrest report, and the accuser said she wanted Wiley removed from their hotel room.
“She stated Marcellus told [her] he was going to kill her and she was afraid of his behavior,” the report states. “When asked to elaborate, she stated on the previous morning Marcellus had put his hands on her.”
The report states that the woman told the deputy that on the morning of July 3, Wiley “used one finger to sternly and intentionally poke her in the cheek. [She] stated he did not have permission to do this, and she stated she believed he did this to cause her harm.”
She did not request medical attention after the alleged incident, according to the affidavit, and the deputy said he did not see any visible injury. The woman also told the deputy that Wiley “had an unreported history of violence toward her and she was planning to divorce him when they returned home to California.”
Their 7-year-old daughter, who the woman said had witnessed the incident, told the deputy she did not see her father touch her mother but had heard them arguing that morning.
According to the affidavit, Wiley told the deputy in an oral statement that “he and his wife had not had any physical altercation while at the hotel, and he also stated they have never had any physical violence between them.”
In addition, the report said, “Marcellus stated he believed his wife had called deputies to make a report due to her intention to divorce him. Marcellus stated he had been taking care of the children and no violence had occurred between them.”
The deputy determined probable cause existed for Wiley’s arrest, and he took the 10-year NFL player to the correctional facility “without incident.”
According to court records, Wiley has been appointed a public defender. He is allowed to return to California but must obey a no-contact order that prohibits him from “having any type of contact with the victim(s), either directly or indirectly.”
He can return home one time with law enforcement to collect his belongings.
A Compton native, Wiley played four years at Columbia before a 10-year NFL career from 1997 to 2006. He spent three seasons with the San Diego Chargers, including his only Pro Bowl year in 2001, and also played for the Buffalo Bills, Dallas Cowboys and Jacksonville Jaguars. His post-football broadcast career included several years as a host on KSPN-AM (710) in Los Angeles.
Multiple women accused Wiley in civil lawsuits of sexually assaulting them in the past. One Jane Doe filed in April to turn her lawsuit into a class-action suit against Wiley and Columbia University. The filing included four new accusers and stated that “at this time, without the benefit of discovery, there appears to be at least 10-12 victims. It is anticipated that discovery will reveal more.”
Wiley has denied all the allegations against him in court documents and publicly.
July 6 (UPI) — A woman who once dated Senate candidate Graham Platner says that he forced her to have sex with him about five years ago.
Jenny Racicot, 41, said she had an on-and-off relationship with Platner for more than two years, Politico reported. She said he was intoxicated when he entered her home in Maine one night in 2021 and assaulted her while she told him repeatedly to stop.
“I remember him grabbing my pelvis and being really forceful of me,” she told Politico. “I remember the specific moment where I thought to myself, like, ‘This is no longer my choice.’ “
Platner, a Democrat, denied the accusations Tuesday, saying any claim of non-consensual behavior is “categorically untrue” and that the allegations are “troubling, serious and false.”
He said, however, that he is “mindful of the political reality (the allegation) will inflect” and that he is taking “time to reflect on the best path forward.”
He is the Democratic nominee running against Sen. Susan Collins, R-Maine. The party has until July 13 to replace him with another candidate if he withdraws, The New York Times reported.
Racicot previously told The Times that Platner came to her house in 2021 while drunk and said his behavior was “reckless” and “unsettling.” She did not elaborate at that time. Politico published the new interview Monday.
The Platner campaign also issued a statement saying that the candidate “vigorously denies” the allegations, which it called “coached and coordinated by out-of-state establishment operatives.”
“For a year, opponents of this campaign have thrown everything they can at Graham —calling him a Nazi, a war criminal, a communist,” the campaign statement said. “None of it has been true, and this is no different.”
Politico said it interviewed Racicot three times over the past two weeks, interviewed another person she confided in and reviewed documents including emails between Racicot and her therapist and messages between Racicot and an acquaintance she warned about Platner.
Collins said in a statement that the “allegations are appalling,” The Times reported.
Other Democratic candidates and politicians, including Rep. RoKhanna, D-Calif., a supporter of Platner’s, called on him to drop out of the race Monday.
End Citizens United, an organization that looks to reduce the role of large campaign donations in politics, rescinded its endorsement of Platner and called on him to end his campaign.
A woman who previously dated Maine Senate candidate Graham Platner said he drunkenly forced her to have sex after she told him to stop, according to a Politico report released Monday.
Platner denied the allegation and said he would be considering next steps for his campaign.
“Regardless of the inaccuracy of the reporting but mindful of the political reality it will inflict, we’re taking the time to reflect on the best path forward,” he said in a video released on social media.
Jenny Racicot, who lives in Maine, told Politico that Platner entered her home in 2021 while drunk and assaulted her. Racicot said she had been in an on-and-off relationship with Platner, but she cut off contact with him after that night and told him the incident wasn’t consensual. A voicemail left at a number listed for Racicot seeking comment did not receive an immediate response.
An email and phone message from the Associated Press seeking comment were sent to Platner’s campaign on Monday.
“Any accusation of non-consensual behavior is categorically false,” Platner said in his video.
As of Monday, Platner had canceled a handful of campaign town halls planned in Maine.
Several lawmakers and groups that have supported Platner, including Sen. Bernie Sanders and the organization he founded, Our Revolution, as well as Rep. Ro Khanna, did not immediately respond to requests for comment.
Khanna has supported Platner through several scandals but said last month on CBS’ “Face the Nation” that “if there was evidence of violence, I would not support him. If there was evidence of sexual assault, I’d have zero support for him.”
Platner secured the nomination to become Maine’s Democratic Senate candidate last month, but state law does include a provision for Democrats to replace him ahead of the general election.
According to the statute, party officials may select a new nominee if a candidate who won the primary withdraws by 5 p.m. July 13. The replacement candidate must be named by July 27.
The Associated Press generally does not name victims of sexual assault, but in this case Racicot spoke in an interview with Politico.
A BRIT has been left devastated after she was refused boarding her flight to Spain due to a simple mistake.
Rachael Norton-Voysey, 33, was stopped before boarding her Ryanair flight from Birmingham to Lanzarote.
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A woman has warned about travelling with a damaged passportCredit: Kennedy News
The Brummie-based woman had a 1.5cm rip in her passport, though she claimed it did not impact any of the details in her passport or her photo page.
Rachael said: “We got to the gate and handed in my passport at that point to get onto the plane and he said it was ripped and they wouldn’t let us through.
