When Jeff Bryant was playing high school basketball at Sylmar, the top teams in the City Section were annually among the best in California.
“The City dominated back in the day,” Bryant, now the head coach at Palisades, said Tuesday before Southern California Regional Division II boys’ basketball final. His Dolphins lost a heartbreaker, 59-57 at Bakersfield Christian, falling a win short of a trip to Sacramento for the state finals.
Eleven days earlier Palisades captured the City Open Division crown, going undefeated against section opponents, and with 10 players — including all five starters — returning next season, Bryant not only has his sights set on a repeat, he wants to reverse a 15-year trend during which City teams have struggled to compete at the highest level.
City boys teams won the state’s top division five times in six years from 1993-98 and seven times in nine years from 2002-10. However, since the Open Division debuted in 2013 only two City teams have advanced to the regional finals in that division — Westchester in 2014 and Fairfax in 2015 — and the last time a City team made the Open bracket was five years ago when Birmingham lost in the first round.
Bryant, who graduated in 2006, will be rooting for his former coach on Friday when his alma mater plays for the Division V state championship under the guidance of Bort Escoto, who piloted the Spartans to the City Division II title on the same night Palisades won the Open Division. Sylmar was dropped down to Division V for regionals and ran the table.
Birmingham was upset by Fairfax in the opening round of the City Open Division playoffs Feb. 11 and dropped to Division III for the regional tournament. The Patriots have since reeled off four convincing victories and will also play for a state title Friday afternoon.
Birmingham and Sylmar are the latest City teams to benefit from regional playoff expansion in which teams are placed several divisions lower from where they played in their section. Chatsworth advanced to the Division II state final last winter after losing in the City Open Division final and reached the Division IV state final after its City Open semifinal loss two years ago. Like Sylmar this season, Verdugo Hills was the City Division II champion in 2024 and went on to play for the Division V state title.
On the girls’ side, no City squad has won an Open Division state playoff game. Five teams from the section have received berths in the highest division over the last 14 years, but none since Fairfax in 2018. Narbonne is the last City team to conquer the state’s top division, claiming back-to-back Division I titles in 2000 and 2001, long before the Open debuted.
Like the boys, City girls’ teams fare well when dropped to lower divisions.
Palisades, which fell in the first round in the City Open Division, plays for the state Division IV crown Saturday while City Open Division champion Westchester was seeded 14th in Division I for regionals and lost in the first round. Granada Hills went to the Division III state finals two years ago after losing in the first round of the City’s Open Division.
Before taking the helm at Palisades, Bryant guided West Ranch of the Southern Section into the Open Division regional playoffs in 2023. Now he aims to do the same at a school in the section he once played in.
Spurs may choose to look further afield – but their current options, within the search parameters as they were a month ago, appear limited.
In addition to a track record of having an immediate impact, Spurs sought someone with top level managerial experience who plays attacking football.
When Spurs initially began their search to replace Frank, himself dismissed after less then eight months in charge, former Marseille boss Roberto de Zerbi, former Borussia Dortmund manager Edin Terzic and ex-Red Bull Leipzig boss Marco Rose were among the other potential short-term options.
Ex-Brighton boss De Zerbi left his role as manager of Marseille by mutual consent after just under two years in charge, three days before Spurs confirmed their appointment of Tudor.
Terzic has been out of work since asking Dortmund “to terminate his contract with immediate effect” in June 2024, after leading the club to the Champions League final.
Rose was sacked by RB Leipzig in March 2025, having won 72 of his 127 matches in charge and lifted the German Cup in 2023.
Within the Premier League, Oliver Glasner, Andoni Iraola and Marco Silva are among the names who will be available this summer – but would any be prepared to leave their respective clubs earlier to help Spurs’ cause?
FA Cup-winning manager Glasner has confirmed he will leave Crystal Palace this summer, but his immediate future was understood to be in doubt in February amid a poor run of results.
Just in time for the Oscars, Tilly Norwood, and by extension her creator, Eline van der Velden, gave actors at every level an unexpected gift — the chance to breathe a little easier.
AI will not be replacing you any time soon.
On Tuesday, the AI phenomenon known as Tilly debuted a single and music video titled “Take the Lead.” In it, Tilly sings a self-celebratory, pro-AI anthem with the big-eyed feisty longing of an algorithm marked “Disney princess: Big song” while she wanders through increasingly fantastic self-affirming scenarios that scream “Plus ‘Barbie.’”
Van der Velden was clearly trying to persuade actors to embrace the possibilities of AI but like Timothée Chalamet, who managed to prove that opera and ballet have many devoted fans by publicly suggesting the opposite, her attempt will likely backfire. The underlying message of the video, at least to performers, appears to be: Relax — AI hasn’t figured out how to lip sync properly, much less act.
It’s a bit of good news in a time of AI anxiety, some of which was Tilly-induced. Last year, Van der Velden, a Dutch actor and founder of the production company Particle6, debuted Tilly, via Instagram, as the “world’s first AI actress.” Around the time the account hit 50,000 followers, Van der Velden announced that several talent agents were interested in representing Tilly. Not Van der Velden, but Tilly Norwood, a “performer” who did not exist.
For a few minutes, Hollywood lost its collective mind. Not only were creators and performers facing a future in which their work, bodies and faces could be scanned and fed into an algorithm capable of imitating writing styles or creating images of actors doing things they never did (in a recent AI video, Tom Cruise and Brad Pitt duke it out on a war-torn rooftop), now some feared they would be competing for jobs with “actors” who could work 24 hours a day, required no health benefits and would never demand bowls of M&Ms with the green ones removed.
SAG-AFTRA, which had just ended a strike caused in part by concerns about AI, protested Tilly and the use of “stolen performances to put actors out of work.” Various actors were outraged and some called for the interested talent agencies to be identified. Even Emily Blunt was publicly disconcerted, begging Hollywood agencies to “please stop taking away our human connection.”
Van der Velden quickly responded, insisting that Tilly was “not a replacement for a human being, but a creative work — a piece of art … a new tool — a new paintbrush.”
Then, on Tuesday, “Tilly” released a music video that seems to argue the exact opposite.
In the video, which appears over the message “Can’t wait to go to the Oscars,” the computer-generated young woman trips through a montage of “famous person moments,” as Tilly insists that she is not a puppet but a star; she encourages all actors to embrace and use AI, to own their creativity and “be free.”
A note prefacing the video states that “18 real humans” were involved in its production (including Van der Velden who is the basis of the performance), who provide the subtext for Tilly warbling: “They say it’s not real, that it’s fake, but I’m a human, make no mistake.”
Whatever Van der Velden and her team hoped to achieve, one thing is very clear: Emily Blunt has nothing to fear from Tilly Norwood.
The questionable merits of the song, performance and production value aside, the video is the best argument yet for why AI “performers” are a limited threat. As Tilly walks the streets of London, poses for selfies, signs autographs, appears on talk shows, performs live in front of enormous audiences, interacts with photographers, we are reminded that Tilly could never do any of this. AI performances are, by their very nature, limited to a screen.
Instagram fame is a real thing and can be monetarily beneficial, just as animated and digitally enhanced characters can connect deeply with audiences. But beyond her ability to raise the spectre of wholly coded “performers” constructed from borrowed bits of humans (which, as anyone who has read or seen “Frankenstein” knows, never ends well), Tilly doesn’t appear to have anything like star power.
And to consider her as existing separate from her creators is like imagining that the ventriloquist dummy Charlie McCarthy could have a career, and an agent, separate from the real performer Edgar Bergen.
Though Charlie did have the advantage of being able to be seen live and in person.
Watching Tilly, one is reminded that the magic of actors is that they are human. Audiences are, after all, human too and whether facing a stage or a screen, we are captivated by certain performers’ ability to bring all manner of characters and stories alive, while also being, as Us Weekly says, “just like us.”
People with bodies that age and change, people who fall in love, get messy, say dumb things, say smart things, fall prey to illness and accidents, shop at Trader Joe’s, end up in court or trip when about to receive an Oscar.
Their faulty, glorious humanity allows them to connect to their art, but it also connects them to us. We may never get an Oscar or be able to masterfully deliver a Shakespeare soliloquy on a chat show, but we know what it’s like to trip or say something dumb or experience aging, illness or accident.
You can’t replace actors with algorithms, even if/when someone comes up with something more convincing than Tilly, because actors are not just about performances. They are people who are alive in the world and no amount of coding can replicate that.
Sitting in a glacial valley surrounded by vast farmland is an area that offers tranquillity and a true sense of England’s countryside with historic villages and walking trails
It’s a paradise for walkers and cyclists (Image: Philip Silverman via Getty Images)
For those seeking a sense of peace and tranquillity, this glacial valley, encircled by expansive farmland, delivers precisely that – an authentic taste of England’s rural heartland.
Littondale is a small and peaceful dale in Yorkshire, nestled in a classic u-shape, with deep historical roots and a flavour of country living from a bygone era.
Visitors to the dale experience a feeling that time has stood still, as its hamlets and way of life remain quintessentially English in every respect.
Indeed, archaeologists have discovered numerous prehistoric and later settlements that once inhabited the length of the valley. Their extensive findings also showed that throughout the mediaeval period the dale was predominantly managed by several monastic houses.
The dale now consists of several settlements, including Hawkswick, Arncliffe and Litton. Each is characterised by farmhouses dating back to the 17th century.
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Contributing to its peaceful atmosphere is the stunning river which famously winds through the valley before eventually merging with the larger River Wharfe.
Shallow yet flowing with remarkably clear waters, the River Skirfare meanders through the farmlands and valley floor, vanishing for portions of the year.
As seasonal conditions shift, the stream trickles away and disappears beneath the ground, near Litton, revealing an unusual limestone landscape below.
Arncliffe
Arncliffe stands as one of the principal villages in the region, and despite its compact size, it boasts considerable fame. Recognised by countless households across Britain, it served as the original backdrop and filming location for the much-loved soap Emmerdale Farm.
The village pub, called the Falcon, was even featured as the Woolpack Inn. The traditional inn, according to visitor feedback, has seen better days.
However, one guest commented on TripAdvisor: “We had read about this tiny pub. It had been featured on the TV soap Emmerdale many moons ago, and it did not disappoint! The landlord was straight out of central casting.”
The area still comprises the most enchanting stone cottages, alongside a delightful church, the Church of St Oswald. Constructed sometime between the 16th and 18th centuries, the building remains a listed structure, believed to have been developed from an original Saxon place of worship.
Positioned at the centre of the village, the church continues to attract curious visitors and was once a location regularly visited by the renowned poet and novelist Charles Kingsley.
His time there during the Victorian period was believed to have influenced his celebrated children’s story, The Water Babies, penned in 1873.
Walking
Many people choose to treat the area as a base for rambling, parking in one of its villages and tackling the Yorkshire Dales terrain. Most of these trails are circular, returning you directly to your starting point, whilst exploring the valleys and peaks en route.
The Littondale to Kettlewell walk is a well-loved route, starting in the village of Arncliffe, leading you across the shoulder of Birks in Kettlewell, where you can pause for refreshments, before returning into Littondale.
Alternatively, some choose the slightly over five-mile walk that takes you from Arncliffe to Litton and loops back round.
