tower

There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.

Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.

That’s there, says Smith, but there are also a number of more subtle inspirations.

The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.

Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.

(Gary Coronado / For The Times)

Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”

Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.

Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.

(Nikkolas Smith)

His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.

“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.

“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”

Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.

Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.

(Gary Coronado / For The Times)

As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.

The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”

Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.

The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.

(Gary Coronado / For The Times)

“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”

And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.

“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”

It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.

Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.

(Gary Coronado / For The Times)

Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.

“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”

Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.

A selection from “The Artivist,” an illustrated book from Nikkolas Smith.

(Nikkolas Smith)

“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”

The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.

“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”

It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.

A video has been released showing huge explosions near Tehran’s Azadi Tower. The US and Israel are continuing to target locations across Iran as the war enters its seventh day.

Feb. 28 (UPI) — Firefighters in East Texas rescued two people after the hot air balloon they were traveling in struck a cell phone tower and left them stranded, local officials said.

In a Facebook post, the Longview Fire Department said the incident happened around 8:15 a.m. in north Gregg County. Neither of the occupants were injured.

After the balloon hit the cell tower, it became stuck about 920 feet in the air.

“Climbing operations began around 8:50 a.m. using multiple rope systems due to the extreme height and complexity of the incident,” the post said.

The rescuers reached the balloon occupants around 10 a.m. and both were brought to the ground.

Longview is about 130 miles east of Dallas and 65 mile west of Shreveport, La.

Tripoli, Lebanon – Hossam Hazrouni points underneath a concrete staircase to the exposed foundation of the building where he lives.

“Inside, there, look,” the 65-year-old says. “The interior pillars are all broken. It’s covered in water. Everything inside is wet.”

A few metres away lies a pile of smashed concrete blocks and twisted metal. It is the rubble of a building that collapsed on February 8, killing at least 15 people.

In Tripoli, collapsed buildings are fast becoming common. This is the fourth building to collapse this winter alone. Today, hundreds of buildings are at risk of collapse due to a lethal combination of ageing infrastructure, unregulated construction, Lebanon’s 2019 economic crisis, the 2023 earthquake that fractured much of the local infrastructure’s foundation, and a relatively heavy rain season.

Locals like Hazrouni are afraid their buildings will be next.

“They told us that you should evacuate and you shouldn’t stay, but how are we supposed to leave when we are in a bad situation?” he asked, raising his palms to the sky. “Where are we supposed to go?”

Collapsing structures

In the 1950s, Tripoli, Lebanon’s second-largest city and the largest in the country’s north, was a hub for trade and shipping in the region. But in the intervening years, its status has fallen to become one of the poorest cities on the Mediterranean Sea.

It is also a city of massive disparity. Multiple billionaires live in Tripoli, including the former Prime Minister Najib Mikati and former Minister of Finance Mohammad Safadi, while about 45 percent of the city’s population lives in poverty, according to a 2024 World Bank report.

Over the years, most of Tripoli’s middle- and upper-class residents have moved to the southern edge of the city, leaving behind its impoverished classes to inhabit the decaying old city. Many of the poor know their concrete buildings are ageing and in poor condition, but have little means to fix them.

“The first problem is that the structures are old,” Fayssal al-Baccar, an engineer, told Al Jazeera from a restaurant in southern Tripoli. Al-Baccar is also the founder of the Tripoli Emergency Fund, a private initiative started in response to the collapsing building issue that has been fundraising to help the city.

“The lifespan of concrete is between 50 to 80 years,” al-Baccar explained, and in many of the buildings in central Tripoli, that lifespan is coming to an end. On a sheet of white paper with a blue pen, he drew a model of a building’s foundation.

“Through time, the pH [level] of the concrete will become more and more acidic,” he said, sketching lines around the base of his drawn wall. “Then it will corrode the steel – the steel will self-destruct – and the building will collapse.”

The issue has been exacerbated by a few incidents in particular. When a 2023 earthquake devastated northern Syria and southern Turkiye, it was widely felt in Tripoli as well. Local officials say that it damaged much of the infrastructural foundations of older buildings, many of which have had irregular or unregulated floors added to them, making them weaker. The area has also suffered from neglect and a lack of infrastructure for years, even before the 2019 economic and banking crisis.

