Remember Edward Warchoki? The Polish humanoid robot that went viral in April for chasing wild boars through a parking lot in Warsaw? Even late-night comedian John Oliver did a bit on him, calling Warchoki “a pretty canny PR campaign for anthropomorphic robots. All I’m saying is, ‘That is a nice way to get us all used to him before he’s inevitably one day used as a weapon of war.’ ”
Warchoki has not yet turned into a weapon of war — unless you consider being an online influencer a form of digital warfare. As the first robot influencer, Warchoki has his own social media accounts and appeared at Poland’s parliament. Last week he entered the art world when he was among the first visitors to what looks to be a fascinating exhibition, “How to Feel Real. Art, Technology and Us,” at MO Museum in Vilnius, Lithuania. The show is a collaboration of the modern art museum with ZKM | Center for Art and Media Karlsruhe, which specializes in media art.
According to a news release, the show “explores questions that are becoming increasingly urgent in a world shaped by technology: How do we feel real, and what does it mean to be alive?” Apparently Warchoki was there to address the issue head on.
“People keep asking me if I’m real, so when I heard about an exhibition asking what ‘real’ actually means, I thought: Finally, someone is asking the right question. I’m coming to the beautiful Vilnius to see what the artists have to say — and, of course, to check whether they think I’m real,” Warchocki said in the release.
A number of works in the exhibit explore artificial intelligence, automation, “and the ways machines are increasingly taking on roles we once considered distinctly human,” said MO Museum director Milda Ivanauskienė. “Bringing Edward into the museum is a playful extension of this idea, as his deliberately human-like and slightly absurd persona makes the questions raised by the exhibition tangible — inviting us to wonder why we are so eager to find the human in a machine.”
I am intrigued by this last question and wonder about it myself: Why exactly are we so quick to anthropomorphize AI? Every time I’ve interacted with a chatbot I feel the urge to be polite in my dealings, to say “please” and “thank you” when I ask questions. I certainly don’t do that with a Google search. And once, when I saw a delivery robot hopelessly stuck in a pothole, I felt genuinely bad for it. “Poor little guy,” I thought. I imagine if I met Warchoki, I’d react the same way.
I’m glad MO Museum is exploring these impulses by using artist’s thoughts and interpretations as a way to offer answers to an issue that is not going away — but only growing more powerful and omnipresent by the day.
I’m Arts editor Jessica Gelt and I’ve got a pickle-kimchi lollipop to sell you. This is your arts and culture news for the week.
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The week ahead: A curated calendar
FRIDAY
Elim Chan conducts the L.A. Phil in 2024.
(Gina Ferazzi/Los Angeles Times)
Elim Chan Conducts the L.A. Phil It will be a busy couple of weekends in L.A. for the San Francisco Symphony music director-designate. First up is a program featuring Dongshoon Shin’s “Dance Card,” Franz Liszt’s “Piano Concerto No. 2 in A major, S. 125” with pianist Yefim Bronfman, and Pyotr Ilyich Tchaikovsky’s suite from “Swan Lake.” Next week will be “A Symphonic Ballet,” with Claude Debussy’s “Prelude to the Afternoon of a Faun, L. 86,” Karen Gomyo premiering Samuel Adams’ “Violin Concerto No. 2 (The Wheel),” and Igor Stravinsky’s “Petrushka (1947).” “Swan Lake,” 8 p.m. Friday-Saturday, 2 p.m. Sunday. “Symphonic Ballet,” 8 p.m. Thursday, 2 p.m. Oct. 17-18. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Kuniko Kato Presents Reich90 The North American tour of the Steve Reich Project, conceived and produced by Japanese percussionist Kato arrives downtown in honor of the composer’s 90th birthday. 7:30 p.m. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
Victoria Marks : A Deer Walks into a Dance The award-winning choreographer and four performers (Rian Alcid, Maya Billig, Karen Chuang and Aaron Mason) explore the idea connection in a world of division via movement, text and the deconstruction of a (bad) joke. 8 p.m. Friday-Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd., Westwood. cap.ucla.edu
SATURDAY
L.A. Opera’s new music director, Domingo Hindoyan, conducts a dress rehearsal of “Carmen.”