The two-hour ramble provides a leisurely countryside stroll as you soak up the picturesque beauty of Yorkshire, with the chance to make a stop, or two, at the charming village pubs.
Located an hour from London, this National Trust village features half-timbered Tudor buildings and a grand castle with world treasures
06:00, 11 Mar 2026Updated 08:26, 11 Mar 2026
You’ll feel like a time traveller strolling its cobbled streets(Image: Tim Graham/Getty Images)
Venture just an hour from London to discover this fairytale village, transporting you backwards through time as its period buildings recreate a world from centuries past that has largely vanished today.
Chiddingstone stands as one of Britain’s finest preserved Tudor villages, making it an exceptional discovery for heritage enthusiasts and anyone seeking respite from life’s relentless pace.
The settlement is largely owned and maintained by the National Trust, helping safeguard its centuries-old structures and character which consistently attract inquisitive travellers.
This Kent village is cherished for its unmistakably English charm and period architecture, featuring half-timbered properties with stone-hung gables and red-tiled roofs. What’s more, it boasts an impressive castle and a bustling high street, perfect for leisurely wandering.
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The castle
Whilst the castle’s exterior presents stunning architecture, typical of what you’d anticipate seeing across England, its interior offers quite the juxtaposition.
What renders the structure so distinctive is its museum, which houses collections from across the globe spanning different eras and civilisations – Japanese, Egyptian, Stuart and Jacobite and Buddhist. Everything is accessible to visitors between March and October, allowing them to experience an entire world under one roof.
Beyond its impressive collections, the venue itself is steeped in history and magnificence, as guests explore the corridors of a 16th-century residence. Within, they can admire the Great Hall, discover a Victorian kitchen, library, and servant’s hall, and delve into its fascinating past in the Streatfeild room.
Henry Streatfeild was the figure who dramatically transformed the property during the 1800s, moving away from its Tudor design to mirror that of a mediaeval fortress.
Though, it was collector Denys Eyre Bower whose stewardship of the castle witnessed it evolve into a cultural landmark, sharing his passion with visitors worldwide.
One guest commented on TripAdvisor: “What a lovely property, from the massive holdings on display throughout the home to the acres of relaxing grounds. The reception gal was quite informative upon our arrival as to the layout for our self-guided tour as well as answering our questions post-tour. Don’t miss this gem.”
This year, guests can purchase a day ticket and enjoy complimentary returns for an entire year. Current door prices are £15.25 for an adult and £10.50 for a child, with reduced rates available for those who book online beforehand.
High street and village
With its genuine half-timber Tudor structures and cobbled walkways, wandering along the high street of Chiddingstone Road feels like stepping back through the centuries. Notable highlights include a café, shop and the 15th-century pub.
The historic Chiddingstone Stores and post office, which dates back to 1453, is situated within a traditional Tudor building and continues to function as such today.
Similarly unchanged is the village pub, known as the Castle Inn, boasting a welcoming atmosphere and superb beer garden.
It retains its Grade II*-listed status with numerous original features intact, including delightful fireplaces, tiled floors, oak panelling and bars. One visitor described their experience at the Castle Inn as ‘atmospheric’.
They commented: “If you’re looking for a traditional, friendly, country pub, this is it. Clean and friendly, with everything you need on your doorstep that goes with a village pub. Highly recommend.”
The village name, Chiddingstone, is believed to originate from the enormous sandstone located outside the settlement. Whilst unconfirmed, the ‘Chidding Stone’ is thought to mark where it all started, with several folklore tales surrounding its origins.
A number of images hit the net today showing the B-21 refueling behind a KC-135R. In this case it is a ‘Ghost Tanker’ stationed at Edwards AFB that works directly with the flight test community to provide aerial refueling support.
One image was posted by X user @minor_triad, showing the KC-135R plugged into the B-21 over the Mojave Desert. The B-21 appears to be the first aircraft to fly as it features an air-data boom jutting out from its nose.
Another set of photos comes to us from photographer Ian Recchio, who goes by the handle @Lookunderocks on Instagram. It shows the B-21 behind the KC-135R. It also shows a business jet-like aircraft passing underneath the two. It isn’t perfectly clear if the aircraft was working directly with the B-21 on this test flight, but it seems likely.
Another image shows the B-21 being chased by an F-16, which is customary for test flights.
The images also give us a good comparison of the size of the B-21 compared to the KC-135R, which has a wingspan of around 131-feet. As we have said nearly since the B-21 was unveiled, estimates as to its wingspan on the internet are significantly distorted, with some putting it at remarkably small size, around 125-feet. Our estimates stand that is significantly larger, around 145-155-feet. The larger B-2 has a wingspan of 172-feet.
A lot of people think the B-21 is a lot smaller than it actually is. I love seeing graphics that show like 125 foot wingspans. Not even close. Yes it’s smaller than the B-2 but not that much!
Regardless, it’s great to see the Raider moving forward and aerial refueling will only increase its time aloft for prolonged testing, which is critical for its extremely long-range mission set. It’s also probable that the B-21 has been refueling via tanker for some time, but this is the first time it is caught on camera.
Joshua Jackson says he knows he was “really just a footnote” in James Van Der Beek’s life, despite the “amazing” time they spent together as stars of the series “Dawson’s Creek.”
The star of “The Affair” is reflecting publicly for the first time about his former castmate, who died Feb. 11 at age 48 after a battle with colorectal cancer.
The time they shared on set was “formational” for them, Jackson said on “Today.” When the “Dawson’s Creek” pilot aired in January 1998, he was 19 and Van Der Beek was almost 21, playing characters who were 15.
“I know both of us look back on that time with great fondness, but I will also say that I know that I’m really just a footnote in what he actually accomplished in his life.”
Jackson spoke with great respect for his friend, who he said “became what we used to just call a good man, a man of the kind of belief, the kind of faith that allowed him to face the impossible with grace, an unbelievable partner and husband, just a real man who showed up for his family and a beautiful, kind, curious, interested, dedicated father.”
On the one hand, the 47-year-old said, “that’s beautiful.” On the other, “The tragedy of that loss for his family is enormous.”
Since Jackson and Van Der Beek played Pacey Witter and Dawson Leery three decades ago, both men had kids of their own — a 5-year-old daughter for Jackson, born during the pandemic with ex-wife Jodie Turner-Smith, and six kids for Van Der Beek with second wife Kimberly Brook. The latter couple’s children — two boys and four girls, ranging in age from 4 to 15 — were what Van Der Beek said changed everything for him.
“Your life becomes shared, and your joys become shared joys in a really beautiful way that expands your level of circuitry out to other people instead of just keeping it all for your own gratification,” the actor told “Good Morning America” in May 2023. “And the lessons, they keep on coming. It’s the craziest, craziest thing I’ve ever done, and it’s the thing that’s made me happiest.”
Knowing his colleague’s love for his family, Jackson said on “Today” that “for me as a father now, I think the enormity of that tragedy hits me in a very different way than just as a colleague, so I think the processing [of Van Der Beek’s death] is ongoing.”
The “Little Fires Everywhere” actor was on the morning show Tuesday to bring attention to colorectal cancer screenings.
Van Der Beek’s diagnosis, which went public in November 2024, was among the factors prompting Jackson to get involved with drugmaker AstraZeneca’s “Get Body Checked Against Cancer” campaign, which takes a lighter approach to a serious subject — cancer screening — through a partnership with Jackson, the National Hockey League and the Philadelphia Flyers’ furry orange mascot, Gritty.
“It is … true, the earlier you find something,” said “The Mighty Ducks” actor, “the better your possible outcomes are.”
By Mark Oppenheimer G.P. Putnam’s Sons, 480 pages, $35
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One of the biggest takeaways from the biography “Judy Blume: A Life” may not be in the story itself but in its author. Because of her frank talk about puberty and sexual awakenings, Blume’s work is usually associated with young female readers. Her biographer, Mark Oppenheimer, is a middle-aged father of five.
He says he received minimal pushback on the idea that a man should be allowed to write Blume’s definitive life story. If the whole point of her books is that there should be no shame in body awareness, what service does it do to say only a woman has the authority to write her story? Plus, although her books aren’t selling as well as they used to — who’s are? — Oppenheimer’s biography points out that there are still plenty of parents who will throw a copy of her seminal “Are You There God? It’s Me, Margaret.” at their kids rather than have the menstruation talk or risk any misinformation that may be online.
“No good writer should be ghettoized,” Oppenheimer says during a recent Zoom call with The Times. “If you’re a good writer, you shouldn’t be marketed just to girls or just to boys or just to white people or just to straight people. Good art should be for everyone.”
It is intrinsic and impossible not to parlay Blume’s stories of sibling rivalries, first loves, friends and frenemies, and (most famously) puberty with what was going on in your life when you read them. Books like “Deenie” and “Superfudge” and “Margaret” are also remarkably malleable enough so that, even if a kid picks them up decades after their release or cannot relate with a parallel experience, they can become placeholders and explainers for what must be going on in the minds of their classmates. Last year, TV creator Mara Brock Akil adapted “Forever,” Blume’s 1975 story of the kind of mutually shared devotion that feels like it will last eternally, into a miniseries set in 2018 Los Angeles.
“I think for many of us, Judy’s books are our first crush or our first love and they do hold a special place that no book we read in our world-weary, cynical 40s can hold,” says Oppenheimer.
Some of this can be attributed to time and brain space. Oppenheimer discovered Blume’s work when he was a child. He’s now a parent, with a career and all the other time-sucks that come with adulthood.
“The books I read as a child imprinted on me in a way that books today don’t,” he says. “I probably remember more plot points of the first Judy Blume books that I read than I do of any book I’ve read in the past five years.”
But what of Blume herself? Can America’s mom also be a three-dimensional person who makes her own mistakes? Discovering her four adult novels — especially “Wifey,” a book about a gilded-caged suburban housewife that even Oppenheimer describes as “a very salacious, one might say, smutty, adult novel” that even some of Blume’s collaborators wanted her to publish under a pseudonym — or watching documentaries about her like 2023’s “Judy Blume Forever,” in which she is seen joking about masturbation with employees at her Key West, Fla., bookstore, can seem as evasive and dangerous as reading your mom’s diary.
Author Mark Oppenheimer
(Lu Arie)
There have been other books about Blume and her work, most notably Rachelle Bergstein’s 2024 deep-dive “The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.” But Oppenheimer’s biography is a more straightforward tracing of Blume’s life and career. He starts with her childhood when she was encouraged to read Philip Roth at home and went to sleepovers at friends’ houses that were more about body awakenings. He discusses her stifling first marriage, which gave her the last name she carries with her to this day and her two children but is also where she hung her college diploma and another award over her washing machine as reminders of her intellect. There’s talk of her second marriage, which Blume has always been reluctant to discuss, as well as the two abortions that resulted from it. And there are details on her life with her third husband, the polymath George Cooper.
Oppenheimer relied on past news stories about Blume, as well as a collection of her work and professional correspondences that are archived at Yale’s Beinecke Rare Book & Manuscript Library and, probably most informatively, his own interviews with Blume and her friends and family. (Although Blume did agree to speak with Oppenheimer for his book, she declined our request to interview her for this story about that book).