“It was horrible – that feeling where your stomach just drops knowing we wouldn’t be going on holiday at that point.
Rachael and her friend were due to spend five days in Lanzarote, having spent £700 on the holiday but instead they both ended up heading home.
The duo were made to wait though, until the entire plane had boarded before they were escorted out of the airport.
Rachael added how she had travelled several times on the passport without an issue before.
She added: “I understand where they’re coming from but it is really petty in my opinion.”
She noted that when they went back through the airport, even the immigration officer mentioned it was harsh.
The UK Government’s website states: “If your passport is damaged you must replace it. You may not be able to travel with it.
Ryanair said they were following the official guidelines regarding damaged passportsCredit: Getty
“HM Passport Office will consider your passport damaged if: there are stains on the pages (for example, ink or water damage); you cannot read any of your details; any of the pages are ripped, cut or missing; there are holes, cuts or rips in the cover or the cover is coming away.”
“You may not be able to travel with it.”
Rachael is now hoping that her experience will warn other Brits to check their passports before travelling, and also calling out Ryanair to be clearer on the rules around damaged passports.
A spokesperson for Ryanair said: “This passenger was correctly refused travel from Birmingham to Lanzarote as her passport was damaged and therefore not valid for travel.”
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New reads abound for your vacation tote throughout the weeks of July, with fiction picks featuring a Carnival cruise casualty, a highly entertaining jewel heist at the Waldorf-Astoria, and a Soviet-era madcap adventure. In nonfiction, authors consider how we define wild places, how we pigeonhole the aging, and how languages live or die. Happy reading!
FICTION:
A Real Animal: A Novel By Emeline Atwood Catapult: 368 pp., $29 (July 7) After surviving a sexual assault, narrator Lucy stalks her college campus as a leopard. Don’t spend too much time worrying about whether this transformation is real, or not; Lucy’s knowledge of her fierceness is the point, a fierceness she employs as she struggles to negotiate her independence from parents who wish she’d come home to recover and men who offer up their desires and ignore hers. It’s an astonishing debut with a compelling voice.
Man Overboard!: A Novel By Kathleen Rooney Gallery Books: 208 pp., $27 (July 7) Readers expecting something akin to Rooney’s wondrous previous novel, “Lillian Boxfish Takes a Walk,” should remember that that book followed “Cher Ami “ and “Major Whittlesey,” a story about a pigeon and a World War I Army officer. In other words, Rooney doesn’t repeat herself, and in “Man Overboard!” she’s concocted a hilarious adventure tale of a man floating in the Gulf of Mexico, adrift with himself, his thoughts, and a few sea creatures.
Astronaut!: A Novel By Oana Aristides W. W. Norton: 272 pp., $28 (July 14) Imagine a dystopia set neither in the future nor in fantasy; that’s the 1989 Romania 7-year-old Lia inhabits, its adults living in fear of Communist dictator Nicolae Ceauşescu, its infrastructure strained by deprivation, and its reality so scrambled that calling an explorer an “astronaut” instead of “cosmonaut” risks punishment. When Lia sets out to buy her mother a birthday gift, she sets in motion a series of weirdly probable yet totally weird events.
City of Widows: A Novel By Nadia Hashimi William Morrow: 432 pp., $32 (July 28) During the two decades of American occupation, Afghanistan experienced a sort of peace, one in which women could be educated, work as professionals, and even serve in the military. When the U.S. left in 2020, those same women found themselves — regardless of their individual status — subject to Taliban restrictions that deny differences in gender, desire and ambition. Hashimi (“Sparks Like Stars”) shows how desperate and daring the women become.
Cool Machine: A Novel By Colson Whitehead Doubleday: 368 pp., $30 (July 21) First “Harlem Shuffle,” then “Crook Manifesto,” and now, “Cool Machine,” the highly anticipated “Harlem Trilogy” conclusion from the two-time Pulitzer Prize-winning Whitehead. The inimitable Ray Carney, who started out as a minor criminal, is now Sterling Furniture’s “Northeast Regional Dealer of the Month,” a respected businessman. It’s the mid-1980s, and when Ray’s beloved wife Elizabeth gets turned down for a small-business loan, he takes matters into his own hands, in his own former ways.
NONFICTION:
How to Kill a Language: Power, Resistance, and the Race to Save Our Words By Sophia Smith Galer Crown: 304 pp., $33 (July 7) Smith Galer’s nonna spoke an Italian she called “dialet”; her mother spoke “dialet” and English; Smith Galer herself speaks only English. What do we lose, the author asks, when a language dies? The answers she found are powerful, like an enzyme to treat HIV that was found in a tree that was discovered because a researcher spoke Samoan. Unsurprisingly, she also found that language death often corresponds to ecological and cultural devastation.
The Earth Said Remember Me: How to Revive Our Memories and Restore Our Planet By Jason Dove Mark W. W. Norton: 224 pp., $25 (July 14) Perhaps art will be the thing that preserves the environment, even if humans can’t save it. “Go outside. Bear witness. Make a record. Pass it on,” writes Mark in this eloquent, impassioned plea for us all to remain involved in environmental action. The more we appreciate the natural world, the more we’ll want to care for it, share it with others, and help future generations understand how some changes are natural and not all are inevitable.
Aging Out: An Exploration of Caregiving, Community, and How Americans Grow Old By Lucy Schiller Flatiron Books: 272 pp., $30 (July 14) Services for the elderly range from luxury assisted-living facilities to special digital devices meant to bypass phone scams, but as Schiller explains, these things not only commodify a natural life passage — they separate older people from their natural communities. The author was inspired to investigate our country’s aging population when she cared for a grandmother who died from COVID; the book weaves the personal with the political in a meaningful way.
(Avid Reader Press/Simon & Schust)
Dad, Love, Me: A Memoir By Matthew Quick Avid Reader Press: 320 pp., $30 (July 21) Novelist Quick (“The Silver Linings Playbook”) turns to memoir in recounting his contentious relationship with his father, whom he’s losing to dementia. While the author has had big highs (like the movie adaptation of “Playbook”), he’s also experienced deep lows, including alcoholism and severe creative block. Somehow, through recovery (which he credits to Jungian therapy), he affords both his imperfect, ailing parent and himself grace.
The Savage Landscape: How We Made the Wilderness By Cal Flyn Viking: 448 pp., $35 (July 28) In “Downton Abbey”, the Dowager Duchess of Grantham starchily asked “What is a ‘weekend?’” In this book, journalist Cal Flyn asks — more affably, but with equal intensity — “What is a wilderness?” Her answer: Depends on your perspective. In other words, nearly every place on Earth teems with life. It’s only humans who have attached words like “wild” and “unexplored” to regions where they feel uncertain, afraid, and even awed.