Lastly, there is the issue of water damage. This year, Lebanon has received more rainfall than in the last couple of years. And in the days leading up to the collapsed building on February 8, it rained multiple times. “Water is infiltrating into the concrete and is also making the steel worse,” al-Baccar said.

That is why al-Baccar has recruited whom he described as some of the city’s “best and most successful” to help fill governmental gaps.

One of those people is Sarah al-Charif, the Tripoli Emergency Fund’s spokesperson and fundraising committee member. She is also the Lebanon director for Ruwwad Al Tanmeya, a nonprofit focused on youth and disenfranchised communities, and was appointed vice president of Tripoli’s Port Authority last year.

“You’re talking about areas where most, if not all, of the buildings are old and dilapidated, some of which are actually on the verge of collapse,” al-Charif said from her office at Ruwwad Al Tanmeya’s office in Bab al-Tabbaneh, less than a kilometre (0.62 miles) away from where the building collapsed on February 8.

“The fact that the problem is so big reflects decades of accumulated neglect by a state that hasn’t fulfilled its obligations towards this city,” she said.

Al-Charif said she doesn’t hold the current government – which took office a year ago – responsible, but that historically, “people who were in positions of power didn’t do anything, they weren’t fulfilling their duties”.

“There’s also a part that falls on the landlord, a part that falls on the tenant, and a part that falls on the merchants who are the builders. Maybe they’re using substandard materials,” she said. “So everyone has to take their share of the responsibility.”

Historical neglect

Standing on the street, Wissam Kafrouni, 70, points to the top floor of a building just a few doors down from the structure that collapsed on February 8. A crack runs zig-zagging down the building’s side, in the pattern of descending stairs. His nephew rents the top-floor apartment, he says, but the landlord is claiming that repairs are the responsibility of the tenant.

Locals in this neighbourhood say that many officials have visited the site in recent days, including Prime Minister Nawaf Salam. They also say that they’ve been told for years that the local municipality has plans to fix the infrastructure, but that little has come about from it.

The local government has known about the issue for years, but until now, little has been done. Deputy Mayor Khaled Kabbara is part of a new municipal government elected in 2025.

“The issue of cracked buildings is a very old issue in the city of Tripoli, and unfortunately, it has not been dealt with in previous periods,” he told Al Jazeera from Tripoli’s municipality headquarters. But this new municipal government that was elected in 2025, he said, has “raised its voice”.

Kabbara also said that Tripoli has been historically ignored by Beirut “since independence” in the 1940s, but that the current government was working with the local government to find solutions.

“Honestly, this is the first time that we feel that someone is listening and there is someone who is working with us,” he said.

A group of engineers are currently inspecting buildings around the city to decide if damaged buildings can be repaired or must be evacuated and demolished. Evacuation warnings have been issued for 114 buildings, though that number is expected to rise substantially.

Families that evacuate should receive a one-year shelter allowance to secure alternative housing. Religious institutions have opened their doors to evacuees, while Turkiye has also promised to donate about 100 prefabricated houses.

A call centre has also been set up for residents to report suspected issues with their buildings. The hotline has so far received reports on approximately 650 different buildings, Kabbara said.

One of the buildings previously reported to the call centre was the building that collapsed on February 8. Locals had heard a creaking sound coming from the building.

Kabbara acknowledged that the report was received and that the residents were afraid. However, he said, the engineers had not inspected it before it collapsed because nothing in the report indicated it needed an urgent inspection.

What comes next?

Back in Bab al-Tabbaneh, numerous locals expressed frustration and fear. They said many officials and associations have visited the site, but few have delivered on promises to help them.

“We’ve been told there is a plan to fix the infrastructure since the Siniora government,” Samir Rajab, 56, said, referring to Fouad Siniora, the prime minister of Lebanon from 2005 to 2009. “But nothing happens.”

Next to the destroyed building site, Mustapha al-Abed, 54, repaired a broken washing machine out of a small workshop. He said his work was not very fruitful lately, as poverty forced many in this area with broken appliances to wash their laundry by hand.

He looked over at the site where the building had gone down just days earlier. “The problem is not here any more. These people are already dead,” he said. He then pointed across the street to a bustling neighbourhood, where people were doing their Ramadan shopping.

“The problem is all the other buildings.”