“I think that the difficult subjects are sometimes the ones that make her more relatable,” Oppenheimer says of his subject. “I think most of her fans will find it interesting and admirable that she speaks so candidly about her abortions, about especially her divorce from her first husband, which came as she was getting involved in the [second-wave] women’s movement, about her early same-sex experiences, about masturbation as a girl; these are things we would expect Judy Blume to be candid about.”
Oppenheimer matches how these life events correspond with the ones of Blume’s characters because, for better or for worse, she almost always was an author who wrote what she knew even if her fandom transcended it. What her books lack in character diversity, they make up for in specificity. And that, in turn, also makes them relatable.
“Judy found incredibly compelling human drama in books about the New Jersey suburbs, and that’s a testament to her strength as an artist,” Oppenheimer says.
Writer Judy Blume at her nonprofit bookstore Books and Books on March 26, 2023, in Key West, Fla.
(Mary Martin / Associated Press)
Examining and reexamining Blume’s work as an adult also gave Oppenheimer a better perspective of her writing style. Blume didn’t begin to try to write professionally until she was a married mother of two and some have criticized her work for not being as flowery and polished as others’.
“All of her books tend to take a fairly tight focus on the characters,” Oppenheimer says. “They don’t tend to pull back and look at large societal forces or changes going on in the country or the world. And that’s fine. You know, the same could be said of Jane Austen.”
Perhaps the best example of this is Blume’s own religious foundation. Her most autobiographical novel, “Starring Sally J. Freedman as Herself,” has a protagonist who is paranoid that she sees Adolf Hitler on park benches and whose life is imprinted with stories of a relative who followed her mother into the concentration camps and the neighbors sitting shiva (a time of mourning) for their daughter who got pregnant with her non-Jewish boyfriend. And yet, Oppenheimer notes, Blume is not always immediately thought of as a Jewish writer. Nor have most of her readers been Jewish.
“I think that her Judaism is there, if you know where to look,” says Oppenheimer, who spends the early part of his biography looking at how the synagogue and religious community were a normal part of a young Blume’s life. He adds that “she is somebody who speaks really, really well across religious, cultural and racial differences, and that’s partly why she has sold tens of millions of books.”
Oppenheimer acknowledges that Blume’s characters may not be diverse enough by today’s standards; that they don’t usually discuss “gender identities or sexualities; children of multiracial backgrounds; children who have disabilities.” They can also feel like time capsules to other dimensions; his 12-year-old daughter was scandalized by how normative bullying was after she read “Blubber,” Blume’s 1974 novel about tween mean girls and body shaming.
He adds that some of today’s bestselling young adult novels, like Rick Riordan’s Percy Jackson series about a teen demigod or Suzanne Collins’ dystopia-set “Hunger Games” books, are “contemporary realism [that] focus on extraordinary or unusual circumstances.” And while he’s happy for these books’ popularities, he says that some subjects may be better told by kids who also aren’t tasked with saving the world. (I am pretty sure I learned more about male puberty from Blume’s 1971 story “Then Again, Maybe I Won’t,” which is as much about wealth divides and questionable friend choices as it is about a 13-year-old boy’s inner monologues about her awkward adolescence).
“If what you’re looking for is realism that isn’t focused on obvious external differences, but rather on interiority,” Oppenheimer says, “then Judy Blume still remains one of the premier novelists that you would want to read.”
Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.
Benvenuti a The Times Lakers newsletter, where, after a month in Italy, we are so back.
The Lakers are largely in the same situation as when I left. They’re still safely in the playoff race with a 39-25 record, but flirting with the play-in. LeBron James, Luka Doncic and Austin Reaves are still searching for their three-man chemistry. Deandre Ayton hasn’t dyed his hair again.
But the tl;dr version of February does have one major change for the Lakers.
Hot hand Luke
Lakers guard Luke Kennard reacts after making a three-pointer against the Golden State Warriors at Crypto.com Arena on Feb. 7.
(Gina Ferazzi / Los Angeles Times)
JJ Redick always knew how good of a shooter Luke Kennard was. This former Duke sharpshooter wouldn’t expect anything less from another Blue Devils star. But Kennard’s influence since joining the Lakers in a February trade has gone beyond his league-leading three-point percentage.
The Lakers are 5-1 in the past six games with Kennard shooting a blazing 56.7% from three-point range. He jump-starts the Lakers’ offense with his constant motion and elite floor spacing, making the transition from midseason acquisition to integral bench piece look effortless.
“It all comes down to, like, the point-five decision making,” Redick said. “… That’s where we try to focus a lot of the development [on] being able to recognize when there has been an advantage created, and then playing off that and not giving up the advantage. And we have some guys that have to grow in that area.
All things Lakers, all the time.
“Luke,” Redick added, “that’s what he does.”
The Lakers were shooting 34.9% from three before the trade, 21st in the league. Since acquiring Kennard, the Lakers are shooting 39.2% from three-point range, ranking second in the NBA during that stretch.
Kennard, shooting 50% from the three-point line, is on track to become just the sixth NBA player to shoot 50% or better from three over an entire season. There are some players in the NBA who couldn’t hit 50 out of 100 three-pointers in an empty gym, Redick said.
Redick has known Kennard for more than a decade. Not only was he comfortable with the coaching staff, Kennard also has history with former Memphis teammates Jake LaRavia and Marcus Smart and being in L.A., playing with the Clippers from 2020 to 2023. Kennard said he “lit up inside,” when he heard he would be heading to the Lakers, who sent Gabe Vincent and a 2032 second-round pick to Atlanta in the deal.
The organization is “the biggest stage you can play on in basketball,” Kennard said. And he gets to share it with generational talents.
Playing with Doncic and James has created some of the most open three-point shots Kennard has had in his career, he said. When he gets one wide-open three early, that only helps his rhythm. Then teams start to help too much on his shooting and that opens the paint. It’s the type of chain reaction Kennard watched with envy from the opposite sideline when Doncic, then with Dallas, was slicing up the Clippers in the playoffs.
“It’s definitely something you think about like, ‘Man, I wish that was me there getting those open looks,’” Kennard said. “But now it’s a reality.”
Kennard marvels at his new reality sometimes. When Doncic was in his peak, “Luka Magic” form Friday, banking line-drive step-back threes off the backboard in the Lakers’ rout over the Indiana Pacers, Kennard said he caught himself just gawking at his teammate a few times.
But Doncic, who scored 44 points in the win, was quick to credit the team’s bench contributions. Kennard had 15 points on three-of-five three-point shooting, and Doncic said he has encouraged Kennard to shoot more.
A smile broke across Kennard’s face when he was told of the praise.
“Especially coming from a guy like that,” Kennard said, “one of the best scorers ever to play the game, it just builds confidence in you as a player to play off of him.”
Catching Kareem
Lakers star LeBron James shoots over Denver’s Zeke Nnaji to set the all-time NBA record for most successful field goals on Thursday.
(Chris Swann / Clarkson Creative / Getty Images)
He used it to break the NBA’s most iconic record. It seemed fitting that James used a midrange fadeaway shot to claim another record from Kareem Abdul-Jabbar.
Already the leader in NBA seasons played, minutes played and points scored, James added another record to his resume last week by passing Abdul-Jabbar for most made field goals in NBA history. His record-breaking 15,838th made shot came against Denver on Thursday, and, with a 180-degree pirouette added, looked similar to the shot he used to claim the scoring record from Abdul-Jabbar in 2023.
“At the end of the day, just to be able to link my name to being mentioned with some of the greatest to ever play this game has always been humbling and a pretty cool thing,” James said after the Lakers lost. “I grew up watching, reading [about], idolizing a lot of the greats and if I ever was able to be part of the NBA, I wanted to put myself in position that I can be named with some of the greats by doing something right.”
The record is a true testament to James’ staying power. He established the regular-season scoring record in the same 20 seasons as Abdul-Jabbar played, but the field-goal record would have been well out of reach had James not continued into his historic 23rd season. When comparing their NBA careers, Abdul-Jabbar, who averaged 10.15 made field goals per game across his career to James’ 9.86, made more shots than James in 16 of 20 seasons. Abdul-Jabbar had two 1,000 field goal seasons while James’ highest total was 875 in his third year. Michael Jordan, in 1989-90, was the last NBA player with more than 1,000 made field goals in a season (1,034).
(Thuc Nhi Nguyen / Los Angeles Times)
James’ longevity and productivity at the twilight of his career is so unmatched that even the idea that the James era could end soon barely even registers for some competitors.
“I think he can play forever,” Knicks coach Mike Brown said when asked if he thinks about how any game could be the last he coaches against James. “That’s just my personal opinion. I know he won’t, but the shape that he is in and how he takes care of his body is just amazing.”
James, who is ineligible for postseason awards for the first time in his career because he missed more than 17 games, is questionable for Tuesday’s game with a right hip contusion and left foot arthritis. He has missed the last two games with a left elbow contusion he sustained in the final minutes against Denver. He did not practice Monday.
The next personal milestone for James may be career games played, where he trails Robert Parish’s 1,611 by five.
On tap
Records and stats current before Monday’s games.
Tuesday vs. Timberwolves (40-24), 8 p.m.
With two October wins that feel like a lifetime ago, the Lakers already own the head-to-head season tiebreaker against the Timberwolves, meaning that a win Tuesday could vault the Lakers to third place in the West.
Thursday vs. Bulls (26-38), 7:30 p.m.
This is the only should-win game of the week against a team well outside of the playoff race. The Bulls added Collin Sexton at the trade deadline, but the former Charlotte guard left Sunday’s game against the Sacramento Kings with a leg injury.
Saturday vs. Nuggets (39-26), 5:30 p.m.
This game will decide the season series tiebreaker between the Lakers and Nuggets, who split their first two games.
Monday at Rockets (39-24), 6:30 p.m. PDT
The Lakers and Rockets have consecutive games in Houston on Monday and Wednesday. The Rockets are not the same team that dominated the Lakers on Christmas Day, though. Steven Adams has been out since Jan. 20 with a season-ending ankle injury, and a team that was on pace to be the best rebounding squad in a generation is seventh over the last 15 games with a 51.5% rebounding rate.
Favorite thing I ate this week
Gnocchi with spider crab and tomato sauce and black spaghetti with tuna tartare in Venice, Italy.
(Thuc Nhi Nguyen / Los Angeles Times)
I’ve been back from Italy for a week, but I didn’t share any meals from my post-Olympic vacation. We definitely saved the best for last in Italy.
Possibly my favorite of my entire month was in Venice at Oniga, a cozy restaurant we found away from the otherwise crowded narrow streets. Staying true to Venetian seafood tradition, we began with an appetizer of mussels and clams in a tomato sauce that had me wiping the bowl with our fresh baked bread. Our mains (pictured) were fresh gnocchi with local spider crab and tomato sauce and black spaghetti with tuna tartare and garlic oil. For dessert, we had salted caramel panna cotta and pistachio tiramisu. Squisito!
IT MIGHT be super early to start thinking about Christmas but it is that time of year again where LaplandUK tickets drop soon.
LaplandUK has announced that tickets to its sought-after festive experience will be released later this month on March 27 at 10am.
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LaplandUK tickets will be released on March 27Credit: LaplandUKLast year, 750,000 people joined the waiting roomCredit: LaplandUK
The high-demand tickets usually sell out within a few hours after launch and this year is expected to be the same with the newer £30million Manchester LaplandUK experience running for its second time.