Patrick is a freelance critic and author of the memoir “Life B.”
OLYMPIC VALLEY, Calif. — In the pre-dawn chill of the Sierra Nevada, Christina Klayko bounced on the balls of her feet, trying to keep warm and calm before one of the planet’s most punishing competitions.
Surrounding her at the starting line for the Western States Endurance Run — a lung-busting 100-mile race over towering mountain ridges and through deep, sun-scorched canyons — were some of the most elite athletes in the world, including former champions, record holders and an Olympic marathon medalist.
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Klayko, a 48-year-old mother of three, had no illusions about winning — she was just relieved to be there. She is a two-time cancer survivor, and a year earlier, she was lying on an operating table enduring a full hysterectomy, followed by months of radiation treatment. She was terrified she might die.
Spectators trekked to Emigrant Pass before dawn to cheer at the first significant milestone the Western States Endurance Run.
“I was in a very dark place,” she said. “I would have given anything just to be able to walk my dog around the block.”
But Klayko, a former software engineer from Los Altos, has never been a quitter. In her twenties, following a breast cancer diagnosis and a full mastectomy, she finished an Ironman triathlon. Last Saturday, she was hoping to complete an even more miraculous comeback.
To do so, she would have to run almost half the width of California, from the shores of Lake Tahoe to Auburn, a former mining town in the foothills above Sacramento, along remote, rock-strewn paths that rise and fall like a roller coaster.
In all, she would have to propel herself up more than 18,000 vertical feet, or three times the elevation hikers climb to the summit of Mt. Whitney, the tallest peak in the contiguous U.S. And she’d have to endure relentless jack-hammering from nearly 23,000 feet of descent.
Hard things are nothing new to her, Klayko said. And unlike cancer, running is a choice. You can walk away when you’ve had enough.
There’s no prize money for doing well in the Western States 100, but finishers get a commemorative belt buckle and, more importantly, membership in one of the most exclusive clubs in all of sports. More than 11,000 runners entered a lottery for fewer than 400 spots this year. Many had waited for more than a decade for their chance.
But there’s a cruel twist — not everyone who crosses the finish line wins the bragging rights.
There’s a strict 30-hour time limit. Which means, most years, dozens of competitors struggle over snow-capped mountains, push themselves to the brink of heat stroke in the sweltering canyons and endure a long, dark night in the wilderness, only to show up at the finish line a few minutes late.
Eric Strand, 65, of Wildwood, MO, center, runs in front of the Granite Chief Wilderness at the start of the Western States Endurance Run.
They’re not acknowledged as finishers. As far as the official record is concerned, they didn’t make it.
So as Klayko waited for the ceremonial shotgun blast that signals the start, she wasn’t worrying about cancer, or mortality, or even the hours of torture that lay ahead — she was dreading the cutoff.
“I knew I could just push and push as long as I had to,” Klayko said. But she couldn’t escape the looming fear of “running out of time.”
The first major obstacle was Emigrant Pass, a high ridge that is four miles, almost straight uphill, from the start at the Palisades Tahoe ski resort.
Half an hour after the start, the sun peeked over distant summits, turning the horizon orange, and the first runners approached the top.
In the lead pack was Jim Walmsley, a four-time Western States champion and holder of the course record — an astonishing 14 hours, 9 minutes and 28 seconds. Spaniard Kilian Jornet, arguably the greatest ultra runner of all time, was right there with him. That was no surprise. In addition to having won Western States and almost every other notable ultramarathon, Jornet famously summited Mt. Everest twice in one week — without supplemental oxygen.
Among the women was Molly Seidel, perhaps the most recognizable name after Jornet. Seidel had been a 27-year-old barista and babysitter before the COVID-delayed Olympics in 2021, when she shocked the running world by winning the bronze medal in the marathon. It was only the third marathon she had ever run.
These battle-hardened pros barely flinched when they crested the ridge and ran headfirst into bitter, gale-force winds gusting to 65 mph. Their bare, muscled legs kept pumping steadily and carried them down the other side, where the gusts quickly subsided.
The rest of the pack didn’t make it look so easy.
Spectators watch the sunrise before the start of the Western States Endurance Run.
Many were hunched and gasping as they struggled toward the crest. One woman bent over and started retching violently. Locking eyes with a reporter, she shouted, “I’M OK!” — apparently unaware that she was screaming over the wind and whatever was playing in her headphones. “I JUST SWALLOWED TOO MUCH SPIT!”
Then she straightened and staggered into the howling gale: only 96 more miles to go.
Seven hours later, at mile 56, the lead runners climbed out of the course’s deepest and hottest canyon, onto a dusty promontory called Michigan Bluff.
The first few looked almost as fresh and fast as they had at the ridge. But the punishment was starting to show on everyone else.
Jornet, who had been nursing a knee injury before the race, was concerned about the canyons. He didn’t make it through them, dropping out at mile 38.
Walmsley, who had been among the leaders for the first 30 miles, was fading by Michigan Bluff. Persistent hip pain would force him from the race at the next aid station. At this point, most of the other runners, including Klayko, were hours behind.
Justin Grunewald, a 40-year-old Colorado doctor, who some picked as a dark horse contender to finish in the top ten, looked exasperated as he emerged from the canyon. He went straight to his support team, who started dumping water down the back of his shirt and tying an ice bag around his neck.
“I’m totally fine,” he told them, “but my knee is killing me because I keep eating s—.” That’s runner shorthand for falling.
His knee was bleeding, but the real problem was his vision. He pulled off his sunglasses, and his eyes were a scary shade of red. He leaned his head back while a friend squeezed drops into them and reminded him to keep wearing his glasses. Obvious advice — but what else do you say to someone hellbent on running another 44 miles?
“Ultra runners are a strange breed,” said Amanda Basham, Grunewald’s wife. She was on his support team this year, but she has twice finished the race in fourth place.
Jacob Banta, of Mill Valley, pushes up the trail near Michigan Bluff during the Western States Endurance Run.
As Grunewald composed himself and trotted off into the distance, it seemed like a good time to ask the obvious: why does anyone put themselves through such an ordeal?
Basham laughed and said most people would probably brush the question aside with something safe and trite, like, “I just love running!” But the truth, she said, is that “almost everyone here has an intense story.”