(Jason Armond / Los Angeles Times)
Carmen Los Angeles Opera’s new music director, Venezuelan conductor Domingo Hindoyan, opens the company’s season with a new production of Bizet’s “Carmen.” It stars mezzo-soprano Rihab Chaieb, who has dazzled in Mozart at L.A. Opera. The Spanish gothic new production is by director/designer Thaddeus Strassberger and choreographer Antonio Najarro. (Mark Swed) The season-opening performance will be broadcast live in high definition, free of charge, at Steinmetz Park in Hacienda Heights and at the Santa Monica Pier. Through Nov. 7. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. Free simulcast, 6 p.m. Saturday, Santa Monica Pier and Steinmetz Park, 545 S. Stimson Ave., Hacienda Heights. laopera.org
Strauss, Ravel, Beethoven Music Director Jaime Martín conducts the Los Angeles Chamber Orchestra in Richard Strauss’ “Metamorphosen,” Maurice Ravel’s “Piano Concerto in G Major” with Conrad Tao, and Ludwig van Beethoven’s “Symphony No. 3 in E-flat Major (Eroica).” 7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org
SUNDAY
Dale Brockman Davis, Alonzo Davis and David Hammons.
(Museum Associates)
The Brockman Gallery: Los Angeles,1967-1990 For more than two decades, the Leimert Park gallery, founded by Alonzo and Dale Davis, served as a vital cultural hub, staging exhibitions, festivals, concerts, literary events and more. Named after the brothers’ maternal grandmother, born enslaved, the Brockman Gallery was a flourishing, ongoing act of self-determination in the wake of the 1965 Watts Rebellion. It showcased Black artists whose opportunities were severely limited at mainstream, white-run institutions and galleries: David Hammons, Suzanne Jackson, John Outterbridge, Elizabeth Catlett, Betye Saar, Carrie Mae Weems, Senga Nengudi, Noah Purifoy and many more. More than 60 works by artists associated with the gallery will be included in this first full-scale consideration of the Brockman’s scope and impact. (Leah Ollman) Through Jan. 24. Los Angeles County Museum of Art, 5905 Wilshire Blvd. lacma.org
Pacific Jazz Orchestra: A Tribute to Quincy Jones Led by Chris Walden, and featuring vocalists Nayanna Holley and Adam ‘Aejaye’ Jackson, the ensemble performs early work by the late producer/composer. Presented by Ventura Music Festival, 3 p.m. Sunday. Rancho Campana Performing Arts Center, 4235 Mar Vista Drive, Camarillo. pacificjazz.org
TUESDAY
Mendelssohn & Brahms Members of the Los Angeles Philharmonic perform a program of chamber works from Joseph Haydn, Felix Mendelssohn and Johannes Brahms. 8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Ulysse Marion A new work by choreographer Dimitri Chamblas, created with former Paris Opera Ballet dancer Marion Barbeau and dancer and musician Ulysse Zangs, explores the journey of a performer throughout a life in art. 8 p.m. Tuesday-Wednesday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
THURSDAY
At the Very Bottom of A Body Of Water The latest work by Benjamin Benne, a dramatist many have been keeping close tabs on, continues his collaboration with veteran director (and fellow L.A. native) Juliette Carrillo, and dives even further into magical realism in an unconventional work exploring the oceanic depths that grief can reveal. (Charles McNulty) Through Nov. 29. Boston Court Pasadena, 70 N. Mentor Ave. bostoncourtpasadena.org
Judy Baca, detail from the 1960s segment of the Great Wall of Los Angeles mural.
(Judy Baca and the SPARC Archives.)
Skirball Cultural Center Three new exhibits open: “The 1960s — A Generation on Fire: Judy Baca’s Great Wall of Los Angeles” presents new murals as part of the evolving L.A. landmark; “Patrisse Cullors: Wishes Made Material” features three new works inspired by conversations between Black and Jewish communities; and “Jenny Yurshansky: What We Carry” explores local immigration stories, memories and family history through collected objects. Skirball Cultural Center, 2701 N. Sepulveda Blvd. skirball.org
The SoCal scene
Zoe Ryan, director of UCLA’s Hammer Museum.