Similar to the rush for Glastonbury but for Christmas, LaplandUK is predicting that over one million people want to get tickets.
Last year, 350,000 tickets were available and before the tickets were released, over 750,000 people were waiting in the virtual queue online.
This year, LaplandUK will run from November 7 to December 24, with tickets costing between £60 and £195.
Once guests purchase their tickets, they will be sent a personalised invitation.
Guests can join the online waiting room this year at 9am and then will be assigned a queue position at 10amCredit: LaplandUKThis year will be the second year the Manchester experience is openCredit: LaplandUK
Then, when it comes to the day of visiting, families will get to explore a snow-filled world with Elves, a frozen pond for skating and a Toy Factory.
Around the experience there will also be smells of the Lapland Bakery and the glistening of twinkling lights.
When guests arrive they will venture through “secret portals in the Whispering Woods of the UK and follow magical pathways to arrive in Lapland”.
The experience also includes performances and interactive activities such as helping out the Elves in the Toy Factory to make a toy to pop in Father Christmas’ Sleigh.
And of course, each child gets a special moment with Santa himself, who will give them a gift to take home and another surprise for Christmas Day – the specific toy they created in the Lapland Toy Factory.
Train service linking Pyongyang and Beijing will resume this week for the first time in six years, sources said Tuesday. This September 2025 photo shows China’s president Xi Jinping (R) shaking hands with North Korean leader Kim Jong Un in Beijing. File Photo by KCNA/EPA
Train service linking Pyongyang and Beijing will resume this week for the first time since it was suspended six years ago due to the COVID-19 pandemic, sources said Tuesday.
The Beijing-Pyongyang train route will resume operations Thursday, running four times a week, on Monday, Wednesday, Thursday and Saturday, an official at China State Railway Group told Yonhap News Agency.
The train will depart from Beijing at 5:26 p.m. and arrive in Pyongyang at 6 p.m. the following day, stopping once at the Chinese border city of Dandong en route. The last two train cars will be reserved for passengers, according to sources.
The resumption marks the first cross-border train service between the two countries since operations were suspended following the outbreak of the pandemic.
Last year, North Korea resumed direct flight and train services between Pyongyang and Moscow, Russia’s capital.
The Chinese official said the upcoming Beijing-Pyongyang train will primarily serve diplomats and those on official business trips, while plans to accommodate general passengers will be considered if empty seats are available.
China’s foreign ministry said maintaining a regular passenger train service between China and North Korea takes on “significance” in facilitating exchanges of personnel between the two nations.
“China supports creating more convenient conditions for both sides’ exchanges of personnel by strengthening communication between relevant authorities of the two nations,” Guo Jiakun, spokesperson at the ministry, told a press briefing.
The move comes as North Korea and China appears to be seeking to promote cooperation amid the fluid international situation, highlighted by U.S.-Israeli strikes on Iran and the subsequent intensifying conflict in the Middle East.
North Korea also seems to be trying to expand cooperation with China as speculation arises that U.S. President Donald Trump may seek to resume diplomacy with North Korean leader Kim Jong-un on the occasion of his planned trip to Beijing on March 31-April 2.
North Korea’s ties with China, the North’s traditional ally and economic benefactor, became cool amid Pyongyang’s deepening military cooperation with Russia on the occasion of Moscow’s war with Ukraine.
Kim held summit talks with Chinese President Xi Jinping in Beijing in September last year on the occasion of a Chinese military parade and discussed ways to improve bilateral ties.
But relations between Pyongyang and Beijing do not appear to be restored in a full-fledged manner with no signs of high-level exchanges of personnel spotted.
“The government is closely monitoring the development of Korean Peninsula affairs, including North-China relations,” an official at South Korea’s foreign ministry said.
Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.
My husband and I celebrate our 40th wedding anniversary in April! Years ago we planned to go to Paris (as we did on our 25th), but now our 17-year-old dog can’t be left alone with a dog sitter for that long. And look, our cat is 15! Any recommendations for a special dinner (we live in the Pasadena/Highland Park area) and maybe a little escapade where we would only be gone for shorter bursts? Hints: We love theater, movies, the beach, laughing and food that is divine, but not so rich you can’t stand up after. I also can’t eat dairy. — Diane Kelber
Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.
Here’s what we suggest:
First and foremost, congratulations on 40 years of marriage! That’s a milestone definitely worth celebrating. Also, I hear you on not wanting to leave your dog for an extended period of time. Although you won’t be able to make it to Paris this time, hopefully we can bring glimpses of the romantic city to you here in L.A. I’ve compiled a list of spots for you to create your own adventure.
If you look closely enough, you can find slices of Europe in L.A. Or as my colleague Christopher Reynolds once put it, places that aim to “feed travel dreams or remind someone of home.” A prime example of this are the many French restaurants in the city where you can indulge in as many macarons, steak frites and beef bourguignon as you’d like. Two standout spots are Camélia and Pasjoli, both featured on the L.A. Times list of 101 Best Restaurants. Located in the downtown Arts District, Camélia merges French and Japanese cuisines. On the menu is uni pasta, hanger steak au poivre and a dry-aged burger with fries, which restaurant critic Bill Addison says doesn’t require any twists because “it’s simply a fantastic burger.”
Restaurant critic Jenn Harris says the Santa Monica-based Pasjoli “straddles the line between destination dining and the kind of neighborhood restaurant everybody wants to have down the street.” The eatery is best known for its tableside pressed duck, which the chef prepares in a theatrical fashion during dinner service. But if you’re not into duck, there are several other popular dishes on the menu, including French onion soup, steak frites, sole meuniere and what Harris calls “the best grilled cheese sandwich in the known universe” (though this might be a better option for your husband).
If you prefer a more laid-back vibe that makes you feel like you’ve been teleported to Saint-Germain-des-Prés in Paris, check out Figaro Bistrot in Los Feliz. As I wrote in a guide about neighborhood, the restaurant embodies the Parisian way of dining: guests linger over wine and good conversation.
Another L.A. spot that is reminiscent of Europe is the the Getty Center in Brentwood. Designed by architect Richard Meier, the sprawling hilltop complex is gleaming with manicured gardens, breathtaking city views and a museum, making it the perfect backdrop for a romantic date. Bring a blanket, your favorite snacks and have a picnic on the lawn near the central garden. The best part is that it’s free to visit (though reservations are required and parking rates vary depending on the time of day). For a more intimate experience, check out the Getty Villa in Malibu, modeled after the Villa dei Papiri in Herculaneum, Italy.
For a picturesque date that feels like you’ve been plopped onto a movie set, consider the Gondola Getaway in Long Beach. Here, a gondolier takes you on a loop around an enchanting residential Naples Island. Years ago, I went on a date there and I’ve been wanting to go back ever since.
Now for some rapid fire recommendations: Since you’re into theater, my colleague Lisa Boone suggests the Pasadena Playhouse, a Tony Award-winning theater, which is close to home for you. Times outdoors reporter Jaclyn Cosgrove also recommends drinks and dinner on the charming balcony at Checker Hall in Highland Park. Afterward, you can check out a live show next door at the Lodge Room. And because you love laughing, consider checking out Hollywood Improv, which hosts multiple events throughout the week.
Now, I know that these experiences aren’t Paris, but I hope they might help bring you and your husband a bit of what travelers feel when they’re there: excitement, adventure, passion and most importantly love. And when you’re with that special someone, I think you can capture those emotions no matter where you are. Happy anniversary!
A quintessentially English village brimming with traditions, natural wonders and local delicacies is waiting to be explored – from historic caves and breathtaking views to the world-renowned cheese that originated there
The village still sells the original food (Image: travellinglight via Getty Images)
Nestled at the base of the picturesque Mendip Hills, this stunning village remains remarkably unchanged from decades past, preserved as the epitome of an English village.
Cheddar is famous for many reasons, all of which consistently attract visitors to its charming Somerset enclave throughout the year.
Packed with traditions, natural marvels and of course its regional specialities, it provides the perfect retreat from daily life into what resembles a storybook village.
From charming tea rooms to classic cottages, spectacular scenery and ancient caves, there’s far more to discover in Cheddar than initially apparent.
Following a visit, one person said on TripAdvisor: “This is a beautiful small place, with some great attractions and amazing local shops. So many places to eat and drink or buy local gifts like cider and cheddar. We would definitely come back.”
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Cheese
Naturally when you hear the village’s name, you immediately think of the cheese, and it’s no coincidence – the dairy product adopted the name of the village where it was first created.
The heritage of this globally celebrated cheese stretches back to approximately 1170, when it was crafted and aged in nearby limestone caves.
Due to their stable temperatures and humidity levels, they provided the ideal environment for cheesemaking until the technique was modernised.
Notably during the Second World War, milk production was commandeered by the government, resulting in standardised cheese, referred to as ‘government cheddar’ in the UK.
This led to the erosion of traditional cheddar production in regions like Somerset, meaning many of us have grown up without ever genuinely experiencing the authentic version.
When exploring the tranquil village, visitors can stop by The Worlds Oldest Cheddar Cheese Shop to sample some of the original recipes. Nearby sits the Cheddar Gorge Cheese Company, where guests can both buy and try ‘the only Cheddar made in Cheddar’.
Gorge and caves
The gorge is truly where Cheddar’s enchantment lies, comprising several caves, including Gough’s Cave. It has captivated human curiosity for generations and is thought to have been inhabited since Neolithic times at the earliest.
Cheddar Gorge stands as the UK’s largest and represents a natural monument that attracts over 50,000 visitors annually, all seeking a window into history.
Indeed, the location is so historically significant it yielded what remains the oldest complete human skeleton ever discovered in Great Britain, famously known as Cheddar Man, who dates back roughly 9,000 years.
Visitors have the opportunity to venture inside the caves, discover their hidden depths and even participate in rock climbing activities.
One said: “The caves were brilliant. Seeing where the Cheddar Man skeleton was found and then going deeper into Gough’s Cave was a wonderful adventure.”
They noted that the caves were “truly beautiful” and described the trek along the clifftops as an “awesome” experience.
The scenery is genuinely unlike anything else, featuring massive, soaring, dramatic cliffs that have established it as a global hotspot for caving and rock climbing.
Cheddar Gorge is an authentic haven for outdoor adventurers, combining natural beauty with thrilling activities, and naturally, plenty of heritage.
Breathtaking views
For the best vantage point in Cheddar Gorge, visitors can tackle the ultimate climb, which includes a 274-step staircase. Jacob’s Ladder is a must-visit for those exploring the area who want to experience it all from an elevated perspective.
The steps were built in 1869 to guide people upwards from the gorge base right to the cliff summit, and they remain in use to this day for the same purpose.
Based on visitor feedback, the trek is definitely worthwhile, offering the opportunity to enjoy sweeping views across Somerset and the Mendip Hills, with the possibility to climb even further, up an additional 48 steps.
Following the climb, one visitor said: “It’s steep, but it’s well worth climbing the 274 steps for the views you get when you reach the summit.
“Fortunately, there are two resting places on the way up (with information boards giving a history of the ladder and the flora and fauna around the steps) where you can admire the views across Cheddar and get your breath back. On the way down, you may be lucky enough to see one of the feral goats.”