Grunewald’s first wife and running partner, Gabe, died after fighting a rare cancer for 10 years, Basham said. Other competitors have lost a child, struggled with mental health or battled addiction. Running long distances on secluded trails can be a coping mechanism. For some, showing up at big races to commune with their tribe is like group therapy.
“We all come together for this common thing, and it doesn’t really matter if you went to rehab 10 times,” Basham said. “You’re here trying to get better, and it’s cool.”
Minutes later, Seidel hobbled out of the canyon clutching her thighs. When her crew offered her a chair, she tried to settle but started panting in pain, apologizing that she was in too much agony to sit.
This was her first attempt at 100 miles. She would explain later that she hadn’t eaten enough during the race and had developed excruciating skin lesions from chafing. It looked like her day was done, but she refused to quit.
The women’s winner, Jennifer Lichter, might have the most intense story of them all. Born in Bogota, Colombia, she was a nine-year old orphaned by cartel violence when a couple from Wisconsin adopted her.
In her first 100-mile race, she shaved a minute off the women’s course record, finishing in 15 hours, 28 minutes and five seconds.
The men’s winner, Vincent Bouillard, smashed the overall course record by more than 20 minutes, sprinting across the line in 13 hours, 46 minutes and 15 seconds.
Klayko, who never imagined herself involved in the chase for records, emerged from the canyon eight hours behind the leaders.
For most of the race, she hovered between hiking fast and running slow. She subsisted mostly on energy chews and gels, indulging in a baked potato sprinkled with salt at one point, and luxuriating in a cup of broth with rice at another.
Was attempting the race wise, given her health? Had she told her doctors she was planning to do this?
“That’s, um, a good question,” she said with a chuckle. “They know I’m a serious runner but … I don’t think I actually told them I was running the Western States.”
Probably for the best.
Like a lot of the runners, Klayko said she got a jolt of much needed energy at mile 78, on the bank of the American River, where the run suddenly turns into an obstacle course.
Racers grab a thin nylon rope and gingerly wade into the freezing water. Volunteers offer life vests and stay close to prevent drownings, but offer no assistance.
A racer crosses the American River during the Western States Endurance Run.
Near the middle of the crossing, the water got so deep that many runners submerged completely, pulling on the rope to haul themselves to the far bank.
“It definitely woke me up,” Klayko said of her crossing in the dark at 3 a.m. “It was a lot colder than I expected.”
On the other side — soaked to the bone, with wet clothes and shoes — she crawled back onto the dusty trail and started running again. Soon after, the trouble set in.
It began with a burning sensation on the bottom of her left foot. As the pain intensified, she started hobbling, leaning on the trekking pole in her right hand to take pressure off the blister that was growing bigger than a golf ball.
With just miles to go, her husband, Chris, who ran beside her — after the halfway point, competitors are allowed to have a companion for safety — kept checking the time. They were falling behind.
What do you say to someone you love in such a situation? You don’t want them to suffer, but you don’t want them to fail.
“We need to hustle,” he told her.
In the last few hundred yards, the race enters the football stadium at Placer High School. Seidel had finished hours earlier, at 5:29 a.m., when the stadium was relatively empty.
But the last 60 minutes before the notorious cutoff — known as Golden Hour — attracts a huge crowd.
Cameras film from every angle as one battered body after another circles the track. Some jog, some hobble, some openly sob. Whatever they do, it’s fully public and likely to go viral on social media.
Christina Klayko pushes for the finish at Placer High School with just minutes to spare in the Western States Endurance Run..
Klayko said she was coached to visualize her finish during training. In her head, it looked nothing like this.
When she came around the final bend with the clock ticking down, gasps arose from the media gaggle behind the finish line.
Desperate to compensate for the enormous blisters on both feet now, she leaned forward and to the right at almost 90 degrees — wobbling and weaving on her heels, relying on trekking poles to stay upright and claw forward.
It was hard to watch but impossible to look away.
When she was finally in stumbling distance of the line, Chris bounced up and down and thrust his arms in the air. The crowd roared.
She finished with 18 minutes to spare.
Christina Klayko nearly collapsed after crossing the finish with minutes to spare in Western States Endurance Run.
WASHINGTON — The Supreme Court on Tuesday upheld laws in West Virginia and Idaho that forbid transgender athletes from competing on girls’ sports teams.
In a 6-3 decision, the court said the federal Title IX law envisioned separate teams for girls and boys based on their biological sex at birth.
“Separate sports teams for biological males and biological females are reasonable,” wrote Justice Brett M. Kavanaugh. “Given the inherent physical differences between the sexes, allowing only biological females to play on women’s and girls’ teams can reduce the risk of physical injury and ensure fair competition.”
Kavanaugh, who has coached girls’ teams for many years, said 27 states have adopted laws prohibiting transgender athletes on girls’ teams.
But his opinion does not say states such as California must change their laws that forbid schools from discriminating based on gender. Instead, he stressed states are free to make their own decision.
“Consistent with Title IX and the Equal Protection Clause, we hold that the states may maintain women’s and girls’ sports for biological females. They may determine eligibility for women’s and girls’ sports based on biological sex. The Constitution and Title IX do not require an overhaul of women’s and girls’ sports throughout America,” Kavanaugh said.
Justice Sonia Sotomayor dissented in part. She said the state should have considered transgender students on a case-by-case basis to decide whether they had an unfair advantage. Justices Elena Kagan and Ketanji Brown Jackson dissented as well.
The court’s decision is likely to bolster the Trump administration’s drive to pressure states, schools and universities that permit transgender athletes to compete on girls’ and women’s sports teams.
Because the Education Department provides federal funds to these states and schools, it can require them to comply with Title IX.
The sole plaintiff in the court case was Becky Pepper-Jackson. Now 15, she has carried on a lonely legal fight to compete on her school’s track team in Bridgeport, W.Va.
Designated male at birth, she says she is the only transgender girl competing in her state and has been the target of complaints and protests.
Her case drew strong reactions on both sides of the issue.
West Virginia Gov. Patrick Morrisey hailed Tuesday’s decision as “one of the most important victories for women’s athletics” since the passage of Title IX in 1972.
“We defended a simple principle most Americans instinctively understand — that women’s sports exist to provide women and girls a fair opportunity to compete and succeed,” he said.
Penny Nance, president of Concerned Women for America, said “it is self-evident that males and females are biologically different, and the U.S. Supreme Court has confirmed this truth. It is fundamentally unfair for a male who feels like a female to demand that biological categories be ignored to accommodate his desire to compete among females.”