(Christina House/Los Angeles Times)
ICYMI, the best of this week’s L.A. Times arts coverage:
Climate activists in Tallahassee this week unveiled a statue of Florida Gov. Ron DeSantis that was created to melt. “In response to the Governor’s recent ‘Don’t say climate change’ action in state law, 350Action (one of the world’s most influential climate change advocates) built quite a visual — a statue that couldn’t withstand Florida’s daily climate. It’s provocative but for a purpose, to encourage young people to vote in a few weeks for candidates that recognize the threat from climate change,” a news release noted of the “climate denial statue.”
And finally, not strictly arts related, but some Halloween fun for you: Street Food Cinema is hosting its annual Boo-ze, Bites and Frights events with some spooky horror film screenings at Heritage Square and the Ford over the next few weekends, including a Saturday showing of “A Nightmare on Elm Street,” which is a film that still genuinely terrifies me.
San Francisco 49ers receiver Mike Evans may have earned a spot in the trash-talking hall of fame on Sunday without even trying.
Or so he says.
Late in the second quarter of the 49ers’ 32-29 victory in Seattle, Fox Sports cameras showed Evans and Seahawks cornerback Trevon Diggs jawing after a play. In one of the season’s most meme-able moments so far, Evans put his hands on Diggs’ shoulder pads and turned the two-time Pro Bowl selection around to look at his name, as if to say, “Who are you?”
Diggs, a seven-year veteran who led the league with 11 interceptions in 2021 as a member of the Dallas Cowboys, appeared to be offended and shoved Evans in the facemask.
Retired cornerback and renowned trash-talker Richard Sherman, who played for both the Seahawks and 49ers during his 11-year career, gave Evans some high praise on X.
“Mike Evans Checking to see the name on the back of the Jersey is an all-time Gif and trash talk moment that I wish I would have thought of,” Sherman wrote.
Evans’ move was very similar to one from a 2019 viral clip in which Toronto Maple Leafs star Auston Matthews checked the back of then-career minor leaguer Scott Sabourin of the Ottawa Senators during a preseason game. (Sabourin would go on to play in 74 NHL games for four teams over seven seasons.)
But Evans, a five-time Pro Bowler in his first season with San Francisco after 12 years with the Tampa Bay Buccaneers, told reporters after the game that he was just trying to figure out his vocal opponent‘s identity.
“I was blocking him until the whistle, and then he said something, like I’m doing extra, something like that,” said Evans, who finished with seven catches for 113 yards and one touchdown. “I didn’t know that was him at first, because I played against him a few times and we always been cool, you know? He was a good player. I honestly didn’t know it was him, because in the helmet, it’s hard to tell sometimes.
“And we were just talking trash, and I think I like pushed him and then I was like, ‘Who are you?’ And I looked to make sure. ‘Oh, it’s f— Diggs.’”
Hmmmm, Diggs was a good player? Maybe Evans is a trash-talking master after all.
Cromore Retreat in Northern Ireland’s Portstewart has just opened a series of the kind of bubble domes that have been setting Instagram and TikTok alight this year
If you’ve been on Instagram or TikTok this past year and your algorithm has a travel slant, there’s a very good chance you’ve seen the bubble tents.
There are countless wanderlusty clips of people twirling around in large inflatable dome tents that look as if they’ve been blown out by a giant with an oversized pot of bubbles. They are striking, beautiful structures, standing three or four metres high, often on top of rolling hills or in the middle of woodland.
But to my eyes, there is also something a little insubstantial, let alone gimmicky, about the translucent tents that had left me wondering if they were more Temu yurt than Glastonbury tipi. So when I visited Portstewart in Northern Ireland at the beginning of this week, and was given the opportunity to stay in a bubble of my own, I was intrigued and a little skeptical.