The Chargers bolstered their efforts to protect quarterback Justin Herbert all while diversifying their offense by agreeing to terms with veteran fullback Alec Ingold on Sunday, according to multiple reports.
Ingold’s deal with the Chargers reportedly is for two years and $7.5 million.
Ingold will be no stranger to the Chargers’ plans on offense. He played the last four seasons in Miami under coach Mike McDaniel, the Chargers’ new offensive coordinator. Last year he caught eight passes for 52 yards and ran the ball twice in 17 games.
Ingold caught 47 passes for 372 yards and rushed for 34 yards in 20 carries in four seasons with the Dolphins. He also had two rushing touchdowns and a receiving touchdown.
Before his time in Miami, Ingold played three seasons with the Raiders.
The deal comes two days after the Chargers signed veteran center Tyler Biadasz to take over over for the retiring Bradley Bozeman. They agreed to terms on a one-year deal with edge rusher Khalil Mack on Saturday.
With the free agency negotiation period set to begin Monday at 9 a.m. PDT, the Chargers remain in strong position to be significant players in the free-agent market. They rank among the top-five teams in salary cap space, per Overthecap.com.
Author Diana Gabaldon knew readers had been mentally casting the timeless main couple at the center of her “Outlander” book saga since the first novel’s release in the early ‘90s — particularly its leading man, a tall and burly Scottish Highlander with striking red hair. She recalls a 50-year-old German actor who, she says, “always looked like he’d been dipped in cooking oil” among the imaginary candidates. Another was a 5-foot-4-inch race car driver. She quickly learned not to weigh in.
“They would keep asking me who I’d like to play Jamie — ‘Nobody,’ I kept saying because on the rare occasion when I mentioned some possibility, the immediate response would be shrieks of dismissive outrage and heapings of scorn that went on for days (online),” she says over email. Besides, she felt the whole notion of considering prospects was pointless because, as she puts it, it’s not like Hollywood would want to adapt a 300,000-word book anyway.
However, Ronald D. Moore and Maril Davis, longtime collaborators through their Tall Ship Productions banner under Sony Pictures Television, did. And Gabaldon was thrust back into the casting debacle, watching test videos and learning not to judge a book by its cover — or actors (in this case, Sam Heughan and Caitriona Balfe) by the photos that pop up in a Google search: “Sam doesn’t look like Jamie, and Caitriona doesn’t look like Claire, but both of them can be those people, and that’s all that matters,” she says. And they were those people.
In 2014, the duo brought to the screen the epic story of Claire Randall, a British combat nurse who is mysteriously transported back to 1743 Scotland and marries Scottish warrior Jamie Fraser to survive. Together, they ignite a passionate romance that traverses decades and endures brutal separations, wars and time travel. After spinning its own sweeping narrative for more than a decade, the Starz series is launching its eighth and final season on Friday.
In “Outlander,” Claire Randall (Caitriona Balfe) is a British combat nurse who is mysteriously transported back to 1743 Scotland and marries Scottish warrior Jamie Fraser (Sam Heughan) to survive.
(Ed Miller / Starz)
And it won’t exactly be a by-the-book ending. The final season pulls from the remaining material in Book 8, as well as Book 9 — Gabaldon is working on a 10th installment, “A Blessing for a Warrior Going Out” — leaving Matthew B. Roberts, the showrunner, and the writing team to craft an original ending for television. In a signal of how much pressure there was to do right by the beloved fictional couple, four endings were written and filmed.
“Diana’s been involved since Day 1 — she reads everything, she sees everything,” Roberts said by video conference. “I told all the endings that were going to be written. She briefed me a little bit of where she might be going, not the ending of the books, but just where the book might be going. I wanted to at least incorporate some of that in some of the endings that were written.”
Can it be anything other than a happy ending? Maybe the clue is in “I Love Lucy.” Lucy and Ricky Ricardo‘s love story was often a reference point for Roberts throughout his time on “Outlander.”
“No matter what trouble Lucy got in, no matter what she was doing, never did you think they were ever going to break up,” he says. “That’s Jamie and Claire, no matter what happens, no matter what he goes through or what she goes through, no matter what trouble or what they tell each other sometimes, we’ll never think they break up. And the audience knows that too, and we knew, if you just stayed true to that, then that love story would be successful.”
Ahead of the show’s final season premiere, The Times spoke with Balfe and Heughan to get their thoughts on bringing the historical romance to life and the journey to reach the final chapter.
In the spirit of the Season 8 premiere, which has a moment where Claire and Jamie reflect on the early days of their story, let’s travel back in time. Do you remember how this series was first presented to you and what went through your mind?
Balfe: I think the logline I saw was “nurse goes back to Scotland and then goes back 200 years in time and meets a Highlander.” I think I had two lines. That was all I had.
Heughan: It sounded like it was never gonna work. I found out it was a book series, and I think we both read it, didn’t we?
Balfe: Yeah, I read the book in four days before we tested. You’d already been cast at that point … I was living in L.A. I had tiny bit parts in a few films, and I was definitely struggling. I had booked to go on a trip to India, sent my passport into the Indian embassy. Of course, that’s exactly when I found out that maybe I had to travel to London for this test.
Heughan: At the time, I had failed attempts at pilot season, and I was back in London working in a bar and thinking, “I can’t afford to do this and I’m 34 years old. I should probably think about giving up.” Because there was no way I could support myself. I wasn’t loving it.
Balfe: You were 33, by the way.
Heughan: Oh, yes. I was younger. Then this thing came through. And actually, to be honest, the logline and perhaps the dialogue, when I read it, I just thought, “I know this guy.” There just was something very familiar.
“At the time, I had failed attempts at pilot season, and I was back in London working in a bar and thinking, ‘I can’t afford to do this and I’m 34 years old. I should probably think about giving up,’” says Heughan.(Sophia Spring / For The Times)
Tell me about the decision to say goodbye to this show and these characters. Does it feel like the right time?
Balfe: By the time we got to Season 7, that was our last season that we were contracted for, and there were conversations going around that they — the writers — felt that they had eight seasons [for this story]; that that was sort of an organic finish to it. But we were more than halfway through Season 7 before anyone came to talk to us. Actually, we had all scripts, bar the last two. And it wasn’t ending. Before they came to us, it was like, “How is this gonna happen? Are they going to wrap it up in two episodes or are they coming to us?” It was a lot of pressure in a very short amount of time to decide, “OK, do we just wrap this up in two episodes or do we try and give it a season to properly say goodbye?” There’s a lot of people’s jobs, and there’s a lot of people’s livelihoods, and there’s a whole ecosystem around it. We felt that it needed that kind of time.
Heughan: A lot of thought went into it. I think we were ready to move on or do something else. But also, there was this itch, like we hadn’t finished it and it didn’t feel satisfying for us and for the fans. We wanted to come back and really tie it up properly.
The final season focuses on Claire and Jamie’s struggles during the Revolutionary War, with the war having followed them home. What intrigued you about this final onscreen chapter of their story?
Heughan: Jamie’s concerned about himself in the foremost because he has this information that he’s going to die. But they’ve fought for eight seasons to stay together and to protect everyone they love and the greater community and I think that continues, but there’s so many more distractions or more challenges along the way in this season from the inside.
Balfe: And the Revolutionary War has been circling them for a very long time. It was time for the culmination —
Heughan: [Laughs] Instead of saying “War is coming,” it’s “War is here.’
“There’s a lot of people’s jobs, and there’s a lot of people’s livelihoods, and there’s a whole ecosystem around it. We felt that it needed that kind of time,” says Caitriona Balfe, right, with Sam Heughan, about finishing the “Outlander” story with an eighth season.
(Sophia Spring / For The Times)
The fandom around this property is active and devoted. There’s good that can come from that — the engagement, the creativity — but some bad too, like when things get toxic. What was the learning curve of playing this beloved fictional couple and navigating the fandom?
Balfe: It was a bit of a baptism of fire.
Heughan: We were both quite green when we were thrust into it and engaged wholeheartedly.
Balfe: The landscape is very different. Twitter was Twitter before it was death pit, Instagram was far more innocent as well. In the beginning, it was really nice. I wasn’t a mom. I had loads of time on my hands — well, not really, because we were shooting all the time — but anytime I did, it used to be nice and we would do these quick Q and As. That one-on-one connection with the fans was really, really lovely. I do think there was a moment where … the tide shifted, and this sort of shipper-dom got very intense. I was getting married, and that was having an impact on the people in my life and and I think I had to then step away because I was like, “OK, this doesn’t feel good for everyone in my life.”
Heughan: Look, I think it’s still there. It is a strange one to get your head around. People, in one way, are uber fans of the show, but in other ways, they’re overtly intrusive in your life. But it is a small minority. I think … perhaps we’ve done our job that well? It’s not just about Jamie and Claire, it’s about that person behind it and their life behind it, and their family behind it, that people want to get invested in. I don’t know if it’s a great thing for actors, to be honest, but in this current environment, we’re always asked to give more of ourselves to engage with fans, but it’s been something we’ve had to learn on the job.
Balfe: And I think there are times in your life when you have more capacity to be more open, and there’s times in your life where you need to shut off a little bit more. The overall reception from the fans have been so positive and so supportive of things that we’ve done in our lives, and that is the thing that I choose to focus on with it.
“Outlander” isn’t strictly a romance, but that’s what gives it power. You’ve spent more than a decade in this space. What have you learned about how that romance space functions and what the fans seek from these stories?
Balfe: I was sort of unaware of the need and the appetite that people have for it. Nowadays it’s served an awful lot better, but I think it was an underserved demographic. Or it was not given the due that people needed. It’s sometimes looked on as the second-class citizen of storytelling, in many ways, but I think it’s a genre that allows you to really look at the beauty of humanity and … the core things that we care about, which is love and family and connection.
Heughan: And comfort. It’s comforting. This show proves that there’s a real appetite.
Balfe: There’s many more shows now. Everybody’s talking about “Heated Rivalry.” There’s “Bridgerton.” Maybe it’s the emancipation of women in the last 50 years. It’s like they are finally like, “Well, we want our TV that speaks to us as sexual beings and as mothers and as matriarchs and as professionals and whole round of people.” Our show did that a lot.
“There’s many more shows now,” Balfe says of series that serve up romance. “Everybody’s talking about ‘Heated Rivalry.’ There’s ‘Bridgerton.’ It’s like they are finally like, ‘Well, we want our TV that speaks to us as sexual beings and as mothers and as matriarchs and as professionals and whole round of people.’ Our show did that a lot.”(Sophia Spring / For The Times)
Have you taken stock of just how much Claire and Jamie have gone through as a couple?
Balfe: How many near-death experiences?
Heughan: Yeah, how many times they’ve nearly died or been attacked or assaulted.
Balfe: How many people they’ve killed. Claire, she’s like a serial killer.
I was wondering, because it’s the last season, you can’t get in trouble now, where would Caitriona or Sam have called it quits in this relationship? Like, this is too much, I need to move on.
Balfe: I don’t know if Caitriona would have gone back 200 years in time.
Heughan: When she fixes his shoulder — that’s pretty painful. She gets him in a lot of trouble and he puts himself in a lot of trouble. I wouldn’t have gone past Episode 1 [he mumbles].
Balfe: See! I would have gone to Season 3.