Joshua Block, the ACLU attorney who argued the case, called it “a heartbreaking ruling for our clients and transgender girls like them who’ve asked for nothing more than the same opportunities afforded to their peers,” he said.
“The reality is that the equality of transgender women and girls takes nothing away from, and in fact promotes, the equality of all women and girls.”
“This ruling is deeply harmful for transgender women and girls who only asked for the ability to participate in sports with their peers,” said Sasha Buchert, senior attorney with Lambda Legal. “Countless studies have demonstrated the myriad benefits that come with participation in team sports.”
The sports career of Becky Pepper-Jackson reflects some of the difficulty of the issue.
In sixth grade, she participated in cross country and described herself as slow. She “routinely placed near the back of the pack,” her attorneys told the court.
Her court appeals focused on a wish to participate in sports, not to win. But upon reaching high school, she has been winning.
In 2024, she “placed in the top three in every track event in which B.P.J. competed, winning most,” the state’s attorneys said. In the spring of 2025, “focusing on strength events, B.P.J. bumped female competitors out of the state tournament, then placed third in the state in discus and eighth in shot put while competing against much older female athletes,” they told the court.
Her ACLU attorney explained she has been winning in the shot put and discus “through hard work and practice,” not because of an advantage based on biology.
He said she “received puberty-delaying medication and gender-affirming estrogen that allowed her to undergo a hormonal puberty typical of a girl.”
WASHINGTON — Jennifer Siebel Newsom has spent more than a decade cultivating an identity distinct from her husband, Gov. Gavin Newsom, as an active documentary filmmaker and gender equity activist with her own organizations, staff and salary.
The 51-year-old calls herself California’s “first partner,” a title she coined herself to signal an equal footing with the governor and gender inclusivity.
Her independent streak has generated her a steady income. She earns money from a set of organizations she founded or controls. They include the Representation Project, a nonprofit that advocates for gender equity through film and education programs; Girls Club Entertainment, a for-profit production company she owns that holds the copyrights to her documentaries; and the California Partners Project, a second nonprofit that works closely with her government office and receives donations solicited by the governor.
Since its creation in 2020, the California Partners Project has received nearly $5.1 million from so-called “behested payments,” raising alarms over the years about the influence large companies have amassed in Sacramento.
California law allows officials to solicit donations to specific charitable or governmental causes when the payments are reported within 30 days. The public donation system, however, came under scrutiny in 2020 when payments made at Newsom’s behest — to a variety of organizations, not just the California Partners Project — ballooned to an unprecedented $226 million to help fund the response to the COVID-19 pandemic.
With no limit on how much money can be donated by organizations or individuals at the behest of the governor, millions of dollars flowed in to prop up public services during the pandemic and fund Newsom’s favored programs, including an effort to address homelessness and a public safety campaign promoting the importance of wearing masks. The top donor of Newsom-behested payments in 2020 was tech giant Facebook, which gave $27 million for gift cards that went to front-line healthcare workers and for public health ads.
“It’s not illegal, but it certainly pushes the bounds of campaign finance law, and the first couple has been doing this for some time,” said David McCuan, a political science professor at Sonoma State University. “In this battle between Newsom and [President] Trump this makes their [the first couple’s] actions, these payments and the operation of the nonprofits a rich target for scrutiny.”
The Newsoms’ financial arrangements are now the subject of renewed scrutiny. The governor has accused the Trump administration — specifically, the FBI and the Internal Revenue Service — of questioning their friends and former employees about him and his wife. The governor said the probes are politically motivated, a personal vendetta because he’s considering a run for president in 2028.
Newsom said he and his wife have nothing to hide, and promised to release all of his recent tax returns — though he has not announced when.
In turn, the governor has demanded that the Department of Justice release all records pertaining to the probe.
“The American people deserve to know who ordered this abuse of power and how far it goes,” the governor wrote on social media last week.
“These are dark days in our nation’s history when the leader of the free world spews animus openly and without shame — aiming to silence and destroy not only his political opponents, but their friends, colleagues, and families,” Siebel Newsom said in a statement to The Times. ”My husband and I will continue to push back on this vindictive attack — and I certainly will not let this distract me from the important work ahead to protect the health, wealth, and safety of women and children and give California kids the best start in life. Together, we can set an example of strong leadership that protects people rather than preys on them.”
To better understand the finances, here is a breakdown of how Siebel Newsom’s company and nonprofits are working.
The Representation Project
Alongside the release of her first documentary, “Miss Representation,” in 2011, Siebel Newsom created her nonprofit, which originally shared the same name as her film. The organization licenses her films and reimburses costs to her production company.
The nonprofit earns some revenue from licensing the first partner’s documentaries for use in classrooms, college campuses and workplaces. Licensing for film screenings at schools starts at $49, while corporate licensing for her films starts at $995; purchase of screening rights also comes with curricula to facilitate discussions.
The Representation Project has earned more than $5.2 million in revenue from film screenings, licensing and speaking fees since 2011, according to a review of its tax filings.
The Representation Project is not required to disclose its donors but has received at least $2.6 million since 2014 from various charitable foundations that disclosed the gifts in their own tax filings. Several corporations that have had business before the state have donated to Siebel Newsom’s nonprofit, including Pacific Gas & Electric Co., AT&T and Kaiser Permanente.
Its past donors also include entrepreneur and progressive donor Susie Thompkins Buell, who is credited as a producer on several of Siebel Newsom’s documentaries, as well as the Marin Community Foundation and Onward Together, the political action organization founded by Hillary Clinton.
Four months after Newsom took office in 2019, the state Department of Education recommended that high schools screen two of his wife’s films, “Miss Representation” and “The Mask You Live In,” a move that has garnered criticism from conservative media outlets. The state said the films “can help facilitate a discussion about the impact of mass media and gender socialization on self-image and relationships with others.”
Though it does not specify where its films have been licensed, the nonprofit boasts in annual impact reports that its films and curricula have “reached over 2 million students” and “are being used in over 5,000 schools in fifty U.S. states.”
Since founding the Representation Project in 2011, Siebel Newsom has received more than $1.9 million in compensation from the nonprofit organization, according to a review of federal tax records. Her separately owned film production company, Girls Club Entertainment, has collected about $2.2 million in independent contracts from the nonprofit, records show.
Combined, the two streams of money total about $4.1 million flowing from the charity to Siebel Newsom personally or to entities she controls over the span of a little over a decade.