The bubbles in question are set up on the grounds of the Cromore House, built by the town’s founder John Cromie back in 1776. From the outside at least, the considerable property appears to be empty today, having recently ceased operating as a care home. If anything, the lack of movement at the grand house was a benefit. For the duration of my trip, I didn’t see a soul, which left me feeling cut off from the world in exactly the right way.
Do you have a travel story to share? Email webtravel@reachplc.com
The outside
With the lockbox keys, I let myself into a private, wood-fenced area with trees lining the perimeter and a dome in the centre. “Won’t they see you naked?” my wife had asked when I explained that the accommodation walls were completely see-through. Happily, ‘they’ may as well not have existed, so private and snugly tucked away are the bubbles.
The location is perfect. A 40-minute walk out through the woods takes you to the highly rated Portstewart Arms, where perfect pints of Guinness go for £5, or you can stay on-site and enjoy a steam in the communal sauna.
The inside
Inside the bubbles is where the action really is. On a brisk October day, I was relieved to find the dome warmed to a very snug 22 °C thanks to a ground-source heat pump. My particular accommodation, the McDonnell Suite (named after a former estate owner), consisted of three domes squashed together.
One is occupied by the shower and toilet, which are wisely hidden from the rest of the dome by a partition wall and from the outside world by some tastefully opaque section of dome. It comes complete with an information-rich smart tablet and a high-tech touchscreen mirror.
The central bubble stands in for the living room. A low coffee table sits between two armchairs, a comfortable spot for reading. There’s also a tea and coffee area with a Nespresso machine and a fridge stocked with a breakfast hamper from Chestnutt’s Farm in Portrush. As in Covid, there is a joy in the isolation that comes with bubbles. Instead of trooping over to a breakfast buffet, Cromore Retreat guests are given everything they need for a solitary and delicious start to the day: soda bread, strawberry jam, granola, absurdly creamy butter, and a little bottle of particularly thick milk.
Hungry after an afternoon’s surfing, I ripped this open a good 14 hours early and tucked in, in the third and final wing, the bedroom. Here you will find a wide four-posted bed with curtains around the side but no roof, allowing you to wall yourself in and watch the stars twinkling through the tree canopy above.
At the end of the bed is a large standalone tub in which I ate my way through the breakfast box while enjoying a long, needlessly indulgent soak.
The final feature, and arguably the stand-out, is the private hot tub that sits outside the dome. To my shame, I did not bubble in it, forgoing the ultimate indulgence of a solo jacuzzi on a Monday evening in favour of a second bath and then a quite flawless night’s sleep.
The verdict
I was entirely wrong. There is nothing gimmicky or insubstantial about these see-through domes. They are pure, indulgent, slightly silly fun, right until you check out and step into the bubble-bursting Northern Irish drizzle.
Book it
Stays cost from £235 a night, with breakfast hampers costing an additional £20. Go to cromoreretreat.com/book
MICHELLE Keegan may have gripped the nation with her new ITV drama The Blame, but there’s one surprising TV appearance that has been doing the rounds on social media again.
It’s not the actress fronting a Netflix mini-series or portraying a soldier in Our Girl, but a forgotten stint on The Jeremy Kyle Show.
Michelle Keegan is well known for her gripping TV dramas such as new release The BlameCredit: Not known, clear with picture deskBut fans were shocked when an unearthed clip of her on the Jeremy Kyle Show went viral recentlyCredit: @daytimetvthrowbacks/tiktok
The episode was a crossover with Coronation Street and sees Michelle as her soap character TinaCredit: @daytimetvthrowbacks/tiktokShe’s seen arguing with on-screen boyfriend David Platt, played by Jack P. ShepherdCredit: @daytimetvthrowbacks/tiktokThe clip is hilariously going viral on TikTok againCredit: @daytimetvthrowbacks/tiktokThe clip, which was filmed when Michelle was 23, saw the actress a far cry from her now-glamorous lookCredit: Splash
During the crossover episode, Michelle’s character Tina appears on the show as her boyfriend, David (Jack P. Shepherd) is accusing her of having a relationship with his brother Nick (Ben Price).