Heughan: No, I think when he sends her through the stones and is like, “That’s it. She’s gone.” But she keeps coming back. I thought I got rid of her, finally!
Caitriona, you make your directorial debut on the show this season with Episode 2. Tell me about that experience.
Balfe: It was so fun. They gave me Episode 2, which allowed me to do my prep before we started. I was so lucky that Jan Matthys, who is the director of Episode 1, was an incredible mentor to me throughout the process. I just got to work with these guys in a totally new way, which was so amazing. I was buzzing. The whole first 10 weeks [of this season] felt like the very first 10 weeks again because you’re learning all these new skills and you’re just in such high operating point; you have to make decisions on the fly, I was also in scenes. It was just mad, but brilliant.
Heughan: You were also probably happy to take the corset off.
Balfe: To be able to walk around in proper wet weather gear and trousers and be able to go to the bathroom — not to be TMI, but it was so good.
They did not give me the easiest episode. Every day had its thing — obviously, the bear attack sequence. Three days before we were filming that, that was a cougar; we were going to have a live cougar. There was a whole thing planned. And a cougar attacks in a very different way than a bear does. So my whole shot list had to go out of the window and I had to rethink the whole thing. But that was kind of fun.
The final season of “Outlander” focuses on Claire (Balfe) and Jamie’s (Heughan) struggles during the Revolutionary War, with the war having followed them home.
(Robert Wilson / Starz)
Finales can be tough, given how viewers chime in on social media. You can’t please everyone. But what was your vision for the ending of “Outlander”?
Balfe: I didn’t really have one. I would not want to have had Matt’s job because that’s a really heavy load to bear, trying to finish this out. But I would say the season was unusual. Normally, we would get an overview of the season before we start. This season, we went into it blind so we weren’t getting sort of any info about what was going to happen. Through the whole season, it was like finding out as the scripts came what was happening. And to be honest, we still don’t really know the ending. We know bits that were filmed, but [not] how he’s going to edit it.
Heughan: I definitely had a firm belief about a certain element of it. I spoke to a few people — few other execs and producers — and there was a common consensus, and I think that might be one of the directions, but it’s going to be a surprise for us when we watch it. I don’t know when we are going to watch it.
Multiple endings were filmed.
Balfe: There was a few different things filmed.
Heughan: Hard to know what’s [going to make it] — it’s all in a same direction. But what direction that is …
Would you call it a happy ending?
Heughan: I don’t know. It was such a secret on the call sheets and stuff.
Balfe: There was different versions of scripts that went out.
Heughan: There were fake people put in. There was a reduced crew.
Eric Musselman sat behind a microphone at the bitter end of a bitter regular season for USC, armed only with the same explanations for how a once-hopeful season could come so undone.
There were unfortunate injuries to point to, he said, and continuity issues to contend with. Then there was the pesky problem of Big Ten travel. And at home, well … “Our home court has not been much of a home-court advantage,” Musselman said, after UCLA chants rang out through Galen Center all night.
But none of that rationale, as true or convenient as it might sound, could adequately explain how the Trojans ended up here at their season’s nadir, with seven straight losses heading into the Big Ten tournament, the latest an 89-68 rout at the hands of their crosstown rival.
The seventh of those losses looked strikingly similar to the other six. Once again, USC’s defense collapsed in the second half, as UCLA shot better than 60%. And once again, the Trojans’ streaky shooting and lack of presence on the glass made it impossible for them to keep up.
“Obviously our struggling down the stretch has not been characteristic of our past programs,” Musselman said. “It’s actually been the exact opposite.”
Yet at USC, it’s all we’ve seen through two seasons with Musselman at the helm. The Trojans lost eight of 10 to finish out the regular season a year ago, and at the time, the coach also blamed injuries to their top two guards, Desmond Claude and Wesley Yates, for the collapse.
USC guard Alijah Arenas, right, drives past UCLA guard Skyy Clark during the Trojans’ loss Saturday night at Galen Center.
(Allen J. Schaben / Los Angeles Times)
Injuries proved even more devastating this season. USC was without five-star freshman Alijah Arenas until late January and lost Rodney Rice, its starting point guard, to an injury in November. He referred to his Trojans as “the most injured team in college basketball.”
“It’s not an excuse,” Musselman said. “It’s a fact.”
But there were inexcusable losses along the way, losses that didn’t hinge on one player’s absence — and might’ve singlehandedly changed the conversation over USC’s season. Among them: A second-half collapse at home to Washington, a blown lead in the final minute to Oregon and an unraveling at the hands of Northwestern, which was winless in conference at the time.
Even still, the Trojans might have salvaged their tournament hopes if they found something down the stretch. Instead, the team’s top scorer, Chad Baker-Mazara, was dismissed last weekend. Musselman wouldn’t offer any further comment on that decision. But by Saturday night, USC looked as lost as ever.
“We just have to stay together,” said senior Terrance Williams. “I feel like when adversity hits, sometimes we tend to go our separate ways. We’ve got to just stick together, man.”
It looked, for a brief time, like USC might manage that against UCLA. Even as busloads of Bruins fans descended on Galen Center, turning USC’s arena into hostile territory, the Trojans showed signs of life early on. Midway through the first half, the Trojans had played their crosstown rivals to a tie, 21-21.
Any hope stitched together during that stretch came apart just a few minutes later, though. USC hit just four shots the rest of the half, while UCLA hit 10 of 12 at one point. For the final 4:40 before halftime, the Trojans didn’t pull down a single rebound.
Arenas would do his best to drag USC back from the brink. He scored 13 in the second half and 20 overall. During one spurt, the freshman put up eight points in less than four minutes, cutting UCLA’s lead to 11.
But the spark was brief. The Bruins came firing back, led by Donovan Dent, who basically took a blowtorch to the Trojans’ defensive plans. After scoring a season-high 30 points against USC in their last meeting, Dent tallied 25 in the rematch.
“We had a problem staying in front of Dent,” said forward Jacob Cofie. “Eleven for 15, that’s unacceptable.”
That was just the start of USC’s issues. But as its season continues to descend further into disaster, Musselman assured that things were still moving in the right direction ahead of Wednesday’s game against Washington in the conference tournament.
“We feel this is an NCAA tournament team if we were healthy,” Musselman said. “We have no doubt that it was — or would be.”
Except now, we’ll never know for sure. And after a seventh-straight loss and a second straight season left spiraling, hypotheticals could only carry USC and its coach so far.
Bruce Johnston, a six-decade member of the Beach Boys’ live band, announced he will step away from the group.
The 82-year-old Johnston told Rolling Stone that “It’s time for part three of my lengthy musical career! I can write songs forever and wait until you hear what’s coming! As my major talent beyond singing is songwriting, now is the time to get serious again.”
The Beach Boys’ Mike Love also said in a statement that “Bruce Johnston is one of the greatest songwriters, vocalists, and keyboardists of our time. We’ve had the honor of his performance and participation for many many years with the Beach Boys. Change is always promised in life; today we find ourselves in a chapter of change, but not an end.”
Johnston originally joined the group in 1965, filling in as a live vocalist in place of frontman Brian Wilson, and earning a vocal credit on “California Girls.” He left the band in 1972 to pursue solo work, and penned Barry Manilow’s hit “I Write The Songs.”
Johnston returned to the Beach Boys in 1978, and continued to tour as the only member besides Love from the band’s original era. He also wrote several songs for the group, including “Disney Girls (1957),” “Deirdre” and “Tears in the Morning.” Johnston will be replaced by Chris Cron, vocalist for the Beach Boys tribute band Pet Sounds Live.
After Wilson’s death last year, Beach Boys fans still have several occasions to hear the catalog live. Love’s long-running edition of the Beach Boys will play three nights at the Hollywood Bowl over July 4 weekend (which Johnston said he’ll sit in on). Founding member Al Jardine is touring with Brian Wilson’s former backing ensemble, now called the Pet Sounds Band, with a set focused on the1977 LP “The Beach Boys Love You.”
I know a lot of people who suffer from a chronic malady that gets worse each time there’s news out of Washington. Supporters of the current president of the United States might refer to this condition as a side effect of Trump derangement syndrome, but it’s more like Trump fatigue syndrome.
Symptoms can include a desire to tune out for a spell, stick your head in an ice bucket, or find another way to numb the senses.
But some brave souls, instead of looking away, step into the fray.
Bert Voorhees, for instance.
I came upon his name while reading coverage of the Monday evening demonstration at City Hall in downtown L.A., where protesters railed against the bombing of Iran — the latest example of Trump acting as if he’s king of the world and answerable to nobody, including Congress, the courts or the American people.
On the steps of L.A. City Hall, people attend the March 2 Answer Coalition rally protesting the attack on Iran by the U.S. and Israel.
(Jason Armond / Los Angeles Times)
With missiles flying, civilians dying and chaos spreading, Voorhees told USA Today that the Iranian ayatollah’s violence against his own people did not justify a U.S. military assault. In Voorhees’ mind, it’s American democracy that is under attack.
“If people don’t stand up and get loud about this, all together right now, we’re not going to have a country,” the northeast San Fernando Valley resident said. “So, it’s time for people to get serious, get in the streets.”
I called Voorhees, a retired lawyer and teacher, and we had a long chat that continued the next day over lunch in Montrose. We’re both in our 70s, and we both have trouble aligning the country we’re living in with the vision we had for it as younger men. Who could have anticipated years of bullying and name-calling, pathological lying about a “stolen” election or the routing of congressional and judicial opposition?
I confessed to Voorhees that I completely misread the direction this country was heading back when the first Black president in history termed out in 2016. I would have bet that as a more diverse and tolerant population came of voting age, old divisions would fade slowly into history and the U.S. would keep pushing toward higher elevations.
Silly me.
Voorhees says he’s demonstrated hundreds of times, but with immigration raids and now the war in Iran, President Trump is keeping him extra busy. “If people don’t stand up and get loud about this, all together right now, we’re not going to have a country,” said Voorhees. “So, it’s time for people to get serious, get in the streets.”
(Genaro Molina / Los Angeles Times)
Maybe it was the naively wishful thinking of a parent wanting his kids to live in a more evolved country rather than one filled with Neanderthal notions about science, medicine, climate, and non-white immigrants.
To Voorhees, these are reasons to raise hell rather than to lose faith, and he’s not alone. The No Kings rallies in greater L.A. were massive. Home Depot civilian patrols have looked out for hard-working neighbors because “silence is violence.” The whistle brigades are defending their communities.
Denise Giardina, a Huntington Beach book seller and friend of Voorhees’, has been on Home Depot patrols in her community and said planning various political actions is practically a full-time job.
“I have daughters and wanted them to have more rights than me, and I’m not sure that’s going to happen,” Giardina said.
When Giardina needs a break, she goes for a hike, which serves as a reminder that a single protest doesn’t change the world, but small steps matter.
“Sometimes you can’t think about the end,” she said. “It’s just one foot in front of the other. It’s not government that’s going to save us. It’s going to be the people.”
A crowd gathered at Los Angeles City Hall on March 2 to protest the bombing of Iran by the United States and Israel.
(Jason Armond / Los Angeles Times)
Roseanne Constantino, a Silver Lake graphic designer whose activism includes knocking on doors during election cycles, sending postcards and making phone calls, has been on the front lines with Voorhees and shares his sense of duty.