Her current annual salary is $161,250 for a 40-hour workweek, records show. Siebel Newsom earns income from both her production company and her nonprofit, according to state financial disclosures.
Jeff Tenenbaum, a nonprofit attorney with 30 years of experience advising nonprofit, tax-exempt organizations, declined to comment on Siebel Newsom’s specific case. But generally, he explained the legal framework that would apply to an arrangement like the one described in the filings.
Under federal tax-exempt organization law, he said, the “private benefit doctrine” governs whether a nonprofit’s overall activities unduly benefit any single individual — including through indirect payments to entities they own. The tax law asks whether too much benefit flows to one person or entity.
This is separate and distinct from the “private inurement” doctrine, which prohibits nonprofits from paying greater-than-fair market value compensation to insiders, including founders, and which requires that such compensation arrangements be approved by individuals with no conflicts of interest.
“Theoretically, a situation like this could raise some private benefit concerns,” Tenenbaum said, when the structure of the arrangement was described to him.
The doctrine does not prohibit all private benefit, he said, only what the federal tax code calls “impermissible” private benefit.
“There has to be too much benefit compared to the benefit to the public,” he said. Whether that threshold is crossed here, he said, would require a fuller review of the organization’s finances, contracts, and other considerations, including copyright ownership issues relating to the films produced.
Girls Club Entertainment
An actress and documentary filmmaker, Siebel Newsom founded her production company to develop independent films with a focus on combating gender stereotypes and empowering girls and women. She serves as the company’s chief creative officer.
She has written, produced and directed five films exploring themes of inequality and traditional gender roles. Siebel Newsom is best known for her 2011 documentary “Miss Representation,” which focused on the few and narrow representations of girls and women in American media.
Tax records show that the production company owns the rights to “Miss Representation” and has licensed the film to the Representation Project for a minimum of seven years for the purpose of distributing and screening the film in public. Costs associated with film production — including the writer, director and producer fees — have been reimbursed by the Representation Project, tax filings show.
Her latest documentary, “Miss Representation: Rise Up,” examines “the rising backlash against women’s progress and the hostile landscape of technology designed to harass and, ultimately, silence women.” The film premiered this month at the Tribeca Film Festival.
California Partners Project
In 2020, Siebel Newsom founded the California Partners Project, a nonprofit focused on improving gender equity in the workplace and the safety and well-being of children in online spaces. She does not collect compensation from the nonprofit or serve on its board.
It hosts an annual “gender equity summit” and provides resources for parents on issues such as social media safety and child mental health.
In the fall of 2024, Siebel Newsom and the California Partners Project hosted representatives from TikTok, Meta, Pinterest and other social media platforms for an event about children’s online safety. A day before the panel, state Atty. Gen. Rob Bonta took a more forceful tack to go after the tech industry by joining with 13 other states in a lawsuit against TikTok that accused the platform of exploiting young app users with its addictive features.
In September of 2024, the governor signed a bill to prohibit internet services and applications from providing “addictive feeds,” defined as media curated based on information gathered on or provided by the user, to minors without parental consent.
The California Partners Project also does not publicly disclose its donors in its tax filings, but much of the nonprofit’s funding appears to come from behested payments. Siebel Newsom does not receive a salary from the organization.
Since its founding, the Newsoms have steered more than $5 million to the nonprofit via behested payments, according to a review of the disclosures. While many donations to the California Partners Project come from charitable foundations, it also received hundreds of thousands from companies including Silicon Valley Bank, Pinterest and the charitable arm of Blue Shield of California.
Its biggest funder is the Federated Indians of Graton Rancheria, a Sonoma County tribe that operates a casino in Rohnert Park and spends heavily in state and federal elections. The tribe has given $2.3 million to the nonprofit since 2022. In June 2023, Newsom appointed tribal Chairman Greg Sarris to the University of California Board of Regents. Newsom has also supported efforts by the tribe to block a smaller tribe from building a casino in nearby Vallejo.
Blue Shield, which has reported giving $100,000 to Siebel Newsom’s nonprofit, also has a cozy relationship with her husband. The nonprofit health insurer was an early donor to Newsom’s 2018 campaign for governor and later received a $15-million no-bid contract to distribute COVID vaccines. State regulators in 2024 also signed off on the nonprofit’s request to restructure and establish a new parent corporation out of state, a move that raised alarm among healthcare advocates.
The California Partners Project did not respond to questions about its donors and spending.
Less than two months after being sued by two former housekeepers, Kylie Jenner has been hit with a third workplace lawsuit. The beauty mogul’s former private chef alleges a grueling workload led to her miscarriage.
Filed Monday in Los Angeles Superior Court, the complaint alleges the woman routinely worked 11- to 12-hour shifts, five days a week, and was assigned physically demanding tasks despite alerting supervisors to her high-risk pregnancy.
A representative for Jenner did not immediately respond to The Times’ request for comment.
According to the filing, reviewed by The Times, the woman was told she was selected to work as Jenner’s private chef around Thanksgiving 2024. In early December 2024, the woman claims she informed her supervisors, also named as defendants, that she was three months pregnant and “required reasonable accommodations to protect her health and pregnancy.”
On New Year’s Eve in 2024, supervisors who had allegedly been hostile with the former chef directed her to “lift and transport heavy food items across the street and uphill without assistance,” the documents say.
As a result of the physical exertion, the former chef claims that she “became dizzy, began choking and gasping for air, and required assistance from security personnel, who intervened by providing water and aid.”
Around Feb. 1, 2025, the then-chef, five months’ pregnant at the time, was assigned to work Jenner’s child’s birthday event in Palm Springs, where she wasn’t provided “adequate support” despite the scale and demands of the party, according to the lawsuit. The former chef claims that when she asked for help and expressed concern over the workload, she was ignored by supervisors.
“Due to exhaustion and overwhelming physical strain, [she] broke down emotionally in the bathroom during the event,” reads the suit. “That evening, [she] experienced extreme physical exhaustion and heaviness throughout her body as a result of the prolonged and intense workload.”
The next morning, while the former chef was still in Palm Springs, the filing states that she awoke experiencing severe hemorrhaging and drove herself to the emergency room. “At the hospital, [she] was informed that there was no detectable heartbeat and that she had lost her unborn child.”
According to the former chef, she informed her supervisors of the miscarriage and medical emergency and, in the following days, was “falsely accused of leaving the kitchen and refrigerator in disarray following the Palm Springs event,” the lawsuit states.