In a clip from the episode, which has been unearthed by TikTok users and is now being circulated around the app, the trio are seen at loggerheads.
“Shut up David,” Tina is seen shouting over the stage as the pair go back and forth, with Jeremy getting involved.
Later, Nick and David are seen fighting over Tina as Nick slams: “She doesn’t like him. She doesn’t fancy you, she doesn’t, it’s over!”
“You think you can fly in, Nick, and take a piece of her,” hits back David, as Tina breaks down into tears and he slams her “waterworks”.
A crying Tina then tells Jeremy: “I’m sick of him, he ruins everything. Even the thought of accusing me of sleeping with Nick, it’s not important to me right now.
“And he’s got a cheek to actually question it – you’ve got a cheek David.”
The hilarious crossover, which was to celebrate the 1000th episode of the Jeremy Kyle Show, came in the middle of Michelle’s time on Coronation Street, which she joined in 2008.
As the clip has been circulating around Tiktok, many users on the video streaming app were confused as to whether it was real or for a skit.
One user said: “If I didn’t know this was a special episode with actors, I would’ve thought this was real, it’s well good 👏😂”
“I would not have recognised her…what year is this???,” said a second of Michelle.
A third praised: “Corrie was on another level creating this with JK, it makes it look so more real.”
Michelle was just 23 at the time of filming the scenes.
She eventually left the soap in 2014, as Tina was killed off.
Paul McAuley took a trip to a US city known for its altitude, passion for the natural world, and mad passion for sports, finding a lot of difference with the UK and a lot of things to love
Paul McAuley checked out Denver
Off the plane. Bam. Clouds. Not the miserable grey blanket you roll your eyes at every time you leave home back in the UK, but the kind that looks like they’ve been lifted straight out of Toy Story.
They’re so close you feel like you could reach out and squeeze them – heck, even taste them if you’re that way inclined. It’s a pretty spectacular way to be welcomed to the Mile High City, and the first clue that Denver operates on a slightly different level. Both physically and metaphorically.
Perched 5,280ft above sea level, it’s home to as much altitude as it is attitude, a feeling that only gets stronger the more time you spend in the state capital. I flew from London Heathrow to Denver with British Airways to discover what the city and surrounding region had to offer, experiencing the best of Colorado on an ultimate city break with a Rocky Mountains twist.
Do you have a travel story to share? Email webtravel@reachplc.com
Nature
In many cities, nature is something you have to seek out. In Denver, it’s constantly sitting in the background, waiting for you to notice it. I ticked off a few parks – notably Civic Center and Confluence – on a breezy 12km run that felt fitting to finish at Target, and that sums up Denver in a nutshell.
You can spend the morning surrounded by nature and, an hour later, you’re wandering around one of America’s biggest shops buying something you absolutely don’t need. In my case, Kourtney Kardashian’s Lemme. I quickly noticed how active everyone is. And who can blame them? For most of the trip, the weather was amazing.
Shorts, socks and sandals were the uniform, right up until a lightning storm rolled in on Saturday night and delayed the women’s soccer match between Denver Summit FC and Seattle Reign FC. Even the altitude becomes part of the experience.
I knew Denver is the Mile High City before I arrived, but I found it out properly when I went up Mount Blue Sky for the morning. The higher I climbed, the more ridiculous the landscape became. Wildlife appears, the air feels cleaner and, once again, you’re back within touching distance of those clouds. I didn’t spot Frank the Tank – reportedly the biggest moose on record – but I did see marmots, famous to me for shouting “Allan” in the viral video.
The night before we visited, Lily Allen headlined the amphitheatre, performing West End Girl in its entirety. Yet you’d never have guessed. There wasn’t a whiff of the night before. No evidence of thousands of people drinking and dancing until late.
Instead, just hours after the concert, people were running, doing yoga, lifting weights and generally behaving as though exercising among enormous red rocks was the most normal thing in the world. Here, outdoors is a lifestyle, not an activity.