“I mean, for people to say, ‘I can’t watch the news, I’m numb, I’m overwhelmed, I have to tune out,’ is so much privilege talking, because they can tune out, because they’re safe,” Constantino said.
“I find it’s like a gateway drug,” she added, “because even people who have never done anything activist in their life eventually find themselves at a protest and are buoyed by the community and the sense of purpose and expression of opposition, but also of the love of democracy.”
To Voorhees, “democracy is a privilege,” and your participation does not end with voting. “You’ve got to make sure they do the right things,” he said, “and that requires paying attention and supervising them, if you will. Politicians are supposed to work for us.”
Voorhees told me that under President Obama, when drones were used in targeted overseas killings, he took to the streets in protest.
“I’m an equal opportunity activist, but we just haven’t had in my lifetime a person so determined to destroy democracy,” Voorhees said. “I called Reagan a fascist, and Reagan felt like a fascist until I met this man, who is the head of a fascist movement in this country.”
I wagered that the bombing of Iran by the America-first president — who promised to end rather than start wars — was Trump’s way of projecting strength at a time of weakness. Many of the president’s true believers are applauding, but it seems that nothing was learned from past Middle East meddling that ended badly, and with no thoughtful consideration of what comes next, Epic Fury could be followed by Epic Quagmire.
Voorhees insists this wasn’t just a show of might, but an act of distraction.
From the Epstein files, for instance. From the empty promises about lower prices for groceries and consumer goods, the droopy favorability ratings, midterm election fears and the mess created by tariffs that cost American merchants millions of dollars and were declared illegal.
Voorhees is mad about all of that, but made a point of clarification.
He’s not demoralized.
More than 200 people protest the U.S. and Israel’s war against Iran in front of City Hall in downtown Los Angeles on Saturday. Protesters carried Mexican, Palestinian and Iranian flags at the rally organized by the Answer Coalition.
(Genaro Molina / Los Angeles Times)
“The arc of the universe bends toward justice,” Voorhees said, “but it doesn’t do it steadily. There are retreats. Two steps forward, one back. One step forward, three back. We’re in one of those periods. … But we can overcome, and I believe in the long run we probably will.”
Minneapolis is the model, he said. When two innocent people were killed in immigration raids, the community came together and rose in protest, forcing a retreat of Trump’s forces and sparking a national conversation about the brutal tactics.
“Minneapolis pushed back against that with humanity, and that’s the future we want to build,” Voorhees said. “That’s the future Martin Luther King Jr. always wanted. That’s the beloved community. That’s the ticket.”
Things will change only if “we get up off the couch,” said Voorhees, who attended another antiwar protest Saturday on the steps of City Hall with a sign that asked, “Who Would Jesus Bomb?”
“You can march ahead with a heavy heart and a downcast head, or dance ahead with a smile and a tune on your lips, hand in hand with people you care about. Why not do that? All empires fall. All kings and tyrants fail in the end. Sometimes it’s fast. Sometimes it’s slow. But that day is coming and, as the Twin Cities proved, love is stronger than hate, if only just.”
WASHINGTON — The Defense Department last week outlined a concise set of military objectives in President Trump’s war against Iran, claiming its ultimate goal is to dismantle Tehran’s ability to project power beyond its borders. Yet it may be targets the Pentagon has largely left unacknowledged that offer the clearest insight yet into Trump’s true intentions.
U.S. military strikes have focused on Iran’s ballistic missile, drone and nuclear programs, as well as its naval assets, according to U.S. Central Command. But strikes have also increasingly targeted Iran’s internal security forces, used by the Islamic Republic to suppress public dissent, according to an analysis from the Institute for the Study of War and the Critical Threats Project shared with The Times.
The strikes have targeted at least 123 headquarters, barracks and local bases operated by Iran’s paramilitary organizations, including the Islamic Revolutionary Guard Corps and its Basij militia. Regional police forces, primarily in the capital region around Tehran and in western Iran, near areas dominated by Kurdish groups hostile to the Iranian government, have also been targeted.
Some of those groups are being armed and supported by the U.S. intelligence community, a U.S. official said, speaking on the condition of anonymity to speak candidly.
Nicholas Carl, with the Critical Threats Project, said the pattern indicates the campaign is already underway to set the conditions for a revolution.
“As we are going after these repressive institutions, we are degrading the ability of the regime to monitor its population, to repress its population,” Carl said. “And so it looks as though the strike campaign may be organized around trying to erode the ability of the regime to repress in those areas.”
Analysts said that strikes against internal forces could be greater than they have measured thus far, noting the difficulty of tracking targets in the war based on publicly available data due to an internet blackout strictly enforced by the Iranian government.
An explosion erupts after strikes near Azadi Tower close to Mehrabad International Airport in Tehran on Saturday.
(Atta Kenare / AFP / Getty Images)
The quieter side of the U.S. campaign suggests a political strategy by the Trump administration that goes beyond simply containing the Iranian government, and may instead aim to lay the groundwork for its overthrow.
Trump and his top aides have been inconsistent in their messaging on their goals for the war, vacillating between calls for regime change and far shorter ambitions, such as an Islamic Republic that remains in power under leadership more acquiescent to the United States.
Before the war began, Trump was presented with an intelligence assessment that large-scale military action was unlikely to topple the Iranian government, two sources familiar with the assessment said. The assessment led analysts at the CIA, the State Department and the Pentagon all to advise the White House against proceeding with the operation. The intelligence analysis was first reported by the Washington Post.
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Greasing the wheels for domestic unrest, for insurgency or revolution could serve other strategic purposes for the Trump administration beyond effecting regime change, adding new sources of pressure on an Islamic Republic that, if still intact by war’s end, would face renewed internal pressures at a moment of historic weakness.
Rob Malley, lead negotiator on the 2015 Iran nuclear deal and special U.S. envoy for Iran under President Biden, said that a sustained U.S. campaign that cripples Iran’s ability to maintain domestic control could mean “the regime collapses, in the sense that it can no longer, genuinely and effectively, govern the entirety of the country.”
“Right now, what Trump is saying suggests an extremely ambitious, extremely long-term, extremely perilous campaign that will only end with Iran’s surrender, and it’s very hard to see Iran surrendering,” Malley said. But the campaign may already be working. “Their communications have certainly been penetrated — they cannot meet without being targeted by Israel or the United States,” he added.
A woman holds a portrait of the late Ayatollah Ali Khamenei at a protest Saturday by medical professionals outside Gandhi Hospital in Tehran, which was damaged in an airstrike earlier this week.
(Majid Saeedi / Getty Images)
“Either the regime stays in place weakened, bloodied, finding it harder to govern a more fragmented, chaotic country,” Malley continued, “or the regime no longer can govern.”
An Israeli official did not deny that internal security forces were being targeted, although the official said that Israel was focused on assassinating Iran’s political and security leadership — “tiers one, two and three,” the official said. The vast majority of the strikes against internal security services thus far have been conducted by the United States.
“Our goal is to weaken the ayatollah regime, to a point where the Iranian people can choose their fate,” the official told The Times. “It’s still not at the point where they can do that, but there is work still to be done.”
By all accounts, the campaign against Iran’s military assets has achieved success. Iranian ballistic missile attacks against Israel and U.S. forces and allies in the region have decreased by 90% after just a week of combat, Defense officials said. Drone strikes have decreased by 83%. Over 30 Iranian vessels, including those used as launching pads for drones and aircraft, have been destroyed — a significant number for Iran’s aged and ill-funded naval fleet.
Trump could simply declare victory based on these results alone, said Elliott Abrams, who served as Trump’s special representative for Iran in 2020.
“They will get weaker as they use up resources and we bomb more and more relevant sites. Already air traffic is starting up again,” Abrams said, noting that commercial flights in the region began resuming this weekend. “So I doubt that the president will need a protracted campaign.”
But that would leave the regime in place, leaving open the possibility of a revanchist Islamic Republic that could reconstitute its military and crack down further on democratic protesters — an outcome that could create political backlash for Trump, Abrams said, after losing U.S. service members in combat.
A woman jogs amid closed shops in south Tel Aviv on Saturday.
(Olympia de Maismont / AFP / Getty Images)
“The outcome remains entirely in doubt — regime collapse after a wave of protests, civil war, a deal that leaves the regime in place behind a new face,” Abrams added. “A real test for Trump would arise if there is a wave of protests as in January, and the regime again starts shooting. Can he do nothing? Unlikely.”
In his initial speech announcing the start of the campaign, Trump addressed the people of Iran, telling them to shelter in their homes until the U.S. bombing campaign concludes.
“When we are finished, take over your government. It will be yours to take. This will be probably your only chance for generations,” the president said. “For many years, you have asked for America’s help. But you never got it. No president was willing to do what I am willing to do tonight. Now you have a president who is giving you what you want. So let’s see how you respond.”
But the president’s message grew muddled over the course of the last week, after he offered conflicting goals in a series of interviews with reporters.
He at once said he was expecting to hand-select the next ayatollah, after assassinating Iran’s longtime supreme leader, Ali Khamenei, in the opening salvo of the war. In other interviews, he said that the joint U.S.-Israeli campaign had killed many of the potential leaders that Washington could have worked with.
On Friday, Trump called for Iran’s “unconditional surrender.” He did not specify whether he was referring to a surrender of Iran’s nuclear program, its ballistic missile program, or on control over the country itself, and in a subsequent interview, said it could simply mean “when Iran no longer has the ability to fight.”
Over the last week, Kurdish leaders have shared accounts of Trump and his top aides reaching out to them and encouraging their involvement in the war, including a ground incursion in western Iran from Iraqi Kurdistan. But the president seems to have placed that effort on hold for the time being. “The war is complicated enough without having — getting the Kurds involved,” he told reporters Saturday aboard Air Force One.
At Central Command headquarters on Thursday, Defense Secretary Pete Hegseth told reporters that Trump maintains his promise to the Iranian people at the outset of the war, that a time will come for an uprising.
Defense Secretary Pete Hegseth addresses the audience as President Trump listens during “The Shield of the Americas Summit“ on Saturday, a gathering with heads of state and government officials from 12 countries in the Americas at the Trump National Doral Golf Club in Doral, Fla.
(Roberto Schmidt / Getty Images)
“No one’s done more than President Trump to reopen the opportunity for those who want a free Iran to do so,” Hegseth said. “Ultimately, it’s common sense, as he said up front, don’t go out and protest while bombs are dropping inside Tehran and elsewhere. There will come a moment where he determines, or they determine, that it’s time to seize that advantage.”
Suzanne Maloney, vice president and director of the foreign policy program at the Brookings Institution and an expert on Iran, said she expects the government to survive the U.S. assault, “still easily able to outgun and outmaneuver any challenges from the streets.”
But a concerted, prolonged campaign could change that assessment.
“Of course, months of full-scale war certainly could also break the system,” Maloney said, adding: “I don’t think the short-term result would be a stable transition to a more liberal system — but rather a collapse of the state itself, and at least for some period of time, a dangerous vacuum of power and order in the heart of the Middle East.”
The tiny island is home to just six permanent residents, and has more sheep than people, while its only entry and exit point takes you soaring 250m above the Atlantic Ocean
The Island is only accessible via one unusual route – in the air (Image: Chris Hill via Getty Images)
Far removed from the rest of civilisation, this tiny island has been frozen in time, with nothing but fragments of a life that once thrived and a handful of people who still call it home.