The court documents claim that the former chef suffered severe hemorrhaging again on Feb. 8 and collapsed in her bathroom. The filing states that after the miscarriage she suffered severe depression and emotional distress, and claims that a supervisor reprimanded her, saying, “Stop it, just stop it. You are upsetting Kylie. You are making her depressed.”
“Celebrity status does not exempt anyone from California’s employment laws. We look forward to presenting the evidence in court and allowing the facts to speak for themselves,” attorney Della Shaker told The Times.
The former chef is seeking an unspecified amount of damages and claims that in addition to suffering accommodation failures, pregnancy discrimination and harassment, she was misclassified as an independent contractor, did not get paid on time or for the appropriate hours she worked, and was wrongfully terminated.
After being let go, the former chef claims that she sent a formal written complaint to co-defendant Tri Star detailing the alleged discrimination, harassment and wage theft. The lawsuit states that on May 22, 2025, the management team sent her an email offering a settlement and release agreement (essentially offering her money to sign away her right to sue).
The legal filing follows two lawsuits brought by former housekeepers of the embattled reality star. Less than two weeks after one woman on Jenner’s cleaning staff sued her, claiming her co-workers harassed and discriminated against her, another housekeeper came forward with allegations claiming the “Keeping Up With the Kardashians” star didn’t intervene while she suffered abuse from fellow staff, despite the housekeeper slipping the reality star a letter pleading for help.
Shaker also represents Angelica Hernandez Vasquez, who filed the suit against Jenner on April 17, and Juana Delgado Soto, who filed her lawsuit on April 29.
Unless they are in Maui, as they were last year, Rams coach Sean McVay annually opts to cancel mandatory minicamps after the initial report day.
This year, McVay avoided any pretense of suspense.
On Thursday, he announced to his players that after fulfilling some broadcast media responsibilities on Monday, they would not have a minicamp and break until they report to training camp at Loyola Marymount in late July, a Rams official said.
McVay’s announcement came about a week after San Francisco 49ers coach Kyle Shanahan canceled minicamp, and Seattle Seahawks coach Mike Macdonald did the same.
The Rams play the 49ers in their Sept. 10 season opener in Melbourne, Australia.
So Thursday’s final practice of organized team activities — the offseason program is voluntary — wrapped up the offseason for a team that advanced to the NFC championship game before losing to the eventual Super Bowl champion Seahawks.
“We’re not naïve to the things that are said,” McVay said this week, “but that doesn’t affect us and we have to be humble. … You acknowledge it, but you also understand that that means absolutely nothing.”
The Rams made news on several fronts while building what is arguably the NFL most star-studded roster.
In March, star receiver Puka Nacua checked into a rehab facility after several incidents during and after the season. One incident led to a civil lawsuit by a woman who alleges that Nacua made an antisemetic remark during a group dinner and later bit her during a ride in a vehicle.
The Rams sent the No. 29 pick in the 2026 draft and three other picks to the Kansas City Chiefs for McDuffie, and then gave him an extension that makes him the highest-paid cornerback in NFL history. The Rams also signed free agent cornerback Jaylen Watson, McDuffie’s former teammate on two Super Bowl championship teams.
The Rams then stunned many by selecting Alabama quarterback Ty Simspon with the 13th pick in the draft, leading to an awkward news conference that featured a dour McVay, who later explained that he was attempting to be respectful of quarterback Matthew Stafford’s status as the team leader.
A few weeks later, the Rams signed Stafford — the reigning NFL MVP — to a one-year, $55-million extension through the 2027 season.
And then came the trade for Garrett.
The Rams sent edge rusher Jared Verse, a 2027 first-round draft pick and future second- and third-round picks to the Cleveland Browns for Garrett, who last season amassed an NFL record 23 sacks.
“The biggest thing is that this organization really trusts and is buying into this year,” safety Quentin Lake said this week. “You look at how close we were last year, and it gives you the confidence to say what will take us the extra step.”
The Rams plans for a smooth transition to training camp, however, were roiled this week when veteran left tackle Alaric Jackson was arrested on suspicion of felony domestic violence.
In August 2024, the NFL suspended Jackson for two games for an unspecified violation of the league’s personal conduct policy.
Three months later, a woman filed a lawsuit against Jackson alleging that in May of that year he recorded her without her consent during sex. The woman alleged that Jackson repeatedly refused to delete the video and then taunted her with it. The woman reported the incident to the NFL, but the civil case was dismissed.
If the NFL were to determine that Jackson violated its personal conduct policy, he could be subject to a six-game suspension or banishment from the league, with an opportunity to appeal.
Jackson, who joined the Rams as an undrafted free agent in 2021, signed a three-year deal with the team in February 2025 that included $35 million in guarantees. He is scheduled to earn $18.4 million this season.
Warren McClendon Jr., a fourth-year pro who started in place of Jackson in the past, has mostly played right tackle, and he is expected to start at that spot now that Rob Havenstein has retired.
David Quessenberry is a nine-year veteran, but he played as a full-time starter only once — in 2021 — and has not started a game in the last two seasons. The Rams selected offensive lineman Keagen Trost in the third round
So the Rams have plenty to ponder before regrouping for training camp, the start of a process they aim to complete with another Super Bowl title.
Spanish painter Nieves González arrives in Los Angeles for her first U.S. solo exhibition having already experienced a taste of fame.
The 29-year-old caught the attention of the art and fashion worlds last year after being discovered on Instagram and commissioned to paint the cover of Lily Allen’s album “West End Girl.” Depicting the singer as a Baroque aristocrat clad in contemporary designer fashion, the portrait helped propel González onto an international stage.
Collectors have taken notice. The 13 paintings in “A Friendship Story,” opening Saturday at Richard Heller Gallery in Santa Monica, have already sold out, according to the gallery, with prices ranging from $4,000 to $20,000.
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Elle magazine dubbed González “Fashion’s Favorite New Artist,” while exhibitions in Rome, Paris, Belfast and Bilbao, Spain, expanded her reputation across Europe.
González developed her classic yet defiantly modern approach while studying at the University of Seville, where Spanish masters such as Diego Velázquez and Francisco de Zurbarán painted in the naturalist Baroque tradition. Drawing liberally from fashion, art history and everyday life, she often dresses the subjects of her portraits in puffer jackets — garments she wears herself during the cold winters of Granada, Spain, where she lives. The material, she said, recalls the sculptural rendering of fabric in paintings by Zurbarán and Velázquez: the folds, the volumes, the high shine.