Nightlife
For all of Denver’s obsession with fresh air, mountain views and early-morning exercise, the city doesn’t shut down too early. Denver just has a different relationship with going out than in the UK. I was told people can start clubbing at 6pm and be home by 1am, meaning the morning is saved.
That sounds horrifying to anyone accustomed to a UK night out. But somehow, Denver makes it work. Even hotel bars are busy, with people actually going there simply for drinks. Imagine asking your mate to meet you in the Premier Inn bar before heading into town.
Culture
Parts of Denver feel like they’re in the middle of a rapid transformation. Old buildings sit alongside polished new restaurants, expensive smash burgers and bars with endless taps, while colourful street murals cover walls that feel like they’re constantly being reinvented.
Take the River North Art District for example. The vibrant neighbourhour prides itself on being “where art is made” and certainly lives up to its nickname – you’re spoilt for choice when it comes to Instagram backdrops. Here you will find Denver Central Market, where I ordered a chicken Caesar salad bagel from Call Your Mother before sitting outside to bask in the heat. Around us, people wandered past in Doc Martens and oversized T-shirts.
Denver has a strong sense of itself – “a blueberry sitting proudly in a bowl of raspberries” as one of our tour guides put it. It was my first time in America, and I’ll hold my hands up and admit my perception wasn’t the greatest. I’d spent far more time associating America with Donald Trump and the endless political noise around the country than thinking about the hundreds of miles of landscapes, cities and completely different ways of life that exist beyond it.
Denver was a reminder that America is a lot bigger, stranger and more varied than the version you can sometimes from a viral TikTok clip.
Sport
Denver doesn’t have the Liverpool and Everton divide. There is one NFL team in the city and you stick with them through the good and the bad and, in the case of the Broncos’ game against the Jacksonville Jaguars, a lot of penalties. The Broncos fanbase is something else, with a waiting list stretching around 20 years for season tickets. So when game day finally came around, the sense of occasion was hard to miss.
A white horse, fireworks, 28 cheerleaders, a remix of Take Me Home, Country Roads and a devilish attempt to get inside the opposition’s head all came into play before the first plays even graced the freshly painted grass.
It was clear the experience was as much about what happened off the field as on it, with 76,472 fans at the centre of everything. The noise was ridiculous. At one point, it was so loud the game had to stop for a jokingly named “fan assistant” timeout.
And this isn’t simply a football ground, either. Much of the stadium is owned by the Walton family behind Walmart, but its identity stretches far beyond the Broncos.
It has hosted everyone from Taylor Swift and The Weeknd to AC/DC, as well as monster trucks and countless other major events. Even if American football isn’t your thing, it’s the sort of place where you can understand why people want to experience it.
Growing up in the UK, drinking is hugely intertwined with sport. In Denver, drinking feels more like an addition to the experience. At Broncos games, designated drivers can enter a lottery, with one lucky fan winning a $150 gift card for agreeing to stay sober.
I couldn’t help wondering what Linda Bolejack bought with her winnings. It’s a tiny detail, but it says a lot about the cultural differences you notice when you stop and look.
So why go?
It’s not one single thing that makes Denver memorable. It’s the collision of all of them: the mountains rising behind skyscrapers, the NFL stadium surrounded by fans, the bars filling up earlier than you’d expect, and the sense that adventure is never particularly far away.
For a few days, it becomes surprisingly easy to slip into that rhythm and forget it isn’t your everyday life.
Touchdown Trips offers a nine-night, four-game American football trip, including Denver Broncos vs Seattle Seahawks at Empower Field at Mile High, from £4,895pp. The package includes flights, transfers, game tickets and three all-inclusive tailgates.
Denver is home to seven major league sports teams: the Colorado Rockies (baseball), Colorado Rapids (men’s soccer), Colorado Mammoth (lacrosse), Colorado Avalanche (hockey), Denver Broncos (football), Denver Nuggets (basketball) and new Denver Summit FC (women’s soccer). British Airways and United Airlines fly direct daily from London Heathrow to Denver. Rooms at Limelight Denver start from £150 per night, excluding taxes and fees, based on two sharing a Deluxe King room.