Off the coast of West Cork in Ireland sits Dursey, a charming island steeped in history but offering little else. Ever since the stunning landscape acquired a new form of transport, visitors have been able to travel across from the mainland in a distinctive way and discover a place that appears to have ceased to exist.
This tranquil island is home to approximately six permanent residents, with around 15 houses that are deemed habitable and up to seven farmers.
Their livestock stays on the island, and the owners who traditionally inherited the land continue to spend a few nights on the island but never remain. This means there are likely more sheep inhabiting Dursey than there are people.
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It’s understood that when people who live in Dursey have children, they have no option but to have a primary home on the mainland, to enable schooling and access to other facilities.
Unique attraction
Dursey is home to a rare form of transport in Ireland, and the country’s one and only cable car. It carries travellers 250m above the Atlantic Ocean, across to the island, surrounded by nothing but verdant green hills.
Starting from Ballaghboy, Cork, on Ireland’s mainland, the aerial voyage transports you to Dursey in a mere seven and a half minutes.
Throughout the journey travellers can absorb the breathtaking coastal views as the minuscule speck of land gradually grows larger before them.
Built in 1969 as a reliable and secure link between the island and Cork’s mainland, as the surrounding waters are considered far too hazardous for regular boat crossings.
The stretch of water is known as the Dursey Sound and has proved erratic over the decades, with rapid tidal surges. Beyond this, submerged rocks encircling the landmass also render it a perilous voyage and generally unsafe for travellers.
After experiencing the cable car journey, one visitor posted on TripAdvisor: “For us this was the most beautiful part of Ireland.
“We took our mountain bikes over in the cable car, and luckily for us, the weather was glorious. We saw almost all of the island and spent ages staring at the views. We just haven’t seen anything to top it despite travelling the whole way round Ireland.”
Another expressed their admiration for the island, posting: “I absolutely loved Dursey Island. It’s a stunning place, delightfully remote and serene. It is the last place in Europe that the sun sets, a cool fact for you!”.
Historic ruins
Its rugged terrain is also home to numerous equally weathered historical ruins, dating back as far as the 17th century. The most notable of these historic structures is O’Sullivan Beare Castle, which was almost completely razed during the Nine Years’ War in 1602.
Very little of it survives today, and the devastation inflicted by English forces also resulted in a massacre of local residents. One visitor claimed: “Dunboy Castle was very cool, though some information on the site would have been helpful – similar to the plaques found elsewhere. The ruins are overgrown, and you almost stumble into them. “.
Another attraction is the 19th-century Napoleonic-era signal tower. It stands quietly on the island’s highest point, originally built with the purpose of warning against French invasion.
Yet it has remained in ruins since the mid-19th century, abandoned and forgotten by history.
Commonly known as the Church of Kilmichael, it comprises the monastic church and graveyard lying in ruins on the quiet island. It’s believed that the church was established by monks from Skellig Michael but was likewise destroyed in the infamous siege of 1602 by Sir George Carew’s army.
The Kentucky Derby will be run in eight weeks, which allows plenty of time for considerable changes in the field.
And yet, there’s really not much time at all. Each Derby candidate has only one or two chances remaining to earn one of the 20 stalls in the oversized starting gate at Churchill Downs.
That means every prep race, including Saturday’s San Felipe Stakes at Santa Anita, takes on added importance as horses run into or out of contention. Others will disappear from the trail because of illness or injury.
For now, the favorites are horses coming off victories in races in Louisiana, Florida and Arkansas — Paladin, Commandment, Nearly, Renegade and Class President.
But anyone who thinks they know what will happen between now and May 2 probably also believes they can find a hotel room on Derby weekend near Churchill Downs for less than $400.
No one understands that better than the trainer who has won the race a record-tying six times.
You don’t take horses to the Derby, Bob Baffert said this week. “They take you to the Derby.”
Recent events served as another reminder. Barely more than a week ago, Baffert likely would have listed his top Derby candidates as Plutarch, Litmus Test and Brant.
Then, on Feb. 25, Baffert revealed Plutarch had a minor setback after his win last month in the Robert B. Lewis Stakes at Santa Anita and would not make the Kentucky Derby.
Three days later, Litmus Test faded to third place in his first start of the year, the Rebel Stakes at Oaklawn Park in Arkansas.
In between those disappointments, though, there was surprisingly good news for Baffert. Cherokee Nation, winless in five career starts, ran the fastest mile (1:34.50) in nearly a decade at Santa Anita. It was only a maiden race, but Cherokee Nation won by 10 lengths and earned a Beyer Speed Figure of 100. Only one 3-year-old, Fountain of Youth winner Commandment, has a higher figure this year in a race longer than a mile, and that was by one point.
“What he did … was pretty impressive to me,” Baffert said of the son of Not This Time who sold for $1.15 million as a yearling. “His stock went way up.”
Suddenly, Cherokee Nation could be Baffert’s top prospect, though he’ll have to prove it next month in the Santa Anita Derby, in which he’ll need to finish first or second to have enough points to qualify for the Kentucky Derby.
Brant, right, ridden by Flavien Pratt, finished third behind Ted Noffey and John Velazquez, center, and Mr. A.P. and Antonio Fresu, left, in the Breeders’ Cup Juvenile at Del Mar in October.
(Gregory Bull / Associated Press)
Or maybe it’s Brant.
The son of Gun Runner who cost $3 million at a sale last March recorded a 101 Beyer figure in a flashy 5½-furlong debut last summer, and followed that win with another in the Grade 1 Del Mar Futurity. But he was third in the Breeders’ Cup Juvenile and hasn’t raced since.
That changes Saturday with Brant making his 3-year-old debut in the Grade 2 San Felipe, one of four graded stakes on an 11-race card at Santa Anita. He is the even-money favorite on the morning line for the 1-1/16-mile race, which will award 50 Derby points to the winner, guaranteeing a spot in the starting gate.
“He looks good,” Baffert said. “The freshening did him well. He grew a little bit. He’s not a real big horse but he’s starting to grow right now. … It’s a tough race. There’s some nice horses in there. It’s a pretty salty prep race, but they usually are.”
Baffert has another San Felipe starter in Potente, an Into Mischief colt who cost $2.4 million as a yearling. He’s run only once, winning a sprint five weeks ago, and while Baffert would have preferred to run him in a two-turn allowance race, there aren’t any available for 3-year-olds at Santa Anita.
As he saw with Cherokee Nation, though, no one knows who will prove worthy or when.
The 2-1 second choice is So Happy, a winner of two sprint races who was sired by a sprinter (Runhappy) but is getting a chance to see if he can run farther than maybe his breeding would suggest. He is an obvious sentimental favorite; he is trained by Mark Glatt, whose wife of 25 years, Dena, died Feb. 12 from cardiac arrest. She was 57.
Not-so-Big ’Cap
With heavily favored Skippylongstocking and San Pasqual Stakes winner Westwood scratched, the $300,000 Santa Anita Handicap on Saturday is down to five starters, none of whom has won a Grade 1 or Grade 2 race. In fact, new morning-line favorite Just a Touch never has won any stakes race, though he’s been second or third six times in seven tries (he was last in the 2024 Kentucky Derby).
The only graded-stakes winners in the field are Baffert’s Getaway Car, who won a Grade 3 sprint as a 2-year-old, and Midnight Mammoth, who won a Grade 3 marathon race two years ago but lost his last two stakes tries by a combined 56¾ lengths.
The other two starters are Vodka Vodka, whose lone stakes win came in a turf race restricted to California-bred horses, and British Isles, who has never won a stakes race. The latter’s trainer, Richard Baltas, won this race with Idol in 2021. Baffert has won it six times.
The first of the four stakes races is the $300,000 B. Wayne Hughes Beholder Mile, with Splendora the 4-5 favorite for Baffert after winning four straight races, including the Breeders’ Cup Filly & Mare Sprint last fall at Del Mar and the D. Wayne Lukas Stakes last month at Santa Anita.
El Potente is the 5-2 favorite in the wide-open, $200,000 Frank E. Kilroe Mile, which this year was downgraded to a Grade 2.
WASHINGTON — The Justice Department on Thursday released additional Jeffrey Epstein files involving uncorroborated accusations made by a woman against President Trump that the department said had been mistakenly withheld during an earlier review.
The department said last week that it was working to determine if any records were improperly withheld after several news organizations reported that the massive tranche of records that had been made public didn’t include some files documenting a series of interviews conducted in 2019 with a woman who made an allegation against Trump.
The accuser was interviewed by the FBI four times as it sought to assess her account but a summary of only one of those interviews had been included in the publicly released files.
On Thursday, the department said those files had been “incorrectly coded as duplicative,” and therefore were inadvertently not published along with other investigative documents related to the disgraced financier, who killed himself while awaiting trial on sex trafficking charges in 2019.
“As we have consistently done, if any member of the public reported concerns with information in the library, the Department would review, make any corrections, and republish online,” the department said in a post on X.
Trump has consistently denied any wrongdoing in connection with Epstein. The department noted in January that some of the documents contain “untrue and sensationalist claims against President Trump that were submitted to the FBI right before the 2020 election.”
The new disclosures come as Atty. Gen. Pam Bondi faces continued turmoil over the department’s handling of the files released under a law passed by Congress after months of public and political pressure. Five Republicans on the House Oversight Committee joined Democrats in voting Wednesday to subpoena Bondi, demanding that she answer questions under oath in a sign of mounting frustration among members of the president’s own party.
The Trump administration has faced constant political headaches since the rollout of the files began in December, with critics accusing the department of hiding certain documents or over-redacting files, or in some cases, not redacting enough. In some cases, the department inadvertently released nude photos showing the faces of potential victims as well as names, email addresses and other identifying information that was either unredacted or not fully obscured.
Department officials have defended their handling of the files, saying they took pains to release the files as quickly as possible under the law while also protecting victims. Department officials have said errors were inevitable given the volume of the materials, the number of lawyers viewing the files and the speed at which the department had to release them. The department has said it’s entitled to withhold records that exposed potential abuse victims, were duplicates or protected by legal privileges, or related to an ongoing criminal investigation.
Some of the new records published Thursday pertained to a woman who contacted the FBI shortly after Epstein’s 2019 arrest and claimed that a man named “Jeff” living in Hilton Head, South Carolina, had raped her there in the 1980s when she was around 13 years old. The woman told the agents she didn’t know the man’s identity at the time, but decades later concluded he was Jeffrey Epstein when a friend texted her his photo from a news story.
In a follow-up interview a month later, the woman added a host of other claims, including that Epstein had schemed to have her mother sent to prison, beaten her, arranged sexual encounters with other men and once flew her to either New Jersey or New York, where she claimed to have bitten Trump after he tried to sexually assault her.
Agents spoke with the woman two more times, at one point asking her to provide more detail on her supposed interactions with Trump, but reported that she declined to answer additional questions and broke off contact. There’s no indication that Epstein ever lived in South Carolina and it was unclear whether Trump and Epstein knew each other during the time period involved.
The woman’s report was one of a number of uncorroborated, sometimes fantastical, reports that federal agents received from members of the public alleging misconduct by Trump and other famous people in the months and years after Epstein’s arrest.