Nieves González often dresses her subjects in puffer jackets.
(Genaro Molina / Los Angeles Times)
“It works beautifully from a visual standpoint,” she said, speaking Spanish during an interview at Santa Monica’s Bergamot Station a few days before the exhibition opened. Wearing blue jeans and a pink button-down blouse, she echoed the pastel blues and pinks that appear throughout many of the works surrounding her.
“Fashion inspires me,” she said. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same,” she said. “The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”
This fall, González’s painting “La Sfida” (2025) will appear in the Städel Museum’s exhibition “Mary Magdalene. Sin. Pray. Love” in Frankfurt, Germany, alongside works by Lady Gaga, Marlene Dumas and Auguste Rodin. The painting depicts Mary Magdalene with long, flowing hair, draped in a regal red garment and clutching a skull — a contemporary interpretation of one of Christianity’s most enduring figures.
“Nieves González is the youngest of these artists and, at the same time, probably the one who most closely follows in the tradition of the Old Masters,” curators Bastian Eclercy and Stefan Roller wrote in an email.
The Santa Monica exhibition marks an evolution from the paintings that established González’s reputation. Earlier works often centered on solitary women posed with the self-possession of royal portraits or religious icons. “A Friendship Story” focuses on relationships between pairs of women, exploring friendship, intimacy, support and shared experience.
For González, friendship is one of the most profound aspects of women’s lives and a subject she felt deserved greater attention in painting.
Victoria Rios, a curator who works with González, said the artist’s paintings “rewrite the narratives of the past, rewrite the history of martyrdom and place women at the center.”
“Nothing in her painting is arbitrary,” Rios said in an email. “Every formal decision is also an ethical one.”
“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” Nieves González said. “It seemed like a way to elevate the concept of friendship.”
(Genaro Molina / Los Angeles Times)
González frequently turns art historical conventions on their head. In “Salir a robar caballos: Go out to steal horses,” she replaces the archetypal portrait of a gallant man on horseback with two young women dressed in puffer and vinyl jackets, posed like contemporary Amazons atop rearing horses.
“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” González said. “It seemed like a way to elevate the concept of friendship. It also has an element of play, adventure and fun, since having fun is part of the bond too.”
The artist also sees her work through a feminist lens.
“We live in a patriarchal society, and so, unfortunately, I belong to the oppressed segment of that society, and my work relates to that,” she said. “It stems from a struggle, an understanding and a process of redefining concepts that we have historically established as normal, natural and habitual.”
“I am interested in portraying us as brave and powerful, sometimes even with an air of haughtiness,” she said.
Another painting, “Something’s crossed over me and I can’t go back” (2026), captures González’s fusion of historical and contemporary references. Two women dressed in green and pink fur cradle each other’s heads, reimagining medieval depictions of cephalophores — Christian martyrs who carry their severed heads while continuing to preach or pray.
The title comes from a pivotal line in the 1991 film “Thelma & Louise,” marking the turning point for Geena Davis’ character Thelma, fully committing to her ultimately fatal adventure with Susan Sarandon’s Louise.
Nieves González, “Holding You,” 2026 (oil on canvas).
(Genaro Molina / Los Angeles Times)
González builds each painting from what she calls a “Frankenstein” — a digital composite assembled from archival photographs, found images and reference material. The painting process then takes over. A mid-project visit to the Prado Museum in Madrid, for instance, might send her back to the digital sketch to pull in a compositional element from Velázquez before returning to the canvas. “The final result often ends up being completely different from what I initially envisioned,” she said.
Heller began representing González, whom he calls an “original voice,” last year after being introduced to her work by another painter.
Staging her first U.S. solo exhibition in Los Angeles rather than New York reflects what he sees as a more relaxed environment for an emerging artist, without the glare and expectations of the New York art world.
“L.A. feels a little less constrained,” Heller said. “It feels a little more free.”
González’s portrait of Allen is currently on view at London’s National Portrait Gallery, hanging in the same room as a self-portrait by David Hockney. She said while it “has been very significant in terms of media exposure,” exhibitions and professional opportunities were already in motion before the album cover brought wider attention.
“I’ve always said that what I want to do in life is make a living from painting,” she said.
Mission accomplished.
‘Nieves González: A Friendship Story’
Where: Richard Heller Gallery, 2525 Michigan Ave. #B-5A, Santa Monica
Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.
In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.
The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.
Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.
“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.
“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”
Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.
The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.
Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.
“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”
When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).
Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.
However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.
Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.
The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.
In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.
According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.
“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”
She was stopped as she was about to board a plane to leave the country
A still image of the video in which she reportedly criticised local law enforcement as well as general driving standards
A woman has been arrested after reportedly posting a negative video about her holiday. Yass Naubelle was intercepted by border authorities on Saturday, June 13.
The influencer was placed in police custody just moments before boarding her flight back to her home country France. The 30-year-old content creator published a viral video that reportedly criticised local authorities – sparking hundreds of comments online.
The French-Algerian influencer reportedly slammed her holiday experience in Marrakech, Morocco. She allegedly criticised local law enforcement as well as general driving standards in the North African country.
Airport police at Marrakech Menara Airport executed the border stop as Yass prepared to clear security checkpoints for her return flight to France. Yass, founder of the Naubelle skincare line, was arrested under a national warrant after Moroccan authorities deemed her clip “defamatory towards Moroccan citizens” and “outraging to the forces of order”.
She was placed in police custody “to determine the real motivations behind these criminal acts”. State investigators confirmed she is being held on suspicion of publishing defamatory and insulting digital content directed toward citizens and undermining a public institution.
In the now-deleted video, filmed during her short break in Marrakech, she reportedly described the roads as chaotic. “I’ve never seen people drive like this. It’s super dangerous – cars, mopeds without helmets, with children on board, swerving suddenly,” she reportedly said.
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When comparing the driving standards to Algeria, she reportedly said: “It’s less bad than here”. She also accused some traffic police officers of stopping women “for nothing” in order to extract money, it is claimed.
The content quickly triggered a national alert, leading to her interception at the airport. Yass, who has more than 20,000 TikTok fans, currently remains in custody in Morocco. No formal charges or court appearance details have been publicly confirmed beyond her initial arrest.
Marrakech, a popular destination for European tourists including many from France, relies heavily on holidaymakers but has seen occasional controversies involving social media content. British travellers to Morocco are advised to remain cautious with social media posts about local conditions as the authorities have reportedly acted swiftly in similar cases.
