WASHINGTON — A Florida airport was cleared to be renamed after President Trump on Monday, hours before the president separately revealed plans for a Miami skyscraper planned to house his presidential library.
Florida Gov. Ron DeSantis signed a bill allowing Palm Beach International Airport to be renamed the President Donald J. Trump International Airport. The change is set to take place in July, formally rebranding the airport near Trump’s Mar-a-Lago estate.
Later Monday, Trump posted a video to social media that appears to show digital renderings for his presidential library. Set to dramatic music, the video unveils a piercing tower along the Miami skyline emblazoned with the signature “Trump” lettering seen on his other towers.
The video includes panning shots of the tower’s exterior and interior, with a presidential jet parked in the lobby alongside a gold escalator like the one Trump rode down while launching his presidential campaign in 2015. Other shots show a giant ballroom like the one he’s planning for the White House, a replica Oval Office, rooftop gardens and a large, gold statue of Trump.
A credit says the design comes from Bermello Ajamil, a Miami-based firm. Trump posted the video with no explanation beyond a link to a new website for the library. The website says, “coming soon,” with a link to donate money.
The White House did not immediately respond to questions about the plans.
Miami Dade College gave up a nearly three-acre plot of downtown real estate as a gift for the future library. A judge in December dismissed a complaint challenging the gift on grounds that the college’s board didn’t give sufficient public notice. The site is valued at more than $67 million.
Trump’s son Eric previously said the library will be “one of the most beautiful buildings ever built” and “an Icon on the Miami skyline.”
Since he returned to the White House, Trump has pressed to get his name on all manner of American institutions, including the U.S. Institute of Peace, the Kennedy Center for the Performing Arts and U.S. currency.
In Palm Beach, a stretch of road from the airport to Trump’s estate was recently renamed Donald J. Trump Boulevard.
It was so big it couldn’t use the English Channel, Suez Canal or Panama Canal.
The biggest ship in the world was taller than iconic buildings(Image: Cheunghyo/Getty)
The biggest ship in the world was longer than both the Eiffel Tower and the Empire State Building. It was known as the Seawise Giant and became one of the longest self-propelled ships in history.
The boat, later called Happy Giant, Knock Nevis and Mont, was built in Japan between 1974 and 1979. It had the greatest deadweight tonnage of a ship ever recorded.
Fully laden, it was 657,019 tonnes and was the heaviest in the world. Seawise Giant had a draft of 24.6 meters (81ft) and a length of 458.45 meters (1,504.1 ft).
Due to its size, it was incapable of navigating the English Channel, the Suez Canal or the Panama Canal.
The ship has a long history, and was created by Sumitomo Heavy Industries, Ltd in Yokosuka, Kanagawa, Japan, as an Ultra Large Crude Carrier.
It remained unnamed for a long time and was identified as its hull number, 1016. The ship suffered severe vibration problems during sea trials, and an unknown Greek owner refused to take delivery of it.
Eventually, the Japanese shipyard sold the ship thanks to a deal with Hong Kong Orient Overseas Container Line. Yet, they wanted to lengthen the ship by several meters and add 146,152 tonnes of cargo capacity.
Two years later, the ship relaunched as the Seawise Giant. In 1988, it was damaged during the Iran-Iraq war after fires erupted aboard the ship, and oil spread into the water.
The ship was still intact but was so damaged it was not deemed economical to repair.
However, a Norwegian investment firm bought the damaged ship. Over the next few years, it was repaired and renamed Happy Giant.
Up until 2004, the ship was owned by various Norwegian investment firms. It was then purchased by First Olsen Tankers and renamed Knock Nevis.
The ship was converted into a primarily moored storage tanker in the Persian Gulf.
However, it was then taken on by new owners Amber Development and named Mont. It had one final voyage to India where the ship was scrapped.
The ship was beached in December 2009 and due to its size, it took until the end of 2010 for it to be scrapped. The Seawise Giant’s anchor was saved and is on public display in Hong Kong.
It goes down in history as the longest ship ever constructed at 458.45 meters and is taller than many of the world’s tallest buildings. The Eiffel Tower stands at 330 meters and the Empire State Building at 443 meters.
There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.
Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.
That’s there, says Smith, but there are also a number of more subtle inspirations.
The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.
Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.
(Gary Coronado / For The Times)
Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”
Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.
Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.
(Nikkolas Smith)
His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.
“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.
“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”
Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.
Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.
(Gary Coronado / For The Times)
As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.
The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”
Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.
The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.
(Gary Coronado / For The Times)
“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”
And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.
“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”
It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.
Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.
(Gary Coronado / For The Times)
Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.
“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”
Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.
A selection from “The Artivist,” an illustrated book from Nikkolas Smith.
(Nikkolas Smith)
“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”
The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.
“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”
It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.
A video has been released showing huge explosions near Tehran’s Azadi Tower. The US and Israel are continuing to target locations across Iran as the war enters its seventh day.
